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<v Speaker 1>Around Dodge City and in the territory on West, there

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<v Speaker 1>is just one way to handle the killers and the spoilers.

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<v Speaker 1>And that's where the US Marshal and The Smell of

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<v Speaker 1>Gun Smoke Gun, starring William Conrad, the story of the

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<v Speaker 1>violence that moved west with Young America and the story

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<v Speaker 1>of a man.

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<v Speaker 2>Who moved with it. I'm that man, Matt Dillon, United

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<v Speaker 2>States Marshall, the first man they look for and the

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<v Speaker 2>less they want to meet. It's a chance, a job

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<v Speaker 2>that makes a man watchful and a little lone man. Well, hello,

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<v Speaker 2>matt Illo, Kitty.

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<v Speaker 3>Something the matter? You look like you've lost your last friend.

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<v Speaker 2>And I could use a drink.

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<v Speaker 4>Come on here, see him, bring matter whiskey, William or

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<v Speaker 4>any see him?

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<v Speaker 2>Nice? Yeah?

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<v Speaker 3>Now what's the trouble?

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<v Speaker 2>Yeah, I just got word of a couple of old friends.

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<v Speaker 3>Something happened.

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<v Speaker 2>Yeah, they're dead.

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<v Speaker 3>Oh m s h wish Mark.

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<v Speaker 2>I like, sim Yeah, it's tough when Kitty, they both

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<v Speaker 2>took the fever U and they left a kid, young boy.

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<v Speaker 3>Ah, that's a terrible thing.

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<v Speaker 4>Yeah, it is boys parents both dying something like that.

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<v Speaker 2>That's kind of funny in a way. Joe and like,

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<v Speaker 2>I coulda been killed a lot of times. He was

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<v Speaker 2>in the war. They were on a river boat that

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<v Speaker 2>was sunk one time. They'd been living on a ranch

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<v Speaker 2>in Apache country.

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<v Speaker 3>H it was fever that finally killed him. Yeah, were

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<v Speaker 3>you close friends?

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<v Speaker 5>Man?

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<v Speaker 2>Uh? Joe and I rode together on the border. But

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<v Speaker 2>his brother Will, Yeah, we were close friends.

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<v Speaker 5>I'm sorry.

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<v Speaker 4>I hope there'll be somebody to watch out after the boy.

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<v Speaker 2>And I don't know about the rest of the time,

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<v Speaker 2>but I know somebody will be riding hurt only this summer,

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<v Speaker 2>somebody you know, mm m me you, yeah, Will figures

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<v Speaker 2>the boy ought to get clear away for a.

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<v Speaker 3>While, So you're gonna take him, and.

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<v Speaker 2>He asked me to in this letter. Doesn't seem like

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<v Speaker 2>a lot to do. Hold's boy, oh fifteen sixteen, somewhere

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<v Speaker 2>along there. He won't be any trouble.

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<v Speaker 3>You're certainly changing your tomb.

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<v Speaker 5>Oh how's that seems to me?

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<v Speaker 3>You've always dodged to be in a family man up

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<v Speaker 3>to now.

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<v Speaker 2>I'm not a kiddy.

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<v Speaker 5>The boy needs help, Matt, course.

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<v Speaker 3>He does, and I think you have it in here

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<v Speaker 3>to be a real good father. I always have a kiddy.

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<v Speaker 3>I'm sorry. I couldn't resist it. I think it's fine.

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<v Speaker 2>Thanks.

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<v Speaker 3>When does a boy come.

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<v Speaker 2>On tomorrow's stage?

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<v Speaker 3>Well, Matt, let me know if there's anything I can do. Huh,

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<v Speaker 3>who knows? I might be quite a mother if I.

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<v Speaker 5>Had a chance.

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<v Speaker 2>Yeah, I think you might, kiddy.

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<v Speaker 5>How'd you have a good trip, David, weren't nothing to

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<v Speaker 5>do it at all.

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<v Speaker 2>I'd rather roade you. What.

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<v Speaker 5>Well, stagecoach wasn't bad. But my brother rode my own

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<v Speaker 5>horse in.

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<v Speaker 2>That was kind of a long.

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<v Speaker 5>Way for that, wasn't That's what my uncle Will said.

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<v Speaker 5>But I could have done it.

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<v Speaker 2>Maybe you could. At that.

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<v Speaker 5>We heading for your office, Marshall.

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<v Speaker 2>That's where your headquarters will be most of the time,

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<v Speaker 2>and as we'll go there first.

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<v Speaker 5>Well that's fine with me, Marshall. I'd like to be

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<v Speaker 5>around guns.

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<v Speaker 2>Oh now, we keep the guns locked up in the

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<v Speaker 2>office all the time. Well, unless we're using them or

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<v Speaker 2>cleaning them.

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<v Speaker 5>Oh well, then I can help clean them.

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<v Speaker 2>Maybe you can.

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<v Speaker 5>I know how, Marshall. My paw learned me.

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<v Speaker 2>He knew how to teach you, all right. Your Paul

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<v Speaker 2>was a good man with a gun. Uh. I'm sorry

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<v Speaker 2>about that day about what happened him. Must miss him

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<v Speaker 2>a lot.

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<v Speaker 5>Your man, boy, I guess I do. I ain't gonna

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<v Speaker 5>let it bother me none.

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<v Speaker 2>Though, God a heart not it wasn't you know, A

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<v Speaker 2>fellow's got to.

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<v Speaker 5>Do his growing up. Marshall can't be thinking on his

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<v Speaker 5>mad Paul.

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<v Speaker 2>I suppose not.

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<v Speaker 5>I wouldn't have stayed at home much longer anyhow. You

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<v Speaker 5>know Marshall Paul used to wear two guns.

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<v Speaker 2>Yeah, I remember it. Well.

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<v Speaker 5>Why don't you Marshall wear it two?

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<v Speaker 2>Uh? Guess I figured one was heavy enough to pack around.

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<v Speaker 5>All the real good men with a gun wear too.

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<v Speaker 5>Why Oh, I just meant you might get where you'd

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<v Speaker 5>need to wear two sometime. I didn't mean no, that's

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<v Speaker 5>all right, David so far.

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<v Speaker 2>I've just been lucky enough to get probably with one.

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<v Speaker 2>Now Here we are go on walking.

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<v Speaker 5>Oh oh, it's done, And I guess this must be

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<v Speaker 5>the boy.

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<v Speaker 2>Uh Chester, that's Dave Barrett.

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<v Speaker 5>I'm pleased meet today.

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<v Speaker 2>Hey, that's Chester Propfitt. He really runs things around the

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<v Speaker 2>Marshall's office. Chester, keep an eye on you for the

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<v Speaker 2>next few days. I'm gonna have to ride up to

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<v Speaker 2>Hayes City.

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<v Speaker 5>I don't need nobody to watch out for me. Marshall,

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<v Speaker 5>there won't be no trouble, no trouble Tall.

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<v Speaker 2>You're show him around Chester. I want to say I

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<v Speaker 2>brought him before.

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<v Speaker 5>I go, Yestra, sure will do that, mister d can't

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<v Speaker 5>I go along with you Marshall and still staying here

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<v Speaker 5>with him? And now don't you worry, boy, It won't

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<v Speaker 5>be nothing tall for me to make you feel the home.

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<v Speaker 2>You better stay here this time day. Maybe you can

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<v Speaker 2>ride with me another time before you go.

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<v Speaker 5>Sure a nice young fellow like you, you and he'll

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<v Speaker 5>get along gifts bye ye Chester, all right, David me,

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<v Speaker 5>I'm always alright.

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<v Speaker 2>I'm glad to hear it. I'll see whether.

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<v Speaker 5>Mm excuse me, boy, I gotta sweep under that cherrier

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<v Speaker 5>sitting in Just pout your feet on them on.

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<v Speaker 2>All right.

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<v Speaker 5>You sure do do a lot of sweeping around here

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<v Speaker 5>out there. As the fact, boy, seems like folks brings

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<v Speaker 5>mud on their boots all the way from Texas in

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<v Speaker 5>the territory, just so as I can sweep up after him.

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<v Speaker 5>But that ain't no job for a law man. Well,

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<v Speaker 5>a long man got a right and live clean just

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<v Speaker 5>like anybody else. Well, if I was helping the Marshall

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<v Speaker 5>I'd do better things than that, and I did. I

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<v Speaker 5>guess you do just about what Marshall wanted you to do. Well.

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<v Speaker 5>I reckon, a body has to do what he's fit for. No,

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<v Speaker 5>just hold on a minute there. I mean, it ain't

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<v Speaker 5>like you could be no help in the gun fighting

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<v Speaker 5>or nothing like that. I listen here to me, Dave.

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<v Speaker 5>You're a nice young fellow, but you need a little

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<v Speaker 5>straightening out on the way things is around here. The

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<v Speaker 5>Marshall needs somebody around him that can shoot.

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<v Speaker 2>I can shoot.

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<v Speaker 5>Don't you worry nothing about back? You don't even wear

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<v Speaker 5>a gun. A man don't need to wear a gun

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<v Speaker 5>all the time to know how to shoot. Beside them

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<v Speaker 5>guns on the wall ain't to wearing kind these ways.

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<v Speaker 5>They look mighty comical on the man. If I know

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<v Speaker 5>how to wear a gun, ain't no cost you to

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<v Speaker 5>show off me. Somebody around this office ought to be

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<v Speaker 5>wearing one, and I'll sit here. I don't want to

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<v Speaker 5>catch you praying around wearing no gun. I bet the

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<v Speaker 5>Marshall will let me wear one. It ain't likely. You

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<v Speaker 5>see how good I can shoot him? Let me well,

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<v Speaker 5>just don't let me that you're wearing one. But you

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<v Speaker 5>ain't a marshall, No, I ain't. But he left me

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<v Speaker 5>in charge of things for the next couple of days.

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<v Speaker 5>And one of the things he left me in charge

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<v Speaker 5>of is you. I can draw real fast. I don't

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<v Speaker 5>want to hear no more about it. I don't want

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<v Speaker 5>to see you wearing no gun. And that's all we

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<v Speaker 5>are to it. Now, move awaiting them whin you're so

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<v Speaker 5>that I can read up the rest of this office. Well,

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<v Speaker 5>I tell you, Dave, there's no particular trick to taking

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<v Speaker 5>out a bullet. That's so, Doc. Nope, the trick is

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<v Speaker 5>keeping the man alive afterwards. Well, how you do that? Well,

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<v Speaker 5>if I do the answer that, Dave, i'd be the

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<v Speaker 5>most famous doctor in the West, and the richest too,

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<v Speaker 5>and throw a would benign. There's so many things to consider,

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<v Speaker 5>the size of the wound, how much blood has been lost, infection, superation. Uh, Doc,

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<v Speaker 5>it ain't the short's good idea to go on about

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<v Speaker 5>things like that.

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<v Speaker 3>Why not?

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<v Speaker 5>Well we're eating our dinner. Doc, Oh, what's the matter

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<v Speaker 5>of chest? You're getting squeamish me? Well, I am as

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<v Speaker 5>unsqueamish as they come, Doc. I can listen to your

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<v Speaker 5>talk even though I am eating Rhubarbie. Well, what's the trouble, Well, Doc,

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<v Speaker 5>it's it's the boy. He ain't used to hearing that

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<v Speaker 5>kind of loose talk.

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<v Speaker 2>Oh oh well, yes.

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<v Speaker 5>Sure may be right. You don't cost to worry about me.

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<v Speaker 5>I ain't squeaming. Oh no, no, no, of course. But

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<v Speaker 5>Chester's right. It's a matter of good man. That ain't

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<v Speaker 5>no bother to me. It ought to be boy, it

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<v Speaker 5>offered me Chester. We're incarnation of you being o. I've

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<v Speaker 5>been right here eating my dinner, Morn trees. I ain't

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<v Speaker 5>exactly hiding ouch and well. Seems ought to be somebody

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<v Speaker 5>taking care of things in the Marshall's office. Oh, get

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<v Speaker 5>ease off more time and taking care of things. What's

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<v Speaker 5>all the catawaing about? Anyway? Rather want you down the

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<v Speaker 5>telegraph office? Why I didn't you say so? I had

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<v Speaker 5>to find you first. They got a message, just got

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<v Speaker 5>to be answered right away, all right, Morn, all right,

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<v Speaker 5>keep your braces up. I'm coming. I'll take care of it,

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<v Speaker 5>all right, I'll see you backward the office, Dave. Shouldn't

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<v Speaker 5>take me very long to handle this. I have to

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<v Speaker 5>go right back to the office. You don't know, right

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<v Speaker 5>if I mose you around a little. Well, now you

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<v Speaker 5>know if the boy is head, for heaven's sakes, he's

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<v Speaker 5>no child Chester. I sure ain't. Well. I guess it'll

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<v Speaker 5>be all right. Come on, Chester, I'm come in, but

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<v Speaker 5>mind you be back there for supper? Boy here, you're

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<v Speaker 5>sure I'll be there? Ah? Will you wander around all

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<v Speaker 5>you like? Dave? Chester gets more like a mother hen

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<v Speaker 5>every day. I don't need no mother. In course you don't.

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<v Speaker 5>Sometimes it seems Chester has more talent for that than

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<v Speaker 5>for Mushman. Yeah it's your Does a horse kick that

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<v Speaker 5>down for you?

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<v Speaker 2>Huh?

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<v Speaker 5>Oh?

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<v Speaker 2>Hello boy? Ah?

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<v Speaker 6>Some fools over rig right into the side of the door.

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<v Speaker 6>Some folks rent a rig.

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<v Speaker 5>I just don't care what happens to it.

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<v Speaker 2>Els he just can't drive.

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<v Speaker 5>I can drive.

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<v Speaker 2>And so you new boy in town.

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<v Speaker 5>Ain't you. I'm visiting the Marshall Matt Dylan.

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<v Speaker 2>You better be good boy.

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<v Speaker 5>He'll run you in. I ain't afraid of him.

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<v Speaker 6>You better mind your manners just the same. I wouldn't

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<v Speaker 6>want to start no nonsense with Matt.

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<v Speaker 5>I'm gonna help.

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<v Speaker 6>Him well now, I bet he's glad about that. I

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<v Speaker 6>wish I had somebody to help me around his.

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<v Speaker 2>Stable Hello, pheey.

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<v Speaker 5>Oh, marh. Take care of the horse? Will you want

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<v Speaker 5>to speed him? Yeah? Go ahead and feed him. And

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<v Speaker 5>I ain't fixing to be back from.

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<v Speaker 2>Him til tomorrow, and to make a night of it.

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<v Speaker 5>Are you feeling? I sure?

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<v Speaker 2>I am.

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<v Speaker 5>I gotta find the Marshall first though he ain't his office.

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<v Speaker 5>Ask the boy where he is? He's staying with him

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<v Speaker 5>on sure you know where he is? Boy? Sure? Now

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<v Speaker 5>up to Hayes City for two days troubles peely, that's

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<v Speaker 5>hob Frank. He's out there at the old Prentice place

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<v Speaker 5>shooting everything inside. You better give Chester then he ain't

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<v Speaker 5>there either. I ain't seen an he Wasn't you know

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<v Speaker 5>where he went off to? No, I don't recommend will

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<v Speaker 5>be back for a while, though. Ah maybe I'll run

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<v Speaker 5>into him. Somebody ought to get on out there, that's

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<v Speaker 5>for sure. Uncertain. Yeah, I see you later along. Come on, boy,

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<v Speaker 5>you know where the Prentice place is? Uh?

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<v Speaker 2>Sure?

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<v Speaker 6>It's just south of the river about a mile. I

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<v Speaker 6>got a big old falling down.

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<v Speaker 5>House on it.

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<v Speaker 2>Nothing to see.

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<v Speaker 5>What do you wanna know?

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<v Speaker 2>For?

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<v Speaker 5>Why? I I wanna be able to tell Chester where

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<v Speaker 5>it is? That's all church boy.

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<v Speaker 6>Chester knows apprentice place. Everybody around Dodge knows it.

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<v Speaker 5>M She's sure I should have knowed here, boy hold

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<v Speaker 5>his bridle. Yeah, say, mister, would you leave me have

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<v Speaker 5>a horse?

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<v Speaker 6>I got only one rule about that, boy.

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<v Speaker 5>I'll leave you have it if you can pay for it. Oh,

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<v Speaker 5>I can pay for it. I got money. See here,

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<v Speaker 5>you've got a horse.

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<v Speaker 6>You can have that one in the back stall.

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<v Speaker 5>You can ride him, all right. I can ride him

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<v Speaker 5>all right, And I can do a lot of other

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<v Speaker 5>things just as good. A right man, even your standing here, boy,

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<v Speaker 5>Soon as I see the old man, Frank h take

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<v Speaker 5>you down for ever for a drink, I could come here.

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<v Speaker 5>Chose a cooler day to stir up a rucus Bob

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<v Speaker 5>Bob Frank, alright, I don't you go playing no hiding games,

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<v Speaker 5>old man. Alright, after I rode all this way out here,

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<v Speaker 5>and don't you start shooting off again. Neither you are

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<v Speaker 5>to be ashamed of yourself, all a stirring up things.

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<v Speaker 2>The way you do what.

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<v Speaker 5>And when I might have known it, liquored yourself up

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<v Speaker 5>to your lost your senses, And come on, gotta wake up,

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<v Speaker 5>some hobble, wake up so I can ride you back

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<v Speaker 5>to Dodge. Come on, old man, it's time again for

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<v Speaker 5>you to spend a night or two in the lock up.

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<v Speaker 5>And then, oh, my gracious mercy, you been shot. He's dead, Dave.

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<v Speaker 5>What in the world are you doing out here? I

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<v Speaker 5>told folks I could help the marshall and had done it.

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<v Speaker 5>You done what well while you was lollygagging around town.

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<v Speaker 5>I come out here and I rode right up through

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<v Speaker 5>the gunshots, and I took care of him. You shot,

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<v Speaker 5>Hobbed Frank. I knowed you couldn't have done it, not

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<v Speaker 5>wearing a gun and all. He was shooting something fierce

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<v Speaker 5>when I rode up, But I just kept on bling,

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<v Speaker 5>young fool. It was him or me. That's the way

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<v Speaker 5>it has to be with a gunfighter. Hob Frank ain't

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<v Speaker 5>no gunfighter. He would What do you mean, hobb Frank

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<v Speaker 5>never harmed nobody in his whole life. Said maybe itself

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<v Speaker 5>the shooting. He we used to get his self liquored

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<v Speaker 5>up regular ever for a few months or so and

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<v Speaker 5>take his old gun and shoot it off, just hear

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<v Speaker 5>the noise of it. But he never done to pro

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<v Speaker 5>folks it around. He never pointed to it nobody, But

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<v Speaker 5>I thought, yes, sir, you thought you thoughts all carnation,

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<v Speaker 5>much as you just rode out here and killed a

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<v Speaker 5>man I didn't miss too late to think about meaning,

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<v Speaker 5>come on now, help me get him out of here. No, no,

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<v Speaker 5>I'm on now. Can't even just lay in here. You

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<v Speaker 5>ain't gonna take me in for no chun going on, man,

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<v Speaker 5>run away from the old man. You're killed right on

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<v Speaker 5>around in the rest of your life for all of me,

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<v Speaker 5>all right, Hob pixture episodis nice and decent for you,

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00:18:51.240 --> 00:19:11.759
<v Speaker 5>nice and decent. I tell you the group miss dull

309
00:19:11.880 --> 00:19:12.920
<v Speaker 5>night think gets too good?

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<v Speaker 2>Point, Oh what do you mean by that?

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<v Speaker 5>For that day to tell him that old Hobb didn't

312
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<v Speaker 5>die after all? That doc pulled him through somehow.

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<v Speaker 2>Yeah, imebe, you're right.

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<v Speaker 6>There was no thanks to him, and that's a certain fact.

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<v Speaker 6>It just serve him right to go on thinking he'd

316
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<v Speaker 6>killed him.

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<v Speaker 2>If we don't find him, he will go on thinking him.

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<v Speaker 5>I ain't said sure we'd are to find him, spending

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<v Speaker 5>all his time righting out here in this weather.

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<v Speaker 2>You'll love you, Maybe I will, but I ain't at

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<v Speaker 2>all sure.

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<v Speaker 5>We ain't just send him good money after bad. You

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<v Speaker 5>might say that's enough, all right, but what I said.

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<v Speaker 2>That's enough. Chester. You know we gotta find this boy.

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<v Speaker 2>That's sure.

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<v Speaker 5>I guess we do. Now, let's do it, mister Dolan.

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00:19:56.200 --> 00:19:56.799
<v Speaker 2>Yeah, what is it?

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<v Speaker 5>Ain't you wearing some off the road?

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00:20:00.440 --> 00:20:02.000
<v Speaker 2>I'm heading for that cave up there.

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<v Speaker 5>Do you think he's hit out there?

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<v Speaker 2>I know that if I was a boy running away,

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<v Speaker 2>a cave would look pretty good to me. Is a

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00:20:08.559 --> 00:20:14.160
<v Speaker 2>place to hide, prick? Besides, it's the way his horse went. Yes, sir,

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<v Speaker 2>all right, Chester, we'll stop here.

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<v Speaker 5>Want me to come up with you?

336
00:20:25.119 --> 00:20:26.240
<v Speaker 2>No, you stay with the horses.

337
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<v Speaker 5>I'd admire to Hell.

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<v Speaker 2>I'll call you if I need you a Chester. Yes,

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00:20:38.759 --> 00:20:53.599
<v Speaker 2>Dave Marshall, dyllon, come on out of there. You might

340
00:20:53.640 --> 00:20:57.119
<v Speaker 2>as well come out. Dave ill left the plane trail.

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00:20:58.079 --> 00:20:59.119
<v Speaker 3>I ain't coming.

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00:21:00.400 --> 00:21:07.359
<v Speaker 2>Come on, Dave, I ain't come out never. I have

343
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<v Speaker 2>to come in and get you out, do it.

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<v Speaker 5>I ain't gonna hang, Marshall, I ain't gonna hang.

345
00:21:13.559 --> 00:21:19.000
<v Speaker 2>Oh you're not gonna hang. You're lucky. What what do

346
00:21:19.039 --> 00:21:23.799
<v Speaker 2>you mean the old man doesn't die? Now, come on out.

347
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<v Speaker 5>You you ain't just trying to trick me.

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00:21:27.519 --> 00:21:29.880
<v Speaker 2>I don't have to waste my time tricking a smarter

349
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<v Speaker 2>like kid like you, and I come out of that

350
00:21:31.920 --> 00:21:40.680
<v Speaker 2>all right, Drag you out, all right, Come on all

351
00:21:40.720 --> 00:21:50.160
<v Speaker 2>the way out, not down here? Now, where's the gun?

352
00:21:50.839 --> 00:21:53.720
<v Speaker 5>No, I've buried it back there ways.

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<v Speaker 2>You'll dig it up. It's one of mine, isn't it.

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00:21:56.920 --> 00:21:59.920
<v Speaker 5>Yes, sir, I've seen it hanging there in the back.

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<v Speaker 2>You stole it. I should have known better. I was

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00:22:03.480 --> 00:22:06.079
<v Speaker 2>figuring him to help you better explain that.

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<v Speaker 5>Oh, Marshall. When I heard about that fellow shooting out

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<v Speaker 5>at the printer's place, I figured I need a gun,

359
00:22:13.279 --> 00:22:14.640
<v Speaker 5>so I went back and got one.

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00:22:15.720 --> 00:22:17.319
<v Speaker 2>Why didn't you tell Chester about it?

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<v Speaker 5>I didn't think he'd be no good taking care of it. Oh?

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00:22:22.920 --> 00:22:24.960
<v Speaker 2>Why not? What Chester?

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00:22:25.079 --> 00:22:26.480
<v Speaker 5>He don't even wear no gun?

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<v Speaker 2>I see. I left him in charge of things, didn't I?

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00:22:32.599 --> 00:22:36.279
<v Speaker 5>Yes, But Marshall, I didn't never see him do nothing

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<v Speaker 5>much but just sweep out. I can shoot.

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<v Speaker 2>Yeah.

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00:22:40.960 --> 00:22:42.960
<v Speaker 5>I figured I could take care of that fella better

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<v Speaker 5>than Chester could.

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<v Speaker 2>And the newly killed him.

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<v Speaker 5>Well he was shooting. I had to do something.

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<v Speaker 2>You know what Chester would have done, No, sir, I don't.

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<v Speaker 2>He'd have walked right after that man, shooting or not,

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<v Speaker 2>and he'd have talked the gun away from him, and

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<v Speaker 2>he'd have brought him back into Dodge or he'd be safe.

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<v Speaker 5>Well, I didn't know.

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<v Speaker 2>Oh yeah, sure didn't know. You don't know much. If

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<v Speaker 2>you think the only way to measure a man is

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<v Speaker 2>according to whether he wears a gun or not, you

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<v Speaker 2>don't know much.

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<v Speaker 5>I guess maybe you're right.

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<v Speaker 2>Yeah, I'm right.

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<v Speaker 5>Well, what's you gonna do with me?

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<v Speaker 2>And until his circuit judge comes to town? I'm gonna

385
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<v Speaker 2>turn you over to Chester, and I'd get ready to

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<v Speaker 2>do a lot of sleeping, a lot of sleeping.

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<v Speaker 1>Gun Smoke, but Houston directed in Hollywood line Norman McDonald

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00:24:12.680 --> 00:24:16.960
<v Speaker 1>stars William Conrad as Matt Dylan Us Marshall. The story

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00:24:17.039 --> 00:24:19.880
<v Speaker 1>was specially written for Gun Smoke by Mariam Clark, with

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<v Speaker 1>editorial supervision by John Meston. Featured in the cast were

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<v Speaker 1>Sam Edwards, Harry Bartel, Joseph Kerns and Ralph Moody. Harley

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<v Speaker 1>Baar is Chester, Howard mcneer is Doc, and Georgia Ellis

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<v Speaker 1>is kidding. This is George Walsh inviting you to join

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<v Speaker 1>us again next week when CBS Radio presents another story

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<v Speaker 1>on gun Smoke.