1 00:00:02,680 --> 00:00:07,799 Speaker 1: You're listening to macconnorton Unleashed on WM and H ninety 2 00:00:07,839 --> 00:00:08,800 five point three. 3 00:00:09,919 --> 00:00:13,119 Speaker 2: Right now, it's the world radio premiere of the new 4 00:00:13,199 --> 00:00:17,120 single from Eddie Singh and the thirty one Days. 5 00:00:17,160 --> 00:00:20,559 Speaker 3: This is our America. Well, I don't know. 6 00:00:20,480 --> 00:00:21,600 Speaker 4: If you honor him? 7 00:00:22,440 --> 00:00:25,160 Speaker 5: Why on earth we landed here with. 8 00:00:25,160 --> 00:00:30,000 Speaker 6: The struggle in the heartland, in a disconnected fear. We 9 00:00:30,120 --> 00:00:32,280 got politicians scream insanity. 10 00:00:32,679 --> 00:00:35,000 Speaker 4: Lyne Cole watch Ruth right through that seat. 11 00:00:35,359 --> 00:00:38,960 Speaker 6: I thought we were all in this together, huddled around 12 00:00:39,079 --> 00:00:39,880 this liberty. 13 00:00:40,560 --> 00:00:46,240 Speaker 4: Is this my Marriagel? Is this my Marriagel? Shouldn't we 14 00:00:46,359 --> 00:00:48,960 stand tu together as one? 15 00:00:50,719 --> 00:00:52,079 Speaker 7: Is this my Mary? 16 00:00:53,240 --> 00:00:54,600 Speaker 8: This is mile Ry. 17 00:00:55,960 --> 00:00:59,119 Speaker 3: If it is, then we ain't even close to done. 18 00:01:00,520 --> 00:01:03,759 Speaker 9: We gotta take it to the cities. We gotta take 19 00:01:03,799 --> 00:01:07,640 it to the streets, because these profits of division are 20 00:01:07,719 --> 00:01:11,439 tearing down all our hopes and dreams. I don't care 21 00:01:11,439 --> 00:01:14,640 if you're a Democrat. I don't care if you're out 22 00:01:14,719 --> 00:01:18,640 the state's right. I don't care if you're independence. I 23 00:01:18,680 --> 00:01:20,280 don't care if you're black old. 24 00:01:21,239 --> 00:01:26,120 Speaker 7: This is my Mary comes, This is my Bery comes, 25 00:01:26,879 --> 00:01:33,359 home of the breed of breed. This is min Bery. 26 00:01:33,159 --> 00:01:36,200 Speaker 8: Come, This my very comes. 27 00:01:37,359 --> 00:01:43,200 Speaker 4: Huddle around, Miss Liberty. We have not. 28 00:01:43,400 --> 00:01:44,840 Speaker 8: Forgotten who we are. 29 00:01:45,000 --> 00:01:48,680 Speaker 3: We are bound together near and for you and me, you. 30 00:01:48,799 --> 00:01:52,000 Speaker 4: And me, You and me, you and me, you and me. 31 00:01:53,640 --> 00:02:01,680 Speaker 8: Will we ride and ica as our own? So what 32 00:02:02,040 --> 00:02:03,560 is the truth? 33 00:02:04,040 --> 00:02:05,519 Speaker 7: What is the truth? 34 00:02:06,599 --> 00:02:09,000 Speaker 8: What is a meica? 35 00:02:09,479 --> 00:02:10,479 Speaker 4: Through and through? 36 00:02:11,719 --> 00:02:14,439 Speaker 8: Will you just open your eyes? 37 00:02:14,599 --> 00:02:16,680 Speaker 4: Will you just letter in? 38 00:02:17,680 --> 00:02:20,879 Speaker 10: Because I hear the blowing of the wind. 39 00:02:23,199 --> 00:02:26,360 Speaker 5: Maybe it was just a pink house. Maybe it was 40 00:02:26,479 --> 00:02:27,360 just a pink coat. 41 00:02:28,240 --> 00:02:31,800 Speaker 3: Maybe we should try to go, Maybe we should take 42 00:02:31,879 --> 00:02:32,199 it so. 43 00:02:33,360 --> 00:02:35,080 Speaker 11: Maybe we should just have some fun. 44 00:02:35,919 --> 00:02:37,879 Speaker 8: Maybe we were both born to run. 45 00:02:38,439 --> 00:02:40,560 Speaker 11: Maybe we should just take a chance. 46 00:02:40,719 --> 00:02:44,120 Speaker 3: What else, maybe we should just get up and dance. 47 00:02:45,400 --> 00:02:47,159 Speaker 7: Is this my marya? 48 00:02:48,000 --> 00:02:52,879 Speaker 12: Is this my mery come home of the brave and 49 00:02:53,000 --> 00:02:54,199 of the free. 50 00:02:55,520 --> 00:02:57,479 Speaker 5: It's army come? 51 00:02:58,120 --> 00:03:03,280 Speaker 4: Is this armery aroundless Liberty? 52 00:03:04,280 --> 00:03:07,080 Speaker 8: Who sarmery? 53 00:03:07,960 --> 00:03:09,599 Speaker 11: So men, Mary? 54 00:03:09,879 --> 00:03:17,879 Speaker 13: Because some may eyes every voice every year, sarmry because 55 00:03:18,120 --> 00:03:24,560 some mis Mary come come praying to us guide us clean? 56 00:03:26,439 --> 00:03:34,879 Speaker 7: Sound very come army, every eye, every voice, every year. 57 00:03:36,280 --> 00:03:38,639 Speaker 8: It's sourmemy comes. 58 00:03:39,199 --> 00:03:44,960 Speaker 7: So memy come praying to the Lord to guide us clear. 59 00:03:48,400 --> 00:03:53,800 Speaker 1: You're listening to macconnorton unleashed on wmn H ninety five 60 00:03:53,840 --> 00:03:55,919 point three and. 61 00:03:55,919 --> 00:03:59,639 Speaker 2: Now the world radio premiere of the new single from 62 00:03:59,639 --> 00:04:03,199 the March, which is appropriately called November. 63 00:04:06,639 --> 00:04:12,120 Speaker 14: November for Saint was the deep went mad of change. 64 00:04:13,960 --> 00:04:21,879 We rode away as far as ldden go Canty tonight 65 00:04:22,120 --> 00:04:28,839 the daily run way. The engines are the same. We 66 00:04:29,079 --> 00:04:36,199 rode away as far as ldden go Canty because we 67 00:04:36,439 --> 00:04:40,000 go both beast and snow room. 68 00:04:39,199 --> 00:04:45,680 Speaker 8: There is no one here to see. But well ness, no, 69 00:04:46,079 --> 00:04:47,000 there's no stuff. 70 00:04:47,439 --> 00:05:01,160 Speaker 15: No ask Redy Rays wanting to pick a please, says 71 00:05:01,439 --> 00:05:06,920 everybody knowing ubby chasers, Fabulary. 72 00:05:06,680 --> 00:05:08,800 Speaker 8: The funny being. 73 00:05:12,720 --> 00:05:17,199 Speaker 15: Stopping chasing any death and a lascas on second morning, 74 00:05:17,600 --> 00:05:22,199 but I ain't got far no February the funny. 75 00:05:27,360 --> 00:05:28,800 Speaker 8: Baby Nan Saint. 76 00:05:28,959 --> 00:05:34,199 Speaker 14: We were both the waste inside walks behind us now, 77 00:05:34,680 --> 00:05:38,839 but we were not so keen on finds it out, 78 00:05:39,720 --> 00:05:44,319 just thinking. Now do we go both best and slow 79 00:05:44,560 --> 00:05:48,839 room men, But there is no one here to say 80 00:05:49,319 --> 00:05:53,399 but when there so that's no, there's no stopping now 81 00:05:54,279 --> 00:05:56,079 A can fay. 82 00:05:56,079 --> 00:06:00,120 Speaker 4: Raise every. 83 00:06:04,040 --> 00:06:07,959 Speaker 15: Now I'm letting to pick up a piece, says everybody. 84 00:06:08,120 --> 00:06:09,399 Speaker 8: Moment you're out of. 85 00:06:09,519 --> 00:06:18,360 Speaker 15: My reach, Chase or fabulary performing be him night the 86 00:06:18,519 --> 00:06:22,480 secondary saying is deathly plastics. 87 00:06:22,120 --> 00:06:26,560 Speaker 8: Was like knowledge, but I am go FA know it's February. 88 00:06:26,959 --> 00:06:50,560 Speaker 10: Performing never left here to pick up the pieces. 89 00:06:50,879 --> 00:06:55,879 Speaker 14: Everybody, Norman, you're out of marriage chas or it's February. 90 00:06:56,319 --> 00:07:10,040 Speaker 8: It's funny be here nice you say last time when 91 00:07:10,160 --> 00:07:23,560 you vera the funny wel let thy f sa chas 92 00:07:25,000 --> 00:07:26,160 very funny. 93 00:07:31,680 --> 00:07:34,759 Speaker 7: No love thoughts it was she. 94 00:07:36,600 --> 00:07:39,000 Speaker 4: Changed and now. 95 00:07:39,040 --> 00:08:02,319 Speaker 16: The brand new single from Major Moment promises, I don't 96 00:08:02,319 --> 00:08:02,959 know if I. 97 00:08:03,000 --> 00:08:04,000 Speaker 17: Should say yet. 98 00:08:04,600 --> 00:08:07,000 Speaker 8: I don't want to make this worst. 99 00:08:08,600 --> 00:08:13,120 Speaker 11: I don't go back for anybody have a time that 100 00:08:13,240 --> 00:08:14,000 I replay. 101 00:08:14,160 --> 00:08:17,199 Speaker 5: Yet I can see how much this hurt. 102 00:08:18,920 --> 00:08:24,560 Speaker 4: He said the job help I only heard now. 103 00:08:25,439 --> 00:08:31,160 Speaker 8: I try to keep it on jack person. I'm trying to. 104 00:08:31,199 --> 00:08:34,200 Speaker 7: Tell me autize, we don't know the things I didn't 105 00:08:34,200 --> 00:08:39,600 even know. I'm sad to me, I can check it, JESU, 106 00:08:41,240 --> 00:08:41,639 make me. 107 00:08:44,679 --> 00:08:47,639 Speaker 18: Me, me me. 108 00:08:58,879 --> 00:09:02,120 Speaker 11: I never said that it was perfect, but I know 109 00:09:02,320 --> 00:09:02,919 the way you. 110 00:09:03,639 --> 00:09:08,919 Speaker 12: Lie because somebody else. 111 00:09:09,480 --> 00:09:12,279 Speaker 13: And I hope that it once worth it as you 112 00:09:12,440 --> 00:09:27,759 leave it on behide, but know this, son, you don't. 113 00:09:27,559 --> 00:09:30,960 Speaker 8: Get you merchants much. 114 00:09:33,120 --> 00:09:46,399 Speaker 19: Trying to keep it on my just pursuit expecting chest 115 00:09:46,440 --> 00:09:47,480 get Jesus. 116 00:09:51,440 --> 00:09:55,639 Speaker 13: Meanly goods made. 117 00:09:57,399 --> 00:10:02,000 Speaker 20: You changed, but watch this stay same, and I think 118 00:10:02,120 --> 00:10:07,240 you should go. The dude can't play these games. Set 119 00:10:07,320 --> 00:10:12,799 transition out on the grass of Ubi game fine without 120 00:10:13,200 --> 00:10:16,159 bout finding of flame. 121 00:10:22,200 --> 00:10:25,679 Speaker 8: I tried to keep you off, but it just pushed 122 00:10:25,720 --> 00:10:30,480 you across the many all the days. 123 00:10:30,559 --> 00:10:31,720 Speaker 4: I take now. 124 00:10:35,080 --> 00:10:37,159 Speaker 11: Like a chasation because John. 125 00:10:41,039 --> 00:10:42,799 Speaker 18: F me that. 126 00:11:10,720 --> 00:11:12,000 Speaker 5: We're back from the brain. 127 00:11:34,120 --> 00:11:37,679 Speaker 13: Badsies make bad apples, and bad apples make good. 128 00:11:37,600 --> 00:11:41,840 Speaker 5: Friends little sour to the taste. But at least you 129 00:11:41,919 --> 00:11:45,559 don't want ten because we've all got our share of 130 00:11:45,720 --> 00:11:47,600 trouble coming around with them. 131 00:11:48,600 --> 00:11:52,039 Speaker 21: So won't you keep your ramchinine. 132 00:11:51,240 --> 00:11:55,519 Speaker 4: Running the way you look around. 133 00:11:55,240 --> 00:12:00,879 Speaker 13: The room playing you get away, comfort in your truble, letting. 134 00:12:00,759 --> 00:12:07,200 Speaker 4: You rise ready take do believe your details, mist Tyson Steak, 135 00:12:08,039 --> 00:12:09,440 and the truth has been. 136 00:12:09,360 --> 00:12:14,759 Speaker 13: A long time come. We're all bound for one big seat. 137 00:12:15,120 --> 00:12:18,879 Hence the calm, the new weekie. Hen it s easy to. 138 00:12:19,039 --> 00:12:20,960 Speaker 4: Forget that your life. 139 00:12:22,519 --> 00:12:27,159 Speaker 13: Looking bis that's me a hand a thousand starts to grow. 140 00:12:27,360 --> 00:12:29,440 Speaker 5: We get lost, we get fouled. 141 00:12:29,799 --> 00:12:53,360 Speaker 13: Here we just in time Rose. I'm looking for a 142 00:12:53,519 --> 00:12:57,759 train wreck. Just someone on the men so I can 143 00:12:57,919 --> 00:13:01,519 know the damages close friends for a friend. 144 00:13:02,279 --> 00:13:04,039 Speaker 5: That's heeds make bad appens. 145 00:13:04,360 --> 00:13:07,720 Speaker 8: So let me recommend you stick. 146 00:13:07,519 --> 00:13:10,279 Speaker 4: Around and see what's coming. 147 00:13:12,039 --> 00:13:12,799 Speaker 17: In your touch. 148 00:13:13,080 --> 00:13:16,200 Speaker 5: Mistaken earth for dirt that makes the sweet. 149 00:13:17,039 --> 00:13:19,840 Speaker 4: In your eyes, for given skies and now. 150 00:13:19,759 --> 00:13:22,679 Speaker 5: And met het spines like. 151 00:13:22,799 --> 00:13:27,080 Speaker 13: Commercial thing that' too much to your see. They can 152 00:13:27,240 --> 00:13:33,159 hear the songwhere we're all bound for one next week. 153 00:13:33,559 --> 00:13:35,159 Speaker 8: It's to come the new week. 154 00:13:35,360 --> 00:13:36,320 Speaker 14: He head and. 155 00:13:36,360 --> 00:13:43,440 Speaker 13: Sees into Gap you're life looking Miles. There's a ten 156 00:13:43,559 --> 00:13:45,799 a thousand stocks grow. 157 00:13:45,759 --> 00:13:48,519 Speaker 5: We get lost, we get found here, we. 158 00:13:48,679 --> 00:14:12,200 Speaker 4: Just continue down the rows. He bound one Mixie. 159 00:14:12,720 --> 00:14:16,399 Speaker 13: It's the com the new Weekie, Henni says he to 160 00:14:16,799 --> 00:14:18,519 Gab and chow Line. 161 00:14:20,039 --> 00:14:24,679 Speaker 4: Cooking Biles. That's we art hand a thousand stots throw, 162 00:14:24,960 --> 00:14:26,960 we get lost, you get found. 163 00:14:27,399 --> 00:14:32,600 Speaker 13: Hell, we just continue down there abound one Xi. He's 164 00:14:32,639 --> 00:14:34,759 the com to be wiki. 165 00:14:34,759 --> 00:14:36,039 Speaker 5: Henne says he to. 166 00:14:36,360 --> 00:14:38,279 Speaker 17: Gap you dollar. 167 00:14:39,679 --> 00:14:40,720 Speaker 8: Looking Boles. 168 00:14:40,879 --> 00:14:44,679 Speaker 4: That's we heard hand a thousand stots throw, we. 169 00:14:44,799 --> 00:14:46,559 Speaker 8: Get lost, we get found. 170 00:14:47,000 --> 00:14:50,039 Speaker 4: Hell, we just continues down these balls. 171 00:14:50,480 --> 00:14:50,759 Speaker 22: We know. 172 00:15:13,799 --> 00:15:14,279 Speaker 3: I love that. 173 00:15:14,399 --> 00:15:17,480 Speaker 2: That is new from Narley Darling. The track is bad Apples, 174 00:15:17,559 --> 00:15:20,279 and we're gonna talk to Narley Darling in just a moment. 175 00:15:20,519 --> 00:15:23,519 They are with us live in studio and if you 176 00:15:23,600 --> 00:15:26,320 are listening live of course, this is Matt Connorton Unleashed 177 00:15:26,720 --> 00:15:28,200 and we are coming to you from the studios of 178 00:15:28,399 --> 00:15:31,919 wm NH ninety five point three FM and Glorious Manchester, 179 00:15:32,080 --> 00:15:36,080 New Hampshire. Today is a Saturday, November eight, twenty twenty five, 180 00:15:36,519 --> 00:15:38,480 and we have entered our number two New Marrow dose 181 00:15:38,600 --> 00:15:41,159 of Matt Connorton Unleashed. Jenny is here, of course at 182 00:15:41,200 --> 00:15:43,519 the news table present that I got it for and 183 00:15:43,840 --> 00:15:45,799 let me get these mics up here. We've got Narley 184 00:15:45,919 --> 00:15:48,440 Darling for the members here with us and they're gonna 185 00:15:48,440 --> 00:15:51,080 play live in just a couple of minutes. But also 186 00:15:51,200 --> 00:15:52,720 what I'd like to do, let's start in this corner 187 00:15:52,720 --> 00:15:55,120 of the room. You can each introduce yourselves, tell us 188 00:15:55,120 --> 00:15:56,559 who you are, what you do in the band. Also 189 00:15:56,600 --> 00:15:58,080 gives me a chance to kind of check the mics 190 00:15:58,679 --> 00:16:00,480 before you play live. But we'll start with you, sir. 191 00:16:00,720 --> 00:16:01,240 Speaker 3: Alrighty. 192 00:16:01,399 --> 00:16:05,320 Speaker 23: My name is Gary, Gary A Goodman. I live in Portsmouth, 193 00:16:05,399 --> 00:16:08,840 New Hampshire. I'm the drummer. I do have my bomb goes, 194 00:16:08,879 --> 00:16:11,360 but I normally do play on a full kit. Okay, 195 00:16:11,519 --> 00:16:15,360 and going on four years now with Gnarley Darling. 196 00:16:15,519 --> 00:16:18,240 Speaker 3: Excellent, excellent, all right, and you Hi. 197 00:16:18,440 --> 00:16:23,360 Speaker 24: I'm Jesse Jesse regarded Eva and I'm a vocalist for 198 00:16:23,480 --> 00:16:26,279 the band. I sing some leads and then some harmonies 199 00:16:26,360 --> 00:16:26,879 for Ryan. 200 00:16:27,360 --> 00:16:27,639 Speaker 3: Okay. 201 00:16:27,960 --> 00:16:30,200 Speaker 24: I've been with the band for about three years. 202 00:16:30,679 --> 00:16:32,559 Speaker 3: Excellent, excellent, all right, and you Ryan. 203 00:16:32,879 --> 00:16:36,559 Speaker 21: I am Ryan Peeley and I play guitar and sing 204 00:16:36,960 --> 00:16:40,200 and I'm the songwriter in the group. And the group, 205 00:16:40,240 --> 00:16:43,360 I guess has been together in some form for going 206 00:16:43,399 --> 00:16:46,639 on six years now. But this current group of five 207 00:16:46,879 --> 00:16:48,559 we're missing one today with a carent group of five 208 00:16:48,720 --> 00:16:51,799 is pushing four years and we're having a great time. 209 00:16:52,000 --> 00:16:53,279 Speaker 3: Gotcha, gotcha? Okay? 210 00:16:53,360 --> 00:16:54,240 Speaker 5: And you sure. 211 00:16:54,320 --> 00:16:57,000 Speaker 21: My name is Pete Lassie. I live in Kenny Bunk, Maine. 212 00:16:57,080 --> 00:16:58,000 Speaker 25: I play harmonica. 213 00:16:58,399 --> 00:17:02,080 Speaker 4: I've been playing really since the beginning with Ryan where colleagues. 214 00:17:02,120 --> 00:17:06,039 Speaker 21: We're both educators and just really happy to be here today. 215 00:17:06,319 --> 00:17:08,079 Speaker 3: Excellent. Well, I'm happy to have the four of you here. 216 00:17:08,559 --> 00:17:11,640 And how long, by the way, has this been? 217 00:17:11,759 --> 00:17:13,440 Speaker 2: Well you mentioned how long the band has been around, 218 00:17:13,480 --> 00:17:15,200 but how many times have you been on the show now? 219 00:17:15,240 --> 00:17:16,759 Speaker 3: Has it been? Is this your third? 220 00:17:17,279 --> 00:17:17,559 Speaker 21: Second? 221 00:17:17,680 --> 00:17:17,880 Speaker 4: Only? 222 00:17:17,920 --> 00:17:18,480 Speaker 3: Second? Okay? 223 00:17:18,680 --> 00:17:21,000 Speaker 2: For some reason, I thought it'd have been more. But 224 00:17:21,119 --> 00:17:23,359 I love the I love the studio tracks, by the way, 225 00:17:23,519 --> 00:17:25,640 And is this part of a new new album that's 226 00:17:25,680 --> 00:17:27,440 just come out or is coming out or what's what's 227 00:17:27,480 --> 00:17:28,160 the status of that? 228 00:17:28,440 --> 00:17:28,680 Speaker 25: It is? 229 00:17:28,799 --> 00:17:32,200 Speaker 21: It's our our debut album. We recorded it just over 230 00:17:32,240 --> 00:17:33,960 a year ago and spent a lot of time doing 231 00:17:34,000 --> 00:17:38,119 the mixing and planning processes, and we've released four of 232 00:17:38,160 --> 00:17:40,599 the tracks already over the last month or so. But 233 00:17:40,680 --> 00:17:42,880 the full album is going to be coming out on Friday, 234 00:17:42,920 --> 00:17:45,759 this coming Friday, Outstanding And what's it called. It's a 235 00:17:45,799 --> 00:17:48,319 self titled album. So Gnarley Darling, okay, perfect? 236 00:17:48,440 --> 00:17:50,680 Speaker 3: Is this the first official album that you've put out 237 00:17:50,759 --> 00:17:55,000 or it is? Okay? Okay, wow, Well congratulations that's amazing. Yeah. Absolutely, 238 00:17:55,279 --> 00:17:57,839 I'm dying to hear you play live. If you are 239 00:17:57,920 --> 00:17:58,440 just joining us. 240 00:17:58,519 --> 00:18:01,160 Speaker 2: Narley Darling is here with us live video and they're 241 00:18:01,160 --> 00:18:02,880 gonna do a couple of songs out live for us, and. 242 00:18:03,079 --> 00:18:04,279 Speaker 3: What are you all gonna play? 243 00:18:04,400 --> 00:18:06,240 Speaker 21: We're gonna do a song that hasn't been released yet, 244 00:18:06,279 --> 00:18:08,319 but it'll be out on Friday when the album drops on. 245 00:18:08,440 --> 00:18:09,880 This is called Words Carry Over. 246 00:18:09,839 --> 00:18:12,559 Speaker 3: The Water, Words Carry over the water, Narlie Darling live 247 00:18:12,599 --> 00:18:13,640 in studio, all right. 248 00:18:26,000 --> 00:18:29,039 Speaker 26: I've learn a key amount dreams and smoking in loaning 249 00:18:33,119 --> 00:18:36,400 a little lad and oxygen and guarantee to. 250 00:18:36,559 --> 00:18:37,160 Speaker 4: Tell them and. 251 00:18:41,440 --> 00:18:45,599 Speaker 27: Thinking and all of them bluecas is getting locked sure. 252 00:18:48,400 --> 00:18:51,079 Speaker 11: Shooting, and all of them the stores will coming away. 253 00:18:51,400 --> 00:18:58,680 Speaker 28: I've seen this movie, got a futasy of harbor from 254 00:18:58,920 --> 00:19:02,079 alb and my pencil fALS and rhys. 255 00:19:02,160 --> 00:19:03,920 Speaker 4: It's just like every breathley thing. 256 00:19:04,039 --> 00:19:07,279 Speaker 29: Know the die I'll never capture all live in the 257 00:19:07,400 --> 00:19:12,000 sky or that hesitating rhythm and stumble through the die. 258 00:19:12,680 --> 00:19:16,119 Speaker 4: What the things you say? I'm telling you. 259 00:19:16,640 --> 00:19:18,640 Speaker 11: Word scary over the water. 260 00:19:20,519 --> 00:19:25,279 Speaker 7: One thing's certain than God's hurtin and I word scary 261 00:19:25,440 --> 00:19:30,319 over the water, and only heaven can hear. 262 00:19:37,880 --> 00:19:39,400 Speaker 11: I've learned a lot of bit. 263 00:19:39,359 --> 00:19:45,960 Speaker 27: And most sweeter than the happiest sort. But it's all 264 00:19:46,160 --> 00:19:50,279 it's so listen means not self and stringers a long. 265 00:19:53,920 --> 00:19:54,319 Speaker 21: You say. 266 00:19:54,400 --> 00:19:57,680 Speaker 11: It all comes down to who happens half spinning to lie. 267 00:20:00,880 --> 00:20:04,880 Speaker 29: Holy chemistry is too easy, and there's goltry and watching 268 00:20:05,000 --> 00:20:11,279 them now you can carry it a bell just a 269 00:20:11,440 --> 00:20:13,200 little decent and that. 270 00:20:13,440 --> 00:20:14,759 Speaker 11: Hot im when you're tired. 271 00:20:14,880 --> 00:20:18,039 Speaker 29: Ask means nothing of the final and then and words 272 00:20:18,119 --> 00:20:20,319 can cut the sacking knife over pen. 273 00:20:21,039 --> 00:20:23,039 Speaker 11: But I can tell you're dying just to. 274 00:20:23,160 --> 00:20:24,240 Speaker 7: Say them gave. 275 00:20:25,200 --> 00:20:29,960 Speaker 11: Watch the things you say. I'm telling you, word scary 276 00:20:30,160 --> 00:20:33,559 over the water, one. 277 00:20:33,519 --> 00:20:35,119 Speaker 8: Thing certain than God. 278 00:20:35,960 --> 00:20:42,000 Speaker 30: Certain word scarry over the water, and only. 279 00:20:41,880 --> 00:20:42,799 Speaker 5: Heaven can hear. 280 00:20:58,319 --> 00:21:00,319 Speaker 11: Watch the things you say. 281 00:21:00,839 --> 00:21:06,720 Speaker 31: I'm telling you words carry over the water, one thing 282 00:21:07,039 --> 00:21:08,200 certain than God. 283 00:21:09,000 --> 00:21:12,039 Speaker 5: Certain and our worst carry over the water. 284 00:21:13,880 --> 00:21:15,799 Speaker 11: Watch the things you say. 285 00:21:16,400 --> 00:21:22,200 Speaker 4: I'm telling you worst carry over the world, one. 286 00:21:22,160 --> 00:21:27,680 Speaker 30: Thing certain than God. The certain words carry over the water. 287 00:21:29,240 --> 00:21:34,599 The words carry over the water. The words carry over 288 00:21:34,799 --> 00:21:35,599 the water. 289 00:21:37,839 --> 00:21:39,279 Speaker 4: In heaven. 290 00:21:47,039 --> 00:21:53,599 Speaker 3: Oh my god, that's so good. Yeah, really good, really good. 291 00:21:53,720 --> 00:21:56,440 Speaker 2: Yeah. Yeah, if you are just joining us, we have 292 00:21:56,559 --> 00:21:59,599 Narley Darling here in studio with us, playing live, and uh, 293 00:22:00,200 --> 00:22:02,839 is that kind of the secret weapon? Is your voices together? 294 00:22:03,000 --> 00:22:05,359 I mean, he just sounds so good together, you really do? 295 00:22:05,960 --> 00:22:10,759 Absolutely absolutely? Is that is that kind of what what 296 00:22:10,960 --> 00:22:13,480 makes us all work? I mean obviously everyone's you know, 297 00:22:13,680 --> 00:22:15,640 the four of you sound great. And you've got another 298 00:22:15,680 --> 00:22:17,119 member too, right, the bass. 299 00:22:16,920 --> 00:22:18,960 Speaker 21: Player too, Eric, our bass player couldn't be here today. 300 00:22:18,960 --> 00:22:20,720 But yeah, he definitely adds a lot to the group. 301 00:22:20,920 --> 00:22:24,599 Speaker 2: Yeah, yeah, but I mean the just the like the 302 00:22:24,680 --> 00:22:27,000 harmonies of the two of you, is that something that 303 00:22:27,400 --> 00:22:29,319 was there right from the start, like, or is that 304 00:22:29,400 --> 00:22:31,440 something you had to kind of develop over time or I. 305 00:22:31,440 --> 00:22:33,240 Speaker 21: Think we've put some some work and time into it. 306 00:22:33,720 --> 00:22:33,920 Speaker 13: Yeah. 307 00:22:35,079 --> 00:22:37,240 Speaker 3: Yeah, no, it's so good, so good. 308 00:22:37,920 --> 00:22:40,400 Speaker 2: Now the studio tracks that we're playing today, where were 309 00:22:40,440 --> 00:22:42,599 these recorded? Because everything sounds amazing. 310 00:22:42,839 --> 00:22:43,039 Speaker 26: Yeah. 311 00:22:43,119 --> 00:22:45,960 Speaker 21: We ended up recording these with a guy named Brian Coombs. 312 00:22:46,240 --> 00:22:48,720 He's got a place called Rocking Horse Studio in Kittsfield 313 00:22:49,279 --> 00:22:51,759 and went in there just about a year ago. Actually, 314 00:22:52,359 --> 00:22:54,400 it's spent a couple of days. We weren't sure how 315 00:22:54,440 --> 00:22:55,839 many songs were going to be able to lay down 316 00:22:55,839 --> 00:22:57,759 in two days, but yeah, we did a lot of 317 00:22:57,799 --> 00:23:00,599 prep to be ready and we ended up recording eight songs. Yeah, 318 00:23:00,720 --> 00:23:02,440 and then you know, a couple of times going back 319 00:23:02,480 --> 00:23:04,759 to kind of tweak some things and do some fine tuning. 320 00:23:04,839 --> 00:23:07,160 But yeah, but it was a great experience working with Brian. 321 00:23:07,359 --> 00:23:09,039 Speaker 3: Yeah, I interviewed Brian. 322 00:23:10,000 --> 00:23:12,480 Speaker 2: Jeez, it was a long time ago. Now I should, uh, 323 00:23:12,480 --> 00:23:13,799 we should get him back on the show. It's been 324 00:23:13,839 --> 00:23:15,720 a long time. But yeah, he's amazing and everything that 325 00:23:15,839 --> 00:23:17,440 comes out of there is really good. Everything that comes 326 00:23:17,440 --> 00:23:18,759 out of Rocking Horse is really good. 327 00:23:19,240 --> 00:23:21,640 Speaker 3: And then did you do a it's a full album, right, 328 00:23:21,839 --> 00:23:24,039 it is eight songs total? Eight songs? Yeah, and what 329 00:23:24,160 --> 00:23:25,759 went into the decision to make a full album? 330 00:23:25,759 --> 00:23:28,000 Speaker 2: Because you know, you've got so many options, especially today, 331 00:23:28,039 --> 00:23:30,319 you can do EPs, you can do a series of 332 00:23:30,400 --> 00:23:32,880 singles that maybe eventually become an album. But y, what 333 00:23:33,000 --> 00:23:35,039 went into the decision to go in and do a 334 00:23:35,079 --> 00:23:35,680 full album? 335 00:23:36,480 --> 00:23:38,039 Speaker 21: I mean, for me, I think, you know, we've been 336 00:23:38,079 --> 00:23:40,279 together for a number of years and you know, I've 337 00:23:40,319 --> 00:23:42,799 got probably fifty songs and we don't do all of 338 00:23:42,839 --> 00:23:46,200 those as a band, but we've played probably consistently maybe 339 00:23:46,240 --> 00:23:48,720 fifteen or so. And wow, So we had this backlog 340 00:23:48,759 --> 00:23:50,680 of songs and I was just excited to record as 341 00:23:50,720 --> 00:23:51,480 many as we could. 342 00:23:51,759 --> 00:23:52,000 Speaker 3: Yeah. 343 00:23:52,160 --> 00:23:54,319 Speaker 21: So we went into the studio trying to be you know, 344 00:23:54,440 --> 00:23:57,319 really prepared to optimize our time in the studio and 345 00:23:57,799 --> 00:24:00,319 kind of felt like, if we can get five done done, 346 00:24:00,359 --> 00:24:03,599 that would be great, and maybe, you know, we have 347 00:24:03,759 --> 00:24:05,759 this amazing two days where we can do all eight 348 00:24:05,839 --> 00:24:06,759 and that's what happened. 349 00:24:06,880 --> 00:24:07,599 Speaker 3: Yeah, So it was great. 350 00:24:07,720 --> 00:24:09,839 Speaker 21: Yeah, And the short answer is it took about two 351 00:24:09,920 --> 00:24:11,039 years of talking about. 352 00:24:10,839 --> 00:24:11,240 Speaker 1: It and then. 353 00:24:12,759 --> 00:24:16,359 Speaker 2: Yeah, yeah, all these things take time, right, especially like 354 00:24:16,359 --> 00:24:18,200 when you've got a backlog of songs, you got to 355 00:24:18,279 --> 00:24:21,279 really consider, you know, what, what you want to record, 356 00:24:21,440 --> 00:24:23,279 because you know, especially if you know you're going in 357 00:24:23,319 --> 00:24:25,039 there for a couple of days and trying to do 358 00:24:25,079 --> 00:24:25,799 as much as you can. 359 00:24:25,960 --> 00:24:26,119 Speaker 5: Right. 360 00:24:26,240 --> 00:24:28,160 Speaker 21: So totally, totally. We've got, you know, a couple of 361 00:24:28,200 --> 00:24:30,079 new ones we've been working on, and so I think 362 00:24:30,119 --> 00:24:32,960 our next plan is over the next maybe three four months, 363 00:24:33,000 --> 00:24:34,680 is to get and then maybe just do two or 364 00:24:34,759 --> 00:24:37,799 three or you know, maybe an EP, maybe a single even, Yeah, 365 00:24:38,079 --> 00:24:40,000 just to kind of keep it going. Yeah, because it's 366 00:24:40,000 --> 00:24:42,720 been such a great experience recording and going through this process. 367 00:24:42,839 --> 00:24:45,720 Speaker 2: Yeah, yeah, excellent. Well we should play another studio track. 368 00:24:46,200 --> 00:24:48,359 What we played Bad Apples, So was what was the 369 00:24:48,400 --> 00:24:49,640 other one you wanted to make sure we got in. 370 00:24:49,759 --> 00:24:51,640 Speaker 21: I think it'd be great to play Little Fences, little 371 00:24:51,680 --> 00:24:52,960 one that hasn't been released yet. 372 00:24:53,079 --> 00:24:55,880 Speaker 3: Okay, anything we should know about this before we play it. 373 00:24:56,240 --> 00:24:58,640 Speaker 21: So this is one of the songs. I really love 374 00:24:59,200 --> 00:25:01,359 how this came together because you know, I write all 375 00:25:01,400 --> 00:25:03,720 these songs on my acoustic guitar. And then the best 376 00:25:03,759 --> 00:25:05,839 part from me is coming together with with these folks 377 00:25:05,880 --> 00:25:08,079 and Eric as well and see what they can bring 378 00:25:08,160 --> 00:25:10,839 to the table. And the original the demo version of 379 00:25:10,880 --> 00:25:13,359 this is very different from where it ultimately ended up, 380 00:25:13,799 --> 00:25:16,720 and that was a really collaborative process. There's this whole 381 00:25:16,759 --> 00:25:19,079 section at the end that we sort of jokingly and 382 00:25:19,200 --> 00:25:22,440 lovingly called the hipster whistle Secsion that did not exist 383 00:25:22,559 --> 00:25:25,119 on the original demo. And so, okay, I love the 384 00:25:25,200 --> 00:25:27,039 fact that it was really a group right in a 385 00:25:27,079 --> 00:25:27,519 lot of ways. 386 00:25:27,640 --> 00:25:30,279 Speaker 3: Yeah, okay, very cool, very cool. So here it is. 387 00:25:30,319 --> 00:25:32,519 Speaker 2: We're gonna give this a spin. This is Little Fences. 388 00:25:32,559 --> 00:25:51,039 The band is gnarly darling, Hey, little wife. 389 00:25:50,839 --> 00:25:55,799 Speaker 11: Facing in the you got you think you're answerted in 390 00:25:55,960 --> 00:25:58,200 milk them on the clouds, with all the neighbors watching 391 00:25:58,240 --> 00:26:02,759 you on the rainbot feel around the bed. We can 392 00:26:03,000 --> 00:26:04,599 find a way back on the. 393 00:26:04,640 --> 00:26:12,480 Speaker 32: Bold Sweet Donald be around. 394 00:26:12,519 --> 00:26:21,240 Speaker 11: Leaves a gotta under Little Master used to taking me 395 00:26:21,359 --> 00:26:24,240 from here into the deep there. Used to help me off, sirs, 396 00:26:24,279 --> 00:26:24,839 your bossie. 397 00:26:25,480 --> 00:26:27,119 Speaker 4: He used to get me off the space. 398 00:26:26,880 --> 00:26:29,119 Speaker 29: That I can handle, where I can still await the 399 00:26:29,160 --> 00:26:29,920 back of Jackie. 400 00:26:30,480 --> 00:26:36,680 Speaker 11: All these words we twisting them out. The sounds. 401 00:26:39,759 --> 00:26:44,759 Speaker 27: Horrible treating cootle wearing well, leave for gotta. 402 00:26:44,519 --> 00:26:45,319 Speaker 22: Under little. 403 00:27:16,519 --> 00:27:17,359 Speaker 11: Hell, little papers. 404 00:27:17,359 --> 00:27:19,519 Speaker 29: Want to look around the world baby, as are the 405 00:27:19,559 --> 00:27:22,119 baby where you're seeing the jokers try to eat the 406 00:27:22,160 --> 00:27:25,200 Marcus just wanted to stand in the blunhine, try separado, 407 00:27:25,359 --> 00:27:26,400 stand from the purl. 408 00:27:26,599 --> 00:27:30,920 Speaker 4: You can up in a reel star gossing, hold on. 409 00:27:31,160 --> 00:27:38,920 Speaker 29: A kid, your kids breaking steaks, con them. 410 00:27:39,200 --> 00:27:40,079 Speaker 4: But we steal that. 411 00:27:40,359 --> 00:27:46,920 Speaker 11: A hundred little fence, A hundred little fences. 412 00:27:52,440 --> 00:28:32,880 Speaker 32: Oh yeah, yeah, hon a little pirson me. 413 00:28:37,200 --> 00:28:53,240 Speaker 11: Hell he little custom. 414 00:29:18,039 --> 00:29:20,240 Speaker 2: Another great track that is little Fences. The band is 415 00:29:20,319 --> 00:29:23,039 Narley Darling, and we've got Narley Darling here with us 416 00:29:23,240 --> 00:29:24,720 alive in studio. 417 00:29:25,279 --> 00:29:27,119 Speaker 3: That is that is so so good. 418 00:29:28,319 --> 00:29:30,000 Speaker 2: I'm sure I asked you this last time you were here, 419 00:29:30,079 --> 00:29:31,480 but I don't remember the answer. And of course we 420 00:29:31,519 --> 00:29:33,119 have newer listeners. Where does a name come from? What 421 00:29:33,160 --> 00:29:34,200 does Narley Darling mean? 422 00:29:35,839 --> 00:29:38,640 Speaker 21: Gosh, there's a long story there. But the original name 423 00:29:38,680 --> 00:29:41,880 of the band was very confusing. Oh this goes back 424 00:29:41,920 --> 00:29:42,640 five or six years. 425 00:29:42,680 --> 00:29:44,839 Speaker 3: I love rejected band names. Was the original name? 426 00:29:44,880 --> 00:29:46,559 Speaker 21: It was ambulate as tolerated. 427 00:29:47,000 --> 00:29:48,839 Speaker 2: Yes, I remember you talking about that now the last 428 00:29:48,839 --> 00:29:51,480 time you're here yes, yes, ambulate as tolerated. 429 00:29:51,559 --> 00:29:52,920 Speaker 21: Yeah, and as Pete was saying, a lot of us 430 00:29:52,960 --> 00:29:56,200 are are educators, and that came from just our school 431 00:29:56,319 --> 00:30:00,319 nurses protocol for students returning from concussions. Okay, they could 432 00:30:00,319 --> 00:30:02,640 ambulate as tolerated. Yeah, And it was kind of funny 433 00:30:02,680 --> 00:30:04,519 at the time, and you know whatever, but we found 434 00:30:04,519 --> 00:30:06,920 ourselves like a show after show and you know, people 435 00:30:07,000 --> 00:30:10,640 calling us ambulated or just confusing it. And so about 436 00:30:10,759 --> 00:30:12,640 three years ago we decided we wanted to change and 437 00:30:12,680 --> 00:30:15,240 we had this Google doc with all sorts of crazy ideas. Yeah, 438 00:30:15,359 --> 00:30:17,880 we actually did like a social media campaign to get 439 00:30:17,880 --> 00:30:21,000 people to vote. Oh really, had four finalists and ultimately 440 00:30:21,119 --> 00:30:23,079 we just like, I think we like the juxtaposition of 441 00:30:23,119 --> 00:30:25,680 gnarly and darling, right, so yeah, it's sort of edgy 442 00:30:25,799 --> 00:30:28,079 and a little twisted, but also sweet at the same time. 443 00:30:28,279 --> 00:30:28,480 Speaker 3: Yeah. 444 00:30:29,160 --> 00:30:32,039 Speaker 2: I just imagine when when you were ambulating as tolerated, 445 00:30:32,079 --> 00:30:34,039 would like, would you would your name beyond posters for 446 00:30:34,119 --> 00:30:35,640 shows and they would screw it up, like did they 447 00:30:35,720 --> 00:30:36,480 misspell things? 448 00:30:36,559 --> 00:30:38,920 Speaker 3: And yeah all the time I would imagine, yeah, yeah, 449 00:30:39,319 --> 00:30:41,680 that's how long did you have that name? What do 450 00:30:41,720 --> 00:30:41,920 you think? 451 00:30:42,119 --> 00:30:42,759 Speaker 21: Maybe two years? 452 00:30:42,839 --> 00:30:44,000 Speaker 3: Yea two years. 453 00:30:44,079 --> 00:30:44,279 Speaker 22: Yeah. 454 00:30:44,359 --> 00:30:46,279 Speaker 3: Yeah, well you ran with it for two years. That's 455 00:30:46,519 --> 00:30:46,960 pretty good. 456 00:30:48,319 --> 00:30:50,319 Speaker 2: So then what do you remember any of the other 457 00:30:50,400 --> 00:30:52,559 names that you considered before settling on Narley Darling? Like 458 00:30:52,599 --> 00:30:54,000 I said, I love rejected band names. 459 00:30:54,119 --> 00:30:56,720 Speaker 21: Yeah, what do you remember any I know, I remember. 460 00:30:56,480 --> 00:31:00,240 Speaker 24: The funny ones from Always Sunny in Philadelphia, Yeah, milks. 461 00:31:01,119 --> 00:31:06,079 Speaker 23: Really yeah, yeah, there was I think one was like 462 00:31:06,359 --> 00:31:07,279 the tricky pickle. 463 00:31:07,839 --> 00:31:08,279 Speaker 3: Yeah, there was. 464 00:31:08,359 --> 00:31:10,519 Speaker 23: One was something to do with the donkey, but I 465 00:31:10,599 --> 00:31:11,279 don't remember. 466 00:31:12,359 --> 00:31:15,640 Speaker 21: Yeah, yeah, there was. There was a mouth mouse mouse 467 00:31:15,680 --> 00:31:16,480 honey was one of them. 468 00:31:17,039 --> 00:31:18,119 Speaker 5: Noah, Noah. 469 00:31:18,559 --> 00:31:20,039 Speaker 21: I wanted us there was a band, an R and 470 00:31:20,119 --> 00:31:22,039 B band back in the eighties called Tony Tony Tony, 471 00:31:22,599 --> 00:31:24,200 and I wanted us to be Gary Gary Gary. 472 00:31:24,279 --> 00:31:29,279 Speaker 3: But that idea really, Oh that's funny. 473 00:31:30,160 --> 00:31:32,279 Speaker 2: And then now what's your what's your live schedule? Like, 474 00:31:32,319 --> 00:31:33,880 are you playing a lot of shows? I would imagine 475 00:31:33,880 --> 00:31:34,960 you've you've been busy, right. 476 00:31:35,000 --> 00:31:37,759 Speaker 21: Yeah, it has been, I mean probably twice a month, right, 477 00:31:37,920 --> 00:31:38,400 something like that. 478 00:31:39,039 --> 00:31:42,480 Speaker 24: Yeah, I mean we're playing tomorrow the Blue Merriman and Kittery, 479 00:31:42,640 --> 00:31:46,680 Maine that and then we have a big show for 480 00:31:46,759 --> 00:31:49,240 our album release on November twentieth. It's going to be 481 00:31:49,240 --> 00:31:50,640 at the Stone Church in Newmarket. 482 00:31:50,839 --> 00:31:52,119 Speaker 3: Excellent on what day? 483 00:31:52,599 --> 00:31:55,119 Speaker 24: On November twenty Oh, that's coming right up, yeah, yeah, 484 00:31:55,599 --> 00:31:56,400 before Thanksgiving? 485 00:31:56,559 --> 00:31:58,319 Speaker 3: Okay, okay, excellent, excellent. 486 00:31:58,359 --> 00:32:00,599 Speaker 21: So the album comes out Friday, and then the following 487 00:32:00,680 --> 00:32:03,319 Thursdays is that show? Okay, And we've got a great 488 00:32:03,759 --> 00:32:05,759 local group called Three Great Gardens that's going to open 489 00:32:05,839 --> 00:32:07,200 up for us as well. Okay, it's gonna be a 490 00:32:07,200 --> 00:32:07,559 lot of fun. 491 00:32:07,599 --> 00:32:11,359 Speaker 3: Oh, very cool, very cool. Are you gonna play Are 492 00:32:11,400 --> 00:32:12,920 you playing the entire album that night? 493 00:32:13,160 --> 00:32:15,759 Speaker 21: Or we'll play the entire album and some new stuff 494 00:32:15,839 --> 00:32:17,599 and probably a few covers in the mix as well. 495 00:32:17,720 --> 00:32:20,839 Speaker 3: Oh excellent, excellent. Well, I'm dying to hear another live 496 00:32:20,880 --> 00:32:21,799 one if you want to, you want. 497 00:32:21,720 --> 00:32:24,319 Speaker 21: To play another absolute one for us? So this one 498 00:32:24,920 --> 00:32:27,359 is from the album as well, and it's it's already 499 00:32:27,400 --> 00:32:30,599 been released. And uh, this is a song. I always 500 00:32:30,640 --> 00:32:35,359 described this as uh me getting really angry and frustrated 501 00:32:35,359 --> 00:32:37,640 with God, which I tend to do from time to time. Okay, 502 00:32:38,279 --> 00:32:40,319 but hopefully there's a little bit of redemption in this 503 00:32:40,400 --> 00:32:42,599 song as well. And uh, this morning we want to 504 00:32:42,640 --> 00:32:43,720 dedicate this one to Kathy. 505 00:32:44,599 --> 00:32:48,599 Speaker 3: All right, you ready, Narlie Darling live in studio. 506 00:32:48,640 --> 00:32:50,119 Speaker 21: One, two three, four. 507 00:33:16,720 --> 00:33:21,960 Speaker 31: Jesus swell sien to level me down in my knees. 508 00:33:23,400 --> 00:33:28,680 Somebody somewhere or some something fish and he's collecting whatever receives, 509 00:33:30,160 --> 00:33:35,519 tearing his way through my kitchen, raffling in closets and drawers, 510 00:33:36,759 --> 00:33:39,759 staring me down. Lord, I'm not giving him an answer 511 00:33:39,839 --> 00:33:40,480 to he bull. 512 00:33:40,720 --> 00:33:44,200 Speaker 5: I'm a sufferings for so see my name and here 513 00:33:44,279 --> 00:33:44,799 it smoking. 514 00:33:44,920 --> 00:33:48,880 Speaker 31: Remind me that I'm broken, shining like I've always deserved. 515 00:33:49,599 --> 00:33:53,359 Speaker 5: If I'm drifting on a notion, going through the motions, 516 00:33:53,680 --> 00:33:55,160 be laying anywhere with every. 517 00:33:55,160 --> 00:34:01,000 Speaker 33: Nerve, there are answers in our silence, in the spaces 518 00:34:01,119 --> 00:34:02,359 between our sides. 519 00:34:03,359 --> 00:34:06,920 Speaker 5: It's all right there. The beauty and a bruise if 520 00:34:06,960 --> 00:34:10,079 you're not afraid to see it. Beauty and a bruise, 521 00:34:10,159 --> 00:34:26,760 if you're not afraid to open your eyes. Very wet, sir, 522 00:34:26,920 --> 00:34:29,599 is fixing, cutting. 523 00:34:29,400 --> 00:34:34,400 Speaker 31: You right down the side, the right combination of letters 524 00:34:34,480 --> 00:34:36,159 and your voice and the hint. 525 00:34:36,000 --> 00:34:39,920 Speaker 5: Of a ghost of a line, truth in the ring 526 00:34:40,159 --> 00:34:40,880 on the table. 527 00:34:42,360 --> 00:34:46,760 Speaker 31: Don't look away from the light, just like can shine 528 00:34:46,840 --> 00:34:48,440 on a cruise and fixed there. 529 00:34:48,519 --> 00:34:51,960 Speaker 5: Sometimes the worst thing that happened is right see my 530 00:34:52,280 --> 00:34:55,400 name to hear it smoking. Remind me that I'm broken, 531 00:34:55,840 --> 00:34:59,760 shining like I've always to say. If I'm drifting, I 532 00:35:00,039 --> 00:35:02,760 an ocean, going through the motions, Be. 533 00:35:02,880 --> 00:35:04,440 Speaker 21: Learning with every nerve. 534 00:35:05,360 --> 00:35:10,880 Speaker 33: There are answers in a silence and in the spaces between. 535 00:35:10,559 --> 00:35:15,000 Speaker 5: Our sides, And it's all right there. The beauty and 536 00:35:15,159 --> 00:35:18,199 a bruise if you're not afraid to see it. Beauty 537 00:35:18,360 --> 00:35:20,559 and a bruise, if you're not afraid, who. 538 00:35:20,480 --> 00:35:21,440 Speaker 4: Will been her own? 539 00:35:34,480 --> 00:35:35,880 Speaker 34: Don't call the doctor. 540 00:35:36,039 --> 00:35:39,400 Speaker 5: Let me live in the pain. Ain'ts like the spaces 541 00:35:39,440 --> 00:35:43,119 in a haunting refrain. Don't call the doctor. Let me 542 00:35:43,239 --> 00:35:47,760 live in the pain. Don't call the doctor. See my 543 00:35:48,079 --> 00:35:52,280 name here, it'spoken. Remind me that I'm broken, shining like 544 00:35:52,400 --> 00:35:58,159 our oasis. If I'm drifting, haunting ocean, going through the motions, 545 00:35:58,519 --> 00:35:59,800 be learning with every in. 546 00:36:01,280 --> 00:36:06,800 Speaker 33: There are answers in the silence and in the spaces between. 547 00:36:06,480 --> 00:36:09,800 Speaker 8: Our sides, and it's all right down. 548 00:36:10,039 --> 00:36:12,880 Speaker 5: The beauty and a bruise if you're not afraid to 549 00:36:12,960 --> 00:36:16,159 see it. Beauty and a bruise, if you're not afraid 550 00:36:16,199 --> 00:36:16,599 to see it. 551 00:36:17,079 --> 00:36:18,880 Speaker 20: Duty and a bruise, if. 552 00:36:18,719 --> 00:36:21,800 Speaker 5: You're not afraid to see it Beauty and a bruise. 553 00:36:21,920 --> 00:36:37,239 Speaker 35: If you're not afraid to open your eyes, Simon Dame, 554 00:36:37,639 --> 00:36:45,760 come down with heavy Semond Mark Simon name bruising a 555 00:36:46,039 --> 00:36:50,480 great Simon there, you're not afraid to open. 556 00:36:55,119 --> 00:36:56,639 Speaker 3: Oh so good, so good. 557 00:36:56,719 --> 00:36:59,760 Speaker 2: Narlie Darling live in studio. That song it's called Beauty 558 00:37:00,320 --> 00:37:04,079 in the Bruise and that is that is really good? Yeah, 559 00:37:04,360 --> 00:37:08,400 just just amazing. Now when you when you play that live, 560 00:37:08,800 --> 00:37:10,599 are you on acoustic guitar Ryne or do you play 561 00:37:10,639 --> 00:37:11,199 electric live? 562 00:37:11,320 --> 00:37:11,719 Speaker 3: Or how does that? 563 00:37:12,119 --> 00:37:14,039 Speaker 21: I play a hybrid. I've got a Fender Hybrid that 564 00:37:14,239 --> 00:37:15,760 has you know, sort of like a five way switch, 565 00:37:15,840 --> 00:37:17,719 so some of the songs are acoustic and some I 566 00:37:17,760 --> 00:37:20,000 can switch over and get a little more crunch to it. 567 00:37:20,199 --> 00:37:21,320 Speaker 3: Yeah, yeah, yeah. 568 00:37:21,400 --> 00:37:23,239 Speaker 2: Can I can imagine that one, you know, because that's 569 00:37:23,280 --> 00:37:25,079 a lot of energy to that one. I would imagine 570 00:37:25,119 --> 00:37:26,800 live it it might gets loud and. 571 00:37:26,880 --> 00:37:28,719 Speaker 21: I mean Gary on a full drum kit on that one. 572 00:37:28,800 --> 00:37:29,519 Speaker 36: Is is it to be? 573 00:37:29,599 --> 00:37:34,280 Speaker 2: I can imagine, Yes, I can imagine. Uh, let's see, 574 00:37:34,519 --> 00:37:36,960 so now what is what is kind of the future? 575 00:37:37,559 --> 00:37:40,079 So obviously we know the release party is coming up 576 00:37:40,119 --> 00:37:41,960 for this on the twentieth, and then like, what's your 577 00:37:41,960 --> 00:37:43,519 play You know, a lot of bands kind of hibernate 578 00:37:43,559 --> 00:37:45,039 during the winter. I mean, are you gonna be are 579 00:37:45,039 --> 00:37:47,480 you gonna continue playing live a lot or what's what's 580 00:37:47,559 --> 00:37:50,079 kind of the short term and long term trajectory do 581 00:37:50,119 --> 00:37:50,400 you think? 582 00:37:50,480 --> 00:37:52,199 Speaker 21: I think I think it'll be. You know, we'll continue 583 00:37:52,239 --> 00:37:54,440 to play. I think January can kind of be slower 584 00:37:54,519 --> 00:37:56,880 time for a lot of people. Yeah, you know, people 585 00:37:56,920 --> 00:37:59,320 are doing dry January and just you know, it's not 586 00:37:59,400 --> 00:38:01,159 as much as going on. But we'll probably have a 587 00:38:01,199 --> 00:38:03,360 couple here and there. I know, we've got the end 588 00:38:03,400 --> 00:38:05,599 of January, we're playing at the Word Barn in Exeter, 589 00:38:06,639 --> 00:38:09,039 doing a double bill with a great bluegrass band called 590 00:38:09,039 --> 00:38:11,360 The Mountain. Okay, so looking forward to that, and then 591 00:38:11,679 --> 00:38:13,440 we've got some stuff already lined up in the spring 592 00:38:13,519 --> 00:38:14,440 and early summer as well. 593 00:38:14,599 --> 00:38:16,519 Speaker 3: Yeah. Yeah, so you're keeping plenty busy. 594 00:38:16,719 --> 00:38:16,960 Speaker 8: Yeah. 595 00:38:18,000 --> 00:38:22,960 Speaker 23: Also in the January February March timeframe, it's it's a 596 00:38:23,039 --> 00:38:24,559 great time to learn new music. 597 00:38:24,679 --> 00:38:27,599 Speaker 3: Oh yeah, yeah, so we we get. 598 00:38:27,480 --> 00:38:28,400 Speaker 21: Prepared for the spring. 599 00:38:28,519 --> 00:38:30,000 Speaker 3: But yea, yeah, we're pretty busy. 600 00:38:30,239 --> 00:38:36,159 Speaker 2: Excellent, outstanding, outstanding, So we should I think we're gonna 601 00:38:36,199 --> 00:38:40,039 end the segment with I'm gonna play this this song drift. 602 00:38:40,719 --> 00:38:42,519 But so this is not one of the ones that 603 00:38:42,559 --> 00:38:44,400 you had asked me to play, but this is the 604 00:38:44,440 --> 00:38:46,280 one that connected really connected with me the most. And 605 00:38:46,320 --> 00:38:47,880 by the way, I love the whole album. All the 606 00:38:47,960 --> 00:38:50,039 songs are really good, But what can you tell us 607 00:38:50,039 --> 00:38:51,679 about this song? Kind Of selfishly, I guess in a 608 00:38:51,679 --> 00:38:53,960 way because this is my favorite, But then so this 609 00:38:54,119 --> 00:38:55,960 is your favorite too, It turns out right it is. 610 00:38:56,159 --> 00:38:58,719 Speaker 21: Yeah, this is the one for me that I'll use 611 00:38:58,760 --> 00:39:00,400 your word. It really resonates for me as well. 612 00:39:00,679 --> 00:39:02,000 Speaker 3: Yeah, I think you know. 613 00:39:02,360 --> 00:39:05,079 Speaker 21: For me as a songwriter, I love and it doesn't 614 00:39:05,079 --> 00:39:07,199 always happen, but every now and then you get this 615 00:39:07,320 --> 00:39:11,039 magical moment where you write a lyric that is not 616 00:39:11,199 --> 00:39:14,960 a cliche, that is feels unique and different, but at 617 00:39:15,000 --> 00:39:18,239 the same time, it's something that feels that people can 618 00:39:18,320 --> 00:39:20,840 relate to. And this is somehow universal in some way. 619 00:39:20,960 --> 00:39:23,280 And you know, I was thinking about this on the 620 00:39:23,400 --> 00:39:25,400 drive over and this would be a good project if 621 00:39:25,440 --> 00:39:27,199 anybody has nothing better to do. But if you look 622 00:39:27,239 --> 00:39:29,920 at the lyrics to all of our songs, I don't 623 00:39:30,000 --> 00:39:32,360 use the word love in any song, and I feel 624 00:39:32,400 --> 00:39:35,079 like the word love is so overused and it's kind 625 00:39:35,119 --> 00:39:37,360 of hollow at this point. I would rather have a 626 00:39:37,440 --> 00:39:40,559 lyric that sort of expresses love in a unique way 627 00:39:40,639 --> 00:39:43,079 and you still have that emotional sentimental connection to it 628 00:39:43,440 --> 00:39:46,760 without using kind of a trite phrase. So so that's 629 00:39:47,079 --> 00:39:48,760 a big part of a song like Drift, I think, 630 00:39:48,880 --> 00:39:51,159 is you know those moments where there's these these unique 631 00:39:51,199 --> 00:39:53,880 images but ultimately there's a universal truth in there somewhere, 632 00:39:54,000 --> 00:39:56,719 And for me, it's at the end there's a line 633 00:39:58,039 --> 00:39:59,760 setting fire to all that we've built so we can 634 00:39:59,800 --> 00:40:03,079 build again. It's about, you know, all of the struggles 635 00:40:03,119 --> 00:40:04,760 that we all go through. People in our band right 636 00:40:04,800 --> 00:40:07,159 now are going through them, and yet we find a 637 00:40:07,199 --> 00:40:09,840 way to sort of keep going forward and rebuilding from 638 00:40:10,159 --> 00:40:11,400 from the wreckage along the way. 639 00:40:11,559 --> 00:40:14,000 Speaker 2: Yeah yeah, yeah, Like I said, this one really connected 640 00:40:14,039 --> 00:40:16,159 with me, so we'll play that in a moment. I 641 00:40:16,199 --> 00:40:18,880 also want to know too, like, well, let's remind people 642 00:40:18,920 --> 00:40:21,639 about the CD release show coming up the twentieth, because 643 00:40:21,639 --> 00:40:22,360 that's coming right up. 644 00:40:22,519 --> 00:40:22,719 Speaker 4: Yeah. 645 00:40:22,800 --> 00:40:25,639 Speaker 24: So it's at the Stone Church in Newmarket, New Hampshire. 646 00:40:25,679 --> 00:40:28,159 It's going to be on Thursday November twentieth at eight pm. 647 00:40:28,440 --> 00:40:31,719 Okay got support from three great Gardens and we're gonna 648 00:40:31,760 --> 00:40:34,400 have some merch and we're gonna have a great time. Yeah, 649 00:40:34,440 --> 00:40:36,199 we're gonna do everything from the album and then also 650 00:40:36,320 --> 00:40:39,079 some covers as well. So come on out on November twentieth. 651 00:40:39,199 --> 00:40:41,000 Speaker 3: Outstanding, it's gonna be a big old party. 652 00:40:41,199 --> 00:40:44,480 Speaker 2: Excellent, excellent. And where's the best place for people to 653 00:40:44,519 --> 00:40:46,679 go online to keep up with everything Narley Darling is doing. 654 00:40:46,760 --> 00:40:48,880 Oh and you should definitely while we're at at spell Narley. 655 00:40:51,840 --> 00:40:54,559 Speaker 24: Yeah, so Narli Darling dot com. And if you didn't know, 656 00:40:54,679 --> 00:40:57,079 Narley spelled with a G in the front of it, Yes. 657 00:40:57,039 --> 00:41:00,880 Speaker 21: G N A R L Y okay, yeah, yeah, and 658 00:41:01,000 --> 00:41:03,440 we've got social media presence too, so Gnarly Darling band 659 00:41:03,440 --> 00:41:05,880 on Instagram and Facebook and so people can follow and 660 00:41:06,519 --> 00:41:07,920 keep up to date with all the stuff we're doing. 661 00:41:08,079 --> 00:41:08,280 Speaker 18: Yeah. 662 00:41:08,400 --> 00:41:11,840 Speaker 2: Yeah, excellent, excellent. Well, congratulations on everything in the new album. 663 00:41:12,159 --> 00:41:12,599 Speaker 3: It's great. 664 00:41:12,840 --> 00:41:15,760 Speaker 2: Thank you, and I'm sure the show on the twentieth 665 00:41:15,800 --> 00:41:17,639 will go fantastic. And I'm going to check out that 666 00:41:17,679 --> 00:41:21,199 other band two three great Gardens. Ye, curious about them too, 667 00:41:21,280 --> 00:41:24,039 So we will end We'll end the segment with Drift. 668 00:41:24,119 --> 00:41:26,119 But yeah, thank you all so much. This has been amazing, 669 00:41:26,320 --> 00:41:27,280 Thanks so much for having us. 670 00:41:27,360 --> 00:41:27,960 Speaker 5: Yeah, thank you. 671 00:41:28,239 --> 00:41:30,440 Speaker 2: Absolutely we will do it again in the future. And 672 00:41:30,880 --> 00:41:33,159 if you are listening live on Saturday stick around. Coming 673 00:41:33,199 --> 00:41:35,599 up in the third hour, we have Volley returning to 674 00:41:35,679 --> 00:41:37,760 the show today. But yeah, I love this song. This 675 00:41:37,880 --> 00:41:40,440 is Drift and the band is gnarly darling. 676 00:42:03,400 --> 00:42:07,599 Speaker 31: In the man reads warning and a line down in 677 00:42:07,639 --> 00:42:12,400 the dirt for a fine conversation with the sun. 678 00:42:14,800 --> 00:42:15,960 Speaker 5: Well, there's just one. 679 00:42:15,880 --> 00:42:19,599 Speaker 4: Wed in my days to cast the woods aside. 680 00:42:20,920 --> 00:42:26,119 Speaker 13: The trick is to forget the things I've done, because 681 00:42:26,159 --> 00:42:28,079 everybody's god. 682 00:42:27,920 --> 00:42:32,880 Speaker 5: Of present somemer line is mountain and adrift up to 683 00:42:33,239 --> 00:42:36,599 the sky, adrift up to the sky. 684 00:42:37,480 --> 00:42:42,679 Speaker 8: Some are darker than the night seri ol black and white. 685 00:42:43,239 --> 00:42:46,880 Speaker 30: They keep dragging me down, just keep. 686 00:42:46,840 --> 00:42:48,159 Speaker 5: Dragging me down. 687 00:42:48,960 --> 00:42:53,360 Speaker 8: Thought that I could lose my news out on the highway. 688 00:42:54,800 --> 00:43:01,320 Speaker 5: For the worries disappear with every mindy and your voice, 689 00:43:01,599 --> 00:43:03,039 just like an ned lem. 690 00:43:03,440 --> 00:43:08,559 Speaker 6: Touch him down upon the final wade, sweet forgiving music. 691 00:43:08,920 --> 00:43:09,880 Speaker 5: For a while. 692 00:43:35,000 --> 00:43:39,760 Speaker 6: We sat there on the back post awesome branches, after long. 693 00:43:40,519 --> 00:43:43,840 Speaker 5: Trying to start a little five and forgive. 694 00:43:46,280 --> 00:43:50,119 Speaker 13: Now the smell of distant smoke rising, It draws me 695 00:43:50,239 --> 00:43:50,760 from my. 696 00:43:50,880 --> 00:43:55,360 Speaker 5: Sleep and it makes me run, run like you didn't. 697 00:43:57,400 --> 00:44:01,199 Speaker 13: The open road looks like a tree or at these 698 00:44:01,679 --> 00:44:03,840 change see start. 699 00:44:03,639 --> 00:44:05,079 Speaker 8: To believe in Yoda. 700 00:44:06,159 --> 00:44:12,079 Speaker 5: But lives don't come through some trip some as black 701 00:44:12,159 --> 00:44:13,800 and white or stereo. 702 00:44:14,800 --> 00:44:18,920 Speaker 8: Just keep traveling, Just keep traveling. 703 00:44:19,320 --> 00:44:23,400 Speaker 37: A thought that I could use my blues out on 704 00:44:23,639 --> 00:44:30,119 the holly feel the worrious is suppel with every mind. 705 00:44:32,000 --> 00:44:32,760 Speaker 4: And your voice. 706 00:44:33,039 --> 00:44:34,559 Speaker 5: Just I can neatle. 707 00:44:34,840 --> 00:44:40,880 Speaker 6: Touting down upon the final being sweet forgiving music about that. 708 00:44:41,079 --> 00:44:44,400 Speaker 8: I could use my blues out on the high. 709 00:44:46,280 --> 00:44:50,119 Speaker 5: Feel the worst and suppel with every mind. 710 00:44:52,000 --> 00:44:52,760 Speaker 4: And your voice. 711 00:44:53,039 --> 00:44:56,559 Speaker 6: Just I could neat her sut you down upon the 712 00:44:56,679 --> 00:45:01,320 final being sweet forgiving music for why. 713 00:45:03,480 --> 00:45:09,960 Speaker 5: Then sweet forgive and music for while they and sweet 714 00:45:10,079 --> 00:45:11,440 a game and music. 715 00:45:14,639 --> 00:45:24,159 Speaker 17: Singing by Glory track Rag stories by Glory Himman. 716 00:45:26,039 --> 00:45:30,880 Speaker 13: Singing five to all that bip built, so we can 717 00:45:31,159 --> 00:45:38,239 build it again, singing. 718 00:45:38,239 --> 00:45:46,599 Speaker 17: By Glory Drag Rag Stories by Glory Himmen. 719 00:45:48,920 --> 00:45:50,400 Speaker 4: Send five to. 720 00:45:51,159 --> 00:45:55,440 Speaker 5: All that bip built, so we can build it him. 721 00:46:23,159 --> 00:46:32,400 Speaker 17: Singing Flory Glory Trag Rag Stories Lory Glory him Man. 722 00:46:34,599 --> 00:46:39,440 Speaker 13: Setting five two old man were built, so we can 723 00:46:39,679 --> 00:46:46,760 build it again, Singing. 724 00:46:46,880 --> 00:46:55,280 Speaker 17: Lobby Glory Drag rag stories, Loby Glory him Man. 725 00:46:57,480 --> 00:46:59,000 Speaker 4: Setting five to. 726 00:46:59,679 --> 00:47:00,199 Speaker 22: All the. 727 00:47:01,800 --> 00:47:02,280 Speaker 4: Week in. 728 00:47:10,960 --> 00:47:14,639 Speaker 36: This fall, the ballpark isn't closing for the season. 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We listened to 797 00:51:21,239 --> 00:51:27,840 our music at nice Don titled Bosiness Program. 798 00:51:27,719 --> 00:51:30,119 Speaker 38: Late Night to Light with DJ Midas right here on 799 00:51:30,360 --> 00:51:31,760 w MNH, Manchester. 800 00:51:32,000 --> 00:51:33,599 Speaker 4: You want to know because. 801 00:51:35,239 --> 00:51:37,639 Speaker 5: Saturdays and Sunday nights midnight to four am. 802 00:51:38,960 --> 00:51:43,639 Speaker 42: This hour on wm NH is sponsored by CGI Business 803 00:51:43,760 --> 00:51:48,519 Solutions located at five Dartmouth Drive in Auburn. They serve 804 00:51:48,639 --> 00:51:53,159 all your business needs including employee benefits, planning, corporate design 805 00:51:53,280 --> 00:51:58,800 and business administration, investments and wealth management and customized business insurance. 806 00:51:58,840 --> 00:51:59,440 Speaker 8: Solutions. 807 00:52:00,239 --> 00:52:03,519 Speaker 42: Number is eight sixty six eight four one forty six 808 00:52:03,679 --> 00:52:08,199 hundred or on the web at CGI Business Solutions dot com. 809 00:52:11,199 --> 00:52:14,719 Speaker 43: Behold the harmony of airwaves as you immerse yourself in 810 00:52:14,800 --> 00:52:18,840 the captivating frequencies of w m NHLP. The sonic heart 811 00:52:18,960 --> 00:52:22,519 beats of Manchester transcending through the ether at ninety five 812 00:52:22,559 --> 00:52:26,320 point three megahertz frequency modulation or transmissions emanate from the 813 00:52:26,440 --> 00:52:29,079 zenith of one thousand l streets to insure into the 814 00:52:29,159 --> 00:52:32,119 hearts of our creative realm at one nineteen Canal Street, 815 00:52:32,320 --> 00:52:36,159 where innovation and sound collage. They're the impro moder of 816 00:52:36,280 --> 00:52:39,840 Manchester Public Television Service in the venerable city of Manchester, 817 00:52:39,960 --> 00:52:43,719 New Hampshire, USA. Enrich your auditory journey with the depth 818 00:52:43,760 --> 00:52:47,880 of our license to wesinospt your missives did WMNH ninety 819 00:52:47,880 --> 00:52:51,239 five three at gmail dot com or traverse the virtual 820 00:52:51,360 --> 00:52:55,840 corridors of wmnhradio dot org. Engage with our sonic vibrations 821 00:52:55,920 --> 00:52:58,800 by commuting with us through the digital channels or radio 822 00:52:59,000 --> 00:53:03,000 beckons to enthrall you with its mess Incident Philip, you 823 00:53:03,000 --> 00:53:04,480 would have symphony of foundless. 824 00:53:04,719 --> 00:53:16,920 Speaker 21: It's Horris Wonder w MNH rip the novels you're listening to. 825 00:53:17,280 --> 00:53:22,119 Speaker 1: Mattconnorton Unleashed on WMNH ninety five point three. 826 00:53:23,280 --> 00:53:26,440 Speaker 2: Right now, it's the world radio premiere of the new 827 00:53:26,559 --> 00:53:29,800 single from Eddie Singh and the thirty one Days. 828 00:53:30,480 --> 00:53:32,159 Speaker 3: This is our America. 829 00:53:33,079 --> 00:53:33,760 Speaker 12: Well, I don't know. 830 00:53:33,840 --> 00:53:38,360 Speaker 4: If you're wondering, why on earth we landed here with 831 00:53:38,480 --> 00:53:39,199 the struggle in. 832 00:53:39,239 --> 00:53:42,599 Speaker 5: The heartland, in a disconnected fear. 833 00:53:43,280 --> 00:53:47,239 Speaker 6: We got politicians scream insanity, line Cole White truth. 834 00:53:47,360 --> 00:53:50,239 Speaker 5: Right through that scene, I thought we were all in this. 835 00:53:50,519 --> 00:53:53,159 Speaker 3: Together, huddled around this Liberty. 836 00:53:53,880 --> 00:53:58,239 Speaker 4: Is this my Marriagel, This is my Marriagel. 837 00:53:59,000 --> 00:54:01,280 Speaker 8: Shouldn't we stay two together? 838 00:54:01,559 --> 00:54:04,079 Speaker 4: Rast wall, This. 839 00:54:04,239 --> 00:54:08,599 Speaker 7: Is my Mary Comes, This is mile Berry Comes. 840 00:54:09,320 --> 00:54:12,440 Speaker 3: If it is, then we ain't even close to done. 841 00:54:13,880 --> 00:54:17,119 Speaker 9: We gotta take it to the city's We gotta take 842 00:54:17,159 --> 00:54:21,000 it to the streets because these profits of division are 843 00:54:21,079 --> 00:54:24,760 tearing down all our hopes and dreams. I don't care 844 00:54:24,800 --> 00:54:28,000 if you're a Democrat. I don't care if you're out 845 00:54:28,000 --> 00:54:31,320 of the state's right. I don't care if you're independent. 846 00:54:31,880 --> 00:54:33,519 I don't care if you're black cold. 847 00:54:33,760 --> 00:54:39,239 Speaker 7: Why this is my Mary Comes, This is my Marry Comes, 848 00:54:40,199 --> 00:54:43,079 Home of the Brave of Fred. 849 00:54:44,760 --> 00:54:49,519 Speaker 17: This is myn Bery Come, This is my Mary Comes. 850 00:54:50,719 --> 00:54:52,519 Speaker 4: Huddle around miss Liberty. 851 00:54:55,800 --> 00:54:58,119 Speaker 11: We have not forgotten who we are. 852 00:54:58,320 --> 00:55:01,960 Speaker 5: We are bound together here and for you and me, you. 853 00:55:02,119 --> 00:55:05,320 Speaker 4: And me, You and me, you and me, you and me. 854 00:55:06,960 --> 00:55:11,039 Speaker 8: Will we ride a maica as our own? 855 00:55:14,719 --> 00:55:16,199 Speaker 7: So what is the truth? 856 00:55:17,400 --> 00:55:18,760 Speaker 4: What is the truth? 857 00:55:19,960 --> 00:55:22,320 Speaker 8: What is a Meica? 858 00:55:22,800 --> 00:55:23,719 Speaker 4: Through and through? 859 00:55:25,079 --> 00:55:27,760 Speaker 8: Will you just open your eyes? 860 00:55:27,960 --> 00:55:29,960 Speaker 4: Will you just letter in? 861 00:55:31,000 --> 00:55:34,199 Speaker 8: Because I hear the blowing of the wind. 862 00:55:36,519 --> 00:55:39,639 Speaker 5: Maybe it was just a pink house. Maybe it was 863 00:55:39,800 --> 00:55:40,679 just a pink coat. 864 00:55:41,599 --> 00:55:45,159 Speaker 6: Maybe we should try to go, Maybe we should. 865 00:55:44,920 --> 00:55:45,519 Speaker 5: Take it so. 866 00:55:46,719 --> 00:55:49,880 Speaker 11: Maybe we should just have some fun. Maybe we were 867 00:55:49,920 --> 00:55:51,119 both born to run. 868 00:55:51,800 --> 00:55:55,559 Speaker 8: Maybe we should just take a chance. What else, Maybe 869 00:55:55,639 --> 00:55:59,719 we should just get up and dance. Is this my man? 870 00:56:00,079 --> 00:56:00,679 Every come? 871 00:56:01,239 --> 00:56:01,960 Speaker 21: It's a sma. 872 00:56:02,079 --> 00:56:07,119 Speaker 12: Mery come home of the brave and of the free. 873 00:56:08,840 --> 00:56:15,519 Speaker 13: Mister Sonny come, it's this Armry comes around? 874 00:56:15,760 --> 00:56:16,599 Speaker 4: Is liberty? 875 00:56:17,599 --> 00:56:20,400 Speaker 7: Who so Mary? 876 00:56:20,599 --> 00:56:24,039 Speaker 13: Because the sun is far of Mary? Because the sun 877 00:56:24,599 --> 00:56:27,400 every eye, every voice, every. 878 00:56:27,320 --> 00:56:35,000 Speaker 7: Year, mister Sarmry, because some is all Mary. Come, come 879 00:56:35,159 --> 00:56:36,639 praying to Lot. 880 00:56:36,719 --> 00:56:38,199 Speaker 5: To guide us clean. 881 00:56:39,800 --> 00:56:46,320 Speaker 7: Down very come get us solemnery, come, every eye. 882 00:56:46,280 --> 00:56:48,079 Speaker 8: Every voice, every year. 883 00:56:49,599 --> 00:56:56,280 Speaker 13: Mister sour memy comes this sound Mery, come praying. 884 00:56:56,000 --> 00:56:58,320 Speaker 5: To the Lord to guide us clean. 885 00:56:58,800 --> 00:57:02,519 Speaker 21: W wakes in the morning, He gets into the shower 886 00:57:02,920 --> 00:57:05,079 and to the top of his lungs, he. 887 00:57:05,480 --> 00:57:13,039 Speaker 18: Sings, man, I do what I wanted because I can't. 888 00:57:14,679 --> 00:57:17,920 All right, back to the radio show now on the 889 00:57:18,079 --> 00:57:19,519 best chrry. 890 00:57:21,119 --> 00:57:23,960 Speaker 44: Never a love bub and glove with something inside. He's 891 00:57:24,039 --> 00:57:27,199 killing my soul without the sun using the problem, like 892 00:57:27,480 --> 00:57:32,239 my heart open. There is nothing claps coppaing blaps. 893 00:57:32,079 --> 00:57:33,440 Speaker 8: Leads lady. 894 00:57:33,639 --> 00:57:37,280 Speaker 44: I've been feeling by to ways, the box regin. There 895 00:57:37,440 --> 00:57:42,719 is nothing doctor me, nothing doctrum legs lainly God, feeling by. 896 00:57:42,960 --> 00:57:44,199 Speaker 5: Ways and the box fgin. 897 00:57:44,960 --> 00:57:48,119 Speaker 44: Never a block pos glove and something inside. He's killing 898 00:57:48,159 --> 00:57:51,480 my soul without sun producing the problem, replacing the heart 899 00:57:51,519 --> 00:57:54,960 of the pickle bol There is nothing black of medply 900 00:57:55,039 --> 00:57:58,840 blaptu leads plainly, I'd feeling like to ways and a 901 00:57:58,960 --> 00:58:02,880 boxm gin. There is nothing but to me something that 902 00:58:03,159 --> 00:58:07,440 told played me again with like to bake the boxygen 903 00:58:07,719 --> 00:58:07,760 so