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<v Speaker 1>Something's going to happen?

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<v Speaker 2>What's going to happen?

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<v Speaker 3>Thank you? What a.

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<v Speaker 2>Welcome to the Occult Rejects. This episode, We've got a

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<v Speaker 2>very special guest, very excited to have him on. We

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<v Speaker 2>have Richard Kazinski. But before we get to him, we

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<v Speaker 2>will introduce the other rejects we got on the show.

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<v Speaker 2>And today we got joining with us. We got the

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<v Speaker 2>lovely Lisa, the Occult of reject a mad scientist to

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<v Speaker 2>what is going on? Lisa?

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<v Speaker 4>How are good? Thank you? Good morning here at least,

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<v Speaker 4>Thank you Nick for inviting me and looking forward to

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<v Speaker 4>Toctor Kazynski's talk today and to also discussing with Robbie

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<v Speaker 4>and Jen as well. Thank you. And the only thing

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<v Speaker 4>I'd like to plug is vehicle researches to dot org

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<v Speaker 4>check us out.

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<v Speaker 2>Awesome. Thank you very much and I really appreciate you

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<v Speaker 2>joining us with us. And we got my managin the Ninja.

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<v Speaker 2>What is going on?

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<v Speaker 3>Sir?

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<v Speaker 2>How are you? What's up? Boss?

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<v Speaker 5>Thank you so much for having me, and thank you

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<v Speaker 5>to Lisa and Robbie and of course doctor Kasinski. I'm

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<v Speaker 5>quite excited for this. I'm not a tall despite the rumors,

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<v Speaker 5>but I'm quite interested in the neo gnosticism like the

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<v Speaker 5>broader cosmology and maybe even ontological perspectives within it. And

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<v Speaker 5>so if you want to check me out, you can

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<v Speaker 5>follow me at willcong Reborn to w Uko and g

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<v Speaker 5>Reborn or at Threshold Saints, which is the show account

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<v Speaker 5>on both Twitter and ig as well as the True

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<v Speaker 5>Gray Lodge with a v the True Gray Lodge dot

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<v Speaker 5>com where you can find us. We're doing a Friday

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<v Speaker 5>Night Gnostic book club tonight instead of Nastic Mass, so

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<v Speaker 5>we are reading Kenneth Grant's Night Side of Eden Part one,

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<v Speaker 5>So yeah, check that out if you're interested, and thank

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<v Speaker 5>you so much, appreciate it.

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<v Speaker 2>And we got the man himself, the storyteller, Robbie Marx.

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<v Speaker 2>What is going on, sir? How are you?

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<v Speaker 6>Good morning everybody. It's good to see everybody today. I'm

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<v Speaker 6>glad to be on with such a good crew and

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<v Speaker 6>excited to hear what Richard has to say and where

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<v Speaker 6>we go. My name is rob or Robbie or Robert Marx,

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<v Speaker 6>and I'm an artist illustrator. I'm working on a book

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<v Speaker 6>right now. But yeah, if you want to check out

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<v Speaker 6>my various projects and works, you can go to my

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<v Speaker 6>link tree which is link tree rarx and that'll pull

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<v Speaker 6>up everything for you. And yeah, thanks for having me on, Nick.

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<v Speaker 2>Of course, Robbie, I really appreciate it. I'm glad you

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<v Speaker 2>made it. And finally to the guest himself, we got

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<v Speaker 2>Richard Kazinski. He's a scholar and psychologist. He's got a

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<v Speaker 2>PhD in social psychology and he is a student of

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<v Speaker 2>THELIMA since the late nineteen seventies. He's an OTO contributor,

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<v Speaker 2>editor and lecturer on magic. And today we will be

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<v Speaker 2>talking about Mind over Magic, The Psychology of Ritual Magic,

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<v Speaker 2>which is one of his newer books. And again I'm

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<v Speaker 2>very excited to have you on. And please, Richard, anything

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<v Speaker 2>that I left out, Let people know what you want

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<v Speaker 2>them to know about you and where they can find

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<v Speaker 2>any of your amazing one.

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<v Speaker 3>All right, well, I'm perhaps best known as the author

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<v Speaker 3>of the biography of Alistair Crowley called Perdurabo The Life

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<v Speaker 3>of Alistair Crowley, and I've also written various other books

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<v Speaker 3>on Western esotericism, including books like Forgotten Templars, The Unknown

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<v Speaker 3>Origins of Argo Templear Orientis, which does a deep dive

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<v Speaker 3>into the odd byways of Masonic history, and how all

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<v Speaker 3>of that fed into OTO, as well as books like

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<v Speaker 3>The Wiser Concise Guy to Alistair Crowley and recently the

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<v Speaker 3>critical edition of Alistair Crowley's early work The Sort of Song,

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<v Speaker 3>which has been put out in a Delexe edition by

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<v Speaker 3>your Traditions, who also are a publisher of my newest book,

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<v Speaker 3>Mind Over Magic as You, which hits the stores on

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<v Speaker 3>October seventh. So I hope, yeah, you're all inspired to

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<v Speaker 3>check that out when it comes out.

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<v Speaker 2>Oh for sure, for sure.

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<v Speaker 4>You know.

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<v Speaker 2>Fun fact, it's a little it's almost embarrassing to mention you,

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<v Speaker 2>but I did read your book on Alistair Crowley in prison.

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<v Speaker 2>I came across that in prison and read it in

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<v Speaker 2>the so very good work, thank you.

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<v Speaker 3>It's a lot, a lot of reading, so hopefully had

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<v Speaker 3>the spare time to dig into it.

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<v Speaker 2>Yeah, you'd be actually surprised how much the li mix

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<v Speaker 2>stuff was in the Wow there's a lot here actually yeah, yeah, yeah,

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<v Speaker 2>it was interesting enough. So yeah, mind over Magic. Uh. Well, first, actually,

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<v Speaker 2>if you don't mind what even got you into the

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<v Speaker 2>occult world? You know, how did you even start off

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<v Speaker 2>with that? And how did you end up getting into

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<v Speaker 2>the OTO? If you know my music.

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<v Speaker 3>Well as far as the occult world goes, I think

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<v Speaker 3>we're just something about There was like this perfect storm

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<v Speaker 3>over who I am and times I grew up in

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<v Speaker 3>because at the time I was growing up, you know,

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<v Speaker 3>I remember as a as a very small child, is

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<v Speaker 3>loving Star Trek and then when heard Nimoy wound up

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<v Speaker 3>hosting this TV show called In Search of which like

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<v Speaker 3>this week we show that investigated the weird and the unexplained,

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<v Speaker 3>from you know, Bigfoot to esp and I, as I Treki,

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<v Speaker 3>of course, had to watch this. But there were like

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<v Speaker 3>movies coming out, like those Mysterious Monsters and and you

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<v Speaker 3>can literally go into the grocery store. The other one

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<v Speaker 3>by my house, you know, had you know, like The

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<v Speaker 3>Man Myth and Magic magazine that came out, and I

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<v Speaker 3>actually one week had my mom buy me The Techniques

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<v Speaker 3>of High Magic by Francis King and Steven Skinner. So

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<v Speaker 3>it was just like everywhere. One of my favorite memories

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<v Speaker 3>is that living in Detroit where I grew up, we

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<v Speaker 3>were close enough to win to get Canadian television and

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<v Speaker 3>they had a game show called Beyond Reason and it

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<v Speaker 3>was kind of like a metaphysical what's my line? They

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<v Speaker 3>had three people in sound group roof booths, and they

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<v Speaker 3>would bring in a special guest who would be out

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<v Speaker 3>of sight, and the three panelists would have sixty seconds

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<v Speaker 3>ask questions. One was a psychic so they had some

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<v Speaker 3>personal item of the guest, one was an astrologer who

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<v Speaker 3>had the birth chart, and one was a palm writer

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<v Speaker 3>who had a photo of a person's hand. And so

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<v Speaker 3>they had sixty seconds ask the questions and guests who

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<v Speaker 3>the guest was. And as you can imagine, sometimes it

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<v Speaker 3>was uncanny. Sometimes it was just off the left field.

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<v Speaker 3>They weren't even close. But one thing I remember very

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<v Speaker 3>clearly is this one time astrologer was looking at this

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<v Speaker 3>person's chart and saying, and this had nothing to do

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<v Speaker 3>with why they were famous, saying, oh, I see you

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<v Speaker 3>had an accident evolving falling off a horse and you're

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<v Speaker 3>seeing like, you know, a split camera thing, to the

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<v Speaker 3>panelist going wow, yeah, and you were about fourteen years

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<v Speaker 3>old at the time and you broke your arm. And

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<v Speaker 3>this person's like going like, how did you know that?

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<v Speaker 3>So it was always a lot of fun to tune

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<v Speaker 3>in and check this stuff out. But again, this kind

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<v Speaker 3>of stuff was just everywhere when I grew up, and

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<v Speaker 3>it just fascinated me. And again, obviously everyone who grew

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<v Speaker 3>up at the same time as me did not know

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<v Speaker 3>glom onto this stuff the way that I did. But

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<v Speaker 3>it was just, you know, I just kind of felt

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<v Speaker 3>like all those things in the culture at that time

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<v Speaker 3>has kind of funneled me into this direction. And one

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<v Speaker 3>day I discovered there was a metaphysical bookshop. So I

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<v Speaker 3>got my bicycle and puddled five miles to the store

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<v Speaker 3>and got to know the owner, and I picked up

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<v Speaker 3>a copy of Israel regard as the Golden Dawn, and

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<v Speaker 3>I came back two weeks later. He said, oh, do

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<v Speaker 3>you like that? If you did, you might be interested

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<v Speaker 3>in this, and he pulled out Alistair Croway's Magic in

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<v Speaker 3>Theory and Practice. You know, again, I'm this fourteen year

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<v Speaker 3>old kid reading this, going I don't know what this means.

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<v Speaker 2>Yeah, I was, you said, did you even understand that?

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<v Speaker 2>I can't understand it now.

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<v Speaker 3>Well, the thing was, there was this end where he

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<v Speaker 3>like signs with all his magical mottos and grade symbols

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<v Speaker 3>and all of that, and I was like, I don't know.

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<v Speaker 2>What this is.

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<v Speaker 3>It was it was like a puzzle that that point

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<v Speaker 3>was a challenge, Like I am going to I'm going

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<v Speaker 3>to figure this out, and you know, it's that's going

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<v Speaker 3>on in that direction ever since Nice.

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<v Speaker 2>You know, it's kind of interesting, like you're saying, though

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<v Speaker 2>at the time you grew up, I even feel like

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<v Speaker 2>that was like even most of the people in this

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<v Speaker 2>panel all around the same age. I feel like the

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<v Speaker 2>time that we grew up, there was like something I

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<v Speaker 2>don't know if there was, like people are having their

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<v Speaker 2>own magical experiences and they were creating and putting magic

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<v Speaker 2>out there themselves. But it's like I feel like certain times,

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<v Speaker 2>is there certain things going on that like maybe us

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<v Speaker 2>as kids there was something in the air that we

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<v Speaker 2>caught onto and it just made us like search for something.

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<v Speaker 2>You know, we caught we felt that magic, but what

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<v Speaker 2>is it?

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<v Speaker 3>And search There were just like dozens and dozens of

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<v Speaker 3>like UFO books, so you could pick up and just

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<v Speaker 3>you know, or you know, Belakovski's Worlds in Collision and then

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<v Speaker 3>those all kinds of stuff. Is you know these mass

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<v Speaker 3>market paperbacks.

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<v Speaker 2>Yeah, just as a kid, like the Paranormal got bigger again,

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<v Speaker 2>UFOs Horror was huge. You know, you just had all

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<v Speaker 2>these different like to a child, it's just like it's

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<v Speaker 2>a playground in the imagination.

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<v Speaker 6>Well, and when I was in I don't know, fourth

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<v Speaker 6>or fifth grade, at the Scholastic book fair, you know,

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<v Speaker 6>sponsored by the school. You know, I got one of

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<v Speaker 6>those books and in it it was talking about the

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<v Speaker 6>men in black from inside the Hollow Earth. They would

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<v Speaker 6>come up and watch people and you know, so it's

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<v Speaker 6>like just and then you got the Twilight Zones and

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<v Speaker 6>the weird its just it all, It's just gloriferic.

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<v Speaker 3>It was everywhere, you know. Yeah, I remember picking up

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<v Speaker 3>from the Scholastic book Fair somebody strange and amazing stories

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<v Speaker 3>talking about it like a woman who allot of an

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<v Speaker 3>airplane and survived, and the strange parallels between John F.

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<v Speaker 3>Kennedy and Abraham Lincoln's you know, Life and Deaths and

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<v Speaker 3>again the Lucknows Monster and all kinds of things Acholastic books.

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<v Speaker 6>It made the world magical and you wanted to seek

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<v Speaker 6>out what this strange kind of you know thing was

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<v Speaker 6>subsiding in this reality.

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<v Speaker 3>You know, absolutely, I think I had this feeling as

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<v Speaker 3>a kid that you know, we had we had done

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<v Speaker 3>the moon landing, you know, we were sending you know,

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<v Speaker 3>the first voyager satellite out into space, and you know,

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<v Speaker 3>we had mapped the Earth so pretty much, and you know,

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<v Speaker 3>science was doing all these amazing things, so it seemed

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<v Speaker 3>like science had discovered everything it was about the world

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<v Speaker 3>around us, and of course that wasn't true, but kind

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<v Speaker 3>of as a as a kid, it kind of felt

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<v Speaker 3>that way because there's this amazing world of science. But

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<v Speaker 3>then when you start talking about these mysterious things, you know,

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<v Speaker 3>what what whatever reason of both things? Or what is

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<v Speaker 3>the astral plane? And what is this magic stuff? And

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<v Speaker 3>someone becomes this unsharted territory and it and that was

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<v Speaker 3>also very exciting and enticing.

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<v Speaker 2>Right, that's awesome.

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<v Speaker 5>I like that.

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<v Speaker 2>I've got the Scholastic I had totally forgot all about that.

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<v Speaker 2>You just took it back around. You know. It's funny.

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<v Speaker 2>A couple of weeks ago I saw a meme about

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<v Speaker 2>like that, and it was like, yo, like two dollars

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<v Speaker 2>in the Scholastic book day was like your your life

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<v Speaker 2>was set, Like that's how simple life was. Give me two.

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<v Speaker 3>Bucks to this day. Like the Golden Book of Hallucinogenic Plants, which.

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<v Speaker 2>That is awesome. All right, So how about if you

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<v Speaker 2>don't mind, before we get into the book, how long

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<v Speaker 2>have you been like I guess to uh you are,

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<v Speaker 2>remember I was showing over the oto correct, So.

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<v Speaker 3>Yeah, I've been. I was kind of like a corresponding member,

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<v Speaker 3>you know, my pre initiated member since about nineteen eighty six,

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<v Speaker 3>and then I actually initiated in San Francisco in nineteen

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<v Speaker 3>eighty eight and been remember ever since?

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<v Speaker 2>Oh nice, okay, all right, so that's been a minute. Yeah, yeah,

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<v Speaker 2>and I see, uh, I had watched one of your

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<v Speaker 2>interviews recently with David Schoemaker. That was awesome, wasn't it.

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<v Speaker 3>Yeah.

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<v Speaker 2>Yeah, he's another person I think has Yeah, Living to Lima.

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<v Speaker 2>I think that's an amazing book. Actually, yeah, yeah, I'd

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<v Speaker 2>listened to uh, I listened to all his podcasts on

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<v Speaker 2>that stuff back in the day and everything. Yeah. But uh,

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<v Speaker 2>all right, yeah, back to you this book. What was

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<v Speaker 2>the reason you booked this out? What did you think

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<v Speaker 2>other books were lacking? And this is why you felt

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<v Speaker 2>the urge to put this out if that's the case,

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<v Speaker 2>If that's.

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<v Speaker 3>The topic that people hadn't actually tackled. A lot of

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<v Speaker 3>times when people talk about psychology and magic, they tend

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<v Speaker 3>to get into a lot of you know, theoretical stuff

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<v Speaker 3>that's kind of unprovable. I mean, like you know, for example,

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<v Speaker 3>Carl Jung is amazing as in terms of a model

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<v Speaker 3>of how the mind works, and it's a great therapeutic

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<v Speaker 3>model for dealing with patients and therapy, but none of

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<v Speaker 3>its assumptions are are testable using modern science. It's one

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<v Speaker 3>of these It's just kind of like a model that

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<v Speaker 3>you you work with and then you get the results,

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<v Speaker 3>but you know, with your patient population, but you can't

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<v Speaker 3>test it in the scientific way. And other books on

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<v Speaker 3>the topic tend to like go off into quantum mechanics

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<v Speaker 3>and things like that, which again is interesting, but it's

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<v Speaker 3>if you actually talk to a physicist, most of them

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<v Speaker 3>are going to say, yeah, that's not really how it works.

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<v Speaker 3>And I don't mean to dismiss either of those approaches,

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<v Speaker 3>but I wanted, you know, my background is in social psychology.

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<v Speaker 3>It's very much geared to sign tipic research and statistical analysis,

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<v Speaker 3>and I wanted to bring an actual hard data, hard

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<v Speaker 3>research that pertain to magic. And while there's there aren't

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<v Speaker 3>people out there doing research or they are doing a

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<v Speaker 3>real time brain imaging of someone while they're doing a

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<v Speaker 3>magic ritual, you know, vanishing or something like that, there's

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<v Speaker 3>a lot of research in psychology about things that you know,

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<v Speaker 3>those personality traits and the effects of our environment around

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<v Speaker 3>us and so on that apply to what magicians do.

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<v Speaker 3>And by magician, I'd use that term very broadly anyone

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<v Speaker 3>who engages in any kind of spiritual practice. So I

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<v Speaker 3>don't mean to exclude, you know, people who might call

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<v Speaker 3>themselves a wicked instead of a magician or whatever. I mean,

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<v Speaker 3>we're all doing those people are all doing magic, and

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<v Speaker 3>that's sometimes using this in a very broad and inclusive way.

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<v Speaker 2>I use the magician in the same way. I feel

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<v Speaker 2>like it just includes everybody. No, I think that's great though.

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<v Speaker 2>That's one thing that thought was like impressive about having

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<v Speaker 2>you on, and I think I you know, I guess

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<v Speaker 2>shoemaker would be the same thing. But there's that too

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<v Speaker 2>many people in my opinion, that are actually trying to

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<v Speaker 2>bring like academic science into a cult or not enough,

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<v Speaker 2>I don't think, And I think there is a lot.

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<v Speaker 2>I think if ocultists and scientists were to maybe just

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<v Speaker 2>put their differences aside and actually talk to each other,

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<v Speaker 2>they'd make so much progress, that's my opinion. That's the

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<v Speaker 2>thing to like.

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<v Speaker 3>Another thing that a lot of the people who write

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<v Speaker 3>on magic and psychology do is they'll they'll lean into

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<v Speaker 3>parapsychology research, which is fascinating and I'm very intrigued by that,

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<v Speaker 3>but I also get this field. Once you start talking

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<v Speaker 3>about that, there's like a whole swath of people who

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<v Speaker 3>automatically dismiss that because there are skeptics and they aren't

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<v Speaker 3>accept the possibility that that stuff could exist. And another

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<v Speaker 3>part of my rationale with this book was, now want

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<v Speaker 3>to I want to focus on solid, peer reviewed research

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<v Speaker 3>about psychology, not you know, not psychological theories or models,

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<v Speaker 3>not necessarily parent psychology. And you know, there's plenty of

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<v Speaker 3>books about that stuff that people can go and read

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<v Speaker 3>if they want to pursue those avenues. But I have

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<v Speaker 3>like a very specific focus on evidence based approaches that

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<v Speaker 3>you know, and it may be naive, but hopefully not

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<v Speaker 3>that would allow that reaching across the aisle for practitioners

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<v Speaker 3>and scientists to actually find that common ground.

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<v Speaker 6>Well, go ahead, I was going to say, I think

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<v Speaker 6>it's interesting when you look at the idea of science

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<v Speaker 6>versus the paranormal, getting into all the quote unquote woo woo.

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<v Speaker 6>It's like science the way it's set up it's only

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<v Speaker 6>it's only able to test certain means that are repeatable

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<v Speaker 6>within the physical matrix. Anything be beyond that that becomes mental,

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<v Speaker 6>that becomes vibration, that becomes you know, higher forms of

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<v Speaker 6>etheric unders it just doesn't have the tools, so you

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<v Speaker 6>know it. Then it becomes the individual body and the

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<v Speaker 6>repeatable phenomena and these things. So can you kind of

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<v Speaker 6>get into some of these ways that we can with

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<v Speaker 6>repeatable means be able to kind of draw out some

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<v Speaker 6>of these you know, higher kind of forms that are

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<v Speaker 6>above and beyond the physical matrix.

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<v Speaker 3>Yeah, Actually, what we were saying, right, And we have

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<v Speaker 3>a couple of interesting things, one of which is this

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<v Speaker 3>idea of repeatability and Dean Reading in his early book

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<v Speaker 3>The Conscious Universe kind of talks about this. Dean Reading

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<v Speaker 3>is a is a you know, a parapsychologist. But he

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<v Speaker 3>talks about how this issue, this issue that's scientists, particularly

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<v Speaker 3>skeptical scientists, expect certain phenomenon to be repeated and replicated

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<v Speaker 3>in the in the lab one hundred percent of the time,

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<v Speaker 3>you know, with with this with high degree of reliability.

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<v Speaker 3>And he points out that we will pay some millions

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<v Speaker 3>of dollars who can hit a ball with a stick

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<v Speaker 3>one time out of three. And so this idea that

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<v Speaker 3>you know, we can accept, you know, the the idea

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<v Speaker 3>that a baseball player is not perfect, but I can't

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<v Speaker 3>accept the idea that some of these states of consciousness

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<v Speaker 3>that happen don't necessarily happen on demand in a laboratory setting.

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<v Speaker 3>So yeah, I'm sorry, I think I'm talking. I lost

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<v Speaker 3>track to what you're asking.

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<v Speaker 6>Well, just in regard to how do we test these

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<v Speaker 6>outer limits, Yeah, and be able to have you know,

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<v Speaker 6>verifiable kind of for those that you know, refuse to

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<v Speaker 6>believe in these further kind of proceedings.

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<v Speaker 3>Right right, Well, and I'm reminded of I believe this

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00:19:14.519 --> 00:19:17.440
<v Speaker 3>is Bill Moyer's. He was the guy that ran that series,

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<v Speaker 3>The on Myth with Joseph Campbell, I think yet like

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00:19:22.039 --> 00:19:25.519
<v Speaker 3>a separate series, but he remember him in they showed

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<v Speaker 3>coming up with this example about how a dog's nose

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00:19:29.640 --> 00:19:33.839
<v Speaker 3>is an amazing device. I mean, it can smell. Also,

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<v Speaker 3>he can smell, you know, the scent of its owners.

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00:19:36.119 --> 00:19:38.359
<v Speaker 3>It can go out and sniff hydrants and things like

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<v Speaker 3>that until who's been there before. And through that mechanism,

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00:19:42.559 --> 00:19:45.720
<v Speaker 3>a dog can learn a lot about the world. But

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<v Speaker 3>Bill Moyer says, you know that the sniff test is

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<v Speaker 3>not a way of finding out about God. And in

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<v Speaker 3>the same way, and you could say that science is

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<v Speaker 3>good at a lot of things, but there are certain

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<v Speaker 3>things that not good at right, and you've got to

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00:20:02.960 --> 00:20:06.799
<v Speaker 3>use the right tool for the right job. And for

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<v Speaker 3>me and my approach to this book, I'm not again

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<v Speaker 3>trying to explain everything that happens to people when they're

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<v Speaker 3>doing magic, whatever their practice may be. As all psychology,

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<v Speaker 3>it's I think Alistair Crowley talks about magic being the

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<v Speaker 3>art and science of causing change occur in confirmity will.

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<v Speaker 3>So science is only part of that. There's also art,

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<v Speaker 3>and so my approach is kind of like, okay, let's

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<v Speaker 3>talk about the science part. But there's also a thing

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<v Speaker 3>that we really can't talk about in science. There's that subjective,

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<v Speaker 3>unique experience that people will have, and that's kind of

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<v Speaker 3>another realm, and I'll I'll allow people to interpret that

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<v Speaker 3>as they will. But one of the things I do

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<v Speaker 3>in Mind over Magic is in the last chapter, I

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<v Speaker 3>try to take you know, a semester course and research

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<v Speaker 3>design methodology and back into one kind of short chapter

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<v Speaker 3>about what is the scientific method, how can you like

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<v Speaker 3>test your own magical work for yourself. So if you're

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<v Speaker 3>doing some you know, magical operation for this outcome, you know,

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<v Speaker 3>you kind of walk through the steps of how you

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<v Speaker 3>would develop a hypothesis, how you might go about collecting

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<v Speaker 3>your data, how you might control for other things, and

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<v Speaker 3>how you can critically evaluate whether your experiment worked or not.

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<v Speaker 3>And that I think arms readers with a toolbox to

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<v Speaker 3>try to apply this method to their spiritual work, because

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<v Speaker 3>some of this process may be this trial and error

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<v Speaker 3>of finding a system that works for you. And again,

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<v Speaker 3>you can't tell what works for you until unless you

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<v Speaker 3>can tell what works.

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<v Speaker 2>Right.

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<v Speaker 6>But there are common repeatable phenomena that are occurrences. Otherwise

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<v Speaker 6>this this whole idea of you know magic or the

386
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<v Speaker 6>magi or going back into all these ancient practices, it

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<v Speaker 6>wouldn't have persisted in Risen and come about because there

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00:22:17.119 --> 00:22:21.559
<v Speaker 6>are common repeatable you know, people get an effect when

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<v Speaker 6>they participate.

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<v Speaker 3>Yeah, that's the that's the whole mind of like a

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00:22:28.720 --> 00:22:31.440
<v Speaker 3>lot of these these schools, they they'll say, hey, here's

392
00:22:31.480 --> 00:22:34.200
<v Speaker 3>these techniques. Here these tools you can use, you know,

393
00:22:34.279 --> 00:22:36.680
<v Speaker 3>do this lesser manage ritual the pentagram or do this,

394
00:22:36.920 --> 00:22:39.880
<v Speaker 3>you know, calling of the watch towers or what have you,

395
00:22:40.039 --> 00:22:46.119
<v Speaker 3>and or even let's let's do this, you know, let's

396
00:22:46.200 --> 00:22:51.119
<v Speaker 3>do this Catholic mass, you know, and van transubstantiate.

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<v Speaker 2>Oh yeah, one thing I did want to ask you about,

398
00:23:00.359 --> 00:23:02.079
<v Speaker 2>you know, just real quick and it's kind of guess,

399
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<v Speaker 2>like a random question. I try to ask some people

400
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<v Speaker 2>that are into a flame or Crowley and this question

401
00:23:09.000 --> 00:23:11.200
<v Speaker 2>if I can you mentioned science, So this is I'm

402
00:23:11.240 --> 00:23:13.440
<v Speaker 2>gonna try to throw it in this way, and this

403
00:23:13.559 --> 00:23:15.720
<v Speaker 2>might sound off the wall, but it's just my belief.

404
00:23:16.200 --> 00:23:18.720
<v Speaker 2>It's our theory of mine. Do you think at any

405
00:23:18.839 --> 00:23:22.319
<v Speaker 2>point else the Crowley actually points at the eyeballs in

406
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<v Speaker 2>the brain in some of his stuff.

407
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<v Speaker 3>I'm gonna try to follow it doesn't.

408
00:23:29.279 --> 00:23:31.720
<v Speaker 2>Yeah, No, I actually think there's certain certain times where

409
00:23:31.759 --> 00:23:34.400
<v Speaker 2>he does actually depict like the function like what your

410
00:23:34.440 --> 00:23:38.319
<v Speaker 2>eyeball and your brain's doing phenomena. Yeah, during a magical experience.

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<v Speaker 2>That's just my theory. I was just wondering, since you

412
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<v Speaker 2>mentioned science, if you've ever come across that it sounds

413
00:23:44.359 --> 00:23:49.559
<v Speaker 2>crazy or yeah, artwork or just even ways of like

414
00:23:49.720 --> 00:23:52.279
<v Speaker 2>expressing certain things and archetypes. I do you think he

415
00:23:52.400 --> 00:23:55.279
<v Speaker 2>might be expressing like the pupil dilating and changing inside

416
00:23:55.319 --> 00:23:57.200
<v Speaker 2>the eye and how the light goes up into the

417
00:23:57.240 --> 00:23:59.920
<v Speaker 2>brain through the optic nerve as crazy as that's a.

418
00:24:02.720 --> 00:24:06.480
<v Speaker 3>Couple of people who have explored Crowley's writings from the

419
00:24:06.519 --> 00:24:10.799
<v Speaker 3>angle of psychedelics, and I find that to be kind

420
00:24:10.799 --> 00:24:13.480
<v Speaker 3>of interesting because because Crole did use psychedelics, you don't

421
00:24:13.599 --> 00:24:16.319
<v Speaker 3>he didn't necessarily say hey, I was dripping balls when

422
00:24:16.359 --> 00:24:21.920
<v Speaker 3>I did everything, But yeah, sometimes you kind of say that.

423
00:24:23.039 --> 00:24:26.400
<v Speaker 3>But people have had these experiences kind of read some

424
00:24:26.519 --> 00:24:28.440
<v Speaker 3>of his stuff, like the Vision and the Voice and say, wow,

425
00:24:28.480 --> 00:24:33.240
<v Speaker 3>that stuff really sounds very much like a classic, you know,

426
00:24:33.319 --> 00:24:38.759
<v Speaker 3>psychedelic experience. And I think that's very fascinating because I,

427
00:24:39.039 --> 00:24:42.400
<v Speaker 3>you know, we all comment can come on any any

428
00:24:42.559 --> 00:24:47.279
<v Speaker 3>bit of data from different angles, and you know, approaching

429
00:24:47.559 --> 00:24:50.880
<v Speaker 3>curly from the from the angle of psychedelics isn't necessarily

430
00:24:50.960 --> 00:24:54.319
<v Speaker 3>something I would kind of I was kind of sticking

431
00:24:54.359 --> 00:24:56.279
<v Speaker 3>to you, sticking to the facts, you know, but having

432
00:24:56.359 --> 00:24:59.640
<v Speaker 3>someone with was knowledgeable in this to kind of take

433
00:24:59.640 --> 00:25:02.440
<v Speaker 3>this up and now this is actually very classic stuff

434
00:25:04.359 --> 00:25:07.079
<v Speaker 3>was a neat theory, you know. It's so it's interesting

435
00:25:07.119 --> 00:25:08.960
<v Speaker 3>to hear these different.

436
00:25:08.680 --> 00:25:11.000
<v Speaker 2>Tapes yeah, yes, I have to throw like away when

437
00:25:11.000 --> 00:25:11.599
<v Speaker 2>I actually I was.

438
00:25:11.599 --> 00:25:14.359
<v Speaker 7>Just wonder, I'm gonna I'm going to piggyback on the

439
00:25:14.440 --> 00:25:17.720
<v Speaker 7>next stuff that because I did a little bit of

440
00:25:17.799 --> 00:25:20.519
<v Speaker 7>equity on the vision and the voice, and in some

441
00:25:20.640 --> 00:25:26.440
<v Speaker 7>of his writing is very analogous to physiology of ot

442
00:25:27.599 --> 00:25:30.559
<v Speaker 7>anatomy as well as brain anatomy, and that it all

443
00:25:30.640 --> 00:25:31.559
<v Speaker 7>functions together.

444
00:25:31.960 --> 00:25:33.839
<v Speaker 4>And even when you start to dissect some of the

445
00:25:34.079 --> 00:25:37.319
<v Speaker 4>numerology that he hints to you, you look at some

446
00:25:37.400 --> 00:25:43.720
<v Speaker 4>of the development fetal embryonic with eye physiology, brain physiology,

447
00:25:43.759 --> 00:25:46.559
<v Speaker 4>and it almost mirrors it. And so it's almost like

448
00:25:46.799 --> 00:25:49.279
<v Speaker 4>you almost wonder, did you take a crash course in

449
00:25:49.359 --> 00:25:53.440
<v Speaker 4>physiology embryology and you know I anatomy brain anatomy because

450
00:25:53.480 --> 00:25:57.720
<v Speaker 4>it mirrors it a lot, and so I think one

451
00:25:57.880 --> 00:26:02.119
<v Speaker 4>there's there's almost a pause to wonder. Maybe he was

452
00:26:02.160 --> 00:26:04.640
<v Speaker 4>a secret and atomists, secret artist.

453
00:26:05.759 --> 00:26:10.359
<v Speaker 3>Yeah. I mean Croly was a voracious reader. But when

454
00:26:10.400 --> 00:26:16.240
<v Speaker 3>he went to university, he started he was going to

455
00:26:16.559 --> 00:26:19.039
<v Speaker 3>study in the form of a diplomatic service, but then

456
00:26:19.160 --> 00:26:22.160
<v Speaker 3>kind of focused mostly in like the humanities. You know,

457
00:26:22.279 --> 00:26:28.319
<v Speaker 3>his his mentor was a Greek you know, literature professor

458
00:26:28.480 --> 00:26:31.599
<v Speaker 3>and Arthur Willgallar Virol and.

459
00:26:33.640 --> 00:26:34.000
<v Speaker 2>So well.

460
00:26:34.400 --> 00:26:36.839
<v Speaker 3>While he may have had some courses, that wasn't really

461
00:26:36.880 --> 00:26:39.400
<v Speaker 3>the focus of his education. Again cruel. He wrote a lot,

462
00:26:39.640 --> 00:26:45.880
<v Speaker 3>and I think there is a lot of mysticism connected

463
00:26:46.039 --> 00:26:49.440
<v Speaker 3>with sensory input. I mean I think it like go

464
00:26:49.759 --> 00:26:51.599
<v Speaker 3>Is writing about color theory and things like that. But

465
00:26:51.759 --> 00:26:54.440
<v Speaker 3>Got was also very much of a mystic as well,

466
00:26:55.319 --> 00:26:57.920
<v Speaker 3>and so I think there there is a strand of

467
00:26:58.000 --> 00:26:59.640
<v Speaker 3>that in Western missourisism.

468
00:27:01.160 --> 00:27:04.079
<v Speaker 2>Thank you, thank you, I appreciate that. All right, Enough

469
00:27:04.119 --> 00:27:08.279
<v Speaker 2>about back to Richard? All right, so it is his time.

470
00:27:09.759 --> 00:27:13.400
<v Speaker 2>Uh with your book? Do you go into I could

471
00:27:13.440 --> 00:27:15.119
<v Speaker 2>be making a stretch, but do you happen to go

472
00:27:15.240 --> 00:27:17.880
<v Speaker 2>into like maybe the psychology behind like maybe like the

473
00:27:17.920 --> 00:27:21.680
<v Speaker 2>whole robes, investments and all the stuff you use on

474
00:27:21.799 --> 00:27:23.319
<v Speaker 2>your altar? Is there anything?

475
00:27:24.960 --> 00:27:29.200
<v Speaker 3>Absolutely? Just to give you a couple of examples, there

476
00:27:29.359 --> 00:27:32.519
<v Speaker 3>is a lot of research done in I believe it

477
00:27:32.559 --> 00:27:38.000
<v Speaker 3>or not marketing psychology that talks about how our identity

478
00:27:38.200 --> 00:27:43.839
<v Speaker 3>and our personality is wrapped up in our possessions and

479
00:27:43.920 --> 00:27:46.359
<v Speaker 3>so the things that we own are in a way

480
00:27:46.440 --> 00:27:53.079
<v Speaker 3>extensions of ourselves. And that absolutely applies to you know,

481
00:27:53.119 --> 00:27:55.160
<v Speaker 3>a magician, if you think about like the magician, the Heiro.

482
00:27:55.400 --> 00:27:58.039
<v Speaker 3>He has you know, the the the four weapons of

483
00:27:58.119 --> 00:28:00.279
<v Speaker 3>the suits of the Tiro on this altar, you know,

484
00:28:00.400 --> 00:28:04.279
<v Speaker 3>the disc, the wand the cup and the dagger, and

485
00:28:05.200 --> 00:28:09.079
<v Speaker 3>in ceremonial traditions, you know, these things are like the

486
00:28:09.359 --> 00:28:12.759
<v Speaker 3>dagger is you know, the the cutting incisiveness of your mind,

487
00:28:12.960 --> 00:28:16.119
<v Speaker 3>and the wond is the force of will, and the

488
00:28:16.200 --> 00:28:18.839
<v Speaker 3>cup is the seat of emotions and so on, and

489
00:28:20.519 --> 00:28:25.160
<v Speaker 3>so these are literally meant to be external representations of

490
00:28:25.240 --> 00:28:30.480
<v Speaker 3>our state of mind, and marketing psychology of all things

491
00:28:30.559 --> 00:28:32.559
<v Speaker 3>kind of confirm that is, in fact, how we treat

492
00:28:32.680 --> 00:28:36.400
<v Speaker 3>our possessions. And so if we have these special magical

493
00:28:36.480 --> 00:28:41.119
<v Speaker 3>items that we have consecrated and treat with, you know, reverence,

494
00:28:41.960 --> 00:28:46.440
<v Speaker 3>that's going to that that that assertion and in magical

495
00:28:46.519 --> 00:28:51.839
<v Speaker 3>spaces is absolutely true. Similarly, there are studies in psychology

496
00:28:51.920 --> 00:28:55.440
<v Speaker 3>that deal with how we dress and how that affects

497
00:28:55.519 --> 00:29:00.279
<v Speaker 3>our state of mind. I wanted to include in the book, okay,

498
00:29:00.359 --> 00:29:02.640
<v Speaker 3>a picture from an old bugs Bunny cartoon, but I

499
00:29:02.680 --> 00:29:05.240
<v Speaker 3>couldn't get the permission. I'm really sad about that. But

500
00:29:05.359 --> 00:29:10.119
<v Speaker 3>there's this old bugs bunny cartoon called Bugs's Bonnets and

501
00:29:10.240 --> 00:29:12.359
<v Speaker 3>in this In this episode, it's it's set up like

502
00:29:12.480 --> 00:29:16.680
<v Speaker 3>a mock you know, psychology documentary. And what happens is

503
00:29:16.759 --> 00:29:19.480
<v Speaker 3>this truck with a hat shop is going down the

504
00:29:19.599 --> 00:29:21.200
<v Speaker 3>road and it hits a bump in the back of

505
00:29:21.279 --> 00:29:23.920
<v Speaker 3>the truck opens up and all these hats go floating

506
00:29:24.000 --> 00:29:27.119
<v Speaker 3>out and as they land on Bugs Bunny's head or

507
00:29:27.160 --> 00:29:30.400
<v Speaker 3>Elmer Fudd's head, they take on the personality associated with

508
00:29:30.480 --> 00:29:34.559
<v Speaker 3>the hat, which I think is pretty funny, but there's

509
00:29:34.640 --> 00:29:41.079
<v Speaker 3>actually something to that. Psychologists have done studies in clothing

510
00:29:42.079 --> 00:29:45.720
<v Speaker 3>being being in a room with a lab coat, you know,

511
00:29:45.920 --> 00:29:50.400
<v Speaker 3>can affect how you how you respond to your environment,

512
00:29:50.519 --> 00:29:54.960
<v Speaker 3>maybe ease these environmental cues. But more than that, putting

513
00:29:55.079 --> 00:29:59.680
<v Speaker 3>on the lab coat will actually make the person we'll

514
00:29:59.759 --> 00:30:03.200
<v Speaker 3>change state of mind, will actually make them smarter and

515
00:30:03.880 --> 00:30:07.200
<v Speaker 3>change their personality subtly. So there are studies that have

516
00:30:07.319 --> 00:30:11.400
<v Speaker 3>compared you know, where people are at before you put

517
00:30:11.400 --> 00:30:13.039
<v Speaker 3>on this lab coat and afterwards you put on if

518
00:30:13.079 --> 00:30:17.680
<v Speaker 3>you put on glasses, feel smarter, right, and as art

519
00:30:17.720 --> 00:30:21.359
<v Speaker 3>this is this is a repeatable and demonstrable psychological phenomenon.

520
00:30:21.559 --> 00:30:26.000
<v Speaker 3>So if those things again change your consciousness or even

521
00:30:26.039 --> 00:30:29.519
<v Speaker 3>your ability, you know, your your your your actual intelligence

522
00:30:29.519 --> 00:30:32.920
<v Speaker 3>has boosted a little bit. Again, doing this in a

523
00:30:33.160 --> 00:30:36.640
<v Speaker 3>very meaningful sort of way, not in some abstract psychological study,

524
00:30:36.720 --> 00:30:39.839
<v Speaker 3>but in a temple where you're putting on of a

525
00:30:39.960 --> 00:30:43.799
<v Speaker 3>special consecrated robe, or or you know, or if you're

526
00:30:44.039 --> 00:30:46.720
<v Speaker 3>your practice a skyclad if you're you're removing all your

527
00:30:46.799 --> 00:30:50.279
<v Speaker 3>mundane clothes and going into this sacred sort of space,

528
00:30:50.480 --> 00:30:53.440
<v Speaker 3>that that will also change your state of mind. And

529
00:30:53.519 --> 00:30:57.880
<v Speaker 3>I think the idea here is that these things don't

530
00:30:58.000 --> 00:31:02.680
<v Speaker 3>make the magic happen, but they alter your consciousness, and

531
00:31:02.759 --> 00:31:08.119
<v Speaker 3>it's that altered consciousness that allows the magic, the personal

532
00:31:08.160 --> 00:31:09.839
<v Speaker 3>transformation to occur.

533
00:31:11.279 --> 00:31:13.960
<v Speaker 6>And I would think also is a part of the magic,

534
00:31:14.799 --> 00:31:17.599
<v Speaker 6>just in the sense of because you know, you are

535
00:31:17.759 --> 00:31:24.400
<v Speaker 6>essentially working to change your consciousness, elevate enter into states

536
00:31:24.440 --> 00:31:27.640
<v Speaker 6>of someonond you know, you're seeking certain mental states in

537
00:31:27.680 --> 00:31:30.599
<v Speaker 6>a lot of these cases, you know, to participate, and

538
00:31:30.680 --> 00:31:32.839
<v Speaker 6>then you add the sympathetic magic on top of that,

539
00:31:33.440 --> 00:31:35.559
<v Speaker 6>and it compiles essentially.

540
00:31:36.640 --> 00:31:38.599
<v Speaker 3>Yeah, And actually in the book, I do talk a

541
00:31:38.599 --> 00:31:41.839
<v Speaker 3>little bit about, you know, the psychology of being like

542
00:31:41.960 --> 00:31:44.680
<v Speaker 3>in the zone as they call it, and how this

543
00:31:44.880 --> 00:31:47.720
<v Speaker 3>is something that's really hard to just I'm going to

544
00:31:47.799 --> 00:31:49.720
<v Speaker 3>go into the zone, and it doesn't work that way,

545
00:31:50.319 --> 00:31:53.200
<v Speaker 3>but that research has shown that there's ways again of

546
00:31:53.279 --> 00:31:56.759
<v Speaker 3>training yourself to more readily go into that space where

547
00:31:56.799 --> 00:31:59.680
<v Speaker 3>everything just kind of flows naturally, whether you're you know,

548
00:32:00.079 --> 00:32:03.400
<v Speaker 3>a shund'ering athlete or whatever. Again, most of these studies

549
00:32:03.440 --> 00:32:08.720
<v Speaker 3>aren't focused on magicians, but the flow state certainly does apply, right,

550
00:32:08.839 --> 00:32:12.880
<v Speaker 3>and the lessons learned where where like athletes can train

551
00:32:12.960 --> 00:32:16.279
<v Speaker 3>themselves get into the flow state. Literally, the exercises they

552
00:32:16.359 --> 00:32:20.799
<v Speaker 3>talk about are like straight out of you know, the

553
00:32:21.160 --> 00:32:25.200
<v Speaker 3>basics of you know, ceremonial man of practice, keep a diary, meditate,

554
00:32:25.400 --> 00:32:29.799
<v Speaker 3>you know, just it's it's pretty uncanny to read the

555
00:32:29.880 --> 00:32:32.920
<v Speaker 3>recommendations and in sports medicine for getting into the zone.

556
00:32:34.880 --> 00:32:36.599
<v Speaker 3>And I do kind of think that one of the

557
00:32:36.720 --> 00:32:41.519
<v Speaker 3>things that the mechanisms that this again my own perfect

558
00:32:41.559 --> 00:32:47.160
<v Speaker 3>theory of the mechanisms of ritual, is that practitioners spend

559
00:32:47.200 --> 00:32:52.279
<v Speaker 3>a lot of time learning these elaborate correspondences. You know

560
00:32:52.400 --> 00:32:55.880
<v Speaker 3>that you know, the the these colors represent, you know,

561
00:32:56.000 --> 00:33:03.240
<v Speaker 3>this characteristic, this astrological sign, this planetary ruler, these Greek gods,

562
00:33:03.319 --> 00:33:05.559
<v Speaker 3>Roman god's, Egyptian gods, what have you. You know that

563
00:33:05.680 --> 00:33:09.160
<v Speaker 3>whatever pantheon you you subscribe to. There's all these things

564
00:33:09.240 --> 00:33:13.079
<v Speaker 3>that kind of all interlock and correspond sense and colors

565
00:33:13.160 --> 00:33:18.559
<v Speaker 3>and sounds that. Yeah, so that when you're in the ritual,

566
00:33:18.720 --> 00:33:22.880
<v Speaker 3>you're engaging all of those senses and kind of tying

567
00:33:23.119 --> 00:33:27.279
<v Speaker 3>up you know, your rational thinky bits, you know. But

568
00:33:27.400 --> 00:33:29.240
<v Speaker 3>there's that other part of your mind though, that that

569
00:33:29.400 --> 00:33:31.880
<v Speaker 3>kind of clears the field and it's like, oh, I'm

570
00:33:31.920 --> 00:33:36.599
<v Speaker 3>busy thinking about all these correspondences and your intuitive part

571
00:33:36.720 --> 00:33:40.519
<v Speaker 3>doesn't really care about that kind of stuff can kind

572
00:33:40.519 --> 00:33:41.480
<v Speaker 3>of bubble to the surface.

573
00:33:43.880 --> 00:33:48.200
<v Speaker 2>Do you think the the incense might even be helping

574
00:33:48.319 --> 00:33:53.680
<v Speaker 2>with memory memories or you know, smell can actually really

575
00:33:53.759 --> 00:33:55.359
<v Speaker 2>affect affect the mind.

576
00:33:56.240 --> 00:33:59.000
<v Speaker 3>Yeah, yeah, they say, they say that smell is actually

577
00:33:59.039 --> 00:34:04.720
<v Speaker 3>the most potent memory trigger. It's and I think that's

578
00:34:04.799 --> 00:34:08.679
<v Speaker 3>part of this process as well, because you are, through

579
00:34:08.760 --> 00:34:14.000
<v Speaker 3>your practice and through like memorizing these correspondences, you are

580
00:34:14.079 --> 00:34:19.880
<v Speaker 3>in fact training you know, these associations over a long

581
00:34:19.920 --> 00:34:21.960
<v Speaker 3>period of time so that when you finally do encounter

582
00:34:22.119 --> 00:34:27.599
<v Speaker 3>them in in a ritual or in ceremony, that's again

583
00:34:27.639 --> 00:34:32.079
<v Speaker 3>they're triggering these these memories or the responses that you

584
00:34:32.199 --> 00:34:38.000
<v Speaker 3>have been kind of coding into yourself, you know, over weeks, months, years,

585
00:34:39.719 --> 00:34:40.119
<v Speaker 3>because I.

586
00:34:40.199 --> 00:34:44.639
<v Speaker 2>Know recently I was just doing stuff on Jeodn Bruno.

587
00:34:45.119 --> 00:34:48.599
<v Speaker 2>I remember, correct. I think he's anastic scene. I mean

588
00:34:48.639 --> 00:34:51.840
<v Speaker 2>he's got what the memory of art and of the

589
00:34:51.960 --> 00:34:54.519
<v Speaker 2>art of the memory, yeah, and all those. He was

590
00:34:54.599 --> 00:34:57.639
<v Speaker 2>heavy into the idea of memory, that's wheel he had

591
00:34:57.719 --> 00:34:59.039
<v Speaker 2>and everything. I was like, yo, I gotta get my

592
00:34:59.079 --> 00:35:02.639
<v Speaker 2>hands on that thing, you know. Yeah. So I was

593
00:35:02.719 --> 00:35:05.880
<v Speaker 2>just wondering if incense because of the whole of memory.

594
00:35:05.719 --> 00:35:08.519
<v Speaker 6>Well, it's part of it, and I think incense also

595
00:35:08.559 --> 00:35:11.360
<v Speaker 6>when you look at incense, there's certain chemical compounds that

596
00:35:11.440 --> 00:35:15.039
<v Speaker 6>are in different incenses that have a tendency to affect

597
00:35:15.119 --> 00:35:19.599
<v Speaker 6>different neural train like the vegan receptors, Like what is it,

598
00:35:19.719 --> 00:35:23.920
<v Speaker 6>Frankincense actually has cannabinoids in it, So when they're burning

599
00:35:24.039 --> 00:35:26.360
<v Speaker 6>that at the church and the people are you know,

600
00:35:26.519 --> 00:35:30.840
<v Speaker 6>inhaling that they're getting a subtle dose of mild cannabinoid

601
00:35:31.239 --> 00:35:34.400
<v Speaker 6>that affects the mind state. So there are things you know,

602
00:35:34.519 --> 00:35:38.039
<v Speaker 6>physical as far as the smell, but also physiological as

603
00:35:38.079 --> 00:35:40.039
<v Speaker 6>far as the you know, the system itself.

604
00:35:41.079 --> 00:35:43.960
<v Speaker 3>Actually is a really good question for one of the studies.

605
00:35:44.239 --> 00:35:45.599
<v Speaker 3>Are some of the studies I look at in the

606
00:35:45.639 --> 00:35:49.559
<v Speaker 3>book is that people have tried to look at incense

607
00:35:50.559 --> 00:35:53.880
<v Speaker 3>and how they affect people's moods or state of mind.

608
00:35:54.559 --> 00:35:58.280
<v Speaker 3>And one of the problems that research researchers have run

609
00:35:58.320 --> 00:36:00.800
<v Speaker 3>into is that there are so many any different kinds

610
00:36:00.800 --> 00:36:06.039
<v Speaker 3>of incense that you can't systematically say, you know, make

611
00:36:06.079 --> 00:36:07.800
<v Speaker 3>a general staying about all of them. And even if

612
00:36:07.840 --> 00:36:10.760
<v Speaker 3>you say something like sandal would, there are so many

613
00:36:10.760 --> 00:36:16.760
<v Speaker 3>different varieties and formulations of sandalwood incense and identifying what

614
00:36:16.880 --> 00:36:18.840
<v Speaker 3>that active ingredient might be that that's.

615
00:36:20.320 --> 00:36:20.360
<v Speaker 1>What.

616
00:36:20.679 --> 00:36:23.679
<v Speaker 3>And again, these recary studies have found a certain sense

617
00:36:23.679 --> 00:36:28.039
<v Speaker 3>they are associated with certain sorts of emotional or reactions.

618
00:36:28.800 --> 00:36:31.639
<v Speaker 3>But at the same time, I recognize it's very limited

619
00:36:31.679 --> 00:36:36.000
<v Speaker 3>because the number of possibilities and combinations there is just

620
00:36:36.199 --> 00:36:39.719
<v Speaker 3>you know, off the charts, that is true.

621
00:36:40.679 --> 00:36:43.679
<v Speaker 2>Yeah, I've actually mind fucked sandal would before I understand

622
00:36:43.679 --> 00:36:46.679
<v Speaker 2>how many different variations there is. Yeah, I looked into

623
00:36:46.719 --> 00:36:48.639
<v Speaker 2>getting I was like, well, which one should I be using.

624
00:36:50.679 --> 00:36:57.159
<v Speaker 2>If I don't use the right one, this isn't gonna work. Yeah. Yeah,

625
00:36:57.239 --> 00:36:59.800
<v Speaker 2>that's very interesting about the whole Yeah, I think there's

626
00:36:59.800 --> 00:37:02.599
<v Speaker 2>a lot of with the mind connections and memories within

627
00:37:02.639 --> 00:37:04.800
<v Speaker 2>the ritual garbs and the robes and all that stuff.

628
00:37:06.400 --> 00:37:08.599
<v Speaker 5>There is a Sorry, Nick, I just want to jump

629
00:37:08.639 --> 00:37:10.320
<v Speaker 5>in and say one thing really quickly, is that there

630
00:37:10.400 --> 00:37:13.840
<v Speaker 5>is an interesting idea in Tontra that you actually use

631
00:37:13.920 --> 00:37:15.880
<v Speaker 5>those things so exactly like what all of you are

632
00:37:15.920 --> 00:37:17.800
<v Speaker 5>talking about. You use those things, but then you let

633
00:37:17.840 --> 00:37:21.159
<v Speaker 5>them go sort of return to sort of that rigplus state,

634
00:37:21.519 --> 00:37:25.480
<v Speaker 5>that sort of fifth primordial consciousness, that flow state maybe

635
00:37:25.559 --> 00:37:28.760
<v Speaker 5>but without sort of it's like more nebulous than intention.

636
00:37:28.920 --> 00:37:32.639
<v Speaker 5>It's more nebulous than well, there's it's more it's like

637
00:37:32.719 --> 00:37:36.519
<v Speaker 5>that waking consciousness from dreaming consciousness. So you're not necessarily

638
00:37:36.639 --> 00:37:39.079
<v Speaker 5>doing anything, but you're just really in the in that

639
00:37:40.159 --> 00:37:42.480
<v Speaker 5>you could say death, that consciousness almost like you're just

640
00:37:42.559 --> 00:37:46.000
<v Speaker 5>in true knowledge. So I do think it's interesting about

641
00:37:46.000 --> 00:37:48.920
<v Speaker 5>the incense though, because that is clearly true, like the

642
00:37:49.280 --> 00:37:56.280
<v Speaker 5>amount of compounding in TNTRA specifically, but also in all esoteratricians.

643
00:37:56.400 --> 00:38:00.360
<v Speaker 5>I think the plants are well, many people will say

644
00:38:00.360 --> 00:38:03.280
<v Speaker 5>that the plants are actually our closest relatives. So I've

645
00:38:03.360 --> 00:38:05.920
<v Speaker 5>heard a lot of you know, people talking about like

646
00:38:06.039 --> 00:38:08.400
<v Speaker 5>geoontologies in the last few years and like sort of

647
00:38:08.519 --> 00:38:11.320
<v Speaker 5>like the indigenous ways of relating to the land around us,

648
00:38:11.360 --> 00:38:14.000
<v Speaker 5>and I think that that relationship is sort of best

649
00:38:14.079 --> 00:38:17.000
<v Speaker 5>exemplified in plants. And I think this is also why,

650
00:38:17.159 --> 00:38:21.159
<v Speaker 5>like you see a lot of both contemporary and medieval

651
00:38:21.199 --> 00:38:25.639
<v Speaker 5>cultists like so into botanicals and so into their properties,

652
00:38:25.719 --> 00:38:29.320
<v Speaker 5>and not just in the biomedical terms, but also in

653
00:38:29.559 --> 00:38:32.840
<v Speaker 5>maybe the biospiritual terms. Right.

654
00:38:35.719 --> 00:38:35.880
<v Speaker 2>Yeah.

655
00:38:35.920 --> 00:38:38.599
<v Speaker 3>I think of something like Agrippa and his books of

656
00:38:38.639 --> 00:38:41.679
<v Speaker 3>a cult philosophy, and there's just all sections dealing with

657
00:38:41.800 --> 00:38:44.639
<v Speaker 3>minerals and plants, and you're like, what does this got

658
00:38:44.679 --> 00:38:47.280
<v Speaker 3>to do with magic? But yeah, does.

659
00:38:49.719 --> 00:38:50.199
<v Speaker 6>Elements?

660
00:38:51.199 --> 00:38:55.320
<v Speaker 3>Yeah? Again, I think the the idea there is, you know,

661
00:38:55.559 --> 00:39:00.920
<v Speaker 3>is so general, was saying that these as tools, the

662
00:39:01.079 --> 00:39:04.840
<v Speaker 3>robes and the implements and all of that isn't necessary

663
00:39:04.880 --> 00:39:08.639
<v Speaker 3>to get into these states of consciousness, and with practice

664
00:39:09.280 --> 00:39:12.920
<v Speaker 3>one can do without those things. I think it's more

665
00:39:13.039 --> 00:39:18.079
<v Speaker 3>idea that these are facilitators, right, They just they help

666
00:39:18.159 --> 00:39:18.719
<v Speaker 3>you get there.

667
00:39:19.639 --> 00:39:22.559
<v Speaker 6>Well, And that's the idea of Alvius Huxley with the

668
00:39:22.599 --> 00:39:25.880
<v Speaker 6>doors of consciousness. He talks about you have to facilitate

669
00:39:26.000 --> 00:39:28.960
<v Speaker 6>being able to open these doors, but once the doors

670
00:39:29.000 --> 00:39:33.880
<v Speaker 6>are open, then they maintain you know that passageway. It's

671
00:39:33.960 --> 00:39:37.039
<v Speaker 6>just a matter of learning the psychology of how to

672
00:39:37.159 --> 00:39:39.840
<v Speaker 6>take your brain to the point of being able to

673
00:39:40.119 --> 00:39:41.400
<v Speaker 6>enter into those states.

674
00:39:44.679 --> 00:39:46.159
<v Speaker 3>Sorry, I'm just going to say one more thing.

675
00:39:47.239 --> 00:39:50.199
<v Speaker 5>What you're saying is really interesting, Robbie, and also doctor Kasinski,

676
00:39:50.239 --> 00:39:53.800
<v Speaker 5>because really I know that you were saying. I think

677
00:39:53.880 --> 00:39:57.480
<v Speaker 5>pre recording that you would teach classes on talk tech

678
00:39:57.559 --> 00:40:01.280
<v Speaker 5>and pop culture and have a co host from the

679
00:40:01.320 --> 00:40:03.159
<v Speaker 5>Gray Lodge, Matt Mura, who's been on the show a

680
00:40:03.159 --> 00:40:03.719
<v Speaker 5>couple of times.

681
00:40:03.920 --> 00:40:05.719
<v Speaker 3>He talks about pop kabala.

682
00:40:06.199 --> 00:40:09.360
<v Speaker 5>I call it k pod with obviously parentheses around it.

683
00:40:09.480 --> 00:40:10.239
<v Speaker 3>He ever came about it.

684
00:40:10.679 --> 00:40:14.159
<v Speaker 5>That's great, right, And so there's so much of if

685
00:40:14.199 --> 00:40:15.719
<v Speaker 5>you want to call it kabala or you want to

686
00:40:15.760 --> 00:40:19.400
<v Speaker 5>call it like magical coding in popular culture. Like it's

687
00:40:19.480 --> 00:40:23.920
<v Speaker 5>just saturated, like the colors, the sounds, the densities, you know, everything,

688
00:40:23.960 --> 00:40:26.760
<v Speaker 5>the archetypes, it's all there. And so I feel like,

689
00:40:27.559 --> 00:40:30.480
<v Speaker 5>in a strange way, we're at a prespice where people's

690
00:40:30.519 --> 00:40:35.239
<v Speaker 5>consciousness are strangely both prepared and perhaps very aggregated both

691
00:40:35.239 --> 00:40:37.760
<v Speaker 5>at the same time. But they're prepared to sort of

692
00:40:37.880 --> 00:40:42.000
<v Speaker 5>have higher experiences, but maybe they cannot, for their own reasons,

693
00:40:42.079 --> 00:40:46.360
<v Speaker 5>recognize what those experiences really are. So I don't know,

694
00:40:46.519 --> 00:40:48.519
<v Speaker 5>just an interesting idea I just thought to throw out there.

695
00:40:49.159 --> 00:40:52.159
<v Speaker 3>Well, as far as pop Kabala goes, one thing I'm

696
00:40:52.199 --> 00:40:56.719
<v Speaker 3>kind of excited about is I'm again from childhood, just

697
00:40:56.760 --> 00:40:59.079
<v Speaker 3>a comic book nerd and I all read so much

698
00:40:59.199 --> 00:41:01.000
<v Speaker 3>these days, but when I was a kid, I read

699
00:41:01.039 --> 00:41:05.559
<v Speaker 3>like everything. But in December there Marvel Comics is launching

700
00:41:05.599 --> 00:41:09.480
<v Speaker 3>this mini series about the character Wicken, who is you know,

701
00:41:09.559 --> 00:41:12.000
<v Speaker 3>one of the children of you know, the Scarlet Witch

702
00:41:12.679 --> 00:41:16.719
<v Speaker 3>in the Marvel comics. And the first issue one of

703
00:41:16.760 --> 00:41:21.719
<v Speaker 3>the variant covers as the guy in like a superhero

704
00:41:21.840 --> 00:41:26.039
<v Speaker 3>outfit that's kind of reminiscent of the seventies, but been blazing.

705
00:41:26.119 --> 00:41:28.960
<v Speaker 3>The cross his chest is the conbalistic Tree of Life,

706
00:41:30.119 --> 00:41:32.119
<v Speaker 3>and I'm just like, I've got to pick this up.

707
00:41:34.000 --> 00:41:35.840
<v Speaker 2>There's got to be some stuff in here for sure.

708
00:41:36.679 --> 00:41:36.880
<v Speaker 3>Yeah.

709
00:41:38.320 --> 00:41:39.960
<v Speaker 6>Well, and I was going to say, in regard to

710
00:41:40.079 --> 00:41:43.679
<v Speaker 6>Jin talking about people their their mental faculties are at

711
00:41:43.719 --> 00:41:46.440
<v Speaker 6>the point where they're ready to experience these higher elevated

712
00:41:46.519 --> 00:41:49.760
<v Speaker 6>forms of consciousness. It kind of makes me think of

713
00:41:50.320 --> 00:41:54.920
<v Speaker 6>all these kids going to see Taylor Swift and having

714
00:41:55.000 --> 00:41:58.239
<v Speaker 6>these ecstatic experiences while they're there, and then when they

715
00:41:58.519 --> 00:42:02.679
<v Speaker 6>leave they use their memory, which.

716
00:42:02.599 --> 00:42:10.880
<v Speaker 3>Actually talk about that so interesting like post concert on

717
00:42:11.039 --> 00:42:13.840
<v Speaker 3>the show, right, But.

718
00:42:13.920 --> 00:42:17.519
<v Speaker 6>They're going into states of consciousness that they haven't experienced before,

719
00:42:17.840 --> 00:42:21.400
<v Speaker 6>and they're they're having these you know, higher form ecstatic

720
00:42:21.519 --> 00:42:24.280
<v Speaker 6>kind of you know feelings, and then when they leave,

721
00:42:25.280 --> 00:42:28.159
<v Speaker 6>they they just tabula, you know, it just is wiped

722
00:42:28.639 --> 00:42:35.360
<v Speaker 6>because I don't know, maybe they didn't enter like knowingly,

723
00:42:35.760 --> 00:42:39.960
<v Speaker 6>they intered accidentally and therefore they don't have the tool

724
00:42:40.039 --> 00:42:45.000
<v Speaker 6>to maintain the facility something along those lines.

725
00:42:46.480 --> 00:42:49.639
<v Speaker 3>Yeah, that's really an interesting, uh take on that too,

726
00:42:49.719 --> 00:42:52.199
<v Speaker 3>because you know, when I've heard people on the radio

727
00:42:52.320 --> 00:42:54.159
<v Speaker 3>talking about this when I'm because it was just like

728
00:42:54.199 --> 00:42:56.519
<v Speaker 3>all overd pop culture. You now during the Era's tour

729
00:42:57.440 --> 00:43:01.320
<v Speaker 3>and the Expert Summer, you are like, well, you know,

730
00:43:01.760 --> 00:43:04.079
<v Speaker 3>if you're like at a concert and you're focused on,

731
00:43:04.280 --> 00:43:07.440
<v Speaker 3>you know, taking selfies or shooting video, you're not really

732
00:43:07.800 --> 00:43:10.199
<v Speaker 3>in the moment. You're not being you're not actually present.

733
00:43:11.039 --> 00:43:13.960
<v Speaker 3>And to the extent to which that is true, I

734
00:43:14.000 --> 00:43:18.840
<v Speaker 3>would agree that any any spiritual work you are doing

735
00:43:18.920 --> 00:43:21.480
<v Speaker 3>does require you being present in the moment. And whether

736
00:43:21.559 --> 00:43:24.159
<v Speaker 3>it's an overwhelming moment like being in a Taylor Swift

737
00:43:24.280 --> 00:43:28.440
<v Speaker 3>concert or just you know, saying saying words over your

738
00:43:28.519 --> 00:43:30.519
<v Speaker 3>meal before you eat the food. You know, I mean,

739
00:43:30.599 --> 00:43:33.400
<v Speaker 3>if you you know, if you if you have a

740
00:43:33.599 --> 00:43:35.400
<v Speaker 3>practice where you say words over a meal and then

741
00:43:35.400 --> 00:43:37.559
<v Speaker 3>you just kind of inhale your McDonald's French prize and

742
00:43:37.599 --> 00:43:40.519
<v Speaker 3>you don't really think about it. You're not really present.

743
00:43:40.599 --> 00:43:42.800
<v Speaker 3>You're just kind of on an autopilot. And to get

744
00:43:42.840 --> 00:43:45.559
<v Speaker 3>the most out of that experience, you you want to

745
00:43:45.599 --> 00:43:47.159
<v Speaker 3>immerse yourself in it. You want, if you're in the

746
00:43:47.199 --> 00:43:50.039
<v Speaker 3>say words or food, then you should pause and enjoy

747
00:43:50.119 --> 00:43:53.639
<v Speaker 3>the taste of that food, you know. And same thing

748
00:43:53.679 --> 00:43:56.280
<v Speaker 3>with Taylor Swift. If you're gonna you're going to go

749
00:43:56.360 --> 00:43:58.760
<v Speaker 3>to a concert, you know, whoever you're seeing, you know,

750
00:43:58.880 --> 00:44:03.000
<v Speaker 3>Terror Swift became Alco whatever, go all in, you know,

751
00:44:03.239 --> 00:44:06.519
<v Speaker 3>I mean, absorb that experience. B be present, be there

752
00:44:06.559 --> 00:44:07.079
<v Speaker 3>in the moment.

753
00:44:09.440 --> 00:44:11.960
<v Speaker 2>That's funny, that's interesting. Thank you. It's well that you

754
00:44:12.039 --> 00:44:16.920
<v Speaker 2>have to even have an idea that interesting. I know

755
00:44:17.039 --> 00:44:19.960
<v Speaker 2>in your book, Uh you happen to get into like

756
00:44:20.000 --> 00:44:22.199
<v Speaker 2>I guess, like the psychology of initiation and stuff.

757
00:44:23.559 --> 00:44:26.719
<v Speaker 3>Yes, yes, I got a whole chapter on an initiation.

758
00:44:27.280 --> 00:44:28.920
<v Speaker 2>I don't know if you, I know, you listen. You

759
00:44:28.960 --> 00:44:30.360
<v Speaker 2>want people to read the book and pick it up.

760
00:44:30.440 --> 00:44:32.679
<v Speaker 2>So if there's anything you want to talk about that

761
00:44:32.760 --> 00:44:35.480
<v Speaker 2>you don't mind a little teaser on that maybe.

762
00:44:36.280 --> 00:44:42.159
<v Speaker 3>Well, I think with most initiation ceremonies ideas, you know,

763
00:44:42.239 --> 00:44:44.679
<v Speaker 3>the person going through it is going through some sort

764
00:44:44.719 --> 00:44:49.079
<v Speaker 3>of a you know, dramatic sort of re enactments or

765
00:44:49.199 --> 00:44:53.480
<v Speaker 3>a sacred drama of some sort, and they are playing

766
00:44:53.559 --> 00:44:59.360
<v Speaker 3>eight parts in this experience. And I tim there are

767
00:44:59.480 --> 00:45:03.960
<v Speaker 3>various things happen to you to a person psychologically when

768
00:45:04.320 --> 00:45:07.760
<v Speaker 3>when we're going through an initiation. One of these is

769
00:45:07.880 --> 00:45:11.400
<v Speaker 3>this whole fight or flight response or you know, which

770
00:45:11.440 --> 00:45:14.599
<v Speaker 3>has various other you know, components added on to it,

771
00:45:14.760 --> 00:45:17.440
<v Speaker 3>you know, friend or attend and befriend and things like that.

772
00:45:18.280 --> 00:45:24.360
<v Speaker 3>But being in this sort of physiologically and psychologically aroused

773
00:45:24.440 --> 00:45:29.159
<v Speaker 3>state makes you very receptive to the information around you

774
00:45:29.440 --> 00:45:33.559
<v Speaker 3>because you're trying to evaluate your situation for you know,

775
00:45:33.719 --> 00:45:36.760
<v Speaker 3>is a safe you know as my mind danger And

776
00:45:36.920 --> 00:45:39.039
<v Speaker 3>while in an initiation you're really not in any danger,

777
00:45:40.760 --> 00:45:42.760
<v Speaker 3>you're still going to be anxious and nervous about it.

778
00:45:42.840 --> 00:45:46.400
<v Speaker 3>But that also puts you in this very attentive and

779
00:45:46.519 --> 00:45:49.719
<v Speaker 3>receptive state of mind where the source of lessons that

780
00:45:49.800 --> 00:45:54.039
<v Speaker 3>are often part of initiation are able to be communicated

781
00:45:54.079 --> 00:46:00.440
<v Speaker 3>more effectively. And that you know that if you're a tradition,

782
00:46:01.000 --> 00:46:02.960
<v Speaker 3>you know, like like a Masonic sort of thing where

783
00:46:03.039 --> 00:46:06.519
<v Speaker 3>you're taking oaths, you know, and you're doing this in

784
00:46:06.639 --> 00:46:10.400
<v Speaker 3>front of your your comrades, you know, you're not just

785
00:46:10.519 --> 00:46:13.360
<v Speaker 3>saying something to yourself, like your New Year's resolution, which

786
00:46:13.400 --> 00:46:14.920
<v Speaker 3>you can just kind of blow off after a couple

787
00:46:14.920 --> 00:46:17.599
<v Speaker 3>of weeks. You've now like made a statement in front

788
00:46:17.639 --> 00:46:20.199
<v Speaker 3>of other people. And and so that aspect of it,

789
00:46:20.280 --> 00:46:26.519
<v Speaker 3>as well of publicly stating something, also has this this

790
00:46:26.679 --> 00:46:34.880
<v Speaker 3>effect on you that can be connected to various you know,

791
00:46:34.960 --> 00:46:37.320
<v Speaker 3>against psychological phenomenon. You know that you that you want

792
00:46:37.360 --> 00:46:40.920
<v Speaker 3>your behavior to match what you've said, and that's a

793
00:46:41.119 --> 00:46:47.159
<v Speaker 3>again a great way of creating behavior change, which again

794
00:46:47.360 --> 00:46:50.880
<v Speaker 3>results in that interior sort of change, which is the

795
00:46:50.960 --> 00:46:54.960
<v Speaker 3>goal of initiation. So yeah, there's a there's a whole

796
00:46:55.039 --> 00:46:59.199
<v Speaker 3>lot I could say about this, Like it's end the

797
00:46:59.360 --> 00:47:02.360
<v Speaker 3>entire hour to talking about that. That's kind of the

798
00:47:02.800 --> 00:47:03.760
<v Speaker 3>big overview of it.

799
00:47:04.880 --> 00:47:09.079
<v Speaker 2>That's interesting. I think a way I want to try

800
00:47:09.119 --> 00:47:10.880
<v Speaker 2>to explain this, but I I want to put you

801
00:47:10.960 --> 00:47:14.880
<v Speaker 2>on the spot. Either, Like let's say, in an initiation,

802
00:47:15.039 --> 00:47:18.159
<v Speaker 2>if somehow certain things might like parts of your body

803
00:47:18.280 --> 00:47:23.920
<v Speaker 2>might be touched or slapped that's near a chakra, could

804
00:47:24.119 --> 00:47:32.840
<v Speaker 2>that start maybe affecting your experience during the situation the initiation.

805
00:47:36.039 --> 00:47:37.960
<v Speaker 3>Potentially? I think that's one of those things that goes

806
00:47:38.000 --> 00:47:40.960
<v Speaker 3>outside the realm of sciences I know about scientists would

807
00:47:40.960 --> 00:47:49.000
<v Speaker 3>to recognize the idea of a chakra. But certainly in

808
00:47:49.159 --> 00:47:55.360
<v Speaker 3>our East meets West sort of fusion of scientific or

809
00:47:55.400 --> 00:47:59.880
<v Speaker 3>scientific of esoteric thinking of magical thinking, that those those

810
00:48:00.000 --> 00:48:04.159
<v Speaker 3>sorts of ideas of chakras and kundolini and so on

811
00:48:04.400 --> 00:48:09.559
<v Speaker 3>have been connected with magical practice. So to the extent

812
00:48:09.719 --> 00:48:14.239
<v Speaker 3>to which you know the chakras actually exist, then these

813
00:48:14.400 --> 00:48:19.360
<v Speaker 3>rituals or practice, you know, individual practices certainly have that

814
00:48:19.480 --> 00:48:25.760
<v Speaker 3>potential to you know, trigger or invoke those energies.

815
00:48:27.840 --> 00:48:31.679
<v Speaker 4>Would it be similar to like the muscle mind connection.

816
00:48:32.079 --> 00:48:36.840
<v Speaker 4>Like you spoke about athletes, and like when athletes train,

817
00:48:37.519 --> 00:48:40.719
<v Speaker 4>they train with certain music, they put on certain socks,

818
00:48:40.760 --> 00:48:44.840
<v Speaker 4>especially like the baseball players are very uh what is

819
00:48:44.840 --> 00:48:47.840
<v Speaker 4>it called dishes that they will wear the same socks

820
00:48:47.880 --> 00:48:52.639
<v Speaker 4>over and over and over end of you know, achieving.

821
00:48:52.599 --> 00:48:54.239
<v Speaker 2>Still just think they'll play their friends out of the

822
00:48:54.320 --> 00:48:55.480
<v Speaker 2>locker room over those things.

823
00:48:55.800 --> 00:48:59.559
<v Speaker 8>It's giving, right you you kind of glimpse into like

824
00:48:59.679 --> 00:49:02.800
<v Speaker 8>with some of these documentaries of some of these accomplished athletes,

825
00:49:03.199 --> 00:49:05.960
<v Speaker 8>in that they get into the same exactly, they eat

826
00:49:06.000 --> 00:49:07.639
<v Speaker 8>the same thing, they wake up at the same time,

827
00:49:08.039 --> 00:49:11.119
<v Speaker 8>they wear the same outfit, they place themselves in the

828
00:49:11.199 --> 00:49:13.800
<v Speaker 8>same position of a room, and then they go through

829
00:49:13.960 --> 00:49:16.559
<v Speaker 8>the entire training over and over and over.

830
00:49:17.599 --> 00:49:22.599
<v Speaker 4>It's almost like while they're working on their it's a

831
00:49:22.760 --> 00:49:26.519
<v Speaker 4>ritual itself and they have the same garb, they have

832
00:49:26.639 --> 00:49:29.519
<v Speaker 4>the same music, they have the same whatever it is,

833
00:49:29.639 --> 00:49:34.599
<v Speaker 4>and it's almost ritualistic. And when you're talking about like

834
00:49:35.119 --> 00:49:37.480
<v Speaker 4>if you hit a certain area, it's almost like the

835
00:49:37.719 --> 00:49:41.960
<v Speaker 4>mind muscle connection and that if you're working on the bicep,

836
00:49:42.079 --> 00:49:45.039
<v Speaker 4>you're thinking, bicep grow, bicep grow, like I'm feeling the

837
00:49:45.119 --> 00:49:49.039
<v Speaker 4>contraction and feeling the teary. They have seen in studies

838
00:49:49.400 --> 00:49:52.559
<v Speaker 4>where you when you have that mind muscle connection, that

839
00:49:52.719 --> 00:49:56.199
<v Speaker 4>the actual muscle will respond and grow. You have more

840
00:49:56.280 --> 00:50:02.480
<v Speaker 4>hypertrophy than in others it did not, or muscle mind connection.

841
00:50:03.079 --> 00:50:05.920
<v Speaker 4>And then with the ritual itself, it's almost like whether

842
00:50:06.079 --> 00:50:08.159
<v Speaker 4>it is the color or it is the garments or

843
00:50:08.199 --> 00:50:12.679
<v Speaker 4>whatever it's I think the ritual itself is like affirming

844
00:50:13.320 --> 00:50:18.000
<v Speaker 4>to our consciousness that you're like not only pursuing it physically,

845
00:50:18.159 --> 00:50:22.159
<v Speaker 4>but you're pursuing it spiritually. And it's that connection of

846
00:50:22.639 --> 00:50:26.880
<v Speaker 4>no longer muscle, but the connection of mind soul, you know,

847
00:50:26.960 --> 00:50:29.679
<v Speaker 4>and you're bridging that gap or and you like with

848
00:50:29.800 --> 00:50:32.400
<v Speaker 4>the tailor swift, it's almost like I don't remember it,

849
00:50:32.840 --> 00:50:35.039
<v Speaker 4>but maybe because you were not here like you you

850
00:50:35.159 --> 00:50:39.840
<v Speaker 4>had transcended. All you was in complete agreeance. You know,

851
00:50:40.239 --> 00:50:43.440
<v Speaker 4>your mind, muscle, I'm sorry, not muscle, your mind, soul

852
00:50:43.960 --> 00:50:46.719
<v Speaker 4>and body. We're in agreement for the first time and

853
00:50:46.840 --> 00:50:51.320
<v Speaker 4>you've transcended into your higher realm and everything you said

854
00:50:51.480 --> 00:50:53.039
<v Speaker 4>just connected right now when you said that.

855
00:50:53.519 --> 00:50:59.599
<v Speaker 3>So I can remember a book called The Magician's Training

856
00:50:59.679 --> 00:51:02.599
<v Speaker 3>and Work Work, and this is when I read very

857
00:51:02.639 --> 00:51:08.480
<v Speaker 3>early on and my my studies, and one recommendation that

858
00:51:08.599 --> 00:51:11.800
<v Speaker 3>he has is that you should have a special ring

859
00:51:11.880 --> 00:51:14.119
<v Speaker 3>that you put on only when you're doing magic, that

860
00:51:14.440 --> 00:51:16.920
<v Speaker 3>when you put this ring on, you try to enter

861
00:51:17.039 --> 00:51:20.360
<v Speaker 3>that sort of identity or that state of mind of

862
00:51:20.519 --> 00:51:22.960
<v Speaker 3>I am now the magic, I'm now a magician, and

863
00:51:23.000 --> 00:51:25.599
<v Speaker 3>you take it off like, oh I am you know,

864
00:51:25.960 --> 00:51:28.400
<v Speaker 3>I am just me, I'm a magician, you know. And

865
00:51:29.760 --> 00:51:31.760
<v Speaker 3>but I think it's it's tying into a lot of

866
00:51:31.800 --> 00:51:34.960
<v Speaker 3>those things that you're saying, the idea that you're you're

867
00:51:35.000 --> 00:51:40.079
<v Speaker 3>making these associations that when when you put on that

868
00:51:40.679 --> 00:51:43.800
<v Speaker 3>that ring, when you put on your magic socks, you know,

869
00:51:44.039 --> 00:51:47.599
<v Speaker 3>or whatever, that you're entering that that you're you're recalling

870
00:51:47.679 --> 00:51:51.000
<v Speaker 3>that muscle memory, that state of mind. And and you're

871
00:51:51.000 --> 00:51:53.039
<v Speaker 3>absolutely right. It is kind of a ritual. And as

872
00:51:53.079 --> 00:51:57.000
<v Speaker 3>I mentioned earlier, you know, the training for athletes to

873
00:51:57.280 --> 00:51:59.559
<v Speaker 3>get into that flow state again the very similar sort

874
00:51:59.599 --> 00:52:02.679
<v Speaker 3>of thing. It's taking advantage of all those associations and

875
00:52:03.480 --> 00:52:08.480
<v Speaker 3>basically trying to create this ritual or who what are

876
00:52:08.599 --> 00:52:11.920
<v Speaker 3>your ritual that athletes can go through to help them

877
00:52:11.960 --> 00:52:14.159
<v Speaker 3>get into that state of mind because of like forming

878
00:52:14.239 --> 00:52:15.320
<v Speaker 3>those associations.

879
00:52:16.880 --> 00:52:18.960
<v Speaker 2>You know what's really interesting as you guys are talking

880
00:52:19.000 --> 00:52:21.360
<v Speaker 2>about this, Richard, I don't know if this was something

881
00:52:21.400 --> 00:52:23.159
<v Speaker 2>that you have done in the past. I've done it

882
00:52:23.239 --> 00:52:26.840
<v Speaker 2>a few times many moons ago, where it's almost like

883
00:52:26.960 --> 00:52:29.239
<v Speaker 2>kind of like taking on the god form. You know,

884
00:52:29.400 --> 00:52:31.679
<v Speaker 2>like if I'm working with with like Totha t Hoodi,

885
00:52:31.800 --> 00:52:34.039
<v Speaker 2>you know, maybe at some point I'll meditate and try

886
00:52:34.119 --> 00:52:36.880
<v Speaker 2>to like like take on the idea of to HOODI

887
00:52:36.960 --> 00:52:40.079
<v Speaker 2>and almost like or it's just like like you know,

888
00:52:40.840 --> 00:52:43.239
<v Speaker 2>or in some way it's like you know, where the

889
00:52:43.880 --> 00:52:46.840
<v Speaker 2>where the star in our video right now? That's going

890
00:52:46.880 --> 00:52:49.119
<v Speaker 2>on in our head, you know, like I'm Rocky right now,

891
00:52:49.559 --> 00:52:51.159
<v Speaker 2>you know what I'm saying. And then you start to

892
00:52:51.280 --> 00:52:55.119
<v Speaker 2>take on this role of this image that you want,

893
00:52:55.239 --> 00:52:56.960
<v Speaker 2>you know, you want to portray, and it's gonna get

894
00:52:57.000 --> 00:52:58.519
<v Speaker 2>you what you want to need. And it's kind of

895
00:52:58.599 --> 00:53:00.880
<v Speaker 2>like I'm thinking, like taking on the god form. Sometimes

896
00:53:00.920 --> 00:53:04.079
<v Speaker 2>when you're working with certainities, it's almost like it was there.

897
00:53:05.920 --> 00:53:11.360
<v Speaker 3>Something ahead. I was going to say that there is

898
00:53:11.519 --> 00:53:16.599
<v Speaker 3>again a lot of psychology around role play and then

899
00:53:16.840 --> 00:53:19.079
<v Speaker 3>again it runs a gamut, and I talked about the

900
00:53:19.239 --> 00:53:23.360
<v Speaker 3>SELSA in the book that you know, role play has

901
00:53:23.440 --> 00:53:30.039
<v Speaker 3>been used in with with children to you know, combat racism.

902
00:53:31.000 --> 00:53:36.119
<v Speaker 3>But also there's a lot of interesting phenomenon about role

903
00:53:36.199 --> 00:53:40.960
<v Speaker 3>play amongst actors and how getting into the very character

904
00:53:41.079 --> 00:53:43.079
<v Speaker 3>and whatever they speak about their character in the first

905
00:53:43.119 --> 00:53:51.079
<v Speaker 3>person versus the third person speaks of identification. There's great

906
00:53:51.519 --> 00:53:57.320
<v Speaker 3>interview with the The The Star Blue Velvet where she

907
00:53:57.480 --> 00:54:01.719
<v Speaker 3>kind of talks about how, even when you're doing a

908
00:54:01.800 --> 00:54:04.559
<v Speaker 3>table reading of the script just kind of goes sitting

909
00:54:04.599 --> 00:54:06.280
<v Speaker 3>around for kind of reading the script, that she had

910
00:54:06.360 --> 00:54:09.639
<v Speaker 3>to have the fingernail polish on, that she had to

911
00:54:09.960 --> 00:54:11.679
<v Speaker 3>be able to look down her hands and see that

912
00:54:12.000 --> 00:54:15.119
<v Speaker 3>that fingernail polish of the character and are actually inhabit

913
00:54:15.239 --> 00:54:19.119
<v Speaker 3>that role and do the table reading. And again, it's

914
00:54:19.280 --> 00:54:22.239
<v Speaker 3>not necessarily magic, but it kind of is, you know,

915
00:54:22.440 --> 00:54:25.159
<v Speaker 3>And that certainly dovetails into the sorts of things we're

916
00:54:25.199 --> 00:54:25.800
<v Speaker 3>talking about.

917
00:54:27.519 --> 00:54:29.320
<v Speaker 6>Well, and I was going to mention there's a whole

918
00:54:29.400 --> 00:54:34.079
<v Speaker 6>school of actors that they as far as the meditation,

919
00:54:34.320 --> 00:54:38.960
<v Speaker 6>they become that person and then they maintain that that

920
00:54:39.840 --> 00:54:44.440
<v Speaker 6>personification through the entire shoot, even when they're not on set.

921
00:54:45.159 --> 00:54:45.280
<v Speaker 3>You know.

922
00:54:45.480 --> 00:54:48.320
<v Speaker 6>So this is a form of magic as well as

923
00:54:48.360 --> 00:54:51.039
<v Speaker 6>far as you know, taking it like you were talking

924
00:54:51.079 --> 00:54:53.880
<v Speaker 6>about taking on the god form, taking on these different

925
00:54:54.039 --> 00:54:59.880
<v Speaker 6>personifications that actually you know, change the consciousness and manifest

926
00:55:00.039 --> 00:55:04.599
<v Speaker 6>different realities and basically precipitate magical function.

927
00:55:05.719 --> 00:55:09.599
<v Speaker 3>Absolutely, and I know sometimes you know, again I don't

928
00:55:09.599 --> 00:55:11.239
<v Speaker 3>really make a big study of this in the book,

929
00:55:11.320 --> 00:55:14.920
<v Speaker 3>but I've anecdotally there have been actors who have had

930
00:55:15.000 --> 00:55:17.320
<v Speaker 3>like a hard time getting like out of character after

931
00:55:17.400 --> 00:55:20.719
<v Speaker 3>they've kind of immersed themselves in a while. Maybe maybe

932
00:55:20.800 --> 00:55:24.639
<v Speaker 3>a vanishing ritual would be helpful or something. We had

933
00:55:24.679 --> 00:55:28.239
<v Speaker 3>some tools and the magic Toolkit that that could help

934
00:55:28.280 --> 00:55:28.440
<v Speaker 3>with that.

935
00:55:29.480 --> 00:55:30.880
<v Speaker 2>Yeah. I think I even heard a story of like

936
00:55:30.960 --> 00:55:33.039
<v Speaker 2>Walking Phoenix, Like what do you put himself through to

937
00:55:33.079 --> 00:55:35.880
<v Speaker 2>play that Joker role? It was like ridiculous. Yeah, it's

938
00:55:35.920 --> 00:55:38.840
<v Speaker 2>like you hear some actors and either way and all

939
00:55:38.880 --> 00:55:41.239
<v Speaker 2>that stuff. Yeah, and like some of the like the

940
00:55:41.360 --> 00:55:44.039
<v Speaker 2>most you know, biggest roles or you know, most well

941
00:55:44.119 --> 00:55:46.360
<v Speaker 2>known things. It's like that actor actually took on that

942
00:55:46.480 --> 00:55:48.719
<v Speaker 2>character months probably for the movie. If you look at

943
00:55:48.840 --> 00:55:50.880
<v Speaker 2>like how much they put into it, it's like, wow,

944
00:55:51.320 --> 00:55:53.719
<v Speaker 2>that's why it was so good. Yeah.

945
00:55:53.760 --> 00:55:56.960
<v Speaker 3>Yeah, but so many things, even even the actors have

946
00:55:57.039 --> 00:56:01.039
<v Speaker 3>to like undergo weeks and months so i know, die,

947
00:56:01.280 --> 00:56:05.039
<v Speaker 3>physical training, martial arts, you know, sort fighting whatever to

948
00:56:05.320 --> 00:56:08.360
<v Speaker 3>do the roles that they're portraying. I mean it's you know,

949
00:56:08.679 --> 00:56:11.440
<v Speaker 3>don't just walk into the set and do these things.

950
00:56:11.719 --> 00:56:13.039
<v Speaker 2>There's just walking.

951
00:56:13.000 --> 00:56:14.280
<v Speaker 3>Stuff for a lot of prep.

952
00:56:15.039 --> 00:56:19.480
<v Speaker 2>Yeah, yeah, Is there anything else in the book that

953
00:56:19.599 --> 00:56:21.400
<v Speaker 2>you would like to maybe mention a touch on that's

954
00:56:21.400 --> 00:56:23.599
<v Speaker 2>in there to entice people or anything, give them a

955
00:56:23.639 --> 00:56:26.039
<v Speaker 2>better idea, like maybe just even some of the chapter

956
00:56:26.159 --> 00:56:29.000
<v Speaker 2>names or anything. Just let people know what's up with it. Gosh,

957
00:56:30.199 --> 00:56:32.760
<v Speaker 2>let's put you on the spot. He's like, oh, yeah, I.

958
00:56:34.519 --> 00:56:38.199
<v Speaker 3>Kind of feel like we we really touch on a

959
00:56:38.239 --> 00:56:41.960
<v Speaker 3>lot of It's like, oh, I talked about that, yeah,

960
00:56:44.320 --> 00:56:46.519
<v Speaker 3>but just you know, I can read you the table

961
00:56:46.559 --> 00:56:50.440
<v Speaker 3>of contents we've got, you know, had like a whole

962
00:56:50.440 --> 00:56:52.960
<v Speaker 3>the psychology of connecting the dots and seeing the big picture.

963
00:56:54.880 --> 00:56:58.400
<v Speaker 3>Rigamarole models daily magical practices, so kind of what I

964
00:56:58.480 --> 00:57:03.199
<v Speaker 3>do here as I progress from like the starting place,

965
00:57:03.320 --> 00:57:06.960
<v Speaker 3>taking now like some sort of regular daily or just

966
00:57:07.039 --> 00:57:10.000
<v Speaker 3>a regular in some other way practice, and then kind

967
00:57:10.039 --> 00:57:16.239
<v Speaker 3>of advancing from there into more involved practices. So in

968
00:57:16.320 --> 00:57:19.079
<v Speaker 3>addition to the daily magical practice, there's a separate chapter

969
00:57:19.280 --> 00:57:21.559
<v Speaker 3>called Think Better of the Magic of Yoga and Meditations.

970
00:57:21.639 --> 00:57:24.639
<v Speaker 3>That's just there's a lot of literature and that they

971
00:57:24.679 --> 00:57:27.440
<v Speaker 3>get into the idea of greater and lesser magical retirements.

972
00:57:27.599 --> 00:57:31.039
<v Speaker 3>This is when you sequester yourself to try and prepare

973
00:57:31.079 --> 00:57:35.519
<v Speaker 3>yourself to do a larger, more ambitious undertaking than just

974
00:57:35.559 --> 00:57:40.039
<v Speaker 3>your daily sort of practice. Hold that thought. Ritual implements,

975
00:57:40.119 --> 00:57:45.039
<v Speaker 3>as we talked about earlier, sacred headspace temples and what

976
00:57:45.159 --> 00:57:46.960
<v Speaker 3>we do in them. So that kind of gets into

977
00:57:47.719 --> 00:57:50.000
<v Speaker 3>the psychology of the space in which we do magic,

978
00:57:51.079 --> 00:57:55.159
<v Speaker 3>significant others, encountering the divine invocation, evocation, and some more

979
00:57:55.239 --> 00:58:00.639
<v Speaker 3>sorts of things. Full circle group ritual because once you know,

980
00:58:01.159 --> 00:58:03.239
<v Speaker 3>getting together with other people and doing magic because in

981
00:58:03.320 --> 00:58:06.559
<v Speaker 3>the natural next step a lot of people, then there's

982
00:58:06.599 --> 00:58:10.880
<v Speaker 3>initiation changing your mind. Touched on that, and then the

983
00:58:10.960 --> 00:58:14.039
<v Speaker 3>method of science and you so how you can actually

984
00:58:14.079 --> 00:58:20.440
<v Speaker 3>apply the scientific method to critically evaluating whether your your

985
00:58:20.559 --> 00:58:22.800
<v Speaker 3>work is doing what you think it is.

986
00:58:24.800 --> 00:58:27.519
<v Speaker 2>Very nice. That's a lot. Well, thank you, thank you

987
00:58:27.599 --> 00:58:31.199
<v Speaker 2>for reading off the chapters. That's what. So there was

988
00:58:31.280 --> 00:58:33.000
<v Speaker 2>one thing you mentioned, and you know, I meant to

989
00:58:33.039 --> 00:58:34.920
<v Speaker 2>mention it before, and you know, the thought lost me.

990
00:58:36.000 --> 00:58:39.239
<v Speaker 2>We're talking or something was brought up about rituals and

991
00:58:39.360 --> 00:58:42.159
<v Speaker 2>you just mentioned something about meditation. I think at one

992
00:58:42.199 --> 00:58:45.239
<v Speaker 2>point I had even seen James Wasserman even say that,

993
00:58:45.760 --> 00:58:47.840
<v Speaker 2>you know, rituals could even be like a physical meditation

994
00:58:49.000 --> 00:58:53.159
<v Speaker 2>in a certain way. But besides that, maybe before we

995
00:58:53.280 --> 00:58:56.480
<v Speaker 2>wrap it up. I think even David Schumaker said it

996
00:58:56.599 --> 00:58:58.440
<v Speaker 2>like this one time in his Living with the Lima

997
00:58:58.920 --> 00:59:01.000
<v Speaker 2>or when he I think he said guests, like, you know,

998
00:59:01.320 --> 00:59:05.239
<v Speaker 2>a regiment for magicians. It does not sound glory, you know,

999
00:59:05.719 --> 00:59:08.039
<v Speaker 2>exciting or crazy, but you're going to have to learn

1000
00:59:08.079 --> 00:59:12.000
<v Speaker 2>to meditate. May sound boring, just like damn, I don't

1001
00:59:12.000 --> 00:59:14.760
<v Speaker 2>want to do that doesn't sound fun, But I do think,

1002
00:59:14.840 --> 00:59:17.960
<v Speaker 2>in my opinion, I think meditation is the key part

1003
00:59:18.000 --> 00:59:20.760
<v Speaker 2>of it. Do you think, you know, could you maybe

1004
00:59:20.800 --> 00:59:22.960
<v Speaker 2>add a little bit more on how important you think

1005
00:59:23.039 --> 00:59:25.679
<v Speaker 2>meditation is within having maybe a magical experience?

1006
00:59:27.079 --> 00:59:29.320
<v Speaker 3>Yeah, I mean, I think the best example I could

1007
00:59:29.440 --> 00:59:33.719
<v Speaker 3>give to address that question is when Aleister Crowley was

1008
00:59:33.800 --> 00:59:37.159
<v Speaker 3>writing his book for you know, his his Magnalopus on

1009
00:59:38.320 --> 00:59:43.000
<v Speaker 3>doing Magic, first part or book one, you know, the

1010
00:59:43.039 --> 00:59:47.039
<v Speaker 3>four parts was dedicated to yoga, and it was part

1011
00:59:47.159 --> 00:59:49.280
<v Speaker 3>two that he actually gets into the magic implements and

1012
00:59:49.320 --> 00:59:52.400
<v Speaker 3>actually doing ritual. So I think the fact that you

1013
00:59:52.480 --> 00:59:58.639
<v Speaker 3>put yoga first says it all. I mean that the

1014
00:59:58.840 --> 01:00:01.760
<v Speaker 3>disciplines of of you know, the the eight limbs of

1015
01:00:01.840 --> 01:00:07.840
<v Speaker 3>yoga are baked into at least Crowley system, but you know,

1016
01:00:07.960 --> 01:00:11.360
<v Speaker 3>with the advent of the Theosophical Society, and so I'm

1017
01:00:11.400 --> 01:00:14.599
<v Speaker 3>kind of promoting a lot of these eastering thoughts that's

1018
01:00:14.639 --> 01:00:16.679
<v Speaker 3>also kind of worked its way into the Golden Dawn

1019
01:00:16.679 --> 01:00:20.880
<v Speaker 3>and a lot of other traditions and the extent to

1020
01:00:20.960 --> 01:00:26.440
<v Speaker 3>which magic is meant to kind of evolve us and

1021
01:00:26.559 --> 01:00:31.559
<v Speaker 3>to make us into the best version of ourselves. You know,

1022
01:00:31.639 --> 01:00:34.480
<v Speaker 3>those tools of meditation, of being able to calm your mind,

1023
01:00:34.559 --> 01:00:40.159
<v Speaker 3>still your mind, introspects, and even attained these states of

1024
01:00:40.519 --> 01:00:45.440
<v Speaker 3>you know, Diana and Samadhi are are are key. You know,

1025
01:00:45.559 --> 01:00:49.880
<v Speaker 3>it's it's it's like we're talking earlier about, you know,

1026
01:00:50.079 --> 01:00:52.519
<v Speaker 3>just hus of the doors of perceptions, like well, yeah,

1027
01:00:52.559 --> 01:00:55.480
<v Speaker 3>you know, you you take one hit and you see

1028
01:00:55.639 --> 01:00:59.880
<v Speaker 3>the path, but you know these other these other techniques

1029
01:00:59.880 --> 01:01:04.960
<v Speaker 3>you can get there for meditation and explore if once

1030
01:01:05.039 --> 01:01:08.280
<v Speaker 3>you see that path and you had those glimpses of

1031
01:01:08.559 --> 01:01:11.239
<v Speaker 3>some out here, you know where to find that. You

1032
01:01:11.360 --> 01:01:15.280
<v Speaker 3>know what you're looking for, what you're shooting for, and

1033
01:01:15.360 --> 01:01:17.119
<v Speaker 3>that will make you a more effective magician.

1034
01:01:19.000 --> 01:01:21.920
<v Speaker 2>Very very well, said Richard beautifully said, thank you very

1035
01:01:22.039 --> 01:01:25.840
<v Speaker 2>much for that. A little bit on meditation. It was

1036
01:01:25.840 --> 01:01:28.119
<v Speaker 2>an amazing guest for real, Richard. I'm really glad I

1037
01:01:28.360 --> 01:01:31.320
<v Speaker 2>finally got you on. Yeah. I would love to get

1038
01:01:31.360 --> 01:01:32.559
<v Speaker 2>you back on in the future if we have a

1039
01:01:32.599 --> 01:01:35.039
<v Speaker 2>good talk about great conversation. Yeah, and all this was

1040
01:01:35.119 --> 01:01:36.920
<v Speaker 2>like really fun. It was great to It was great

1041
01:01:36.920 --> 01:01:39.519
<v Speaker 2>to have a conversation with you. Before we wrap this up,

1042
01:01:39.599 --> 01:01:42.000
<v Speaker 2>I will let the other rejects plug themselves again and

1043
01:01:42.079 --> 01:01:44.599
<v Speaker 2>let everybody know where they can find their work. Lisa,

1044
01:01:44.760 --> 01:01:47.400
<v Speaker 2>please call reject bad Scientists. Let everybody know what's up

1045
01:01:47.440 --> 01:01:47.599
<v Speaker 2>with you.

1046
01:01:49.000 --> 01:01:51.599
<v Speaker 4>Josha Kasinsky. This was an amazing lecture. Thank you so

1047
01:01:51.760 --> 01:01:58.199
<v Speaker 4>much for sharing your knowledge, your research, your your insights

1048
01:01:58.239 --> 01:02:01.360
<v Speaker 4>on this and entertaining our questions. I very much enjoyed

1049
01:02:01.840 --> 01:02:05.079
<v Speaker 4>the discussion, and as well with Robbie Engine that's always

1050
01:02:05.639 --> 01:02:08.000
<v Speaker 4>fun to hear their take on things as well. Thank

1051
01:02:08.079 --> 01:02:11.079
<v Speaker 4>you Nick for inviting it be on. And the only

1052
01:02:11.159 --> 01:02:13.000
<v Speaker 4>thing I'd like to plug is a cool research institute

1053
01:02:13.000 --> 01:02:16.559
<v Speaker 4>dot org. Some of our fellow rejects have contributed literarily

1054
01:02:17.119 --> 01:02:20.000
<v Speaker 4>to the site. If you'd like to consume that content

1055
01:02:20.280 --> 01:02:22.920
<v Speaker 4>that way, please checks out on a Cool research Institute

1056
01:02:22.920 --> 01:02:23.360
<v Speaker 4>dot org.

1057
01:02:24.320 --> 01:02:26.320
<v Speaker 2>Thank you so much, Lisa, and I really appreciate you

1058
01:02:26.440 --> 01:02:28.920
<v Speaker 2>coming on and contributing, and we got my manage in

1059
01:02:28.960 --> 01:02:30.239
<v Speaker 2>the ninja what is going on with?

1060
01:02:31.280 --> 01:02:34.480
<v Speaker 5>Thank you so much, and thank you to doctor Kasinski

1061
01:02:34.599 --> 01:02:39.320
<v Speaker 5>for you know, tolerating my questions and inquiries into this

1062
01:02:39.480 --> 01:02:41.440
<v Speaker 5>and as a not a not at all night but

1063
01:02:41.440 --> 01:02:44.519
<v Speaker 5>I'm very interested and of course if you're if you

1064
01:02:44.559 --> 01:02:47.320
<v Speaker 5>want to follow me on Twitter x at willcomra Born,

1065
01:02:47.400 --> 01:02:52.199
<v Speaker 5>w uk O, n G Reborn, the Threshold Saints on

1066
01:02:52.360 --> 01:02:55.440
<v Speaker 5>ig and Twitter, as well as the True Gray Lodge

1067
01:02:55.480 --> 01:02:58.199
<v Speaker 5>dot com with a V and tonight we are doing

1068
01:02:58.280 --> 01:03:02.400
<v Speaker 5>Friday Night and I'll stick book up nights out of Eden,

1069
01:03:02.639 --> 01:03:06.000
<v Speaker 5>so we'll be discussing it at my favorite obviously nicklesis

1070
01:03:06.000 --> 01:03:09.039
<v Speaker 5>he's me but my favorite excellent or my I guess

1071
01:03:09.039 --> 01:03:09.639
<v Speaker 5>he's a tall.

1072
01:03:09.559 --> 01:03:10.719
<v Speaker 3>Man too by Freder Chad.

1073
01:03:10.800 --> 01:03:12.639
<v Speaker 5>So we'll be discussing it a little bit about that

1074
01:03:13.079 --> 01:03:15.039
<v Speaker 5>night because it comes up in the book right away.

1075
01:03:16.079 --> 01:03:18.639
<v Speaker 2>So thank you so much, Thank you, Jed, I appreciate it.

1076
01:03:19.199 --> 01:03:21.440
<v Speaker 2>It was always great to have you. And finally we

1077
01:03:21.519 --> 01:03:22.159
<v Speaker 2>got Robbie Marks.

1078
01:03:22.199 --> 01:03:25.840
<v Speaker 1>What is going on sir? Oh you muted it again,

1079
01:03:25.920 --> 01:03:29.840
<v Speaker 1>my man? Sorry, sorry about that. Yeah, I just want

1080
01:03:29.880 --> 01:03:32.760
<v Speaker 1>to say thanks to everybody. Thank you Richard for your time.

1081
01:03:32.880 --> 01:03:35.480
<v Speaker 1>I really appreciate it, and it's always such a good

1082
01:03:35.960 --> 01:03:39.079
<v Speaker 1>group as far as a different insight we have from

1083
01:03:39.119 --> 01:03:43.559
<v Speaker 1>our different perspectives. If anybody wants to check out my work,

1084
01:03:43.679 --> 01:03:46.119
<v Speaker 1>you can go to my link tree which is our

1085
01:03:46.559 --> 01:03:48.920
<v Speaker 1>M A r X and that'll pull up everything for you.

1086
01:03:49.480 --> 01:03:52.639
<v Speaker 1>And yeah, thanks for everything, Nick, thanks for bringing this

1087
01:03:52.719 --> 01:03:53.159
<v Speaker 1>all together.

1088
01:03:53.360 --> 01:03:55.199
<v Speaker 2>Oh yeah, no, thank you, I had it again. This

1089
01:03:55.400 --> 01:03:58.159
<v Speaker 2>was a great discussion and real quick again, Richard, please

1090
01:03:58.239 --> 01:04:01.039
<v Speaker 2>let everybody know where they can find and your stuff

1091
01:04:01.079 --> 01:04:01.599
<v Speaker 2>and your books.

1092
01:04:02.639 --> 01:04:05.760
<v Speaker 3>All right, Well, again, thank you all for this amazing conversation.

1093
01:04:05.800 --> 01:04:07.760
<v Speaker 3>It was a great deal of fun. And if you

1094
01:04:07.840 --> 01:04:10.760
<v Speaker 3>want to keep up on what I'm doing, you can

1095
01:04:11.159 --> 01:04:14.599
<v Speaker 3>find me on social media. I'm on Facebook, Instagram, Threads,

1096
01:04:14.679 --> 01:04:17.880
<v Speaker 3>and Blue Sky and I also have a website at

1097
01:04:18.320 --> 01:04:23.599
<v Speaker 3>Richard dash Kachinski dot com to so just take my

1098
01:04:23.760 --> 01:04:25.119
<v Speaker 3>name there on the screen. They had to put a

1099
01:04:25.199 --> 01:04:28.559
<v Speaker 3>hyphe in there. And if you enjoyed the conversation, do

1100
01:04:28.719 --> 01:04:31.519
<v Speaker 3>pick up mind Over Magic coming out October seventh.

1101
01:04:32.320 --> 01:04:36.320
<v Speaker 2>Awesome. Yes, uh yes, and that is I guess the

1102
01:04:36.440 --> 01:04:39.559
<v Speaker 2>end of another occult rejects. Thank you everybody in the chat,

1103
01:04:39.639 --> 01:04:41.639
<v Speaker 2>and that's what's up. I really appreciate and it was

1104
01:04:41.639 --> 01:04:43.480
<v Speaker 2>a little early, but we had some of the regulars

1105
01:04:43.519 --> 01:04:44.920
<v Speaker 2>here and they're here from the beginning to the end.

1106
01:04:45.360 --> 01:04:47.760
<v Speaker 2>I really appreciate that, and I appreciate all your comments.

1107
01:04:47.880 --> 01:04:50.239
<v Speaker 2>That's why we go live. And until the next one,

1108
01:04:50.519 --> 01:04:52.239
<v Speaker 2>everybody be well. Lada
