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Speaker 1: Welcome to the deep dive. Today, we're looking at this

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single object, an artifact that seems to just defy physics

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as we know it.

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Speaker 2: Yeah, it's a story that honestly connects Mayan Jungles, believe

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it or not, to the CIA's top secret psychic spying program.

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Speaker 1: It really forces you to think about well, about things

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like interplanetary knowledge transfer. Sounds wild, doesn't it.

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Speaker 2: It really does like something straight out of a movie.

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But the fascinating part is how much of it is

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rooted in, you know, actual reports, scientific tests, things like

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that exactly.

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Speaker 1: And we're not starting in some dusty tune. We're starting

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somewhere very modern. The research labs at Hewlett Packard High

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Tech Place right HP labs.

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Speaker 2: These are the engineers who basically live and breathe QURTS technology.

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They practically invented a lot of it.

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Speaker 1: And our source material kicks off with this scene. These scientists,

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these experts are examining this ancient artifact supposedly what ten

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thousand years old.

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Speaker 2: At least that was the claim. This was the famous

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Mitchell Hedge's Crystal skull.

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Speaker 1: And the whole point today is to figure out why

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these top HP scientists just couldn't explain how it was made.

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It baffled them.

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Speaker 2: Well, yeah, it was like a scientific puzzle they couldn't solve.

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I mean, think about quartz, crystal, It's everywhere in modern tech, right.

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Speaker 1: Lolots, computers, communications, exactly.

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Speaker 2: These guys knew quarts inside and out. They compared the

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skull to thousands, literally thousands of crystals used in their

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own tech.

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Speaker 1: And right away the results were just confusing.

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Speaker 2: Is that the word utterly confusing? They did this test,

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submerged it in benzyl alcohol, used polarized light, standard procedure.

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Speaker 1: Really okay, what does that test normally show?

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Speaker 2: It reveals the internal structure, stress, fractures, inclusions, how it

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was formed, or importantly how it was cut.

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Speaker 1: And with something supposedly ancient and handcarved.

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Speaker 2: You'd expect to see tons of imperfections, right, little flaws,

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maybe marks from tools, definitely internal stress from the carving process.

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Friction causes heat, heat causes fractures.

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Speaker 1: But the Mitchell Hedges skull.

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Speaker 2: Pristine, absolutely flawless. The polarized test showed zero internal stress marks. Zero.

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Speaker 1: I mean, making something that big out of courts that clear.

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Speaker 2: That's hard, now, extremely hard, But to do it without

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leaving any trace of tooling, any internal strain. That just

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shouldn't be possible, not naturally, not with ancient methods.

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Speaker 1: So it just flew in the face of everything they knew, physics, geology, engineering, optics,

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even all of it.

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Speaker 2: That's the mystery right there. The source material really hammers

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this point. Yeah, the level of precision needed, especially cutting

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it against its natural access. We'll get into that more.

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It seemed like a technology we don't even.

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Speaker 1: Have now, let alone thousands of years ago.

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Speaker 2: Right. It felt genuinely impossible. It shouldn't exist.

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Speaker 1: So okay, we start with this impossible object, and as

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we dig into the legends around it, I mean, the

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claims just get bigger and crazier.

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Speaker 2: They really do.

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Speaker 1: So our mission, our deep dive here, is to unpack

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this whole tangled story, lost technology, alleged messages from space,

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even a huge deception, and.

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Speaker 2: Maybe find out that the real potential, the real power,

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isn't in some ancient relic after all. Maybe it's closer

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than we think.

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Speaker 1: Okay, so let's try to connect the dots here. An

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ancient skull from like Central America and Mars and Cold

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War psychic spies. That's quite a leak.

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Speaker 2: It is a wild one. Yeah. This is where the

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CIA's Project Stargate comes into the picture. Very hush hush.

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Speaker 1: Program, right, Stargate, that was their their psychic research. You

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it wasn't it Remote viewing and all that.

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Speaker 2: Exactly ran for over twenty years from the early seventies

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to the mid nineties. The government poured millions into trying

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to use psychics for intelligence. It sounds fringe now, but

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they took it seriously.

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Speaker 1: And when those files finally got declassified, I mean, the

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targets were mostly what you'd expect, right, Soviet missile sites,

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Chinese subs.

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Speaker 2: Standard Cold War stuff, tracking enemies, finding hostages in the

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Middle East, military intelligence.

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Speaker 1: But then buried in those files was this really weird target.

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Speaker 2: Extremely weird. It wasn't about earthly enemies. It was about

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ancient Mars.

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Speaker 1: Ancient Mars.

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Speaker 2: Why well, specifically, in nineteen eighty four, they tasked one

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of their viewers to look at a set of coordinates

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on Mars four point eight nine degrees north, nine point

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five to five degrees west, just.

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Speaker 1: Specific coordinates on a dead planet. It shows how far

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they were pushing this remote viewing idea, doesn't it. Testing

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the limits.

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Speaker 2: Absolutely. The sources don't really spell out why those exact

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coordinates were chosen. Maybe it was random, maybe not, but

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they give us the result.

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Speaker 1: They use their best guy, right, Joe McMoneagle.

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Speaker 2: That's him. He was considered their most talented remote viewer.

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They asked him to look at that spot, but not

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Mars now, Mars in its deep past, like a million

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years ago.

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Speaker 1: And what he described seeing, I mean, it's pure science

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fiction pretty much.

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Speaker 2: He reported seeing these tall, thin beings, very advanced, but

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also a civilization that knew it was dying, facing extinction,

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and their structures.

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Speaker 1: This links back to the crystal right directly.

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Speaker 2: Mcmonagle described seeing these massive towers, huge structures made entirely

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of pure crystal.

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Speaker 1: Wow.

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Speaker 2: And they weren't just buildings, he said, they were functioning

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as like giant computers designed for storing and transmitting huge

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amounts of information, maybe even across space.

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Speaker 1: So the Martians basically built their world out of technology

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using crystals.

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Speaker 2: It sounds like it, but they were facing this unavoidable catastrophe.

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Their atmosphere is getting stripped away. They knew time was up, so.

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Speaker 1: They needed a backup plan, a way to save their knowledge.

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Speaker 2: The ultimate Archive, and according to the legend, that sort

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of grew out of these viewing sessions. Their solution was

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thirteen crystal skulls. Okay, to preserve everything, their entire history,

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their science, all their wisdom, a galactic library basically designed

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to outlast their planet.

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Speaker 1: And there was a system to it, not just thirteen

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random skulls.

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Speaker 2: Highly organized. According to the story, twelve of the skulls

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were individual archives. Each one supposedly held the complete history

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of a different inhabited world somewhere in the.

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Speaker 1: Galaxy, a cosmic encyclopedia set.

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Speaker 2: Kind of yeah, But the thirteenth skull that was the key,

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the master archive. It held the combined knowledge of all

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galactic civilizations, including their own Martian ie.

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Speaker 1: So you needed the thirteenth skull to unlock or connect

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all the others.

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Speaker 2: That was the idea. It was the central node, the

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integrator for this vast library of cosmic knowledge.

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Speaker 1: So as their world is literally dying around them, these

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Martians create this crystal hard drive of galactic secrets, and

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then they need someone to give it to.

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Speaker 2: Right, So it's the next link in this legendary chain.

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The Martians needed to pass this incredibly valuable data cash

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to another civilization, one that could handle it, and.

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Speaker 1: The legend says they picked Atlantis.

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Speaker 2: Atlantis, which you know, suggests that Atlantis, if it existed,

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must have been incredibly advanced itself, maybe nearly as advanced

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as the Martians, or at least worthy of receiving this

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cosmic inheritance.

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Speaker 1: It wasn't just like leaving a package on the doorstep, then, No.

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Speaker 2: Definitely not. This was meant to be a sacred trust.

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The story goes that in Atlantis they had specific priests

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guardians for each of the thirteen skulls, and.

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Speaker 1: They knew how powerful this knowledge was.

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Speaker 2: Oh yeah, they were acutely aware. The sources say they

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understood this knowledge could quote destroy worlds if it was

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misused or fell into the wrong hands.

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Speaker 1: That raises the stakes quite a bit. But then history

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or myth seems to repeat itself. Atlanta's had its own disaster, right,

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the Great Flood.

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Speaker 2: The second extinction event in our story exactly the continent sinks,

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total catastrophe.

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Speaker 1: So the Alantean priest had to act fast.

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Speaker 2: Just like the Martians before them. Before the final disaster,

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they supposedly transported the thirteen skulls out of Atlantis scattered

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them across the globe for safety, hiding them in different places.

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Speaker 1: Pure distribution, hoping some would survive.

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Speaker 2: Right, And according to the specific Myya legend that our

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adventurer Mitchell Hedges was so obsessed with, Yeah, the most

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powerful skull, the thirteenth one, the master key that was

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given directly to the Maya civilization.

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Speaker 1: Ah okay, so that's the artifact Hedges thought was hidden

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somewhere in Central America.

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Speaker 2: That's the one. And the powers attributed to this skull

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in the lore are just incredible. It wasn't just a

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storage device.

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Speaker 1: What could it do?

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Speaker 2: It could supposedly communicate telepathically. It could answer any question,

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but only you know if the person asking how to

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pure heart?

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Speaker 1: And we're talking the big questions, right, where did we

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come from? What's the point of the universe exactly?

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Speaker 2: The origin of humanity, the purpose of existence, the secrets

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behind the Pyramids, Stonehenge, even what really happened to Atlantis.

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It was like the ultimate cosmic Google.

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Speaker 1: So the myth ties this powerful tech to a kind

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of spiritual readiness.

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Speaker 2: Very much so there was this prophecy attached to it.

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When all thirteen skulls were finally brought together again. Ah,

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the power of the gods would be unleashed, Humanity's true

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destiny would be revealed.

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Speaker 1: But there was a catch. Wasn't there something about being worthy?

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Speaker 2: Yes, a crucial catch. The prophecy said the skulls would

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only be found when humankind was finally ready, when we

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were quote worthy, ethically mature enough.

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Speaker 1: Maybe so they were meant to stay hidden from millennia,

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basically waiting for us to grow up.

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Speaker 2: It's a compelling idea, isn't it that the ultimate secrets

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are out there, but we can't access them because of

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our own well immaturity.

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Speaker 1: Okay, let's jump forward thousands of years past empires rising

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and falling, past the Renaissance, the Industrial Revolution, right into

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the nineteen.

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Speaker 2: Twenties, the Roaring twenties, and this is where Frederick Mitchell

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Hedges enters the story. Fa Mitchell Hedges quite.

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Speaker 1: A character from what I gather real life Indiana Jones type.

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Speaker 2: Absolutely, he was a celebrity in England back then, adventure

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soldier Explore. His autobiography was called danger My Ally that

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says a lot.

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Speaker 1: So he wasn't just some academic. He was out there,

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you know, facing down dangers.

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Speaker 2: Oh, Yeah, captured by tribes, fought wild animals, hacked through

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jungles looking for ruins and treasure. He lived it, and

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he had.

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Speaker 1: This specific interest in the Maya. Right, there's sudden knowledge.

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Speaker 2: He was obsessed with it. How did the Maya suddenly

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develop such sophisticated math, astronomy, these incredible calendars. It seemed

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to pop up out of nowhere in the historical record.

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Speaker 1: And his theory connected back to Atlantis.

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Speaker 2: Yeah, he believed advanced survivors from Atlantis. Maybe those priests

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we talked about fled the flood, ended up in Central

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America and basically jump started Maya civilization by sharing their knowledge.

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Speaker 1: Which tied into local stories. He was hearing.

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Speaker 2: Perfectly stories from people in British Honduras, which is now

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belieze about the Star people. These beings who supposedly appeared

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taught the early Maya amazing things, left behind some artifacts,

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and then just vanished.

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Speaker 1: So Hedges had his quest, Yeah, find evidence that these

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Atlantean teachers maybe find one of those artifacts.

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Speaker 2: Precisely so, January nineteen twenty four, he gets local guides

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heads deep into the Honduran jungle looking for a specific

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lost city people whispered about.

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Speaker 1: And this wasn't a walk in the park, no way.

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Speaker 2: Weeks of incredibly tough travel, dense jungle, malaria, snakes, the works,

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but he kept pushing and eventually his guides led him

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to this overgrown area, a huge mound hidden by vegetation.

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He starts digging, just scraping away the top soil, and

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about six inches down he hit stone, gleaming white stone.

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Speaker 1: He found it.

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Speaker 2: He'd found the lost city of Lubantun, which translates to

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place of the Fallen Stones. Quite fitting, and.

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Speaker 1: The construction there it struck him as unusual.

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Speaker 2: Very unusual for the region. The stones were cut perfectly,

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fitted together without any mortar at all, super precise. He

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thought it looked like stonework he'd seen.

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Speaker 1: In Egypt, which supported his idea of a global advanced

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civilization exactly.

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Speaker 2: It fueled his theory that there was this worldwide network

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long before recorded history.

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Speaker 1: So they excavate Lubon tune. Yeah, and the big fine

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comes the main pyramid.

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Speaker 2: Right after weeks of clearing rubble, they uncovered this small

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dark opening right at the top of the great pyramid,

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a shaft leading straight down about forty feet into the

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pyramid's core Boogie Very and the local workers they flat

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out refused to go down. They were terrified, believe the

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place was cursed, that something dangerous was in that chamber.

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Speaker 1: Hedges couldn't persuade them.

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Speaker 2: Nope, their fear was too real.

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Speaker 1: So enter his daughter, Anna, Anna Mitchell Hedges.

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Speaker 2: She'd been traveling with him since she was a kid,

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about ten. By nineteen twenty four, she's seventeen, and apparently

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this all happened on her seventeenth birthday, where so the

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story goes.

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Speaker 1: Quite a birthday present, right.

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Speaker 2: She was as adventurous as her dad. So with the

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workers refusing, Anna says, I'll go wow. They lower her

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down into the darkness pitch black. She describes reaching an altar,

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digging around in the dirt with her hands in fight.

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She comes back up, supposedly holding something wrapped in her shirt,

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and it's the skull, a human skull perfectly carved from

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a single piece of flawless quartz crystal.

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Speaker 1: The Mitchell Hedges crystal skull, that's.

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Speaker 2: The one, and later Hedges claimed a local maya elder

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told him their high priest used such a skull to

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quote will someone to death. So he dramatically named it

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the Skull of Doom.

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Speaker 1: Okay, so he finds this incredible, possibly deadly artifact. You'd

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think you'd be shouting about it from the rooftops, right,

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you would think.

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Speaker 2: But strangely, no, he basically packed it away, kept it

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pretty quiet for almost thirty years, only mentioned it publicly

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like once before he died in nineteen fifty nine.

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Speaker 1: Weird. So it wasn't until Annae inherited it that the

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story really took off.

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Speaker 2: Exactly nineteen fifty nine. Anna gets the skull, she takes

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it out of storage, and she's the one who starts

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claiming it has these strange powers. She said it started talking.

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Speaker 1: To it talking okay, yeah.

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Speaker 2: Which led her in nineteen sixty three to contact Frank Dorlund.

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He was a well respected art restorer but also a

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crystal expert based in California. She wanted him to analyze it,

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figure out what was going on.

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Speaker 1: And Dorlan starts experiencing things too.

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Speaker 2: He and his wife. Yeah, this is where the legend

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gets really cemented. They reported hearing things when the skull

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was out of its vault, soft voices, sometimes music, even

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what they described as singing, singing from a crystal skull right,

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and other weird sensory stuff like sometimes the air around

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it would smell like apple blossoms, other times like sharp

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vinegar Okay, and people looking into the left eye socket.

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Some reported getting vivid visions like watching movies of ancient temples,

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forgotten rituals just playing out in their minds.

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Speaker 1: Wow. Poltergeist activity too, Yeah.

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Speaker 2: Reports of objects moving on their own overnight, things getting scattered,

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classic spooky stuff.

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Speaker 1: Sounds completely paranormal. But Dorelyn had a different idea he did.

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Speaker 2: He wasn't thinking ghosts through magic. He actually believed the

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skull was a machine, a highly complex, incredibly advanced piece

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of technology.

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Speaker 1: A machine made of crystal. Wow.

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Speaker 2: He theorized it interacted with human thought, with consciousness, maybe

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through crystallography, like it could pick up electromagnetic signals from

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the brain or perhaps convert thoughts into sound or images.

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Speaker 1: Which is why he took it to Hewlett Packard for

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some hard science.

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Speaker 2: Exactly he needed technical validation and those HP tests we

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need to dig into why they were so stunning at

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the time. Okay, First, the scientists confirmed skull and jaw

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carved from one single piece of quartz that alone is

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a master work of carving.

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Speaker 1: But the really mind blowing part was how it was carved.

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Speaker 2: That was the kicker. The axis. See, crystals have a

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natural grain and axis. You cut with the axis to

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avoid shattering it. It's fundamental, like cutting wood with the

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grain precisely. But the HP test apparently showed this skull

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was carved against the natural axis of the quartz.

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Speaker 1: How is that even possible.

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Speaker 2: Well with any known tool back then or even now. Really,

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cutting against the axis generates immense friction and pressure. It

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should cause fractures, it should shatter the crystal, especially the

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piece that large.

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Speaker 1: So to do it successfully you'd need.

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Speaker 2: Some way to counteract the basic physics of the material,

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maybe alter its molecular structure while carving. That's way beyond

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even our current tech. Firmly in the realm of like

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sci fi.

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Speaker 1: And dorelynd ran with this, Oh yeah.

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Speaker 2: He pointed to other physical clues from the microscopic analysis,

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evidence of what looked like tiny ribbon prisms inside engineered

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light tunnels, the eye sockets shaped like perfect lenses.

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Speaker 1: So intentional engineering, not just carving.

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Speaker 2: That was his argument. Sophisticated design meant to focus energy

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or information. He speculated they used ultrasonics or maybe some

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kind of crystal resonance tech to shape it molecule by molecule,

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which would explain the lack of tool marks too.

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Speaker 1: So the HP tests, combined with Dorelyn's interpretation, made the

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skull seem genuinely impossible by earthly standards exactly.

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Speaker 2: It gave the whole wild legend this veneer of scientific credibility.

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Suddenly Martians in Atlantis didn't seem quite so crazy because

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the object itself appeared to be proof of non human technology.

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Speaker 1: Okay, So the Mitchell Hedges skull, backed by these HP

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results in Dorelyn's stories, becomes this huge sensation.

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Speaker 2: Absolutely, and it immediately sparks this quest where are the

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other twelve skulls from the legend? If one is this amazing,

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what about the whole set?

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Speaker 1: People started looking seriously, not just like New age enthusiasts.

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Speaker 2: Yeah, serious researchers. Museum curators started digging into it, trying

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to track down any reported crystal skull, especially in established collections.

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This really picked up steam in the nineties.

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Speaker 1: Wasn't there a big one that turned up at the Smithsonian.

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Speaker 2: There was nineteen ninety two a massive, thirty one pound

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skull just arrived anonymously in the mail, no note, nothing weird,

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very and that prompted doctor Jane Walsh at the Smithsonian

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to really lead the investigation into the origins of these things.

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Speaker 1: And she found skulls that existed before Mitchell Hedge's claim

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to find his.

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Speaker 2: That was a key breakthrough. Her research uncovered two important

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skulls that were known long before nineteen twenty four, one

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in Paris acquired by a museum there way back in.

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Speaker 1: Eighteen seventy eight eighteen seventy eight wo.

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Speaker 2: And another one in London at the British Museum, acquired

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in eighteen ninety seven. It had been sold through Tiffany's

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the Jewelers, So.

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Speaker 1: Crystal skulls were already being traded in the nineteenth century exactly.

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Speaker 2: This wasn't something that just appeared with Mitchell Hedges. There

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was a market for them decades earlier.

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Speaker 1: And was there a connection between those early skulls.

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Speaker 2: A very important one a French guy named Eugene Bobon.

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He started out as an archaeologist in Mexico around the

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eighteen fifties, but realized selling artifacts.

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Speaker 1: Was more profitable, so he became an antiquities dealer.

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Speaker 2: A major one he set up shot back in France

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in eighteen sixty nine. And it turns out Bobon was

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the source for both the Paris skull and indirectly the

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London skull. He basically created the European market for these

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ancient Aztec crystal skulls.

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Speaker 1: Okay, so Bobun's the link. How did they figure out

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00:18:35,880 --> 00:18:37,000
his skulls weren't ancient?

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Speaker 2: Modern science? Doctor Walsh and other scientists got permission to

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examine the Boben skulls Paris, London and that anonymous Smithsonian

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one using electron.

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Speaker 1: Microscopes and under the microscope.

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00:18:48,359 --> 00:18:53,319
Speaker 2: Tool marks unistakable modern tool marks, specific grooves, rotational patterns

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consistent with industrial grinding wheels used in the late nineteenth century.

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Speaker 1: Not ancient hand tools, definitely not.

393
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Speaker 2: These were machine marks from industrial gem cutting.

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Speaker 1: And the crystal itself. Was it from Mexico or Central America?

395
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Speaker 2: Nope. Chemical analysis traced the courts not to anywhere near

396
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the Maya or Aztecs, but to Brazil or possibly Madagascar Brazil.

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Speaker 1: How did Brazilian courts end up in skulls sold in Europe?

398
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As as tech relics.

399
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Speaker 2: Well, you follow the supply chain, it leads straight to

400
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a specific village in Germany, ader.

401
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Speaker 1: Oberstein ater Oberstein.

402
00:19:23,880 --> 00:19:25,960
Speaker 2: Yeah, in the late eighteen hundreds it was the world

403
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center for gem cutting. They had perfected using large water

404
00:19:29,720 --> 00:19:33,359
powered grinding wheels, rotary tools, the exact kind of tools

405
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that would leave the marks found on the skulls, and.

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Speaker 1: They got quarts from Brazil.

407
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Speaker 2: Records show huge shipments of Brazilian courts arriving right there

408
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in eeder Oberstein around the eighteen seventies eighteen eighties.

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Speaker 1: Perfect timing, so the picture becomes clear.

410
00:19:45,720 --> 00:19:50,920
Speaker 2: Painfully clear. These supposedly sacred ancient artifacts, they were modern fakes,

411
00:19:51,240 --> 00:19:55,039
made in Germany, probably between eighteen seventy and eighteen ninety,

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using industrial tools on Brazilian quartz.

413
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Speaker 1: And sold by dealers like Boban who passed them off

414
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as genuine pre Columbian.

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00:20:01,799 --> 00:20:07,079
Speaker 2: Treasures, exactly cashing in on the Victorian fascination with exotic antiquities.

416
00:20:07,480 --> 00:20:10,640
The whole ancient crystal skull legend. It wasn't born in

417
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Maya temples or on Mars. It was born in a

418
00:20:13,200 --> 00:20:16,039
German workshop and marketed by a clever French.

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Speaker 1: Dealer Okay, So the Paris skull, the London skull, the

420
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Smithsonian one, all fakes from Boban's network exposed by science, right.

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Speaker 2: But the Mitchell Hedges skull, the skull of doom, that

422
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was still the big one, the legend, the one with

423
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the impossible HP test, the amazing discovery story.

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Speaker 1: Anna Mitchell Hedges held onto that story tightly, didn't.

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Speaker 2: She She did. She always refused to let her skull

426
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undergo the same kind of rigorous modern testing that debunked

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the others. She maintained it was different, genuinely ancient, right

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up until she died in two thousand and seven.

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Speaker 1: After she passed away.

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Speaker 2: Her husband, Bill Homan, inherited it. He still seemed to

431
00:20:52,160 --> 00:20:54,240
believe the legend, but maybe he wanted to prove it

432
00:20:54,440 --> 00:20:56,839
or silence the doubters. So in two thousand and eight

433
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he finally agreed to let the Smithsonian scientists test it.

434
00:21:00,240 --> 00:21:02,640
Speaker 1: The same kind of test, Yeah, electron microscopes and all.

435
00:21:02,559 --> 00:21:04,359
Speaker 2: That exactly, and the result.

436
00:21:04,279 --> 00:21:06,160
Speaker 1: Guess tool marks bingo.

437
00:21:07,200 --> 00:21:09,680
Speaker 2: The Mitchell Hedges skull showed the exact same kind of

438
00:21:09,759 --> 00:21:14,359
characteristic marks from nineteenth century rotary grinding wheels, identical to

439
00:21:14,400 --> 00:21:15,160
the other fakes.

440
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Speaker 1: It wasn't impossible, It wasn't ancient.

441
00:21:17,519 --> 00:21:19,759
Speaker 2: It was just another one of a German made carvings,

442
00:21:19,839 --> 00:21:23,960
probably from the same workshops as Bobon's skulls. Skillful carving, yes,

443
00:21:24,119 --> 00:21:28,200
but definitely modern, definitely man made. The impossible object was

444
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well possible.

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00:21:29,960 --> 00:21:33,000
Speaker 1: That just demolishes the whole foundation. And what about Anna's

446
00:21:33,039 --> 00:21:36,160
dramatic discovery story finding it on her seventeenth birthday?

447
00:21:36,240 --> 00:21:39,839
Speaker 2: That completely fell apart under scrutiny too. Turns out she

448
00:21:39,920 --> 00:21:43,079
gave conflicting dates for the discovery all the time, nineteen

449
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twenty four, twenty five, twenty six, twenty seven, twenty eight,

450
00:21:46,000 --> 00:21:48,720
but always insisted it was her seventeenth birthday. It just

451
00:21:48,759 --> 00:21:49,400
didn't add up.

452
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Speaker 1: And her father didn't even discover the city.

453
00:21:51,519 --> 00:21:54,599
Speaker 2: No, lu Bontun was known before him. Doctor Thomas Gone

454
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explored it back in nineteen oh three. Hedges was there

455
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in twenty four, yes, but he didn't discover it in

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00:21:59,880 --> 00:22:00,920
the way annacclaimed.

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Speaker 1: But the most damaging thing, how did Hedges actually get

458
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the skull?

459
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Speaker 2: This is the real nail in the coffin they found

460
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the records. He didn't pull it out of a tomb

461
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in nineteen twenty four whenever he.

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Speaker 1: Bought it, bought it when.

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Speaker 2: In nineteen forty three, nineteen years after the supposed discovery,

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he bought it at a Sotheby's auction in London. There's

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a receipt.

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Speaker 1: Wow? Okay? And who sold it at auction? Does that

467
00:22:21,640 --> 00:22:22,319
connect back?

468
00:22:22,559 --> 00:22:26,279
Speaker 2: It connects perfectly. The seller listed was a London art

469
00:22:26,279 --> 00:22:30,480
dealer named Sidney Bernie. And where did Bernie get it from?

470
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A collection that was previously owned by.

471
00:22:33,000 --> 00:22:34,400
Speaker 1: Drum Roll Eugene Bobon.

472
00:22:34,480 --> 00:22:37,960
Speaker 2: Eugene Boben himself. The Skull of Doom wasn't just like

473
00:22:38,000 --> 00:22:40,359
the other fakes. It was one of the other fakes,

474
00:22:40,400 --> 00:22:43,240
originating from the same nineteenth century source.

475
00:22:43,480 --> 00:22:46,000
Speaker 1: So Hedges bought a known fake, or at least a

476
00:22:46,039 --> 00:22:50,680
modern carving, and then concocted this elaborate discovery story around it.

477
00:22:50,680 --> 00:22:53,119
Speaker 2: It certainly looks that way. He was a known self

478
00:22:53,160 --> 00:22:56,759
promoter and adventurer who loved a good story, and sources

479
00:22:56,759 --> 00:22:59,680
suggest he might have borrowed heavily from popular fiction at

480
00:22:59,720 --> 00:23:02,240
the time, like that novel Yeah, a nineteen thirty six

481
00:23:02,359 --> 00:23:06,039
novel called The Crystal Skull by Jack McLaren. It features

482
00:23:06,039 --> 00:23:08,799
a scientist finding a crystal skull that shows the future

483
00:23:08,880 --> 00:23:09,960
sounds familiar.

484
00:23:09,599 --> 00:23:12,640
Speaker 1: Right, very Okay, so the discovery story is fake. What

485
00:23:12,640 --> 00:23:15,559
about all the supernatural stuff, the singing, the smells, the

486
00:23:15,599 --> 00:23:17,599
ghosts that Dorlan reported.

487
00:23:17,319 --> 00:23:21,000
Speaker 2: Also seems to be let's say, highly embellished, if not

488
00:23:21,119 --> 00:23:24,480
outright fabricated by Dorlan. Jarl made it up, it appears,

489
00:23:24,519 --> 00:23:27,680
so there's evidence he admitted to or at least greatly

490
00:23:27,720 --> 00:23:32,240
exaggerated the voices and poltergeist stuff. Ironically, Anna apparently got

491
00:23:32,240 --> 00:23:33,079
really annoyed by it.

492
00:23:33,160 --> 00:23:36,359
Speaker 1: Why wasn't the good publicity not if.

493
00:23:36,240 --> 00:23:38,039
Speaker 2: You're trying to sell the skull for a lot of money,

494
00:23:38,240 --> 00:23:41,720
Dorelyn's spooky stories about doom and curses were scaring off

495
00:23:41,759 --> 00:23:44,799
potential buyers. It actually caused a big falling out between

496
00:23:44,799 --> 00:23:45,599
Anna and Dorlyn.

497
00:23:45,640 --> 00:23:51,240
Speaker 1: Huh okay. Last piece, the impossible HP tests cut against

498
00:23:51,279 --> 00:23:53,160
the axes molecular alteration.

499
00:23:53,519 --> 00:23:56,160
Speaker 2: That seems to be a case of interpretation being stretched

500
00:23:56,279 --> 00:23:59,400
way beyond the actual data. The initial HP reports were

501
00:23:59,440 --> 00:24:02,039
quite limited. They confirmed it was quartz, a single piece

502
00:24:02,160 --> 00:24:05,240
and yeah, impressively carved for the time, A great feat

503
00:24:05,319 --> 00:24:07,000
of nineteenth century German.

504
00:24:06,720 --> 00:24:09,000
Speaker 1: Craftsmanship, but not impossible technology.

505
00:24:09,119 --> 00:24:12,200
Speaker 2: Not evidence of impossible tech. The truly wild claims cutting

506
00:24:12,200 --> 00:24:15,319
against the axis being impossible altering molecules. That was mostly

507
00:24:15,359 --> 00:24:19,000
Dorelyn's interpretation, fitting the object to his advanced machine theory.

508
00:24:19,359 --> 00:24:22,759
HP themselves later clarified they never tested or confirmed any

509
00:24:22,759 --> 00:24:23,799
paranormal aspects.

510
00:24:23,839 --> 00:24:29,279
Speaker 1: So the entire epic saga Martians Atlantis, Maya prophecy thirteen Skulls.

511
00:24:29,039 --> 00:24:32,000
Speaker 2: It's basically a modern myth. It wasn't an ancient Maya

512
00:24:32,119 --> 00:24:35,839
or Aztec legend at all. It was largely constructed and

513
00:24:35,920 --> 00:24:39,119
popularized during the New Age boom of the nineteen seventies

514
00:24:39,160 --> 00:24:44,279
and eighties, latching onto these intriguing but ultimately fake artifacts.

515
00:24:44,279 --> 00:24:46,599
Speaker 1: Wow, okay, So the whole thing, the skull of Doomed,

516
00:24:46,599 --> 00:24:50,440
the thirteen Skulls legend, it's basically a century long story

517
00:24:50,839 --> 00:24:54,400
built on a foundation of well nineteenth century German fakes.

518
00:24:54,839 --> 00:24:57,720
It's easy to feel a bit deflated.

519
00:24:57,920 --> 00:25:01,079
Speaker 2: Maybe yeah, you hear cosmic conspiracy, ancient aliens, and then

520
00:25:01,119 --> 00:25:03,680
it turns out to be a Victorian marketing scheme, a

521
00:25:03,680 --> 00:25:04,519
bit of a letdown.

522
00:25:04,599 --> 00:25:07,279
Speaker 1: But and this is important, the story isn't entirely pointless,

523
00:25:07,319 --> 00:25:08,960
is it. There's an unexpected twist.

524
00:25:08,680 --> 00:25:11,079
Speaker 2: Here, There really is, because While the legend was a fraud,

525
00:25:11,279 --> 00:25:14,000
the focus of the legend crystal technology. That wasn't a

526
00:25:14,039 --> 00:25:14,799
waste of time.

527
00:25:14,640 --> 00:25:18,119
Speaker 1: At all, because quartz crystal itself, it actually is kind

528
00:25:18,119 --> 00:25:18,640
of amazing.

529
00:25:18,759 --> 00:25:21,799
Speaker 2: It really is. Scientifically speaking, it's about as close to

530
00:25:21,880 --> 00:25:25,359
a genuine magic material as we have. Forget the fake skulls.

531
00:25:25,359 --> 00:25:27,480
The real substance is incredibly powerful.

532
00:25:27,599 --> 00:25:30,000
Speaker 1: So debunking the myth actually it leads us back to

533
00:25:30,079 --> 00:25:32,759
appreciating the real science exactly.

534
00:25:33,279 --> 00:25:36,960
Speaker 2: Look at what crystals, especially quarts, actually do in modern tech.

535
00:25:37,440 --> 00:25:42,440
They're fundamental to so much measuring time with incredible precision,

536
00:25:42,519 --> 00:25:43,240
and watches and.

537
00:25:43,200 --> 00:25:46,480
Speaker 1: Computers, communications, radios transmitting.

538
00:25:45,960 --> 00:25:49,960
Speaker 2: Signals right manipulating light frequencies. That's the basis for lasers

539
00:25:50,400 --> 00:25:52,839
generating electricity when you put pressure on them, the piece

540
00:25:52,880 --> 00:25:56,119
of electric effect, storing electricity efficiently.

541
00:25:55,720 --> 00:25:58,000
Speaker 1: That piece of electric thing that connects back to some

542
00:25:58,079 --> 00:26:01,200
other ancient mysteries, doesn't it like the mid power plant theories.

543
00:26:01,240 --> 00:26:04,960
Speaker 2: It does the idea that certain crystal structures could conduct

544
00:26:05,079 --> 00:26:08,799
or even generate energy with near perfect efficiency that touches

545
00:26:08,839 --> 00:26:12,640
on concepts like zero point energy. The physics isn't crazy,

546
00:26:12,880 --> 00:26:16,920
even if this specific ancient application is speculative crystals do

547
00:26:17,039 --> 00:26:19,359
have amazing energy properties.

548
00:26:18,880 --> 00:26:20,680
Speaker 1: And they're used in cutting edge stuff now too.

549
00:26:21,039 --> 00:26:25,240
Speaker 2: Absolutely, quantum computing relies on specialized crystals to hold quantum

550
00:26:25,279 --> 00:26:29,599
states entangled particles. They're looking at self healing materials based

551
00:26:29,640 --> 00:26:33,920
on crystal lattices. Some theorists even connect the highly organized

552
00:26:33,960 --> 00:26:37,680
structure of crystals to really out their ideas like consciousness

553
00:26:37,759 --> 00:26:40,759
or even teleportation, though that's way more theoretical.

554
00:26:40,920 --> 00:26:43,559
Speaker 1: Okay, but let's circle back to the original Martian idea,

555
00:26:44,400 --> 00:26:48,920
preserving knowledge forever. If you were an advanced civilization facing extinction,

556
00:26:49,119 --> 00:26:49,799
crystal will be.

557
00:26:49,720 --> 00:26:52,200
Speaker 2: The perfect medium. The science totally backs that up.

558
00:26:52,319 --> 00:26:55,240
Speaker 1: Why what makes it so good for long term storage?

559
00:26:55,480 --> 00:26:59,759
Speaker 2: It's incredibly durable, harder than steel. It can withstand extreme

560
00:27:00,039 --> 00:27:03,480
keat extreme pressure. It doesn't really corrode or decay over

561
00:27:03,559 --> 00:27:07,240
geological time data encoded in a crystal structure because theoretically

562
00:27:07,359 --> 00:27:09,400
last for billions of years.

563
00:27:09,200 --> 00:27:12,200
Speaker 1: Billions, like longer than the Earth has existed.

564
00:27:11,920 --> 00:27:14,119
Speaker 2: Longer than the current age of the universe. Potentially we're

565
00:27:14,119 --> 00:27:17,440
talking thirteen billion years plus. It's about as permanent as

566
00:27:17,440 --> 00:27:18,039
you can get.

567
00:27:18,000 --> 00:27:20,920
Speaker 1: In the storage capacity. Is it actually feasible to store

568
00:27:21,039 --> 00:27:22,000
vast amounts of data.

569
00:27:22,319 --> 00:27:25,920
Speaker 2: Oh yeah, it blows conventional methods out of the water.

570
00:27:26,480 --> 00:27:30,160
Scientists recently managed to encode the entire human genome. That's

571
00:27:30,200 --> 00:27:33,559
a massive amount of complex data onto a piece of

572
00:27:33,759 --> 00:27:35,680
crystal smaller than a.

573
00:27:35,680 --> 00:27:38,599
Speaker 1: Coin, smaller than a quarter. Wow. Okay, so apply that

574
00:27:38,599 --> 00:27:41,279
potential to the Mitchell Hedges skull. It was what thirty.

575
00:27:41,000 --> 00:27:43,640
Speaker 2: Pounds of quarts, right, a thirty pound block. If you

576
00:27:43,720 --> 00:27:47,440
engineered that purely for data storage using techniques we're only

577
00:27:47,480 --> 00:27:51,000
just starting to develop. You're talking about storing exabotites of

578
00:27:51,039 --> 00:27:52,039
information exably.

579
00:27:52,839 --> 00:27:54,200
Speaker 1: That sounds like a lot. Can you put that in

580
00:27:54,240 --> 00:27:55,039
perspective for us?

581
00:27:55,119 --> 00:27:59,359
Speaker 2: It's almost incomprehensible and exabit Okay, imagine the full text

582
00:27:59,440 --> 00:28:03,440
of every single book ever written, every scientific paper, every journal,

583
00:28:03,440 --> 00:28:06,920
every newspaper, every record now at, every photograph ever taken,

584
00:28:06,960 --> 00:28:11,519
every video ever recorded, every song, and then maybe even

585
00:28:11,519 --> 00:28:15,160
the words spoken in every single conversation by every human

586
00:28:15,200 --> 00:28:15,880
who ever lived.

587
00:28:15,960 --> 00:28:18,440
Speaker 1: All that could fit in a skull size crystal.

588
00:28:18,559 --> 00:28:21,440
Speaker 2: Theoretically, Yes, that's the kind of data density we're talking

589
00:28:21,480 --> 00:28:24,359
about with advanced crystal storage. It's mind boggling.

590
00:28:24,640 --> 00:28:27,680
Speaker 1: So the real magic wasn't the fake skull itself. It's

591
00:28:27,759 --> 00:28:32,000
the potential locked inside the actual material science, precisely.

592
00:28:31,759 --> 00:28:35,480
Speaker 2: The potential that we are now starting to unlock, not Martians,

593
00:28:35,759 --> 00:28:37,480
not Atlanteans us.

594
00:28:37,839 --> 00:28:40,119
Speaker 1: So, when you boil it all down, the legend of

595
00:28:40,119 --> 00:28:43,680
the Crystal Skull, even though it's built on forgery and fantasy,

596
00:28:45,160 --> 00:28:48,119
it still serves a purpose, doesn't it Like a powerful metaphor?

597
00:28:48,240 --> 00:28:51,240
Speaker 2: I think so. Yeah. It's a reminder maybe that the

598
00:28:51,279 --> 00:28:55,359
amazing things described in those myths, interstellar travel, tapping into

599
00:28:55,480 --> 00:28:59,079
universal knowledge, maybe even telepathy or anti gravity, we don't

600
00:28:59,119 --> 00:29:01,519
necessarily need to wait for lost secrets from Atlantis or

601
00:29:01,519 --> 00:29:02,480
messages from Mars.

602
00:29:02,599 --> 00:29:04,640
Speaker 1: We're capable of figuring this stuff out ourselves.

603
00:29:04,680 --> 00:29:07,200
Speaker 2: We are the capacity for that kind of breakthrough, that

604
00:29:07,279 --> 00:29:10,640
kind of reality bending technology. It isn't hidden in some

605
00:29:10,720 --> 00:29:13,599
ancient artifact we have to find. It's inherent in human

606
00:29:13,759 --> 00:29:17,519
ingenuity in scientific discovery. We're building that future right now.

607
00:29:17,720 --> 00:29:21,160
Speaker 1: So the ultimate power, the kind the legend attributed to

608
00:29:21,200 --> 00:29:23,640
that flawless ancient skull, it's not.

609
00:29:23,559 --> 00:29:25,880
Speaker 2: Going to come from finding a relic in a jungle.

610
00:29:26,440 --> 00:29:28,680
It's going to come from using the machine that's far

611
00:29:28,759 --> 00:29:33,000
more advanced, far more complex, and ultimately far more important.

612
00:29:32,599 --> 00:29:34,000
Speaker 1: The one we all carry around with.

613
00:29:34,000 --> 00:29:37,079
Speaker 2: Us exactly, the one sitting right on our shoulders. The

614
00:29:37,279 --> 00:29:40,240
power is in us, and our ability to think, to discover,

615
00:29:40,400 --> 00:29:43,720
to build the universe of knowledge is there for the taking,

616
00:29:44,200 --> 00:29:46,720
not when a prophecy says we're worthy, but when we

617
00:29:46,759 --> 00:29:49,759
apply our own minds rigorously enough to understand it.

618
00:29:50,039 --> 00:29:54,519
Speaker 1: The fascinating journey from impossible artifact to human potential.

619
00:29:54,680 --> 00:29:57,880
Speaker 2: Indeed, the truth was hidden in plain sight all along,

620
00:29:58,000 --> 00:29:59,640
just not in the way the legend suggested.

621
00:30:00,079 --> 00:30:02,119
Speaker 1: Thank you for joining us for this deep dive into

622
00:30:02,200 --> 00:30:04,160
the many layers behind the skull of doom.

