Speaker 1: Around Dard City and in the territory on West. There
is just one way to handle the killers and the spoilers.
And that's where the US Marshal and The Smell of
Guns Smoke Gone Spoke, starring William Conrad. The story of
the violence that moved west with young America and the
story of a man who moved with it.
Speaker 2: I'm that man, Matt Dillon, United States Marshall, the first
man they look for and the less they want to meet.
It's a chancy job and it makes a man watchful
and a little lonely.
Speaker 3: Whoa at Chester?
Speaker 1: You like that?
Speaker 2: No? Well, listen to this? Yes, yes, yes, sir. Put
the comb away please, hm hmm. Here what you're doing?
Do you learn me about it? Marshall?
Speaker 4: Willom Ah Yeah, I'm Philip Luck from Philadelphia, arrived on
the Santa Fe this morning.
Speaker 2: Oh you're a long way from home, mister Luck.
Speaker 4: I'm looking for someone a girl.
Speaker 2: As a matter of fact, holy lots of girls, inn.
You shouldn't have much fable you please, Chester, Please, yes, sir.
Speaker 4: This girl wrote her mother in Philadelphia that she was
teaching school here Marshall. However, she's never been heard of
at the school.
Speaker 2: Oh well, maybe she moved on somewhere else, but they say.
Speaker 4: She never was at the school. I'm afraid something's happened
to her.
Speaker 2: Hell, a lot of things can happen to people out here,
mister Lucke.
Speaker 4: That's precisely why I've come to you. I want you
to find her immediately.
Speaker 2: Mister Locke, you're not in Philadelphia, but I'll keep an
eye open for her if you will tell me your
name and what she looks like.
Speaker 4: She's about five feet four, She's blonde, very pretty girl.
Her name is Laura Simmons. Lara Simmons, Yes, do you know?
Speaker 5: No?
Speaker 2: He doesn't know her. Neither do I. But I'll see
what I can find out for you. Mister Locke. Where
are you staying at the Dotch House?
Speaker 4: And I must say I've been in better hotels.
Speaker 2: Well as bad as it is. You wait there. I'll
come to you if I have any news.
Speaker 4: It's most urgent that I find her at once. Marshall sure,
good day.
Speaker 6: Well Marshall, Dylan, Hello, Laura, Well, come in, Marcell come in.
Speaker 2: Well man, Ah kiddy, I didn't expect to find you
in Laura's room.
Speaker 6: How to know where I live marshall. You've never been
here before.
Speaker 2: I asked Sam downstairs.
Speaker 6: The wonder he told you. I think Sam's.
Speaker 4: Sweet on law.
Speaker 6: Oh, kitty, kitty, why do you ever do this?
Speaker 2: Look? You two can gossip about all that later. Right now,
I've got some news for you, Laura.
Speaker 6: Yeah.
Speaker 2: Yeah, there's a man here looking for you.
Speaker 6: Oh who.
Speaker 2: His name's Philip Locke, hip Dot. I figured it might
be bad news.
Speaker 6: Hi, have him find me here.
Speaker 7: Hew.
Speaker 2: He went to the schoolhouse first, and I told him
you'd probably moved on, but still thinks you're here somewhere.
Speaker 6: Well, I wrote mother, I was teaching in school. Must
have gone to see her. Honey. If you don't want
to see him, you don't have to. I can't see him.
I can't have him. No, I work in the saloon.
It's nothing to be ashamed of. Yes, yes, it is,
especially now what do you mean now?
Speaker 7: Well?
Speaker 8: I was engaged to Philip once before I left Philadelphia.
You were We were about to be married when his
family found out that my father had been a riverboat captain.
Speaker 6: She'd told him before. I guess that. Anyway, they called
off the wedding, and I was so ashamed I ran away.
I came out here. Finally, What about Philip? What did
he do?
Speaker 8: The Locks are a very aristocratic family, Kitty, because he
had to do what they wanted.
Speaker 4: Not much of a man. If he asked me, aristocrat
or not?
Speaker 2: I was lovely.
Speaker 6: I think he was with me. Are you still?
Speaker 2: I don't know? How can I know?
Speaker 6: You mustn't find me here?
Speaker 8: This is a sort of life they said I was
best suited for. You'd go back and tell my mother
and they break her heart.
Speaker 2: Look all right, you could go out to Morrow Railways
until he leaves Tom. I'm sure she'd be glad for
a little company.
Speaker 6: That's a good idea that.
Speaker 4: Come on, honey, we can ride out together.
Speaker 6: It's only a few miles. I like, Kitty.
Speaker 5: Thank you, Matt.
Speaker 6: You might kind of spook this Fillip Lock back to Philadelphia.
Speaker 2: Well I'll try, Kitty. Yeah, no, no, no, that's mighty
warm beer for a nickock. Well I paid.
Speaker 6: For the beer, I know, and I thank you, chess,
But I.
Speaker 4: Hate to see you not get your money for Oh
I'll get it.
Speaker 2: And you decide it's time to buy us a beer? About?
Is it about time?
Speaker 5: Though?
Speaker 8: Okay? Yeah? Yes?
Speaker 2: Who tell me?
Speaker 4: Man is Laura still out at the Riley Place.
Speaker 2: Oh here shining away from the problem doctor anyway, Yeah,
she's there. Locke isn't likely to leave town this soon.
I saw him last night and I told him that
I had heard that Laura had gone to Denver. Did
he believe? I think so? But I warned Sam to
something the same thing in case she came snooping around here.
Oh well, said star, poor girl. Yeah, she's better off
thout like him.
Speaker 7: Asked me.
Speaker 4: Women's strings, isn't they fall in love? And I said,
I sometimes wonder if it has anything at all to
do with a particular man.
Speaker 2: Of course it has not. I remember what a.
Speaker 7: Little Kyle girl told me one time.
Speaker 2: She said Chester. She said, I didn't know you spoke
Kiah Chester. Well, I don't exactly. We used as sign
language kindly, you.
Speaker 4: Know, Hello, Lock Marshall. I think you lied to me
about Laura.
Speaker 2: How's that?
Speaker 8: So?
Speaker 4: It most certainly is. There's something mighty strange going on here,
and I think.
Speaker 2: You're mixed up in Look, maybe Laura doesn't want to
see you. Have you thought of that?
Speaker 4: I'm going to see her If I have to kiss
you to do it?
Speaker 2: Kill me?
Speaker 4: You ain't even wearing a gun, mister, I don't have to.
What do you mean, mister luck, I've hired a man
who'll shoot anybody, I say, for five hundred dollars.
Speaker 2: Philadelphia must be quite a ton.
Speaker 4: You have twenty four hours to producer, Marshall. Remember I'm
a man of my word.
Speaker 2: Yeah, I'm sure you are. He's probably one of those
who hired somebody to fight on the war for him.
Speaker 4: Tackets how I know? Looking if you don't over talking
to peg Barn he do so that says he looks
like it, And I'm all, wi you more good, drunken Grooke.
You ain't et much of a gunman none.
Speaker 2: I always keep duel him to be a little off,
and they're here. He is doctor. You never know what
Dula might do. He isn't like other men, and that
makes him really dangerous.
Speaker 6: I don't mind I set out.
Speaker 2: Do you talk to Laura again.
Speaker 6: Light this morning, Mash, But she didn't say much.
Speaker 2: Noh, she can't stay at that boarding house forever. Locke
hasn't shown any signs of leaving. Maybe she ought to
go on that Peblo or Santa Fe or someplace for
a while.
Speaker 4: Give her time, man, Okay, Oh you do, Marshall.
Speaker 2: Now what is his time? Uh? Going off?
Speaker 6: Back?
Speaker 2: Both of you?
Speaker 5: Oh what?
Speaker 2: Fork? Well, you'll see going go on? I got to
take care of the bar.
Speaker 4: Sam must be drunk.
Speaker 2: Uh, he's sober, now, come on, let's have a look,
all right?
Speaker 4: But I still say he's drunk.
Speaker 8: Uh.
Speaker 2: Sam doesn't drink his own liquor, can it?
Speaker 4: I don't blame him.
Speaker 2: I wish I didn't have to, don't.
Speaker 6: I wouldn't.
Speaker 4: I lived on a little chicken ranch somewhere a.
Speaker 2: Minute, Sam's liquor? Isn't that bad?
Speaker 6: Slow kitty? Washa, Laura? What are you doing here?
Speaker 8: Oh Laura, I didn't wanna go inside just yet. I've
been sitting out here talking to Sam.
Speaker 6: You mean you're coming back to work. I've been thinking
a lot about everything, and I'm gonna face it out.
Are you sure you're right? Honey? There's any other way
to do it? So what came here? Because he wants
me back? I won't lie to him.
Speaker 2: M I guess it's up to you.
Speaker 6: Where do you wanna talk to him?
Speaker 8: Why?
Speaker 6: Shall would you find it and bring him here out here?
Speaker 5: No?
Speaker 6: Just take him to the bar inside. I'll meet him
there later on.
Speaker 4: An empty saloon is a curious place to meet Laura.
Speaker 2: Uh huh, you want another drink?
Speaker 7: Now?
Speaker 2: How about you more?
Speaker 8: Now?
Speaker 9: As he love Philip, Laura, Laura, that dress like it?
Speaker 2: Why are you dressed like that?
Speaker 6: You'll buy me a drink, Philip.
Speaker 4: I'll tell you a drink.
Speaker 6: Of course, this is how I earn my living.
Speaker 2: You work here?
Speaker 6: Yes, now would you buy me a drink to start with?
Speaker 8: No?
Speaker 2: Oh, never mind him, Laura. You don't mean nothing.
Speaker 6: No, no, Sam just like what his mother said about me,
it's true Philadelphia.
Speaker 2: Well I don't know in Philadelphia. Lace on, I han't here, Laura.
Speaker 6: Have a drink, thanks, Marshall, I need it.
Speaker 8: Now.
Speaker 2: Let you go on home.
Speaker 5: No, I get killed, Laura, Yes, Phila, lor I can't leave.
Speaker 4: I started to, but I can't. I came to find you.
I'm going to.
Speaker 2: Take you back with me.
Speaker 4: You are, yes, this is quite a shock to me,
of course, seeing you here in this place.
Speaker 2: But I can forget about that. I'll try, Laura, will you, Philip.
Speaker 4: We'll never mention it ever to your family, to anyone.
Speaker 2: It'll be a secret.
Speaker 4: It will nobody knows. Perhaps it won't matter.
Speaker 6: I'm not sure. Philip, I think it'll matter always to me.
Speaker 2: I don't understand. No, you wouldn't understand, mister.
Speaker 4: Tim lor Let's get out of here where we can talk.
Speaker 2: No, you heard her. You don't want to go well?
You keep out of Oh kind of man?
Speaker 8: Are you?
Speaker 7: Anyway?
Speaker 5: This girl ain't done nothing to be ashamed of, except
her in her living, which is probably more than you
ever done.
Speaker 2: It makes you think you're good enough to judge.
Speaker 5: I don't anyways, you'll try to forget about it.
Speaker 2: Did you ever think of anybody but yourself?
Speaker 5: Mister, you're no good. Laura here's worth a hundred like you.
I'm proud of I don't care what she has done.
Speaker 2: Or who knows this.
Speaker 6: You're proud of me, sir, of course I am.
Speaker 4: Are you coming, Laura?
Speaker 2: Tell him Lord God tell n.
Speaker 6: Well, No, sir, I'm not coming. I'm going to stay here.
Speaker 5: You heard her, mister, Now get out before I break
a bottle over your head.
Speaker 4: Goodbye, Laura, and you by atender.
Speaker 2: You'll for this. Don't try that lout you keep doling
out of this.
Speaker 4: Nobody tells me what to do.
Speaker 2: Marshall, with this lots hard. Dylan's goning. No, you kill you,
Sam doing is crazy enough? He is Sam l What
is it? Chester? I've been waiting outside, like said, aren't
you there now?
Speaker 4: Because he's coming right up front street?
Speaker 2: All right? Chester. After he comes in, just keep an
eye on the door. Sam Dylan's going to be here
in a minute. You better get out of the site. Well.
I ain't afraid that you heard me, Sam, I get
out of side with him.
Speaker 4: I comfort Sam.
Speaker 2: Where it is he? What are you wanting for to him?
Speaker 4: I've been paid to shoot him?
Speaker 2: That's what First? You want to handle them?
Speaker 4: I was born to hang.
Speaker 2: Where it is he. Look, I'm going to throw you
in jail for a couple of days. Maybe things will
be clearer to you than I come out.
Speaker 4: No, my soul, now, don't do that. I got to
earn my five hundred dollars.
Speaker 2: All right, but you're gonna have to shoot it out
with me first. With you what you got to do
with it?
Speaker 4: I don't want nothing to do with you.
Speaker 2: As a law against murder doing, I know that. What
makes you think you're cann shoot Sam and get away
with it.
Speaker 7: I've got five hundred dollars right here in my pocket.
Speaker 2: You want to see it Dulan. See if you can
understand this, either you take your money and you get
out of Dodger, you're going to jail.
Speaker 7: I ain't going to jail.
Speaker 2: You want to draw on me, you fool, and get
up fast. I go on, move you.
Speaker 4: You don't leave a man much choice.
Speaker 7: In Marshall, I have to go bye.
Speaker 2: Well, I've got rid of him, and I hope so. Sam.
You would never had much of a chance at you anyway.
Look at Laura there.
Speaker 6: I wouldn't have missed you, Sam, even if you had
got the mark.
Speaker 2: Where'd you get that shotgun load?
Speaker 6: When you keep up stairs?
Speaker 2: I it you know something, Sam. There's a blood of
the squirrel. Did you ever tell you that her father
was a robber boat captain? In Marshall, Marshall, I'm closing
up the bar. You will have to do all your
drinking somewhere else tonight. That'll be a pleasure, Laura. Come on, Laura,
I want to hear more about your old man.
Speaker 6: Sure, Sure,