1 00:00:17,039 --> 00:00:20,120 Speaker 1: Come in welcome. 2 00:00:21,079 --> 00:00:21,519 Speaker 2: I'm e. G. 3 00:00:21,760 --> 00:00:22,160 Speaker 3: Marshall. 4 00:00:23,440 --> 00:00:26,079 Speaker 4: I don't know about you, but to me, the tinkling 5 00:00:26,199 --> 00:00:29,640 sound of a music box has always charmed and soothed me, 6 00:00:30,440 --> 00:00:34,920 conjuring up pleasant memories and the balm of sweet nostalgia. 7 00:00:35,280 --> 00:00:38,000 Speaker 5: It still does in spite of this story. 8 00:00:38,920 --> 00:00:42,439 Speaker 4: But if it sends a childs will you don't please 9 00:00:42,520 --> 00:00:46,039 blame it on music boxes in general, Just on this one. 10 00:00:46,600 --> 00:00:50,000 And it's haunting tune that struck a chord from the past, 11 00:00:50,079 --> 00:00:55,159 that stirred up something infinitely more gruesome and deadly than nostalgia. 12 00:00:55,600 --> 00:00:59,920 Speaker 5: Oh, Susannah was so lucky, this wonderful house, the futures 13 00:01:00,119 --> 00:01:03,840 dream almost come true already. Do you like your birthday present? 14 00:01:05,079 --> 00:01:09,480 Speaker 6: I loved this music box. I love you, Hank everything 15 00:01:09,480 --> 00:01:13,200 you do for me, until I found the past coming 16 00:01:13,280 --> 00:01:13,959 up to haunt me. 17 00:01:14,959 --> 00:01:17,120 Speaker 5: What do you mean, I don't. 18 00:01:16,920 --> 00:01:22,280 Speaker 6: Know, It's just the music box. As soon as it 19 00:01:22,319 --> 00:01:25,560 started to play, my eyes were drawn away down to 20 00:01:25,599 --> 00:01:30,879 the end of the garden path, to the summerhouse, to 21 00:01:30,959 --> 00:01:32,200 the girl and the colonel undress. 22 00:01:32,200 --> 00:01:33,159 Speaker 7: Who's dancing there? 23 00:01:33,879 --> 00:01:36,840 Speaker 5: What girl? I can't see anyone. 24 00:01:37,359 --> 00:01:38,959 Speaker 6: I was afraid you might say that. 25 00:01:40,359 --> 00:01:41,959 Speaker 7: Somehow I know she isn't really there. 26 00:01:43,719 --> 00:01:47,519 Speaker 6: She has to be a ghost, But why would you 27 00:01:47,640 --> 00:01:53,159 want to haunt me? 28 00:01:58,040 --> 00:02:02,200 Speaker 4: Our mystery drama The Special Under was written especially for 29 00:02:02,239 --> 00:02:05,840 the mystery theater by Ian Morrin and stars Jadder Rowland 30 00:02:06,040 --> 00:02:19,560 and Don Scardino. I was reminded of this story a 31 00:02:19,639 --> 00:02:21,599 week or so ago when I picked up the morning 32 00:02:21,639 --> 00:02:24,919 paper and read that a small town was advertising for 33 00:02:25,000 --> 00:02:28,199 a doctor and willing to finance him and as many 34 00:02:28,280 --> 00:02:31,039 partners as he could attract in setting up a clinic 35 00:02:32,039 --> 00:02:36,639 in outlying areas. Medical men general practitioners are always in 36 00:02:36,719 --> 00:02:40,680 demand today, how much more so in the last century, 37 00:02:41,360 --> 00:02:43,919 which is how the newly married doctor Henry Fleming and 38 00:02:43,960 --> 00:02:47,360 his bride Susannah, came to Huntington House some one hundred 39 00:02:47,439 --> 00:02:50,879 years ago via the new Union Pacific Railroad, which had 40 00:02:50,919 --> 00:02:53,439 finally linked the East with the West. 41 00:02:53,759 --> 00:02:56,759 Speaker 3: Do I have the honor of addressing missus Fleming? Yes, sir, 42 00:02:56,879 --> 00:03:00,360 I'm Youford Hughes alam me to assist you, Ezrael get 43 00:03:00,360 --> 00:03:01,400 the ladies corpetbag. 44 00:03:01,520 --> 00:03:03,280 Speaker 5: Yes, sir, I'll relieve you that bag. 45 00:03:03,680 --> 00:03:04,319 Speaker 6: Why thank you? 46 00:03:04,400 --> 00:03:08,080 Speaker 3: As mister Ezra Whitfield, Beaver City's most prominent lawyer. In 47 00:03:08,159 --> 00:03:11,120 more ways than one, they say, success goes to a 48 00:03:11,199 --> 00:03:14,759 man's head. In Ezra's case, he went through his waistline. 49 00:03:15,120 --> 00:03:18,800 There we are, man, and you'd be our new doctor, sir. 50 00:03:19,120 --> 00:03:22,000 Speaker 5: Friends banking new sir just graduated out of medical school. 51 00:03:22,080 --> 00:03:24,080 Speaker 1: Ah, but from Harvard. 52 00:03:24,560 --> 00:03:25,319 Speaker 7: A little barriers. 53 00:03:25,680 --> 00:03:28,479 Speaker 1: Why don't you worry? Missus Ferry, Well, i'd like. 54 00:03:28,439 --> 00:03:30,599 Speaker 7: To checking and make sure our trunks are there. 55 00:03:30,680 --> 00:03:31,199 Speaker 1: Ah, ma'am. 56 00:03:31,240 --> 00:03:33,560 Speaker 3: I think it's more appropriate for Ezrael to help you 57 00:03:33,560 --> 00:03:36,120 in that area while I make your husband. 58 00:03:35,879 --> 00:03:36,759 Speaker 1: As welcome as I can. 59 00:03:36,879 --> 00:03:39,159 Speaker 2: I sure, Missus Fleming, I can see your trunks are 60 00:03:39,199 --> 00:03:41,039 all off. Just go check them over. 61 00:03:41,360 --> 00:03:43,319 Speaker 5: Okay, honey, this is my job. 62 00:03:43,919 --> 00:03:44,560 Speaker 1: That's fine. 63 00:03:44,639 --> 00:03:49,439 Speaker 3: Young woman's eminently equipped to be a doctor's wife or anyone's. 64 00:03:49,919 --> 00:03:51,319 Speaker 5: Susanna is one of the kind. 65 00:03:52,120 --> 00:03:53,280 Speaker 1: I support your opinion. 66 00:03:54,080 --> 00:03:56,439 Speaker 3: Just as soon as the mississ had checked out your belongings, 67 00:03:56,479 --> 00:03:59,319 I have a wagon waiting to take them to your house. 68 00:03:59,599 --> 00:04:01,560 I have a break so that we can stop by 69 00:04:01,560 --> 00:04:03,159 the bank and sign our agreements. 70 00:04:03,680 --> 00:04:06,080 Speaker 5: I think Susanna is a bit worn out. Do we 71 00:04:06,159 --> 00:04:08,439 perhaps get settled first and then the papers. 72 00:04:08,680 --> 00:04:12,680 Speaker 3: My dear boy, I'm sorry I should say, doctor, forgive me, 73 00:04:13,479 --> 00:04:14,039 it's all right. 74 00:04:14,439 --> 00:04:17,199 Speaker 5: I'm young, but I have knowledge. Don't worry. 75 00:04:17,480 --> 00:04:21,160 Speaker 3: I have no worries about your abilities after our long correspondence, 76 00:04:22,279 --> 00:04:23,759 and I don't want to lose you. 77 00:04:23,519 --> 00:04:24,759 Speaker 1: You are needed here. 78 00:04:25,360 --> 00:04:28,199 Speaker 3: We'll all just try to put out and make you 79 00:04:28,319 --> 00:04:40,439 feel it home right here. Well, now, sir, there she 80 00:04:40,720 --> 00:04:41,959 is Huntington House. 81 00:04:42,360 --> 00:04:46,160 Speaker 7: Oh hey, right on the ridge. It's beautiful, isn't it? 82 00:04:46,720 --> 00:04:47,319 Speaker 5: Surely is? 83 00:04:48,399 --> 00:04:49,879 Speaker 6: How certainly is Peggy House? 84 00:04:50,240 --> 00:04:51,839 Speaker 5: Well, we're only going to be using a corner of 85 00:04:51,879 --> 00:04:53,879 it the rest of us for a clinic. As we plan. 86 00:04:54,560 --> 00:04:56,160 Speaker 7: I hope we can get them on the doctors to 87 00:04:56,240 --> 00:04:56,759 fill it up. 88 00:04:57,839 --> 00:04:59,480 Speaker 1: You leave that to me, ma'am. Feaver. 89 00:04:59,639 --> 00:05:02,720 Speaker 3: Cities may be a very rich man, and I wanna 90 00:05:02,759 --> 00:05:04,639 file some of my good luck back into it. 91 00:05:04,920 --> 00:05:07,079 Speaker 1: And that's why I advertise in the East to get 92 00:05:07,079 --> 00:05:07,959 a doctor out here. 93 00:05:08,199 --> 00:05:10,480 Speaker 5: I'll try not to make you sorry for your generosity 94 00:05:10,519 --> 00:05:11,079 in any way. 95 00:05:12,839 --> 00:05:16,920 Speaker 3: Oh, easy enough, alright before your front door. 96 00:05:18,120 --> 00:05:20,759 Speaker 6: Hang it, I'm scared it. 97 00:05:21,519 --> 00:05:25,079 Speaker 5: It looks so big, sure, honey, that's the point. It's 98 00:05:25,120 --> 00:05:27,680 the beginning of a hospital that someday the whole West 99 00:05:27,759 --> 00:05:42,240 is going to talk about the whole country. What are 100 00:05:42,279 --> 00:05:43,360 you mumbling about, darling? 101 00:05:44,160 --> 00:05:46,079 Speaker 6: Oh nothing? 102 00:05:46,199 --> 00:05:48,079 Speaker 7: Hang oh, what'll. 103 00:05:47,879 --> 00:05:48,399 Speaker 6: Take you later. 104 00:05:49,399 --> 00:05:50,879 Speaker 5: Let's go have a look at our new home. 105 00:05:58,199 --> 00:06:03,040 Speaker 3: I calculate you hiding all after your journey. I should 106 00:06:03,079 --> 00:06:05,560 have taken you straight into the house, but with the 107 00:06:05,639 --> 00:06:07,519 light going, I wanted to see you a little of 108 00:06:07,560 --> 00:06:08,240 the grounds. 109 00:06:08,879 --> 00:06:11,879 Speaker 6: It's amazing. I can't believe the house has been empty 110 00:06:11,959 --> 00:06:14,079 all that time, after fifteen years. 111 00:06:14,120 --> 00:06:15,240 Speaker 5: I expected a jungle. 112 00:06:15,399 --> 00:06:19,319 Speaker 3: Oh there's been a housekeeper here all these years, Missus Bunter, 113 00:06:20,279 --> 00:06:22,879 and for years her son kept the outside of the place. 114 00:06:23,399 --> 00:06:27,000 Speaker 6: Oh hag look at that little summerhouse till at the 115 00:06:27,040 --> 00:06:29,360 end of the path. Isn't it lovely? 116 00:06:29,519 --> 00:06:30,360 Speaker 5: I sure is? 117 00:06:30,360 --> 00:06:30,519 Speaker 1: Is that? 118 00:06:30,600 --> 00:06:30,720 Speaker 8: Ah? 119 00:06:31,839 --> 00:06:33,279 Speaker 6: I wanna go there right now. 120 00:06:33,480 --> 00:06:36,560 Speaker 1: M m, it's almost sundown. I let it wait. Fire 121 00:06:36,600 --> 00:06:37,920 with you, Missus Fleming. 122 00:06:38,279 --> 00:06:39,480 Speaker 5: Why why? 123 00:06:39,639 --> 00:06:40,959 Speaker 1: Because they ain't gonna go away? 124 00:06:41,959 --> 00:06:45,199 Speaker 3: And I can smell there's Missus bunt has supper about ready. 125 00:06:45,959 --> 00:06:48,199 I'm sure you must be hungry after the long trip. 126 00:06:48,600 --> 00:06:51,959 Speaker 5: I know I am hungry as a bear. Come on, honey, 127 00:06:52,319 --> 00:06:53,600 it can't be all that important. 128 00:06:54,079 --> 00:06:59,160 Speaker 6: No, of course, not just a silly whim. But funny 129 00:06:59,199 --> 00:07:03,079 how it draws me though someone was begging me. 130 00:07:03,079 --> 00:07:07,079 Speaker 5: To meet from there, and so there is me. But 131 00:07:07,240 --> 00:07:10,279 by moonlight. It's a perfect place for young lovers, wouldn't 132 00:07:10,279 --> 00:07:10,920 you say, mister. 133 00:07:10,839 --> 00:07:13,800 Speaker 3: Hughes, Mm, I reckon. That depends on the point of view. 134 00:07:15,439 --> 00:07:18,199 Well shall we travel on in and say? How do 135 00:07:18,240 --> 00:07:18,720 you dwell in? 136 00:07:18,800 --> 00:07:23,160 Speaker 5: Bunter By all means? Don't poor kid to come back? 137 00:07:25,600 --> 00:07:27,560 Sus Anna, are you coming? 138 00:07:28,560 --> 00:07:34,399 Speaker 6: Yes? Yes, Hank, Just stay close to me, don't leave 139 00:07:34,439 --> 00:07:34,920 me alone. 140 00:07:42,160 --> 00:07:46,399 Speaker 8: My what pretty clothes you have, Missus Fleming? Boston ms 141 00:07:46,480 --> 00:07:47,279 bek chrite a city? 142 00:07:47,800 --> 00:07:50,279 Speaker 7: Why yes, Missus Bunter h it is. 143 00:07:51,040 --> 00:07:52,079 Speaker 5: It's a beautiful town. 144 00:07:52,319 --> 00:07:54,720 Speaker 8: I'm surprised you ever come away from there out here 145 00:07:54,759 --> 00:07:57,879 to the west. If I was you, I'd pick up 146 00:07:57,879 --> 00:07:59,600 the skirts and get right back there. 147 00:08:00,399 --> 00:08:02,199 Speaker 6: Why whatever do you mean? 148 00:08:02,319 --> 00:08:05,839 Speaker 8: Are there things best not talked about. I'm just saying 149 00:08:05,879 --> 00:08:07,000 what I think has to be fet. 150 00:08:08,040 --> 00:08:09,560 Speaker 6: You sound as if you don't want us here. 151 00:08:10,279 --> 00:08:13,319 Speaker 8: There's a black shadow lays over this house, Missus Fleming, 152 00:08:14,040 --> 00:08:16,199 and I don't want nobody else should lose the light 153 00:08:16,319 --> 00:08:20,120 under it. Special ways, No two nice young UN's like you. 154 00:08:20,560 --> 00:08:23,360 But please don't say nothing to mister Buford about what 155 00:08:23,439 --> 00:08:23,920 I said. 156 00:08:24,160 --> 00:08:25,360 Speaker 5: Wouldn't want to lose my job? 157 00:08:25,759 --> 00:08:28,879 Speaker 8: Well we can hardly just leave it at that. I'd 158 00:08:28,920 --> 00:08:30,839 like to know what you mean. I promise to take 159 00:08:30,879 --> 00:08:33,919 as soon as I can. But right now, God to 160 00:08:33,960 --> 00:08:35,320 go get supper around the table. 161 00:08:38,879 --> 00:08:41,679 Speaker 5: I can't get over that cellar. Why it's almost set 162 00:08:41,759 --> 00:08:45,159 up for a clinic already. But mister Huntington wasn't. 163 00:08:44,919 --> 00:08:50,840 Speaker 3: A doctor, no son, he sure wasn't that well. What 164 00:08:50,960 --> 00:08:53,559 did he do well, honey? Mostly made money? 165 00:08:54,159 --> 00:08:54,639 Speaker 1: Yes, him. 166 00:08:54,960 --> 00:08:56,679 Speaker 3: He looked to be about the richest man in this 167 00:08:56,759 --> 00:09:00,240 part of the country. Once he used to raise cattle. 168 00:09:00,960 --> 00:09:03,200 Then he found a gold mine right here on his 169 00:09:03,279 --> 00:09:06,399 own property over the other side of the redge over there. 170 00:09:06,480 --> 00:09:08,000 Speaker 5: Mm is it still acting? 171 00:09:08,159 --> 00:09:12,320 Speaker 3: No, Paine ran out twenty years ago, but not before 172 00:09:12,360 --> 00:09:14,600 he piled up a bundle. I should know. I was 173 00:09:14,639 --> 00:09:20,279 his banker, ay said Carson. Huntington retired before he was forty. 174 00:09:20,879 --> 00:09:22,120 Speaker 5: What did he do with himself then? 175 00:09:22,240 --> 00:09:25,440 Speaker 3: Oh, mainly he devoted himself to being a father. But 176 00:09:25,519 --> 00:09:28,440 he liked hunting real good. And you've only got to 177 00:09:28,480 --> 00:09:31,159 take a look around the walls to see where. 178 00:09:30,919 --> 00:09:31,759 Speaker 1: That led him to. 179 00:09:32,519 --> 00:09:36,799 Speaker 5: You mean all the stuffed heads, hm, moose, buffalo, deer 180 00:09:36,840 --> 00:09:39,200 that are all over the place. He liked to collect 'em. 181 00:09:39,240 --> 00:09:43,679 Speaker 3: More mad he stuffed 'em all himself, built himself all 182 00:09:43,759 --> 00:09:46,879 those tile rooms downstairs, and worked just like a doctor 183 00:09:46,919 --> 00:09:50,000 in a white coat and all uh a taxiderm say 184 00:09:50,120 --> 00:09:53,360 uh more mad You know how one thing leads to another, 185 00:09:53,519 --> 00:09:56,480 and uh, well it comes your lady. 186 00:09:56,720 --> 00:09:58,279 Speaker 1: I must leave you to his supper. 187 00:09:58,360 --> 00:09:59,879 Speaker 7: I was just going to ask you if you would 188 00:09:59,919 --> 00:10:00,480 j join us. 189 00:10:00,879 --> 00:10:03,320 Speaker 6: Missus Blunder tells me there's enough for you and mister 190 00:10:03,360 --> 00:10:09,879 Whitfield too, if you cook. 191 00:10:09,759 --> 00:10:12,480 Speaker 5: Like that every night. Missus Bunder, I made just a 192 00:10:12,559 --> 00:10:15,120 bandon my wild take you there. 193 00:10:15,799 --> 00:10:18,639 Speaker 8: But I'm sure she's a mighty fine cook herself. 194 00:10:18,919 --> 00:10:20,639 Speaker 5: Oh matter of fact, you wouldn't think of it to 195 00:10:20,679 --> 00:10:21,960 look at her, but she is. 196 00:10:22,519 --> 00:10:26,639 Speaker 2: And the housekeeper sure is good to see love lighting 197 00:10:26,720 --> 00:10:29,840 up this gloomy old place again, just like the good 198 00:10:29,840 --> 00:10:30,320 old days. 199 00:10:30,399 --> 00:10:30,799 Speaker 1: Viewford A. 200 00:10:31,080 --> 00:10:31,600 Speaker 5: Mm. 201 00:10:31,879 --> 00:10:32,720 Speaker 1: Yeah, it's Israel. 202 00:10:32,879 --> 00:10:36,480 Speaker 3: But let's not go digging into the past. These two 203 00:10:36,519 --> 00:10:39,960 young folk represent the future. They're not interested in what's 204 00:10:40,000 --> 00:10:41,039 been Oh but. 205 00:10:41,120 --> 00:10:44,120 Speaker 5: We are at least die in Oh so am, I 206 00:10:44,120 --> 00:10:46,879 I'll just take the tray out of the kitchen. I'll 207 00:10:46,879 --> 00:10:48,200 bring the coffee in soon. 208 00:10:48,799 --> 00:10:52,039 Speaker 2: Well, And who wonders she doesn't wanna listen to Israel 209 00:10:53,000 --> 00:10:54,120 you talk too much. 210 00:10:54,679 --> 00:10:55,320 Speaker 5: What do I say? 211 00:10:55,440 --> 00:11:01,960 Speaker 1: Nothing much so far, it's usually too much. I reckon. 212 00:11:02,039 --> 00:11:04,000 Speaker 3: I have to tell you a little about the house, 213 00:11:04,879 --> 00:11:06,480 but it's better for you to get it for me. 214 00:11:06,840 --> 00:11:09,080 Speaker 1: And from some old windbag like Ezra. 215 00:11:09,159 --> 00:11:11,279 Speaker 2: Tar Nation Puford, that's no way to talk. 216 00:11:11,399 --> 00:11:13,200 Speaker 1: I tell you what it is, Missus Fleming. 217 00:11:13,840 --> 00:11:16,399 Speaker 3: Our house stays empty like this one did for over 218 00:11:16,480 --> 00:11:20,399 fifteen years, and people start to build legends, even the 219 00:11:20,480 --> 00:11:24,399 dried up old lawyer like Ezra here. Now I'm a banker, businessman. 220 00:11:25,200 --> 00:11:26,600 I give you the plain facts. 221 00:11:27,039 --> 00:11:30,000 Speaker 5: We'd appreciate that, sir, I'd like to hear the legends. 222 00:11:30,039 --> 00:11:33,200 Speaker 3: Well, let's start with the facts. It's about sixty years 223 00:11:33,240 --> 00:11:35,399 back that Carson married Sarah. 224 00:11:35,159 --> 00:11:37,080 Speaker 2: Sixty two, almost to the day. 225 00:11:37,279 --> 00:11:40,039 Speaker 3: Well you were old enough to remember exactly. It was 226 00:11:40,080 --> 00:11:40,960 before my time. 227 00:11:41,080 --> 00:11:44,679 Speaker 2: I'd just opened my office and Carson Huntington was one 228 00:11:44,679 --> 00:11:47,600 of my first clients. His folks had left him quite 229 00:11:47,600 --> 00:11:50,320 a spread, and he sold off enough cattle to build 230 00:11:50,360 --> 00:11:52,639 this big mansion for Sarah. 231 00:11:52,679 --> 00:11:54,240 Speaker 5: Oh she was a beauty all right. 232 00:11:54,279 --> 00:11:55,480 Speaker 2: And well fixed yourself. 233 00:11:55,919 --> 00:11:57,519 Speaker 5: That was some wedding. 234 00:11:57,559 --> 00:11:59,360 Speaker 1: Now we don't have to go into every detail. 235 00:12:00,000 --> 00:12:02,080 Speaker 2: They mentioned it because they were so happy, those two, 236 00:12:02,759 --> 00:12:05,759 just like these youngers, and how could they have known 237 00:12:05,799 --> 00:12:08,200 the tragedy that was to be the most part of 238 00:12:08,200 --> 00:12:08,840 their lives. 239 00:12:09,080 --> 00:12:09,600 Speaker 7: Tragedy. 240 00:12:10,159 --> 00:12:13,799 Speaker 2: I suppose twenty years longing for a child and never 241 00:12:13,840 --> 00:12:17,600 being able to produce one isn't tragedy enough. I suppose 242 00:12:17,600 --> 00:12:21,240 when Rachel did come to 'em, her being born premature 243 00:12:21,360 --> 00:12:27,720 and blind and mute wasn't tragedy. I suppose Rachel's death 244 00:12:27,840 --> 00:12:28,559 that's enough. 245 00:12:28,639 --> 00:12:31,639 Speaker 6: Ezra, No, please, we'd like to know. 246 00:12:31,639 --> 00:12:32,960 Speaker 1: No what Ezra says were true. 247 00:12:33,639 --> 00:12:35,960 Speaker 3: Sarah did have a baby too late in life, a 248 00:12:36,039 --> 00:12:38,879 little whisper of a girl who was blind and mute. 249 00:12:40,080 --> 00:12:43,080 They doated on her, devoted sixteen years of their lives 250 00:12:43,080 --> 00:12:46,279 and bringing her up, pampered and coddled her like she 251 00:12:46,360 --> 00:12:50,480 was made of China. They were recluses here and saw 252 00:12:50,519 --> 00:12:54,639 a few people. When Rachel was sixteen, she fell in love. 253 00:12:54,559 --> 00:12:58,679 Speaker 2: With Ellen, but HER's son Elisha, lost to Chickamauga and 254 00:12:58,720 --> 00:13:00,320 the war between the States. 255 00:13:00,120 --> 00:13:02,279 Speaker 1: To soul Lord Rodditch. 256 00:13:02,360 --> 00:13:05,679 Speaker 3: You mean he was in his twenties and he just 257 00:13:05,720 --> 00:13:09,639 took advantage of the poor little thing. And naturally it 258 00:13:09,679 --> 00:13:12,720 was an unstutable match from any point of view. So 259 00:13:12,840 --> 00:13:15,320 the boy was fired by Carson ran off to join 260 00:13:15,360 --> 00:13:19,600 the army. Rachel took it real hard, thinking he'd run 261 00:13:19,639 --> 00:13:24,240 off on her because of her her well deficiencies, and 262 00:13:24,320 --> 00:13:27,320 went into a decline and died from a kind of 263 00:13:27,519 --> 00:13:28,960 colic broken heart. 264 00:13:29,159 --> 00:13:31,279 Speaker 1: More likely, uh than the hearts were broken. 265 00:13:31,320 --> 00:13:34,799 Speaker 3: It with Sarah and Carson's and after the burial, and 266 00:13:35,039 --> 00:13:38,720 they hauled themselves away here at Huntingdon Ouse, and no 267 00:13:38,759 --> 00:13:40,840 one saw hiring a hair of him for a year, 268 00:13:42,000 --> 00:13:48,320 And then one day, suddenly, unexpectedly, they both died. 269 00:13:48,639 --> 00:13:51,080 Speaker 1: Like a bolt from the blue. Mm. He means that 270 00:13:51,200 --> 00:13:51,879 quite literally. 271 00:13:52,759 --> 00:13:54,639 Speaker 3: They were on their way to church on the anniversary 272 00:13:54,679 --> 00:13:57,200 of Rachel's death, and pulled under a tree to escape 273 00:13:57,200 --> 00:14:00,919 a sudden thunderstorm, and the tree was druck by lightning, 274 00:14:01,080 --> 00:14:02,720 and both of 'em were killed. 275 00:14:03,279 --> 00:14:07,120 Speaker 1: How awful, Yes, they were all relative. 276 00:14:07,279 --> 00:14:10,080 Speaker 2: And the will specified that the house was to be 277 00:14:10,200 --> 00:14:13,159 kept and maintained in Purpetue. 278 00:14:13,320 --> 00:14:16,399 Speaker 3: As now and I think, as around I should mosey 279 00:14:16,440 --> 00:14:17,720 along and let you settle in. 280 00:14:18,039 --> 00:14:28,000 Speaker 9: Oh good night, mister h mister Winthill, and drive carefully, 281 00:14:32,440 --> 00:14:34,120 come on bedtime. 282 00:14:34,440 --> 00:14:38,039 Speaker 5: Oh look at the moon, isn't it lovely? Not when 283 00:14:38,080 --> 00:14:38,960 I'm so tired. 284 00:14:39,039 --> 00:14:41,559 Speaker 1: I can't even open my eyes to see that You're. 285 00:14:41,399 --> 00:14:45,159 Speaker 5: Not that tired. Maybe you had too much wine. 286 00:14:46,000 --> 00:14:47,000 Speaker 6: Let's walk down. 287 00:14:46,840 --> 00:14:48,720 Speaker 5: To that that little summer house. 288 00:14:49,120 --> 00:15:03,080 Speaker 10: Oh oh, come on, have a hard honey, Come come. 289 00:15:04,799 --> 00:15:06,240 Speaker 5: What do you expect to find there? 290 00:15:07,279 --> 00:15:07,840 Speaker 6: I don't know. 291 00:15:08,840 --> 00:15:12,399 Speaker 5: Well you're not gonna find out tonight. Come on, I'm 292 00:15:12,440 --> 00:15:15,840 taking you up to bed, Yes, darling. 293 00:15:16,759 --> 00:15:19,000 Speaker 7: Gonna take me to bad and warm and hold me. 294 00:15:20,360 --> 00:15:22,519 Speaker 6: Never, never let me call. 295 00:15:28,480 --> 00:15:33,519 Speaker 3: Susannah finally fell asleep, shutting her ears against that still 296 00:15:33,720 --> 00:15:37,879 small voice in her head. Tomorrow she will talk to 297 00:15:37,960 --> 00:15:42,879 Hank about it, and about Huntingdon House outdoors. 298 00:15:42,960 --> 00:15:47,759 Speaker 2: The moon is at its zenis? Does something move strangely 299 00:15:47,799 --> 00:15:52,240 in the shadows? And if you strain your ears, can 300 00:15:52,279 --> 00:15:53,440 you hear the sound. 301 00:15:53,320 --> 00:15:57,720 Speaker 1: Of a music box? I'll return shortly with that. Two. 302 00:16:07,600 --> 00:16:12,120 Speaker 3: It's just before dawn, with the moon sloping down the sky, 303 00:16:13,240 --> 00:16:16,919 the last of the full moon. In a strange new 304 00:16:16,960 --> 00:16:20,919 bed in Huntingdon House, doctor Henry Fleming lies sleeping gently 305 00:16:21,759 --> 00:16:26,639 beside him. Susannah stirs with little whimpers as that importunate 306 00:16:26,759 --> 00:16:28,799 voice penetrates her sleep. 307 00:16:35,320 --> 00:16:43,080 Speaker 11: But I will beat back, Susanna for Captny down for Captney. 308 00:16:43,200 --> 00:16:47,639 Speaker 5: Now, huh who who is? What do you want? H 309 00:16:48,240 --> 00:16:53,240 you say, honey, huh oh oh oh nothing hack. 310 00:16:54,799 --> 00:16:56,919 Speaker 7: Just a dream. 311 00:16:56,919 --> 00:16:57,399 Speaker 5: It's just. 312 00:16:59,039 --> 00:17:00,519 Speaker 3: Oh, I don't I get here? 313 00:17:01,360 --> 00:17:02,440 Speaker 5: What do you mean, sweetie? 314 00:17:03,440 --> 00:17:07,920 Speaker 6: There's something wrong. It isn't a happy house the way 315 00:17:08,000 --> 00:17:08,720 you and I want. 316 00:17:09,599 --> 00:17:11,880 Speaker 5: What do you mean you want to to leave? 317 00:17:12,599 --> 00:17:13,640 Speaker 6: You know we can't do that. 318 00:17:15,000 --> 00:17:16,839 Speaker 7: You've tied up your whole future here. 319 00:17:17,519 --> 00:17:20,720 Speaker 5: I've tied up my whole future with you. That comes first. 320 00:17:21,440 --> 00:17:24,359 But why what is it? Don't you like here? Of 321 00:17:24,920 --> 00:17:27,079 all the sad history which is buried in the past. 322 00:17:27,079 --> 00:17:30,400 Speaker 6: As mister Hugh said, it isn't buried in the past 323 00:17:31,160 --> 00:17:32,720 no matter what he says. 324 00:17:33,279 --> 00:17:34,039 Speaker 5: What does that mean? 325 00:17:35,559 --> 00:17:40,000 Speaker 7: Since the first moment I got here last night, there's. 326 00:17:39,799 --> 00:17:46,000 Speaker 6: A voice voice, m my young girl's voice that calls 327 00:17:46,079 --> 00:17:47,480 to me, speaks to me. 328 00:17:48,799 --> 00:17:53,400 Speaker 5: Just to you alone. I guess if you haven't heard it, Well, 329 00:17:53,440 --> 00:17:55,480 so that's why you've been so funny a couple of times. 330 00:17:56,440 --> 00:17:57,960 Well what does this voice say? 331 00:17:58,599 --> 00:18:05,599 Speaker 6: Nothing? Really, just calling me to help and to come. 332 00:18:05,359 --> 00:18:07,519 Speaker 5: To her, Susie. 333 00:18:07,640 --> 00:18:10,799 Speaker 6: Oh, I always mistrust your motives when you call me that. 334 00:18:11,079 --> 00:18:14,079 Speaker 5: Well don't this time? I just wanted to say we 335 00:18:14,079 --> 00:18:16,680 were both dead tired after a ten day journey across 336 00:18:16,759 --> 00:18:21,240 the country. Nothing about last night was wholly real. Our 337 00:18:21,319 --> 00:18:24,359 life in the West starts as of this morning. Uh, 338 00:18:24,480 --> 00:18:26,039 let's give it a day or two so we can 339 00:18:26,079 --> 00:18:29,720 really judge it. Then. If it's wrong or or your 340 00:18:29,799 --> 00:18:32,519 voice is still speak to you, I promise we'll face 341 00:18:32,640 --> 00:18:33,119 up to it. 342 00:18:34,000 --> 00:18:39,599 Speaker 6: You don't believe me, Perhaps you're right. This morning it 343 00:18:39,720 --> 00:18:45,039 was so faint I could scarcely hear it. Alright, Haank Darling. 344 00:18:45,920 --> 00:18:49,519 Let's forget about me and concentrate on your life. 345 00:18:49,920 --> 00:19:02,599 Speaker 12: Mm oh, Ellen, Oh, I mean missus Bunder an apron 346 00:19:02,720 --> 00:19:04,599 full of fresh eggs. 347 00:19:04,480 --> 00:19:07,279 Speaker 8: Every morning, ma'am if you want 'em, we have a 348 00:19:07,359 --> 00:19:08,200 power layers. 349 00:19:08,680 --> 00:19:10,039 Speaker 7: Can I help fix breakfast? 350 00:19:10,200 --> 00:19:12,519 Speaker 5: Oh? A lady like you have no place in the kitchen. 351 00:19:12,599 --> 00:19:15,079 Speaker 7: I want to be here, And do I have to call. 352 00:19:14,920 --> 00:19:19,000 Speaker 6: You missus Bunder? Couldn't it be just Ellen and Susannah 353 00:19:19,079 --> 00:19:21,000 or Susan or whatever you wanna call me. 354 00:19:21,359 --> 00:19:24,039 Speaker 8: You're a sweet child, and it's good to see a 355 00:19:24,079 --> 00:19:25,480 bright fresh face here. 356 00:19:26,640 --> 00:19:29,839 Speaker 6: But is it wise for us to be that close? 357 00:19:30,759 --> 00:19:34,480 I don't care if it's wise. I need a friend 358 00:19:35,759 --> 00:19:38,279 and someone to answer some of my questions. 359 00:19:38,720 --> 00:19:41,519 Speaker 5: Alright, little one, you have a friend. 360 00:19:42,279 --> 00:19:47,119 Speaker 6: I'm so glad. Yesterday I I thought you would've done 361 00:19:47,160 --> 00:19:48,440 anything to get me out of here. 362 00:19:48,799 --> 00:19:49,720 Speaker 5: I should be ashamed. 363 00:19:49,759 --> 00:19:52,599 Speaker 8: I suppose this house has been my life, But for 364 00:19:52,680 --> 00:19:55,279 all the tragedy, it has treated me well enough. 365 00:19:56,000 --> 00:19:57,519 Speaker 7: Then why do you resent my coming here? 366 00:19:57,720 --> 00:20:00,920 Speaker 8: It isn't you, dear heart, It's only the But I 367 00:20:01,039 --> 00:20:04,200 thought the past was buried. Why don't you accept your 368 00:20:04,240 --> 00:20:06,440 good fortune as it is and leave the ghost of 369 00:20:06,559 --> 00:20:08,200 yesterday buried and forgotten? 370 00:20:08,920 --> 00:20:10,839 Speaker 7: I will if they. 371 00:20:10,799 --> 00:20:12,160 Speaker 6: Leave me alone. 372 00:20:12,640 --> 00:20:15,119 Speaker 5: Now. I don't know what you're talking about. 373 00:20:16,000 --> 00:20:17,039 Speaker 7: That's two of us. 374 00:20:18,839 --> 00:20:22,519 Speaker 6: Yesterday, when there was time, you said you would explain 375 00:20:22,599 --> 00:20:26,079 about the black shadows that lie over this house. 376 00:20:26,240 --> 00:20:31,119 Speaker 8: It isn't the time yet. Certain people would be judged wrong. 377 00:20:31,960 --> 00:20:34,279 Speaker 6: Rachel Huntington, for example. 378 00:20:34,000 --> 00:20:35,079 Speaker 5: What do you know of her? 379 00:20:36,119 --> 00:20:40,960 Speaker 6: Only that she died mysteriously and that she loved your son. 380 00:20:42,200 --> 00:20:47,920 Speaker 5: My son, my son. That was a fine, true boy. 381 00:20:48,039 --> 00:20:50,119 Then until he was cast out? 382 00:20:50,880 --> 00:20:51,519 Speaker 6: What happened? 383 00:20:51,960 --> 00:20:54,960 Speaker 8: I neither excuse him or blame him. They might have 384 00:20:55,039 --> 00:20:58,559 found a life together. Stead, my Elisha was thrown out, 385 00:20:59,200 --> 00:21:02,039 sent to be cannon fodder. Cause two children of love 386 00:21:02,079 --> 00:21:04,839 had committed the oldest sin in the world, a sin 387 00:21:04,920 --> 00:21:06,680 that wedlock would have wiped out. 388 00:21:07,240 --> 00:21:10,319 Speaker 7: I didn't realize that, you mean that Rachel Hyde. 389 00:21:10,359 --> 00:21:12,880 Speaker 8: Didn't know it myself till after lie she'd been sent 390 00:21:12,920 --> 00:21:16,839 away for sure, till after her death when I talked 391 00:21:16,880 --> 00:21:20,279 to Missus Huntington, Will you tell me what you were 392 00:21:20,359 --> 00:21:23,359 hitting at last night? I think you ought to go 393 00:21:23,400 --> 00:21:26,559 from here now by the going's good. 394 00:21:27,839 --> 00:21:30,960 Speaker 6: It's funny. I get a feeling you're thinking less of 395 00:21:31,000 --> 00:21:32,240 me than you are of yourself. 396 00:21:33,680 --> 00:21:35,039 Speaker 7: Maybe you're the one who should leave. 397 00:21:35,160 --> 00:21:39,000 Speaker 8: Oh oh no, please, please don't send me away. 398 00:21:39,440 --> 00:21:40,039 Speaker 5: I promise. 399 00:21:40,400 --> 00:21:42,640 Speaker 8: If your promise to let me stay, I won't open 400 00:21:42,680 --> 00:21:43,359 my mouth again. 401 00:21:47,880 --> 00:21:51,440 Speaker 6: It's just so strange about missus Blunter Hank. I mean, 402 00:21:51,480 --> 00:21:52,799 you know I'm sensitive to. 403 00:21:52,759 --> 00:21:57,119 Speaker 5: People, don't I just my little witch or medium or 404 00:21:57,200 --> 00:22:01,880 whatever you are. No, don't talk about me like that, Darling. 405 00:22:02,240 --> 00:22:06,880 I didn't mean anything. It's just that you are psychic clairvoyant. 406 00:22:07,119 --> 00:22:09,880 You have some kind of perception that's extra more than 407 00:22:09,920 --> 00:22:10,519 other people's. 408 00:22:11,039 --> 00:22:14,000 Speaker 7: You do believe that, don't you, even if you're a doctor. 409 00:22:14,720 --> 00:22:16,799 Speaker 5: Too many things have happened in our lives for me 410 00:22:16,880 --> 00:22:19,839 not to remember how you woke me trying to tell 411 00:22:19,880 --> 00:22:22,440 me that my father was in danger. Yes, and we 412 00:22:22,519 --> 00:22:25,079 found out afterward it was exactly the moment he'd had 413 00:22:25,079 --> 00:22:25,720 his heart attack. 414 00:22:26,000 --> 00:22:28,640 Speaker 7: I don't always see bad things, of course not. 415 00:22:29,319 --> 00:22:31,440 Speaker 5: You also told me the moment our child started to 416 00:22:31,440 --> 00:22:35,880 grow inside you, long before any doctor could have known. Darling, 417 00:22:36,240 --> 00:22:40,839 I believe in your your intuitions. What about the voice 418 00:22:40,839 --> 00:22:42,480 you thought you heard when we first came here. 419 00:22:42,880 --> 00:22:44,680 Speaker 6: Oh, there hasn't been a hint of that for a month. 420 00:22:45,039 --> 00:22:48,960 I don't know what it was. What's that you have 421 00:22:49,000 --> 00:22:49,440 in your hand? 422 00:22:50,119 --> 00:22:53,319 Speaker 5: Oh, it's funny. I was poking around on the second floor, Uh, 423 00:22:53,359 --> 00:22:55,279 in that sort of special little wing, the. 424 00:22:55,160 --> 00:22:57,680 Speaker 6: One you were thinking about for the laboratory, in all 425 00:22:57,759 --> 00:22:59,599 the new microscopic equipment. 426 00:22:59,640 --> 00:23:03,079 Speaker 5: First. Yeah, well that's where I found this box, just 427 00:23:03,359 --> 00:23:04,599 lying in the middle of the floor. 428 00:23:04,759 --> 00:23:05,839 Speaker 6: What is it. 429 00:23:05,119 --> 00:23:09,680 Speaker 5: It's a music box, Oh, an old one that that 430 00:23:09,720 --> 00:23:10,279 doesn't work. 431 00:23:10,920 --> 00:23:11,519 Speaker 6: Are you sure? 432 00:23:12,279 --> 00:23:14,799 Speaker 5: Well it's probably just rusted, needs some oil. 433 00:23:14,960 --> 00:23:15,759 Speaker 6: Could you fix it? 434 00:23:16,440 --> 00:23:19,079 Speaker 5: Maybe? I'm not sure. I want to. 435 00:23:19,799 --> 00:23:20,480 Speaker 6: I want you to. 436 00:23:21,440 --> 00:23:22,839 Speaker 5: That's a strange tone from you. 437 00:23:22,920 --> 00:23:27,240 Speaker 7: Oh, I didn't mean please hank it. I'd like you 438 00:23:27,319 --> 00:23:27,839 to try to. 439 00:23:27,799 --> 00:23:28,400 Speaker 6: Make it work. 440 00:23:29,440 --> 00:23:31,480 Speaker 5: If you'll tell me why it's so important. 441 00:23:32,400 --> 00:23:34,680 Speaker 6: The voice I thought I heard when we first came here, 442 00:23:35,400 --> 00:23:37,599 when it spoke to me far away in the background, 443 00:23:38,480 --> 00:23:40,160 a music box was playing. 444 00:23:41,200 --> 00:23:48,359 Speaker 5: I see, Is that why you hesitate? Partly? Something tells 445 00:23:48,400 --> 00:23:51,119 me I should take this lovely old walnut box and 446 00:23:51,240 --> 00:23:53,200 bury it in the ground or the deepest lake I 447 00:23:53,240 --> 00:23:53,720 can find. 448 00:23:54,480 --> 00:23:56,160 Speaker 7: Why. 449 00:23:56,519 --> 00:23:59,119 Speaker 5: Well, the room where I found it had only one window, 450 00:24:00,359 --> 00:24:02,920 and shaded by the vines which clamber all over the house. 451 00:24:03,839 --> 00:24:06,599 The wing must have been closed off for years. The 452 00:24:06,720 --> 00:24:10,920 dust was an inch thick. It was eerie that everywhere 453 00:24:10,960 --> 00:24:13,920 I went I left my footprints outlined clearly behind me. 454 00:24:14,319 --> 00:24:16,279 Speaker 6: Wait till missus Blunter and I get in there with 455 00:24:16,359 --> 00:24:19,519 some mops and a broom. We'll chase the dirt out 456 00:24:20,000 --> 00:24:21,519 and wipe out your footprints. 457 00:24:21,640 --> 00:24:24,920 Speaker 5: No, I'm sure you will. There's only one thing you 458 00:24:24,960 --> 00:24:28,440 can't wipe out. What's that the spot where the box 459 00:24:28,559 --> 00:24:30,640 was lying covered with cobwebs. 460 00:24:30,680 --> 00:24:32,200 Speaker 7: Oh, why can't we clean the that up too? 461 00:24:32,920 --> 00:24:36,359 Speaker 5: Because when I picked it up there was no depression 462 00:24:36,559 --> 00:24:39,839 for all its weight, no mark to show it had 463 00:24:39,880 --> 00:24:43,160 lain there for any time at all, except for the 464 00:24:43,160 --> 00:24:45,799 fact that it lay in the center of the room 465 00:24:45,920 --> 00:24:48,240 with no footprints in the dust coming or going. It 466 00:24:48,240 --> 00:24:51,319 could have been placed there yesterday or this morning before 467 00:24:51,359 --> 00:24:55,400 I entered the room. Do you still want me to 468 00:24:55,440 --> 00:24:58,119 see if I can make it play its song again? 469 00:25:03,960 --> 00:25:04,279 Speaker 6: Haank? 470 00:25:05,119 --> 00:25:05,599 Speaker 1: Who else? 471 00:25:06,400 --> 00:25:06,599 Speaker 5: Oh? 472 00:25:06,680 --> 00:25:10,119 Speaker 6: It could have been missus bunder Look at that full 473 00:25:10,200 --> 00:25:10,759 red moon. 474 00:25:11,759 --> 00:25:15,839 Speaker 5: Isn't it gorgeous? Yes? I have a little present for you. 475 00:25:16,319 --> 00:25:19,000 Oh what your music box? It plays? 476 00:25:19,039 --> 00:25:19,200 Speaker 1: Now? 477 00:25:19,440 --> 00:25:26,160 Speaker 5: Let me hear very well? Do you remember something? What? 478 00:25:27,359 --> 00:25:30,200 Today is your birthday? That's why I work so hard 479 00:25:30,279 --> 00:25:32,599 to have this ready for you. I know it isn't 480 00:25:32,640 --> 00:25:34,519 much of a present, but this year with all the 481 00:25:34,559 --> 00:25:37,759 other expenses. And what is it? 482 00:25:39,680 --> 00:25:40,400 Speaker 6: That melody? 483 00:25:41,359 --> 00:25:41,839 Speaker 5: You know it? 484 00:25:42,880 --> 00:25:45,440 Speaker 6: That's the song that was playing behind the ghost voice? 485 00:25:45,519 --> 00:25:51,440 Speaker 5: That what is it? Darling hawk? Where at the summerhouse? 486 00:25:52,000 --> 00:25:52,720 Speaker 6: Don't you see her? 487 00:25:53,920 --> 00:25:54,920 Speaker 5: There's nobody there? 488 00:25:55,240 --> 00:25:59,799 Speaker 6: There is See how she blungs and a and spins with. 489 00:25:59,880 --> 00:26:02,359 Speaker 7: Her her crinoline swirling around her. 490 00:26:03,839 --> 00:26:07,720 Speaker 6: She's calling to me. I can hear her. I got 491 00:26:07,759 --> 00:26:10,559 to go to her. Come with me, Hank, Come with me. 492 00:26:10,799 --> 00:26:13,079 Speaker 5: Don't worry s Sanna. I won't let you out of 493 00:26:13,160 --> 00:26:20,680 my sight. You see, there's no one. 494 00:26:20,599 --> 00:26:28,000 Speaker 6: Here, But there was there still is only what happened 495 00:26:28,039 --> 00:26:28,799 to the music box? 496 00:26:29,319 --> 00:26:30,000 Speaker 5: It ran down? 497 00:26:30,119 --> 00:26:30,720 Speaker 6: Wind it up? 498 00:26:31,279 --> 00:26:33,839 Speaker 5: No, I should never have fixed it so that it 499 00:26:33,880 --> 00:26:34,880 would play. 500 00:26:35,200 --> 00:26:36,000 Speaker 6: It doesn't matter. 501 00:26:37,119 --> 00:26:43,480 Speaker 5: She would have reached me anyway. Wait, I to me, 502 00:26:44,759 --> 00:26:48,559 Come to me, get to Rachel. 503 00:26:49,240 --> 00:26:50,759 Speaker 6: How the music? 504 00:26:54,279 --> 00:26:58,799 Speaker 5: Was she just talking to you the ghost? Yes it 505 00:26:58,960 --> 00:27:03,440 was Rachel, but she's been How could she talk to you? 506 00:27:03,880 --> 00:27:04,559 She was amused? 507 00:27:04,599 --> 00:27:05,079 Speaker 6: I don't know. 508 00:27:05,960 --> 00:27:07,720 Speaker 7: I don't think she wants to hurt me. She wants 509 00:27:07,720 --> 00:27:08,640 me to help. 510 00:27:09,079 --> 00:27:11,200 Speaker 5: Help her to do what how? 511 00:27:11,759 --> 00:27:12,359 Speaker 6: I don't know. 512 00:27:14,000 --> 00:27:15,039 Speaker 7: I'm not even sure. 513 00:27:14,880 --> 00:27:19,480 Speaker 6: It's a The ghost is trying to reach me, cares 514 00:27:19,559 --> 00:27:20,400 me more than anything. 515 00:27:21,079 --> 00:27:25,799 Speaker 5: Susie, you can't be serious. What are you trying to say? 516 00:27:26,680 --> 00:27:30,960 Speaker 6: There's something terribly wrong about it all, Darling, and somehow 517 00:27:31,000 --> 00:27:34,599 missus Bunter is mixed up in it. I know she is. 518 00:27:35,559 --> 00:27:36,160 Speaker 5: In what way? 519 00:27:37,400 --> 00:27:37,880 Speaker 8: Do you know? 520 00:27:37,960 --> 00:27:40,319 Speaker 6: I like to keep charge of household accounts and things, 521 00:27:40,759 --> 00:27:43,640 the supplies, the towels and linens, everything that goes with 522 00:27:43,680 --> 00:27:48,000 the house. Too many things are missing in too obvious 523 00:27:48,000 --> 00:27:53,079 a pattern, Hank. There's someone living in this house. 524 00:27:52,839 --> 00:27:57,119 Speaker 5: We don't know about. And you think, what can I think? 525 00:27:58,240 --> 00:28:01,960 You mean that Rachel never dies, right? That somehow she's 526 00:28:02,000 --> 00:28:03,279 still alive. 527 00:28:05,160 --> 00:28:08,559 Speaker 6: I think she's not in her grave, and that she 528 00:28:08,680 --> 00:28:11,960 is calling me for help to get her out of 529 00:28:13,160 --> 00:28:17,359 some captivity that has a chain her for fifteen years. 530 00:28:18,319 --> 00:28:21,799 Speaker 7: Somehow I've got to find a way to help her. 531 00:28:27,359 --> 00:28:30,200 Speaker 4: Now, there's an interesting corner to turn in a story, 532 00:28:31,079 --> 00:28:34,839 to find that a ghost, a well established. 533 00:28:34,160 --> 00:28:36,839 Speaker 1: Ghost, may not be one. 534 00:28:36,759 --> 00:28:41,559 Speaker 4: After all, something we almost find out when I returned 535 00:28:42,240 --> 00:28:56,400 with Act three. The full moon passes for a moment 536 00:28:56,519 --> 00:29:00,440 behind clouds, blowing Hank a worried frown, which she can 537 00:29:00,480 --> 00:29:04,359 conceal from his wife. His mind is a spinning mixture 538 00:29:04,400 --> 00:29:08,480 of thoughts he is fighting to keep from coagulating. They 539 00:29:08,559 --> 00:29:13,960 must be kept separate to evaluate them. Is Susannah simply 540 00:29:14,000 --> 00:29:16,880 suffering from the vagaries of a lady in her as 541 00:29:16,920 --> 00:29:20,640 would have been said in those times interesting condition? Or 542 00:29:20,759 --> 00:29:24,640 is there really an extra presence hidden in Huntington House? 543 00:29:25,200 --> 00:29:29,039 Speaker 5: If Rachel, if that's who it is, won't reveal herself 544 00:29:29,079 --> 00:29:31,359 to us openly, how can we find a way to 545 00:29:31,400 --> 00:29:31,759 help her? 546 00:29:31,960 --> 00:29:33,559 Speaker 7: You don't think I'm crazy, do you? 547 00:29:33,640 --> 00:29:33,839 Speaker 8: Hang? 548 00:29:34,720 --> 00:29:36,759 Speaker 6: There is some mystery that's got to be cleared away 549 00:29:36,799 --> 00:29:38,480 before we can ever live in this house. 550 00:29:38,920 --> 00:29:41,640 Speaker 5: But you really believe it's possible that someone or or 551 00:29:41,720 --> 00:29:42,839 something is hiding. 552 00:29:42,599 --> 00:29:46,279 Speaker 6: Here, someone from the amount it uses up in food 553 00:29:46,319 --> 00:29:52,200 and linen and towels. But at the same time something 554 00:29:52,279 --> 00:30:00,480 that isn't natural, it's supernatural. Huh what is it? Oh? 555 00:30:01,319 --> 00:30:05,119 It's just the moon coming out from behind the clouds again, 556 00:30:06,279 --> 00:30:10,079 bright as some enormous chandelier on in the sky. If 557 00:30:10,119 --> 00:30:17,680 only I wait, he said, the music box started again. 558 00:30:17,759 --> 00:30:20,039 There quick before the moon goes behind the clouds. 559 00:30:20,400 --> 00:30:21,799 Speaker 5: Are you sure you want to yes? 560 00:30:21,960 --> 00:30:22,640 Speaker 6: Yes, quickly? 561 00:30:23,519 --> 00:30:36,480 Speaker 5: Okay, Well look there he is, damn where up the 562 00:30:36,519 --> 00:30:40,440 path towards the front door, and she's she's beckoning for 563 00:30:40,519 --> 00:30:44,440 us to come. What is it? 564 00:30:44,640 --> 00:30:44,720 Speaker 11: Oh? 565 00:30:44,839 --> 00:30:46,160 Speaker 7: The moon behind the clouds again. 566 00:30:46,200 --> 00:30:47,000 Speaker 6: I can't see. 567 00:30:47,519 --> 00:30:48,240 Speaker 5: Come, let's go. 568 00:30:52,240 --> 00:30:53,079 Speaker 6: There's no one here. 569 00:30:54,319 --> 00:30:55,480 Speaker 5: The front door is opening. 570 00:30:56,720 --> 00:30:58,039 Speaker 6: What happened to the music box? 571 00:30:59,359 --> 00:31:03,119 Speaker 5: It stopped? I don't know why? Who you are, doctor Flemy? 572 00:31:03,799 --> 00:31:08,079 What is it? Ellen? What's wrong? I think he's dying? Please? 573 00:31:08,240 --> 00:31:09,839 Could you come to him and try to save. 574 00:31:09,680 --> 00:31:12,319 Speaker 8: His life, even if he isn't worth it? 575 00:31:12,400 --> 00:31:13,640 Speaker 5: Save whose life? 576 00:31:14,000 --> 00:31:14,480 Speaker 8: My son? 577 00:31:15,759 --> 00:31:16,880 Speaker 7: I'll show you where he is. 578 00:31:17,559 --> 00:31:24,680 Speaker 5: He's hiding out the barn, hold the lantern. Higher, missus buner. 579 00:31:25,240 --> 00:31:30,880 That's it. Oh, oh, hurt there some how about here? Oh, 580 00:31:31,000 --> 00:31:35,160 and Hurt's pretty good. He's burning up with fever. We've 581 00:31:35,160 --> 00:31:36,559 got to get him up to the house. See if 582 00:31:36,599 --> 00:31:37,519 we can't bring it down. 583 00:31:37,960 --> 00:31:40,640 Speaker 1: Oh oh, no, sir, you bring me up to the house. 584 00:31:41,079 --> 00:31:44,200 Speaker 5: You're just signing my death warrant. What's he talking about? 585 00:31:44,480 --> 00:31:48,359 There's a wanted poster out for him. Murder and highway robbery. 586 00:31:48,880 --> 00:31:51,640 Speaker 8: He killed a United States marshal making his getaway up 587 00:31:51,720 --> 00:31:52,359 Cheyenne day. 588 00:31:53,039 --> 00:31:55,279 Speaker 5: If I can't get him where I can treat him properly, 589 00:31:55,519 --> 00:31:58,119 it won't be the government signs your son's death warrant. 590 00:31:58,720 --> 00:32:01,519 Speaker 7: This is your son, Ellen. More's the shame. 591 00:32:02,519 --> 00:32:05,920 Speaker 6: Yes, but I thought he was dead in the Civil War. 592 00:32:06,400 --> 00:32:08,480 Speaker 7: I'd take my pride in him if it had been. 593 00:32:09,480 --> 00:32:11,559 Speaker 8: But he deserted the army to take up with a 594 00:32:11,599 --> 00:32:15,440 bunch of cut throats and outlaws, robbing and stealing and killing. 595 00:32:16,319 --> 00:32:20,000 Did He got wounded and came crawling home to me 596 00:32:20,200 --> 00:32:20,759 to beg. 597 00:32:20,680 --> 00:32:25,079 Speaker 5: Me to save his life. What could I do? He 598 00:32:25,279 --> 00:32:30,799 is he was my only child. I didn't know how 599 00:32:30,839 --> 00:32:32,119 to turn my back on it. 600 00:32:33,440 --> 00:32:36,799 Speaker 2: I should never put you on the spot, Ma, I 601 00:32:36,839 --> 00:32:39,759 don't deserve nothing better than I got a bullet and 602 00:32:39,759 --> 00:32:40,160 my gut. 603 00:32:41,359 --> 00:32:43,839 Speaker 5: I should have let us take me. It's on good time, 604 00:32:44,759 --> 00:32:45,640 just what it's doing. 605 00:32:45,920 --> 00:32:46,079 Speaker 2: Raw. 606 00:32:46,200 --> 00:32:46,799 Speaker 3: No I was. 607 00:32:47,279 --> 00:32:49,680 Speaker 2: I was wide open and bleeding like a stuck pig 608 00:32:49,720 --> 00:32:51,319 when I crawled in here over a month ago. 609 00:32:52,480 --> 00:32:53,480 Speaker 1: Ma nursed me back to. 610 00:32:53,440 --> 00:32:57,279 Speaker 5: Health and and the wound closed up. And then this 611 00:32:57,839 --> 00:33:01,359 damn fever got to me. Because you still have that 612 00:33:01,440 --> 00:33:05,319 bullet locked up inside you. It's festering. You have parrotonitis, 613 00:33:05,519 --> 00:33:07,440 and the poison will kill you unless I get that 614 00:33:07,480 --> 00:33:10,720 bullet out. You were, you were a real doctor. I have 615 00:33:10,799 --> 00:33:13,720 a sheepskin, says I am, And that means, by law, 616 00:33:13,839 --> 00:33:15,880 you're gonna have to let him know I'm still alive, 617 00:33:15,960 --> 00:33:18,480 and I'm gonna have to hang just the same. 618 00:33:18,920 --> 00:33:22,359 Speaker 2: We can talk about that, lady. Oh no, sir, Johnny Law, 619 00:33:22,440 --> 00:33:25,480 don't get me now. Everybody stay right where they are, 620 00:33:26,039 --> 00:33:28,680 nice and easy while I get out of here. Ain't 621 00:33:28,720 --> 00:33:31,480 no use trying to reach for me. You lost me 622 00:33:31,519 --> 00:33:35,400 a long time ago, just like I lost myself. The 623 00:33:35,440 --> 00:33:38,160 only thing outside of you I'm really sorry for is 624 00:33:39,160 --> 00:33:43,039 I never should have hurt Rachel. The funny thing is 625 00:33:43,039 --> 00:33:49,039 I really loved her. If only we'd ever had a chance, Mom, 626 00:33:49,440 --> 00:33:53,200 I wish I I could have done better by you 627 00:33:53,319 --> 00:33:57,119 and it Rachel, nice, Jock. 628 00:33:57,279 --> 00:33:59,559 Speaker 7: Hush, Missus Buncher, let my husband handle it. 629 00:34:01,319 --> 00:34:07,119 Speaker 5: I'm sorry it was too late this time. He's he's 630 00:34:07,200 --> 00:34:16,599 really dead. There's nothing much I can do, missus Butcher. 631 00:34:17,440 --> 00:34:19,239 I'll have to write in and tell the authorities. 632 00:34:20,440 --> 00:34:23,039 Speaker 8: There was no real excuse for all the pits he'd 633 00:34:23,079 --> 00:34:27,280 done the past few years. If he ever had the chance, 634 00:34:28,280 --> 00:34:29,920 he might've amounted to something. 635 00:34:30,920 --> 00:34:33,159 Speaker 5: You should've seen him with, Rachel. 636 00:34:33,000 --> 00:34:34,840 Speaker 7: Oh, don't torture yourself with memory. 637 00:34:35,159 --> 00:34:36,920 Speaker 5: Well, I can. Was a good one. 638 00:34:38,480 --> 00:34:42,519 Speaker 7: In spite of the misfortune's birth brought her. She was 639 00:34:42,599 --> 00:34:45,840 a bride and full of the joy of life. 640 00:34:46,840 --> 00:34:48,280 Speaker 5: You should've seen her. 641 00:34:48,440 --> 00:34:49,960 Speaker 7: Dance, dance. 642 00:34:50,880 --> 00:34:52,280 Speaker 6: And she was blind, wasn't she? 643 00:34:52,440 --> 00:34:54,360 Speaker 5: Oh, that seemed to make no difference. 644 00:34:55,000 --> 00:34:56,760 Speaker 7: She could hear sharp with the dad. 645 00:34:58,079 --> 00:34:59,719 Speaker 5: I always said, what a pity it was. 646 00:34:59,800 --> 00:35:02,760 Speaker 8: Then never got her a piano forty for her to learn. 647 00:35:02,599 --> 00:35:06,599 Speaker 5: To play by herself. But they never did. Just music buckles. 648 00:35:06,639 --> 00:35:11,960 Speaker 8: Oh, yes, like this, well, yes, that looks like one 649 00:35:12,000 --> 00:35:13,559 of 'em. 650 00:35:13,639 --> 00:35:18,079 Speaker 6: That box does seem familiar, Ellen, Are you sure? 651 00:35:18,760 --> 00:35:20,199 Speaker 7: Rachel Huntingdon is dead. 652 00:35:20,400 --> 00:35:21,440 Speaker 8: Well, I'm sure she is. 653 00:35:22,039 --> 00:35:22,480 Speaker 6: I know it. 654 00:35:23,320 --> 00:35:27,960 Speaker 8: To keep her from running after my eluge, they poisoned her. 655 00:35:28,559 --> 00:35:30,800 Speaker 7: What did you actually see her dead? 656 00:35:31,239 --> 00:35:35,960 Speaker 8: They'd sent me away, and then then she died so suddenly. 657 00:35:36,800 --> 00:35:38,480 And I came to the funeral and I stood in 658 00:35:38,519 --> 00:35:41,559 the back so wouldn't be seen, and I saw the 659 00:35:41,599 --> 00:35:44,840 coffin lowered into the ground and the dirt covering it, 660 00:35:46,000 --> 00:35:47,960 and the minister commending her to heaven. 661 00:35:49,079 --> 00:35:50,440 Speaker 5: Is that what you mean, miss Susan? 662 00:35:51,199 --> 00:35:54,599 Speaker 6: I I don't know what I mean, And this isn't 663 00:35:54,639 --> 00:35:55,920 any time to talk about it. 664 00:35:56,639 --> 00:35:58,800 Speaker 5: First of all, let's go get the minister. 665 00:35:59,119 --> 00:36:01,159 Speaker 6: And see your son decently buried. 666 00:36:06,000 --> 00:36:07,440 Speaker 5: You sure you don't wanna come with me? 667 00:36:08,000 --> 00:36:09,800 Speaker 6: No, darling, I really think I ought to stay with 668 00:36:09,880 --> 00:36:10,360 poor Ellen. 669 00:36:11,159 --> 00:36:12,320 Speaker 5: You're not afraid of anything. 670 00:36:12,440 --> 00:36:13,199 Speaker 6: Why should I be? 671 00:36:14,000 --> 00:36:16,079 Speaker 5: Well, you were the one who sends another presence in 672 00:36:16,119 --> 00:36:16,480 the house. 673 00:36:16,800 --> 00:36:19,599 Speaker 6: But that's all over now we know it was Ellen's son. 674 00:36:20,159 --> 00:36:22,840 Speaker 5: Only that's not what you were hearing. You were hearing 675 00:36:22,880 --> 00:36:24,360 a woman's voice calling. 676 00:36:24,119 --> 00:36:27,400 Speaker 6: To you to help the man she loved, who just died, 677 00:36:28,400 --> 00:36:29,400 and who must be with her. 678 00:36:29,440 --> 00:36:33,840 Speaker 5: Now there's nothing to be afraid of anymore. I I 679 00:36:33,880 --> 00:36:36,400 don't know. I'm not sure I should leave you alone. 680 00:36:36,519 --> 00:36:39,000 Speaker 6: Nope, don't be silly. You'll be back in an hour 681 00:36:39,079 --> 00:36:43,239 or so. And even if poor little Rachel wanted to 682 00:36:43,280 --> 00:36:45,920 haunt me, he couldn't mean me anyhow. 683 00:36:46,920 --> 00:36:51,719 Speaker 5: Well, it's a dark night, and even if she wanted to, 684 00:36:51,880 --> 00:36:53,719 she only seems to come when the moon is bright. 685 00:36:54,760 --> 00:36:57,199 Promise me, you'll go straight to bed, lock the door 686 00:36:57,239 --> 00:36:57,960 and wait for me. 687 00:36:58,239 --> 00:36:59,679 Speaker 6: I will hurry. 688 00:36:59,719 --> 00:37:04,599 Speaker 5: Don like the wind, you go straight upstairs? 689 00:37:05,360 --> 00:37:05,639 Speaker 1: Bye? 690 00:37:05,760 --> 00:37:06,119 Speaker 2: Is that her? 691 00:37:06,639 --> 00:37:06,800 Speaker 11: By? 692 00:37:06,960 --> 00:37:07,159 Speaker 6: Hank? 693 00:37:08,800 --> 00:37:09,800 Speaker 7: Aren't you going up to bed? 694 00:37:09,800 --> 00:37:10,079 Speaker 8: Ellen? 695 00:37:10,599 --> 00:37:10,960 Speaker 6: Yes? 696 00:37:11,119 --> 00:37:11,840 Speaker 5: I suppose so. 697 00:37:14,119 --> 00:37:15,239 Speaker 8: And oh't know what for? 698 00:37:16,559 --> 00:37:17,360 Speaker 5: I won't sleep. 699 00:37:18,000 --> 00:37:21,760 Speaker 6: You must come on. We'll have a hot toddy in 700 00:37:21,800 --> 00:37:23,639 the kitchen and then go up together. 701 00:37:30,440 --> 00:37:32,360 Speaker 5: The Huntingtons should have left her alone. 702 00:37:33,320 --> 00:37:35,920 Speaker 8: She'd been better off with him the way things happened, 703 00:37:37,039 --> 00:37:39,679 Lord knows, he'd have been better. 704 00:37:39,440 --> 00:37:40,280 Speaker 5: Off with her. 705 00:37:40,840 --> 00:37:43,800 Speaker 7: They loved her and wanted to protect her. 706 00:37:45,199 --> 00:37:49,559 Speaker 8: Would have been the same, She been normal. They waited 707 00:37:49,599 --> 00:37:52,320 too long to have a child. When at last she 708 00:37:52,440 --> 00:37:56,480 came to them, they smothered her. The only freedom she 709 00:37:56,519 --> 00:37:59,599 ever had was her dancing in her music boxes. 710 00:37:59,639 --> 00:38:00,719 Speaker 6: Like this one? 711 00:38:01,039 --> 00:38:01,960 Speaker 5: Where'd you find that? 712 00:38:02,280 --> 00:38:05,719 Speaker 6: I didn't hankd it in the little room on the 713 00:38:05,760 --> 00:38:08,119 top floor of the wing, Rachel's old. 714 00:38:08,000 --> 00:38:11,320 Speaker 8: Room, but that part of the house had been shut 715 00:38:11,400 --> 00:38:12,480 up ever since I came back. 716 00:38:13,199 --> 00:38:14,800 Speaker 5: That was part of what it said in the wheel. 717 00:38:17,079 --> 00:38:17,679 Speaker 6: Why didn't you. 718 00:38:17,639 --> 00:38:18,199 Speaker 11: Turn that on? 719 00:38:18,920 --> 00:38:22,079 Speaker 6: I didn't. I just started by itself. I know that tune. 720 00:38:23,079 --> 00:38:25,199 I thought you said you couldn't tell one tune from that. 721 00:38:25,239 --> 00:38:26,199 Speaker 5: I can that one. 722 00:38:26,639 --> 00:38:27,559 Speaker 7: It was her favorite. 723 00:38:27,599 --> 00:38:29,840 Speaker 5: Turn it off. That's better. 724 00:38:31,400 --> 00:38:34,119 Speaker 8: I don't wanna be reminded of a poor little Rachel tonight. 725 00:38:36,480 --> 00:38:40,400 Speaker 6: What is it, missus? Sh she's calling me again? 726 00:38:43,320 --> 00:38:46,719 Speaker 11: Color on cold? 727 00:38:48,679 --> 00:38:49,760 Speaker 5: No what. 728 00:38:51,519 --> 00:39:06,679 Speaker 11: I wanted to lie with my lover? Cringe, cringle, peep, spring, pee, 729 00:39:07,599 --> 00:39:09,000 screen peep. 730 00:39:09,400 --> 00:39:10,039 Speaker 5: Where are you going? 731 00:39:11,519 --> 00:39:15,199 Speaker 6: Where the music box is leaving me? This time? I 732 00:39:15,280 --> 00:39:16,000 cannot fail her. 733 00:39:22,159 --> 00:39:25,039 Speaker 5: Don't go in there. That's missus Rachel's old room. 734 00:39:25,599 --> 00:39:29,119 Speaker 6: This is where she bids me come hold your candle higher. 735 00:39:30,920 --> 00:39:35,159 It's empty now, nothing left but does But. 736 00:39:35,280 --> 00:39:37,400 Speaker 5: It's less than half a room. 737 00:39:38,199 --> 00:39:40,880 Speaker 7: There's a wall built there where in front of us. 738 00:39:41,599 --> 00:39:45,400 Speaker 8: There's two great windows beyond that they look down on 739 00:39:45,480 --> 00:39:48,840 the garden. But this wall, I don't know where it 740 00:39:48,960 --> 00:39:50,400 came from, or when. 741 00:39:50,280 --> 00:39:51,079 Speaker 11: It was built, or. 742 00:39:51,119 --> 00:39:52,280 Speaker 6: Why there's no door in it. 743 00:39:52,960 --> 00:39:54,800 Speaker 7: It's papered all the way across. 744 00:39:58,679 --> 00:40:01,320 Speaker 6: The candle blew out. Oh my man, I'm still left. 745 00:40:01,880 --> 00:40:05,119 And look there where the wind, toilet paper, off the 746 00:40:05,199 --> 00:40:06,559 wall to the door. 747 00:40:06,760 --> 00:40:08,800 Speaker 7: Don't go in there, miss Susan. 748 00:40:09,280 --> 00:40:09,760 Speaker 8: I have to. 749 00:40:10,719 --> 00:40:12,280 Speaker 6: This is what she's been calling me to do. 750 00:40:14,679 --> 00:40:17,840 Speaker 5: Oh, oh my god, what is it? 751 00:40:19,039 --> 00:40:27,159 Speaker 7: Look on the bed, it's it's missus Rachel's room, just 752 00:40:27,320 --> 00:40:27,880 as I was. 753 00:40:29,320 --> 00:40:34,519 Speaker 5: And that's her, just as she was. Oh the good 754 00:40:34,599 --> 00:40:37,719 Lord protect us. How could she still be alive after 755 00:40:37,960 --> 00:40:39,119 fifteen years? 756 00:40:40,400 --> 00:40:40,840 Speaker 6: I do. 757 00:40:43,159 --> 00:40:49,719 Speaker 11: I take me to the grade so I can leave 758 00:40:50,639 --> 00:40:51,679 at last. 759 00:40:52,280 --> 00:41:00,639 Speaker 5: Oh, my darling, I can't believe it. When mister Houston, 760 00:41:00,639 --> 00:41:02,719 I came home and that wind and couldn't find you, 761 00:41:03,199 --> 00:41:06,159 I thought I'd lose my mind. I imagined all kinds 762 00:41:06,159 --> 00:41:10,440 of things, but nothing like this. Is she alive? 763 00:41:10,840 --> 00:41:14,719 Speaker 6: No, she's dead, and she has been all these years. 764 00:41:15,519 --> 00:41:20,360 Speaker 5: But it's not possible. Fifteen years. You can't preserve a corpse. 765 00:41:21,239 --> 00:41:23,199 Speaker 1: How he excuse me, doctor Fleming. 766 00:41:23,920 --> 00:41:25,719 Speaker 5: Uh what, mister Houston? Believe me? 767 00:41:26,440 --> 00:41:27,280 Speaker 1: I had no idea. 768 00:41:28,280 --> 00:41:31,199 Speaker 3: I knew how Carson and Sarah worshiped the child, but 769 00:41:31,320 --> 00:41:33,320 I never dreamed of a lover as sick as this. 770 00:41:34,519 --> 00:41:36,639 This was their way of keeping her for the rest 771 00:41:36,719 --> 00:41:40,880 of their lives, preserved so that they could never lose her. 772 00:41:41,679 --> 00:41:45,000 But how h I'm a banker, I can't tell you. 773 00:41:46,239 --> 00:41:49,519 But her room her medically sealed, and all Carson's skills. 774 00:41:50,199 --> 00:41:53,199 And I told you he was a taxidermist, but I 775 00:41:53,280 --> 00:41:55,840 never did get a chance to tell you. He ended 776 00:41:55,960 --> 00:42:00,360 up his life here in this city as our under taken. 777 00:42:07,280 --> 00:42:11,440 A grisly ending to a weird story and yet a 778 00:42:11,519 --> 00:42:15,639 happy one. Rachel Huntingdon was finally laid to her rest, 779 00:42:15,760 --> 00:42:19,719 alongside the man who might have been her husband. Huntingdon 780 00:42:19,840 --> 00:42:23,440 House was cleared of all shadows and became the nucleus 781 00:42:23,480 --> 00:42:27,000 of one of the country's finest hospitals, renowned for the 782 00:42:27,119 --> 00:42:32,199 miracles it achieves in saving life rather than preserving the 783 00:42:32,280 --> 00:42:33,039 illusion of it. 784 00:42:34,000 --> 00:42:34,920 Speaker 5: I'll be back shortly. 785 00:42:48,199 --> 00:42:52,599 Speaker 4: Such an alluring, gentle, lovely sound, the tinkle of a 786 00:42:52,760 --> 00:42:58,079 music box, and yet hearing one, I tend to shudder, 787 00:42:59,159 --> 00:43:03,039 picturing that law dead girl, her eyes open in an 788 00:43:03,119 --> 00:43:07,360 unwinking stare, and the voice that never could speak in life, 789 00:43:07,679 --> 00:43:11,519 crying out in desperation for peace, never to be heard 790 00:43:11,920 --> 00:43:14,639 till at last came Susannah with her. 791 00:43:14,639 --> 00:43:15,519 Speaker 5: Gift of perception. 792 00:43:17,039 --> 00:43:20,599 Speaker 4: Our cast included Don Scardino, Jadder, Roland, Stats, Cotsworth and 793 00:43:20,719 --> 00:43:24,880 Potoniac and Robert Maxwell. The entire production was under the 794 00:43:24,920 --> 00:43:28,719 direction of Hyman Brown G. Marshall, inviting you to return 795 00:43:28,840 --> 00:43:33,039 to our Mystry Theater for another adventure in the macabre. 796 00:43:34,639 --> 00:43:39,000 Until next time, pleasant dreams.