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Speaker 1: You're listening to Matt Connorton Unleashed on w M and

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H ninety five point three and now exclusively on w

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M n H ninety five point three f M and

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Matt Connorton on Leash. It's the world radio premiere of Hurricane.

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Stand up, yoah, stand up straight, falling fall, shut your

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mouth right full forward. Odd's right.

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Speaker 2: So we can't see what's left?

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Speaker 3: What left?

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Speaker 4: What's left?

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Speaker 5: What weapons of man destruction to the plant, paint the

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little sell to kill and send our children, But they

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kept asking for more. Walk the lines of that ad

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be painted on the ground, the blood that we bleed

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sailing across the sea.

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Speaker 2: So will tell me now wherever.

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Speaker 1: It's the difference of you and me.

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Speaker 5: Different colors, different tones, what we can see the differences

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of you and me, trade troop of flags and pride

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that all say drew to side outside.

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Speaker 3: But we all came from.

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Speaker 2: The same place, same place.

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Speaker 5: Even nature has had enough of this rivalry, flood in

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the homes with all his tears set and fires erupted

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it from within. No more blood on the banners that

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we salute, no more thinking in the ways of this media.

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You you, no more building up walls with the freedom.

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Speaker 2: And chains shackling our children for a future of pain.

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Nobody the eyes and look to the left.

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Speaker 5: See what happens when we listen to last Watch what

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everyone dies.

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Speaker 2: It's too much, too much, it's too real.

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Speaker 5: It's what we get from those who feel their pockets

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and make bloody deal.

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Speaker 2: Stand up, they forward, open, both die.

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Speaker 5: Make the future better for what the children not heading tools,

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dight for what's right. Then up against the corruption of

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the world. It begins with you when I.

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Speaker 1: And now coming out w Ay thirteen, twenty twenty six.

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The brand news single by isolation, burning.

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Speaker 6: And some how we gain. It was to fitch in

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my great country. There's a driss off in the hoo.

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It's was building side up here on.

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Speaker 7: The streets because of both down. Society's falling out my feet.

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Speaker 6: They went's burning him, they can finding shore.

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Speaker 7: The guns burned and they cart settle the school and

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put his body like we never seen before. And it's

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burning so wrong. Before they start, they don's burning any wool.

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Speaker 6: The first fiction in my great Country, as the Crown

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was introduces and the four children broken families on the street,

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and he's all the sign and so is his day

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stream of peas.

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Speaker 7: Ingland's burning.

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Speaker 2: The child find a shore.

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Speaker 7: Ingodas burn him. They can't settle the school. England is burning.

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Speaker 2: Like we never seen him before. The goodness burn him

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so long before this time.

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Speaker 6: The people call, and the people you fall on, and

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the people.

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Speaker 7: Who swarm around, and the people.

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Speaker 6: Who so love to feel like it's all gone, They

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feel like it's sold right.

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Speaker 2: What have weel done?

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Speaker 3: What have we lo?

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Speaker 7: It's funny they can't find a care.

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Speaker 2: Taking this boone.

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Speaker 7: The car sat over.

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Speaker 3: The store.

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Speaker 2: Thinking this boony like we've never seen.

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Speaker 7: It for who thinking this boony so long before this

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time over?

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Speaker 8: I'm gonna six.

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Speaker 9: My boy and sending nothing night.

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Speaker 3: Let's go.

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Speaker 10: It was a long walk week set away luck in

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the hall.

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Speaker 2: We're going to hit six or three? Not a cool

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handy beach. Let's wade to the sand, bring them all

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down to the n So come on with the back

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we're doing.

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Speaker 10: Stop the air, hot as hell and six oh three.

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Speaker 2: There wasn't a trick.

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Speaker 8: Night like that.

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Speaker 2: It times before all. Let's super Bowl run all the

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market for a rule. See he's going to hit another three.

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Speaker 10: He's none of the shot for you with fee Let's

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raise another banner for the fours in the stop so

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come down with.

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Speaker 2: The heads were done to stop the money.

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Speaker 8: Hot as hell six o three.

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Speaker 2: There was an all time fashion.

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Speaker 10: To say the farm let's go hold ladies looking fine

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as hell out up in the road. We're going to

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hit the six.

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Speaker 8: Old Kareem Casino hamp de fee.

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Speaker 10: Outside at thirty speech. It's a trape.

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Speaker 2: So come on my father. We're gonna stop the father.

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He can hide as hell in the six O three.

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Speaker 1: I love it. That is party in the six soho three.

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The band is hush money and we've got the guys

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with us in studio. We're gonna be talking with them

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in just a moment. Welcome everybody. Here we go Matt

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Connorton unleashed and we are live from the studios of

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WMNH ninety five point three FM and Glorious but Snowy Manchester,

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New Hampshire because we needed more snow. But here we are.

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If you are listening live today is a Saturday, February seven,

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two thousand twenty six, and welcome. If you're listening on

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ninety five point three FM, or if you're streaming the show,

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you can stream it anywhere and go to Matt connorton

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dot com, slash live for all of your live streaming options,

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social media links, contact and fosho archives, et cetera, et cetera.

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And of course, I'm not alone.

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Speaker 9: Good morning sunshine.

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Speaker 1: Actually, actually I shouldn't have said I'm not alone. Of course,

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because you haven't been here in like three weeks.

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Speaker 9: Is just something different with my song? It sounded funky.

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Speaker 1: No, you just haven't heard it in a while because

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you haven't been here in three weeks. Well, yeah, I know, yeah, No,

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it's the same. It's the same version. It's the same version.

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So welcome back.

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Speaker 9: I was making good trouble.

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Speaker 1: Yes you were, Yes, you were, absolutely. Oh you wanted

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to mention two g girls in the Chatter solo.

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Speaker 9: The girls Just check out her podcast.

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Speaker 1: I recently guested on it. She's gonna be on the

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s Yeah, and she saw her return. She's gonna be

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on with us very soon because I had technically absolutely, So,

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we've got a great show for you today. But let's

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go ahead and get these guys in. I want to

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bring these these mics up. And interestingly, one of the

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members of hush Money we found out as we were

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talking off here, I have interviewed before. So what we'll

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do is we're gonna go around the room as we

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like to do, and have everyone introduce themselves, tell us

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who they are what they do in the band. But

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I think we should start with the gentleman who I

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have interviewed before on a different show in a different venue.

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Go ahead, Hello, hello, all right? Who are you and

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what do you do in the band? Paul bergowing? I

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play drums, all right, Paul, welcome, and you, sir.

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Speaker 11: I am Christopher Romano and I play guitar in the band.

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Speaker 1: All right, Chris welcome, and you Gary Mulkegan.

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Speaker 9: I am the lead singer hush.

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Speaker 1: Money, yes, yes, Oh, and the bass player. And let

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me get that you're on a different board here. Let

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me make sure we can hear you. We got to

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treat the bass player right, because I'm a bass player. So

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bass players unite. Let's make sure I got that mic

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up nice and loud for you.

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Speaker 12: Okay, go ahead, Yeah, Hey, I'm Brian Stafford, not play bass.

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Speaker 1: I'm failing with the microphone here. Say something. Oh hell, oh,

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there we go. Okay, cool, little trouble get you in

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the mixt Okay, there we go. Yeah, you're out. You're

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on a separate board here, and sometimes it doesn't always

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go as smoothly as we want. So welcome everybody. Uh So,

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I love the uh I love that track Party in

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the six o three. You guys got a lot going on.

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The vocals there remind me a little bit of uh,

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David Lee Roth. I don't know, I don't know.

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Speaker 9: We've heard that a few times. Yeah, yeah, it's interesting.

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Speaker 1: Yeah, you do remind me, like like, if you listen carefully,

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obviously you know your voice is a little a little

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raspier than his, but but something in the delivery, at

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least on that song, it does remind me of d

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l R.

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Speaker 9: Yeah. No, And we do. And when we play our

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cover shows, we you know, we do a couple of

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Van Halen songs.

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Speaker 1: So oh you do?

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Speaker 9: Yeah, yeah, yeah, we we play uh ain't talking about love?

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And yeah, you know what's the other one?

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Speaker 1: You really got?

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Speaker 9: You really got me? Thank you?

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Speaker 1: Yeah. So the obvious question, we'll get this out of

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the way. Where does the name come from? Hush money?

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What does it? What does it mean?

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Speaker 2: You know?

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Speaker 9: We uh we when when we pulled it together, it

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was a couple of years ago and uh there's you know,

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it's it's hard to get a band name together, and

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we you know, there was there was a lot of

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hush money in the news at that time, and so

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we wanted to kind of play fun at it and

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just have uh, you know, have a good time with

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with that. When people come see our shows, they're you know,

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they're contributing to the to the hush money fun. So

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that's kind of how it started.

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Speaker 1: I like that. I like that, how long have you

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guys been together? How long has this band existed?

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Speaker 9: So Chris and I were started it and it was

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interesting because I had answered an ad in Craigslist three

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years ago and uh and and the basis at the

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time we h it was named Carl Carl Brooks and

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he had actually started it and he he uh, he

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had he had cancer and he passed away that year.

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And so at that time Chris and I had to

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decide whether we wanted to fold or where we wanted

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to keep doing what we were doing. Yeah, and that's

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when we brought in Paul and then and then Brian

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who came from California and uh and joined the band.

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He moved out here and I said to him today,

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I said, you don't have a lot of people that

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moved from California to New Hampshire. So uh, so we

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we pulled Brian in and uh the last what fifteen

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months we've been together, the four of us and uh

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and pulling. We've been doing a lot over the last

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fifteen months.

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Speaker 1: That's fantastic. Yeah, Brian, did you did you move out

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here specifically for hush money?

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Speaker 9: Yeah?

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Speaker 1: It's crazy. Wow, that would be a great story. Yeah,

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you're allowed. You're allowed to make things up on the show.

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I don't, I don't care. I'm a I'm a marketing guy.

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I'm fine with it. Yeah, whatever, whatever you want to

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whatever you want to tell you. It was a national

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ad and I went, man, that sounds like a great opportunity.

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I'm going to head out there. Yeah no, I moved

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out for work. Okay.

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Speaker 12: Love the area and yeah, all right, don't regret a

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second of coming out here.

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Speaker 1: It's beautiful out here, even on a day like today

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where we on a day to day. You like the snow,

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love the snow?

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Speaker 9: Yeah?

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Speaker 1: Yeah, okay, all right, See I'm the I'm the opposite.

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I grew up here and I hate the snow.

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Speaker 12: I hope I don't ever get to that point. But

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so far so like the novelty of it's still superpealings.

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Speaker 1: No, that's good. So you've only been how long have

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you been here?

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Speaker 12: We moved out in August of twenty twenty three.

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Speaker 1: Oh okay, okay, so not not too long.

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Speaker 12: Yeah, a little under three years. Set that like two

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and a half years.

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Speaker 1: I guess now you guys have all I'm sure you've

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all been in other bands, right, like Paul you were

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in when I interviewed you before, it was on a

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different show. You were in a band called Sons of Auto. Yes,

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and Chris you would you? Oh, you mentioned off air

239
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you had played in a band with Larry from Downboy

240
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because for for people watching the video feed, I'm wearing

241
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my down Boys shirt. So you had played with Larry

242
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and you probably played in smaller bandsend Oh you were

243
00:16:10,399 --> 00:16:12,559
in Day two attend I played the top of them

244
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when it was almost three years ago. I'll be damned. Okay, yeah, yeah, yeah, okay, okay, yeah,

245
00:16:21,960 --> 00:16:23,039
a little bit.

246
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Speaker 11: Yeah nice folks.

247
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Speaker 1: Yeah, oh absolutely no, I love them. And then uh

248
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so what about you, Gary.

249
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Speaker 9: So my spirit is actually a little different than these guys.

250
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So back in uh in in high school and college,

251
00:16:36,440 --> 00:16:39,799
I actually was a rapper, no kidding. Yeah, And I

252
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had a song that was the single that was pushed

253
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out called step into the Future that I got to

254
00:16:46,039 --> 00:16:49,399
open up for running him Season Salt and Pepa and

255
00:16:49,720 --> 00:16:52,320
Robin s who had that song show Me Love. That's

256
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still ye you still hear it every I heard it

257
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at the market basket the other day.

258
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Speaker 1: Oh yeah, it was a huge hit. Yeah, so theyre are.

259
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Speaker 9: So so I still so. I did that and then

260
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I left the music industry when I got married and

261
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I went in the corporate world. And thirty years later,

262
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I said, I really always wanted to be the lead

263
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singer for a rock band, and I wanted to see

264
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if I could do it. That's when I answered that ad. Yeah,

265
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that's when I hooked up with this guy. Yeah, and

266
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the rest has been kind of history between.

267
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Speaker 1: All of us. So I'll be damn yeah. So yeah,

268
00:17:22,839 --> 00:17:27,480
because well not entirely surprising though, because the in your songs,

269
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you know, there was an element of that of where

270
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you're kind of like more more singing than rap, I

271
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mean more rapping than singing. Yea, yeah, yeah, yeah, Oh

272
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that's cool. That's cool. Wild, that's wild.

273
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Speaker 9: Yeah, it brings a different element to it.

274
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Speaker 1: Yeah, it does. Yeah. Yeah, And what about you, Brian,

275
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I mean, I assume back in California you were playing.

276
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Bass players are always highly sought after, so I assume

277
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you had.

278
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Speaker 12: I'd love to claim that I was doing it forever,

279
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but really I probably the most recent in terms of

280
00:17:49,480 --> 00:17:51,440
everybody here, in terms of the history you're playing in bands.

281
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Speaker 1: I had.

282
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Speaker 12: I was in two bands over in California, but really

283
00:17:54,519 --> 00:17:56,240
that started like in twenty nineteen, so it's only been

284
00:17:56,279 --> 00:17:58,359
like six years I've been playing in bands really, yeah,

285
00:17:58,400 --> 00:18:01,000
oh no kidding, but yeah, two great played with friends

286
00:18:01,039 --> 00:18:03,720
there and then moved out here and then kind of

287
00:18:03,799 --> 00:18:06,920
took a year to settle in, to delay the land

288
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and learn how to live out here, like how do

289
00:18:08,480 --> 00:18:09,759
you how do you shovel snow?

290
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Speaker 9: Right? Doing that?

291
00:18:12,240 --> 00:18:13,400
Speaker 1: Timely with the weather today.

292
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Speaker 12: But yeah, after about a year, that's when I finally

293
00:18:15,559 --> 00:18:17,240
was like, yep, I should start looking for a band playing.

294
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And yeah, that's how I got connected with Chris on Line.

295
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Speaker 1: Yeah, excellent, excellent. Now how many how many songs have

296
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you guys recorded so far?

297
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Speaker 9: So we have the the EP has six songs on it, okay,

298
00:18:28,720 --> 00:18:31,759
and but we've we've got another four songs that we've

299
00:18:31,759 --> 00:18:34,759
already written and we've been playing and practicing so when

300
00:18:34,799 --> 00:18:37,799
we what we've had to do is to get shows

301
00:18:37,839 --> 00:18:42,279
around here. We've created two mystiques of the band. One

302
00:18:42,359 --> 00:18:45,079
is a cover band where we when we play like

303
00:18:45,119 --> 00:18:49,440
we're playing Revo Casino on in Dover on February twenty first,

304
00:18:49,519 --> 00:18:53,039
we're gonna do ninety eight percent covers that night. But

305
00:18:53,079 --> 00:18:56,279
then we have a show on May twenty third at

306
00:18:56,359 --> 00:18:59,640
Tafata in Lowell. Yeah, and we're gonna be doing a

307
00:18:59,680 --> 00:19:02,519
show with with One Time Mountain who's they've got an

308
00:19:02,519 --> 00:19:04,799
album coming out, so we're gonna be opening up for them,

309
00:19:05,279 --> 00:19:08,839
and that's gonna be all originals show. So uh so

310
00:19:08,920 --> 00:19:12,039
we have ten originals right now that that we can

311
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go out there and and fill an hour set for

312
00:19:16,200 --> 00:19:18,640
you know, for for bands and yeah and uh and

313
00:19:18,680 --> 00:19:21,720
then we have like four hours five hours worth of

314
00:19:21,720 --> 00:19:22,519
covers that we have.

315
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Speaker 1: Is oh wow, okay.

316
00:19:23,519 --> 00:19:25,240
Speaker 9: Yeah, when we do shows, it's either three or four

317
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hours yea.

318
00:19:26,319 --> 00:19:30,599
Speaker 1: So damn yeah. Taffa is a great room. Uh, although

319
00:19:30,880 --> 00:19:32,519
when I hear the name, it always makes me chuckle

320
00:19:32,559 --> 00:19:35,559
because uh, William from Sepsis when they've been on the show.

321
00:19:35,599 --> 00:19:39,599
He always refers to it as I say it all.

322
00:19:39,519 --> 00:19:42,079
Speaker 9: The time and everybody corrects me. So I'm glad I

323
00:19:42,079 --> 00:19:42,960
got it right the first time.

324
00:19:42,960 --> 00:19:45,480
Speaker 1: I say yeah, because because whenever I hear it, you know,

325
00:19:45,480 --> 00:19:47,319
I started craving a Greek salad or something, you know.

326
00:19:49,359 --> 00:19:51,559
But yeah, but no, Taffa isn't really that's a cool

327
00:19:51,640 --> 00:19:54,920
that's a cool place. And then so we should talk

328
00:19:54,960 --> 00:19:58,079
about and we're gonna play because he said, you send

329
00:19:58,079 --> 00:19:59,799
me a bunch of music and and it's all really good,

330
00:19:59,799 --> 00:20:02,400
but I do want to make sure we play Badass

331
00:20:02,400 --> 00:20:05,599
don't Break because this song, Uh, this is significant for

332
00:20:05,640 --> 00:20:07,240
you guys. This is gonna be in a movie. Correct.

333
00:20:07,480 --> 00:20:11,440
Speaker 9: Yeah. Alton Wig Movies is coming out with the horror

334
00:20:11,440 --> 00:20:14,279
film this October called The House.

335
00:20:15,119 --> 00:20:18,960
Speaker 1: And Chris was telling me about this off air earlier.

336
00:20:18,960 --> 00:20:20,599
This is fascinating, but yeah, go ahead.

337
00:20:20,640 --> 00:20:23,880
Speaker 9: Yeah, So the it's a it's it's based on a

338
00:20:24,000 --> 00:20:26,680
story about and if you remember in the eighties, there

339
00:20:26,720 --> 00:20:29,960
was this kid that was like living in the walls

340
00:20:30,160 --> 00:20:32,880
of this home, like he was going in and I

341
00:20:32,920 --> 00:20:35,359
don't know, but living, but like he was torturing this

342
00:20:35,480 --> 00:20:42,640
family in Massachusetts and then he eventually killed the daughter

343
00:20:42,680 --> 00:20:45,440
and the mother and now he's still in jail to

344
00:20:45,519 --> 00:20:49,200
this day. Yeah, you know, and uh and the movie

345
00:20:49,240 --> 00:20:54,519
is kind of based on that story, and so it's it's, uh,

346
00:20:54,599 --> 00:21:00,559
the the song Badass Don't Break talks about the girl

347
00:21:00,599 --> 00:21:05,039
in this movie who's fighting against this you know, this

348
00:21:05,039 --> 00:21:09,000
this alleged or this person that's that's that's haunting her

349
00:21:09,039 --> 00:21:09,680
and her family.

350
00:21:09,799 --> 00:21:11,400
Speaker 1: Okay, okay, what's the movie called you?

351
00:21:11,799 --> 00:21:12,279
Speaker 9: The House?

352
00:21:12,400 --> 00:21:15,079
Speaker 1: The House? Yeah, okay, and then this is uh do

353
00:21:15,079 --> 00:21:16,160
you know when this is coming out?

354
00:21:16,279 --> 00:21:17,240
Speaker 9: October of this year?

355
00:21:17,279 --> 00:21:20,000
Speaker 1: October? Okay, so not too far. And then uh so

356
00:21:20,160 --> 00:21:22,119
and the song is actually in the film.

357
00:21:22,200 --> 00:21:22,400
Speaker 9: Yeah.

358
00:21:22,519 --> 00:21:23,559
Speaker 1: Yeah, and we'rexcellent and.

359
00:21:23,519 --> 00:21:25,200
Speaker 9: We're going to be doing the rap party for them

360
00:21:25,240 --> 00:21:29,319
in July. We'll be performing follow all the actors in

361
00:21:29,359 --> 00:21:29,759
the movie.

362
00:21:29,839 --> 00:21:30,640
Speaker 1: Oh that's amazing.

363
00:21:30,680 --> 00:21:31,720
Speaker 9: How did the family?

364
00:21:31,759 --> 00:21:34,039
Speaker 1: How did this opportunity come about? Because that's huge.

365
00:21:35,319 --> 00:21:38,160
Speaker 9: So Mark Alton Wig, I've actually known him for a

366
00:21:38,160 --> 00:21:41,440
long time and uh, and so he was actually part

367
00:21:41,480 --> 00:21:43,440
of the rap scene back in when the House but

368
00:21:43,599 --> 00:21:46,599
I was doing it, and we were we played basketball

369
00:21:46,640 --> 00:21:49,079
together in high school as well, and so we go

370
00:21:49,200 --> 00:21:52,359
way back. And uh, he's always uh, you know, been

371
00:21:52,480 --> 00:21:55,359
involved in movies and he uh, he had another movie

372
00:21:55,359 --> 00:21:57,759
that he had done a few years back as well.

373
00:21:57,839 --> 00:21:59,880
So this is a follow up to that.

374
00:22:00,359 --> 00:22:02,680
Speaker 1: Oh very cool, that's awesome. Happy for you guys. This

375
00:22:02,759 --> 00:22:04,920
is great. So let's give this a spend. If you

376
00:22:04,960 --> 00:22:08,079
are just joining us, hush money is here and this

377
00:22:08,240 --> 00:22:17,200
is called this is called badass. Don't break.

378
00:22:23,200 --> 00:22:30,759
Speaker 10: I know she's giving it something. I know it's tearing

379
00:22:30,920 --> 00:22:38,960
her down. She cried, but love never surrendered. Living in

380
00:22:39,559 --> 00:22:59,480
still a time. I know she's giving him loving I know,

381
00:23:00,079 --> 00:23:02,680
oh he's dragging her down.

382
00:23:04,240 --> 00:23:10,480
Speaker 2: She cried. The love never surrender her living life one

383
00:23:10,599 --> 00:23:17,880
day at a time, for a piece of mind. She

384
00:23:17,960 --> 00:23:20,359
wants stunned head. Stunned head.

385
00:23:22,960 --> 00:23:33,880
Speaker 10: She wants running head, running head. She kept punching, punchet, fighting.

386
00:23:33,559 --> 00:23:47,319
Speaker 2: For her light, life, life, her mother's taste. She can't raise.

387
00:23:47,519 --> 00:23:53,559
She keeps pullsht no hesitas. She trying to place and keeps.

388
00:23:53,359 --> 00:23:57,759
Speaker 10: Living from what I don't looked in her. So of

389
00:23:57,799 --> 00:24:01,279
course I stop the ball her will to lift and

390
00:24:01,559 --> 00:24:18,359
asking you nothing's impossible. I'm know she's giving and love it.

391
00:24:19,920 --> 00:24:23,480
Speaker 2: I know he's bringing her down.

392
00:24:25,000 --> 00:24:31,640
Speaker 10: She cried, but love never surrender her living on mottle

393
00:24:31,759 --> 00:24:33,599
time for a piece of mind.

394
00:24:38,400 --> 00:24:44,759
Speaker 2: She is running head and running head. She is stunning head,

395
00:24:45,000 --> 00:24:54,839
stunned head. She kept punch head on her second chance on.

396
00:24:55,079 --> 00:25:02,240
Speaker 1: Life, life life.

397
00:25:05,559 --> 00:25:07,519
Speaker 9: She with the man, stand out.

398
00:25:07,440 --> 00:25:12,119
Speaker 2: The flood and capt go away. Fadays, don't break They

399
00:25:12,240 --> 00:25:14,680
trust cride and keep living mad.

400
00:25:15,680 --> 00:25:19,400
Speaker 10: It's time to don't it's time to leave. Don't off

401
00:25:19,480 --> 00:25:22,240
with me bad, I don't break down.

402
00:25:22,319 --> 00:25:23,440
Speaker 1: I don't break bad.

403
00:25:23,599 --> 00:25:42,559
Speaker 2: I don't pray.

404
00:25:35,559 --> 00:25:35,799
Speaker 13: Bad.

405
00:25:35,920 --> 00:25:45,920
Speaker 14: I don't pray fat as, don't prey fats, don't pray fats,

406
00:25:46,000 --> 00:25:54,960
don't pray fatass, don't prey badass, don't pray oo.

407
00:26:42,000 --> 00:26:56,599
Speaker 1: Yeah, there it is Badass, don't break. The band is

408
00:26:56,680 --> 00:26:59,960
hush Money, and I love that And that's gonna be

409
00:27:00,079 --> 00:27:02,079
on the house. That's the name of the film.

410
00:27:02,160 --> 00:27:05,720
Speaker 9: Yeah, the house. And uh the kid that we were

411
00:27:05,720 --> 00:27:09,480
talking about that that was torturing that family, Daniel Laplant. Okay,

412
00:27:09,519 --> 00:27:11,480
and he's, like I said, he's still in jails. Yeah,

413
00:27:11,519 --> 00:27:12,000
thank goodness.

414
00:27:12,240 --> 00:27:16,839
Speaker 1: Yeah, yeah, okay, okay. I love the solo on that, Chris,

415
00:27:16,400 --> 00:27:21,759
that's so so good, so good. And yeah, so hush

416
00:27:21,759 --> 00:27:23,799
Money is with us in studio and we were talking

417
00:27:23,839 --> 00:27:25,880
to a little bit off air about uh, the you

418
00:27:25,920 --> 00:27:28,799
know where where you guys record the process and everything,

419
00:27:28,839 --> 00:27:31,319
because everything sounds really good, so we should definitely give

420
00:27:31,359 --> 00:27:32,519
some some props.

421
00:27:32,880 --> 00:27:38,119
Speaker 9: Yeah, Walker Studios in uh in Chelmsford, Massachusetts. Bob Nash

422
00:27:38,359 --> 00:27:38,799
is the guy.

423
00:27:38,920 --> 00:27:41,880
Speaker 1: He's I think that name has come up on the

424
00:27:41,880 --> 00:27:45,680
show before. Yeah, how did you come to work with him?

425
00:27:45,799 --> 00:27:49,759
Speaker 9: So? I'm really good friends with the evolutionist Okay, he's

426
00:27:49,759 --> 00:27:52,200
a he's a he's a hip hop artist and out

427
00:27:52,200 --> 00:27:56,640
of nashaua okay, And and he he had recorded a

428
00:27:56,640 --> 00:27:59,119
bunch of music there and said you want to you

429
00:27:59,119 --> 00:28:01,759
definitely want to work with with Bob. And and we

430
00:28:01,799 --> 00:28:04,960
went down and Bob meshed with us like right away,

431
00:28:05,440 --> 00:28:08,200
Yeah he got us and uh and you could see

432
00:28:08,240 --> 00:28:13,160
the way he mixed it. He really did a fantastic job.

433
00:28:13,200 --> 00:28:15,519
And we're gonna go back and record that then you

434
00:28:15,519 --> 00:28:18,880
know the other songs that we've already got going and

435
00:28:18,960 --> 00:28:21,920
go back there this year and have him do it again.

436
00:28:22,039 --> 00:28:24,440
Speaker 1: Oh very good. Yeah, it's nice when it just seems

437
00:28:24,480 --> 00:28:27,039
to be so organic, and you know, then you know

438
00:28:27,079 --> 00:28:28,839
you've really got something and you know you found someone

439
00:28:28,880 --> 00:28:30,240
you can you can I mean, does he kind of

440
00:28:30,240 --> 00:28:32,599
become like a like a fifth member of the band

441
00:28:32,599 --> 00:28:33,200
in that sense.

442
00:28:33,400 --> 00:28:36,279
Speaker 9: Yeah, I think it does. He does. Yeah, he does

443
00:28:36,279 --> 00:28:39,000
a great job. And Chris, when you were so you

444
00:28:39,000 --> 00:28:42,480
could talk about how he mixed your guitars and in

445
00:28:42,559 --> 00:28:44,160
that song especially.

446
00:28:43,759 --> 00:28:47,039
Speaker 11: Oh yeah, yeah, it's it's like it's like everything is

447
00:28:47,039 --> 00:28:50,720
a process and there's a lot of moving parts, you know. Yeah,

448
00:28:51,119 --> 00:28:53,519
so he's been doing it for a while and he

449
00:28:53,559 --> 00:28:58,160
has a passion for what he does, and he came

450
00:28:58,240 --> 00:29:02,759
together and looking forward to doing some more good stuff

451
00:29:02,759 --> 00:29:03,079
for him.

452
00:29:03,240 --> 00:29:07,720
Speaker 1: Yeah, yeah, absolutely, no doubt, no doubt. And then so

453
00:29:08,079 --> 00:29:09,400
when do you when do you plan to go back

454
00:29:09,440 --> 00:29:11,400
in with him? Is is that going to be.

455
00:29:11,839 --> 00:29:13,519
Speaker 9: The end of the summer, end of the summer, yeah,

456
00:29:13,559 --> 00:29:16,039
beginning and fall. Yeah, yeah, because.

457
00:29:15,799 --> 00:29:17,319
Speaker 1: You guys are pretty busy, right, you're playing a lot

458
00:29:17,359 --> 00:29:19,359
of shows, as you mentioned earlier, and yeah.

459
00:29:19,240 --> 00:29:22,000
Speaker 9: Yeah, we already have thirteen shows booked for this year.

460
00:29:22,079 --> 00:29:24,240
We got another one that a couple more actually were

461
00:29:24,240 --> 00:29:27,400
waiting to hear back from. Wow, good folks, and yeah

462
00:29:27,440 --> 00:29:29,680
it's we're actually starting to book for twenty twenty seven.

463
00:29:30,160 --> 00:29:33,839
Speaker 1: Oh that's fantastic. Yeah, that's fantastic. Good for you. I

464
00:29:33,880 --> 00:29:36,400
do want to play. There's another track that we should

465
00:29:36,599 --> 00:29:40,960
uh play because tell us about this song Our Love.

466
00:29:41,039 --> 00:29:44,319
You've had some uh scored some wins with this one already.

467
00:29:44,920 --> 00:29:48,640
Speaker 9: Yeah, it's so so Our Love is. It's actually interesting

468
00:29:48,680 --> 00:29:51,240
because it, like the lyrics are actually about a guy

469
00:29:51,680 --> 00:29:55,119
meeting a girl when they're young and she eventually comes

470
00:29:55,160 --> 00:30:00,720
just becomes, uh, she becomes his wife and h it's

471
00:30:00,759 --> 00:30:02,359
actually about me meeting my wife.

472
00:30:02,480 --> 00:30:03,640
Speaker 1: Oh, okay, thirty.

473
00:30:03,359 --> 00:30:05,279
Speaker 9: Five years ago, because I act like an idiot when

474
00:30:05,279 --> 00:30:08,680
I first met her. Of course I was nineteen years

475
00:30:08,680 --> 00:30:09,400
old at the time.

476
00:30:09,440 --> 00:30:10,680
Speaker 1: And then and then.

477
00:30:12,119 --> 00:30:17,279
Speaker 9: You know, and then I actually charmeder enough to have

478
00:30:17,319 --> 00:30:19,559
her become my wife the years later, and the rest

479
00:30:19,599 --> 00:30:23,599
is history. But the song itself right now is its

480
00:30:23,640 --> 00:30:26,200
streaming everywhere. It just was released a couple of weeks ago.

481
00:30:26,680 --> 00:30:32,039
Ninety two point five competitor but the River. The River

482
00:30:32,200 --> 00:30:36,000
chose it as a showcase for their local showcase and

483
00:30:36,039 --> 00:30:39,119
they played it a couple of weeks ago. Very and

484
00:30:39,240 --> 00:30:43,079
also Wave Radio has also played it Wave Wave Wave

485
00:30:43,160 --> 00:30:45,680
Radio Boston. So we've been on one. Yeah, quite a

486
00:30:45,720 --> 00:30:46,440
few places. Now.

487
00:30:46,519 --> 00:30:48,960
Speaker 1: Oh that's outstanding, very good, very good. Well, let's give

488
00:30:49,000 --> 00:30:52,079
this a spind uh this is called our love. And

489
00:30:52,119 --> 00:31:07,039
again the band is hush money.

490
00:31:09,839 --> 00:31:12,680
Speaker 10: Well, I was sliding of fold man on dover of

491
00:31:12,839 --> 00:31:14,000
bacon her mind.

492
00:31:14,319 --> 00:31:16,319
Speaker 2: She was hungry and leads to.

493
00:31:16,359 --> 00:31:18,160
Speaker 1: Admitting in drinking her wine.

494
00:31:18,559 --> 00:31:22,319
Speaker 10: Hoped over thought it was sober, smooth as bevery white.

495
00:31:22,720 --> 00:31:25,279
She was laughing at me and thought it was selling

496
00:31:25,440 --> 00:31:26,480
bacon her smile.

497
00:31:26,720 --> 00:31:27,839
Speaker 7: And we were fun.

498
00:31:31,079 --> 00:31:31,279
Speaker 11: Kids.

499
00:31:31,319 --> 00:31:34,640
Speaker 10: Stop loving you, breathing you, hunt and on and on,

500
00:31:35,039 --> 00:31:41,680
and we were fun, just like baby, look, junkie, look,

501
00:31:41,799 --> 00:31:43,920
put it nothing else upout ill love.

502
00:31:51,799 --> 00:31:54,400
Speaker 2: Now we were finding ways to get away.

503
00:31:54,680 --> 00:31:55,759
Speaker 1: It was our time.

504
00:31:56,240 --> 00:31:58,799
Speaker 2: We were young in our twenties, let me go and playing.

505
00:31:58,640 --> 00:31:59,839
Speaker 9: In bigu're and outline.

506
00:32:00,359 --> 00:32:02,839
Speaker 2: She was keep it up, keep it up with me.

507
00:32:02,920 --> 00:32:04,039
Speaker 7: And died after night.

508
00:32:04,480 --> 00:32:07,160
Speaker 2: We weren't living our life, but I'm thinking my wife.

509
00:32:07,079 --> 00:32:13,279
Speaker 10: Rest was out side, and we were fine, can't stop

510
00:32:13,359 --> 00:32:16,039
going and here bread the news on it on and

511
00:32:16,160 --> 00:32:23,400
hold and we were fine, just like baby, little jokey little.

512
00:32:23,279 --> 00:32:52,119
Speaker 15: Put the north again, support hollow so full up, baby baby,

513
00:32:52,640 --> 00:32:56,759
it's time to go to town. Hold up, baby, baby back.

514
00:32:56,920 --> 00:33:03,240
Speaker 7: Give me a little town. Then we were fine, can't.

515
00:33:03,079 --> 00:33:06,359
Speaker 2: Stop loving you, breathing you, on and on and on

516
00:33:06,599 --> 00:33:07,559
on and we were.

517
00:33:07,519 --> 00:33:14,400
Speaker 10: Fun just like baby love, Yomi love, puting nothing else

518
00:33:14,440 --> 00:33:24,119
to call holo, send me, were.

519
00:33:31,400 --> 00:33:32,200
Speaker 2: Hand me, were.

520
00:33:39,559 --> 00:33:59,880
Speaker 1: Hallo. That track is called Our Love. Oh that was it.

521
00:34:00,119 --> 00:34:02,200
That was a big no no for a radio guy.

522
00:34:02,240 --> 00:34:07,839
I apologize that was a big no no. But the

523
00:34:08,360 --> 00:34:11,440
song is called Our Love. The band is hush Money,

524
00:34:11,880 --> 00:34:14,519
and we have Hush Money with us in studio and

525
00:34:14,840 --> 00:34:17,679
very very happy about it. You guys, uh, you got

526
00:34:17,679 --> 00:34:19,519
a lot of great tunes here. This is a this

527
00:34:19,679 --> 00:34:22,960
is really good. We were talking off air too, Paul

528
00:34:23,159 --> 00:34:25,559
was talking about how you know the process, how when

529
00:34:25,599 --> 00:34:28,000
you guys went into the studio you didn't necessarily have

530
00:34:28,079 --> 00:34:30,159
all these songs together and some of this kind of

531
00:34:30,519 --> 00:34:32,760
the magic sort of happened there, right, Yeah, from what

532
00:34:32,840 --> 00:34:33,559
you were saying.

533
00:34:33,480 --> 00:34:36,440
Speaker 16: Yeah, Our Love was pretty much done and six o

534
00:34:36,599 --> 00:34:40,280
three we had done, and it was basically go in

535
00:34:40,440 --> 00:34:43,519
and get those and then we had extra time, so

536
00:34:44,679 --> 00:34:46,840
why don't we just demo the rest of them in right,

537
00:34:46,920 --> 00:34:49,280
And then it kind of rattled them off and it

538
00:34:49,400 --> 00:34:50,480
kind of it worked.

539
00:34:50,719 --> 00:34:50,920
Speaker 9: Yeah.

540
00:34:51,320 --> 00:34:53,920
Speaker 1: Yeah, now that's really that's really good. That's really good

541
00:34:53,960 --> 00:34:58,039
when that happens. And then so with the shows, with

542
00:34:58,159 --> 00:35:00,320
the shows that you guys are doing. Because Gary, you

543
00:35:00,360 --> 00:35:02,119
were talking earlier about how you know you kind of

544
00:35:02,800 --> 00:35:04,559
like some of the shows are cover shows, some of

545
00:35:04,599 --> 00:35:06,719
the more original bass Like what's what's sort of the

546
00:35:06,800 --> 00:35:09,760
ratio there in terms of like how many shows do

547
00:35:09,840 --> 00:35:11,639
you guys do that are more more covers?

548
00:35:12,280 --> 00:35:14,159
Speaker 9: I think it would probably be like seventy five percent

549
00:35:14,679 --> 00:35:16,559
for the stuff we'll be doing. But I think it's

550
00:35:16,599 --> 00:35:20,159
gonna flip at some point because I I'm I mean,

551
00:35:20,440 --> 00:35:23,639
I'm very confident in what we're creating and the songs

552
00:35:23,639 --> 00:35:25,480
that we even don't even have on the on the

553
00:35:25,559 --> 00:35:27,960
CD right now and on the on on the on

554
00:35:28,039 --> 00:35:33,079
the EP is really strong. They're very strong. So I

555
00:35:33,079 --> 00:35:35,159
think they're gonna compliment the ones that we have now

556
00:35:36,079 --> 00:35:40,800
really well. And and I think that that once people

557
00:35:40,840 --> 00:35:43,679
start hearing our originals more and more and more, they're

558
00:35:43,719 --> 00:35:46,400
going to be asking for us to do that more. Yeah,

559
00:35:46,519 --> 00:35:49,960
And uh, it's to get shows. You gotta we gotta

560
00:35:50,000 --> 00:35:51,480
do what we have to do, right Yeah. Yeah, So

561
00:35:52,400 --> 00:35:54,000
but I think at some point it's gonna flip.

562
00:35:54,280 --> 00:35:56,480
Speaker 1: Yep, yeap. Do you guys do any covers that are

563
00:35:56,559 --> 00:35:59,039
kind of obscure? I've I've been in a in bands

564
00:35:59,079 --> 00:36:02,079
where we did, like we would do covers, but they

565
00:36:02,239 --> 00:36:04,599
but there might be something in there that nobody.

566
00:36:04,519 --> 00:36:06,679
Speaker 2: Chris, Chris.

567
00:36:07,280 --> 00:36:09,039
Speaker 1: Half of the stuff we do would be the B

568
00:36:09,199 --> 00:36:11,559
sides really really yeah.

569
00:36:12,039 --> 00:36:14,159
Speaker 11: So much great music out there, you know. Oh yeah,

570
00:36:14,199 --> 00:36:17,480
I think I think I've approached it in a way where,

571
00:36:18,360 --> 00:36:20,599
you know, I want to make people happy when we

572
00:36:20,679 --> 00:36:21,679
play cover songs.

573
00:36:21,960 --> 00:36:22,119
Speaker 1: Yea.

574
00:36:22,480 --> 00:36:24,719
Speaker 11: At the same time, you have an identity where you like,

575
00:36:24,920 --> 00:36:29,119
you have a few you have some ideas about what

576
00:36:29,239 --> 00:36:32,840
you want to hear too, you know, people can identify

577
00:36:33,000 --> 00:36:36,840
with that. So yeah, you know, and and definitely like

578
00:36:36,920 --> 00:36:37,679
B side stuff.

579
00:36:37,880 --> 00:36:43,960
Speaker 9: Yeah, the Jackal song just because I'm drunk, that's one

580
00:36:44,039 --> 00:36:45,599
that you'll hear it at the Coach Money.

581
00:36:45,400 --> 00:36:48,360
Speaker 1: Show, okidding. Yeah, Yeah, it's pretty good. So when you

582
00:36:48,519 --> 00:36:51,480
do something like that that maybe not everyone knows you like,

583
00:36:51,599 --> 00:36:53,480
do you ever have someone like come up to you

584
00:36:53,519 --> 00:36:55,519
and say, hey, I really like they just assume that

585
00:36:55,639 --> 00:36:56,840
it's an original and they come up to you and

586
00:36:56,880 --> 00:36:58,199
they go, I really like that song.

587
00:36:59,519 --> 00:37:02,000
Speaker 9: We I think the way we introduce it is it's

588
00:37:02,079 --> 00:37:04,880
more of you know, this is for all you party

589
00:37:04,880 --> 00:37:07,360
here is late night ers. Yeah and uh and and

590
00:37:07,920 --> 00:37:10,840
it's been very well received. Yeah, the songs. Yeah, yeah,

591
00:37:11,000 --> 00:37:13,880
and so so that's definitely one that that we throw

592
00:37:13,920 --> 00:37:16,000
in there when when there's a lot of people just

593
00:37:16,519 --> 00:37:17,440
you know, partying away.

594
00:37:17,599 --> 00:37:21,000
Speaker 1: So yeah, I part of why I was curious is

595
00:37:21,079 --> 00:37:22,679
so I used to play a band called My Life

596
00:37:22,760 --> 00:37:25,119
Crisis a long time ago, and we, you know, we

597
00:37:25,320 --> 00:37:27,239
did a couple of covers and one of the songs

598
00:37:27,280 --> 00:37:30,000
we covered was hate by Kiss. But the thing is,

599
00:37:30,159 --> 00:37:32,719
unless you were, you know, a really die hard Kiss fan,

600
00:37:32,800 --> 00:37:35,519
you had no idea that that And we didn't say

601
00:37:35,559 --> 00:37:37,239
anything when we introduced it. We would just play it.

602
00:37:37,280 --> 00:37:38,960
And sometimes people would come up to us and I

603
00:37:39,079 --> 00:37:41,760
really like that, what's that one song you did? And uh,

604
00:37:42,360 --> 00:37:43,880
you know, and they would assume you know, and then

605
00:37:43,920 --> 00:37:45,519
of course we would tell them, well, no, it's not ours.

606
00:37:45,559 --> 00:37:48,039
That's a Kiss cover. But it was like like from

607
00:37:48,440 --> 00:37:51,199
Carnival of Souls, which unless you're a die hard Kiss fan,

608
00:37:51,280 --> 00:37:54,599
you have no clue. But uh, but yeah, I was.

609
00:37:54,679 --> 00:37:56,400
I always thought that was that was kind of fun

610
00:37:57,360 --> 00:37:59,480
when when you guys the covers that you do, do

611
00:37:59,519 --> 00:38:02,320
you try to say as faithful to the original as possible.

612
00:38:02,360 --> 00:38:05,280
Because the other interesting thing I've noticed is that you

613
00:38:05,320 --> 00:38:10,000
know different people and probably most people want to hear

614
00:38:10,880 --> 00:38:14,000
want to hear covers that sound really close to the original.

615
00:38:14,079 --> 00:38:16,639
But then but then there are people like me who

616
00:38:16,719 --> 00:38:19,320
are like, if I'm hearing an artist to a cover

617
00:38:19,480 --> 00:38:20,960
song and they kind of put their own spin out it,

618
00:38:21,079 --> 00:38:23,320
I like that. It's like, I know how the original goes.

619
00:38:23,440 --> 00:38:25,360
I want to hear your interpretation of it, you know

620
00:38:25,400 --> 00:38:27,320
what I mean, Like, how do you guys approach that?

621
00:38:27,400 --> 00:38:29,280
Do you try to keep it you try to play

622
00:38:29,320 --> 00:38:32,079
it straight, or do you ever kind of, you know,

623
00:38:32,159 --> 00:38:34,079
put a little a little hush money spin on it.

624
00:38:34,760 --> 00:38:36,599
Speaker 12: I would say for the most part, we try to

625
00:38:36,719 --> 00:38:38,840
keep it to the original. One of the reasons is

626
00:38:38,960 --> 00:38:41,239
because it just makes it easier to have more of

627
00:38:41,280 --> 00:38:43,719
a repertoire. Like when that's true, because you know, there's

628
00:38:43,760 --> 00:38:46,000
so many songs you're trying to have in your your

629
00:38:46,039 --> 00:38:49,039
whole catalog. Makes it easier to practice independently when it's

630
00:38:49,039 --> 00:38:50,559
closer to what like, you know, you can listen to

631
00:38:50,559 --> 00:38:51,960
it real quick and just play along with that because

632
00:38:51,960 --> 00:38:53,800
you don't have as much time when you're all together

633
00:38:53,880 --> 00:38:56,280
rehearsing to run through all like, hey, we want to

634
00:38:56,320 --> 00:38:58,199
change this up a little bit, so like let's practice it.

635
00:38:58,280 --> 00:39:00,400
This way just makes a little more econ I'm with

636
00:39:00,440 --> 00:39:00,719
their time.

637
00:39:00,880 --> 00:39:04,360
Speaker 1: Yeah, that's true, that makes sense. That makes sense. Yeah, Now,

638
00:39:04,519 --> 00:39:06,599
are any of you guys and other bands currently or

639
00:39:06,719 --> 00:39:09,239
you all just committed to hush money because I know,

640
00:39:09,559 --> 00:39:11,800
like Paul, I know with every drummer I know is

641
00:39:11,840 --> 00:39:14,880
in ten different bands, because yeah, I still play with

642
00:39:15,639 --> 00:39:17,840
Oh you do sons of Autos, so going, oh that's fantastic.

643
00:39:19,719 --> 00:39:22,800
Speaker 16: Yeah, just on the side kind of thing. Yeah, yeah,

644
00:39:23,360 --> 00:39:26,159
that's cool, this is the main thing. But yeah, yeah,

645
00:39:26,239 --> 00:39:27,559
I fill GM with all those guys.

646
00:39:27,719 --> 00:39:29,719
Speaker 1: Oh, very cool, Very cool, Because I have a theory

647
00:39:29,760 --> 00:39:32,039
about that. When when you're growing up and you first

648
00:39:32,079 --> 00:39:33,840
get interested in playing a musical instrument, if you go

649
00:39:33,880 --> 00:39:35,440
to your parents and you say, hey, I want to

650
00:39:35,480 --> 00:39:38,880
play drums, that's like that and maybe the tuba or

651
00:39:38,920 --> 00:39:40,800
the two that they're going to try to actively talk

652
00:39:40,840 --> 00:39:42,760
you out of and and and I think that what

653
00:39:42,960 --> 00:39:45,239
that is created is we're now in a we now

654
00:39:45,280 --> 00:39:47,960
exist in a time where there's not enough drummers.

655
00:39:50,360 --> 00:39:51,639
Speaker 4: Yeah, probably, yeah.

656
00:39:51,639 --> 00:39:54,159
Speaker 1: Because literally, like I'm like, I'm not kidding, Like every

657
00:39:54,280 --> 00:39:57,480
every drummer I know is in is in multiple multiple bands,

658
00:39:58,159 --> 00:39:59,760
and bass players are in high demand too.

659
00:40:00,360 --> 00:40:00,559
Speaker 9: Yeah.

660
00:40:00,800 --> 00:40:02,239
Speaker 12: Well they're in the background a lot, right, so they

661
00:40:02,280 --> 00:40:04,159
can get it. Just slide in and out of bands and.

662
00:40:04,239 --> 00:40:05,599
Speaker 1: Yeah, hey, what do you need me to do? Okay,

663
00:40:05,599 --> 00:40:07,920
I can do that. Yeah yeah, it makes it easier. Yeah,

664
00:40:08,039 --> 00:40:11,360
absolutely absolutely. We should play another track, let's see, because

665
00:40:11,360 --> 00:40:13,000
we do have a we do it. Yeah, we haven't

666
00:40:13,000 --> 00:40:15,199
played everything yet. What do you guys, I'll let you

667
00:40:15,280 --> 00:40:15,760
guys pick.

668
00:40:15,920 --> 00:40:18,199
Speaker 9: Uh oh, see electric shock?

669
00:40:18,599 --> 00:40:20,599
Speaker 1: You want to play electric shock? Sure, that's a good one.

670
00:40:20,679 --> 00:40:22,519
That's a good one if you're just joining us. We've

671
00:40:22,519 --> 00:40:24,559
got hush money here with us in the studio and

672
00:40:24,920 --> 00:40:27,039
uh yeah, let's give this a spend. This is called

673
00:40:27,159 --> 00:40:27,880
electric shock.

674
00:40:28,280 --> 00:40:46,719
Speaker 2: Right, let's not waste that time. Shake George and lags

675
00:40:46,760 --> 00:40:47,639
with just a tip.

676
00:40:47,960 --> 00:40:50,679
Speaker 10: Time to legs to just slip into my real of

677
00:40:50,840 --> 00:40:55,400
sex and blist, bend, end and send shock inside my head.

678
00:40:55,639 --> 00:40:58,119
Speaker 2: When you shake your head, stick will make a low

679
00:40:58,280 --> 00:41:03,360
back pamp. Hey, let's get going now, my love and

680
00:41:03,559 --> 00:41:05,679
give my flea me live.

681
00:41:07,960 --> 00:41:12,840
Speaker 10: Let's get going now my love and dodge about me.

682
00:41:14,159 --> 00:41:22,480
Speaker 3: She gives me love, She gives you love.

683
00:41:28,840 --> 00:41:34,480
Speaker 10: The legit shot inside my head wing shake go ahead instead,

684
00:41:34,559 --> 00:41:37,039
gonna make the love that never and said, let's.

685
00:41:36,880 --> 00:41:40,800
Speaker 2: Go shoot that brock it up. It's some of my

686
00:41:40,960 --> 00:41:41,840
favorite places.

687
00:41:41,920 --> 00:41:46,800
Speaker 10: Basis racing side that passion into flames and roll it up.

688
00:41:47,760 --> 00:41:52,960
Speaker 2: It's you insane fat me more until the friends. Let's

689
00:41:53,000 --> 00:41:55,480
get going now, my love.

690
00:41:55,559 --> 00:41:57,920
Speaker 13: And give my flea me bill.

691
00:42:00,199 --> 00:42:05,079
Speaker 2: Let's get going now, my love, dodget or b me.

692
00:42:06,360 --> 00:42:07,360
Speaker 3: She kissed the love.

693
00:42:13,719 --> 00:42:38,920
Speaker 2: She kissed her. Let's go again. It's sign body, Hey,

694
00:42:39,800 --> 00:42:40,480
you can't.

695
00:42:40,280 --> 00:42:43,039
Speaker 10: Protecting my thoughts, I said, are you ready to get

696
00:42:43,119 --> 00:42:44,519
some better? Electric shock?

697
00:42:45,440 --> 00:42:48,880
Speaker 2: It's sun by head. Wait, you shake your head. It's

698
00:42:48,920 --> 00:42:52,679
that gonna make a love that now as Let's.

699
00:42:52,440 --> 00:42:57,119
Speaker 10: Get going now, my love and give back lammedly.

700
00:42:59,519 --> 00:43:01,199
Speaker 2: Let's get going now.

701
00:43:02,679 --> 00:43:14,039
Speaker 3: Nodge of mob. She kiss me, shes.

702
00:43:20,519 --> 00:43:26,280
Speaker 10: Electric shock inside my head when you shake your head instead.

703
00:43:26,039 --> 00:43:28,079
Speaker 2: Gonna make a love that never airs.

704
00:43:50,599 --> 00:43:58,599
Speaker 3: She kissed me, She kissed me.

705
00:44:13,880 --> 00:44:17,000
Speaker 8: She is, she is who.

706
00:44:21,239 --> 00:44:22,039
Speaker 1: She gives.

707
00:44:23,039 --> 00:44:24,119
Speaker 11: She gives.

708
00:44:46,239 --> 00:44:49,360
Speaker 1: Electric shock. The band is hush Money, and we've got

709
00:44:49,360 --> 00:44:51,519
the guys from hush Money here where that's in studio.

710
00:44:51,760 --> 00:44:53,519
When I hear that song, though, the word that comes

711
00:44:53,559 --> 00:44:57,239
to mind is urgency. Really that like there's and I

712
00:44:57,360 --> 00:44:59,079
like it. There's an urgency to it. You know what

713
00:44:59,119 --> 00:45:03,599
I mean, drive beat it does? Yeah, yeah, no, very

714
00:45:03,719 --> 00:45:06,440
very cool. What's like, what's kind of is there is

715
00:45:06,480 --> 00:45:08,360
there a crowd favorite among these? Is there a song

716
00:45:08,440 --> 00:45:12,119
that you guys have that, uh that really you just

717
00:45:12,320 --> 00:45:16,320
notice the crowd reacts to when you play it? Especially? Well,

718
00:45:16,360 --> 00:45:21,639
I think Our Love is the main one. Yeah, yeah, okay, yeah, I.

719
00:45:21,719 --> 00:45:24,280
Speaker 12: Agree, But I've also, like some I think I've noticed

720
00:45:24,320 --> 00:45:26,159
more of a reaction to the Party in six o three,

721
00:45:26,280 --> 00:45:27,519
like when we've been up on stage playing it.

722
00:45:27,719 --> 00:45:30,800
Speaker 9: Yeah, yeah, a lot of people because you know, we

723
00:45:30,960 --> 00:45:33,360
actually were we had it set where we would play

724
00:45:33,400 --> 00:45:36,239
it after Sweet Home Alabama. Oh really and uh and

725
00:45:36,480 --> 00:45:39,119
just kind of like say, look, New Hampshire doesn't have

726
00:45:39,679 --> 00:45:42,960
a theme song. Oh why don't we you know, why

727
00:45:43,000 --> 00:45:45,320
don't do this song be the theme song for New Hampshire?

728
00:45:45,360 --> 00:45:45,760
Speaker 1: Right right?

729
00:45:46,800 --> 00:45:48,960
Speaker 9: Party in the six o three? Everybody, everybody, you know,

730
00:45:49,159 --> 00:45:50,559
kinda we'll understand that.

731
00:45:50,840 --> 00:45:53,159
Speaker 1: Yeah, that makes a lot of sense. That makes a

732
00:45:53,199 --> 00:45:55,239
lot of sense. Now, are you guys playing anywhere this weekend?

733
00:45:55,800 --> 00:45:55,840
Speaker 17: No?

734
00:45:56,159 --> 00:45:58,719
Speaker 9: No, next show is going to be February twenty first

735
00:45:58,760 --> 00:46:01,559
at Revo okay, case you know, in in Dover.

736
00:46:01,920 --> 00:46:04,000
Speaker 1: What's what's the most interesting place you guys have played.

737
00:46:04,079 --> 00:46:05,679
Is there is there a particular venue you've done that,

738
00:46:07,039 --> 00:46:09,119
because obviously you're playing a lot. Is is there a

739
00:46:09,159 --> 00:46:10,760
play or do you have like a favorite venue?

740
00:46:11,639 --> 00:46:12,320
Speaker 9: What do you guys think?

741
00:46:12,400 --> 00:46:16,039
Speaker 12: I mean, my favorite so far was in Kingsboro at

742
00:46:16,079 --> 00:46:17,199
the was a block party.

743
00:46:17,239 --> 00:46:20,119
Speaker 9: Block party, Yeah, block party by the Bridge. We played

744
00:46:20,159 --> 00:46:24,800
their fair and their stage was what like the stage

745
00:46:24,920 --> 00:46:28,480
was was was a big concert stage and thousands of

746
00:46:28,519 --> 00:46:30,760
people at the event, and uh.

747
00:46:30,920 --> 00:46:33,760
Speaker 12: Beautiful day, beautiful maryor mack River. I think that's Mary

748
00:46:33,800 --> 00:46:35,760
mack River right, they're learning the local geography.

749
00:46:37,079 --> 00:46:37,679
Speaker 9: That was pretty cool.

750
00:46:37,719 --> 00:46:38,000
Speaker 8: I like that.

751
00:46:38,320 --> 00:46:39,000
Speaker 9: I like that show.

752
00:46:39,119 --> 00:46:39,400
Speaker 1: Yeah.

753
00:46:40,199 --> 00:46:43,480
Speaker 16: And then the the casinos are are different than the

754
00:46:43,559 --> 00:46:47,079
casinos because you know, everyone's gambling, right, and so there's

755
00:46:47,119 --> 00:46:50,119
nobody really right in front of you. Yeah, and so

756
00:46:50,559 --> 00:46:56,199
you're sort of playing for like a like a movie

757
00:46:56,320 --> 00:46:58,159
audience or they're doing other things.

758
00:46:58,280 --> 00:46:58,960
Speaker 1: That's interesting.

759
00:46:59,280 --> 00:47:01,960
Speaker 12: Yeah, but uh yeah, like one of the casinos in

760
00:47:01,960 --> 00:47:03,440
particular at least stood out to me. It was an

761
00:47:03,440 --> 00:47:05,719
interesting setup. It was like it was the one in Lebanon,

762
00:47:07,679 --> 00:47:10,280
and it was like directly behind the bar, so you're

763
00:47:10,280 --> 00:47:11,360
like elevated behind the bar.

764
00:47:11,840 --> 00:47:15,800
Speaker 1: Interesting picture frame the crowd was a picture frame above

765
00:47:15,880 --> 00:47:21,400
the bar. Really yeah, oh wow, that's also oh okay, yeah,

766
00:47:21,559 --> 00:47:23,280
oh yeah, I must have a lot of pictures. That

767
00:47:23,320 --> 00:47:25,039
sounds like such an interesting segment. I hope you got

768
00:47:25,079 --> 00:47:27,159
pictures of it, and yeah we do.

769
00:47:27,320 --> 00:47:29,000
Speaker 12: Yeah, we got shows out.

770
00:47:29,079 --> 00:47:29,280
Speaker 4: Yeah.

771
00:47:29,360 --> 00:47:31,039
Speaker 1: Oh that's very cool. That's very cool.

772
00:47:31,039 --> 00:47:32,039
Speaker 9: We'll play there in Halloween.

773
00:47:32,559 --> 00:47:36,840
Speaker 1: Oh really yeah, yeah, we got time. Let's get uh,

774
00:47:37,119 --> 00:47:38,920
I want to get one more in and then we'll

775
00:47:38,960 --> 00:47:41,199
come back and we'll kind of wrap up and then

776
00:47:41,199 --> 00:47:42,880
we'll play one more at the end of the segment, right,

777
00:47:42,880 --> 00:47:44,360
because I think I'm bad at math.

778
00:47:44,519 --> 00:47:47,559
Speaker 9: But yeah, we get back to Loven and come on Baby.

779
00:47:47,960 --> 00:47:49,519
Speaker 1: Okay, good, Which one do you want to play?

780
00:47:49,599 --> 00:47:49,679
Speaker 3: Now?

781
00:47:49,719 --> 00:47:51,159
Speaker 1: We can do back to Loven or come on Baby,

782
00:47:51,159 --> 00:47:52,360
and then we'll play the other one at the end,

783
00:47:54,760 --> 00:47:57,079
back to Love. Yeah, all right, what should we know

784
00:47:57,119 --> 00:47:58,519
about this before we play it? Anything?

785
00:47:58,760 --> 00:47:58,880
Speaker 2: Uh?

786
00:47:59,079 --> 00:48:02,920
Speaker 16: This was uh, this one was pretty much done too. Okay,

787
00:48:02,960 --> 00:48:06,559
so this one was like a solid yeah when when

788
00:48:06,599 --> 00:48:07,400
you went into the studio.

789
00:48:07,599 --> 00:48:11,239
Speaker 9: Yeah, okay, okay, all right, cool, it's another pool dancing song.

790
00:48:11,519 --> 00:48:15,239
Speaker 1: Oh you never have too many of those, so we here,

791
00:48:15,840 --> 00:48:18,679
so we wouldn't know first hand, but no, no, it's

792
00:48:18,719 --> 00:48:21,239
a theory. All right, here we go. This is back

793
00:48:21,320 --> 00:48:23,039
to love and the band is hush money.

794
00:48:37,639 --> 00:48:42,400
Speaker 2: Well, I was fun and time. Then she was looking

795
00:48:42,639 --> 00:48:49,199
fine under the stars and sky, and we were taking

796
00:48:49,280 --> 00:48:54,480
a time. We were keeping it all on a level,

797
00:48:55,800 --> 00:48:59,000
Sarah Jorge. All times you can see the damp. She

798
00:48:59,239 --> 00:48:59,840
was pregnant.

799
00:49:00,159 --> 00:49:04,039
Speaker 14: Crank a heavy man, he knows how that drawn to

800
00:49:04,159 --> 00:49:08,320
another level rating love stracks a little, cracks a love

801
00:49:08,400 --> 00:49:11,519
at you, pats a little cracks and love prats to

802
00:49:11,639 --> 00:49:12,360
love you.

803
00:49:12,960 --> 00:49:20,800
Speaker 2: That's a little here, passing little here, well like skating

804
00:49:20,840 --> 00:49:27,760
in the ways, neither skate or no. The dayling load

805
00:49:27,880 --> 00:49:28,760
to the stage.

806
00:49:30,599 --> 00:49:32,760
Speaker 3: I should walk your heart away.

807
00:49:33,840 --> 00:49:38,400
Speaker 10: And we were cranking out here to another levelow pash,

808
00:49:38,440 --> 00:49:39,719
she ain't seen the sun.

809
00:49:39,920 --> 00:49:43,679
Speaker 2: Dam ball, she was bagging a crank the happy man,

810
00:49:43,960 --> 00:49:45,880
use how man.

811
00:49:45,960 --> 00:49:49,639
Speaker 14: Drawn to another level, bow prating love and cracks a

812
00:49:49,760 --> 00:49:50,880
lord and packs of love.

813
00:49:50,960 --> 00:49:53,679
Speaker 2: He cut backs a little and packs a love and

814
00:49:53,800 --> 00:49:57,639
packs of love. And you patching over here, pats a

815
00:49:57,719 --> 00:50:19,199
over here. We were cheaper, they called to another level,

816
00:50:19,400 --> 00:50:23,159
hose stearing to those sides. You could see the damn ball.

817
00:50:23,719 --> 00:50:28,199
She was tagging a crazy the heavy man hose pall Man,

818
00:50:28,360 --> 00:50:31,840
frown to another level. Ball that's a little stacks a

819
00:50:31,920 --> 00:50:35,800
little b Captain Love, you got to load back to loading,

820
00:50:35,920 --> 00:50:39,760
back to look you that's a little man, that's a

821
00:50:39,840 --> 00:50:47,639
little here, got a little he got a live here.

822
00:50:48,280 --> 00:50:49,280
Speaker 3: Got a little here.

823
00:51:02,320 --> 00:51:05,000
Speaker 1: Back to Love. And the band is hush Money, and

824
00:51:05,119 --> 00:51:06,719
we've got the guys from hush Money here with us

825
00:51:07,079 --> 00:51:11,320
in studio, and guys, this has been wonderful. Before we

826
00:51:11,480 --> 00:51:13,320
run out of time, I want to make absolutely sure

827
00:51:13,360 --> 00:51:15,719
everybody knows where to keep up with everything. You guys

828
00:51:15,760 --> 00:51:19,840
are doing hush money. The name it's not you know,

829
00:51:19,920 --> 00:51:21,480
money spelled out, so we want to make sure people

830
00:51:21,519 --> 00:51:23,119
know that for when they're looking for you online. And

831
00:51:23,599 --> 00:51:25,199
but where should people go online to keep up with

832
00:51:25,239 --> 00:51:26,639
everything that hush hush money is up to.

833
00:51:27,280 --> 00:51:29,800
Speaker 9: Our website has has everything, has got the links to

834
00:51:29,880 --> 00:51:32,559
the Facebook page, got the links to Instagram. So the

835
00:51:33,360 --> 00:51:35,639
website is hush money and.

836
00:51:35,960 --> 00:51:39,559
Speaker 1: H ot com. Okay with all the you can't use.

837
00:51:39,480 --> 00:51:42,840
Speaker 9: The actual dollar signs in a URL, so we had

838
00:51:42,960 --> 00:51:45,039
we had to spell it out. So yeah, so hush

839
00:51:45,119 --> 00:51:46,639
moneyanh dot com.

840
00:51:46,840 --> 00:51:49,679
Speaker 1: Okay, okay, very good, very good. And then what's the

841
00:51:49,760 --> 00:51:52,119
next show you guys have coming. Is that the show

842
00:51:52,159 --> 00:51:53,039
at Reva.

843
00:51:52,880 --> 00:51:56,400
Speaker 9: Revo and Dover Revo Casino and Dover, February twenty first.

844
00:51:56,400 --> 00:52:00,159
Speaker 1: Okay, Okay, fantastic, Well guys again, thank you all four

845
00:52:00,199 --> 00:52:02,280
of you for coming in. This has been absolutely wonderful.

846
00:52:02,519 --> 00:52:05,320
We do have one more song to play to wrap

847
00:52:05,480 --> 00:52:07,960
up the segment. I guess that would be come On Baby.

848
00:52:08,119 --> 00:52:08,320
Speaker 9: Yeah.

849
00:52:08,440 --> 00:52:11,679
Speaker 1: Anything we should know about this one? Is it another

850
00:52:11,719 --> 00:52:12,519
poll dancing.

851
00:52:14,199 --> 00:52:14,280
Speaker 4: Vy?

852
00:52:15,360 --> 00:52:15,719
Speaker 1: This one?

853
00:52:15,920 --> 00:52:19,679
Speaker 9: It's interesting because this one we we actually we we

854
00:52:19,960 --> 00:52:22,760
we actually use rap uh, like, you know, a rap

855
00:52:22,880 --> 00:52:26,119
flow into the song. Yeah, So we took that uh

856
00:52:26,199 --> 00:52:28,559
and built it in, but it's a country kind of

857
00:52:29,239 --> 00:52:31,880
rock country rock like sound to it, but then we

858
00:52:31,960 --> 00:52:33,480
throw the rap in there, so it gives it a

859
00:52:33,519 --> 00:52:35,639
little twist to it. Yeah, and I think it makes

860
00:52:35,679 --> 00:52:38,679
it a neat combination. And then one of the new

861
00:52:38,760 --> 00:52:41,079
songs that we're gonna be doing is actually gonna be

862
00:52:41,119 --> 00:52:43,320
an offshoot of that, where we're gonna call it baby

863
00:52:43,400 --> 00:52:45,599
come On Okay, and it's kind of like a backwards

864
00:52:45,719 --> 00:52:47,920
version of the song okay, which is kind of cool.

865
00:52:47,960 --> 00:52:50,320
So when we know we have that recorded, well, we'll

866
00:52:50,360 --> 00:52:50,800
come back.

867
00:52:50,760 --> 00:52:57,199
Speaker 1: And play for you please. Yeah, absolutely, absolutely nice, nice,

868
00:52:58,000 --> 00:53:00,639
all right, so Gary, Paul, Chris and thank you all

869
00:53:00,719 --> 00:53:03,800
so much. Hush money and that absolutely you got it.

870
00:53:03,880 --> 00:53:05,239
We will do it again in the future and we

871
00:53:05,320 --> 00:53:07,639
will end this segment with this. This is called come

872
00:53:07,719 --> 00:53:09,559
on Baby, and the band is hush Money.

873
00:53:30,440 --> 00:53:32,119
Speaker 2: Come on, baby girl.

874
00:53:32,880 --> 00:53:37,239
Speaker 10: Give me love, give me a love black home you

875
00:53:37,400 --> 00:53:38,079
never see.

876
00:53:40,280 --> 00:53:46,159
Speaker 2: Come on, baby girl, get that love me, take my hand,

877
00:53:46,480 --> 00:53:47,719
take a chance with me.

878
00:53:48,559 --> 00:53:51,599
Speaker 10: We were taking our time, loving in the wild, ging

879
00:53:51,719 --> 00:53:54,480
in the moment, taking online, making.

880
00:53:54,440 --> 00:53:59,639
Speaker 2: That so run every time we lord guys. Come on, baby, Donald,

881
00:53:59,679 --> 00:54:01,760
let's get offline, looking.

882
00:54:01,519 --> 00:54:05,519
Speaker 10: For a moment, bringing us a life. Make my fantasy

883
00:54:05,719 --> 00:54:07,639
come true with every little.

884
00:54:07,400 --> 00:54:07,920
Speaker 1: Thing you do.

885
00:54:09,639 --> 00:54:15,440
Speaker 17: Come on, come home, baby, baby, cowb.

886
00:54:15,639 --> 00:54:23,000
Speaker 2: Lets you down. Come on, come home baby baby.

887
00:54:24,239 --> 00:54:26,400
Speaker 3: Don't let me down.

888
00:54:27,960 --> 00:54:29,880
Speaker 10: Walking down the street playing a night with my right

889
00:54:29,960 --> 00:54:31,320
boats were posta playing.

890
00:54:31,039 --> 00:54:32,880
Speaker 2: On so we can knock them on down boat when

891
00:54:32,920 --> 00:54:35,760
and walk up pony the whole good playing noted Season O.

892
00:54:35,840 --> 00:54:37,280
The boys, like I said, I know you want to

893
00:54:37,320 --> 00:54:38,159
be team.

894
00:54:38,000 --> 00:54:40,960
Speaker 10: Saying, please give another reason to have us come back

895
00:54:41,159 --> 00:54:42,280
for another season.

896
00:54:42,360 --> 00:54:45,440
Speaker 2: We're crushing. We're rushing, crushing, We're brushing. Come on, maybe

897
00:54:45,480 --> 00:54:47,079
good with the money we're just rushing.

898
00:54:48,159 --> 00:54:49,320
Speaker 7: Let's take that ride.

899
00:54:50,880 --> 00:55:00,159
Speaker 2: Come on, baby, make a little bit. Come on, baby girl, he.

900
00:55:00,280 --> 00:55:01,639
Speaker 8: Can love him.

901
00:55:02,480 --> 00:55:08,360
Speaker 2: Turn the tampas high as we can breathe. Come on, babycause,

902
00:55:09,320 --> 00:55:13,920
get that little bed, take my hand, take a chance

903
00:55:14,000 --> 00:55:14,199
with me.

904
00:55:16,320 --> 00:55:23,360
Speaker 17: Come on, come on, baby, baby, I won't let you down.

905
00:55:25,480 --> 00:55:32,159
Come on, come on, baby, baby, don't let me now.

906
00:55:52,280 --> 00:55:57,960
Speaker 10: Come on, babycause, get that little ben, take my hands,

907
00:55:58,079 --> 00:55:58,599
take a.

908
00:55:58,679 --> 00:55:59,239
Speaker 12: Chance with me.

909
00:56:01,239 --> 00:56:02,559
Speaker 7: I'll just watch you now.

910
00:56:03,400 --> 00:56:07,960
Speaker 2: Bring us to our knees. Attack like an ammon, saying

911
00:56:08,119 --> 00:56:11,320
he we're looking for we're bringing us a life. It's

912
00:56:11,360 --> 00:56:13,960
not enough to excide to eat another size. Make it

913
00:56:14,239 --> 00:56:16,840
up for lost time every.

914
00:56:16,840 --> 00:56:17,840
Speaker 7: Time with our guys.

915
00:56:18,039 --> 00:56:18,800
Speaker 2: Come maybe time.

916
00:56:18,960 --> 00:56:21,719
Speaker 10: Let's take our time, living in the moment, taking on

917
00:56:21,920 --> 00:56:24,920
my make my fantasy come true.

918
00:56:25,119 --> 00:56:31,079
Speaker 2: We have a little thing in to Come on, come home, baby, baby.

919
00:56:32,559 --> 00:56:34,760
Speaker 11: I will let you down.

920
00:56:36,840 --> 00:56:41,800
Speaker 17: Come on, come home baby, baby, don't.

921
00:56:41,719 --> 00:56:42,960
Speaker 9: Let me do.

922
00:56:44,599 --> 00:56:47,599
Speaker 10: Baby excited to me, We're going to take another level

923
00:56:47,679 --> 00:56:48,559
of a level sea.

924
00:56:49,039 --> 00:56:51,519
Speaker 2: Living in the moment. Let's take that ride. Come back

925
00:56:51,599 --> 00:56:55,559
to me. I'll take my time, make my fantasy coach

926
00:56:55,639 --> 00:56:59,960
shot what time little thing you do? Come on, baby,

927
00:57:01,320 --> 00:57:06,280
naked LoVa cold.

928
00:57:09,719 --> 00:57:12,000
Speaker 4: Nana's Kitchen and Pizzaia.

929
00:57:12,320 --> 00:57:15,519
Speaker 7: From Nana's hands to your plate.

930
00:57:16,159 --> 00:57:18,320
Speaker 3: Tradition, love and taste.

931
00:57:18,440 --> 00:57:23,599
Speaker 1: That's great sough fermented dough flavor so true.

932
00:57:26,039 --> 00:57:30,239
Speaker 7: Each bite, the story made just for you.

933
00:57:31,320 --> 00:57:35,039
Speaker 4: Six o three two three, two nine three six six

934
00:57:35,880 --> 00:57:41,639
Nana's Kitchen and Pizzaive fifteen Dartleth Dry Auburn, New Hampshires

935
00:57:42,480 --> 00:57:44,599
Kitchen and Hissari.

936
00:57:48,800 --> 00:57:52,159
Speaker 18: Luigi's Pizza Barney grows for every one.

937
00:57:52,880 --> 00:57:54,239
Speaker 7: Let's raise his lyce on.

938
00:57:54,519 --> 00:57:57,320
Speaker 2: Hide with Tom and Tom Brownd.

939
00:57:57,880 --> 00:57:59,599
Speaker 3: It's a Pizza BioMA.

940
00:58:00,440 --> 00:58:04,760
Speaker 18: Luigi's Pizza Bar and Grill seven to twelve Valley Street, Manchester.

941
00:58:05,039 --> 00:58:07,880
Come on in or call six two two one zero

942
00:58:08,159 --> 00:58:13,199
two one. Luigi keeping the tradition alive since nineteen seventy five.

943
00:58:15,039 --> 00:58:18,960
Speaker 5: Pizza up for every one, Come join a beast two

944
00:58:19,239 --> 00:58:21,960
nights with each slye sense of it.

945
00:58:22,639 --> 00:58:24,360
Speaker 2: Everything feels so right.

946
00:58:27,519 --> 00:58:29,719
Speaker 19: In times of crisis, you need a law firm that

947
00:58:29,840 --> 00:58:32,880
stands by your side. With over forty years of experience,

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Craigan Getsulus is dedicated to fighting for your rights. As

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former state prosecutors, our attorneys have the knowledge and trial

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experience to provide an aggressive defense against any charge from

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DUIs to homicides. If you've been injured, our compassionate team

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will assess your case and fight for the compensation you deserve.

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Serving all of New Hampshire, Craigan Getzulis is here when

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you need us most. Visit craigatzulis dot com for a

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free consultation. Craigan getsulus, your advocates, your.

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Speaker 13: Allies bring your kitchen to life with Queen City Cabinetry,

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located at eighty seven Elm Street in the historic Sunbeam

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Mall in Manchester, open Monday through Friday nine am to.

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Speaker 1: Five thirty pm, in Saturdays ten am to two pm.

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Speaker 9: They can be reached at.

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Speaker 13: Six oh three two two two to zero zero seven

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or on the web at Queen citycabinatrey NH dot com.

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Speaker 1: Come see the possibilities.

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Speaker 13: Queen Citycabinetry another proud sponsor of WMNH