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Speaker 1: Good morning from Els. You got prink. Clayton here on

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a walk with Chris. Hello, Chris? Where are we run

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and round about? We're going out in the worlds? What

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are we doing?

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Speaker 2: Well?

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Speaker 3: First of all, where we are is we're in hell

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because I'm dead and my eternal punishment is to do

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this podcast where we interview everybody in hell. And I'm

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joined as always by Clayton, the brother Satan but also

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secretary of Ward.

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Speaker 2: Down here in Hell.

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Speaker 3: It's a big important person. He's not just a podcaster.

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But in this very specific moment, we are walking through

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an old opera house down here in Hell. Have you

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ever seen any performances here?

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Speaker 2: Clayton?

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Speaker 4: Oh, I mean this thing has been closed down for ages.

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It looks like shit, so it's it's perfect. Yeah, and

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it smells awful.

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Speaker 1: On a mildew.

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Speaker 2: Wore we go.

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Speaker 4: Most of these chairs, the fabric has been rotted away,

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eating away by and all sorts of stuff, fire, rain

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damage everywhere.

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Speaker 1: How about the acoustics? Hello? Hello, No, that's good. Wait

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what's that sound? Hear that?

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Speaker 2: Your ring tone?

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Speaker 1: Now? Why would that be my ring tone?

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Speaker 2: I don't know, I don't know.

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Speaker 1: You might like organ music. I feel like that's an organ.

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Speaker 3: But why would I make my ring tone like organ

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music that's far away? Because you're creepy, Chris, I don't know.

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I can't explain you. I think it's coming from down

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I don't know, in the basement, yeah, or something.

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Speaker 1: It might be the owner of this purposes. Maybe we

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could talk to them, you know, if you can find them.

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Speaker 3: Yeah, well, here there's the basement. Let's go down there.

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Speaker 1: Okay, long stairs, really creepy. That doesn't sound like it's

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coming from a phone. A phone has a high like

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you get off the phone thing. Okay, I'm just.

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Speaker 4: I just want to you know, you're still going down

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these stairs, still going. The music's drawing louder, so at

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least we know we're getting closer to whatever it is.

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Speaker 1: Could be a phone. Maybe it is a big phone.

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Maybe it's a big phone. That's I'm saying.

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Speaker 4: Yeah, all right, Chris, open up that door. I'm gonna

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hide behind this bookcase.

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Speaker 1: You go ahead. Wait, why why are you hiding? Go ahead,

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go ahead, okay, but why are you hiding?

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Speaker 2: I want to.

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Speaker 1: Push the door open? Okay.

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Speaker 5: Hello, Hi, Hello, hi visitors. Yes, it's been so long

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since I've seen another face another face in the doorway.

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Speaker 1: Oh, are you the Phantom of the opera?

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Speaker 5: No, young man, No, no, I'm the Phantom of the

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Phantom of the opera.

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Speaker 1: Is that an echo from the acoustics in this place?

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Or what was that?

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Speaker 5: No, you don't understand. I'm the fan, Tom of the fan,

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Tom of the operator.

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Speaker 1: What does that mean? You're saying phantom? Are you the

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ghost of the Phantom of the opera?

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Speaker 6: It's exactly right.

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Speaker 5: I live here in this opera house plotting my musical

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revenge against the Phantom of the opera.

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Speaker 1: Wait, I'm very confused. This is a very muddy premise.

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Speaker 4: So you are the ghost of the Phantom of the

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opera or you are a guy that hates the Phantom

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of the opera?

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Speaker 1: What are you?

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Speaker 5: Well, that's a little of column, a little from columnbe

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so yes, no, you see, I once worked with the

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Phantom of the Opera.

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Speaker 6: We were musical partners, don't you see? Musical pot news?

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Speaker 5: Are you singing as an opera phantom or as an

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opera phantom? Phantom? I sing most of the things. It's

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been so long since I've encountered other beings. Most of

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what I do down here, he see Okay, Chris, this

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is this is why I don't watch it.

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Speaker 1: This is why I don't watch musicals.

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Speaker 4: You know, l miss They're just singing.

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Speaker 1: Talking all the timing. Yeah, you could just talk.

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Speaker 4: Yeah, you can just talk. You're in a safe place.

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It's creepy, dungeon.

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Speaker 5: Okay, let me see if I just keep my voice

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like this is this talking, I'm woefully out of practice.

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Speaker 1: God, think of it like the spoken word album.

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Speaker 5: Huh okay, something you mean, something that doesn't sell?

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Speaker 6: Okay, let me see.

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Speaker 5: I am speaking notes to to to musical. Yes, I

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am speaking normally.

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Speaker 2: This is how people talk.

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Speaker 1: There you go.

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Speaker 5: That's okay, it's I'm getting more, getting more comfortable. Okay,

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let me see if.

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Speaker 2: I can explain.

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Speaker 1: A second.

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Speaker 5: Let me okay, let's let me explain. The Phantom of

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the Opera and I were partners, you see, musical partners.

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We were writing, writing, writing musicals together. And he took

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the fancy of a young lady in the mirror, and

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huh oh, this is very I'm sorry, sorry, it's very,

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very difficult.

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Speaker 1: Oh yeah, it's okay.

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Speaker 2: Just just just go with it, okay. So he he.

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Speaker 5: Took the fancy of a young lady and cast me aside,

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and so I took up refuge in the sub basement

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of the opera and have been there, and that's where

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I died.

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Speaker 4: So then as soon as you died, you were like,

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I enjoyed that so much that I want to find

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another sub basement of another opera house down here in Hell.

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Speaker 1: And you've just been there since.

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Speaker 6: That's right, then, that said you. You explained it very clearly.

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Speaker 5: Young man, young man with the skin that's d Thank you.

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Speaker 1: You know, I'm used to it at this point that

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the singings talking. It's whatever.

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Speaker 3: So do you like go up to earth the haunt

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the Phantom of the Opera?

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Speaker 1: Yeah, what's he up to?

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Speaker 5: Well, I've been here for decades now. It's been so

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long I I don't quite remember how long I've been

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down here in the bowels of this opera house. And

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I've just been plotting my musical revenge, writing day and night,

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night and day, plotting my musical revenge off that scoundrel

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who decided to quit our musical partnership in order to

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woo a young lady.

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Speaker 4: Okay, so, okay, you've been working on a lot of music.

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You might have some hits. I mean, I can't believe I'm.

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Speaker 1: Asking this from you, but you want to play us

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one of your did easy? You know?

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Speaker 2: We can.

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Speaker 1: We can give you some notes if you want.

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Speaker 5: Yeah, that would oh, that would be wonderful.

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Speaker 6: Sort of a dress rehearsal of sorts. Yes, that would

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be wonderful.

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Speaker 1: Yeah, yeah you yeah, yeah, yeah, that's okay.

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Speaker 5: Here, this is this is the sort of the I'll

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play you. I'll take you through the journey of this,

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I'll play you sort of. One of my numbers that

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I've been working on for this is this is sort

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of the beginning of the story, and it goes like this,

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m M.

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Speaker 2: Night time, waiting in the dark.

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Speaker 7: And there's a bat and maybe a skeleton, a creaky

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door and a spider web and another bat, a different

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one from the early.

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Speaker 2: Skulls.

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Speaker 1: That's sort that's that's where you're at right now.

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Speaker 5: Okay, that's that's yes, that's that's that's that's that's that's

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put the opening piece, you see, So.

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Speaker 1: That's that you just vocalize the run on sentences. What

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that was. It was just it just kept going. I

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thought it would end and then it bats. So it's

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just kind of that I still kind of a work

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in progress. That's a new one.

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Speaker 5: Oh no, I'm that's that's that's pretty much close to done.

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Speaker 6: I've that's seen.

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Speaker 5: There's one of more more my more finished songs.

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Speaker 2: You see.

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Speaker 1: That's that's one of the more finished. Oh boy, yeah, I.

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Speaker 6: Think that one's ready to go. Let's it's little hit

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down on some wax.

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Speaker 1: Well what a wax?

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Speaker 5: You know, we're sort of is cylinders. There's that that

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chap Edison was working on. You can record music on those,

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don't you see?

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Speaker 1: Talking about records like Vile.

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Speaker 4: Yeah, I mean those those actually have made a resurgence.

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Speaker 1: They're just way more expensive now.

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Speaker 3: Yeah, but I would before we wax that, I think

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you might want to workshop it a little more.

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Speaker 1: We have notes, we have no and not like the

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notes of like the musical care with which you lack.

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Speaker 2: Yes, it's it was really.

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Speaker 1: The lyrics that were really kind of hitting hitting a

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wall for me.

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Speaker 4: Ship sandwich organ music, breat song lyrics, your performance, your

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vocals dog shit awful, horrible, horrible, organ music pretty good?

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Speaker 5: Yeah, well, that's that's good.

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Speaker 6: That's good to hear, you know.

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Speaker 5: I'm I'm here in the here, in the bowels of

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this opera house. I'm been trying to write, you know,

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a scary, haunting sort of music. So I've just been

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working on these these lyrics. That's why they at the end,

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I just it's skulls, Like I just trying to like evoke,

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evoke scary things.

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Speaker 2: You see, but.

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Speaker 1: See a skull to saying skull isn't really scary?

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Speaker 5: Yes, oh, but that's I'm certainly glad. You're too fine,

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young men stopped stopped by this this opera house.

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Speaker 2: Well, I'm writing.

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Speaker 5: Because you see, like in the word, I don't have

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any feedback.

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Speaker 6: There's no either.

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Speaker 5: All the hideos as the spiders, and they don't give

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me any sort of feedback on on my on my

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musical old range.

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Speaker 4: Yeah, so what's up with the half mask thing that's

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on your face?

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Speaker 1: What's going on there? Yeah?

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Speaker 5: Oh well, it's just it's I have a sort of

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an egzema, a sort of a skin skin condition.

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Speaker 6: I wasn't I wasn't horribly maimed.

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Speaker 2: In some sort of file you see that. No, I've just.

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Speaker 4: Sounds like you haven't had a lot of people talking

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to you about eczema. I think if you just kind

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of let that air out honestly, you know you shouldn't.

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Speaker 1: Yeah, it's nothing to be like self conscious about, you know.

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Speaker 2: Yeah.

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Speaker 4: But also I mean like health wise, like you know,

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have it cooped up in that weird ceramic mask that

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that's probably not good for it, you know, like an infection.

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Speaker 1: Yeah, just take it off.

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Speaker 5: So you're saying this, okay, well I'll take this right now.

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Speaker 1: Okay, okay, Well yeah, yeah, I don't. Are you sure

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that that's just exema?

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Speaker 6: That's I mean, I did a lot of research on

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my own.

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Speaker 5: You see it a self diagnose, I assume it's ezema.

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Speaker 1: I think I saw a leech hanging on there. Yeah,

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that is blood letting. You got a friend gangreness, Yes.

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Speaker 6: That's that is a leech, A friendly leech.

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Speaker 2: On my face.

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Speaker 1: You're trying to bleed it?

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Speaker 5: Yes, you know, I've sort of been trying to get

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rid of the bad humors. You see the bile, the blood,

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and there's there's two more.

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Speaker 6: I forget what they called at the moment.

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Speaker 1: Yeah, you got some catching up to do.

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Speaker 5: Would you like to hear another song? I have a

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life another A little a Diddy that I could I

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could play for you. I love this feedback gentlemen, I don't.

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I don't get it down here.

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Speaker 1: Yeah, no, I mean we could probably go a listen.

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Speaker 7: To the music, the music I have written, the song I.

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Speaker 2: Wrote where ahead of time.

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Speaker 7: The music is a song, and a song is words

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to music song. It goes like this, so long for

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a few more minutes.

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Speaker 1: This witches song or the introductions. Are you just thinking aloud? Yeah?

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Speaker 5: Are you just I'm just channeling my inner songwriter in

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that one. I was like thinking about, you know what,

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what is a song? And I song is is music

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and uh and and and words to that music and

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and then it goes along. So I was I was

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just sort of a meta a meta text texture.

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Speaker 1: Yeah. So that was an improvised one. Yeah, right, No,

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that that's been.

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Speaker 5: Written for for Dirt early two decades.

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Speaker 1: That exact thing.

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Speaker 5: Yes, I've been written for Deny on twenty years.

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Speaker 1: I could see the musical sheet.

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Speaker 2: He's right.

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Speaker 1: I mean it says, here's the song, the musical song.

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Speaker 3: Oh my gosh, I'm looking at your revisions. That's actually

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that isn't that's the best version of this.

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Speaker 1: This is like twelve drafts.

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Speaker 6: Yeah, wow, Yes, it's been quite a work in progress.

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Speaker 3: Well, progress is really we're using that term real general here.

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But you were a professional, you did this as a pro, Yes,

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I was.

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Speaker 5: I was a professional musician the phantom Gary here, he

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and I were musical partners, you see, and he.

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Speaker 6: He was usually of the lyrics and I was. I

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was more of that that.

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Speaker 3: It was.

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Speaker 5: I played the organ, piano and the sort of that

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sort of thing. It was sort of a very like

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Elton John Bernie Taupin situation.

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Speaker 1: Yes, our audience will fully understand that reference.

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Speaker 5: Yes, he kind of came up with the lyrics and

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I was more of the of the of the piano man.

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Speaker 3: Yeah, yeah, yeah, it is the song your piano man

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got it? Yeah, sort of like John Lennon and Paul McCartney.

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But they're both, you know, we're talented.

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Speaker 1: Yeah, both better.

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Speaker 5: Yes, so we were, we were. We're just like them,

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both very talented talented musician.

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Speaker 4: You know what, I think a style of music that

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would fit your skills would be.

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Speaker 1: A scat You ever heard of scat?

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Speaker 5: It made there's some sort of animal leavings.

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Speaker 1: No, no, no, no, no, I mean yes.

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Speaker 4: But also it's basically you don't have to say words,

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you can just make music.

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Speaker 1: Noise is with your mouth.

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Speaker 4: You know, you skin a little bit of See how

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easy that is unless shitty sounding it is.

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Speaker 5: Let me try this this sort of scatulation as you described,

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hold on hum.

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Speaker 1: Sky bity bop.

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Speaker 5: Screepy bottle.

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Speaker 1: That's somehow worse it is. It's worse without words.

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Speaker 2: Beep pop cool skiepy pop up boo.

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Speaker 3: I feel like it's some sort of weird like spell

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or something. Yeah, or maybe like what it's like a

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boppet or something. But yeah, it's broken.

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Speaker 4: Yeah, it's like a boppit that ran out of batteries.

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But you know, every now and then something nudges the

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toy box, so it goes bop.

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Speaker 1: Yeah, d was that?

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Speaker 2: Did?

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Speaker 6: Did you enjoy that?

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Speaker 5: Should I work that into my next musical arrangement to

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take revenge on the Phantom of the Opper Row?

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Speaker 3: What kind of what are you going for with this

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revenge on Gary? Are you trying to like annoy him?

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Speaker 5: Well, I'm trying to drive a musical dagger in his hot.

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Speaker 1: I mean those are definitely musical daggers to my ears. So,

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I mean, you know, accomplished you.

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Speaker 5: But what about the heart?

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Speaker 6: Do those do those?

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Speaker 5: Do those cut you to the very to the very core,

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to the to the being inside you.

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Speaker 4: Like emotionally, yes, I mean physically I have a knife drawn,

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ready to stab myself to get out of this situation.

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Speaker 3: But you know, yeah, I guess emotionally, I mean I

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feel sad, Yeah, but in.

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Speaker 1: A different way I think than you intend, you know,

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just like for you.

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Speaker 6: Yeah, it's not sad because of revenge.

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Speaker 4: No, it's sad because you've worked a lot on this

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thing that's not good.

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Speaker 6: Yeah.

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Speaker 3: Yeah, so you're trying to like one up him by

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like right in this opera and like making him feel

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bad and seeing what he left precisely.

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Speaker 6: That's yeah, that's what I do.

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Speaker 3: You might need another couple centuries, yeah, in the basement,

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But I like.

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Speaker 1: You, like your style though. You got cool is right,

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and you got cool capes. You keep flowing him around

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very theatrically.

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Speaker 2: Thank you.

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Speaker 5: I was a I was a double major in organ

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and cape throwing.

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Speaker 6: Oh yes, that was my other major in college.

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Speaker 4: What other skills do you do you hold? Like, what

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are the uses might you, you know, bring to a table?

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Speaker 5: I have a liberal arts degree, so absolutely nothing.

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Speaker 1: That's a pretty useless degree, okay.

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Speaker 4: Phantom of the Phantom of the opera, tell us about

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the actual Phantom of the opera.

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Speaker 1: What happened to Gary in this this girl that he

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was fell in love with?

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Speaker 5: Yeah, we parted ways and to talk for many years.

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I heard there was some sort of accident with a chandelier.

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Speaker 6: That's that might have that might have killed him.

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Speaker 5: But of course, the wiley failure that he is, I'm

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sure he survived and continues to live in the basement

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of the opera house, pining for this engeneue, this young

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lady who looks into the mirror and sees his visage

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in the shadow.

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Speaker 3: You'll haven't like, you haven't tried to, like, I don't know,

356
00:17:19,680 --> 00:17:23,640
reconnect or anything, because just you know, get the old

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band back together.

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Speaker 1: I mean literally, like.

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Speaker 5: You know, No, I'm you know.

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Speaker 6: The balls in his court.

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Speaker 5: I have sent him many many transcripts, many many drafts

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of musical revenge to his last.

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Speaker 6: Known location, and I've not had a reply.

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Speaker 2: So the ball is in his court.

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Speaker 6: But in the meantime, I shall continue.

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Speaker 1: Making music form revenge. Yeah, yes, he's here.

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Speaker 5: Here, here, here's here's he's a piece I'm I'm particularly

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proud of.

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Speaker 1: Here we go another one.

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Speaker 2: Here we.

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Speaker 6: Look into the mirror.

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Speaker 5: There's someone there behind you.

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Speaker 2: It's me. I'm in the shadows. Where will Sanna?

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Speaker 5: Vampire tombs, dot, crack of lightning, the sound of chains, boo,

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a ghost.

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Speaker 1: That's a song.

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Speaker 4: Yeah, yes, a lot of description, very descriptive writer. Yeah, yeah,

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00:18:22,559 --> 00:18:24,680
setting the scene, really setting the scene.

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Speaker 6: With these I'm trying to paint a picture, you see.

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Speaker 2: Yeah.

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Speaker 3: Yeah, it's like you're painting a picture, but it's more

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00:18:30,799 --> 00:18:31,720
like a grocery list.

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Speaker 1: Yeah, yeah, if that makes sense.

384
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Speaker 4: Have you tried stepping out of the dungeon of this

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00:18:37,480 --> 00:18:40,319
opera because yeah, you know, I've noticed a lot of

386
00:18:40,359 --> 00:18:45,599
similarities to your songs. You know, you're like a skeletons, webbs, bats, dark, dark, scary,

387
00:18:45,599 --> 00:18:47,960
scary skull. It's like, maybe if you went out and

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00:18:47,960 --> 00:18:51,079
you've kind of got new inspiration, you know, son, new things,

389
00:18:51,079 --> 00:18:52,319
maybe that would help you.

390
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Speaker 1: Know.

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Speaker 5: You're right. I have just been cooped up here in

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the basement of the opera house with just these these

393
00:19:00,720 --> 00:19:04,279
sort of kids coloring books on Halloween, and so this

394
00:19:04,400 --> 00:19:08,799
is my own experience of the outside world. Yes, I'd

395
00:19:08,839 --> 00:19:12,359
love to have some of this new inspiration. I've been

396
00:19:12,400 --> 00:19:14,839
away in this basement for so long what's happening on

397
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Earth up in the land of the Living.

398
00:19:17,839 --> 00:19:20,400
Speaker 3: Oh gosh, well, a lot of people have been kind

399
00:19:20,400 --> 00:19:23,559
of locked up themselves actually.

400
00:19:23,319 --> 00:19:26,160
Speaker 4: Yeah, bit of a pandemic, a lot of masks being worn,

401
00:19:26,319 --> 00:19:27,400
of vaccines.

402
00:19:27,519 --> 00:19:31,799
Speaker 3: Yeah, so yeah, masks and people locking themselves up.

403
00:19:32,160 --> 00:19:35,599
Speaker 1: Music's changed a good bit. Yeah, talking abouts. Yeah, do

404
00:19:35,640 --> 00:19:36,440
you know what a wop is?

405
00:19:37,319 --> 00:19:42,920
Speaker 5: Some sort of where wolf and pirate two scary things.

406
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Speaker 2: Where wolf and are part sitting on a dark.

407
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Speaker 1: It means I'm gonna cut you off right there.

408
00:19:51,119 --> 00:19:55,119
Speaker 5: There's some sort of black cat pussy some sort of

409
00:19:56,119 --> 00:19:59,640
is that what you mean, a sort of feline companion?

410
00:20:00,200 --> 00:20:00,720
Speaker 1: Yeah?

411
00:20:00,519 --> 00:20:03,400
Speaker 3: Yeah, well okay, because I just don't I don't know

412
00:20:03,480 --> 00:20:06,400
if your music is really going to hit the revenge

413
00:20:06,839 --> 00:20:09,680
note that you really want, you know, to really.

414
00:20:09,440 --> 00:20:11,599
Speaker 1: Get back at Gary. Have you Have you just tried, like.

415
00:20:11,720 --> 00:20:14,640
Speaker 3: I don't know, violence, Yeah, just ordinary violence, yeah, or

416
00:20:14,640 --> 00:20:16,039
something I don't know, more traditional.

417
00:20:16,200 --> 00:20:19,079
Speaker 5: So you're thinking, did to take away the sort of

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00:20:19,559 --> 00:20:23,279
musical revenge and just do straight revenge? Yeah?

419
00:20:23,359 --> 00:20:25,240
Speaker 4: I mean you've got this big organ. You could take

420
00:20:25,279 --> 00:20:26,960
one of these pipes and clock them on the head.

421
00:20:27,000 --> 00:20:29,880
That'd do the trick boom, Yeah, break his ceramic mask.

422
00:20:29,960 --> 00:20:31,200
Speaker 1: Boom boom.

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00:20:31,240 --> 00:20:34,200
Speaker 5: Yeah, you know that's that's not a bet. Can I

424
00:20:34,240 --> 00:20:36,240
sing while I do it? May? I? Can I sing

425
00:20:36,319 --> 00:20:38,680
while I I I give him the cracking you're trying

426
00:20:38,680 --> 00:20:40,079
to hurt him over the skull.

427
00:20:40,359 --> 00:20:42,079
Speaker 1: It might disorient him further, you know.

428
00:20:42,279 --> 00:20:46,960
Speaker 5: Yeah, so I can sing while bashing in his brains.

429
00:20:47,200 --> 00:20:47,880
Speaker 1: Yeah, because I.

430
00:20:47,839 --> 00:20:50,920
Speaker 3: Mean not that I'm one to condone violence, but I'm

431
00:20:50,920 --> 00:20:54,720
also not one to condone what do Yeah.

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00:20:55,000 --> 00:20:58,079
Speaker 4: I would condone violence and pretty much anything else above

433
00:20:59,119 --> 00:21:04,000
the skulls el tens and spider webs and scary closet.

434
00:21:03,799 --> 00:21:04,480
Speaker 2: Oh scary.

435
00:21:04,519 --> 00:21:07,079
Speaker 5: You know I haven't worked a scary closet into any

436
00:21:07,160 --> 00:21:07,640
of my songs.

437
00:21:07,759 --> 00:21:08,119
Speaker 2: Thank you.

438
00:21:08,200 --> 00:21:13,480
Speaker 5: Let me write that down, scary closet maybe with a

439
00:21:13,960 --> 00:21:19,000
monster inside. Cool boy, just write that down here with

440
00:21:19,119 --> 00:21:21,000
my quill. Hold on, I've got to dip dip my

441
00:21:22,119 --> 00:21:26,000
quill in this, in this, in the little ink right here.

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00:21:26,440 --> 00:21:29,319
Speaker 1: You're missing a lot of like the modern luxuries. I mean,

443
00:21:29,440 --> 00:21:30,839
you know you've been down here for what You still

444
00:21:30,880 --> 00:21:33,680
got a lot of auto tune? Autotune. Autotune would be great.

445
00:21:33,839 --> 00:21:35,160
Speaker 2: The thing, now, what.

446
00:21:35,119 --> 00:21:38,480
Speaker 5: Does it do? Does it create songs? Does it automatically play,

447
00:21:38,799 --> 00:21:40,759
play little little songs, little tunes.

448
00:21:40,920 --> 00:21:42,640
Speaker 1: Like it's like instant talent.

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00:21:43,039 --> 00:21:45,200
Speaker 4: You know, you don't even have to have good vocals

450
00:21:45,200 --> 00:21:49,400
anymore because auto tune just fixes it all that I've.

451
00:21:48,759 --> 00:21:51,640
Speaker 5: Missed out on a great deal of technology. Yeah, it

452
00:21:51,880 --> 00:21:57,559
sounds like, oh yeah you have. I'm getting inspiration for song.

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00:21:58,319 --> 00:22:00,519
Speaker 4: Actually I got I got a microphone with and try

454
00:22:00,559 --> 00:22:05,160
out the auto tune. Now you're just speaking to this thing.

455
00:22:05,480 --> 00:22:07,079
Give it a give it a world there, the Phantom

456
00:22:07,079 --> 00:22:08,160
of the Phantom of the Opera.

457
00:22:08,319 --> 00:22:14,640
Speaker 5: Hmmm, I'm the fat of the fan. Some of the

458
00:22:14,680 --> 00:22:15,920
opera royse.

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00:22:17,599 --> 00:22:20,039
Speaker 1: Sound pretty cool better. Yeah, you could be like proven

460
00:22:20,119 --> 00:22:23,240
backing vocals for you know, a kids pop.

461
00:22:23,119 --> 00:22:25,039
Speaker 6: Song which is kids bop.

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00:22:25,480 --> 00:22:29,039
Speaker 1: That would be like your magmopis you know kids? If

463
00:22:29,039 --> 00:22:31,440
you can get into that, that would be good.

464
00:22:31,599 --> 00:22:31,759
Speaker 2: Yeah.

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Speaker 5: And what I would I have to be around?

466
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Speaker 6: Would I have to be around children?

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00:22:37,039 --> 00:22:39,599
Speaker 1: They might be afraid of you. Are you okay with that?

468
00:22:39,640 --> 00:22:42,519
Are you okay with being just horrifying?

469
00:22:42,839 --> 00:22:43,200
Speaker 2: Well?

470
00:22:43,960 --> 00:22:46,839
Speaker 5: Has a creature of the night?

471
00:22:48,279 --> 00:22:51,359
Speaker 1: Turn on the thing? Here you go go ahead, take

472
00:22:51,359 --> 00:22:51,680
it again.

473
00:22:52,000 --> 00:22:56,880
Speaker 2: How's a creature of a night? Living in a peace man?

474
00:22:57,200 --> 00:23:01,000
Speaker 5: And I think I I think I I've I've become

475
00:23:01,160 --> 00:23:07,119
I've gotten used to being a creature shunned by society.

476
00:23:07,359 --> 00:23:10,079
Speaker 1: I mean, I think have you gotten have you not

477
00:23:10,119 --> 00:23:11,480
gotten lonely down here?

478
00:23:12,000 --> 00:23:12,240
Speaker 2: Oh?

479
00:23:12,559 --> 00:23:14,920
Speaker 5: I mean, I'm it gets it gets a little a

480
00:23:14,960 --> 00:23:19,319
little lonely. But I've I've got my spiders and my webs,

481
00:23:19,759 --> 00:23:24,920
and my uh sort of cold bricks and this this

482
00:23:24,920 --> 00:23:28,279
this sort of moss that's growing on the You see this,

483
00:23:28,400 --> 00:23:31,359
You see this figure that I've carved in moss on

484
00:23:31,440 --> 00:23:32,680
the on the wall here.

485
00:23:33,480 --> 00:23:35,440
Speaker 6: This is Gretchen. This is Gretchen.

486
00:23:36,559 --> 00:23:40,000
Speaker 5: And she she's made of moss that I've carved onto

487
00:23:40,039 --> 00:23:42,440
the into the rocks here, onto the bricks of this

488
00:23:42,440 --> 00:23:43,440
this old opera house.

489
00:23:43,559 --> 00:23:46,240
Speaker 4: Upon closer inspections, some of these spider webs are not

490
00:23:46,319 --> 00:23:47,640
made by spiders, you.

491
00:23:47,559 --> 00:23:48,000
Speaker 2: Know what I mean?

492
00:23:48,079 --> 00:23:52,039
Speaker 5: Yeah, yeah, yeah, oh, I mean I wasn't expecting company here.

493
00:23:52,079 --> 00:23:56,079
Speaker 1: I've been very close.

494
00:23:56,720 --> 00:24:02,200
Speaker 5: We are very yes, we are very close. Indy, I've

495
00:24:02,319 --> 00:24:08,359
known this wall in the biblical house. Wow, what are

496
00:24:08,400 --> 00:24:11,839
you young men doing here in this opera house.

497
00:24:12,839 --> 00:24:15,319
Speaker 3: We're just you know, we're kind of scouting locations for

498
00:24:15,440 --> 00:24:17,400
like an event, like a convention.

499
00:24:17,839 --> 00:24:18,599
Speaker 1: People from together.

500
00:24:19,519 --> 00:24:22,039
Speaker 5: There's it's because there's an event, there would be people

501
00:24:22,079 --> 00:24:25,160
in a large groups of people in attendance. Well, I

502
00:24:25,240 --> 00:24:29,200
must say, I'm I'm an excellent performer. I could lend

503
00:24:29,240 --> 00:24:31,599
my do Are you looking for some sort of opening

504
00:24:31,640 --> 00:24:38,160
act a musical performance, because I could lend my tar.

505
00:24:39,240 --> 00:24:41,640
Speaker 4: I mean, we want to sell tickets. We don't want

506
00:24:41,680 --> 00:24:42,799
people to be scared away.

507
00:24:42,880 --> 00:24:46,319
Speaker 6: So yeah, I can do any number a number of things.

508
00:24:46,759 --> 00:24:50,599
I have my operatic fancies, but.

509
00:24:50,720 --> 00:24:54,359
Speaker 5: I can do many other other things, like what will

510
00:24:54,359 --> 00:24:57,039
there be any other maybe with this convention? Will there

511
00:24:57,039 --> 00:25:06,200
be any sports in any sports, sporting events? I do baseball, baseball, baseball, baseball, baseball.

512
00:25:07,599 --> 00:25:07,960
Speaker 2: Lyrics.

513
00:25:08,039 --> 00:25:10,839
Speaker 1: Wow, that's great. Yeah, no no events, No, I mean

514
00:25:10,839 --> 00:25:11,920
no sports, no sports.

515
00:25:12,000 --> 00:25:12,200
Speaker 2: Yeah.

516
00:25:12,359 --> 00:25:14,359
Speaker 1: Actually, oh, look at that. I just got a text.

517
00:25:14,440 --> 00:25:20,519
Looks like the whole event was canceled. Sorry, yeah, it's okay. Yeah,

518
00:25:20,680 --> 00:25:24,000
oh yeah, I'm sorry. You're right, Like, oh, I got

519
00:25:24,000 --> 00:25:24,680
the same text.

520
00:25:24,799 --> 00:25:25,000
Speaker 5: Yep.

521
00:25:25,920 --> 00:25:28,039
Speaker 1: These are these are hell phones. You wouldn't know they're

522
00:25:28,079 --> 00:25:29,480
their new developments. Yeah.

523
00:25:29,640 --> 00:25:31,759
Speaker 5: I as seem some sort of some some sort of

524
00:25:31,799 --> 00:25:35,240
pigeon landed in your pocket and delivered you some sort

525
00:25:35,279 --> 00:25:36,519
of textual message.

526
00:25:36,839 --> 00:25:38,640
Speaker 1: Yep, that's what happened that's what happened.

527
00:25:38,759 --> 00:25:43,400
Speaker 5: It's been so long, gentlemen, since I've seen other people.

528
00:25:43,880 --> 00:25:46,079
Would you like to say, can we spend some time together?

529
00:25:46,160 --> 00:25:48,680
Maybe hang out? I can bring Gretchen, I've got to

530
00:25:48,799 --> 00:25:51,599
I'll just uncarver from the wall and then we can

531
00:25:51,640 --> 00:25:54,599
all maybe go get some some some food.

532
00:25:54,799 --> 00:25:56,079
Speaker 1: Oh you want to come with us?

533
00:25:56,359 --> 00:25:56,799
Speaker 5: Yes?

534
00:25:57,160 --> 00:26:02,680
Speaker 1: Oh sure, sure? Yeah? What wait? No, but didn't we

535
00:26:02,759 --> 00:26:06,039
have a thing? Yeah no, uh uh, Phantom of the

536
00:26:06,039 --> 00:26:06,759
Phantom of the Opera.

537
00:26:06,839 --> 00:26:08,920
Speaker 4: You stay here, you pack your things, We're gonna go

538
00:26:09,119 --> 00:26:10,920
get our car around. You're gonna get to get real

539
00:26:11,000 --> 00:26:13,200
kick out of cars. Those are those are the new

540
00:26:13,319 --> 00:26:15,880
thing to get around, better than the horse and buggy.

541
00:26:15,960 --> 00:26:18,359
So you pack your things, we'll we'll go get the car.

542
00:26:18,880 --> 00:26:22,839
You stay here, Yeah, maybe get Gretchen something. Yeah, you'll

543
00:26:23,039 --> 00:26:23,920
pack up a suitcase?

544
00:26:23,960 --> 00:26:26,759
Speaker 5: Yeah yeah, oh yes, let me say, I've got lots

545
00:26:26,759 --> 00:26:29,839
of things to pack. I've got uh sort of goblets

546
00:26:29,920 --> 00:26:33,039
and a dagger, okay, falcons clothes.

547
00:26:33,039 --> 00:26:34,880
Speaker 1: When you get on that, we're gonna go. We'll be

548
00:26:35,000 --> 00:26:35,759
right back. Yeah.

549
00:26:35,880 --> 00:26:39,680
Speaker 5: Okay, I'll just wait here and be packing my skeletons.

550
00:26:39,759 --> 00:26:41,960
Speaker 2: Okay, so had my call?

551
00:26:43,799 --> 00:26:45,319
Speaker 1: Sorry, all right, yeah, all right, we'll be right back.

552
00:26:45,680 --> 00:26:46,880
We'll see the second.

553
00:26:47,799 --> 00:26:49,599
Speaker 4: Run Run run, run, run, run, run up the stairs,

554
00:26:49,680 --> 00:26:50,519
up the stairs, up the stairs.

555
00:26:50,720 --> 00:26:54,400
Speaker 1: I locked it, locked close the door here, just jam

556
00:26:54,559 --> 00:26:57,039
James coming, He's coming. Part of the door, part.

557
00:26:56,880 --> 00:26:57,279
Speaker 5: Of the door.

558
00:26:59,200 --> 00:27:00,359
Speaker 2: All right, Thanks for the listening.

559
00:27:00,400 --> 00:27:01,759
Speaker 1: Good morning from He'll be sure to follow us on

560
00:27:01,759 --> 00:27:04,079
social at Morning from Light.

561
00:27:04,799 --> 00:27:08,480
Speaker 3: Any of your friends who hate music about this podcast.

562
00:27:08,519 --> 00:27:10,640
Speaker 1: Anyone who hates music, they'll want to listen to this one.

563
00:27:10,640 --> 00:27:21,039
Speaker 2: All right, look at all right.

564
00:27:21,160 --> 00:27:24,480
Speaker 3: Thank you to Andrew Rosis for returning once again, this

565
00:27:24,559 --> 00:27:26,519
time as the Phantom of the Phantom of the Opera.

566
00:27:29,359 --> 00:27:32,759
Speaker 1: Andrew, you've been on half a dozen times.

567
00:27:32,799 --> 00:27:35,519
Speaker 3: As you're on our first episode as Napoleon, you're on

568
00:27:35,720 --> 00:27:36,640
Joseph Stalin a.

569
00:27:36,640 --> 00:27:39,039
Speaker 1: Couple of times. Who else have you played?

570
00:27:39,519 --> 00:27:45,000
Speaker 5: Oh my god, gosh, I I remember Stalin and uh

571
00:27:45,599 --> 00:27:48,279
uh oh man. I feel like I've been I feel

572
00:27:48,279 --> 00:27:49,720
like I've been in at least two other people.

573
00:27:49,799 --> 00:27:52,000
Speaker 6: But now I'm drawing, drawing a blank.

574
00:27:52,160 --> 00:27:54,400
Speaker 5: I was like to the characters, I mean, we did

575
00:27:54,480 --> 00:27:56,599
that one thing for I feel like ArtX last year.

576
00:27:56,640 --> 00:27:59,039
Speaker 3: I was like three, Yeah, you were in our actual

577
00:27:59,119 --> 00:28:02,640
art X episode. Yeah, if you played like eight characters.

578
00:28:03,519 --> 00:28:06,599
Speaker 5: Oh uh, you can follow me uh from my personal

579
00:28:06,599 --> 00:28:08,720
Twitter at mister Andrew Rossis if you'd like.

580
00:28:09,480 --> 00:28:10,440
Speaker 6: And yeah, that's that's.

581
00:28:10,279 --> 00:28:13,119
Speaker 1: Where we're recommend giving Andrew follow He's a very funny guy.

582
00:28:13,240 --> 00:28:16,039
Speaker 3: Ah, thank you, so thank you so much Andrew for

583
00:28:16,079 --> 00:28:16,839
coming on once again.

584
00:28:16,880 --> 00:28:17,880
Speaker 1: This was a lot of fun.

585
00:28:18,039 --> 00:28:20,519
Speaker 5: Absolutely had I had a blast.

586
00:28:23,160 --> 00:28:25,200
Speaker 1: Yeah, absolutely Bye.

587
00:28:25,480 --> 00:28:25,759
Speaker 2: Back