Speaker 1: Welcome, welcome, Can you hear me?
Speaker 2: Five four.
Speaker 1: Three two one zero.
Speaker 3: Dire waivers dire wais.
Speaker 1: The scientific method cannot justify the scientific method. Therefore itself
Speaker 1: is a dogmatical.
Speaker 4: Physip subsist.
Speaker 2: Stop stop stop stop stop stop stop steps stop stop
Speaker 2: stop stop stop sending.
Speaker 4: Understands as.
Speaker 2: Stas stop stop stops ssssss snows stops snots step stops
Speaker 2: sn snops.
Speaker 1: All right, what's up y'all? Welcome to the alien Aliens
Speaker 1: alien stream. I know, I know last night was supposed
Speaker 1: to be the alien stream. Now you just got too
Speaker 1: goofy I know. Let's start out with shout out to
Speaker 1: rad dudes vantage. Rad Dude's vintage.
Speaker 5: What if it is cool Naz's Christian T shirt. Follow
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Speaker 5: fun vintage things to buy thereon Do you want to?
Speaker 6: I go.
Speaker 1: Fucking echoes, dude. I'm so sick of the tech crap,
Speaker 1: no doubt. Is this better?
Speaker 3: Yes?
Speaker 1: I see echo from five hundred people.
Speaker 3: Thank you.
Speaker 1: So I'm trying to fix it. Oh, I know what
Speaker 1: it is? Is that better? That taken on? It's not better,
Speaker 1: It's not all has changed, Okay, how's that? Is that better?
Speaker 1: Mm hmmmmmmm? Oh man, we're not. I'm not gonna do
Speaker 1: a whole thing with the echo. Dude, don't worry, we'll.
Speaker 3: Get it fixed.
Speaker 1: If it's me streaming, it's different than when I have
Speaker 1: people on the stream, so I have to change it
Speaker 1: up every time. And ever since they did away with hangouts,
Speaker 1: it's all different.
Speaker 3: Is it better?
Speaker 1: You missed the echo? Am I loud enough? Okay? So
Speaker 1: you have to switch over. You have to download all
Speaker 1: this crap and switch over all these switches just to
Speaker 1: be able to have a person on the stream. They
Speaker 1: made it like it's like they don't want people doing
Speaker 1: this stuff. All right, So let's talk about alien, Aliens, Alien, Alien, Prometheus,
Speaker 1: Alien in a row. I said, human now, so Alien
Speaker 1: nineteen seventy nine. We haven't done the real proper treatment
Speaker 1: that we need to. And the last Alien Demon Overlord
Speaker 1: stream I thought was really good. If you've not watched
Speaker 1: the other Alien Demon Overlord stream, go watch it. It
Speaker 1: came out good. So that's part one. This is part two.
Speaker 1: We're not here talking about Brexit. We're here to talk
Speaker 1: about alien movies, and you're asking me about Brexit. Breggs
Speaker 1: and bacon. That's what I'm talking about because the carnboar,
Speaker 1: dit Brexit and bacon. The Alien universe is the same
Speaker 1: as the Titanic universe and the same as Avatar universe.
Speaker 1: Because it's James Cameron, our vegan friend. He's gonna mix
Speaker 1: all vegans. So we have have a bleak world. We
Speaker 1: see this ship just wafting through space and the crew
Speaker 1: is of course caught in cry of sleep. They wake
Speaker 1: up and they realize that they're on crappy job. And
Speaker 1: this is the future dominated by one corporation, the whieland
Speaker 1: Utani Corporation. So we had the prediction of a completely corporate,
Speaker 1: tyrannical dystopian control system. Right, it's not enough to have veganism, you.
Speaker 3: Gotta eat bugs.
Speaker 1: Interestingly too, in Alien they have a pretty crappy diet.
Speaker 1: They're just sitting around that table with you know, tupperware,
Speaker 1: fruit loops and you know, milk and shit. So the
Speaker 1: future doesn't bode well in the Alien universe, and we're
Speaker 1: going to see why that is because actually more is
Speaker 1: at work here than just a typical dystopian science fiction story.
Speaker 1: In my view, Now I cover this in my books,
Speaker 1: So get your copies of Ustar colored one. And so
Speaker 1: if you want to see more of the treatment of
Speaker 1: my take on at least two chapters now on Alien.
Speaker 1: But part of the reason that we have to analyze
Speaker 1: this on a deeper level is number one, the artistic
Speaker 1: conceptual influence, namely H. R. Giger, who is obviously pretty
Speaker 1: demonically influenced when it comes to his artwork. Now I
Speaker 1: say this because in this painting or drawing, excuse me,
Speaker 1: this sketch, this is Giger's sketch of Crowley, and so
Speaker 1: we know there's at least some degree of influence in
Speaker 1: Giger when it comes to the Crowley. And I would
Speaker 1: say that Giger's art I mean, in one sense it's
Speaker 1: kind of impressive, because you know, he's very good at sketching.
Speaker 1: But it's the most demonic art you've have ever seen.
Speaker 1: I mean, it is like whoa dude, you know, off
Speaker 1: the charts. So and of course it's always like, you know,
Speaker 1: demon babies and alien women getting humped by a giant
Speaker 1: alien dongs. But in whatever's going on in this scene
Speaker 1: with this one tittied demon here, we got Ali Boba
Speaker 1: over here with his thing. We got I don't know
Speaker 1: who that is grim Reaper. I don't know what that is.
Speaker 1: And we got Crowley on the left with an ice
Speaker 1: cream cone and it looks like ice cream cone with
Speaker 1: a demon baby in it. Maybe I don't know. I
Speaker 1: don't know what this is. Does anybody anyway, But that's
Speaker 1: how Giger rolled right, all the little demon babies everywhere.
Speaker 1: I guess that's another little evil Crowley, perhaps Kabbala. There's
Speaker 1: your cabbalistic eggs, Cabbala eggs, and then your Crowley with
Speaker 1: the dunce cap and what looks like an alien demon
Speaker 1: ice cream cone. So that's one example of the concept
Speaker 1: art here. And we're speaking of this for a reason
Speaker 1: because there's a little hidden demon there hiding in the
Speaker 1: back here with his little ear demons everywhere. It's and
Speaker 1: it's one thing that I think the makes the Giger
Speaker 1: art really interesting from a predictive programming aspect, and why
Speaker 1: he was so formative for the concept art on this
Speaker 1: series is that it's all transhumanist. It's it's like the
Speaker 1: spirit of transhumanism in art. So here's his Baphomet, which
Speaker 1: you probably have seen is pretty well known. So there's
Speaker 1: your positive in your negative forces on the right, and
Speaker 1: on the left of the baffame, you've got some you know,
Speaker 1: naked bitches, you got some other naked things. And so
Speaker 1: you can see that the horned horn implements here, this
Speaker 1: obviously is very similar to the horned implements that we
Speaker 1: find on the Xenomorph, you see. So I don't think
Speaker 1: that's by accident. I think those are obvious influences. We're
Speaker 1: not gonna spend all day looking at gear scary gear art.
Speaker 1: But there's a couple more that I thought were interesting.
Speaker 3: I don't know what.
Speaker 1: Exactly is going on here, but you see it's the
Speaker 1: idea of ancient Egypt with the sun disk here, pyramid,
Speaker 1: and then we've got the alien, ancient alien creators, like
Speaker 1: a suculose ancient alien thing going on. But it is
Speaker 1: this is from the Alien series because you see the chest,
Speaker 1: the exploding chest alien coming out. So there is then
Speaker 1: in Giger this obvious esoteric influence. Now who whatever after
Speaker 1: this challenge esoteric Hollywood, right, I mean, this is one
Speaker 1: of the key theses of esot Hollywood, is that there's
Speaker 1: an esoteric influence on movies. Here's Vulpurgis knocked right the
Speaker 1: holiday and you've got lusty alien bitches with either lungs
Speaker 1: or xenomors for their for her eyes. I don't know
Speaker 1: what that is, but yeah, you get the idea. And
Speaker 1: there's a lot of kind of abortive ish stuff going
Speaker 1: on in gear right, And I have a different take
Speaker 1: than most people on what's with the sort of abortive
Speaker 1: dead things going on. I think that it's an interpretation
Speaker 1: of the universe in a gnostic sense as an abortion.
Speaker 1: I think that's what Giger means.
Speaker 3: Right.
Speaker 1: Here's some kind of alien high council which looks sort
Speaker 1: of like a mix between Egyptian influence Aliens. And I
Speaker 1: used to sketch a lot by the way it went out,
Speaker 1: before I was into theology and whatnot. I would sketch
Speaker 1: stuff and I would it would it looks pretty gieger esque.
Speaker 1: I was very into I think even had a Giger
Speaker 1: poster one time when I was a teenager. I don't
Speaker 1: really know about anything else turk stuff, but so, yeah,
Speaker 1: you've got your goat head here with this entity that's
Speaker 1: sap in the baby heads or something.
Speaker 3: I don't know.
Speaker 1: You get the idea. So I think Giger and the
Speaker 1: Alien series franchise is telling us that this universe is
Speaker 1: like the abraughtid abrass feature of a evil god or
Speaker 1: a product of the universe itself, right, random chaos, Darwinian
Speaker 1: just bang, it's in the gnostic scheme. The universe itself
Speaker 1: is an accident, great Greek mythology. It's an accident. Humans
Speaker 1: come here as a like lightning hit the mud from
Speaker 1: a battle between Zeus and the Titans, and that creates humans. Right,
Speaker 1: So the primordial soup gets dapped by lightning. Right, this
Speaker 1: is this is supposedly where we come from. Yeah, there's
Speaker 1: a miscarriage that the creator God has all these different
Speaker 1: gnostic myths, it's always the same stuff. So that is
Speaker 1: what's going on here. And when they arrive on the planet,
Speaker 1: we see the first sign of the alien engineer. Right,
Speaker 1: they find this planet. Oh, it looks like it's been inhabited,
Speaker 1: and they see they call him the Jockey, right, the
Speaker 1: alien jockey, and he's sitting in some kind of controlling thing.
Speaker 3: Right.
Speaker 1: But we don't know anything about who this is until
Speaker 1: you know, actually many many decades later in the franchise,
Speaker 1: but at least in this first installment, we get this
Speaker 1: sort of glimpse of this big alien entity and so
Speaker 1: we're also toying with the idea of Panspermia and the
Speaker 1: alien creators. Now that comes to the four much later on,
Speaker 1: by the time of what Prometheus. I guess right, The
Speaker 1: mythology of the series comes full circle by Prometheus. But
Speaker 1: we'll get to that in a minute. So on this planet,
Speaker 1: they of course discover that there are the pods, and
Speaker 1: the pods they don't know what they are. John Hurt
Speaker 1: gets the pod on his face. Everybody knows the story, right.
Speaker 1: And then you've got the Doobie Brothers dude who pilots
Speaker 1: the ship. And you've got the because he literally looks
Speaker 1: like a Doobie Brother. I don't remember the guy's name,
Speaker 1: but he's the He's either a Doobie brother He's in Alabama, right,
Speaker 1: you know this butt cut dude. We like our beer,
Speaker 1: flat ass can be. We like our dogs of mustard
Speaker 1: and relish. We got a great picture. What's his name,
Speaker 1: I can't even spell it. Z E n O P
Speaker 1: h oh m O r F Zeno morphs. We got
Speaker 1: a Zeno morph what's his name? I can't even spell
Speaker 1: it because he does look like the Alabama dude. Get it,
Speaker 1: my my joke's too high minded for y'all My Alabama
Speaker 1: joke's too high minded for y'all little brow people. Or
Speaker 1: he looks like a Doobie brother, right. I got to
Speaker 1: ride keep on high and the rock goes on railver.
Speaker 1: That is the Dooe Brothers, isn't it.
Speaker 7: I got one more zilver zino morph but I'm not
Speaker 7: gonna let him catch me now, not gonna let him
Speaker 7: catch the midnight xenomorph.
Speaker 1: Man. So you got this weird dynamic too, between the
Speaker 1: male leadership and Ripley. And we will see. As I
Speaker 1: highlighted in my analysis, the transformation of Ripley. The series
Speaker 1: is actually not about aliens. It's not about humanity. It's
Speaker 1: about the transformation of Ripley and the universe. That's what
Speaker 1: it's about. It's not about xenomorphs, not about alien engineers.
Speaker 1: It's not about aliens. Did you know that it's about?
Speaker 1: And I've watched it many, many times and now I've
Speaker 1: figured it out, decoded it. It's about man, evolution, gender,
Speaker 1: the universe, and Ripley. It's the psychological transformation of Ripley
Speaker 1: into evolving to the next stage beyond the xenomorph and
Speaker 1: the human to the next phase earlier. So it's like Starchild.
Speaker 1: Think of Ripley like another version of Starchild. That's what
Speaker 1: this series is about, and we'll see that, especially by
Speaker 1: the time that we get to Alien Resurrection. The Jean
Speaker 1: Pierre June installment becomes very clear there. So it's about
Speaker 1: the Titanic Michael McDonald. He's like a brown headed Michael McDonald.
Speaker 1: I tried to do Michael McDonald's personation one time. I
Speaker 1: think I did, okay, So we spiced it up with
Speaker 1: one personation. John Adams does it good. Michael McDonald okay, fuko.
Speaker 3: Any more? D d do do?
Speaker 1: OKAYO. Of course it's gonna play this dumbad anyway. No,
Speaker 1: we're not gonna do that. I'm sorry, I'm not gonna
Speaker 1: do Michael McDowall. If I get lost in impersonation land,
Speaker 1: we won't finish the Alien Analysis. Thank you everybody. Uh,
Speaker 1: this is Jay Di or Jays Analysis. You're watching breakdown
Speaker 1: to the Alien franchise. So there's this dynamic between the
Speaker 1: male leadership. We start to see this as all the
Speaker 1: male characters die off really quickly, and then of course
Speaker 1: the one of the strong male characters that we think.
Speaker 3: Is good.
Speaker 1: We learn, of course isn't human, right, Bishop Uh, he's
Speaker 1: filled with milk goo because he's AI. So he's not human.
Speaker 1: The AI is present, right, and the AI is we
Speaker 1: are warned about the AI here in the Ridley Scott installment.
Speaker 1: So this is man as abraution, man as weaker on
Speaker 1: the evolutionary scale than the xenomorph. And initially in this
Speaker 1: first installment, Ripley is she finds the aliens hideous, and
Speaker 1: there's going to be this interesting evolution to where the
Speaker 1: xenomorphs the aliens become more and more humane, which is
Speaker 1: in because they're the most viporous predator reptile species you
Speaker 1: could imagine. But there's a reason why they become more
Speaker 1: and more quote humane, and that's because the whole series
Speaker 1: is essentially a critique, as we said, of humans and humanity.
Speaker 1: So it is now you could read it, I mean
Speaker 1: I read it ultimately as completely anti human. I think
Speaker 1: that's where it goes. If that's a little unfair, then
Speaker 1: it's just a critique of the evils of hum umanity.
Speaker 1: In other words, we think of the evils of the
Speaker 1: universe as out there in the beyond, somewhere and then
Speaker 1: you know, are we ignoring the evils that humanity possesses?
Speaker 1: And there is a good bit of justification to this analysis,
Speaker 1: precisely because there is a powerful critique throughout the series
Speaker 1: of corporatism and scientism. So that is probably the strongest
Speaker 1: element of critique in this series Corporatism and Scientism until
Speaker 1: we get to the Jean Pierre June installment, which it
Speaker 1: could be argued, is a vindication of transhumanism or is
Speaker 1: it still a critique. It's hard to say. It seems
Speaker 1: to possibly still be a critique, but we'll get to
Speaker 1: that in a moment. I'll let you guys decide. So
Speaker 1: thank you for that super chat. We'll read the super
Speaker 1: chest tter in a moment. By the way, yeah, Firefly.
Speaker 1: You'll notice that Joss Whedon wrote the Alien Resurrection the
Speaker 1: Jean Pierre June installment, and that's why you can see
Speaker 1: in the Motley Crew of scaley Wags in Alien Resurrection,
Speaker 1: that's you can see that he was already prepping for
Speaker 1: Firefly there because it's very similar. So Whale and Utny
Speaker 1: Corporation Pan Spermia. What we learn is that Ian Holme
Speaker 1: is working for the corporation they've sent an AI because
Speaker 1: the AI will not have any moral qualms about impregnating,
Speaker 1: letting the crew get impregnated by the xenomorph and then
Speaker 1: bringing back a sample. And that is Ian Holmes's bishop
Speaker 1: the AI guys function. So Ripley figures this out. She
Speaker 1: realizes that he is an evil AI and this is
Speaker 1: what he's up to, and so she foils his plan.
Speaker 1: She stuffs the magazine down his throat. I'm sure, but
Speaker 1: you we all remember that scene. And then the milky
Speaker 1: goo comes out. She rescues jonesy uh all the way.
Speaker 1: By the way, I joked in my book that this
Speaker 1: is her the evolution of Ripley into catwoman, I mean
Speaker 1: into a cat mom. She quite literally becomes a cat mom,
Speaker 1: a single cat mom, cat lady. But it's don't worry,
Speaker 1: ladies if you if you're a feminist, who is going
Speaker 1: to be a cat mom, because it's just a step
Speaker 1: on the stage two becoming a goddess. And that's what
Speaker 1: happens to Ripley. So the Whale and Newtonic Corporation is
Speaker 1: interested in simply having a powerful bioweapon. They think that
Speaker 1: these xenomorphs will function merely as bioweapons. Sigourney Tweaker, who
Speaker 1: is very thin and spindlee as a spinster, figures all
Speaker 1: this out as she fools the plot. Right, we all
Speaker 1: know this, right, and she sails off with her cat
Speaker 1: daughter Jonesy. Also, her butt is broken because it's not
Speaker 1: there in the underwear scene. So those are my notes
Speaker 1: on Alien. Certainly more could be said. There is Egyptian
Speaker 1: imagery that I highlighted in my book because the ship
Speaker 1: is called a Nostromo and their symbol, the Nostromo's symbol
Speaker 1: is the Egyptian sun disc, so this also calls to
Speaker 1: mind imagery from Geger. We also want to pay attention,
Speaker 1: as I said, to remember, she's going to here's my
Speaker 1: book that you could get. She's going to evolve from
Speaker 1: long haired cat mom all the way over to bald,
Speaker 1: almost both genders. So her hair gets shorter and shorter
Speaker 1: and shorter down to bold right, and by Alien three,
Speaker 1: which is the prison planet, she is completely bald. She
Speaker 1: is very much feminist. That's the point. And there's your
Speaker 1: milky goo, right, gets your signed copies of Vistar Hollywood two,
Speaker 1: by the way, because I cover Alien two and three
Speaker 1: or just two, I cover Alien one, two and three
Speaker 1: roughly in that chapter, and then of course the necessary
Speaker 1: Collywood one. You have the chapter on Prometheus Prometheus anyway,
Speaker 1: we'll get to that in a minute. So Aliens, Man,
Speaker 1: Oh no, dude, put the little girl in charge.
Speaker 7: Man.
Speaker 1: Everybody liked the Bill Paxton last night. I'll save the
Speaker 1: Bill pack. Go watch last night's stream if you missed it.
Speaker 1: For the impersonations. I don't want to take up this
Speaker 1: whole show with impersonations. So oh yeah, by the way,
Speaker 1: thank you. It's very it is Sumerian, it's very Acadian.
Speaker 1: It's very and that comes to the four in Prometheus
Speaker 1: and Alien Covenant too. Came over, Man, why don't you
Speaker 1: put that little girl in charge?
Speaker 3: Man?
Speaker 1: I think my Bill Paxson is spot on. Remember when
Speaker 1: he's chat and weird science. That's how he lasts. That's it.
Speaker 1: So I talk about the search for life, all the
Speaker 1: BS that we from NASA life on Mars. How many
Speaker 1: times have they told us life is on Mars. I've
Speaker 1: been hearing this story since I was in high school.
Speaker 1: Used to come on in the nineties, it would come on,
Speaker 1: we found water in life on Mars. They regurgitate this
Speaker 1: BS story anyway, and so this plays into the panspermia mythology,
Speaker 1: and of course, as her Hollywood One I covered panspermia
Speaker 1: in depth in multiple chapters because Hollywood has inculcated the
Speaker 1: alien mythos into our minds for so long. So the
Speaker 1: global corporate government intends to own all of the genetic
Speaker 1: DNA rights to this xenomorph species. And several years after
Speaker 1: the events of Alien One, Ripley's floated around in space
Speaker 1: since she's been recovered by the whale uton In Corporation,
Speaker 1: and they're they're being all nice and like, oh, tell
Speaker 1: us what happened, And by the way, we're going to
Speaker 1: send you back to the colony where we think there
Speaker 1: are more And we learned that actually whaling Utani has
Speaker 1: been terraforming, so it talks about geo engineering, by the way,
Speaker 1: a long time ago in Aliens in nineteen eighty six,
Speaker 1: the James Cameron installment UH, and we find out that
Speaker 1: the whole human colony is more or less an experiment
Speaker 1: a test tube before whaling Utani once again, and it
Speaker 1: even says that this is their terrorforming division. So we're
Speaker 1: being told again about plans of the future relating to
Speaker 1: geo engineering. I don't know how far there are terrify.
Speaker 1: I'm not saying that we're terraforming other planets. I don't
Speaker 1: believe that. But at least geoengineering is true. Right, But
Speaker 1: and the Whale and Utani Corporation is consistently called the company.
Speaker 1: That's interesting. Who else is called the company consistently exactly? Yeah, yes,
Speaker 1: they represent military and Docal complex. They represent the company exactly.
Speaker 1: So they're gonna make this bioweapon, and they want a
Speaker 1: perfect bioweapon, presumably to depopulate I mean, I think that's
Speaker 1: kind of in the under girding assumptions of the series.
Speaker 1: I don't know that it specifically ever says that the
Speaker 1: human that wail in Utani wants to depopulate maybe, but
Speaker 1: we know, of course eventually the alien engineers want to depopulate,
Speaker 1: because that's why they created the xenomorph. The xenomorphs were weapons,
Speaker 1: if I recall, to depopulate Earth. And then their xenomorphs
Speaker 1: got out of hand and the bioweapon got released and
Speaker 1: it killed many of the alien engineers. So I think that,
Speaker 1: let's see, is at the main point. So I wanted
Speaker 1: to talk about Dobie brothers in Space, Tom Skarett, Veronica Cartwright,
Speaker 1: Yaffa Codo, Ripley ends up being the lone survivor. All
Speaker 1: the males end up in cuck postures. I do talk
Speaker 1: about that in the block. Let's see what else. Oh yeah,
Speaker 1: the alien or the AI that's on the ship is mother.
Speaker 1: I'm not sure the matrix of the womb, the matrix
Speaker 1: the AI is almost always referred to as female, feminine mother.
Speaker 1: Sometimes it's given a masculine persona, but usually in most
Speaker 1: science fiction franchises, I don't know why. Presumably because of
Speaker 1: the matrix of the womb. It's called a woman, red queen,
Speaker 1: this kind of stuff, right, alien or the resident evils,
Speaker 1: Reason and so forth. It's a woman in Skynet too,
Speaker 1: at least in terminor Genesis, right, it's it's Helena bottom Carter.
Speaker 1: So there's this next installment of the motif of Ripley
Speaker 1: as mother, because not just as the AI mother, because
Speaker 1: the ships, you know, they all kind of die away.
Speaker 1: But is Ripley the mother because she becomes a surrogate
Speaker 1: mother too, newt because she lost her daughter many many
Speaker 1: years before. So we know that Ripley had a daughter
Speaker 1: since she has been frozen floating at space for many decades,
Speaker 1: and in the future, the whale and Newtonery's representative is
Speaker 1: Paul Riser. Interesting, you know, Ripley, really Ripley. You know
Speaker 1: I expected better from you. Ripley, really Ripley. You know
Speaker 1: I you know, Ripley, I expected better from you. Ripley.
Speaker 1: How's my Paul Reiser? So pretty good? And Veronica cart right,
Speaker 1: I'm switching back and forth. Right, So the mother motif's gone,
Speaker 1: like Jonesy. She's the cat mom in part one because
Speaker 1: she said Jonesy. Then she meets Newt in part two,
Speaker 1: Newt says she doesn't have her mom, her parents died.
Speaker 1: Ripley has this motherly affection towards her, right, and then
Speaker 1: she loses Newt. Right, we know that at the end
Speaker 1: of two, even though she saves Newt. When three starts,
Speaker 1: Newt has been killed by another face hugger that was
Speaker 1: in the escape pod mostly mostly mostly mostly uh oh.
Speaker 1: The mother theme. By the way, we're just kind of
Speaker 1: touch on this real quicker as it progresses. What's interesting
Speaker 1: about that is that she then loses the desire or
Speaker 1: need for offspring. She doesn't care about offspring and then
Speaker 1: because in three it's a bunch of celibates in the
Speaker 1: prison planet, right, they have a religious cult on the
Speaker 1: on the prison planet run by the black dude with
Speaker 1: the glasses. And then by Alien Resurrection, she takes on
Speaker 1: this motherly persona for one on a rider, which is
Speaker 1: real weird and creepy kind of the way she acts.
Speaker 1: And she also acts motherly to the xenomorphs and to
Speaker 1: the xenomorph ripley hybrid that's created at the end, right,
Speaker 1: if you remember that big retard looking thing, big retarded
Speaker 1: xenomorph at the end. So, but what happens is that
Speaker 1: she essentially evolves to really only have a motherly affection
Speaker 1: for the AI. And that's relevant because I think the
Speaker 1: point of Prometheus an Alien Covenant was similar to that
Speaker 1: that the only redeeming characteristics are presumably the Rooney Mara right,
Speaker 1: her woman character, and David. Right at the end of Prometheus,
Speaker 1: it's David that helps her. You have simpthy for David.
Speaker 1: You don't have sympthy for any of the rest of
Speaker 1: the human crew. And then I forget how Alien Covenant ends.
Speaker 1: I think there's two David. There's a good David and
Speaker 1: like evil David. Right anyway, so we're left with Ripley
Speaker 1: and AI consistently, right, That's yeah, the AI saves the
Speaker 1: the strong female woman. I can't do a Ripley impersonation.
Speaker 1: I got too much of a thick booty to do
Speaker 1: a flat booty Ripley impersonation. I'm joking. Evil David is
Speaker 1: on the ship. Yeah, that's right, that's how. That's how
Speaker 1: Covenant ends with the Evil David. I did do it
Speaker 1: Alien Covenant video, you know, two years ago, and it
Speaker 1: came out, but I've already forgotten how it ended. So yeah,
Speaker 1: we're supposed to think evil Alien made it. Evil David
Speaker 1: made her under the ship exactly. So presumably he's also
Speaker 1: going to depopulate, right, because the the ship an alien Covenant.
Speaker 1: That's right. It's like Noah's Arc. It's like an ARC
Speaker 1: where they're gonna send you know, this remnant of humanity
Speaker 1: to repopulate and they realize, oh oops, it's the you know, consistently,
Speaker 1: the Whalen. You don't ever trust the whaling Utani Corporation.
Speaker 1: If they send you on a mission, know that you
Speaker 1: are the test to dumb dumb for the whale every
Speaker 1: time they need to think that the whale in Youtoni
Speaker 1: Corporation does, And as we said last night on Boiler Room,
Speaker 1: I couldn't believe it. I had to listen to the
Speaker 1: to the section of Alien Resurrection three times because I
Speaker 1: didn't believe it. But it actually says that, so, what
Speaker 1: four or five hundred years in the future, after Alien three,
Speaker 1: when they clone Ripley the Jean Pierre June installment, it
Speaker 1: actually says that Walmart has bought out Walmart has bought
Speaker 1: out the whalen Utonic Corporation, And so Walmart owns United
Speaker 1: States Military Services or United Military Services. That's a usn
Speaker 1: UNMS or whatever it is, United Services Military, that's it,
Speaker 1: which is sounds like Jason alysis, right, We're all going
Speaker 1: to be living in a Walmart Target one day, battling
Speaker 1: Xeno morphs in the French fry aisle, xeno Morphs with
Speaker 1: both Genitalia fighting US humans in the French fry aisle
Speaker 1: of Walmart. That's the future. Alien canned meat like Myers
Speaker 1: caned Meet Steve brool Sweet trid Ha, that's my Steve
Speaker 1: brool Ha Kreshios. So back to Aliens, I also wanted
Speaker 1: to touch on the fact that it looks like right,
Speaker 1: So this is the period two when I think about
Speaker 1: James Cameron where he moved from.
Speaker 3: Uh, if you.
Speaker 1: Didn't see the Hollywood Decoded episode, go watch our Hollywood
Speaker 1: Decoded episode because Jay Weener had a really good analysis
Speaker 1: and breakdown of James Cameron, and we did Determinator. We
Speaker 1: did the whole Terminator series for Hollywood Decoded in one
Speaker 1: of those episodes. It's really good and he may a
Speaker 1: good point though, how did James Cameron go from directing
Speaker 1: the Neo nowa Terminator installment to these huge, gigantic Pentagon
Speaker 1: blockbusters right, Terminator two, Aliens abyss who knows. It's hard
Speaker 1: to say, but he did. And could that suggest that
Speaker 1: the Pentagon was consulting on these films? I would say, so,
Speaker 1: I mean, what happens in Aliens? You get the suddenly
Speaker 1: we have this Marine Corps crew. The Marines are there
Speaker 1: and they're there to kick butt.
Speaker 2: Right.
Speaker 1: Then there's some great lines from Bill Paxton on being
Speaker 1: a grade A badass. You do not want to fuck
Speaker 1: with me, man, create a badass. You have our strong
Speaker 1: lesbian Latino right, our typical diverse military special ops crew.
Speaker 1: This has to be Pentagon saying let's, you know, put
Speaker 1: in the military crew. It has to be. It has
Speaker 1: to be. I don't even have to look it up.
Speaker 1: I can just know. I don't even have to look.
Speaker 6: I just know.
Speaker 1: Somebody can go look and you'll find out that I'm right.
Speaker 1: I've done this song enough. I just know it's like Osmosis.
Speaker 1: I know instinctively now, so then anything else stand out.
Speaker 1: And remember this little scene with the little boy in Aliens.
Speaker 1: This is straight up Kubrick too. By the way, I
Speaker 1: didn't notice this until the last few times I've watched it.
Speaker 1: The little boy riding his little what do you call those?
Speaker 1: I don't even know what those things are called tricycles.
Speaker 1: It's a little plastic tricycle around the the terraform station.
Speaker 1: That's straight out of Kubrick. They even shoot it like
Speaker 1: Kuberck does. So I guess that James Cameron's homage to Kubrick.
Speaker 1: And then I I argued in my book that Bill
Speaker 1: Nye is perhaps a xenomorph. As you can see there,
Speaker 1: Bill Night has the facial physiognomy and structure of a
Speaker 1: xenomorph pretty clearly.
Speaker 3: Uh.
Speaker 1: And then we end that movie right with Ripley's holding
Speaker 1: newt like a womb like mother with a child, right,
Speaker 1: and then it fades away just like Starchild. It looks
Speaker 1: just like the star Child scene at the end of Kubrick.
Speaker 1: So James Cameron's you know, constantly hark harkening back to
Speaker 1: Kubrick here obviously now in Alien three. I don't have
Speaker 1: a whole lot to say about Alien three. The David
Speaker 1: I mean, it's I don't think it's terrible. David Fincher
Speaker 1: is a pretty good director, and it's not terrible. It's flawed,
Speaker 1: but it's not terrible. There's not a whole lot to
Speaker 1: discuss here except the weird sexual tension between Bowl Ripley
Speaker 1: and the cult. The prison cult. So they've come up
Speaker 1: with this celibate religion in the prison and they think
Speaker 1: that mankind's problems are women. So it's like the MiG
Speaker 1: Tau in Cell Cult, Prison Planet. It's very bizarre, but
Speaker 1: I think the point of it is to show the
Speaker 1: once again this issue of gender stuff, which wasn't so
Speaker 1: big of a deal in Part two. It was there,
Speaker 1: but not as big of a deal. Her hair did
Speaker 1: get shorter. Aliens, though, is a great film. I mean,
Speaker 1: we have to give James Cameron credit. Because it's just
Speaker 1: an intense blockbuster, you know, action movie. It's still is good,
Speaker 1: it still holds up. Alien one is a great movie,
Speaker 1: probably a perfect movie. Aliens is a little goofy. I
Speaker 1: don't know if i'd call it perfect, but it's good.
Speaker 1: Alien as a film, probably a perfect movie. I can't
Speaker 1: think of what would make it not a perfect movie.
Speaker 1: Alien three three out of four stars. I guess, not
Speaker 1: a perfect movie, but not terrible.
Speaker 2: And then.
Speaker 1: But not a whole lot of like esotericy, just that
Speaker 1: weird cult which is just about more of the gender stuff.
Speaker 1: And I guess we're supposed to think that all men
Speaker 1: are rape or something like this. Right, Well, once again,
Speaker 1: you can't keep Ripley down. Everybody's dead but Ripley, and
Speaker 1: in fact, in this installment, Ripley is dead because we
Speaker 1: know that she's getting more and more and more like
Speaker 1: the xenomorphs. So it's this survival of the fit. It's
Speaker 1: almost like Ripley is the transition fossil between stages of evolution,
Speaker 1: and the the intense pressure of the environment that's being
Speaker 1: exerted upon Ripley is forcing her to undergo a jump, right,
Speaker 1: a punctuated equilibrium in the evolutionary development of the species
Speaker 1: in this universe, in the in the the alien universe. Right, so,
Speaker 1: Ripley realizes that she does have a xenomorph in her tummy.
Speaker 1: All right, it's not just bubble gut. She's got a
Speaker 1: xenomorphon her tummy. And so at the end we think
Speaker 1: she's gonna get away. And then in comes Lance Henrickson,
Speaker 1: who we discover, Oh, he was the prototype for the
Speaker 1: other alien other Bishop ca. I always get the aliens
Speaker 1: mixed up and Bishop too. What's the Lance Henrickson aliens
Speaker 1: or AI's name anyway, He saves right, he once again
Speaker 1: just like you know, he saves I remind you of
Speaker 1: Peter Vankman and Ghostbusters Bill Murray. So Lance Hendrickson saves
Speaker 1: her her and knew right. And then we find out
Speaker 1: that the head of the whalen Utony Corporation by this
Speaker 1: time is the actual human Lance Henrickson. Presumably he could
Speaker 1: be another Ai, but uh, and he once again wants a.
Speaker 1: He wants Ripley merged with the thing if I recall
Speaker 1: h And then you know, once again, the Whalen Neutoni
Speaker 1: Corporation can do their bioweapon tests. But now it's we're
Speaker 1: beginning to get the idea that, oh, it's not just
Speaker 1: about bioweapons. The real interest is genetic splicing and modification.
Speaker 1: So here is where we move into where we go
Speaker 1: with Alien Resurrection, where it starts to get really wacko.
Speaker 1: It gets out there, dude. Now, I once saw Alien
Speaker 1: Resurrection when it came out in the theater, and at
Speaker 1: the time I just thought it was kind of wacky.
Speaker 1: I kind of like it now. I didn't know how
Speaker 1: to place it at the time. I kind of like it.
Speaker 1: Looking back. I mean, it's like it's so weird, it's
Speaker 1: kind of gross, creepy at times. I don't really like
Speaker 1: that part of it, but just as a movie, it's
Speaker 1: kind of entertaining. I think looking back, looking back, Alien
Speaker 1: Resurrection might be better than Alien three. I mean, it's
Speaker 1: certainly not on par with Alien or Aliens. Those are
Speaker 1: much superior films, and it's not giving us any like,
Speaker 1: you know, well, maybe it kind of is giving us
Speaker 1: some crazy revelations in a way. I guess it kind
Speaker 1: of is. So let's get to Alien Resurrection. Now they
Speaker 1: bring in the weird French filmmaker Jean Pierre June, As
Speaker 1: we said, who if you don't know, everyone should watch
Speaker 1: this movie is the director of City of Lost Children.
Speaker 1: I remember when City Lost Children came out. I was
Speaker 1: in high school. I watched it and I was like, damn, dude,
Speaker 1: that is a weird movie. This is back when I
Speaker 1: was really getting into film. I was like, I want
Speaker 1: to do movies. I like movies. Uh, and this was
Speaker 1: certainly one of the ones that stuck out to me. Now,
Speaker 1: it's weird, it's creepy, but it's also very creative.
Speaker 3: Right.
Speaker 1: It's almost like he imagine if you've not watched his films.
Speaker 1: Jon June is like the French Terry Gilliam, very similar
Speaker 1: in style of like wacky goofy, you know, fish eye
Speaker 1: lends scenes and crazy surreal imagery. But we bring up
Speaker 1: City of Lost Children because there's some really crazy stuff
Speaker 1: going on in this movie. I don't know that I
Speaker 1: have it all figured out, but guess what, it's illuminate confirm.
Speaker 1: I mean quite literally illuminate confirm. I have always remembered
Speaker 1: since I first watched the movie.
Speaker 6: That it has.
Speaker 1: The Ora boros right, Plato's roboros right, and the big
Speaker 1: reveal you got it Illuminate Confirm. Illuminate Confirm plays prominently
Speaker 1: in Jean Pierre June's City of Lost Children, And just
Speaker 1: to quickly summarize the plot, if you don't recall, children
Speaker 1: are being kidnapped and their dreams are being stolen, and
Speaker 1: people are being cloned on a mysterious island by a
Speaker 1: mad scientist. And it also then branches off into very
Speaker 1: gnostic Luciferian stuff. That movie is totally illuminate confirmed. Okay,
Speaker 1: so he comes into direct Alien Resurrection. I wouldn't call
Speaker 1: See Have Lost Children disturbing or scary. It's not disturbing
Speaker 1: or scary. It's just very bizarre. It is the best
Speaker 1: way to put it. It's very surrealist. You know, that's
Speaker 1: not what I wanted. Where's the picture I wanted? I
Speaker 1: was going to do a picture of the mad songientists.
Speaker 1: I can't find the picture where I.
Speaker 3: Put it here.
Speaker 1: I'll just pull out another one here also has the
Speaker 1: same midget dude who's part of the motley crew of
Speaker 1: bandits in Alien Resurrection. So there's your mad scientist creeper
Speaker 1: guy there who is modifying and controlling and stealing dreams. Oh,
Speaker 1: I remember what it is? I remember what it is.
Speaker 1: I remember my notes now, and I've always meant to
Speaker 1: do See Lost Children, but I always forgets. He's the
Speaker 1: demi urge. Mad scientist is the demi urge who's trying
Speaker 1: to fix his creation. That's what it is. So anyway,
Speaker 1: back to Alien Alien Resurrection. We'll do another stream sometime
Speaker 1: about like wacky mind control movies or something I don't know.
Speaker 1: We'll title it something that ties in City of Lost
Speaker 1: Children with other similar types of movies. So Joss Whedon
Speaker 1: wrote it. We all know who Joss Whedon is. We
Speaker 1: won't go into that, won't spend much time on that.
Speaker 1: We know who he is, very well known. He does
Speaker 1: tend to put interesting things in his films, and he
Speaker 1: didn't always well, I guess on Buffy there was early
Speaker 1: Buffy had some really creative, clever writing, good stories, conspiracy
Speaker 1: related stuff, and in the series as usual, modifies into
Speaker 1: social justice l'iel you see, which is usually what happens. Right,
Speaker 1: But you know, Cavin in the Wood, that's that's a
Speaker 1: pretty good movie. Kevin in the Wood. So he can
Speaker 1: throw in some good things at times. Again, we're not
Speaker 1: talking about people's personal lives in the sense of like
Speaker 1: he's probably you know, crappy dude, but in terms of films,
Speaker 1: he can come up with some good stories at times,
Speaker 1: but then it looks like, you know, you get these
Speaker 1: deep state consultants I suppose, right that come along anyway.
Speaker 1: Ron Perlman also present in both films. I should add
Speaker 1: two that Cey Lost Children is very visually amazing. It's
Speaker 1: a visually amazing film just for the visual imagery, set design,
Speaker 1: cinematography alone, it's a phenomenal movie. But and I have
Speaker 1: to say Alien Resurrection is pretty good too for its
Speaker 1: set design, visuals. I think it was shot there's a
Speaker 1: lot of homage to Blade Runner, Neon Noa, that kind
Speaker 1: of stuff in Alien Resurrection. I would say it's it's
Speaker 1: a neo noa science fiction movie. So as we said,
Speaker 1: it's about five hundred years in the future or something
Speaker 1: like that. I don't remember what the top of my head,
Speaker 1: but basically, so they're cloning Ripley's now, right, so they've
Speaker 1: gotten Ripley's DNA. It's no longer way than Utani's been
Speaker 1: bought out by Walmart. It's hilarious. That alone is funny.
Speaker 1: That's like, what, uh so Walmart is cloning Ripley, and
Speaker 1: one of the clones, who is number eight, lives and
Speaker 1: survives the process and becomes a problem and starts rebelling
Speaker 1: against because they're exterminating the clones after a while to
Speaker 1: make sure that, you know, the experiment doesn't get out
Speaker 1: of hand. And we learned that they're actually crossing Ripley's
Speaker 1: DNA with the xenomorph and the Xenomorph DNA with the
Speaker 1: Ripley clones. Right, so it's created all these hybrid, gross
Speaker 1: looking things, and so Walmart decides that in order to
Speaker 1: keep things under wraps, they send an AI assassin went
Speaker 1: on a right to kill Ripley. And she's amongst this
Speaker 1: crew of firefly style motley scaly wags who are smugglers,
Speaker 1: and they're smuggling people for this space base where there
Speaker 1: is secret experimentation going on. So bodies are trafficked.
Speaker 3: To do.
Speaker 1: Genetic hybrid experimentation out in the reaches of space and
Speaker 1: some space base. Now what's interesting is that we're no
Speaker 1: longer under the corporation model of like Whale and Utani.
Speaker 1: It's developed into total scientific dictatorship. This is pretty pretty crazy.
Speaker 1: Ripley is going to represent now the new humanity. She's
Speaker 1: in the kind of the final stage of humanity evolving,
Speaker 1: and it's almost that she's moving into woman goddess status.
Speaker 1: Also got a kind of super soldier component to her.
Speaker 1: So this genetic modification, the xenomorph crossing, is intent upon
Speaker 1: creating the well, the super soldier, right. And it's significant
Speaker 1: that Ripley is number eight because eight is the number
Speaker 1: of resurrection, Alien resurrection. That's why Ripley has eight tattooed
Speaker 1: on her arm, and why she's the eighth clone that
Speaker 1: survives what happens when you turn an eight on its
Speaker 1: side infinity. So she's the now immortal Ripley. And so
Speaker 1: the long process of universal global evolution has given rise
Speaker 1: to the new humanity, who is a woman, a cat mom.
Speaker 1: A cat mom is the future cat lady goddess dot com. She,
Speaker 1: as Jamie said, she's the Theotokos of the aliens because
Speaker 1: she gives birth to like these, you know, creatures, and
Speaker 1: presumably she's going to be giving birth to the future
Speaker 1: of the new humanity. Now Here I will blow your mind,
Speaker 1: like I said on boiler Room, and it's not just
Speaker 1: this movie. Sometimes you will find in movie analysis very
Speaker 1: strange places where very strange things are stated many many
Speaker 1: years ahead of time. I don't know why that is.
Speaker 1: I've demonstrated in my two books I've written. I mean,
Speaker 1: we know that it has something to do with you know,
Speaker 1: Pentagon consultation, this kind of stuff. But sometimes it almost
Speaker 1: even seems just eerie the level of odd predictions. And
Speaker 1: maybe this one's not so odd because this is nineties, right,
Speaker 1: So people did know about autism in the nineties. But
Speaker 1: as we mentioned last night on boiler Room, one of
Speaker 1: the next upcoming movie streams, by the way, will be
Speaker 1: about alien or not alien demon exorcism movies. So we'll
Speaker 1: do the Exorcist one, two, and three, and you know
Speaker 1: some other weird Jesuit Catholic type movies. Remember Heath Ledger
Speaker 1: in the order actually has the black popon. We'll do
Speaker 1: we'll do an analysis of alien dem exorcist demon movies,
Speaker 1: and we'll that will include Exorcists two in the night
Speaker 1: early seventies, where I'm not joking, they're doing mk ultra
Speaker 1: experiments on kids and they talk about experimenting on and
Speaker 1: studying kids with autism in the early seventies. Now again,
Speaker 1: I know that it existed, but it was super super rare,
Speaker 1: very strange that that was an Exorcist too. There is
Speaker 1: a CIA connection too between fried Ken Bladdie and the Exorcist,
Speaker 1: by the way, which we'll get into when we do
Speaker 1: the Exorcist stream. That's well documented. And here an alien resurrection.
Speaker 1: There's a scene where when they're talking, the scientists are
Speaker 1: talking about the ripley that they have engineered, and they
Speaker 1: say that they have engineered her perfectly to have emotional autism.
Speaker 1: Isn't that crazy? So there's this ridiculous scene where she
Speaker 1: plays basketball with Ron Proul and she's like running around
Speaker 1: dunking the basketball. It's completely ridiculous, but she's engineered to
Speaker 1: have emotional autism to where she doesn't have feelings. I
Speaker 1: was like, what that's crazy all the way back in
Speaker 1: this nineteen ninety seven movie. Anyway, And by the way,
Speaker 1: I don't I can't stand the pixie cut, but i'd
Speaker 1: have to say, when on a rider does.
Speaker 6: Pull off the pixie cut, I'll give her that. What
Speaker 6: do you think I don't like the pixie cut.
Speaker 1: I'm just saying that. I think if you still have
Speaker 1: a feminine face, you can pull it off.
Speaker 3: You know what I mean?
Speaker 1: Because you still look like Emil. But anyway, now, so
Speaker 1: it's like we're being told. And by the way, there
Speaker 1: was another movie we're watching where autism came up. I
Speaker 1: don't remember what it was, but it was some old
Speaker 1: movie and it was like, Wow, are they talking about
Speaker 1: autism back in these old movies as being some kind
Speaker 1: of thing to you know, study or whatever. It makes
Speaker 1: one wonder if it wasn't intentionally given to the populace.
Speaker 1: I think it was. So the alien queen DNA, as
Speaker 1: you said, is mixed. They're trying to create the next
Speaker 1: stage of evolution, and this movie really highlights this theme
Speaker 1: that we've seen in the Globals and book series, which
Speaker 1: is that bertrand rousse Les she Will's Jonah Sauk, all
Speaker 1: those characters talk very clearly about commandeering evolution, steering evolution
Speaker 1: as the scientific priests class to move it into the
Speaker 1: direction where they think they can steer it for the
Speaker 1: transhumanist purposes. Autism is evolution in this movie. She is
Speaker 1: part alien. So here we're getting into the mythology of
Speaker 1: like Genesis six level stuff with in order to be
Speaker 1: made immortal, we have to figure out how to import alien.
Speaker 1: I don't believe in aliens, but you know what I'm saying,
Speaker 1: like the idea of human entity, hybrid type stuff, Genesis
Speaker 1: six type stuff. Again, I'm not saying that that's actually
Speaker 1: what's happening nowadays, but I'm saying the mythology of the
Speaker 1: Alien series is definitely hearkening to that. Because in Prometheus,
Speaker 1: it's chariots of the Gods, it's Panspermia, it's Eric von Danik,
Speaker 1: it's ancient, it's Sukolos. Ancient. Alien stuff is where they
Speaker 1: go with Prometheus. So let's see. So they're using humans
Speaker 1: that they've captured as cocoons for the xenomores for the experiments.
Speaker 1: The secret experiments are underground. Walmart is doing the zerier
Speaker 1: experiments on the under on the downlow. There's a funny
Speaker 1: scene where they still watch the Shopping Channel. That's kind
Speaker 1: of funny. So even though it's a total scientific dictatorship,
Speaker 1: everybody still watches the shopping Channel. I mean, that's just
Speaker 1: a comic relief, but it's still kind of ironic. The
Speaker 1: ship is actually here, that the test tube that's going
Speaker 1: to come back to Earth. So here the idea was
Speaker 1: the ship would become the test tube, the Xenomorphs kill everybody,
Speaker 1: and it's going to come back to Earth. So there's
Speaker 1: a recurring theme of bring back this test tube that's
Speaker 1: going to kill everybody back to Earth. So maybe it
Speaker 1: is a depopulation narrative on the part of the whalan
Speaker 1: Utani Corporation now Walmart wanting to kill everybody. Interestingly, in
Speaker 1: this one, the AI is called Father, and there's a
Speaker 1: weird religious scene where one on a writer who we
Speaker 1: figure out is Ai, overrides Father and replaces Father with
Speaker 1: her own feminine consciousness as mother. And this is right
Speaker 1: after Ripley has more or less adopted her as her
Speaker 1: now surrogate daughter and told her that her belief in
Speaker 1: Christianity is programmed into her right, and there's this Pinocchio
Speaker 1: element with win On a writer that she wants to
Speaker 1: be seen as a person right all the way back
Speaker 1: to like Bishop did and Lance Hendrickson did, right, he
Speaker 1: wanted to be called a person, and he was talking
Speaker 1: about Android writes, and so nobody's religious in the future.
Speaker 1: This is very curious too in Alien four, except for
Speaker 1: one on a writer, the Ai. She's the only one
Speaker 1: that's religious, so she trusts and she's a Christian because
Speaker 1: they have this like metal chapel where she's worshiping you know,
Speaker 1: this metal at this metal cross or whatever. And then
Speaker 1: Ripley's like comes in, you know, full on Fedora. She's like,
Speaker 1: you've been lied to. They took a program or whatever.
Speaker 1: And then you know she's like, oh yeah, I don't
Speaker 1: believe anymore, Like that's all it took, was just the
Speaker 1: way saying you you're going on a program. Whoa mind blown?
Speaker 1: I'm atheist now. And then she overrides the Father program
Speaker 1: on the ship and she becomes the new Mother Ai
Speaker 1: to override the ship's programming to come back to Earth
Speaker 1: right because it's now the big test tube full of
Speaker 1: the xeno Morphs that's going to I guess depopulate Earth.
Speaker 1: I guess is what's going on here. That would make
Speaker 1: sense because the depopulation narrative is carried. That's what's going
Speaker 1: on in Prometheus and Alien Covenant. Uh, the creators, the
Speaker 1: alien engineers, they want to depopulate the humans. They hate
Speaker 1: the humans just like the Xenomorphs do. And the Xenomorphs
Speaker 1: want to kill the humans, and the way land Utani
Speaker 1: Corporation wants to kill the humans and then I think
Speaker 1: I was gonna say, by the time of Alien Resurrection,
Speaker 1: even Ripley wants to kill the humans. I don't think
Speaker 1: she really does. She doesn't. She kind of doesn't care. Because,
Speaker 1: of course, if you've seen the director's cut, Alien Resurrection
Speaker 1: actually ends with this nuke going off and just I mean,
Speaker 1: doesn't destroy all humans, but it destroys I don't know,
Speaker 1: San Francisco or somewhere. It's usually San Francisco, I don't
Speaker 1: know where it is, some city. And then Ripley and
Speaker 1: went on a ryder sitting there and she's like, what
Speaker 1: do we do now? And she's like, I don't know.
Speaker 1: I guess we get out of here, you know, something
Speaker 1: stupid like that. But the point being is that resurrection
Speaker 1: means alien resurrection, right. It's it's Christianity is not true.
Speaker 1: The real resurrection is through tech. And so in a way,
Speaker 1: when on a writer is saved, but she's saved because
Speaker 1: she's Ai and she's the new surrogate daughter for Ripley,
Speaker 1: who's the new mother who's now evolved into super soldier.
Speaker 1: It's just this is crazy, okay, fourth kind real quick,
Speaker 1: We'll get Oh wait, wait, I forget about the other
Speaker 1: alien movies. Maybe I should have to split this into
Speaker 1: a part two. I think so, because actually Tristan and
Speaker 1: I are going to be doing our stream run after this,
Speaker 1: so we'll do this as a half and half because
Speaker 1: that would be more fair to the Jays and also subscribers.
Speaker 1: So two weird movies after the Yes and then too,
Speaker 1: we'll do Prometheus in depth for subscribers.
Speaker 3: We'll do.
Speaker 1: Alien Covenant in depth, which I haven't covered in depth
Speaker 1: except for a goofy video. We'll do Fourth coind with Mela,
Speaker 1: and then we'll do the weird movie God Told Me To,
Speaker 1: which is a seventies B movie I'd never heard of
Speaker 1: until maybe like a month or two ago. And this
Speaker 1: movie is crazy. This movie's got some crazy. I mean,
Speaker 1: it's a B movie, but it's got some crazy stuff
Speaker 1: in it. It's very it's not Mandy, but it's very
Speaker 1: similar to Mandy, right, Nick Cage panels becausemotos Mandy. So yeah,
Speaker 1: so we haven't done a subscriber's talk. I did, by
Speaker 1: the way, for subscribers if you missed it. Finally, upload
Speaker 1: the part two to the Aquinas talk, so that's available
Speaker 1: if you haven't logged in. Jasonalysis also subscribe Jays Analysis
Speaker 1: for the content for members at the purchase membership section,
Speaker 1: and you can also get signed copies of Esoteric Hollywood
Speaker 1: Wanted too. Also, Esoter Collaly would want to do include
Speaker 1: extensive analyses of the alien stuff, as we've already talked
Speaker 1: about other alien movies too. Signs AHG, well stuff, So
Speaker 1: we'll do furth Coin. We'll do God told me to
Speaker 1: Prometheus and Alien Covenant for subscribers in the next couple
Speaker 1: of days. Because actually, you know, the subscriber's content has
Speaker 1: not always been globalism books. We've done multiple movie in
Speaker 1: depth movie analysis. In fact, I did a whole mini
Speaker 1: documentary on Blade Runner for subscribers. I did a whole
Speaker 1: mini document menory on other film stuff that only subscribers
Speaker 1: have seen too, so you can do that. I'm gonna
Speaker 1: read Superchats. Don't worry, they haven't gone anywhere. Your superchats
Speaker 1: run out on the screen, but I still see them,
Speaker 1: so so in a bit next up, I have seen
Speaker 1: Lost Souls. That is an interesting anti Christ. We're gonna
Speaker 1: do a whole series on anti Christ. All the silly
Speaker 1: Hollywood Antichrist movies will do. Damien will do Lost Souls
Speaker 1: End of Days with Honold, which is hilarious because it's
Speaker 1: like Arnold versus the Devil with a bazoo, like Arnold's
Speaker 1: fighting Satan with a bazuka is completely stupid. We might
Speaker 1: do that horrible Gabriel Burns Stigmata movie that would be funny,
Speaker 1: and some of the other Antichrist. There's a bunch of
Speaker 1: bad Antichrist, stupid Hollywood movies, so we might do some
Speaker 1: of those. That would be a good topic. And nobody
Speaker 1: ever covers Lost Souls. It's not that good of a movie.
Speaker 1: I mean, it's interesting, not that great, but Winona is
Speaker 1: in it, and then the well, I won't spoil it,
Speaker 1: but if you haven't seen it, but yeah, we should
Speaker 1: do Lost Souls too, So there's there'll be a whole
Speaker 1: other stream. This is why it's great to do the
Speaker 1: streams on the basis of themes, right, because usually you
Speaker 1: can pick a weird theme and fit, you know, find
Speaker 1: four or five movies related to that theme. But so
Speaker 1: right after this, not right now, but maybe in an hour.
Speaker 1: Come back in an hour and Tristan and I will
Speaker 1: be analyzing two movies. We chose two dystopian movies just
Speaker 1: to keep it light and easy. We're gonna do THHX
Speaker 1: one one three eight, which Jason Elysis amazingly has not done,
Speaker 1: even though it's been requested probably five hundred times in
Speaker 1: the last ten years of Jason Elsis. We'll do THHX
Speaker 1: one one three eight, and then we'll do Demolition Man. Yes,
Speaker 1: Demolition Man a lot that you missed in Demolition Man Legion.
Speaker 1: Legion is pretty gnostic. You could do it. We could
Speaker 1: also do Devil's Advocate to don't forget Keano as Antichrist?
Speaker 3: WHOA right? Did I do it? Do?
Speaker 1: Yes? I have a seventeen minute mini documentary, Dune Analysis.
Speaker 1: Go watch my Dune video. I'm very proud of my
Speaker 1: Dune video, very proud of my Muhan Drive mini documentary.
Speaker 1: Don't forget the mini docs. Right, there's there's I mean,
Speaker 1: I would spend like two three days making those right,
Speaker 1: and they did okay, you know, sixteen twenty thousand views
Speaker 1: somewhere in there. It would be nice if they were longer,
Speaker 1: but more views.
Speaker 3: But whatever.
Speaker 1: Spend three days on a thing and you only get
Speaker 1: ten thousand views, So so what's the point of spending
Speaker 1: three days making you know, a Dune analysis when I
Speaker 1: can do a live stream in two hours, I'm done
Speaker 1: with multiple movies and it gets just as many views. Right,
Speaker 1: what's the point. What's the point of spending three days
Speaker 1: on a video and the live streams get just as
Speaker 1: many or more views? Anyway, So thank you guys, I'll
Speaker 1: read these couple of super chats we got here. Thank
Speaker 1: you in r G four t DSFX for joining new member,
Speaker 1: welcome you'll find if you join on YouTube. Of course,
Speaker 1: in the community tab is where the members content is posted.
Speaker 1: I do one every day or two. I post some
Speaker 1: of the backlog content. So there's so much of the
Speaker 1: old subscriber content that I have to do it day
Speaker 1: by day. There's no way to when you set up
Speaker 1: the YouTube memberships to do it to where somebody has
Speaker 1: access to all of the subscriber content, because it was
Speaker 1: years of doing video subscriber content and audio subscriber content,
Speaker 1: so no other way to do it. Bays chung us
Speaker 1: five bucks gray streamer Jay. Any plans to do any
Speaker 1: more takes on orthox imperiod a holistic view of state
Speaker 1: and how it applies to today. Uh sure, yeah, maybe
Speaker 1: down the road. I mean we did that one long
Speaker 1: one so that's just kind of intended to be a
Speaker 1: rough kind of outline of church state relations. But yeah,
Speaker 1: maybe down the road we can definitely do some deeper,
Speaker 1: more intent or more intense content. Thank all you guys
Speaker 1: in the chat, all your nerds. You have omen poultry Geist.
Speaker 1: Actually I did do a poultry Geist. I did a
Speaker 1: poltr Geist video three or four years ago, and you
Speaker 1: know it only got like five thousand views. I don't know,
Speaker 1: but I didn't have as many. I had like three
Speaker 1: thousand subscribers. Five years ago or three years ago, I
Speaker 1: had about three thousand subscribers, two thousands somewhere in there.
Speaker 1: So you know, in three years we've gone from three
Speaker 1: or four thousand to forty two thousand. But there is
Speaker 1: also in Esoteric Hollywood two an analysis of Polter guyst
Speaker 1: analysis of all these movies and more so, get signed
Speaker 1: copies of the books at the shop at Just Analysis
Speaker 1: if you don't have those, And I will be back
Speaker 1: here in an hour with Tristan prim Edge, Health Tristan
Speaker 1: Haggard and.
Speaker 3: We will do.
Speaker 1: Demolition Man has way more than you thought and t
Speaker 1: h X one one three eight. Thank you guys,