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Speaker 1: Around Dard City and in the territory on West. There

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is just one way to handle the killers and the spoilers.

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And that's where the US Marshal and The Smell of

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Guns Smoke Gone Spoke, starring William Conrad. The story of

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the violence that moved west with young America and the

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story of a man who moved with it.

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Speaker 2: I'm that man, Matt Dillon, United States Marshall, the first

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man they look for and the less they want to meet.

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It's a chancy job and it makes a man watchful

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and a little lonely.

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Speaker 3: Whoa at Chester?

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Speaker 1: You like that?

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Speaker 2: No? Well, listen to this? Yes, yes, yes, sir. Put

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the comb away please, hm hmm. Here what you're doing?

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Do you learn me about it? Marshall?

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Speaker 4: Willom Ah Yeah, I'm Philip Luck from Philadelphia, arrived on

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the Santa Fe this morning.

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Speaker 2: Oh you're a long way from home, mister Luck.

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Speaker 4: I'm looking for someone a girl.

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Speaker 2: As a matter of fact, holy lots of girls, inn.

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You shouldn't have much fable you please, Chester, Please, yes, sir.

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Speaker 4: This girl wrote her mother in Philadelphia that she was

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teaching school here Marshall. However, she's never been heard of

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at the school.

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Speaker 2: Oh well, maybe she moved on somewhere else, but they say.

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Speaker 4: She never was at the school. I'm afraid something's happened

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to her.

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Speaker 2: Hell, a lot of things can happen to people out here,

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mister Lucke.

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Speaker 4: That's precisely why I've come to you. I want you

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to find her immediately.

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Speaker 2: Mister Locke, you're not in Philadelphia, but I'll keep an

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eye open for her if you will tell me your

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name and what she looks like.

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Speaker 4: She's about five feet four, She's blonde, very pretty girl.

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Her name is Laura Simmons. Lara Simmons, Yes, do you know?

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Speaker 5: No?

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Speaker 2: He doesn't know her. Neither do I. But I'll see

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what I can find out for you. Mister Locke. Where

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are you staying at the Dotch House?

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Speaker 4: And I must say I've been in better hotels.

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Speaker 2: Well as bad as it is. You wait there. I'll

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come to you if I have any news.

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Speaker 4: It's most urgent that I find her at once. Marshall sure,

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good day.

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Speaker 6: Well Marshall, Dylan, Hello, Laura, Well, come in, Marcell come in.

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Speaker 2: Well man, Ah kiddy, I didn't expect to find you

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in Laura's room.

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Speaker 6: How to know where I live marshall. You've never been

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here before.

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Speaker 2: I asked Sam downstairs.

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Speaker 6: The wonder he told you. I think Sam's.

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Speaker 4: Sweet on law.

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Speaker 6: Oh, kitty, kitty, why do you ever do this?

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Speaker 2: Look? You two can gossip about all that later. Right now,

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I've got some news for you, Laura.

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Speaker 6: Yeah.

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Speaker 2: Yeah, there's a man here looking for you.

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Speaker 6: Oh who.

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Speaker 2: His name's Philip Locke, hip Dot. I figured it might

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be bad news.

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Speaker 6: Hi, have him find me here.

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Speaker 7: Hew.

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Speaker 2: He went to the schoolhouse first, and I told him

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you'd probably moved on, but still thinks you're here somewhere.

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Speaker 6: Well, I wrote mother, I was teaching in school. Must

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have gone to see her. Honey. If you don't want

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to see him, you don't have to. I can't see him.

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I can't have him. No, I work in the saloon.

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It's nothing to be ashamed of. Yes, yes, it is,

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especially now what do you mean now?

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Speaker 7: Well?

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Speaker 8: I was engaged to Philip once before I left Philadelphia.

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You were We were about to be married when his

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family found out that my father had been a riverboat captain.

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Speaker 6: She'd told him before. I guess that. Anyway, they called

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off the wedding, and I was so ashamed I ran away.

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I came out here. Finally, What about Philip? What did

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he do?

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Speaker 8: The Locks are a very aristocratic family, Kitty, because he

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had to do what they wanted.

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Speaker 4: Not much of a man. If he asked me, aristocrat

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or not?

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Speaker 2: I was lovely.

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Speaker 6: I think he was with me. Are you still?

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Speaker 2: I don't know? How can I know?

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Speaker 6: You mustn't find me here?

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Speaker 8: This is a sort of life they said I was

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best suited for. You'd go back and tell my mother

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and they break her heart.

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Speaker 2: Look all right, you could go out to Morrow Railways

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until he leaves Tom. I'm sure she'd be glad for

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a little company.

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Speaker 6: That's a good idea that.

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Speaker 4: Come on, honey, we can ride out together.

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Speaker 6: It's only a few miles. I like, Kitty.

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Speaker 5: Thank you, Matt.

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Speaker 6: You might kind of spook this Fillip Lock back to Philadelphia.

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Speaker 2: Well I'll try, Kitty. Yeah, no, no, no, that's mighty

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warm beer for a nickock. Well I paid.

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Speaker 6: For the beer, I know, and I thank you, chess,

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But I.

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Speaker 4: Hate to see you not get your money for Oh

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I'll get it.

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Speaker 2: And you decide it's time to buy us a beer? About?

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Is it about time?

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Speaker 5: Though?

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Speaker 8: Okay? Yeah? Yes?

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Speaker 2: Who tell me?

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Speaker 4: Man is Laura still out at the Riley Place.

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Speaker 2: Oh here shining away from the problem doctor anyway, Yeah,

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she's there. Locke isn't likely to leave town this soon.

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I saw him last night and I told him that

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I had heard that Laura had gone to Denver. Did

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he believe? I think so? But I warned Sam to

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something the same thing in case she came snooping around here.

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Oh well, said star, poor girl. Yeah, she's better off

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thout like him.

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Speaker 7: Asked me.

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Speaker 4: Women's strings, isn't they fall in love? And I said,

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I sometimes wonder if it has anything at all to

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do with a particular man.

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Speaker 2: Of course it has not. I remember what a.

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Speaker 7: Little Kyle girl told me one time.

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Speaker 2: She said Chester. She said, I didn't know you spoke

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Kiah Chester. Well, I don't exactly. We used as sign

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language kindly, you.

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Speaker 4: Know, Hello, Lock Marshall. I think you lied to me

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about Laura.

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Speaker 2: How's that?

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Speaker 8: So?

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Speaker 4: It most certainly is. There's something mighty strange going on here,

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and I think.

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Speaker 2: You're mixed up in Look, maybe Laura doesn't want to

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see you. Have you thought of that?

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Speaker 4: I'm going to see her If I have to kiss

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you to do it?

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Speaker 2: Kill me?

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Speaker 4: You ain't even wearing a gun, mister, I don't have to.

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What do you mean, mister luck, I've hired a man

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who'll shoot anybody, I say, for five hundred dollars.

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Speaker 2: Philadelphia must be quite a ton.

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Speaker 4: You have twenty four hours to producer, Marshall. Remember I'm

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a man of my word.

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Speaker 2: Yeah, I'm sure you are. He's probably one of those

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who hired somebody to fight on the war for him.

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Speaker 4: Tackets how I know? Looking if you don't over talking

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to peg Barn he do so that says he looks

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like it, And I'm all, wi you more good, drunken Grooke.

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You ain't et much of a gunman none.

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Speaker 2: I always keep duel him to be a little off,

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and they're here. He is doctor. You never know what

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Dula might do. He isn't like other men, and that

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makes him really dangerous.

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Speaker 6: I don't mind I set out.

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Speaker 2: Do you talk to Laura again.

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Speaker 6: Light this morning, Mash, But she didn't say much.

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Speaker 2: Noh, she can't stay at that boarding house forever. Locke

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hasn't shown any signs of leaving. Maybe she ought to

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go on that Peblo or Santa Fe or someplace for

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a while.

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Speaker 4: Give her time, man, Okay, Oh you do, Marshall.

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Speaker 2: Now what is his time? Uh? Going off?

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Speaker 6: Back?

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Speaker 2: Both of you?

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Speaker 5: Oh what?

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Speaker 2: Fork? Well, you'll see going go on? I got to

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take care of the bar.

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Speaker 4: Sam must be drunk.

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Speaker 2: Uh, he's sober, now, come on, let's have a look,

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all right?

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Speaker 4: But I still say he's drunk.

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Speaker 8: Uh.

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Speaker 2: Sam doesn't drink his own liquor, can it?

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Speaker 4: I don't blame him.

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Speaker 2: I wish I didn't have to, don't.

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Speaker 6: I wouldn't.

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Speaker 4: I lived on a little chicken ranch somewhere a.

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Speaker 2: Minute, Sam's liquor? Isn't that bad?

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Speaker 6: Slow kitty? Washa, Laura? What are you doing here?

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Speaker 8: Oh Laura, I didn't wanna go inside just yet. I've

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been sitting out here talking to Sam.

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Speaker 6: You mean you're coming back to work. I've been thinking

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a lot about everything, and I'm gonna face it out.

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Are you sure you're right? Honey? There's any other way

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to do it? So what came here? Because he wants

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me back? I won't lie to him.

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Speaker 2: M I guess it's up to you.

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Speaker 6: Where do you wanna talk to him?

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Speaker 8: Why?

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Speaker 6: Shall would you find it and bring him here out here?

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Speaker 5: No?

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Speaker 6: Just take him to the bar inside. I'll meet him

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there later on.

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Speaker 4: An empty saloon is a curious place to meet Laura.

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Speaker 2: Uh huh, you want another drink?

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Speaker 7: Now?

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Speaker 2: How about you more?

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Speaker 8: Now?

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Speaker 9: As he love Philip, Laura, Laura, that dress like it?

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Speaker 2: Why are you dressed like that?

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Speaker 6: You'll buy me a drink, Philip.

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Speaker 4: I'll tell you a drink.

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Speaker 6: Of course, this is how I earn my living.

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Speaker 2: You work here?

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Speaker 6: Yes, now would you buy me a drink to start with?

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Speaker 8: No?

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Speaker 2: Oh, never mind him, Laura. You don't mean nothing.

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Speaker 6: No, no, Sam just like what his mother said about me,

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it's true Philadelphia.

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Speaker 2: Well I don't know in Philadelphia. Lace on, I han't here, Laura.

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Speaker 6: Have a drink, thanks, Marshall, I need it.

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Speaker 8: Now.

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Speaker 2: Let you go on home.

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Speaker 5: No, I get killed, Laura, Yes, Phila, lor I can't leave.

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Speaker 4: I started to, but I can't. I came to find you.

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I'm going to.

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Speaker 2: Take you back with me.

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Speaker 4: You are, yes, this is quite a shock to me,

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of course, seeing you here in this place.

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Speaker 2: But I can forget about that. I'll try, Laura, will you, Philip.

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Speaker 4: We'll never mention it ever to your family, to anyone.

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Speaker 2: It'll be a secret.

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Speaker 4: It will nobody knows. Perhaps it won't matter.

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Speaker 6: I'm not sure. Philip, I think it'll matter always to me.

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Speaker 2: I don't understand. No, you wouldn't understand, mister.

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Speaker 4: Tim lor Let's get out of here where we can talk.

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Speaker 2: No, you heard her. You don't want to go well?

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You keep out of Oh kind of man?

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Speaker 8: Are you?

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Speaker 7: Anyway?

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Speaker 5: This girl ain't done nothing to be ashamed of, except

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her in her living, which is probably more than you

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ever done.

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Speaker 2: It makes you think you're good enough to judge.

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Speaker 5: I don't anyways, you'll try to forget about it.

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Speaker 2: Did you ever think of anybody but yourself?

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Speaker 5: Mister, you're no good. Laura here's worth a hundred like you.

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I'm proud of I don't care what she has done.

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Speaker 2: Or who knows this.

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Speaker 6: You're proud of me, sir, of course I am.

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Speaker 4: Are you coming, Laura?

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Speaker 2: Tell him Lord God tell n.

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Speaker 6: Well, No, sir, I'm not coming. I'm going to stay here.

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Speaker 5: You heard her, mister, Now get out before I break

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a bottle over your head.

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Speaker 4: Goodbye, Laura, and you by atender.

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Speaker 2: You'll for this. Don't try that lout you keep doling

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out of this.

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Speaker 4: Nobody tells me what to do.

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Speaker 2: Marshall, with this lots hard. Dylan's goning. No, you kill you,

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Sam doing is crazy enough? He is Sam l What

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is it? Chester? I've been waiting outside, like said, aren't

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you there now?

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Speaker 4: Because he's coming right up front street?

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Speaker 2: All right? Chester. After he comes in, just keep an

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eye on the door. Sam Dylan's going to be here

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in a minute. You better get out of the site. Well.

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I ain't afraid that you heard me, Sam, I get

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out of side with him.

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Speaker 4: I comfort Sam.

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Speaker 2: Where it is he? What are you wanting for to him?

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Speaker 4: I've been paid to shoot him?

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Speaker 2: That's what First? You want to handle them?

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Speaker 4: I was born to hang.

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Speaker 2: Where it is he. Look, I'm going to throw you

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in jail for a couple of days. Maybe things will

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be clearer to you than I come out.

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Speaker 4: No, my soul, now, don't do that. I got to

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earn my five hundred dollars.

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Speaker 2: All right, but you're gonna have to shoot it out

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with me first. With you what you got to do

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with it?

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Speaker 4: I don't want nothing to do with you.

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Speaker 2: As a law against murder doing, I know that. What

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makes you think you're cann shoot Sam and get away

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with it.

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Speaker 7: I've got five hundred dollars right here in my pocket.

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Speaker 2: You want to see it Dulan. See if you can

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understand this, either you take your money and you get

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out of Dodger, you're going to jail.

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Speaker 7: I ain't going to jail.

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Speaker 2: You want to draw on me, you fool, and get

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up fast. I go on, move you.

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Speaker 4: You don't leave a man much choice.

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Speaker 7: In Marshall, I have to go bye.

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Speaker 2: Well, I've got rid of him, and I hope so. Sam.

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You would never had much of a chance at you anyway.

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Look at Laura there.

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Speaker 6: I wouldn't have missed you, Sam, even if you had

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got the mark.

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Speaker 2: Where'd you get that shotgun load?

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Speaker 6: When you keep up stairs?

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Speaker 2: I it you know something, Sam. There's a blood of

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the squirrel. Did you ever tell you that her father

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was a robber boat captain? In Marshall, Marshall, I'm closing

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up the bar. You will have to do all your

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drinking somewhere else tonight. That'll be a pleasure, Laura. Come on, Laura,

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I want to hear more about your old man.

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Speaker 6: Sure, Sure,