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<v Speaker 1>Syphilis.

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<v Speaker 2>Well they always say I think, like you're supposed to

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<v Speaker 2>say sibilants, like is the Oh yeah, it's like that

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<v Speaker 2>was like the always the thing back in the day.

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<v Speaker 2>He'd say sibilants, but I always said syphilis because I

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<v Speaker 2>thought it was funnier.

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<v Speaker 1>Yeah, you know what's funny is uh. I would I

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<v Speaker 1>was in drama club in school and all like I

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<v Speaker 1>was not good, Like I just was doing it because

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<v Speaker 1>I liked the girls.

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<v Speaker 2>And well that's why we do anything, yeah, exactly.

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<v Speaker 1>And they all had like they're very pretentious, like Mama

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<v Speaker 1>made me mash my in. They're they're all doing their

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<v Speaker 1>things right, and so I'd just be staying there and

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<v Speaker 1>i'd be like warming up nex to someone named Stacy.

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<v Speaker 1>I'd be like, Stacy, Stacy, you're an asshole, Stacy.

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<v Speaker 2>I was.

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<v Speaker 1>Very funny at the time. I don't know how it tracks.

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<v Speaker 2>And there is an SNL sketch which I don't know

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<v Speaker 2>if I've told you about, but the gist of it

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<v Speaker 2>was this guy gets mugged and he's got to watch

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<v Speaker 2>this police lineup, you know, and he's got to pick

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<v Speaker 2>out the correct mugger. But the mugging happened right outside

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<v Speaker 2>some repertory players theater where it's all these like struggling actors.

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<v Speaker 2>So then these actors come into the police lineup and

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<v Speaker 2>they read it like as an audition, like their audition.

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<v Speaker 1>It's so good.

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<v Speaker 2>And Kyle Moodey is one of them. He's like he

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<v Speaker 2>does it and he's like, oh, that was so flat.

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<v Speaker 2>And the guy's like, oh, come on, you know, just

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<v Speaker 2>just shake it off. You get fire off a few

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<v Speaker 2>verbal arrows. So then Kyle Moody is like fake firing

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<v Speaker 2>off airs and goes, I mean, it was awesome, it

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<v Speaker 2>was fantastic.

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<v Speaker 1>I freaking love that. Yeah, they're good. That's uh god,

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<v Speaker 1>I wish I could be that creative all the time.

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<v Speaker 1>But the smoke more weed, Yeah, clear, that's what it does, clearly.

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<v Speaker 1>But all right, onto the new world of horror here, Bulky,

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<v Speaker 1>And why do you call it the new world of horror?

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<v Speaker 1>Because I have a feeling that Hollywood is going to

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<v Speaker 1>learn all the wrong lessons from these those two recent

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<v Speaker 1>horror releases surrounding how to hire directors and what goes

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<v Speaker 1>into making a good movie. And I have a feeling

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<v Speaker 1>we're gonna see a lot of copycats in the next

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<v Speaker 1>two to forty.

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<v Speaker 2>Okay, when you're talking about these two new horror movies,

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<v Speaker 2>or by the way, are we recording, Yeah, okay, we're

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<v Speaker 2>talking about Obsession and background.

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<v Speaker 1>Yeah, we're doing Obsession today.

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<v Speaker 2>So okay. Granted, yes, copycat, I understand it has a

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<v Speaker 2>negative connotation, but those movies were good.

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<v Speaker 1>Oh absolutely absolutely. My point is go back to nineteen

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<v Speaker 1>eighty and look at how many space movies came out

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<v Speaker 1>because Star Wars hit it big in seventy nine, But

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<v Speaker 1>in reality, it wasn't the fact that it was in

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<v Speaker 1>space that made Star Wars cool. It was the characters

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<v Speaker 1>and the lightsabers and the universe and the character building

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<v Speaker 1>and all these different stories. And the Hollywood saw that

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<v Speaker 1>was like these cretans like space, put more movies in space.

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<v Speaker 1>And there's like seven thousand movies that you've never heard

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<v Speaker 1>of that all took place in space between like nineteen

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<v Speaker 1>eight in nineteen eighty two.

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<v Speaker 2>So you saw Argo, right, Yeah, So that was based

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<v Speaker 2>on a real Hollywood script that just hadn't been made,

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<v Speaker 2>I believe. So so Argo would have come out, I

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<v Speaker 2>mean it was already written and came up like ready

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<v Speaker 2>to go, and then Star Wars came.

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<v Speaker 1>Out right wait, what do you What does Argo have

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<v Speaker 1>to Argo?

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<v Speaker 2>Was the fake film they used in Argo? Like whatever?

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<v Speaker 1>Oh?

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<v Speaker 2>Oh oh yeah, so that was a script that the

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<v Speaker 2>movie just hadn't been yet.

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<v Speaker 1>Yees.

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<v Speaker 2>So then after Star Wars happened, I guess they couldn't

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<v Speaker 2>capitalize it because they had it was a sealed document yeah,

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<v Speaker 2>by Jimmy Carter that they couldn't like. Well, I guess

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<v Speaker 2>we lost out on this one. We helped the government,

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<v Speaker 2>so Argo could have been a lot bigger.

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<v Speaker 1>They could have, yeah, if it had fallen that way.

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<v Speaker 1>But I have a feeling you're going to see a

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<v Speaker 1>bunch of twenty somethings. And I'm not against any of

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<v Speaker 1>this for the record, as long as they take it

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<v Speaker 1>seriously and try and capitalize on the effort. But I

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<v Speaker 1>have a feeling you're going to see a lot of

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<v Speaker 1>people trying to emulate the parts. Oh they got they

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<v Speaker 1>made eighty million dollars on a seven hundred and fifty

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<v Speaker 1>thousand dollars budget. Let's do that again, and like it's

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<v Speaker 1>just not going to be as red.

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<v Speaker 2>But that but that we were talking about this the

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<v Speaker 2>other day, that's not new. I mean, people making a

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<v Speaker 2>lot of money on low budget horn it is. I

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<v Speaker 2>mean that that's that's something that has been you know,

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<v Speaker 2>I don't know, you tell me twenty thirty years.

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<v Speaker 1>I actually saw a Twitter post that even said as much,

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<v Speaker 1>and I wish I knew the name. I would I

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<v Speaker 1>would give credit where credits due here, but I don't

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<v Speaker 1>have it in front of me. And they because someone

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<v Speaker 1>said this is unprecedented, and it shows the budgets for

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<v Speaker 1>the two movies, and then the the take Home does

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<v Speaker 1>far and then somebody retweets it and says, actually, this

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<v Speaker 1>happens about once every ten years, and no one ever

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<v Speaker 1>learns the right lessons when it happens.

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<v Speaker 2>And then, well, what's the right lesson to learn from

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<v Speaker 2>a film like Obsession? Because obviously you want to give

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<v Speaker 2>a pathway to a young and up and coming director,

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<v Speaker 2>right yeah, that that that's the idea, Yeah, right, They

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<v Speaker 2>that specific director, which I'm gonna look it up in

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<v Speaker 2>a second here, executed a pretty good movie, pretty good film,

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<v Speaker 2>and made a lot of money off of it, right yeah,

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<v Speaker 2>So what's the correct lesson?

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<v Speaker 1>Then?

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<v Speaker 2>I mean, why why wouldn't you want to try to

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<v Speaker 2>duplicate what has worked?

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<v Speaker 1>So if you if you asked me, what the lesson

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<v Speaker 1>from that moment is it's not necessarily the director as

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<v Speaker 1>much as it is indeed Navaret or however you say

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<v Speaker 1>her name.

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<v Speaker 2>Hold on, she was the star. Yeah, so she also directed.

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<v Speaker 1>No no, no, no, no, I'm saying outside of the director.

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<v Speaker 1>I think I might have have finished a thought that

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<v Speaker 1>and he never ready. Yes, she I believe that her

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<v Speaker 1>performance felt so unique because we've never seen her before,

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<v Speaker 1>and she was well cast in some stuff. But I mean,

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<v Speaker 1>like in the in the grand scheme of things, this

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<v Speaker 1>is the first thing that I truly remember having seen her.

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<v Speaker 1>And if you asked me, because I'll be really funky

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<v Speaker 1>and you're kind of teaming up for this, I have

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<v Speaker 1>this movie in the in the Quiet Place category for

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<v Speaker 1>ben Okay, amazing. I think it was a very well

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<v Speaker 1>made movie. I understand why it's so commercially successful. I

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<v Speaker 1>was like, oh, I've seen this before, it before, Yeah.

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<v Speaker 2>I mean, like, what what would you compare it to

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<v Speaker 2>that you have seen The Monkeys Paw, which I never saw.

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<v Speaker 1>Yeah, wish Master from the late nineties.

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<v Speaker 2>Okay, And by the way, so we're talking about obsession,

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<v Speaker 2>I should just tell everybody right now, the gist of

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<v Speaker 2>this movie is this guy makes this wish okay with

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<v Speaker 2>this supernatural toy that he buys to get his I

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<v Speaker 2>think childhood friend. Weren't they friends? Since who he has

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<v Speaker 2>a huge crush on. He's trying. He said he wishes

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<v Speaker 2>for her to fall in love with him. And obviously,

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<v Speaker 2>on the surface, that seems fine and innocent, and certainly

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<v Speaker 2>part of the movie would dictate that. But it's a

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<v Speaker 2>horror ben, yeah, and there's always unintended consequences.

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<v Speaker 1>And just to be clear so that everyone listening understands this,

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<v Speaker 1>this is my favorite kind of movie.

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<v Speaker 2>When you say favorite kind, you be careful what you

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<v Speaker 2>wish for movies.

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<v Speaker 1>I grew up playing a twisted metal where like, once

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<v Speaker 1>you would beat the game, you got to wish for something,

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<v Speaker 1>and there's a guy named Calypso who would grant it,

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<v Speaker 1>but he'd only screw with you, and you'd be like,

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<v Speaker 1>I want to be the best, to be like, oh,

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<v Speaker 1>you want to be the best? He turned into a

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<v Speaker 1>beat or something, you know what I mean? Like, I

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<v Speaker 1>love that. I love that. Wish Master is a West

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<v Speaker 1>Craven movie.

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<v Speaker 2>From that time that's like Twilight Zone stuff.

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<v Speaker 1>Yeah, Like I love that. It's Tales from the Crypt

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<v Speaker 1>it's Twilight Zone like that is if you want to.

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<v Speaker 1>That's why this was, in my opinion, a lot more

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<v Speaker 1>generic than I think a lot of people who don't

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<v Speaker 1>normally watch horror realize. But I still thoroughly enjoyed it

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<v Speaker 1>because it's very difficult to make them be careful what

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<v Speaker 1>you wish for a movie where I was like, nah, like,

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<v Speaker 1>not only do I like wish Master, I like wish Master.

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<v Speaker 2>For god, I didn't even realize wish Master, Yeah, the only.

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<v Speaker 1>The first one was a West Craven movie, but the

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<v Speaker 1>rest of them drop off tremendously in quality. But nevertheless,

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<v Speaker 1>these are very much in my wheelhouse for the kind

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<v Speaker 1>of thing that I will like. But I made the

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<v Speaker 1>comparison to my friend when Squid Games came out, I

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<v Speaker 1>had already seen Battle Royale and the Belco Experiment and

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<v Speaker 1>all these other things that were squid games.

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<v Speaker 2>What was Battle Royale?

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<v Speaker 1>It was a It was a Japanese movie, from the

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<v Speaker 1>Squid Game was Korean, Yes, okay, And they all had

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<v Speaker 1>a similar concept though at the end of the day

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<v Speaker 1>executed differently, but a very similar premise. And so I

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<v Speaker 1>got Covid when Squid Games happened, and so I watched

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<v Speaker 1>it while I was quarantined for two weeks and like

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<v Speaker 1>the throes of COVID, and I came out of my

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<v Speaker 1>quarantine and I come out to a world where everybody

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<v Speaker 1>has seen squid games and thinks it's the best thing

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<v Speaker 1>they've ever seen. And I was like, first of all,

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<v Speaker 1>why are you all watching this? Second of all, I

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<v Speaker 1>could introduce you to five other things that were more

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<v Speaker 1>interesting than this if this is what you enjoyed. And

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<v Speaker 1>that was kind of how.

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<v Speaker 2>The squid game come out during the pandemic. Yeah, okay,

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<v Speaker 2>well that's then there's your answer, right.

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<v Speaker 1>Because everybody was watching everything.

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<v Speaker 2>World would Tiger King reach popular?

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<v Speaker 1>That's a good point.

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<v Speaker 2>There's nobody talks to everybody talked about the Last Dance,

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<v Speaker 2>the Chicago Bulls thing that that came out during the pandemic.

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<v Speaker 2>When's last time you heard anybody talk about that. That's

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<v Speaker 2>a good point, you know what I mean. It's just like,

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<v Speaker 2>now we have our lives.

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<v Speaker 1>That's a good point.

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<v Speaker 2>So so I think, and and and by the way,

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<v Speaker 2>not to like I mean, this is going to sound derogatory,

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<v Speaker 2>but it's not. You watch a lot of weird stuff

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<v Speaker 2>I do, so and and a lot of obscure stuff

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<v Speaker 2>that most people like ninety five percent of people.

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<v Speaker 1>I sent Bulky a text yesterday, I said, have you

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<v Speaker 1>ever seen this nineteen ninety nine Canadian indo film Cube.

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<v Speaker 2>It's great? Cube.

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<v Speaker 1>Yeah, it's just Cube. Okay, there's three of them. One

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<v Speaker 1>to three are great.

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<v Speaker 2>See not only do you see the weird ones, you

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<v Speaker 2>see the sequels to the weird ones.

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<v Speaker 1>But so, I mean I I thoroughly did enjoy this

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<v Speaker 1>movie though, and like we're going to get into all

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<v Speaker 1>the different elements here in just a second, but I

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<v Speaker 1>will say this is one of those ones where I

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<v Speaker 1>wonder if the if the Internet isn't helping this like

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<v Speaker 1>foster the excitement along a little bit here, and that

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<v Speaker 1>was good.

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<v Speaker 2>That's that's why or that's how the Quiet Place comparison

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<v Speaker 2>comes out.

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<v Speaker 1>Yeah, Quiet Place. I was like, I've seen stuff like this.

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<v Speaker 1>This is fun, it's not revolutionary, you're transcendent. It's good

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<v Speaker 1>act and that one actually had recognizable faces in it,

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<v Speaker 1>and you're like, yeah, this is good. There's exciting moments,

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<v Speaker 1>but like yeah, like I'm like, I've seen this before,

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<v Speaker 1>and like that was kind of how I felt with this,

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<v Speaker 1>even though again that doesn't mean I'm not gonna like it,

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<v Speaker 1>because yeah, plenty of stuff copies off of other stuff.

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<v Speaker 1>But it's definitely if you have seen a be careful

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<v Speaker 1>what you wish for a style movie in the past,

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<v Speaker 1>you have seen this movie. Yeah, that that That's basically

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<v Speaker 1>what I'm trying to get at it.

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<v Speaker 2>I did. I mean, I just I enjoyed it all

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<v Speaker 2>the way through and I feel like, you know, there

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<v Speaker 2>is obviously you have to have a twist at the end,

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<v Speaker 2>and you make stuff like this, and there was a

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<v Speaker 2>good twist, yeah, which was cool. So okay, in regards

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<v Speaker 2>to this film, let's let's let's break this down. What

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<v Speaker 2>specific element do you want to talk about first when

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<v Speaker 2>it comes to this, Otherwise I have something in mind.

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<v Speaker 1>Do you take the lead?

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<v Speaker 2>I've been talking let's talk casting. Yeah, okay, so because

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<v Speaker 2>I always like to talk about the cast and the

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<v Speaker 2>actors and whatever. Now I was mentioning I told this

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<v Speaker 2>to you on on the air, the casting of the

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<v Speaker 2>protagonist in this film. His name was like Michael Johnston.

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<v Speaker 2>Michael Johnston, Okay, he is a music store employee. By

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<v Speaker 2>the way, did you recognize Andy Richter?

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<v Speaker 1>Yeah?

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<v Speaker 2>Okay, Yeah, lost a lot of weight. He's this music

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<v Speaker 2>store employee who works with his friends, you know, at

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<v Speaker 2>this location. What would you put his age at mid twenties?

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<v Speaker 1>Oh maybe I didn't even say early.

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<v Speaker 2>Well they were at bars, so you know with the trivia,

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<v Speaker 2>so I would assume maybe I'm just getting old. It

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<v Speaker 2>happens to all of us, and he's portrayed it in him.

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<v Speaker 2>You remember how Jon Favreau was in Swingers. Where is

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<v Speaker 2>this kind of this beta? And finally Heather Graham just

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<v Speaker 2>has it with him, like you know, cause he's kind

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<v Speaker 2>of like dancing around trying to ask her out without

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<v Speaker 2>not asking her out and doesn't want to get shut down,

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<v Speaker 2>you know, because you're rejection and it just creates there's

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<v Speaker 2>like no confidence. Like every woman will tell you one

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<v Speaker 2>of the things that they're most attracted to is confidence, right,

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<v Speaker 2>and this guy in this movie had zero, you know. Basically,

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<v Speaker 2>instead of like telling her how he felt or whatever,

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<v Speaker 2>he'd much rather do the wishing willow or the willow

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<v Speaker 2>is that what it's called wishing willow. He'd much rather

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<v Speaker 2>grab that and try to use supernatural forces to have

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<v Speaker 2>this woman fall in love with him. Right, His face

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<v Speaker 2>is very punishable, he's very annoying. And I feel like

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<v Speaker 2>the casting like nailed this and as well as his

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<v Speaker 2>execution of how he's supposed to play this character, because

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<v Speaker 2>I think to a certain point you feel sorry for

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<v Speaker 2>him or you can connect with him, and then I

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<v Speaker 2>just kind of got annoyed with it.

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<v Speaker 1>I hated him basically the whole the whole time. Yeah,

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<v Speaker 1>are you online enough to be familiar with the term inceell? No, Yeah,

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<v Speaker 1>so I've heard of that. I don't know that's what

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<v Speaker 1>he is. It's one of those kind of dudes that

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<v Speaker 1>like blames the women for not being into him while

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<v Speaker 1>he's not shooting his shots or.

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<v Speaker 2>Okay, I can't get I don't find him as being

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<v Speaker 2>an inceel then, because I don't, I don't feel like

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<v Speaker 2>he you know, there's plenty of times where he was

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<v Speaker 2>by himself. I don't feel like he felt personally wronged

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<v Speaker 2>by females or whatever, you know, where he harbored this

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<v Speaker 2>resentment to him. I just think that this guy was

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<v Speaker 2>so much of a woos that he couldn't muster up one.

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<v Speaker 2>And I know it's a difficult question, but but to

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<v Speaker 2>choose the path that he did was not mind boggling,

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<v Speaker 2>but annoying. And just his facial expressions and the way

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<v Speaker 2>he played the character.

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<v Speaker 1>Oh yeah, it was just.

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<v Speaker 2>So so great, so great.

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<v Speaker 1>That's what stuck out to me with both of them. Actually,

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<v Speaker 1>I believe when you say both of them, h never Ready,

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<v Speaker 1>never Ready. Yeah, I think I'll say this, and I

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<v Speaker 1>don't know if he agree with me or not, but

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<v Speaker 1>my opinion, the best physical actor of our lifetime is

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<v Speaker 1>Jim Carrey. Like I thought, he was very face to

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<v Speaker 1>do things. I think Indian Never Ready is not second,

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<v Speaker 1>but one of the best physical performances I have ever

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<v Speaker 1>seen in my life. It genuinely felt like at moments

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<v Speaker 1>she really was like an animatronic that was like trying

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<v Speaker 1>to go a different direction than the way her limbs

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<v Speaker 1>were going in a way that I have never seen before,

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<v Speaker 1>And it was incredibly uncanny and unsettling watching that happen.

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<v Speaker 2>In a way that I have reviews for the performance, I.

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<v Speaker 1>Thoroughly enjoyed it, and I noticed Michael Johnston's face as well.

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<v Speaker 1>The physical performances of both leads stuck out to me

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<v Speaker 1>the entire movie in a very positive way. I think

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<v Speaker 1>it did a really good job of a kind of

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<v Speaker 1>conveying a lot of things that words could convey. They

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<v Speaker 1>could have put it into words, but I think doing

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<v Speaker 1>it that way is what probably the most unique part

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<v Speaker 1>about this movie was that part. Especially you'll know it

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<v Speaker 1>when you see it. If I just say the walking

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<v Speaker 1>backwards part, you'll know it when you see it. It

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<v Speaker 1>doesn't sound like it's anything right now, the walking backwards part, Yeah,

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<v Speaker 1>where like she's walking I don't want to say it,

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<v Speaker 1>where are they when she's walking at the and she's

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<v Speaker 1>walking backwards but it looks like she wants to go

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<v Speaker 1>a different direction.

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<v Speaker 2>And I don't remember this part? Is this is this

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<v Speaker 2>when they're playing the game?

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<v Speaker 1>Yeah, I'm telling you, go on, if you get a

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<v Speaker 1>chance out, watch it again. And uh, I like, once

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<v Speaker 1>it's streamable and you'll be like, oh, I said, I

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<v Speaker 1>didn't even notice this the.

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<v Speaker 2>First Well you know what I did notice about that, Yeah,

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<v Speaker 2>was the camera shot that that was on Michael Johnson.

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<v Speaker 2>And then who's the other was it Amber or I

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<v Speaker 2>can't remember Sarah? Yeah, where it's it's set on them,

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<v Speaker 2>and you know, with what's going on in that shot,

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<v Speaker 2>there's something that you really want to see and then

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<v Speaker 2>all of a sudden, slowly you're getting you know, kind

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<v Speaker 2>of like that was.

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<v Speaker 1>It was a cool shot. I don't remember the walking

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<v Speaker 1>backwards part. Oh yeah, because it wasn't necessarily subtle, but

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<v Speaker 1>the way she was doing it, there were subtle nuances

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<v Speaker 1>to it. I'm like, oh, this is creepy, and you

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<v Speaker 1>could tell it was reminiscent. I found myself thinking of

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<v Speaker 1>the sunken place a lot and get out, like, you know,

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<v Speaker 1>this entity is in her, but she's still there. She

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<v Speaker 1>just is controlling the wheel anymore.

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<v Speaker 2>And it's tough because I struggled with that concept in

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<v Speaker 2>this movie. Yeah, because because I was like, Okay, she's there,

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<v Speaker 2>but then something happens. They're like, wait, maybe she's not there. Yeah,

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<v Speaker 2>but then she's there.

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<v Speaker 1>I didn't know. I'm not seeing it out I'm talking

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<v Speaker 1>about obsession, but I'm saying they they conceptualized that in

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<v Speaker 1>such a way when he like almost falls into the

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<v Speaker 1>chair and all of a sudden, the camera you can

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<v Speaker 1>see through the main dude's eyes and he's like almost

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<v Speaker 1>and he's there, but he can't do anything. That's how

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<v Speaker 1>I was envisioning it the whole movie, that that's the

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<v Speaker 1>best thing I.

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<v Speaker 2>Can do, which is we didn't see that would have

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<v Speaker 2>probably helped me understand obsession better. If I would have

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<v Speaker 2>made that comparison, yeah, but I never did because I

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<v Speaker 2>was like, what the hell is going on with her?

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<v Speaker 1>Yeah?

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<v Speaker 2>Sure, And I think we've talked about this. I know

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<v Speaker 2>we talked about it with It's What's Inside. We've talked

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<v Speaker 2>about this with one of the other movies that we

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<v Speaker 2>just watched, and I can't remember which one it was,

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<v Speaker 2>But how fun it is for us to watch actors

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<v Speaker 2>and probably fun for the actors themselves essentially play two characters. Yeah,

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<v Speaker 2>in the same movie, but it's still in the same

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<v Speaker 2>sort of body, the same presentation, you know what I mean. Sure,

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<v Speaker 2>and we saw that from Indian avaready in this movie.

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<v Speaker 2>What was her name in the film?

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<v Speaker 1>Hold on? I just brought it down Nicky.

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00:17:18.799 --> 00:17:23.119
<v Speaker 2>Nicky, Yeah, that's right. By the way, she's twenty five

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<v Speaker 2>years old. We can weigh in on this, Okay, where

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<v Speaker 2>is she on your attractive scale?

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<v Speaker 1>And he never well, see because so much of the

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<v Speaker 1>movie she's in the Uncanny Valley by design. I'm not

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<v Speaker 1>saying that's the way she is all the time. I

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<v Speaker 1>think she's a very attractive woman traditionally. So we agree, Yeah, oh,

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<v Speaker 1>get out of here. I was expecting you to tell

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<v Speaker 1>me she's what's your name, al Ali Alison Williams.

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<v Speaker 2>That's not yeah, I mean, listen, I respect your opinion,

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<v Speaker 2>but I'm near gonna be to say that she's an

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<v Speaker 2>attractive woman, which is wild because you know what, if

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<v Speaker 2>I had the chance, I would still date her, of course,

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<v Speaker 2>and go out with her.

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<v Speaker 1>That's always the case.

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<v Speaker 2>And i'd probably tell her that too, like and maybe

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<v Speaker 2>maybe that's like because everybody I think.

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<v Speaker 1>You're attractive, but if you're interested in dating, I would

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<v Speaker 1>give you a shot.

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<v Speaker 2>Everybody else tells her she's attractive. I'm the one guy

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<v Speaker 2>saying that, so, like, you know what, there's something to

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<v Speaker 2>this bar.

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00:18:12.240 --> 00:18:15.079
<v Speaker 1>Yeah, that's the guy. But uh yeah, And so I

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<v Speaker 1>heard you're talking about them having fun, watching them do

401
00:18:18.200 --> 00:18:22.000
<v Speaker 1>different performances. I heard Curry Barker, who is the director

402
00:18:22.079 --> 00:18:25.079
<v Speaker 1>of this movie. I don't think we said his name yet.

403
00:18:25.440 --> 00:18:27.720
<v Speaker 1>He was playing games with them, because there was such

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00:18:27.720 --> 00:18:31.200
<v Speaker 1>an uncomfortableness with the filming of these movies that they

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00:18:31.240 --> 00:18:34.240
<v Speaker 1>were playing like genuine like board games and having fun

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00:18:34.880 --> 00:18:37.000
<v Speaker 1>during the in between takes to kind of be like,

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00:18:37.079 --> 00:18:39.440
<v Speaker 1>let's guy. It was so heavy and like be goofy,

408
00:18:39.519 --> 00:18:42.279
<v Speaker 1>be comfortable doing weird shit, because we're gonna do some

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00:18:42.359 --> 00:18:44.880
<v Speaker 1>cringe stuff here over the course of the next two hours.

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<v Speaker 1>And uh, and people are gonna you're gonna need to

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<v Speaker 1>be in the right headspace for it, which I definitely like.

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00:18:50.279 --> 00:18:52.759
<v Speaker 1>But you can tell they're all comfortable getting weird because

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00:18:52.839 --> 00:18:54.359
<v Speaker 1>stuff definitely got weird there.

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<v Speaker 2>So Curry Barker as long as we're as long as

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<v Speaker 2>they're talking about him, his background is YouTube. Yeah, so

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<v Speaker 2>he came up with and I'm loading it right now.

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<v Speaker 2>My phone was taking forever.

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<v Speaker 1>I'm sorry.

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<v Speaker 2>Curry Barker made the YouTube channel. That's a bad idea.

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<v Speaker 2>That's the name of it, okay, and he co created

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<v Speaker 2>it with Cooper Tomlinson. And you say, Balky, I have

422
00:19:17.960 --> 00:19:20.680
<v Speaker 2>no idea who Cooper Tomlinson is. Well, I can tell you.

423
00:19:20.720 --> 00:19:23.640
<v Speaker 2>After you've seen Obsession, you would know that Cooper Tomlinson

424
00:19:24.039 --> 00:19:29.319
<v Speaker 2>played Ian, who was the best friend of Bear. Which

425
00:19:30.079 --> 00:19:32.359
<v Speaker 2>you know that's the other thing too. How does a

426
00:19:32.359 --> 00:19:35.119
<v Speaker 2>guy like that.

427
00:19:34.279 --> 00:19:36.119
<v Speaker 1>Well, here's a nickname. His name was Baron.

428
00:19:36.240 --> 00:19:40.400
<v Speaker 2>But it's so stupid. It's like or maybe it was ironic,

429
00:19:40.480 --> 00:19:42.240
<v Speaker 2>Like it's like calling a huge guy tiny.

430
00:19:42.400 --> 00:19:44.200
<v Speaker 1>Well, you know, what it is. You got to get

431
00:19:44.240 --> 00:19:48.400
<v Speaker 1>the subtext, balky, So you're not online enough. There's a

432
00:19:48.519 --> 00:19:51.319
<v Speaker 1>whole there's a whole thing. It's been going on for

433
00:19:51.400 --> 00:19:54.319
<v Speaker 1>years where women will ask one another would you rather

434
00:19:54.400 --> 00:19:57.000
<v Speaker 1>be left alone in the woods with a bear or

435
00:19:57.039 --> 00:20:00.920
<v Speaker 1>a man? And like something like overs seventy percent of

436
00:20:01.400 --> 00:20:04.839
<v Speaker 1>women choose the bear over what the man would do,

437
00:20:04.880 --> 00:20:07.559
<v Speaker 1>and so they named him bear. I'm telling you there's

438
00:20:07.599 --> 00:20:10.559
<v Speaker 1>a lot of insight soul. Really, that's okay. I don't

439
00:20:10.599 --> 00:20:12.279
<v Speaker 1>know that for a fact. I'm telling you, I'm sitting

440
00:20:12.319 --> 00:20:13.759
<v Speaker 1>there like, oh, I get what you guys are going

441
00:20:13.799 --> 00:20:17.039
<v Speaker 1>for here, like immediately, Like so, I'm pretty sure that's

442
00:20:17.039 --> 00:20:19.559
<v Speaker 1>why they went with that there, And like this guy's

443
00:20:19.599 --> 00:20:22.200
<v Speaker 1>online enough that that's a shout out to the gen

444
00:20:22.319 --> 00:20:24.680
<v Speaker 1>Z people that are like, oh, yeah, I totally wouldn't

445
00:20:24.680 --> 00:20:27.920
<v Speaker 1>want to be with that bear, you know, and like

446
00:20:27.960 --> 00:20:30.519
<v Speaker 1>he is he is a creep, Like so yeah to

447
00:20:31.039 --> 00:20:31.680
<v Speaker 1>a certain.

448
00:20:32.359 --> 00:20:34.880
<v Speaker 2>I mean yeah, to a certain extent, although I wouldn't

449
00:20:34.920 --> 00:20:37.640
<v Speaker 2>describe him as creepy. I just I think he's lonely,

450
00:20:37.799 --> 00:20:41.079
<v Speaker 2>that's it. But so not to not to make which

451
00:20:41.160 --> 00:20:42.920
<v Speaker 2>kind of turns him into a creep, I guess.

452
00:20:42.720 --> 00:20:47.559
<v Speaker 1>That's like and fundamentally, once you know that this woman

453
00:20:47.680 --> 00:20:49.960
<v Speaker 1>is into you not of her own free will, there

454
00:20:49.960 --> 00:20:52.599
<v Speaker 1>comes there comes an element of creepiness in it, even

455
00:20:52.640 --> 00:20:56.000
<v Speaker 1>when they're doing like traditional relationship things, you know what

456
00:20:56.039 --> 00:20:56.359
<v Speaker 1>I mean.

457
00:20:56.440 --> 00:20:57.799
<v Speaker 2>Yeah, that's a good point.

458
00:20:57.599 --> 00:21:00.640
<v Speaker 1>And so like, and he finds out fairlier in the

459
00:21:00.680 --> 00:21:03.680
<v Speaker 1>movie this is not for free will.

460
00:21:03.799 --> 00:21:04.480
<v Speaker 2>It's synthetic.

461
00:21:04.640 --> 00:21:07.000
<v Speaker 1>Yes, And he's just like, well, this is life now,

462
00:21:07.000 --> 00:21:08.480
<v Speaker 1>I may as well go along. That was the whole

463
00:21:08.519 --> 00:21:10.160
<v Speaker 1>point of that hands On and Gretel scene that I

464
00:21:10.200 --> 00:21:12.359
<v Speaker 1>told you. I just almost cringed right out of your body.

465
00:21:12.440 --> 00:21:16.039
<v Speaker 2>Yeah, so the Hansel and Gretel thing. And then were

466
00:21:16.079 --> 00:21:18.839
<v Speaker 2>you telling me before we saw this about when when

467
00:21:18.880 --> 00:21:21.519
<v Speaker 2>they were sitting at the restaurant and she had the

468
00:21:21.559 --> 00:21:23.799
<v Speaker 2>smile come across her face. That's what you're doing.

469
00:21:23.839 --> 00:21:26.279
<v Speaker 1>That was what introduced me to the film. I was like, oh,

470
00:21:26.359 --> 00:21:27.279
<v Speaker 1>this might be good.

471
00:21:27.240 --> 00:21:31.319
<v Speaker 2>Right No, no, no, no, no, yeah that was that

472
00:21:31.400 --> 00:21:32.279
<v Speaker 2>was That was awesome.

473
00:21:32.400 --> 00:21:33.079
<v Speaker 1>That was awesome.

474
00:21:34.200 --> 00:21:37.079
<v Speaker 2>Curry Barker, by the way, was in this film as

475
00:21:37.240 --> 00:21:38.160
<v Speaker 2>but just his voice.

476
00:21:38.400 --> 00:21:39.640
<v Speaker 1>He was on a phone.

477
00:21:39.799 --> 00:21:42.279
<v Speaker 2>Okay, I don't think that's spoiling anything, but you know

478
00:21:42.359 --> 00:21:46.920
<v Speaker 2>who I'm talking about. Yeah, Okay. So he also Curry

479
00:21:46.920 --> 00:21:49.839
<v Speaker 2>Barker directed, and maybe you've seen this. It came out

480
00:21:49.880 --> 00:21:51.559
<v Speaker 2>a couple of years ago. It's a horror film called

481
00:21:51.799 --> 00:21:56.240
<v Speaker 2>Milk and Cereal No Milk. He wrote it and directed

482
00:21:56.759 --> 00:22:00.720
<v Speaker 2>and it stars him and Cooper Tomlinson played ian. And

483
00:22:00.759 --> 00:22:04.200
<v Speaker 2>they're comedy. They do comedy on YouTube, but apparently when

484
00:22:04.640 --> 00:22:07.640
<v Speaker 2>they're doing real big boy films, they're they're doing whore

485
00:22:07.880 --> 00:22:11.480
<v Speaker 2>or whatever. Eight hundred bucks was the budget. They made

486
00:22:11.480 --> 00:22:15.160
<v Speaker 2>it in four months. They didn't find a film distributor

487
00:22:15.200 --> 00:22:17.599
<v Speaker 2>for it, and then they released it on YouTube for

488
00:22:17.680 --> 00:22:20.920
<v Speaker 2>free on August eighth and received positive reviews. Have not

489
00:22:20.960 --> 00:22:27.359
<v Speaker 2>looked up the the protten tomatoes on it. I assume

490
00:22:27.440 --> 00:22:29.319
<v Speaker 2>that there would be, but I mean, who the hell knows.

491
00:22:30.519 --> 00:22:32.759
<v Speaker 2>And it's only sixty two minutes long. No, it's not

492
00:22:32.799 --> 00:22:34.039
<v Speaker 2>even really like a feature film.

493
00:22:34.119 --> 00:22:36.240
<v Speaker 1>You know What's interesting about that? Though? And like, just

494
00:22:36.279 --> 00:22:39.000
<v Speaker 1>to take this into the world of business for a second, like,

495
00:22:39.279 --> 00:22:41.599
<v Speaker 1>what's the do you know offhand the director's name of

496
00:22:41.640 --> 00:22:43.440
<v Speaker 1>back Rooms, which will be doing next week?

497
00:22:44.400 --> 00:22:46.039
<v Speaker 2>Mean Parson, Yes, there it is.

498
00:22:47.119 --> 00:22:49.279
<v Speaker 1>He did not invent the back rooms like the person

499
00:22:49.319 --> 00:22:51.640
<v Speaker 1>who made a YouTube short about it four years ago.

500
00:22:51.720 --> 00:22:55.799
<v Speaker 1>Is someone entirely different. Yeah, that guy made a completely

501
00:22:55.880 --> 00:22:58.519
<v Speaker 1>viral clip that is going to be seen by infinitely

502
00:22:58.559 --> 00:23:00.920
<v Speaker 1>more people than the back rooms because Beckham's has a

503
00:23:00.960 --> 00:23:03.119
<v Speaker 1>couple million people just based on the box office, but

504
00:23:03.200 --> 00:23:06.039
<v Speaker 1>the original has quite literally over one hundred million views.

505
00:23:06.039 --> 00:23:08.319
<v Speaker 1>One hundred million people are not going to go see

506
00:23:08.359 --> 00:23:13.200
<v Speaker 1>this movie. Yeah. The movie, however, is grossing tens of

507
00:23:13.200 --> 00:23:16.519
<v Speaker 1>millions of dollars. The YouTube short probably made that guy

508
00:23:16.559 --> 00:23:19.039
<v Speaker 1>a couple bucks in like, you know, shared revenue and

509
00:23:19.079 --> 00:23:20.799
<v Speaker 1>all that jazz. Of course, it's I'm not going to

510
00:23:20.839 --> 00:23:23.079
<v Speaker 1>say cry poverty for him. I'm sure he made quite

511
00:23:23.119 --> 00:23:25.559
<v Speaker 1>a nice payday. But it really goes to show you

512
00:23:25.599 --> 00:23:27.720
<v Speaker 1>like it's the same concept, like this kid just aped

513
00:23:27.720 --> 00:23:29.799
<v Speaker 1>it and this is what you're talking about right there. Again,

514
00:23:29.880 --> 00:23:32.920
<v Speaker 1>he made the YouTube short, didn nobody wanted it. He

515
00:23:32.920 --> 00:23:34.880
<v Speaker 1>throws it up there, and maybe that's what led to

516
00:23:34.960 --> 00:23:37.480
<v Speaker 1>this ultimate outcome for him that he got to do obsession.

517
00:23:37.519 --> 00:23:39.480
<v Speaker 1>But it really goes I don't know if this is

518
00:23:39.519 --> 00:23:42.240
<v Speaker 1>gonna be This is either going to be the saving

519
00:23:42.359 --> 00:23:44.720
<v Speaker 1>grace for the box office or it's going to be

520
00:23:44.759 --> 00:23:47.240
<v Speaker 1>a trend where YouTubers start to put their own crap

521
00:23:47.279 --> 00:23:50.079
<v Speaker 1>together on YouTube and you start to see that becoming

522
00:23:50.160 --> 00:23:50.759
<v Speaker 1>more prevalent.

523
00:23:50.839 --> 00:23:54.279
<v Speaker 2>I think the ladder is much more likely the former. Yeah,

524
00:23:54.599 --> 00:23:57.240
<v Speaker 2>like without question, although it'll probably be somewhere in the middle.

525
00:23:57.559 --> 00:24:00.000
<v Speaker 1>Yeah. I'm here though for more people going to theat

526
00:24:00.359 --> 00:24:02.759
<v Speaker 1>for this kind of stuff. My lead was not full,

527
00:24:02.960 --> 00:24:05.519
<v Speaker 1>but full enough, and I was like, it's doing well.

528
00:24:05.680 --> 00:24:08.079
<v Speaker 2>I mean, and this is did you see it an

529
00:24:08.119 --> 00:24:11.039
<v Speaker 2>opening weekend or did you see moved? Okay, so I

530
00:24:11.039 --> 00:24:14.359
<v Speaker 2>would assume an opening weekend. There's probably it's probably more filled.

531
00:24:15.359 --> 00:24:17.279
<v Speaker 2>What did you make of? And this is I struggle

532
00:24:17.359 --> 00:24:18.880
<v Speaker 2>with this after the film, and I kind of it

533
00:24:18.960 --> 00:24:24.599
<v Speaker 2>kind of disappeared into the like the the the upside

534
00:24:24.640 --> 00:24:26.640
<v Speaker 2>down of my mind, sure, where it didn't really matter.

535
00:24:26.839 --> 00:24:28.720
<v Speaker 2>What did you make? And this isn't really a spoiler

536
00:24:29.000 --> 00:24:31.759
<v Speaker 2>of this? Dude have an oxy in his medicine cabinet.

537
00:24:32.359 --> 00:24:34.279
<v Speaker 1>Oh yeah, that didn't really register with me.

538
00:24:35.319 --> 00:24:38.759
<v Speaker 2>It just struck me as that type of guy. He

539
00:24:39.160 --> 00:24:42.480
<v Speaker 2>just it wasn't prescription. Yeah, like, so is this just

540
00:24:42.519 --> 00:24:44.799
<v Speaker 2>what kids do nowadays or not kids but people in

541
00:24:44.839 --> 00:24:46.640
<v Speaker 2>their twenties. Yeah, they just have oxy?

542
00:24:47.240 --> 00:24:48.960
<v Speaker 1>Is that the implication? I have no idea.

543
00:24:49.039 --> 00:24:51.599
<v Speaker 2>Honestly, I just thought it was really weird. He does not.

544
00:24:51.680 --> 00:24:54.279
<v Speaker 2>I mean, I'm certain there's a certain type of person

545
00:24:54.559 --> 00:24:58.680
<v Speaker 2>movie character, film character, fictional character that I would imagine

546
00:24:58.680 --> 00:25:03.680
<v Speaker 2>would have prescription drugs using it for recreational purposes, right,

547
00:25:03.960 --> 00:25:06.400
<v Speaker 2>But this sky did not fit that at all, which

548
00:25:06.559 --> 00:25:07.880
<v Speaker 2>I thought was this kind of weird?

549
00:25:08.079 --> 00:25:10.519
<v Speaker 1>Yeah, is the director? I always like, sometimes you wonder

550
00:25:10.559 --> 00:25:12.960
<v Speaker 1>and that's like one of the traps you can always

551
00:25:13.000 --> 00:25:15.279
<v Speaker 1>fall in with this stuff, is trying to put more

552
00:25:15.319 --> 00:25:17.720
<v Speaker 1>meaning somewhere where it isn't Is that the director saying

553
00:25:19.000 --> 00:25:21.039
<v Speaker 1>this is a lot more prevalent than you realize, or

554
00:25:21.079 --> 00:25:23.359
<v Speaker 1>is this just a stupid oversight like you needed this

555
00:25:23.400 --> 00:25:26.119
<v Speaker 1>as a plot device for later in the film, whatever,

556
00:25:26.160 --> 00:25:29.960
<v Speaker 1>whatever the situation. I always wonder that the original Hostel,

557
00:25:30.599 --> 00:25:33.400
<v Speaker 1>the first forty five minutes there's almost no violence. I

558
00:25:33.440 --> 00:25:35.000
<v Speaker 1>don't know if you've ever seen it or the last

559
00:25:35.039 --> 00:25:38.160
<v Speaker 1>time you've seen it. You watch it today, and I

560
00:25:38.200 --> 00:25:41.799
<v Speaker 1>swear to god, man, every sentence has a homophobic slur

561
00:25:42.079 --> 00:25:45.480
<v Speaker 1>and and what's funny is is that's how everybody used

562
00:25:45.519 --> 00:25:48.240
<v Speaker 1>to talk back in the mid two thousands. Not from

563
00:25:48.279 --> 00:25:51.119
<v Speaker 1>a homophobic perspective, it's just how everybody talked. And I'm

564
00:25:51.119 --> 00:25:53.799
<v Speaker 1>sitting there, I'm like, Okay, so is this eli Roth

565
00:25:54.160 --> 00:25:57.079
<v Speaker 1>showing us how we all sounded in twenty years removed

566
00:25:57.079 --> 00:25:59.279
<v Speaker 1>from that I hear how stupid we used to say?

567
00:25:59.759 --> 00:26:02.160
<v Speaker 1>Or did he write this thinking it was good writing?

568
00:26:02.440 --> 00:26:05.400
<v Speaker 1>Like I have no idea which one of those things happened,

569
00:26:05.599 --> 00:26:07.599
<v Speaker 1>And I kind of feel the same way with this

570
00:26:07.680 --> 00:26:09.720
<v Speaker 1>one as well. Here is probably the best way I

571
00:26:09.759 --> 00:26:10.279
<v Speaker 1>can describe.

572
00:26:10.400 --> 00:26:12.079
<v Speaker 2>Sometimes I watch We Runs a King of Queen's and

573
00:26:12.079 --> 00:26:14.839
<v Speaker 2>there's homophobic slurs in that show Real, which was from

574
00:26:14.839 --> 00:26:15.759
<v Speaker 2>the early two thousands.

575
00:26:15.880 --> 00:26:17.759
<v Speaker 1>Yeah, yeah right, And it's just like, but that was

576
00:26:17.759 --> 00:26:19.599
<v Speaker 1>just the way people talked back then, Like you can't

577
00:26:19.640 --> 00:26:21.599
<v Speaker 1>you can't go back in time. You know, That's just

578
00:26:21.640 --> 00:26:23.759
<v Speaker 1>the way it works. But so I see that happen,

579
00:26:23.839 --> 00:26:26.000
<v Speaker 1>I'm like, because eli Roth, in my opinion, is a

580
00:26:26.039 --> 00:26:28.759
<v Speaker 1>fantastic I love what he does. Ice cream man. I'm

581
00:26:28.799 --> 00:26:30.359
<v Speaker 1>definitely gonna be there when that comes out.

582
00:26:30.400 --> 00:26:31.119
<v Speaker 2>When does that come up?

583
00:26:31.160 --> 00:26:33.119
<v Speaker 1>I think August something I saw a trailer for.

584
00:26:33.519 --> 00:26:36.119
<v Speaker 2>I'm seeing some really good trailers for stuff that comes

585
00:26:36.119 --> 00:26:36.880
<v Speaker 2>out in September.

586
00:26:37.039 --> 00:26:39.319
<v Speaker 1>Yeah, it's like this, Uh.

587
00:26:38.960 --> 00:26:40.759
<v Speaker 2>I can't What was the one I sent you yesterday?

588
00:26:40.759 --> 00:26:42.200
<v Speaker 2>Did I not send it I don't think you did

589
00:26:42.359 --> 00:26:43.799
<v Speaker 2>know how to rob a bank?

590
00:26:43.839 --> 00:26:44.599
<v Speaker 1>Have you seen the trailer?

591
00:26:44.640 --> 00:26:47.359
<v Speaker 2>No, dude, that's another It's it's a YouTube channel, but

592
00:26:47.759 --> 00:26:49.599
<v Speaker 2>I think it might be a fictional YouTube channel. That

593
00:26:49.640 --> 00:26:50.359
<v Speaker 2>movie looks amazing.

594
00:26:50.400 --> 00:26:55.640
<v Speaker 1>Yeah, there's six YouTube people that have movies either done,

595
00:26:55.640 --> 00:26:59.240
<v Speaker 1>being produced currently in instruction. Yeah yeah, and there was

596
00:26:59.279 --> 00:27:01.640
<v Speaker 1>actually seven because one of them did it last year

597
00:27:01.640 --> 00:27:03.480
<v Speaker 1>and it completely tanks. That's how I saw it, was like,

598
00:27:03.519 --> 00:27:05.960
<v Speaker 1>someone needs to do a welfare check on this guy

599
00:27:06.079 --> 00:27:09.160
<v Speaker 1>because the other six have such like, which like, how

600
00:27:09.200 --> 00:27:11.079
<v Speaker 1>many of us get to make a movie? Shut up right?

601
00:27:12.359 --> 00:27:14.759
<v Speaker 1>Like at the same time, apparently it's completely bombed.

602
00:27:15.200 --> 00:27:18.440
<v Speaker 2>But the the other aspect.

603
00:27:18.039 --> 00:27:19.559
<v Speaker 1>Of this or one of the other aspects.

604
00:27:19.559 --> 00:27:21.960
<v Speaker 2>And I feel bad because this is normally my unofficial

605
00:27:22.079 --> 00:27:25.440
<v Speaker 2>duty for this show. I should have researched to see

606
00:27:25.480 --> 00:27:29.359
<v Speaker 2>if what what's you're going to say? Because I research

607
00:27:29.400 --> 00:27:33.000
<v Speaker 2>all the crap I wanted. I should have looked up

608
00:27:33.039 --> 00:27:35.160
<v Speaker 2>to see if a one wish Willow was an actual thing.

609
00:27:35.319 --> 00:27:37.839
<v Speaker 2>Oh sure, you know, or if that's something that was

610
00:27:37.920 --> 00:27:42.519
<v Speaker 2>just made up for for this movie. The the cat thing.

611
00:27:45.559 --> 00:27:46.000
<v Speaker 1>Not real?

612
00:27:46.880 --> 00:27:51.119
<v Speaker 2>It's not real, Okay, the cat thing in here. There's

613
00:27:51.160 --> 00:27:56.039
<v Speaker 2>there's two things that happened regarding this guy's cat or

614
00:27:56.400 --> 00:27:59.000
<v Speaker 2>somewhat early. Definitely one early on and then kind of

615
00:27:59.119 --> 00:28:03.359
<v Speaker 2>a little bit later on, and that scene the second one. Dude,

616
00:28:03.400 --> 00:28:05.839
<v Speaker 2>I'm like, okay, yeah, if I had a seat belt,

617
00:28:05.839 --> 00:28:10.160
<v Speaker 2>i'd be clipping it shut right now because this I

618
00:28:10.200 --> 00:28:12.440
<v Speaker 2>don't know what's what's gonna happen. I don't know what's

619
00:28:12.519 --> 00:28:14.839
<v Speaker 2>I don't know where this is gonna go from from here.

620
00:28:16.160 --> 00:28:19.960
<v Speaker 2>So that was cool. And then and I picked up

621
00:28:19.960 --> 00:28:22.640
<v Speaker 2>on this, I guess when I was thinking about it

622
00:28:22.680 --> 00:28:26.119
<v Speaker 2>after the fact. And we touched on this earlier about

623
00:28:26.119 --> 00:28:30.200
<v Speaker 2>there were these flashes that where all of a sudden,

624
00:28:30.440 --> 00:28:33.440
<v Speaker 2>one of the characters would switch to playing a different character.

625
00:28:33.599 --> 00:28:36.160
<v Speaker 2>Kind of yeah, all of a sudden and then switch

626
00:28:36.240 --> 00:28:38.960
<v Speaker 2>right back. And it's like, you know, if you're an

627
00:28:39.000 --> 00:28:41.400
<v Speaker 2>actor and you're playing that, that's gotta be fun. But

628
00:28:41.519 --> 00:28:45.000
<v Speaker 2>maybe I'm just the idiot audience member. It was tough

629
00:28:45.000 --> 00:28:46.799
<v Speaker 2>for me to pick up on that until I sat

630
00:28:46.839 --> 00:28:49.920
<v Speaker 2>back and thought about it after I watched the movie. Sure,

631
00:28:49.960 --> 00:28:52.880
<v Speaker 2>I don't necessarily think I was picking up on what

632
00:28:53.160 --> 00:28:56.279
<v Speaker 2>the director and the actor wanted me to pick up on.

633
00:28:56.400 --> 00:28:56.640
<v Speaker 1>For that.

634
00:28:56.880 --> 00:28:59.119
<v Speaker 2>Yeah, but maybe that's just me being adult. I don't know.

635
00:28:59.279 --> 00:29:01.680
<v Speaker 1>No, I think it was subtle enough. I understood what

636
00:29:01.680 --> 00:29:03.680
<v Speaker 1>they were going through. And again, maybe that's why you

637
00:29:03.720 --> 00:29:06.720
<v Speaker 1>didn't really even pick up on the walking backwards part,

638
00:29:06.759 --> 00:29:09.079
<v Speaker 1>because that was a physical version of the same thing

639
00:29:09.119 --> 00:29:12.160
<v Speaker 1>that you're describing right there. I'm like, oh, man, because like,

640
00:29:12.200 --> 00:29:14.759
<v Speaker 1>she looks like she wants to walk in a certain direction,

641
00:29:14.880 --> 00:29:17.039
<v Speaker 1>but she's then walking the other way, and it's just

642
00:29:17.079 --> 00:29:20.640
<v Speaker 1>like very subtle, And I was like, oh man, I

643
00:29:20.720 --> 00:29:24.519
<v Speaker 1>absolutely I love when actors have a capacity to be

644
00:29:24.559 --> 00:29:27.319
<v Speaker 1>able to convey that. And I think, again, I think

645
00:29:27.440 --> 00:29:30.839
<v Speaker 1>everybody involved did a phenomenal job of getting that across.

646
00:29:31.000 --> 00:29:35.839
<v Speaker 1>I was thoroughly entertained, Like despite the I don't want

647
00:29:35.839 --> 00:29:39.000
<v Speaker 1>to say on originality, but the familiar set pieces for

648
00:29:39.079 --> 00:29:39.960
<v Speaker 1>the entire time.

649
00:29:40.400 --> 00:29:43.880
<v Speaker 2>Do you think superate topic here but related to obsession.

650
00:29:44.640 --> 00:29:47.599
<v Speaker 2>Do you think that the jump scare has become passe

651
00:29:48.240 --> 00:29:50.839
<v Speaker 2>in neo horror movies?

652
00:29:51.759 --> 00:29:57.759
<v Speaker 1>H No, I think the the predictable jump scare is passe.

653
00:29:58.359 --> 00:30:01.759
<v Speaker 1>I think I are argues, so I think everybody in

654
00:30:01.799 --> 00:30:04.079
<v Speaker 1>the audience, including both of us here, can agree. The

655
00:30:04.079 --> 00:30:07.640
<v Speaker 1>one true horror masterpiece is a cabin in the Woods

656
00:30:07.960 --> 00:30:14.279
<v Speaker 1>and and in the Cabin in the Woods. It's like

657
00:30:14.400 --> 00:30:18.200
<v Speaker 1>they know if you're watching that, that you know when

658
00:30:18.240 --> 00:30:21.000
<v Speaker 1>the jump scares are supposed to happen. And I can

659
00:30:21.039 --> 00:30:23.319
<v Speaker 1>tell you that there were three separate occasions in that

660
00:30:23.400 --> 00:30:25.319
<v Speaker 1>movie where I almost jumped out of my seat and

661
00:30:25.319 --> 00:30:27.400
<v Speaker 1>I do not the Woods, yeah, yeah, And I do

662
00:30:27.480 --> 00:30:29.759
<v Speaker 1>not jump a horror movies. I didn't jump in obsession.

663
00:30:30.440 --> 00:30:32.279
<v Speaker 2>I don't think you were meant to. No, that's that's

664
00:30:32.279 --> 00:30:35.480
<v Speaker 2>That's my point is there is a perfect opportunity for

665
00:30:35.640 --> 00:30:38.640
<v Speaker 2>one when he wakes up in the middle of the

666
00:30:38.759 --> 00:30:41.599
<v Speaker 2>night and you know, there's that camera shot that's I

667
00:30:41.640 --> 00:30:43.319
<v Speaker 2>can't remember if it was a still shot or if

668
00:30:43.319 --> 00:30:45.400
<v Speaker 2>it was panning a little bit in the bedroom, like

669
00:30:45.440 --> 00:30:48.079
<v Speaker 2>from his point of view, there was a perfect opportunity

670
00:30:48.119 --> 00:30:49.920
<v Speaker 2>for one there. And I don't want to say they

671
00:30:50.000 --> 00:30:52.279
<v Speaker 2>like they blew it, or they wasted it, or they

672
00:30:52.319 --> 00:30:56.759
<v Speaker 2>ruined it, because I do think that it was supposed

673
00:30:56.799 --> 00:30:58.960
<v Speaker 2>to I don't know, man, Like I just I think

674
00:30:59.000 --> 00:31:02.599
<v Speaker 2>that the creepy, the creepy scare is starting to become

675
00:31:02.680 --> 00:31:07.000
<v Speaker 2>the new cool thing rather than the jump scare. And

676
00:31:07.000 --> 00:31:08.960
<v Speaker 2>we'll get into back rooms next week. But I think

677
00:31:08.960 --> 00:31:10.319
<v Speaker 2>there's a lot of elements to that.

678
00:31:10.519 --> 00:31:12.319
<v Speaker 1>I agree. I was thinking of that when you said,

679
00:31:12.359 --> 00:31:14.599
<v Speaker 1>because we've both seen back rooms already as well, but.

680
00:31:14.920 --> 00:31:18.240
<v Speaker 2>With Obsession this this movie too. I just feel like

681
00:31:20.039 --> 00:31:23.559
<v Speaker 2>it's sort of like a better executed What was the

682
00:31:23.559 --> 00:31:27.279
<v Speaker 2>film we watched? We both hated it?

683
00:31:27.279 --> 00:31:30.279
<v Speaker 1>It was Undertone? Yeah, dude, I thought the same thing.

684
00:31:30.799 --> 00:31:31.920
<v Speaker 1>I thought the same thing.

685
00:31:32.079 --> 00:31:36.039
<v Speaker 2>This is just a much more well executed version of Undertone.

686
00:31:36.079 --> 00:31:37.720
<v Speaker 1>Yeah, it doesn't you it's so funny?

687
00:31:37.759 --> 00:31:40.359
<v Speaker 2>It does it does it doesn't give you the scare

688
00:31:40.359 --> 00:31:43.680
<v Speaker 2>blue balls essentially, you know where you actually.

689
00:31:43.640 --> 00:31:45.480
<v Speaker 1>Want to see something cool. I was looking up while

690
00:31:45.480 --> 00:31:48.400
<v Speaker 1>you were talking. This is the nineteen twenty two movie Hacks,

691
00:31:48.400 --> 00:31:50.519
<v Speaker 1>And this is the first they didn't even have sound

692
00:31:50.559 --> 00:31:52.720
<v Speaker 1>and movies okay yet this is the first jump scare

693
00:31:52.720 --> 00:31:55.000
<v Speaker 1>that has ever happened in cinema. And can you what

694
00:31:55.079 --> 00:31:56.400
<v Speaker 1>am I looking at here? Yeah? A guy?

695
00:31:56.559 --> 00:31:57.960
<v Speaker 2>Oh there you go? Okay, got it?

696
00:31:58.279 --> 00:32:01.519
<v Speaker 1>Could you imagine being at thirty year old in nineteen

697
00:32:01.599 --> 00:32:03.599
<v Speaker 1>twenty two that might wouldn't be able to forget that

698
00:32:03.640 --> 00:32:04.079
<v Speaker 1>for weeks.

699
00:32:04.160 --> 00:32:06.680
<v Speaker 2>Think about the first person who thought of that. Right,

700
00:32:06.839 --> 00:32:09.440
<v Speaker 2>there is an SNL sketch. I can't I think it

701
00:32:09.480 --> 00:32:11.759
<v Speaker 2>was Michael Keaton or Matthew Perry. Can't remember that was

702
00:32:11.799 --> 00:32:13.359
<v Speaker 2>Matthew Perry. I think it might have been Michael ket

703
00:32:13.440 --> 00:32:15.000
<v Speaker 2>It could have been I don't know. Yeah, but it

704
00:32:15.079 --> 00:32:17.839
<v Speaker 2>was the invention of the first person to use sarcasm.

705
00:32:17.920 --> 00:32:21.880
<v Speaker 2>Oh yeah, yeah, sure, it seems like such a stupid idea. Yeah,

706
00:32:21.920 --> 00:32:23.759
<v Speaker 2>but but but when you executed it.

707
00:32:23.799 --> 00:32:26.359
<v Speaker 1>With Simon Pegg did the first guy to lie? And

708
00:32:26.599 --> 00:32:27.480
<v Speaker 1>it was like a society.

709
00:32:28.880 --> 00:32:29.440
<v Speaker 2>Where was this?

710
00:32:29.559 --> 00:32:30.200
<v Speaker 1>It was a movie?

711
00:32:30.400 --> 00:32:31.160
<v Speaker 2>Oh it was.

712
00:32:31.200 --> 00:32:33.599
<v Speaker 1>It was a whole movie. I'll have to I'll google it.

713
00:32:33.640 --> 00:32:36.160
<v Speaker 1>But it actually wasn't bad because he basically runs the

714
00:32:36.200 --> 00:32:39.160
<v Speaker 1>world because everybody is running around telling the truth and

715
00:32:39.200 --> 00:32:42.880
<v Speaker 1>he's just saying whatever he wants. Yeah, yeah, but but yeah,

716
00:32:42.960 --> 00:32:45.720
<v Speaker 1>I do think the jump scares, I think are cheap.

717
00:32:45.759 --> 00:32:48.599
<v Speaker 1>You know what's interesting, and we're kind of you mentioned

718
00:32:48.599 --> 00:32:49.880
<v Speaker 1>this a bit with Okay, hold.

719
00:32:49.759 --> 00:32:52.119
<v Speaker 2>On, I just I want to get this out before

720
00:32:52.160 --> 00:32:55.240
<v Speaker 2>you go on on this. Yes, they're cheap, but sometimes

721
00:32:55.319 --> 00:33:00.720
<v Speaker 2>I think they are necessary to abruptly change the focus

722
00:33:00.759 --> 00:33:03.279
<v Speaker 2>and the mood of the viewer. Right, It's an easy

723
00:33:03.319 --> 00:33:06.599
<v Speaker 2>way to do it. And I think while they're not

724
00:33:06.759 --> 00:33:12.400
<v Speaker 2>looked on as like these great cinematic segues. I think

725
00:33:12.440 --> 00:33:16.680
<v Speaker 2>that they do play a vital role in horror movies.

726
00:33:16.759 --> 00:33:19.319
<v Speaker 1>Well see, and this is hard going to be hard

727
00:33:19.319 --> 00:33:21.640
<v Speaker 1>for both of us to accept, and like, your kids

728
00:33:21.720 --> 00:33:23.440
<v Speaker 1>kind of even opened my eyes to this a little

729
00:33:23.440 --> 00:33:25.319
<v Speaker 1>bit with the story you told me about forty seven

730
00:33:25.359 --> 00:33:26.319
<v Speaker 1>meters down.

731
00:33:26.079 --> 00:33:29.400
<v Speaker 2>Where they said rage fait, Yeah.

732
00:33:29.160 --> 00:33:32.039
<v Speaker 1>Jump scares. I think are getting filed into cliffhangers? Do

733
00:33:32.160 --> 00:33:34.720
<v Speaker 1>I like cliffhangers on TV show? You bet your ass

734
00:33:34.759 --> 00:33:36.920
<v Speaker 1>on the cliffhangers? I love them, like, oh, I can't

735
00:33:36.920 --> 00:33:39.039
<v Speaker 1>wait till next season. I hate it in the moment,

736
00:33:39.079 --> 00:33:41.559
<v Speaker 1>but then I like this, Yeah, you show a cliffhanger

737
00:33:41.599 --> 00:33:43.519
<v Speaker 1>to a gen Z and they're like, what you couldn't

738
00:33:43.519 --> 00:33:45.279
<v Speaker 1>figure out how to end the season. Why do you

739
00:33:45.279 --> 00:33:47.480
<v Speaker 1>have to do this cheap thing to keep me coming back?

740
00:33:47.519 --> 00:33:49.000
<v Speaker 1>Why can't you just tell a full story?

741
00:33:49.039 --> 00:33:52.079
<v Speaker 2>But it is kind of an immature way of looking

742
00:33:52.119 --> 00:33:54.599
<v Speaker 2>at it, right that that's not how television is made.

743
00:33:54.640 --> 00:33:57.240
<v Speaker 2>That's not how like we're trying to. We're trying to

744
00:33:57.279 --> 00:34:02.440
<v Speaker 2>get people. If you're a showrunner, if you're a producer,

745
00:34:02.880 --> 00:34:06.240
<v Speaker 2>you know, if you're a writer, you're trying to get

746
00:34:06.240 --> 00:34:10.559
<v Speaker 2>people falling into your world, and that you don't want

747
00:34:10.599 --> 00:34:14.559
<v Speaker 2>them to escape, right if you resolve something, and I

748
00:34:14.559 --> 00:34:15.800
<v Speaker 2>know we're on the cliffhangers now.

749
00:34:15.760 --> 00:34:16.760
<v Speaker 1>We'll get back to them scars.

750
00:34:17.079 --> 00:34:20.440
<v Speaker 2>But if you resolve something, what's the impetus to come

751
00:34:20.480 --> 00:34:22.159
<v Speaker 2>back to that? You know?

752
00:34:22.800 --> 00:34:26.360
<v Speaker 1>Other than season four of Dexter, every season is a

753
00:34:26.400 --> 00:34:29.880
<v Speaker 1>self contained season, and realistically even season four is self contained.

754
00:34:29.880 --> 00:34:31.760
<v Speaker 1>But there's just a major moment at the end of

755
00:34:31.800 --> 00:34:34.079
<v Speaker 1>it that definitely changes the trajectory of the rest of

756
00:34:34.119 --> 00:34:37.039
<v Speaker 1>the show gets you excited. Every season ends with Dexter

757
00:34:37.159 --> 00:34:40.719
<v Speaker 1>catching the serial killer. There is no indication that another

758
00:34:40.760 --> 00:34:43.159
<v Speaker 1>serial killer is out there. Yeah, for all you know,

759
00:34:43.239 --> 00:34:44.480
<v Speaker 1>that was the end of the show and then the

760
00:34:44.480 --> 00:34:44.920
<v Speaker 1>next season.

761
00:34:44.960 --> 00:34:48.239
<v Speaker 2>Sometimes sometimes I think they write right at that, like Euphouri,

762
00:34:48.239 --> 00:34:49.239
<v Speaker 2>you just had their season.

763
00:34:49.039 --> 00:34:50.719
<v Speaker 1>Financial Yeah, I wanted to ask you. That's how I

764
00:34:50.719 --> 00:34:52.360
<v Speaker 1>meant to start this show, to see how you felt

765
00:34:52.400 --> 00:34:54.159
<v Speaker 1>about that. I know what happened because it's all over

766
00:34:54.159 --> 00:34:54.639
<v Speaker 1>the internet.

767
00:34:54.800 --> 00:34:57.760
<v Speaker 2>Super powerful. Yeah, okay, and it's weird because I had

768
00:34:57.800 --> 00:35:00.480
<v Speaker 2>a brother die of addiction. Yeah, st I had a

769
00:35:00.480 --> 00:35:03.880
<v Speaker 2>brother die of addiction. I thought this episode was great.

770
00:35:04.039 --> 00:35:07.360
<v Speaker 2>He hated it, you know, so it's kind of polarizing

771
00:35:07.440 --> 00:35:09.960
<v Speaker 2>or whatever. I thought it was amazing. Anyway, it was

772
00:35:10.000 --> 00:35:14.000
<v Speaker 2>the season finale. There's nobody. Nobody has said anything. HBO

773
00:35:14.079 --> 00:35:16.559
<v Speaker 2>isn't commented if they're going to bring back for season

774
00:35:16.599 --> 00:35:18.800
<v Speaker 2>four or whatever. I think if they do, it'd be

775
00:35:19.159 --> 00:35:21.360
<v Speaker 2>kind of weird. Yeah, but they might. There's an zero

776
00:35:21.440 --> 00:35:24.000
<v Speaker 2>chance of anything. But Sam Levinson said this who and

777
00:35:24.039 --> 00:35:26.239
<v Speaker 2>he did. He wrote all three seasons of U forty

778
00:35:26.320 --> 00:35:29.079
<v Speaker 2>and he said, I always write each season as if

779
00:35:29.079 --> 00:35:31.320
<v Speaker 2>it is the last. Yeah, right, so, and I think

780
00:35:31.360 --> 00:35:33.559
<v Speaker 2>there's a lot of people do that too, especially nowadays.

781
00:35:33.599 --> 00:35:34.679
<v Speaker 1>He knows he a younger guy.

782
00:35:35.199 --> 00:35:37.639
<v Speaker 2>It's weird. He's I think he's like my age. Okay,

783
00:35:37.880 --> 00:35:43.480
<v Speaker 2>but he dated Ellen Barkin. I think not Ellen Barkin,

784
00:35:43.599 --> 00:35:47.760
<v Speaker 2>who is the woman in al Pacino's right hand man

785
00:35:47.800 --> 00:35:48.760
<v Speaker 2>in Ocean's thirteen.

786
00:35:49.000 --> 00:35:51.519
<v Speaker 1>That woman, Oh yeah, I know you're talking about it.

787
00:35:51.519 --> 00:35:53.239
<v Speaker 2>I think it is Ellen Barking. I think that's her name,

788
00:35:53.519 --> 00:35:55.519
<v Speaker 2>and he's she's like twenty years old, and he was

789
00:35:55.519 --> 00:35:56.199
<v Speaker 2>like dating.

790
00:35:55.960 --> 00:35:58.639
<v Speaker 1>Or when he was something. I was just interested.

791
00:35:58.760 --> 00:36:00.920
<v Speaker 2>He's a weird guy like he and obviously a lot

792
00:36:00.960 --> 00:36:03.559
<v Speaker 2>of the stuff that he did on Euphoria, people are like,

793
00:36:03.599 --> 00:36:06.760
<v Speaker 2>oh my god, I can't believe they're putting this on televisions.

794
00:36:07.639 --> 00:36:11.360
<v Speaker 2>And he battled addiction to you know in his so

795
00:36:11.480 --> 00:36:15.880
<v Speaker 2>he's he's an interesting cat anyway. But yeah, I think

796
00:36:15.920 --> 00:36:17.760
<v Speaker 2>he's like he's like my age or whatever. But I

797
00:36:17.800 --> 00:36:20.960
<v Speaker 2>think that's what you do if you are lucky enough

798
00:36:21.000 --> 00:36:23.239
<v Speaker 2>to get your show on a streaming service or on

799
00:36:23.480 --> 00:36:27.440
<v Speaker 2>god forbid, broadcast television. You want to pay this off

800
00:36:27.480 --> 00:36:32.519
<v Speaker 2>to your listeners into two regards of closing each story

801
00:36:32.920 --> 00:36:36.159
<v Speaker 2>at the end of every season, right, but at the

802
00:36:36.159 --> 00:36:39.360
<v Speaker 2>same time leaving stuff open that you could with the

803
00:36:39.400 --> 00:36:41.480
<v Speaker 2>way that Dexter did it right, right, And so I

804
00:36:41.480 --> 00:36:43.679
<v Speaker 2>think that's you know, it's all.

805
00:36:43.239 --> 00:36:46.519
<v Speaker 1>The greats Game of Thrones basically, most seasons would end

806
00:36:46.559 --> 00:36:49.960
<v Speaker 1>with like not everything resolved, but like if you notice,

807
00:36:50.039 --> 00:36:52.679
<v Speaker 1>go back and watch episode ten of every season and

808
00:36:52.760 --> 00:36:55.039
<v Speaker 1>like the last fifteen minutes is all the different groups

809
00:36:55.039 --> 00:36:58.119
<v Speaker 1>of people, Like it'll be like, say, I John Still

810
00:36:58.119 --> 00:37:00.239
<v Speaker 1>will be like, well, I guess I'm gonna go Worth

811
00:37:00.280 --> 00:37:02.559
<v Speaker 1>of the wall. He shows the door opening and he's

812
00:37:02.599 --> 00:37:04.440
<v Speaker 1>walking out there, and then it's like that's the last

813
00:37:04.480 --> 00:37:06.119
<v Speaker 1>time you see him for the season. It's not necessarily

814
00:37:06.159 --> 00:37:06.840
<v Speaker 1>a cliffhanger.

815
00:37:07.000 --> 00:37:09.079
<v Speaker 2>It's like is that the last time we saw him forever?

816
00:37:09.960 --> 00:37:12.280
<v Speaker 1>No? Oh, okay, well, yes, but I meant like the

817
00:37:12.280 --> 00:37:15.159
<v Speaker 1>first time when he finds the Wild Wings and he

818
00:37:15.239 --> 00:37:17.239
<v Speaker 1>meets you know, nothing, Yeah, but.

819
00:37:17.239 --> 00:37:19.239
<v Speaker 2>Like you know they're together in real life. Yeah.

820
00:37:19.320 --> 00:37:21.960
<v Speaker 1>Yeah. But or even Breaking Bad, like in season two,

821
00:37:22.000 --> 00:37:24.360
<v Speaker 1>it ends with the plane crash. It doesn't really leave

822
00:37:24.440 --> 00:37:26.920
<v Speaker 1>much up to be desired, but you just know waltz

823
00:37:26.960 --> 00:37:28.280
<v Speaker 1>actions led to the playing.

824
00:37:28.679 --> 00:37:30.280
<v Speaker 2>I think it's a little bit different for Breaking Bad

825
00:37:30.440 --> 00:37:33.119
<v Speaker 2>and it like you don't like, it's like, okay, so

826
00:37:33.159 --> 00:37:35.079
<v Speaker 2>I wonder how much more evil he's gonna get.

827
00:37:35.119 --> 00:37:39.280
<v Speaker 1>The only real cliffhanger in that show was the Gael cliffhanger.

828
00:37:39.320 --> 00:37:40.599
<v Speaker 1>It's like, oh my god.

829
00:37:40.440 --> 00:37:42.519
<v Speaker 2>That was a cliffhanger. And then I would contend that

830
00:37:42.639 --> 00:37:44.760
<v Speaker 2>because they split the last season.

831
00:37:44.559 --> 00:37:45.800
<v Speaker 1>Into two, Okay, that's fair.

832
00:37:46.119 --> 00:37:49.519
<v Speaker 2>The mid when they had the Yeah, that was actually more.

833
00:37:49.360 --> 00:37:51.800
<v Speaker 1>Of a cliffhanger than the Gael thing because it was

834
00:37:51.840 --> 00:37:52.719
<v Speaker 1>definitely dead.

835
00:37:53.519 --> 00:37:55.760
<v Speaker 2>Well I mean think about like it was just intense.

836
00:37:56.119 --> 00:37:59.239
<v Speaker 2>This is way before your time. But on Dallas in

837
00:37:59.280 --> 00:38:01.679
<v Speaker 2>the eighties, which was the nighttime soap opera, they had

838
00:38:01.679 --> 00:38:04.719
<v Speaker 2>the who Shot Jr? Right Now. Back then, there was

839
00:38:04.760 --> 00:38:07.559
<v Speaker 2>no YouTube there's no streaming or whatever. You had broadcast tving.

840
00:38:07.559 --> 00:38:09.679
<v Speaker 2>That was it. I mean, Ben, that's all anybody was

841
00:38:09.679 --> 00:38:12.079
<v Speaker 2>talking about who shot Jr? And you had to wait

842
00:38:12.519 --> 00:38:16.159
<v Speaker 2>several months, you know, to find out who it was.

843
00:38:16.239 --> 00:38:19.480
<v Speaker 1>Kristin Sheppard over here thinking, I don't I saw the

844
00:38:19.519 --> 00:38:21.559
<v Speaker 1>who shot mister Burns special?

845
00:38:21.679 --> 00:38:23.519
<v Speaker 2>Well that was? That was But I mean that's just

846
00:38:23.559 --> 00:38:24.440
<v Speaker 2>that's a parody.

847
00:38:25.480 --> 00:38:28.800
<v Speaker 1>So but yeah, So I mean, like the to bring

848
00:38:28.800 --> 00:38:31.480
<v Speaker 1>it full circle, I mean, for the record jump, let's

849
00:38:31.480 --> 00:38:33.360
<v Speaker 1>get back before we do. I do want to say,

850
00:38:33.360 --> 00:38:35.159
<v Speaker 1>just because it feels like we're on opposite size, it's

851
00:38:35.199 --> 00:38:36.920
<v Speaker 1>just to be clear, Bulky and I agree. I am

852
00:38:37.039 --> 00:38:38.159
<v Speaker 1>pro Cliffhanger.

853
00:38:38.239 --> 00:38:39.559
<v Speaker 2>Yeah, I like say I like them too.

854
00:38:39.639 --> 00:38:42.119
<v Speaker 1>I'm saying young people, I'm saying it is it's because

855
00:38:42.159 --> 00:38:44.880
<v Speaker 1>we are of a certain era and that era does

856
00:38:44.920 --> 00:38:46.440
<v Speaker 1>not exist anymore.

857
00:38:46.000 --> 00:38:49.159
<v Speaker 2>Which I think is dumb. I mean, like, okay, give

858
00:38:49.159 --> 00:38:50.800
<v Speaker 2>the people what they want. Of course, what do I

859
00:38:50.800 --> 00:38:52.880
<v Speaker 2>always say the old adage if if you give the

860
00:38:52.920 --> 00:38:55.400
<v Speaker 2>people what they want, they'll make it for free and they.

861
00:38:55.320 --> 00:38:57.199
<v Speaker 1>Won't see what you are producing.

862
00:38:57.320 --> 00:39:00.920
<v Speaker 2>Yeah, So I mean to me, rat, I mean think

863
00:39:00.920 --> 00:39:03.719
<v Speaker 2>about walking debt when when they had the vegan thing.

864
00:39:03.840 --> 00:39:05.960
<v Speaker 1>See the only reason that show lasted as long as

865
00:39:05.960 --> 00:39:08.639
<v Speaker 1>it freaking did. I think that's actually what made the

866
00:39:08.719 --> 00:39:13.800
<v Speaker 1>discourse about cliffhangers a thing was oh, not.

867
00:39:13.480 --> 00:39:15.760
<v Speaker 2>Not paying that often that it could have been.

868
00:39:15.639 --> 00:39:18.159
<v Speaker 1>Start be sure because it was just like the first

869
00:39:18.159 --> 00:39:20.559
<v Speaker 1>person view with the blood coming down at the end

870
00:39:20.599 --> 00:39:21.840
<v Speaker 1>of the scene, you didn't know who it was.

871
00:39:22.000 --> 00:39:24.039
<v Speaker 2>Yeah, and people were trying to suppruder it, like with

872
00:39:24.119 --> 00:39:27.480
<v Speaker 2>the angle that and then they totally flip it on

873
00:39:27.519 --> 00:39:28.719
<v Speaker 2>its head when they come off.

874
00:39:28.760 --> 00:39:32.039
<v Speaker 1>That was great. But I think that but like even

875
00:39:32.079 --> 00:39:34.719
<v Speaker 1>the zapruder thing, like, to me, that's fun. Yeah, I

876
00:39:34.760 --> 00:39:37.440
<v Speaker 1>think that builds a community. I think people like it everyone.

877
00:39:38.280 --> 00:39:40.719
<v Speaker 2>But I'm telling you there there's I mean, think about

878
00:39:40.760 --> 00:39:43.239
<v Speaker 2>all these idiots, not idiots because they're great, but all

879
00:39:43.280 --> 00:39:45.719
<v Speaker 2>these people that don't have anything to do, like I

880
00:39:45.719 --> 00:39:49.079
<v Speaker 2>think about and granted emergency awesome is I mean he

881
00:39:49.119 --> 00:39:51.119
<v Speaker 2>gets paid to do that or his YouTube channel or whatever.

882
00:39:51.480 --> 00:39:53.840
<v Speaker 2>But like all these Marvel people that I mean, they're

883
00:39:53.880 --> 00:39:56.920
<v Speaker 2>breaking think about they just must if there's like.

884
00:39:57.000 --> 00:39:59.519
<v Speaker 1>You look at this license plate, they just must.

885
00:39:59.320 --> 00:40:02.639
<v Speaker 2>Live on Reddit and they anytime any hair brain conspiracy

886
00:40:02.719 --> 00:40:05.199
<v Speaker 2>theory gets posted on there, they take it and run

887
00:40:05.199 --> 00:40:07.000
<v Speaker 2>with it, and they have to look at every So

888
00:40:07.159 --> 00:40:10.559
<v Speaker 2>to me, yes, you are probably right that this now

889
00:40:10.840 --> 00:40:14.519
<v Speaker 2>current generation does not like the cliffhang or whatever. But

890
00:40:14.559 --> 00:40:17.800
<v Speaker 2>there are still people out there who are megafans of

891
00:40:17.800 --> 00:40:21.159
<v Speaker 2>whatever content it is, Yeah, that love falling into that

892
00:40:21.280 --> 00:40:23.840
<v Speaker 2>world and coming up with stuff on their own.

893
00:40:24.039 --> 00:40:25.960
<v Speaker 1>Maybe this is gonna happen. Maybe this is gonna happen.

894
00:40:26.079 --> 00:40:27.719
<v Speaker 2>Whereas the people who don't really care about it are

895
00:40:27.719 --> 00:40:29.960
<v Speaker 2>just like, ah, I could have that's that's not for me.

896
00:40:30.119 --> 00:40:32.639
<v Speaker 1>And I'm at the point where, like I got mad

897
00:40:32.880 --> 00:40:35.159
<v Speaker 1>when ant Man didn't die at the end of ant

898
00:40:35.199 --> 00:40:37.880
<v Speaker 1>Man three, like cause there was a stretch in the

899
00:40:37.920 --> 00:40:40.440
<v Speaker 1>mid two thousands when like the Two Towers ended on

900
00:40:40.440 --> 00:40:43.679
<v Speaker 1>a cliffhanger, Pirates of the Caribbean, dead Man's Chest ended

901
00:40:43.679 --> 00:40:45.800
<v Speaker 1>on a cliffhanger. Like I was almost to the point

902
00:40:45.800 --> 00:40:47.119
<v Speaker 1>where like when the movies.

903
00:40:46.800 --> 00:40:48.880
<v Speaker 2>Did dead Man's Chest, Oh that was the first one,

904
00:40:49.239 --> 00:40:49.880
<v Speaker 2>that was the second one.

905
00:40:49.960 --> 00:40:52.519
<v Speaker 1>Yeah, and Barbosa comes back. Johnny Depps been eitten by

906
00:40:52.519 --> 00:40:56.559
<v Speaker 1>the crack. It was awesome and uh, and it was like,

907
00:40:56.599 --> 00:40:58.320
<v Speaker 1>why can't you finish the movie? I'm like, no, this

908
00:40:58.440 --> 00:41:01.039
<v Speaker 1>is great. More movies should be doing this. This is fantastic,

909
00:41:01.519 --> 00:41:03.599
<v Speaker 1>But more movies don't do it because you just never know.

910
00:41:04.159 --> 00:41:07.320
<v Speaker 1>Of course, yeah you do with pirates, but yeah, exactly.

911
00:41:07.719 --> 00:41:10.679
<v Speaker 1>But so I'm pro cliffhanger, and I'm pro jump scare,

912
00:41:10.719 --> 00:41:13.079
<v Speaker 1>even though that might be a little bit outdated as

913
00:41:13.119 --> 00:41:15.199
<v Speaker 1>well in a lot of eyes. But I'm pro jump scare,

914
00:41:15.199 --> 00:41:18.039
<v Speaker 1>although I'm it's pretty difficult to get me, but I'm

915
00:41:18.039 --> 00:41:18.840
<v Speaker 1>pro jump scared.

916
00:41:18.920 --> 00:41:23.559
<v Speaker 2>Well you okay, so at at at this point you're

917
00:41:23.599 --> 00:41:25.880
<v Speaker 2>pro jump scare. But you can also say that they're cheap.

918
00:41:26.280 --> 00:41:30.480
<v Speaker 1>Yes, yes, as are cliffhangers. Cliffhangers are I don't keep

919
00:41:30.360 --> 00:41:32.280
<v Speaker 1>me coming back. Just tell a good story and I'll

920
00:41:32.280 --> 00:41:34.480
<v Speaker 1>be back. But that's part of the story. The cliffhanger

921
00:41:34.519 --> 00:41:36.639
<v Speaker 1>is the story. I don't think cliffhangers are cheap. I

922
00:41:36.679 --> 00:41:41.159
<v Speaker 1>think cliffhangers are necessary plot device you have. Oh my god, Ben,

923
00:41:41.280 --> 00:41:45.519
<v Speaker 1>it's it's it's I mean, that's how you know you've

924
00:41:45.519 --> 00:41:50.400
<v Speaker 1>got something. If people genuinely have a strong view on

925
00:41:50.840 --> 00:41:55.199
<v Speaker 1>your cliffhanger, then you have created something awesome. Right.

926
00:41:55.559 --> 00:41:59.639
<v Speaker 2>If people don't care, your story sucks, go back to

927
00:41:59.679 --> 00:42:00.440
<v Speaker 2>the draw on board.

928
00:42:00.599 --> 00:42:01.199
<v Speaker 1>You know what I mean.

929
00:42:01.480 --> 00:42:04.480
<v Speaker 2>The cliffhanger I think is what shows you what you've got.

930
00:42:04.679 --> 00:42:08.119
<v Speaker 2>You know that that's kind of like, uh, it tells

931
00:42:08.159 --> 00:42:10.199
<v Speaker 2>you how good of a storyteller you are, tells you

932
00:42:10.239 --> 00:42:13.159
<v Speaker 2>how good you are of creating not only arcs, but

933
00:42:13.239 --> 00:42:16.079
<v Speaker 2>beats that that go into this as well. So I

934
00:42:16.239 --> 00:42:19.239
<v Speaker 2>think that that is see, I guess, And it's difficult.

935
00:42:19.239 --> 00:42:23.280
<v Speaker 2>You can't really do it in film unless you unless.

936
00:42:22.920 --> 00:42:26.280
<v Speaker 1>Disney property right, Star Wars, whatever the situation is. But

937
00:42:26.480 --> 00:42:29.119
<v Speaker 1>I mean, but like, so think about this all right.

938
00:42:29.159 --> 00:42:31.320
<v Speaker 1>Now we're back on and again we promised will move on.

939
00:42:31.360 --> 00:42:32.599
<v Speaker 1>But I do want to I do want to just

940
00:42:32.639 --> 00:42:35.320
<v Speaker 1>highlight this because like it's technically not a to me.

941
00:42:35.679 --> 00:42:38.079
<v Speaker 1>Maybe we're just saying the word differently. But like when

942
00:42:38.199 --> 00:42:41.920
<v Speaker 1>Tyrian kills taiwin Lanbster at the end of season four

943
00:42:42.679 --> 00:42:45.079
<v Speaker 1>and he gets on the boat and Varius is like, godspeed,

944
00:42:45.119 --> 00:42:46.719
<v Speaker 1>my friend, we're gonna send you on the boat, and

945
00:42:46.719 --> 00:42:49.239
<v Speaker 1>then the season just ends. I'm excited to know what's

946
00:42:49.280 --> 00:42:51.400
<v Speaker 1>gonna happen to theory on other side, is it necessarily

947
00:42:51.400 --> 00:42:54.280
<v Speaker 1>a cliffhanger? No, I know we killed taiwind Lanister. I

948
00:42:54.360 --> 00:42:56.159
<v Speaker 1>know where a lot of things stand. There's still some

949
00:42:56.320 --> 00:42:59.400
<v Speaker 1>unfinished business. Across all of the storylines I am looking

950
00:42:59.400 --> 00:43:01.760
<v Speaker 1>forward to follow up on. It would be like if

951
00:43:01.800 --> 00:43:05.719
<v Speaker 1>that season ended with Tyrian pointing the crossbow at him

952
00:43:06.000 --> 00:43:08.000
<v Speaker 1>and then it cut to black and you don't know

953
00:43:08.039 --> 00:43:11.639
<v Speaker 1>if he shot him or not, and like, to me, like,

954
00:43:11.719 --> 00:43:14.079
<v Speaker 1>I still would have come back for season five regardless,

955
00:43:14.079 --> 00:43:15.960
<v Speaker 1>but it's kind of nice. It's like, no, he killed him,

956
00:43:16.239 --> 00:43:18.199
<v Speaker 1>and now he's on the run, and you're gonna see

957
00:43:18.199 --> 00:43:21.039
<v Speaker 1>what what Tyrian on the run is going to look

958
00:43:21.119 --> 00:43:21.800
<v Speaker 1>like next year.

959
00:43:21.920 --> 00:43:22.360
<v Speaker 2>I get it.

960
00:43:22.440 --> 00:43:24.119
<v Speaker 1>So I guess that's I guess my.

961
00:43:24.320 --> 00:43:29.079
<v Speaker 2>There's different versions of it, right, because you know, you

962
00:43:29.159 --> 00:43:31.559
<v Speaker 2>know that he killed him, right or do we see

963
00:43:31.639 --> 00:43:32.079
<v Speaker 2>him die?

964
00:43:32.639 --> 00:43:35.320
<v Speaker 1>You hear the bell toll? So I guess it's.

965
00:43:35.199 --> 00:43:39.800
<v Speaker 2>Pretty pretty obvious. But then you also you're like, Okay,

966
00:43:39.800 --> 00:43:43.960
<v Speaker 2>what's next, you know, because you can't have something of

967
00:43:44.000 --> 00:43:46.559
<v Speaker 2>this magnitude without repercussions, so that.

968
00:43:46.840 --> 00:43:49.519
<v Speaker 1>What next feeling is still there despite.

969
00:43:49.360 --> 00:43:51.679
<v Speaker 2>It's not necessarily a cliffhanger. It's like more of like

970
00:43:51.719 --> 00:43:54.679
<v Speaker 2>a mountain view exactly exactly.

971
00:43:54.760 --> 00:43:58.079
<v Speaker 1>It's a bigger view what's to come exactly, And so

972
00:43:58.519 --> 00:44:00.320
<v Speaker 1>I kind of feel like that's funnel in there, and

973
00:44:00.360 --> 00:44:02.719
<v Speaker 1>I think it's no coincidence because both of these movies.

974
00:44:02.800 --> 00:44:04.679
<v Speaker 1>Not going to say neither one of them had jump scares,

975
00:44:04.719 --> 00:44:06.800
<v Speaker 1>because that'll be real. There was a moment in back

976
00:44:06.880 --> 00:44:09.480
<v Speaker 1>Rooms that's sent it like. I was like, like that

977
00:44:10.800 --> 00:44:14.840
<v Speaker 1>when they're sitting at the table learning about uh, you know,

978
00:44:14.920 --> 00:44:17.760
<v Speaker 1>when when the with the psychiatrist finds her patient and

979
00:44:17.760 --> 00:44:20.239
<v Speaker 1>they're sitting at the table and then one of the

980
00:44:20.280 --> 00:44:22.800
<v Speaker 1>people who was just kind of hanging out starts moving and.

981
00:44:22.800 --> 00:44:26.480
<v Speaker 2>I was like, wait, yeah, that was that was pretty cool. Okay,

982
00:44:26.519 --> 00:44:28.119
<v Speaker 2>I would save that for next week because I have

983
00:44:28.199 --> 00:44:30.400
<v Speaker 2>so much to say about that. But in this one too,

984
00:44:30.880 --> 00:44:35.360
<v Speaker 2>there's a scene with Sarah and Bear in a car

985
00:44:36.159 --> 00:44:37.000
<v Speaker 2>in the middle of the night.

986
00:44:37.239 --> 00:44:37.639
<v Speaker 1>Mm hmm.

987
00:44:38.800 --> 00:44:43.719
<v Speaker 2>You knew what was coming once that scene started. I

988
00:44:43.800 --> 00:44:47.000
<v Speaker 2>thought it was great pacing where you kind of lose

989
00:44:47.000 --> 00:44:52.639
<v Speaker 2>yourself in the conversation. And even though I knew almost

990
00:44:52.639 --> 00:44:56.000
<v Speaker 2>to exactly what did happen. Ben, Yeah, even though I

991
00:44:56.079 --> 00:44:59.760
<v Speaker 2>knew what was coming, it's still totally caught me by surprise.

992
00:45:00.440 --> 00:45:02.320
<v Speaker 2>It's great Marcus storytelling. Well, I don't know how you

993
00:45:02.360 --> 00:45:04.719
<v Speaker 2>felt about that, but I totally because I was I

994
00:45:04.760 --> 00:45:07.320
<v Speaker 2>had it in my mind. And that's like another device

995
00:45:07.360 --> 00:45:10.000
<v Speaker 2>that a lot. Maybe these YouTubers are picking up on

996
00:45:10.400 --> 00:45:14.599
<v Speaker 2>where they set you up for something that as a

997
00:45:14.719 --> 00:45:20.239
<v Speaker 2>seasoned horror film television watcher, you know what's coming, right,

998
00:45:20.639 --> 00:45:23.639
<v Speaker 2>But then they lull you away because we've seen stuff

999
00:45:24.000 --> 00:45:25.920
<v Speaker 2>where it doesn't come to fruition, right. I always bring

1000
00:45:26.000 --> 00:45:28.800
<v Speaker 2>up the twenty one Jump Street explosion thing, and then

1001
00:45:28.840 --> 00:45:31.679
<v Speaker 2>I totally forgot about it and then lo and behold bam,

1002
00:45:31.719 --> 00:45:34.079
<v Speaker 2>you know, like like stuff went down and it was

1003
00:45:34.519 --> 00:45:38.039
<v Speaker 2>and by the way, to the degree, yeah, oh yeah,

1004
00:45:38.079 --> 00:45:38.559
<v Speaker 2>that was great.

1005
00:45:38.840 --> 00:45:41.760
<v Speaker 1>I actually read a think piece about it afterward, and

1006
00:45:41.800 --> 00:45:45.519
<v Speaker 1>it's very interesting because they were claiming, and this was

1007
00:45:45.519 --> 00:45:48.400
<v Speaker 1>a younger writer who wrote it, and it said Obsession

1008
00:45:48.920 --> 00:45:52.880
<v Speaker 1>and by extension, Back Rooms are two movies that are finally,

1009
00:45:52.920 --> 00:45:57.599
<v Speaker 1>according to this person, ushering in a new style of filmmaking.

1010
00:45:57.719 --> 00:46:00.519
<v Speaker 2>And that's kind of what I wanted to get into this.

1011
00:46:00.639 --> 00:46:04.960
<v Speaker 1>They essentially said that the twentieth century style of filmmaking.

1012
00:46:05.000 --> 00:46:07.559
<v Speaker 1>And I don't necessarily agree with this, but again, I was,

1013
00:46:07.639 --> 00:46:09.639
<v Speaker 1>you know, a child in the twentieth century, so I

1014
00:46:10.159 --> 00:46:12.719
<v Speaker 1>love a lot of those movies. But they said that

1015
00:46:13.119 --> 00:46:16.840
<v Speaker 1>style of movie making has clung to existence twenty five

1016
00:46:16.920 --> 00:46:19.719
<v Speaker 1>years too long, and it's so nice seeing a new

1017
00:46:19.800 --> 00:46:21.239
<v Speaker 1>way of delivering story.

1018
00:46:21.519 --> 00:46:23.840
<v Speaker 2>What was the style of movie making? Now? Is he

1019
00:46:23.920 --> 00:46:25.800
<v Speaker 2>talking about? I A should say he or she?

1020
00:46:25.800 --> 00:46:26.880
<v Speaker 1>I don't know, Yeah, I don't remember.

1021
00:46:27.119 --> 00:46:29.079
<v Speaker 2>Okay, But what are they talking about when they're talking

1022
00:46:29.079 --> 00:46:31.239
<v Speaker 2>about movie making? Horror movie making or.

1023
00:46:31.440 --> 00:46:34.639
<v Speaker 1>I think it's movie making in general. Like I had

1024
00:46:34.679 --> 00:46:37.000
<v Speaker 1>a moment and I think John Wick kind of knocked

1025
00:46:37.000 --> 00:46:38.880
<v Speaker 1>me out of it where I was like, man, I

1026
00:46:38.880 --> 00:46:42.400
<v Speaker 1>don't know if I can do another stupid random action movie,

1027
00:46:42.440 --> 00:46:46.000
<v Speaker 1>like they all hit the same beats, and then John

1028
00:46:46.039 --> 00:46:49.079
<v Speaker 1>Wick kind of took it to this new artistic creative

1029
00:46:49.159 --> 00:46:52.079
<v Speaker 1>length and then kept upping the ante bought that genre

1030
00:46:52.119 --> 00:46:55.199
<v Speaker 1>a little bit more time. But fundamentally, the same thing

1031
00:46:55.320 --> 00:46:58.880
<v Speaker 1>kind of applies, and horror movies could be funneled into

1032
00:46:58.920 --> 00:47:00.800
<v Speaker 1>the same group to a certain ex like we need

1033
00:47:00.840 --> 00:47:04.760
<v Speaker 1>new ideas, we need new structure. Like it's a ballsy

1034
00:47:04.880 --> 00:47:08.239
<v Speaker 1>move because when you try something new, there's a chance

1035
00:47:08.280 --> 00:47:12.079
<v Speaker 1>that everybody's gonna hate it, Okay, so it's a risk

1036
00:47:12.199 --> 00:47:13.519
<v Speaker 1>versus reward conversation.

1037
00:47:13.480 --> 00:47:15.800
<v Speaker 2>Now, I think this more applies to back rooms than

1038
00:47:16.559 --> 00:47:18.559
<v Speaker 2>than obsession, But I'll say it anyway, because both these

1039
00:47:18.559 --> 00:47:24.360
<v Speaker 2>guys had a YouTube background, isn't YouTube a great trial

1040
00:47:24.960 --> 00:47:27.400
<v Speaker 2>for for whether this is gonna play or not?

1041
00:47:27.519 --> 00:47:30.519
<v Speaker 1>You know, And I'm hopeful people realize that. Try it

1042
00:47:30.559 --> 00:47:33.159
<v Speaker 1>out there, see what happens, Take it mainstream.

1043
00:47:32.679 --> 00:47:34.480
<v Speaker 2>And then take it to a new level, right, take

1044
00:47:34.519 --> 00:47:36.400
<v Speaker 2>it to take it to the to the next step

1045
00:47:36.480 --> 00:47:42.519
<v Speaker 2>or whatever. So I think and and we'll we'll make

1046
00:47:42.519 --> 00:47:44.480
<v Speaker 2>this a two part conversation because I think we definitely

1047
00:47:44.480 --> 00:47:45.480
<v Speaker 2>want to explore.

1048
00:47:45.159 --> 00:47:46.199
<v Speaker 1>This with backups as well.

1049
00:47:47.320 --> 00:47:51.159
<v Speaker 2>The horror films I grew up on, you know, the

1050
00:47:51.199 --> 00:47:56.840
<v Speaker 2>Halloween and the Yeah, exactly, Yeah, that sort of like

1051
00:47:56.960 --> 00:47:58.199
<v Speaker 2>ushered in the Slashers.

1052
00:47:58.280 --> 00:47:58.480
<v Speaker 1>Yeah.

1053
00:47:59.199 --> 00:48:01.159
<v Speaker 2>What were the horror movies before that? Were they just

1054
00:48:01.199 --> 00:48:04.239
<v Speaker 2>the monster stuff like with Frankenstein and the Mummy and

1055
00:48:04.360 --> 00:48:05.400
<v Speaker 2>Dracula or whatever.

1056
00:48:05.639 --> 00:48:08.599
<v Speaker 1>Yeah, I mean, Halloween one came out in seventy eight.

1057
00:48:08.679 --> 00:48:11.440
<v Speaker 1>Like it's hard to pinpoint, I know, Like The Hills

1058
00:48:11.440 --> 00:48:13.079
<v Speaker 1>Have Eyes were the early seventies.

1059
00:48:13.400 --> 00:48:15.840
<v Speaker 2>Okay, Texas Chainsaw asking, that's our last.

1060
00:48:15.639 --> 00:48:17.920
<v Speaker 1>House on the left was the early seventies. But so

1061
00:48:18.079 --> 00:48:20.239
<v Speaker 1>like they were starting this experiment a little bit. But

1062
00:48:20.280 --> 00:48:22.519
<v Speaker 1>once Mike Myers came out with a budget of like

1063
00:48:22.559 --> 00:48:24.440
<v Speaker 1>a thousand dollars or whatever it was, and made a

1064
00:48:24.480 --> 00:48:26.679
<v Speaker 1>hundred million, right. It was like, oh, so we're doing

1065
00:48:26.679 --> 00:48:29.679
<v Speaker 1>this forever now and bupah bub about a billion there. Okay, hell,

1066
00:48:29.800 --> 00:48:34.840
<v Speaker 1>alien was Halloween, but an alien terminator is Halloween, but

1067
00:48:34.920 --> 00:48:38.360
<v Speaker 1>a machine like so many other genres you don't even realize,

1068
00:48:38.360 --> 00:48:41.559
<v Speaker 1>are just slasher films done up a different way.

1069
00:48:41.679 --> 00:48:45.480
<v Speaker 2>So it's interesting you say that, because what did we

1070
00:48:45.559 --> 00:48:48.679
<v Speaker 2>get after the slasher films? And I would say it

1071
00:48:48.800 --> 00:48:52.400
<v Speaker 2>was these weird kind of meta I.

1072
00:48:52.400 --> 00:48:54.039
<v Speaker 1>Was gonna say it was the meta slasher films.

1073
00:48:54.079 --> 00:48:56.400
<v Speaker 2>So you had like, you know, the screams obviously I

1074
00:48:56.440 --> 00:48:58.239
<v Speaker 2>think set the standard for that, and then you had

1075
00:48:58.360 --> 00:49:02.239
<v Speaker 2>urban legend. So it was kind of like we didn't

1076
00:49:02.280 --> 00:49:06.679
<v Speaker 2>we didn't go to the next step of horror films.

1077
00:49:06.719 --> 00:49:11.920
<v Speaker 2>We just kind of went meta and and you know explored,

1078
00:49:12.760 --> 00:49:15.920
<v Speaker 2>you know, like exploring these horror films from an audience's

1079
00:49:15.920 --> 00:49:18.719
<v Speaker 2>point of view, kind of if that makes sense, And

1080
00:49:18.800 --> 00:49:21.800
<v Speaker 2>so that and you have to look at that like, well,

1081
00:49:21.840 --> 00:49:23.280
<v Speaker 2>why why did we stop evolving?

1082
00:49:23.280 --> 00:49:25.360
<v Speaker 1>Why are why are wait, Well, that's where the term

1083
00:49:25.440 --> 00:49:26.519
<v Speaker 1>elevated horror.

1084
00:49:26.719 --> 00:49:29.559
<v Speaker 2>So that's what, yes, exactly, So then the elevated horror

1085
00:49:29.639 --> 00:49:32.519
<v Speaker 2>comes in, and that's and that's and I think back

1086
00:49:32.599 --> 00:49:35.280
<v Speaker 2>rooms like really exhibits it, but but there were definitely

1087
00:49:35.320 --> 00:49:40.320
<v Speaker 2>elements of it in obsession. It's cheap to do it.

1088
00:49:40.320 --> 00:49:41.639
<v Speaker 1>It it it.

1089
00:49:41.679 --> 00:49:46.320
<v Speaker 2>Plays with your expectations, with audience expectations, right, and it

1090
00:49:46.400 --> 00:49:49.679
<v Speaker 2>allows and I said this before, it allows filmmakers and

1091
00:49:49.719 --> 00:49:55.360
<v Speaker 2>directors to really drive home the point, at least to me,

1092
00:49:56.199 --> 00:49:59.039
<v Speaker 2>of what making me wonder what's going.

1093
00:49:58.840 --> 00:50:01.840
<v Speaker 1>On all screen that I'm not seeing? Oh?

1094
00:50:01.880 --> 00:50:04.360
<v Speaker 2>Sure, And I think sometimes you see that with backrooms

1095
00:50:04.360 --> 00:50:07.599
<v Speaker 2>with all the negative space, and you know, it's it's

1096
00:50:07.679 --> 00:50:10.000
<v Speaker 2>really creepy. It's super creepy.

1097
00:50:10.039 --> 00:50:13.480
<v Speaker 1>It's creepy. But it also mixes it with the horror

1098
00:50:13.480 --> 00:50:15.679
<v Speaker 1>movies of the eighties, which I still maintain. I love

1099
00:50:15.719 --> 00:50:18.320
<v Speaker 1>the eighties is horror that I think it's fantastic. But

1100
00:50:18.400 --> 00:50:22.199
<v Speaker 1>that was like, oh, isn't this big thing chasing you scary?

1101
00:50:22.639 --> 00:50:25.480
<v Speaker 1>Whereas the back rooms like fundamentally and we'll get into

1102
00:50:25.519 --> 00:50:27.719
<v Speaker 1>that or like, let's even just use obsession as a

1103
00:50:27.760 --> 00:50:31.360
<v Speaker 1>standpoint as a viewpoint, since that's when we're discussing today.

1104
00:50:31.719 --> 00:50:34.880
<v Speaker 1>Is for anybody who might be subconsciously be like, oh

1105
00:50:34.920 --> 00:50:36.800
<v Speaker 1>my god, what if I'm going to die alone? And

1106
00:50:36.840 --> 00:50:40.920
<v Speaker 1>like these movies play on those fears neurotic. Yeah, it's

1107
00:50:41.039 --> 00:50:43.920
<v Speaker 1>not something chasing you that wants to freaking stab you

1108
00:50:44.000 --> 00:50:46.599
<v Speaker 1>with a claw, which is terrifying, Like I don't want

1109
00:50:46.599 --> 00:50:49.719
<v Speaker 1>that to happen, but like it's probably not gonna happen,

1110
00:50:49.920 --> 00:50:52.360
<v Speaker 1>Whereas like the back rooms is like, man, don't you

1111
00:50:52.360 --> 00:50:54.880
<v Speaker 1>get sick and tired of repeating the same mistakes over

1112
00:50:54.920 --> 00:50:56.960
<v Speaker 1>and over again? It's like I do I do? Why

1113
00:50:56.960 --> 00:50:58.840
<v Speaker 1>am I doing that? And there's like an element of

1114
00:50:58.880 --> 00:51:02.199
<v Speaker 1>horror mixed with the act scary and unusual things happening

1115
00:51:02.239 --> 00:51:04.840
<v Speaker 1>on screen as well. It feels like such a natural

1116
00:51:04.880 --> 00:51:08.599
<v Speaker 1>progression now that it's been made, but that was obviously

1117
00:51:08.679 --> 00:51:10.960
<v Speaker 1>what needed to happen, probably fifteen years ago. But it's

1118
00:51:11.039 --> 00:51:12.800
<v Speaker 1>nice that we're here, you know, from the last ten

1119
00:51:12.880 --> 00:51:13.599
<v Speaker 1>years or so.

1120
00:51:13.760 --> 00:51:16.519
<v Speaker 2>I think social media and the way that we consume

1121
00:51:18.280 --> 00:51:25.000
<v Speaker 2>content on X, Facebook, Instagram, TikTok has changed the way

1122
00:51:25.039 --> 00:51:27.920
<v Speaker 2>that kids are growing up, the way that teenagers are involving,

1123
00:51:27.960 --> 00:51:30.920
<v Speaker 2>the way that adults are people who are adults now

1124
00:51:30.920 --> 00:51:32.800
<v Speaker 2>who kind of grew up in this. I think it

1125
00:51:32.800 --> 00:51:34.880
<v Speaker 2>plays off that a little bit because the things that

1126
00:51:35.000 --> 00:51:40.719
<v Speaker 2>scared us in the eighties are no longer. They don't

1127
00:51:40.719 --> 00:51:46.480
<v Speaker 2>have the impact that they did, the true imagination, and

1128
00:51:46.960 --> 00:51:49.679
<v Speaker 2>the thing that scares us the most is the stuff

1129
00:51:49.719 --> 00:51:52.559
<v Speaker 2>that is Again I would say that like this goes

1130
00:51:52.559 --> 00:51:54.360
<v Speaker 2>back to the superhero stuff where you have this gritty

1131
00:51:54.400 --> 00:51:58.079
<v Speaker 2>realistic stuff. When you have this gritty, realistic, psychological stuff

1132
00:51:58.480 --> 00:52:02.199
<v Speaker 2>that not only is effecting this protagonist in the movie,

1133
00:52:02.480 --> 00:52:05.880
<v Speaker 2>but it's probably hitting home with a lot of people

1134
00:52:06.039 --> 00:52:08.239
<v Speaker 2>who who are watching this and are identifying with this

1135
00:52:08.320 --> 00:52:10.960
<v Speaker 2>character until he got super annoying or he was annoying

1136
00:52:10.960 --> 00:52:13.199
<v Speaker 2>from the get go for you, but then I think

1137
00:52:13.239 --> 00:52:18.079
<v Speaker 2>that that brings a whole different kind of terror into

1138
00:52:19.599 --> 00:52:22.280
<v Speaker 2>into the movie that we're watching, where it's it's cathartic

1139
00:52:22.400 --> 00:52:24.920
<v Speaker 2>in a way, but at the same time, you do

1140
00:52:25.039 --> 00:52:27.000
<v Speaker 2>leave these movies pretty unsettled at least.

1141
00:52:27.000 --> 00:52:30.360
<v Speaker 1>I yeah, no, absolutely absolutely, And I don't want to

1142
00:52:30.400 --> 00:52:32.400
<v Speaker 1>say what I thought was going to happen at the

1143
00:52:32.480 --> 00:52:35.039
<v Speaker 1>end of Obsession, because there's only so many ways these

1144
00:52:35.119 --> 00:52:36.880
<v Speaker 1>kind of movies can end, and I don't want to

1145
00:52:36.920 --> 00:52:37.440
<v Speaker 1>take now.

1146
00:52:37.599 --> 00:52:39.400
<v Speaker 2>I don't know about that. I think you could take

1147
00:52:39.400 --> 00:52:40.920
<v Speaker 2>it a few different ways.

1148
00:52:41.000 --> 00:52:42.639
<v Speaker 1>So do you think I can say because.

1149
00:52:42.400 --> 00:52:44.119
<v Speaker 2>I was running, let me say this, let me say this.

1150
00:52:44.159 --> 00:52:49.000
<v Speaker 2>Ben Barker last month said he's considering a sequel to

1151
00:52:49.039 --> 00:52:53.800
<v Speaker 2>the to Obsession, okay, or an anthology television series where

1152
00:52:53.880 --> 00:52:57.719
<v Speaker 2>each episode explores a different character making a wish.

1153
00:52:58.199 --> 00:52:58.679
<v Speaker 1>Oh wow.

1154
00:52:58.800 --> 00:53:01.039
<v Speaker 2>If there was only one or a few ways that

1155
00:53:01.079 --> 00:53:03.559
<v Speaker 2>you can end it, they wouldn't be considering a television series.

1156
00:53:03.639 --> 00:53:05.599
<v Speaker 2>I think there's a lot of different ways think about

1157
00:53:05.599 --> 00:53:07.920
<v Speaker 2>Twilight Zone. I mean all the crazy stuff that that

1158
00:53:08.079 --> 00:53:10.679
<v Speaker 2>show brought us, you know, of like all the different

1159
00:53:10.760 --> 00:53:13.800
<v Speaker 2>things that what I always say, this is your Twilight Zone.

1160
00:53:13.840 --> 00:53:16.800
<v Speaker 2>What's the one that you're always telling me about Black Mirror? Yeah,

1161
00:53:16.880 --> 00:53:18.679
<v Speaker 2>that to me, I think, like is another one from

1162
00:53:18.920 --> 00:53:20.800
<v Speaker 2>granted I got I know, I gotta watch it, but

1163
00:53:21.199 --> 00:53:24.039
<v Speaker 2>everything you've said about it, to me, that's like a

1164
00:53:24.079 --> 00:53:28.079
<v Speaker 2>more modern Twilights. Jordan Peele brought Twilight Zone back briefly.

1165
00:53:28.159 --> 00:53:28.880
<v Speaker 2>Whatever happened to that?

1166
00:53:28.920 --> 00:53:32.440
<v Speaker 1>It just I watched a couple episodes. I was very disappointed. Yeah,

1167
00:53:32.480 --> 00:53:34.159
<v Speaker 1>which is a shame, all right. So you know what's

1168
00:53:34.159 --> 00:53:36.920
<v Speaker 1>funny though, we talked about learning the right lessons in Hollywood.

1169
00:53:38.000 --> 00:53:39.760
<v Speaker 1>I even made a joke to a friend of mine.

1170
00:53:39.800 --> 00:53:42.039
<v Speaker 1>I was like, what Hollywood should be learning is no

1171
00:53:42.199 --> 00:53:46.039
<v Speaker 1>cgi practical effects, pay new actors, good money to do

1172
00:53:46.079 --> 00:53:48.559
<v Speaker 1>good jobs. It said. What they'll actually learn is we

1173
00:53:48.599 --> 00:53:51.519
<v Speaker 1>need to make a cinematic universe out of this. Yeah,

1174
00:53:53.039 --> 00:53:54.400
<v Speaker 1>but I'm here for it. I'd watch it.

1175
00:53:54.480 --> 00:53:54.800
<v Speaker 2>Yeah.

1176
00:53:54.840 --> 00:53:57.480
<v Speaker 1>But okay, so I'm gonna say it. I'm gonna look

1177
00:53:57.519 --> 00:53:58.800
<v Speaker 1>at what time it is now, and if you think

1178
00:53:58.840 --> 00:54:00.639
<v Speaker 1>I've gone too far, I'll just take this part out

1179
00:54:00.639 --> 00:54:03.119
<v Speaker 1>of the puncast. What are we doing for time are?

1180
00:54:03.199 --> 00:54:07.079
<v Speaker 1>We're at fifty four minutes okay, based on the trailer.

1181
00:54:07.159 --> 00:54:08.719
<v Speaker 1>So just to make it clear, I'm not going to

1182
00:54:08.760 --> 00:54:13.840
<v Speaker 1>say anything that anybody listening me. Yes, he's talking to

1183
00:54:13.880 --> 00:54:15.960
<v Speaker 1>the guy on the phone about the rules. He's like, hey,

1184
00:54:16.079 --> 00:54:18.159
<v Speaker 1>can I that was in the trailer? Yep, he says,

1185
00:54:18.199 --> 00:54:20.880
<v Speaker 1>can I make and can I unwish this? And he's like, nah,

1186
00:54:20.960 --> 00:54:22.280
<v Speaker 1>you just kind of got to live with He's like,

1187
00:54:22.400 --> 00:54:24.679
<v Speaker 1>until you die. It's it's kind of what it is.

1188
00:54:25.000 --> 00:54:27.159
<v Speaker 1>And so I was sitting there and I was like, okay,

1189
00:54:27.280 --> 00:54:29.440
<v Speaker 1>so this is going to end like Final Destination too,

1190
00:54:29.559 --> 00:54:31.880
<v Speaker 1>and they're going to intentionally kill him with an eat

1191
00:54:31.920 --> 00:54:34.719
<v Speaker 1>with a defibrillator right next to him, and they're going

1192
00:54:34.800 --> 00:54:36.559
<v Speaker 1>to kill him and then they're going to defibrillate them

1193
00:54:36.599 --> 00:54:38.559
<v Speaker 1>and then he's gonna come back to life and everything's

1194
00:54:38.639 --> 00:54:41.559
<v Speaker 1>gonna be fine, and uh and and we're all hunky dory.

1195
00:54:41.760 --> 00:54:44.039
<v Speaker 2>I was like, I hate when they spoil movies in

1196
00:54:44.159 --> 00:54:44.599
<v Speaker 2>the trailer.

1197
00:54:44.719 --> 00:54:46.280
<v Speaker 1>Yeah, and then I saw the movie, I'm like, oh,

1198
00:54:46.760 --> 00:54:48.719
<v Speaker 1>And like I think because I was so sure I

1199
00:54:48.800 --> 00:54:50.880
<v Speaker 1>figured out the movie before it even started, Like I

1200
00:54:51.000 --> 00:54:53.199
<v Speaker 1>wasn't even considering that it was going to go a

1201
00:54:53.280 --> 00:54:55.760
<v Speaker 1>different direction. And so I think I was very pleasantly

1202
00:54:55.840 --> 00:54:58.800
<v Speaker 1>blindsided by the way things ultimately ended up going. And

1203
00:54:58.840 --> 00:55:00.320
<v Speaker 1>so I'm telling you right now, if you out from

1204
00:55:00.320 --> 00:55:02.800
<v Speaker 1>the trailer, that's why the movie is gonna end, you're dumb.

1205
00:55:03.079 --> 00:55:07.800
<v Speaker 2>And you're not dumb, but it's just it's just thought. Well,

1206
00:55:07.880 --> 00:55:10.159
<v Speaker 2>so yeah, that I was telling you about that how

1207
00:55:10.199 --> 00:55:12.559
<v Speaker 2>to Rob a Bank. When I watched that trailer on YouTube,

1208
00:55:12.599 --> 00:55:14.960
<v Speaker 2>the top comment was did I just watch the whole

1209
00:55:15.000 --> 00:55:18.320
<v Speaker 2>movie question, which I think, like, there's a reason that

1210
00:55:18.440 --> 00:55:20.519
<v Speaker 2>these trailers are structured that the way. I mean, think

1211
00:55:20.559 --> 00:55:23.440
<v Speaker 2>about how much time and effort Marvel has gone into

1212
00:55:24.400 --> 00:55:29.039
<v Speaker 2>purposely fooling us, you know, in these trailers. So Okay,

1213
00:55:30.480 --> 00:55:33.079
<v Speaker 2>I am trying to think if I have anything else

1214
00:55:33.199 --> 00:55:36.519
<v Speaker 2>to say about this movie that I haven't already said.

1215
00:55:39.639 --> 00:55:41.559
<v Speaker 1>No, Yeah, you go ahead.

1216
00:55:42.119 --> 00:55:44.400
<v Speaker 2>Well, no, should I rate it first? Because I you,

1217
00:55:44.519 --> 00:55:46.639
<v Speaker 2>I feel like you always do. Yeah, I'm gonna give

1218
00:55:46.679 --> 00:55:50.480
<v Speaker 2>this one a seven and a half. Really okay, then

1219
00:55:50.519 --> 00:55:52.320
<v Speaker 2>I'm gonna go eight. I'm gonna go eight because I

1220
00:55:52.360 --> 00:55:54.639
<v Speaker 2>feel like I like this better than you. I I

1221
00:55:54.800 --> 00:55:57.400
<v Speaker 2>never you know, Monkey's Paw? What was the other one

1222
00:55:57.400 --> 00:56:00.599
<v Speaker 2>that you mentioned? Wish Master? I never saw any those, Okay,

1223
00:56:00.920 --> 00:56:04.199
<v Speaker 2>So to me, for me, this was original. I can't

1224
00:56:04.239 --> 00:56:07.159
<v Speaker 2>remember seeing a film, a horror film with this, you know,

1225
00:56:07.280 --> 00:56:11.800
<v Speaker 2>having a wish or whatever. The acting by Andy Navaretti

1226
00:56:12.159 --> 00:56:13.000
<v Speaker 2>was unbelievable.

1227
00:56:13.159 --> 00:56:16.840
<v Speaker 1>Ye, we'll see her again, and uh what what was it?

1228
00:56:18.119 --> 00:56:18.320
<v Speaker 2>Yeah?

1229
00:56:18.360 --> 00:56:18.639
<v Speaker 1>He was?

1230
00:56:18.719 --> 00:56:21.039
<v Speaker 2>He was good too, He was very good. Could have

1231
00:56:21.159 --> 00:56:23.280
<v Speaker 2>used more Andy Rickter, otherwise I would have gave I'm

1232
00:56:23.320 --> 00:56:24.719
<v Speaker 2>just kidding no.

1233
00:56:24.920 --> 00:56:25.320
<v Speaker 1>But for the.

1234
00:56:25.320 --> 00:56:29.280
<v Speaker 2>Originality, the execution of this was was really good and

1235
00:56:29.639 --> 00:56:32.599
<v Speaker 2>and just like just the he b gbis, I had

1236
00:56:34.119 --> 00:56:37.079
<v Speaker 2>feeling that I was feeling after this film, I feel

1237
00:56:37.119 --> 00:56:40.519
<v Speaker 2>like that's that's what the desired effect was, like were

1238
00:56:40.599 --> 00:56:44.599
<v Speaker 2>you you are? And I remember when my boss or

1239
00:56:44.639 --> 00:56:47.119
<v Speaker 2>one of my bosses, I should say, saw the what's

1240
00:56:47.159 --> 00:56:49.239
<v Speaker 2>the ben Gone girl? Right? Is that what it was called?

1241
00:56:49.320 --> 00:56:53.360
<v Speaker 2>Ben Affleck? And what's her name? She's in the new.

1242
00:56:55.559 --> 00:56:57.360
<v Speaker 1>I always forget her name. I feel so bad.

1243
00:56:58.960 --> 00:56:59.960
<v Speaker 2>He's like, man, I'm glad.

1244
00:57:00.159 --> 00:57:00.840
<v Speaker 1>I love my wife.

1245
00:57:01.239 --> 00:57:02.880
<v Speaker 2>Man, I'm glad. Yeah, my wife and I have a

1246
00:57:02.920 --> 00:57:05.400
<v Speaker 2>good marriage. And I feel like that's that's the idea.

1247
00:57:05.880 --> 00:57:07.840
<v Speaker 2>And I got done watching that movie. I'm like, God,

1248
00:57:07.880 --> 00:57:10.599
<v Speaker 2>I'm so glad. I was not one of those characters

1249
00:57:10.800 --> 00:57:12.760
<v Speaker 2>in the in the in this film. So it really

1250
00:57:12.800 --> 00:57:16.039
<v Speaker 2>gave me the willies. I enjoyed it so yeah, solid it.

1251
00:57:16.280 --> 00:57:18.280
<v Speaker 1>And like I said, it reminded me of a full

1252
00:57:18.360 --> 00:57:19.239
<v Speaker 1>length feature.

1253
00:57:19.039 --> 00:57:21.639
<v Speaker 2>Vertical surprise giving it seven and a half given that

1254
00:57:21.760 --> 00:57:23.599
<v Speaker 2>you have seen, oh yeah, but like.

1255
00:57:23.679 --> 00:57:25.599
<v Speaker 1>That's a testament to how well done it was in

1256
00:57:25.719 --> 00:57:28.840
<v Speaker 1>my opinion, because I think if it were worse acting,

1257
00:57:28.920 --> 00:57:31.599
<v Speaker 1>if it were more generic, like you know, if there

1258
00:57:31.639 --> 00:57:36.159
<v Speaker 1>were just been like too hot dumb actors through it,

1259
00:57:36.400 --> 00:57:38.760
<v Speaker 1>like not to say people are in tract in this movie,

1260
00:57:38.800 --> 00:57:40.440
<v Speaker 1>but you get the point, Like the type of movie

1261
00:57:40.480 --> 00:57:42.320
<v Speaker 1>I'm talking you guys know the kind of movie I'm

1262
00:57:42.320 --> 00:57:46.079
<v Speaker 1>talking about. And the eye candy carries it, yeah, exactly,

1263
00:57:46.320 --> 00:57:48.519
<v Speaker 1>And I think would have been a lot worse. But

1264
00:57:48.639 --> 00:57:50.519
<v Speaker 1>like as someone who grew up on this guy like,

1265
00:57:50.599 --> 00:57:52.239
<v Speaker 1>you know, like I said, all of us, be careful

1266
00:57:52.239 --> 00:57:54.920
<v Speaker 1>what you wish for stuff. It's my favorite kind of

1267
00:57:55.039 --> 00:57:57.440
<v Speaker 1>I have said to multiple people in my life, if

1268
00:57:57.480 --> 00:57:59.760
<v Speaker 1>I could buy the rights to a movie, I would

1269
00:57:59.760 --> 00:58:01.800
<v Speaker 1>want to get the rights to the nineteen ninety seven

1270
00:58:01.840 --> 00:58:03.960
<v Speaker 1>wish Master and do it myself. Yeah, that's how much

1271
00:58:04.000 --> 00:58:04.760
<v Speaker 1>I like this kind.

1272
00:58:04.679 --> 00:58:06.800
<v Speaker 2>Of They've made all these movies. What are you gonna

1273
00:58:06.800 --> 00:58:07.360
<v Speaker 2>do new with it?

1274
00:58:08.000 --> 00:58:09.320
<v Speaker 1>Yeah? I don't know. I'd have to think about it.

1275
00:58:09.639 --> 00:58:11.960
<v Speaker 1>I have to think about it perspective of my own life.

1276
00:58:12.360 --> 00:58:13.280
<v Speaker 1>The you know.

1277
00:58:13.360 --> 00:58:19.000
<v Speaker 2>The other thing too with with this podcast, we always

1278
00:58:19.000 --> 00:58:19.800
<v Speaker 2>talk about the themes.

1279
00:58:19.960 --> 00:58:20.360
<v Speaker 1>M hmm.

1280
00:58:21.119 --> 00:58:23.719
<v Speaker 2>What's the theme in this one? The grass isn't always greener?

1281
00:58:24.840 --> 00:58:29.760
<v Speaker 1>I think it's more so about not not your boy. Uh.

1282
00:58:30.119 --> 00:58:32.880
<v Speaker 1>Surf Fry might not like this this element of it,

1283
00:58:32.960 --> 00:58:36.800
<v Speaker 1>but I think it's more so from like a female

1284
00:58:36.920 --> 00:58:40.960
<v Speaker 1>independence standpoint and like learning how to like accept like

1285
00:58:41.320 --> 00:58:43.639
<v Speaker 1>put it out there except no for an answer, take

1286
00:58:43.719 --> 00:58:45.920
<v Speaker 1>your chances, and if it's not there, there's plenty of

1287
00:58:46.000 --> 00:58:46.800
<v Speaker 1>other fish in the sea.

1288
00:58:46.960 --> 00:58:48.760
<v Speaker 2>But he never put it out there no, because he'd

1289
00:58:48.840 --> 00:58:49.239
<v Speaker 2>rather just.

1290
00:58:49.280 --> 00:58:51.440
<v Speaker 1>Force it to happen. Because like, that's just it. It's

1291
00:58:51.760 --> 00:58:52.679
<v Speaker 1>that's when the movie's good.

1292
00:58:52.719 --> 00:58:55.679
<v Speaker 2>Maybe it's like maybe it's the dangers of being an introvert. Ye.

1293
00:58:56.320 --> 00:58:59.679
<v Speaker 1>See, this is why Avatar sucks is because like a

1294
00:59:00.000 --> 00:59:01.920
<v Speaker 1>six year old didn't look at Avatar.

1295
00:59:01.960 --> 00:59:02.800
<v Speaker 2>See this sentence.

1296
00:59:02.880 --> 00:59:07.559
<v Speaker 1>Yeah, well because because you okay, hear me out. You

1297
00:59:07.679 --> 00:59:09.840
<v Speaker 1>watch the Avatar, You're like, okay, fine, I get it.

1298
00:59:09.920 --> 00:59:13.119
<v Speaker 1>The military sucks, the environment's great, I understand the point.

1299
00:59:13.320 --> 00:59:15.079
<v Speaker 1>Like you could not beat me over the face with

1300
00:59:15.199 --> 00:59:17.920
<v Speaker 1>this more than you have for the last three bleeping hours.

1301
00:59:18.199 --> 00:59:21.920
<v Speaker 1>Whereas this it is very much, in my opinion, a

1302
00:59:22.079 --> 00:59:25.599
<v Speaker 1>movie about female empowerment, and the type of dudes who

1303
00:59:25.679 --> 00:59:28.960
<v Speaker 1>typically get pissed off about that don't even realize that

1304
00:59:29.039 --> 00:59:31.760
<v Speaker 1>it's a movie about female empowerment because she is so

1305
00:59:32.440 --> 00:59:35.719
<v Speaker 1>not empowered the entire movie. And to me, I'm like,

1306
00:59:35.960 --> 00:59:39.000
<v Speaker 1>this is how you do these kinds of movies, so

1307
00:59:39.159 --> 00:59:41.480
<v Speaker 1>that the dummies don't even realize what they're watching, and

1308
00:59:41.559 --> 00:59:43.559
<v Speaker 1>then the people that know what they're watching like, ah,

1309
00:59:43.920 --> 00:59:45.679
<v Speaker 1>I get what you're saying here, and people need to

1310
00:59:45.719 --> 00:59:46.079
<v Speaker 1>grow up.

1311
00:59:46.840 --> 00:59:49.000
<v Speaker 2>I feel like I went two feet below the surface

1312
00:59:49.400 --> 00:59:53.719
<v Speaker 2>of this and you went twenty you know which you

1313
00:59:53.760 --> 00:59:55.840
<v Speaker 2>could be right, you know, Yeah, it makes sense.

1314
00:59:55.920 --> 00:59:57.880
<v Speaker 1>That's what I took and I haven't read anything about it.

1315
00:59:57.960 --> 00:59:59.760
<v Speaker 1>That was just that's the beauty of arts, that's how

1316
01:00:00.039 --> 01:00:02.039
<v Speaker 1>That's what I took out of it here. And I've

1317
01:00:02.079 --> 01:00:04.039
<v Speaker 1>got some theories about back rooms as well, which is

1318
01:00:04.079 --> 01:00:06.079
<v Speaker 1>what we actually have like the next basically the whole

1319
01:00:06.119 --> 01:00:07.559
<v Speaker 1>freaking summers planned out for us.

1320
01:00:07.599 --> 01:00:10.199
<v Speaker 2>At this point, it's insane with what we're going to

1321
01:00:10.239 --> 01:00:13.519
<v Speaker 2>be doing. The first this is this would be the

1322
01:00:13.599 --> 01:00:17.159
<v Speaker 2>first weekend of June, and the summer releases have not disappointed.

1323
01:00:17.239 --> 01:00:19.199
<v Speaker 2>There's there's a ton of stuff coming out. We're going

1324
01:00:19.199 --> 01:00:21.440
<v Speaker 2>to try to do as much as possible. Yeah, I'm

1325
01:00:21.440 --> 01:00:23.679
<v Speaker 2>sure there were we already we were making cuts before

1326
01:00:23.719 --> 01:00:26.800
<v Speaker 2>we went on today. We had Yeah, it's just there's

1327
01:00:26.800 --> 01:00:29.559
<v Speaker 2>so much good stuff, and we like July. When July hits, dude,

1328
01:00:29.599 --> 01:00:32.800
<v Speaker 2>that's gonna be huge. Yeah, for for blockbusters too, and

1329
01:00:32.960 --> 01:00:34.920
<v Speaker 2>then uh, and then I don't know. I always feel

1330
01:00:34.960 --> 01:00:39.679
<v Speaker 2>like August is sort of like historically isn't all that great.

1331
01:00:39.840 --> 01:00:42.679
<v Speaker 2>I mean, there's there's some stuff, sure, but usually September

1332
01:00:42.760 --> 01:00:44.719
<v Speaker 2>is when it starts gearing up again. And like I

1333
01:00:44.840 --> 01:00:46.599
<v Speaker 2>was mentioned that how to Rob a bank and then

1334
01:00:46.639 --> 01:00:49.400
<v Speaker 2>this other one with Mark Wahlberg and yeah, yeah abdul

1335
01:00:49.480 --> 01:00:53.920
<v Speaker 2>matin the second from he was in Watchman as Doctor Manhattan.

1336
01:00:54.159 --> 01:00:56.079
<v Speaker 1>He spent in a bunch of stuff. Black mana black

1337
01:00:56.119 --> 01:00:59.880
<v Speaker 1>mana from Yeah, from Alkamenia. They're the same actor.

1338
01:01:00.719 --> 01:01:04.000
<v Speaker 2>Yeah, wow, Yeah, he was in something else. Oh, he

1339
01:01:04.119 --> 01:01:07.880
<v Speaker 2>was wonder Man. Yeah, he's in this new movie that's

1340
01:01:07.880 --> 01:01:09.920
<v Speaker 2>based on a true story where Mark Wahlberg is like

1341
01:01:10.920 --> 01:01:19.760
<v Speaker 2>a mob Abdula McKean is this Abdomanteen, is this FBI agent.

1342
01:01:20.159 --> 01:01:23.800
<v Speaker 2>Wahlberg is this hitman for the mob, And they're trying

1343
01:01:23.800 --> 01:01:27.039
<v Speaker 2>to hit the hit man, sorry, hitman for the mob.

1344
01:01:27.519 --> 01:01:30.840
<v Speaker 2>And this is set in sol exactly and set in

1345
01:01:30.880 --> 01:01:33.320
<v Speaker 2>the late nineteen sixties, and there's all this civil unrest

1346
01:01:33.400 --> 01:01:36.880
<v Speaker 2>in the South, and there's all these murders of black

1347
01:01:36.920 --> 01:01:40.800
<v Speaker 2>people that are just being left unsolved. So and that

1348
01:01:41.000 --> 01:01:44.639
<v Speaker 2>this guy, this FBI agent who's black obviously it wants

1349
01:01:44.719 --> 01:01:46.960
<v Speaker 2>to put this, you know, really work hard in solving

1350
01:01:47.000 --> 01:01:51.039
<v Speaker 2>these cases. And they keep getting he gets keeps getting.

1351
01:01:50.800 --> 01:01:52.920
<v Speaker 1>Stonewall that I advertised.

1352
01:01:53.280 --> 01:01:54.679
<v Speaker 2>I just saw it today. I just saw to him.

1353
01:01:55.320 --> 01:01:57.719
<v Speaker 2>So they hire Mirk Wahlberg, who is a mob hitman

1354
01:01:58.079 --> 01:02:00.719
<v Speaker 2>to like be this guy's partner. He does all the

1355
01:02:00.800 --> 01:02:03.639
<v Speaker 2>stuff that the FBI agent can't do. It's you know,

1356
01:02:04.000 --> 01:02:08.599
<v Speaker 2>it looks heavy on action Wahlberg comedy or no, it's yeah,

1357
01:02:08.599 --> 01:02:11.519
<v Speaker 2>it's definitely a drama. Okay, but it looks awesome. So

1358
01:02:11.599 --> 01:02:12.519
<v Speaker 2>and that one comes out.

1359
01:02:12.360 --> 01:02:14.639
<v Speaker 1>September as well. Okay, we are. We are, however, going

1360
01:02:14.719 --> 01:02:17.159
<v Speaker 1>to be doing Backrooms next week, which we have seen

1361
01:02:17.239 --> 01:02:20.280
<v Speaker 1>already obviously, as you can tell. But I I just

1362
01:02:20.360 --> 01:02:24.039
<v Speaker 1>succumbed to the hype and we'll have some interesting conversations about.

1363
01:02:23.760 --> 01:02:27.000
<v Speaker 2>That and just to get everybody's appetite. I really enjoyed Obsession,

1364
01:02:27.039 --> 01:02:29.400
<v Speaker 2>as you did too. Yeah, so it's very difficult from

1365
01:02:29.599 --> 01:02:32.840
<v Speaker 2>the next movie I see to sort of like be

1366
01:02:33.000 --> 01:02:36.000
<v Speaker 2>really enjoyable. Yeah, and I like Backrooms better, which is

1367
01:02:36.039 --> 01:02:38.800
<v Speaker 2>not only a testament to how good the film was,

1368
01:02:38.960 --> 01:02:41.679
<v Speaker 2>but the fact that I saw it after I saw

1369
01:02:41.679 --> 01:02:44.119
<v Speaker 2>a movie I really liked, and I actually like Backrooms better.

1370
01:02:44.480 --> 01:02:46.280
<v Speaker 2>I think we're in for a treat for the listeners

1371
01:02:46.320 --> 01:02:47.320
<v Speaker 2>are in for a treat next week.

1372
01:02:47.480 --> 01:02:50.639
<v Speaker 1>I would like to burn you on on the record, though,

1373
01:02:50.719 --> 01:02:53.280
<v Speaker 1>and I'd like to see since we already saw these

1374
01:02:53.360 --> 01:02:56.119
<v Speaker 1>movies and we basically have seven days to do whatever. Yeah,

1375
01:02:56.480 --> 01:02:58.880
<v Speaker 1>watch Cube, just the first one, Just the first one,

1376
01:02:58.920 --> 01:03:02.960
<v Speaker 1>all right? Uh? And and because I went ninety between

1377
01:03:03.000 --> 01:03:04.920
<v Speaker 1>ninety seven and ninety nine, I don't remember exactly, but

1378
01:03:04.920 --> 01:03:06.880
<v Speaker 1>it was the late nineties, I didn't see it till college.

1379
01:03:06.880 --> 01:03:08.760
<v Speaker 1>I've seen it one time since then. I'm going to

1380
01:03:08.800 --> 01:03:11.039
<v Speaker 1>rewatch as well. It's available on two B for anyone listening,

1381
01:03:11.079 --> 01:03:13.199
<v Speaker 1>and you can check that out if you are following

1382
01:03:13.239 --> 01:03:14.719
<v Speaker 1>along with us here free. Yeah.

1383
01:03:14.800 --> 01:03:18.039
<v Speaker 2>Okay, so I can't keep up. Yeah, I feel that

1384
01:03:18.119 --> 01:03:19.320
<v Speaker 2>I don't even know what an incel is.

1385
01:03:21.880 --> 01:03:24.559
<v Speaker 1>But yeah, so it's going to be back rooms, very

1386
01:03:24.679 --> 01:03:27.519
<v Speaker 1>surreal film next week and looking forward to jumping into that.

1387
01:03:27.679 --> 01:03:28.719
<v Speaker 1>Thanks for listening, guys,
