WEBVTT 1 00:00:07.679 --> 00:00:10.880 Welcome back to Raise by Giants Discussion. I'm your host, 2 00:00:10.960 --> 00:00:14.640 writer Lee. Welcome any moderators and channel members out there. 3 00:00:14.679 --> 00:00:17.519 If you're watching on YouTube or x, if you're listening 4 00:00:17.559 --> 00:00:20.399 on Spotify or Apple, or if you're listening to the replay, 5 00:00:20.760 --> 00:00:23.640 Welcome to the show. All of my social media links 6 00:00:23.640 --> 00:00:27.800 are in the description Facebook, Instagram, X great ways to 7 00:00:27.839 --> 00:00:31.800 stay connected on there. Links to watch my documentary's jfk 8 00:00:32.280 --> 00:00:35.719 X and a clockwork shining on Amazon, Prime and tub 9 00:00:36.240 --> 00:00:39.600 are also in the description. Still in the process of 10 00:00:39.679 --> 00:00:44.640 making my upcoming documentary, Psychic Agent. The research for making 11 00:00:44.719 --> 00:00:48.679 a documentary is the most time consuming part of the 12 00:00:48.840 --> 00:00:53.039 entire process. It's not the editing or the filming. It's 13 00:00:53.119 --> 00:00:56.039 finding the stuff to put in the movie that takes 14 00:00:56.039 --> 00:00:58.719 the longest. But bear with me, it's going to be 15 00:00:58.759 --> 00:01:01.640 worth it. Also, don't forget to check out Raised by 16 00:01:01.719 --> 00:01:07.000 Giants on ground Zero Radio Plus with Clyde Lewis Monday, 17 00:01:07.040 --> 00:01:11.760 Wednesday and Friday eleven thirty am and Saturday five pm 18 00:01:12.040 --> 00:01:16.319 on the ground zero Radio Plus network. Link is in 19 00:01:16.359 --> 00:01:19.280 the description. With that down we have with us Today, 20 00:01:19.840 --> 00:01:23.480 UK music journalist, club and radio DJ. Author of many 21 00:01:23.519 --> 00:01:26.480 books and he's in my documentary at Clockwork Shining at 22 00:01:26.519 --> 00:01:32.560 Kubrick's Odyssey three broadcasting from the UK. Mark Devlin, welcome 23 00:01:32.560 --> 00:01:34.280 back to the show. It's good to see you. 24 00:01:34.879 --> 00:01:37.200 What's up, brother, Good to be back man. 25 00:01:37.239 --> 00:01:40.480 We're living in really fascinating times, and I believe people 26 00:01:40.480 --> 00:01:44.840 are really finally starting to realize that fiction just isn't 27 00:01:44.920 --> 00:01:48.959 fiction anymore, you know, like how Hollywood has been using 28 00:01:49.239 --> 00:01:56.000 fiction to unravel and allegorically reveal reality in many different 29 00:01:56.040 --> 00:01:59.719 ways to symbolically let everyone know what's actually going on. 30 00:01:59.879 --> 00:02:03.719 I think that there's a bunch of films that need 31 00:02:03.760 --> 00:02:09.159 to be re examined in this regard that may hold 32 00:02:09.280 --> 00:02:12.960 the keys to understanding the future. And I have a 33 00:02:13.000 --> 00:02:14.599 few films that I want to bring up with you 34 00:02:14.680 --> 00:02:17.159 to get your discussion on that. I'm going to mention, 35 00:02:17.360 --> 00:02:22.759 but does any film, movie, or any work of art 36 00:02:22.960 --> 00:02:26.439 really come to mind that you think that we should 37 00:02:26.439 --> 00:02:27.680 be taking another look at. 38 00:02:29.159 --> 00:02:31.800 Well, there is one, but not in the context of 39 00:02:31.960 --> 00:02:34.599 current affairs and politics. I've been doing a lot of 40 00:02:34.639 --> 00:02:37.879 research into the true nature of this reality. 41 00:02:38.159 --> 00:02:39.080 What is this place? 42 00:02:39.120 --> 00:02:42.280 You know, what force or entity created it to what ends? 43 00:02:42.560 --> 00:02:44.680 What we might call God? What is the true nature 44 00:02:44.719 --> 00:02:47.960 of this entity or force called God? What is this 45 00:02:48.039 --> 00:02:50.639 place in which we find ourselves? Isn't it absurd that 46 00:02:51.080 --> 00:02:54.280 at some point in early childhood we become vaguely conscious 47 00:02:54.479 --> 00:02:56.840 of the fact that we exist and there's a world 48 00:02:56.879 --> 00:02:59.120 that we live in, but beyond that, there are no 49 00:02:59.280 --> 00:03:02.639 clear answers as to what we're doing here. I mean, 50 00:03:02.759 --> 00:03:05.400 lots of people claim to have the answers. You'll get 51 00:03:05.479 --> 00:03:08.800 one religious minister that will say, my holy book has 52 00:03:08.800 --> 00:03:12.240 all the answers, my messianic figure is the one to 53 00:03:12.400 --> 00:03:16.800 revere and worship. And then immediately you'll have another religious 54 00:03:16.840 --> 00:03:19.319 minister who will pop up and say, no, no, no, 55 00:03:19.639 --> 00:03:20.360 you're a heathen. 56 00:03:20.599 --> 00:03:21.400 That's blasphemy. 57 00:03:21.759 --> 00:03:25.280 My religious figure is the one, and my religious text 58 00:03:25.319 --> 00:03:27.080 is the one to go with. And then a third 59 00:03:27.159 --> 00:03:29.400 guy will pop up and say, you're both wrong. You're 60 00:03:29.439 --> 00:03:32.240 both wrong. It's my faith, Mine is the one. And 61 00:03:32.280 --> 00:03:34.639 you're supposed to make sense of all of this somehow. 62 00:03:35.000 --> 00:03:38.439 There's no manual, there's no guidebook. You're just stumbling around 63 00:03:38.439 --> 00:03:40.520 in the dark and left to make the best of it. 64 00:03:40.800 --> 00:03:43.319 So I've been asking these big questions, which I think 65 00:03:43.400 --> 00:03:47.159 any human being owes it to themselves to ask. Well, 66 00:03:47.159 --> 00:03:50.599 they've got the opportunity within these lives. I'm not claiming 67 00:03:50.639 --> 00:03:52.599 that you're going to get the answers, but you can 68 00:03:52.639 --> 00:03:55.680 at least ask the questions. So there's one movie that 69 00:03:55.719 --> 00:03:59.599 I've been revisiting which somebody directed me to just recently, 70 00:04:00.080 --> 00:04:04.199 which is The Truman Show, which I think is a 71 00:04:04.280 --> 00:04:10.159 really great allegory for the human condition these lives. So, 72 00:04:11.000 --> 00:04:14.960 if you think about it, Jim Carey's character is representative 73 00:04:15.159 --> 00:04:20.120 of all of us, of people humans because he finds 74 00:04:20.160 --> 00:04:24.199 himself in this reality where he realizes he's being monitored 75 00:04:24.199 --> 00:04:28.000 and surveiled, and that could be a metaphor for perhaps 76 00:04:28.079 --> 00:04:31.319 the way we're watched by entities I don't know, you know, 77 00:04:32.240 --> 00:04:36.079 in unseen realms, and he gradually comes to realize that 78 00:04:36.079 --> 00:04:40.680 the people around him are all actors playing roles. So 79 00:04:41.040 --> 00:04:44.199 this fits the idea of NPCs that we hear about, 80 00:04:44.240 --> 00:04:47.600 you know, non player characters, these normy figures who seem 81 00:04:47.680 --> 00:04:50.319 to just float through life, and they don't seem to 82 00:04:50.720 --> 00:04:53.639 ask these big questions that many of us do, and 83 00:04:53.720 --> 00:04:55.600 many of them don't seem to have the full range 84 00:04:55.600 --> 00:05:02.079 of emotions within their you know, capabilit it's and gradually 85 00:05:02.120 --> 00:05:05.040 the Jim Carey character comes to realize that this world 86 00:05:05.079 --> 00:05:08.560 in which he lives is nothing like he thought it was, 87 00:05:08.839 --> 00:05:14.319 and it's actually illusory and it's not the real it's 88 00:05:14.360 --> 00:05:16.519 not real life, it's not the real world, and so 89 00:05:16.560 --> 00:05:18.360 he attempts to escape from it all. 90 00:05:18.839 --> 00:05:20.560 I mean, there are Gnostic. 91 00:05:20.160 --> 00:05:23.040 Overtones to this, so many people have interpreted it as 92 00:05:23.279 --> 00:05:27.920 a Gnostic allegory, so it kind of sits in line 93 00:05:27.959 --> 00:05:30.920 with many Gnostic teachings as to what the nature of 94 00:05:30.920 --> 00:05:33.959 this realm is. And you've got the christoph character who's 95 00:05:34.000 --> 00:05:37.639 the Handler, the controller played by Ed Harris in that film, 96 00:05:38.160 --> 00:05:42.680 and within this metaphor, he's representative of what, in Gnostic terms, 97 00:05:42.759 --> 00:05:46.879 was described as the Demiurge, this entity known as yelderbey Off, 98 00:05:47.360 --> 00:05:50.199 which was like a lesser God, a pretender God, a 99 00:05:50.360 --> 00:05:55.720 usurper who has somehow hijacked this reality and made it 100 00:05:55.720 --> 00:05:59.560 its own, or created it in the first place. And 101 00:05:59.639 --> 00:06:04.759 the Ed Harri's character in the film seeks to maintain 102 00:06:04.839 --> 00:06:08.519 that sort of control over Truman because he's like his creation, 103 00:06:08.680 --> 00:06:11.959 his pet project, and he doesn't like the fact that 104 00:06:12.000 --> 00:06:15.000 Truman is starting to question where he is and what 105 00:06:15.079 --> 00:06:18.079 the true nature of his life is. So that's one 106 00:06:18.120 --> 00:06:20.800 movie that springs to mind in terms of asking big 107 00:06:20.879 --> 00:06:23.959 questions or possibly answering them as to what the nature 108 00:06:23.959 --> 00:06:26.560 of this reality is, because I think when you've been 109 00:06:26.720 --> 00:06:30.680 in conspiracy research for long enough a number of years, 110 00:06:30.959 --> 00:06:34.839 like as many years as I have, all roads eventually 111 00:06:34.879 --> 00:06:38.000 converge at one singular point. So you can look into 112 00:06:38.160 --> 00:06:41.000 secret society networks, and you can look into the New 113 00:06:41.040 --> 00:06:43.759 World Order master Plan and the methods and tactics that 114 00:06:43.800 --> 00:06:47.240 are used to control and surveil us and enslave us. 115 00:06:47.480 --> 00:06:50.279 You can look into the banking and financial scams, and 116 00:06:50.959 --> 00:06:53.160 you know, the builder Berg Group and the Trilateral Commission, 117 00:06:53.319 --> 00:06:57.279 all of these. But there comes a point where all 118 00:06:57.319 --> 00:07:01.199 of that just becomes information and data and names and 119 00:07:01.240 --> 00:07:05.560 places and dates, And what's really important is going beyond 120 00:07:05.639 --> 00:07:09.680 that several levels to ask what is the nature of 121 00:07:09.720 --> 00:07:12.639 a reality in which any of that sort of stuff 122 00:07:12.639 --> 00:07:15.439 can take place in the first place, you know, that 123 00:07:15.519 --> 00:07:20.800 facilitates these kind of activities playing out into apparently physical manifestation. 124 00:07:21.439 --> 00:07:23.959 So that's where I'm at asking those kind of questions 125 00:07:24.000 --> 00:07:26.600 at this point in my life, having done the conspiracy 126 00:07:26.600 --> 00:07:31.360 thing for many years, And that movie speaks a lot 127 00:07:31.399 --> 00:07:34.800 to me in that regarding in terms of considering these 128 00:07:34.879 --> 00:07:36.800 very big questions in life. 129 00:07:37.040 --> 00:07:41.399 Have you seen the controversy that's surrounding Jim Carrey at 130 00:07:41.439 --> 00:07:44.160 the moment when he showed up to the Paris Awards 131 00:07:44.199 --> 00:07:47.959 show last week and he looks completely different. He looks 132 00:07:48.000 --> 00:07:51.680 like is these has had a bunch of work done 133 00:07:51.759 --> 00:07:55.079 and a bunch of plastic surgery, which doesn't make a 134 00:07:55.120 --> 00:07:57.639 lot of sense based off of the things that he 135 00:07:57.720 --> 00:08:01.639 has said up and to this point that it doesn't 136 00:08:01.639 --> 00:08:04.360 seem like he would be the person that would want 137 00:08:04.439 --> 00:08:07.120 all of that cosmetic surgery, which has led people to 138 00:08:07.160 --> 00:08:11.079 believe that that's not really Jim Carrey, that he's somebody else, 139 00:08:11.120 --> 00:08:15.079 that someone's impersonating him, or that he's been cloned and 140 00:08:15.160 --> 00:08:18.120 all of that. But what is really strange about that 141 00:08:18.360 --> 00:08:22.160 entire scenario is that he does look like a different person. 142 00:08:23.120 --> 00:08:27.000 He's obviously had work done if it really is him. 143 00:08:27.279 --> 00:08:30.519 But what's the most odd about it was at the 144 00:08:30.680 --> 00:08:35.480 end of his speech at the awards ceremony, he says 145 00:08:35.639 --> 00:08:38.600 the ending line that he says at the end of 146 00:08:38.639 --> 00:08:39.919 the Truman Ship. 147 00:08:40.000 --> 00:08:44.840 In case he doesn't see you, good evening and good night. 148 00:08:47.200 --> 00:08:51.360 In case I don't see you, good afternoon, good evening, 149 00:08:51.399 --> 00:08:56.639 and good night. In case I don't see you, good afternoon, 150 00:08:57.159 --> 00:09:03.840 good evening, and good night. And I'm like, wow, if 151 00:09:03.879 --> 00:09:08.559 that's not really Jim Carrey, what a play. But you 152 00:09:08.759 --> 00:09:11.960 just be it in front of everyone. It's like a 153 00:09:12.000 --> 00:09:14.679 metaphor within a metaphor within a metaphor. 154 00:09:15.600 --> 00:09:19.200 Right, I mean anything as possible. Could Jim Carey have 155 00:09:19.240 --> 00:09:21.919 been replaced. Sure, they've done it before, did it with 156 00:09:21.919 --> 00:09:25.240 Paul McCartney. They did it for a period with Madonna 157 00:09:26.000 --> 00:09:29.440 in round about twenty twenty one, or starting in twenty twenty. 158 00:09:29.120 --> 00:09:31.320 One, where they wheeled out. 159 00:09:31.399 --> 00:09:35.519 To my thinking, at least three different Madonnas. So there 160 00:09:35.559 --> 00:09:37.519 was a young one. I can't remember if we talked 161 00:09:37.519 --> 00:09:39.080 about this on the show last time, but there was 162 00:09:39.080 --> 00:09:41.600 a young one who looked no more than about thirty 163 00:09:41.840 --> 00:09:44.600 with pink hair, and that quite obviously was not the 164 00:09:44.639 --> 00:09:46.799 real Madonna, who by that point was supposed to be 165 00:09:46.840 --> 00:09:50.480 about sixty five years of age sixty three, I think. 166 00:09:51.399 --> 00:09:55.279 Then there was another one who was short and fat 167 00:09:55.320 --> 00:09:58.879 and dumpy as she appeared on stage in a dance 168 00:09:58.960 --> 00:10:01.639 routine in Colombia, and she could barely pull. 169 00:10:01.559 --> 00:10:02.679 Any dance steps. 170 00:10:02.720 --> 00:10:06.039 And looked completely out of shape, so that clearly was 171 00:10:06.039 --> 00:10:08.600 not the original Madonna. And then there was a sort 172 00:10:08.600 --> 00:10:11.799 of older, grizzled, haggard sort of one, and it was 173 00:10:11.879 --> 00:10:13.960 much more plausible that that could be the real Madonna, 174 00:10:14.000 --> 00:10:16.759 but it still wasn't. And then the real one appears 175 00:10:16.799 --> 00:10:19.559 to have come back. She's got this very distinctive gap 176 00:10:19.559 --> 00:10:21.720 in her teeth, so when she smiles, you know it 177 00:10:22.080 --> 00:10:25.320 at her. So we appear to have the original Madonna back. 178 00:10:25.840 --> 00:10:30.360 But they played complete mind fuck games on us by 179 00:10:30.360 --> 00:10:33.720 putting out these three replacements for a period, And who 180 00:10:33.759 --> 00:10:35.759 knows why they did that. Maybe it was to see 181 00:10:35.840 --> 00:10:38.720 how many people would notice, whether they could get away 182 00:10:38.720 --> 00:10:41.120 with it, whether the fans would call it out, how 183 00:10:41.159 --> 00:10:44.120 many truth researchers would draw attention to it. Maybe it 184 00:10:44.159 --> 00:10:46.759 was a little social experiment in that way. Who knows. 185 00:10:47.240 --> 00:10:50.399 And I hear all these claims that famous people have 186 00:10:50.440 --> 00:10:53.799 been replaced by clones or doubles or whatever. I've heard 187 00:10:53.840 --> 00:10:56.919 it about Jim Carey, and sure those pictures that surfaced 188 00:10:56.960 --> 00:11:00.279 recently do not look like the original Jim Carey. But 189 00:11:00.399 --> 00:11:03.639 for every person you'll get who claims that he's been replaced, 190 00:11:04.080 --> 00:11:06.559 somebody else will pop up and say, oh, come on, 191 00:11:06.919 --> 00:11:11.000 Jim Carey is in Hollywood, and in Hollywood there's plastic surgery, 192 00:11:11.039 --> 00:11:13.440 there's all kinds of work you can have done. There's 193 00:11:13.519 --> 00:11:17.360 makeup that gets applied in film type scenarios, and that's 194 00:11:17.399 --> 00:11:20.480 just Jim Carey trying to stave off aging. So it 195 00:11:20.600 --> 00:11:22.840 just goes to show that there are never any clear 196 00:11:22.919 --> 00:11:26.360 answers to anything. Nothing is ever clear cut because somebody 197 00:11:26.399 --> 00:11:29.639 is always going to pop up and be contrary and 198 00:11:29.679 --> 00:11:32.840 oppose any kind of claim that you might choose to make. 199 00:11:33.759 --> 00:11:36.440 So it just makes this work very, very difficult. You've 200 00:11:36.440 --> 00:11:38.039 got to have a lot of time on your hands. 201 00:11:38.240 --> 00:11:41.159 You've got to be pretty good at forensic analysis and 202 00:11:41.559 --> 00:11:46.519 comparing facial structures and distances between eyes and ears and 203 00:11:46.639 --> 00:11:49.360 ear shapes and things like this to be able to 204 00:11:49.360 --> 00:11:51.639 make sense of it. I mean, with some it's easier 205 00:11:51.679 --> 00:11:54.799 than with others. As far as I'm concerned with Paul McCartney, 206 00:11:55.000 --> 00:11:57.440 it's a clear cutcase. There have been at least two 207 00:11:57.639 --> 00:12:00.519 individuals playing the public role of pau mc cut. You 208 00:12:00.559 --> 00:12:04.360 can see they're very different in photographs and film footage. 209 00:12:04.440 --> 00:12:06.679 You don't need to be a forensic expert to see that, 210 00:12:07.080 --> 00:12:10.279 but with some of these others, I think it requires 211 00:12:10.600 --> 00:12:13.639 a much deeper level of expertise if you've got to 212 00:12:13.679 --> 00:12:15.799 come out and make bold kind of claims like that, 213 00:12:15.840 --> 00:12:20.120 because when you make a bold claim, people require bold 214 00:12:20.200 --> 00:12:22.960 evidence to back it up. And like I said, you've 215 00:12:22.960 --> 00:12:25.000 got to have a lot of time and a lot 216 00:12:25.000 --> 00:12:27.639 of resources on your hands to be able to back 217 00:12:27.720 --> 00:12:30.279 up these kind of claims when they get made. 218 00:12:32.320 --> 00:12:34.799 I think that they did the same thing with Britney 219 00:12:34.799 --> 00:12:39.480 spears that that you just explained that they did with Madonna. 220 00:12:40.080 --> 00:12:44.879 I'm convinced that the Britney spears we see right now 221 00:12:44.960 --> 00:12:47.759 that just got arrested apparently. I don't know if you 222 00:12:48.399 --> 00:12:51.679 saw this, but you just got arrested for a DUI, 223 00:12:51.799 --> 00:12:56.080 I believe is what it was. I don't believe that 224 00:12:56.080 --> 00:12:58.480 that's the same Britney spirits, and I don't believe that 225 00:12:58.480 --> 00:13:01.279 that has been the same Britney spirit since around two 226 00:13:01.320 --> 00:13:02.279 thousand and eleven. 227 00:13:03.600 --> 00:13:05.879 Yeah, well that's quite possible. Like I say, I can't 228 00:13:05.960 --> 00:13:09.000 rule it out. Another thing is that during the COVID 229 00:13:09.080 --> 00:13:15.120 era they started using a double for Prince Charles or 230 00:13:15.240 --> 00:13:18.759 King Charles as he is now. It quite clearly was 231 00:13:18.799 --> 00:13:21.600 not him he appeared on a Sky News broadcast in 232 00:13:21.639 --> 00:13:25.960 the middle of COVID and it was so obvious it 233 00:13:26.000 --> 00:13:29.240 was an actor, but most people within the British public 234 00:13:29.960 --> 00:13:34.039 didn't notice or didn't care. Like George Carlin once said, 235 00:13:34.320 --> 00:13:37.360 nobody seems to care. Nobody seems to notice. They got 236 00:13:37.399 --> 00:13:39.759 away with it. It's just incredible to me. I mean, 237 00:13:39.799 --> 00:13:42.840 somebody like Madonna. You could argue that not many people 238 00:13:42.879 --> 00:13:45.159 pay attention to Madonna, or you know, she only appeals 239 00:13:45.200 --> 00:13:46.879 to certain demographics or whatever. 240 00:13:47.039 --> 00:13:48.320 But this is the frigging King. 241 00:13:49.159 --> 00:13:52.480 Not that I'm suggesting people should pay attention to the King, 242 00:13:53.000 --> 00:13:55.519 but you know, he's a pretty public figure, a pretty 243 00:13:55.519 --> 00:13:59.600 important figure within the United Kingdom, and they got away 244 00:13:59.759 --> 00:14:03.039 with using a double for him, no explanation as to 245 00:14:03.600 --> 00:14:06.639 why it was done. And then the original Prince Charles 246 00:14:06.639 --> 00:14:09.600 pop back up again, to my thinking, that's him, We've 247 00:14:09.600 --> 00:14:12.440 got him back. So this double was put in for 248 00:14:12.480 --> 00:14:15.000 a period, and I don't know where they getting their 249 00:14:15.039 --> 00:14:17.360 mind control topped up in a lab somewhere, and they 250 00:14:17.399 --> 00:14:19.399 need to put somebody out there. Do they have a 251 00:14:19.399 --> 00:14:22.799 bad reaction to certain chemical compounds that they may have 252 00:14:22.799 --> 00:14:26.639 been ingesting, or is it a simple social experiment. Like 253 00:14:26.679 --> 00:14:30.000 I said, are the social engineers doing this to see 254 00:14:30.039 --> 00:14:33.159 how many people notice and what they can get away with, 255 00:14:34.320 --> 00:14:38.039 or is it to make those who do observe the 256 00:14:38.120 --> 00:14:43.279 change and draw attention to it look crazy. So if 257 00:14:43.279 --> 00:14:45.679 they try and tell friends and family that's not the 258 00:14:45.720 --> 00:14:48.759 original Prince Charles, they've replaced him. That's a double, that's 259 00:14:48.759 --> 00:14:51.559 an actor. And then the original pops back up and 260 00:14:51.600 --> 00:14:54.240 you can see that's the original. Your family and friends 261 00:14:54.240 --> 00:14:54.919 are going to say. 262 00:14:54.799 --> 00:14:58.279 You're crazy. Of course that's him. Look there he is 263 00:14:58.399 --> 00:15:01.840 right there. What have you been drinking? What have you 264 00:15:01.879 --> 00:15:02.519 been spoking? 265 00:15:02.600 --> 00:15:06.080 Man? Yeah, it's a double double. And then when it 266 00:15:06.080 --> 00:15:10.639 comes to like cryptic and symbolic movies, but things that 267 00:15:10.840 --> 00:15:14.759 are also in your face is the movie Death Becomes Her, 268 00:15:15.039 --> 00:15:20.080 which is all about immortality and cults, and we know 269 00:15:20.200 --> 00:15:24.600 that the elites are into immortality, you know, alchemy, elixir 270 00:15:24.679 --> 00:15:28.399 of life, the philosopher stone, blood rituals for youth, or 271 00:15:29.000 --> 00:15:32.320 even transfer of blood. This goes back hundreds of years, 272 00:15:32.360 --> 00:15:35.639 but this one's a little different. In this movie, they 273 00:15:35.919 --> 00:15:39.440 have this little vial that has a substance in it 274 00:15:39.519 --> 00:15:44.480 that reminds me actually of the movie Substance, which is 275 00:15:44.679 --> 00:15:49.360 basically a way darker version of that movie that revolves 276 00:15:49.399 --> 00:15:52.919 around the same type of thing. It's a modern horror 277 00:15:52.919 --> 00:15:55.799 take on it, but it's like an injection instead of 278 00:15:55.840 --> 00:16:01.000 a liquid that you drink. Wow. Wow, imagine that and 279 00:16:01.039 --> 00:16:04.960 an injection to keep you young. What a coincidence that is. 280 00:16:05.159 --> 00:16:08.399 And with those zimpeg and all these weight loss drug 281 00:16:08.440 --> 00:16:12.000 injections that are so popular. Right now, I'm gonna have 282 00:16:12.039 --> 00:16:15.240 to save that one in my memory bank for later. 283 00:16:16.039 --> 00:16:20.759 But anyway, the movie Death Becomes Her, they have this 284 00:16:20.960 --> 00:16:27.240 drink and what a bunch of people describe as adrenochrome, 285 00:16:27.279 --> 00:16:31.840 and what adrenochrome is. It gives them immortality from this 286 00:16:32.080 --> 00:16:35.879 super old witch that looks like she's like thirty years old, 287 00:16:35.879 --> 00:16:38.799 but it's probably more like over one hundred years old. 288 00:16:39.159 --> 00:16:43.559 And this witch runs this hidden network of elite power 289 00:16:43.600 --> 00:16:48.000 players that she has supplied the substance to over the years. 290 00:16:48.879 --> 00:16:50.960 And at the end of the movie, you got all 291 00:16:51.039 --> 00:16:55.120 of these people that have taken this substance that has 292 00:16:55.200 --> 00:16:58.240 been reportedly dead for a really long time but is 293 00:16:58.279 --> 00:17:01.879 alive and is at this party, which includes Elvis Presley, 294 00:17:02.559 --> 00:17:09.440 Marilyn Monroe, James Dean, Indy Warhol, and I'm pretty sure 295 00:17:09.480 --> 00:17:14.519 that Jim Morrison was even in there. Implying that people 296 00:17:15.359 --> 00:17:21.640 we believe died young or unexpectedly might not actually be dead. 297 00:17:22.920 --> 00:17:26.599 Yeah, well that's something I can't rule out. And certainly 298 00:17:26.599 --> 00:17:30.519 when it comes to people like Jim Morrison, I don't 299 00:17:30.559 --> 00:17:34.079 buy the suggestion that he died in nineteen seventy one 300 00:17:34.279 --> 00:17:36.799 at the age of twenty seven in the bathtub in 301 00:17:36.839 --> 00:17:39.559 his Paris apartment. I mean, Jim Morrison is a prime 302 00:17:39.599 --> 00:17:42.680 candidate for having been allowed to fake his own death 303 00:17:42.720 --> 00:17:44.880 because of who his old man was, you know, the 304 00:17:45.000 --> 00:17:48.440 Navy admiral in the Gulf of Tonkin, obviously high level 305 00:17:48.680 --> 00:17:51.599 military connected. You can only fake your death and get 306 00:17:51.599 --> 00:17:54.640 away with it with the full complicity of the military 307 00:17:54.680 --> 00:17:58.640 intelligence services. So it helps if you've got family connections 308 00:17:58.640 --> 00:18:02.920 into those. I've got trouble accepting that Elvis Presley died 309 00:18:03.079 --> 00:18:05.680 when we told he did in nineteen seventy seven. I 310 00:18:05.720 --> 00:18:08.880 think he would be another prime candidate for having been 311 00:18:08.920 --> 00:18:12.279 allowed to fade off into obscurity and pop back up 312 00:18:12.359 --> 00:18:15.480 under a new identity and live out his remaining years 313 00:18:15.720 --> 00:18:19.519 outside of the public spotlight. Because Elvis was high level 314 00:18:19.559 --> 00:18:23.119 military connected as well, and then with others, I think 315 00:18:23.160 --> 00:18:26.240 you have to examine each case individually and draw your 316 00:18:26.240 --> 00:18:29.440 conclusions based on the evidence. But it's certainly a dynamic 317 00:18:29.480 --> 00:18:31.519 which does take place. 318 00:18:32.799 --> 00:18:33.519 In my opinion. 319 00:18:33.599 --> 00:18:37.720 You know, certain famous people are allowed to affect their 320 00:18:37.759 --> 00:18:40.480 deaths in that way you mentioned there, the reference to 321 00:18:40.480 --> 00:18:44.640 adrenochrome in death becomes a you're probably aware that in 322 00:18:44.680 --> 00:18:48.200 a Clockwork Orange Stanley Kubrick's movie nineteen seventy one, there's 323 00:18:48.200 --> 00:18:52.160 a loose reference to it there when Malcolm MacDell, Alex 324 00:18:52.200 --> 00:18:55.079 and his Dreux are in the Corova milk bar at 325 00:18:55.119 --> 00:18:58.759 the start of the film, and in the monologue that 326 00:18:59.200 --> 00:19:02.279 goes over the top, he says we were drinking drenchroma, 327 00:19:03.000 --> 00:19:07.519 which is basically adrenochrome. So Kubrick clearly knew about this stuff, 328 00:19:08.240 --> 00:19:10.599 and that's just one of so many things that he 329 00:19:10.680 --> 00:19:14.599 was trying to tell us through movies in coded allegorical ways. 330 00:19:14.759 --> 00:19:16.680 I would suggest. 331 00:19:16.440 --> 00:19:19.119 Kubrick had to have known what was going on in that. 332 00:19:19.279 --> 00:19:22.119 And also with As Wide Shot, I mean, if you 333 00:19:22.799 --> 00:19:27.200 rewatch as Wide Shot right now, it hits in a 334 00:19:27.200 --> 00:19:30.440 different kind of way than when you watched it just 335 00:19:31.400 --> 00:19:36.039 a few years back, and now hits a little bit 336 00:19:36.079 --> 00:19:39.359 different and you realize more of what was going on. 337 00:19:39.920 --> 00:19:42.160 And what's crazy about that is I've been doing a 338 00:19:42.160 --> 00:19:45.359 lot of research into nineteen eighties pop videos, which I've 339 00:19:45.359 --> 00:19:47.960 presented in some of my live talks and on a 340 00:19:48.000 --> 00:19:51.279 couple of Patreon presentations. So I've been revisiting a lot 341 00:19:51.279 --> 00:19:53.519 of videos I would have watched at the time, you know, 342 00:19:53.640 --> 00:19:56.799 on MTV or Top of the Pops, probably introduced by 343 00:19:57.039 --> 00:19:59.759 Sir Jimmy Savile back in the day. I can remember 344 00:19:59.759 --> 00:20:02.279 these videos from the early eighties, and of course the 345 00:20:02.319 --> 00:20:04.759 stuff went straight over my head at the time because 346 00:20:04.960 --> 00:20:07.359 I didn't know what to look for. But now that 347 00:20:07.440 --> 00:20:10.000 I do, now that I've learned what all the symbolism means, 348 00:20:10.720 --> 00:20:13.519 it's shocking to see what was right there in plain sight. 349 00:20:14.039 --> 00:20:17.240 And a common theme running through so many eighties pop 350 00:20:17.319 --> 00:20:20.319 videos from the first part of the decade I would say, 351 00:20:20.359 --> 00:20:23.400 sort of nineteen eighty to about eighty four and then 352 00:20:23.440 --> 00:20:26.680 it tends to have fizzled out is how many scenes 353 00:20:27.000 --> 00:20:32.319 resemble a scene from Stanley Kubrick's Eyes Wide Shut. So 354 00:20:32.440 --> 00:20:36.200 many videos in these sort of Rothchild style elite country 355 00:20:36.240 --> 00:20:39.680 mansions where you've got these masked balls going ahead and 356 00:20:39.720 --> 00:20:43.640 they're all dressed in Venetian carnival masks and robes and 357 00:20:43.680 --> 00:20:46.000 costumes and stuff. This was a big part of the 358 00:20:46.039 --> 00:20:49.720 New Romantic era, of course, in the early eighties. That 359 00:20:49.759 --> 00:20:53.160 whole scene, the whole look, the whole fashion was based 360 00:20:53.200 --> 00:20:58.039 on costumes and dressing up as dapper dandy figures from 361 00:20:58.599 --> 00:21:06.319 the past, and lots of references to these elite country mansions. 362 00:21:06.880 --> 00:21:08.640 And there's so many videos where you've got black and 363 00:21:08.640 --> 00:21:11.440 white checkerboard flooring of the type that you find in 364 00:21:11.519 --> 00:21:17.559 Masonic temples, and you've got these ornate grand balconeers and 365 00:21:17.599 --> 00:21:21.119 staircases and stuff, and it's figures are sort of interacting 366 00:21:21.160 --> 00:21:23.400 with those. One that springs to mind is Adam and 367 00:21:23.480 --> 00:21:26.119 the Ants Prince Charming. I mean, that's one you can 368 00:21:26.160 --> 00:21:30.079 really get inside when it comes to symbolism, particularly pertaining 369 00:21:30.079 --> 00:21:32.960 to trauma based mind control MK ultra and such and 370 00:21:33.000 --> 00:21:38.359 dissociation from reality. Another one is Ultravox Vienna that kind 371 00:21:38.400 --> 00:21:40.799 of tells its own story and you've got a sort 372 00:21:40.799 --> 00:21:45.119 of handler mind control subject relationship going on there and 373 00:21:45.200 --> 00:21:48.440 what gets portrayed in the narrative. And another one is 374 00:21:48.559 --> 00:21:52.000 Queen's It's a Hard Life from nineteen eighty four, which 375 00:21:52.039 --> 00:21:55.519 is one of their lesser known singles from their Works album. 376 00:21:56.000 --> 00:21:58.480 And this one also is set in an eyes wide 377 00:21:58.480 --> 00:22:01.160 shut style sort of country man with one of these 378 00:22:01.240 --> 00:22:06.039 costume balls taken effect. But for this one, and I 379 00:22:06.119 --> 00:22:08.240 mentioned this in my last book, No One's Dad's a Plumber. 380 00:22:08.640 --> 00:22:13.039 I got a survivor of satanic ritual abuse trauma based 381 00:22:13.039 --> 00:22:16.079 mind condrawl. He was raised in one of these families, 382 00:22:16.160 --> 00:22:20.960 generational bloodline family where satanic ritual abuse was just part 383 00:22:21.000 --> 00:22:25.640 of what went on, and he's since broken free of 384 00:22:26.200 --> 00:22:31.079 that cult and he's worked with his partner to deprogram 385 00:22:31.200 --> 00:22:34.880 himself from what was done to him, and between them, 386 00:22:34.920 --> 00:22:38.599 they've learned to spot the symbolism that relates to stuff 387 00:22:38.599 --> 00:22:40.839 that he went through. So they're not what they're talking 388 00:22:40.839 --> 00:22:43.279 about because this guy saw this stuff, you know, in 389 00:22:43.279 --> 00:22:44.839 his childhood and growing up. 390 00:22:45.319 --> 00:22:46.359 And they've said that. 391 00:22:46.359 --> 00:22:49.079 That video to It's a Hard Life, which was directed 392 00:22:49.079 --> 00:22:52.000 by a guy named Tim Pope who's done a few 393 00:22:52.000 --> 00:22:55.920 films as well and a fair few music videos, depicts 394 00:22:57.240 --> 00:23:01.200 the preparation for a ritual sacrifice, and in their opinion, 395 00:23:01.400 --> 00:23:07.039 what's being portrayed is Freddie Mercury is being prepared for sacrifice. 396 00:23:07.440 --> 00:23:10.559 So there's this particular point in the video where Freddy 397 00:23:10.920 --> 00:23:13.759 is all dressed up in this flamboyant costume, is coming 398 00:23:13.799 --> 00:23:17.559 down the staircase and there's this big fat woman looks 399 00:23:17.599 --> 00:23:19.960 like an opera singer who treads on his. 400 00:23:19.880 --> 00:23:21.920 Bare foot with her foot. 401 00:23:22.119 --> 00:23:25.279