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<v Speaker 1>Welcome friends, Jacky, Welcome to movie Film. It's episode three

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<v Speaker 1>forty five. I'm Zaki has sign. I'm here with Brian Hall.

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<v Speaker 2>Hey, let's going Zachi.

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<v Speaker 1>Hey you staying cool down there in Socaw.

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<v Speaker 2>Yeah, it's well, typically it's it's June as we record

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<v Speaker 2>right now, and typically we have something called June gloom,

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<v Speaker 2>where the month of June it tends to be sort

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<v Speaker 2>of overcast. But yeah, it's been no gloom here. Really sunny,

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<v Speaker 2>but not an oppressive heat yet, like I would say,

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<v Speaker 2>like low eighties, so not that crazy August through October

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<v Speaker 2>whether we get out here quite yet, thank god. So

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<v Speaker 2>what about you up there?

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<v Speaker 1>Oh, it's we're in the midst of a heat wave,

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<v Speaker 1>which is less than ideal.

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<v Speaker 2>Yeah.

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<v Speaker 1>You so the ac is blasting indoors. Yeah, you know,

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<v Speaker 1>I'm in my recording space, so it's a little warmer

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<v Speaker 1>than i'd like. But hey, that's okay. Yeah.

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<v Speaker 2>Yeah, you have kind of a converted garage space that

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<v Speaker 2>you record in, right, so there's not like vents blasting

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<v Speaker 2>in cool air for you.

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<v Speaker 1>That is true, but that's okay. You and I we

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<v Speaker 1>generate enough cool all by ourselves.

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<v Speaker 2>Yeah, cumbers wish they were this cool.

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<v Speaker 1>That's right. That's the way I like to see it.

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<v Speaker 1>Mister Freeze wishes he was this cool?

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<v Speaker 2>That's right.

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<v Speaker 1>What are we going to get another big screen mister Freeze?

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<v Speaker 1>I think I think it's time. Brian, I agree.

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<v Speaker 2>And isn't that sort of online speculation, you know, for

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<v Speaker 2>the next Matt Reeves the Batman movie, because I think

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<v Speaker 2>the still frame image that they released from it had

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<v Speaker 2>snow in it, so people are like, oh, it's clearly

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<v Speaker 2>that means it's mister Freeze.

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<v Speaker 1>But I would like a stretch, doesn't it.

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<v Speaker 2>Yeah, yeah, no, but I would love to see, Yeah,

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<v Speaker 2>a good mister Freeze story without the camp that's right, right.

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<v Speaker 1>Less camp less Austrian accent.

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<v Speaker 2>I mean, we love our Austrian brothers and sisters, of course,

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<v Speaker 2>but yeah, let's less uh puns.

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<v Speaker 1>There you go. Yeah, Well, well, every I mean everything

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<v Speaker 1>I've heard about The Batman Part two is that it's

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<v Speaker 1>gonna be another two face joint.

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<v Speaker 2>Yes, and getting into his family right.

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<v Speaker 1>Yeah, so so uh, which I would assume is pulling

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<v Speaker 1>from from The Long Halloween, which is a terrific story

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<v Speaker 1>if you haven't heard that. Uh, And we got Sebastian

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<v Speaker 1>stant playing playing Harvey.

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<v Speaker 2>Dent love it.

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<v Speaker 1>That's a good choice, yep. But yeah, get us our

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<v Speaker 1>mister Freeze. I want, I want ice guns, not so

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<v Speaker 1>much the ice puns, like you said, you know, let's

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<v Speaker 1>do that. Let's let's work our way back there. It's

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<v Speaker 1>been it's been almost thirty years. I think it's time.

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<v Speaker 2>It's like that that I know, it's from the eighties,

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<v Speaker 2>like hugs not drugs, you know, guns not puns.

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<v Speaker 1>That's right. But it's yeah, long enough to let mister

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<v Speaker 1>Freeze back in from the cold, back to you, Brian.

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<v Speaker 2>Tonight the weather looks like. But hey, good newscasters, I

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<v Speaker 2>think so right.

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<v Speaker 1>We got the banter, we got the you.

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<v Speaker 2>Know, we should do an episode where we do that

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<v Speaker 2>sort of newsman Cadence.

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<v Speaker 1>It's it's you know, it's it is a specific skill.

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<v Speaker 1>I'll tell you. I have a student who I taught,

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<v Speaker 1>uh eighteen years ago, who when I when I taught her,

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<v Speaker 1>she said, my goal is to be a TV newscaster,

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<v Speaker 1>and by gum, she has achieved that goal amazing. And

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<v Speaker 1>so every once in a while, I see, I see,

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<v Speaker 1>you know, she'll post clips of her of her reports,

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<v Speaker 1>and she she shifts into newscaster voice mode, and it's extraordinary.

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<v Speaker 2>I mean, is that something they teach them. Is that

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<v Speaker 2>a way for you to speak probably quickly, yeah, but

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<v Speaker 2>in a way that is very understandable when you're speaking

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<v Speaker 2>so quick conveying a lot of information.

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<v Speaker 1>I see it as like, you know, some version of

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<v Speaker 1>like you know, in the stage acting. You know, you

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<v Speaker 1>have like the mid Atlantic accent, yes, which actors are taught,

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<v Speaker 1>you know, and that's for the stage and screen. I

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<v Speaker 1>feel like there's something similar with like newscaster voice.

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<v Speaker 2>Yeah, yeah, I mean I assume there must be some

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<v Speaker 2>sort of reason for it. I'm guessing it just has

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<v Speaker 2>to do with making them as understandable as possible. Yea.

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<v Speaker 2>And yeah, like you said, it's interesting no matter where

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<v Speaker 2>you go, what region, you just see newscasters speaking with

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<v Speaker 2>that that yeah, that cadence.

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<v Speaker 1>That's that specific way. It's it's it's hypnotic. Yeah.

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<v Speaker 2>Yeah.

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<v Speaker 1>You know, some people are just some people have that

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<v Speaker 1>broadcaster voice. Right. My friend Bob Sesca, who was a

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<v Speaker 1>podcast you know, and I was on his show a

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<v Speaker 1>couple of years ago. He's just somebody man. It's like

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<v Speaker 1>he's just he just has broadcaster voice, and he's just

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<v Speaker 1>very good at it, you know, and I'm so I'm

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<v Speaker 1>so jealous of that, Yeah, because I've just got whatever

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<v Speaker 1>this is.

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<v Speaker 2>I know, I've thought about that too. Actually, regarding myself,

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<v Speaker 2>I'm like, I wish I had more of a radio

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<v Speaker 2>voice or broadcaster voice for this, but you know, it

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<v Speaker 2>is what it is.

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<v Speaker 1>It's what it is. It's three hundred and forty five

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<v Speaker 1>episodes in five hundred plus if you count the pot

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<v Speaker 1>the commentaries.

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<v Speaker 2>This is.

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<v Speaker 1>We've done okay with what we have said. Yeah, yeah,

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<v Speaker 1>that's your takeaway. That's true. Speaking of what we have,

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<v Speaker 1>we haven't had a ton of stuff to discuss. You

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<v Speaker 1>and I we were like, like, what are the headlines?

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<v Speaker 1>But I think we've made the most of what we

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<v Speaker 1>have with the things we have lined up just gus today, Yeah,

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<v Speaker 1>I think so. Well.

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<v Speaker 2>Yeah, I was gonna say, actually, you and I have

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<v Speaker 2>kind of covered a lot of what's out there between

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<v Speaker 2>the two of us, which is kind of nice. So

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<v Speaker 2>I'm I'm looking forward to hearing you talk about the

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<v Speaker 2>things you've seen because I haven't seen them, although this

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<v Speaker 2>one I think you have seen. I can't remember if

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<v Speaker 2>I mentioned this on the last episode, but I've gotten

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<v Speaker 2>really into pop culture Jeopardy.

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<v Speaker 1>Yes, I remember telling you about the first season like

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<v Speaker 1>a year ago or whenever it dropped.

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<v Speaker 2>Yeah, so the like a week or two ago. I

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<v Speaker 2>was looking for something to just fall asleep to basically,

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<v Speaker 2>and I opened Netflix and they had the season two

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<v Speaker 2>of Pop Culture Jeopardy, hosted by Colin Jost, and I

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<v Speaker 2>thought it would fall asleep to it. It was like eleven

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<v Speaker 2>thirty at night and I was up till three binging it,

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<v Speaker 2>which is it's great because it's I've always loved Jeopardy,

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<v Speaker 2>but with this version, I can answer most of the questions,

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<v Speaker 2>so it's really fun. Yeah, and it is kind of

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<v Speaker 2>fascinating also because I did know, well, not the majority

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<v Speaker 2>of the answers, but I at least understood the majority

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<v Speaker 2>of the realms they were covering. But every now and

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<v Speaker 2>then they would get into something that was very modern,

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<v Speaker 2>or they would talk about a TikTok star.

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<v Speaker 1>Yeah, you would have an entire question slash answer that

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<v Speaker 1>sounds like they're summoning a demon from Yeah. Yeah, yeah,

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<v Speaker 1>it's just a bunch of nonsense words.

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<v Speaker 2>Yeah, there's a thing. I read it a lot. When

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<v Speaker 2>there's a headline about like two TikTok couples breaking up

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<v Speaker 2>or something, and usually the top comment, which is to

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<v Speaker 2>indicate I have no idea who these people are. Someone

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<v Speaker 2>once did a tweet that was like, this is what

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<v Speaker 2>modern headlines with young stars I don't know sound like.

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<v Speaker 2>And it says, curtains for Zuska, you know such and

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<v Speaker 2>such caught flipping a grunt or something like that. It's

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<v Speaker 2>just nonsense, but it makes sense to some audience out there,

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<v Speaker 2>but it makes no sense to us. And so yeah,

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<v Speaker 2>a couple of the questions feel that way, but not enough.

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<v Speaker 2>I was able to enjoy it. But I burned through

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<v Speaker 2>the whole thing and really really enjoyed it. There are

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<v Speaker 2>some good twists and turns, you know, people coming back

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<v Speaker 2>that you didn't expect in whatever.

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<v Speaker 1>So am I wrong to think it's just arrogance on

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<v Speaker 1>my part to think that you and I would just

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<v Speaker 1>destroy on that show.

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<v Speaker 2>No, I thought about it. I thought about it well

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<v Speaker 2>because I was answering all the questions, and well a

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<v Speaker 2>lot of them, a lot of them, and enough of

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<v Speaker 2>them that I was like, dude, we would really do well.

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<v Speaker 2>If we could get the buzzers right, we would do

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<v Speaker 2>really well.

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<v Speaker 1>That's the thing. That's what you realize it is a

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<v Speaker 1>buzzer game.

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<v Speaker 2>Yeah, because I mean, you can know the question, but

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<v Speaker 2>if someone gets it before you, or gets the timing

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<v Speaker 2>a little bit better than you, you know. But anyway,

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<v Speaker 2>I burned through the season two on Netflix, so I

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<v Speaker 2>went back to season one on Amazon Prime and I'm

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<v Speaker 2>watching that one right now. So I'm loving it. I

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<v Speaker 2>think a lot of people who listen to the show

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<v Speaker 2>would enjoy it too.

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<v Speaker 1>Oh yeah, season one had the three person teams.

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<v Speaker 2>Yeah, it's a little different.

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<v Speaker 1>It's a little different, so I think that that was

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<v Speaker 1>a smart thing. They made it two person teams instead.

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<v Speaker 2>Yeah, I agree. It felt I don't know how to

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<v Speaker 2>explain it. It's very much a feeling in the back

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<v Speaker 2>of my mind. But it does feel like they've polished

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<v Speaker 2>it up a little bit for season two.

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<v Speaker 1>Yeah.

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<v Speaker 2>I'm sure a lot of that has to do with, yeah,

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<v Speaker 2>just making a duo versus three people.

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<v Speaker 1>Yeah, I was. I watched the first episode, I think

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<v Speaker 1>it was the first or second episode of this season,

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<v Speaker 1>and one of the categories I texted you about this.

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<v Speaker 1>One of the categories was our cartoon crushes. Yeah, And

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<v Speaker 1>as soon as I said, like, I saw the category

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<v Speaker 1>unconsciously I'm like, oh, Chatara, I'm like telling on myself

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<v Speaker 1>now to our audience. You know, well, I well totally.

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<v Speaker 2>I mean it's like we've all had that moment like

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<v Speaker 2>Garth right where he's like telling Wayne, you know, do

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<v Speaker 2>you ever find bugs bunny attractive? When you dress up

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<v Speaker 2>with a good bunny?

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<v Speaker 1>It does unconsciously Chatara from the ThunderCats pops into my head.

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<v Speaker 1>And then wouldn't you know that was the first question

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<v Speaker 1>slash answer. It was a picture of Chatar from Thundercuts.

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<v Speaker 1>I'm like, well, I'm not alone. I guess that's right,

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<v Speaker 1>right right, I'm part of I'm part of a mass

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<v Speaker 1>of humanity of some size.

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<v Speaker 2>So yeah, yeah, you know, I love is. I think

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<v Speaker 2>a lot of people if it was like family feud,

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<v Speaker 2>maybe the number one answer would be something like Jessica rabbit.

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<v Speaker 2>You know, but I like, I liked it. That's like

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<v Speaker 2>a deeper cut. And yeah, Jeopardy was on your wavelength, like.

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<v Speaker 1>Pretty sure, pretty sure Jessica made the cut in that

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<v Speaker 1>in that category. I'm sure.

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<v Speaker 2>I'm sure.

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<v Speaker 1>Yeah, yeah, it was about her line. I'm not bad,

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<v Speaker 1>I'm just drawn that way right right right right anyway, Yeah,

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<v Speaker 1>so that that's a fun one first season is is

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<v Speaker 1>still on Prime Video.

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<v Speaker 2>I believe, right, Yeah, I'm I've just started it and

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<v Speaker 2>it's a lot more episodes. I want to say. The

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<v Speaker 2>Netflix one was like twenty something, and I feel like

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<v Speaker 2>the Amazon Prime one is forty. I'm not sure that wor.

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<v Speaker 1>Yeah, because they dropped it in waves, which I liked better,

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<v Speaker 1>and like like, you know, chunks of ten or twenty

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<v Speaker 1>or something like that, which made it last a little longer.

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<v Speaker 1>You know.

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<v Speaker 2>It's interesting. By the way, as I'm watching it, Colin

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<v Speaker 2>Jost is a great host.

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<v Speaker 1>I was thinking the exact same thing. I was like,

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<v Speaker 1>he is very gifted at that job.

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<v Speaker 2>Yep, yeah, and he knows when to make a kind

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<v Speaker 2>of a rye remark. But he's also good at, you know,

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<v Speaker 2>I don't know, bantering with the contestants and ooh almost

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<v Speaker 2>and oh you were so close. You know, He's got

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<v Speaker 2>the whole game show hosting down. And it made me

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<v Speaker 2>think it's funny that when he wrote a little memoir

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<v Speaker 2>not so long ago, he felt like he had to

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<v Speaker 2>call it. I think it's called a punchable face or

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<v Speaker 2>a very punishable face, because for a minute, if you

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<v Speaker 2>thought of Colin Jos it was like, oh, yeah, that

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<v Speaker 2>guy I kind of want to punch. And I'm not

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<v Speaker 2>saying that for myself, but like that was sort of

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<v Speaker 2>when he and Michael Jay started doing Weekend Update, they

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<v Speaker 2>weren't very popular. You know, people found them. I don't

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<v Speaker 2>know secifically, Colin josts I feel like people just did

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<v Speaker 2>not take to him immediately and so right and in

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<v Speaker 2>that moment, that's what he felt compelled to title his

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<v Speaker 2>own memoir, Very Punishable Face. And it's amazing. Now. I

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<v Speaker 2>think they are the longest running duo at the Weekend Up.

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<v Speaker 1>They does buy a wide margin.

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<v Speaker 2>Yeah, and I've seen a lot of people online be like,

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<v Speaker 2>I hope they never leave. So it's just funny that

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<v Speaker 2>Lorne Michaels just was like, no, this will work. You'll

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<v Speaker 2>catch up to me, you know what I mean, he

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<v Speaker 2>knew it.

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<v Speaker 1>See Colin Jost ignore the haters. Yeah, eventually, eventually you'll

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<v Speaker 1>get your way. Sure, you're married to Scarlett Johansson and

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<v Speaker 1>long running SNL creator, but eventually things will come around.

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<v Speaker 1>We're rooting for you, Colin.

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<v Speaker 2>Yeah, you needed our love too, well, you got it.

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<v Speaker 1>I think that the you know, the recurring bit on

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<v Speaker 1>the show where on SNL where you have you know,

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<v Speaker 1>the they're right, they write jokes for each other right

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<v Speaker 1>without without telling each other, Like I think that Colin

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<v Speaker 1>very smartly leans into that and allows himself to be

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<v Speaker 1>the butt of the joke. And that's what makes that

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<v Speaker 1>that whole bit work totally.

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<v Speaker 2>You know, maybe that's part of it too. And you

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<v Speaker 2>know Sarah Sherman when she goes on just her whole

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<v Speaker 2>stick is dunking on him and him being game for that.

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<v Speaker 2>Maybe that helps, right, And he doesn't look like such

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<v Speaker 2>a haircut, you know, or a stiff shirt or whatever,

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<v Speaker 2>and I don't know, but anyway, Well what else you got, Brian, Well,

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<v Speaker 2>I'm just I gotta do it. It's there's only one

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<v Speaker 2>episode left. I gotta throw out some love again for

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<v Speaker 2>Widow's bay Man. I love the show Apple TV.

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<v Speaker 1>Plus, I'm telling you you you were on the leading

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<v Speaker 1>edge of the wave.

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<v Speaker 2>That's okay. So I it's so funny because this is

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<v Speaker 2>not happening in my algorithm.

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<v Speaker 1>So fascinating.

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<v Speaker 2>Just a lot of posts about it.

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<v Speaker 1>A lot of a lot of talk. Yeah, people people

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<v Speaker 1>loving this show.

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<v Speaker 2>Man. It's just it is such a unique and specific

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<v Speaker 2>tone and it continues to thread that needle of creepiness

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<v Speaker 2>and laughs and you know, riffing on horror tropes while

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<v Speaker 2>creating its own fun, spooky, unique mythology. And I'm really

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<v Speaker 2>going to miss it when it's gone. There's only one left.

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<v Speaker 2>But and I just watched you know, the one this

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<v Speaker 2>week and was like, joh, they still got it.

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<v Speaker 1>They still got it.

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<v Speaker 2>It's funny because I want to talk about it. I

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<v Speaker 2>want to like talk about some of the the jokes

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<v Speaker 2>and things that made me laugh, but I wouldn't dare

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<v Speaker 2>spoil them. I just I'm just going to recommend the show.

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<v Speaker 2>So finally I went. The only thing I've really seen

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<v Speaker 2>in theaters recently besides Disclosure Day is I finally went

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<v Speaker 2>and checked out Obsession. So this is a really interesting

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<v Speaker 2>story really about this movie itself, right, I mean comes

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<v Speaker 2>from a director named Curry Barker who did videos on YouTube,

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<v Speaker 2>much like the director from back Rooms.

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<v Speaker 1>And trend Yeah.

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<v Speaker 2>Yeah, Well, and then the big story around this is

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<v Speaker 2>it was made for under a million dollars. It comes

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<v Speaker 2>out in theaters makes a lot of money, but most

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<v Speaker 2>movies make the most amount of money and their opening

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<v Speaker 2>weekend and then it sort of diminishes week by week,

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<v Speaker 2>even if it's just a little bit, but this keeps

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<v Speaker 2>making more money every weekend. And that is the last

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<v Speaker 2>time that happened. Apparently is the movie Et, which is insane,

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<v Speaker 2>and so currently it's aid one hundred and sixty one

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<v Speaker 2>million domestic and two hundred and thirty four million worldwide,

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<v Speaker 2>made for under a million dollars.

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<v Speaker 1>It's extraordinary.

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<v Speaker 2>Yeah, And so I was very curious about this, and

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<v Speaker 2>I mean, those are interesting statistics. But I heard it

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<v Speaker 2>was good also, and I had a good friend of

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<v Speaker 2>mine say, he said, I loved it, but I didn't

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<v Speaker 2>like it. And I think what he means is it's

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<v Speaker 2>really well done and there's a lot to admire, but

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<v Speaker 2>it's intense. It's a hard movie to say you enjoy

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<v Speaker 2>because there's a lot of intense things happening in it.

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<v Speaker 2>So we were talking about this before we started. We

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<v Speaker 2>both had interest in this, but we were like, Okay,

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<v Speaker 2>what night am I going to be in the mood

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<v Speaker 2>for something upsetting, you know? And well I kept looking

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<v Speaker 2>at my regal app sponsorship sponsorship, and and every night,

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<v Speaker 2>every night, the thing was almost sold out, and so

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<v Speaker 2>I kept sort of putting it off. And then one

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<v Speaker 2>night I was like, well, I want to talk about

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<v Speaker 2>this before the next episode. So I went and I

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<v Speaker 2>was sitting elbow to elbow on a Tuesday night, you know,

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<v Speaker 2>packed theater, and basically, I should say, the premise of

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<v Speaker 2>this movie is this guy has a crush on a

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<v Speaker 2>girl in his friend group, but he is not sure

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<v Speaker 2>if she likes him back. And he goes to this,

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<v Speaker 2>you know, sort of new age store and sees this

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<v Speaker 2>novelty toy where it's like it's called like a one

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<v Speaker 2>wish willow. It's a stick and basically you make a wish,

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<v Speaker 2>break the stick, and you know, it's like a fortune

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00:17:33.880 --> 00:17:36.759
<v Speaker 2>cookie kind of situation. But what he wishes is I

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<v Speaker 2>wish that this girl, Nikki would love me more than

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<v Speaker 2>anyone else in the world. And he breaks the stick.

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<v Speaker 1>Oh, man, don't want to do that, uh huh.

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<v Speaker 2>And it turns out the stick works. And you could

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<v Speaker 2>imagine the romantic comedy version of this, you know, with

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<v Speaker 2>like Kate Hudson or on Adam Sandler or something, and

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<v Speaker 2>oh and then she loves me and she keeps buying

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<v Speaker 2>me balloons and filling my house with Teddy Bear and.

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<v Speaker 1>It went in a different direction, I'm assuming.

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<v Speaker 2>So This is like, we know, what if a person

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<v Speaker 2>was basically borderline obsessed with you, well, not borderline she is,

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<v Speaker 2>she's obsessed with you. She loves you. Yeah, And so

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<v Speaker 2>if you know, you need to leave the house for work,

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<v Speaker 2>and you turn around and your door is completely shut

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<v Speaker 2>with duct tape because she can't stand you leaving, and

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<v Speaker 2>you know, as soon as you walk out the door,

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<v Speaker 2>she basically stands with this really creepy smile on her

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<v Speaker 2>face and then pease herself standing there because she's going

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<v Speaker 2>to wait for you to come home. Like what would

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<v Speaker 2>realistically happen if you put someone under that spell? It

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<v Speaker 2>would be hell for that person and so and eventually

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<v Speaker 2>for for you, you know, and she would become obsessed

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<v Speaker 2>and not let anyone else get near you and whatever.

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<v Speaker 2>So anyway, what a brilliant idea. I mean, I don't

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<v Speaker 2>know if this has been done before. It's so simple

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<v Speaker 2>and straightforward. It's kind of shocking that we haven't seen

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<v Speaker 2>this intense take on like what is the dark side

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<v Speaker 2>of a wish?

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<v Speaker 1>Like that? Right? Right?

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<v Speaker 2>And So I gotta say I really like this movie

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<v Speaker 2>a lot. Nice really liked it, and I completely understand

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<v Speaker 2>that it's upsetting it is upsetting, and it's mostly an unpleasant,

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<v Speaker 2>upsetting feeling. I'd say there are one or two moments

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<v Speaker 2>of just outright horror, like, oh good Lord like kind

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<v Speaker 2>of moments, but not as many as you might think.

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<v Speaker 2>It's okay, just the psychology of it, which I don't

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<v Speaker 2>want to spoil, but like, there are glimpses throughout the

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<v Speaker 2>movie where the person, her real person, is trapped inside

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<v Speaker 2>the non wish, the person who is not under the spell,

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<v Speaker 2>and occasionally that will like reveal itself and she'll kind of,

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<v Speaker 2>you know, and so you know she is experiencing a

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<v Speaker 2>form of torture.

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<v Speaker 1>She's an unwilling participant.

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<v Speaker 2>In this, yes, And so that is if you really

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<v Speaker 2>think about it, what makes it so upsetting and disturbing

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<v Speaker 2>and the implications happening here. But I got to say,

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<v Speaker 2>as upsetting as it was, and I understand that a

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<v Speaker 2>lot of people have found it super upsetting, I think

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<v Speaker 2>part of me was watching the movie and enjoying it

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<v Speaker 2>but also just marveling at it, and I couldn't help

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<v Speaker 2>but think about as I was watching it, Wow, these

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<v Speaker 2>people had no idea when they probably made like two

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<v Speaker 2>thousand dollars for a month's worth of work, you know,

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00:20:40.160 --> 00:20:45.079
<v Speaker 2>being a cinematographer, being the actors doing the score, that

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<v Speaker 2>they were making the greatest calling card they could have

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<v Speaker 2>ever imagined, you know. And this movie does not look

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<v Speaker 2>like a scrappy movie that was put out, and you

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<v Speaker 2>can imagine that they're going to do so much better

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<v Speaker 2>with the next one. This is a really remarkable, remarkably

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<v Speaker 2>made movie, and like very mature decisions in the filmmaking.

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<v Speaker 2>I mean, it looks gorgeous, it looks like twenty million dollars.

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<v Speaker 1>Wow.

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<v Speaker 2>And he decides not to do a lot of cuts,

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<v Speaker 2>and I don't know if that has to do with budget.

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00:21:30.279 --> 00:21:32.920
<v Speaker 2>You know, maybe he couldn't do as many setups and

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00:21:33.240 --> 00:21:35.200
<v Speaker 2>but and if that's the case, I don't I don't

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<v Speaker 2>want to put that on him, because maybe this was

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<v Speaker 2>all creative intention from the beginning. But if that was

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<v Speaker 2>the case, that could be sort of like Jaws, the

406
00:21:41.519 --> 00:21:45.119
<v Speaker 2>Shark is not working, where like your limitations made your

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<v Speaker 2>movie ten times better because what it allows is there

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<v Speaker 2>are a lot of really uncomfortable moments between these two people.

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<v Speaker 2>And when you allow them to sit and you don't cut,

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<v Speaker 2>you're existing in this moment with them, and we don't

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<v Speaker 2>get the relief of a cut. We're stuck, and the

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00:22:03.559 --> 00:22:08.680
<v Speaker 2>performances are so strong, and the framing and the lighting

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<v Speaker 2>and the storytelling at the script level are just so

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<v Speaker 2>top notch that like, you would never know that this

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<v Speaker 2>was an underdog movie that would be very unlikely to

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<v Speaker 2>become this breakout hit. Just so I couldn't help but

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<v Speaker 2>also be admiring the movie as I was watching the movie,

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<v Speaker 2>and I think that might have softened the blow a

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<v Speaker 2>little bit for me, you know what I mean, because

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<v Speaker 2>I was thinking, like, man, good for them a lot

421
00:22:34.519 --> 00:22:37.599
<v Speaker 2>while I was watching it, which didn't diminish it for me,

422
00:22:37.720 --> 00:22:39.319
<v Speaker 2>Like it didn't take me out of it. I just

423
00:22:39.400 --> 00:22:42.160
<v Speaker 2>made me, in my own personal way, appreciate the movie

424
00:22:42.200 --> 00:22:49.359
<v Speaker 2>even more, I guess. Yeah. But for people it's just funny.

425
00:22:50.480 --> 00:22:52.559
<v Speaker 2>It is a horror movie, and so I can't like

426
00:22:52.599 --> 00:22:56.240
<v Speaker 2>broadly recommend it. You know, people I think know what

427
00:22:56.359 --> 00:23:00.839
<v Speaker 2>they're able to stand when it comes to that, right,

428
00:23:01.000 --> 00:23:04.799
<v Speaker 2>But knowing what it is, I definitely recommend this movie.

429
00:23:04.839 --> 00:23:11.440
<v Speaker 2>This is a very good dark tale. And you know,

430
00:23:11.480 --> 00:23:14.640
<v Speaker 2>it also made me think because now we're having this

431
00:23:14.680 --> 00:23:19.599
<v Speaker 2>sort of explosion of new exciting voices in horror, right,

432
00:23:19.599 --> 00:23:23.079
<v Speaker 2>I mean, several years ago it was Jordan Peel. You know, uh,

433
00:23:23.839 --> 00:23:26.920
<v Speaker 2>we had what's his name? Oh gosh, I should have

434
00:23:27.000 --> 00:23:27.400
<v Speaker 2>in front of me.

435
00:23:27.440 --> 00:23:27.720
<v Speaker 1>I don't.

436
00:23:27.759 --> 00:23:32.440
<v Speaker 2>But the filmmaker who did back Rooms Kill, Kane Parsons,

437
00:23:32.559 --> 00:23:35.759
<v Speaker 2>Kane Parsons, forgive me. And and then now this guy.

438
00:23:36.759 --> 00:23:39.240
<v Speaker 2>And it's it's interesting because you know, you and I

439
00:23:39.319 --> 00:23:41.480
<v Speaker 2>for the longest time have said we are not horror guys.

440
00:23:41.960 --> 00:23:44.160
<v Speaker 2>And it used to be we're not horror guys, period,

441
00:23:45.200 --> 00:23:46.960
<v Speaker 2>and then it became, well, we're not horror guys. But

442
00:23:47.000 --> 00:23:49.440
<v Speaker 2>I kind of enjoyed this. And then in the past

443
00:23:49.480 --> 00:23:53.839
<v Speaker 2>couple of years, several of my favorite movies of the

444
00:23:53.920 --> 00:23:57.000
<v Speaker 2>year were horror movies, right, you know, you had Companion

445
00:23:57.200 --> 00:24:00.680
<v Speaker 2>and weapons and this and back Rooms and and I

446
00:24:00.759 --> 00:24:06.079
<v Speaker 2>was thinking, it's interesting because there was this thinking several

447
00:24:06.119 --> 00:24:08.519
<v Speaker 2>years back, why are all these big movie stars doing

448
00:24:08.599 --> 00:24:13.720
<v Speaker 2>TV shows. It's like, well, movies have become this sort

449
00:24:13.759 --> 00:24:15.720
<v Speaker 2>of thing where they have to make a certain amount

450
00:24:15.720 --> 00:24:18.759
<v Speaker 2>of money. They cost so much money, they have to

451
00:24:18.839 --> 00:24:21.480
<v Speaker 2>perform and get the biggest audiences to show up for

452
00:24:21.519 --> 00:24:24.440
<v Speaker 2>them possible. So they're making these things that don't feel

453
00:24:24.480 --> 00:24:31.599
<v Speaker 2>as specific. You know, they're they're big, you know, theme

454
00:24:31.599 --> 00:24:35.039
<v Speaker 2>park rides for everybody, which can be a fun experience,

455
00:24:35.400 --> 00:24:37.119
<v Speaker 2>but that doesn't mean you're going to get the most

456
00:24:37.440 --> 00:24:41.960
<v Speaker 2>nuanced or complicated characters or stories that might not appeal

457
00:24:42.000 --> 00:24:45.480
<v Speaker 2>to everyone, but they're very rich and something exciting for

458
00:24:45.799 --> 00:24:49.279
<v Speaker 2>an actor to chew on. That became television, so all

459
00:24:49.359 --> 00:24:52.559
<v Speaker 2>the big TV movie stars went to TV because that

460
00:24:52.680 --> 00:24:57.599
<v Speaker 2>was where all the exciting, textured, nuanced, complicated stories were happening.

461
00:24:58.880 --> 00:25:02.799
<v Speaker 2>For me, it feels like, strangely, that's what's happening with horror,

462
00:25:03.519 --> 00:25:09.960
<v Speaker 2>like and theatrically, all the really interesting concepts, stories, storytelling,

463
00:25:11.839 --> 00:25:15.079
<v Speaker 2>delicious parts for actors seem to be happening in horror

464
00:25:15.079 --> 00:25:18.599
<v Speaker 2>at this moment, right, And I mean I would love

465
00:25:18.599 --> 00:25:20.359
<v Speaker 2>to see that open up. I would love to see

466
00:25:20.359 --> 00:25:24.000
<v Speaker 2>that happen with comedies again, with thrillers, with dramas you

467
00:25:24.000 --> 00:25:26.839
<v Speaker 2>know and all that. But it is funny how I

468
00:25:27.000 --> 00:25:29.359
<v Speaker 2>have kind of become a horror person because that's where

469
00:25:29.440 --> 00:25:31.680
<v Speaker 2>the most interesting stories are happening in this moment.

470
00:25:31.759 --> 00:25:34.880
<v Speaker 1>Fascinating, right, So we should say depending on the horror

471
00:25:35.279 --> 00:25:36.000
<v Speaker 1>Oh no, no, no.

472
00:25:35.920 --> 00:25:38.799
<v Speaker 2>Absolutely, Well, okay, what I want to say, Yeah, I

473
00:25:38.839 --> 00:25:41.319
<v Speaker 2>want to clarify because.

474
00:25:41.079 --> 00:25:43.119
<v Speaker 1>For a long time you're not you're not waiting for

475
00:25:43.240 --> 00:25:45.599
<v Speaker 1>Winnie the Pooh, Blood and Honey Too or whatever.

476
00:25:45.960 --> 00:25:48.720
<v Speaker 2>No, No, no, great point, great point. But what I

477
00:25:48.759 --> 00:25:56.279
<v Speaker 2>mean is these really interesting. Yes, Like I didn't used

478
00:25:56.319 --> 00:25:59.559
<v Speaker 2>to like horror because it was mostly what are ten

479
00:25:59.599 --> 00:26:01.960
<v Speaker 2>creative ways we can kill teenagers in two hours?

480
00:26:02.160 --> 00:26:03.359
<v Speaker 1>Yeah? Stupid teens?

481
00:26:03.720 --> 00:26:05.559
<v Speaker 2>Yeah, And I just had no interest in that. Like,

482
00:26:05.640 --> 00:26:10.319
<v Speaker 2>I'm not entertained by different forms of mutilating people, you

483
00:26:10.319 --> 00:26:12.200
<v Speaker 2>know what I mean. And I know some people are,

484
00:26:12.200 --> 00:26:14.759
<v Speaker 2>and they have a detachment from it, and they just

485
00:26:15.000 --> 00:26:17.240
<v Speaker 2>see it as like a you know, a hunted house

486
00:26:17.720 --> 00:26:20.480
<v Speaker 2>experience or something. Totally get that, not for me. But

487
00:26:20.559 --> 00:26:25.119
<v Speaker 2>with these stories that I'm mentioning weapons this companion, they're

488
00:26:25.200 --> 00:26:31.839
<v Speaker 2>really fascinating stories and have fascinating themes and fascinating characters,

489
00:26:32.000 --> 00:26:36.440
<v Speaker 2>and they just happen to have horror elements woven throughout them. Now,

490
00:26:36.519 --> 00:26:38.920
<v Speaker 2>would I have preferred this movie if it didn't have

491
00:26:39.279 --> 00:26:44.440
<v Speaker 2>one or two insanely discussing things. Yeah, like personally, yes,

492
00:26:45.440 --> 00:26:47.000
<v Speaker 2>you know, I wouldn't mind if they had scaled back

493
00:26:47.039 --> 00:26:51.279
<v Speaker 2>one moment in particular. But that's that's what it is,

494
00:26:51.559 --> 00:26:53.799
<v Speaker 2>you know what I mean. And I'm willing to stomach

495
00:26:53.880 --> 00:26:59.319
<v Speaker 2>that because I'm getting to enjoy such a great story.

496
00:26:58.960 --> 00:27:02.240
<v Speaker 1>On the big screen. Now I understand, my man, Andy

497
00:27:02.319 --> 00:27:03.519
<v Speaker 1>Richter is in this movie.

498
00:27:03.680 --> 00:27:05.680
<v Speaker 2>Yeah, it's kind of a small part, but is really

499
00:27:06.680 --> 00:27:08.200
<v Speaker 2>warms your heart seeing him, for sure.

500
00:27:09.000 --> 00:27:12.359
<v Speaker 1>It's it's fun seeing both Conan and Andy branching out

501
00:27:12.400 --> 00:27:14.839
<v Speaker 1>into a non comedic you know.

502
00:27:15.640 --> 00:27:17.680
<v Speaker 2>Well, that's right, yeah, Conan, And if I had legs,

503
00:27:17.680 --> 00:27:19.839
<v Speaker 2>I would kick you last year. And then he's going

504
00:27:19.920 --> 00:27:22.960
<v Speaker 2>to be in Toy Story five this month, that's right. Yeah.

505
00:27:23.119 --> 00:27:25.039
<v Speaker 2>Now you said you're familiar with the actress from this

506
00:27:25.599 --> 00:27:27.559
<v Speaker 2>indy Yeah Indian ever.

507
00:27:27.880 --> 00:27:31.240
<v Speaker 1>Yeah, yeah, she was one of the regulars on Superman

508
00:27:31.319 --> 00:27:35.079
<v Speaker 1>and Lois, which, as longtime listeners know, is one of

509
00:27:35.079 --> 00:27:40.000
<v Speaker 1>my very favorite Superman adaptations. She she was the daughter,

510
00:27:40.200 --> 00:27:42.640
<v Speaker 1>she played the daughter of Lana Lang. So you know

511
00:27:42.799 --> 00:27:47.400
<v Speaker 1>that's Clark's, you know, girlfriend from his Smallville days. He

512
00:27:47.440 --> 00:27:50.039
<v Speaker 1>moves back to Smallville and now you know, her daughter

513
00:27:50.200 --> 00:27:54.119
<v Speaker 1>starts dating Clark's son, and and you know, she was

514
00:27:54.200 --> 00:27:57.160
<v Speaker 1>she was a solid part of a very solid ensemble.

515
00:27:58.279 --> 00:28:01.440
<v Speaker 2>That's well, that's great, and I know she's kind of

516
00:28:01.440 --> 00:28:04.680
<v Speaker 2>blowing up, you know now with this movie, which I'm

517
00:28:04.680 --> 00:28:07.319
<v Speaker 2>really happy about because you know, we were saying right

518
00:28:07.519 --> 00:28:10.359
<v Speaker 2>before we started recording, I mean, like it doesn't you

519
00:28:10.400 --> 00:28:12.240
<v Speaker 2>can be the greatest actor in the world, but you

520
00:28:12.319 --> 00:28:15.359
<v Speaker 2>need the material that's going to be the right showcase

521
00:28:15.400 --> 00:28:18.720
<v Speaker 2>for you for everyone to see it. And it's amazing

522
00:28:18.759 --> 00:28:22.759
<v Speaker 2>that this movie that she probably had very little expectations about,

523
00:28:23.400 --> 00:28:28.480
<v Speaker 2>you know again, with its budget and everything, and this

524
00:28:28.839 --> 00:28:32.680
<v Speaker 2>was just a show stopping showcase for her. Like, she

525
00:28:32.720 --> 00:28:36.960
<v Speaker 2>gets to show such a range where she plays a

526
00:28:37.000 --> 00:28:40.279
<v Speaker 2>really nice, normal person that any you know, person would

527
00:28:40.279 --> 00:28:43.440
<v Speaker 2>have a crush on at the beginning, and then she

528
00:28:43.599 --> 00:28:47.039
<v Speaker 2>goes through this sort of metamorphosis phase where she's the

529
00:28:47.079 --> 00:28:49.279
<v Speaker 2>spell is taking over and she's a little confused, but

530
00:28:49.319 --> 00:28:51.680
<v Speaker 2>she's also feeling these sorts of feelings that are unnatural

531
00:28:51.720 --> 00:28:53.759
<v Speaker 2>and also being herself a little bit. But then she

532
00:28:53.880 --> 00:28:57.960
<v Speaker 2>becomes maniacal and she gets to do some really fun,

533
00:28:58.200 --> 00:29:04.160
<v Speaker 2>showy maniacal stuff, and it's unsurprising that she's being talked

534
00:29:04.160 --> 00:29:05.599
<v Speaker 2>about so much after that.

535
00:29:06.039 --> 00:29:08.920
<v Speaker 1>You know, the mark that somebody's made it is that

536
00:29:09.200 --> 00:29:13.240
<v Speaker 1>people start feverishly fan casting them as various superhero characters.

537
00:29:13.839 --> 00:29:16.279
<v Speaker 1>So that's the you know, right, It's like, you know,

538
00:29:16.319 --> 00:29:18.559
<v Speaker 1>there's other roles believe it or not, everybody is like

539
00:29:19.599 --> 00:29:23.240
<v Speaker 1>reaching for that superhero dream and sure, sure, but right

540
00:29:23.279 --> 00:29:25.920
<v Speaker 1>away I saw oh she's got to play Harley Quinn

541
00:29:26.000 --> 00:29:27.519
<v Speaker 1>and I was like, well, that seems a little on

542
00:29:27.559 --> 00:29:29.319
<v Speaker 1>the nose, doesn't it right?

543
00:29:29.359 --> 00:29:31.960
<v Speaker 2>Well, I mean you, yeah, you can imagine of course

544
00:29:31.960 --> 00:29:33.519
<v Speaker 2>because of this, because she does a lot of creepy

545
00:29:33.559 --> 00:29:39.680
<v Speaker 2>smiles and this incredible creepy frown. And then also Michael Johnston,

546
00:29:40.200 --> 00:29:42.319
<v Speaker 2>who plays the guy who makes the wish, I mean,

547
00:29:42.319 --> 00:29:46.920
<v Speaker 2>he it's a again, It's it's so good because it's

548
00:29:46.960 --> 00:29:50.119
<v Speaker 2>so meaty. It's not just about Okay, she's under the spell.

549
00:29:50.160 --> 00:29:52.480
<v Speaker 2>How many discussing things can she do for two hours?

550
00:29:53.279 --> 00:29:57.079
<v Speaker 2>Like it really is about what is this like for

551
00:29:57.160 --> 00:29:59.079
<v Speaker 2>a person under that spell? And what is it like

552
00:29:59.119 --> 00:30:01.240
<v Speaker 2>for this person who's put that person under the spell

553
00:30:01.960 --> 00:30:04.240
<v Speaker 2>who is kind of getting their wish come true? But

554
00:30:04.319 --> 00:30:06.480
<v Speaker 2>then you also realize that maybe this is a bit

555
00:30:06.519 --> 00:30:09.519
<v Speaker 2>against her will and what do you do about that?

556
00:30:10.279 --> 00:30:13.359
<v Speaker 2>You know, do you try to fix it? Do you

557
00:30:13.440 --> 00:30:16.640
<v Speaker 2>try to just you know, plug your ears and ignore it?

558
00:30:16.720 --> 00:30:16.920
<v Speaker 1>Do you?

559
00:30:17.319 --> 00:30:21.279
<v Speaker 2>And he plays that sort of that person really well,

560
00:30:22.519 --> 00:30:24.880
<v Speaker 2>you know someone who who you know, I don't want

561
00:30:24.880 --> 00:30:28.440
<v Speaker 2>to get into it, but like it's that's I think

562
00:30:28.440 --> 00:30:31.839
<v Speaker 2>it's also a media role, so it's there's a lot here,

563
00:30:31.880 --> 00:30:34.319
<v Speaker 2>And I can see why this movie is doing so

564
00:30:34.400 --> 00:30:38.359
<v Speaker 2>well because there is a lot here to enjoy versus

565
00:30:38.400 --> 00:30:42.839
<v Speaker 2>it just being you know, grotesque and.

566
00:30:42.119 --> 00:30:42.920
<v Speaker 1>And also.

567
00:30:44.119 --> 00:30:46.720
<v Speaker 2>Strangely for people who can tolerate it. I can't see

568
00:30:46.720 --> 00:30:49.119
<v Speaker 2>this being kind of an interesting date movie, you know,

569
00:30:49.319 --> 00:30:51.680
<v Speaker 2>sort of like to discuss it afterwards.

570
00:30:52.200 --> 00:30:54.519
<v Speaker 1>So this sounds like the perfect thing for me to

571
00:30:54.599 --> 00:30:57.240
<v Speaker 1>go tell Amana to watch without telling her what it's about.

572
00:30:59.319 --> 00:31:02.039
<v Speaker 1>I did the same trick earlier this year, would send help.

573
00:31:02.880 --> 00:31:05.240
<v Speaker 2>Oh, oh, she didn't know that it was kind of it.

574
00:31:05.319 --> 00:31:07.599
<v Speaker 1>Yeah, I was just like, oh, it's like Rachel McAdams,

575
00:31:07.599 --> 00:31:09.960
<v Speaker 1>like crash lands on this island with her boss who

576
00:31:10.079 --> 00:31:15.319
<v Speaker 1>like doesn't like her, and she wasn't expecting what came next.

577
00:31:15.720 --> 00:31:16.599
<v Speaker 2>But she liked it, right.

578
00:31:18.200 --> 00:31:20.799
<v Speaker 1>I think her exact words were, I hate you for

579
00:31:20.880 --> 00:31:23.640
<v Speaker 1>telling me to go see that, but she did like

580
00:31:23.720 --> 00:31:26.920
<v Speaker 1>she did like the movie though, Yeah, yeah, it's a

581
00:31:26.960 --> 00:31:28.599
<v Speaker 1>little bit like we've talked about this before, you know.

582
00:31:28.640 --> 00:31:32.759
<v Speaker 1>I watched Fall with her, and that's another one that

583
00:31:33.039 --> 00:31:36.000
<v Speaker 1>had she known what it was about. I don't think

584
00:31:36.000 --> 00:31:39.640
<v Speaker 1>she would have co signed it, right, right, But that's

585
00:31:39.640 --> 00:31:41.759
<v Speaker 1>a great bruised forearm movie, you know.

586
00:31:42.000 --> 00:31:44.319
<v Speaker 2>Oh yeah, and there's a second one coming out this

587
00:31:44.400 --> 00:31:47.480
<v Speaker 2>year that is an official thing. Yeah.

588
00:31:47.480 --> 00:31:50.400
<v Speaker 1>I saw the poster for it and it's but it's

589
00:31:50.400 --> 00:31:55.119
<v Speaker 1>not the same person. I don't believe, so that that

590
00:31:55.240 --> 00:31:57.200
<v Speaker 1>right there is disappointing. I think I've said this before.

591
00:31:57.440 --> 00:32:01.759
<v Speaker 1>I want a franchise built on the same person ending

592
00:32:01.839 --> 00:32:04.680
<v Speaker 1>up in this situation again and again and again.

593
00:32:05.359 --> 00:32:07.960
<v Speaker 2>Yeah. So it's sort of like John McClain, like, how

594
00:32:08.000 --> 00:32:10.519
<v Speaker 2>many times can a guy end up in a tin

595
00:32:10.640 --> 00:32:11.559
<v Speaker 2>can every Christmas?

596
00:32:11.559 --> 00:32:13.720
<v Speaker 1>You know? Yeah, So for those of you who don't

597
00:32:13.720 --> 00:32:16.640
<v Speaker 1>know Fall, it's about these two friends they decide to

598
00:32:16.680 --> 00:32:19.920
<v Speaker 1>go climbing up this tower that's like three times the

599
00:32:19.960 --> 00:32:22.880
<v Speaker 1>size of the Eiffel, Yeah, like a radio tower. Yeah,

600
00:32:22.920 --> 00:32:24.720
<v Speaker 1>it's in like the middle of Texas or something. And

601
00:32:24.720 --> 00:32:27.720
<v Speaker 1>then they just end up stuck there and hilarity ensues

602
00:32:28.559 --> 00:32:33.839
<v Speaker 1>as we're living Zachi Hassan's nightmare for the next ninety minutes.

603
00:32:33.880 --> 00:32:38.200
<v Speaker 1>You know. It's a captivating watch, but it's also it's

604
00:32:38.240 --> 00:32:40.920
<v Speaker 1>not a pleasant watch, you know. It's one of those Yeah, yeah,

605
00:32:40.960 --> 00:32:43.160
<v Speaker 1>I guess similar to obsession based on what you're describing.

606
00:32:43.400 --> 00:32:47.359
<v Speaker 2>Yeah, and obsession definitely more intense, grows, Like I said,

607
00:32:47.400 --> 00:32:49.920
<v Speaker 2>some gruesome moments, but also just psychologically, I mean just

608
00:32:50.440 --> 00:32:55.279
<v Speaker 2>thinking about it is really upsetting, really, you know, when

609
00:32:55.279 --> 00:32:58.160
<v Speaker 2>you get down to it. But very very well done.

610
00:32:58.279 --> 00:33:03.160
<v Speaker 2>A remarkable feature debut with by Curry Barker. I mean,

611
00:33:03.359 --> 00:33:08.079
<v Speaker 2>just so assured and like you'd think he's been doing

612
00:33:08.079 --> 00:33:09.039
<v Speaker 2>this for ten years.

613
00:33:09.599 --> 00:33:14.319
<v Speaker 1>Well in that van let's shift gears slightly because I

614
00:33:14.759 --> 00:33:16.160
<v Speaker 1>too saw a horror movie.

615
00:33:16.519 --> 00:33:19.559
<v Speaker 2>Oh what's happening to us?

616
00:33:20.559 --> 00:33:26.200
<v Speaker 1>Who are we this? This is a horror lampoon, I

617
00:33:26.200 --> 00:33:29.640
<v Speaker 1>should say more accurately. It will be known now and

618
00:33:29.720 --> 00:33:33.960
<v Speaker 1>forever as the he Man Killer. Oh no, I'm talking

619
00:33:33.960 --> 00:33:35.000
<v Speaker 1>about scary movie.

620
00:33:35.440 --> 00:33:38.480
<v Speaker 2>Yeah, scary movie slash, Scary movie six.

621
00:33:39.000 --> 00:33:43.319
<v Speaker 1>Scary movie six. Which of the scary movie catalog? How

622
00:33:43.359 --> 00:33:44.759
<v Speaker 1>many have you watched?

623
00:33:48.119 --> 00:33:51.319
<v Speaker 2>Definitely four? I don't know if I ever saw five.

624
00:33:51.960 --> 00:33:54.880
<v Speaker 1>Okay, so you saw you saw, but you saw the

625
00:33:54.880 --> 00:33:55.480
<v Speaker 1>first three.

626
00:33:55.720 --> 00:33:57.960
<v Speaker 2>Wait, I take that back, I did not see two.

627
00:33:58.960 --> 00:34:01.359
<v Speaker 1>Okay, yeah, I I've never seen too. That's what I

628
00:34:01.400 --> 00:34:03.240
<v Speaker 1>realized after watching this one, which.

629
00:34:03.079 --> 00:34:07.720
<v Speaker 2>I'm seeing online seems to be everyone's favorite. But yeah,

630
00:34:07.759 --> 00:34:09.920
<v Speaker 2>I've seen one and I even saw one again recently.

631
00:34:09.960 --> 00:34:11.760
<v Speaker 2>It's been on Pluto and I watched the whole thing.

632
00:34:12.360 --> 00:34:14.800
<v Speaker 1>Really, so I have not. I saw it opening night

633
00:34:14.880 --> 00:34:17.719
<v Speaker 1>back in two thousand. Yeah, I haven't seen it since then.

634
00:34:18.079 --> 00:34:20.639
<v Speaker 2>Okay. And then yeah, then the Waynes did the one

635
00:34:20.639 --> 00:34:23.519
<v Speaker 2>and two, and then I think like Zuckers.

636
00:34:23.440 --> 00:34:27.880
<v Speaker 1>Did at least one man, there was some Zucker involvement.

637
00:34:27.920 --> 00:34:30.079
<v Speaker 1>I don't know how extensive that was. Yeah, for three

638
00:34:30.159 --> 00:34:34.599
<v Speaker 1>four and five, and then that that Zucker involvement kind

639
00:34:34.599 --> 00:34:39.159
<v Speaker 1>of you know, they also did Superhero movie, yeah, which

640
00:34:39.800 --> 00:34:42.800
<v Speaker 1>which is not terrible. I will say, that's.

641
00:34:42.639 --> 00:34:45.119
<v Speaker 2>What I've heard. Yeah, I've not. I've seen chunks of it.

642
00:34:45.199 --> 00:34:47.639
<v Speaker 2>But what about you with a scary movie.

643
00:34:48.079 --> 00:34:52.000
<v Speaker 1>So, like I said, I I've seen bits and pieces

644
00:34:52.239 --> 00:34:56.880
<v Speaker 1>of three four and five. I think I couldn't tell

645
00:34:56.920 --> 00:34:59.559
<v Speaker 1>you which is which. I know. Lesley Nielsen is in

646
00:35:02.119 --> 00:35:02.599
<v Speaker 1>one of them.

647
00:35:02.639 --> 00:35:04.840
<v Speaker 2>I think the thing I will never forget is he

648
00:35:04.880 --> 00:35:07.360
<v Speaker 2>plays the President and it turns out the alien and

649
00:35:07.400 --> 00:35:10.199
<v Speaker 2>he peees out of his pointer finger, that's right, and

650
00:35:10.199 --> 00:35:12.239
<v Speaker 2>then he like taps the pointer finger to get the

651
00:35:12.320 --> 00:35:15.119
<v Speaker 2>drips off. That's what I remember. That's what I remember.

652
00:35:15.519 --> 00:35:22.000
<v Speaker 1>Classy classic, So I I remember watching the first one

653
00:35:22.000 --> 00:35:24.760
<v Speaker 1>in the theater and finding it uproariously funny. I remember

654
00:35:24.960 --> 00:35:27.639
<v Speaker 1>very distinctly, right, I have not seen it, since I

655
00:35:27.679 --> 00:35:31.000
<v Speaker 1>cannot speak to that, I will say watching this, I

656
00:35:31.039 --> 00:35:31.880
<v Speaker 1>was like, man, this is.

657
00:35:31.880 --> 00:35:33.440
<v Speaker 2>Rough, really okay.

658
00:35:34.079 --> 00:35:37.400
<v Speaker 1>I mean, I'm just like, well, I'm I'm pushing fifty,

659
00:35:37.559 --> 00:35:41.679
<v Speaker 1>so I'm you know, on the one hand, I'm like, well,

660
00:35:41.679 --> 00:35:43.719
<v Speaker 1>maybe I'm just not the audience for this anymore. Then

661
00:35:43.760 --> 00:35:46.119
<v Speaker 1>I'm like, well, I think I am the audience for this,

662
00:35:46.199 --> 00:35:48.559
<v Speaker 1>because right so I was having this weird you know,

663
00:35:48.920 --> 00:35:53.039
<v Speaker 1>I just it. It wasn't even like I just found

664
00:35:53.079 --> 00:35:57.559
<v Speaker 1>the jokes mostly very broad and obvious. So it wasn't.

665
00:35:57.920 --> 00:35:59.800
<v Speaker 1>It wasn't they were tasteless or whatever all of that

666
00:35:59.840 --> 00:36:05.400
<v Speaker 1>you expect. But it's like the movie itself is is

667
00:36:05.400 --> 00:36:11.280
<v Speaker 1>is following the structure of Scream, the twenty twenty one Scream. Okay,

668
00:36:11.760 --> 00:36:14.800
<v Speaker 1>so already you're like parodying a five year old movie

669
00:36:14.800 --> 00:36:17.320
<v Speaker 1>at this point, you know, right right right, and then

670
00:36:17.480 --> 00:36:22.599
<v Speaker 1>you know they work in you Got, you Got, the

671
00:36:22.639 --> 00:36:27.960
<v Speaker 1>substance is parodied, and and and get Out and like

672
00:36:28.960 --> 00:36:30.840
<v Speaker 1>a lot of the recent stuff, we've got some sinners

673
00:36:30.880 --> 00:36:35.559
<v Speaker 1>in there, you know. But to me, it just felt

674
00:36:35.639 --> 00:36:39.880
<v Speaker 1>very obvious and and unfunny in that way, you know. There.

675
00:36:40.760 --> 00:36:44.679
<v Speaker 1>I think that Marlon Wayne's who I like a lot

676
00:36:44.920 --> 00:36:49.199
<v Speaker 1>like his character Shorty is who is in the first two.

677
00:36:50.360 --> 00:36:52.599
<v Speaker 1>He gets like he gets a lot to do in this,

678
00:36:52.800 --> 00:36:57.119
<v Speaker 1>and it was like way too much. Mmm, okay, because

679
00:36:57.159 --> 00:36:59.800
<v Speaker 1>I'm like, he's just like a stoner. That's his whole thing, right,

680
00:37:00.079 --> 00:37:02.519
<v Speaker 1>that's it. And I'm like a little goes a long way,

681
00:37:02.599 --> 00:37:06.400
<v Speaker 1>you know, right. I think that you have Sean Wayne's

682
00:37:06.440 --> 00:37:12.119
<v Speaker 1>playing Ray, who's like the closeted gay guy. M he

683
00:37:12.119 --> 00:37:14.239
<v Speaker 1>he has stuff in this that I think is funnier,

684
00:37:15.320 --> 00:37:17.400
<v Speaker 1>even though it's all very one note, but it's it's

685
00:37:17.440 --> 00:37:20.280
<v Speaker 1>at least funny, you know. But like other than that,

686
00:37:20.360 --> 00:37:23.960
<v Speaker 1>you know, it's like Anna Farius is doing like she's

687
00:37:23.960 --> 00:37:27.960
<v Speaker 1>like Jamie Lee Curtiz and the Halloween reboot movies. Okay,

688
00:37:28.400 --> 00:37:31.920
<v Speaker 1>and she's she's woven in and then and then you've

689
00:37:31.960 --> 00:37:33.480
<v Speaker 1>got you've got a new cast to I don't I

690
00:37:33.480 --> 00:37:36.320
<v Speaker 1>don't remember their names, but like it's again, it's it's

691
00:37:36.800 --> 00:37:38.119
<v Speaker 1>very laborious, you know.

692
00:37:38.440 --> 00:37:39.840
<v Speaker 2>Really wow, Okay.

693
00:37:39.719 --> 00:37:42.639
<v Speaker 1>I I found it. I'll put it this. I found

694
00:37:42.639 --> 00:37:45.639
<v Speaker 1>it mostly unfunny up until the very end, and I

695
00:37:45.679 --> 00:37:48.239
<v Speaker 1>won't reveal it, but like the third the third act,

696
00:37:48.239 --> 00:37:51.960
<v Speaker 1>as as we're winding up the story, I laughed at

697
00:37:52.000 --> 00:37:53.760
<v Speaker 1>some of the things they did. I thought those were

698
00:37:53.760 --> 00:38:01.920
<v Speaker 1>pretty funny. Okay, but I just you know, I my

699
00:38:02.039 --> 00:38:04.000
<v Speaker 1>question is like how much of an afterlife do these

700
00:38:04.000 --> 00:38:05.119
<v Speaker 1>movies have? Anyway?

701
00:38:05.239 --> 00:38:10.039
<v Speaker 2>You know, Well, that's my question for you actually, because

702
00:38:10.840 --> 00:38:14.559
<v Speaker 2>we had the Nicked Gun reboot recently and they did

703
00:38:14.599 --> 00:38:17.800
<v Speaker 2>a really good job. I know, we were sort of nervous,

704
00:38:18.119 --> 00:38:22.000
<v Speaker 2>like can they even come close to replicating that kind

705
00:38:22.039 --> 00:38:24.440
<v Speaker 2>of humor all these years later, because it seemed unlikely

706
00:38:24.440 --> 00:38:26.239
<v Speaker 2>we hadn't seen it in so long, And they actually

707
00:38:26.280 --> 00:38:28.920
<v Speaker 2>did a really good job of doing a similar style

708
00:38:28.920 --> 00:38:31.440
<v Speaker 2>of humor, which is a lot of visual gags, a

709
00:38:31.480 --> 00:38:34.800
<v Speaker 2>lot of wordplay, and they brought it into the twenty

710
00:38:34.800 --> 00:38:37.679
<v Speaker 2>first century. Also, it was I thought it was successful.

711
00:38:38.239 --> 00:38:41.360
<v Speaker 2>But there were also those terrible parodies several years ago,

712
00:38:41.480 --> 00:38:47.320
<v Speaker 2>like date Movie, Meet the Spartans, epic movie, And the

713
00:38:47.400 --> 00:38:51.199
<v Speaker 2>problem with those was all they did was try to

714
00:38:51.320 --> 00:38:55.880
<v Speaker 2>be like, remember this are you look at this thing?

715
00:38:56.159 --> 00:38:58.559
<v Speaker 2>This movie? Hey, we're doing this movie now, so they'd

716
00:38:58.559 --> 00:39:00.719
<v Speaker 2>always have to say a right, I remember they had,

717
00:39:00.719 --> 00:39:02.599
<v Speaker 2>you know, when Britney Spears shaved her head or whatever,

718
00:39:03.400 --> 00:39:07.920
<v Speaker 2>it was like meet the Spartan's kind of a moment exactly,

719
00:39:08.119 --> 00:39:10.079
<v Speaker 2>So like Britney Spears would be there shaving her head

720
00:39:10.079 --> 00:39:13.400
<v Speaker 2>and someone has to go, hey, oh no, it's Britney Spears,

721
00:39:13.800 --> 00:39:15.639
<v Speaker 2>and then like you know, he'll kick her into the

722
00:39:15.639 --> 00:39:17.719
<v Speaker 2>pit or something, and it's like, well, that's I hate

723
00:39:17.760 --> 00:39:20.119
<v Speaker 2>to break it to you, that's not a joke, right,

724
00:39:20.480 --> 00:39:22.960
<v Speaker 2>Like you could maybe work with that, maybe you can

725
00:39:23.000 --> 00:39:25.800
<v Speaker 2>find something there. But like so, I guess my question

726
00:39:25.960 --> 00:39:29.559
<v Speaker 2>is does this skew more that kind of parody or

727
00:39:29.599 --> 00:39:32.199
<v Speaker 2>does this go a little bit more closer to the

728
00:39:32.320 --> 00:39:33.159
<v Speaker 2>Naked Gun.

729
00:39:33.320 --> 00:39:36.119
<v Speaker 1>That I think it's somewhere in the middle. Like, I

730
00:39:36.159 --> 00:39:41.480
<v Speaker 1>don't think it's as amateurish as those other ones, you know,

731
00:39:42.679 --> 00:39:46.280
<v Speaker 1>but I think that I think so much of the

732
00:39:46.360 --> 00:39:50.719
<v Speaker 1>humor in this is reliant on recognizing the reference, and

733
00:39:50.760 --> 00:39:54.639
<v Speaker 1>it's not funny on its own. Yes, I see, right,

734
00:39:54.920 --> 00:40:00.440
<v Speaker 1>like the substance sequence unless I mean, granted I haven't

735
00:40:00.440 --> 00:40:02.679
<v Speaker 1>seen the substance, but I'm familiar with I know. But but

736
00:40:03.599 --> 00:40:07.719
<v Speaker 1>if I would imagine that that not everybody watching this

737
00:40:07.760 --> 00:40:09.760
<v Speaker 1>movie has seen that, so would it just not make

738
00:40:09.800 --> 00:40:10.920
<v Speaker 1>any sense at all, you know.

739
00:40:11.679 --> 00:40:15.840
<v Speaker 2>So they don't take that scenario from the substance and

740
00:40:16.000 --> 00:40:19.440
<v Speaker 2>craft jokes within it. They just present the substance and

741
00:40:19.519 --> 00:40:21.199
<v Speaker 2>expect you to laugh at recognizing it.

742
00:40:22.039 --> 00:40:24.559
<v Speaker 1>I think. So right, Like the there there's one bit

743
00:40:24.679 --> 00:40:29.400
<v Speaker 1>where it's you know, the the the Marlon Wayin's character

744
00:40:29.920 --> 00:40:34.159
<v Speaker 1>is is gets stoned and then ghost Face shows up.

745
00:40:34.239 --> 00:40:35.760
<v Speaker 1>That's the other thing, by the way, is that is

746
00:40:35.760 --> 00:40:38.519
<v Speaker 1>that they can they call him ghost Face And I'm like, yeah,

747
00:40:38.519 --> 00:40:41.559
<v Speaker 1>I guess because it's all like within the same studio.

748
00:40:42.119 --> 00:40:43.440
<v Speaker 2>Yeah, that's right, paramount now.

749
00:40:45.239 --> 00:40:48.440
<v Speaker 1>But so so ghost Face does like the teacup thing

750
00:40:48.559 --> 00:40:54.599
<v Speaker 1>like from from get Out, okay, and then Sean or

751
00:40:54.639 --> 00:40:58.800
<v Speaker 1>sorry Marlon Wayne's goes into the sunken place and it

752
00:40:58.960 --> 00:41:01.719
<v Speaker 1>turns out to be a parody of K pop Demon

753
00:41:01.800 --> 00:41:09.679
<v Speaker 1>Hunters okay, And I mean, yeah, that's that's me. I'm like, okay, yeah,

754
00:41:09.760 --> 00:41:10.840
<v Speaker 1>I guess I was trying to imagine it.

755
00:41:10.840 --> 00:41:12.239
<v Speaker 2>What do you mean like it becomes.

756
00:41:12.159 --> 00:41:15.480
<v Speaker 1>It becomes like an animated Yeah. But it's like, well,

757
00:41:17.280 --> 00:41:18.760
<v Speaker 1>I mean I don't find that funny, you know what

758
00:41:18.800 --> 00:41:21.159
<v Speaker 1>I'm saying, Like, I totally totally.

759
00:41:20.760 --> 00:41:24.000
<v Speaker 2>But I can understand in the heat of the moment

760
00:41:24.000 --> 00:41:25.840
<v Speaker 2>on a Friday night, if you're excited about this, you

761
00:41:25.920 --> 00:41:29.400
<v Speaker 2>know those things that sort of oh that's the thing,

762
00:41:29.440 --> 00:41:31.280
<v Speaker 2>I know, and you have some sort of response to it.

763
00:41:31.320 --> 00:41:33.239
<v Speaker 2>But to your point, is that something that's going to

764
00:41:33.280 --> 00:41:34.719
<v Speaker 2>live on? Are you ever going to watch it again?

765
00:41:35.360 --> 00:41:36.800
<v Speaker 2>Maybe not and probably not.

766
00:41:36.960 --> 00:41:38.559
<v Speaker 1>But but on the other hand, you know what, they

767
00:41:38.599 --> 00:41:41.559
<v Speaker 1>spent thirty million dollars making this movie. It made like

768
00:41:41.679 --> 00:41:45.079
<v Speaker 1>fifty something opening weekend. Wow. Yeah, So, I mean they

769
00:41:45.159 --> 00:41:47.800
<v Speaker 1>got their bag right, And guess what, I'm glad that

770
00:41:47.840 --> 00:41:50.159
<v Speaker 1>the Waynes brothers who got kicked kicked to the curb

771
00:41:50.239 --> 00:41:53.800
<v Speaker 1>before from a franchise that they started, they got to

772
00:41:53.840 --> 00:41:56.559
<v Speaker 1>come back and sort of have their their triumphant homecoming.

773
00:41:56.599 --> 00:41:59.679
<v Speaker 1>Good for them, you know, right, there's plenty of waynees

774
00:41:59.760 --> 00:42:02.159
<v Speaker 1>is in here. I mean, we got we got, we

775
00:42:02.239 --> 00:42:06.360
<v Speaker 1>got Sean and Marlon, but I saw a Damon Junior

776
00:42:06.639 --> 00:42:11.119
<v Speaker 1>is in here. He gets a cameo, Greg Wayns, Who's

777
00:42:11.159 --> 00:42:13.079
<v Speaker 1>Who's and Kim Wayne's is and we got we got,

778
00:42:13.159 --> 00:42:14.559
<v Speaker 1>we got, we got a whole bunch of Waynes.

779
00:42:15.440 --> 00:42:16.000
<v Speaker 2>That's great.

780
00:42:16.480 --> 00:42:20.679
<v Speaker 1>Yeah, plenty of cameos though, my gosh, lots of lots

781
00:42:20.719 --> 00:42:24.280
<v Speaker 1>of people popping in Okay, yeah, but but largely forget

782
00:42:24.320 --> 00:42:26.840
<v Speaker 1>about I again, I will say the last ten minutes

783
00:42:26.960 --> 00:42:31.199
<v Speaker 1>or so, I did laugh. I found the gags and

784
00:42:31.239 --> 00:42:34.599
<v Speaker 1>sort of the way they wound together what they were doing.

785
00:42:34.880 --> 00:42:39.440
<v Speaker 1>I found it amusing. Okay, okay, but not enough to

786
00:42:39.480 --> 00:42:41.440
<v Speaker 1>recommend it, you know, right.

787
00:42:41.400 --> 00:42:47.199
<v Speaker 2>Right, So if you're feeling like this might be your

788
00:42:47.239 --> 00:42:50.440
<v Speaker 2>thing and you just want to kick back and visit

789
00:42:50.440 --> 00:42:52.519
<v Speaker 2>a familiar place, maybe you'll enjoy it, but you can't

790
00:42:52.559 --> 00:42:54.559
<v Speaker 2>broad recommend it's not like yeah, and.

791
00:42:54.599 --> 00:42:56.760
<v Speaker 1>Well, and the thought I had is it's been it's

792
00:42:56.800 --> 00:42:59.239
<v Speaker 1>been what like twelve years I think since the last

793
00:42:59.239 --> 00:43:01.960
<v Speaker 1>one thirteen years mm hmm. So it's like this one

794
00:43:02.000 --> 00:43:04.639
<v Speaker 1>was playing catch up with all the shit that's like

795
00:43:04.719 --> 00:43:07.559
<v Speaker 1>horror in thirteen years you get it. Like now, based

796
00:43:07.599 --> 00:43:09.960
<v Speaker 1>on how this one did, they're gonna be like they're

797
00:43:09.960 --> 00:43:13.000
<v Speaker 1>gonna have another one in theaters like next week, you know. Yeah,

798
00:43:13.039 --> 00:43:14.679
<v Speaker 1>and it's like, well, what are you gonna what are

799
00:43:14.679 --> 00:43:20.039
<v Speaker 1>you gonna parody? Right? Well, one presumes obsession and back rooms.

800
00:43:20.199 --> 00:43:24.400
<v Speaker 2>Mm hmm. Okay, right right right right.

801
00:43:24.480 --> 00:43:26.639
<v Speaker 1>I mean you know it kind of makes you wonder too.

802
00:43:26.719 --> 00:43:29.639
<v Speaker 2>I saw something online where on the poster they had

803
00:43:29.679 --> 00:43:33.719
<v Speaker 2>a squid game mask. And you know, these movies tend

804
00:43:33.800 --> 00:43:36.880
<v Speaker 2>to be like eighty minutes, right, and you wonder if

805
00:43:36.880 --> 00:43:39.440
<v Speaker 2>they have like two and a half hours of material,

806
00:43:40.559 --> 00:43:42.480
<v Speaker 2>and some worked better than others, and you wonder what

807
00:43:42.519 --> 00:43:44.119
<v Speaker 2>they did shoot that they didn't include.

808
00:43:44.639 --> 00:43:47.320
<v Speaker 1>Yeah, you know, well it it definitely felt. You know

809
00:43:47.360 --> 00:43:50.000
<v Speaker 1>what I'm gonna this is like one gag which I'll

810
00:43:50.360 --> 00:43:52.920
<v Speaker 1>I guess I'll spoil it somewhat. I'm just to make

811
00:43:52.960 --> 00:43:57.440
<v Speaker 1>the point I'm making. So you've got you know the

812
00:43:57.480 --> 00:44:01.360
<v Speaker 1>way the movie creates it. Anna Faris is character has

813
00:44:01.679 --> 00:44:04.320
<v Speaker 1>has two daughters and they're in essence, Melissa Brera and

814
00:44:04.639 --> 00:44:09.360
<v Speaker 1>Jenny Ortega, right, and and then you've got the boyfriend, who,

815
00:44:09.480 --> 00:44:12.519
<v Speaker 1>like the whole movie is very obviously telegraphing is the

816
00:44:12.599 --> 00:44:13.719
<v Speaker 1>killer just like Jack.

817
00:44:13.639 --> 00:44:16.440
<v Speaker 2>So literally scream five or whatever.

818
00:44:16.519 --> 00:44:19.239
<v Speaker 1>Absolutely, und okay, right, it's it's doing that. It starts

819
00:44:19.280 --> 00:44:22.920
<v Speaker 1>with her name is Tuesday. That's how obvious it is. Okay, Okay,

820
00:44:22.800 --> 00:44:25.639
<v Speaker 1>there take a character take, so so we're following them

821
00:44:25.639 --> 00:44:27.519
<v Speaker 1>throughout and then and then we also see that there

822
00:44:27.599 --> 00:44:33.960
<v Speaker 1>is a Halloween party at at Regina Hall's house, and

823
00:44:34.039 --> 00:44:36.280
<v Speaker 1>you know, all the kids are there at her house. Okay,

824
00:44:36.480 --> 00:44:40.760
<v Speaker 1>So then the doorbell rings and it's it's this is

825
00:44:40.800 --> 00:44:42.880
<v Speaker 1>not them, but it's it's you know, Melissa Brera, Jener

826
00:44:42.960 --> 00:44:47.840
<v Speaker 1>Ortega and Jack Quaid whatever there those characters. Yeah, but

827
00:44:48.000 --> 00:44:53.079
<v Speaker 1>they're like the vampires from Sinners at the door. Okay,

828
00:44:53.119 --> 00:44:55.000
<v Speaker 1>at the door and can we come in? It's like no,

829
00:44:55.199 --> 00:44:57.400
<v Speaker 1>go away, right, and and it's like, we get it.

830
00:44:57.599 --> 00:45:01.199
<v Speaker 1>That's the thing from Sinners. But I'm like, but why

831
00:45:01.239 --> 00:45:04.480
<v Speaker 1>are there those why are they doing that? Like what

832
00:45:04.840 --> 00:45:05.840
<v Speaker 1>do you get what I'm saying?

833
00:45:05.880 --> 00:45:07.199
<v Speaker 2>Yeah, no, totally totally.

834
00:45:07.480 --> 00:45:09.840
<v Speaker 1>I'm like, I don't I understand the reference, but I'm

835
00:45:09.920 --> 00:45:12.599
<v Speaker 1>not understanding it's placed in this other than you guys

836
00:45:12.599 --> 00:45:14.199
<v Speaker 1>are like, oh, we got to do a Sinners.

837
00:45:13.880 --> 00:45:17.880
<v Speaker 2>Thing, right, which is interesting because that does sound less

838
00:45:17.920 --> 00:45:20.960
<v Speaker 2>like the First Scary Movie. Yeah, right, the First Scary

839
00:45:20.960 --> 00:45:25.480
<v Speaker 2>Movie actually works as a movie, and it has references

840
00:45:25.519 --> 00:45:28.480
<v Speaker 2>and obviously absurd things happening, but it's all within the

841
00:45:28.480 --> 00:45:31.440
<v Speaker 2>context of that story, right where I remember there's that

842
00:45:31.519 --> 00:45:34.360
<v Speaker 2>matrix fight between ghost Face and on A Ferris, but

843
00:45:34.440 --> 00:45:36.599
<v Speaker 2>that's because they're scaring off, and it's like, as they're

844
00:45:36.599 --> 00:45:39.239
<v Speaker 2>scaring off like they did In't Scream, But what if

845
00:45:39.280 --> 00:45:41.960
<v Speaker 2>she lifted in the air like Trinity, and but it

846
00:45:42.000 --> 00:45:46.800
<v Speaker 2>wasn't like randomly inserting, you know, punching in a moment

847
00:45:46.840 --> 00:45:49.760
<v Speaker 2>that doesn't necessarily fit in context just because you recognize

848
00:45:49.760 --> 00:45:50.039
<v Speaker 2>it from me.

849
00:45:50.360 --> 00:45:53.280
<v Speaker 1>Well, and I'll say that moment in particular bump me

850
00:45:53.400 --> 00:45:57.840
<v Speaker 1>because it it felt in congress within this movie even

851
00:45:59.639 --> 00:46:02.719
<v Speaker 1>you know, it's funny you mentioned about Anna Faris doing

852
00:46:03.199 --> 00:46:05.199
<v Speaker 1>the matrix thing in the first film, because in this

853
00:46:06.400 --> 00:46:10.760
<v Speaker 1>we have her doing a John Wick basically as all

854
00:46:10.760 --> 00:46:13.760
<v Speaker 1>these ghost trace people come at her. And I was

855
00:46:13.760 --> 00:46:15.480
<v Speaker 1>a little thinking. I was like, man, look at that,

856
00:46:15.519 --> 00:46:18.039
<v Speaker 1>like like twenty five years later, twenty six years we

857
00:46:18.159 --> 00:46:20.719
<v Speaker 1>go from one Keanu to another.

858
00:46:21.119 --> 00:46:26.000
<v Speaker 2>That's right, Wow for him? How many iconic characters as

859
00:46:26.000 --> 00:46:28.880
<v Speaker 2>he played, right that you could do that as Shorthand

860
00:46:28.880 --> 00:46:31.039
<v Speaker 2>and everyone knows what she's doing.

861
00:46:31.400 --> 00:46:33.320
<v Speaker 1>Yeah, thought I thought that was very I thought that

862
00:46:33.360 --> 00:46:37.320
<v Speaker 1>was very funny. Yeah, so you know, I think this

863
00:46:37.400 --> 00:46:38.599
<v Speaker 1>is I don't I don't think you need to go

864
00:46:38.679 --> 00:46:40.840
<v Speaker 1>to the theater to see this, but but I suspect

865
00:46:40.840 --> 00:46:43.000
<v Speaker 1>a lot of people are gonna it will be a

866
00:46:43.039 --> 00:46:43.719
<v Speaker 1>streaming hit.

867
00:46:43.920 --> 00:46:47.280
<v Speaker 2>Absolutely, I could definitely see streaming it at some point.

868
00:46:47.760 --> 00:46:53.440
<v Speaker 1>Yeah, But as I said, this one ended up demolishing

869
00:46:53.480 --> 00:46:57.519
<v Speaker 1>Masters of the Universe over the box office. But we'll

870
00:46:57.519 --> 00:47:00.480
<v Speaker 1>talk about that later in this episode. But what the

871
00:47:00.559 --> 00:47:03.519
<v Speaker 1>what the box office fate of he Man and Company?

872
00:47:03.519 --> 00:47:06.480
<v Speaker 1>It may portend for the future, if there is any

873
00:47:06.519 --> 00:47:10.920
<v Speaker 1>for that franchise. But hey, we got some listener letters.

874
00:47:10.920 --> 00:47:16.480
<v Speaker 2>Brian, Well, I believe you have been after it for

875
00:47:16.599 --> 00:47:18.679
<v Speaker 2>me eighteen thousand.

876
00:47:18.760 --> 00:47:28.400
<v Speaker 1>Lass All addressed that, SA, You've got me all right.

877
00:47:28.559 --> 00:47:30.400
<v Speaker 1>So you know, just a couple of weeks ago we

878
00:47:30.480 --> 00:47:33.400
<v Speaker 1>dropped our commentary track for the nineteen eighty seven Masters

879
00:47:33.440 --> 00:47:35.920
<v Speaker 1>of the Universe. Got some comments on that.

880
00:47:36.440 --> 00:47:37.440
<v Speaker 2>Oh love to hear it.

881
00:47:37.960 --> 00:47:40.440
<v Speaker 1>So here's a note we got from Mark la Chance

882
00:47:41.079 --> 00:47:44.119
<v Speaker 1>who says, I remember seeing this movie in the theater

883
00:47:44.199 --> 00:47:47.079
<v Speaker 1>when I was twelve, and I enjoy it. However, now

884
00:47:47.159 --> 00:47:49.639
<v Speaker 1>I realize its flaws and limitations, but I can still

885
00:47:49.639 --> 00:47:53.880
<v Speaker 1>appreciate it. Lastly, one more leading actor that was dubbed

886
00:47:53.880 --> 00:47:56.159
<v Speaker 1>in a film. Now, if you remember, you and I

887
00:47:56.199 --> 00:48:00.159
<v Speaker 1>we were talking about how we were debating about alf

888
00:48:00.199 --> 00:48:05.159
<v Speaker 1>Lundgren's delivery in the eighty seven movie, and you know,

889
00:48:05.159 --> 00:48:07.119
<v Speaker 1>we talked about how the initial intent was for his

890
00:48:07.199 --> 00:48:09.039
<v Speaker 1>voice to bed. He said, well, it's last time that happened.

891
00:48:09.039 --> 00:48:13.719
<v Speaker 1>I mentioned nineteen eighties Flash Gordon as one example. I

892
00:48:13.719 --> 00:48:15.880
<v Speaker 1>think I think we were perplexed as to whether there

893
00:48:15.920 --> 00:48:18.639
<v Speaker 1>were any others. Well, here comes Mark writing to the rescue.

894
00:48:18.920 --> 00:48:25.199
<v Speaker 1>Great he says that Clinton Spillsbury was dubbed. That's not

895
00:48:25.280 --> 00:48:28.119
<v Speaker 1>a made up name, Brian, that's a real person. Doesn't

896
00:48:28.119 --> 00:48:30.239
<v Speaker 1>that sound like something like, what's your name? Son? It's

897
00:48:30.760 --> 00:48:33.679
<v Speaker 1>Clinton Spillsbury?

898
00:48:34.320 --> 00:48:35.199
<v Speaker 2>It totally does.

899
00:48:35.280 --> 00:48:39.760
<v Speaker 1>Yeah, real guy. He starred in nineteen eighty one's Legend

900
00:48:39.800 --> 00:48:44.239
<v Speaker 1>of the Lone Ranger. Huh did you know that movie exists?

901
00:48:44.360 --> 00:48:45.280
<v Speaker 2>I know, I didn't.

902
00:48:46.199 --> 00:48:48.360
<v Speaker 1>So this is a movie not to be confused with

903
00:48:48.400 --> 00:48:52.880
<v Speaker 1>the twenty thirteen one. It stars, as we said, Clinton Spillsbury,

904
00:48:52.880 --> 00:48:54.599
<v Speaker 1>who was apparently dubbed. I think I knew that. I

905
00:48:54.639 --> 00:48:58.800
<v Speaker 1>may have blocked it up. But also Christopher Lloyd plays

906
00:48:58.840 --> 00:49:02.159
<v Speaker 1>the villain in that movie. Okay, he plays the guy

907
00:49:02.199 --> 00:49:06.519
<v Speaker 1>that you know in the recent one, William what's his name?

908
00:49:06.559 --> 00:49:10.079
<v Speaker 1>William Fickner played him. Okay, same guy. So that that

909
00:49:10.239 --> 00:49:13.920
<v Speaker 1>movie it was. It flopped. It's another infamous flop. You

910
00:49:14.079 --> 00:49:16.679
<v Speaker 1>think they would learn, right, They keep conect to like,

911
00:49:16.880 --> 00:49:18.800
<v Speaker 1>I don't think people are into the Lone Ranger anymore.

912
00:49:18.800 --> 00:49:22.719
<v Speaker 1>That's my sense. But that film when it came out,

913
00:49:23.519 --> 00:49:25.360
<v Speaker 1>it was meant to be. It was meant to do

914
00:49:25.440 --> 00:49:28.320
<v Speaker 1>for the Lone Ranger, what like what you know Superman

915
00:49:28.440 --> 00:49:31.880
<v Speaker 1>did for for well, for Superman, you know, okay, Christopher

916
00:49:32.320 --> 00:49:37.079
<v Speaker 1>uh did not happen obviously, But at that time, Clayton Moore,

917
00:49:37.119 --> 00:49:40.599
<v Speaker 1>who had played the Lone Ranger on the on television

918
00:49:40.639 --> 00:49:42.559
<v Speaker 1>in like the nineteen fifties and stuff, he was a

919
00:49:42.679 --> 00:49:45.920
<v Speaker 1>he was an older fella, and he would make appearances,

920
00:49:46.239 --> 00:49:50.840
<v Speaker 1>you know, as the Lone Ranger. Okay, so like he

921
00:49:50.880 --> 00:49:53.199
<v Speaker 1>would go to places and you know, meet meet the

922
00:49:53.239 --> 00:49:56.800
<v Speaker 1>original Loan Ranger, and the studio making this movie made

923
00:49:56.840 --> 00:50:01.679
<v Speaker 1>him stop. And it became this like big story.

924
00:50:02.639 --> 00:50:07.119
<v Speaker 2>Because they wanted everyone to think of this movies Lone

925
00:50:07.199 --> 00:50:08.639
<v Speaker 2>Ranger as the Lone Ranger.

926
00:50:08.719 --> 00:50:11.840
<v Speaker 1>So yeah, exactly, they're like, hey, old man, take off

927
00:50:12.199 --> 00:50:12.679
<v Speaker 1>the mask.

928
00:50:13.079 --> 00:50:15.440
<v Speaker 2>Oh that's so sad. And it's so things have changed

929
00:50:15.480 --> 00:50:17.880
<v Speaker 2>so much now, right, I mean, these meet and greet

930
00:50:18.000 --> 00:50:20.480
<v Speaker 2>sorts of things are so enormous these days.

931
00:50:20.960 --> 00:50:24.320
<v Speaker 1>Yeah, huh. So I think there was that bit of

932
00:50:25.039 --> 00:50:29.599
<v Speaker 1>bad you know, bad karma slash bad publicity, right, which

933
00:50:29.679 --> 00:50:30.599
<v Speaker 1>may have sunk the movie.

934
00:50:30.599 --> 00:50:30.639
<v Speaker 2>It.

935
00:50:31.920 --> 00:50:34.079
<v Speaker 1>My recollection is it's not very good. It's been a

936
00:50:34.119 --> 00:50:35.360
<v Speaker 1>long time since I've seen it.

937
00:50:35.719 --> 00:50:38.400
<v Speaker 2>But you know, well, it's interesting you say that this

938
00:50:38.559 --> 00:50:42.440
<v Speaker 2>was hoping to be like the next Superman in that moment,

939
00:50:42.480 --> 00:50:45.840
<v Speaker 2>and it's funny because the twenty thirteen Lone Ranger feels

940
00:50:45.840 --> 00:50:47.480
<v Speaker 2>like it was trying to be the next Pirates of

941
00:50:47.519 --> 00:50:48.079
<v Speaker 2>the Caribbean.

942
00:50:48.800 --> 00:50:51.840
<v Speaker 1>You know. Yeah, Well, we see a trend, you know,

943
00:50:52.159 --> 00:50:55.639
<v Speaker 1>tall things this season, and some of these things are

944
00:50:55.719 --> 00:50:57.840
<v Speaker 1>just not meant to live on in the same way

945
00:50:57.880 --> 00:51:01.719
<v Speaker 1>that they did. You know, not everything gets to be Batman. Yeah,

946
00:51:01.760 --> 00:51:05.800
<v Speaker 1>it's true, right, or Superman? I guess, I guess Superman

947
00:51:05.840 --> 00:51:06.840
<v Speaker 1>is an evergreen right?

948
00:51:08.239 --> 00:51:09.360
<v Speaker 2>Oh yeah, yeah, you know.

949
00:51:11.320 --> 00:51:13.440
<v Speaker 1>Mark continues. I also didn't realize there was a post

950
00:51:13.440 --> 00:51:15.880
<v Speaker 1>credits scene in the eighty seven Masters of Universe. I'll

951
00:51:15.880 --> 00:51:18.119
<v Speaker 1>have to check that out. No, you don't need to,

952
00:51:18.159 --> 00:51:22.079
<v Speaker 1>it's fine or you on YouTube. Yeah exactly, you don't

953
00:51:22.079 --> 00:51:24.280
<v Speaker 1>have to rewatch the whole movie for that. Let me

954
00:51:24.320 --> 00:51:26.679
<v Speaker 1>spoil it for you. It's just Franklenzella poking his head

955
00:51:26.679 --> 00:51:31.159
<v Speaker 1>out of water saying I'll be back spoiler alert. He

956
00:51:31.239 --> 00:51:35.199
<v Speaker 1>did not in fact come back, right, He says, I

957
00:51:35.280 --> 00:51:38.039
<v Speaker 1>don't think that's the first post credit scene in film history.

958
00:51:38.079 --> 00:51:40.719
<v Speaker 1>In the movie Young Sherlock Holmes from nineteen eighty five,

959
00:51:40.960 --> 00:51:43.280
<v Speaker 1>the main villain is actually revealed to be Mori Yardy

960
00:51:43.360 --> 00:51:46.079
<v Speaker 1>in a post credits scene when he signs the register

961
00:51:46.239 --> 00:51:51.840
<v Speaker 1>at an inn. Now, I have not seen Young Sherlock

962
00:51:51.880 --> 00:51:54.239
<v Speaker 1>Holmes since the late eighties.

963
00:51:54.960 --> 00:51:56.280
<v Speaker 2>I don't think i've ever seen it.

964
00:51:57.079 --> 00:51:59.480
<v Speaker 1>Oh you've never seen it. Oh it's a good movie.

965
00:51:59.639 --> 00:52:02.239
<v Speaker 2>Yeah, I only know it as the first movie to

966
00:52:02.440 --> 00:52:04.840
<v Speaker 2>have a full character.

967
00:52:04.920 --> 00:52:11.679
<v Speaker 1>Yeah, yeah, yeah, yeah, you know, it's I mean, might

968
00:52:11.719 --> 00:52:14.320
<v Speaker 1>be worth revisiting. I suppose, you know. Yeah.

969
00:52:14.360 --> 00:52:20.360
<v Speaker 2>Well it's funny too, because now, of course people attribute

970
00:52:20.400 --> 00:52:23.559
<v Speaker 2>to post credit sequences to Marvel films and say, like,

971
00:52:23.719 --> 00:52:26.400
<v Speaker 2>you know, nobody left Masters of the Universe when I

972
00:52:26.440 --> 00:52:28.880
<v Speaker 2>saw it, because we're all thinking, well, there must be

973
00:52:29.039 --> 00:52:32.199
<v Speaker 2>a post credit sequence here, because Marvel has conditioned us

974
00:52:32.199 --> 00:52:37.280
<v Speaker 2>with these big blockbusters like Blasps. Wow, I'm not even

975
00:52:37.280 --> 00:52:44.360
<v Speaker 2>gonna cut that out. That's staying. Uh. You anticipate most

976
00:52:44.360 --> 00:52:47.039
<v Speaker 2>big blockbusters are going to have some sort of joke

977
00:52:47.079 --> 00:52:48.800
<v Speaker 2>in the middle of the credits and a setup for

978
00:52:48.800 --> 00:52:51.360
<v Speaker 2>something else at the end. Right, But growing up in

979
00:52:51.360 --> 00:52:54.480
<v Speaker 2>the eighties. All the John Hughes movies had those, right

980
00:52:55.639 --> 00:52:59.360
<v Speaker 2>Farris Bueller obviously, Planes, Trains and Automobiles has the ad

981
00:52:59.400 --> 00:53:03.320
<v Speaker 2>executive from the beginning of the movie still looking at

982
00:53:03.440 --> 00:53:06.760
<v Speaker 2>the two mock ups, like and I think there's a

983
00:53:06.760 --> 00:53:09.880
<v Speaker 2>Thanksgiving turkey on the table, implying that he's been there

984
00:53:09.880 --> 00:53:12.119
<v Speaker 2>for several days. That's in front of the credits, and

985
00:53:12.159 --> 00:53:15.920
<v Speaker 2>then Adventures and Babysitting Nut John Hughes. But you know,

986
00:53:15.920 --> 00:53:18.519
<v Speaker 2>a bad guy follows a girl out to the outside

987
00:53:18.519 --> 00:53:20.760
<v Speaker 2>of a skyscraper. Then after the credits, you see he's

988
00:53:20.760 --> 00:53:23.280
<v Speaker 2>still stuck on the skyscraper. So that like used to

989
00:53:23.320 --> 00:53:25.920
<v Speaker 2>be a thing. Yeah, and then it feels like they

990
00:53:25.960 --> 00:53:28.599
<v Speaker 2>went away for a little bit. And then Marvel, you know,

991
00:53:28.679 --> 00:53:31.039
<v Speaker 2>conditioned us to no matter what the movie is, now

992
00:53:31.079 --> 00:53:34.360
<v Speaker 2>we expect there to be a post credits scene.

993
00:53:34.559 --> 00:53:40.280
<v Speaker 1>Yeah, every Yeah, I mean, like I'm trying to think of,

994
00:53:42.719 --> 00:53:46.840
<v Speaker 1>like even in terms of Marvel, Like, what what was

995
00:53:46.880 --> 00:53:51.039
<v Speaker 1>it like, cause I stuck around for iron the end

996
00:53:51.079 --> 00:53:53.960
<v Speaker 1>of Iron Man, and I'm like, how did I know

997
00:53:54.079 --> 00:53:56.760
<v Speaker 1>to do that? Right? Yeah?

998
00:53:56.920 --> 00:53:59.519
<v Speaker 2>I mean was there online chatter like don't leave?

999
00:54:00.119 --> 00:54:02.599
<v Speaker 1>Must have been in fact, you and I and Sean

1000
00:54:02.639 --> 00:54:06.880
<v Speaker 1>we watched Iron Man together and we all I must

1001
00:54:06.880 --> 00:54:09.320
<v Speaker 1>have read somewhere like, oh, there's a thing after the credits.

1002
00:54:09.480 --> 00:54:10.760
<v Speaker 2>I'm guessing yeah, right.

1003
00:54:11.559 --> 00:54:12.079
<v Speaker 1>Interesting.

1004
00:54:12.199 --> 00:54:14.480
<v Speaker 2>By the way, just in case anyone's wondering the same

1005
00:54:14.480 --> 00:54:16.079
<v Speaker 2>thing I was, I just googled it. This is off

1006
00:54:16.079 --> 00:54:19.199
<v Speaker 2>of Wikipedia, so I don't know, but it says the

1007
00:54:19.239 --> 00:54:22.400
<v Speaker 2>first general release film to feature a post credits scene

1008
00:54:22.480 --> 00:54:29.320
<v Speaker 2>is The Silencers from March nineteen sixty six. Wow, And

1009
00:54:29.519 --> 00:54:32.519
<v Speaker 2>it features Dean Martin. He's on us rotating sofa with

1010
00:54:32.679 --> 00:54:37.960
<v Speaker 2>densecantly clad women and during the scene, text overlays are.

1011
00:54:37.880 --> 00:54:39.079
<v Speaker 1>They just filming his life?

1012
00:54:39.119 --> 00:54:41.119
<v Speaker 2>And then they just put it in right right, and

1013
00:54:41.239 --> 00:54:44.400
<v Speaker 2>it says coming up next, so maybe it was setting

1014
00:54:44.480 --> 00:54:46.599
<v Speaker 2>up a sequel or something. And then the next one

1015
00:54:46.639 --> 00:54:48.519
<v Speaker 2>it lists is nineteen seventy nine of them up at

1016
00:54:48.599 --> 00:54:50.159
<v Speaker 2>movie so wow.

1017
00:54:50.159 --> 00:54:52.119
<v Speaker 1>Okay, so there was a big gap there.

1018
00:54:52.360 --> 00:54:55.400
<v Speaker 2>According to Wikipedia and what they've listed here, and then

1019
00:54:55.480 --> 00:54:59.639
<v Speaker 2>and then it says airplane young Sherlock Holmes, Masters of

1020
00:54:59.639 --> 00:55:02.079
<v Speaker 2>the Universe, skeletory at the bottom of a pit saying

1021
00:55:02.119 --> 00:55:02.679
<v Speaker 2>I'll be back.

1022
00:55:02.880 --> 00:55:10.000
<v Speaker 1>Yeah, but what what like? What does the two thousands

1023
00:55:10.039 --> 00:55:10.360
<v Speaker 1>look like?

1024
00:55:14.440 --> 00:55:23.800
<v Speaker 2>Contemporary film examples all five Pirates of the Caribbean films, Napoleon, Dynamite, Daredevil.

1025
00:55:24.119 --> 00:55:26.599
<v Speaker 2>I remember that Bullseye when he's in the full body cast.

1026
00:55:26.800 --> 00:55:29.280
<v Speaker 2>It's like a mid credit scene. Okay, x men, the

1027
00:55:29.320 --> 00:55:33.000
<v Speaker 2>Last Stand I remember that. Yeah, Harry Potter and the

1028
00:55:33.079 --> 00:55:38.800
<v Speaker 2>Chamber of Secrets. Uh well, I don't know if this

1029
00:55:38.880 --> 00:55:42.079
<v Speaker 2>is matrix reloaded. That wasn't That was a trailer for

1030
00:55:42.119 --> 00:55:45.880
<v Speaker 2>the next trailer. Yeah, I call foul come on now,

1031
00:55:47.119 --> 00:55:49.559
<v Speaker 2>Uh yeah, well then, of course not. It's getting into

1032
00:55:49.559 --> 00:55:50.559
<v Speaker 2>Marvel basically.

1033
00:55:50.320 --> 00:55:53.400
<v Speaker 1>All right, Well, it's easier to blame Marvel as people.

1034
00:55:53.400 --> 00:55:56.039
<v Speaker 1>All right. Nowadays it's like all Marvel ruined everything.

1035
00:55:56.599 --> 00:55:59.360
<v Speaker 2>Right, right, But it was with the Masters of the Universe.

1036
00:55:59.360 --> 00:56:01.559
<v Speaker 2>I mean, I was just convinced. I knew there would

1037
00:56:01.559 --> 00:56:02.000
<v Speaker 2>be something.

1038
00:56:02.760 --> 00:56:06.679
<v Speaker 1>You know what's funny is I did not stick around

1039
00:56:06.719 --> 00:56:11.559
<v Speaker 1>for the final final post credit scene because I thought

1040
00:56:11.559 --> 00:56:16.599
<v Speaker 1>that was just the the two the earlier too.

1041
00:56:17.199 --> 00:56:20.400
<v Speaker 2>You know, something told me because the movie seemed a

1042
00:56:20.480 --> 00:56:24.000
<v Speaker 2>little reverential for the first one by giving delfh Lungrin

1043
00:56:24.039 --> 00:56:27.320
<v Speaker 2>an entire scene and not just one line. In passing,

1044
00:56:28.000 --> 00:56:31.000
<v Speaker 2>I wondered if they felt like compelled, they would feel

1045
00:56:31.000 --> 00:56:32.480
<v Speaker 2>compelled to put something at the end, like.

1046
00:56:32.440 --> 00:56:35.039
<v Speaker 1>The to mirror the end the post credit scene of

1047
00:56:35.159 --> 00:56:35.719
<v Speaker 1>the eighty seven.

1048
00:56:35.880 --> 00:56:36.480
<v Speaker 2>Yeah, and they did.

1049
00:56:37.280 --> 00:56:40.559
<v Speaker 1>They did. Indeed, we'll talk more about Master's Universe in

1050
00:56:40.599 --> 00:56:43.280
<v Speaker 1>a second. Oh. Actually, on one other comment we got

1051
00:56:43.519 --> 00:56:46.280
<v Speaker 1>this is also about voiceovers. This is from mister Roro

1052
00:56:46.760 --> 00:56:49.480
<v Speaker 1>on YouTube says, I don't know of a recent voice

1053
00:56:49.519 --> 00:56:52.880
<v Speaker 1>over dubbed, but zach Efron's singing voice was dubbed over

1054
00:56:53.159 --> 00:56:56.800
<v Speaker 1>in the first High School Musical. So I know you've

1055
00:56:56.800 --> 00:56:58.239
<v Speaker 1>always wondered about that, Brian.

1056
00:56:59.199 --> 00:57:03.119
<v Speaker 2>He was just he was He was so handsome, and like, well,

1057
00:57:03.159 --> 00:57:05.559
<v Speaker 2>we need that face, we need the face. Just tell

1058
00:57:05.599 --> 00:57:06.840
<v Speaker 2>you something about that voice.

1059
00:57:07.039 --> 00:57:11.599
<v Speaker 1>Just the just the singing voice. Anyway, thank you for that.

1060
00:57:12.199 --> 00:57:22.960
<v Speaker 1>And got some headlines here, Brian extra. So we're talking

1061
00:57:22.960 --> 00:57:26.280
<v Speaker 1>about Masters of the Universe. The big question is what

1062
00:57:26.320 --> 00:57:28.840
<v Speaker 1>does the future of this franchise look like? Does it

1063
00:57:29.000 --> 00:57:32.079
<v Speaker 1>have a future? It? It opened in a way that

1064
00:57:32.159 --> 00:57:35.280
<v Speaker 1>I have to say, you and I have been absolutely

1065
00:57:35.320 --> 00:57:39.920
<v Speaker 1>consistent about that this movie was not going to do well. Yeah,

1066
00:57:40.400 --> 00:57:42.559
<v Speaker 1>I mean we as soon as the first trailer dropped,

1067
00:57:42.599 --> 00:57:45.639
<v Speaker 1>you and I talked about it and we were both like, well, Amazon,

1068
00:57:45.760 --> 00:57:47.760
<v Speaker 1>MGM about to lose a lot of money on this movie.

1069
00:57:48.599 --> 00:57:53.000
<v Speaker 2>Yeah, and I mean the main reason was maybe the

1070
00:57:53.039 --> 00:58:00.000
<v Speaker 2>window for this ip has all but closed at this point,

1071
00:58:00.159 --> 00:58:01.920
<v Speaker 2>you know, I mean, this is something that would appeal

1072
00:58:02.000 --> 00:58:04.960
<v Speaker 2>to us and people our age. But I don't know,

1073
00:58:05.159 --> 00:58:07.320
<v Speaker 2>I know there have been other iterations of he Man

1074
00:58:07.360 --> 00:58:11.119
<v Speaker 2>throughout the years, but I don't feel like, you know,

1075
00:58:11.239 --> 00:58:13.320
<v Speaker 2>a ten year old in this day and age knows

1076
00:58:13.400 --> 00:58:15.800
<v Speaker 2>what he Man is and is asking their parents to

1077
00:58:15.840 --> 00:58:16.280
<v Speaker 2>go see it.

1078
00:58:16.760 --> 00:58:17.000
<v Speaker 1>Yeah.

1079
00:58:17.239 --> 00:58:19.440
<v Speaker 2>Yeah, it was an uphill battle for it.

1080
00:58:19.239 --> 00:58:22.920
<v Speaker 1>It was always an uphill battle. And you know, this

1081
00:58:23.199 --> 00:58:28.440
<v Speaker 1>film has been you know, a hypothetical for as long

1082
00:58:28.480 --> 00:58:32.360
<v Speaker 1>as we've been making this podcast. Yeah, we've said pretty

1083
00:58:32.360 --> 00:58:36.519
<v Speaker 1>consistently the window is closing, you know. We were saying that

1084
00:58:36.599 --> 00:58:37.480
<v Speaker 1>like ten years ago.

1085
00:58:37.679 --> 00:58:37.920
<v Speaker 2>Yep.

1086
00:58:38.880 --> 00:58:41.840
<v Speaker 1>So it indeed has closed based on at least just

1087
00:58:41.880 --> 00:58:43.880
<v Speaker 1>the box office. But I think I think there's a

1088
00:58:43.920 --> 00:58:45.800
<v Speaker 1>comma at the end of that rather than a period,

1089
00:58:46.079 --> 00:58:50.280
<v Speaker 1>because yeah, look, we're a far cry from whatever the

1090
00:58:50.320 --> 00:58:54.119
<v Speaker 1>first Michael Bay movie Transformers movie made, you know, twenty

1091
00:58:54.199 --> 00:58:57.599
<v Speaker 1>years ago almost, and if you remember, in the aftermath

1092
00:58:57.760 --> 00:59:01.000
<v Speaker 1>of the first Transformer, they were trying to get like

1093
00:59:01.039 --> 00:59:02.719
<v Speaker 1>g I Joe out the door and all this other stuff.

1094
00:59:02.800 --> 00:59:06.840
<v Speaker 1>I think this one two was a result of Barbie

1095
00:59:06.880 --> 00:59:07.960
<v Speaker 1>doing as well as it did.

1096
00:59:08.079 --> 00:59:10.960
<v Speaker 2>I believe it or not. I completely forgot about the

1097
00:59:11.000 --> 00:59:16.079
<v Speaker 2>Mattel connection. Yeah, yeah, yeah, yeah. And I think what

1098
00:59:16.199 --> 00:59:19.880
<v Speaker 2>Barbie had gone for was several factors. One, Barbie has

1099
00:59:20.000 --> 00:59:26.480
<v Speaker 2>never ever gone away be you know, Greta Gerwig had

1100
00:59:26.519 --> 00:59:29.639
<v Speaker 2>a point of view, and see, you know Margot Robbie

1101
00:59:29.679 --> 00:59:32.239
<v Speaker 2>was sort of a zeitgeisty star at that moment, right,

1102
00:59:32.280 --> 00:59:37.039
<v Speaker 2>So it was this unique alchemy of premise filmmaker and

1103
00:59:37.079 --> 00:59:41.440
<v Speaker 2>star working together. And so I certainly understand Mattel just

1104
00:59:41.559 --> 00:59:43.880
<v Speaker 2>jumping on that being like, hey, he man, you know

1105
00:59:43.920 --> 00:59:44.400
<v Speaker 2>Hot Wheels.

1106
00:59:44.400 --> 00:59:47.880
<v Speaker 1>I'm sure Hot Wheels is somewhere in the development pipeline infinitely.

1107
00:59:49.519 --> 00:59:52.760
<v Speaker 1>But yeah, it was always like, again, as I say

1108
00:59:52.800 --> 00:59:55.400
<v Speaker 1>this as a fan, it's like, look, it burned white

1109
00:59:55.400 --> 00:59:59.880
<v Speaker 1>hot from like eighty two to eighty six, and it's

1110
01:00:00.079 --> 01:00:04.599
<v Speaker 1>ever burn that hot again. And that's okay. So, as

1111
01:00:04.840 --> 01:00:06.239
<v Speaker 1>you and I discussed, it's like, well, at the end

1112
01:00:06.239 --> 01:00:08.320
<v Speaker 1>of the day, do we have a movie that we liked? Yeah,

1113
01:00:08.559 --> 01:00:11.480
<v Speaker 1>you know, and at least for me, that's all I need.

1114
01:00:11.519 --> 01:00:14.119
<v Speaker 1>I can't remember if I said this to you, but

1115
01:00:14.119 --> 01:00:18.840
<v Speaker 1>but exactly thirty years ago to the date, like the

1116
01:00:19.519 --> 01:00:24.079
<v Speaker 1>same weekend thirty years ago, another movie opened that I

1117
01:00:24.480 --> 01:00:27.400
<v Speaker 1>happened to like quite a bit, which flopped catastrophically, which

1118
01:00:27.400 --> 01:00:28.199
<v Speaker 1>is The Phantom.

1119
01:00:28.360 --> 01:00:31.280
<v Speaker 2>Mmm, wow, thirty years ago. I was thinking further back.

1120
01:00:31.840 --> 01:00:32.840
<v Speaker 2>He said thirty.

1121
01:00:32.880 --> 01:00:36.840
<v Speaker 1>Yeah, thirty years ago. And then you know, exactly thirty

1122
01:00:36.920 --> 01:00:41.039
<v Speaker 1>five years ago this summer was The Rocketeer. And you know,

1123
01:00:41.440 --> 01:00:43.400
<v Speaker 1>my point is, it's like, look, don't I don't need

1124
01:00:43.440 --> 01:00:47.039
<v Speaker 1>a shared cinematic universality of this stuff. I don't need

1125
01:00:47.159 --> 01:00:49.079
<v Speaker 1>trilogies or anything. I'm like, just give me one movie

1126
01:00:49.079 --> 01:00:51.639
<v Speaker 1>that I enjoy. I'm I'm I've had one he Man

1127
01:00:51.679 --> 01:00:55.480
<v Speaker 1>movie for forty years. Now there's two and that's fine.

1128
01:00:55.559 --> 01:00:57.920
<v Speaker 2>You know yeah, And you you saying Rocketeer is the

1129
01:00:57.920 --> 01:01:02.840
<v Speaker 2>perfect example that makes me understand because that came out

1130
01:01:02.840 --> 01:01:05.719
<v Speaker 2>when I was young. I wasn't really following box office.

1131
01:01:06.280 --> 01:01:08.559
<v Speaker 2>I just knew I loved it. I've always loved it.

1132
01:01:08.639 --> 01:01:11.199
<v Speaker 2>I still love it. I watch it now and I

1133
01:01:11.679 --> 01:01:14.199
<v Speaker 2>think it completely holds up. I think it is a

1134
01:01:14.360 --> 01:01:17.599
<v Speaker 2>wonderful movie. And I don't even think about I'm sure

1135
01:01:17.639 --> 01:01:19.639
<v Speaker 2>the executives back in the you know who are working

1136
01:01:19.679 --> 01:01:22.599
<v Speaker 2>at Disney at the time thought a lot about its performance,

1137
01:01:22.880 --> 01:01:25.480
<v Speaker 2>but that doesn't have anything to do with how I

1138
01:01:25.480 --> 01:01:28.559
<v Speaker 2>feel about that movie. Yeah, it's just a wonderful movie

1139
01:01:28.559 --> 01:01:30.639
<v Speaker 2>that I'm always going to get to enjoy. And so

1140
01:01:31.239 --> 01:01:33.559
<v Speaker 2>it's unfortunate in this moment for the people who have

1141
01:01:33.679 --> 01:01:37.360
<v Speaker 2>money in on Masters of the Universe. But to your point,

1142
01:01:37.639 --> 01:01:39.559
<v Speaker 2>we've got a great movie that a lot of people

1143
01:01:39.599 --> 01:01:42.679
<v Speaker 2>have enjoyed. Most people I've seen who've watched it, critics

1144
01:01:42.719 --> 01:01:45.559
<v Speaker 2>and fans and everyone alike, have enjoyed it. And we

1145
01:01:45.599 --> 01:01:47.760
<v Speaker 2>will always have it and that's nice that.

1146
01:01:47.960 --> 01:01:51.760
<v Speaker 1>Yeah, and this is acknowledging that, you know, not everybody

1147
01:01:51.800 --> 01:01:55.679
<v Speaker 1>loved it, you know. I Luke Smail sent us a

1148
01:01:55.719 --> 01:01:59.199
<v Speaker 1>note sort of listing the reasons didn't work for him,

1149
01:01:59.199 --> 01:02:00.760
<v Speaker 1>and he's not a loan you know. I think some

1150
01:02:00.800 --> 01:02:03.840
<v Speaker 1>people had issues with the tone. Yeah, you know, it

1151
01:02:03.880 --> 01:02:05.880
<v Speaker 1>was a little joke or whatever, you know, and Marvel

1152
01:02:06.039 --> 01:02:09.320
<v Speaker 1>hashtag Marvel ruins everything, you know, and I want to

1153
01:02:09.320 --> 01:02:12.000
<v Speaker 1>acknowledge that. Look, the tone's not gonna work for everybody.

1154
01:02:12.000 --> 01:02:16.840
<v Speaker 1>So so it's not like it's it's without flaw, right,

1155
01:02:17.920 --> 01:02:20.920
<v Speaker 1>But I agree with you in that, by and large,

1156
01:02:21.199 --> 01:02:23.079
<v Speaker 1>it seems to me that folks who are checking it

1157
01:02:23.119 --> 01:02:25.199
<v Speaker 1>out are coming out like that was that was fun?

1158
01:02:25.559 --> 01:02:25.760
<v Speaker 2>You know.

1159
01:02:27.280 --> 01:02:31.039
<v Speaker 1>And and you know, I've seen it just since we

1160
01:02:31.159 --> 01:02:33.000
<v Speaker 1>last record, I've seen it twice more so, I've seen

1161
01:02:33.039 --> 01:02:36.039
<v Speaker 1>it three times total. I've enjoyed it each time. I've

1162
01:02:36.079 --> 01:02:39.280
<v Speaker 1>seen it with a different uh, you know, a group

1163
01:02:39.320 --> 01:02:43.119
<v Speaker 1>of people each time, you know, different group of kids.

1164
01:02:43.119 --> 01:02:45.480
<v Speaker 1>My kids all have enjoyed it. My wife loved it,

1165
01:02:45.559 --> 01:02:47.800
<v Speaker 1>Oh my, oh good, she was just over the moon.

1166
01:02:47.840 --> 01:02:51.159
<v Speaker 1>My brother loved it. For me, my brother and I

1167
01:02:51.239 --> 01:02:54.239
<v Speaker 1>we we watched the original one in you know, in

1168
01:02:54.320 --> 01:02:55.920
<v Speaker 1>eighty seven, so we were like, oh, we're going to

1169
01:02:55.960 --> 01:03:00.480
<v Speaker 1>go see this one, and that was just a very

1170
01:03:00.559 --> 01:03:02.800
<v Speaker 1>surreal experience for me just having that, you know.

1171
01:03:03.039 --> 01:03:07.480
<v Speaker 2>Yeah, right, so the movie it to me, it's.

1172
01:03:07.320 --> 01:03:10.760
<v Speaker 1>Like it's another John Carter or any of these one

1173
01:03:10.800 --> 01:03:14.519
<v Speaker 1>and done's that are just fine. You know. However, I

1174
01:03:14.880 --> 01:03:17.119
<v Speaker 1>saw a piece up at Nerdous with which I thought

1175
01:03:17.159 --> 01:03:19.719
<v Speaker 1>was interesting just looking at the reaction of the film

1176
01:03:20.000 --> 01:03:25.480
<v Speaker 1>in terms of, yes, the budget is astronomical and it

1177
01:03:25.480 --> 01:03:27.639
<v Speaker 1>doesn't make a lot of sense, but factoring in well,

1178
01:03:28.639 --> 01:03:32.400
<v Speaker 1>Amazon had to have known that, They're like that was

1179
01:03:32.400 --> 01:03:34.840
<v Speaker 1>a lot of money to spend on this, so like,

1180
01:03:34.920 --> 01:03:39.239
<v Speaker 1>what was the thinking behind it? And it's it's you know,

1181
01:03:39.599 --> 01:03:43.639
<v Speaker 1>I saw a statement from somebody from Amazon. It was like, well,

1182
01:03:43.679 --> 01:03:47.000
<v Speaker 1>it's performing, you know, in line with what we expected,

1183
01:03:47.079 --> 01:03:50.880
<v Speaker 1>and we're you know, it's gonna have a long afterlife

1184
01:03:50.960 --> 01:03:52.840
<v Speaker 1>on our platform or whatever. And I'm like, well, a

1185
01:03:52.840 --> 01:03:57.119
<v Speaker 1>lot of that's a little coia, right, Like I wouldn't like,

1186
01:03:57.159 --> 01:03:59.719
<v Speaker 1>if I'm hoping for a sequel, I wouldn't take heart

1187
01:03:59.719 --> 01:04:02.280
<v Speaker 1>in a statement like that. Yeah, yeah, Like what are

1188
01:04:02.280 --> 01:04:04.079
<v Speaker 1>they gonna say, Oh, we shit the bed with this

1189
01:04:04.159 --> 01:04:08.960
<v Speaker 1>one bad? Obviously they're not gonna do that. But I

1190
01:04:08.960 --> 01:04:13.599
<v Speaker 1>I find it interesting that a lot of the discussion

1191
01:04:13.679 --> 01:04:16.039
<v Speaker 1>I've seen online has been something in the vein of,

1192
01:04:17.079 --> 01:04:20.360
<v Speaker 1>you know, they should have put it on streaming, and

1193
01:04:20.360 --> 01:04:23.679
<v Speaker 1>and I'm like, how fascinating isn't that fascinating? Like how

1194
01:04:24.119 --> 01:04:27.760
<v Speaker 1>like like we're now we're we're at the point where

1195
01:04:27.760 --> 01:04:30.599
<v Speaker 1>obsession and back rooms, which would have been the streaming

1196
01:04:30.599 --> 01:04:35.159
<v Speaker 1>movies five years ago, Yes, those are the theater movies.

1197
01:04:35.719 --> 01:04:38.400
<v Speaker 1>And this we're like, it's put it on streaming. Voltron,

1198
01:04:38.440 --> 01:04:39.639
<v Speaker 1>that's going to streaming, right?

1199
01:04:39.719 --> 01:04:40.760
<v Speaker 2>Saw that? Yeah?

1200
01:04:40.960 --> 01:04:45.559
<v Speaker 1>Right? And and and think about it, right, like two

1201
01:04:45.599 --> 01:04:52.239
<v Speaker 1>years ago, you and I watched Axel Foley Yeah right,

1202
01:04:52.559 --> 01:04:55.440
<v Speaker 1>right right, And and the conversation we had at the

1203
01:04:55.480 --> 01:04:57.360
<v Speaker 1>time was like, why didn't they put this in theaters?

1204
01:04:57.400 --> 01:05:00.320
<v Speaker 1>And then now I kind of like the that may

1205
01:05:00.320 --> 01:05:02.679
<v Speaker 1>have been the smart move, not putting in theaters.

1206
01:05:03.559 --> 01:05:08.159
<v Speaker 2>Yeah, because then it wouldn't have maybe a stigma yees

1207
01:05:08.320 --> 01:05:11.239
<v Speaker 2>do it if it didn't perform.

1208
01:05:10.440 --> 01:05:14.960
<v Speaker 1>Right, because remember just the year prior to Axel f

1209
01:05:15.239 --> 01:05:19.800
<v Speaker 1>was in the five Yeah, which was also a famous

1210
01:05:20.159 --> 01:05:22.320
<v Speaker 1>calamity in terms of how much they spent versus much

1211
01:05:22.320 --> 01:05:25.840
<v Speaker 1>they made. But we're seeing the trend here, which is

1212
01:05:25.920 --> 01:05:31.440
<v Speaker 1>that you know, our time in the sun is rapidly dwindling.

1213
01:05:32.039 --> 01:05:35.199
<v Speaker 2>When you say are who are you referring to us old,

1214
01:05:36.119 --> 01:05:37.119
<v Speaker 2>our stuff, the stuff?

1215
01:05:37.119 --> 01:05:39.719
<v Speaker 1>We yeah, well, let me let me let me quote you.

1216
01:05:39.800 --> 01:05:42.440
<v Speaker 1>This portion from Nervous says, so what becomes of mo

1217
01:05:42.559 --> 01:05:45.679
<v Speaker 1>tw next? Should Mattel give up all attempts at making

1218
01:05:45.679 --> 01:05:48.920
<v Speaker 1>the brand relevant and just keep selling high end replicas

1219
01:05:48.920 --> 01:05:54.039
<v Speaker 1>of older toys to its AARP ready audience. So a

1220
01:05:54.079 --> 01:05:56.039
<v Speaker 1>little piece of me died when I read that sentence

1221
01:05:57.320 --> 01:06:01.760
<v Speaker 1>as I nervously glance at my power Sword replica on

1222
01:06:01.800 --> 01:06:10.480
<v Speaker 1>my shelf. So I don't know. You know, this is

1223
01:06:10.519 --> 01:06:15.039
<v Speaker 1>from Nerdous. They say Amazon MGM should simply read the

1224
01:06:15.079 --> 01:06:18.400
<v Speaker 1>tea leaves on the non theatrical future of Masters universe

1225
01:06:18.440 --> 01:06:21.639
<v Speaker 1>and release the film to prime video now. Don't wait

1226
01:06:21.639 --> 01:06:24.159
<v Speaker 1>two or three months. Do it in three weeks, drop

1227
01:06:24.159 --> 01:06:26.119
<v Speaker 1>it while the film is still in the conversation. If

1228
01:06:26.119 --> 01:06:28.800
<v Speaker 1>the streaming numbers are good, then pivot and let Motu

1229
01:06:28.920 --> 01:06:33.760
<v Speaker 1>become a streaming franchise. And weirdly, I look at that

1230
01:06:33.800 --> 01:06:36.559
<v Speaker 1>and I'm like, you know, maybe that might not be

1231
01:06:36.679 --> 01:06:37.519
<v Speaker 1>the worst idea.

1232
01:06:37.800 --> 01:06:40.519
<v Speaker 2>I as long as I get one more chance to

1233
01:06:40.599 --> 01:06:43.119
<v Speaker 2>check it out on the big screen, because I do

1234
01:06:43.239 --> 01:06:46.840
<v Speaker 2>want to. Yeah, yeah, maybe not. I mean, this is

1235
01:06:46.920 --> 01:06:50.159
<v Speaker 2>twenty twenty six. If that works for that and that,

1236
01:06:50.679 --> 01:06:52.440
<v Speaker 2>I'm glad they made it. I want them to be

1237
01:06:53.880 --> 01:06:56.639
<v Speaker 2>rewarded for making it, if that's what's gonna help them

1238
01:06:57.320 --> 01:07:00.800
<v Speaker 2>get make it most successful for them and profitable and

1239
01:07:00.920 --> 01:07:05.639
<v Speaker 2>whatever new metric sure sure. So.

1240
01:07:06.280 --> 01:07:08.920
<v Speaker 1>One data point I think is worth mentioning here when

1241
01:07:08.920 --> 01:07:11.559
<v Speaker 1>we talk about Amazon sort of having a plan, is

1242
01:07:11.599 --> 01:07:14.679
<v Speaker 1>that as soon as the movie was released, they put

1243
01:07:14.800 --> 01:07:20.320
<v Speaker 1>the four K Blu ray up for pre order, and

1244
01:07:20.400 --> 01:07:24.840
<v Speaker 1>which is fast. I think, yeah, yeah, And it's been

1245
01:07:25.000 --> 01:07:30.280
<v Speaker 1>like the number one pre ordered, number one seller in

1246
01:07:30.320 --> 01:07:33.239
<v Speaker 1>that category in Amazon, like since since it went up.

1247
01:07:34.360 --> 01:07:37.079
<v Speaker 2>See that's cool, right.

1248
01:07:37.119 --> 01:07:40.119
<v Speaker 1>If that's really just just anecdotal, maybe it doesn't mean anything,

1249
01:07:40.239 --> 01:07:41.599
<v Speaker 1>but it's a data point.

1250
01:07:42.039 --> 01:07:43.760
<v Speaker 2>Yeah, and that's not something that could have happened in

1251
01:07:43.840 --> 01:07:44.760
<v Speaker 2>nineteen ninety six.

1252
01:07:45.760 --> 01:07:46.880
<v Speaker 1>That's a good point, you know what I mean.

1253
01:07:46.920 --> 01:07:49.559
<v Speaker 2>So there's just so many unique factors right now, and

1254
01:07:49.599 --> 01:07:52.599
<v Speaker 2>I'm having to catch up to like, oh, well, it's

1255
01:07:52.599 --> 01:07:54.159
<v Speaker 2>only in theaters for a couple of weeks, and that

1256
01:07:54.280 --> 01:07:56.440
<v Speaker 2>must mean that it's this you know, it's it's not

1257
01:07:56.480 --> 01:07:58.320
<v Speaker 2>gonna make its money back and that makes me feel bad.

1258
01:07:58.320 --> 01:08:00.719
<v Speaker 2>But it's like, well, no, we've got Dreaming to account for,

1259
01:08:00.800 --> 01:08:02.280
<v Speaker 2>and they're going to license it out to you know,

1260
01:08:02.320 --> 01:08:04.519
<v Speaker 2>who knows who else to stream it. And the four

1261
01:08:04.599 --> 01:08:07.079
<v Speaker 2>K is already number one seller. I mean, that's not

1262
01:08:07.119 --> 01:08:08.719
<v Speaker 2>something we ever had when we were kids. We had

1263
01:08:08.719 --> 01:08:12.119
<v Speaker 2>to wait a year for the home video release of anything.

1264
01:08:12.599 --> 01:08:16.119
<v Speaker 2>So they have, like you said, these executives probably had

1265
01:08:16.119 --> 01:08:17.199
<v Speaker 2>this mapped out.

1266
01:08:17.479 --> 01:08:20.800
<v Speaker 1>They they must have some kind of metric knowing that

1267
01:08:20.920 --> 01:08:23.159
<v Speaker 1>this movie is going to be living on that service

1268
01:08:25.439 --> 01:08:29.039
<v Speaker 1>for you know, and and it'll be a driver of traffic.

1269
01:08:29.079 --> 01:08:31.800
<v Speaker 1>And then and then again, if you've got these ancillarious things,

1270
01:08:31.880 --> 01:08:37.279
<v Speaker 1>like like the people people pre ordering the disc tells me, well,

1271
01:08:37.319 --> 01:08:39.199
<v Speaker 1>they're they're already. People are like I want to watch

1272
01:08:39.239 --> 01:08:41.119
<v Speaker 1>this again. I want to have it so I can

1273
01:08:42.239 --> 01:08:45.439
<v Speaker 1>revisit it, right, And and yeah, I mean I I

1274
01:08:45.720 --> 01:08:48.159
<v Speaker 1>don't begin to know what the calculations are as far

1275
01:08:48.199 --> 01:08:51.279
<v Speaker 1>as merch and how that's split between Mattel and and

1276
01:08:51.279 --> 01:08:55.039
<v Speaker 1>and and MGM Amazon, But I don't know interesting data

1277
01:08:55.079 --> 01:08:59.600
<v Speaker 1>point anyway, Yeah, yeah, Like I I could easily see

1278
01:08:59.640 --> 01:09:04.279
<v Speaker 1>a situation where a sequel is has more of an

1279
01:09:04.279 --> 01:09:06.079
<v Speaker 1>audience because of goodwill from the first one. I just

1280
01:09:06.119 --> 01:09:09.600
<v Speaker 1>think that this is this isn't like a Batman Begins

1281
01:09:09.600 --> 01:09:12.239
<v Speaker 1>situation where the first one did reasonably well and then

1282
01:09:12.279 --> 01:09:15.399
<v Speaker 1>the second one just blew up right right like this,

1283
01:09:15.560 --> 01:09:18.399
<v Speaker 1>I mean, this is a there's no spinning this. This

1284
01:09:18.479 --> 01:09:21.439
<v Speaker 1>is a catastrophe in terms of money spent versus money out,

1285
01:09:21.520 --> 01:09:25.680
<v Speaker 1>you know. Yeah, but anyway, I just I just I

1286
01:09:25.720 --> 01:09:30.319
<v Speaker 1>find all of this interesting in terms of realizing that, yeah,

1287
01:09:30.359 --> 01:09:35.680
<v Speaker 1>you know, twenty years ago was probably the peak window

1288
01:09:35.960 --> 01:09:38.840
<v Speaker 1>to put this out there. And you're like, well, this

1289
01:09:39.000 --> 01:09:44.640
<v Speaker 1>is primarily a gen X franchise, and you know gen

1290
01:09:44.920 --> 01:09:49.119
<v Speaker 1>X Millennial to some extent, and you know that window

1291
01:09:49.199 --> 01:09:52.399
<v Speaker 1>is is rapidly closing, if not closed already.

1292
01:09:52.720 --> 01:09:55.159
<v Speaker 2>And like you were saying earlier, they can't all be

1293
01:09:55.199 --> 01:09:57.600
<v Speaker 2>batman like some things are just going to have their

1294
01:09:57.640 --> 01:09:58.439
<v Speaker 2>windows closed.

1295
01:09:58.800 --> 01:10:05.239
<v Speaker 1>Yeah, and especially when we talk about nineteen eighties kidvid.

1296
01:10:06.000 --> 01:10:10.840
<v Speaker 1>You know we've discussed this before. Other than Transformers and Turtles,

1297
01:10:11.840 --> 01:10:13.279
<v Speaker 1>nothing else has hung in there.

1298
01:10:13.880 --> 01:10:19.000
<v Speaker 2>Yeah, ThunderCats, all right, all that stuff Inspector Gadget, ThunderCats

1299
01:10:19.079 --> 01:10:20.000
<v Speaker 2>movie ain't happening.

1300
01:10:20.479 --> 01:10:22.920
<v Speaker 1>Yeah, no, no, sorry for anybody who was hoping to

1301
01:10:22.960 --> 01:10:26.359
<v Speaker 1>see a live action Shitara, not me. I'm just in general,

1302
01:10:26.760 --> 01:10:30.399
<v Speaker 1>if anybody who is hoping to that, it probably won't happen. Sorry.

1303
01:10:30.920 --> 01:10:33.560
<v Speaker 2>That reminds me. By the way. So speaking of algorithms

1304
01:10:33.600 --> 01:10:36.279
<v Speaker 2>and the things we're seeing, I have this thing now.

1305
01:10:36.439 --> 01:10:41.000
<v Speaker 2>It's AI generated and it shows a red carpet for

1306
01:10:41.079 --> 01:10:44.600
<v Speaker 2>a movie premiere of eighties cartoons. I mean this sounds

1307
01:10:44.600 --> 01:10:47.439
<v Speaker 2>so of course this has like been sent to me,

1308
01:10:47.840 --> 01:10:50.680
<v Speaker 2>but I remember there was one for Inspector Gadget and

1309
01:10:50.920 --> 01:10:54.640
<v Speaker 2>I got it looks incredible, like the lighting is perfect,

1310
01:10:55.079 --> 01:10:58.439
<v Speaker 2>and it's Jim Carrey as Inspector Gadgets.

1311
01:10:57.840 --> 01:11:00.960
<v Speaker 1>And oh, that's what they should have done in the nineties, right.

1312
01:11:01.039 --> 01:11:04.560
<v Speaker 2>Oh man, that's the thing. The casting is always perfect.

1313
01:11:04.720 --> 01:11:08.239
<v Speaker 2>And then what was the one? Oh I saw ThunderCats

1314
01:11:08.239 --> 01:11:09.920
<v Speaker 2>and it was Margot Robbie as Chaitara.

1315
01:11:10.319 --> 01:11:11.520
<v Speaker 1>Oh perfect, it's perfect.

1316
01:11:11.600 --> 01:11:14.560
<v Speaker 2>Yeah, and it's really well done. Do you ever see these?

1317
01:11:15.680 --> 01:11:16.640
<v Speaker 1>I have not seen that.

1318
01:11:16.840 --> 01:11:19.319
<v Speaker 2>Yeah, okay, I'm gonna send them to you and infect your.

1319
01:11:19.479 --> 01:11:21.079
<v Speaker 1>Are you gonna screw up my altho too?

1320
01:11:21.159 --> 01:11:21.359
<v Speaker 2>Yeah?

1321
01:11:21.479 --> 01:11:22.039
<v Speaker 1>No, you love it.

1322
01:11:22.039 --> 01:11:22.920
<v Speaker 2>It's right up your alley.

1323
01:11:23.319 --> 01:11:26.000
<v Speaker 1>Oh you know you mentioned Inspector Gadget And I feel like,

1324
01:11:26.119 --> 01:11:31.039
<v Speaker 1>weirdly that that late nineties movie may have put just

1325
01:11:31.159 --> 01:11:33.199
<v Speaker 1>enough juice in the tank for them to come back

1326
01:11:33.279 --> 01:11:36.039
<v Speaker 1>like that. That's the thing that people may have nostalgia for.

1327
01:11:36.960 --> 01:11:39.520
<v Speaker 2>Isn't that hilarious? I've noticed that because I'm a big

1328
01:11:39.560 --> 01:11:42.880
<v Speaker 2>Inspector Gadget person. That was one of my huge cartoons

1329
01:11:42.880 --> 01:11:46.000
<v Speaker 2>as a kid. Yeah, And so when I sometimes will

1330
01:11:46.039 --> 01:11:47.640
<v Speaker 2>google it or look things up, or I'm like, did

1331
01:11:47.680 --> 01:11:49.359
<v Speaker 2>they ever are the old episodes anywhere?

1332
01:11:49.359 --> 01:11:50.479
<v Speaker 1>Do they make new episodes?

1333
01:11:51.039 --> 01:11:53.399
<v Speaker 2>I'm noticing there's a lot of nostalgia for. Yeah, that

1334
01:11:53.479 --> 01:11:57.119
<v Speaker 2>Matthew Broderick one, which I'm like, oh, fascinating, that is fascinating.

1335
01:11:57.279 --> 01:12:00.479
<v Speaker 1>Yeah, so so you know that may be one that

1336
01:12:01.079 --> 01:12:03.199
<v Speaker 1>gets another turn at the grinder.

1337
01:12:03.479 --> 01:12:04.840
<v Speaker 2>Yeah, we shall see.

1338
01:12:05.000 --> 01:12:11.439
<v Speaker 1>Yeah. Hey, speaking of a belated sequels, the truth is,

1339
01:12:12.479 --> 01:12:15.960
<v Speaker 1>no matter how much time passes, the windows never completely closed.

1340
01:12:15.960 --> 01:12:18.279
<v Speaker 1>Because look at this. They just announced this week that

1341
01:12:18.399 --> 01:12:22.600
<v Speaker 1>a twenty four Jump Street is in the works. This

1342
01:12:22.640 --> 01:12:24.279
<v Speaker 1>is a new Jump Street sequel. Now you you may

1343
01:12:24.520 --> 01:12:29.199
<v Speaker 1>realize that they skipped twenty three Jump Street. Yeah, so

1344
01:12:29.199 --> 01:12:32.520
<v Speaker 1>we got twenty one Jump Street in twenty twelve, and

1345
01:12:32.520 --> 01:12:35.000
<v Speaker 1>then twenty fourteen or twenty two, and then and then

1346
01:12:37.640 --> 01:12:42.680
<v Speaker 1>twelve years later twenty four Jump Street. So that's a

1347
01:12:42.800 --> 01:12:45.720
<v Speaker 1>clever meta acknowledging that it's been a long time.

1348
01:12:46.159 --> 01:12:48.720
<v Speaker 2>Yeah. Well, and at the end of twenty two Jump

1349
01:12:48.760 --> 01:12:51.279
<v Speaker 2>Street they do set up twenty three Jump Street, do

1350
01:12:51.359 --> 01:12:53.560
<v Speaker 2>you remember that? Well, yeah, and they set up like

1351
01:12:54.119 --> 01:12:57.760
<v Speaker 2>through thirty something Yeah, yeah, exactly. So I don't know

1352
01:12:57.800 --> 01:13:01.159
<v Speaker 2>if that's in reference to that or whatever, but those

1353
01:13:01.199 --> 01:13:05.319
<v Speaker 2>movies have been on Pluto lately. I almost always stop

1354
01:13:05.399 --> 01:13:11.560
<v Speaker 2>on them, and they are just like a joke a minute, Yeah,

1355
01:13:11.600 --> 01:13:15.560
<v Speaker 2>and they and they land. You know, it's I really

1356
01:13:15.560 --> 01:13:17.239
<v Speaker 2>really enjoy those movies. So when I saw that they

1357
01:13:17.239 --> 01:13:20.319
<v Speaker 2>were making another one, this is something I'm I'm like perfect.

1358
01:13:20.479 --> 01:13:24.359
<v Speaker 2>I really love the brand of humor. Jonah Hill and

1359
01:13:24.439 --> 01:13:27.640
<v Speaker 2>Channing Tatum are hilarious together. I would definitely want more

1360
01:13:27.720 --> 01:13:29.159
<v Speaker 2>of this. So this is great.

1361
01:13:30.000 --> 01:13:33.039
<v Speaker 1>Yeah, so I'm looking at Variety. Here it says a

1362
01:13:33.039 --> 01:13:35.319
<v Speaker 1>third installment of the franchise has been development at Tony

1363
01:13:35.399 --> 01:13:37.560
<v Speaker 1>for more than a decade. Remember they were they were

1364
01:13:37.600 --> 01:13:41.079
<v Speaker 1>plotting a Men in Black crossover.

1365
01:13:40.880 --> 01:13:43.239
<v Speaker 2>Which don't you wish we could have kind of seen

1366
01:13:43.279 --> 01:13:43.760
<v Speaker 2>what that was?

1367
01:13:44.159 --> 01:13:46.760
<v Speaker 1>Well, Channing Tatum has said that's the best script he

1368
01:13:46.800 --> 01:13:52.039
<v Speaker 1>ever read. Well, which maybe just to comment on the

1369
01:13:52.039 --> 01:13:54.600
<v Speaker 1>type of scripts he's getting. I don't know, there's that,

1370
01:13:54.680 --> 01:13:56.840
<v Speaker 1>But also, I mean that's what they all say, that

1371
01:13:57.239 --> 01:13:58.560
<v Speaker 1>the unmade one.

1372
01:13:58.840 --> 01:14:02.199
<v Speaker 2>Yeah yeah, but when that never leaked? Did it in

1373
01:14:02.199 --> 01:14:02.840
<v Speaker 2>the Sony leak?

1374
01:14:03.279 --> 01:14:07.960
<v Speaker 1>I that's it, not the script but the the I

1375
01:14:08.239 --> 01:14:10.239
<v Speaker 1>wasn't that when it first got out that they were

1376
01:14:10.399 --> 01:14:12.039
<v Speaker 1>thinking about doing that? Yeah?

1377
01:14:12.119 --> 01:14:12.600
<v Speaker 2>Interesting?

1378
01:14:12.680 --> 01:14:16.079
<v Speaker 1>Yeah? Yeah, so it says here again, this is this

1379
01:14:16.119 --> 01:14:18.199
<v Speaker 1>is from Variety. Why skip ahead to twenty four Jump

1380
01:14:18.199 --> 01:14:20.800
<v Speaker 1>Street for starters. Sony's Jump Street movies are already a

1381
01:14:20.880 --> 01:14:24.399
<v Speaker 1>self aware reboot plus the code of twenty two Jump Streets.

1382
01:14:24.399 --> 01:14:26.960
<v Speaker 1>He's Schmidt and Jenko take on a series of other

1383
01:14:27.039 --> 01:14:29.560
<v Speaker 1>undercover missions that could serve as a potential twenty three

1384
01:14:29.640 --> 01:14:33.680
<v Speaker 1>Jump Street. The duo infiltrated middle School, medical School, culinary School,

1385
01:14:33.720 --> 01:14:36.399
<v Speaker 1>Firefighters School, Dance School, Da Da Da Da eventually become

1386
01:14:36.399 --> 01:14:39.000
<v Speaker 1>a video game animated series. Thus Sony titling the fourth

1387
01:14:39.119 --> 01:14:42.479
<v Speaker 1>Cooming film, twenty four Jump Street, continues the running gag.

1388
01:14:44.760 --> 01:14:48.039
<v Speaker 1>At present, Tatum only has an offer to return for

1389
01:14:48.079 --> 01:14:51.439
<v Speaker 1>twenty four Jump Street. Negotiations are expected to take place soon.

1390
01:14:52.439 --> 01:14:53.640
<v Speaker 2>But Lord and Miller are not.

1391
01:14:54.399 --> 01:14:55.680
<v Speaker 1>They're producing, Yeah they're not.

1392
01:14:55.720 --> 01:14:58.399
<v Speaker 2>Yeah, they won't be directing. But I guess someone named

1393
01:14:58.479 --> 01:15:02.239
<v Speaker 2>Rodney Rothman who directed or co directed one of the

1394
01:15:02.399 --> 01:15:06.399
<v Speaker 2>Into the Spider Verse movies. Yes, we're doing this, So

1395
01:15:06.399 --> 01:15:08.319
<v Speaker 2>so it's in the Lord and Miller family.

1396
01:15:09.640 --> 01:15:11.880
<v Speaker 1>Yeah. Well see, now Lord and Miller are you know

1397
01:15:11.920 --> 01:15:14.560
<v Speaker 1>they're too they're too high falutin now now that they've

1398
01:15:14.560 --> 01:15:16.960
<v Speaker 1>got their like dramatic success.

1399
01:15:17.279 --> 01:15:17.760
<v Speaker 2>That's right.

1400
01:15:20.520 --> 01:15:25.159
<v Speaker 1>You know, I've seen enough stories like this drop where

1401
01:15:25.159 --> 01:15:27.359
<v Speaker 1>it's like, hey, another one of these in the works.

1402
01:15:27.800 --> 01:15:31.399
<v Speaker 1>X fill in the blank franchise, m that I'm slightly

1403
01:15:32.159 --> 01:15:33.359
<v Speaker 1>I'm not getting too excited.

1404
01:15:33.880 --> 01:15:35.319
<v Speaker 2>That's a good point. That's a good point.

1405
01:15:35.119 --> 01:15:37.279
<v Speaker 1>Because it feels like this could very well be like

1406
01:15:37.279 --> 01:15:40.319
<v Speaker 1>at testing the waters strategic drop you know.

1407
01:15:40.720 --> 01:15:43.680
<v Speaker 2>You know, I bet because they do track you know

1408
01:15:44.079 --> 01:15:47.399
<v Speaker 2>how many times things are referenced on social media and whatever.

1409
01:15:47.439 --> 01:15:49.359
<v Speaker 2>So maybe it's like, yeah, they they put a little

1410
01:15:49.439 --> 01:15:51.079
<v Speaker 2>drop of blood in the water and see how many

1411
01:15:51.079 --> 01:15:52.000
<v Speaker 2>people bite.

1412
01:15:52.600 --> 01:15:56.880
<v Speaker 1>Yeah. Yeah, Now that said, I think it is a

1413
01:15:56.920 --> 01:15:59.760
<v Speaker 1>good idea, and I feel like we're talking about windows

1414
01:15:59.760 --> 01:16:04.439
<v Speaker 1>closed saying this. This pretty much is like your window. Yeah,

1415
01:16:04.520 --> 01:16:08.319
<v Speaker 1>maybe another couple of years. But it's very hard to

1416
01:16:08.359 --> 01:16:13.560
<v Speaker 1>get Jonah Hill and Channing Tatum to pass for students anymore, right, right, right, right,

1417
01:16:13.680 --> 01:16:15.560
<v Speaker 1>Suppose they could pretend to be teachers, right, that would

1418
01:16:15.600 --> 01:16:20.880
<v Speaker 1>be the next lotch Oh that's good. Right, yeah, but yeah,

1419
01:16:20.880 --> 01:16:24.880
<v Speaker 1>I've said this before in the in the second Jump

1420
01:16:24.920 --> 01:16:32.800
<v Speaker 1>Street movie, when Channing Tatum figures out that that Jonah

1421
01:16:32.840 --> 01:16:34.880
<v Speaker 1>Hill slept with with Ice Cube's daughter.

1422
01:16:35.119 --> 01:16:36.640
<v Speaker 2>Yeah, yeah, it.

1423
01:16:36.960 --> 01:16:41.119
<v Speaker 1>I I have never laughed that hard in a movie theater,

1424
01:16:41.239 --> 01:16:44.520
<v Speaker 1>Like I was doubling over, like for the rest of

1425
01:16:44.560 --> 01:16:45.800
<v Speaker 1>the movie my stomach was hurt.

1426
01:16:45.880 --> 01:16:47.039
<v Speaker 2>You're still thinking about it.

1427
01:16:47.399 --> 01:16:50.119
<v Speaker 1>Yeah, Oh my god, it just brilliant, so funny.

1428
01:16:50.319 --> 01:16:53.359
<v Speaker 2>Yeah, so I will watch this, oh same, Yeah, and

1429
01:16:53.399 --> 01:16:56.239
<v Speaker 2>then like you said, speaking windows, I mean, this could

1430
01:16:56.279 --> 01:16:58.079
<v Speaker 2>inject new life into this thing. And then you get

1431
01:16:58.840 --> 01:17:01.000
<v Speaker 2>two more if it were we.

1432
01:17:01.359 --> 01:17:03.560
<v Speaker 1>Had a whole roadmap after the post credits scene.

1433
01:17:03.600 --> 01:17:05.279
<v Speaker 2>And that's right.

1434
01:17:06.520 --> 01:17:11.439
<v Speaker 1>We're gonna be talking about this fella's latest release in

1435
01:17:11.479 --> 01:17:14.399
<v Speaker 1>just a little bit. But Steven Spielberg's making the rounds, Brian.

1436
01:17:14.520 --> 01:17:18.039
<v Speaker 2>Yeah, you know, it's I was telling you, it's pretty

1437
01:17:18.079 --> 01:17:22.279
<v Speaker 2>fascinating with Steven Spielberg because he is very gregarious and

1438
01:17:22.319 --> 01:17:24.960
<v Speaker 2>he does good interviews. But if you start to watch

1439
01:17:25.000 --> 01:17:27.800
<v Speaker 2>a lot of his interviews, you begin to notice that

1440
01:17:27.880 --> 01:17:30.039
<v Speaker 2>they're a little crafted.

1441
01:17:30.479 --> 01:17:32.640
<v Speaker 1>They're pre produced.

1442
01:17:32.239 --> 01:17:34.680
<v Speaker 2>Pre produced, like he has his talking points, and he

1443
01:17:35.000 --> 01:17:38.119
<v Speaker 2>tends to repeat his talking points in his stories when

1444
01:17:38.319 --> 01:17:41.600
<v Speaker 2>you know, we of course would enjoy any new morsels,

1445
01:17:42.159 --> 01:17:45.800
<v Speaker 2>you know, just about himself and his process and all

1446
01:17:45.840 --> 01:17:48.000
<v Speaker 2>these things, but he always sort of gives us exactly

1447
01:17:48.560 --> 01:17:52.760
<v Speaker 2>the amount he's going to give us, right, And he

1448
01:17:52.840 --> 01:17:57.920
<v Speaker 2>doesn't do director's commentaries explaining his films, And when he

1449
01:17:57.960 --> 01:17:59.760
<v Speaker 2>talks about his films, he tends to tell the same

1450
01:17:59.760 --> 01:18:03.199
<v Speaker 2>storyorries about them right that we've heard before, and he

1451
01:18:03.239 --> 01:18:09.279
<v Speaker 2>doesn't do long form interviews until now. We were noticing

1452
01:18:09.279 --> 01:18:12.760
<v Speaker 2>that in the lead up to Disclosure Day, Spielberg has

1453
01:18:13.119 --> 01:18:16.279
<v Speaker 2>really been making the rounds, pounding the pavement more than

1454
01:18:16.319 --> 01:18:21.960
<v Speaker 2>I think I have ever seen. And that involves or

1455
01:18:22.000 --> 01:18:26.520
<v Speaker 2>includes him being in a bunch of podcasts as a guest. Yeah,

1456
01:18:26.560 --> 01:18:28.960
<v Speaker 2>and it's been kind of exciting for me. I mean

1457
01:18:29.000 --> 01:18:31.439
<v Speaker 2>I listened to him on the podcast It's called on

1458
01:18:31.560 --> 01:18:38.119
<v Speaker 2>Film with Kevin McCarthy, nice long form podcast where he

1459
01:18:38.159 --> 01:18:42.079
<v Speaker 2>discusses craft. And then just before we got on, I

1460
01:18:42.119 --> 01:18:44.399
<v Speaker 2>was listening to The Rewatchables and they had him for

1461
01:18:44.520 --> 01:18:48.840
<v Speaker 2>over two hours amazing talking about the movie two thousand

1462
01:18:48.840 --> 01:18:49.119
<v Speaker 2>and one.

1463
01:18:49.760 --> 01:18:50.239
<v Speaker 1>Wow.

1464
01:18:50.479 --> 01:18:56.640
<v Speaker 2>So that's sort of the launching, you know, discussion like, okay,

1465
01:18:56.720 --> 01:18:58.640
<v Speaker 2>let's talk about two thousand and one. But then that

1466
01:18:58.720 --> 01:19:01.079
<v Speaker 2>will inspire questions like, oh, well, that's interesting because in

1467
01:19:01.079 --> 01:19:03.479
<v Speaker 2>this movie that reminds me of what you do and

1468
01:19:03.560 --> 01:19:05.960
<v Speaker 2>Raiders of the Lost Arc and would you mind talking about

1469
01:19:06.800 --> 01:19:09.159
<v Speaker 2>what that was like that experience, And you start getting

1470
01:19:09.239 --> 01:19:12.279
<v Speaker 2>these stories I've never heard before where he's talking about

1471
01:19:12.359 --> 01:19:15.479
<v Speaker 2>meeting Stanley Kubrick or having dinner with him or I

1472
01:19:15.560 --> 01:19:18.640
<v Speaker 2>just heard him talking about he didn't like The Shining

1473
01:19:18.680 --> 01:19:21.840
<v Speaker 2>when he first saw it. Spielberg and he went and

1474
01:19:21.880 --> 01:19:23.640
<v Speaker 2>had dinner with Kubrick, and Kubrick was like, so, what

1475
01:19:23.680 --> 01:19:25.000
<v Speaker 2>did you think of the Shining? And he's like, oh,

1476
01:19:25.039 --> 01:19:29.159
<v Speaker 2>it's great, Stanley, and he goes, you didn't like it? What? No?

1477
01:19:29.399 --> 01:19:32.319
<v Speaker 2>I know? And he goes, well, he goes, tell me

1478
01:19:32.439 --> 01:19:35.720
<v Speaker 2>what you missed? What wasn't there that you wanted? And

1479
01:19:35.760 --> 01:19:38.039
<v Speaker 2>so he talked about the things from the book, you know,

1480
01:19:38.079 --> 01:19:40.119
<v Speaker 2>the topiary animals coming to life, and he's like, ah,

1481
01:19:40.119 --> 01:19:41.439
<v Speaker 2>it would have been cool to kind of see that.

1482
01:19:41.880 --> 01:19:43.479
<v Speaker 2>And he goes, well, what did you think of Jack Nicholson?

1483
01:19:43.520 --> 01:19:49.000
<v Speaker 2>And he's like, well, I love Jack, but it's a

1484
01:19:49.039 --> 01:19:53.560
<v Speaker 2>little big you know. And he's like, it's almost Kubuki performance,

1485
01:19:53.600 --> 01:19:56.039
<v Speaker 2>you know what he's doing here. And then he said,

1486
01:19:56.279 --> 01:19:58.159
<v Speaker 2>you know, people can listen to the conversation. But then

1487
01:19:58.239 --> 01:20:02.800
<v Speaker 2>Kubrick Spielberg is like, sharing this with us. Kubrick explained

1488
01:20:02.840 --> 01:20:07.239
<v Speaker 2>these decisions and the performance decisions with Jack Nicholson, and

1489
01:20:07.399 --> 01:20:10.319
<v Speaker 2>Spielberg was like, I see it now and it's just

1490
01:20:11.479 --> 01:20:15.640
<v Speaker 2>my gosh, news stories, interesting stories, personal stories with him

1491
01:20:15.680 --> 01:20:19.680
<v Speaker 2>and not just Kubrick, but he talks about the Palma

1492
01:20:19.720 --> 01:20:21.600
<v Speaker 2>and Lucas and all these other people, and it's just

1493
01:20:22.600 --> 01:20:24.560
<v Speaker 2>what a time as a Spielberg fan to get to

1494
01:20:24.600 --> 01:20:27.159
<v Speaker 2>hear all these long form conversations with him right now.

1495
01:20:27.279 --> 01:20:30.920
<v Speaker 2>So it's I'm really happy about that. But you and

1496
01:20:30.960 --> 01:20:33.920
<v Speaker 2>I were also saying, it's also a little indicative of

1497
01:20:35.520 --> 01:20:37.800
<v Speaker 2>this maybe is the first time Spielberg's felt like he's

1498
01:20:37.920 --> 01:20:39.560
<v Speaker 2>had to go out there and do this sort of thing.

1499
01:20:40.000 --> 01:20:43.319
<v Speaker 1>He's not the top of the heap anymore, right, Like.

1500
01:20:43.239 --> 01:20:46.239
<v Speaker 2>He needs to go out there and spread the word

1501
01:20:46.279 --> 01:20:48.520
<v Speaker 2>a little bit about his movie because when we were

1502
01:20:48.520 --> 01:20:52.000
<v Speaker 2>growing up, I mean certainly in the eighties nineties, he

1503
01:20:52.039 --> 01:20:54.359
<v Speaker 2>didn't have to lift a finger. You know, Spielberg Movie's

1504
01:20:54.399 --> 01:20:57.439
<v Speaker 2>coming out. We were there, the world was there. Yeah.

1505
01:20:57.479 --> 01:21:00.199
<v Speaker 2>And the last few movies he's had, which have been

1506
01:21:00.279 --> 01:21:03.199
<v Speaker 2>very good, the post Fableman's West Side Story, they have.

1507
01:21:03.199 --> 01:21:04.720
<v Speaker 1>Not performed right.

1508
01:21:04.960 --> 01:21:07.359
<v Speaker 2>And there's been the COVID of it all and all

1509
01:21:07.399 --> 01:21:09.960
<v Speaker 2>that stuff to factor in as well, but they have

1510
01:21:10.079 --> 01:21:12.439
<v Speaker 2>not been the taken the world by storm the way

1511
01:21:12.439 --> 01:21:14.880
<v Speaker 2>that his movie is used to. And so now you

1512
01:21:14.920 --> 01:21:17.600
<v Speaker 2>see him like, okay, like I'll go out there I'll

1513
01:21:17.640 --> 01:21:19.640
<v Speaker 2>talk about my movie. You know, more than we've ever

1514
01:21:19.640 --> 01:21:20.520
<v Speaker 2>seen him before.

1515
01:21:20.880 --> 01:21:22.880
<v Speaker 1>He has to job own it a little more than

1516
01:21:22.880 --> 01:21:24.000
<v Speaker 1>than he's used to having to do.

1517
01:21:24.479 --> 01:21:29.560
<v Speaker 2>Yeah. Yeah, have you watched any of these conversations or I've.

1518
01:21:29.199 --> 01:21:33.039
<v Speaker 1>Seen not not what you're describing, but I I saw

1519
01:21:33.119 --> 01:21:38.720
<v Speaker 1>him on a Colbert Show about a month ago, and

1520
01:21:38.720 --> 01:21:41.640
<v Speaker 1>and I was thinking, like, you know, there there's a

1521
01:21:41.720 --> 01:21:46.840
<v Speaker 1>short list right of people of like directors who who

1522
01:21:46.880 --> 01:21:50.079
<v Speaker 1>would show up on late night shows, m right, and

1523
01:21:50.279 --> 01:21:53.760
<v Speaker 1>and Colbert is one of one of the ones who

1524
01:21:53.800 --> 01:21:57.199
<v Speaker 1>can who would do that because he had he had

1525
01:21:58.680 --> 01:22:03.319
<v Speaker 1>Christopher Nolan also, oh right, Yeah, yeah, I think I

1526
01:22:03.359 --> 01:22:08.680
<v Speaker 1>think that the the movie landscape, I mean, this is

1527
01:22:08.760 --> 01:22:10.399
<v Speaker 1>this is just one of those things where you and

1528
01:22:10.439 --> 01:22:12.920
<v Speaker 1>I we have been around long enough to see all

1529
01:22:13.000 --> 01:22:17.600
<v Speaker 1>of the the waves, you know, how these things go.

1530
01:22:17.760 --> 01:22:21.680
<v Speaker 1>And and I think it, you know, I think there's

1531
01:22:21.680 --> 01:22:24.600
<v Speaker 1>a discussion and I had before where it's like every

1532
01:22:24.680 --> 01:22:29.960
<v Speaker 1>director gets a certain number of at bats and and

1533
01:22:30.079 --> 01:22:36.119
<v Speaker 1>at some point, you know, just the the the zeitgeist

1534
01:22:36.159 --> 01:22:40.920
<v Speaker 1>moves on, and you know that's sort of where Spielberg

1535
01:22:41.000 --> 01:22:41.640
<v Speaker 1>is at right now.

1536
01:22:41.720 --> 01:22:48.800
<v Speaker 2>You know, he's a fascinating case, right because everyone still

1537
01:22:48.800 --> 01:22:50.439
<v Speaker 2>knows who he is, and I do feel like there

1538
01:22:50.479 --> 01:22:52.640
<v Speaker 2>is still a reverence for him. I mentioned this on

1539
01:22:52.680 --> 01:22:56.800
<v Speaker 2>the show, but you know, the first trailers for Disclosure

1540
01:22:56.880 --> 01:22:59.560
<v Speaker 2>Day weren't doing a ton for me, right, and they

1541
01:22:59.560 --> 01:23:01.720
<v Speaker 2>weren't give me a lot. I wasn't quite sure I was.

1542
01:23:02.800 --> 01:23:06.359
<v Speaker 2>I wasn't finding something to hook onto necessarily, but of

1543
01:23:06.399 --> 01:23:08.279
<v Speaker 2>course I was going to go, it's Spielberg, it's Aliens,

1544
01:23:08.720 --> 01:23:11.199
<v Speaker 2>all that. But I was picking up on and I

1545
01:23:11.239 --> 01:23:14.920
<v Speaker 2>had multiple experiences of this people next to me not

1546
01:23:15.199 --> 01:23:18.520
<v Speaker 2>quite jiving with the trailer, and then as soon as

1547
01:23:18.560 --> 01:23:22.279
<v Speaker 2>it said from Steven Spielberg, I multiple times I heard

1548
01:23:22.279 --> 01:23:26.680
<v Speaker 2>people go oh, you know, like sort of ugh huh.

1549
01:23:26.000 --> 01:23:28.560
<v Speaker 2>And then there are these two young people next to me.

1550
01:23:28.800 --> 01:23:33.039
<v Speaker 2>I told the story and I'm like, what does he

1551
01:23:33.119 --> 01:23:36.960
<v Speaker 2>mean to them? You know, like does he I don't know.

1552
01:23:37.560 --> 01:23:40.840
<v Speaker 2>And when the thing ended, I heard someone go eh,

1553
01:23:40.880 --> 01:23:44.159
<v Speaker 2>and then the other kid went well but Spielberg, and

1554
01:23:44.199 --> 01:23:48.159
<v Speaker 2>I was like, Okay, So, I mean he's not dominating

1555
01:23:48.239 --> 01:23:50.359
<v Speaker 2>like he used to, but I do feel like people

1556
01:23:50.399 --> 01:23:56.600
<v Speaker 2>still look to him as elevated. Yeah, so we'll see. Though.

1557
01:23:56.960 --> 01:24:00.159
<v Speaker 2>The frustrating part about recording this episode is this is

1558
01:24:00.159 --> 01:24:03.079
<v Speaker 2>before it's really come out, so we have no idea

1559
01:24:03.119 --> 01:24:05.039
<v Speaker 2>how this is going to do. I'm very curious.

1560
01:24:05.479 --> 01:24:07.840
<v Speaker 1>Well how about this, Brian, why don't you and a

1561
01:24:07.840 --> 01:24:12.479
<v Speaker 1>guy let's let's go see it, okay, and then we'll

1562
01:24:12.520 --> 01:24:13.039
<v Speaker 1>talk about it.

1563
01:24:13.439 --> 01:24:14.079
<v Speaker 2>Look forward to.

1564
01:24:14.000 --> 01:24:16.720
<v Speaker 1>It, see you soon, all right, see you in a

1565
01:24:16.720 --> 01:24:24.680
<v Speaker 1>couple hours. Okay, And now we're pleased to bring our

1566
01:24:24.840 --> 01:24:31.960
<v Speaker 1>features and we are back. And you know who else

1567
01:24:32.039 --> 01:24:32.640
<v Speaker 1>is back? Brian?

1568
01:24:32.720 --> 01:24:33.800
<v Speaker 2>Who's that, Zachie?

1569
01:24:34.319 --> 01:24:37.479
<v Speaker 1>Why it's Steven Spielberg making his movie.

1570
01:24:38.600 --> 01:24:40.640
<v Speaker 2>Making his movie.

1571
01:24:40.399 --> 01:24:43.359
<v Speaker 1>He has a certain what we're seeing now is like

1572
01:24:43.439 --> 01:24:47.359
<v Speaker 1>a trend line that he that he tends to gravitate right.

1573
01:24:47.279 --> 01:24:50.399
<v Speaker 2>Back towards I see what you're saying now. Yes, absolutely,

1574
01:24:50.439 --> 01:24:51.600
<v Speaker 2>this seems.

1575
01:24:51.560 --> 01:24:53.760
<v Speaker 1>About every twenty years or so. It seems like.

1576
01:24:53.800 --> 01:24:56.600
<v Speaker 2>Exactly this is. This is always running in the back

1577
01:24:56.640 --> 01:24:59.319
<v Speaker 2>of his mind, and every now and then he goes

1578
01:24:59.359 --> 01:25:01.560
<v Speaker 2>back to it because he loves it so much.

1579
01:25:02.000 --> 01:25:05.520
<v Speaker 1>We see where his heart truly lies. I should say,

1580
01:25:05.560 --> 01:25:08.000
<v Speaker 1>before we even get to our discussion of disclosure day,

1581
01:25:08.039 --> 01:25:10.479
<v Speaker 1>you and I we were talking about how he's been

1582
01:25:10.520 --> 01:25:13.399
<v Speaker 1>making the rounds every which way, you know, and he

1583
01:25:13.520 --> 01:25:15.640
<v Speaker 1>was on the Josh Horowitz podcast.

1584
01:25:16.319 --> 01:25:17.560
<v Speaker 2>Oh I haven't heard that one yet.

1585
01:25:18.119 --> 01:25:20.760
<v Speaker 1>Yeah. I just saw some clips on YouTube and I

1586
01:25:21.199 --> 01:25:23.159
<v Speaker 1>you know, he basically he did what you do. It's

1587
01:25:23.239 --> 01:25:28.079
<v Speaker 1>just like asking all the questions. And he said, did

1588
01:25:28.439 --> 01:25:33.720
<v Speaker 1>did Elliott and e t ever meet again? And Spielberg says,

1589
01:25:34.119 --> 01:25:38.239
<v Speaker 1>they never met again, but Elliott always dreamed about him

1590
01:25:38.359 --> 01:25:41.960
<v Speaker 1>because of you know, when Et touched him on his forehead,

1591
01:25:41.960 --> 01:25:44.279
<v Speaker 1>he created a psychic link that he had for the

1592
01:25:44.319 --> 01:25:45.039
<v Speaker 1>rest of his life.

1593
01:25:45.520 --> 01:25:49.560
<v Speaker 2>Ah. I like that, you know, when you said the

1594
01:25:49.680 --> 01:25:52.000
<v Speaker 2>question like did they ever meet again? I was literally

1595
01:25:52.119 --> 01:25:55.239
<v Speaker 2>leaning forward like this was like world news, like and

1596
01:25:55.319 --> 01:25:57.399
<v Speaker 2>what did he say? Well?

1597
01:25:57.439 --> 01:26:00.800
<v Speaker 1>And I love that that Spielberg beyond just know he

1598
01:26:00.880 --> 01:26:02.319
<v Speaker 1>actually thought it through.

1599
01:26:02.640 --> 01:26:03.560
<v Speaker 2>Yes, yes.

1600
01:26:04.479 --> 01:26:08.720
<v Speaker 1>And then the second question was whether Roy Neary ever

1601
01:26:09.079 --> 01:26:12.760
<v Speaker 1>returned home? Oh my gosh, yes, and he said yes, yes,

1602
01:26:12.800 --> 01:26:14.880
<v Speaker 1>he did, just like all the other people you know

1603
01:26:15.079 --> 01:26:18.520
<v Speaker 1>in that we see in close encounters who came back eventually.

1604
01:26:19.000 --> 01:26:22.439
<v Speaker 2>Right, it's like a fairy like they take people, then

1605
01:26:22.439 --> 01:26:24.439
<v Speaker 2>bring them back, then pick up new people bring them back.

1606
01:26:24.920 --> 01:26:25.319
<v Speaker 1>That's right.

1607
01:26:25.520 --> 01:26:26.520
<v Speaker 2>Okay, I like that.

1608
01:26:26.600 --> 01:26:30.079
<v Speaker 1>Okay, so there you go. So I'm those are just

1609
01:26:30.159 --> 01:26:32.000
<v Speaker 1>the snippets that I saw.

1610
01:26:32.560 --> 01:26:34.479
<v Speaker 2>I you know, it's been interesting He's been on so

1611
01:26:34.520 --> 01:26:38.680
<v Speaker 2>many different podcasts that have different formats. Yeah, it's been

1612
01:26:38.760 --> 01:26:40.760
<v Speaker 2>kind of nice because I listened to one where he

1613
01:26:40.840 --> 01:26:45.000
<v Speaker 2>talked a little bit more about technical craft. Now this

1614
01:26:45.039 --> 01:26:48.399
<v Speaker 2>person is asking the questions that I would be asking,

1615
01:26:48.439 --> 01:26:50.079
<v Speaker 2>and I'm really excited to hear that. And then of

1616
01:26:50.079 --> 01:26:52.479
<v Speaker 2>course the two thousand and one one was amazing because

1617
01:26:52.600 --> 01:26:54.279
<v Speaker 2>you get to hear him geek out about a movie

1618
01:26:54.279 --> 01:26:54.880
<v Speaker 2>that he loves.

1619
01:26:55.199 --> 01:26:55.680
<v Speaker 1>That's right.

1620
01:26:55.760 --> 01:26:58.399
<v Speaker 2>So this is ah what a time I know.

1621
01:27:00.119 --> 01:27:03.359
<v Speaker 1>Well, speaking of time, it has been about twelve hours

1622
01:27:03.399 --> 01:27:07.760
<v Speaker 1>since you and I watched Disclosure Day. Yes, yes, I

1623
01:27:07.800 --> 01:27:10.680
<v Speaker 1>will say I went to a seven o'clock screening last

1624
01:27:10.800 --> 01:27:15.039
<v Speaker 1>night and that joint was packed really and that made

1625
01:27:15.079 --> 01:27:15.560
<v Speaker 1>me happy.

1626
01:27:16.359 --> 01:27:19.199
<v Speaker 2>Yeah, I saw. I want to say the Thursday night

1627
01:27:19.319 --> 01:27:22.199
<v Speaker 2>box office was around twelve million I saw, which is

1628
01:27:22.359 --> 01:27:22.960
<v Speaker 2>really good.

1629
01:27:23.880 --> 01:27:29.680
<v Speaker 1>Yeah that is good. Yeah, okay, okay, yeah, well do

1630
01:27:29.720 --> 01:27:32.239
<v Speaker 1>you do you want to get the ball rolling? Oh? Man?

1631
01:27:34.079 --> 01:27:38.520
<v Speaker 2>Yes, okay. So I am thankful we had a lot

1632
01:27:38.520 --> 01:27:44.279
<v Speaker 2>of time to process. Yeah, because much like when your

1633
01:27:44.319 --> 01:27:47.880
<v Speaker 2>favorite band comes out with a new album, you know,

1634
01:27:48.039 --> 01:27:52.840
<v Speaker 2>you know all their previous albums, they touch your soul

1635
01:27:52.920 --> 01:27:55.359
<v Speaker 2>in a way they remind you of moments of your life,

1636
01:27:56.159 --> 01:27:58.960
<v Speaker 2>you have deep connections with them. So when this isn't

1637
01:27:59.079 --> 01:28:01.399
<v Speaker 2>just like a summ or movie coming out. This is

1638
01:28:01.600 --> 01:28:05.760
<v Speaker 2>one of my favorite artists in my lifetime presenting something

1639
01:28:05.800 --> 01:28:11.680
<v Speaker 2>new and just like you know you that happens with

1640
01:28:11.720 --> 01:28:13.680
<v Speaker 2>a new album and you're like, Okay, great, I heard it.

1641
01:28:14.079 --> 01:28:16.359
<v Speaker 2>I might need a couple listens to really understand how

1642
01:28:16.399 --> 01:28:19.079
<v Speaker 2>this fits with me or how I connect with this.

1643
01:28:19.680 --> 01:28:21.319
<v Speaker 2>I do feel that experience a little bit with this.

1644
01:28:21.399 --> 01:28:26.439
<v Speaker 2>So this these are first impressions, and I would say

1645
01:28:26.600 --> 01:28:28.319
<v Speaker 2>I was a little surprised how much I had to

1646
01:28:28.359 --> 01:28:33.520
<v Speaker 2>process afterwards. This wasn't an immediate thing where I had,

1647
01:28:33.640 --> 01:28:36.760
<v Speaker 2>oh this these are my feelings about this movie. I

1648
01:28:36.760 --> 01:28:41.479
<v Speaker 2>would say, uh, I enjoyed my time with it a lot,

1649
01:28:42.359 --> 01:28:46.800
<v Speaker 2>but I can't say I ever felt fully all in dude.

1650
01:28:48.399 --> 01:28:52.600
<v Speaker 1>Yes, I'm just like people sometimes are like, do you

1651
01:28:52.640 --> 01:28:56.000
<v Speaker 1>guys always agree and I promise, I'm like, I promise

1652
01:28:56.079 --> 01:29:00.960
<v Speaker 1>we don't talk about it beforehand, but I'm just like yeah, yeah, yeah, yeah.

1653
01:29:00.920 --> 01:29:04.359
<v Speaker 2>Wow, okay, this is gonna I have been counting the

1654
01:29:04.479 --> 01:29:06.520
<v Speaker 2>minutes to this discussion so.

1655
01:29:06.600 --> 01:29:09.199
<v Speaker 1>Literally as I was walking out of the theater, my

1656
01:29:09.279 --> 01:29:13.800
<v Speaker 1>second Mikile goes, what did you think? And I said,

1657
01:29:14.000 --> 01:29:16.199
<v Speaker 1>I said I liked it, and then I paused, I

1658
01:29:16.239 --> 01:29:21.720
<v Speaker 1>was like, I liked the swing. Yeah, And that's kind

1659
01:29:21.720 --> 01:29:23.439
<v Speaker 1>of where I'm at. I'm like, there is a lot

1660
01:29:23.479 --> 01:29:26.399
<v Speaker 1>in this that I really admired, and there's a lot

1661
01:29:26.479 --> 01:29:31.920
<v Speaker 1>that is singularly Spielberg. I don't think the whole is

1662
01:29:32.000 --> 01:29:34.680
<v Speaker 1>greater than the sum of the parts.

1663
01:29:36.199 --> 01:29:41.439
<v Speaker 2>One hundred percent. Wow, we have some sort of psychic

1664
01:29:41.520 --> 01:29:44.720
<v Speaker 2>link between us here. We're holding that little metal piece,

1665
01:29:45.600 --> 01:29:52.159
<v Speaker 2>hands clasped together, I guess, And oh my gosh, I

1666
01:29:52.159 --> 01:29:53.640
<v Speaker 2>can't wait to dive into this. I can talk about

1667
01:29:53.640 --> 01:29:57.239
<v Speaker 2>this for an hour, but I'll say this right off

1668
01:29:57.239 --> 01:29:59.359
<v Speaker 2>the bat because I really did try, and I actually

1669
01:29:59.399 --> 01:30:01.199
<v Speaker 2>did write this down so I could say this clearly.

1670
01:30:01.279 --> 01:30:03.760
<v Speaker 2>But I was trying to figure out specifically how to

1671
01:30:03.840 --> 01:30:08.279
<v Speaker 2>express what I was feeling and what I was wrestling

1672
01:30:08.279 --> 01:30:13.359
<v Speaker 2>with a little bit. So bear with me here. Thinking

1673
01:30:13.399 --> 01:30:19.600
<v Speaker 2>about his previous alien movies, they're never necessarily about the aliens.

1674
01:30:20.319 --> 01:30:23.119
<v Speaker 1>Sure, so by way of context, we have War of

1675
01:30:23.119 --> 01:30:27.000
<v Speaker 1>the World's two thousand and five, Yeah, well, nineteen eighty two,

1676
01:30:27.199 --> 01:30:31.399
<v Speaker 1>and then Close Encounters seventy eight exactly, So.

1677
01:30:32.520 --> 01:30:38.960
<v Speaker 2>With et that movie is actually about loneliness and fear

1678
01:30:39.279 --> 01:30:43.560
<v Speaker 2>and friendship, and it's about two souls that needed one

1679
01:30:43.640 --> 01:30:48.199
<v Speaker 2>another and they make a connection and it's beautiful. And

1680
01:30:48.279 --> 01:30:51.319
<v Speaker 2>I watch it forty years on and I still my

1681
01:30:51.399 --> 01:30:55.039
<v Speaker 2>heart melts right and close encounters to me, I think

1682
01:30:55.039 --> 01:30:57.560
<v Speaker 2>it could be about different things to different people, But

1683
01:30:57.640 --> 01:31:01.119
<v Speaker 2>to me, that movie is about belief and it's something

1684
01:31:01.119 --> 01:31:05.720
<v Speaker 2>that you're you specifically, are grappling with that others may

1685
01:31:05.760 --> 01:31:09.479
<v Speaker 2>not understand, but that thing is very real and present

1686
01:31:09.520 --> 01:31:12.479
<v Speaker 2>to you, and it may drive you crazy, but it's

1687
01:31:12.520 --> 01:31:14.760
<v Speaker 2>a belief that you can't resist and you have to

1688
01:31:14.840 --> 01:31:17.840
<v Speaker 2>reach out and try to touch and understand. And what

1689
01:31:17.880 --> 01:31:19.680
<v Speaker 2>I love about that movie is at the end, his

1690
01:31:19.720 --> 01:31:24.199
<v Speaker 2>belief is rewarded in really wondrous and cathartic ways. Right

1691
01:31:24.960 --> 01:31:30.039
<v Speaker 2>this movie, I think it's about the potential for the

1692
01:31:30.199 --> 01:31:34.119
<v Speaker 2>truth capital t and a greater perspective of the universe,

1693
01:31:35.199 --> 01:31:38.439
<v Speaker 2>you know, possibly being able to unite a fractured world.

1694
01:31:41.119 --> 01:31:43.000
<v Speaker 2>And I like that theme, but I don't know that

1695
01:31:43.079 --> 01:31:47.319
<v Speaker 2>the execution of that theme resonated with me as strongly

1696
01:31:47.359 --> 01:31:50.800
<v Speaker 2>as the themes in those other movies I mentioned. Yeah,

1697
01:31:50.880 --> 01:31:53.239
<v Speaker 2>And I don't know if it's because I didn't quite

1698
01:31:53.319 --> 01:31:55.439
<v Speaker 2>connect with the characters. I don't know if I didn't

1699
01:31:55.520 --> 01:31:58.119
<v Speaker 2>quite connect with the world the way it was depicted,

1700
01:31:59.000 --> 01:32:02.439
<v Speaker 2>you know, like I'm with Roy Neary in his mania,

1701
01:32:02.520 --> 01:32:08.760
<v Speaker 2>I'm with Henry Elliott in his loneliness and the kinship

1702
01:32:08.800 --> 01:32:11.600
<v Speaker 2>and everything. And I never quite was able to resonate

1703
01:32:11.680 --> 01:32:14.319
<v Speaker 2>with what this movie was presenting to me to get

1704
01:32:14.319 --> 01:32:18.600
<v Speaker 2>me completely on board with the theme. So we'll talk

1705
01:32:18.640 --> 01:32:21.159
<v Speaker 2>about in spoilers. I thought the ending was very cool,

1706
01:32:21.960 --> 01:32:25.800
<v Speaker 2>but it didn't land as powerfully for me as I'm

1707
01:32:25.800 --> 01:32:30.520
<v Speaker 2>seeing some other people say. And and it's still a

1708
01:32:30.600 --> 01:32:33.600
<v Speaker 2>rip roaring yarn, but I think for me this one

1709
01:32:33.680 --> 01:32:35.880
<v Speaker 2>might be more in line with something like War the.

1710
01:32:35.920 --> 01:32:39.399
<v Speaker 1>World's Yeah, I would put it in the in the

1711
01:32:39.439 --> 01:32:40.399
<v Speaker 1>same category.

1712
01:32:40.079 --> 01:32:45.640
<v Speaker 2>Ash, Yeah, that less than his more emotionally impactful films. Yeah.

1713
01:32:45.680 --> 01:32:50.479
<v Speaker 1>And if I can draw comparison to you know, one

1714
01:32:50.520 --> 01:32:53.399
<v Speaker 1>of his recent films, which was positioned as kind of

1715
01:32:53.399 --> 01:32:58.439
<v Speaker 1>a throwback to to his his Popcornspielberg era, you know,

1716
01:32:59.560 --> 01:33:02.159
<v Speaker 1>Ready one is a movie that as soon as it ended,

1717
01:33:02.199 --> 01:33:04.239
<v Speaker 1>I was like, I did not like that at all.

1718
01:33:05.119 --> 01:33:06.760
<v Speaker 1>I did not like it on a bench, I did

1719
01:33:06.760 --> 01:33:12.079
<v Speaker 1>not like just not at all. You know, it just

1720
01:33:12.119 --> 01:33:14.279
<v Speaker 1>did not work for me. And that's fine. I know

1721
01:33:14.319 --> 01:33:16.199
<v Speaker 1>people listening who liked him, that's great. It's just for

1722
01:33:16.279 --> 01:33:19.159
<v Speaker 1>me personally, and it felt like he wasn't into it.

1723
01:33:19.279 --> 01:33:23.479
<v Speaker 1>That was my I felt his disinterest in the material.

1724
01:33:23.720 --> 01:33:25.760
<v Speaker 2>You know what, that almost feels like just real fastle's scuse.

1725
01:33:25.760 --> 01:33:27.760
<v Speaker 2>I don't want hijack you, but it feels like what

1726
01:33:27.840 --> 01:33:32.680
<v Speaker 2>Zamechis does where he's almost more interested in the technology

1727
01:33:32.880 --> 01:33:35.640
<v Speaker 2>than the craft of it, the craft than the story.

1728
01:33:35.800 --> 01:33:38.600
<v Speaker 2>And that's where Zamechis is gonna drift. And that feels

1729
01:33:38.640 --> 01:33:40.159
<v Speaker 2>like that was his little dabbling in that.

1730
01:33:41.000 --> 01:33:44.079
<v Speaker 1>I agree with that. Yeah, And so you know, anyway,

1731
01:33:44.319 --> 01:33:46.159
<v Speaker 1>all that is to say, that's not a movie I

1732
01:33:46.199 --> 01:33:49.680
<v Speaker 1>felt compelled to to revisit for just the reason. This one.

1733
01:33:49.800 --> 01:33:54.960
<v Speaker 1>I never doubted how how connected to the material Spielberg was. Yeah,

1734
01:33:56.319 --> 01:34:01.199
<v Speaker 1>and I I appreciated that aspect of it. I could,

1735
01:34:01.279 --> 01:34:04.640
<v Speaker 1>I could feel his warmth for what was being said.

1736
01:34:05.000 --> 01:34:09.479
<v Speaker 1>I think the film let me actually, let me start

1737
01:34:09.479 --> 01:34:12.159
<v Speaker 1>by saying what what I what I did like quite

1738
01:34:12.199 --> 01:34:15.640
<v Speaker 1>a bit. I think I think this was a fantastic

1739
01:34:16.119 --> 01:34:19.520
<v Speaker 1>performance by Emily Blunt. Oh yeah, probably one of her

1740
01:34:19.520 --> 01:34:22.399
<v Speaker 1>best and honestly I think the entire top line cast.

1741
01:34:22.439 --> 01:34:26.159
<v Speaker 1>I thought Josh O'Connor was great. Coleman Domingo is having

1742
01:34:26.199 --> 01:34:29.319
<v Speaker 1>quite the moment. He's fantastic in this, like everybody's you know,

1743
01:34:29.920 --> 01:34:34.520
<v Speaker 1>Colin further, like Eve Houston. I thought it was fantastic yep, right,

1744
01:34:34.560 --> 01:34:37.359
<v Speaker 1>So so I liked all of them. I I do

1745
01:34:37.439 --> 01:34:41.319
<v Speaker 1>feel like this and this is not a spoiler, because

1746
01:34:41.359 --> 01:34:43.159
<v Speaker 1>I mean it's in all the trailers that I mean,

1747
01:34:43.199 --> 01:34:45.159
<v Speaker 1>it's it's a story about aliens. I mean literally the

1748
01:34:45.239 --> 01:34:48.560
<v Speaker 1>last trailer, like two weeks ago, is just Spielberg talking

1749
01:34:48.600 --> 01:34:50.960
<v Speaker 1>to the camera like, so what if aliens were real?

1750
01:34:51.079 --> 01:34:53.479
<v Speaker 1>You know, like right, right, right. So I don't feel

1751
01:34:53.520 --> 01:34:57.439
<v Speaker 1>like I'm spoiling anything, but I do feel that to

1752
01:34:57.479 --> 01:35:02.119
<v Speaker 1>a large extent, the story terrain that this movie exists

1753
01:35:02.199 --> 01:35:06.479
<v Speaker 1>in no longer feels new, right, because we're living in

1754
01:35:06.479 --> 01:35:11.359
<v Speaker 1>a post X Files and posts like all these things world.

1755
01:35:11.640 --> 01:35:13.159
<v Speaker 2>Right, Yeah, so.

1756
01:35:15.079 --> 01:35:17.600
<v Speaker 1>It it feels a little familiar.

1757
01:35:18.319 --> 01:35:22.760
<v Speaker 2>Yeah, not as novel as you would expect from him, yes, right.

1758
01:35:24.399 --> 01:35:28.840
<v Speaker 1>And then and then related, but almost contradictory. I feel

1759
01:35:28.880 --> 01:35:35.399
<v Speaker 1>like it's it's assuming a knowledge of the inner workings

1760
01:35:35.439 --> 01:35:40.520
<v Speaker 1>of this world. Yes, yes, that I feel like it

1761
01:35:40.560 --> 01:35:43.039
<v Speaker 1>was like, bro, I think you got to feel some

1762
01:35:43.119 --> 01:35:44.520
<v Speaker 1>of this in a little bit.

1763
01:35:44.720 --> 01:35:49.199
<v Speaker 2>I totally agree, because there's you get glimpses of what's

1764
01:35:49.199 --> 01:35:52.920
<v Speaker 2>happening in that world in the movie, but it's you know,

1765
01:35:53.000 --> 01:35:54.640
<v Speaker 2>talking heads on the news, and I was like, wait, wait, wait,

1766
01:35:54.760 --> 01:35:57.319
<v Speaker 2>I didn't catch that. What like, yeah, right, and I

1767
01:35:57.359 --> 01:36:00.479
<v Speaker 2>got the gist, right, but uh, yeah, I agree, it's

1768
01:36:00.520 --> 01:36:01.680
<v Speaker 2>a pretty important component.

1769
01:36:02.159 --> 01:36:04.920
<v Speaker 1>Yeah, And I think just to pick up on what

1770
01:36:04.960 --> 01:36:10.119
<v Speaker 1>you were saying, I think that in order for the

1771
01:36:10.159 --> 01:36:17.359
<v Speaker 1>third act to land more effectively, I think we needed

1772
01:36:17.520 --> 01:36:21.760
<v Speaker 1>a greater sense of sort of the world, like what

1773
01:36:21.800 --> 01:36:26.520
<v Speaker 1>was happening in the world. And this is this is

1774
01:36:26.560 --> 01:36:30.479
<v Speaker 1>me trying very hard to talk around spoilers. Yeah, yeah, yeah,

1775
01:36:30.520 --> 01:36:32.479
<v Speaker 1>I feel like, let me let me just say, for

1776
01:36:32.520 --> 01:36:35.399
<v Speaker 1>anybody listening and you want you want to get my

1777
01:36:35.520 --> 01:36:37.600
<v Speaker 1>non spoiler thoughts there, it is there's a lot to

1778
01:36:37.640 --> 01:36:41.239
<v Speaker 1>admire and if you like Spielberg, if you have enjoyed

1779
01:36:41.239 --> 01:36:44.199
<v Speaker 1>his work, then then this is this is not an

1780
01:36:44.239 --> 01:36:48.520
<v Speaker 1>insubstantial entry in his catalog. But it's not a movie

1781
01:36:48.520 --> 01:36:50.800
<v Speaker 1>I can wholeheartedly recommend, and I don't know that it's

1782
01:36:50.840 --> 01:36:54.800
<v Speaker 1>a movie I'm gonna end up rewatching a ton I

1783
01:36:54.840 --> 01:36:55.600
<v Speaker 1>it used to come.

1784
01:36:56.479 --> 01:36:59.399
<v Speaker 2>Yes, I definitely. Well, I know for a fact that

1785
01:36:59.399 --> 01:37:00.760
<v Speaker 2>you and I are going to be seeing it again.

1786
01:37:01.119 --> 01:37:01.960
<v Speaker 1>Yes, that's right.

1787
01:37:02.720 --> 01:37:07.399
<v Speaker 2>But I'm looking forward to that because, like I said,

1788
01:37:07.479 --> 01:37:10.640
<v Speaker 2>I mean, it is important to note, speaking for myself,

1789
01:37:11.880 --> 01:37:15.159
<v Speaker 2>just how much anticipation I have for this man's work.

1790
01:37:16.119 --> 01:37:18.560
<v Speaker 2>I am now happy that I know what it is

1791
01:37:18.760 --> 01:37:20.399
<v Speaker 2>and if experienced it, and I do feel like this

1792
01:37:20.560 --> 01:37:24.439
<v Speaker 2>is I am giving a valid take on my feelings

1793
01:37:24.479 --> 01:37:26.680
<v Speaker 2>on it right now, but I am very curious watching

1794
01:37:26.680 --> 01:37:28.800
<v Speaker 2>it a second time if it will play a little

1795
01:37:29.359 --> 01:37:34.600
<v Speaker 2>smoother for me or something, or possibly the flaws stick

1796
01:37:34.600 --> 01:37:38.399
<v Speaker 2>out more that's possible. Yeah, and I guess too. I mean,

1797
01:37:38.399 --> 01:37:40.720
<v Speaker 2>I'm really looking forward to diving into this because there's

1798
01:37:40.720 --> 01:37:44.880
<v Speaker 2>a lot that I liked also, but yeah, I wanted

1799
01:37:44.880 --> 01:37:48.119
<v Speaker 2>to at least set the tone for what I walked

1800
01:37:48.159 --> 01:37:48.520
<v Speaker 2>out with.

1801
01:37:49.560 --> 01:37:52.039
<v Speaker 1>Yeah, and one thing I'll say is, you know, my

1802
01:37:52.159 --> 01:37:56.640
<v Speaker 1>man knows how to execute on action sequences, like he

1803
01:37:56.760 --> 01:37:58.800
<v Speaker 1>still got it. You know what. There is a scene

1804
01:37:58.840 --> 01:38:04.000
<v Speaker 1>involving a car and a train, I'll say, yep, where

1805
01:38:04.039 --> 01:38:06.720
<v Speaker 1>I'm just like, I'm just like leaning back taking it in.

1806
01:38:06.960 --> 01:38:07.920
<v Speaker 2>Uh huh.

1807
01:38:08.000 --> 01:38:09.640
<v Speaker 1>I'm like my man, I know.

1808
01:38:09.800 --> 01:38:13.880
<v Speaker 2>Actually there, Well there's two things there. We'll get into

1809
01:38:13.880 --> 01:38:15.399
<v Speaker 2>spoilers about one of them, but there was there's a

1810
01:38:15.439 --> 01:38:18.800
<v Speaker 2>set piece in here when I went there, you are there,

1811
01:38:18.840 --> 01:38:22.960
<v Speaker 2>you are it is. It is action, It is wondrous.

1812
01:38:23.840 --> 01:38:28.880
<v Speaker 2>It is something I've never seen before. It's delightful. And

1813
01:38:29.640 --> 01:38:32.239
<v Speaker 2>I was like, wow, okay, we did. That was the

1814
01:38:32.279 --> 01:38:33.680
<v Speaker 2>thing that I felt like I got from him that

1815
01:38:33.760 --> 01:38:35.119
<v Speaker 2>was new that I was like, oh, I love it.

1816
01:38:35.159 --> 01:38:37.920
<v Speaker 2>I love it only from you, only from you. And

1817
01:38:37.960 --> 01:38:39.560
<v Speaker 2>the thing that I can say that isn't a spoiler.

1818
01:38:40.399 --> 01:38:42.520
<v Speaker 2>I mean this is clear in the trailers that Colin

1819
01:38:42.600 --> 01:38:46.479
<v Speaker 2>Firth is the antagonist. And in the opening scene when

1820
01:38:46.479 --> 01:38:50.039
<v Speaker 2>he's introduced this, the camera is spinning around an suv

1821
01:38:50.239 --> 01:38:53.159
<v Speaker 2>slowly kind of revealing all these you know, henchmen kind

1822
01:38:53.159 --> 01:38:55.920
<v Speaker 2>of taking position or whatever. And then someone opens a

1823
01:38:56.000 --> 01:38:59.680
<v Speaker 2>door and the camera pushes in on the door and

1824
01:38:59.720 --> 01:39:05.119
<v Speaker 2>so the window frame frames Colin Firth as a light

1825
01:39:05.199 --> 01:39:08.920
<v Speaker 2>is shining down the top of his head and it's like, ah,

1826
01:39:09.119 --> 01:39:11.920
<v Speaker 2>I was like, yes, like I'm sitting down for fill

1827
01:39:11.960 --> 01:39:16.279
<v Speaker 2>a you know, like I just nobody does that stuff.

1828
01:39:16.319 --> 01:39:23.079
<v Speaker 2>And so the the technical stuff is fully here and

1829
01:39:23.239 --> 01:39:24.800
<v Speaker 2>just so delicious.

1830
01:39:24.680 --> 01:39:28.079
<v Speaker 1>Absolutely And one other thing I'd like to say is

1831
01:39:28.119 --> 01:39:30.319
<v Speaker 1>as the movie ends, and you know, the credits come up,

1832
01:39:30.319 --> 01:39:32.319
<v Speaker 1>and I'm just sort of sitting and just like watching

1833
01:39:32.319 --> 01:39:34.399
<v Speaker 1>the credits, letting it come in and letting this great

1834
01:39:34.439 --> 01:39:36.119
<v Speaker 1>score wash over me. And then you know, it says

1835
01:39:36.319 --> 01:39:38.199
<v Speaker 1>music by John Williams, And there's that part of me

1836
01:39:38.239 --> 01:39:42.079
<v Speaker 1>where I'm like, is this the last Steven Spielberg film

1837
01:39:42.159 --> 01:39:44.159
<v Speaker 1>with music by John Williams? You know, you can't help

1838
01:39:44.199 --> 01:39:45.039
<v Speaker 1>but have that thought.

1839
01:39:45.640 --> 01:39:48.800
<v Speaker 2>I did, and I people got up and left and

1840
01:39:48.880 --> 01:39:51.000
<v Speaker 2>I did not move until the lights came up.

1841
01:39:51.920 --> 01:39:55.039
<v Speaker 1>I mean, it's it's it's it's John Williams. You know, yep.

1842
01:39:55.119 --> 01:39:56.920
<v Speaker 1>I was like, I what else can you say?

1843
01:39:57.199 --> 01:40:02.680
<v Speaker 2>Yep, yep. You spoilers, Yeah, I mean that's there's really

1844
01:40:02.680 --> 01:40:03.680
<v Speaker 2>not much else we can say.

1845
01:40:04.119 --> 01:40:17.199
<v Speaker 1>Yeah, let's do it. Spoiler all right, go for it.

1846
01:40:20.960 --> 01:40:24.520
<v Speaker 2>You know what I really loved. I loved Emily Blunt's character.

1847
01:40:25.000 --> 01:40:25.439
<v Speaker 1>Yeah.

1848
01:40:25.479 --> 01:40:30.479
<v Speaker 2>I loved her being this weather girl and her kind

1849
01:40:30.479 --> 01:40:34.600
<v Speaker 2>of okay relationship with her boyfriend. And then when she

1850
01:40:34.680 --> 01:40:37.920
<v Speaker 2>suddenly starts speaking other languages, I thought that was really fun.

1851
01:40:38.239 --> 01:40:40.039
<v Speaker 2>And then she also has this you know, sort of

1852
01:40:40.079 --> 01:40:46.399
<v Speaker 2>psychic impath ability and we've seen things sort of like that,

1853
01:40:46.640 --> 01:40:49.600
<v Speaker 2>but the way that they employ that in this movie

1854
01:40:49.680 --> 01:40:53.880
<v Speaker 2>and the way that she portrays it was just that

1855
01:40:54.079 --> 01:40:59.720
<v Speaker 2>was magical. And specifically when they are, you know, surrounded

1856
01:40:59.720 --> 01:41:01.960
<v Speaker 2>by the bad guys and then she appears to Firth

1857
01:41:02.000 --> 01:41:06.840
<v Speaker 2>as his wife. Yeah, like, what a an amazing thing

1858
01:41:07.199 --> 01:41:12.600
<v Speaker 2>and it was captured so magically. And then everyone sees,

1859
01:41:12.640 --> 01:41:15.800
<v Speaker 2>you know, like a mentor figure or a son or

1860
01:41:15.840 --> 01:41:18.159
<v Speaker 2>a you know, or daughter I think it is, you know,

1861
01:41:18.239 --> 01:41:21.279
<v Speaker 2>and and that's how they're able to escape from the warehouse.

1862
01:41:21.319 --> 01:41:23.680
<v Speaker 1>And I was like, wow, so that part by this

1863
01:41:23.760 --> 01:41:25.319
<v Speaker 1>is just how my brain works. But you know, yeah,

1864
01:41:25.520 --> 01:41:28.880
<v Speaker 1>we're seeing she's like, it's like he sees this. One

1865
01:41:28.880 --> 01:41:30.960
<v Speaker 1>guy sees an old man, he's like, I always loved you,

1866
01:41:31.079 --> 01:41:33.239
<v Speaker 1>like a son. And that's one lady. She sees a

1867
01:41:33.239 --> 01:41:35.119
<v Speaker 1>little Girl's like, oh, we're gonna go play it right.

1868
01:41:35.760 --> 01:41:37.680
<v Speaker 1>And I just thought it'd be funny if one, like

1869
01:41:37.840 --> 01:41:43.359
<v Speaker 1>one person just sees a clown who's just like Bongo

1870
01:41:43.479 --> 01:41:46.079
<v Speaker 1>forgives you and we just move it like there's like

1871
01:41:46.159 --> 01:41:50.960
<v Speaker 1>no explanation, We have no idea what that means. This

1872
01:41:51.000 --> 01:41:51.960
<v Speaker 1>is how my brain works.

1873
01:41:52.399 --> 01:41:57.800
<v Speaker 2>That is hilarious, dude.

1874
01:41:55.920 --> 01:41:57.600
<v Speaker 1>But I and then at the very end, when we

1875
01:41:57.640 --> 01:41:59.720
<v Speaker 1>have the montage of all the people who are watching,

1876
01:42:00.039 --> 01:42:02.239
<v Speaker 1>we see Bongo the clown, and we're like, huh.

1877
01:42:02.239 --> 01:42:03.359
<v Speaker 2>Yes, oh there he is.

1878
01:42:04.680 --> 01:42:07.680
<v Speaker 1>Yeah, anyway, sorry, go on. I just I had that

1879
01:42:07.720 --> 01:42:09.079
<v Speaker 1>thought in my head. I was like, I need to

1880
01:42:09.079 --> 01:42:11.159
<v Speaker 1>mention this because I I forget dude. I'm glad.

1881
01:42:11.199 --> 01:42:13.000
<v Speaker 2>You know. I remember thinking of a joke too during

1882
01:42:13.000 --> 01:42:15.239
<v Speaker 2>the movie, and I didn't I didn't write it down,

1883
01:42:15.279 --> 01:42:16.680
<v Speaker 2>And now I'm like, ah, I wish I could share

1884
01:42:16.680 --> 01:42:24.359
<v Speaker 2>with zech. But I thought she there was an amazing performance. Yea,

1885
01:42:24.479 --> 01:42:27.359
<v Speaker 2>and she she plays all that so well. That moment

1886
01:42:27.399 --> 01:42:29.159
<v Speaker 2>where she's it's you know, we've seen it over and

1887
01:42:29.159 --> 01:42:31.600
<v Speaker 2>over in the trailer where she's sort of possessed a

1888
01:42:31.600 --> 01:42:36.359
<v Speaker 2>little bit and speaking that clicking language. I was wondering

1889
01:42:36.359 --> 01:42:37.600
<v Speaker 2>how that would play because I've seen it like a

1890
01:42:37.680 --> 01:42:41.960
<v Speaker 2>hundred times. But it's great, Like it's very still uncomfortable,

1891
01:42:42.119 --> 01:42:46.319
<v Speaker 2>and she plays it so well, like someone who is

1892
01:42:46.479 --> 01:42:51.920
<v Speaker 2>really confused and concerned about everything that's happening, but able

1893
01:42:52.000 --> 01:42:54.800
<v Speaker 2>to have genuine connections with people.

1894
01:42:55.479 --> 01:42:56.239
<v Speaker 1>Yeah.

1895
01:42:57.199 --> 01:43:02.199
<v Speaker 2>Yeah, I thought she was probably the strongest part of

1896
01:43:02.239 --> 01:43:02.720
<v Speaker 2>the movie.

1897
01:43:02.800 --> 01:43:04.359
<v Speaker 1>She I mean, she was good. I thought I thought

1898
01:43:04.439 --> 01:43:06.560
<v Speaker 1>Josh O'Connor was very solid.

1899
01:43:06.880 --> 01:43:07.479
<v Speaker 2>He's very good.

1900
01:43:07.600 --> 01:43:14.520
<v Speaker 1>Yeah, yeah, I think that. Obviously, you put Colin Firth

1901
01:43:14.680 --> 01:43:19.119
<v Speaker 1>and Coleman Domingo in a movie, you're gonna get great performances, right,

1902
01:43:19.239 --> 01:43:22.640
<v Speaker 1>And they have I think one scene together, which is fantastic,

1903
01:43:23.399 --> 01:43:25.239
<v Speaker 1>and I'm like, sitting there, I'm just like, man, I

1904
01:43:25.279 --> 01:43:26.960
<v Speaker 1>just love watching these two guys play off each other.

1905
01:43:26.960 --> 01:43:27.159
<v Speaker 2>You know.

1906
01:43:28.600 --> 01:43:31.199
<v Speaker 1>I think the problem is they are positioned as sort

1907
01:43:31.239 --> 01:43:40.199
<v Speaker 1>of the moral opponents, but truly I don't know where

1908
01:43:40.199 --> 01:43:44.880
<v Speaker 1>either of them is coming from. Yeah, yeah, right, And

1909
01:43:44.920 --> 01:43:49.000
<v Speaker 1>that feels like a big problem because because I'm fine

1910
01:43:49.319 --> 01:43:54.520
<v Speaker 1>with leaving things unset and not diving just whole hog

1911
01:43:54.600 --> 01:43:57.159
<v Speaker 1>into a whole bunch of backstory, but I feel like

1912
01:43:59.039 --> 01:44:00.960
<v Speaker 1>I feel like you needed something I don't know what,

1913
01:44:01.000 --> 01:44:05.760
<v Speaker 1>maybe maybe like a like a scene before the credits

1914
01:44:05.760 --> 01:44:08.840
<v Speaker 1>where it's the two of them together as co as colleagues,

1915
01:44:10.279 --> 01:44:12.600
<v Speaker 1>just to contrast with what comes later, right, Because the

1916
01:44:12.600 --> 01:44:15.279
<v Speaker 1>movie drops us right into the story and that's fine,

1917
01:44:16.000 --> 01:44:18.199
<v Speaker 1>and it expects us to catch on and that's fine.

1918
01:44:18.239 --> 01:44:20.159
<v Speaker 1>I'm fine with all of that, but I do feel

1919
01:44:20.159 --> 01:44:23.560
<v Speaker 1>like there's certain pieces that are necessary to make the

1920
01:44:23.840 --> 01:44:24.840
<v Speaker 1>ending hit.

1921
01:44:25.720 --> 01:44:27.920
<v Speaker 2>Agreed, And to your point, even if it's just shorthand,

1922
01:44:27.960 --> 01:44:29.560
<v Speaker 2>I mean, it makes me think of the true Fox

1923
01:44:29.600 --> 01:44:31.640
<v Speaker 2>character in Close Encounters.

1924
01:44:31.800 --> 01:44:33.359
<v Speaker 1>Right, Yeah, that's a perfect example.

1925
01:44:33.439 --> 01:44:35.319
<v Speaker 2>Yeah right, because we don't I don't know who that

1926
01:44:35.319 --> 01:44:41.239
<v Speaker 2>guy is, but I understand him completely, you know, and

1927
01:44:41.279 --> 01:44:43.239
<v Speaker 2>you know, even down to his line at the end

1928
01:44:43.279 --> 01:44:51.880
<v Speaker 2>where he's like, I envy you to NEARI yeah. So yeah,

1929
01:44:52.039 --> 01:44:54.199
<v Speaker 2>and you know, I had similar feelings. I thought Josh

1930
01:44:54.239 --> 01:44:57.039
<v Speaker 2>O'Connor did great with what he was doing and playing

1931
01:44:57.079 --> 01:44:59.359
<v Speaker 2>the type of guy he was playing, but I'm not

1932
01:44:59.359 --> 01:45:02.319
<v Speaker 2>even sure I under stood his character entirely, and I

1933
01:45:02.399 --> 01:45:05.760
<v Speaker 2>didn't feel a lot of chemistry between him and his girlfriend,

1934
01:45:07.000 --> 01:45:10.159
<v Speaker 2>which is typically that human element is something you expect

1935
01:45:10.159 --> 01:45:13.600
<v Speaker 2>a little bit more from Spielberg, you know.

1936
01:45:13.640 --> 01:45:17.359
<v Speaker 1>And so, well, what's funny is I was I agree

1937
01:45:17.399 --> 01:45:19.600
<v Speaker 1>with what you said about the chemistry, but in my head,

1938
01:45:19.640 --> 01:45:23.640
<v Speaker 1>I was like, well, he's gonna end up with Emily Blunt.

1939
01:45:23.760 --> 01:45:26.079
<v Speaker 1>That's what I was thinking too, right, So that's why

1940
01:45:26.199 --> 01:45:27.920
<v Speaker 1>I was sort of like fine with that. But then

1941
01:45:27.960 --> 01:45:31.520
<v Speaker 1>you realize that, oh, Jane is like she she does

1942
01:45:31.560 --> 01:45:35.520
<v Speaker 1>not pull a Wyatt Russell, Yes, right right, she does not. Nope,

1943
01:45:35.560 --> 01:45:37.399
<v Speaker 1>out and so I was like, oh, okay.

1944
01:45:37.439 --> 01:45:44.000
<v Speaker 2>Yeah, yeah, so yeah, I mean, not bad sketches ideas

1945
01:45:44.000 --> 01:45:46.079
<v Speaker 2>for these characters, but I don't know that they felt

1946
01:45:46.119 --> 01:45:48.880
<v Speaker 2>as rounded out as I would have liked if I

1947
01:45:49.000 --> 01:45:50.000
<v Speaker 2>you know, I think.

1948
01:45:49.960 --> 01:45:53.119
<v Speaker 1>Maybe part of the problem is there's just too many characters.

1949
01:45:54.439 --> 01:46:00.680
<v Speaker 1>Like I feel like, I feel like Eve Huston's arc,

1950
01:46:00.880 --> 01:46:06.119
<v Speaker 1>which is, you know, how does a person of faith

1951
01:46:06.680 --> 01:46:11.880
<v Speaker 1>reconcile their faith with knowing this new thing? Right, I'm like,

1952
01:46:11.920 --> 01:46:16.039
<v Speaker 1>that's a movie all by itself, totally right. So I'm like,

1953
01:46:17.880 --> 01:46:21.079
<v Speaker 1>you know, could you have given her business to another character,

1954
01:46:21.119 --> 01:46:24.920
<v Speaker 1>to you know, to Josh or to Emily Blunt? And

1955
01:46:25.039 --> 01:46:29.600
<v Speaker 1>you know, like it feels like too many, too many

1956
01:46:29.640 --> 01:46:33.880
<v Speaker 1>things are happening happening because like you've got so many

1957
01:46:33.960 --> 01:46:36.319
<v Speaker 1>characters you're sort of moving him through the pieces, Like

1958
01:46:36.359 --> 01:46:38.319
<v Speaker 1>you literally have characters who are like I have to

1959
01:46:38.319 --> 01:46:40.319
<v Speaker 1>go here. Why I don't know, I just I have

1960
01:46:40.399 --> 01:46:43.079
<v Speaker 1>to go here. And I'm like, well, that's a problem,

1961
01:46:43.119 --> 01:46:49.079
<v Speaker 1>because like, I think that only gets you so far, right,

1962
01:46:49.079 --> 01:46:52.920
<v Speaker 1>because I don't know how many times throughout the film

1963
01:46:53.000 --> 01:46:56.600
<v Speaker 1>we hear some version of like, you know, what's going

1964
01:46:56.680 --> 01:46:59.760
<v Speaker 1>to happen is going to change everything or whatever. Right,

1965
01:47:00.079 --> 01:47:02.600
<v Speaker 1>that's the thing that's sort of pushing us along. Right,

1966
01:47:03.479 --> 01:47:06.439
<v Speaker 1>And just to be clear, I don't mind how it

1967
01:47:06.640 --> 01:47:08.880
<v Speaker 1>ended in terms of where it ends things. I feel

1968
01:47:08.880 --> 01:47:11.000
<v Speaker 1>like that was probably the only way to end it.

1969
01:47:12.239 --> 01:47:18.600
<v Speaker 1>But I think that we need we need a greater

1970
01:47:18.720 --> 01:47:23.279
<v Speaker 1>focus on what this world is and therefore what this

1971
01:47:23.399 --> 01:47:32.119
<v Speaker 1>change represents. And without part A, we don't really get

1972
01:47:32.159 --> 01:47:36.640
<v Speaker 1>Part B, and so it doesn't land as effectively as

1973
01:47:36.640 --> 01:47:36.920
<v Speaker 1>it might.

1974
01:47:37.880 --> 01:47:40.880
<v Speaker 2>Yeah, because I mean the implication is it reminds me

1975
01:47:41.840 --> 01:47:44.960
<v Speaker 2>a little bit of Watchmen, right where you drop a

1976
01:47:45.000 --> 01:47:48.520
<v Speaker 2>giant squid alien on New York. Maybe the world will

1977
01:47:48.520 --> 01:47:51.279
<v Speaker 2>forget about its problems with one another and we can focus.

1978
01:47:51.439 --> 01:47:55.079
<v Speaker 2>We can become united. That's right in something else, something

1979
01:47:55.239 --> 01:47:58.359
<v Speaker 2>discovering something bigger than not killing each other. Yeah, And

1980
01:47:58.520 --> 01:47:59.960
<v Speaker 2>so I think, you know, it's kind of a similar

1981
01:48:00.079 --> 01:48:03.600
<v Speaker 2>idea here where I think, instead of you know, us

1982
01:48:04.760 --> 01:48:07.319
<v Speaker 2>thinking we're meeting an enemy, it's more like, Wow, the

1983
01:48:07.319 --> 01:48:11.079
<v Speaker 2>world is bigger than we understand. Maybe our problems aren't

1984
01:48:11.199 --> 01:48:14.079
<v Speaker 2>so big, and you know, this greater perspective will help us.

1985
01:48:14.119 --> 01:48:18.039
<v Speaker 1>Right, So, just to you know, contextually, the film is

1986
01:48:18.079 --> 01:48:21.000
<v Speaker 1>like we're on the verge of world War three, the

1987
01:48:21.119 --> 01:48:25.319
<v Speaker 1>end is nigh, and so that is the ticking clock

1988
01:48:26.439 --> 01:48:33.239
<v Speaker 1>that the film is operating within. But I it feels

1989
01:48:33.359 --> 01:48:40.239
<v Speaker 1>like the it feels like the disclosures of Disclosure Day

1990
01:48:40.279 --> 01:48:43.760
<v Speaker 1>are not directly tied to the World War three part.

1991
01:48:45.159 --> 01:48:46.520
<v Speaker 1>Does that make sense? Yeah?

1992
01:48:46.600 --> 01:48:48.479
<v Speaker 2>Oh no, completely? Yeah right?

1993
01:48:48.520 --> 01:48:53.079
<v Speaker 1>And I think that's what would have made it work

1994
01:48:53.119 --> 01:48:55.680
<v Speaker 1>better for me. It would have added a level of

1995
01:48:55.880 --> 01:48:59.880
<v Speaker 1>tension above and beyond. Our characters are trying to get

1996
01:49:00.039 --> 01:49:05.600
<v Speaker 1>away from these bad guys, you know, and and and

1997
01:49:05.720 --> 01:49:11.520
<v Speaker 1>I think for me that would have allowed me to

1998
01:49:11.560 --> 01:49:15.359
<v Speaker 1>squint past some of the sort of logic problems I

1999
01:49:15.399 --> 01:49:18.960
<v Speaker 1>had a little more Like I I I I think

2000
01:49:19.000 --> 01:49:25.560
<v Speaker 1>that uh hm when when you say, oh, this group,

2001
01:49:25.600 --> 01:49:29.640
<v Speaker 1>I forget what the organization, you know, Hydra whatever, I

2002
01:49:29.640 --> 01:49:33.479
<v Speaker 1>think Colin Fertz group. It's like, oh, we're we're like

2003
01:49:34.479 --> 01:49:38.960
<v Speaker 1>above presidential level right right? And I'm like, okay, I

2004
01:49:39.000 --> 01:49:40.920
<v Speaker 1>get that. And that feels very hand to wav. But

2005
01:49:41.039 --> 01:49:44.520
<v Speaker 1>just on like a logistical level, Make that make sense

2006
01:49:44.560 --> 01:49:44.800
<v Speaker 1>to me?

2007
01:49:45.479 --> 01:49:46.000
<v Speaker 2>Sure? Sure?

2008
01:49:46.199 --> 01:49:48.359
<v Speaker 1>Like where do they get all the resources to do this?

2009
01:49:48.479 --> 01:49:48.680
<v Speaker 2>Where?

2010
01:49:48.760 --> 01:49:52.640
<v Speaker 1>You know, if you can dispatch a battalion to freaking

2011
01:49:52.760 --> 01:49:57.920
<v Speaker 1>Kansas City, right, Like, how does that work, you know,

2012
01:49:59.359 --> 01:50:03.239
<v Speaker 1>and so so oh and this is the other thing.

2013
01:50:03.239 --> 01:50:06.520
<v Speaker 1>Sorry I'm jumping around, but this is important. The climax

2014
01:50:06.560 --> 01:50:10.439
<v Speaker 1>of the movie feels like it was made by somebody

2015
01:50:11.319 --> 01:50:15.560
<v Speaker 1>who grew up in the fifties and sixties and seventies

2016
01:50:16.359 --> 01:50:22.159
<v Speaker 1>and still views linear media as like the arbiter of

2017
01:50:22.239 --> 01:50:25.439
<v Speaker 1>social change, you know what I mean? Yeah, yeah, because

2018
01:50:25.920 --> 01:50:29.720
<v Speaker 1>to me, I'm like, I'm like, hey, I'm a fan

2019
01:50:29.920 --> 01:50:33.079
<v Speaker 1>of the news media. If but if we actually of journalism,

2020
01:50:33.119 --> 01:50:35.920
<v Speaker 1>I not news media, of journalism, but if we believe

2021
01:50:37.279 --> 01:50:40.960
<v Speaker 1>that the way this climax is staged could have this

2022
01:50:41.039 --> 01:50:44.119
<v Speaker 1>kind of social impact, I think that's that sort of

2023
01:50:44.640 --> 01:50:45.720
<v Speaker 1>blissfully naive.

2024
01:50:46.239 --> 01:50:50.439
<v Speaker 2>Yes, I agree completely because and just every other news

2025
01:50:50.800 --> 01:50:53.680
<v Speaker 2>affiliate is just like, whoa, We've got to run this. Yeah,

2026
01:50:53.680 --> 01:50:56.680
<v Speaker 2>and I would be like what is this? You know,

2027
01:50:56.760 --> 01:51:01.600
<v Speaker 2>like I would immediately be questioning its authenticity. And also

2028
01:51:01.720 --> 01:51:04.600
<v Speaker 2>this is a little different, but you know, it ends

2029
01:51:04.800 --> 01:51:06.840
<v Speaker 2>as everyone is seeing this for the first time. That's

2030
01:51:06.880 --> 01:51:09.920
<v Speaker 2>the ending, and the cynic in me thinks the world

2031
01:51:09.960 --> 01:51:12.880
<v Speaker 2>is a little bit more like Springfield, you know from

2032
01:51:12.920 --> 01:51:15.680
<v Speaker 2>the Simpsons, where immediately they'd be like, wow, look at

2033
01:51:15.680 --> 01:51:20.680
<v Speaker 2>that thing. Kill it, right, you know like that's probably

2034
01:51:22.000 --> 01:51:26.560
<v Speaker 2>da sadly, you know, or or more realistically, nobody would

2035
01:51:26.560 --> 01:51:29.600
<v Speaker 2>believe what they're seeing. And part of me this is

2036
01:51:29.640 --> 01:51:33.319
<v Speaker 2>again I hate this, but seeing the footage, which I

2037
01:51:33.600 --> 01:51:35.880
<v Speaker 2>wish had made the hairs stand on the back of

2038
01:51:35.920 --> 01:51:39.439
<v Speaker 2>my head, and you know, I was like, I mean,

2039
01:51:39.600 --> 01:51:42.399
<v Speaker 2>it does look like visual effects from a movie.

2040
01:51:42.239 --> 01:51:43.720
<v Speaker 1>You know what I mean. So if I saw that

2041
01:51:43.800 --> 01:51:47.840
<v Speaker 1>on the news, it looks like alien autopsy.

2042
01:51:48.840 --> 01:51:51.560
<v Speaker 2>Right right, and some of the ships coming out of

2043
01:51:51.800 --> 01:51:54.920
<v Speaker 2>you know, storm cloud looking thing. I just even my

2044
01:51:54.960 --> 01:51:57.039
<v Speaker 2>eyes weren't buying it in the movie. So like, if

2045
01:51:57.079 --> 01:51:58.640
<v Speaker 2>I saw that in the news, I don't know that

2046
01:51:58.680 --> 01:51:59.119
<v Speaker 2>I would.

2047
01:51:58.960 --> 01:52:02.359
<v Speaker 1>Have bought it. I mean, they they literally have characters

2048
01:52:02.399 --> 01:52:05.159
<v Speaker 1>in the control room saying like this is this AI, right,

2049
01:52:05.199 --> 01:52:07.119
<v Speaker 1>And that's sort of like their way of just acknowledging

2050
01:52:07.159 --> 01:52:08.279
<v Speaker 1>that that's the world we live in.

2051
01:52:08.399 --> 01:52:12.479
<v Speaker 2>Yeah, and someone runs a check right with pixels, Yes,

2052
01:52:12.600 --> 01:52:13.840
<v Speaker 2>that's right. Yeah.

2053
01:52:13.880 --> 01:52:18.319
<v Speaker 1>And so I think that that that climax was clearly

2054
01:52:18.439 --> 01:52:21.159
<v Speaker 1>meant to hit in a different way and and I

2055
01:52:21.319 --> 01:52:23.640
<v Speaker 1>just don't think it does because of the world we

2056
01:52:23.760 --> 01:52:28.359
<v Speaker 1>live in. M And on one level that makes me sad, yeah,

2057
01:52:28.439 --> 01:52:31.399
<v Speaker 1>because right, because it's very much Spielberg wearing his heart

2058
01:52:31.439 --> 01:52:33.800
<v Speaker 1>on his sleeve, and this idea that no, if aliens arrived,

2059
01:52:33.800 --> 01:52:36.560
<v Speaker 1>everything would change, and I'm sure it would. I don't

2060
01:52:36.600 --> 01:52:38.600
<v Speaker 1>I don't doubt that. And by the way, I want

2061
01:52:38.600 --> 01:52:43.880
<v Speaker 1>to mention Courtney Grace, the actress who plays the newscast

2062
01:52:44.079 --> 01:52:48.399
<v Speaker 1>Oh yes, yes, watching the footage go out, like sure,

2063
01:52:49.119 --> 01:52:51.399
<v Speaker 1>what this is like a starmaking role for her.

2064
01:52:51.600 --> 01:52:54.760
<v Speaker 2>I was thinking that as it was happening, like, is

2065
01:52:54.840 --> 01:52:57.680
<v Speaker 2>this person like she just got maybe the most crucial

2066
01:52:57.800 --> 01:53:00.359
<v Speaker 2>part in this movie and she's nail it.

2067
01:53:01.159 --> 01:53:02.399
<v Speaker 1>She was terrific.

2068
01:53:02.640 --> 01:53:02.760
<v Speaker 2>Ry.

2069
01:53:05.439 --> 01:53:08.720
<v Speaker 1>I think that this notion though that, oh, we got

2070
01:53:08.720 --> 01:53:11.960
<v Speaker 1>to get to the TV station before this goes out.

2071
01:53:12.279 --> 01:53:14.560
<v Speaker 1>We got to cut the backup generator. I mean, I'm like,

2072
01:53:14.640 --> 01:53:17.640
<v Speaker 1>this is a great nineteen ninety seven story.

2073
01:53:17.720 --> 01:53:18.960
<v Speaker 2>Yeah, that's so true.

2074
01:53:19.159 --> 01:53:21.680
<v Speaker 1>Yep, that was my thought. I'm like, we don't live

2075
01:53:21.720 --> 01:53:22.920
<v Speaker 1>in that world anymore.

2076
01:53:23.159 --> 01:53:23.720
<v Speaker 2>Yeah.

2077
01:53:24.439 --> 01:53:32.479
<v Speaker 1>And and other than alien ships landing on every single

2078
01:53:32.600 --> 01:53:34.920
<v Speaker 1>front door of every single person, I don't know what

2079
01:53:34.920 --> 01:53:35.720
<v Speaker 1>people would believe.

2080
01:53:35.760 --> 01:53:37.680
<v Speaker 2>That's the other that's I know, I know that's what

2081
01:53:37.720 --> 01:53:40.800
<v Speaker 2>I mean, right, Like, I mean, recently, in real life

2082
01:53:40.880 --> 01:53:43.520
<v Speaker 2>history things have been sort of documents have been an

2083
01:53:43.920 --> 01:53:47.840
<v Speaker 2>or opened and video shown, and I've like ignored all

2084
01:53:47.920 --> 01:53:48.119
<v Speaker 2>of it.

2085
01:53:48.640 --> 01:53:50.119
<v Speaker 1>Yeah, yeah, you know what I mean.

2086
01:53:52.239 --> 01:53:55.520
<v Speaker 2>Well, it's just real quick. I wanted to specify when

2087
01:53:55.520 --> 01:53:57.680
<v Speaker 2>I said that the newscaster had the most important role.

2088
01:53:57.680 --> 01:54:01.119
<v Speaker 2>It's because she's the person we're watching having the reaction

2089
01:54:01.239 --> 01:54:02.560
<v Speaker 2>to the footage.

2090
01:54:02.079 --> 01:54:02.920
<v Speaker 1>In real time.

2091
01:54:03.000 --> 01:54:04.800
<v Speaker 2>In real time, I mean, we can see people watching

2092
01:54:04.840 --> 01:54:09.880
<v Speaker 2>on their phones on buses and baggage pickups at airports,

2093
01:54:09.920 --> 01:54:12.399
<v Speaker 2>but like she is reacting in real time, and so

2094
01:54:12.520 --> 01:54:17.520
<v Speaker 2>we're following her and experiencing all this through her and

2095
01:54:17.640 --> 01:54:20.880
<v Speaker 2>believing it through her. And I thought she did a

2096
01:54:21.000 --> 01:54:25.800
<v Speaker 2>really wonderful job of being confused and then surprised and

2097
01:54:25.880 --> 01:54:29.039
<v Speaker 2>then emotionally moved and then trying to keep her composure

2098
01:54:29.079 --> 01:54:31.920
<v Speaker 2>because she realizes she's on camera as a guide. I

2099
01:54:32.079 --> 01:54:34.800
<v Speaker 2>just she nailed all of that, that journey.

2100
01:54:35.800 --> 01:54:39.920
<v Speaker 1>That all I was. I really liked again this notion

2101
01:54:40.159 --> 01:54:43.079
<v Speaker 1>that everyone everywhere is staring at their device, people are

2102
01:54:43.119 --> 01:54:51.680
<v Speaker 1>on the airplanes. What I I just I want I

2103
01:54:51.760 --> 01:54:56.319
<v Speaker 1>want to acknowledge Spielberg's spirit of optimism and say I

2104
01:54:56.720 --> 01:54:59.840
<v Speaker 1>love it. Yeah, I love you for feeling that way,

2105
01:55:00.399 --> 01:55:05.920
<v Speaker 1>mister Spielberg, sir. It just it doesn't register as real

2106
01:55:06.000 --> 01:55:11.079
<v Speaker 1>for me. Yeah, I mean I almost wonder if like

2107
01:55:12.880 --> 01:55:17.279
<v Speaker 1>you do like a like I'm and see if you

2108
01:55:17.319 --> 01:55:21.039
<v Speaker 1>follow me on this, like as like a montage of

2109
01:55:21.920 --> 01:55:26.159
<v Speaker 1>the aftermath, like like quick shots of what the aftermath

2110
01:55:26.239 --> 01:55:30.079
<v Speaker 1>of this looks like without fully revealing the scope of it.

2111
01:55:30.159 --> 01:55:33.800
<v Speaker 1>And then we come back to Emily Blunt saying listen,

2112
01:55:34.399 --> 01:55:37.000
<v Speaker 1>m just to sort of give us a sense of like,

2113
01:55:37.119 --> 01:55:39.760
<v Speaker 1>this is what happened next without without just fully revealing it.

2114
01:55:39.880 --> 01:55:40.560
<v Speaker 1>Does that make sense?

2115
01:55:41.399 --> 01:55:43.000
<v Speaker 2>Yeah, I mean I can see it both ways, Like

2116
01:55:43.039 --> 01:55:46.560
<v Speaker 2>there's cutting it off before we can see any of

2117
01:55:46.640 --> 01:55:51.000
<v Speaker 2>the aftermath. I guess gives us something to chew on. Yeah, right,

2118
01:55:51.720 --> 01:55:55.439
<v Speaker 2>but there would it would be nice. It feels a

2119
01:55:55.520 --> 01:56:00.119
<v Speaker 2>little not incomplete, but I am eager to see just

2120
01:56:00.199 --> 01:56:01.399
<v Speaker 2>like a second after, I guess.

2121
01:56:02.000 --> 01:56:04.920
<v Speaker 1>Yeah, Well it's funny because because you know, we they

2122
01:56:05.000 --> 01:56:09.199
<v Speaker 1>wheel out senior citizen Et as I call him. Yes,

2123
01:56:09.439 --> 01:56:10.720
<v Speaker 1>he's back and he's pissed.

2124
01:56:11.680 --> 01:56:14.239
<v Speaker 2>Was there a split second where you wondered if it

2125
01:56:14.319 --> 01:56:15.039
<v Speaker 2>might be et.

2126
01:56:16.640 --> 01:56:20.520
<v Speaker 1>Hundred percent? Yeah? Yeah, anyway, okay, got so yeah, uh yeah,

2127
01:56:20.920 --> 01:56:24.079
<v Speaker 1>when you just see the silhouette, right, yeah, but but

2128
01:56:24.239 --> 01:56:26.840
<v Speaker 1>like he like whispers in Josh O'Connor's ear, and I

2129
01:56:26.920 --> 01:56:29.159
<v Speaker 1>was like, hmm. And then I looked at my watch

2130
01:56:30.000 --> 01:56:31.359
<v Speaker 1>and I was like, oh, we're not going to hear

2131
01:56:31.600 --> 01:56:35.000
<v Speaker 1>anything he says. Yeah. So literally, I was already as

2132
01:56:35.039 --> 01:56:38.119
<v Speaker 1>soon as we go to Emily Blunt, I was like,

2133
01:56:38.199 --> 01:56:39.880
<v Speaker 1>it's gonna she's gonna like open her mouth and it's

2134
01:56:39.920 --> 01:56:40.640
<v Speaker 1>gonna go to credits.

2135
01:56:40.720 --> 01:56:43.520
<v Speaker 2>Oh. I was not far off, I know.

2136
01:56:43.800 --> 01:56:46.520
<v Speaker 1>I was like, okay, So I was not like disappointed

2137
01:56:46.640 --> 01:56:48.880
<v Speaker 1>in that way, huh. And I was thinking about it,

2138
01:56:48.960 --> 01:56:51.680
<v Speaker 1>I was like, that's almost the only way you can

2139
01:56:51.920 --> 01:56:54.199
<v Speaker 1>end it, because like, what can you what can possibly

2140
01:56:54.479 --> 01:56:55.439
<v Speaker 1>live up to the build up?

2141
01:56:55.560 --> 01:56:56.479
<v Speaker 2>I completely agree.

2142
01:56:56.640 --> 01:56:59.560
<v Speaker 1>Yeah, right, so so I because and I was talking

2143
01:56:59.600 --> 01:57:01.600
<v Speaker 1>about this kids last night, I was like, I just

2144
01:57:01.640 --> 01:57:03.640
<v Speaker 1>don't think there was any other way they could end it. Yeah,

2145
01:57:04.520 --> 01:57:07.079
<v Speaker 1>So I don't have a problem with that. I just

2146
01:57:07.319 --> 01:57:10.720
<v Speaker 1>feel like what they give us could have hit harder

2147
01:57:11.560 --> 01:57:17.840
<v Speaker 1>with a little bit more plot, plot and emotional runway.

2148
01:57:18.960 --> 01:57:23.560
<v Speaker 2>I agree, Yeah, I agree. And at the same time,

2149
01:57:23.760 --> 01:57:27.680
<v Speaker 2>it's it's, uh, it's fun, you know what I mean,

2150
01:57:27.760 --> 01:57:33.479
<v Speaker 2>Like it's it's fun. I just he's taken us on

2151
01:57:33.760 --> 01:57:40.159
<v Speaker 2>such potent, powerful, resonant, unforgettable journeys before and seeing him

2152
01:57:40.239 --> 01:57:42.920
<v Speaker 2>back in his wheelhouse, like you were saying, right, with

2153
01:57:43.279 --> 01:57:45.439
<v Speaker 2>these alien stories and the things he likes to tell,

2154
01:57:45.560 --> 01:57:49.720
<v Speaker 2>the things he likes to express or convey through alien stories.

2155
01:57:50.000 --> 01:57:53.600
<v Speaker 2>I was just a little surprised that when it ended

2156
01:57:53.640 --> 01:57:58.239
<v Speaker 2>as like, oh, like I didn't quite get onto the

2157
01:57:58.359 --> 01:58:01.760
<v Speaker 2>ride I was hoping to, right, and for the reasons

2158
01:58:01.800 --> 01:58:04.880
<v Speaker 2>I think you just said, like just not quite connecting

2159
01:58:05.399 --> 01:58:10.279
<v Speaker 2>with the world, the steaks, and just not quite feeling

2160
01:58:10.359 --> 01:58:12.159
<v Speaker 2>the impact. I think the ending wanted me to have.

2161
01:58:13.600 --> 01:58:17.640
<v Speaker 1>Yeah, well, a couple couple questions I had you already

2162
01:58:17.720 --> 01:58:22.479
<v Speaker 1>mentioned about about Danny and how how he got caught

2163
01:58:22.560 --> 01:58:25.039
<v Speaker 1>up in all this, like what his connection is to Hugo,

2164
01:58:26.199 --> 01:58:33.359
<v Speaker 1>the Coleman Domingo character. I was thinking about Margaret and

2165
01:58:33.880 --> 01:58:37.399
<v Speaker 1>how she gets sort of activated, right, and it's because

2166
01:58:37.439 --> 01:58:40.680
<v Speaker 1>that cardinal flies in the window. Yeah, And I'm like,

2167
01:58:42.840 --> 01:58:44.399
<v Speaker 1>was that like an alien thing?

2168
01:58:45.079 --> 01:58:48.239
<v Speaker 2>I think so, right, because the aliens disguise themselves as

2169
01:58:48.319 --> 01:58:53.119
<v Speaker 2>animals so they won't alarm us. Okay, so that cardinal

2170
01:58:53.399 --> 01:58:59.760
<v Speaker 2>was an alien, that's my understanding. Okay, So, and that's fine,

2171
01:59:00.039 --> 01:59:03.800
<v Speaker 2>but the whole thing hinges around, Oh, she and he

2172
01:59:04.159 --> 01:59:06.960
<v Speaker 2>are like the it was always them. They were meant

2173
01:59:07.000 --> 01:59:10.399
<v Speaker 2>to communicate with the aliens or whatever. I'm just like, well,

2174
01:59:10.439 --> 01:59:15.600
<v Speaker 2>why them? Yeah, that's a good question, because they're imbued

2175
01:59:15.840 --> 01:59:19.680
<v Speaker 2>with abilities that would make them good go betweens for

2176
01:59:19.800 --> 01:59:23.239
<v Speaker 2>humans and aliens. But was there something specific about them?

2177
01:59:23.960 --> 01:59:26.720
<v Speaker 1>Yeah, because we see the process when they're children.

2178
01:59:27.000 --> 01:59:30.319
<v Speaker 2>See, that would be nice to know. Yeah, that Danny,

2179
01:59:30.520 --> 01:59:32.760
<v Speaker 2>you know, for when he's a little boy, he had

2180
01:59:32.840 --> 01:59:34.680
<v Speaker 2>like a bigger heart. You know, maybe he was kind

2181
01:59:34.720 --> 01:59:36.479
<v Speaker 2>of a sensitive kid and he's very empathetic as a

2182
01:59:36.600 --> 01:59:37.920
<v Speaker 2>child or so, you know what I mean. Well, actually

2183
01:59:37.920 --> 01:59:39.640
<v Speaker 2>he was the math one. Maybe that'd be more Margaret,

2184
01:59:40.239 --> 01:59:42.079
<v Speaker 2>but no, that's yeah, I mean that's what I'm saying,

2185
01:59:42.159 --> 01:59:45.640
<v Speaker 2>right Like the I would like this their characters colored

2186
01:59:45.680 --> 01:59:46.840
<v Speaker 2>in just a little bit more.

2187
01:59:47.039 --> 01:59:51.239
<v Speaker 1>Yeah, Well, cause you know, Margaret talks about her fear

2188
01:59:51.279 --> 01:59:54.920
<v Speaker 1>of having Parkinson's because that's what her dad had, and

2189
01:59:55.079 --> 01:59:58.640
<v Speaker 1>I sort of expected that to be more of like

2190
01:59:58.760 --> 02:00:02.199
<v Speaker 1>a thing like we'll we'll get this reveal of her

2191
02:00:02.279 --> 02:00:07.119
<v Speaker 1>childhood and that'll reveal that fear and how that ties

2192
02:00:07.159 --> 02:00:09.920
<v Speaker 1>in with the aliens, And unless I missed it, there

2193
02:00:09.960 --> 02:00:10.600
<v Speaker 1>was nothing like that.

2194
02:00:10.960 --> 02:00:11.159
<v Speaker 2>Yeah.

2195
02:00:11.560 --> 02:00:13.560
<v Speaker 1>Yeah, but it's like she's lying in her bed, the

2196
02:00:13.600 --> 02:00:16.239
<v Speaker 1>aliens come in her room and they're like follow us basically,

2197
02:00:17.960 --> 02:00:22.560
<v Speaker 1>and I'm just like, well, why her, right, because because

2198
02:00:22.600 --> 02:00:24.880
<v Speaker 1>I'm like, well she alludes to like, oh I ran

2199
02:00:24.920 --> 02:00:28.319
<v Speaker 1>away because I was scared of my dad's shaking or something.

2200
02:00:28.359 --> 02:00:30.880
<v Speaker 1>I'm like, well, maybe like the aliens found her then,

2201
02:00:31.039 --> 02:00:35.439
<v Speaker 1>like she was like they rescued her. I'm not saying

2202
02:00:35.439 --> 02:00:39.760
<v Speaker 1>you needed to do that, but I'm just like, if

2203
02:00:39.840 --> 02:00:44.520
<v Speaker 1>you're situating Margaret as like she is, she has these

2204
02:00:44.600 --> 02:00:51.800
<v Speaker 1>extraordinary gifts, right, She's like a new deity, right, why

2205
02:00:52.000 --> 02:00:52.439
<v Speaker 1>why her?

2206
02:00:54.159 --> 02:00:57.079
<v Speaker 2>Yeah? Yeah, I actually liked that moment too, by the

2207
02:00:57.119 --> 02:01:01.279
<v Speaker 2>way where she showcases her and that woman just starts

2208
02:01:01.319 --> 02:01:04.159
<v Speaker 2>praying to talk. She's like no, no, no, no, no, yeah,

2209
02:01:04.439 --> 02:01:05.640
<v Speaker 2>like I'm not a religion you know.

2210
02:01:06.159 --> 02:01:09.279
<v Speaker 1>That's really interesting And actually I agree the sequence that

2211
02:01:09.439 --> 02:01:12.960
<v Speaker 1>follows where she uses that you know, artifact to like

2212
02:01:13.520 --> 02:01:17.279
<v Speaker 1>keep Colin Firth's team from from seeing them, that was awesome.

2213
02:01:17.600 --> 02:01:19.479
<v Speaker 2>That was the set piece I was talking about in

2214
02:01:19.680 --> 02:01:22.239
<v Speaker 2>the non spoiler section where I was like, ah, this

2215
02:01:22.479 --> 02:01:27.399
<v Speaker 2>is something wholly original captured in such a fun and

2216
02:01:27.520 --> 02:01:30.560
<v Speaker 2>dazzling way where you see them. I was like, actually,

2217
02:01:30.600 --> 02:01:33.000
<v Speaker 2>think wondering when they're the swat or whatever they are,

2218
02:01:33.039 --> 02:01:34.560
<v Speaker 2>we're approaching the house, I'm like, are they just going

2219
02:01:34.640 --> 02:01:37.079
<v Speaker 2>to like bump into it? And then they proceed to

2220
02:01:37.279 --> 02:01:38.720
<v Speaker 2>for like the next two or three minutes in the

2221
02:01:39.960 --> 02:01:42.479
<v Speaker 2>most fun, you know sorts of ways.

2222
02:01:43.159 --> 02:01:50.520
<v Speaker 1>Yeah, yeah, yeah, I feel I just feel like, on

2223
02:01:50.680 --> 02:01:54.840
<v Speaker 1>the on the script level, this one fell apart from me,

2224
02:01:54.960 --> 02:01:56.960
<v Speaker 1>not on not on the craft level, not on the

2225
02:01:57.600 --> 02:02:01.520
<v Speaker 1>not on the the film construction level, but just at

2226
02:02:01.560 --> 02:02:05.000
<v Speaker 1>a basic story and script level, it didn't. It didn't

2227
02:02:05.039 --> 02:02:06.000
<v Speaker 1>work the way I would have liked.

2228
02:02:07.279 --> 02:02:11.840
<v Speaker 2>Yeah. Same, And it's interesting too because this story it

2229
02:02:11.840 --> 02:02:14.119
<v Speaker 2>didn't occur to me till this morning. But this story

2230
02:02:15.319 --> 02:02:20.159
<v Speaker 2>is Spielberg's first draft of Close Encounters. When he and

2231
02:02:20.439 --> 02:02:22.079
<v Speaker 2>I mean literally like when he was coming up with

2232
02:02:22.119 --> 02:02:24.359
<v Speaker 2>the story for Close Encounters, the first story was someone

2233
02:02:24.399 --> 02:02:29.000
<v Speaker 2>who worked for Project Blue Book taking the secrets and

2234
02:02:29.279 --> 02:02:30.279
<v Speaker 2>people pursuing him.

2235
02:02:30.840 --> 02:02:31.520
<v Speaker 1>That's fascinating.

2236
02:02:31.520 --> 02:02:33.439
<v Speaker 2>So in a way, he's had this story in his

2237
02:02:33.600 --> 02:02:38.159
<v Speaker 2>head for fifty years or so, and it kind of

2238
02:02:38.199 --> 02:02:40.000
<v Speaker 2>makes sense. Now he's a little older and he's like,

2239
02:02:40.199 --> 02:02:43.279
<v Speaker 2>I still just really need to get this out, and

2240
02:02:44.159 --> 02:02:46.319
<v Speaker 2>maybe he did, Maybe he got all his ideas out,

2241
02:02:47.720 --> 02:02:48.279
<v Speaker 2>But I'm not.

2242
02:02:48.520 --> 02:02:49.399
<v Speaker 1>So sure that.

2243
02:02:50.880 --> 02:02:52.319
<v Speaker 2>I don't know the heart and the soul of it

2244
02:02:53.199 --> 02:02:55.880
<v Speaker 2>completely rounded out as well as I know he's capable of.

2245
02:02:57.359 --> 02:03:01.520
<v Speaker 1>You know that said, I do think as like a

2246
02:03:01.640 --> 02:03:08.680
<v Speaker 1>fifty years later bookend to Close Encounters, it's worth examination

2247
02:03:08.920 --> 02:03:13.039
<v Speaker 1>in that sense too. Oh yeah, sure, right, Like like

2248
02:03:13.479 --> 02:03:18.039
<v Speaker 1>that's the other thing is like this movie is not

2249
02:03:18.199 --> 02:03:21.039
<v Speaker 1>going to be viewed wholly on its own. It's going

2250
02:03:21.119 --> 02:03:23.159
<v Speaker 1>to be viewed as part of the Spielberg catalog. It's

2251
02:03:23.159 --> 02:03:26.680
<v Speaker 1>going to be viewed in contrast with his other alien films,

2252
02:03:26.760 --> 02:03:31.079
<v Speaker 1>and so I think it'll always be worthy of discussion

2253
02:03:31.159 --> 02:03:36.359
<v Speaker 1>in that way. M hm. But I think that on

2254
02:03:36.520 --> 02:03:40.840
<v Speaker 1>its own it it could have held together a little

2255
02:03:40.880 --> 02:03:41.279
<v Speaker 1>better for me.

2256
02:03:41.560 --> 02:03:43.520
<v Speaker 2>You know, you talking about it as a bookend to

2257
02:03:43.520 --> 02:03:45.800
<v Speaker 2>Close Encounters. I would have loved if in the last

2258
02:03:45.840 --> 02:03:50.199
<v Speaker 2>ten minutes when they wheeled out that you know, little

2259
02:03:50.399 --> 02:03:52.079
<v Speaker 2>I don't know coffin sort of thing, and then the

2260
02:03:52.439 --> 02:03:54.000
<v Speaker 2>character was inside. I would have loved if it was

2261
02:03:54.119 --> 02:03:58.079
<v Speaker 2>Roy neary, like old Richard Dreyfus, and he's like okay, okay,

2262
02:03:58.399 --> 02:04:00.680
<v Speaker 2>and he like pushes Emily Blame out of the seat,

2263
02:04:01.159 --> 02:04:04.520
<v Speaker 2>Scoon over, sister. I'll take it from here. Aliens are real,

2264
02:04:04.720 --> 02:04:09.159
<v Speaker 2>you know, you just get the I'm back, Hi, Terry Garr,

2265
02:04:09.399 --> 02:04:09.600
<v Speaker 2>you know.

2266
02:04:10.239 --> 02:04:13.960
<v Speaker 1>He He's like listen, and then corrected by Steven Spielb. Yeah,

2267
02:04:15.199 --> 02:04:16.079
<v Speaker 1>I would have loved that.

2268
02:04:20.800 --> 02:04:25.399
<v Speaker 2>Yeah, Yeah, it'd be funny if that's what was Spielberg's idea.

2269
02:04:25.439 --> 02:04:30.880
<v Speaker 1>And David Kep was like, ah, David Kep, it's like

2270
02:04:31.000 --> 02:04:33.039
<v Speaker 1>the Laser Cats sketches on SNL.

2271
02:04:33.640 --> 02:04:42.119
<v Speaker 2>Yes, get out, let's work shot this a bit, but yeah,

2272
02:04:42.159 --> 02:04:45.800
<v Speaker 2>but there is still a lot to enjoy, right, I mean,

2273
02:04:46.520 --> 02:04:48.880
<v Speaker 2>as you said, I mean the craft is incredible and

2274
02:04:48.960 --> 02:04:51.319
<v Speaker 2>it pulls you along. I didn't realize this movie was

2275
02:04:51.359 --> 02:04:53.119
<v Speaker 2>about two and a half hours long. It did not.

2276
02:04:54.319 --> 02:04:57.039
<v Speaker 2>I never felt the time I was pulled along the

2277
02:04:57.079 --> 02:05:00.840
<v Speaker 2>whole way. Everything I'm talking about is when I walked out,

2278
02:05:00.880 --> 02:05:05.560
<v Speaker 2>How did I feel? And I didn't quite feel, you know,

2279
02:05:05.840 --> 02:05:10.920
<v Speaker 2>as connected as I wish I had to the characters

2280
02:05:10.960 --> 02:05:15.680
<v Speaker 2>in the material. But I was pulled along, you know,

2281
02:05:15.840 --> 02:05:18.640
<v Speaker 2>masterfully through it. And so I think that's almost why

2282
02:05:18.880 --> 02:05:20.640
<v Speaker 2>it makes me a little bit more disappointed that I

2283
02:05:20.640 --> 02:05:21.479
<v Speaker 2>didn't feel those things.

2284
02:05:21.520 --> 02:05:25.359
<v Speaker 1>On top of it, I agree, there's one scene this

2285
02:05:25.760 --> 02:05:28.439
<v Speaker 1>is where we're talking about, like you start questioning the

2286
02:05:28.479 --> 02:05:32.800
<v Speaker 1>internal logic of the movie, where we see we've established

2287
02:05:32.920 --> 02:05:35.800
<v Speaker 1>that Colin Firth is able to it's called diving, where

2288
02:05:35.840 --> 02:05:38.520
<v Speaker 1>he's able to see the world through different characters' eyes.

2289
02:05:39.319 --> 02:05:43.239
<v Speaker 1>And he's done that already with Eve Houston's character, right,

2290
02:05:43.920 --> 02:05:46.760
<v Speaker 1>So Josh O'Connor he knows that that's a possibility. So

2291
02:05:46.840 --> 02:05:48.720
<v Speaker 1>we see him go through their hotel room and just

2292
02:05:49.199 --> 02:05:54.119
<v Speaker 1>anything that identifies the where they're at the hotel, right,

2293
02:05:55.119 --> 02:05:57.119
<v Speaker 1>and then she's like, I need you to tie me

2294
02:05:57.239 --> 02:05:59.479
<v Speaker 1>up because I'm a danger Okay, So she does that

2295
02:06:00.199 --> 02:06:02.680
<v Speaker 1>and then in the middle of the night, she wakes up,

2296
02:06:02.720 --> 02:06:05.439
<v Speaker 1>but it's it's with Colin Furt's eyes, yeah, and she

2297
02:06:06.199 --> 02:06:08.800
<v Speaker 1>she glances over at Josh O'Connor who's sleeping, and he's

2298
02:06:08.800 --> 02:06:13.039
<v Speaker 1>got his like notes in his hand. Yeah, and then

2299
02:06:13.079 --> 02:06:14.880
<v Speaker 1>she kind of like nudges his hand and you see

2300
02:06:15.039 --> 02:06:16.600
<v Speaker 1>that on top of the notes it says, you know,

2301
02:06:16.960 --> 02:06:20.239
<v Speaker 1>Indiana or like the name of the hotel, and now

2302
02:06:20.319 --> 02:06:23.000
<v Speaker 1>they know where they are. And so this is where

2303
02:06:23.319 --> 02:06:25.079
<v Speaker 1>as I'm watching the movie, I'm like, come on, bro,

2304
02:06:25.319 --> 02:06:30.159
<v Speaker 1>really right right right, like you know, like you you

2305
02:06:30.279 --> 02:06:33.159
<v Speaker 1>went through the whole room, you're throwing random stuff with

2306
02:06:33.319 --> 02:06:34.119
<v Speaker 1>this piece of paper.

2307
02:06:34.199 --> 02:06:36.279
<v Speaker 2>It doesn't occur to you well, and it's the piece

2308
02:06:36.279 --> 02:06:39.159
<v Speaker 2>of paper he stared at the longest because he wrote

2309
02:06:39.199 --> 02:06:42.359
<v Speaker 2>on it, right, And and maybe it's a little thing.

2310
02:06:43.079 --> 02:06:46.039
<v Speaker 1>Yeah, yeah, yeah, but it feels very Oh, this is

2311
02:06:46.159 --> 02:06:48.520
<v Speaker 1>like we got to do this to like get to

2312
02:06:49.000 --> 02:06:51.960
<v Speaker 1>have the plot move, you know. Yeah, anyway, that's that's

2313
02:06:52.000 --> 02:06:55.079
<v Speaker 1>in a nutshell, it's all. It's all well executed, but

2314
02:06:55.199 --> 02:06:58.760
<v Speaker 1>there's these these plot construction issues that that do that

2315
02:06:58.880 --> 02:06:59.920
<v Speaker 1>do niggle a little bit.

2316
02:07:00.239 --> 02:07:03.880
<v Speaker 2>Yeah, you know another thing. I almost hesitate to bring

2317
02:07:03.960 --> 02:07:06.359
<v Speaker 2>this up because this might be too nippicky, But this

2318
02:07:06.520 --> 02:07:11.720
<v Speaker 2>is the time right again. As much as I loved

2319
02:07:11.760 --> 02:07:15.880
<v Speaker 2>the idea of wheeling out this elder alien and we're

2320
02:07:15.920 --> 02:07:18.039
<v Speaker 2>gonna he's in a newsroom, that's so cool. This is

2321
02:07:18.279 --> 02:07:20.920
<v Speaker 2>this is peak that thing I love, right, fantasy in

2322
02:07:20.960 --> 02:07:23.560
<v Speaker 2>your backyard, like seeing an alien in a in a

2323
02:07:24.079 --> 02:07:26.119
<v Speaker 2>you know, a Kansas City newsroom or whatever.

2324
02:07:26.399 --> 02:07:26.640
<v Speaker 1>Yeah.

2325
02:07:29.239 --> 02:07:32.560
<v Speaker 2>And I don't know if I ever really felt the

2326
02:07:32.720 --> 02:07:36.039
<v Speaker 2>wonder in Awe I was supposed to feel seeing it,

2327
02:07:37.199 --> 02:07:39.079
<v Speaker 2>and I was trying to figure out why. And I

2328
02:07:39.159 --> 02:07:42.359
<v Speaker 2>wonder if it's because we already saw a few earlier

2329
02:07:42.359 --> 02:07:44.920
<v Speaker 2>in the movie or if I'm so familiar with that design,

2330
02:07:46.399 --> 02:07:48.439
<v Speaker 2>or you know, the the what do they call them,

2331
02:07:48.439 --> 02:07:50.560
<v Speaker 2>the grays? You know they starts with the big eyes.

2332
02:07:52.600 --> 02:07:57.439
<v Speaker 2>Or when I see e T he's there, I can

2333
02:07:57.720 --> 02:08:00.640
<v Speaker 2>touch him, he and Elliott when they hug, I can,

2334
02:08:00.800 --> 02:08:02.159
<v Speaker 2>you know what I mean? Like I can feel the

2335
02:08:02.279 --> 02:08:06.560
<v Speaker 2>embrace right and and likewise, even you know, the aliens

2336
02:08:06.560 --> 02:08:11.199
<v Speaker 2>in close encounters, even though they're like stop motion and

2337
02:08:11.479 --> 02:08:13.960
<v Speaker 2>whatever sort of janky looking thing they are now, they

2338
02:08:14.000 --> 02:08:16.880
<v Speaker 2>still look like something I could poke, you know, and

2339
02:08:17.079 --> 02:08:21.159
<v Speaker 2>like shake its hand and like a tangibility. And I

2340
02:08:21.560 --> 02:08:24.840
<v Speaker 2>read online that apparently it was a puppet that was

2341
02:08:24.960 --> 02:08:26.079
<v Speaker 2>enhanced with CGI.

2342
02:08:26.159 --> 02:08:29.119
<v Speaker 1>Honestly, I would never have believed that. I thought it

2343
02:08:29.159 --> 02:08:29.640
<v Speaker 1>was CGI.

2344
02:08:29.800 --> 02:08:32.479
<v Speaker 2>I feel really really happy hearing you say that, because

2345
02:08:32.479 --> 02:08:35.119
<v Speaker 2>I felt the same thing, and I was like, there's

2346
02:08:35.880 --> 02:08:41.720
<v Speaker 2>just even if it's half a degree of disconnect from

2347
02:08:41.840 --> 02:08:43.960
<v Speaker 2>feeling that that thing is actually in the room with them,

2348
02:08:44.039 --> 02:08:47.399
<v Speaker 2>and I do feel like that is bringing the experience

2349
02:08:47.479 --> 02:08:49.199
<v Speaker 2>down for me a little bit, Like if I saw

2350
02:08:49.319 --> 02:08:52.359
<v Speaker 2>something that was brushing up against things, or even like

2351
02:08:52.600 --> 02:08:54.199
<v Speaker 2>maybe it was having a hard time walking and it

2352
02:08:54.359 --> 02:08:56.560
<v Speaker 2>put its hand for support on one of the cameraman's

2353
02:08:56.560 --> 02:08:59.000
<v Speaker 2>shoulders and the guy's like, oh my gosh. Yeah, you know, like,

2354
02:08:59.399 --> 02:09:02.159
<v Speaker 2>but seeing that would have brought me into it even more, like,

2355
02:09:02.239 --> 02:09:06.079
<v Speaker 2>holy crap, there's an alien in a newsroom. And unfortunately

2356
02:09:06.680 --> 02:09:10.359
<v Speaker 2>I didn't quite feel the wonder I wanted to with

2357
02:09:10.520 --> 02:09:14.920
<v Speaker 2>that specific thing. Yeah. I don't know, maybe it's just me.

2358
02:09:15.039 --> 02:09:19.760
<v Speaker 1>Yeah, well, I think again, I truly feel like it

2359
02:09:19.840 --> 02:09:23.479
<v Speaker 1>would have meant more separate from the way the creatures depicted.

2360
02:09:23.560 --> 02:09:27.640
<v Speaker 1>I think if if the stakes of what he represented

2361
02:09:28.000 --> 02:09:30.119
<v Speaker 1>were emphasized more, I You're.

2362
02:09:30.039 --> 02:09:34.520
<v Speaker 2>Right, what that moment meant. If it had meant like, Wow,

2363
02:09:34.600 --> 02:09:36.359
<v Speaker 2>this is the conclusion we need to this.

2364
02:09:36.479 --> 02:09:37.760
<v Speaker 1>Story, that's right.

2365
02:09:38.000 --> 02:09:38.199
<v Speaker 2>Yeah.

2366
02:09:39.239 --> 02:09:42.319
<v Speaker 1>One thing I really do want to emphasize that I

2367
02:09:42.439 --> 02:09:46.760
<v Speaker 1>really admired a lot about this movie is that it's

2368
02:09:46.880 --> 02:09:52.680
<v Speaker 1>so quintessentially Spielberg in that it's not cynical. Hmm.

2369
02:09:53.319 --> 02:09:53.520
<v Speaker 2>Yeah.

2370
02:09:54.159 --> 02:10:01.840
<v Speaker 1>There there is a broadly optimistic view of human nature

2371
02:10:02.880 --> 02:10:06.119
<v Speaker 1>that I liked. Yeah, And what does it come down to.

2372
02:10:06.199 --> 02:10:10.399
<v Speaker 1>It comes down to people's decency, people's empathy. And you

2373
02:10:10.479 --> 02:10:12.680
<v Speaker 1>know you know this, you and I when we've talked

2374
02:10:12.680 --> 02:10:15.039
<v Speaker 1>about E T. One of my favorite things about E

2375
02:10:15.239 --> 02:10:20.359
<v Speaker 1>T is that it's about trust and trust being rewarded.

2376
02:10:21.119 --> 02:10:21.239
<v Speaker 2>Right.

2377
02:10:21.680 --> 02:10:28.840
<v Speaker 1>Each time Elliott broadens his circle of trust, it's rewarded, right. Yeah,

2378
02:10:29.079 --> 02:10:33.039
<v Speaker 1>yeah right, he tells Michael, Michael becomes his ally. He

2379
02:10:33.159 --> 02:10:34.920
<v Speaker 1>tells Mom, Mom becomes the ally.

2380
02:10:35.359 --> 02:10:35.520
<v Speaker 2>You know.

2381
02:10:35.800 --> 02:10:41.239
<v Speaker 1>Keys is like Elliott grown up. Yeah, yeah, right, I

2382
02:10:41.319 --> 02:10:45.560
<v Speaker 1>love Keys in that movie, you know, And and that

2383
02:10:45.840 --> 02:10:50.359
<v Speaker 1>to me is something really you know, people might say

2384
02:10:50.479 --> 02:10:53.960
<v Speaker 1>naive about Steven Spielberg, you know, but I love that

2385
02:10:54.079 --> 02:10:58.319
<v Speaker 1>about him. Yeah right, I agree, wonder you know, And

2386
02:10:58.840 --> 02:11:02.760
<v Speaker 1>that's something that I like in this movie, this idea

2387
02:11:03.319 --> 02:11:07.840
<v Speaker 1>that this revelation would be the thing potentially that brings

2388
02:11:07.880 --> 02:11:11.000
<v Speaker 1>the world together. So I like that conceptually, I love that.

2389
02:11:12.439 --> 02:11:15.319
<v Speaker 1>Execution wise, I don't feel like we get there. And

2390
02:11:15.479 --> 02:11:17.560
<v Speaker 1>that's what I find frustrating. Not that I think the

2391
02:11:18.000 --> 02:11:19.239
<v Speaker 1>notion is unbelievable.

2392
02:11:19.680 --> 02:11:21.760
<v Speaker 2>Mmm, yes, does that make sense?

2393
02:11:21.880 --> 02:11:23.359
<v Speaker 1>Like even at the end when you think about it,

2394
02:11:23.439 --> 02:11:27.439
<v Speaker 1>like Scanlon the whole movie, he's set up as the heel, Yeah,

2395
02:11:27.520 --> 02:11:30.800
<v Speaker 1>and yet at the end of it he allows it

2396
02:11:30.880 --> 02:11:32.119
<v Speaker 1>to happen. He doesn't stop it.

2397
02:11:32.800 --> 02:11:35.520
<v Speaker 2>He just kind of gives up. Yeah. Well, and it'd

2398
02:11:35.560 --> 02:11:40.319
<v Speaker 2>be interesting to understand why exactly. Yeah, Like see, I

2399
02:11:41.239 --> 02:11:43.439
<v Speaker 2>I think it's interesting that we don't. It's not like

2400
02:11:43.600 --> 02:11:46.600
<v Speaker 2>we see Emily Blunt become his wife and then he

2401
02:11:46.680 --> 02:11:51.439
<v Speaker 2>gives up. M I don't think that's what happens. Yeah,

2402
02:11:52.000 --> 02:11:54.000
<v Speaker 2>I think he has this realization of like, no, this

2403
02:11:54.119 --> 02:11:54.920
<v Speaker 2>is the right thing to do.

2404
02:11:55.640 --> 02:12:01.840
<v Speaker 3>Right, which I'm not sure I highly got No, I

2405
02:12:02.039 --> 02:12:04.960
<v Speaker 3>agree with you, Like that's that's the point, right.

2406
02:12:05.119 --> 02:12:09.039
<v Speaker 1>I would have loved for that, the moment when he's like, no,

2407
02:12:10.800 --> 02:12:13.119
<v Speaker 1>this is the right thing, Like that really needed to

2408
02:12:13.199 --> 02:12:18.039
<v Speaker 1>mean something. And so this is this is my like frustration,

2409
02:12:18.319 --> 02:12:24.640
<v Speaker 1>Like I'm I'm fully on board with where Spielberg is

2410
02:12:24.800 --> 02:12:28.680
<v Speaker 1>trying to get us. I'm just not sure the way

2411
02:12:28.760 --> 02:12:34.680
<v Speaker 1>he gets us there is the most efficient or fulfilling

2412
02:12:34.720 --> 02:12:37.199
<v Speaker 1>you know, it's it's not it's not the efficient route,

2413
02:12:37.239 --> 02:12:42.279
<v Speaker 1>it's not the scenic route. And that's that was my frustration.

2414
02:12:42.359 --> 02:12:47.359
<v Speaker 1>But it's like, I feel like only Spielberg has that

2415
02:12:47.840 --> 02:12:51.800
<v Speaker 1>even now, at at this age, has that childish belief

2416
02:12:52.000 --> 02:12:57.720
<v Speaker 1>that that not childish childlike that No, this is like

2417
02:12:57.960 --> 02:12:59.079
<v Speaker 1>this will bring us all together.

2418
02:12:59.319 --> 02:13:00.479
<v Speaker 2>You know, how could it not?

2419
02:13:00.960 --> 02:13:04.680
<v Speaker 1>Exactly? You know how could? And and and yeah, man,

2420
02:13:05.000 --> 02:13:06.760
<v Speaker 1>I want that too, I know.

2421
02:13:07.039 --> 02:13:09.880
<v Speaker 2>I Yes, you're still right, because then if they had

2422
02:13:10.039 --> 02:13:13.119
<v Speaker 2>sold it. Maybe it would make us feel the same thing.

2423
02:13:13.439 --> 02:13:19.840
<v Speaker 1>How could it not exactly? Yeah, uh but yeah, that's

2424
02:13:20.119 --> 02:13:22.159
<v Speaker 1>that's our disclosure about disclosure day.

2425
02:13:22.800 --> 02:13:25.119
<v Speaker 2>Yeah, well, actually we have to say real quick John

2426
02:13:25.119 --> 02:13:31.680
<v Speaker 2>Williams wonderful hearing his music, surprising how little of it

2427
02:13:31.800 --> 02:13:32.079
<v Speaker 2>there is.

2428
02:13:33.079 --> 02:13:35.680
<v Speaker 1>Yeah, I think I don't. I didn't hear a lot

2429
02:13:35.760 --> 02:13:39.119
<v Speaker 1>of big sweeping motifs. Yeah.

2430
02:13:39.159 --> 02:13:40.880
<v Speaker 2>I would say even the first half of the movie,

2431
02:13:41.039 --> 02:13:43.239
<v Speaker 2>I noticed there was a lot of action in things

2432
02:13:43.319 --> 02:13:47.960
<v Speaker 2>happening without any score. It was an interesting unusual Spielberg.

2433
02:13:48.000 --> 02:13:51.720
<v Speaker 1>Ye choice, Hey, the man's earned his break, the man's

2434
02:13:51.720 --> 02:13:55.239
<v Speaker 1>earned his rest, that's sure. Yeah. I think he was

2435
02:13:55.239 --> 02:13:56.880
<v Speaker 1>probably just sitting back and be like, hey, the you know,

2436
02:13:57.039 --> 02:14:00.439
<v Speaker 1>like the the music of the car chase speaks for itself,

2437
02:14:01.319 --> 02:14:03.560
<v Speaker 1>and and and Spielberg's.

2438
02:14:02.960 --> 02:14:06.560
<v Speaker 2>Like, okay, right, right, right, right right.

2439
02:14:07.600 --> 02:14:10.560
<v Speaker 1>No, yeah, there's there's like, you have some action riffs

2440
02:14:10.600 --> 02:14:15.239
<v Speaker 1>that are very very John Williams. Yeah. But but weirdly,

2441
02:14:17.439 --> 02:14:21.720
<v Speaker 1>there wasn't like yeah, you know, like yeah, I mean,

2442
02:14:22.000 --> 02:14:24.279
<v Speaker 1>and this is the obvious comparison, but like the Close

2443
02:14:24.399 --> 02:14:31.560
<v Speaker 1>Encounters theme or the you know, something suitably uh sweeping

2444
02:14:31.680 --> 02:14:34.319
<v Speaker 1>in that in that singularly John Williams way we did

2445
02:14:34.399 --> 02:14:35.199
<v Speaker 1>not get.

2446
02:14:37.119 --> 02:14:39.880
<v Speaker 2>Yeah, that's okay, I that's fine.

2447
02:14:39.920 --> 02:14:42.319
<v Speaker 1>I actually the music score, I really have no no

2448
02:14:42.439 --> 02:14:46.079
<v Speaker 1>real complaints about m m uh. That's just something I noticed, that's.

2449
02:14:45.960 --> 02:14:49.319
<v Speaker 2>All, you know, now that you say it, I'm remembering

2450
02:14:50.319 --> 02:14:54.520
<v Speaker 2>in Close Encounters Williams and his music quotes when you

2451
02:14:54.560 --> 02:14:58.239
<v Speaker 2>wish upon a star, and in this movie, Emily Blunt

2452
02:14:58.279 --> 02:15:02.119
<v Speaker 2>when she's a child sings a song from snow White.

2453
02:15:03.199 --> 02:15:06.319
<v Speaker 2>So that's just a interesting point of connection, I suppose

2454
02:15:06.359 --> 02:15:12.159
<v Speaker 2>between the two songs from old Disney movies. Okay, yeah,

2455
02:15:12.720 --> 02:15:14.800
<v Speaker 2>just just throwing it out there because I got nowhere

2456
02:15:14.800 --> 02:15:15.159
<v Speaker 2>else for it.

2457
02:15:16.520 --> 02:15:17.239
<v Speaker 1>Well, there we go.

2458
02:15:17.560 --> 02:15:20.640
<v Speaker 2>I like the observation, Oh man, this is great. I

2459
02:15:21.079 --> 02:15:23.199
<v Speaker 2>really it was hard. I saw it by myself last night,

2460
02:15:23.239 --> 02:15:26.760
<v Speaker 2>and it was really hard not being able to discuss it.

2461
02:15:27.239 --> 02:15:30.199
<v Speaker 2>So this I was really looking forward to this. You know.

2462
02:15:30.560 --> 02:15:32.159
<v Speaker 1>One thing I will say though, You know, for the

2463
02:15:32.199 --> 02:15:34.359
<v Speaker 1>two and a half hours, I was never bored while

2464
02:15:34.439 --> 02:15:38.720
<v Speaker 1>watching it. Yeah, exactly, same, right, Like it was definitely

2465
02:15:38.960 --> 02:15:41.560
<v Speaker 1>there were aspects of confusion or whatever, but I was

2466
02:15:41.720 --> 02:15:45.000
<v Speaker 1>fully I was you know, I was I was fully

2467
02:15:45.039 --> 02:15:48.079
<v Speaker 1>plugged into the experience, and I think that that is

2468
02:15:48.199 --> 02:15:53.319
<v Speaker 1>something worth acknowledging as a plus that that, you know,

2469
02:15:54.159 --> 02:15:55.279
<v Speaker 1>like you said, I mean, it was two and a

2470
02:15:55.279 --> 02:15:58.800
<v Speaker 1>half hours. It went by pretty pretty pretty efficiently, I

2471
02:15:58.800 --> 02:16:05.000
<v Speaker 1>would say, And so it's certainly at the craft of filmmaking. Spielberg.

2472
02:16:06.199 --> 02:16:07.119
<v Speaker 1>He still knows what.

2473
02:16:07.159 --> 02:16:11.960
<v Speaker 2>He's doing, absolutely, And I mean, that's what makes discussing

2474
02:16:12.039 --> 02:16:15.479
<v Speaker 2>this so interesting, is this is like a rip roaring

2475
02:16:15.640 --> 02:16:18.880
<v Speaker 2>yarn and also just us being who we are, and

2476
02:16:19.000 --> 02:16:21.520
<v Speaker 2>you know, again speaking for myself, I mean close encounters

2477
02:16:22.680 --> 02:16:25.840
<v Speaker 2>like exists somewhere in my soul, you know what I mean,

2478
02:16:26.079 --> 02:16:27.920
<v Speaker 2>and having this movie be a bit of a companion

2479
02:16:28.000 --> 02:16:30.920
<v Speaker 2>piece to it. I'm old enough now I've learned that

2480
02:16:31.079 --> 02:16:34.440
<v Speaker 2>you just can't expect things to hit the same way

2481
02:16:35.600 --> 02:16:37.200
<v Speaker 2>things have in the past when you were a certain

2482
02:16:37.280 --> 02:16:39.360
<v Speaker 2>age and experienced at a certain time and whatever. So

2483
02:16:39.440 --> 02:16:42.959
<v Speaker 2>I never expected this to reach that. But you can't

2484
02:16:43.079 --> 02:16:47.360
<v Speaker 2>help but you look at them together, right, you know.

2485
02:16:47.520 --> 02:16:50.639
<v Speaker 2>And so that's just kind of what I'm processing right now.

2486
02:16:50.840 --> 02:16:54.760
<v Speaker 2>And it's a little bit easier to talk about the

2487
02:16:54.840 --> 02:16:56.719
<v Speaker 2>things that were like, oh, it would have been nice

2488
02:16:56.760 --> 02:16:58.639
<v Speaker 2>if this and oh, you know, I wasn't quite feeling this,

2489
02:16:58.719 --> 02:17:00.879
<v Speaker 2>and I wish I had, but I'm glad that you

2490
02:17:01.000 --> 02:17:03.360
<v Speaker 2>brought it up. It is also a good time at

2491
02:17:03.399 --> 02:17:03.920
<v Speaker 2>the movies.

2492
02:17:04.479 --> 02:17:08.520
<v Speaker 1>Yeah yeah, yeah, but hey, let us let us know

2493
02:17:08.600 --> 02:17:11.799
<v Speaker 1>your thoughts. Can You can email us at Moviefilm Podcast

2494
02:17:11.840 --> 02:17:13.479
<v Speaker 1>at gmail dot com. You can also hit like on

2495
02:17:13.520 --> 02:17:16.239
<v Speaker 1>our Facebook page Facebook dot com slash movie Film Podcast

2496
02:17:16.520 --> 02:17:18.719
<v Speaker 1>and message us there. As always, please go to Apple

2497
02:17:18.760 --> 02:17:20.879
<v Speaker 1>Podcasts and leave review, leave us star rating. Every little

2498
02:17:20.879 --> 02:17:22.840
<v Speaker 1>bit helps, And if you're listening to the show on YouTube,

2499
02:17:22.840 --> 02:17:25.360
<v Speaker 1>please hit like, hit subscribe and leave a comment because

2500
02:17:25.399 --> 02:17:27.559
<v Speaker 1>we do read those on the show. We also have

2501
02:17:27.600 --> 02:17:29.159
<v Speaker 1>a Patreon page, Bran, that's right.

2502
02:17:29.239 --> 02:17:31.879
<v Speaker 2>If you head over to Patreon dot com slash moviefilm

2503
02:17:31.959 --> 02:17:34.639
<v Speaker 2>Podcast and hit subscribe for only five dollars a month,

2504
02:17:34.719 --> 02:17:37.440
<v Speaker 2>you'll find every commentary we've ever done in every episode

2505
02:17:37.479 --> 02:17:42.239
<v Speaker 2>moving forward, absolutely ad free. You also find bonus conversations

2506
02:17:42.280 --> 02:17:45.680
<v Speaker 2>that drop over there about twice a month, trailer talk

2507
02:17:45.840 --> 02:17:48.840
<v Speaker 2>things that just wouldn't fit into a regular episode. Our

2508
02:17:48.879 --> 02:17:50.719
<v Speaker 2>free feed will always be available, but this is our

2509
02:17:50.760 --> 02:17:52.840
<v Speaker 2>way of providing what we believe is the most satisfying

2510
02:17:52.879 --> 02:17:55.280
<v Speaker 2>way to enjoy the show. Plus, your subscription goes a

2511
02:17:55.319 --> 02:17:57.520
<v Speaker 2>long way in helping to support us and helping to

2512
02:17:57.559 --> 02:18:00.920
<v Speaker 2>sustain producing the show. So if you're interested, Nabele, please

2513
02:18:00.920 --> 02:18:03.959
<v Speaker 2>head over to patreon dot com slash Movie Film Podcast

2514
02:18:04.079 --> 02:18:05.760
<v Speaker 2>and subscribe. We'd be very grateful.

2515
02:18:06.360 --> 02:18:07.959
<v Speaker 1>And if you're looking for me online, you can find

2516
02:18:08.000 --> 02:18:10.120
<v Speaker 1>me on social media at Zaki's corner. That's the a

2517
02:18:10.280 --> 02:18:12.479
<v Speaker 1>k I. S. Corner. You can also read my reviews

2518
02:18:12.520 --> 02:18:16.000
<v Speaker 1>at the San Francisco Chronicle, including my thoughts on Masters

2519
02:18:16.040 --> 02:18:18.719
<v Speaker 1>of the Universe, which we discussed this episode, as well

2520
02:18:18.799 --> 02:18:19.520
<v Speaker 1>some other fun stuff.

2521
02:18:19.559 --> 02:18:22.040
<v Speaker 2>What about you, Brian, You can find episodes I've written

2522
02:18:22.079 --> 02:18:24.760
<v Speaker 2>of Puppy Dog Pals and Young Jedi Adventures streaming on

2523
02:18:24.879 --> 02:18:25.760
<v Speaker 2>Disney Plus.

2524
02:18:26.799 --> 02:18:29.600
<v Speaker 1>And with that on behalf of my partner Brian Home.

2525
02:18:29.680 --> 02:18:31.479
<v Speaker 1>My name is Zaki Sad. This has been Movie Film

2526
02:18:31.520 --> 02:18:33.920
<v Speaker 1>three forty five. We'll catch you next time. Thanks everybody,

2527
02:18:35.840 --> 02:18:38.879
<v Speaker 1>Welcome friends Podcast

2528
02:18:42.520 --> 02:18:42.920
<v Speaker 2>Jackie
