WEBVTT

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<v Speaker 1>Welcome, welcome, Can you hear me?

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<v Speaker 2>Five four.

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<v Speaker 1>Three two one zero.

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<v Speaker 3>Dire waivers dire wais.

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<v Speaker 1>The scientific method cannot justify the scientific method. Therefore itself

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<v Speaker 1>is a dogmatical.

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<v Speaker 4>Physip subsist.

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<v Speaker 2>Stop stop stop stop stop stop stop steps stop stop

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<v Speaker 2>stop stop stop sending.

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<v Speaker 4>Understands as.

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<v Speaker 2>Stas stop stop stops ssssss snows stops snots step stops

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<v Speaker 2>sn snops.

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<v Speaker 1>All right, what's up y'all? Welcome to the alien Aliens

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<v Speaker 1>alien stream. I know, I know last night was supposed

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<v Speaker 1>to be the alien stream. Now you just got too

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<v Speaker 1>goofy I know. Let's start out with shout out to

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<v Speaker 1>rad dudes vantage. Rad Dude's vintage.

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<v Speaker 5>What if it is cool Naz's Christian T shirt. Follow

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<v Speaker 5>rad Dudes's vantage on Instagram. He's got a lot of

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<v Speaker 5>fun vintage things to buy thereon Do you want to?

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<v Speaker 6>I go.

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<v Speaker 1>Fucking echoes, dude. I'm so sick of the tech crap,

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<v Speaker 1>no doubt. Is this better?

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<v Speaker 3>Yes?

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<v Speaker 1>I see echo from five hundred people.

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<v Speaker 3>Thank you.

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<v Speaker 1>So I'm trying to fix it. Oh, I know what

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<v Speaker 1>it is? Is that better? That taken on? It's not better,

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<v Speaker 1>It's not all has changed, Okay, how's that? Is that better?

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<v Speaker 1>Mm hmmmmmmm? Oh man, we're not. I'm not gonna do

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<v Speaker 1>a whole thing with the echo. Dude, don't worry, we'll.

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<v Speaker 3>Get it fixed.

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<v Speaker 1>If it's me streaming, it's different than when I have

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<v Speaker 1>people on the stream, so I have to change it

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<v Speaker 1>up every time. And ever since they did away with hangouts,

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<v Speaker 1>it's all different.

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<v Speaker 3>Is it better?

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<v Speaker 1>You missed the echo? Am I loud enough? Okay? So

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<v Speaker 1>you have to switch over. You have to download all

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<v Speaker 1>this crap and switch over all these switches just to

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<v Speaker 1>be able to have a person on the stream. They

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<v Speaker 1>made it like it's like they don't want people doing

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<v Speaker 1>this stuff. All right, So let's talk about alien, Aliens, Alien, Alien, Prometheus,

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<v Speaker 1>Alien in a row. I said, human now, so Alien

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<v Speaker 1>nineteen seventy nine. We haven't done the real proper treatment

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<v Speaker 1>that we need to. And the last Alien Demon Overlord

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<v Speaker 1>stream I thought was really good. If you've not watched

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<v Speaker 1>the other Alien Demon Overlord stream, go watch it. It

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<v Speaker 1>came out good. So that's part one. This is part two.

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<v Speaker 1>We're not here talking about Brexit. We're here to talk

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<v Speaker 1>about alien movies, and you're asking me about Brexit. Breggs

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<v Speaker 1>and bacon. That's what I'm talking about because the carnboar,

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<v Speaker 1>dit Brexit and bacon. The Alien universe is the same

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<v Speaker 1>as the Titanic universe and the same as Avatar universe.

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<v Speaker 1>Because it's James Cameron, our vegan friend. He's gonna mix

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<v Speaker 1>all vegans. So we have have a bleak world. We

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<v Speaker 1>see this ship just wafting through space and the crew

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<v Speaker 1>is of course caught in cry of sleep. They wake

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<v Speaker 1>up and they realize that they're on crappy job. And

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<v Speaker 1>this is the future dominated by one corporation, the whieland

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<v Speaker 1>Utani Corporation. So we had the prediction of a completely corporate,

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<v Speaker 1>tyrannical dystopian control system. Right, it's not enough to have veganism, you.

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<v Speaker 3>Gotta eat bugs.

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<v Speaker 1>Interestingly too, in Alien they have a pretty crappy diet.

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<v Speaker 1>They're just sitting around that table with you know, tupperware,

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<v Speaker 1>fruit loops and you know, milk and shit. So the

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<v Speaker 1>future doesn't bode well in the Alien universe, and we're

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<v Speaker 1>going to see why that is because actually more is

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<v Speaker 1>at work here than just a typical dystopian science fiction story.

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<v Speaker 1>In my view, Now I cover this in my books,

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<v Speaker 1>So get your copies of Ustar colored one. And so

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<v Speaker 1>if you want to see more of the treatment of

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<v Speaker 1>my take on at least two chapters now on Alien.

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<v Speaker 1>But part of the reason that we have to analyze

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<v Speaker 1>this on a deeper level is number one, the artistic

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<v Speaker 1>conceptual influence, namely H. R. Giger, who is obviously pretty

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<v Speaker 1>demonically influenced when it comes to his artwork. Now I

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<v Speaker 1>say this because in this painting or drawing, excuse me,

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<v Speaker 1>this sketch, this is Giger's sketch of Crowley, and so

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<v Speaker 1>we know there's at least some degree of influence in

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<v Speaker 1>Giger when it comes to the Crowley. And I would

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<v Speaker 1>say that Giger's art I mean, in one sense it's

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<v Speaker 1>kind of impressive, because you know, he's very good at sketching.

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<v Speaker 1>But it's the most demonic art you've have ever seen.

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<v Speaker 1>I mean, it is like whoa dude, you know, off

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<v Speaker 1>the charts. So and of course it's always like, you know,

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<v Speaker 1>demon babies and alien women getting humped by a giant

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<v Speaker 1>alien dongs. But in whatever's going on in this scene

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<v Speaker 1>with this one tittied demon here, we got Ali Boba

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<v Speaker 1>over here with his thing. We got I don't know

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<v Speaker 1>who that is grim Reaper. I don't know what that is.

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<v Speaker 1>And we got Crowley on the left with an ice

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<v Speaker 1>cream cone and it looks like ice cream cone with

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<v Speaker 1>a demon baby in it. Maybe I don't know. I

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<v Speaker 1>don't know what this is. Does anybody anyway, But that's

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<v Speaker 1>how Giger rolled right, all the little demon babies everywhere.

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<v Speaker 1>I guess that's another little evil Crowley, perhaps Kabbala. There's

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<v Speaker 1>your cabbalistic eggs, Cabbala eggs, and then your Crowley with

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<v Speaker 1>the dunce cap and what looks like an alien demon

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<v Speaker 1>ice cream cone. So that's one example of the concept

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<v Speaker 1>art here. And we're speaking of this for a reason

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<v Speaker 1>because there's a little hidden demon there hiding in the

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<v Speaker 1>back here with his little ear demons everywhere. It's and

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<v Speaker 1>it's one thing that I think the makes the Giger

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<v Speaker 1>art really interesting from a predictive programming aspect, and why

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<v Speaker 1>he was so formative for the concept art on this

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<v Speaker 1>series is that it's all transhumanist. It's it's like the

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<v Speaker 1>spirit of transhumanism in art. So here's his Baphomet, which

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<v Speaker 1>you probably have seen is pretty well known. So there's

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<v Speaker 1>your positive in your negative forces on the right, and

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<v Speaker 1>on the left of the baffame, you've got some you know,

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<v Speaker 1>naked bitches, you got some other naked things. And so

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<v Speaker 1>you can see that the horned horn implements here, this

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<v Speaker 1>obviously is very similar to the horned implements that we

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<v Speaker 1>find on the Xenomorph, you see. So I don't think

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<v Speaker 1>that's by accident. I think those are obvious influences. We're

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<v Speaker 1>not gonna spend all day looking at gear scary gear art.

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<v Speaker 1>But there's a couple more that I thought were interesting.

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<v Speaker 3>I don't know what.

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<v Speaker 1>Exactly is going on here, but you see it's the

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<v Speaker 1>idea of ancient Egypt with the sun disk here, pyramid,

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<v Speaker 1>and then we've got the alien, ancient alien creators, like

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<v Speaker 1>a suculose ancient alien thing going on. But it is

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<v Speaker 1>this is from the Alien series because you see the chest,

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<v Speaker 1>the exploding chest alien coming out. So there is then

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<v Speaker 1>in Giger this obvious esoteric influence. Now who whatever after

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<v Speaker 1>this challenge esoteric Hollywood, right, I mean, this is one

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<v Speaker 1>of the key theses of esot Hollywood, is that there's

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<v Speaker 1>an esoteric influence on movies. Here's Vulpurgis knocked right the

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<v Speaker 1>holiday and you've got lusty alien bitches with either lungs

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<v Speaker 1>or xenomors for their for her eyes. I don't know

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<v Speaker 1>what that is, but yeah, you get the idea. And

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<v Speaker 1>there's a lot of kind of abortive ish stuff going

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<v Speaker 1>on in gear right, And I have a different take

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<v Speaker 1>than most people on what's with the sort of abortive

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<v Speaker 1>dead things going on. I think that it's an interpretation

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<v Speaker 1>of the universe in a gnostic sense as an abortion.

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<v Speaker 1>I think that's what Giger means.

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<v Speaker 3>Right.

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<v Speaker 1>Here's some kind of alien high council which looks sort

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<v Speaker 1>of like a mix between Egyptian influence Aliens. And I

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<v Speaker 1>used to sketch a lot by the way it went out,

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<v Speaker 1>before I was into theology and whatnot. I would sketch

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<v Speaker 1>stuff and I would it would it looks pretty gieger esque.

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<v Speaker 1>I was very into I think even had a Giger

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<v Speaker 1>poster one time when I was a teenager. I don't

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<v Speaker 1>really know about anything else turk stuff, but so, yeah,

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<v Speaker 1>you've got your goat head here with this entity that's

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<v Speaker 1>sap in the baby heads or something.

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<v Speaker 3>I don't know.

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<v Speaker 1>You get the idea. So I think Giger and the

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<v Speaker 1>Alien series franchise is telling us that this universe is

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<v Speaker 1>like the abraughtid abrass feature of a evil god or

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<v Speaker 1>a product of the universe itself, right, random chaos, Darwinian

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<v Speaker 1>just bang, it's in the gnostic scheme. The universe itself

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<v Speaker 1>is an accident, great Greek mythology. It's an accident. Humans

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<v Speaker 1>come here as a like lightning hit the mud from

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<v Speaker 1>a battle between Zeus and the Titans, and that creates humans. Right,

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<v Speaker 1>So the primordial soup gets dapped by lightning. Right, this

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<v Speaker 1>is this is supposedly where we come from. Yeah, there's

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<v Speaker 1>a miscarriage that the creator God has all these different

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<v Speaker 1>gnostic myths, it's always the same stuff. So that is

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<v Speaker 1>what's going on here. And when they arrive on the planet,

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<v Speaker 1>we see the first sign of the alien engineer. Right,

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<v Speaker 1>they find this planet. Oh, it looks like it's been inhabited,

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<v Speaker 1>and they see they call him the Jockey, right, the

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<v Speaker 1>alien jockey, and he's sitting in some kind of controlling thing.

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<v Speaker 3>Right.

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<v Speaker 1>But we don't know anything about who this is until

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<v Speaker 1>you know, actually many many decades later in the franchise,

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<v Speaker 1>but at least in this first installment, we get this

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<v Speaker 1>sort of glimpse of this big alien entity and so

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<v Speaker 1>we're also toying with the idea of Panspermia and the

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<v Speaker 1>alien creators. Now that comes to the four much later on,

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<v Speaker 1>by the time of what Prometheus. I guess right, The

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<v Speaker 1>mythology of the series comes full circle by Prometheus. But

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<v Speaker 1>we'll get to that in a minute. So on this planet,

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<v Speaker 1>they of course discover that there are the pods, and

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<v Speaker 1>the pods they don't know what they are. John Hurt

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<v Speaker 1>gets the pod on his face. Everybody knows the story, right.

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<v Speaker 1>And then you've got the Doobie Brothers dude who pilots

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<v Speaker 1>the ship. And you've got the because he literally looks

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<v Speaker 1>like a Doobie Brother. I don't remember the guy's name,

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<v Speaker 1>but he's the He's either a Doobie brother He's in Alabama, right,

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<v Speaker 1>you know this butt cut dude. We like our beer,

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<v Speaker 1>flat ass can be. We like our dogs of mustard

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<v Speaker 1>and relish. We got a great picture. What's his name,

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<v Speaker 1>I can't even spell it. Z E n O P

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<v Speaker 1>h oh m O r F Zeno morphs. We got

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<v Speaker 1>a Zeno morph what's his name? I can't even spell

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<v Speaker 1>it because he does look like the Alabama dude. Get it,

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<v Speaker 1>my my joke's too high minded for y'all My Alabama

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<v Speaker 1>joke's too high minded for y'all little brow people. Or

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<v Speaker 1>he looks like a Doobie brother, right. I got to

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<v Speaker 1>ride keep on high and the rock goes on railver.

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<v Speaker 1>That is the Dooe Brothers, isn't it.

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<v Speaker 7>I got one more zilver zino morph but I'm not

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<v Speaker 7>gonna let him catch me now, not gonna let him

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<v Speaker 7>catch the midnight xenomorph.

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<v Speaker 1>Man. So you got this weird dynamic too, between the

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<v Speaker 1>male leadership and Ripley. And we will see. As I

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<v Speaker 1>highlighted in my analysis, the transformation of Ripley. The series

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<v Speaker 1>is actually not about aliens. It's not about humanity. It's

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<v Speaker 1>about the transformation of Ripley and the universe. That's what

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<v Speaker 1>it's about. It's not about xenomorphs, not about alien engineers.

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<v Speaker 1>It's not about aliens. Did you know that it's about?

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<v Speaker 1>And I've watched it many, many times and now I've

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<v Speaker 1>figured it out, decoded it. It's about man, evolution, gender,

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<v Speaker 1>the universe, and Ripley. It's the psychological transformation of Ripley

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<v Speaker 1>into evolving to the next stage beyond the xenomorph and

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<v Speaker 1>the human to the next phase earlier. So it's like Starchild.

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<v Speaker 1>Think of Ripley like another version of Starchild. That's what

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<v Speaker 1>this series is about, and we'll see that, especially by

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<v Speaker 1>the time that we get to Alien Resurrection. The Jean

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<v Speaker 1>Pierre June installment becomes very clear there. So it's about

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<v Speaker 1>the Titanic Michael McDonald. He's like a brown headed Michael McDonald.

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<v Speaker 1>I tried to do Michael McDonald's personation one time. I

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<v Speaker 1>think I did, okay, So we spiced it up with

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<v Speaker 1>one personation. John Adams does it good. Michael McDonald okay, fuko.

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<v Speaker 3>Any more? D d do do?

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<v Speaker 1>OKAYO. Of course it's gonna play this dumbad anyway. No,

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<v Speaker 1>we're not gonna do that. I'm sorry, I'm not gonna

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<v Speaker 1>do Michael McDowall. If I get lost in impersonation land,

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<v Speaker 1>we won't finish the Alien Analysis. Thank you everybody. Uh,

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<v Speaker 1>this is Jay Di or Jays Analysis. You're watching breakdown

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<v Speaker 1>to the Alien franchise. So there's this dynamic between the

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<v Speaker 1>male leadership. We start to see this as all the

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<v Speaker 1>male characters die off really quickly, and then of course

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<v Speaker 1>the one of the strong male characters that we think.

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<v Speaker 3>Is good.

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<v Speaker 1>We learn, of course isn't human, right, Bishop Uh, he's

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<v Speaker 1>filled with milk goo because he's AI. So he's not human.

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<v Speaker 1>The AI is present, right, and the AI is we

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<v Speaker 1>are warned about the AI here in the Ridley Scott installment.

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<v Speaker 1>So this is man as abraution, man as weaker on

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<v Speaker 1>the evolutionary scale than the xenomorph. And initially in this

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<v Speaker 1>first installment, Ripley is she finds the aliens hideous, and

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<v Speaker 1>there's going to be this interesting evolution to where the

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<v Speaker 1>xenomorphs the aliens become more and more humane, which is

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<v Speaker 1>in because they're the most viporous predator reptile species you

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<v Speaker 1>could imagine. But there's a reason why they become more

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<v Speaker 1>and more quote humane, and that's because the whole series

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<v Speaker 1>is essentially a critique, as we said, of humans and humanity.

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<v Speaker 1>So it is now you could read it, I mean

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<v Speaker 1>I read it ultimately as completely anti human. I think

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<v Speaker 1>that's where it goes. If that's a little unfair, then

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<v Speaker 1>it's just a critique of the evils of hum umanity.

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<v Speaker 1>In other words, we think of the evils of the

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<v Speaker 1>universe as out there in the beyond, somewhere and then

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<v Speaker 1>you know, are we ignoring the evils that humanity possesses?

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<v Speaker 1>And there is a good bit of justification to this analysis,

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<v Speaker 1>precisely because there is a powerful critique throughout the series

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<v Speaker 1>of corporatism and scientism. So that is probably the strongest

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<v Speaker 1>element of critique in this series Corporatism and Scientism until

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<v Speaker 1>we get to the Jean Pierre June installment, which it

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<v Speaker 1>could be argued, is a vindication of transhumanism or is

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<v Speaker 1>it still a critique. It's hard to say. It seems

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<v Speaker 1>to possibly still be a critique, but we'll get to

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<v Speaker 1>that in a moment. I'll let you guys decide. So

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<v Speaker 1>thank you for that super chat. We'll read the super

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<v Speaker 1>chest tter in a moment. By the way, yeah, Firefly.

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<v Speaker 1>You'll notice that Joss Whedon wrote the Alien Resurrection the

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<v Speaker 1>Jean Pierre June installment, and that's why you can see

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<v Speaker 1>in the Motley Crew of scaley Wags in Alien Resurrection,

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<v Speaker 1>that's you can see that he was already prepping for

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<v Speaker 1>Firefly there because it's very similar. So Whale and Utny

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<v Speaker 1>Corporation Pan Spermia. What we learn is that Ian Holme

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<v Speaker 1>is working for the corporation they've sent an AI because

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<v Speaker 1>the AI will not have any moral qualms about impregnating,

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<v Speaker 1>letting the crew get impregnated by the xenomorph and then

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<v Speaker 1>bringing back a sample. And that is Ian Holmes's bishop

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<v Speaker 1>the AI guys function. So Ripley figures this out. She

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<v Speaker 1>realizes that he is an evil AI and this is

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<v Speaker 1>what he's up to, and so she foils his plan.

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<v Speaker 1>She stuffs the magazine down his throat. I'm sure, but

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<v Speaker 1>you we all remember that scene. And then the milky

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<v Speaker 1>goo comes out. She rescues jonesy uh all the way.

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<v Speaker 1>By the way, I joked in my book that this

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<v Speaker 1>is her the evolution of Ripley into catwoman, I mean

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<v Speaker 1>into a cat mom. She quite literally becomes a cat mom,

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<v Speaker 1>a single cat mom, cat lady. But it's don't worry,

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<v Speaker 1>ladies if you if you're a feminist, who is going

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<v Speaker 1>to be a cat mom, because it's just a step

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<v Speaker 1>on the stage two becoming a goddess. And that's what

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<v Speaker 1>happens to Ripley. So the Whale and Newtonic Corporation is

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<v Speaker 1>interested in simply having a powerful bioweapon. They think that

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<v Speaker 1>these xenomorphs will function merely as bioweapons. Sigourney Tweaker, who

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<v Speaker 1>is very thin and spindlee as a spinster, figures all

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<v Speaker 1>this out as she fools the plot. Right, we all

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<v Speaker 1>know this, right, and she sails off with her cat

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<v Speaker 1>daughter Jonesy. Also, her butt is broken because it's not

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<v Speaker 1>there in the underwear scene. So those are my notes

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<v Speaker 1>on Alien. Certainly more could be said. There is Egyptian

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<v Speaker 1>imagery that I highlighted in my book because the ship

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<v Speaker 1>is called a Nostromo and their symbol, the Nostromo's symbol

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<v Speaker 1>is the Egyptian sun disc, so this also calls to

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<v Speaker 1>mind imagery from Geger. We also want to pay attention,

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<v Speaker 1>as I said, to remember, she's going to here's my

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<v Speaker 1>book that you could get. She's going to evolve from

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<v Speaker 1>long haired cat mom all the way over to bald,

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<v Speaker 1>almost both genders. So her hair gets shorter and shorter

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<v Speaker 1>and shorter down to bold right, and by Alien three,

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<v Speaker 1>which is the prison planet, she is completely bald. She

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<v Speaker 1>is very much feminist. That's the point. And there's your

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<v Speaker 1>milky goo, right, gets your signed copies of Vistar Hollywood two,

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<v Speaker 1>by the way, because I cover Alien two and three

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<v Speaker 1>or just two, I cover Alien one, two and three

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<v Speaker 1>roughly in that chapter, and then of course the necessary

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<v Speaker 1>Collywood one. You have the chapter on Prometheus Prometheus anyway,

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<v Speaker 1>we'll get to that in a minute. So Aliens, Man,

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<v Speaker 1>Oh no, dude, put the little girl in charge.

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<v Speaker 7>Man.

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<v Speaker 1>Everybody liked the Bill Paxton last night. I'll save the

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<v Speaker 1>Bill pack. Go watch last night's stream if you missed it.

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<v Speaker 1>For the impersonations. I don't want to take up this

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<v Speaker 1>whole show with impersonations. So oh yeah, by the way,

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<v Speaker 1>thank you. It's very it is Sumerian, it's very Acadian.

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<v Speaker 1>It's very and that comes to the four in Prometheus

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<v Speaker 1>and Alien Covenant too. Came over, Man, why don't you

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<v Speaker 1>put that little girl in charge?

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<v Speaker 3>Man?

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<v Speaker 1>I think my Bill Paxson is spot on. Remember when

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<v Speaker 1>he's chat and weird science. That's how he lasts. That's it.

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<v Speaker 1>So I talk about the search for life, all the

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<v Speaker 1>BS that we from NASA life on Mars. How many

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<v Speaker 1>times have they told us life is on Mars. I've

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<v Speaker 1>been hearing this story since I was in high school.

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<v Speaker 1>Used to come on in the nineties, it would come on,

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<v Speaker 1>we found water in life on Mars. They regurgitate this

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<v Speaker 1>BS story anyway, and so this plays into the panspermia mythology,

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<v Speaker 1>and of course, as her Hollywood One I covered panspermia

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<v Speaker 1>in depth in multiple chapters because Hollywood has inculcated the

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<v Speaker 1>alien mythos into our minds for so long. So the

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<v Speaker 1>global corporate government intends to own all of the genetic

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<v Speaker 1>DNA rights to this xenomorph species. And several years after

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<v Speaker 1>the events of Alien One, Ripley's floated around in space

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<v Speaker 1>since she's been recovered by the whale uton In Corporation,

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<v Speaker 1>and they're they're being all nice and like, oh, tell

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<v Speaker 1>us what happened, And by the way, we're going to

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<v Speaker 1>send you back to the colony where we think there

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<v Speaker 1>are more And we learned that actually whaling Utani has

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<v Speaker 1>been terraforming, so it talks about geo engineering, by the way,

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<v Speaker 1>a long time ago in Aliens in nineteen eighty six,

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<v Speaker 1>the James Cameron installment UH, and we find out that

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<v Speaker 1>the whole human colony is more or less an experiment

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<v Speaker 1>a test tube before whaling Utani once again, and it

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<v Speaker 1>even says that this is their terrorforming division. So we're

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<v Speaker 1>being told again about plans of the future relating to

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<v Speaker 1>geo engineering. I don't know how far there are terrify.

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<v Speaker 1>I'm not saying that we're terraforming other planets. I don't

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<v Speaker 1>believe that. But at least geoengineering is true. Right, But

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<v Speaker 1>and the Whale and Utani Corporation is consistently called the company.

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<v Speaker 1>That's interesting. Who else is called the company consistently exactly? Yeah, yes,

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<v Speaker 1>they represent military and Docal complex. They represent the company exactly.

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<v Speaker 1>So they're gonna make this bioweapon, and they want a

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<v Speaker 1>perfect bioweapon, presumably to depopulate I mean, I think that's

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<v Speaker 1>kind of in the under girding assumptions of the series.

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<v Speaker 1>I don't know that it specifically ever says that the

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<v Speaker 1>human that wail in Utani wants to depopulate maybe, but

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<v Speaker 1>we know, of course eventually the alien engineers want to depopulate,

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<v Speaker 1>because that's why they created the xenomorph. The xenomorphs were weapons,

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<v Speaker 1>if I recall, to depopulate Earth. And then their xenomorphs

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<v Speaker 1>got out of hand and the bioweapon got released and

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<v Speaker 1>it killed many of the alien engineers. So I think that,

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<v Speaker 1>let's see, is at the main point. So I wanted

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<v Speaker 1>to talk about Dobie brothers in Space, Tom Skarett, Veronica Cartwright,

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<v Speaker 1>Yaffa Codo, Ripley ends up being the lone survivor. All

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<v Speaker 1>the males end up in cuck postures. I do talk

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<v Speaker 1>about that in the block. Let's see what else. Oh yeah,

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<v Speaker 1>the alien or the AI that's on the ship is mother.

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<v Speaker 1>I'm not sure the matrix of the womb, the matrix

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<v Speaker 1>the AI is almost always referred to as female, feminine mother.

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<v Speaker 1>Sometimes it's given a masculine persona, but usually in most

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<v Speaker 1>science fiction franchises, I don't know why. Presumably because of

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<v Speaker 1>the matrix of the womb. It's called a woman, red queen,

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<v Speaker 1>this kind of stuff, right, alien or the resident evils,

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<v Speaker 1>Reason and so forth. It's a woman in Skynet too,

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<v Speaker 1>at least in terminor Genesis, right, it's it's Helena bottom Carter.

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<v Speaker 1>So there's this next installment of the motif of Ripley

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<v Speaker 1>as mother, because not just as the AI mother, because

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<v Speaker 1>the ships, you know, they all kind of die away.

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<v Speaker 1>But is Ripley the mother because she becomes a surrogate

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<v Speaker 1>mother too, newt because she lost her daughter many many

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<v Speaker 1>years before. So we know that Ripley had a daughter

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<v Speaker 1>since she has been frozen floating at space for many decades,

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<v Speaker 1>and in the future, the whale and Newtonery's representative is

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<v Speaker 1>Paul Riser. Interesting, you know, Ripley, really Ripley. You know

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<v Speaker 1>I expected better from you. Ripley, really Ripley. You know

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<v Speaker 1>I you know, Ripley, I expected better from you. Ripley.

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<v Speaker 1>How's my Paul Reiser? So pretty good? And Veronica cart right,

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<v Speaker 1>I'm switching back and forth. Right, So the mother motif's gone,

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<v Speaker 1>like Jonesy. She's the cat mom in part one because

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<v Speaker 1>she said Jonesy. Then she meets Newt in part two,

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<v Speaker 1>Newt says she doesn't have her mom, her parents died.

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<v Speaker 1>Ripley has this motherly affection towards her, right, and then

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<v Speaker 1>she loses Newt. Right, we know that at the end

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<v Speaker 1>of two, even though she saves Newt. When three starts,

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<v Speaker 1>Newt has been killed by another face hugger that was

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<v Speaker 1>in the escape pod mostly mostly mostly mostly uh oh.

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<v Speaker 1>The mother theme. By the way, we're just kind of

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<v Speaker 1>touch on this real quicker as it progresses. What's interesting

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<v Speaker 1>about that is that she then loses the desire or

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<v Speaker 1>need for offspring. She doesn't care about offspring and then

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<v Speaker 1>because in three it's a bunch of celibates in the

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<v Speaker 1>prison planet, right, they have a religious cult on the

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<v Speaker 1>on the prison planet run by the black dude with

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00:37:27.000 --> 00:37:32.800
<v Speaker 1>the glasses. And then by Alien Resurrection, she takes on

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<v Speaker 1>this motherly persona for one on a rider, which is

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<v Speaker 1>real weird and creepy kind of the way she acts.

410
00:37:41.239 --> 00:37:44.920
<v Speaker 1>And she also acts motherly to the xenomorphs and to

411
00:37:45.360 --> 00:37:50.599
<v Speaker 1>the xenomorph ripley hybrid that's created at the end, right,

412
00:37:50.679 --> 00:37:55.039
<v Speaker 1>if you remember that big retard looking thing, big retarded

413
00:37:55.119 --> 00:38:01.039
<v Speaker 1>xenomorph at the end. So, but what happens is that

414
00:38:01.199 --> 00:38:05.960
<v Speaker 1>she essentially evolves to really only have a motherly affection

415
00:38:06.119 --> 00:38:10.920
<v Speaker 1>for the AI. And that's relevant because I think the

416
00:38:11.039 --> 00:38:14.360
<v Speaker 1>point of Prometheus an Alien Covenant was similar to that

417
00:38:14.719 --> 00:38:23.719
<v Speaker 1>that the only redeeming characteristics are presumably the Rooney Mara right,

418
00:38:24.320 --> 00:38:28.119
<v Speaker 1>her woman character, and David. Right at the end of Prometheus,

419
00:38:28.159 --> 00:38:31.239
<v Speaker 1>it's David that helps her. You have simpthy for David.

420
00:38:31.239 --> 00:38:32.760
<v Speaker 1>You don't have sympthy for any of the rest of

421
00:38:32.800 --> 00:38:37.480
<v Speaker 1>the human crew. And then I forget how Alien Covenant ends.

422
00:38:37.920 --> 00:38:39.880
<v Speaker 1>I think there's two David. There's a good David and

423
00:38:39.960 --> 00:38:43.519
<v Speaker 1>like evil David. Right anyway, so we're left with Ripley

424
00:38:43.559 --> 00:38:48.119
<v Speaker 1>and AI consistently, right, That's yeah, the AI saves the

425
00:38:49.519 --> 00:38:54.880
<v Speaker 1>the strong female woman. I can't do a Ripley impersonation.

426
00:38:55.679 --> 00:38:57.360
<v Speaker 1>I got too much of a thick booty to do

427
00:38:57.440 --> 00:39:07.920
<v Speaker 1>a flat booty Ripley impersonation. I'm joking. Evil David is

428
00:39:07.960 --> 00:39:10.760
<v Speaker 1>on the ship. Yeah, that's right, that's how. That's how

429
00:39:11.280 --> 00:39:13.400
<v Speaker 1>Covenant ends with the Evil David. I did do it

430
00:39:13.440 --> 00:39:15.880
<v Speaker 1>Alien Covenant video, you know, two years ago, and it

431
00:39:15.920 --> 00:39:18.400
<v Speaker 1>came out, but I've already forgotten how it ended. So yeah,

432
00:39:18.440 --> 00:39:21.119
<v Speaker 1>we're supposed to think evil Alien made it. Evil David

433
00:39:21.159 --> 00:39:24.920
<v Speaker 1>made her under the ship exactly. So presumably he's also

434
00:39:25.000 --> 00:39:29.519
<v Speaker 1>going to depopulate, right, because the the ship an alien Covenant.

435
00:39:29.559 --> 00:39:31.519
<v Speaker 1>That's right. It's like Noah's Arc. It's like an ARC

436
00:39:31.559 --> 00:39:35.559
<v Speaker 1>where they're gonna send you know, this remnant of humanity

437
00:39:35.679 --> 00:39:40.639
<v Speaker 1>to repopulate and they realize, oh oops, it's the you know, consistently,

438
00:39:40.719 --> 00:39:43.559
<v Speaker 1>the Whalen. You don't ever trust the whaling Utani Corporation.

439
00:39:43.639 --> 00:39:46.840
<v Speaker 1>If they send you on a mission, know that you

440
00:39:47.039 --> 00:39:51.840
<v Speaker 1>are the test to dumb dumb for the whale every

441
00:39:51.920 --> 00:39:54.239
<v Speaker 1>time they need to think that the whale in Youtoni

442
00:39:54.280 --> 00:39:58.000
<v Speaker 1>Corporation does, And as we said last night on Boiler Room,

443
00:39:58.519 --> 00:39:59.880
<v Speaker 1>I couldn't believe it. I had to listen to the

444
00:40:00.159 --> 00:40:02.519
<v Speaker 1>to the section of Alien Resurrection three times because I

445
00:40:02.519 --> 00:40:06.760
<v Speaker 1>didn't believe it. But it actually says that, so, what

446
00:40:06.880 --> 00:40:10.280
<v Speaker 1>four or five hundred years in the future, after Alien three,

447
00:40:10.800 --> 00:40:14.840
<v Speaker 1>when they clone Ripley the Jean Pierre June installment, it

448
00:40:14.960 --> 00:40:20.039
<v Speaker 1>actually says that Walmart has bought out Walmart has bought

449
00:40:20.079 --> 00:40:25.360
<v Speaker 1>out the whalen Utonic Corporation, And so Walmart owns United

450
00:40:25.400 --> 00:40:29.480
<v Speaker 1>States Military Services or United Military Services. That's a usn

451
00:40:31.159 --> 00:40:33.920
<v Speaker 1>UNMS or whatever it is, United Services Military, that's it,

452
00:40:36.559 --> 00:40:40.800
<v Speaker 1>which is sounds like Jason alysis, right, We're all going

453
00:40:40.880 --> 00:40:45.280
<v Speaker 1>to be living in a Walmart Target one day, battling

454
00:40:45.400 --> 00:40:52.519
<v Speaker 1>Xeno morphs in the French fry aisle, xeno Morphs with

455
00:40:53.199 --> 00:41:02.599
<v Speaker 1>both Genitalia fighting US humans in the French fry aisle

456
00:41:02.719 --> 00:41:13.159
<v Speaker 1>of Walmart. That's the future. Alien canned meat like Myers

457
00:41:13.239 --> 00:41:21.280
<v Speaker 1>caned Meet Steve brool Sweet trid Ha, that's my Steve

458
00:41:21.320 --> 00:41:36.280
<v Speaker 1>brool Ha Kreshios. So back to Aliens, I also wanted

459
00:41:36.320 --> 00:41:38.360
<v Speaker 1>to touch on the fact that it looks like right,

460
00:41:38.440 --> 00:41:39.920
<v Speaker 1>So this is the period two when I think about

461
00:41:40.000 --> 00:41:41.800
<v Speaker 1>James Cameron where he moved from.

462
00:41:43.519 --> 00:41:44.239
<v Speaker 3>Uh, if you.

463
00:41:44.280 --> 00:41:47.079
<v Speaker 1>Didn't see the Hollywood Decoded episode, go watch our Hollywood

464
00:41:47.079 --> 00:41:51.480
<v Speaker 1>Decoded episode because Jay Weener had a really good analysis

465
00:41:51.639 --> 00:41:54.320
<v Speaker 1>and breakdown of James Cameron, and we did Determinator. We

466
00:41:54.320 --> 00:41:56.719
<v Speaker 1>did the whole Terminator series for Hollywood Decoded in one

467
00:41:56.719 --> 00:42:00.199
<v Speaker 1>of those episodes. It's really good and he may a

468
00:42:00.199 --> 00:42:02.519
<v Speaker 1>good point though, how did James Cameron go from directing

469
00:42:02.599 --> 00:42:08.480
<v Speaker 1>the Neo nowa Terminator installment to these huge, gigantic Pentagon

470
00:42:08.519 --> 00:42:17.000
<v Speaker 1>blockbusters right, Terminator two, Aliens abyss who knows. It's hard

471
00:42:17.039 --> 00:42:20.480
<v Speaker 1>to say, but he did. And could that suggest that

472
00:42:20.639 --> 00:42:23.239
<v Speaker 1>the Pentagon was consulting on these films? I would say, so,

473
00:42:23.440 --> 00:42:26.920
<v Speaker 1>I mean, what happens in Aliens? You get the suddenly

474
00:42:27.000 --> 00:42:31.639
<v Speaker 1>we have this Marine Corps crew. The Marines are there

475
00:42:32.639 --> 00:42:33.880
<v Speaker 1>and they're there to kick butt.

476
00:42:35.159 --> 00:42:35.280
<v Speaker 2>Right.

477
00:42:35.480 --> 00:42:39.599
<v Speaker 1>Then there's some great lines from Bill Paxton on being

478
00:42:39.679 --> 00:42:43.840
<v Speaker 1>a grade A badass. You do not want to fuck

479
00:42:43.960 --> 00:42:52.360
<v Speaker 1>with me, man, create a badass. You have our strong

480
00:42:52.559 --> 00:43:02.400
<v Speaker 1>lesbian Latino right, our typical diverse military special ops crew.

481
00:43:03.119 --> 00:43:07.519
<v Speaker 1>This has to be Pentagon saying let's, you know, put

482
00:43:07.559 --> 00:43:10.480
<v Speaker 1>in the military crew. It has to be. It has

483
00:43:10.519 --> 00:43:12.480
<v Speaker 1>to be. I don't even have to look it up.

484
00:43:12.519 --> 00:43:14.519
<v Speaker 1>I can just know. I don't even have to look.

485
00:43:14.559 --> 00:43:15.000
<v Speaker 6>I just know.

486
00:43:16.840 --> 00:43:18.920
<v Speaker 1>Somebody can go look and you'll find out that I'm right.

487
00:43:19.079 --> 00:43:22.719
<v Speaker 1>I've done this song enough. I just know it's like Osmosis.

488
00:43:22.760 --> 00:43:29.000
<v Speaker 1>I know instinctively now, so then anything else stand out.

489
00:43:29.079 --> 00:43:32.159
<v Speaker 1>And remember this little scene with the little boy in Aliens.

490
00:43:32.239 --> 00:43:33.920
<v Speaker 1>This is straight up Kubrick too. By the way, I

491
00:43:33.960 --> 00:43:37.199
<v Speaker 1>didn't notice this until the last few times I've watched it.

492
00:43:38.800 --> 00:43:46.079
<v Speaker 1>The little boy riding his little what do you call those?

493
00:43:46.119 --> 00:43:48.679
<v Speaker 1>I don't even know what those things are called tricycles.

494
00:43:49.119 --> 00:43:54.000
<v Speaker 1>It's a little plastic tricycle around the the terraform station.

495
00:43:55.480 --> 00:43:58.119
<v Speaker 1>That's straight out of Kubrick. They even shoot it like

496
00:43:58.239 --> 00:44:02.320
<v Speaker 1>Kuberck does. So I guess that James Cameron's homage to Kubrick.

497
00:44:03.159 --> 00:44:06.039
<v Speaker 1>And then I I argued in my book that Bill

498
00:44:06.119 --> 00:44:10.039
<v Speaker 1>Nye is perhaps a xenomorph. As you can see there,

499
00:44:11.360 --> 00:44:14.960
<v Speaker 1>Bill Night has the facial physiognomy and structure of a

500
00:44:15.039 --> 00:44:17.039
<v Speaker 1>xenomorph pretty clearly.

501
00:44:18.920 --> 00:44:19.000
<v Speaker 3>Uh.

502
00:44:19.119 --> 00:44:24.400
<v Speaker 1>And then we end that movie right with Ripley's holding

503
00:44:25.159 --> 00:44:29.800
<v Speaker 1>newt like a womb like mother with a child, right,

504
00:44:30.800 --> 00:44:33.800
<v Speaker 1>and then it fades away just like Starchild. It looks

505
00:44:34.000 --> 00:44:37.280
<v Speaker 1>just like the star Child scene at the end of Kubrick.

506
00:44:37.400 --> 00:44:41.519
<v Speaker 1>So James Cameron's you know, constantly hark harkening back to

507
00:44:41.920 --> 00:44:47.199
<v Speaker 1>Kubrick here obviously now in Alien three. I don't have

508
00:44:47.280 --> 00:44:49.000
<v Speaker 1>a whole lot to say about Alien three. The David

509
00:44:49.159 --> 00:44:52.440
<v Speaker 1>I mean, it's I don't think it's terrible. David Fincher

510
00:44:52.559 --> 00:44:59.360
<v Speaker 1>is a pretty good director, and it's not terrible. It's flawed,

511
00:44:59.559 --> 00:45:02.719
<v Speaker 1>but it's not terrible. There's not a whole lot to

512
00:45:02.800 --> 00:45:09.920
<v Speaker 1>discuss here except the weird sexual tension between Bowl Ripley

513
00:45:10.559 --> 00:45:16.840
<v Speaker 1>and the cult. The prison cult. So they've come up

514
00:45:16.880 --> 00:45:21.679
<v Speaker 1>with this celibate religion in the prison and they think

515
00:45:21.760 --> 00:45:25.440
<v Speaker 1>that mankind's problems are women. So it's like the MiG

516
00:45:25.599 --> 00:45:33.519
<v Speaker 1>Tau in Cell Cult, Prison Planet. It's very bizarre, but

517
00:45:33.679 --> 00:45:35.480
<v Speaker 1>I think the point of it is to show the

518
00:45:37.320 --> 00:45:42.559
<v Speaker 1>once again this issue of gender stuff, which wasn't so

519
00:45:42.639 --> 00:45:45.159
<v Speaker 1>big of a deal in Part two. It was there,

520
00:45:45.239 --> 00:45:47.000
<v Speaker 1>but not as big of a deal. Her hair did

521
00:45:47.079 --> 00:45:53.079
<v Speaker 1>get shorter. Aliens, though, is a great film. I mean,

522
00:45:53.320 --> 00:45:56.199
<v Speaker 1>we have to give James Cameron credit. Because it's just

523
00:45:56.320 --> 00:46:02.920
<v Speaker 1>an intense blockbuster, you know, action movie. It's still is good,

524
00:46:02.960 --> 00:46:07.440
<v Speaker 1>it still holds up. Alien one is a great movie,

525
00:46:07.920 --> 00:46:12.239
<v Speaker 1>probably a perfect movie. Aliens is a little goofy. I

526
00:46:12.280 --> 00:46:14.639
<v Speaker 1>don't know if i'd call it perfect, but it's good.

527
00:46:15.800 --> 00:46:19.360
<v Speaker 1>Alien as a film, probably a perfect movie. I can't

528
00:46:19.400 --> 00:46:21.440
<v Speaker 1>think of what would make it not a perfect movie.

529
00:46:22.519 --> 00:46:27.360
<v Speaker 1>Alien three three out of four stars. I guess, not

530
00:46:27.480 --> 00:46:30.079
<v Speaker 1>a perfect movie, but not terrible.

531
00:46:30.119 --> 00:46:30.559
<v Speaker 2>And then.

532
00:46:32.360 --> 00:46:34.239
<v Speaker 1>But not a whole lot of like esotericy, just that

533
00:46:34.400 --> 00:46:37.519
<v Speaker 1>weird cult which is just about more of the gender stuff.

534
00:46:37.559 --> 00:46:40.639
<v Speaker 1>And I guess we're supposed to think that all men

535
00:46:40.719 --> 00:46:44.920
<v Speaker 1>are rape or something like this. Right, Well, once again,

536
00:46:45.000 --> 00:46:48.920
<v Speaker 1>you can't keep Ripley down. Everybody's dead but Ripley, and

537
00:46:49.599 --> 00:46:55.559
<v Speaker 1>in fact, in this installment, Ripley is dead because we

538
00:46:55.760 --> 00:46:59.079
<v Speaker 1>know that she's getting more and more and more like

539
00:46:59.239 --> 00:47:02.880
<v Speaker 1>the xenomorphs. So it's this survival of the fit. It's

540
00:47:02.880 --> 00:47:08.239
<v Speaker 1>almost like Ripley is the transition fossil between stages of evolution,

541
00:47:08.519 --> 00:47:13.280
<v Speaker 1>and the the intense pressure of the environment that's being

542
00:47:13.440 --> 00:47:19.440
<v Speaker 1>exerted upon Ripley is forcing her to undergo a jump, right,

543
00:47:19.519 --> 00:47:25.440
<v Speaker 1>a punctuated equilibrium in the evolutionary development of the species

544
00:47:25.559 --> 00:47:32.880
<v Speaker 1>in this universe, in the in the the alien universe. Right, so,

545
00:47:33.119 --> 00:47:38.079
<v Speaker 1>Ripley realizes that she does have a xenomorph in her tummy.

546
00:47:38.519 --> 00:47:40.440
<v Speaker 1>All right, it's not just bubble gut. She's got a

547
00:47:40.559 --> 00:47:46.159
<v Speaker 1>xenomorphon her tummy. And so at the end we think

548
00:47:46.239 --> 00:47:51.320
<v Speaker 1>she's gonna get away. And then in comes Lance Henrickson,

549
00:47:52.000 --> 00:47:56.320
<v Speaker 1>who we discover, Oh, he was the prototype for the

550
00:47:56.599 --> 00:47:59.559
<v Speaker 1>other alien other Bishop ca. I always get the aliens

551
00:47:59.599 --> 00:48:03.440
<v Speaker 1>mixed up and Bishop too. What's the Lance Henrickson aliens

552
00:48:03.639 --> 00:48:07.280
<v Speaker 1>or AI's name anyway, He saves right, he once again

553
00:48:07.440 --> 00:48:16.119
<v Speaker 1>just like you know, he saves I remind you of

554
00:48:16.159 --> 00:48:24.400
<v Speaker 1>Peter Vankman and Ghostbusters Bill Murray. So Lance Hendrickson saves

555
00:48:24.440 --> 00:48:27.840
<v Speaker 1>her her and knew right. And then we find out

556
00:48:27.920 --> 00:48:30.360
<v Speaker 1>that the head of the whalen Utony Corporation by this

557
00:48:30.519 --> 00:48:34.039
<v Speaker 1>time is the actual human Lance Henrickson. Presumably he could

558
00:48:34.039 --> 00:48:37.559
<v Speaker 1>be another Ai, but uh, and he once again wants a.

559
00:48:37.840 --> 00:48:41.920
<v Speaker 1>He wants Ripley merged with the thing if I recall

560
00:48:43.239 --> 00:48:45.199
<v Speaker 1>h And then you know, once again, the Whalen Neutoni

561
00:48:45.239 --> 00:48:49.320
<v Speaker 1>Corporation can do their bioweapon tests. But now it's we're

562
00:48:49.320 --> 00:48:51.519
<v Speaker 1>beginning to get the idea that, oh, it's not just

563
00:48:51.559 --> 00:48:57.440
<v Speaker 1>about bioweapons. The real interest is genetic splicing and modification.

564
00:48:57.760 --> 00:49:00.960
<v Speaker 1>So here is where we move into where we go

565
00:49:01.119 --> 00:49:05.639
<v Speaker 1>with Alien Resurrection, where it starts to get really wacko.

566
00:49:05.800 --> 00:49:10.559
<v Speaker 1>It gets out there, dude. Now, I once saw Alien

567
00:49:10.639 --> 00:49:17.159
<v Speaker 1>Resurrection when it came out in the theater, and at

568
00:49:17.199 --> 00:49:18.960
<v Speaker 1>the time I just thought it was kind of wacky.

569
00:49:21.800 --> 00:49:23.800
<v Speaker 1>I kind of like it now. I didn't know how

570
00:49:23.840 --> 00:49:26.559
<v Speaker 1>to place it at the time. I kind of like it.

571
00:49:27.079 --> 00:49:31.920
<v Speaker 1>Looking back. I mean, it's like it's so weird, it's

572
00:49:32.000 --> 00:49:35.440
<v Speaker 1>kind of gross, creepy at times. I don't really like

573
00:49:35.559 --> 00:49:39.559
<v Speaker 1>that part of it, but just as a movie, it's

574
00:49:39.679 --> 00:49:44.920
<v Speaker 1>kind of entertaining. I think looking back, looking back, Alien

575
00:49:45.000 --> 00:49:50.119
<v Speaker 1>Resurrection might be better than Alien three. I mean, it's

576
00:49:50.119 --> 00:49:53.320
<v Speaker 1>certainly not on par with Alien or Aliens. Those are

577
00:49:53.480 --> 00:49:58.280
<v Speaker 1>much superior films, and it's not giving us any like,

578
00:49:58.480 --> 00:50:05.000
<v Speaker 1>you know, well, maybe it kind of is giving us

579
00:50:05.679 --> 00:50:11.639
<v Speaker 1>some crazy revelations in a way. I guess it kind

580
00:50:11.639 --> 00:50:19.480
<v Speaker 1>of is. So let's get to Alien Resurrection. Now they

581
00:50:19.599 --> 00:50:24.199
<v Speaker 1>bring in the weird French filmmaker Jean Pierre June, As

582
00:50:24.239 --> 00:50:27.440
<v Speaker 1>we said, who if you don't know, everyone should watch

583
00:50:27.519 --> 00:50:31.400
<v Speaker 1>this movie is the director of City of Lost Children.

584
00:50:32.159 --> 00:50:34.079
<v Speaker 1>I remember when City Lost Children came out. I was

585
00:50:34.079 --> 00:50:36.519
<v Speaker 1>in high school. I watched it and I was like, damn, dude,

586
00:50:36.559 --> 00:50:39.480
<v Speaker 1>that is a weird movie. This is back when I

587
00:50:39.559 --> 00:50:42.400
<v Speaker 1>was really getting into film. I was like, I want

588
00:50:42.480 --> 00:50:46.639
<v Speaker 1>to do movies. I like movies. Uh, and this was

589
00:50:46.960 --> 00:50:51.519
<v Speaker 1>certainly one of the ones that stuck out to me. Now,

590
00:50:51.599 --> 00:50:55.199
<v Speaker 1>it's weird, it's creepy, but it's also very creative.

591
00:50:55.599 --> 00:50:55.719
<v Speaker 3>Right.

592
00:50:55.880 --> 00:50:59.599
<v Speaker 1>It's almost like he imagine if you've not watched his films.

593
00:50:59.719 --> 00:51:05.760
<v Speaker 1>Jon June is like the French Terry Gilliam, very similar

594
00:51:05.840 --> 00:51:11.360
<v Speaker 1>in style of like wacky goofy, you know, fish eye

595
00:51:11.440 --> 00:51:17.679
<v Speaker 1>lends scenes and crazy surreal imagery. But we bring up

596
00:51:17.719 --> 00:51:21.480
<v Speaker 1>City of Lost Children because there's some really crazy stuff

597
00:51:21.519 --> 00:51:24.719
<v Speaker 1>going on in this movie. I don't know that I

598
00:51:24.800 --> 00:51:30.519
<v Speaker 1>have it all figured out, but guess what, it's illuminate confirm.

599
00:51:31.599 --> 00:51:34.599
<v Speaker 1>I mean quite literally illuminate confirm. I have always remembered

600
00:51:34.639 --> 00:51:36.199
<v Speaker 1>since I first watched the movie.

601
00:51:38.159 --> 00:51:38.920
<v Speaker 6>That it has.

602
00:51:42.039 --> 00:51:51.519
<v Speaker 1>The Ora boros right, Plato's roboros right, and the big

603
00:51:51.599 --> 00:51:59.920
<v Speaker 1>reveal you got it Illuminate Confirm. Illuminate Confirm plays prominently

604
00:52:00.320 --> 00:52:04.400
<v Speaker 1>in Jean Pierre June's City of Lost Children, And just

605
00:52:04.480 --> 00:52:08.880
<v Speaker 1>to quickly summarize the plot, if you don't recall, children

606
00:52:08.920 --> 00:52:12.199
<v Speaker 1>are being kidnapped and their dreams are being stolen, and

607
00:52:12.320 --> 00:52:17.320
<v Speaker 1>people are being cloned on a mysterious island by a

608
00:52:17.400 --> 00:52:20.920
<v Speaker 1>mad scientist. And it also then branches off into very

609
00:52:20.960 --> 00:52:26.400
<v Speaker 1>gnostic Luciferian stuff. That movie is totally illuminate confirmed. Okay,

610
00:52:26.480 --> 00:52:41.119
<v Speaker 1>so he comes into direct Alien Resurrection. I wouldn't call

611
00:52:41.880 --> 00:52:45.639
<v Speaker 1>See Have Lost Children disturbing or scary. It's not disturbing

612
00:52:45.760 --> 00:52:49.280
<v Speaker 1>or scary. It's just very bizarre. It is the best

613
00:52:49.320 --> 00:52:55.000
<v Speaker 1>way to put it. It's very surrealist. You know, that's

614
00:52:55.079 --> 00:52:58.639
<v Speaker 1>not what I wanted. Where's the picture I wanted? I

615
00:52:58.719 --> 00:53:00.400
<v Speaker 1>was going to do a picture of the mad songientists.

616
00:53:01.000 --> 00:53:02.960
<v Speaker 1>I can't find the picture where I.

617
00:53:03.000 --> 00:53:06.199
<v Speaker 3>Put it here.

618
00:53:06.199 --> 00:53:09.519
<v Speaker 1>I'll just pull out another one here also has the

619
00:53:09.719 --> 00:53:14.159
<v Speaker 1>same midget dude who's part of the motley crew of

620
00:53:14.360 --> 00:53:19.400
<v Speaker 1>bandits in Alien Resurrection. So there's your mad scientist creeper

621
00:53:19.519 --> 00:53:27.559
<v Speaker 1>guy there who is modifying and controlling and stealing dreams. Oh,

622
00:53:27.679 --> 00:53:29.280
<v Speaker 1>I remember what it is? I remember what it is.

623
00:53:29.440 --> 00:53:31.559
<v Speaker 1>I remember my notes now, and I've always meant to

624
00:53:31.599 --> 00:53:34.840
<v Speaker 1>do See Lost Children, but I always forgets. He's the

625
00:53:34.920 --> 00:53:38.199
<v Speaker 1>demi urge. Mad scientist is the demi urge who's trying

626
00:53:38.239 --> 00:53:41.480
<v Speaker 1>to fix his creation. That's what it is. So anyway,

627
00:53:42.480 --> 00:53:45.519
<v Speaker 1>back to Alien Alien Resurrection. We'll do another stream sometime

628
00:53:45.599 --> 00:53:48.039
<v Speaker 1>about like wacky mind control movies or something I don't know.

629
00:53:48.239 --> 00:53:51.960
<v Speaker 1>We'll title it something that ties in City of Lost

630
00:53:52.039 --> 00:53:57.440
<v Speaker 1>Children with other similar types of movies. So Joss Whedon

631
00:53:57.519 --> 00:54:00.159
<v Speaker 1>wrote it. We all know who Joss Whedon is. We

632
00:54:00.320 --> 00:54:03.039
<v Speaker 1>won't go into that, won't spend much time on that.

633
00:54:03.199 --> 00:54:06.960
<v Speaker 1>We know who he is, very well known. He does

634
00:54:07.119 --> 00:54:10.639
<v Speaker 1>tend to put interesting things in his films, and he

635
00:54:10.719 --> 00:54:15.920
<v Speaker 1>didn't always well, I guess on Buffy there was early

636
00:54:16.039 --> 00:54:23.440
<v Speaker 1>Buffy had some really creative, clever writing, good stories, conspiracy

637
00:54:23.480 --> 00:54:28.159
<v Speaker 1>related stuff, and in the series as usual, modifies into

638
00:54:29.760 --> 00:54:34.880
<v Speaker 1>social justice l'iel you see, which is usually what happens. Right,

639
00:54:37.559 --> 00:54:39.360
<v Speaker 1>But you know, Cavin in the Wood, that's that's a

640
00:54:39.400 --> 00:54:42.000
<v Speaker 1>pretty good movie. Kevin in the Wood. So he can

641
00:54:42.159 --> 00:54:46.639
<v Speaker 1>throw in some good things at times. Again, we're not

642
00:54:46.760 --> 00:54:49.039
<v Speaker 1>talking about people's personal lives in the sense of like

643
00:54:49.159 --> 00:54:54.519
<v Speaker 1>he's probably you know, crappy dude, but in terms of films,

644
00:54:56.280 --> 00:54:58.280
<v Speaker 1>he can come up with some good stories at times,

645
00:54:58.360 --> 00:55:01.239
<v Speaker 1>but then it looks like, you know, you get these

646
00:55:03.440 --> 00:55:10.239
<v Speaker 1>deep state consultants I suppose, right that come along anyway.

647
00:55:12.400 --> 00:55:21.440
<v Speaker 1>Ron Perlman also present in both films. I should add

648
00:55:21.559 --> 00:55:27.360
<v Speaker 1>two that Cey Lost Children is very visually amazing. It's

649
00:55:27.400 --> 00:55:33.480
<v Speaker 1>a visually amazing film just for the visual imagery, set design,

650
00:55:33.840 --> 00:55:39.000
<v Speaker 1>cinematography alone, it's a phenomenal movie. But and I have

651
00:55:39.079 --> 00:55:41.320
<v Speaker 1>to say Alien Resurrection is pretty good too for its

652
00:55:43.880 --> 00:55:46.960
<v Speaker 1>set design, visuals. I think it was shot there's a

653
00:55:47.000 --> 00:55:50.599
<v Speaker 1>lot of homage to Blade Runner, Neon Noa, that kind

654
00:55:50.599 --> 00:55:55.400
<v Speaker 1>of stuff in Alien Resurrection. I would say it's it's

655
00:55:55.440 --> 00:56:00.400
<v Speaker 1>a neo noa science fiction movie. So as we said,

656
00:56:00.440 --> 00:56:02.119
<v Speaker 1>it's about five hundred years in the future or something

657
00:56:02.159 --> 00:56:03.239
<v Speaker 1>like that. I don't remember what the top of my head,

658
00:56:03.280 --> 00:56:06.079
<v Speaker 1>but basically, so they're cloning Ripley's now, right, so they've

659
00:56:06.119 --> 00:56:09.480
<v Speaker 1>gotten Ripley's DNA. It's no longer way than Utani's been

660
00:56:09.519 --> 00:56:13.800
<v Speaker 1>bought out by Walmart. It's hilarious. That alone is funny.

661
00:56:14.159 --> 00:56:19.079
<v Speaker 1>That's like, what, uh so Walmart is cloning Ripley, and

662
00:56:19.559 --> 00:56:24.559
<v Speaker 1>one of the clones, who is number eight, lives and

663
00:56:24.639 --> 00:56:28.920
<v Speaker 1>survives the process and becomes a problem and starts rebelling

664
00:56:29.559 --> 00:56:32.880
<v Speaker 1>against because they're exterminating the clones after a while to

665
00:56:33.000 --> 00:56:35.079
<v Speaker 1>make sure that, you know, the experiment doesn't get out

666
00:56:35.079 --> 00:56:38.480
<v Speaker 1>of hand. And we learned that they're actually crossing Ripley's

667
00:56:38.559 --> 00:56:41.159
<v Speaker 1>DNA with the xenomorph and the Xenomorph DNA with the

668
00:56:41.239 --> 00:56:45.280
<v Speaker 1>Ripley clones. Right, so it's created all these hybrid, gross

669
00:56:45.519 --> 00:56:51.960
<v Speaker 1>looking things, and so Walmart decides that in order to

670
00:56:54.840 --> 00:56:59.519
<v Speaker 1>keep things under wraps, they send an AI assassin went

671
00:56:59.519 --> 00:57:05.400
<v Speaker 1>on a right to kill Ripley. And she's amongst this

672
00:57:05.679 --> 00:57:10.719
<v Speaker 1>crew of firefly style motley scaly wags who are smugglers,

673
00:57:11.519 --> 00:57:18.760
<v Speaker 1>and they're smuggling people for this space base where there

674
00:57:18.840 --> 00:57:23.760
<v Speaker 1>is secret experimentation going on. So bodies are trafficked.

675
00:57:24.880 --> 00:57:25.119
<v Speaker 3>To do.

676
00:57:27.480 --> 00:57:32.199
<v Speaker 1>Genetic hybrid experimentation out in the reaches of space and

677
00:57:32.280 --> 00:57:36.519
<v Speaker 1>some space base. Now what's interesting is that we're no

678
00:57:36.679 --> 00:57:41.159
<v Speaker 1>longer under the corporation model of like Whale and Utani.

679
00:57:41.639 --> 00:57:46.119
<v Speaker 1>It's developed into total scientific dictatorship. This is pretty pretty crazy.

680
00:57:47.440 --> 00:57:50.719
<v Speaker 1>Ripley is going to represent now the new humanity. She's

681
00:57:50.760 --> 00:57:53.280
<v Speaker 1>in the kind of the final stage of humanity evolving,

682
00:57:54.280 --> 00:57:59.079
<v Speaker 1>and it's almost that she's moving into woman goddess status.

683
00:58:00.079 --> 00:58:02.800
<v Speaker 1>Also got a kind of super soldier component to her.

684
00:58:02.880 --> 00:58:07.199
<v Speaker 1>So this genetic modification, the xenomorph crossing, is intent upon

685
00:58:07.360 --> 00:58:14.840
<v Speaker 1>creating the well, the super soldier, right. And it's significant

686
00:58:14.880 --> 00:58:17.360
<v Speaker 1>that Ripley is number eight because eight is the number

687
00:58:17.440 --> 00:58:24.760
<v Speaker 1>of resurrection, Alien resurrection. That's why Ripley has eight tattooed

688
00:58:24.840 --> 00:58:29.760
<v Speaker 1>on her arm, and why she's the eighth clone that

689
00:58:30.039 --> 00:58:34.639
<v Speaker 1>survives what happens when you turn an eight on its

690
00:58:34.719 --> 00:58:41.920
<v Speaker 1>side infinity. So she's the now immortal Ripley. And so

691
00:58:42.800 --> 00:58:47.880
<v Speaker 1>the long process of universal global evolution has given rise

692
00:58:48.000 --> 00:58:54.559
<v Speaker 1>to the new humanity, who is a woman, a cat mom.

693
00:58:55.559 --> 00:59:09.039
<v Speaker 1>A cat mom is the future cat lady goddess dot com. She,

694
00:59:09.599 --> 00:59:14.719
<v Speaker 1>as Jamie said, she's the Theotokos of the aliens because

695
00:59:14.760 --> 00:59:18.039
<v Speaker 1>she gives birth to like these, you know, creatures, and

696
00:59:18.079 --> 00:59:20.679
<v Speaker 1>presumably she's going to be giving birth to the future

697
00:59:21.880 --> 00:59:27.800
<v Speaker 1>of the new humanity. Now Here I will blow your mind,

698
00:59:28.440 --> 00:59:31.440
<v Speaker 1>like I said on boiler Room, and it's not just

699
00:59:31.559 --> 00:59:35.519
<v Speaker 1>this movie. Sometimes you will find in movie analysis very

700
00:59:35.559 --> 00:59:39.920
<v Speaker 1>strange places where very strange things are stated many many

701
00:59:40.000 --> 00:59:41.880
<v Speaker 1>years ahead of time. I don't know why that is.

702
00:59:42.880 --> 00:59:45.639
<v Speaker 1>I've demonstrated in my two books I've written. I mean,

703
00:59:45.679 --> 00:59:48.159
<v Speaker 1>we know that it has something to do with you know,

704
00:59:48.400 --> 00:59:53.440
<v Speaker 1>Pentagon consultation, this kind of stuff. But sometimes it almost

705
00:59:53.480 --> 01:00:01.239
<v Speaker 1>even seems just eerie the level of odd predictions. And

706
01:00:01.320 --> 01:00:04.239
<v Speaker 1>maybe this one's not so odd because this is nineties, right,

707
01:00:04.320 --> 01:00:10.280
<v Speaker 1>So people did know about autism in the nineties. But

708
01:00:10.360 --> 01:00:19.159
<v Speaker 1>as we mentioned last night on boiler Room, one of

709
01:00:19.199 --> 01:00:21.199
<v Speaker 1>the next upcoming movie streams, by the way, will be

710
01:00:21.320 --> 01:00:27.760
<v Speaker 1>about alien or not alien demon exorcism movies. So we'll

711
01:00:27.800 --> 01:00:31.599
<v Speaker 1>do the Exorcist one, two, and three, and you know

712
01:00:31.719 --> 01:00:37.719
<v Speaker 1>some other weird Jesuit Catholic type movies. Remember Heath Ledger

713
01:00:37.840 --> 01:00:41.360
<v Speaker 1>in the order actually has the black popon. We'll do

714
01:00:41.519 --> 01:00:45.840
<v Speaker 1>we'll do an analysis of alien dem exorcist demon movies,

715
01:00:47.480 --> 01:00:50.880
<v Speaker 1>and we'll that will include Exorcists two in the night

716
01:00:50.960 --> 01:00:56.920
<v Speaker 1>early seventies, where I'm not joking, they're doing mk ultra

717
01:00:57.000 --> 01:01:03.440
<v Speaker 1>experiments on kids and they talk about experimenting on and

718
01:01:03.519 --> 01:01:12.760
<v Speaker 1>studying kids with autism in the early seventies. Now again,

719
01:01:12.840 --> 01:01:15.320
<v Speaker 1>I know that it existed, but it was super super rare,

720
01:01:15.960 --> 01:01:18.599
<v Speaker 1>very strange that that was an Exorcist too. There is

721
01:01:18.840 --> 01:01:24.119
<v Speaker 1>a CIA connection too between fried Ken Bladdie and the Exorcist,

722
01:01:24.440 --> 01:01:26.079
<v Speaker 1>by the way, which we'll get into when we do

723
01:01:26.239 --> 01:01:35.960
<v Speaker 1>the Exorcist stream. That's well documented. And here an alien resurrection.

724
01:01:38.800 --> 01:01:41.159
<v Speaker 1>There's a scene where when they're talking, the scientists are

725
01:01:41.199 --> 01:01:46.400
<v Speaker 1>talking about the ripley that they have engineered, and they

726
01:01:46.440 --> 01:01:50.639
<v Speaker 1>say that they have engineered her perfectly to have emotional autism.

727
01:01:52.960 --> 01:01:58.559
<v Speaker 1>Isn't that crazy? So there's this ridiculous scene where she

728
01:01:58.639 --> 01:02:01.920
<v Speaker 1>plays basketball with Ron Proul and she's like running around

729
01:02:01.960 --> 01:02:09.840
<v Speaker 1>dunking the basketball. It's completely ridiculous, but she's engineered to

730
01:02:09.960 --> 01:02:14.440
<v Speaker 1>have emotional autism to where she doesn't have feelings. I

731
01:02:14.639 --> 01:02:18.760
<v Speaker 1>was like, what that's crazy all the way back in

732
01:02:18.960 --> 01:02:30.480
<v Speaker 1>this nineteen ninety seven movie. Anyway, And by the way,

733
01:02:30.480 --> 01:02:32.559
<v Speaker 1>I don't I can't stand the pixie cut, but i'd

734
01:02:32.639 --> 01:02:35.199
<v Speaker 1>have to say, when on a rider does.

735
01:02:35.079 --> 01:02:48.000
<v Speaker 6>Pull off the pixie cut, I'll give her that. What

736
01:02:48.039 --> 01:02:50.679
<v Speaker 6>do you think I don't like the pixie cut.

737
01:02:50.800 --> 01:02:54.639
<v Speaker 1>I'm just saying that. I think if you still have

738
01:02:54.719 --> 01:02:56.760
<v Speaker 1>a feminine face, you can pull it off.

739
01:02:57.920 --> 01:02:58.480
<v Speaker 3>You know what I mean?

740
01:02:58.559 --> 01:03:05.920
<v Speaker 1>Because you still look like Emil. But anyway, now, so

741
01:03:07.440 --> 01:03:09.039
<v Speaker 1>it's like we're being told. And by the way, there

742
01:03:09.079 --> 01:03:11.159
<v Speaker 1>was another movie we're watching where autism came up. I

743
01:03:11.199 --> 01:03:12.719
<v Speaker 1>don't remember what it was, but it was some old

744
01:03:12.760 --> 01:03:14.320
<v Speaker 1>movie and it was like, Wow, are they talking about

745
01:03:14.320 --> 01:03:18.119
<v Speaker 1>autism back in these old movies as being some kind

746
01:03:18.159 --> 01:03:23.000
<v Speaker 1>of thing to you know, study or whatever. It makes

747
01:03:23.079 --> 01:03:28.039
<v Speaker 1>one wonder if it wasn't intentionally given to the populace.

748
01:03:29.639 --> 01:03:37.039
<v Speaker 1>I think it was. So the alien queen DNA, as

749
01:03:37.079 --> 01:03:39.320
<v Speaker 1>you said, is mixed. They're trying to create the next

750
01:03:39.360 --> 01:03:42.599
<v Speaker 1>stage of evolution, and this movie really highlights this theme

751
01:03:42.679 --> 01:03:44.480
<v Speaker 1>that we've seen in the Globals and book series, which

752
01:03:44.519 --> 01:03:46.880
<v Speaker 1>is that bertrand rousse Les she Will's Jonah Sauk, all

753
01:03:46.920 --> 01:03:52.639
<v Speaker 1>those characters talk very clearly about commandeering evolution, steering evolution

754
01:03:53.000 --> 01:03:55.800
<v Speaker 1>as the scientific priests class to move it into the

755
01:03:55.840 --> 01:03:58.280
<v Speaker 1>direction where they think they can steer it for the

756
01:03:58.400 --> 01:04:04.800
<v Speaker 1>transhumanist purposes. Autism is evolution in this movie. She is

757
01:04:04.960 --> 01:04:08.199
<v Speaker 1>part alien. So here we're getting into the mythology of

758
01:04:08.280 --> 01:04:13.920
<v Speaker 1>like Genesis six level stuff with in order to be

759
01:04:14.719 --> 01:04:19.440
<v Speaker 1>made immortal, we have to figure out how to import alien.

760
01:04:19.519 --> 01:04:21.280
<v Speaker 1>I don't believe in aliens, but you know what I'm saying,

761
01:04:21.360 --> 01:04:26.480
<v Speaker 1>like the idea of human entity, hybrid type stuff, Genesis

762
01:04:26.480 --> 01:04:30.119
<v Speaker 1>six type stuff. Again, I'm not saying that that's actually

763
01:04:30.159 --> 01:04:33.960
<v Speaker 1>what's happening nowadays, but I'm saying the mythology of the

764
01:04:34.000 --> 01:04:38.639
<v Speaker 1>Alien series is definitely hearkening to that. Because in Prometheus,

765
01:04:39.119 --> 01:04:43.800
<v Speaker 1>it's chariots of the Gods, it's Panspermia, it's Eric von Danik,

766
01:04:43.840 --> 01:04:47.119
<v Speaker 1>it's ancient, it's Sukolos. Ancient. Alien stuff is where they

767
01:04:47.199 --> 01:04:52.519
<v Speaker 1>go with Prometheus. So let's see. So they're using humans

768
01:04:52.559 --> 01:04:57.400
<v Speaker 1>that they've captured as cocoons for the xenomores for the experiments.

769
01:04:57.440 --> 01:05:02.480
<v Speaker 1>The secret experiments are underground. Walmart is doing the zerier

770
01:05:02.559 --> 01:05:07.159
<v Speaker 1>experiments on the under on the downlow. There's a funny

771
01:05:07.159 --> 01:05:09.719
<v Speaker 1>scene where they still watch the Shopping Channel. That's kind

772
01:05:09.760 --> 01:05:13.199
<v Speaker 1>of funny. So even though it's a total scientific dictatorship,

773
01:05:13.519 --> 01:05:17.079
<v Speaker 1>everybody still watches the shopping Channel. I mean, that's just

774
01:05:17.159 --> 01:05:22.599
<v Speaker 1>a comic relief, but it's still kind of ironic. The

775
01:05:22.760 --> 01:05:25.599
<v Speaker 1>ship is actually here, that the test tube that's going

776
01:05:25.639 --> 01:05:28.119
<v Speaker 1>to come back to Earth. So here the idea was

777
01:05:28.199 --> 01:05:32.199
<v Speaker 1>the ship would become the test tube, the Xenomorphs kill everybody,

778
01:05:32.280 --> 01:05:33.920
<v Speaker 1>and it's going to come back to Earth. So there's

779
01:05:33.920 --> 01:05:37.480
<v Speaker 1>a recurring theme of bring back this test tube that's

780
01:05:37.519 --> 01:05:41.159
<v Speaker 1>going to kill everybody back to Earth. So maybe it

781
01:05:41.360 --> 01:05:44.599
<v Speaker 1>is a depopulation narrative on the part of the whalan

782
01:05:44.719 --> 01:05:54.119
<v Speaker 1>Utani Corporation now Walmart wanting to kill everybody. Interestingly, in

783
01:05:54.199 --> 01:05:58.920
<v Speaker 1>this one, the AI is called Father, and there's a

784
01:05:59.000 --> 01:06:03.000
<v Speaker 1>weird religious scene where one on a writer who we

785
01:06:03.239 --> 01:06:08.760
<v Speaker 1>figure out is Ai, overrides Father and replaces Father with

786
01:06:08.880 --> 01:06:13.159
<v Speaker 1>her own feminine consciousness as mother. And this is right

787
01:06:13.239 --> 01:06:17.159
<v Speaker 1>after Ripley has more or less adopted her as her

788
01:06:17.679 --> 01:06:22.639
<v Speaker 1>now surrogate daughter and told her that her belief in

789
01:06:23.559 --> 01:06:32.800
<v Speaker 1>Christianity is programmed into her right, and there's this Pinocchio

790
01:06:32.920 --> 01:06:34.880
<v Speaker 1>element with win On a writer that she wants to

791
01:06:34.960 --> 01:06:36.880
<v Speaker 1>be seen as a person right all the way back

792
01:06:36.920 --> 01:06:39.760
<v Speaker 1>to like Bishop did and Lance Hendrickson did, right, he

793
01:06:39.840 --> 01:06:42.760
<v Speaker 1>wanted to be called a person, and he was talking

794
01:06:42.760 --> 01:06:47.280
<v Speaker 1>about Android writes, and so nobody's religious in the future.

795
01:06:47.360 --> 01:06:52.599
<v Speaker 1>This is very curious too in Alien four, except for

796
01:06:52.760 --> 01:06:55.239
<v Speaker 1>one on a writer, the Ai. She's the only one

797
01:06:55.280 --> 01:06:58.360
<v Speaker 1>that's religious, so she trusts and she's a Christian because

798
01:06:58.400 --> 01:07:01.679
<v Speaker 1>they have this like metal chapel where she's worshiping you know,

799
01:07:01.800 --> 01:07:04.760
<v Speaker 1>this metal at this metal cross or whatever. And then

800
01:07:04.880 --> 01:07:09.719
<v Speaker 1>Ripley's like comes in, you know, full on Fedora. She's like,

801
01:07:10.360 --> 01:07:12.480
<v Speaker 1>you've been lied to. They took a program or whatever.

802
01:07:12.639 --> 01:07:14.360
<v Speaker 1>And then you know she's like, oh yeah, I don't

803
01:07:14.400 --> 01:07:16.559
<v Speaker 1>believe anymore, Like that's all it took, was just the

804
01:07:16.599 --> 01:07:21.079
<v Speaker 1>way saying you you're going on a program. Whoa mind blown?

805
01:07:21.119 --> 01:07:27.559
<v Speaker 1>I'm atheist now. And then she overrides the Father program

806
01:07:28.559 --> 01:07:32.119
<v Speaker 1>on the ship and she becomes the new Mother Ai

807
01:07:32.599 --> 01:07:37.880
<v Speaker 1>to override the ship's programming to come back to Earth

808
01:07:38.119 --> 01:07:40.639
<v Speaker 1>right because it's now the big test tube full of

809
01:07:40.719 --> 01:07:45.000
<v Speaker 1>the xeno Morphs that's going to I guess depopulate Earth.

810
01:07:45.159 --> 01:07:47.519
<v Speaker 1>I guess is what's going on here. That would make

811
01:07:47.599 --> 01:07:51.440
<v Speaker 1>sense because the depopulation narrative is carried. That's what's going

812
01:07:51.480 --> 01:07:59.000
<v Speaker 1>on in Prometheus and Alien Covenant. Uh, the creators, the

813
01:07:59.079 --> 01:08:02.480
<v Speaker 1>alien engineers, they want to depopulate the humans. They hate

814
01:08:02.480 --> 01:08:07.039
<v Speaker 1>the humans just like the Xenomorphs do. And the Xenomorphs

815
01:08:07.440 --> 01:08:09.679
<v Speaker 1>want to kill the humans, and the way land Utani

816
01:08:09.719 --> 01:08:11.880
<v Speaker 1>Corporation wants to kill the humans and then I think

817
01:08:13.039 --> 01:08:15.079
<v Speaker 1>I was gonna say, by the time of Alien Resurrection,

818
01:08:15.320 --> 01:08:18.079
<v Speaker 1>even Ripley wants to kill the humans. I don't think

819
01:08:18.159 --> 01:08:21.760
<v Speaker 1>she really does. She doesn't. She kind of doesn't care. Because,

820
01:08:21.800 --> 01:08:24.560
<v Speaker 1>of course, if you've seen the director's cut, Alien Resurrection

821
01:08:24.640 --> 01:08:28.880
<v Speaker 1>actually ends with this nuke going off and just I mean,

822
01:08:28.920 --> 01:08:31.159
<v Speaker 1>doesn't destroy all humans, but it destroys I don't know,

823
01:08:31.279 --> 01:08:33.520
<v Speaker 1>San Francisco or somewhere. It's usually San Francisco, I don't

824
01:08:33.520 --> 01:08:37.960
<v Speaker 1>know where it is, some city. And then Ripley and

825
01:08:39.560 --> 01:08:42.319
<v Speaker 1>went on a ryder sitting there and she's like, what

826
01:08:42.399 --> 01:08:43.720
<v Speaker 1>do we do now? And she's like, I don't know.

827
01:08:43.760 --> 01:08:46.119
<v Speaker 1>I guess we get out of here, you know, something

828
01:08:46.239 --> 01:08:54.840
<v Speaker 1>stupid like that. But the point being is that resurrection

829
01:08:55.239 --> 01:09:05.039
<v Speaker 1>means alien resurrection, right. It's it's Christianity is not true.

830
01:09:05.560 --> 01:09:10.319
<v Speaker 1>The real resurrection is through tech. And so in a way,

831
01:09:11.279 --> 01:09:13.800
<v Speaker 1>when on a writer is saved, but she's saved because

832
01:09:13.800 --> 01:09:24.199
<v Speaker 1>she's Ai and she's the new surrogate daughter for Ripley,

833
01:09:24.800 --> 01:09:30.159
<v Speaker 1>who's the new mother who's now evolved into super soldier.

834
01:09:30.359 --> 01:09:38.279
<v Speaker 1>It's just this is crazy, okay, fourth kind real quick,

835
01:09:38.319 --> 01:09:40.000
<v Speaker 1>We'll get Oh wait, wait, I forget about the other

836
01:09:40.039 --> 01:09:42.920
<v Speaker 1>alien movies. Maybe I should have to split this into

837
01:09:43.000 --> 01:09:46.760
<v Speaker 1>a part two. I think so, because actually Tristan and

838
01:09:46.880 --> 01:09:49.079
<v Speaker 1>I are going to be doing our stream run after this,

839
01:09:50.560 --> 01:09:55.119
<v Speaker 1>so we'll do this as a half and half because

840
01:09:55.119 --> 01:09:57.600
<v Speaker 1>that would be more fair to the Jays and also subscribers.

841
01:09:58.239 --> 01:10:01.720
<v Speaker 1>So two weird movies after the Yes and then too,

842
01:10:02.039 --> 01:10:05.560
<v Speaker 1>we'll do Prometheus in depth for subscribers.

843
01:10:05.640 --> 01:10:05.960
<v Speaker 3>We'll do.

844
01:10:08.000 --> 01:10:10.600
<v Speaker 1>Alien Covenant in depth, which I haven't covered in depth

845
01:10:10.640 --> 01:10:15.319
<v Speaker 1>except for a goofy video. We'll do Fourth coind with Mela,

846
01:10:17.199 --> 01:10:21.600
<v Speaker 1>and then we'll do the weird movie God Told Me To,

847
01:10:22.520 --> 01:10:25.760
<v Speaker 1>which is a seventies B movie I'd never heard of

848
01:10:28.000 --> 01:10:31.720
<v Speaker 1>until maybe like a month or two ago. And this

849
01:10:31.920 --> 01:10:34.119
<v Speaker 1>movie is crazy. This movie's got some crazy. I mean,

850
01:10:34.159 --> 01:10:37.680
<v Speaker 1>it's a B movie, but it's got some crazy stuff

851
01:10:37.720 --> 01:10:40.880
<v Speaker 1>in it. It's very it's not Mandy, but it's very

852
01:10:40.960 --> 01:10:49.439
<v Speaker 1>similar to Mandy, right, Nick Cage panels becausemotos Mandy. So yeah,

853
01:10:49.720 --> 01:10:51.680
<v Speaker 1>so we haven't done a subscriber's talk. I did, by

854
01:10:51.720 --> 01:10:54.119
<v Speaker 1>the way, for subscribers if you missed it. Finally, upload

855
01:10:54.239 --> 01:10:56.680
<v Speaker 1>the part two to the Aquinas talk, so that's available

856
01:10:56.720 --> 01:11:01.039
<v Speaker 1>if you haven't logged in. Jasonalysis also subscribe Jays Analysis

857
01:11:01.119 --> 01:11:06.840
<v Speaker 1>for the content for members at the purchase membership section,

858
01:11:07.399 --> 01:11:10.239
<v Speaker 1>and you can also get signed copies of Esoteric Hollywood

859
01:11:10.239 --> 01:11:13.720
<v Speaker 1>Wanted too. Also, Esoter Collaly would want to do include

860
01:11:14.039 --> 01:11:18.239
<v Speaker 1>extensive analyses of the alien stuff, as we've already talked

861
01:11:18.279 --> 01:11:23.000
<v Speaker 1>about other alien movies too. Signs AHG, well stuff, So

862
01:11:23.119 --> 01:11:25.760
<v Speaker 1>we'll do furth Coin. We'll do God told me to

863
01:11:27.000 --> 01:11:30.319
<v Speaker 1>Prometheus and Alien Covenant for subscribers in the next couple

864
01:11:30.359 --> 01:11:34.720
<v Speaker 1>of days. Because actually, you know, the subscriber's content has

865
01:11:34.800 --> 01:11:39.680
<v Speaker 1>not always been globalism books. We've done multiple movie in

866
01:11:39.800 --> 01:11:41.600
<v Speaker 1>depth movie analysis. In fact, I did a whole mini

867
01:11:41.680 --> 01:11:45.560
<v Speaker 1>documentary on Blade Runner for subscribers. I did a whole

868
01:11:45.640 --> 01:11:49.720
<v Speaker 1>mini document menory on other film stuff that only subscribers

869
01:11:49.760 --> 01:11:53.720
<v Speaker 1>have seen too, so you can do that. I'm gonna

870
01:11:53.760 --> 01:11:58.960
<v Speaker 1>read Superchats. Don't worry, they haven't gone anywhere. Your superchats

871
01:11:59.079 --> 01:12:02.000
<v Speaker 1>run out on the screen, but I still see them,

872
01:12:02.199 --> 01:12:07.119
<v Speaker 1>so so in a bit next up, I have seen

873
01:12:07.159 --> 01:12:09.880
<v Speaker 1>Lost Souls. That is an interesting anti Christ. We're gonna

874
01:12:09.920 --> 01:12:12.840
<v Speaker 1>do a whole series on anti Christ. All the silly

875
01:12:12.920 --> 01:12:18.359
<v Speaker 1>Hollywood Antichrist movies will do. Damien will do Lost Souls

876
01:12:18.600 --> 01:12:22.039
<v Speaker 1>End of Days with Honold, which is hilarious because it's

877
01:12:22.079 --> 01:12:25.840
<v Speaker 1>like Arnold versus the Devil with a bazoo, like Arnold's

878
01:12:25.840 --> 01:12:29.039
<v Speaker 1>fighting Satan with a bazuka is completely stupid. We might

879
01:12:29.119 --> 01:12:34.439
<v Speaker 1>do that horrible Gabriel Burns Stigmata movie that would be funny,

880
01:12:35.600 --> 01:12:37.800
<v Speaker 1>and some of the other Antichrist. There's a bunch of

881
01:12:37.840 --> 01:12:41.000
<v Speaker 1>bad Antichrist, stupid Hollywood movies, so we might do some

882
01:12:41.119 --> 01:12:43.239
<v Speaker 1>of those. That would be a good topic. And nobody

883
01:12:43.279 --> 01:12:45.680
<v Speaker 1>ever covers Lost Souls. It's not that good of a movie.

884
01:12:47.039 --> 01:12:52.319
<v Speaker 1>I mean, it's interesting, not that great, but Winona is

885
01:12:52.359 --> 01:12:55.640
<v Speaker 1>in it, and then the well, I won't spoil it,

886
01:12:55.680 --> 01:12:57.079
<v Speaker 1>but if you haven't seen it, but yeah, we should

887
01:12:57.119 --> 01:12:59.039
<v Speaker 1>do Lost Souls too, So there's there'll be a whole

888
01:12:59.079 --> 01:13:00.920
<v Speaker 1>other stream. This is why it's great to do the

889
01:13:00.960 --> 01:13:04.159
<v Speaker 1>streams on the basis of themes, right, because usually you

890
01:13:04.199 --> 01:13:06.680
<v Speaker 1>can pick a weird theme and fit, you know, find

891
01:13:06.680 --> 01:13:09.640
<v Speaker 1>four or five movies related to that theme. But so

892
01:13:09.840 --> 01:13:12.560
<v Speaker 1>right after this, not right now, but maybe in an hour.

893
01:13:13.119 --> 01:13:15.600
<v Speaker 1>Come back in an hour and Tristan and I will

894
01:13:15.640 --> 01:13:20.960
<v Speaker 1>be analyzing two movies. We chose two dystopian movies just

895
01:13:21.039 --> 01:13:26.279
<v Speaker 1>to keep it light and easy. We're gonna do THHX

896
01:13:26.319 --> 01:13:29.279
<v Speaker 1>one one three eight, which Jason Elysis amazingly has not done,

897
01:13:29.560 --> 01:13:33.279
<v Speaker 1>even though it's been requested probably five hundred times in

898
01:13:33.319 --> 01:13:36.680
<v Speaker 1>the last ten years of Jason Elsis. We'll do THHX

899
01:13:36.720 --> 01:13:42.560
<v Speaker 1>one one three eight, and then we'll do Demolition Man. Yes,

900
01:13:42.680 --> 01:13:48.079
<v Speaker 1>Demolition Man a lot that you missed in Demolition Man Legion.

901
01:13:49.640 --> 01:13:53.439
<v Speaker 1>Legion is pretty gnostic. You could do it. We could

902
01:13:53.439 --> 01:13:57.359
<v Speaker 1>also do Devil's Advocate to don't forget Keano as Antichrist?

903
01:13:57.720 --> 01:14:01.199
<v Speaker 3>WHOA right? Did I do it? Do?

904
01:14:01.479 --> 01:14:06.239
<v Speaker 1>Yes? I have a seventeen minute mini documentary, Dune Analysis.

905
01:14:06.439 --> 01:14:08.960
<v Speaker 1>Go watch my Dune video. I'm very proud of my

906
01:14:09.079 --> 01:14:13.760
<v Speaker 1>Dune video, very proud of my Muhan Drive mini documentary.

907
01:14:14.520 --> 01:14:17.920
<v Speaker 1>Don't forget the mini docs. Right, there's there's I mean,

908
01:14:17.960 --> 01:14:20.279
<v Speaker 1>I would spend like two three days making those right,

909
01:14:20.359 --> 01:14:23.960
<v Speaker 1>and they did okay, you know, sixteen twenty thousand views

910
01:14:24.000 --> 01:14:26.640
<v Speaker 1>somewhere in there. It would be nice if they were longer,

911
01:14:26.720 --> 01:14:28.279
<v Speaker 1>but more views.

912
01:14:28.319 --> 01:14:28.800
<v Speaker 3>But whatever.

913
01:14:30.560 --> 01:14:32.479
<v Speaker 1>Spend three days on a thing and you only get

914
01:14:32.880 --> 01:14:36.760
<v Speaker 1>ten thousand views, So so what's the point of spending

915
01:14:36.840 --> 01:14:43.159
<v Speaker 1>three days making you know, a Dune analysis when I

916
01:14:43.199 --> 01:14:47.640
<v Speaker 1>can do a live stream in two hours, I'm done

917
01:14:47.720 --> 01:14:50.319
<v Speaker 1>with multiple movies and it gets just as many views. Right,

918
01:14:50.399 --> 01:14:53.199
<v Speaker 1>what's the point. What's the point of spending three days

919
01:14:53.720 --> 01:14:55.640
<v Speaker 1>on a video and the live streams get just as

920
01:14:55.680 --> 01:14:59.840
<v Speaker 1>many or more views? Anyway, So thank you guys, I'll

921
01:14:59.840 --> 01:15:01.880
<v Speaker 1>read these couple of super chats we got here. Thank

922
01:15:01.920 --> 01:15:05.399
<v Speaker 1>you in r G four t DSFX for joining new member,

923
01:15:05.960 --> 01:15:09.640
<v Speaker 1>welcome you'll find if you join on YouTube. Of course,

924
01:15:09.720 --> 01:15:13.079
<v Speaker 1>in the community tab is where the members content is posted.

925
01:15:13.159 --> 01:15:16.600
<v Speaker 1>I do one every day or two. I post some

926
01:15:16.720 --> 01:15:19.840
<v Speaker 1>of the backlog content. So there's so much of the

927
01:15:20.319 --> 01:15:23.640
<v Speaker 1>old subscriber content that I have to do it day

928
01:15:23.640 --> 01:15:26.479
<v Speaker 1>by day. There's no way to when you set up

929
01:15:26.479 --> 01:15:28.840
<v Speaker 1>the YouTube memberships to do it to where somebody has

930
01:15:28.880 --> 01:15:32.760
<v Speaker 1>access to all of the subscriber content, because it was

931
01:15:33.199 --> 01:15:37.359
<v Speaker 1>years of doing video subscriber content and audio subscriber content,

932
01:15:37.439 --> 01:15:40.800
<v Speaker 1>so no other way to do it. Bays chung us

933
01:15:41.000 --> 01:15:44.359
<v Speaker 1>five bucks gray streamer Jay. Any plans to do any

934
01:15:44.439 --> 01:15:46.880
<v Speaker 1>more takes on orthox imperiod a holistic view of state

935
01:15:46.960 --> 01:15:50.640
<v Speaker 1>and how it applies to today. Uh sure, yeah, maybe

936
01:15:50.680 --> 01:15:54.520
<v Speaker 1>down the road. I mean we did that one long

937
01:15:54.560 --> 01:15:56.800
<v Speaker 1>one so that's just kind of intended to be a

938
01:15:58.319 --> 01:16:02.399
<v Speaker 1>rough kind of outline of church state relations. But yeah,

939
01:16:02.479 --> 01:16:05.000
<v Speaker 1>maybe down the road we can definitely do some deeper,

940
01:16:06.239 --> 01:16:11.880
<v Speaker 1>more intent or more intense content. Thank all you guys

941
01:16:11.960 --> 01:16:14.760
<v Speaker 1>in the chat, all your nerds. You have omen poultry Geist.

942
01:16:14.960 --> 01:16:16.560
<v Speaker 1>Actually I did do a poultry Geist. I did a

943
01:16:16.600 --> 01:16:21.199
<v Speaker 1>poltr Geist video three or four years ago, and you

944
01:16:21.279 --> 01:16:25.640
<v Speaker 1>know it only got like five thousand views. I don't know,

945
01:16:25.720 --> 01:16:27.119
<v Speaker 1>but I didn't have as many. I had like three

946
01:16:27.159 --> 01:16:31.039
<v Speaker 1>thousand subscribers. Five years ago or three years ago, I

947
01:16:31.079 --> 01:16:33.880
<v Speaker 1>had about three thousand subscribers, two thousands somewhere in there.

948
01:16:34.720 --> 01:16:37.720
<v Speaker 1>So you know, in three years we've gone from three

949
01:16:37.840 --> 01:16:42.640
<v Speaker 1>or four thousand to forty two thousand. But there is

950
01:16:42.760 --> 01:16:47.159
<v Speaker 1>also in Esoteric Hollywood two an analysis of Polter guyst

951
01:16:47.159 --> 01:16:50.319
<v Speaker 1>analysis of all these movies and more so, get signed

952
01:16:50.359 --> 01:16:52.399
<v Speaker 1>copies of the books at the shop at Just Analysis

953
01:16:52.439 --> 01:16:54.760
<v Speaker 1>if you don't have those, And I will be back

954
01:16:54.800 --> 01:17:00.640
<v Speaker 1>here in an hour with Tristan prim Edge, Health Tristan

955
01:17:00.680 --> 01:17:01.279
<v Speaker 1>Haggard and.

956
01:17:01.359 --> 01:17:01.760
<v Speaker 3>We will do.

957
01:17:03.760 --> 01:17:08.199
<v Speaker 1>Demolition Man has way more than you thought and t

958
01:17:08.439 --> 01:17:10.560
<v Speaker 1>h X one one three eight. Thank you guys,
