Speaker 1: Good morning from Els. You got prink. Clayton here on
a walk with Chris. Hello, Chris? Where are we run
and round about? We're going out in the worlds? What
are we doing?
Speaker 2: Well?
Speaker 3: First of all, where we are is we're in hell
because I'm dead and my eternal punishment is to do
this podcast where we interview everybody in hell. And I'm
joined as always by Clayton, the brother Satan but also
secretary of Ward.
Speaker 2: Down here in Hell.
Speaker 3: It's a big important person. He's not just a podcaster.
But in this very specific moment, we are walking through
an old opera house down here in Hell. Have you
ever seen any performances here?
Speaker 2: Clayton?
Speaker 4: Oh, I mean this thing has been closed down for ages.
It looks like shit, so it's it's perfect. Yeah, and
it smells awful.
Speaker 1: On a mildew.
Speaker 2: Wore we go.
Speaker 4: Most of these chairs, the fabric has been rotted away,
eating away by and all sorts of stuff, fire, rain
damage everywhere.
Speaker 1: How about the acoustics? Hello? Hello, No, that's good. Wait
what's that sound? Hear that?
Speaker 2: Your ring tone?
Speaker 1: Now? Why would that be my ring tone?
Speaker 2: I don't know, I don't know.
Speaker 1: You might like organ music. I feel like that's an organ.
Speaker 3: But why would I make my ring tone like organ
music that's far away? Because you're creepy, Chris, I don't know.
I can't explain you. I think it's coming from down
I don't know, in the basement, yeah, or something.
Speaker 1: It might be the owner of this purposes. Maybe we
could talk to them, you know, if you can find them.
Speaker 3: Yeah, well, here there's the basement. Let's go down there.
Speaker 1: Okay, long stairs, really creepy. That doesn't sound like it's
coming from a phone. A phone has a high like
you get off the phone thing. Okay, I'm just.
Speaker 4: I just want to you know, you're still going down
these stairs, still going. The music's drawing louder, so at
least we know we're getting closer to whatever it is.
Speaker 1: Could be a phone. Maybe it is a big phone.
Maybe it's a big phone. That's I'm saying.
Speaker 4: Yeah, all right, Chris, open up that door. I'm gonna
hide behind this bookcase.
Speaker 1: You go ahead. Wait, why why are you hiding? Go ahead,
go ahead, okay, but why are you hiding?
Speaker 2: I want to.
Speaker 1: Push the door open? Okay.
Speaker 5: Hello, Hi, Hello, hi visitors. Yes, it's been so long
since I've seen another face another face in the doorway.
Speaker 1: Oh, are you the Phantom of the opera?
Speaker 5: No, young man, No, no, I'm the Phantom of the
Phantom of the opera.
Speaker 1: Is that an echo from the acoustics in this place?
Or what was that?
Speaker 5: No, you don't understand. I'm the fan, Tom of the fan,
Tom of the operator.
Speaker 1: What does that mean? You're saying phantom? Are you the
ghost of the Phantom of the opera?
Speaker 6: It's exactly right.
Speaker 5: I live here in this opera house plotting my musical
revenge against the Phantom of the opera.
Speaker 1: Wait, I'm very confused. This is a very muddy premise.
Speaker 4: So you are the ghost of the Phantom of the
opera or you are a guy that hates the Phantom
of the opera?
Speaker 1: What are you?
Speaker 5: Well, that's a little of column, a little from columnbe
so yes, no, you see, I once worked with the
Phantom of the Opera.
Speaker 6: We were musical partners, don't you see? Musical pot news?
Speaker 5: Are you singing as an opera phantom or as an
opera phantom? Phantom? I sing most of the things. It's
been so long since I've encountered other beings. Most of
what I do down here, he see Okay, Chris, this
is this is why I don't watch it.
Speaker 1: This is why I don't watch musicals.
Speaker 4: You know, l miss They're just singing.
Speaker 1: Talking all the timing. Yeah, you could just talk.
Speaker 4: Yeah, you can just talk. You're in a safe place.
It's creepy, dungeon.
Speaker 5: Okay, let me see if I just keep my voice
like this is this talking, I'm woefully out of practice.
Speaker 1: God, think of it like the spoken word album.
Speaker 5: Huh okay, something you mean, something that doesn't sell?
Speaker 6: Okay, let me see.
Speaker 5: I am speaking notes to to to musical. Yes, I
am speaking normally.
Speaker 2: This is how people talk.
Speaker 1: There you go.
Speaker 5: That's okay, it's I'm getting more, getting more comfortable. Okay,
let me see if.
Speaker 2: I can explain.
Speaker 1: A second.
Speaker 5: Let me okay, let's let me explain. The Phantom of
the Opera and I were partners, you see, musical partners.
We were writing, writing, writing musicals together. And he took
the fancy of a young lady in the mirror, and
huh oh, this is very I'm sorry, sorry, it's very,
very difficult.
Speaker 1: Oh yeah, it's okay.
Speaker 2: Just just just go with it, okay. So he he.
Speaker 5: Took the fancy of a young lady and cast me aside,
and so I took up refuge in the sub basement
of the opera and have been there, and that's where
I died.
Speaker 4: So then as soon as you died, you were like,
I enjoyed that so much that I want to find
another sub basement of another opera house down here in Hell.
Speaker 1: And you've just been there since.
Speaker 6: That's right, then, that said you. You explained it very clearly.
Speaker 5: Young man, young man with the skin that's d Thank you.
Speaker 1: You know, I'm used to it at this point that
the singings talking. It's whatever.
Speaker 3: So do you like go up to earth the haunt
the Phantom of the Opera?
Speaker 1: Yeah, what's he up to?
Speaker 5: Well, I've been here for decades now. It's been so
long I I don't quite remember how long I've been
down here in the bowels of this opera house. And
I've just been plotting my musical revenge, writing day and night,
night and day, plotting my musical revenge off that scoundrel
who decided to quit our musical partnership in order to
woo a young lady.
Speaker 4: Okay, so, okay, you've been working on a lot of music.
You might have some hits. I mean, I can't believe I'm.
Speaker 1: Asking this from you, but you want to play us
one of your did easy? You know?
Speaker 2: We can.
Speaker 1: We can give you some notes if you want.
Speaker 5: Yeah, that would oh, that would be wonderful.
Speaker 6: Sort of a dress rehearsal of sorts. Yes, that would
be wonderful.
Speaker 1: Yeah, yeah you yeah, yeah, yeah, that's okay.
Speaker 5: Here, this is this is the sort of the I'll
play you. I'll take you through the journey of this,
I'll play you sort of. One of my numbers that
I've been working on for this is this is sort
of the beginning of the story, and it goes like this,
m M.
Speaker 2: Night time, waiting in the dark.
Speaker 7: And there's a bat and maybe a skeleton, a creaky
door and a spider web and another bat, a different
one from the early.
Speaker 2: Skulls.
Speaker 1: That's sort that's that's where you're at right now.
Speaker 5: Okay, that's that's yes, that's that's that's that's that's that's
put the opening piece, you see, So.
Speaker 1: That's that you just vocalize the run on sentences. What
that was. It was just it just kept going. I
thought it would end and then it bats. So it's
just kind of that I still kind of a work
in progress. That's a new one.
Speaker 5: Oh no, I'm that's that's that's pretty much close to done.
Speaker 6: I've that's seen.
Speaker 5: There's one of more more my more finished songs.
Speaker 2: You see.
Speaker 1: That's that's one of the more finished. Oh boy, yeah, I.
Speaker 6: Think that one's ready to go. Let's it's little hit
down on some wax.
Speaker 1: Well what a wax?
Speaker 5: You know, we're sort of is cylinders. There's that that
chap Edison was working on. You can record music on those,
don't you see?
Speaker 1: Talking about records like Vile.
Speaker 4: Yeah, I mean those those actually have made a resurgence.
Speaker 1: They're just way more expensive now.
Speaker 3: Yeah, but I would before we wax that, I think
you might want to workshop it a little more.
Speaker 1: We have notes, we have no and not like the
notes of like the musical care with which you lack.
Speaker 2: Yes, it's it was really.
Speaker 1: The lyrics that were really kind of hitting hitting a
wall for me.
Speaker 4: Ship sandwich organ music, breat song lyrics, your performance, your
vocals dog shit awful, horrible, horrible, organ music pretty good?
Speaker 5: Yeah, well, that's that's good.
Speaker 6: That's good to hear, you know.
Speaker 5: I'm I'm here in the here, in the bowels of
this opera house. I'm been trying to write, you know,
a scary, haunting sort of music. So I've just been
working on these these lyrics. That's why they at the end,
I just it's skulls, Like I just trying to like evoke,
evoke scary things.
Speaker 2: You see, but.
Speaker 1: See a skull to saying skull isn't really scary?
Speaker 5: Yes, oh, but that's I'm certainly glad. You're too fine,
young men stopped stopped by this this opera house.
Speaker 2: Well, I'm writing.
Speaker 5: Because you see, like in the word, I don't have
any feedback.
Speaker 6: There's no either.
Speaker 5: All the hideos as the spiders, and they don't give
me any sort of feedback on on my on my
musical old range.
Speaker 4: Yeah, so what's up with the half mask thing that's
on your face?
Speaker 1: What's going on there? Yeah?
Speaker 5: Oh well, it's just it's I have a sort of
an egzema, a sort of a skin skin condition.
Speaker 6: I wasn't I wasn't horribly maimed.
Speaker 2: In some sort of file you see that. No, I've just.
Speaker 4: Sounds like you haven't had a lot of people talking
to you about eczema. I think if you just kind
of let that air out honestly, you know you shouldn't.
Speaker 1: Yeah, it's nothing to be like self conscious about, you know.
Speaker 2: Yeah.
Speaker 4: But also I mean like health wise, like you know,
have it cooped up in that weird ceramic mask that
that's probably not good for it, you know, like an infection.
Speaker 1: Yeah, just take it off.
Speaker 5: So you're saying this, okay, well I'll take this right now.
Speaker 1: Okay, okay, Well yeah, yeah, I don't. Are you sure
that that's just exema?
Speaker 6: That's I mean, I did a lot of research on
my own.
Speaker 5: You see it a self diagnose, I assume it's ezema.
Speaker 1: I think I saw a leech hanging on there. Yeah,
that is blood letting. You got a friend gangreness, Yes.
Speaker 6: That's that is a leech, A friendly leech.
Speaker 2: On my face.
Speaker 1: You're trying to bleed it?
Speaker 5: Yes, you know, I've sort of been trying to get
rid of the bad humors. You see the bile, the blood,
and there's there's two more.
Speaker 6: I forget what they called at the moment.
Speaker 1: Yeah, you got some catching up to do.
Speaker 5: Would you like to hear another song? I have a
life another A little a Diddy that I could I
could play for you. I love this feedback gentlemen, I don't.
I don't get it down here.
Speaker 1: Yeah, no, I mean we could probably go a listen.
Speaker 7: To the music, the music I have written, the song I.
Speaker 2: Wrote where ahead of time.
Speaker 7: The music is a song, and a song is words
to music song. It goes like this, so long for
a few more minutes.
Speaker 1: This witches song or the introductions. Are you just thinking aloud? Yeah?
Speaker 5: Are you just I'm just channeling my inner songwriter in
that one. I was like thinking about, you know what,
what is a song? And I song is is music
and uh and and and words to that music and
and then it goes along. So I was I was
just sort of a meta a meta text texture.
Speaker 1: Yeah. So that was an improvised one. Yeah, right, No,
that that's been.
Speaker 5: Written for for Dirt early two decades.
Speaker 1: That exact thing.
Speaker 5: Yes, I've been written for Deny on twenty years.
Speaker 1: I could see the musical sheet.
Speaker 2: He's right.
Speaker 1: I mean it says, here's the song, the musical song.
Speaker 3: Oh my gosh, I'm looking at your revisions. That's actually
that isn't that's the best version of this.
Speaker 1: This is like twelve drafts.
Speaker 6: Yeah, wow, Yes, it's been quite a work in progress.
Speaker 3: Well, progress is really we're using that term real general here.
But you were a professional, you did this as a pro, Yes,
I was.
Speaker 5: I was a professional musician the phantom Gary here, he
and I were musical partners, you see, and he.
Speaker 6: He was usually of the lyrics and I was. I
was more of that that.
Speaker 3: It was.
Speaker 5: I played the organ, piano and the sort of that
sort of thing. It was sort of a very like
Elton John Bernie Taupin situation.
Speaker 1: Yes, our audience will fully understand that reference.
Speaker 5: Yes, he kind of came up with the lyrics and
I was more of the of the of the piano man.
Speaker 3: Yeah, yeah, yeah, it is the song your piano man
got it? Yeah, sort of like John Lennon and Paul McCartney.
But they're both, you know, we're talented.
Speaker 1: Yeah, both better.
Speaker 5: Yes, so we were, we were. We're just like them,
both very talented talented musician.
Speaker 4: You know what, I think a style of music that
would fit your skills would be.
Speaker 1: A scat You ever heard of scat?
Speaker 5: It made there's some sort of animal leavings.
Speaker 1: No, no, no, no, no, I mean yes.
Speaker 4: But also it's basically you don't have to say words,
you can just make music.
Speaker 1: Noise is with your mouth.
Speaker 4: You know, you skin a little bit of See how
easy that is unless shitty sounding it is.
Speaker 5: Let me try this this sort of scatulation as you described,
hold on hum.
Speaker 1: Sky bity bop.
Speaker 5: Screepy bottle.
Speaker 1: That's somehow worse it is. It's worse without words.
Speaker 2: Beep pop cool skiepy pop up boo.
Speaker 3: I feel like it's some sort of weird like spell
or something. Yeah, or maybe like what it's like a
boppet or something. But yeah, it's broken.
Speaker 4: Yeah, it's like a boppit that ran out of batteries.
But you know, every now and then something nudges the
toy box, so it goes bop.
Speaker 1: Yeah, d was that?
Speaker 2: Did?
Speaker 6: Did you enjoy that?
Speaker 5: Should I work that into my next musical arrangement to
take revenge on the Phantom of the Opper Row?
Speaker 3: What kind of what are you going for with this
revenge on Gary? Are you trying to like annoy him?
Speaker 5: Well, I'm trying to drive a musical dagger in his hot.
Speaker 1: I mean those are definitely musical daggers to my ears. So,
I mean, you know, accomplished you.
Speaker 5: But what about the heart?
Speaker 6: Do those do those?
Speaker 5: Do those cut you to the very to the very core,
to the to the being inside you.
Speaker 4: Like emotionally, yes, I mean physically I have a knife drawn,
ready to stab myself to get out of this situation.
Speaker 3: But you know, yeah, I guess emotionally, I mean I
feel sad, Yeah, but in.
Speaker 1: A different way I think than you intend, you know,
just like for you.
Speaker 6: Yeah, it's not sad because of revenge.
Speaker 4: No, it's sad because you've worked a lot on this
thing that's not good.
Speaker 6: Yeah.
Speaker 3: Yeah, so you're trying to like one up him by
like right in this opera and like making him feel
bad and seeing what he left precisely.
Speaker 6: That's yeah, that's what I do.
Speaker 3: You might need another couple centuries, yeah, in the basement,
But I like.
Speaker 1: You, like your style though. You got cool is right,
and you got cool capes. You keep flowing him around
very theatrically.
Speaker 2: Thank you.
Speaker 5: I was a I was a double major in organ
and cape throwing.
Speaker 6: Oh yes, that was my other major in college.
Speaker 4: What other skills do you do you hold? Like, what
are the uses might you, you know, bring to a table?
Speaker 5: I have a liberal arts degree, so absolutely nothing.
Speaker 1: That's a pretty useless degree, okay.
Speaker 4: Phantom of the Phantom of the opera, tell us about
the actual Phantom of the opera.
Speaker 1: What happened to Gary in this this girl that he
was fell in love with?
Speaker 5: Yeah, we parted ways and to talk for many years.
I heard there was some sort of accident with a chandelier.
Speaker 6: That's that might have that might have killed him.
Speaker 5: But of course, the wiley failure that he is, I'm
sure he survived and continues to live in the basement
of the opera house, pining for this engeneue, this young
lady who looks into the mirror and sees his visage
in the shadow.
Speaker 3: You'll haven't like, you haven't tried to, like, I don't know,
reconnect or anything, because just you know, get the old
band back together.
Speaker 1: I mean literally, like.
Speaker 5: You know, No, I'm you know.
Speaker 6: The balls in his court.
Speaker 5: I have sent him many many transcripts, many many drafts
of musical revenge to his last.
Speaker 6: Known location, and I've not had a reply.
Speaker 2: So the ball is in his court.
Speaker 6: But in the meantime, I shall continue.
Speaker 1: Making music form revenge. Yeah, yes, he's here.
Speaker 5: Here, here, here's here's he's a piece I'm I'm particularly
proud of.
Speaker 1: Here we go another one.
Speaker 2: Here we.
Speaker 6: Look into the mirror.
Speaker 5: There's someone there behind you.
Speaker 2: It's me. I'm in the shadows. Where will Sanna?
Speaker 5: Vampire tombs, dot, crack of lightning, the sound of chains, boo,
a ghost.
Speaker 1: That's a song.
Speaker 4: Yeah, yes, a lot of description, very descriptive writer. Yeah, yeah,
setting the scene, really setting the scene.
Speaker 6: With these I'm trying to paint a picture, you see.
Speaker 2: Yeah.
Speaker 3: Yeah, it's like you're painting a picture, but it's more
like a grocery list.
Speaker 1: Yeah, yeah, if that makes sense.
Speaker 4: Have you tried stepping out of the dungeon of this
opera because yeah, you know, I've noticed a lot of
similarities to your songs. You know, you're like a skeletons, webbs, bats, dark, dark, scary,
scary skull. It's like, maybe if you went out and
you've kind of got new inspiration, you know, son, new things,
maybe that would help you.
Speaker 1: Know.
Speaker 5: You're right. I have just been cooped up here in
the basement of the opera house with just these these
sort of kids coloring books on Halloween, and so this
is my own experience of the outside world. Yes, I'd
love to have some of this new inspiration. I've been
away in this basement for so long what's happening on
Earth up in the land of the Living.
Speaker 3: Oh gosh, well, a lot of people have been kind
of locked up themselves actually.
Speaker 4: Yeah, bit of a pandemic, a lot of masks being worn,
of vaccines.
Speaker 3: Yeah, so yeah, masks and people locking themselves up.
Speaker 1: Music's changed a good bit. Yeah, talking abouts. Yeah, do
you know what a wop is?
Speaker 5: Some sort of where wolf and pirate two scary things.
Speaker 2: Where wolf and are part sitting on a dark.
Speaker 1: It means I'm gonna cut you off right there.
Speaker 5: There's some sort of black cat pussy some sort of
is that what you mean, a sort of feline companion?
Speaker 1: Yeah?
Speaker 3: Yeah, well okay, because I just don't I don't know
if your music is really going to hit the revenge
note that you really want, you know, to really.
Speaker 1: Get back at Gary. Have you Have you just tried, like.
Speaker 3: I don't know, violence, Yeah, just ordinary violence, yeah, or
something I don't know, more traditional.
Speaker 5: So you're thinking, did to take away the sort of
musical revenge and just do straight revenge? Yeah?
Speaker 4: I mean you've got this big organ. You could take
one of these pipes and clock them on the head.
That'd do the trick boom, Yeah, break his ceramic mask.
Speaker 1: Boom boom.
Speaker 5: Yeah, you know that's that's not a bet. Can I
sing while I do it? May? I? Can I sing
while I I I give him the cracking you're trying
to hurt him over the skull.
Speaker 1: It might disorient him further, you know.
Speaker 5: Yeah, so I can sing while bashing in his brains.
Speaker 1: Yeah, because I.
Speaker 3: Mean not that I'm one to condone violence, but I'm
also not one to condone what do Yeah.
Speaker 4: I would condone violence and pretty much anything else above
the skulls el tens and spider webs and scary closet.
Speaker 2: Oh scary.
Speaker 5: You know I haven't worked a scary closet into any
of my songs.
Speaker 2: Thank you.
Speaker 5: Let me write that down, scary closet maybe with a
monster inside. Cool boy, just write that down here with
my quill. Hold on, I've got to dip dip my
quill in this, in this, in the little ink right here.
Speaker 1: You're missing a lot of like the modern luxuries. I mean,
you know you've been down here for what You still
got a lot of auto tune? Autotune. Autotune would be great.
Speaker 2: The thing, now, what.
Speaker 5: Does it do? Does it create songs? Does it automatically play,
play little little songs, little tunes.
Speaker 1: Like it's like instant talent.
Speaker 4: You know, you don't even have to have good vocals
anymore because auto tune just fixes it all that I've.
Speaker 5: Missed out on a great deal of technology. Yeah, it
sounds like, oh yeah you have. I'm getting inspiration for song.
Speaker 4: Actually I got I got a microphone with and try
out the auto tune. Now you're just speaking to this thing.
Give it a give it a world there, the Phantom
of the Phantom of the Opera.
Speaker 5: Hmmm, I'm the fat of the fan. Some of the
opera royse.
Speaker 1: Sound pretty cool better. Yeah, you could be like proven
backing vocals for you know, a kids pop.
Speaker 6: Song which is kids bop.
Speaker 1: That would be like your magmopis you know kids? If
you can get into that, that would be good.
Speaker 2: Yeah.
Speaker 5: And what I would I have to be around?
Speaker 6: Would I have to be around children?
Speaker 1: They might be afraid of you. Are you okay with that?
Are you okay with being just horrifying?
Speaker 2: Well?
Speaker 5: Has a creature of the night?
Speaker 1: Turn on the thing? Here you go go ahead, take
it again.
Speaker 2: How's a creature of a night? Living in a peace man?
Speaker 5: And I think I I think I I've I've become
I've gotten used to being a creature shunned by society.
Speaker 1: I mean, I think have you gotten have you not
gotten lonely down here?
Speaker 2: Oh?
Speaker 5: I mean, I'm it gets it gets a little a
little lonely. But I've I've got my spiders and my webs,
and my uh sort of cold bricks and this this
this sort of moss that's growing on the You see this,
You see this figure that I've carved in moss on
the on the wall here.
Speaker 6: This is Gretchen. This is Gretchen.
Speaker 5: And she she's made of moss that I've carved onto
the into the rocks here, onto the bricks of this
this old opera house.
Speaker 4: Upon closer inspections, some of these spider webs are not
made by spiders, you.
Speaker 2: Know what I mean?
Speaker 5: Yeah, yeah, yeah, oh, I mean I wasn't expecting company here.
Speaker 1: I've been very close.
Speaker 5: We are very yes, we are very close. Indy, I've
known this wall in the biblical house. Wow, what are
you young men doing here in this opera house.
Speaker 3: We're just you know, we're kind of scouting locations for
like an event, like a convention.
Speaker 1: People from together.
Speaker 5: There's it's because there's an event, there would be people
in a large groups of people in attendance. Well, I
must say, I'm I'm an excellent performer. I could lend
my do Are you looking for some sort of opening
act a musical performance, because I could lend my tar.
Speaker 4: I mean, we want to sell tickets. We don't want
people to be scared away.
Speaker 6: So yeah, I can do any number a number of things.
I have my operatic fancies, but.
Speaker 5: I can do many other other things, like what will
there be any other maybe with this convention? Will there
be any sports in any sports, sporting events? I do baseball, baseball, baseball, baseball, baseball.
Speaker 2: Lyrics.
Speaker 1: Wow, that's great. Yeah, no no events, No, I mean
no sports, no sports.
Speaker 2: Yeah.
Speaker 1: Actually, oh, look at that. I just got a text.
Looks like the whole event was canceled. Sorry, yeah, it's okay. Yeah,
oh yeah, I'm sorry. You're right, Like, oh, I got
the same text.
Speaker 5: Yep.
Speaker 1: These are these are hell phones. You wouldn't know they're
their new developments. Yeah.
Speaker 5: I as seem some sort of some some sort of
pigeon landed in your pocket and delivered you some sort
of textual message.
Speaker 1: Yep, that's what happened that's what happened.
Speaker 5: It's been so long, gentlemen, since I've seen other people.
Would you like to say, can we spend some time together?
Maybe hang out? I can bring Gretchen, I've got to
I'll just uncarver from the wall and then we can
all maybe go get some some some food.
Speaker 1: Oh you want to come with us?
Speaker 5: Yes?
Speaker 1: Oh sure, sure? Yeah? What wait? No, but didn't we
have a thing? Yeah no, uh uh, Phantom of the
Phantom of the Opera.
Speaker 4: You stay here, you pack your things, We're gonna go
get our car around. You're gonna get to get real
kick out of cars. Those are those are the new
thing to get around, better than the horse and buggy.
So you pack your things, we'll we'll go get the car.
You stay here, Yeah, maybe get Gretchen something. Yeah, you'll
pack up a suitcase?
Speaker 5: Yeah yeah, oh yes, let me say, I've got lots
of things to pack. I've got uh sort of goblets
and a dagger, okay, falcons clothes.
Speaker 1: When you get on that, we're gonna go. We'll be
right back. Yeah.
Speaker 5: Okay, I'll just wait here and be packing my skeletons.
Speaker 2: Okay, so had my call?
Speaker 1: Sorry, all right, yeah, all right, we'll be right back.
We'll see the second.
Speaker 4: Run Run run, run, run, run, run up the stairs,
up the stairs, up the stairs.
Speaker 1: I locked it, locked close the door here, just jam
James coming, He's coming. Part of the door, part.
Speaker 5: Of the door.
Speaker 2: All right, Thanks for the listening.
Speaker 1: Good morning from He'll be sure to follow us on
social at Morning from Light.
Speaker 3: Any of your friends who hate music about this podcast.
Speaker 1: Anyone who hates music, they'll want to listen to this one.
Speaker 2: All right, look at all right.
Speaker 3: Thank you to Andrew Rosis for returning once again, this
time as the Phantom of the Phantom of the Opera.
Speaker 1: Andrew, you've been on half a dozen times.
Speaker 3: As you're on our first episode as Napoleon, you're on
Joseph Stalin a.
Speaker 1: Couple of times. Who else have you played?
Speaker 5: Oh my god, gosh, I I remember Stalin and uh
uh oh man. I feel like I've been I feel
like I've been in at least two other people.
Speaker 6: But now I'm drawing, drawing a blank.
Speaker 5: I was like to the characters, I mean, we did
that one thing for I feel like ArtX last year.
Speaker 3: I was like three, Yeah, you were in our actual
art X episode. Yeah, if you played like eight characters.
Speaker 5: Oh uh, you can follow me uh from my personal
Twitter at mister Andrew Rossis if you'd like.
Speaker 6: And yeah, that's that's.
Speaker 1: Where we're recommend giving Andrew follow He's a very funny guy.
Speaker 3: Ah, thank you, so thank you so much Andrew for
coming on once again.
Speaker 1: This was a lot of fun.
Speaker 5: Absolutely had I had a blast.
Speaker 1: Yeah, absolutely Bye.
Speaker 2: Back