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Speaker 1: Welcome to the Great Adventurers of Old Time Radio from Orlando, Florida.

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This is your host, Adam Graham. In a moment, we're

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going to bring you our final Oss movie adaptation, but

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first I do want to let you know. If you're

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enjoying the podcast, you can follow us using your favorite

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podcast software. Today's program is brought to you in part

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by the financial support of our listeners. You can support

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the show on a one time basis support Dot Great

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Detectives dot net and become one of our ongoing Patreon

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supporters for as little as two dollars per month at

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Patreon dot Great Detectives dot net. Well now, from May third,

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nineteen forty eight, we have Ronald Reagan starring in place

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of Gary Cooper who starred in the film, but with

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Lily Palmer reprising her original film role. The film's original

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release date is May the third of nineteen forty eight,

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and the title is Cloak and Dagger.

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Speaker 2: Luck was in Hollywood Leader's other company, The Niators of

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Luck Toilet Gulp. When you the Luck Radio Theater starring

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Ronald Reagan and Lily Palmer in Cloak and Dagger, Ladies

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and gentlemen, you're a producer, mister Wisdom Teeley.

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Speaker 3: Using Hollywood Ladies and Gentlemen, one of the high points

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of the most successful season in this theater, for the

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presentation just two weeks ago of random hearts from the

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novel by James Hilton.

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Speaker 4: Because we have received.

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Speaker 3: So many letters of thanks and commendations, we'd like to

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resend our thanks again to mister Hilton for his contribution

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to our enjoyment, and tonight we bring you another exciting

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evening on this day with Milton Sperling's current screen hit

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of the wartime OSAs or Office of Strategic Services, that

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gallant band of secret agents who operated under the descriptive

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symbol of the cloak and dance, and our stars are

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they often requested, Ronald Reagan and that new and captivating

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personality Lilly Palmer, recreating our original screen role. Lilly Palmer.

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Excellent stage performances are among my pleasant memories of London

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during the otherwise grim months of war, when luxuries were

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few and such a.

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Speaker 2: Thing as lux soap was a highly cherried treasure.

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Speaker 3: Little did I think that I'd be working with her

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five years later in this theater, or.

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Speaker 2: That I'd be praising lucksow from this state.

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Speaker 3: But I can assure you I was very grateful even

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then for every cake of luck and for the simple

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luxury at office, just as I'm sure we're grateful now

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to Luxo for helping us present Act one of Cloak

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and Dagger, starring Ronald Reagan as Jesper and Linie.

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Speaker 5: Palmer as Gina, the girl of.

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Speaker 3: The Italian on the ground who tells our story.

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Speaker 4: We did not know in those early weeks of nineteen

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forty five that in a few months it would all

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be over, and Nat would surrender, mister Lee would be dead,

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and the stunning silence of the pins would come again

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to Italy. Les awarded me know that thousands of miles away,

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and then little college town in the United States, our

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destinies are being shaped by two men known even in

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their own country, one of whom you could never see

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in the other for whom some of us would tie.

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Speaker 5: Well the progesters.

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Speaker 2: High time I locked you up, Then you then claim

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not since the alumni dinner is thirty nine. Yeah, hard

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man to find, even if you're on a faculty. I've

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been wondering whose sellers breaking down doors. It's a strange

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place to have a laboratory. What are you hiding down here?

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What are you hiding claim? I thought you were in

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the army. I am why does the villian close? I'm

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in the RS. Never heard of it. That haven't not

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supported to get any for birthday. It's the Office of

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Strategic Services. The colck and dagger was found Romantic. Oh sure,

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very I thinks in nuclear physics. So Joe, it's ha

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ha to government work. I know you're working on the

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Manhattan Project. Now wait a minute you waiting? Yes, take

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a look at this report? What is it? And then

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my radio from one of our men in France as

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the report isn't complete the book and shot him. Only

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was sending it to tell us what the railroads are

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paying in the Germany forty carloads of pitch Glynn, two

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hundred and fifty carloads in thirty days. It's blend and

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they've taken my entire out for the mona that in Norway. However,

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I'm here because I had to get to someone past

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who can give me some answers. Exclaims for uranium, monazart

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for thorium and carload quantity's out for the laboratory. It's

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a large scale operation. Thanks, they're working on Adam bomb too.

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I've got the brain they know as much about nuclear

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fission as we do. How they are working on us?

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I see, you know, when I started this work, for

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the first time in my life, I was sorry I

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ever saw a laboratory. If anybody is going to develop

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an Adam Bamber, he wanted to be us, not then

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have much choice in that, Alvera. We've got to know

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how far the Germans have gone. Also, our agents simply

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are equipped. I don't know what to look for. The misincludes.

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We've got to get more siders in our outfit. What

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about what I'm doing here, I'm authorized to take you off.

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You know the problem. You're single, you know languages. It

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won't be along, but you've got to volunteer. Now, there

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was a time when I thought I'd like to be

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a secret agent. I gave it up at the age

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of nine. But okay, brother, if they want me, oh,

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I thought this along with photo that another woman. Of

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course I know her. He's act the Katherine Loaders, one

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of the great ones. Claim used to be my scientific

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pin up girl before Hungry sold out for the Nazis.

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And I suppose now it's's right in the center of

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German atomic works. Doctor loaders in Switzerland in twins two

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weeks got away from them. He's in the hospital in

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jury pneumonia. Our last Sunday he asked to see the

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American conflict. She wants to talk to one of our scientists.

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You don't know what a break this is. Why if

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he's just out of.

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Speaker 5: Germany, if he can probably Kevin now.

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Speaker 2: Stopped feeling so happy about it, in back a bag.

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We'll have you in Zurich in two days, he would power.

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Speaker 4: He is a businessman from Pataren and Andrew Wilson, and

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he's been called drink contesting. I'm Kevin na longer with

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that incident that baking here.

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Speaker 2: Yeah, I've got your ah cagoo WI them Chicago, Illinois, USA.

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Your business please, it's all on the papers. Uh huh, nope.

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Sure what I'm to re importer? I am here to

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place to motives for my content. You would forgive me

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so many Chasmas. You're wisdom. If you throw a country

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must be most coatious these days. That will be your thanks?

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Or can I get a taxicant to the hotel? You

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would find clubs at the Abasser well, your hotel gets

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around the corner. Hey for a cab driver, you speak

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pretty fair English. My name is Frank, not the lords

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at the Angela housepal room one six. Stay there under

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the name of Missus. Hey, yeah, check in at the

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hotel and don't see as soon as you can. I'm

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telling you later the patin.

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Speaker 4: Two hours later, in the Ara hospital, a frail old

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woman known as Missus Habity had a Visabeth the.

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Speaker 5: Less away with kil holy name not re.

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Speaker 2: No, it's Albert. Yes, Oh I know your word.

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Speaker 4: Oh, thank Heaven you've come.

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Speaker 6: You don't know how indited I am through you to me,

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Oh madam.

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Speaker 2: Oder die wom and debted to you. The whole world

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is debted to you. And what will the world think

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of me?

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Speaker 6: When I did this hospital and return to the Nazis return,

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I thought I would be seen here in Switzerland, But

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I'm not.

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Speaker 2: Say no, I am here. Yesterday I got a letter.

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I am to go to Italy to work with Polder. Yes.

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Speaker 6: If I refuse, ten Anti Laty Hungarians are to be

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taken out of concentration camps and shot each day.

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Speaker 2: Now the Germans are working on a tomic weapon. I'm

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him too. It is un coordinated. Then what would happen

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if your work helps them succeed?

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Speaker 6: What would happen if I stay here? I cannot leave

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knowing that innocent people are being shocked.

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Speaker 2: If they because of me, I don't think poison.

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Speaker 6: I contacize any other way.

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Speaker 2: The boy you went to doctor Colder, but you did

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not succeed. Supposion met obstacles in your work, delays and miscalculations. Yes, yes,

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that is possible. And if you felt strong enough for us,

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it could help us with information too.

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Speaker 5: Wow, but you communal many ways.

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Speaker 2: Oh listen, I would be strong enough for I don't

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need every scrap of information you already have, and I'm

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sorry to that, But the doctors are waiting your.

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Speaker 7: Extra worrying over my lungs. Mister Wilson, always no, no,

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come back tomorrow morning. I'll have more strengths than we

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can talk all day.

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Speaker 4: Out of a guest and best in the hotel as yet,

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friend had not telephone.

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Speaker 2: That's collect word.

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Speaker 4: Of n called poems would be in the hotel.

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Speaker 2: Cape. You didn't finish your dream, is you? Oh? No,

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No I didn't.

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Speaker 4: Oh do you have to leave?

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Speaker 2: Well? No, I don't suppose though it's the guy at

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my table though it's not as crowded as the bar.

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Speaker 8: You've been watching me, well, I've been watching that manner

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was trying to pump you.

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Speaker 2: Hey, you've talk like an American. I am wonderful. Oh

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my name is Wilkeson Andrew Wilson. How do you do lines?

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Missus dark and the man at the bar natal to stop.

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I'm not very dangerous, but a frightful boy. Let us

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stay away for I think your part, mister wilk yes, telebos.

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Oh will you excuse me, mister Dart if.

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Speaker 6: You promise to go back?

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Speaker 2: It's winks as I thought of as a fault, because

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here's hello, this is Drake captain.

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Speaker 9: Don't say anything.

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Speaker 2: You don't have to go yes, And I could see

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you're sitting.

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Speaker 9: With it one of the slickstopolated on the other side.

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Speaker 2: Oh fine, haven.

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Speaker 8: Room.

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Speaker 2: We're in trouble with that's putting it mildly. I found

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out about your jetment and that she's somewhere along the

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language top them off. I followed the instructions of the

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letters and how do the not just kidnapped out the

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load of what are you talking about? I saw her

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just this afternoon between then and now she's disappeared from

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the hospital. What have you been doing since you're playing

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then that I want to remove. I haven't came through customs.

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What did you tell him? Told him I was going

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to watch this and everything else. Oh, I went for

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a cab. I didn't even let that fellow take my pictures.

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Watch fellow in the building at the airport souvenir photographs.

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He didn't look like the real article, so I turned away.

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That's your mistake when you didn't let him take you,

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because I knew you had a reason. So they played Jeff.

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That's how they knew.

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Speaker 5: You told Madam Roader, that's why I grabbed her.

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Speaker 2: That's why I put that Dawphin woman on you. And

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I thought I was being smart. Forget if I knew

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it's this business. Oh I didn't. Well, there's something we

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can do about it. Stop falling for this. Missus Dawson

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here as often as you can. I'll get to touch

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within a couple of days. But what am myself do?

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Speaker 4: Do?

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Speaker 2: As I say, huh the nights to missus Dawksman. By

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the end of the week, we'll be ready to act. Hello. Wow,

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the same as last night. I'm taking missus Dawson to

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dinner again. No own her room seven. I'll be seven o'clock,

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thinks before dinner. No thanks. As a matter of fact,

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I think we'll skip dinner tonight. Oh, if he has

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something here, I'd like to read to you a copy

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of a letter which will delivered to the German consulate

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within a few minutes. Goodn Bank stationary thing would be

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terribly vague, It says, dear third, I am only a

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clerk in this bank, but I am a true friend

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of Germany. And you should know that a woman named

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Anne Dawson, presumably friendly to us, has recently deposited the

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sum of five thousand American dollars. But that's the third.

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He was accompanied by an American whom I had never

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seen before. It was he who paid over the money.

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I let her signed a watchful friend. But ill, su course.

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Speaker 4: You tell me what this means?

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Speaker 2: And why should the German conference be interested in me.

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I'm in Switzerland because of my husband. He's in the airport.

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Speaker 8: He was shot down, and he contended here, I'm an American.

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Speaker 2: Technically, yes, you were born and raised there. But in

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nineteen thirty five, Messas Dawkon, you joined the Bund under

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the name of Hilda Winters. In nineteen thirty seven, you

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were arrested for organizing anti Semitican anti Negro riots. A

240
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year later, you were in Berlin started to work for

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the Gestapo. I you think they'll believe a flame up

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like this, Yes they will. I'll be getting a phone

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call any minute if you haven't told me what I want.

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I know by them, the original of this letter will

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be delivered. They'll laugh at it, but just to be safe,

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they'll do some set You see, a woman who looks

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exactly like you was in the bank today with me.

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Her signature was an exact duplicate of your signature. And

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they're just a chance. Your friends may have been worried

250
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about you from time to time. Why they have a theory.

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Once a German, always a German. It may apply to

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Americans too. I've never betrayed them. No, I've never betrayed

253
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them until an American agent offered your money. What is

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it you want to know? I want to know where

255
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they've taken Catherine Loaders. No, you tell me the letter

256
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will be destroyed? What I tell you? If I you

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but I doesn't know? Hello, Well, how did I tell

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you if I don't know, He says, she doesn't know.

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No way, hold on a second well at the eight

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of life or is that up the mountain road from

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the village of Morehaut. It's closed out. DAWs can changed

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their mind. I'll be right over.

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Speaker 4: The Sistem club at more Hart just before dawn, just

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a drink and two other agents, the three men gardenment.

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I'm load of a tet after the nurse, and I'm

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not that health was very important to the Nazis. I

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the rink and Jess came up the stairs. The nurse

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followed instructions or just such an.

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Speaker 2: Emergency sign to look at it this way, Madam Laders dead.

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They can't make any use of them now in the

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whole world. It will perhaps ten people with a mind

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equal to have heard the work she could have done.

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We'll be able to go home now anytime you want.

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You came to Switzerland for another I'm not going home.

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Why Adam Lorder told me she'd be working with an

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Italian Giovanni Polder. That's just I don't know. Maybe they're

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ports them to work for them, just the way they

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did with her. Maybe I can find out. Oh, never

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meet him no, but I corresponded with him before the war,

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which friendly then then doesn't mean a thing. I want

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to go to Italy. Get in touch with the war.

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Tell walk I want to go to Italy.

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Speaker 4: A week later, on a dark, rainy night, an American

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submarine surfaced a couple of miles off to the Italian coast.

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The who saw and a rubber as yes, and a

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man who moved with the hall think you an Italian American?

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We drove to live or now in a truck. The

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two newcomers, the old man masterly the.

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Speaker 2: Truck driver and as.

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Speaker 5: I still don't understand it, thinking how can we pull a.

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Speaker 2: Stuff like this and not even get stopped? Don't they

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patrol the beaches? You underestimate our place? They made very

293
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careful plans for your premiment. What about this truck. I

294
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suppose they ran it from Muncaline by David driver works

295
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for the water department and neither works for us. All right, smunk,

296
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go ahead before you blow out the match. I'll introduced

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you for Gina. My father beat my plans. His name

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is doctor Albert Jetson. He can call him out, hello,

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00:17:15,279 --> 00:17:17,920
al And what kind of name is that for a doctor,

300
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he's a scientific doctor, has no pills for you, old man.

301
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You both speak English. That's good for twelve years. I

302
00:17:23,559 --> 00:17:26,680
work an Oma on Nebraska a long time ago, and

303
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you gena blow out. The messinger, Oh genus is very

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serious girl, always worried. I'm not worried. Any chance to

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this trucketting steps.

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Speaker 4: Yes, they may even put that yawn.

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Speaker 2: Meanwhile, give him all the information you have on Giolani pulled.

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Speaker 4: That's probably know he's coming.

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Speaker 5: I was going to surprise you.

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Speaker 2: That's Janavers is a very important mission. All of us

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have one job to do. If to take Elvis will.

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Speaker 4: Act to pull him and take him out of you

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will never be able to see polled in the morning

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from eight o'clock until noon. He is not laboratory in

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one of the government built and then to come home

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from noon dinner after that since for one hour and

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then you works in his study a house. The old

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woman's nice, stupid a cook, good cook, pass and five

319
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in crist two for days, two for nights, and it's

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named Louis. You checked all this check from the cook

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00:18:21,160 --> 00:18:23,759
when I got him drunk one night check from doctor Romilly.

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You would pull that dentist in a fend of hours

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00:18:25,440 --> 00:18:27,799
and checked by my own eyes every day.

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Speaker 2: Well, now you know what a first great collie you

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can do. All right, Tina, I'll get your job married

326
00:18:34,319 --> 00:18:36,319
after the war. I don't like you to talk like that.

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Speaker 4: Jo, I don't like your joking.

328
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Speaker 2: What do you know about the Luis? There is not

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man thinking well trained by the naps at company. Incidentally,

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where do I stay? Tiny? You still have that talk?

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Speaker 4: Yes, you can both stay that night.

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Speaker 2: I'll try to see pull in a mile.

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Speaker 4: To get you inside pold that house.

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Speaker 2: That's not our job. That will be entirely up to you.

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That I understood. It's understood. We're heroes. Haven't you heard?

336
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Heroes can die only once in a moment.

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Speaker 3: We return with Act two of Cloak and Dagna. Meanwhile,

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00:19:25,079 --> 00:19:27,039
here's Libby Collins, our Hollywood reporter.

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Speaker 2: What's new, Libby?

340
00:19:28,640 --> 00:19:29,920
Speaker 8: Remember the woman in partements?

341
00:19:30,440 --> 00:19:33,480
Speaker 2: Willby Collins the same as novel, I say, so full

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00:19:33,519 --> 00:19:34,720
of trills and kills.

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Speaker 8: I might add, well, Sara is the picture at Warner

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Brothers is just adopted from the novel.

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Speaker 2: As the sinister Count Fosco.

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Speaker 3: There's an arts council for you two, as eleanor Parker

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00:19:47,799 --> 00:19:48,640
in the title role.

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Speaker 2: Discovers, and so does Elector Smith are rescuing aside from

349
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their financing.

350
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Speaker 3: I think our friend John Kennedy here will agree they're

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both extremely easy on the eyes, right John, try to

352
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only lovely.

353
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Speaker 2: Bulltoppers, but then of course they're the lux girl.

354
00:20:03,400 --> 00:20:05,720
Speaker 4: Yes there are, John, and I happen to know the

355
00:20:05,799 --> 00:20:06,839
canner Man found.

356
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Speaker 2: Both stars of Joy to workless.

357
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Speaker 8: No close up problems there.

358
00:20:10,359 --> 00:20:12,759
Speaker 2: Remember that scene in The Woman in White Liby where

359
00:20:12,799 --> 00:20:15,279
Eleanor Parker carries a lighted candle down a flight of

360
00:20:15,400 --> 00:20:18,119
underground steps. Oh yes, wasn't that You know?

361
00:20:18,440 --> 00:20:20,880
Speaker 8: The candle wasn't strong enough to read it on the screen,

362
00:20:21,279 --> 00:20:23,359
so all I have to have an electric bolt Compared

363
00:20:23,400 --> 00:20:23,680
in her.

364
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Speaker 2: Dress, the land is still on her face an exactly

365
00:20:27,519 --> 00:20:30,279
for any Gil's competive certainly is lily. But when a

366
00:20:30,319 --> 00:20:32,519
girl has a lovely lux complexion like element.

367
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Speaker 8: Park or like collecticnoth or like nine out of.

368
00:20:34,799 --> 00:20:37,119
Speaker 2: Ten screen stars for that matter, you wouldn't.

369
00:20:36,759 --> 00:20:39,000
Speaker 6: Say to close up test of bowsy leaning light.

370
00:20:39,319 --> 00:20:42,920
Speaker 2: No, because she's sure of a gentle, effective beauty care,

371
00:20:43,119 --> 00:20:45,000
a competitive it makes skin soft.

372
00:20:46,400 --> 00:20:48,119
Speaker 4: He really gives it that spring time luck.

373
00:20:48,440 --> 00:20:52,279
Speaker 2: Yes, Scream Stars find that daily facials with fragrant white

374
00:20:52,359 --> 00:20:55,880
Lucks toilet sope do make skin lovely. Yes, by skin

375
00:20:55,960 --> 00:20:59,160
specialists prove it. In actually three out of four cases,

376
00:20:59,640 --> 00:21:02,079
skin improved in a short time.

377
00:21:02,640 --> 00:21:05,680
Speaker 8: I wish every woman who wants a magic compassion which

378
00:21:05,720 --> 00:21:08,440
all Luck soap here with Christ and Leasy.

379
00:21:08,880 --> 00:21:12,359
Speaker 2: But my how it works. Remember, Lucks Toilet Soap is

380
00:21:12,440 --> 00:21:17,119
Hollywood's own beauty soap. There's a producer, William Peeling.

381
00:21:17,720 --> 00:21:20,759
Speaker 3: We continue with that two of Cloak and Dagger, starring

382
00:21:20,839 --> 00:21:24,319
Ronald Reagan as Jester and Lillie Palmer as Zina.

383
00:21:33,359 --> 00:21:35,599
Speaker 4: The next day I left him in my room. Jesper

384
00:21:35,680 --> 00:21:38,920
contained the old man and I watched Professor Powelda's house

385
00:21:39,039 --> 00:21:40,119
until I saw him return.

386
00:21:40,920 --> 00:21:41,720
Speaker 3: Two hours later.

387
00:21:42,000 --> 00:21:45,000
Speaker 4: Jesper walked after the heavy iron gate and rang the bell.

388
00:21:47,640 --> 00:21:48,079
Speaker 3: What is it?

389
00:21:48,839 --> 00:21:51,279
Speaker 2: I am doctor know hoim at character Wilhelm Institute in Berlin.

390
00:21:51,480 --> 00:21:53,880
I have to talk with Professor Polter. You know what

391
00:21:54,000 --> 00:21:54,319
I long?

392
00:21:54,599 --> 00:22:02,759
Speaker 4: I am with me, But God took him to the

393
00:22:02,839 --> 00:22:07,279
man he responsible for Professor POD's safety, the man named Louisi.

394
00:22:08,599 --> 00:22:11,680
Speaker 2: So you are doctor Norheim from the tier will have

395
00:22:11,799 --> 00:22:14,599
the institute in Berlin. I am here to confer with

396
00:22:14,680 --> 00:22:18,240
Professor poter Prase. We were not the advice of your calling.

397
00:22:19,200 --> 00:22:27,559
You have identifications, sudenly, Uh so take me to him please.

398
00:22:27,680 --> 00:22:29,519
I would think it is a live dress if the

399
00:22:29,559 --> 00:22:31,759
professor will see. He was then in a moment.

400
00:22:34,119 --> 00:22:35,000
Speaker 5: All man very.

401
00:22:37,839 --> 00:22:40,160
Speaker 2: I'm not from Berlin, professor, and I'm not doctor Noheim.

402
00:22:40,240 --> 00:22:43,240
I'm an American physicist and my name you are. I

403
00:22:43,319 --> 00:22:46,880
don't care what comes America. You've got the lessons. Think

404
00:22:47,680 --> 00:22:50,039
how dare you put me in a few years ago

405
00:22:50,160 --> 00:22:52,160
you wrote me a letter. At the end of it

406
00:22:52,240 --> 00:22:55,279
you said, only a free science in the service of

407
00:22:55,359 --> 00:22:58,799
all humanity can be a good science. Who are you?

408
00:22:59,359 --> 00:22:59,640
Speaker 4: Hell a?

409
00:22:59,759 --> 00:23:03,799
Speaker 2: Yes, this is impossible. I refuse to say another word.

410
00:23:04,319 --> 00:23:12,519
You real like what you Yes? Yes, profession.

411
00:23:14,599 --> 00:23:15,440
Speaker 5: Rang didn't you?

412
00:23:16,559 --> 00:23:22,920
Speaker 2: I am study Luisy. I seem to be houtest of Matthews. Yeah,

413
00:23:23,680 --> 00:23:28,559
thank you, Luisy. Yes, we ought to be alone, not

414
00:23:28,880 --> 00:23:34,039
enough on the NYE and you will thank you. I

415
00:23:34,799 --> 00:23:37,200
I can't be play of hellow scientists. But we have

416
00:23:37,279 --> 00:23:40,480
nothing to talk about. But that's a party. You're working

417
00:23:40,519 --> 00:23:43,119
on nuclear fision for the Nastist But I can't believe

418
00:23:43,119 --> 00:23:45,200
you're doing it willing what you had no right to

419
00:23:45,200 --> 00:23:48,079
stepadize me by coming here. Catherine Lawler gave me the right.

420
00:23:50,319 --> 00:23:52,279
I spoke with her just before the Nazis killed her.

421
00:23:53,799 --> 00:23:58,880
Cothy they murdered because he wouldn't let criminals use a knowledge?

422
00:23:59,279 --> 00:24:01,440
So what do you want if they could murder me too?

423
00:24:01,839 --> 00:24:04,039
I only want information. I want my life, all right,

424
00:24:04,079 --> 00:24:06,319
this fight, I don't care. I care about my only

425
00:24:06,400 --> 00:24:08,720
my tax I don't believe you what hold they have

426
00:24:08,880 --> 00:24:11,839
on you? Hold no hold. I'm as free as are.

427
00:24:12,559 --> 00:24:14,279
All they have is the only person in the world.

428
00:24:14,319 --> 00:24:16,200
I care about my daughter. To my ear, they have her.

429
00:24:17,720 --> 00:24:19,960
They let us send me a postcard once a week,

430
00:24:21,319 --> 00:24:25,000
and I let them pick my brain once a week.

431
00:24:25,079 --> 00:24:29,680
I cried, Yeah the night TI three. Now they set

432
00:24:29,680 --> 00:24:34,000
them to take my ear intocause you said meon the

433
00:24:34,079 --> 00:24:39,559
poety was safe in another country. What where is promised

434
00:24:39,559 --> 00:24:43,160
to live under guard at the hotel extensive BRUGI, oh,

435
00:24:44,079 --> 00:24:47,720
let us be an increase in America. Give me one

436
00:24:47,839 --> 00:24:49,880
letter in the handwriting, and now you can do better

437
00:24:49,920 --> 00:24:52,720
than that. We can take you out too, take me.

438
00:24:53,279 --> 00:24:56,599
It can be arranged if you will trust me, don't

439
00:24:56,640 --> 00:25:02,519
you No? No, I lived wrong and the Taca I

440
00:25:02,599 --> 00:25:05,839
got no one, but they're bout the nine me. If

441
00:25:05,880 --> 00:25:09,119
you have me, I have you until then. I don't

442
00:25:09,119 --> 00:25:12,720
think I'm a fool. Until then, I'll tell you not

443
00:25:20,400 --> 00:25:22,880
think he means that he won't talk until his daughter's safe.

444
00:25:22,960 --> 00:25:24,559
I know I means you think he's setting it out.

445
00:25:24,640 --> 00:25:25,559
Speaker 5: That will not be easy.

446
00:25:25,799 --> 00:25:27,519
Speaker 2: How do we go about it? Marchali and I will

447
00:25:27,519 --> 00:25:29,519
go about it? You stay foot? How long do you

448
00:25:29,559 --> 00:25:31,440
think you can wander around Italy without running into the

449
00:25:31,480 --> 00:25:34,400
gestape or the setting intelligence? You stay foot of the bills?

450
00:25:34,440 --> 00:25:36,599
Off where do I stay? This is the best place

451
00:25:36,680 --> 00:25:39,480
for a team with Jean. Just keep outside and away.

452
00:25:39,839 --> 00:25:41,599
If we find Paul this daughter, I'll put a notice

453
00:25:41,640 --> 00:25:45,400
in the papers announcing the death in action of Lieutenant

454
00:25:45,759 --> 00:25:46,759
Lieutenant Ronaldo.

455
00:25:46,839 --> 00:25:47,799
Speaker 4: I'm I'm not.

456
00:25:48,200 --> 00:25:50,160
Speaker 2: And when you see it's got to robbers he's called,

457
00:25:50,200 --> 00:25:52,519
then you'll have the professor on his office. There are

458
00:25:52,599 --> 00:25:55,279
part of an airfields in the north. A plain, probably British,

459
00:25:55,319 --> 00:25:57,079
will take you out. You know you're not the ing

460
00:25:57,160 --> 00:25:59,799
of canals. Take Paul of there? What if you don't

461
00:25:59,799 --> 00:26:02,240
get daughters? But if we don't hear from the fortunes

462
00:26:02,279 --> 00:26:05,000
of war, you'll be on your own way. Come, old man,

463
00:26:05,119 --> 00:26:07,240
we have an appointment of broach. That's how you first

464
00:26:07,319 --> 00:26:13,359
look out the door. There's no one at over? Well,

465
00:26:15,240 --> 00:26:17,319
no not just left. The cat in the hallway stalk

466
00:26:17,400 --> 00:26:22,200
here looks to us all. Having me on your hands

467
00:26:22,279 --> 00:26:23,519
is a little more you bargained for.

468
00:26:24,559 --> 00:26:27,119
Speaker 4: Please stop looking me over when you're.

469
00:26:27,119 --> 00:26:27,720
Speaker 2: Nice to look in.

470
00:26:28,440 --> 00:26:30,519
Speaker 4: It's not the scene in the opera. We are the

471
00:26:30,640 --> 00:26:34,039
people go the young couple is left alone. Only there

472
00:26:34,079 --> 00:26:36,799
isn't any music when you are not a pana.

473
00:26:37,400 --> 00:26:40,799
Speaker 2: Have it your own way? That cat? Are we going

474
00:26:40,839 --> 00:26:41,839
to have to listen to that? Or man?

475
00:26:42,440 --> 00:26:44,240
Speaker 4: You will be in that room with a door closed?

476
00:26:44,839 --> 00:26:46,680
Speaker 2: Sounds hungry? Got any milk? No?

477
00:26:47,400 --> 00:26:49,720
Speaker 4: Oh? I remember? Come some cows?

478
00:26:49,799 --> 00:26:53,039
Speaker 2: No good for babies? Maybe a piece of bread?

479
00:26:53,680 --> 00:26:57,799
Speaker 4: The American life pet Here you find pets and butchershop.

480
00:26:58,400 --> 00:26:59,319
Speaker 2: If something lucky?

481
00:27:00,079 --> 00:27:02,640
Speaker 4: Uh, nothing's going to the other room, nine tied?

482
00:27:03,119 --> 00:27:05,599
Speaker 2: Tell me something. How does a girl like you get

483
00:27:05,680 --> 00:27:08,119
used to this kind of life? Do you think anyone

484
00:27:08,200 --> 00:27:11,559
gets used to it? I think you do, wonderfully. I

485
00:27:11,640 --> 00:27:13,200
never knew a girl with so much courage.

486
00:27:13,680 --> 00:27:18,279
Speaker 4: Hurry, you know nothing about cats and nothing about people.

487
00:27:18,920 --> 00:27:22,480
You'll live like like a lather you lie in the

488
00:27:22,559 --> 00:27:26,240
grave waiting for the savior to come. Well, good night.

489
00:27:26,559 --> 00:27:27,920
Speaker 2: It's better if you get some people too.

490
00:27:27,920 --> 00:27:28,279
Speaker 4: Good night.

491
00:27:29,319 --> 00:27:32,680
Speaker 8: Well, I don't hear the cat anymore, even catler, and

492
00:27:32,759 --> 00:27:35,440
it's no use surprise they do.

493
00:27:35,720 --> 00:27:40,359
Speaker 2: Huh, all right, get in here.

494
00:27:42,039 --> 00:27:46,720
Speaker 4: I hope you have cleaned a cup of bread. You said, well,

495
00:27:46,799 --> 00:27:49,319
here's a clap of bread. Now you shut up all

496
00:27:49,400 --> 00:27:50,599
I throw you out the window.

497
00:27:51,559 --> 00:27:53,960
Speaker 2: Good night, Cina, good night.

498
00:27:56,279 --> 00:28:01,559
Speaker 4: Oh yeah, Hi, don't mean all I say.

499
00:28:02,960 --> 00:28:03,599
Speaker 2: I know you don't.

500
00:28:08,400 --> 00:28:09,440
Speaker 4: I don't mean anything.

501
00:28:23,160 --> 00:28:25,359
Speaker 2: You know, what is it? Hey know you're all right?

502
00:28:25,400 --> 00:28:33,279
Answer me? H oh hello?

503
00:28:34,359 --> 00:28:36,920
Speaker 4: Why'd you listen? Had your fighting me?

504
00:28:37,119 --> 00:28:42,079
Speaker 2: Like this? Thought your worldwa? I heard you were mm hm,

505
00:28:43,359 --> 00:28:52,759
I must have been dreaming. You've been fighting in the

506
00:28:52,839 --> 00:28:53,960
box hill for a long time.

507
00:28:56,559 --> 00:29:07,160
Speaker 4: Kay, nice good night, I say to myself. Maybe, well

508
00:29:07,240 --> 00:29:08,519
maybe for a whole week.

509
00:29:09,599 --> 00:29:10,720
Speaker 5: It'll be easy.

510
00:29:12,240 --> 00:29:17,160
Speaker 4: Than you m sing a loom that's what.

511
00:29:22,880 --> 00:29:23,519
Speaker 6: Not even?

512
00:29:27,480 --> 00:29:32,079
Speaker 2: Yes, like the other it's the janet.

513
00:29:32,200 --> 00:29:33,160
Speaker 9: Have you seen my chat?

514
00:29:34,160 --> 00:29:35,599
Speaker 2: Yes, yes, it's it's.

515
00:29:35,519 --> 00:29:38,759
Speaker 4: A wait wait a minute, thank you area second.

516
00:29:40,000 --> 00:29:43,839
Speaker 9: Yeah, this time you're hung your way, it's so hungry.

517
00:29:47,039 --> 00:29:48,279
Speaker 4: Don't ta downstairs?

518
00:29:48,759 --> 00:29:50,920
Speaker 2: Yeah, I cries in arena. But all the time she

519
00:29:51,079 --> 00:29:54,279
runs away. Well this time, oh damn, if you.

520
00:29:54,319 --> 00:29:55,720
Speaker 5: Ty to run away, I get a.

521
00:29:55,799 --> 00:29:57,680
Speaker 9: Thought, it's all right to just on any other role.

522
00:30:00,079 --> 00:30:03,640
Oh this man from.

523
00:30:05,319 --> 00:30:08,519
Speaker 4: And my husband I was married yesterday. Oh yeah, he

524
00:30:08,559 --> 00:30:09,720
doesn't seek Italian.

525
00:30:10,440 --> 00:30:14,680
Speaker 2: Married regulations with the police.

526
00:30:14,920 --> 00:30:15,759
Speaker 4: Yes, of course.

527
00:30:16,200 --> 00:30:17,880
Speaker 2: And I wish you a long life. We've got the

528
00:30:18,599 --> 00:30:22,759
good thoughts a lady and gentlemen. Good thought.

529
00:30:24,160 --> 00:30:27,960
Speaker 6: It has to be the it's always a little.

530
00:30:27,759 --> 00:30:30,359
Speaker 4: Things that needs we can't plan that make us end

531
00:30:30,440 --> 00:30:31,440
up in the hand of the police.

532
00:30:31,680 --> 00:30:33,480
Speaker 2: What do you mean, I mean we can't.

533
00:30:33,279 --> 00:30:36,319
Speaker 4: See you any longer. But Janeta had to report anyone.

534
00:30:36,119 --> 00:30:38,960
Speaker 2: New in the house. I can't register with the police.

535
00:30:39,200 --> 00:30:39,920
I made a mistake.

536
00:30:40,640 --> 00:30:42,400
Speaker 4: I didn't have a telling you or my husband and

537
00:30:42,480 --> 00:30:44,519
our work. There is no room for that thought of guide.

538
00:30:45,400 --> 00:30:46,960
Speaker 2: Don't be a sense of your pride. You know.

539
00:30:48,960 --> 00:30:53,279
Speaker 4: Before and now you say things that make me feel

540
00:30:53,480 --> 00:30:57,039
easier inside. Maybe you see characters and.

541
00:30:57,160 --> 00:30:58,160
Speaker 2: Maybe you like people.

542
00:30:59,400 --> 00:30:59,880
Speaker 4: I like that.

543
00:31:01,799 --> 00:31:04,599
Speaker 2: Sina, that picture of you. When would that take him?

544
00:31:05,359 --> 00:31:10,839
Speaker 4: Just before the war one hundred years ago. Well, tomorrow

545
00:31:10,839 --> 00:31:12,000
I will take you somewhere away.

546
00:31:12,039 --> 00:31:12,680
Speaker 2: You will be safe.

547
00:31:13,200 --> 00:31:13,920
Speaker 4: Then I'll find the.

548
00:31:13,960 --> 00:31:19,160
Speaker 2: Roof for us if I can, let's picture. You haven't changed, Cina,

549
00:31:20,359 --> 00:31:21,200
You're very beautiful.

550
00:31:30,400 --> 00:31:33,880
Speaker 4: At daylight, we started walking. It's not too difficult to

551
00:31:33,920 --> 00:31:36,400
find a hiding place in the rubble left by the bombit.

552
00:31:37,519 --> 00:31:39,839
I took him to what had been an amusement.

553
00:31:39,400 --> 00:31:41,039
Speaker 2: Park, to the car fell.

554
00:31:42,000 --> 00:31:44,519
Speaker 4: The wooden horses that once had looked so wild and

555
00:31:44,720 --> 00:31:49,160
fierce seems more real than ever, now shattered and splintered

556
00:31:49,200 --> 00:31:53,359
in the careless attitude of death. When I returned, it

557
00:31:53,480 --> 00:31:54,200
was almost dark.

558
00:31:55,880 --> 00:31:59,640
Speaker 2: Who is it, oh, If you will put down your gun,

559
00:31:59,759 --> 00:32:00,319
I tell.

560
00:32:00,200 --> 00:32:06,279
Speaker 4: You something better than food, an apartment, three rooms and

561
00:32:06,440 --> 00:32:07,960
the boss for three days?

562
00:32:08,400 --> 00:32:10,519
Speaker 2: Who's giving us all? Left at schools?

563
00:32:10,519 --> 00:32:14,279
Speaker 4: Because I want you a fascist party member. I told

564
00:32:14,319 --> 00:32:17,039
her the German friend was very important, and she was

565
00:32:17,319 --> 00:32:18,359
very proud of me.

566
00:32:20,720 --> 00:32:21,400
Speaker 2: Well, not sad.

567
00:32:21,920 --> 00:32:24,440
Speaker 4: What's this you've been doing? All this writing on the board.

568
00:32:25,279 --> 00:32:27,440
Speaker 2: I got nervous waiting for it. I try to keep busy.

569
00:32:27,799 --> 00:32:32,240
What is it a problem in mathematics? I don't believe you.

570
00:32:32,720 --> 00:32:34,920
I imagined I was riding one of those wooden horses.

571
00:32:35,119 --> 00:32:36,799
I tried to figure out how far I would go

572
00:32:36,839 --> 00:32:38,680
all together, going around and up and down at the

573
00:32:38,720 --> 00:32:42,319
same time. This place must have been a nice one.

574
00:32:42,799 --> 00:32:46,039
Did music ever come mere Genia before the war?

575
00:32:46,759 --> 00:32:49,240
Speaker 4: Only the music played during Minister all the time?

576
00:32:49,400 --> 00:32:53,079
Speaker 2: You know the Passis song followed it from me tell

577
00:32:53,160 --> 00:32:53,680
here with a boy?

578
00:32:54,079 --> 00:32:58,160
Speaker 4: Yeah when you like Yeah, you played.

579
00:32:57,960 --> 00:32:58,680
Speaker 2: The cellow.

580
00:33:00,119 --> 00:33:02,920
Speaker 4: Now somewhere without its chillo.

581
00:33:04,400 --> 00:33:07,279
Speaker 2: Maybe after the war I might come back and I'd

582
00:33:07,319 --> 00:33:09,799
bring you here. The music would be different.

583
00:33:10,640 --> 00:33:11,599
Speaker 4: You won't come back.

584
00:33:12,079 --> 00:33:13,680
Speaker 2: I might? Why not?

585
00:33:15,279 --> 00:33:16,640
Speaker 6: Well, it's kind we got out of here.

586
00:33:16,839 --> 00:33:19,839
Speaker 2: Things to go now? Oh yes, I almost forgot about

587
00:33:19,880 --> 00:33:21,279
that apartment with the bell.

588
00:33:31,799 --> 00:33:35,720
Speaker 4: You know something else? I feel good all of a sudden.

589
00:33:35,880 --> 00:33:39,200
Speaker 2: I feel is good, this apartment, the food you found,

590
00:33:39,519 --> 00:33:42,200
I feel good too. I don't want to move out

591
00:33:42,240 --> 00:33:45,440
of his chair all night. What are you doing?

592
00:33:46,359 --> 00:33:48,279
Speaker 4: You're too comfortable to open your eyes.

593
00:33:49,079 --> 00:33:56,960
Speaker 2: I'm combing my hair, so you are? Yeah, what are

594
00:33:56,960 --> 00:33:57,559
you having.

595
00:33:59,400 --> 00:34:03,640
Speaker 4: Nothing tonight? I am pree wardina I think smart of

596
00:34:03,759 --> 00:34:11,280
children in school, very round here that around Wenday. I

597
00:34:11,400 --> 00:34:20,360
play same the music, yeah, m I'm very innocent. Yeahay,

598
00:34:22,360 --> 00:34:23,960
And I'm easy to bluff.

599
00:34:25,159 --> 00:34:26,360
Speaker 2: I mean here, He's done all right to you.

600
00:34:27,039 --> 00:34:29,920
Speaker 4: You'll see I'm still pretty.

601
00:34:31,519 --> 00:34:31,639
Speaker 2: Well.

602
00:34:31,679 --> 00:34:34,559
Speaker 4: Even if you don't think so all the fastest men,

603
00:34:34,679 --> 00:34:36,199
I mean, they tell me I'm pretty.

604
00:34:36,400 --> 00:34:39,719
Speaker 2: I'm Why do you say that you brought it up?

605
00:34:40,800 --> 00:34:42,039
Speaker 4: You're jealous as a person.

606
00:34:42,679 --> 00:34:44,880
Speaker 2: Do you think I shouldn't be jealous? Do you want

607
00:34:44,920 --> 00:34:45,679
me to say for you?

608
00:34:46,480 --> 00:34:47,599
Speaker 4: Do you want to dance for you?

609
00:34:48,679 --> 00:34:51,960
Speaker 2: Maybe I am jealous, you know, maybe more than anything

610
00:34:52,000 --> 00:34:54,119
in the world. I want to don't love to me.

611
00:34:54,840 --> 00:34:58,800
Speaker 4: Don't be somebody I like. I You feel like kicking me,

612
00:34:58,920 --> 00:35:02,320
and I feel like kicking usual with it. Don't be

613
00:35:02,400 --> 00:35:08,079
serious in my job. I kick without feeling. Last week

614
00:35:08,280 --> 00:35:09,679
a staple man with a CIMU.

615
00:35:09,760 --> 00:35:12,199
Speaker 6: Start next week.

616
00:35:12,239 --> 00:35:14,000
Speaker 4: I fat from the posy.

617
00:35:17,320 --> 00:35:19,440
Speaker 2: You know what is it? Why do you insist on

618
00:35:19,519 --> 00:35:20,400
punishing the stuff?

619
00:35:24,960 --> 00:35:28,559
Speaker 4: Do you think? Do you think it's good to be

620
00:35:28,639 --> 00:35:29,800
a pore on the underground?

621
00:35:31,519 --> 00:35:34,320
Speaker 2: Do you think it's exciting? You're really.

622
00:35:35,639 --> 00:35:38,880
Speaker 4: No. If you fights come, you become scum at all.

623
00:35:40,119 --> 00:35:43,400
Speaker 2: No. I know what you are. Not so far from

624
00:35:43,440 --> 00:35:48,400
that little girl in the photograph, Not so far. See

625
00:35:48,480 --> 00:35:48,719
it is.

626
00:35:54,400 --> 00:35:56,679
Speaker 4: Good evening, good evening.

627
00:35:57,079 --> 00:35:58,280
Speaker 2: We are on the content.

628
00:35:58,639 --> 00:36:01,000
Speaker 10: You're gonna for the world often.

629
00:36:01,639 --> 00:36:05,079
Speaker 6: If you could help, please my purse this moment.

630
00:36:05,960 --> 00:36:08,239
Speaker 2: Thank you you live anything?

631
00:36:08,880 --> 00:36:16,679
Speaker 4: Yes, gods? Well two sisters collecting her war of anything

632
00:36:16,719 --> 00:36:19,960
wrong with that turn? I want to look out the window.

633
00:36:20,119 --> 00:36:20,920
Speaker 2: What are you worried about?

634
00:36:21,119 --> 00:36:24,159
Speaker 4: They're not real sisters. You know we're stopping at an

635
00:36:24,199 --> 00:36:28,159
automobile parted at the corner. We've been waste away from

636
00:36:28,159 --> 00:36:30,480
the window. Now wait a minute, I say we have

637
00:36:30,599 --> 00:36:33,440
to go as you stay inside and I follow my feelings.

638
00:36:33,599 --> 00:36:34,719
Speaker 2: Is anyone getting out of the car.

639
00:36:35,119 --> 00:36:36,719
Speaker 4: No, the car's leading.

640
00:36:38,159 --> 00:36:40,519
Speaker 2: The car wouldn't have left. I know something is wrong.

641
00:36:41,159 --> 00:36:42,480
Speaker 4: You must get out and quick.

642
00:36:54,880 --> 00:36:57,880
Speaker 2: We can scree here for the night, a merry go round.

643
00:36:58,800 --> 00:36:59,719
If the moon is bright.

644
00:37:00,039 --> 00:37:02,559
Speaker 4: You can work on your problem up and down and

645
00:37:02,679 --> 00:37:03,800
around at the same time.

646
00:37:04,559 --> 00:37:08,159
Speaker 2: And tomorrow, tomorrow we'll move on the two people in

647
00:37:08,239 --> 00:37:09,519
the suspision. We got a way off.

648
00:37:10,039 --> 00:37:11,079
Speaker 4: I trapped my feelings.

649
00:37:12,239 --> 00:37:15,360
Speaker 6: I'm shaking all I'm shaking all over.

650
00:37:16,559 --> 00:37:18,639
Speaker 2: Come stay close.

651
00:37:20,239 --> 00:37:25,079
Speaker 4: Now you got to kiss every day and fall apart

652
00:37:25,159 --> 00:37:28,400
a looking more too much, wine.

653
00:37:29,400 --> 00:37:37,639
Speaker 2: Too much, fight, too much. You're going to be all right,

654
00:37:38,320 --> 00:37:38,840
don't worry.

655
00:37:40,239 --> 00:37:43,119
Speaker 4: I want you to light me air. I want you

656
00:37:43,239 --> 00:37:46,360
to be jealous of me. I want you to think

657
00:37:47,599 --> 00:37:49,280
I'm a girl and a white dress.

658
00:37:50,800 --> 00:38:06,639
Speaker 2: We've never been kissed. The whole for three days.

659
00:38:06,719 --> 00:38:10,079
Speaker 4: We kept moving a big circle, mostly in the countryside,

660
00:38:10,480 --> 00:38:12,320
but close enough so I could walk to the city

661
00:38:12,360 --> 00:38:15,920
to get the newspapers every afternoon. And then I found

662
00:38:16,000 --> 00:38:18,119
it a notice of death.

663
00:38:18,920 --> 00:38:22,280
Speaker 2: What he had been waiting for doing. Let me see,

664
00:38:22,480 --> 00:38:24,119
thank you, said a many. But now to a money

665
00:38:24,400 --> 00:38:28,320
it's the l lieutenant with Now to our Madi, think

666
00:38:28,360 --> 00:38:29,239
you got around poor?

667
00:38:29,840 --> 00:38:32,920
Speaker 4: Yes, now we go to Romany a poor dentist.

668
00:38:33,360 --> 00:38:34,079
Speaker 2: Think he said.

669
00:38:33,920 --> 00:38:34,880
Speaker 4: Paula would need that there.

670
00:38:35,639 --> 00:38:38,360
Speaker 2: But then what we'll know? Soon enough the nightmare is

671
00:38:38,400 --> 00:38:39,880
over to you and.

672
00:38:39,920 --> 00:38:41,880
Speaker 4: Another one starts getting colder and his.

673
00:38:41,960 --> 00:38:44,239
Speaker 2: Daughter we'll manage. We'll do fine.

674
00:38:47,639 --> 00:38:49,480
Speaker 4: Or in our work you need a man or a

675
00:38:49,559 --> 00:38:52,480
woman For a day or a week, men go by,

676
00:38:53,480 --> 00:38:56,119
but then one day I've come close.

677
00:38:57,039 --> 00:38:58,800
Speaker 6: Maybe in peacetime I don't even.

678
00:38:58,679 --> 00:39:04,039
Speaker 4: Look at him. Maybe I say, really American tourists. But

679
00:39:04,199 --> 00:39:08,360
now I tell you, I like very much with Americans.

680
00:39:09,000 --> 00:39:18,039
I wanted to know why only like Easia, Why sometimes.

681
00:39:19,960 --> 00:39:22,719
Speaker 2: I stop looking at you. We've got to go to Romany.

682
00:39:31,360 --> 00:39:33,440
Speaker 9: It was now protecting identification.

683
00:39:33,760 --> 00:39:35,239
Speaker 5: Let's bbs the column.

684
00:39:35,280 --> 00:39:40,800
Speaker 2: We are broadcasting that a m X, A M and

685
00:39:41,039 --> 00:39:58,800
FM was Angelos in a moment we'll return with a

686
00:39:58,880 --> 00:40:01,679
third act of the conductor line.

687
00:40:01,760 --> 00:40:04,519
Speaker 11: A movie's personality has been discovered on the stage of

688
00:40:04,559 --> 00:40:07,960
the famous Papadina Playhouse. But our guest this evening is

689
00:40:08,000 --> 00:40:10,480
the very first to be spotted in the audience fire

690
00:40:10,559 --> 00:40:12,400
talent scout, A Tenny scout.

691
00:40:12,480 --> 00:40:15,920
Speaker 3: He turned out to be, because since then Margaret Fields.

692
00:40:15,800 --> 00:40:19,320
Speaker 2: Paramount Starlet, has been casting. Roll out the robo. How

693
00:40:19,360 --> 00:40:21,960
many parts of you had, Margret? They mean soil fine

694
00:40:22,039 --> 00:40:22,559
a security.

695
00:40:22,840 --> 00:40:25,320
Speaker 4: And when I'm not actually working myself, I spend much

696
00:40:25,320 --> 00:40:27,280
of my time on the sound stage of watching.

697
00:40:27,039 --> 00:40:29,639
Speaker 2: The stars work. An enjoyable way to learn about movie

698
00:40:29,719 --> 00:40:31,440
making isness marts certainly is.

699
00:40:31,960 --> 00:40:34,199
Speaker 12: And that was especially true when I watched the filming

700
00:40:34,239 --> 00:40:37,360
of SMIs Sister and No Wonder It's the next montomedy

701
00:40:37,440 --> 00:40:42,000
with two unusually gifted axtsses, Ronica Lake and Johan Calfield exact,

702
00:40:42,360 --> 00:40:45,840
and you simply love Veronick and jonas two glamorous gold diggers.

703
00:40:46,079 --> 00:40:48,719
Speaker 2: They're adorable, they are indeed, you know.

704
00:40:48,920 --> 00:40:52,079
Speaker 3: Perhaps that's why Baldie Fitzgerald plays his role of Guardian

705
00:40:52,159 --> 00:40:53,280
Angel Jo convincingly.

706
00:40:53,599 --> 00:40:56,880
Speaker 4: Perhaps you see, he has the job of reforming.

707
00:40:56,559 --> 00:41:00,719
Speaker 3: Hotel most doctors would cover that role, reforming two such

708
00:41:00,800 --> 00:41:04,119
gorgeous blonde and the here's one special John they have in.

709
00:41:04,159 --> 00:41:07,159
Speaker 2: Common, how about it, John Kennedy? Yes, anyone who wants

710
00:41:07,159 --> 00:41:09,519
to see two of the prettiest lux girls in Hollywood

711
00:41:09,960 --> 00:41:13,320
are not the mister Saint the sisters. It's double poof

712
00:41:13,400 --> 00:41:15,800
of how effective lux soap care can be.

713
00:41:16,239 --> 00:41:17,320
Speaker 4: Oh yes, Sai to Kennedy.

714
00:41:17,800 --> 00:41:20,679
Speaker 12: Both those lovely stars depend on daily beauty faces with

715
00:41:20,800 --> 00:41:21,639
lux toilet soap.

716
00:41:21,960 --> 00:41:24,159
Speaker 2: It's so important to have nice little fa many work

717
00:41:24,239 --> 00:41:24,679
on tissues.

718
00:41:25,000 --> 00:41:27,440
Speaker 4: I wouldn't dream of missing my luck soap face ever.

719
00:41:27,840 --> 00:41:30,760
Speaker 2: Easy to see your lux girl too. Thanks miss mind

720
00:41:30,800 --> 00:41:34,440
res Fields for reminding our listeners that fragrant white luck

721
00:41:34,519 --> 00:41:38,440
toilets hope is Hollywood's own complexions help. Nine out of

722
00:41:38,519 --> 00:41:42,320
ten screen stars recommend it. You know, so why not

723
00:41:42,440 --> 00:41:45,360
take a tip from the world's loveliest women begin using

724
00:41:45,480 --> 00:41:50,480
luck toilets hope for your precious complexion. Tomorrow we return

725
00:41:50,519 --> 00:41:54,400
you now to William Keeley. Our curtain rises on Act

726
00:41:54,480 --> 00:41:58,280
three are Clothes and Dyer Darling, Ronald Reagan as Jesper

727
00:41:58,599 --> 00:41:59,599
and Lillie Palmer.

728
00:42:09,000 --> 00:42:14,639
Speaker 4: The nightmare is over, and he had said will your manner. Normally,

729
00:42:14,719 --> 00:42:17,079
the dentist had his office in a small building with

730
00:42:17,199 --> 00:42:19,960
two or three other medical men. You entered the building

731
00:42:20,000 --> 00:42:23,760
from a courtyard. There was a fountain there, even flowers,

732
00:42:25,719 --> 00:42:28,320
and somewhere in a cafania by a man was singing

733
00:42:29,760 --> 00:42:35,320
the nightmare smed over except bending near the fountain was

734
00:42:35,400 --> 00:42:39,679
the man who always watched over, Professor Poder Louisy of the.

735
00:42:39,679 --> 00:42:44,880
Speaker 2: Secret Police Louisi, What are you doing here? Is there

736
00:42:44,920 --> 00:42:47,360
any other way of getting into Romany's office? No, you

737
00:42:47,519 --> 00:42:48,920
will here. What are you going to do?

738
00:42:49,320 --> 00:42:54,480
Speaker 4: Well, there's no time. I couldn't, but you can't risk.

739
00:42:55,320 --> 00:42:57,079
I'll walk in there and I'll last.

740
00:42:57,400 --> 00:42:59,960
Speaker 2: I'll start talking to him because you recognize him, maybe

741
00:43:00,119 --> 00:43:00,639
knows who you are.

742
00:43:00,960 --> 00:43:03,320
Speaker 4: But by that time you can come up handing him.

743
00:43:03,760 --> 00:43:06,400
Speaker 2: Use the butt of your gunny, go ahead.

744
00:43:07,440 --> 00:43:10,239
Speaker 4: I walked into the courtyard. I was not very artful

745
00:43:10,239 --> 00:43:12,800
about it. I stopped in the Louisi and started to

746
00:43:12,880 --> 00:43:13,880
taking my stocking.

747
00:43:14,639 --> 00:43:15,199
Speaker 2: He came over.

748
00:43:16,000 --> 00:43:18,440
Speaker 4: He smiled and started to talk and.

749
00:43:18,480 --> 00:43:21,679
Speaker 2: Then put down that gun. You're crazy. I'm from the pony.

750
00:43:21,760 --> 00:43:24,360
Get into that doorway. It's the money you want doing this, girl.

751
00:43:24,400 --> 00:43:29,480
I just doctor doctor. I'm keep moving Louis pick.

752
00:43:29,360 --> 00:43:32,320
Speaker 4: Him into a gun. I threw myself on his arms,

753
00:43:32,760 --> 00:43:36,079
and Jess for got his hands around Lucy's. He couldn't

754
00:43:36,159 --> 00:43:36,480
kill him.

755
00:43:36,519 --> 00:43:38,559
Speaker 9: Then see her hurry get order.

756
00:43:39,599 --> 00:43:43,480
Speaker 4: When I returned befoorders, he was dragging Louisy's body behind

757
00:43:43,519 --> 00:43:46,280
some botts. The man in the cafe were still singing.

758
00:43:46,800 --> 00:43:50,079
He need tom come to the sea all at once.

759
00:43:50,079 --> 00:43:52,679
I remember it, I sang. My father used to sing

760
00:43:52,760 --> 00:43:54,719
to me on the warm summer evening.

761
00:44:08,039 --> 00:44:11,760
Speaker 2: Drive fair supported you. You had better drive the real

762
00:44:12,400 --> 00:44:15,400
It is naty a little too much, exactly that my age.

763
00:44:15,559 --> 00:44:17,880
I began all right, as soon as I see my

764
00:44:18,000 --> 00:44:25,800
daughters sat the car around the corner. Yes, he's dead, Louise,

765
00:44:27,119 --> 00:44:27,559
he's dead.

766
00:44:29,679 --> 00:44:33,719
Speaker 4: Look so it's just like killing a mad dog, except

767
00:44:34,000 --> 00:44:34,559
for the dog.

768
00:44:34,719 --> 00:44:38,719
Speaker 2: You can seel. Sorry, you know the road. I know

769
00:44:38,840 --> 00:44:40,480
the roads, I think he said the.

770
00:44:42,159 --> 00:44:46,599
Speaker 4: Farmhouse the disaion about three hours, if there are no delays.

771
00:44:56,159 --> 00:44:58,320
Speaker 2: That is the farm. Huh, that is where they have broke.

772
00:44:59,199 --> 00:45:02,960
Speaker 4: We'll know any minut which is so quiet, I don't

773
00:45:03,000 --> 00:45:03,679
see anybody.

774
00:45:04,119 --> 00:45:04,719
Speaker 5: Are you ready?

775
00:45:06,159 --> 00:45:08,480
Speaker 2: He's got a gun. It's all right, it's thinking.

776
00:45:08,880 --> 00:45:09,519
Speaker 4: What's the matter?

777
00:45:10,079 --> 00:45:14,559
Speaker 2: Yes, I think you need, Professor Bolder, how do you do?

778
00:45:15,280 --> 00:45:18,280
How do you do? Where did you get that uniform?

779
00:45:18,440 --> 00:45:21,360
How they recognize you? My traveling costume kind of a

780
00:45:21,480 --> 00:45:23,840
nice fit in it the moment I'm a captain in

781
00:45:23,880 --> 00:45:30,159
the Italian Army meet. I can't tell you what this means.

782
00:45:30,199 --> 00:45:32,760
Canarrow helping it like this? I will tell you what

783
00:45:32,880 --> 00:45:36,840
it means. Nothing. The man does what he can. I'll

784
00:45:36,880 --> 00:45:39,639
tell you one thing for now you're in uniform. You'll

785
00:45:39,639 --> 00:45:41,800
have a chest full of fruit salad on the day.

786
00:45:41,880 --> 00:45:44,760
Speaker 10: Maybe I have a chest full of fruiter salad or

787
00:45:44,800 --> 00:45:46,280
a chant a pool of bullet holes.

788
00:45:47,239 --> 00:45:49,599
Speaker 2: Later you'll meet to my son Achilli's with my salad.

789
00:45:50,440 --> 00:45:54,360
Speaker 10: Uh. You young people always you needed the old man,

790
00:45:54,760 --> 00:45:58,159
like me, like my Sally, like professor My daughter?

791
00:45:58,519 --> 00:46:00,840
Speaker 2: Wait would he be late tonight? They've gone to get her.

792
00:46:00,880 --> 00:46:01,840
Mutile infan.

793
00:46:03,400 --> 00:46:06,639
Speaker 3: Perfectly says, I'm very happy she's going to see her

794
00:46:06,719 --> 00:46:07,280
father again.

795
00:46:07,559 --> 00:46:09,760
Speaker 2: Run into any trouble, thinking now, not a hitch in

796
00:46:09,800 --> 00:46:11,880
the whole operation we worked at for a little girl

797
00:46:11,920 --> 00:46:15,400
in the hotel in BROGA nice kid, A little scared

798
00:46:15,440 --> 00:46:18,760
at first, but I am I feel to have better

799
00:46:18,880 --> 00:46:22,880
nat think too, I see you have a radio. Yeah,

800
00:46:23,039 --> 00:46:26,440
I'm expecting helping the footage any moment, but checking reservations

801
00:46:26,519 --> 00:46:28,360
for that's about Where do we need to plane in

802
00:46:28,440 --> 00:46:30,880
the field? About four miles from here, Seena norsewhere.

803
00:46:30,599 --> 00:46:32,760
Speaker 4: We can reach the field by automobile, all but the

804
00:46:32,840 --> 00:46:35,760
last two hundred yards. I'm here there ten minutes.

805
00:46:35,880 --> 00:46:38,159
Speaker 2: We'll have men there, four or five partisans with signal

806
00:46:38,239 --> 00:46:53,199
rights hold every calling you to put the plane will

807
00:46:53,360 --> 00:46:59,000
land at four a m? Was that all? What else

808
00:46:59,039 --> 00:47:01,119
did they say? Had to be brief? I think the

809
00:47:01,199 --> 00:47:03,119
might be detected. What thought of a planet light ten?

810
00:47:03,159 --> 00:47:04,760
How big? And they know that we pore us the

811
00:47:04,800 --> 00:47:08,880
professional's daughter, You and I Sina? Where are you going?

812
00:47:09,400 --> 00:47:11,320
Speaker 4: Just outside.

813
00:47:17,159 --> 00:47:17,480
Speaker 2: Sina?

814
00:47:18,760 --> 00:47:20,639
Speaker 4: I know I should be wishing they come quickly and

815
00:47:20,800 --> 00:47:24,159
lolly over, But I can only think that in a

816
00:47:24,280 --> 00:47:27,079
few hours we say good bye.

817
00:47:27,719 --> 00:47:30,199
Speaker 2: You're coming with us. There'll be a room on the plane.

818
00:47:31,280 --> 00:47:34,199
Speaker 4: There are so few of us, yes, even one who

819
00:47:34,320 --> 00:47:35,239
runs away of bed.

820
00:47:37,480 --> 00:47:40,119
Speaker 2: You know that. Yeah.

821
00:47:41,360 --> 00:47:51,440
Speaker 4: Shortly before midnight we heard them coming toward the farmhouse,

822
00:47:51,920 --> 00:47:53,719
my son, Kunara son.

823
00:47:53,679 --> 00:47:55,079
Speaker 2: And Professor Paula's daughter.

824
00:47:55,719 --> 00:47:58,679
Speaker 4: Even before the truck stopped, Colda had flung open the dog,

825
00:47:58,840 --> 00:47:59,760
Callington's Dona.

826
00:48:03,599 --> 00:48:06,679
Speaker 2: You're you're not seeing him in the maney of four stock.

827
00:48:06,920 --> 00:48:08,400
Speaker 9: Come in, come in and close the door.

828
00:48:08,840 --> 00:48:12,880
Speaker 2: Where is money here, professor? Here is your daughter? No?

829
00:48:14,079 --> 00:48:16,679
These women, I have never seen her before? What my dad?

830
00:48:16,719 --> 00:48:19,280
Who has my daughter? Where is my daughter? Who have

831
00:48:19,559 --> 00:48:24,079
doctor Jasper would make a gift. This woman is admittres.

832
00:48:25,159 --> 00:48:28,119
He's from the guest down my daughter in the cemetery

833
00:48:28,159 --> 00:48:31,920
of Perusia. But Betsy died six months ago. No, no,

834
00:48:32,079 --> 00:48:34,599
that's he's been lucky for me every week.

835
00:48:35,360 --> 00:48:37,320
Speaker 8: The handwriting is so easy to imitate.

836
00:48:37,519 --> 00:48:40,719
Speaker 2: Yes, doctor guest, some one's up there for not for

837
00:48:40,800 --> 00:48:45,559
life Germany. German soldiers put down everyone. They followed me here.

838
00:48:45,599 --> 00:48:50,760
They want to not like to leave no other child there. Listen, an,

839
00:48:54,400 --> 00:48:55,079
it's no use.

840
00:48:55,159 --> 00:48:55,599
Speaker 6: The house is.

841
00:48:55,559 --> 00:48:58,119
Speaker 2: Surrounded throwing her duns and go out with your hands

842
00:48:58,199 --> 00:49:02,400
up the ti for a while we fight, I shoot, I.

843
00:49:02,400 --> 00:49:04,679
Speaker 8: Take the back, take one window and out.

844
00:49:09,360 --> 00:49:12,079
Speaker 2: Thanks toot Sina for that man. It's just that nice

845
00:49:12,119 --> 00:49:16,000
to shoot woman. What for a woman to shoot woman? That?

846
00:49:16,280 --> 00:49:16,679
Speaker 4: I like.

847
00:49:21,559 --> 00:49:23,320
Speaker 2: They're running for a couple out there. It's like they

848
00:49:23,360 --> 00:49:25,199
gotta take the time about it, and they can afford.

849
00:49:25,239 --> 00:49:27,079
You'll probably have a whole crowd regiment out there like

850
00:49:27,159 --> 00:49:29,199
they like, well we can last to anyways, got guns

851
00:49:29,199 --> 00:49:32,519
and ammunition and give me a rifle. How sometimes one

852
00:49:32,559 --> 00:49:34,880
guy carries it well all, sometimes another. There's the way

853
00:49:34,920 --> 00:49:36,480
out of here for the seven grab the professor and

854
00:49:36,559 --> 00:49:39,039
Jean Peter. I can't do it, thinking that felt a start.

855
00:49:39,119 --> 00:49:40,519
Speaker 9: I mean out there any time you don't have to

856
00:49:40,559 --> 00:49:41,079
walk through the air.

857
00:49:41,119 --> 00:49:42,400
Speaker 5: There is that way, won't wait?

858
00:49:42,440 --> 00:49:43,840
Speaker 2: It can not say that. Why don't we all try

859
00:49:43,880 --> 00:49:45,800
it together? Because the only way you can make it

860
00:49:45,840 --> 00:49:47,480
is if we go up shooting the convince them we're

861
00:49:47,519 --> 00:49:48,039
all still.

862
00:49:47,880 --> 00:49:48,840
Speaker 5: Here, and now go on, get going.

863
00:49:49,000 --> 00:49:50,800
Speaker 2: No, my orders for to get the end of it,

864
00:49:50,840 --> 00:49:52,719
because we can get you out of it, Sina.

865
00:49:52,760 --> 00:49:54,039
Speaker 5: Get him out through the tap jorn.

866
00:49:53,920 --> 00:49:55,920
Speaker 2: An order this way.

867
00:49:59,079 --> 00:49:59,559
Speaker 8: And hurry.

868
00:50:00,159 --> 00:50:10,440
Speaker 5: Worry it's no here.

869
00:50:10,519 --> 00:50:15,079
Speaker 2: Hey, cann't going to be fun? May lay wait, I'll

870
00:50:15,159 --> 00:50:19,960
carry you. May he die, let him kill me like

871
00:50:20,320 --> 00:50:21,639
kiss that moment.

872
00:50:21,719 --> 00:50:24,480
Speaker 4: Maybe he was long. You can't see up now?

873
00:50:25,199 --> 00:50:25,760
Speaker 2: How much fun?

874
00:50:26,119 --> 00:50:26,920
Speaker 4: Half a mile? Maybe?

875
00:50:27,039 --> 00:50:31,239
Speaker 2: Maybe lest the planes landed, we heard the motors. Don't

876
00:50:31,280 --> 00:50:36,559
worry about always great joy.

877
00:50:36,840 --> 00:50:38,519
Speaker 5: Give him a few more minutes they would be here.

878
00:50:38,599 --> 00:50:40,679
Speaker 2: What about that man? Thinking Why isn't he here? The

879
00:50:40,880 --> 00:50:43,000
clothing makes their trouble? What if there's trouble? What are

880
00:50:43,000 --> 00:50:46,199
your part of whos doing here? I'm not given order being?

881
00:50:46,400 --> 00:50:49,679
Oh thanks, well, I'll give him five minutes and then

882
00:50:49,719 --> 00:50:49,920
we go.

883
00:50:52,000 --> 00:50:52,639
Speaker 5: Tell me to come.

884
00:50:53,320 --> 00:50:54,320
Speaker 8: I tell you here.

885
00:51:00,079 --> 00:51:02,599
Speaker 2: Phi a plain to. Can't put it like that? Good

886
00:51:02,760 --> 00:51:04,440
like you want? Let go get a ball right away?

887
00:51:06,119 --> 00:51:09,159
Speaker 4: No, No, he's an him. Maybe I'll stay with them,

888
00:51:09,519 --> 00:51:11,599
Maybe I'll go. I'll go back to the Vanna.

889
00:51:12,559 --> 00:51:13,159
Speaker 2: After the war.

890
00:51:13,599 --> 00:51:14,760
Speaker 4: Who knows what will do them?

891
00:51:15,199 --> 00:51:19,360
Speaker 2: I'm coming back, good thing, I'm coming back for you.

892
00:51:20,119 --> 00:51:22,239
Speaker 4: Yes, who knows?

893
00:51:22,880 --> 00:51:25,159
Speaker 2: Don't you want me to? If they don't, can't say

894
00:51:25,679 --> 00:51:37,960
say it now? Yeah, more than come back from me,

895
00:51:39,440 --> 00:51:44,840
please come back. I will die. I'll be back.

896
00:51:58,239 --> 00:52:02,599
Speaker 13: In May the war in Europe, I came back to Livorno,

897
00:52:03,119 --> 00:52:05,480
but there was no one I could go to. Our

898
00:52:05,559 --> 00:52:09,199
friends were dead and all but forgotten already. I wandered

899
00:52:09,239 --> 00:52:10,239
over to the amusement park.

900
00:52:10,599 --> 00:52:14,679
Speaker 2: Physically it was still unchanged, but people were there, and

901
00:52:14,800 --> 00:52:17,719
in the ruins children were playing, as if the will

902
00:52:17,840 --> 00:52:20,239
to erase the indignities of war would men. The broken

903
00:52:20,320 --> 00:52:23,320
horses of the Caroustan and the broken hearts.

904
00:52:26,320 --> 00:52:28,920
Speaker 14: There was even music, but these are the people for

905
00:52:29,000 --> 00:52:33,079
whom music and singing I like bread and wine. And

906
00:52:33,199 --> 00:52:39,639
then I saw Gina and she stood there insensible, staring

907
00:52:39,719 --> 00:52:41,400
at me like someone time of stone.

908
00:52:42,679 --> 00:52:46,119
Speaker 2: And I went to her and the stone knelted over

909
00:52:46,199 --> 00:52:46,679
their ears.

910
00:53:06,400 --> 00:53:10,519
Speaker 3: All an exciting drama, frillingly performed. Our thanks to Ronald

911
00:53:10,599 --> 00:53:11,880
Reagan and Lily Pond.

912
00:53:12,360 --> 00:53:14,559
Speaker 2: Come back you too, and take a weld of her bow.

913
00:53:19,480 --> 00:53:20,719
Speaker 3: And literally, I'm.

914
00:53:20,599 --> 00:53:23,440
Speaker 2: Sure our listeners ying Ronnie and me and all our

915
00:53:23,599 --> 00:53:27,400
past in welcoming you to Luck. Well, it's been a

916
00:53:27,480 --> 00:53:28,039
pega bill.

917
00:53:28,679 --> 00:53:31,199
Speaker 4: I haven't made many radio appearances. I've been in America

918
00:53:31,239 --> 00:53:33,760
for very long, but I've fallen in love with everything

919
00:53:33,760 --> 00:53:34,840
about it, and I'm.

920
00:53:34,760 --> 00:53:37,719
Speaker 3: Sure that America and Hollywood return that compliment.

921
00:53:37,760 --> 00:53:40,440
Speaker 2: Really, you know, I was pretty sure you'd go on American. Really,

922
00:53:40,440 --> 00:53:42,679
when I tell you the other night of the Hollywood Ballpark.

923
00:53:42,760 --> 00:53:45,679
Speaker 3: I imagine you find baseball very different from the cricket

924
00:53:45,880 --> 00:53:46,880
that you used to be in England.

925
00:53:47,079 --> 00:53:49,559
Speaker 4: Well, of course, in cricket, two baskets go to bat

926
00:53:49,639 --> 00:53:50,320
at the same town.

927
00:53:50,440 --> 00:53:52,440
Speaker 2: Oh what the Dodgers wouldn't give for a setup like that?

928
00:53:54,320 --> 00:53:56,360
It doesn't that make the game a little complicated. Oh

929
00:53:56,559 --> 00:53:58,159
not at all, Ronnie, It's simple. Yes.

930
00:53:58,400 --> 00:54:01,360
Speaker 4: After the batsman takes to stay, the bowler delivers a

931
00:54:01,400 --> 00:54:02,920
past goodly down the popping greed.

932
00:54:05,679 --> 00:54:08,000
Speaker 3: Of course, it could be a sword instead of a

933
00:54:08,039 --> 00:54:09,079
good blaze, Oh of course.

934
00:54:11,239 --> 00:54:11,880
Speaker 8: And then the.

935
00:54:11,960 --> 00:54:14,920
Speaker 4: Batsman returned to Daisy cutter trying to clear the leg

936
00:54:15,000 --> 00:54:16,000
and shortlists and a.

937
00:54:16,039 --> 00:54:18,400
Speaker 2: Long arm and a long off. In other words, he

938
00:54:18,480 --> 00:54:20,320
scores a hit, but does he score a run?

939
00:54:20,599 --> 00:54:20,800
Speaker 8: Oh?

940
00:54:21,320 --> 00:54:24,039
Speaker 4: You scored six ones on a hip sixt one.

941
00:54:24,960 --> 00:54:26,599
Speaker 2: Now I know the road you wrought to hear about

942
00:54:26,639 --> 00:54:30,119
this When it gains over, I suppose these team said

943
00:54:30,119 --> 00:54:31,760
to the other ripping show lads.

944
00:54:32,400 --> 00:54:35,599
Speaker 4: No, No, there's a common saying half every day, and

945
00:54:35,760 --> 00:54:37,920
that is we was robbed.

946
00:54:40,199 --> 00:54:42,519
Speaker 3: Well, Lily, I can see you're familiar with at least

947
00:54:42,599 --> 00:54:46,199
one phase of baseball, and I suspect from that lovely

948
00:54:46,280 --> 00:54:49,320
complexion you're familiar with another great American institution.

949
00:54:49,840 --> 00:54:51,159
Speaker 2: Lots go that I am.

950
00:54:51,119 --> 00:54:54,079
Speaker 4: Bell, As you suggested earlier tonight, it was a wonderful

951
00:54:54,119 --> 00:54:56,760
luxury when I was a Moveland and over here. Of course,

952
00:54:56,800 --> 00:54:57,760
I never intended to be.

953
00:54:57,840 --> 00:55:01,079
Speaker 3: Without it, A loyalty that dared with men, lovely American

954
00:55:01,159 --> 00:55:05,159
stars earlier, and incidentally, we have some interesting stars for

955
00:55:05,280 --> 00:55:05,719
next week.

956
00:55:06,039 --> 00:55:07,039
Speaker 2: What player you're presenting?

957
00:55:07,079 --> 00:55:09,920
Speaker 3: Bill a brand new screen hit and a selling drama

958
00:55:10,039 --> 00:55:15,280
of scent and oriental mystery. Its titles increase our stars,

959
00:55:15,960 --> 00:55:19,239
your draft and June Heavens playing the role that they

960
00:55:19,320 --> 00:55:19,920
performed so.

961
00:55:20,119 --> 00:55:22,559
Speaker 2: Ably on the screen. Well, I don't know whether that

962
00:55:22,639 --> 00:55:24,559
that groogle or a swerve bill, but it does sound

963
00:55:24,639 --> 00:55:28,440
like green entertainment. Good Night, good night, and many many facts.

964
00:55:36,159 --> 00:55:39,360
Where's Ludy Collins with some important views for the homemakers

965
00:55:39,400 --> 00:55:40,039
in our audience.

966
00:55:40,239 --> 00:55:43,159
Speaker 8: How would you like some modern heavy blazed aluminum rap

967
00:55:43,239 --> 00:55:46,360
your kissing and there's some thirty three and a third two.

968
00:55:47,239 --> 00:55:50,679
Speaker 2: It Imagine a set of two eight inch cake bands

969
00:55:50,760 --> 00:55:53,559
worth a dollar and fifteen cent for only seventy five cents,

970
00:55:54,239 --> 00:55:56,679
or a two court covered sauce band or a nine

971
00:55:56,719 --> 00:55:59,719
inch fripand worth two dollars each for only one dollar

972
00:55:59,760 --> 00:56:03,039
a p the famous Regal aluminum ware made of heavy

973
00:56:03,079 --> 00:56:06,039
cage aluminum with inside sunray finished and no twist, no

974
00:56:06,159 --> 00:56:08,960
burn handles the last word in modern kitchenware.

975
00:56:09,280 --> 00:56:11,639
Speaker 8: You can get these wonderful values when you send in

976
00:56:11,840 --> 00:56:15,280
box pops all rappers from any two of these famous

977
00:56:15,360 --> 00:56:20,639
liver products Lox Flake, rinso Lock, Parrot Soap, Life Boil

978
00:56:21,119 --> 00:56:23,719
Swan the other das all five.

979
00:56:24,079 --> 00:56:26,880
Speaker 2: Your dealer is running a buy two sail of liver products.

980
00:56:27,119 --> 00:56:29,519
You'll give you free order blanks for these handsome aluminum

981
00:56:29,519 --> 00:56:32,239
pieces and complete details for nailing in your order.

982
00:56:32,559 --> 00:56:35,880
Speaker 8: Well send your money together with box popped all rappers

983
00:56:35,960 --> 00:56:39,159
from two liver products on your name and address the

984
00:56:39,360 --> 00:56:45,280
Lever Brother's Company Homemakers Club, Box one, New York City.

985
00:56:46,079 --> 00:56:48,159
Orders will be sent post players entreaties.

986
00:56:48,360 --> 00:56:51,079
Speaker 2: The order expires on this first, nineteen forty eight. Is

987
00:56:51,159 --> 00:56:54,599
good only in continental United States, including Alaska and Hawaii,

988
00:56:55,000 --> 00:56:57,159
and the's subject to any state and local regulations.

989
00:56:57,239 --> 00:57:00,000
Speaker 8: To get one of these hondy order blanks, that your dealers.

990
00:57:06,280 --> 00:57:09,880
Speaker 3: Leave a brother company, the makers of Lucksided Soap joined

991
00:57:09,920 --> 00:57:10,880
me and inviting.

992
00:57:10,639 --> 00:57:13,199
Speaker 2: You to be with us again next Monday evening when the.

993
00:57:13,239 --> 00:57:17,800
Speaker 3: Lux Radio Theater presents your draft and June Habit in Indy.

994
00:57:18,599 --> 00:57:20,719
This is William Pery staying good nights to you.

995
00:57:21,320 --> 00:57:22,039
Speaker 2: Song Hollow.

996
00:57:29,320 --> 00:57:31,360
Speaker 5: Ronald Reagan is currently appearing in the Water.

997
00:57:31,199 --> 00:57:34,159
Speaker 2: Brothers production voice of the Turtle. Willie Palmer may currently

998
00:57:34,239 --> 00:57:36,920
between in the Notton Swelling production of My Girl Pisa.

999
00:57:37,920 --> 00:57:40,360
The screenplay Culkin Dagger was based on a book by

1000
00:57:40,440 --> 00:57:42,079
Corey Ford and Alisair mcdain.

1001
00:57:43,400 --> 00:57:45,880
Speaker 5: Light In our cast tonight were Jet Chambers.

1002
00:57:45,440 --> 00:57:50,079
Speaker 2: Thinky, Herbert Butterfield, Is Polder and William john Stone, Norman Field,

1003
00:57:50,239 --> 00:57:54,719
Rosina Wallace, Robert Griffin, Marjorie Hotel, Ben Wright, June Whitley,

1004
00:57:55,039 --> 00:57:59,320
Jane o Vellow, Jack mcuzzi, Edie mar Charles Latoor, Janet

1005
00:57:59,360 --> 00:58:03,400
Scott and Content. Our music was directed by Louis Silvers.

1006
00:58:04,079 --> 00:58:06,119
This program is we broadcast to our men and women

1007
00:58:06,199 --> 00:58:09,840
overseas through the worldwide facilities of the Armed Forces Radio Service.

1008
00:58:10,519 --> 00:58:12,719
And this is yourn answered John o'kan Kennedy reminding you

1009
00:58:12,719 --> 00:58:14,960
of the gneis Again Next Monday Night to hear in

1010
00:58:15,119 --> 00:58:20,760
Prigue with George Drafts and June Heaven. Ladies get Petterdens.

1011
00:58:20,760 --> 00:58:23,639
Then Station Old Bargain offers a lot of Turner ballpoint

1012
00:58:23,760 --> 00:58:27,320
pocket Perfumer regular double ninety five fat you get It's yours,

1013
00:58:27,599 --> 00:58:28,599
plus the supply.

1014
00:58:28,400 --> 00:58:31,159
Speaker 5: Of Halliot hobbadeers you perfume or only.

1015
00:58:31,119 --> 00:58:35,280
Speaker 2: Fifty cent Fashion's hearers successory for carrying per fume design

1016
00:58:35,360 --> 00:58:37,920
for lot of Turner who Sar's Opposite, Clark Gable and

1017
00:58:38,079 --> 00:58:42,079
MGMs Hir Homecoming. Then fifty cent with both blue and.

1018
00:58:42,280 --> 00:58:43,119
Speaker 5: Flats from an A.

1019
00:58:43,280 --> 00:58:48,480
Speaker 2: Pesterdon Cotton to Pesidence Bot seven seven six, Chicago, Illinois,

1020
00:58:48,840 --> 00:58:52,119
all for good United States and Territories only then tonight

1021
00:58:54,440 --> 00:58:55,880
they shut them us the next Monday night, so the

1022
00:58:55,920 --> 00:58:59,440
Let's Radio Theater presentation of Intrigue with George Drafts and

1023
00:58:59,519 --> 00:59:01,559
June Heaven, Thank Jan.

1024
00:59:01,400 --> 00:59:03,519
Speaker 5: For My Friend Emma, which follows immediately.

1025
00:59:03,199 --> 00:59:08,239
Speaker 2: All the most of these six This is CBS A,

1026
00:59:08,679 --> 00:59:13,079
n x AM and FM Los Angeles twenty five seconds

1027
00:59:13,159 --> 00:59:16,480
before seven pm the Ulva Bulliver watch time.

1028
00:59:17,880 --> 00:59:22,400
Speaker 1: Welcome Back Well. An interesting film and in some ways

1029
00:59:22,679 --> 00:59:26,280
a bit of a softer take on the OSS than

1030
00:59:26,400 --> 00:59:32,119
we've gotten either from the Kloakndagger series or certainly from

1031
00:59:32,239 --> 00:59:38,079
the two other film adaptations, with a very strong romantic feel.

1032
00:59:38,679 --> 00:59:43,400
Think back to OSS and it's a very different tone

1033
00:59:43,679 --> 00:59:47,760
than what you heard in that film adaptation. And this

1034
00:59:48,280 --> 00:59:51,960
was enhanced further by the ending monologue, which I think

1035
00:59:52,079 --> 00:59:57,400
was beautifully delivered by Reagan. The monologue not only featured

1036
00:59:57,519 --> 01:00:02,360
a happy ending and a reuni of our leading man

1037
01:00:02,480 --> 01:00:06,880
and lady but also paid tribute to the Italian people

1038
01:00:07,239 --> 01:00:12,679
emerging from under the boot of fascism and their resilience

1039
01:00:13,000 --> 01:00:18,960
and strength as a people on full display. This is

1040
01:00:19,760 --> 01:00:25,760
entirely original to the radio program. The film ends with

1041
01:00:26,159 --> 01:00:31,599
Alva flying away and a dirty faced Gina looking on

1042
01:00:32,519 --> 01:00:36,440
as he flies off into the distance, with no clue

1043
01:00:36,679 --> 01:00:39,519
as to what would happen next. Now to say that

1044
01:00:39,639 --> 01:00:43,000
it's different is not to say that it's bad. I

1045
01:00:43,119 --> 01:00:47,039
think it was actually quite enjoyable. You don't really get

1046
01:00:47,239 --> 01:00:52,800
much higher stakes than the Nazis trying to develop nuclear weapons,

1047
01:00:53,039 --> 01:00:56,519
plenty of action and adventure. I think Reagan did a

1048
01:00:56,639 --> 01:00:59,440
really good job in this, playing his character with a

1049
01:00:59,519 --> 01:01:02,559
lot of charm and decency. I think makes a good

1050
01:01:02,639 --> 01:01:07,599
substitute here for Gary Cooper. Lily Palmer does fine, although

1051
01:01:07,920 --> 01:01:11,280
as she said, she hadn't done as much radio and

1052
01:01:11,480 --> 01:01:15,039
that shows maybe in a few scenes. And beyond that,

1053
01:01:15,280 --> 01:01:21,880
they're supported by a strong cast of radio regulars. And

1054
01:01:22,000 --> 01:01:25,599
one thing that makes Locks work so well when it

1055
01:01:25,719 --> 01:01:29,400
comes to adapting films is that they can put together

1056
01:01:30,159 --> 01:01:34,519
the type of casts that are necessary to make a

1057
01:01:34,679 --> 01:01:39,519
big film feel really epic, and having those extra actors

1058
01:01:39,800 --> 01:01:43,239
does make a difference versus so many radio dramas which

1059
01:01:43,400 --> 01:01:48,519
tended to be limited to say, six or seven performers total.

1060
01:01:48,719 --> 01:01:55,480
I did find the closing conversation about cricket amusing I'm

1061
01:01:55,559 --> 01:01:59,920
a baseball fan and I'm curious about cricket, but any

1062
01:02:00,320 --> 01:02:06,159
time I try to understand it quickly get as lost

1063
01:02:06,199 --> 01:02:09,679
as Reagan did here. And of course Reagan would know

1064
01:02:09,800 --> 01:02:14,559
about it, as his whole career began with being a

1065
01:02:14,719 --> 01:02:20,719
baseball announcer Radio Craigett. That's a challenge for comments and

1066
01:02:21,000 --> 01:02:24,960
feedback now, and we have a few comments regarding the

1067
01:02:26,000 --> 01:02:32,400
adaptation of OSS and we start on Patreon, where Emmitt writes,

1068
01:02:32,920 --> 01:02:35,719
this was a good one, Adam. I've offered wondered why

1069
01:02:36,599 --> 01:02:40,280
it is that so many movies even today involved Nazis,

1070
01:02:40,360 --> 01:02:42,760
and it's pretty easy to figure out they are the

1071
01:02:42,840 --> 01:02:47,480
ultimate bad guys. In this excellent adaptation for Lux Radio Theater,

1072
01:02:48,119 --> 01:02:50,920
you just know we're going to see that Nazi again.

1073
01:02:51,159 --> 01:02:53,960
But I wasn't ready for how that would play out.

1074
01:02:54,280 --> 01:02:58,159
Thanks for this one, Jeff Wrights. Doesn't get much better

1075
01:02:58,239 --> 01:03:04,320
than Alan Ladd Veronica pairing. Very emotional and heartbreaking. Thanks

1076
01:03:04,320 --> 01:03:08,559
so much, Jeff. And then we turn over to spotify

1077
01:03:09,199 --> 01:03:14,119
Doctor who Doneant wrote amadea sprink taking bribes. His cousin

1078
01:03:14,239 --> 01:03:17,480
is his is a courier. His other cousin has a radio.

1079
01:03:18,119 --> 01:03:22,440
Is this an early version of pagan Zelschmidt. Well, that's

1080
01:03:22,559 --> 01:03:26,719
a fair question. I would point out that Oss the

1081
01:03:26,840 --> 01:03:30,519
film was released in nineteen forty six. The Man Called

1082
01:03:30,920 --> 01:03:35,360
X premiered in nineteen forty four, so if anyone was

1083
01:03:35,480 --> 01:03:40,719
borrowing from anyone, OSS may have been inspired by pagon

1084
01:03:40,880 --> 01:03:44,199
zel Schmidt on The Man Called X. But that said

1085
01:03:44,599 --> 01:03:52,239
trickster rogues like these characters certainly existed before either The

1086
01:03:52,360 --> 01:03:56,639
Man Called X or OSS and Mechanics sixty six rites.

1087
01:03:56,800 --> 01:04:01,440
Vernal Ronica Lank was the inspiration for Jessica Rabbit and

1088
01:04:01,880 --> 01:04:07,159
a reference to who Framed Roger Rabbit and Kim Masinger

1089
01:04:07,320 --> 01:04:12,039
played a Veronica Lake lookalike in La Confidential. Her charms

1090
01:04:12,159 --> 01:04:16,360
don't translate well over radio. Well, thank you so much,

1091
01:04:16,400 --> 01:04:20,840
appreciate your commenting and that additional insight. Well, now it

1092
01:04:21,039 --> 01:04:24,840
is time to thank our Patreon supporter of the day,

1093
01:04:25,159 --> 01:04:28,079
and I want to go ahead and thank Bettina, Patreon

1094
01:04:28,199 --> 01:04:33,800
supporter since May of twenty twenty one, currently supporting the

1095
01:04:34,280 --> 01:04:37,400
podcast at the first mate level of seven dollars and

1096
01:04:37,440 --> 01:04:40,559
fourteen cents or more per month. Thank you so much

1097
01:04:40,679 --> 01:04:44,719
for your support, Betina, and that will do it for today.

1098
01:04:45,199 --> 01:04:50,280
And I hope you've enjoyed these OSS movie adaptations. But

1099
01:04:50,519 --> 01:04:56,360
next Saturday, join us for our new ongoing series Counterspy.

1100
01:04:56,880 --> 01:04:59,639
Join us next time on The Great Adventurers of Old

1101
01:04:59,679 --> 01:05:04,920
Time Radio on Tuesday for Tarzan, And join us on

1102
01:05:05,159 --> 01:05:08,920
the Great Detectives of Old Time Radio tomorrow for our

1103
01:05:09,079 --> 01:05:12,880
four thousand, nine hundredth episode special. You won't want to

1104
01:05:12,960 --> 01:05:16,119
miss it. In the meantime, do send your comments to

1105
01:05:16,239 --> 01:05:21,920
Box thirteen at Greatdetectives dot net. From Boise, Idaho, this

1106
01:05:22,119 --> 01:05:24,599
is your host, Adam Graham signing off.

