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<v Speaker 1>I don't believe you want to leave like this whispering

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<v Speaker 1>I love you when I'll always be here to us.

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<v Speaker 2>No problemma to getti move to You can plend on

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<v Speaker 2>your dilemma. I gotta take it from your man. That's

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<v Speaker 2>my mission. If its love has really got the hand

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<v Speaker 2>of the competition. You're the type of girl, the kind of.

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<v Speaker 1>Hollywood is he good, greatest of all time. Number One

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<v Speaker 1>priority self preservation that applies to the majority different situations.

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<v Speaker 2>The hands got something that you can't quite handle.

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<v Speaker 1>Give it to your man, rough and anywhere that handcuffs.

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<v Speaker 1>I'm well from the black while we stand up. Candem, candem,

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<v Speaker 1>condemn candem. But let it breathe for a second. Hold on,

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<v Speaker 1>let that let that sit there for a second. Crazy

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<v Speaker 1>hell COOLJ is back on the cruise, cruising, cruising? What's up?

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<v Speaker 2>Man, what's up?

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<v Speaker 1>Confused with that intro? Yeah, yeah it was with that night.

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<v Speaker 1>I was right, It's crazy. Was hot, Yeah, that was hot.

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<v Speaker 1>That was hot. We got to get you that. Different chambers,

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<v Speaker 1>different chambers, different change, different memories, different moments and time

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<v Speaker 1>and time errors. Eras for sure, you know what I'm saying.

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<v Speaker 1>Like the King of Eras, dog you know what I'm saying,

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<v Speaker 1>young legend, living legend al.

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<v Speaker 2>I'm thankful, man, I'm thankful. Yeah, yeah, I like to.

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<v Speaker 1>I just wanted to show people that we could keep going,

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<v Speaker 1>you know what I'm saying, Like hip hop, You know,

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<v Speaker 1>dreams don't have deadlines. Baby, At the end of the day,

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<v Speaker 1>it's about pressing play. That's a fact that I'm everything

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<v Speaker 1>all bets off. Press play. Let me press play on

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<v Speaker 1>that joy press play high feel right then?

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<v Speaker 2>Right?

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<v Speaker 1>Yeah, Now, when you describe it like making films making

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<v Speaker 1>albums right throughout the years, right, you have Steven Spielberg,

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<v Speaker 1>Martin Scors, these great filmmakers, so many more, right, and

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<v Speaker 1>then we have the old Cool Jays and so forth

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<v Speaker 1>right making great albums, it's the same vibe because, yeah,

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<v Speaker 1>because you want to just do things that I just

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<v Speaker 1>wanted to show people that was possible. I think that

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<v Speaker 1>hip hop had gotten to a place where we kind

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<v Speaker 1>of felt like you just have to trying to dismiss

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<v Speaker 1>anything that came before and time moves, and I just

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<v Speaker 1>don't agree with that concept because it's not about it's

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<v Speaker 1>about old and new, not old and young and so

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<v Speaker 1>and the new means the new idea it's so I

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<v Speaker 1>think people the reason why people get caught up in

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<v Speaker 1>the idea sometimes of rors and being able to continue

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<v Speaker 1>is because of where the new ideas come from. So

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<v Speaker 1>it's about like if you have a fresh idea, if

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<v Speaker 1>you have a new approach, if you have a new

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<v Speaker 1>take on how to make the music. Like when we were

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<v Speaker 1>talking about the song, the sound of the beat sound different,

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<v Speaker 1>Like if you have something new, you could keep going.

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<v Speaker 1>You know what I'm saying. It's about innovation, the force.

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<v Speaker 1>The force is out on all streaming platforms. Just crazy man,

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<v Speaker 1>you and Q tip Yeah, thankful man, god bless yeah man,

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<v Speaker 1>than's you crazy man? Just everything just sounds so well

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<v Speaker 1>put together right and of course you got legends on

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<v Speaker 1>the project. NOAs with a song with nas right, praise him?

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<v Speaker 1>Is that like to get him on the song? Is

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<v Speaker 1>that a text a call emails not a DM well

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<v Speaker 1>with nos no no no.

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<v Speaker 2>I text him. I text him and told him about

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<v Speaker 2>the song.

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<v Speaker 1>And you know, I wanted to, you know cause I'm

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<v Speaker 1>like dabbling in supreme mathematics from when I was a

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<v Speaker 1>kid on that on that particular song.

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<v Speaker 2>So he came in.

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<v Speaker 1>I wanted him to paint a picture you know what

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<v Speaker 1>I'm saying to kind of take people transport him to

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<v Speaker 1>that time, because the things that I'm saying on that record,

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<v Speaker 1>particularly praise them, is very subtle. So if you don't

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<v Speaker 1>know the supreme mathematics, some of the things I'm saying

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<v Speaker 1>could go over your head. But if you if you

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<v Speaker 1>understand it, then it's like it's it's it's like coded.

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<v Speaker 2>So it's it's fun, you know in that regard.

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<v Speaker 1>So like with him, I just hit him like yo,

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<v Speaker 1>we never did this and then and it was just

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<v Speaker 1>was time, you know what I'm saying. And I wanted

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<v Speaker 1>to rhyme and make songs with the guys that were

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<v Speaker 1>the most talented, but also people that fit the song

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<v Speaker 1>that I was working on.

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<v Speaker 2>So like with Nas, that beat be just fit me

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<v Speaker 2>and Nas, and like the one with.

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<v Speaker 1>Em it fit me and m and like all of

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<v Speaker 1>the song like sweety it fit me and Sweetie, you

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<v Speaker 1>know what I'm saying.

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<v Speaker 2>So that was the vibe, you know what I'm saying.

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<v Speaker 1>Man on murder Gram, you Eminem did y'all thing I

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<v Speaker 1>mentioned this off the air, L was not about to

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<v Speaker 1>let Eminem get away with nothing on that song. Let

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<v Speaker 1>me tell you some man, Eminem is my man. He's

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<v Speaker 1>my friend, you know what I'm saying. And I look

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<v Speaker 1>at him as like, you know, like he's like having

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<v Speaker 1>a super talented younger brother who who's really dedicated. He's

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<v Speaker 1>like a scientist when it comes to em seeing and

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<v Speaker 1>I love that because I'm that way too. And so

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<v Speaker 1>it was just the perfect opportunity for us to rock together.

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<v Speaker 1>We had talked about it for many years and we had,

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<v Speaker 1>you know, kind of flirted with the idea, but we

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<v Speaker 1>never you know, got around to it. And it was like,

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<v Speaker 1>this made sense to me. Yeah, we got you know,

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<v Speaker 1>because I don't like the thing. My thing is like,

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<v Speaker 1>if you're gonna put different people on a song together,

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<v Speaker 1>it's not enough to just the idea of it. Can't

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<v Speaker 1>just be good. The execution got to be great. So

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<v Speaker 1>me and m you know, making a sting, right, Yeah,

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<v Speaker 1>it's got a sting, baby, And that's what we did. So, Yo,

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<v Speaker 1>we had a ball with that one. You know, you're

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<v Speaker 1>his favorite rapper, it's not one of his favorite rappers.

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<v Speaker 1>And he loves the fact that he gets to call

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<v Speaker 1>you Todd like that's I love.

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<v Speaker 2>That he's welcome to call me Todd, no problem.

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<v Speaker 1>I've heard him in interviews like, yeah, he's my friend

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<v Speaker 1>Todd like yeah, no doubt. Right now, that's my friend Marshall,

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<v Speaker 1>a good friend of mine, my very talented friend, Marshal.

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<v Speaker 1>You know that's that's a TV show, tod At Marshall. Yeah,

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<v Speaker 1>it really is like an album title, right man, you

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<v Speaker 1>know Garcia, you know Jackie that's is actually a super fan.

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<v Speaker 1>We let him in the building, man, I I submitted.

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<v Speaker 1>Uh that's.

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<v Speaker 2>Why.

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<v Speaker 3>Yeah.

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<v Speaker 1>Look he's stopped many other artists, but not your here man,

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<v Speaker 1>welcome back.

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<v Speaker 2>To the show.

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<v Speaker 1>We are Thank you, Thank you man, thank you for sure.

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<v Speaker 1>The Force is out platforms. Can you talk to us

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<v Speaker 1>about the title and the artwork of the project. Yeah,

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<v Speaker 1>so the Force, you know, it's about that that in

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<v Speaker 1>the voice society you that like that encourages you to

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<v Speaker 1>inspire you to go after your dreams. Right, Like we're

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<v Speaker 1>all on this kind of big adventure, you know what

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<v Speaker 1>I'm saying, Like everybody's the hero of their own life movie.

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<v Speaker 2>You know what I'm saying. And where you go with

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<v Speaker 2>that is up to you. Me.

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<v Speaker 1>You know, I choose to like follow my bliss and

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<v Speaker 1>follow that voice inside of me, so I make the music,

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<v Speaker 1>and I make hip hop because I love it, you

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<v Speaker 1>know what I'm saying, no other reason. It really is

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<v Speaker 1>about loving it, just the same way I loved it

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<v Speaker 1>when I first started. I did it because I loved it.

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<v Speaker 1>So the lover is first. That's so that's what the

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<v Speaker 1>Force is about. The forces about tapping into what's inside

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<v Speaker 1>of you and getting that out and really you.

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<v Speaker 2>Know, taking that to the next level. If that makes sense,

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<v Speaker 2>you know what I'm saying.

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<v Speaker 1>In terms of the artwork, Q Tip actually Drew did

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<v Speaker 1>the artwork on the cover, you know.

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<v Speaker 2>What I'm saying. Like he had showed me a sketch.

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<v Speaker 1>He was messing around with sketches and all that, and

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<v Speaker 1>he sent the sketch to me. I was like, Yo,

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<v Speaker 1>this is it. I said, this is crazy. We need

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<v Speaker 1>to use this for the album cover. So I combine

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<v Speaker 1>that with you know, with the shoot and and you know,

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<v Speaker 1>the Force cover was born.

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<v Speaker 2>So I really, you know, worked on this.

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<v Speaker 1>It was very collaborative in terms of you know, the

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<v Speaker 1>people and the you know, just the approach.

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<v Speaker 2>You know. I didn't want to like, I just didn't

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<v Speaker 2>want to do nothing boring man.

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<v Speaker 1>You know, saying like my dudes, like it's nothing worse

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<v Speaker 1>than you know, your heroes like half stepping, you know,

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<v Speaker 1>late in the game.

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<v Speaker 2>You know it's like, don't do that, bro, Like.

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<v Speaker 1>Yeah, yeah, album just to put out. I don't slip

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<v Speaker 1>on a banana peal, you know, slip on a banana

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<v Speaker 1>appeal with your album, because that's what you know people

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<v Speaker 1>be expecting.

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<v Speaker 2>Here we go, I'm done, Here we go, Here we go,

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<v Speaker 2>Little Ellie, I know what he goes.

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<v Speaker 1>I know what you're gonna do.

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<v Speaker 2>I know you're gonna try to sound like somebody.

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<v Speaker 1>That's very true, very true, and you had a lot

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<v Speaker 1>of fun and you got to work.

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<v Speaker 2>Yeah.

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<v Speaker 1>Yeah, you gotta listen. Man, if you really love something,

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<v Speaker 1>you gotta put your heart and soul in tweet. You

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<v Speaker 1>gotta be passionate about the songs you rapping like the

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<v Speaker 1>rands do. I'm like, y'all, you know, actually.

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<v Speaker 2>I'm written like I love it.

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<v Speaker 1>You know what I'm saying, Like, you know, I know

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<v Speaker 1>what you're saying, Like I started out, You're doing this

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<v Speaker 1>because I love it. So as long as you maintained

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<v Speaker 1>that love for it and that passion for it, you're

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<v Speaker 1>gonna go hard. Man. You know what I'm saying, Like

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<v Speaker 1>you gotta want it, Like I was telling somebody earlier,

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<v Speaker 1>like if they shoved your head in a barrel of water,

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<v Speaker 1>you gotta want it like you would want air.

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<v Speaker 2>You know what I'm saying. You gotta be hungry for that.

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<v Speaker 1>You know, there's an artist that that that are hip hop. Right,

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<v Speaker 1>you gave us hip hop, You gave you continue its

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<v Speaker 1>a lot of ways, in a lot in a lot

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<v Speaker 1>of ways, no matter what you did too, whether it

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<v Speaker 1>was on the screen or coming out them speakers. Yeah, yeah, nah,

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<v Speaker 1>it's look, man, I'm just happy that I've been able

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<v Speaker 1>to make, you know, a contribution, you know, to the world,

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<v Speaker 1>and have the impact that I've had. You know, you

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<v Speaker 1>just never know, man, it just kind of worked out

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<v Speaker 1>that way. I when I fell in love with the game,

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<v Speaker 1>I didn't know that, you know, I was gonna grab

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<v Speaker 1>so much of it, you know, and influence so much

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<v Speaker 1>of it. I just did it from pure passion, like

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<v Speaker 1>a little kid staring at the vinyl, going in a circle,

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<v Speaker 1>imagining myself inside the record, like wondering what it was

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<v Speaker 1>like when I heard these voices coming out of the song.

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<v Speaker 1>You know what I'm saying, Because it's like, you know,

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<v Speaker 1>as a little kid. I just wanted to feel that

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<v Speaker 1>empowered feeling, feel powerful. You know sometimes you know you

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<v Speaker 1>ca catch a whooping from your step pops or something,

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<v Speaker 1>and you know you go to your room and you like, yo.

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<v Speaker 1>You know that that music it.

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<v Speaker 2>Serves a purpose. You know what I'm saying.

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<v Speaker 1>It like made me feel hold again. So I was like, yo, Yo,

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<v Speaker 1>Now I'm gonna whoop some I'm gonna whoop some.

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<v Speaker 2>Man some cakes. You know I'm gonna tap you know

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<v Speaker 2>what I mean?

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<v Speaker 1>Something, what do you think you're stronger for us?

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<v Speaker 2>Love or hate? Love?

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<v Speaker 1>Yeah, because the love can stop hate, but hate can't

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<v Speaker 1>stop love. Say that one more time. I said love

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<v Speaker 1>is stronger because love can stop hate, but hay can't

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<v Speaker 1>stop love. Okay, you know what I'm saying. So it's

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<v Speaker 1>like I give you an example. It's like if you're

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<v Speaker 1>in a dark room and I like a match, that

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<v Speaker 1>one little that one little light, that one little source

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<v Speaker 1>of light illuminates the whole room. Darkness doesn't come from anywhere,

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<v Speaker 1>It just is what it is. You know what I'm saying.

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<v Speaker 1>So it's like, now, now mind you, Now here's the

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<v Speaker 1>flip side of what you're saying.

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<v Speaker 2>Now, if you ask me.

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<v Speaker 1>Can can can traumatic experiences or can you hate some

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<v Speaker 1>hating somebody fuel you to go do things? That's a

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<v Speaker 1>different conversation. Yes, it can, absolutely the motive. But that's

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<v Speaker 1>but you gotta remember what you're doing, though, is you're

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<v Speaker 1>you're taking that heat, that hate and you're transforming it

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<v Speaker 1>into your love for something else.

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<v Speaker 2>So you're still flipping the script. Yep. Ultimately, even though

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<v Speaker 2>the hate of.

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<v Speaker 1>You know, this person beat me or this person did

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<v Speaker 1>this to me, and that may be the thing that

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<v Speaker 1>moves you to do a certain thing, my big brother,

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<v Speaker 1>you know, you know, whatever it is, it's still that

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<v Speaker 1>you're gonna channel that. You're still transmuting that into something

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<v Speaker 1>else to take your life to the next level. You

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<v Speaker 1>feel men with podcast? Yeah, real qui we need.

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<v Speaker 2>It's called the Force.

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<v Speaker 4>You've shown you tip a lot of love since you've

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<v Speaker 4>been in the interview, the artwork and the production. Do

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<v Speaker 4>you recall the first time you ever heard a tripe

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<v Speaker 4>called quest and what did you think of them?

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<v Speaker 2>Oh?

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<v Speaker 1>Yeah, I mean just hearing you know, I left my

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<v Speaker 1>wile in El Segundo and then you know, seeing them

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<v Speaker 1>do a video in my neighborhood. On top of the cleaners,

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<v Speaker 1>like you know, you know when they did that video

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<v Speaker 1>on top of the cleaners back in the days, like

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<v Speaker 1>you know, that was like incredible to me. It was

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<v Speaker 1>amazing to me. It was like dudes from my hood,

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<v Speaker 1>like you know, made it. I couldn't have been happier.

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<v Speaker 1>Like it was just an incredible feeling because I know,

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<v Speaker 1>like my neighborhood is filled with so many different artists

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<v Speaker 1>that have come from there, so from even from back

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<v Speaker 1>in the days, from like run.

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<v Speaker 2>DMC, and then you got ll Cool J.

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<v Speaker 1>And then you got a tribe called Quest, and then

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<v Speaker 1>you got you know, in other parts of town, Mob Deep,

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<v Speaker 1>and then you got Fifties and then you got job Rule,

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<v Speaker 1>and then you have like all of these various artists

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<v Speaker 1>all come from around there. You had James Brown who

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<v Speaker 1>lived around there, Count Basie who lived around there, and

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<v Speaker 1>you know Louis Armstrong who lived around there. And I

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<v Speaker 1>mean it's just a very it's a lot. It's a

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<v Speaker 1>lot of music and a lot of vibes. So see

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<v Speaker 1>a tribe. They were unbelievable, man, And then just what

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<v Speaker 1>they did, how they did it, it was crazy crazy,

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<v Speaker 1>you know what I'm saying. Yeah, yeah, super dope it

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<v Speaker 1>was a different sound, super dope and sophisticated.

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<v Speaker 2>You know what I'm saying.

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<v Speaker 1>I was, you know, very sophisticated. You know me, I've

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<v Speaker 1>always been like a little bit of a savage man,

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<v Speaker 1>like a lot of savage baby, a lot of savageness

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<v Speaker 1>going on. Yeah. They was very sophisticated, a little bit

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<v Speaker 1>a little bit more well read, so to speak. You

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<v Speaker 1>know what I mean. Yeah, yeah, savage man, no shirt man,

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<v Speaker 1>you know what I mean.

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<v Speaker 2>Let's get to it.

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<v Speaker 1>Let's get to it.

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<v Speaker 3>You know a lot of artists come in here and

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<v Speaker 3>they're very like flashy with Julie. I want to point

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<v Speaker 3>out because I haven't been able to keep my eyes

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<v Speaker 3>off it.

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<v Speaker 2>Your friend.

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<v Speaker 1>Yeah, oh yeah, so so you were fifty alt lt

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<v Speaker 1>A cool t. This is now you know what little kids,

294
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<v Speaker 1>little kids give I did like some in stores right

295
00:13:15.639 --> 00:13:18.440
<v Speaker 1>sign in vinyl and like there'll be like ten year

296
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<v Speaker 1>olds and eight year olds that may come with their

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00:13:20.399 --> 00:13:21.919
<v Speaker 1>parents and stuff, and they made these for me. And

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<v Speaker 1>the reason why I put it on is because it

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<v Speaker 1>just shows you how your music can keep, you know,

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<v Speaker 1>impacting people. Like for a lot there's little kids right

301
00:13:31.000 --> 00:13:33.000
<v Speaker 1>now that are ten, twelve years old and murder Graham

302
00:13:33.080 --> 00:13:34.320
<v Speaker 1>is the first time they heard lf.

303
00:13:34.960 --> 00:13:37.159
<v Speaker 2>They don't even know about the love songs that people know.

304
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<v Speaker 1>They don't know the other old the harder songs like

305
00:13:40.000 --> 00:13:41.480
<v Speaker 1>el Bomb, they don't know Rock.

306
00:13:41.399 --> 00:13:43.120
<v Speaker 2>The Bells, they don't know none of that.

307
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<v Speaker 1>Like murder Graham is the first time they ever heard

308
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<v Speaker 1>of ll cooj So, but then you got people who

309
00:13:48.600 --> 00:13:50.399
<v Speaker 1>love you better was the first time they heard me

310
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<v Speaker 1>and you got people doing it was. But then you

311
00:13:52.679 --> 00:13:54.559
<v Speaker 1>got people back in the days going back to Cali

312
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<v Speaker 1>and all these other Mama said nak So it's like

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00:13:57.799 --> 00:14:00.399
<v Speaker 1>it's like to me, you know, for them little kids

314
00:14:00.399 --> 00:14:02.039
<v Speaker 1>to take the time and to do that, you know,

315
00:14:02.120 --> 00:14:04.480
<v Speaker 1>the force and to make me these little bracelest. I mean,

316
00:14:04.600 --> 00:14:07.720
<v Speaker 1>it was just like a reminder that I'm touching all

317
00:14:07.799 --> 00:14:09.799
<v Speaker 1>kinds of audiences, you know what I'm saying.

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<v Speaker 2>Like that's that's trippy to me.

319
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<v Speaker 1>You know, that's kind of like that's you know, it's trippy,

320
00:14:15.039 --> 00:14:17.600
<v Speaker 1>like you know, but but it's also.

321
00:14:17.519 --> 00:14:22.000
<v Speaker 2>Like it's it's how it should be. Na man.

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<v Speaker 1>You know, my son he's seven, he's a fan of

323
00:14:24.200 --> 00:14:26.919
<v Speaker 1>the Beastie Boys because one of their songs was in Trolls.

324
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<v Speaker 2>You see so here you go.

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00:14:28.840 --> 00:14:32.000
<v Speaker 1>He loves brass monkey see, there you go, there you go,

326
00:14:33.080 --> 00:14:33.639
<v Speaker 1>there you go.

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<v Speaker 2>That's my point.

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<v Speaker 1>That's it.

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00:14:35.600 --> 00:14:36.240
<v Speaker 2>That's my point.

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<v Speaker 1>So you know, for me, man like with this album,

331
00:14:39.559 --> 00:14:43.279
<v Speaker 1>it's like it's just an opportunity to get new fans

332
00:14:43.279 --> 00:14:45.440
<v Speaker 1>and to give the day one fans something that they

333
00:14:45.480 --> 00:14:47.960
<v Speaker 1>haven't had in a long time, and to have fun

334
00:14:48.000 --> 00:14:48.960
<v Speaker 1>doing it, you know what I'm saying.

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<v Speaker 3>Yes, So that being said, performing at the VMAs for

336
00:14:52.120 --> 00:14:55.080
<v Speaker 3>like forty years of him, like, how does that even

337
00:14:55.200 --> 00:14:57.879
<v Speaker 3>like because you said, you know, you touched so many

338
00:14:57.879 --> 00:15:00.639
<v Speaker 3>different audiences, how do you even pick what am I

339
00:15:00.720 --> 00:15:01.120
<v Speaker 3>gonna do?

340
00:15:01.759 --> 00:15:04.039
<v Speaker 1>You know, when when ll Coolja is performing, you're gonna

341
00:15:04.039 --> 00:15:07.120
<v Speaker 1>get ll Coolja. So you're gonna get, you know, stuff

342
00:15:07.240 --> 00:15:09.879
<v Speaker 1>that if you're depending on your age and when you

343
00:15:09.919 --> 00:15:13.320
<v Speaker 1>when you got into LL or whether even then if

344
00:15:13.440 --> 00:15:15.759
<v Speaker 1>even if you never did, and this is your first time,

345
00:15:15.799 --> 00:15:17.759
<v Speaker 1>you're gonna hear a cross section of things. You're gonna

346
00:15:17.759 --> 00:15:19.960
<v Speaker 1>hear things from the early days, and you're gonna hear

347
00:15:20.000 --> 00:15:23.799
<v Speaker 1>things brand new. I'm like, you know, it's a it's

348
00:15:23.879 --> 00:15:26.600
<v Speaker 1>kind of a weird kind of thing for me because

349
00:15:26.639 --> 00:15:29.000
<v Speaker 1>I have like so many different entry points, right like,

350
00:15:29.039 --> 00:15:31.519
<v Speaker 1>you got people that know me for hosting Grammys and

351
00:15:31.559 --> 00:15:34.840
<v Speaker 1>people that know me for doing television shows, and you know,

352
00:15:34.879 --> 00:15:35.639
<v Speaker 1>so it's it is.

353
00:15:35.799 --> 00:15:38.960
<v Speaker 2>It does get weird, but you know what I'm saying,

354
00:15:39.039 --> 00:15:46.440
<v Speaker 2>get awkward. I love that, Sam Hannah. It does get awkward.

355
00:15:46.679 --> 00:15:49.080
<v Speaker 1>But you know what, I just I just make the

356
00:15:49.159 --> 00:15:51.519
<v Speaker 1>music and just pick what makes sense to me, and

357
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<v Speaker 1>I go by my gut because the one thing that's

358
00:15:53.720 --> 00:15:56.679
<v Speaker 1>important with all of this is taste and instincts, you

359
00:15:56.679 --> 00:15:58.639
<v Speaker 1>know what I'm saying. So you know, it's just like

360
00:15:58.720 --> 00:15:59.320
<v Speaker 1>anything else.

361
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<v Speaker 2>You know what I'm saying.

362
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<v Speaker 1>It's like, it's just like boxing, right, it's science, of course,

363
00:16:02.840 --> 00:16:06.879
<v Speaker 1>but then this instinct and you know it's that combination, right, sir, Yes, sir,

364
00:16:07.039 --> 00:16:09.000
<v Speaker 1>Spirit of Syrus with Snoop. How did that come together?

365
00:16:09.120 --> 00:16:10.279
<v Speaker 2>So Spirit of Cyrus.

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<v Speaker 1>I got a call from a high level person in

367
00:16:14.080 --> 00:16:15.639
<v Speaker 1>law enforcement and they was telling me, yo, you need

368
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<v Speaker 1>to stay in the house.

369
00:16:16.320 --> 00:16:17.840
<v Speaker 2>I'm like, why do I need to stay in the house.

370
00:16:18.120 --> 00:16:20.279
<v Speaker 1>They was like, well, there's a man hunt out for

371
00:16:20.279 --> 00:16:23.600
<v Speaker 1>this guy named Christopher Donna, and you look exactly like him.

372
00:16:23.960 --> 00:16:25.639
<v Speaker 1>And then I went on the internet and I'm looking

373
00:16:25.679 --> 00:16:27.480
<v Speaker 1>at this guy and it's like, I see his face

374
00:16:27.519 --> 00:16:31.799
<v Speaker 1>and he looks just like me coming out my note.

375
00:16:31.919 --> 00:16:34.360
<v Speaker 1>He's bald, he looks just like me, and nay. On

376
00:16:34.440 --> 00:16:37.519
<v Speaker 1>top of that, On top of that, people are like

377
00:16:37.600 --> 00:16:39.879
<v Speaker 1>making jokes and memes, so they're putting us together on

378
00:16:39.919 --> 00:16:41.759
<v Speaker 1>the joint. So I'm like, yo, yo, you guys are

379
00:16:41.799 --> 00:16:43.639
<v Speaker 1>real funny. You trying to get me smashed. So and

380
00:16:43.639 --> 00:16:45.279
<v Speaker 1>then the talk came like you should play him in

381
00:16:45.279 --> 00:16:47.399
<v Speaker 1>the movie. Well, there was that kind of talk, and

382
00:16:47.440 --> 00:16:49.320
<v Speaker 1>so I went down the rabbit hole. And when I

383
00:16:49.360 --> 00:16:51.360
<v Speaker 1>went down the rabbit hole, I read his manifesto. I

384
00:16:51.360 --> 00:16:54.440
<v Speaker 1>read different things that he had said, and I saw

385
00:16:54.600 --> 00:16:57.639
<v Speaker 1>the things that he was talking about in terms of

386
00:16:57.679 --> 00:16:59.519
<v Speaker 1>the issues he was having with the department, and the

387
00:16:59.519 --> 00:17:02.240
<v Speaker 1>black verse is Blue and his like everything he was

388
00:17:02.279 --> 00:17:04.960
<v Speaker 1>going through, it looked it was like a metaphor or

389
00:17:05.000 --> 00:17:08.000
<v Speaker 1>an analogy for what was going on in America. And

390
00:17:08.039 --> 00:17:09.680
<v Speaker 1>so I just decided to write the song. I was

391
00:17:09.720 --> 00:17:12.039
<v Speaker 1>inspired to write the song from a true place, and

392
00:17:12.039 --> 00:17:15.039
<v Speaker 1>it just tell it how it went. And then when

393
00:17:15.039 --> 00:17:17.000
<v Speaker 1>we when we had the sonics and everything, it was

394
00:17:17.079 --> 00:17:19.079
<v Speaker 1>just like when I came up with that, don't try

395
00:17:19.079 --> 00:17:21.160
<v Speaker 1>to apprehend me a black and Blue, I said, Yo,

396
00:17:21.200 --> 00:17:23.799
<v Speaker 1>Snooper sound crazy, saying that. I was like, Yo, Snooper,

397
00:17:23.839 --> 00:17:26.039
<v Speaker 1>sound perfect on that, because you know, think about murder

398
00:17:26.160 --> 00:17:28.359
<v Speaker 1>was a case back in the day Snoop's early music.

399
00:17:28.680 --> 00:17:32.079
<v Speaker 1>It's like them dangerous, rough, raw sounding records, and that's

400
00:17:32.079 --> 00:17:33.680
<v Speaker 1>how spirited Sirrus sounded to me.

401
00:17:33.759 --> 00:17:36.319
<v Speaker 2>So I caught Snoop up. He came down to the studio.

402
00:17:36.559 --> 00:17:37.200
<v Speaker 1>What's up?

403
00:17:37.440 --> 00:17:39.680
<v Speaker 2>I said, Yo, let's do it. He came down, We

404
00:17:39.720 --> 00:17:41.359
<v Speaker 2>did it, and there it is.

405
00:17:41.519 --> 00:17:43.680
<v Speaker 1>You smoke with Snooper. No, no, I ain't trying to

406
00:17:43.680 --> 00:17:46.160
<v Speaker 1>Smoke't gonna have me in an emergency room.

407
00:17:46.200 --> 00:17:48.759
<v Speaker 2>Mess around with Snooper. You know what I'm saying, mess

408
00:17:48.799 --> 00:17:50.920
<v Speaker 2>srout with Snoopy. Snoop. Man, I ain't.

409
00:17:50.720 --> 00:17:53.319
<v Speaker 1>Built for that, baby, No, I ain't ready for that.

410
00:17:53.680 --> 00:17:56.039
<v Speaker 2>Yeah, I ain't ready for that. I ain't ready for that. Man.

411
00:17:56.079 --> 00:17:57.960
<v Speaker 1>Now for the Spirit of Cyrus. It did come off

412
00:17:58.039 --> 00:17:58.640
<v Speaker 1>like a script.

413
00:17:59.240 --> 00:17:59.480
<v Speaker 2>Nah.

414
00:17:59.519 --> 00:18:02.119
<v Speaker 1>It felt like oh yeah, yeah, yeah yeah. Visually yeah,

415
00:18:02.160 --> 00:18:05.640
<v Speaker 1>because I just because I can see it in my mind.

416
00:18:06.079 --> 00:18:08.160
<v Speaker 1>I can see it in my mind. This is my manifesto,

417
00:18:08.240 --> 00:18:10.599
<v Speaker 1>the reason why I did it. The presser called me evil,

418
00:18:10.880 --> 00:18:13.160
<v Speaker 1>label me a menace. Don't let the lives deceive you.

419
00:18:13.359 --> 00:18:16.160
<v Speaker 1>They pushed me to my limit. Racisms of disease. It's

420
00:18:16.160 --> 00:18:18.160
<v Speaker 1>only right. I kill it, black blood you quit that. Yeah,

421
00:18:18.200 --> 00:18:20.480
<v Speaker 1>it just it just felt like you know, and as

422
00:18:20.519 --> 00:18:23.960
<v Speaker 1>you go down that that rabbit hole and you One

423
00:18:23.960 --> 00:18:25.839
<v Speaker 1>thing I did with this record that was important to

424
00:18:25.920 --> 00:18:29.759
<v Speaker 1>me is no censorship and other And when I say censorship,

425
00:18:29.759 --> 00:18:32.279
<v Speaker 1>what I mean is censoring my inspiration. I'm not told

426
00:18:32.319 --> 00:18:35.119
<v Speaker 1>my cousin every you know people, whatever it is, what

427
00:18:35.160 --> 00:18:37.880
<v Speaker 1>it is, I'm talking about censoring the inspiration. So I

428
00:18:37.960 --> 00:18:41.759
<v Speaker 1>was inspired. No, you know, whatever I'm inspired to write

429
00:18:42.160 --> 00:18:44.359
<v Speaker 1>is what I'm gonna write, and let the chips forward

430
00:18:44.400 --> 00:18:44.720
<v Speaker 1>they may.

431
00:18:44.880 --> 00:18:46.000
<v Speaker 2>I'm not trying to be.

432
00:18:48.160 --> 00:18:52.160
<v Speaker 1>Divisive or volatile or provocative. I'm just gonna let the

433
00:18:52.240 --> 00:18:54.480
<v Speaker 1>inspiration take me where it takes me. You know what

434
00:18:54.519 --> 00:18:56.359
<v Speaker 1>I'm saying, like a hot date be you know what

435
00:18:56.359 --> 00:19:02.119
<v Speaker 1>I'm saying, You can let you know what I mean,

436
00:19:03.839 --> 00:19:07.640
<v Speaker 1>take me. It takes me right to this back seat.

437
00:19:09.039 --> 00:19:11.480
<v Speaker 1>When you're talking about the VA performance as well, the

438
00:19:11.519 --> 00:19:13.839
<v Speaker 1>V yeah VM, my performance was crazy man. The death

439
00:19:13.920 --> 00:19:15.920
<v Speaker 1>Jamn yeah yeah, shout out to death jam and it

440
00:19:16.000 --> 00:19:17.640
<v Speaker 1>was fun, you know what I'm saying, Just getting up

441
00:19:17.680 --> 00:19:20.240
<v Speaker 1>there and again prime example.

442
00:19:20.279 --> 00:19:21.680
<v Speaker 2>So you got all these kids.

443
00:19:21.400 --> 00:19:24.559
<v Speaker 1>You know, they twenty nineteen eighteen, and you know, and

444
00:19:24.599 --> 00:19:26.880
<v Speaker 1>they rocket to the music, you know, but some of

445
00:19:26.920 --> 00:19:30.039
<v Speaker 1>them they know proclivities were for word doing it. They're like, okay,

446
00:19:30.079 --> 00:19:32.519
<v Speaker 1>but they know proclivities were for word. It's like it's

447
00:19:32.559 --> 00:19:34.079
<v Speaker 1>a very yo.

448
00:19:35.440 --> 00:19:38.480
<v Speaker 2>It's dope. It's dope. Though it was fun, no question,

449
00:19:38.640 --> 00:19:41.759
<v Speaker 2>no question. Ain't that right? M J deaf Jam bred

450
00:19:42.039 --> 00:19:42.720
<v Speaker 2>in the building.

451
00:19:43.279 --> 00:19:45.240
<v Speaker 4>He speaking of death Jam. Those tours back in the

452
00:19:45.279 --> 00:19:47.799
<v Speaker 4>day were legendary. I mean pup again, I mean the

453
00:19:47.799 --> 00:19:50.119
<v Speaker 4>Beastie Boys and so on and so forth, and I

454
00:19:50.160 --> 00:19:51.960
<v Speaker 4>mean you got a good story, a good nugget you

455
00:19:51.960 --> 00:19:53.720
<v Speaker 4>could share backstage.

456
00:19:53.720 --> 00:19:56.480
<v Speaker 1>On man I so many man I used to I

457
00:19:56.519 --> 00:19:57.920
<v Speaker 1>had a tour where I used to come out of

458
00:19:57.920 --> 00:19:59.599
<v Speaker 1>the radio and Flavor Flavor.

459
00:19:59.599 --> 00:20:01.359
<v Speaker 2>I get up in the radio. He's in there waiting,

460
00:20:01.440 --> 00:20:01.640
<v Speaker 2>you know.

461
00:20:02.000 --> 00:20:03.799
<v Speaker 1>Yeah, boy, you know, I'm like, I got a.

462
00:20:04.079 --> 00:20:06.880
<v Speaker 2>Middle of my intro. I'm like, I'm in my set

463
00:20:06.960 --> 00:20:10.240
<v Speaker 2>on my problem, Like, Yo, Flave, what are you doing?

464
00:20:10.319 --> 00:20:12.480
<v Speaker 1>B He's like, yo, al Man, I said, just come

465
00:20:12.519 --> 00:20:15.680
<v Speaker 1>out with me, and he comes out the radio. Women

466
00:20:15.759 --> 00:20:18.519
<v Speaker 1>it's just like yo yo. So many different things we

467
00:20:18.559 --> 00:20:22.240
<v Speaker 1>went through so many yo bro like yo, and then

468
00:20:22.240 --> 00:20:25.640
<v Speaker 1>there's some things that probably would you better shed off air.

469
00:20:25.799 --> 00:20:36.960
<v Speaker 5>Yeah, inspiration, that's all it is.

470
00:20:37.759 --> 00:20:37.960
<v Speaker 1>You know.

471
00:20:38.119 --> 00:20:41.559
<v Speaker 3>I was thinking about it, like, what is a line

472
00:20:41.599 --> 00:20:44.480
<v Speaker 3>that you've written that makes you laugh that you're like,

473
00:20:44.599 --> 00:20:45.799
<v Speaker 3>I can't believe I said that.

474
00:20:46.000 --> 00:20:48.599
<v Speaker 1>Oh no, no, I believe I said everything. I believe I

475
00:20:48.599 --> 00:20:53.279
<v Speaker 1>said all of it. I in fact, it's the whole

476
00:20:53.319 --> 00:20:56.240
<v Speaker 1>point is when it makes me laugh, I want to

477
00:20:56.319 --> 00:21:00.759
<v Speaker 1>use it like like it's somebod that stuff is like

478
00:21:00.880 --> 00:21:04.000
<v Speaker 1>it is the ridiculousness of it that makes it. I

479
00:21:04.039 --> 00:21:06.160
<v Speaker 1>don't know, It's just so many songs I've written, you

480
00:21:06.200 --> 00:21:09.559
<v Speaker 1>know what I'm saying. Uh, I mean so many songs

481
00:21:09.599 --> 00:21:11.680
<v Speaker 1>about women are always great, you know what I mean.

482
00:21:11.720 --> 00:21:12.319
<v Speaker 2>That's funny.

483
00:21:12.640 --> 00:21:15.200
<v Speaker 1>I mean even header Sprung fool, you know, sexy and

484
00:21:15.359 --> 00:21:16.839
<v Speaker 1>you know you're just you're laying it.

485
00:21:16.880 --> 00:21:18.640
<v Speaker 2>I like the wild Out. I like the wild Out,

486
00:21:18.839 --> 00:21:23.039
<v Speaker 2>Like Headsprung was silly. Headsprung was silly, but I wrote Headsprung.

487
00:21:23.119 --> 00:21:25.000
<v Speaker 1>It's like it's kind of like, you know how Robert

488
00:21:25.000 --> 00:21:28.640
<v Speaker 1>de Niro would do analyze this right, like sometimes he

489
00:21:28.680 --> 00:21:30.480
<v Speaker 1>would do the you know he would do you know,

490
00:21:31.039 --> 00:21:33.920
<v Speaker 1>Godfather too or heat, but then he'll do analy well,

491
00:21:34.200 --> 00:21:38.799
<v Speaker 1>Headsprung was the equivalent of a actor doing a comedy, okay, right,

492
00:21:39.240 --> 00:21:41.839
<v Speaker 1>so so so when you think about, like the opening

493
00:21:41.839 --> 00:21:43.759
<v Speaker 1>lines of it, when I say they call me big

494
00:21:43.799 --> 00:21:48.039
<v Speaker 1>Ellie a bit silly, big money big really like it's

495
00:21:48.079 --> 00:21:51.720
<v Speaker 1>just ridiculous, But that was the whole point. Works, yes,

496
00:21:51.759 --> 00:21:54.480
<v Speaker 1>because of that, right so like so so a lot

497
00:21:54.519 --> 00:21:58.680
<v Speaker 1>of things I write, it depends on the song, you

498
00:21:58.680 --> 00:22:00.720
<v Speaker 1>know what I'm saying. But but when I get a

499
00:22:00.799 --> 00:22:03.640
<v Speaker 1>chuckle out of myself, that's usually a good son, you know,

500
00:22:03.680 --> 00:22:06.759
<v Speaker 1>because if I if I yeah, if you know.

501
00:22:07.119 --> 00:22:09.799
<v Speaker 2>If I'm feeling that we're in the right zone, in

502
00:22:09.839 --> 00:22:10.400
<v Speaker 2>the right zone.

503
00:22:10.440 --> 00:22:14.200
<v Speaker 3>Yeah, you mentioned heads frong because the New York Liberty

504
00:22:14.359 --> 00:22:15.240
<v Speaker 3>use your song.

505
00:22:15.319 --> 00:22:20.920
<v Speaker 1>Yeah, big Ellie, Yeah yeah, yeah Ellie it's crazy. That's nuts,

506
00:22:21.440 --> 00:22:26.640
<v Speaker 1>that's nuts, right, Yeah, it's cool. Not it's cool, it's great.

507
00:22:26.720 --> 00:22:33.079
<v Speaker 1>Who knew? Boy is crazy? Thank you man? Man? Yeah yeah,

508
00:22:33.319 --> 00:22:36.880
<v Speaker 1>it's just come on man, thank you. Yeah. Yeah. Bosco energy,

509
00:22:38.160 --> 00:22:40.000
<v Speaker 1>it's like a visit on my neck and snowing on

510
00:22:40.079 --> 00:22:41.960
<v Speaker 1>my wrists. You want to teach them how to hustle.

511
00:22:42.000 --> 00:22:43.920
<v Speaker 1>Take a pick of me and show him this. Yeah,

512
00:22:43.920 --> 00:22:46.680
<v Speaker 1>that doing is crazy the bos energy. I shot a

513
00:22:46.759 --> 00:22:49.000
<v Speaker 1>video for that. I actually got a visual for that,

514
00:22:49.240 --> 00:22:51.720
<v Speaker 1>and that song is really what. The thing that inspired

515
00:22:51.759 --> 00:22:54.599
<v Speaker 1>that song is a movie called Downtown eighty one and

516
00:22:54.680 --> 00:22:59.039
<v Speaker 1>it was a semi auto auto biographical film about Jean

517
00:22:59.079 --> 00:23:04.000
<v Speaker 1>Michelle Boskia, the artist. And in the in the movie,

518
00:23:04.079 --> 00:23:07.000
<v Speaker 1>he did this funny dance, him and fab fab five

519
00:23:07.039 --> 00:23:09.559
<v Speaker 1>Freddy in this little spot and he starts doing this

520
00:23:09.640 --> 00:23:12.920
<v Speaker 1>little ridiculous, like little silly dance. And when he did that,

521
00:23:13.000 --> 00:23:14.880
<v Speaker 1>me and Tim was looking at We just started laughing.

522
00:23:15.119 --> 00:23:17.119
<v Speaker 1>I'm like, yo, look at this dance. And we ended

523
00:23:17.200 --> 00:23:19.400
<v Speaker 1>up making the song over that wow and taking off

524
00:23:19.400 --> 00:23:23.240
<v Speaker 1>the dance. Yeah, because yeah, yeah, so there's actually a

525
00:23:23.319 --> 00:23:25.079
<v Speaker 1>dance that goes with boskiot energy.

526
00:23:25.599 --> 00:23:26.599
<v Speaker 2>There's a dance.

527
00:23:27.039 --> 00:23:29.519
<v Speaker 1>Yeah, And talk were coming from and I ain't Chris

528
00:23:29.519 --> 00:23:33.880
<v Speaker 1>Brown bro like, so if I could do it, you

529
00:23:33.960 --> 00:23:38.480
<v Speaker 1>know what I mean, if I could do it, I'm

530
00:23:38.480 --> 00:23:39.519
<v Speaker 1>not Todd Brown bro.

531
00:23:39.920 --> 00:23:40.200
<v Speaker 2>You know.

532
00:23:41.680 --> 00:23:43.880
<v Speaker 1>It ain't t Brown over, so I could do it.

533
00:23:44.000 --> 00:23:46.160
<v Speaker 1>That's right, Yo, that's right. We're in good space, you

534
00:23:46.160 --> 00:23:50.119
<v Speaker 1>know what I'm saying. Good Darston Fat Joe Saturday Night Special. Yes,

535
00:23:50.119 --> 00:23:52.799
<v Speaker 1>it's not about a gun. Well that I mean you.

536
00:23:53.000 --> 00:23:55.400
<v Speaker 1>That was obviously one of the plays on the words,

537
00:23:55.440 --> 00:23:58.279
<v Speaker 1>but it's really about because your decisions are like a gun, right.

538
00:23:58.480 --> 00:24:00.519
<v Speaker 2>It kind of goes back to like remember.

539
00:24:00.319 --> 00:24:04.599
<v Speaker 1>The godfeather too, he said, I think it was a

540
00:24:04.640 --> 00:24:06.319
<v Speaker 1>golf He was godfather too, he said.

541
00:24:06.519 --> 00:24:08.920
<v Speaker 2>He said, I don't know anything about you know, politics?

542
00:24:09.000 --> 00:24:11.160
<v Speaker 1>He said, well, you understand guns, he said, yeah, he said, well,

543
00:24:11.359 --> 00:24:14.680
<v Speaker 1>he said, money is a gun, and politics is known

544
00:24:14.720 --> 00:24:17.240
<v Speaker 1>when to pull a trigger. Right. So it's like, but

545
00:24:17.759 --> 00:24:21.480
<v Speaker 1>the song itself is about integrity. Always keep your word,

546
00:24:21.480 --> 00:24:24.200
<v Speaker 1>always paying back. The one thing you learn moving around

547
00:24:24.240 --> 00:24:27.319
<v Speaker 1>any street, any hood in the world in general, don't

548
00:24:27.319 --> 00:24:32.359
<v Speaker 1>try to be a tough guy, have manners, respect people's mothers, girls, sisters.

549
00:24:33.920 --> 00:24:35.920
<v Speaker 1>No one is shut up, you know what I'm saying.

550
00:24:36.279 --> 00:24:39.200
<v Speaker 1>Know how to play your position and keep your work.

551
00:24:39.759 --> 00:24:43.759
<v Speaker 1>You do these things, you got a better chance, you know,

552
00:24:43.880 --> 00:24:46.559
<v Speaker 1>getting out of there with a sandwich in your life, right,

553
00:24:46.720 --> 00:24:49.119
<v Speaker 1>Like you want to go get a sandwich and have

554
00:24:49.279 --> 00:24:51.920
<v Speaker 1>your life and enjoy your life, right, So these are

555
00:24:51.960 --> 00:24:55.240
<v Speaker 1>things that will help that. So Saturday Night Special is

556
00:24:55.279 --> 00:24:57.759
<v Speaker 1>really a song about integrity and the idea that yo,

557
00:24:57.880 --> 00:24:59.559
<v Speaker 1>if I tell you I'm gonna do something I do it.

558
00:25:00.000 --> 00:25:02.119
<v Speaker 2>You know, I'm saying, if I tell you I'm.

559
00:25:01.920 --> 00:25:04.400
<v Speaker 1>Bringing four sodas over the mar I'm bringing four sodas

560
00:25:04.440 --> 00:25:06.359
<v Speaker 1>over the mar period.

561
00:25:06.720 --> 00:25:09.599
<v Speaker 2>So and that goes for every area of life. Whether

562
00:25:09.599 --> 00:25:10.279
<v Speaker 2>you're in the street.

563
00:25:10.440 --> 00:25:12.279
<v Speaker 1>I just we just put in a street metaphor, but

564
00:25:12.319 --> 00:25:14.400
<v Speaker 1>that if you're going to do hair, if you're going

565
00:25:14.400 --> 00:25:16.400
<v Speaker 1>to med school, if you're going to be a lawyer,

566
00:25:16.599 --> 00:25:19.079
<v Speaker 1>if you're a mechanic, if the mechanic says to you,

567
00:25:19.079 --> 00:25:22.640
<v Speaker 1>your car is gonna be ready Thursday, Joe, you said Thursday,

568
00:25:22.960 --> 00:25:23.799
<v Speaker 1>I'm in next third.

569
00:25:23.880 --> 00:25:25.240
<v Speaker 2>Don't play, man, don't play.

570
00:25:25.440 --> 00:25:29.880
<v Speaker 1>You said Thursday. Yeah, you're funny guy. It's every mechanic, man,

571
00:25:29.960 --> 00:25:33.799
<v Speaker 1>you feel me. So that's the thinking behind Saturday Night Special.

572
00:25:33.880 --> 00:25:35.680
<v Speaker 1>That's the whole idea of keeping your word and not

573
00:25:35.799 --> 00:25:38.559
<v Speaker 1>you don't got to be perfect, but that moral integrity.

574
00:25:38.559 --> 00:25:40.160
<v Speaker 1>You know, what I'm saying is doing what you say

575
00:25:40.200 --> 00:25:43.000
<v Speaker 1>you're gonna do. Yes, sir, your force is out on

576
00:25:43.079 --> 00:25:46.279
<v Speaker 1>all streaming platforms. A question, cool j Man. Yeah, the

577
00:25:46.359 --> 00:25:49.480
<v Speaker 1>youngest legend alive. Yeah, I appreciate that. Look at you, man,

578
00:25:49.519 --> 00:25:52.000
<v Speaker 1>You know, I feel good now you should thankful, you know,

579
00:25:52.119 --> 00:25:54.960
<v Speaker 1>and and and you feel good. You take care of yourself.

580
00:25:55.119 --> 00:25:56.640
<v Speaker 1>You have. You know, we got a lot of hip

581
00:25:56.680 --> 00:26:00.279
<v Speaker 1>hop legends going early. When I say early in they fifty. Yeah, no, raizy,

582
00:26:00.319 --> 00:26:00.880
<v Speaker 1>that's scary.

583
00:26:00.960 --> 00:26:03.440
<v Speaker 2>Yeah. You gotta exercise, man, you gotta you gotta look.

584
00:26:03.440 --> 00:26:05.119
<v Speaker 1>Are you telling me that or all of us?

585
00:26:05.160 --> 00:26:05.559
<v Speaker 3>All of us?

586
00:26:05.640 --> 00:26:07.079
<v Speaker 2>I'm telling all of us that I do.

587
00:26:07.920 --> 00:26:11.440
<v Speaker 1>Ye. Yeah, that has you got? Now you're good. My

588
00:26:11.559 --> 00:26:12.200
<v Speaker 1>son the other.

589
00:26:12.079 --> 00:26:13.519
<v Speaker 2>Day said dak can I my desert back?

590
00:26:13.559 --> 00:26:19.319
<v Speaker 1>I was like, fuck, yeah, that's a problem. That's a problem.

591
00:26:19.359 --> 00:26:19.480
<v Speaker 2>Bro.

592
00:26:19.640 --> 00:26:22.440
<v Speaker 1>Now you gotta look when your elbow bend. If your

593
00:26:22.480 --> 00:26:24.359
<v Speaker 1>elbow ben and you're getting tired, that's an issue.

594
00:26:24.400 --> 00:26:25.000
<v Speaker 2>That's an issue.

595
00:26:25.079 --> 00:26:26.880
<v Speaker 1>You know what I'm saying, Like you know, you know

596
00:26:27.160 --> 00:26:31.279
<v Speaker 1>you got twenty two year olds walking up says like young,

597
00:26:31.279 --> 00:26:33.319
<v Speaker 1>you're supposed to what's doing out of breath? Man, it's

598
00:26:33.319 --> 00:26:36.279
<v Speaker 1>supposed to be yo yo crazy. So, like being in

599
00:26:36.319 --> 00:26:38.119
<v Speaker 1>shape is a big part of this because it's good

600
00:26:38.119 --> 00:26:38.880
<v Speaker 1>for your mind too.

601
00:26:39.480 --> 00:26:40.799
<v Speaker 2>You know what I'm saying, what's your what's your day

602
00:26:40.839 --> 00:26:41.119
<v Speaker 2>to day?

603
00:26:41.119 --> 00:26:43.920
<v Speaker 1>Like, what's your So it depends, but I work on

604
00:26:44.079 --> 00:26:47.319
<v Speaker 1>endurance and stamming up primarily. Primarily everything I do is

605
00:26:47.359 --> 00:26:48.839
<v Speaker 1>to be able to go to distance. You know what

606
00:26:48.839 --> 00:26:51.160
<v Speaker 1>I'm saying. It's it's less about trying to be muscle

607
00:26:51.200 --> 00:26:53.160
<v Speaker 1>man and seeing how heavy I can lift. I'm not

608
00:26:53.200 --> 00:26:55.440
<v Speaker 1>trying to be hercules. I'm just I just want to

609
00:26:55.480 --> 00:26:57.799
<v Speaker 1>have good stamina and be strong, you know what I'm saying.

610
00:26:57.960 --> 00:27:00.640
<v Speaker 1>So I do a lot of things like into training

611
00:27:01.039 --> 00:27:02.920
<v Speaker 1>and a lot of you know, cardio and a lot

612
00:27:02.960 --> 00:27:05.359
<v Speaker 1>of stuff that keeps my heart rate elevated. And then

613
00:27:05.400 --> 00:27:07.279
<v Speaker 1>of course I lift weights and all that too. But

614
00:27:07.319 --> 00:27:09.279
<v Speaker 1>it's a combination of those things, you know what I mean.

615
00:27:09.359 --> 00:27:10.039
<v Speaker 2>Yeah, yes, sir.

616
00:27:10.119 --> 00:27:12.240
<v Speaker 1>Do you remember the first time you performed? Where was it?

617
00:27:12.640 --> 00:27:13.680
<v Speaker 1>What happened publicly?

618
00:27:13.799 --> 00:27:15.480
<v Speaker 2>You mean professionally or as an amateur?

619
00:27:15.519 --> 00:27:18.960
<v Speaker 1>As an amateur? Oh man, the first time I performed, well,

620
00:27:19.039 --> 00:27:20.960
<v Speaker 1>it started off in the room, so that don't count.

621
00:27:20.960 --> 00:27:24.039
<v Speaker 1>But outside it was the basement of a church, and

622
00:27:24.079 --> 00:27:25.839
<v Speaker 1>a girl came up to me and said, boy, you

623
00:27:25.880 --> 00:27:29.319
<v Speaker 1>can't wrap and goes back to your thing about the

624
00:27:29.599 --> 00:27:35.359
<v Speaker 1>you know, the hate and the living. Yeah, go get it,

625
00:27:35.680 --> 00:27:38.480
<v Speaker 1>you gotta if you strong enough to transform. And so

626
00:27:38.559 --> 00:27:40.119
<v Speaker 1>she said that to me, and that kind of was

627
00:27:40.200 --> 00:27:44.920
<v Speaker 1>good inspiration, you know what I'm saying. Professionally, professionally, Manhattan

628
00:27:44.920 --> 00:27:45.720
<v Speaker 1>Center High School.

629
00:27:45.720 --> 00:27:46.599
<v Speaker 2>Now it was a high school.

630
00:27:46.759 --> 00:27:50.200
<v Speaker 1>They pushed the lunch room table well, actually no, the

631
00:27:50.240 --> 00:27:54.160
<v Speaker 1>first time was at my high school, you know, like

632
00:27:54.240 --> 00:27:56.839
<v Speaker 1>ninth grade. I went to the shop class. I performed

633
00:27:56.839 --> 00:27:58.519
<v Speaker 1>in the shop class. That gave me an opportunity to

634
00:27:58.519 --> 00:27:59.839
<v Speaker 1>do that. My man bim me set it up.

635
00:27:59.839 --> 00:28:01.559
<v Speaker 2>I did that. I never came back to school. That

636
00:28:01.640 --> 00:28:03.640
<v Speaker 2>was over with. I had five thousand dollars in my

637
00:28:03.759 --> 00:28:06.200
<v Speaker 2>dresser draw. I was happy at over. Grandma was kicking me.

638
00:28:06.240 --> 00:28:07.079
<v Speaker 2>I ain't trying to hear that.

639
00:28:07.119 --> 00:28:11.440
<v Speaker 1>Man, I got hey, yeah, I got five thousand. Say

640
00:28:11.799 --> 00:28:12.759
<v Speaker 1>that like, I ain't.

641
00:28:12.559 --> 00:28:14.440
<v Speaker 2>Going back to school. But then, but.

642
00:28:17.599 --> 00:28:21.039
<v Speaker 1>Yo yo, it takes something, yo yo yo yo five

643
00:28:21.079 --> 00:28:25.480
<v Speaker 1>thousand and your draw felt like that was like.

644
00:28:25.039 --> 00:28:31.680
<v Speaker 6>Yo, bro, I felt like Caesar, like Caesar. I felt

645
00:28:31.720 --> 00:28:38.240
<v Speaker 6>like Caesar, Hell Caesar. So then nobody nothing nothing.

646
00:28:38.559 --> 00:28:42.039
<v Speaker 1>So then professionally, outside of that, when I got Book

647
00:28:42.119 --> 00:28:44.599
<v Speaker 1>four show it was Manhattan Center High School, they push

648
00:28:44.599 --> 00:28:47.640
<v Speaker 1>the lunch room tables together. And I remember like after

649
00:28:47.680 --> 00:28:50.400
<v Speaker 1>we finished performing, you know, a couple of the kids

650
00:28:50.480 --> 00:28:51.920
<v Speaker 1>was like, yo, sign this for mean I was signed

651
00:28:52.000 --> 00:28:53.720
<v Speaker 1>or grass. I looked at my man cut created I'm

652
00:28:53.720 --> 00:28:54.880
<v Speaker 1>like yo. I was like.

653
00:28:55.240 --> 00:28:56.799
<v Speaker 2>He was like, I was like, yo, I like this.

654
00:28:57.000 --> 00:28:58.799
<v Speaker 2>He was like I like this. He was like yeah,

655
00:28:58.799 --> 00:29:00.440
<v Speaker 2>I like this too, you know, saying that.

656
00:29:00.480 --> 00:29:03.240
<v Speaker 1>We was just signing and actually a little side note,

657
00:29:03.519 --> 00:29:05.640
<v Speaker 1>my first show ever, did my man's car broke down?

658
00:29:05.640 --> 00:29:08.319
<v Speaker 1>The axle broke on his car. Yeah, So we had

659
00:29:08.319 --> 00:29:11.039
<v Speaker 1>to walk like twenty blocks to the show. He was like, Yo,

660
00:29:11.119 --> 00:29:12.839
<v Speaker 1>but they're gonna they're gonna strip my car.

661
00:29:12.880 --> 00:29:16.039
<v Speaker 2>I'm like, man, fuck that car. Man, let him strip it.

662
00:29:16.240 --> 00:29:18.319
<v Speaker 2>You know what I'm saying, let him strip that joint.

663
00:29:18.440 --> 00:29:18.960
<v Speaker 2>We gotta go.

664
00:29:19.440 --> 00:29:21.200
<v Speaker 1>So we left the car in the middle of the street,

665
00:29:21.680 --> 00:29:23.920
<v Speaker 1>walk like, just walk like twenty blocks and get to

666
00:29:23.960 --> 00:29:26.119
<v Speaker 1>the show. I wasn't missing that show no matter what,

667
00:29:26.480 --> 00:29:28.079
<v Speaker 1>you know what I'm saying, because you gotta want it.

668
00:29:28.440 --> 00:29:29.799
<v Speaker 1>So we went to the show and do what we

669
00:29:29.839 --> 00:29:32.079
<v Speaker 1>had to do, and you know, rest is history and

670
00:29:32.880 --> 00:29:36.319
<v Speaker 1>car Yeah, I don't even know. I was so excited.

671
00:29:36.519 --> 00:29:38.799
<v Speaker 1>I didn't even get back to that. I wasn't even

672
00:29:39.160 --> 00:29:42.160
<v Speaker 1>I wasn't even thinking about that shit. Yo, he had

673
00:29:42.200 --> 00:29:47.279
<v Speaker 1>to go deal with that. Push my part before me.

674
00:29:47.359 --> 00:29:47.920
<v Speaker 2>I'm good.

675
00:29:48.039 --> 00:29:51.200
<v Speaker 1>I'm Gucci. I'm Gucci man. We were doing this the

676
00:29:51.400 --> 00:29:54.039
<v Speaker 1>forest Man, The Forest Man. Listen to a vibe to

677
00:29:54.119 --> 00:29:56.640
<v Speaker 1>it is crazy man. Yeah. The music once again from

678
00:29:56.799 --> 00:29:59.400
<v Speaker 1>Oh Cool Jay. Thank you, appreciate you, thank you. Cruising Baby,

679
00:29:59.480 --> 00:30:01.599
<v Speaker 1>Let's get it man. Cruise show really, no question, all day,
