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Speaker 1: On another road today.

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Speaker 2: Make a little magic, take a little something drift and

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roll away, burn a little time instead, something in the shadow?

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Who send me back and make me think again? I'm

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getting a longer.

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Speaker 1: Let's time back and find me.

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Speaker 3: I'll be howling, letting me moving you while I'm getting lost.

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Speaker 4: Woe w.

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Speaker 5: Cross a lane and find myself away from my land.

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Speaker 6: I'm so high to see.

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Speaker 1: What I'm like to Hi know that's sold in.

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Speaker 6: Front of me?

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Speaker 1: How you an querim field?

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Speaker 5: You then Amergic guys in general carry about the green.

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Speaker 1: I'm in the long back.

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Speaker 3: You can't buy me own ands fine halfway to me

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of the lungs world. Who cross the line and find

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myself away from my land?

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Speaker 6: More so?

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Speaker 5: Couldn't be any further from the life.

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Speaker 6: You say, leave, realize that.

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Speaker 1: I'm getting locked.

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Speaker 6: Im that you find me.

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Speaker 3: I'll be bouncing around, move the air when I'm getting

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lock house. What wocuse I I haven't found myself from moll,

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I'm getting love before.

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Speaker 6: I love fa.

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Speaker 1: I'm getting a loo loo bot cross from.

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Speaker 7: That is called Drift. That is a new single from

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Kevin Horn, and Kevin is here with us. We're gonna

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speak with him in just a moment really looking forward

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to this and let me get that mic up. Kevin

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Horn is here with us live. Hello sir, Hello, Hello.

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Let me turn you up a little bit here, it

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gets you a little louder.

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Speaker 5: There we go.

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Speaker 7: Hello, welcome.

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Speaker 5: This is your u.

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Speaker 7: This is your first time at the new Digs.

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Speaker 5: Yes it is yep.

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Speaker 8: Last time I was with you guys, was over on

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Elm Street up on that building upstairs.

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Speaker 7: Yeah, isn't this nicer?

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Speaker 9: It is?

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Speaker 5: It's very cool.

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Speaker 7: Everything's new and clean and you can tell, like when

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you look at the outside of the building, you know

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what's inside it.

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Speaker 8: Yeah, yeah, it's very it's I mean, it's so. This

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was an old bus station.

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Speaker 7: This used to be the bus station. Yeah, yeah, cool, Yeah,

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it's cool.

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Speaker 5: Now we love it here.

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Speaker 7: What's nice to us? You know because the old station.

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You know, I mentioned the name being on the building

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because at the old location, at the same station, the

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old location. I should be more precise. You wouldn't know,

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like if you were if you were on Elm Street

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looking up, you'd never know there was a radio station

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in the building.

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Speaker 5: It was Margaritas.

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Speaker 7: Yeah yeah, yeah, yeah, there're floor Margarite.

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Speaker 2: Right.

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Speaker 8: One thing I liked about that was that I remember

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I came on one time and it was like a

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nice beautiful summer evening or something day or something, and

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the windows were open or so you could just hear

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all the action outside.

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Speaker 5: It was kind of cool. That part I kind of missed. Yeah, yeah,

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but everything else is it's just so much nicer here.

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So I just drank from a water fountain for the

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first time, and like since I was twelve.

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Speaker 7: Yeah, yeah, I love that single drift that just did

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that just come out? Is that brand new or how

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new was that?

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Speaker 5: It came out a couple of weeks ago.

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Speaker 8: It's actually the title track off the upcoming album Okay,

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my first ever solo album.

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Speaker 7: Oh congratulations, thank you very much. Yeah. Yeah, yeah. When

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you were on the show before?

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Speaker 6: How many times been?

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Speaker 5: Is this your third time or second time on the show.

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I feel like it's your third? It was it would

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have been three, It would have been three.

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Speaker 7: Oh do you want to tell the story of.

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Speaker 8: I have to I have an apology to make as

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I'm sitting right here before you both. So, I think

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it was about a year and a half ago. I

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was I was booked, I was supposed to be on

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and my wife and I had actually just moved to

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our house and conquered and I remember that specifically because

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the house was you know how it is when you move.

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Speaker 5: It's chaos.

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Speaker 8: There's boxes all over the place, and you know, as

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musicians tend to do, we're running late. So I got

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up that morning, I'm like, oh, you know, all frenzied

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looking for my I'm not the type of guy. I'm

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a lot of things, but I'm not the type of

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guy that usually loses my keys. For whatever reason, this

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morning that I'm supposed to be on a radio show,

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can't find my keys.

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Speaker 5: I'm looking through all the boxes and tearing them apart.

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Speaker 8: And my neighbors, I don't think, talk to us for

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six months because they probably heard the psycho wow going

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crazy like. And then I'm like, well, I definitely wouldn't

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have locked them in my car. And then I go

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out to the driveway and there they are sitting right

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on the front passenger seat of my car, and I'm thinking, Okay,

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at this point, I know I got to cancel.

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Speaker 5: Yeah, what lie do I come up with to tell

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them to avoid telling them that I locked that.

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Speaker 8: You know, It's like, hey, Frank, I can't be unto

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work because I locked Oh yeah, no big deal. But like, hey,

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I can't be on your radio show because I'm an idiot.

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So anyway, so yes, I locked my Jen was lovely

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about it. But I locked my keys in my car

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and had to miss being on a radiohow oh yeah.

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Speaker 7: But but but so you realize they were in your

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car after you'd already h torn everything else apart looking

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for him.

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Speaker 5: So the whole house is torn apart.

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Speaker 8: My neighbors think I'm crazy, And then uh yeah, and

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then there they are sitting on the passenger seat of

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my car.

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Speaker 5: Oh wow, triple a to come open my door? Like, oh,

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no kidding, Yeah, you have a spare key anywhere? No,

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you know, a grown adult is your spare keys?

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Speaker 9: You know?

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Speaker 5: No big deal, That's what I'm saying. Like, how do

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I call this one in?

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Speaker 7: Oh, that's funny, that's funny. I have a I have

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a quick key story. I once threw a set of

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car keys into a dumpster by a mistake.

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Speaker 5: Yeah, I was Uh.

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Speaker 7: I was living in an apartment complex and conquered at

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the time, and I was on my way out the door,

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and I was in a big hurry and i'd left.

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I was running late. It's always running late, right, Yeah.

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So I had a bag of garbage next to the

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door that I was going to take to the dumpster

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on my way out. So so I'm in a hurry.

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So I grabbed my car keys, and my house keys

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are all in one key ring. I grab them with

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my right hand, and I'm in a big hurry. I'm

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running out the door. I'm like, oh, I gotta grab

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that bag of garbage. And with the same hand I

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grabbed the back of garbage. And I was in such

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a hurry that somehow, once I got outside on my

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way to my car, I was like, oh, I gotta

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throw this back of garbage away, and I managed to

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forget that. In the same hand, I'm also holding my keys,

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and I remember hurling the garbage bag into the dumpster

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and just kind of it was like everything was moving

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in slow motion for a moment, because it's like I'm

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watching the garbage bag sail into the dumpster, and I'm

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also watching my keys sailing into that dumpster, and it's

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like it's like.

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Speaker 5: Yeah, and uh, sure enough. Yeah.

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Speaker 7: So there was one lucky thing about it, though, believe

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it or not, there was actually a lucky thing in

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the story. The dumpster had been emptied that morning. The

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truck had come to empty of the dumpster. So when

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I ran over and I looked in, I could see

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the garbage bag and my keys were sitting right on

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top of the garbage bag. I had just thrown into it.

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Speaker 5: That's lucky.

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Speaker 7: Still, i'd climb in and get the keys, but at

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least to dive everybody's garbage. That would have been That

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would have been horrible. That would have been horrible. But

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uh no, But anyway, we're very happy that you're here.

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I listened to the tracks that you sent. I love

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them all.

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Speaker 5: Thank you.

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Speaker 7: Drift fantastic single. You said it's coming out on the

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new album Come Yes.

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Speaker 8: Yeah, Yep, that's on the new album. It's actually the

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title of the album is Okay Okay?

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Speaker 7: And when is that?

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Speaker 8: That comes out streaming everywhere Friday, June twenty seventh. Okay,

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So that comes out the twenty seventh, and then we're

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doing a big show at B and H Stage and

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Conquered the next night on June twenty eighth, to celebrate excellent. Yeah,

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so you can get your tickets online. I think it's

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the conquered Capital Center for the arts website. Okay, and

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the my my Facebook all that's I'm always advertising.

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Speaker 7: So is that the show Cosmic Blossom is on with you?

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Speaker 8: Yes, I'm sorry, Yes, you just played the world premiere

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of the Cosmic Blossom song. Yes, that's my friends there.

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They're uh, they're gonna they're gonna join us. Actually, a

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couple guys from Cosmic Blossom are gonna play with me

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as well. So Gary Smith, who's the bass player, Uh,

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he's gonna play bass with us. U to Palmas playing

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guitar with us. Excellent, And then we got a few

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other guys joining us.

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Speaker 7: That's really cool, I would say about Gary. He's one

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of the most talented and busiest musicians. Yeah.

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Speaker 8: I always you know, I think I'm busy, and then

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I look at that guy's schedule. He's just always out.

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He's always out doing it.

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Speaker 5: Yeah, it's really cool. He's in. Like those guys are

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all in like, oh yeah, ten bands. Oh yeah, yeah,

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of course, of course. No, that's great.

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Speaker 7: Now, so why is this why now to do an album?

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You mentioned this is your first solo album.

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Speaker 9: It is.

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Speaker 5: Yeah, that's a that's a great question. I had been

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in a band, the Stone Road Band. We were a band.

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Speaker 7: Well, yeah, we played, uh, I used to when we

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were on afternoons. I used to always play a breakdown.

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I love that.

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Speaker 5: Yeah, cool, thanks man. Yeah, that's that's actually that was

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one of our favorites.

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Speaker 9: Yeah.

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Speaker 8: I used to live down in Providence, Rhode Island, and

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we started the band down there, and we were together

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a few years, and we put out a couple of

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things and and then you know, like everybody the world

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shut down and COVID and kind of and then we

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were all kind of scattered at that point, and it

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was kind of harder and harder to get together, and

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eventually we just got to the point where we disbanded

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on good terms. But I kept going, and then I

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decided to become a musician for a living, and I

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guess it just got to a.

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Speaker 5: Point where I was I was out playing.

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Speaker 8: I play all the time, almost every week on I'm

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out playing somewhere, and you know, I got my sign

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with my scan code on it, and you're trying to

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promote yourself, and I kept At this point, it had

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been a couple of years since we had even been

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a bandoned. I had no music with my name on it,

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and it was just like, you know, I wrote the

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Stone Road Band songs, but you know, I'm telling people like, hey,

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scan this code, go look up the Stone Road Band,

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Who's not a band anymore?

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Speaker 5: And blah blah blah.

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Speaker 8: So it really it just kind of started from the

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the feeling of needing something with my name on it.

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So it was just going to start as like a

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four or five song EP that I was just going

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to record in my attic. And then I started working

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with Uh, the producer that I was working with, and

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we put together the first single. I I mean, I

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thought this thing was gonna be out like a year ago, yeah,

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because I thought it was gonna be like an EP.

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And so I released the first single anything Uh February.

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It was like the week before my daughter was born.

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Speaker 5: Oh wow, I wanted it to come out.

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Speaker 8: But but when he sent that song back to me,

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I'd started recording on all the other ones, but when

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he sent me that one, I was like, holy moly.

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I couldn't believe what he had done with it, and

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and it sounded really good. So I just thought, you know,

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maybe I could keep going with that. I mean, I

255
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recorded this in my attic and he made it sound

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like that.

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Speaker 5: Yeah.

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Speaker 8: I just started adding songs and adding songs and it

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became a full blown h It was supposed to be

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twelve but now ten song record.

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Speaker 7: Oh wow, yeah, okay, okay, very good.

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Speaker 5: Very good. That was the longest answer ever. I'm sorry.

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Speaker 7: No, no, that's great. No, No, we have the time,

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and I'm I'm I'm very interested.

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Speaker 9: Yeah.

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Speaker 7: Do you find do you find it more satisfying?

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Speaker 5: Now?

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Speaker 7: You know, because you mentioned, you know, you talked about

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the Stone Road Band, is it? Is it more satisfying

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being a solo artist? I miss those guys. I always

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want one of them. Is your brother, right, your brother,

272
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my cousin, cousin, he may as well be the guitar player. Yeah, yeah, yeah, Mike,

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because I remember talking about him because his solo on Breakdown.

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So it makes a song, it's so good.

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Speaker 5: So luckily they all show up on the record. Cool.

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Speaker 7: Oh, that's awesome.

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Speaker 8: So we had actually the first song on the album

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is called Friend of the Fire, and that's one of

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my favorite songs I've ever written. We had recorded a

280
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live album which that landed on but it was live

281
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and I always wanted like that, proper studio, you know,

282
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what I heard in my head to Come Alive, and

283
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we had done originally wasn't going to be on the album,

284
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but I was looking to feel a little bit more

285
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space and and uh and kind of the album actually

286
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tells a story from start to finish, and and that

287
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landed as a great start. And anyway, I was kind

288
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of listening on my my iPhone and on shuffle, and

289
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this old demo that we had done of the song

290
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and came up. I'm like, man, I know what my

291
00:14:03,240 --> 00:14:05,519
producer is capable of. I wonder if it is then

292
00:14:05,720 --> 00:14:09,399
a Deanna Fielding in the Coop Studios in New York.

293
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I was like, I wonder if I sent this to her,

294
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if she could kind of clean it up a little

295
00:14:14,039 --> 00:14:15,919
bit and do something with it. So, actually the first

296
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song on the album is the Stone road Band. And

297
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then there's a song called Brutus.

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Speaker 6: Oh.

299
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Speaker 7: I remember playing that one on the radio too.

300
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Speaker 8: That that was again another one that we had done

301
00:14:26,879 --> 00:14:30,639
live but we never recorded in the studio. And so

302
00:14:30,799 --> 00:14:33,879
my cousin he's on that one, and then our bass

303
00:14:33,960 --> 00:14:36,159
player Phills on that one. Cool I played the drums,

304
00:14:36,200 --> 00:14:38,600
but so yeah, so there's a little bit of Stone

305
00:14:38,679 --> 00:14:41,320
road Band action on on the album and like little

306
00:14:41,399 --> 00:14:43,240
nods to that kind of stuff.

307
00:14:43,440 --> 00:14:46,440
Speaker 7: Yeah, you mentioned too, you're playing out a lot, You're

308
00:14:46,519 --> 00:14:49,840
you're pretty busy. What what like are you are you

309
00:14:49,919 --> 00:14:52,399
playing these songs like that are on the album or

310
00:14:52,480 --> 00:14:54,320
are these the songs you're playing live? Or do you

311
00:14:54,360 --> 00:14:56,679
mix in covers or like what what's the live situation?

312
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Speaker 3: Like?

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Speaker 8: I do a lot of breweries and restaurants, yeah, things

314
00:14:59,639 --> 00:15:02,039
like that. So yeah, I mean I'm lucky. And I

315
00:15:02,240 --> 00:15:04,440
think what's amazing about the brewery scene is that they're

316
00:15:04,480 --> 00:15:09,000
looking for something different and and really encourage artists like

317
00:15:09,080 --> 00:15:12,440
myself to come in and do our thing. And and uh,

318
00:15:12,600 --> 00:15:15,080
so I I do you know, I know where I'm playing,

319
00:15:15,159 --> 00:15:18,440
So I I I do a lot of covers, but

320
00:15:18,639 --> 00:15:20,879
I do try to mix in some of these songs

321
00:15:20,879 --> 00:15:23,519
as I go. And and uh, it's a great community

322
00:15:23,559 --> 00:15:26,399
around here. Everybody's always very super supportive. And oh it's

323
00:15:26,440 --> 00:15:30,440
really cool to hear original music. And uh, you know

324
00:15:30,480 --> 00:15:34,960
all my friends at like Great North and and and

325
00:15:35,360 --> 00:15:38,559
and uh I looked over at Jen because her son

326
00:15:38,679 --> 00:15:42,600
Jesse works at Great North and he's a talented musician

327
00:15:42,679 --> 00:15:45,399
and his own also a talented great singer and uh,

328
00:15:45,639 --> 00:15:48,200
and I have to shout Jesse out.

329
00:15:48,440 --> 00:15:51,840
Speaker 5: I play all over southern New Hampshire. I play in Maine,

330
00:15:52,440 --> 00:15:55,200
playing in Vermont, mass you know, all over New England.

331
00:15:56,799 --> 00:15:58,000
No place do I play.

332
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Speaker 8: That's that Jeff Jesse is always standing like at this point,

333
00:16:02,559 --> 00:16:04,519
he's like standing at the door when I get there. Yeah,

334
00:16:04,600 --> 00:16:06,759
he's always there to help me bring my stuff in.

335
00:16:07,720 --> 00:16:09,679
Speaker 5: No place I go. Does anybody do that?

336
00:16:09,799 --> 00:16:12,480
Speaker 8: He always Hey, man, he doesn't even ask anymore. He

337
00:16:12,600 --> 00:16:15,320
just meets me at the door insteads bringing all my stuff.

338
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Speaker 7: Oh that's cool. Yeah, I love hearing that.

339
00:16:17,960 --> 00:16:18,200
Speaker 10: Yeah.

340
00:16:18,320 --> 00:16:20,000
Speaker 5: Yeah, it's a little story about your boy.

341
00:16:20,600 --> 00:16:21,480
Speaker 7: Yeah, that's awesome.

342
00:16:21,639 --> 00:16:22,159
Speaker 1: Good guy.

343
00:16:22,399 --> 00:16:26,039
Speaker 7: Yeah, he's great. He's great, absolutely absolutely. Where have you been?

344
00:16:26,159 --> 00:16:26,279
Speaker 5: Uh?

345
00:16:26,639 --> 00:16:28,480
Speaker 7: Do you get out of the area A lot for shows?

346
00:16:28,559 --> 00:16:28,919
Have you been?

347
00:16:29,519 --> 00:16:31,159
Speaker 5: I go up to Maine every now and then. There's

348
00:16:31,159 --> 00:16:34,639
a great distillery called Wild Bevy Distillery up in Wells,

349
00:16:34,720 --> 00:16:35,399
Maine that I play.

350
00:16:35,600 --> 00:16:39,519
Speaker 8: Yeah, every couple of months or so. A lot of

351
00:16:39,639 --> 00:16:41,600
New Hampshire these days, I do.

352
00:16:42,480 --> 00:16:45,120
Speaker 7: It seems like there's enough venues here now totally that

353
00:16:45,559 --> 00:16:48,200
that you don't need to necessarily go far right, Yeah,

354
00:16:48,480 --> 00:16:50,200
to stay busy, you can exactly.

355
00:16:50,360 --> 00:16:53,039
Speaker 8: Yeah, it's it's I mean, there's how many breweries are

356
00:16:53,080 --> 00:16:56,200
there around the area. I mean it's there, there's one.

357
00:16:56,320 --> 00:16:57,879
Like it's like Dunkin Donuts.

358
00:16:57,519 --> 00:17:00,480
Speaker 7: Now, Yeah, I know it wasn't like that years ago,

359
00:17:00,639 --> 00:17:00,759
was it.

360
00:17:00,960 --> 00:17:01,519
Speaker 4: No, it was not.

361
00:17:01,759 --> 00:17:04,920
Speaker 8: Yeah, and I think that's it's I think it's actually

362
00:17:05,079 --> 00:17:08,960
made it. It's a really nice thing for guys like myself,

363
00:17:09,039 --> 00:17:11,160
who I'm forty three. You know, you wouldn't think that.

364
00:17:11,559 --> 00:17:14,519
I used to work in like corporate America did all

365
00:17:14,559 --> 00:17:16,839
that stuff, and yeah, almost forty years old, I decided

366
00:17:16,839 --> 00:17:19,680
to stop and do this. Yeah, and I got to say,

367
00:17:19,720 --> 00:17:22,240
if the brewery scene and all that wasn't in existence,

368
00:17:22,240 --> 00:17:24,599
I don't know, because I can play on a Saturday

369
00:17:24,839 --> 00:17:27,440
four in the afternoon and you know, be home, you know,

370
00:17:27,559 --> 00:17:31,119
my my my wife, my family, my daughter comes out.

371
00:17:31,359 --> 00:17:33,640
Speaker 5: Yep, you know. So it's nice. It's it's not like

372
00:17:34,799 --> 00:17:35,599
I have to be out.

373
00:17:35,599 --> 00:17:38,359
Speaker 8: Until two three in the morning playing for five dollars

374
00:17:38,799 --> 00:17:40,920
at this scummy bar, you know, right.

375
00:17:41,119 --> 00:17:44,480
Speaker 7: Yeah, it's great. Yeah, No, that's really cool. Well, I

376
00:17:44,559 --> 00:17:48,039
think we should play another studio track.

377
00:17:48,640 --> 00:17:49,400
Speaker 5: Yeah, that'd be awesome.

378
00:17:49,720 --> 00:17:53,279
Speaker 7: I'll let you choose which one we play next. What

379
00:17:53,400 --> 00:17:55,359
do we got so we got you sent me a

380
00:17:55,599 --> 00:17:58,920
turning points, small talk, Strange Places and of course I drift.

381
00:17:59,000 --> 00:18:03,400
Speaker 5: We already played let's do Let's do Strange Places.

382
00:18:03,599 --> 00:18:05,920
Speaker 7: Okay, So what I'm thinking is we'll play this and

383
00:18:06,279 --> 00:18:08,519
while this is playing, if you want to grab your

384
00:18:08,599 --> 00:18:11,319
guitar and sure, we'll come back chat a little bit

385
00:18:11,359 --> 00:18:13,400
and maybe you can play something live for us if

386
00:18:13,440 --> 00:18:14,160
that sounds good.

387
00:18:14,279 --> 00:18:16,440
Speaker 5: Awesome, all right, very good.

388
00:18:16,480 --> 00:18:18,640
Speaker 7: So if you're just joining us, we have Kevin Horan

389
00:18:18,720 --> 00:18:21,440
here with us in studio and we're gonna give this

390
00:18:21,519 --> 00:18:23,720
a spend. This is another track from his upcoming album,

391
00:18:23,759 --> 00:18:24,519
and the album.

392
00:18:24,359 --> 00:18:26,200
Speaker 5: Is called Drift. Correct correct, Okay.

393
00:18:26,240 --> 00:18:28,559
Speaker 7: This is from the upcoming album Drift, and this is

394
00:18:28,599 --> 00:18:29,640
called Strange Places.

395
00:18:50,160 --> 00:18:59,720
Speaker 5: Catching buy you, Pam, hold it it feels right, make.

396
00:18:59,519 --> 00:19:01,359
Speaker 6: It all of them. We need to.

397
00:19:03,480 --> 00:19:05,640
Speaker 1: Him now what's all gone wrong?

398
00:19:13,480 --> 00:19:14,839
Speaker 6: Let's take the fall.

399
00:19:16,799 --> 00:19:18,160
Speaker 1: It's time to break.

400
00:19:18,000 --> 00:19:23,200
Speaker 5: Out all our secrets. Yell now, we'll see ourselves as

401
00:19:23,480 --> 00:19:31,799
drawn some of the dots between the lights. It seems

402
00:19:31,839 --> 00:19:35,799
when no life changes, the state stays save me.

403
00:19:36,000 --> 00:19:40,480
Speaker 1: And the cover of the space stay live. So when

404
00:19:40,640 --> 00:19:45,039
the bike can hate a super worst cam tapers where

405
00:19:45,160 --> 00:19:52,200
the broken lecor break goes in. Oh ti hat you

406
00:19:52,880 --> 00:19:57,240
gonna get you right now you have to up the person.

407
00:19:57,079 --> 00:20:02,799
Speaker 5: Making out light old own home somehow.

408
00:20:03,960 --> 00:20:08,519
Speaker 9: The reason to believe that we copy came down the

409
00:20:08,640 --> 00:20:09,839
strangers pass.

410
00:20:09,839 --> 00:20:16,519
Speaker 4: Being siding out, coming down, Calm.

411
00:20:16,519 --> 00:20:31,200
Speaker 6: Down now.

412
00:20:32,319 --> 00:20:38,480
Speaker 5: We breathe together because of the rush.

413
00:20:37,079 --> 00:20:42,480
Speaker 1: Now sending you out a rescue. Will someone let's just

414
00:20:42,599 --> 00:20:43,599
take the call.

415
00:20:46,880 --> 00:20:52,039
Speaker 5: Because of things like sometimes some real use control.

416
00:20:55,720 --> 00:20:59,720
Speaker 1: No come loud against you can finding.

417
00:20:59,640 --> 00:21:00,799
Speaker 4: Them mean not.

418
00:21:02,480 --> 00:21:07,359
Speaker 6: All oh time?

419
00:21:08,480 --> 00:21:10,799
Speaker 4: God, right now you.

420
00:21:11,000 --> 00:21:14,200
Speaker 1: Have just just a passion make you feel away.

421
00:21:15,440 --> 00:21:17,720
Speaker 4: Oh no, hold so.

422
00:21:19,559 --> 00:21:23,119
Speaker 1: There's ways of jupid even we breaking.

423
00:21:22,920 --> 00:21:28,200
Speaker 11: Now the strangest place of things, way out, come down.

424
00:21:30,920 --> 00:21:44,519
Speaker 4: No cop down down right.

425
00:22:04,440 --> 00:22:07,079
Speaker 7: Oh that is so good. I love that Strange places.

426
00:22:07,400 --> 00:22:09,720
That is Kevin Horan and he is here with us,

427
00:22:09,880 --> 00:22:13,440
alive in studio Strange Places of course from the upcoming

428
00:22:13,440 --> 00:22:17,119
album Drift. And Kevin has his uh, he's got his

429
00:22:17,200 --> 00:22:18,839
guitar in his hand. Oh, let me get that mic

430
00:22:18,920 --> 00:22:22,319
back on there. Let's see and let me turn up

431
00:22:22,359 --> 00:22:25,400
that guitar a little bit here. Oh that sounds nice,

432
00:22:26,319 --> 00:22:29,839
that sounds nice. Kevin's gonna play something live for us?

433
00:22:29,880 --> 00:22:31,160
What are you? What are you gonna play?

434
00:22:32,279 --> 00:22:34,599
Speaker 5: So This is a song called Turning Point. It will

435
00:22:34,640 --> 00:22:48,400
also be on the album Okay, right good, yeah, sounds good.

436
00:22:48,480 --> 00:22:51,960
All right, see if I remember the words, I gotta

437
00:22:52,000 --> 00:23:07,200
learn the words to my songs at some point. Pardon me.

438
00:23:08,079 --> 00:23:13,880
I just lost you to something else that some mama

439
00:23:14,440 --> 00:23:23,519
high yesterday built the same little low sir to the

440
00:23:24,000 --> 00:23:30,799
end of the hid. If you won't, you can wait

441
00:23:31,119 --> 00:23:37,279
and see how come man, what's too far high?

442
00:23:39,680 --> 00:23:42,519
Speaker 6: Just the way you did the turning corn.

443
00:23:42,720 --> 00:23:47,319
Speaker 5: Now mall will go well, here your my.

444
00:23:50,519 --> 00:23:56,279
Speaker 1: Here a way that you want him la take you

445
00:23:56,519 --> 00:23:58,279
out down again.

446
00:24:01,279 --> 00:24:02,279
Speaker 6: You can't get up.

447
00:24:03,680 --> 00:24:08,680
Speaker 1: Him up and down in and now let.

448
00:24:08,680 --> 00:24:16,319
Speaker 5: Speakin go ahead and let him get ready to give

449
00:24:16,400 --> 00:24:22,119
it a way. Now let yourself faith. It's sound gonna

450
00:24:22,240 --> 00:24:39,920
chair head breathing deep, hold it still as you lead,

451
00:24:40,160 --> 00:24:43,640
I get it, and maybe you should rest for oh,

452
00:24:47,160 --> 00:24:50,799
if he was awake, all it takes easton bed and

453
00:24:50,920 --> 00:24:58,200
no has some mow wits on your side high. There's

454
00:24:58,240 --> 00:25:03,000
no faith worse than up to the poison that burns

455
00:25:03,079 --> 00:25:10,200
it way through your my hide just too waited the

456
00:25:10,599 --> 00:25:13,880
turning for now when your poor.

457
00:25:13,759 --> 00:25:24,720
Speaker 12: Man for aurah hide anyway you want to, will I

458
00:25:24,960 --> 00:25:26,839
take you round and round.

459
00:25:26,720 --> 00:25:31,200
Speaker 6: Her again, kick it out.

460
00:25:31,279 --> 00:25:36,519
Speaker 1: If you'll never call in no royala up and down

461
00:25:36,599 --> 00:25:38,160
in and now let's be again.

462
00:25:40,079 --> 00:25:45,240
Speaker 5: Oh, go ahead, settle in and give wity to give

463
00:25:45,319 --> 00:25:50,440
it war. Now let your selfhae, it's.

464
00:25:50,359 --> 00:25:51,279
Speaker 1: All gonna chair.

465
00:25:53,039 --> 00:26:10,720
Speaker 13: Yeah, anyway the ju want spin, Well, now take you

466
00:26:11,039 --> 00:26:12,759
round and round again.

467
00:26:15,480 --> 00:26:21,759
Speaker 5: Well, can't get out if you never go in umping

468
00:26:21,880 --> 00:26:27,839
down in and now let's be again. Go ahead, settling

469
00:26:27,920 --> 00:26:34,359
in and get ready to give it away. Let yourselphee,

470
00:26:35,640 --> 00:26:37,079
it's all gonna change.

471
00:26:40,799 --> 00:26:41,920
Speaker 9: M R.

472
00:26:42,240 --> 00:26:46,480
Speaker 7: Bravo, bravo. Kevin Oran is here with us alive in studio.

473
00:26:47,000 --> 00:26:50,039
That sounded fantastic. That's called turning point. Yes, all right,

474
00:26:50,359 --> 00:26:53,960
very very cool. We're also talking about talking about playing

475
00:26:54,000 --> 00:26:56,880
this track Cecilia. Maybe we'll give this a spend, Yeah,

476
00:26:56,960 --> 00:26:58,640
and then we'll come back and talk some more. You

477
00:26:58,680 --> 00:26:59,440
want to tell us about this?

478
00:27:00,400 --> 00:27:06,559
Speaker 8: So my daughter who is fifteen months old this week, Sure,

479
00:27:06,559 --> 00:27:09,119
her name is Cecilia. And we did not do that

480
00:27:09,240 --> 00:27:12,480
on purpose because of the song, but obviously there's a

481
00:27:12,559 --> 00:27:16,039
pretty well known song that she shares that name with.

482
00:27:16,279 --> 00:27:20,599
So anytime we mentioned it, all we heard throwing back

483
00:27:20,640 --> 00:27:21,759
at Cecilaya.

484
00:27:22,839 --> 00:27:25,279
Speaker 5: But the first night that we that we were home.

485
00:27:25,400 --> 00:27:28,279
Speaker 8: My wife was upstairs sleeping and getting some much needed rest,

486
00:27:28,319 --> 00:27:31,160
and I was downstairs holding her like this wonderful moment

487
00:27:31,200 --> 00:27:34,319
of like, oh my gosh, I'm a dad, this is

488
00:27:34,400 --> 00:27:37,000
my baby girl, and and I'm like, all right, here's

489
00:27:37,000 --> 00:27:39,119
the moment. I'm gonna singer Cecilia for the first time.

490
00:27:39,200 --> 00:27:40,880
I'll try to get her to sleep, and I start

491
00:27:40,920 --> 00:27:43,880
singing it. I'm like getting all watery eyed and teary eyed.

492
00:27:43,920 --> 00:27:46,359
And then I got to the first verse, making love

493
00:27:46,720 --> 00:27:51,599
in the afternoon to Cecilia, and I'm like, what right,

494
00:27:52,160 --> 00:27:53,920
my boy, I can't sing that to my kid.

495
00:27:54,240 --> 00:27:55,039
Speaker 7: That's awkward, though.

496
00:27:55,359 --> 00:27:59,039
Speaker 8: Yeah, so I read as as she fell asleep, I

497
00:27:59,400 --> 00:28:02,839
grabbed a pen and started rewriting the lyrics to Cecilia.

498
00:28:03,279 --> 00:28:05,640
Speaker 5: So this is my version that we sing to her

499
00:28:05,839 --> 00:28:06,400
at our house.

500
00:28:06,559 --> 00:28:08,200
Speaker 7: All right, very good. This is Cecilia.

501
00:28:08,519 --> 00:28:40,559
Speaker 14: Kevin Horn, mhm, Cecilia taking my heart?

502
00:28:41,599 --> 00:28:44,119
Speaker 5: Do it up the comedy?

503
00:28:45,519 --> 00:28:46,359
Speaker 6: What se see?

504
00:28:48,400 --> 00:28:52,839
Speaker 5: Take my heart sick, giving me all that I eat?

505
00:28:54,319 --> 00:28:58,559
Speaker 1: And I'm hoping I feel love.

506
00:28:59,240 --> 00:29:03,240
Speaker 5: I can see it's from you, and you're hearing my arms,

507
00:29:03,400 --> 00:29:07,720
my heart birth through the room and would tell me

508
00:29:08,440 --> 00:29:12,799
you love to Faith seem aw to song me in not.

509
00:29:13,000 --> 00:29:22,319
Speaker 15: So you web seea taking my heart building my carpets dead?

510
00:29:24,039 --> 00:29:28,000
What's seea think my heart sake?

511
00:29:29,160 --> 00:29:31,319
Speaker 4: Give me all that I need?

512
00:29:32,799 --> 00:29:33,160
Speaker 1: Isn't that?

513
00:29:37,079 --> 00:29:37,279
Speaker 6: Oh?

514
00:29:39,279 --> 00:29:39,720
Speaker 4: What the.

515
00:29:41,799 --> 00:29:42,720
Speaker 10: What the wa?

516
00:30:00,240 --> 00:30:03,519
Speaker 6: Shun dancing?

517
00:30:03,680 --> 00:30:13,119
Speaker 1: We'll say, dance and we'll.

518
00:30:13,000 --> 00:30:43,200
Speaker 7: Say, oh, that's cool, that's cool. Out of Cecilia.

519
00:30:43,680 --> 00:30:46,480
Speaker 5: Baby girl just made her radio debut. That's her at

520
00:30:46,480 --> 00:30:46,759
the end.

521
00:30:47,000 --> 00:30:51,440
Speaker 7: Yes, yes, Kevin and Cecilia Horn Very nice, very nice

522
00:30:52,079 --> 00:30:54,480
if you are just joining us. Kevin Horrn is here

523
00:30:54,519 --> 00:30:59,160
with us live in studio. And no, that's that's really cool.

524
00:30:59,319 --> 00:31:01,200
Is that gonna be on the album or no?

525
00:31:01,759 --> 00:31:04,039
Speaker 8: No, I just put that out as a one off

526
00:31:04,119 --> 00:31:07,160
single a few months ago for fun. We actually I

527
00:31:07,599 --> 00:31:09,839
included a link with it to try to raise a

528
00:31:09,839 --> 00:31:11,000
little money for March of Dimes.

529
00:31:11,240 --> 00:31:14,359
Speaker 7: Oh cool, Yeah, yeah, that's excellent. You also mentioned too,

530
00:31:14,400 --> 00:31:16,720
Gary Smith. You were mentioning off air. Gary Smith is

531
00:31:16,759 --> 00:31:17,440
on bas on that.

532
00:31:17,839 --> 00:31:18,920
Speaker 5: He's playing bass on that.

533
00:31:20,319 --> 00:31:23,119
Speaker 8: That song I recorded in my basement and a lot

534
00:31:23,200 --> 00:31:26,039
of it I recorded the night before we actually went

535
00:31:26,119 --> 00:31:28,640
into the studio with it. Yeah, and it sounded like

536
00:31:28,839 --> 00:31:32,000
chicken scratch. And then so Gary set me up with

537
00:31:32,119 --> 00:31:32,839
Pete Pelliquin.

538
00:31:32,920 --> 00:31:34,160
Speaker 5: He's out in Brookline.

539
00:31:34,440 --> 00:31:36,240
Speaker 7: That's a name that comes up on the show a lot.

540
00:31:36,359 --> 00:31:39,640
Speaker 8: Yeah, he was awesome. We just spent an afternoon over there.

541
00:31:40,559 --> 00:31:43,079
Really cool studio. I think Cosmic Blossom has done a

542
00:31:43,119 --> 00:31:45,319
bunch of stuff with Gary's other band, Fox in the

543
00:31:45,359 --> 00:31:47,599
Flamingos that I've done some stuff with them.

544
00:31:48,279 --> 00:31:51,000
Speaker 5: He didn't amaze. I mean, if you listened to what

545
00:31:51,160 --> 00:31:54,119
that sounded like driving to his studio, I was like,

546
00:31:54,160 --> 00:31:55,559
oh my god, this is gonna be awful.

547
00:31:55,799 --> 00:31:58,799
Speaker 8: Really yeah, just like he made it sound fantastic. But yeah,

548
00:31:59,279 --> 00:32:00,559
I'm pretty proud that one's.

549
00:32:00,720 --> 00:32:02,680
Speaker 5: Yeah, that's really fun to do. That's really cool.

550
00:32:04,000 --> 00:32:05,599
Speaker 7: In terms of your voice, I mean, do you get

551
00:32:05,640 --> 00:32:08,680
compared to like you remind me of Kat Stevens.

552
00:32:10,039 --> 00:32:12,160
Speaker 5: I've heard that a couple of times. Yeah, yeah, yeah,

553
00:32:12,400 --> 00:32:13,839
I hear a few things once in a while.

554
00:32:13,960 --> 00:32:16,640
Speaker 7: Yeah, because you know, you have an unusual voice. There's

555
00:32:16,640 --> 00:32:19,200
not many people who sound like you. Thank you, you know, yeah,

556
00:32:19,279 --> 00:32:22,680
oh absolutely, thanks? Like who else is there anyone else

557
00:32:22,759 --> 00:32:24,640
other people kind of compare you to? Or is there

558
00:32:24,640 --> 00:32:25,839
anyone you think you sound like.

559
00:32:28,359 --> 00:32:31,079
Speaker 8: I'm a huge Dave Matthews fan, So I think I

560
00:32:31,160 --> 00:32:33,960
think at the very least guitar style gets compared.

561
00:32:34,079 --> 00:32:35,640
Speaker 7: Oh okay, because I was gonna say, you're a much

562
00:32:35,680 --> 00:32:38,200
better singer than he is. Not not a knock on him,

563
00:32:39,359 --> 00:32:41,160
good enough singer, but you're a much better singer than

564
00:32:41,200 --> 00:32:41,400
he is.

565
00:32:41,720 --> 00:32:41,960
Speaker 5: Thank you.

566
00:32:43,440 --> 00:32:47,920
Speaker 8: I'm I'm a drummer originally, so his percussive guitar style

567
00:32:48,079 --> 00:32:49,599
really connects with me.

568
00:32:49,880 --> 00:32:52,079
Speaker 7: That makes sense, I can hear that. Yeah, but yes,

569
00:32:52,400 --> 00:32:52,960
so I think in.

570
00:32:53,000 --> 00:32:54,599
Speaker 8: The early days maybe I got a little of that,

571
00:32:54,839 --> 00:32:58,559
but I kind of worked my way further, you know,

572
00:32:58,680 --> 00:33:01,119
tried to further myself from that. But I've heard the

573
00:33:01,200 --> 00:33:04,680
guy from Kings Leon yeah, every now and then. Yeah,

574
00:33:05,799 --> 00:33:07,440
Cat Stevens a couple of times.

575
00:33:08,039 --> 00:33:11,720
Speaker 5: Yeah, I don't know. I I don't know who else.

576
00:33:11,839 --> 00:33:13,640
Maybe I don't know who I sound like.

577
00:33:13,880 --> 00:33:18,799
Speaker 7: Yeah, myself. That's a good thing. Yeah, that's a good thing. Yeah, definitely.

578
00:33:19,920 --> 00:33:22,480
So what remind us of the album comes out?

579
00:33:22,559 --> 00:33:25,759
Speaker 5: Is it in June Friday, June twenty seventh, and then

580
00:33:25,839 --> 00:33:28,119
so it'll be on all the streaming platforms obviously. Are

581
00:33:28,160 --> 00:33:31,519
you also doing physical CDs? I'm working on that. I

582
00:33:31,799 --> 00:33:35,680
really really really wanted to do the vinyl thing, no kidding,

583
00:33:35,759 --> 00:33:38,839
but it's just like the reck. It just it's expensive

584
00:33:38,920 --> 00:33:40,799
for one thing. That and it's just like the production

585
00:33:40,960 --> 00:33:44,039
took a little longer to get it right. I want

586
00:33:44,079 --> 00:33:47,279
I wanted it to sound as perfect as it possibly could.

587
00:33:47,400 --> 00:33:49,119
I don't know, I might never ever do this again,

588
00:33:49,240 --> 00:33:51,079
so yeah, you know, I wanted to get it right.

589
00:33:51,200 --> 00:33:52,640
So we took a lot of time. I mean we

590
00:33:53,039 --> 00:33:56,960
just wrapped on production of the album about a week ago.

591
00:33:57,160 --> 00:33:58,480
Speaker 7: Okay, Oh wow, I just.

592
00:33:58,519 --> 00:34:00,359
Speaker 5: Got all the final mixes like a week or so ago.

593
00:34:00,480 --> 00:34:02,799
Speaker 8: So it's it's official. It's done, So it'll be on

594
00:34:02,920 --> 00:34:06,359
streaming platforms. I think for the record release party, I

595
00:34:06,480 --> 00:34:10,280
call them a record, but probably at least have some CDs.

596
00:34:10,400 --> 00:34:11,199
Speaker 5: Okay. Yeah.

597
00:34:12,960 --> 00:34:14,880
Speaker 7: It's a subject that's come up a lot on the show,

598
00:34:14,960 --> 00:34:18,880
especially lately as physical media and how you know. I

599
00:34:18,920 --> 00:34:21,800
always say, like, if you go back seven or eight years,

600
00:34:21,800 --> 00:34:22,960
I've been doing this a long time, But if you

601
00:34:23,000 --> 00:34:24,920
go back seven or eight years, maybe even a little longer,

602
00:34:25,239 --> 00:34:27,960
there was a period where like no one was doing CDs,

603
00:34:28,079 --> 00:34:29,400
Like no one that we had on the show.

604
00:34:29,400 --> 00:34:32,039
Speaker 5: It was all about Spotify and everything, and no one

605
00:34:32,159 --> 00:34:34,760
was bothering. It was like the attitude was CDs are

606
00:34:34,800 --> 00:34:39,239
dead and then but over the past several years there's

607
00:34:39,320 --> 00:34:42,519
kind of been a resurgence there with physical media. It

608
00:34:42,639 --> 00:34:43,239
seems that way.

609
00:34:43,320 --> 00:34:46,079
Speaker 8: I always looked at it as so when the Stone

610
00:34:46,159 --> 00:34:49,480
Roll Band was still rocking, our first album we put

611
00:34:49,519 --> 00:34:52,199
on CD. Yeah, and that was about I think that

612
00:34:52,320 --> 00:34:55,679
was twenty nineteen, okay, and I we had that, we

613
00:34:55,840 --> 00:34:57,679
kind of had that war of like should we do it?

614
00:34:57,719 --> 00:34:58,159
Speaker 5: Should we even?

615
00:34:58,800 --> 00:34:58,960
Speaker 9: You know?

616
00:34:59,039 --> 00:35:01,039
Speaker 8: But like again, as I went off on my own,

617
00:35:01,320 --> 00:35:03,159
I just brought those CDs with me. I mean, those

618
00:35:03,360 --> 00:35:05,920
people drop ten bucks, five bucks, whatever, I didn't care,

619
00:35:06,079 --> 00:35:08,119
just take them. But yeah, I looked at them as like,

620
00:35:08,280 --> 00:35:09,920
whether you have a CD player or not, you've got

621
00:35:09,960 --> 00:35:11,920
all my information, you get all the songs, right. It's

622
00:35:11,960 --> 00:35:14,400
like to me, it's like a business card, right, Yeah.

623
00:35:14,480 --> 00:35:16,440
But I love physical media.

624
00:35:16,559 --> 00:35:20,960
Speaker 7: So yeah, yeah, and with vinyl. And actually we're talking

625
00:35:21,000 --> 00:35:22,519
about this was with one of our guests on the

626
00:35:22,559 --> 00:35:27,800
show today earlier that the guys from the band The Forensics.

627
00:35:28,480 --> 00:35:30,079
We were talking about how, you know, most people who

628
00:35:30,119 --> 00:35:32,719
buy vinyl probably don't even ever open it, you know,

629
00:35:33,000 --> 00:35:34,800
like if you're really a fan of an artist, yeah,

630
00:35:35,000 --> 00:35:36,880
you know, you're just buying it to support them and

631
00:35:36,920 --> 00:35:38,519
it's cool to have or maybe you open it but

632
00:35:38,599 --> 00:35:41,039
you mount the artwork on the wall or something.

633
00:35:41,119 --> 00:35:41,239
Speaker 4: You know.

634
00:35:41,960 --> 00:35:45,800
Speaker 8: Yeah, yeah, I'm I really wanted to do vinyl because

635
00:35:46,119 --> 00:35:47,480
like so, I have three brothers.

636
00:35:47,719 --> 00:35:50,840
Speaker 5: We're all vinyl guys. We do like exchanges at Christmas

637
00:35:50,880 --> 00:35:51,199
and stuff.

638
00:35:51,239 --> 00:35:51,760
Speaker 7: Oh nice.

639
00:35:52,400 --> 00:35:54,440
Speaker 8: And I actually I got a lot of friends that

640
00:35:54,519 --> 00:35:56,800
have really gotten into that trend of the vinyl thing,

641
00:35:56,880 --> 00:35:58,920
and we're really into it at our house.

642
00:35:59,000 --> 00:36:01,639
Speaker 5: And but yeah, it's just you know, you do.

643
00:36:01,840 --> 00:36:04,480
Speaker 8: I mean, I recorded most of this record and album

644
00:36:04,599 --> 00:36:06,719
by myself, so I'm just trying to be like, you know,

645
00:36:06,760 --> 00:36:07,480
at least I did that.

646
00:36:07,840 --> 00:36:11,639
Speaker 7: Yeah, I got it done. Yeah, No, everything sounds great,

647
00:36:11,840 --> 00:36:15,320
thank you. So are all the tracks on the album

648
00:36:15,360 --> 00:36:18,440
where they all you recorded on your own and then

649
00:36:18,480 --> 00:36:20,079
took them to Pete Plickuin or.

650
00:36:20,760 --> 00:36:24,760
Speaker 8: So Pete did that one song that was I had

651
00:36:24,840 --> 00:36:27,519
no intention of doing anything with Cecilia. That was just

652
00:36:27,559 --> 00:36:30,039
something I thought maybe I'd record for her birthday or that,

653
00:36:30,639 --> 00:36:32,239
and then it just kind of like and then Gary

654
00:36:32,320 --> 00:36:35,320
and I he helped me, Like I said, he's playing

655
00:36:35,400 --> 00:36:38,159
with us at the record release, so you know, we've

656
00:36:38,239 --> 00:36:39,079
kind of buddied up.

657
00:36:39,119 --> 00:36:41,039
Speaker 5: And he was like, hey, if you ever need any help.

658
00:36:41,119 --> 00:36:42,280
I got this guy Pete, and I was.

659
00:36:42,239 --> 00:36:44,440
Speaker 8: Like, well, I have this one song that I've been

660
00:36:44,519 --> 00:36:46,400
kind of touling with and it's you know, it's a

661
00:36:46,480 --> 00:36:48,920
cover but sort of a cover, and it'd be kind

662
00:36:48,960 --> 00:36:50,440
of cool to have that out there for my daughter

663
00:36:50,519 --> 00:36:52,719
one day to go back and listen to. But no,

664
00:36:52,960 --> 00:36:55,119
it's so like I said when I started doing this,

665
00:36:55,239 --> 00:36:56,880
I just wanted to do like a little four track,

666
00:36:57,039 --> 00:36:57,960
five track EP.

667
00:36:58,320 --> 00:36:58,559
Speaker 5: Yeah.

668
00:36:59,159 --> 00:37:01,000
Speaker 8: When I was in this own road band, we had

669
00:37:01,039 --> 00:37:04,440
done an EP in our bass player who was in

670
00:37:04,519 --> 00:37:07,199
a band with some guys out of New York and Connecticut.

671
00:37:08,119 --> 00:37:11,559
One of those guys has a studio called the Koop

672
00:37:11,639 --> 00:37:15,079
Studio in Irvington, New York, and he worked on our

673
00:37:15,280 --> 00:37:18,239
final EP. And when I went to go do this

674
00:37:18,760 --> 00:37:21,440
because we recorded all that from our house during COVID, Yeah,

675
00:37:21,480 --> 00:37:23,559
and he made that sound great, So he's the yeah,

676
00:37:24,199 --> 00:37:25,840
So I reached out to him. He did the first

677
00:37:25,880 --> 00:37:30,719
single anything, and then his schedule just got crammed, and

678
00:37:31,280 --> 00:37:33,840
so he turned me over to somebody that worked in

679
00:37:33,920 --> 00:37:39,760
his studio, Deanna Fielding, OK, And she did basically most

680
00:37:39,800 --> 00:37:43,320
of the record. Gary Smith did do the last song

681
00:37:43,639 --> 00:37:46,719
okay called everything. He mixed and mastered that song.

682
00:37:46,840 --> 00:37:47,400
Speaker 5: He played on it.

683
00:37:47,519 --> 00:37:50,519
Speaker 8: He played some keys and electric guitar, but Deanna did

684
00:37:51,280 --> 00:37:55,320
all the other tracks, mastered him. She helped me produce it. Yeah,

685
00:37:55,440 --> 00:37:58,880
she actually sang strange places. That's her doing the background vocals.

686
00:38:00,599 --> 00:38:02,360
Another song will play in a little while, it's called

687
00:38:02,400 --> 00:38:05,559
small Talk. That's her doing the lead female vocal on

688
00:38:05,800 --> 00:38:09,119
which like ripped. I was like blown away when I

689
00:38:09,199 --> 00:38:12,159
heard her vocal take on it. But so yeah, So

690
00:38:12,239 --> 00:38:15,760
it was all done me here in New Hampshire recording

691
00:38:16,159 --> 00:38:18,880
and then her in Irvington, New York. Just I'd send

692
00:38:18,920 --> 00:38:20,800
her files. She do all the stuff to send it

693
00:38:20,880 --> 00:38:23,800
back to me. I had some help some from some

694
00:38:23,960 --> 00:38:29,440
friends on that last song. Zach Sweetser plays keys. Like

695
00:38:29,519 --> 00:38:32,079
I said, Gary Smith made an appearance, The Stone Roll

696
00:38:32,119 --> 00:38:35,800
Band made an appearance. Deanna helped out, and then my

697
00:38:35,880 --> 00:38:38,920
friend Paul Nelson, who's a local guy. He helped me

698
00:38:39,000 --> 00:38:42,840
record the vocals to Drift, and I think the acoustic guitar.

699
00:38:42,679 --> 00:38:43,960
Speaker 5: A couple of things. So it was a little kit

700
00:38:44,000 --> 00:38:44,320
of you know.

701
00:38:45,159 --> 00:38:47,480
Speaker 8: But yeah, I'd say like eighty percent of it I

702
00:38:47,519 --> 00:38:51,079
did in my attic and then before my daughter was born,

703
00:38:51,239 --> 00:38:53,280
and then I moved to the basement after.

704
00:38:53,280 --> 00:38:54,039
Speaker 5: My daughter was born.

705
00:38:54,119 --> 00:38:56,400
Speaker 7: Oh okay, why the move from the attict of.

706
00:38:56,400 --> 00:38:58,840
Speaker 5: The basis the addicts directly above her bedroom? Gotcha? I

707
00:38:58,920 --> 00:39:00,960
thought that might be the case. Yeah, that you got

708
00:39:01,079 --> 00:39:02,079
to keep that baby sleeping.

709
00:39:03,880 --> 00:39:06,440
Speaker 7: Do you want to play? You want to play one

710
00:39:06,480 --> 00:39:07,800
more live one and then we'll uh.

711
00:39:07,960 --> 00:39:10,800
Speaker 8: Yeah, let's so, I have a very special song to

712
00:39:10,840 --> 00:39:14,519
sing today, okay, and I think they're listening out there.

713
00:39:16,039 --> 00:39:18,760
Speaker 7: Oh, actually, before you go any further, we do have

714
00:39:18,840 --> 00:39:21,719
some people in the chat room. I so this might

715
00:39:21,760 --> 00:39:24,719
answer that question. Yeah, let's see. I see Carrie Gemini.

716
00:39:25,079 --> 00:39:26,800
Speaker 5: That's oh my gosh, that's my cousin.

717
00:39:26,920 --> 00:39:30,519
Speaker 7: Okay, Carrie says, Mike Horn so much a cousin talent,

718
00:39:32,000 --> 00:39:32,519
So there you go.

719
00:39:32,880 --> 00:39:33,400
Speaker 5: Is he is?

720
00:39:33,679 --> 00:39:36,159
Speaker 7: Also Sandy Walsh is in there and says so cool.

721
00:39:36,519 --> 00:39:39,360
Speaker 8: Oh that's cool. Hey, Sandy, I see you always sharing

722
00:39:39,440 --> 00:39:41,880
my stuff. Sandy's awesome. I used to work with her,

723
00:39:42,000 --> 00:39:43,880
I mentioned Jenn and I were talking earlier. I used

724
00:39:43,880 --> 00:39:47,840
to work at Master Coola Elementary School down in Merrimac,

725
00:39:47,920 --> 00:39:48,360
and she and.

726
00:39:48,400 --> 00:39:49,280
Speaker 5: I worked together there.

727
00:39:49,400 --> 00:39:54,760
Speaker 7: Oh okay, oh, very cool, very cool. Let's see. Oh,

728
00:39:55,000 --> 00:39:58,159
sunset Radio in the chat room they are in Ireland.

729
00:39:58,480 --> 00:40:02,519
Oh and supporters of Sluntdown. Yeah yeah, oh, absolutely cool,

730
00:40:02,559 --> 00:40:03,519
Absolutely love Ireland.

731
00:40:04,719 --> 00:40:07,199
Speaker 5: All right, I interrupted your story. I just wanted to Yeah,

732
00:40:07,320 --> 00:40:08,800
go ahead, go go go ahead.

733
00:40:08,840 --> 00:40:11,719
Speaker 8: I'm very interrupt me anytime you need to, man, I know,

734
00:40:11,880 --> 00:40:16,400
I'm I'm winded, dude. I do have a very special

735
00:40:16,480 --> 00:40:21,360
song to perform today for two very special guys. After

736
00:40:21,519 --> 00:40:24,119
when I leave here today, I gotta go celebrate my nephews,

737
00:40:24,320 --> 00:40:28,159
Rory who's three, and Tyler, who's five. They're brothers. They're

738
00:40:28,159 --> 00:40:32,000
my brother Shawn's boys, and their birthdays are close. So

739
00:40:32,039 --> 00:40:34,079
we're having a little duel birthday today.

740
00:40:35,559 --> 00:40:37,960
Speaker 5: Quick story. So, Tyler who's five.

741
00:40:38,199 --> 00:40:40,760
Speaker 7: Who is listening, by the way, sorry to interrupt you again,

742
00:40:40,800 --> 00:40:43,400
Sean Timothy Sean Timothy Horn in the chat room says,

743
00:40:43,440 --> 00:40:46,880
we are listening to the live stream and Tyler is listening.

744
00:40:47,079 --> 00:40:52,199
Speaker 5: Sean Sean, who's always always in my corner. Uh, Tyler. So, Tyler,

745
00:40:52,239 --> 00:40:56,199
who is five, has a very serious girlfriend.

746
00:40:56,440 --> 00:40:58,119
Speaker 7: Oh okay, he's five.

747
00:40:59,280 --> 00:41:04,480
Speaker 8: They've been together for two years. Wow, he's five and

748
00:41:05,639 --> 00:41:08,719
and and they have like kind of a benefit situation

749
00:41:08,880 --> 00:41:11,079
going on. It's a very serious relationship. I think I

750
00:41:11,159 --> 00:41:15,199
just dated myself with that reference, but I mentioned that

751
00:41:15,360 --> 00:41:20,239
because recently he my brother was sharing with us about

752
00:41:20,280 --> 00:41:23,519
how Tyler came up to him and said, Daddy, you

753
00:41:23,559 --> 00:41:26,719
know as kids asked funny questions, Daddy, when you grow up,

754
00:41:27,360 --> 00:41:29,400
do you want to be a singer like Uncle keV

755
00:41:30,119 --> 00:41:33,079
Ah after my heart? And my brother said, well, no,

756
00:41:33,360 --> 00:41:35,360
but do you want to be a singer when.

757
00:41:35,280 --> 00:41:38,400
Speaker 5: You grow up? And he said no, I am going

758
00:41:38,480 --> 00:41:41,480
to be an astronaut because my girlfriend is going to

759
00:41:41,519 --> 00:41:43,880
be a star and I have to fly to out

760
00:41:43,920 --> 00:41:47,880
of space to see her. He's five. Wow.

761
00:41:48,239 --> 00:41:50,679
Speaker 8: I'm like, I've been writing songs for years. I don't

762
00:41:50,679 --> 00:41:52,599
think I could write a line that good. So I

763
00:41:52,960 --> 00:41:56,440
kind of jokingly said, hey, the next song I write

764
00:41:56,559 --> 00:42:00,199
is going to be called rocket Ship, and then then sing.

765
00:42:00,239 --> 00:42:03,039
Speaker 5: I knew. I spent the whole weekend looking up pulsars

766
00:42:03,079 --> 00:42:06,159
and quasars and constellations and all sorts of fun space stuff,

767
00:42:06,159 --> 00:42:07,480
and I had a blast write in this song.

768
00:42:07,599 --> 00:42:11,000
Speaker 8: So this song is called rocket Ship, as promised. And

769
00:42:11,360 --> 00:42:12,920
I got to look at the words here because I'm

770
00:42:12,920 --> 00:42:15,559
still learning it. That's only a couple of weeks old.

771
00:42:15,880 --> 00:42:19,480
Speaker 5: Okay, hot off the press hot off the press. We'll

772
00:42:19,559 --> 00:42:22,719
do this all right. So this is for This is Tyler,

773
00:42:22,920 --> 00:42:36,760
as I promised you, buddy, this is rocket ship. Can

774
00:42:36,800 --> 00:42:38,599
I start that over? That was horrible. I'm so sorry.

775
00:42:38,639 --> 00:42:40,719
I've never done that before. That's okay, it sounded good

776
00:42:40,760 --> 00:42:44,119
to me, but but I've never heard that record. Okay,

777
00:42:45,880 --> 00:42:57,280
it's eleven thirty in the morning, man, take two. If

778
00:42:57,360 --> 00:43:00,320
I could blast off in my rocket ship to bring

779
00:43:00,440 --> 00:43:04,199
me next to you, a favorite star against the black

780
00:43:04,239 --> 00:43:08,480
will love, fly out past the moon, a universe expanding,

781
00:43:08,679 --> 00:43:13,400
always bigger than before. I'll be your favorite astronom, blast

782
00:43:13,480 --> 00:43:24,559
away and go explode with you, old with you. The

783
00:43:24,679 --> 00:43:29,039
space between these planets could never be enough. All the

784
00:43:29,400 --> 00:43:34,000
energy between us starts with particles and dust. Night you

785
00:43:34,239 --> 00:43:37,039
try to do their best to keep us far away.

786
00:43:37,239 --> 00:43:40,880
Boot Every night I'm looking up and filling time between

787
00:43:40,920 --> 00:43:46,880
the day you will. I'm lost and out space with you,

788
00:43:48,519 --> 00:43:51,360
never coming back. The view was just fine from here,

789
00:43:51,559 --> 00:43:56,960
and no one can tell last. Work two to with

790
00:43:57,239 --> 00:44:00,320
every gal Let's see we find it's clear I'm a

791
00:44:00,360 --> 00:44:02,679
disaster with consolations, polls out.

792
00:44:02,559 --> 00:44:04,679
Speaker 1: As waving, radiation, nothing.

793
00:44:04,840 --> 00:44:08,079
Speaker 5: Both the two of us support my rocket ship, just

794
00:44:08,239 --> 00:44:18,679
me yain, just me y you no gravity to keep

795
00:44:18,800 --> 00:44:22,119
us down out here, we feel secure. There's all the

796
00:44:22,199 --> 00:44:25,159
space in front of us that no one's seen before.

797
00:44:25,880 --> 00:44:29,320
Let's tail out cross the universe on ready given day

798
00:44:30,159 --> 00:44:34,079
and tie ourselves together and arrive the solar waves.

799
00:44:34,239 --> 00:44:42,000
Speaker 1: So I'm losting out in space with you, never coming back.

800
00:44:42,159 --> 00:44:46,559
Speaker 5: Oh, I'm staying here, so much out there, lot of

801
00:44:46,719 --> 00:44:51,880
we can do with all the space and time. It's clear,

802
00:44:52,159 --> 00:44:57,320
supernose Luma speels. I'm way beyond my atmosphere. Nothing both

803
00:44:57,559 --> 00:45:04,519
to us support my rocket ship three two one left off.

804
00:45:04,800 --> 00:45:07,320
Speaker 6: Let's go, hey.

805
00:45:07,400 --> 00:45:08,920
Speaker 1: Houston, and I'm never.

806
00:45:08,880 --> 00:45:13,960
Speaker 6: Coming home, going father, can you know?

807
00:45:14,679 --> 00:45:20,920
Speaker 5: Discovery worre beyond my own no more communication now here

808
00:45:21,079 --> 00:45:28,639
in my own space station. I'm lost in our space

809
00:45:28,880 --> 00:45:33,400
with you, all my features in the stars and now

810
00:45:33,480 --> 00:45:39,519
I'm here. There's so much how there we can do? Oh,

811
00:45:39,639 --> 00:45:42,039
if I have a galaxy you we find It's clear

812
00:45:42,320 --> 00:45:46,199
comments asked, Joys consolation and s craze our busars radiation.

813
00:45:46,639 --> 00:45:51,079
So the novis doumospheres way beyond my atmospheres and all

814
00:45:51,239 --> 00:45:54,320
the space and all this time, nothing left out here

815
00:45:54,400 --> 00:45:57,519
and find because it's just the two of us able

816
00:45:57,639 --> 00:45:59,039
in my rocket ship.

817
00:45:59,039 --> 00:46:03,639
Speaker 2: Just me just be.

818
00:46:19,480 --> 00:46:23,920
Speaker 7: Oh, fantastic, thank you very much. So that's called rocket ship.

819
00:46:23,960 --> 00:46:26,400
Speaker 5: That is called rocket ship rockets, so awesome. Thank you.

820
00:46:26,599 --> 00:46:30,480
Speaker 8: I've I've fallen in love with that song quite a bit.

821
00:46:30,559 --> 00:46:32,320
And I actually get kind of teary eyed because I'm

822
00:46:32,360 --> 00:46:35,000
picturing my sweet five year old nephew out and outer

823
00:46:35,119 --> 00:46:37,039
space in a spacesuit with his little buddy.

824
00:46:37,280 --> 00:46:37,519
Speaker 4: Yeah.

825
00:46:38,159 --> 00:46:41,639
Speaker 5: Oh that's fantastic. Happy birthday, Rory and Tyler. I love

826
00:46:41,679 --> 00:46:42,119
you guys.

827
00:46:43,440 --> 00:46:46,440
Speaker 7: Sandy Watson, the chat room says, ideas come from everywhere.

828
00:46:46,639 --> 00:46:50,039
Speaker 5: Yes they do, even from outer space. Yes, no, that

829
00:46:50,199 --> 00:46:51,760
is that is very cool. Thanks very much.

830
00:46:51,880 --> 00:46:53,880
Speaker 7: If you are just joining us. Kevin Horn is here

831
00:46:53,920 --> 00:46:57,119
with us live in studio, and yeah, what a great song.

832
00:46:57,280 --> 00:46:57,519
Speaker 5: Thank you.

833
00:46:58,480 --> 00:47:01,480
Speaker 7: Where are you uh for people listening live on Saturday?

834
00:47:01,920 --> 00:47:03,559
Where are you playing this weekend? Do you have shows

835
00:47:03,639 --> 00:47:04,039
this weekend?

836
00:47:04,239 --> 00:47:05,480
Speaker 5: I actually have the weekend off.

837
00:47:05,559 --> 00:47:05,760
Speaker 2: You do?

838
00:47:06,079 --> 00:47:06,239
Speaker 5: Yeah?

839
00:47:06,280 --> 00:47:07,440
Speaker 7: Oh okay, just today?

840
00:47:07,559 --> 00:47:07,880
Speaker 9: This is it?

841
00:47:08,159 --> 00:47:09,960
Speaker 5: Yeah you're seeing it?

842
00:47:10,519 --> 00:47:10,920
Speaker 7: Oh wow?

843
00:47:11,280 --> 00:47:13,800
Speaker 5: Where my what is next week? I'm at?

844
00:47:16,400 --> 00:47:16,519
Speaker 9: You know?

845
00:47:16,639 --> 00:47:19,360
Speaker 5: I think I'm at the bookery. Oh okay on Elm Street.

846
00:47:19,400 --> 00:47:19,599
Speaker 7: Cool.

847
00:47:19,599 --> 00:47:21,719
Speaker 8: They're doing something new there, so I think I'm there

848
00:47:21,800 --> 00:47:24,760
next Saturday. But really the big one that I got

849
00:47:24,840 --> 00:47:27,239
to keep pluying is that big show at BNH Stage

850
00:47:27,480 --> 00:47:31,400
on Saturday, June twenty eighth, to celebrate the album release.

851
00:47:32,519 --> 00:47:37,920
Tickets are available. They're eighteen bucks eighteen whole dollars.

852
00:47:38,239 --> 00:47:39,199
Speaker 7: Very good, very good.

853
00:47:39,920 --> 00:47:40,599
Speaker 1: We have time to do.

854
00:47:40,719 --> 00:47:43,840
Speaker 7: Let's play another studio trap. Oh we didn't play small

855
00:47:43,920 --> 00:47:44,679
talk yet, didn't we.

856
00:47:44,800 --> 00:47:48,119
Speaker 5: Yeah, that's that's like I said. That's the producer on

857
00:47:48,199 --> 00:47:51,840
the record. Deanna sings on this track, and it's I

858
00:47:51,880 --> 00:47:53,400
think she sings quite beautifully.

859
00:47:53,599 --> 00:47:55,599
Speaker 7: Yeah. I really like this one a lot too. And

860
00:47:55,719 --> 00:47:57,519
then so we'll give this to spend and then we'll

861
00:47:57,800 --> 00:48:00,519
come back and talk a little more. But yes, Kevin

862
00:48:00,559 --> 00:48:04,159
Horran is here with us, live in studio, sounding amazing

863
00:48:04,760 --> 00:48:06,480
small talk Kevin horn here we go.

864
00:48:19,440 --> 00:48:23,400
Speaker 10: I could see who lives too. And it hurts when

865
00:48:23,639 --> 00:48:36,039
they anyway that you want me. I do woting to.

866
00:48:42,280 --> 00:48:48,719
Speaker 5: Keep me in mind when you cry hurt that you

867
00:48:49,199 --> 00:48:55,559
feel this from mind? Keep ten dim bo WoT does

868
00:48:55,719 --> 00:48:57,239
that boo.

869
00:49:04,079 --> 00:49:08,000
Speaker 1: Deg load off him? Feel yourself safe.

870
00:49:07,880 --> 00:49:17,599
Speaker 6: You with me, fight you with it and all that

871
00:49:17,960 --> 00:49:18,960
you kid.

872
00:49:20,599 --> 00:49:22,039
Speaker 1: Never the same body.

873
00:49:22,199 --> 00:49:24,519
Speaker 6: It's all that I am.

874
00:49:26,920 --> 00:49:33,639
Speaker 1: Here just to be what you want you some done,

875
00:49:33,840 --> 00:49:35,719
best that you got it?

876
00:49:37,519 --> 00:49:39,440
Speaker 6: Who God ever seen them?

877
00:49:39,719 --> 00:49:40,079
Speaker 4: Come in?

878
00:49:43,159 --> 00:49:44,880
Speaker 1: There's a partner's delight that.

879
00:49:45,119 --> 00:49:46,639
Speaker 6: Everyone's gonna see.

880
00:49:46,920 --> 00:49:49,599
Speaker 1: Somehow she didn't pass.

881
00:49:49,880 --> 00:49:57,320
Speaker 11: Keep from running, taking a rest the last thing, week,

882
00:50:01,800 --> 00:50:03,760
do it all over again.

883
00:50:05,280 --> 00:50:06,880
Speaker 4: Of goo.

884
00:50:08,000 --> 00:50:18,840
Speaker 6: Of loop, I down now him and though you die

885
00:50:18,960 --> 00:50:39,639
in life, say olcome that I guess lost? Oh don't, Oh,

886
00:50:40,400 --> 00:50:41,280
I am.

887
00:50:43,360 --> 00:50:49,679
Speaker 16: The same things we one we can share, heard that

888
00:50:50,079 --> 00:50:52,320
you steel comes from mine.

889
00:50:54,840 --> 00:50:57,159
Speaker 4: Keep me and my mind.

890
00:51:00,039 --> 00:51:06,920
Speaker 6: About over saying that coming. It's hard. It's the life

891
00:51:07,119 --> 00:51:08,920
that everyone's gonna see.

892
00:51:09,199 --> 00:51:17,679
Speaker 16: Someone jam pass to get wrong running taking MOI is

893
00:51:18,039 --> 00:51:48,480
the last thing NA see it coming.

894
00:51:51,559 --> 00:51:54,960
Speaker 9: There's a part of the life that everyone's going to see.

895
00:51:55,159 --> 00:52:05,159
So jam passed, keep from running, take the last thing.

896
00:52:09,760 --> 00:52:21,920
Speaker 1: Let's do it all over again. Just do it all

897
00:52:22,039 --> 00:52:34,079
over him, then st it over again.

898
00:52:35,280 --> 00:52:38,960
Speaker 7: That is small talk. That is Kevin Horn from The Upcoming.

899
00:52:39,079 --> 00:52:42,880
Speaker 5: Oh yeah, there's an airplane. Oh there's an airplane. So

900
00:52:46,920 --> 00:52:49,519
I got I got to send you a radio edit.

901
00:52:50,159 --> 00:52:50,840
Speaker 7: Oh that's okay.

902
00:52:51,719 --> 00:52:53,199
Speaker 5: I will, I will, I will say this.

903
00:52:53,559 --> 00:52:55,679
Speaker 8: This album, like I said, it started as like kind

904
00:52:55,719 --> 00:52:57,920
of just like a generic sort of EP to put

905
00:52:57,960 --> 00:53:00,440
some songs out there. And it just kind of sploited

906
00:53:00,480 --> 00:53:05,239
into this creative idea of telling us story. So yeah,

907
00:53:05,440 --> 00:53:08,000
the first song all the way to the end. If

908
00:53:08,039 --> 00:53:08,920
he it's forty minutes.

909
00:53:08,920 --> 00:53:09,400
Speaker 5: If you got it.

910
00:53:09,519 --> 00:53:11,760
Speaker 8: Once it comes out, it goes straight through and it

911
00:53:11,800 --> 00:53:13,800
tells the story. So yeah, there's a reason for that

912
00:53:13,880 --> 00:53:16,719
airplane in there. But oh, okay, I'm out of context.

913
00:53:16,880 --> 00:53:19,679
Speaker 5: You just think wiser.

914
00:53:20,880 --> 00:53:23,320
Speaker 8: Now that's cool. And uh, what's her name again? Deanna

915
00:53:23,559 --> 00:53:26,760
Deanna Fielding. She's out of the Coop Studios in Irvington,

916
00:53:26,840 --> 00:53:29,280
New York. I can tell you when she sent me

917
00:53:29,559 --> 00:53:33,559
that track back, I like bawled my eyes out.

918
00:53:33,679 --> 00:53:36,639
Speaker 5: Yeah. I couldn't believe how beautiful yeah sounded. She did

919
00:53:36,679 --> 00:53:38,480
a great job. Yeah, no, that is a that is

920
00:53:38,519 --> 00:53:39,880
a great song. Absolutely, thank you.

921
00:53:40,000 --> 00:53:41,920
Speaker 7: By the way, somebody named Phil Smith is in.

922
00:53:41,960 --> 00:53:42,480
Speaker 5: The chat room.

923
00:53:42,840 --> 00:53:45,559
Speaker 8: That's my bass player from my former band, the Stone

924
00:53:45,639 --> 00:53:46,119
Road Band.

925
00:53:46,280 --> 00:53:48,199
Speaker 5: Oh very cool, Hey buddy.

926
00:53:48,119 --> 00:53:53,400
Speaker 7: Very cool. So Kevin, where should yeah, we should remind

927
00:53:53,440 --> 00:53:53,800
people too?

928
00:53:53,840 --> 00:53:53,960
Speaker 5: Well?

929
00:53:54,000 --> 00:53:56,119
Speaker 7: First of all, where should people go online to keep

930
00:53:56,199 --> 00:53:57,480
up with everything that you're doing?

931
00:53:58,039 --> 00:54:00,840
Speaker 5: Well, I'm always on Instagram and face book of course.

932
00:54:01,519 --> 00:54:04,880
My Instagram is Kevin Underscore Horran Underscore Music.

933
00:54:05,239 --> 00:54:06,960
Speaker 7: And Horan is that we should tell people to h

934
00:54:07,000 --> 00:54:07,679
O R A M.

935
00:54:07,920 --> 00:54:13,719
Speaker 8: Yes, yep, h O R A N. I'm Kevinhorn Music

936
00:54:13,760 --> 00:54:15,960
dot com. You can always check out, of course, Spotify.

937
00:54:16,039 --> 00:54:18,079
I'm on Spotify. I got a few tunes up there

938
00:54:18,199 --> 00:54:21,599
right now. Yeah, and then I have the Are you

939
00:54:21,639 --> 00:54:22,559
familiar with link tree?

940
00:54:22,679 --> 00:54:22,800
Speaker 5: Oh?

941
00:54:22,880 --> 00:54:25,760
Speaker 8: Yeah yeah, link Tree that's got just it links you

942
00:54:25,800 --> 00:54:27,719
to essentially it's the easiest way to find me.

943
00:54:27,920 --> 00:54:30,280
Speaker 5: Yeah, all my stuff, it's got everything up there. Yeah.

944
00:54:30,880 --> 00:54:32,079
Speaker 7: You give lessons too.

945
00:54:32,079 --> 00:54:37,559
Speaker 5: Right I do. I run my own studio down in Merrimac.

946
00:54:37,679 --> 00:54:38,719
Speaker 7: Oh, yeah, we should mention that.

947
00:54:38,880 --> 00:54:41,599
Speaker 8: Yeah, we call it rock band Camp. I work with

948
00:54:42,159 --> 00:54:45,639
some really amazing students. I don't know if she's listening,

949
00:54:45,880 --> 00:54:49,559
but my friend Sophia I meant to say, she listens.

950
00:54:49,679 --> 00:54:51,239
I was told by her mom the other day that

951
00:54:51,360 --> 00:54:55,599
she listens to my my version of Cecilia every day.

952
00:54:55,599 --> 00:54:57,800
Speaker 5: On the way to school. Oh, okay, is really cool.

953
00:54:57,840 --> 00:54:59,519
And then and all my students are really cool.

954
00:54:59,519 --> 00:55:02,360
Speaker 8: They're always excited when they hear I'm gonna be on

955
00:55:02,440 --> 00:55:04,880
the radio, or or they listen to the you know,

956
00:55:04,960 --> 00:55:06,159
they listened to the Stone Road Band.

957
00:55:06,199 --> 00:55:07,159
Speaker 5: They listen to all that stuff.

958
00:55:07,159 --> 00:55:10,599
Speaker 8: So yeah, but yeah, so I teach private music instruction

959
00:55:10,719 --> 00:55:13,880
and guitar, I teach drums, I do a little bit

960
00:55:13,920 --> 00:55:18,000
of performance training, and then we do the rock Band program,

961
00:55:18,280 --> 00:55:20,920
which is where the kids group up and actually create

962
00:55:21,000 --> 00:55:25,119
their own bands. We are gearing up, actually, I can't

963
00:55:25,119 --> 00:55:27,039
believe it's almost summer, but we're gearing up for our

964
00:55:27,320 --> 00:55:33,679
third annual summer concert in Merrimack in August. So the

965
00:55:34,119 --> 00:55:38,079
summer program starts the week after fourth of July. So

966
00:55:38,079 --> 00:55:40,079
if you've got kids out there that are looking to

967
00:55:40,440 --> 00:55:43,800
join a band and play in our summer concert, they

968
00:55:43,880 --> 00:55:48,559
still have time to register. That is at rock band

969
00:55:49,039 --> 00:55:52,079
NH dot com. Okay, go there and get all that information.

970
00:55:52,199 --> 00:55:56,280
I'm sorry, rock band camp NH dot com. Okay, but yeah.

971
00:55:56,559 --> 00:55:58,599
We just did a winter show for the first time

972
00:55:58,679 --> 00:56:01,840
at Shaskine in February, which was a huge success.

973
00:56:02,039 --> 00:56:02,280
Speaker 7: Nice.

974
00:56:02,519 --> 00:56:04,480
Speaker 5: Yeah, we have a lot of fun so it's.

975
00:56:05,639 --> 00:56:08,280
Speaker 8: Got I got a fun job, man, running around playing

976
00:56:08,400 --> 00:56:11,920
music and working with really amazing kids from like eight to.

977
00:56:13,960 --> 00:56:15,599
Speaker 5: You know, I have some adult students as well.

978
00:56:15,800 --> 00:56:19,719
Speaker 7: Yeah, yeah, absolutely, Oh that's amazing, fantastic, And let's remind

979
00:56:19,760 --> 00:56:21,199
people too about the big show coming up.

980
00:56:21,320 --> 00:56:25,840
Speaker 8: Big Show BNH stage Saturday, June twenty eighth and Conquered

981
00:56:25,880 --> 00:56:30,280
New Hampshire celebrating the release of my first solo record, Drift.

982
00:56:31,320 --> 00:56:33,599
As it turns out, it's actually if you're familiar with

983
00:56:33,719 --> 00:56:36,880
Market Days up and Conquered Big Music Festival and Conquered

984
00:56:37,280 --> 00:56:39,639
Just so happens, it's the last night of Market Days,

985
00:56:40,039 --> 00:56:43,519
so we'll be you know, sort of closing down Market

986
00:56:43,599 --> 00:56:46,639
Days at BNH stage. Yeah, that night with my with

987
00:56:46,760 --> 00:56:49,920
my friend's Cosmic Blossom, Cosmic Blossom, Cosmic Blossom.

988
00:56:50,000 --> 00:56:53,880
Speaker 7: Yeah, we love Cosmic Blossom absolutely. So I think we

989
00:56:53,960 --> 00:56:55,599
got to close out with a song and I was thinking,

990
00:56:55,840 --> 00:56:57,719
this isn't one of the ones you sent. We played those,

991
00:56:57,800 --> 00:57:00,599
but what about what if I spin anything to close?

992
00:57:00,639 --> 00:57:02,280
Speaker 5: Absolutely? Yeah? That was the first single.

993
00:57:02,360 --> 00:57:04,960
Speaker 7: Yeah, yeah, yeah, that's uh, we'll go with that and

994
00:57:05,239 --> 00:57:08,920
we'll close out with this. This is anything from Kevin Horn.

995
00:57:17,639 --> 00:57:18,440
Speaker 6: Take a little hit?

996
00:57:20,760 --> 00:57:25,679
Speaker 2: Can that release and jol of the Tripod have a little.

997
00:57:25,519 --> 00:57:31,039
Speaker 1: Moment, little while to sit. I will sit through the memories.

998
00:57:31,639 --> 00:57:33,159
That makes sense of everything?

999
00:57:33,719 --> 00:57:35,280
Speaker 6: Is everything what it seems?

1000
00:57:50,920 --> 00:57:51,800
Speaker 5: It's all a little.

1001
00:57:51,639 --> 00:57:58,800
Speaker 1: Wild poke around the corn while a hide. You gotta

1002
00:57:58,840 --> 00:58:03,599
get another beauty and I try stick sitting stones and

1003
00:58:03,760 --> 00:58:07,159
follow me. I've become my more sending me but mine

1004
00:58:07,199 --> 00:58:11,280
and he lets me see it. I know what're gonna

1005
00:58:11,360 --> 00:58:14,920
get high on the thing there. I know why I

1006
00:58:15,119 --> 00:58:20,199
can't say you upon my way. I know we've gotta

1007
00:58:20,239 --> 00:58:23,320
get bad or me say with everything.

1008
00:58:23,559 --> 00:58:26,760
Speaker 5: I can't you rup not getting bad to you or

1009
00:58:27,440 --> 00:58:29,719
anything I've got bad too.

1010
00:58:37,639 --> 00:58:42,440
Speaker 1: Take another hitch. There's a reason here for me to

1011
00:58:42,639 --> 00:58:47,400
quit put my hands all block away in a trip

1012
00:58:49,159 --> 00:58:52,519
backwards through the life by fear and everything that I

1013
00:58:52,760 --> 00:58:56,360
won't to hear, and that things will you see. I

1014
00:58:56,639 --> 00:58:58,840
know we're gonna get high.

1015
00:58:58,880 --> 00:58:59,559
Speaker 6: On the thing.

1016
00:59:00,800 --> 00:59:05,280
Speaker 1: I know why I can't stay your bout me. I

1017
00:59:05,519 --> 00:59:07,920
know you're gonna get by a door.

1018
00:59:08,800 --> 00:59:11,920
Speaker 12: So I'm with everything I count you run about getting

1019
00:59:12,039 --> 00:59:14,519
back tore everything.

1020
00:59:14,599 --> 00:59:16,360
Speaker 3: I mean I got that to.

1021
00:59:19,519 --> 00:59:21,440
Speaker 4: Well not.

1022
00:59:36,400 --> 00:59:39,800
Speaker 1: I know what you're gonna get by people.

1023
00:59:40,800 --> 00:59:42,880
Speaker 4: I know why you would stay your.

1024
00:59:45,239 --> 00:59:50,320
Speaker 5: I know it's gonna get by door saying everything I

1025
00:59:50,519 --> 00:59:53,480
count rubbing I'm getting back more.

1026
00:59:54,079 --> 00:59:56,400
Speaker 1: I mean I got back to.

1027
00:59:58,280 --> 00:59:58,320
Speaker 4: Y.

1028
01:00:00,280 --> 01:00:12,599
Speaker 6: That's too long. One m