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<v Speaker 1>You're listening to an air wave media podcast, Monster House presents.

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<v Speaker 2>You're a man who is pure in heart and says

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<v Speaker 2>it's prayers by life may become a wolf. In the

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<v Speaker 2>wolf pain brooms and the auto moon is brightened.

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<v Speaker 3>It's actually quite unlike anything we've ever seen before.

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<v Speaker 2>A giant hairy creature.

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<v Speaker 4>Part eight party mat in Luckness, a twenty four mile

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<v Speaker 4>long bottomless lake in the Highlands of Scotland, if a

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<v Speaker 4>creature known as the Luckness Monster.

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<v Speaker 3>Moormster.

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<v Speaker 2>Welcome to Monster Talk, the science show about monsters. I'm

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<v Speaker 2>Blake Smith and I'm Karen Stolsner. Some recent werewolf related

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<v Speaker 2>news from Karen inspired me to return to my silver

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<v Speaker 2>Bullet research, which was in need of an update. After

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<v Speaker 2>today's discussion, I plan to stop talking about this and

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<v Speaker 2>turn my research into something more tangible, which we'll explain

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<v Speaker 2>in this episode. And I think I figured out how

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<v Speaker 2>the silver bullet got embedded in Werewolf floor And it's

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<v Speaker 2>been a wild and moonlit run through the forest of

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<v Speaker 2>folklore to get here. Momstert, it looks like another Monster

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<v Speaker 2>Talk where we're catching up people on our research and

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<v Speaker 2>projects and what we're up to.

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<v Speaker 4>Yeah, well, in this case, this is a really long term,

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<v Speaker 4>ongoing project for you, So I'm really interested in hearing

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<v Speaker 4>what you've got to say about this.

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<v Speaker 3>So we're talking were wolves.

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<v Speaker 2>Yeah, people often asked me what's my favorite monster? And I,

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<v Speaker 2>even though we asked that question of our guests, I

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<v Speaker 2>always have a hard time with it. But where wolves

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<v Speaker 2>are my go to. They're the ones I keep coming

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<v Speaker 2>back to, and they I have my whole life. I've

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<v Speaker 2>always just been fascinated, whether it's the sort of the

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<v Speaker 2>jeckyle and hide or Incredible Hulk sort of version, or

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<v Speaker 2>whether it's the people deliberately seeking power through magical rituals,

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<v Speaker 2>the transformative power, you know, someone becoming animal, or you know,

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<v Speaker 2>there's so much metaphor in lore and folklore and history

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<v Speaker 2>and science sort of tied up with you there is

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<v Speaker 2>where wolves. It's very very, very very beloved topic.

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<v Speaker 4>Well, it's Matt's favorite monster as well, and it's certainly

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<v Speaker 4>high up there on the list of one of my

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<v Speaker 4>favorites too.

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<v Speaker 2>Yeah. So what got me thinking about my research again

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<v Speaker 2>was something that happened to you. Do you want to

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<v Speaker 2>talk about that?

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<v Speaker 3>That's right?

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<v Speaker 4>Yeah, So I don't know, I don't even know how

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<v Speaker 4>much I can say at this point, but because it's.

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<v Speaker 3>Still early stages.

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<v Speaker 4>But so I was contacted by a producer who is

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<v Speaker 4>working on a project. He worked with Oliver Stone for

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<v Speaker 4>about ten years on the jfk Assassination movie, and so

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<v Speaker 4>his current project is The Wolfman, not the original one,

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<v Speaker 4>but the twenty ten version. So this is an anniversary

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<v Speaker 4>Blu ray that they're putting together, and they're wanting to

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<v Speaker 4>interview the cast, and they also wanted a werewolf expert,

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<v Speaker 4>if there is one at all, to come on and

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<v Speaker 4>talk about were wolf culture and folklore and history.

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<v Speaker 3>So I just finished that interview.

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<v Speaker 4>We'll see what comes of it, but it's supposedly going

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<v Speaker 4>to come out later this year. But it got you

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<v Speaker 4>and I talking about all of these things. And I mean,

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<v Speaker 4>to me, you're the werewolf experts, certainly when it comes

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<v Speaker 4>to were wolves and silver, and I know you've been

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<v Speaker 4>doing research into this for some time because I thought, oh,

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<v Speaker 4>this goes back to the original Wolfman, as.

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<v Speaker 3>They talk about using silver.

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<v Speaker 4>It's the only thing that can kill a where wolf,

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<v Speaker 4>whether it's applied to.

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<v Speaker 3>The I guess to a blow to the head, or

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<v Speaker 3>it's to the heart or.

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<v Speaker 4>But killing the were wolf with silver, and it seems

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<v Speaker 4>like it's a lot more involved than that. That goes

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<v Speaker 4>back further and it's, i don't know, just a very

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<v Speaker 4>tangled and twisted tail.

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<v Speaker 2>It really is. And I think what originally got me

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<v Speaker 2>onto this was when we were doing the Beasts of Sheevadn,

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<v Speaker 2>which was sort of a series we covered. Oh yeah,

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<v Speaker 2>historian Jay Smith was talking about and he had not

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<v Speaker 2>really run into the whole silver bullet stuff. It's not

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<v Speaker 2>in the original contemporary lore from the seventeen hundreds, but

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<v Speaker 2>it does show up in subsequent documents as being mentioned

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<v Speaker 2>as something that people considered or tried or you know,

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<v Speaker 2>we're trying to use it because silver's very closely associated

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<v Speaker 2>with shape changing. But what I had found was it

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<v Speaker 2>wasn't that closely associated with wolves in particular. It was

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<v Speaker 2>mostly associated with witches. And so if you read a

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<v Speaker 2>lot of monster books, you'll see people say that most

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<v Speaker 2>of our silver and werewolf floor comes from the Wolfman

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<v Speaker 2>from forty one. And basically, I've just been spent a

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<v Speaker 2>lot of time running down whether that's true or not.

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<v Speaker 2>When does the silver bullet firmly become entrenched with werewolf

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<v Speaker 2>floor and Friend of the show Justin Mullis sent me

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<v Speaker 2>a link to a book called Werewolves, Bird Women, Tiger Men,

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<v Speaker 2>and Other Human Animals by Frank Hamil.

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<v Speaker 3>Yeah.

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<v Speaker 2>No, obviously this is something I needed to have in

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<v Speaker 2>my collection, so I appreciate it. But right in the intro,

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<v Speaker 2>Justin points out that there's specific mention of silver bullets

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<v Speaker 2>as being effective on shape changers, and he's absolutely right,

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<v Speaker 2>And so I decided to see if I could get

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<v Speaker 2>a little further down the who is it who's introducing

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<v Speaker 2>silver bullets and wolves specifically? And I think I'm closer

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<v Speaker 2>today than I ever have been in this whole search,

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<v Speaker 2>So I don't Unfortunately, I don't think there's a silver

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<v Speaker 2>bullet answer to this, but there's a strong, circumstantial case

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<v Speaker 2>which I put together.

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<v Speaker 3>I want to interject.

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<v Speaker 4>I just want to interject and say, I think it's

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<v Speaker 4>really interesting that you bring up witches, because there just

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<v Speaker 4>seems to be a lot of overlap between the history

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<v Speaker 4>of folklore of witches and that of where wolves are

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<v Speaker 4>even just thinking about things like the witch trials, the

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<v Speaker 4>witch hunts, and where wolf trials and hunts, so it

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<v Speaker 4>does seem like they are connected in some way.

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<v Speaker 3>And I was also thinking about the skin walkers.

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<v Speaker 4>Yes, yeah, and that connection to witches were wolves as well,

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<v Speaker 4>But I don't know if there's a connection there with silver.

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<v Speaker 3>But I don't know where to begin. Where should we

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<v Speaker 3>start then talking about this topic?

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<v Speaker 2>Well, that's okay. So first of all, what I've been

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<v Speaker 2>doing is collecting my sort of bibliography into a spreadsheet,

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<v Speaker 2>which I've shared before. It's it's it's I'll put a

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<v Speaker 2>link in the show notes if you just want to

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<v Speaker 2>read it, because maybe you know other people in the

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<v Speaker 2>honest are interested in this and want to use this

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<v Speaker 2>as a jumping off point. Sure, but I basically went

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<v Speaker 2>back into thanks to Google scanning lots and lots of

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<v Speaker 2>books and other sort of things I was able to

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<v Speaker 2>and also using multiple languages, you know, through translation tools,

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<v Speaker 2>I was able to go back into. Yeah, quite so. French,

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<v Speaker 2>we don't know, you know, sort of like prehistory. We

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<v Speaker 2>know that, you know, there's the shamanic traditions of people

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<v Speaker 2>turning into animals, but we don't have like a lot

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<v Speaker 2>of written information about that. But sort of the earliest

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<v Speaker 2>stories we have about people changing into wolves come from mythology,

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<v Speaker 2>and the Greeks had the story of Lichen who offends

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<v Speaker 2>the gods and has turned into a wolf, and we

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<v Speaker 2>get licanthropy or like aanthropy or likeenthropes from that story.

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<v Speaker 2>And then if you go up into Roman times in

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<v Speaker 2>the Roman Empire, there's a really interesting story about a

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<v Speaker 2>man who is traveling with a companion and the companion

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<v Speaker 2>changes into a wolf. So it's very much a were

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<v Speaker 2>wolf story of about someone who has the ability to

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<v Speaker 2>do this.

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<v Speaker 4>And then yeah, you've also got me thinking when you

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<v Speaker 4>talk about Roman mythology about Romulus and Remus, yes, and

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<v Speaker 4>that wolf children, feral children, founding Rome, all that sort

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<v Speaker 4>of stuff.

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<v Speaker 2>Yeah, that idea of a founding fine, you know, and

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<v Speaker 2>having these sort of heroic quasi. You know, they're sort

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<v Speaker 2>of human, but they're sort of beyond human founding stories

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<v Speaker 2>that that demi gods Yep, exactly. So Romulus and Remus,

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<v Speaker 2>you know, famously are raised by a wolf and they're

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<v Speaker 2>the yeah exactly. Yeah. In fact, this is just local stuff.

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<v Speaker 2>I was actually born in Rome, Georgia, which is a

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<v Speaker 2>little city north of me now, uh yeah, and a

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<v Speaker 2>room there. And I think before World War two started,

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<v Speaker 2>when Mussolini was in charge in Italy. Uh, and some

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<v Speaker 2>people that this was shocking, but some people used to

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<v Speaker 2>really like, uh the effectiveness of fascists getting those trains

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<v Speaker 2>to around on time. Uh you know, so at least. Yeah,

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<v Speaker 2>And Mussolini established Rome, Georgia as being a sister city

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<v Speaker 2>and gifted the city with a statue, like a replica

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<v Speaker 2>statue of this famous wolf suckling the two children. And

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<v Speaker 2>it's still.

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<v Speaker 3>You're Italian and spirit.

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<v Speaker 2>Oh yeah, yeah. Well you know, Kathleen, my wife is

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<v Speaker 2>half Italian, so there you go, there you go. So

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<v Speaker 2>well see, in fact, I think, you know, if you

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<v Speaker 2>think about it, you get that Italian werewolf connection. And

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<v Speaker 2>then her other side is Latvian, which is I think

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<v Speaker 2>that's where the Werewolf of Livonia story comes from, which

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<v Speaker 2>is a really cool that's a really interesting story we've

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<v Speaker 2>talked about briefly where the werewolf basically descends into Hell

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<v Speaker 2>to punish centers, so it's like a superhero force for God,

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<v Speaker 2>which is an extremely funny story which we won't get

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<v Speaker 2>into here, but it's a very interesting.

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<v Speaker 3>So many variations that really highlight highlights just how.

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<v Speaker 4>Many stories are out there, and whether they're good wear

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<v Speaker 4>wolves or bad were wolves or good wolves bad wolves.

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<v Speaker 3>There's just so much more out there. It is really

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<v Speaker 3>mind boggling.

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<v Speaker 2>Well, and I think one of the things I struggle

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<v Speaker 2>with is I am really interested in how ideas get

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<v Speaker 2>trans admitted from one place to another, one person to another,

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<v Speaker 2>you know, and you can't always know, because it's very

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<v Speaker 2>rare that you get someone says, I'm a writer, and

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<v Speaker 2>so and so told me this story. I did a

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<v Speaker 2>little research here, and I combine them together to make

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<v Speaker 2>this new thing. That's not a thing people typically write

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<v Speaker 2>down in their journals, right, so I can kind of

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<v Speaker 2>piece it together. But I know that like in the pulps,

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<v Speaker 2>which were really sort of an emergent form of media

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<v Speaker 2>in the early twentieth century, they were cheaply printed, but

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<v Speaker 2>you get stuff like weird Tales and other sort of

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<v Speaker 2>newsprints pulpy magazines that published fiction.

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<v Speaker 3>And is that the same thing as like Penny dreadfuls.

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<v Speaker 2>There's similar it's a sort of similar quality the pulps.

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<v Speaker 2>Ultimately they sort of sit in between comic books and

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<v Speaker 2>news premira very they're entertaining and some of them are

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<v Speaker 2>quite influential. Maybe we should do some coverage with that,

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<v Speaker 2>a little deeper dive when I'm more prepared for it.

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<v Speaker 3>Yeah, that's totally yeah.

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<v Speaker 2>But out of that world you get like what we

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<v Speaker 2>think of his genre fiction. So you know, early sci fi,

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<v Speaker 2>early fantasy, horror, all those things emerged there because it

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<v Speaker 2>was a place where it was low cost, wasn't really

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<v Speaker 2>you know, risky market exactly, so people experimented, like the

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<v Speaker 2>publishers themselves experiment with lots of different types of fiction.

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<v Speaker 2>The editorial work was somewhat sketchy, so you'll famously get

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<v Speaker 2>writers being extraordinarily mad because the editors would just rewrite

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<v Speaker 2>their stories, you know, so oh yeah, frustrating different world.

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<v Speaker 2>But out of that that's where you get the publishing

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<v Speaker 2>of Roberty Howard, who writes Conan Brand Macmoor, call The Conqueror,

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<v Speaker 2>all these sort of heroic, you know, two fisted adventure things.

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<v Speaker 2>But he also writes a lot of horror stories. He

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<v Speaker 2>becomes friends and correspondence with HB. Lovecraft, and he wrote

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<v Speaker 2>a couple of werewolf stories that are pretty important, I think,

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<v Speaker 2>because they use the power of the full moon as

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<v Speaker 2>being an influential part of the transformation, and they use

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<v Speaker 2>the idea that werewolves could be a curse that's passed

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<v Speaker 2>on to someone that's not part of folklore very much.

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<v Speaker 2>It's something that he's adding himself, and I don't know.

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<v Speaker 2>I'm still looking to see what other authors may have

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<v Speaker 2>sort of explored this idea.

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<v Speaker 4>Yeah, I mean that sounds a little bit like the

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<v Speaker 4>Epic of Gilgamesh story with Ishtar. I mean you get

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<v Speaker 4>different names, different variations, but where she falls in love

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<v Speaker 4>with Gilgamesh and he finds out that she's cursed a

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<v Speaker 4>former lover turned him into a wolf, and a little

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<v Speaker 4>bit like the Greek story, the Acadian story with the

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<v Speaker 4>King Lakian A little bit like that, don't you think

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<v Speaker 4>the idea of a divine punishment or a curse.

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<v Speaker 2>I actually don't know that part of the story. So

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<v Speaker 2>this is new to me, and no inky do Gilgamesh

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<v Speaker 2>is her suit companion is a lot of people think

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<v Speaker 2>that's one of the one of the many hairy man

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<v Speaker 2>Harry Wildman type proto stories. So but I know he

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<v Speaker 2>falls in love with Istar, has a relationship there, but

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<v Speaker 2>I didn't know about the wolf thing. That's really interesting. Well,

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<v Speaker 2>I obviously need to refresh my familiarity with the Epic

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<v Speaker 2>of Gilgamesh and the part of the story that Karen's

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<v Speaker 2>talking about Ishtar asks Gilgamesh to be her lover, and

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<v Speaker 2>he refuses, citing times when she has become bored or

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<v Speaker 2>annoyed with previous lovers, sometimes turning them into animals, including

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<v Speaker 2>in one case, turning a peaceful shepherd into a wolf,

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<v Speaker 2>which leads to the shepherd being torn to pieces by

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<v Speaker 2>his own beloved hounds. So it's not surprising that despite

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<v Speaker 2>what an awesome girlfriend, a goddess might be capable of

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<v Speaker 2>being the risk or just too high for Gilgamesh's taste.

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<v Speaker 2>But his refusal of her offer leads to her begging

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<v Speaker 2>her father to send divine punishment onto Gilgamesh, and in

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<v Speaker 2>this case that's the gigantic bull of heaven.

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<v Speaker 3>Well, yeah, I think there's just so many variations out there.

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<v Speaker 4>And again, often these narratives are told just you know,

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<v Speaker 4>person to person stories a here on Facebook or YouTube

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<v Speaker 4>or hear around on the internet. So who knows how

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<v Speaker 4>much of this is accurate from the original.

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<v Speaker 3>Well, the manuscripts or inscriptions is probably a very different thing.

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<v Speaker 2>Yeah. Well it's interesting too because the so I think

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<v Speaker 2>of Gilgamesh as being an ancient story, but it was

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<v Speaker 2>lost for a long time, so it was preserved in

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<v Speaker 2>caneiform clay tablets, but people couldn't read canea form, so

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<v Speaker 2>you needed to have it to be rediscovered and to

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<v Speaker 2>be translated for that story to come back into play.

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<v Speaker 2>But that's sort of the I think maybe the reason.

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<v Speaker 2>I think that of all the technologies humanity has developed,

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<v Speaker 2>writing is the most significant and influential because it allows

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<v Speaker 2>the preservation of ideas.

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<v Speaker 4>Passed totally, I mean it you totally watching and language

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<v Speaker 4>absolutely yeah, because people say the most important invention is

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<v Speaker 4>the wheel or fire, all this all that right, Absolutely,

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<v Speaker 4>language necessitates yeah, and these things necessitate language and writing.

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<v Speaker 2>Like written language in particular. It's it's look, there's a

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<v Speaker 2>perfect example that whole story was just gone from history,

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<v Speaker 2>and now we can find it, and then you not

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<v Speaker 2>only do you find the story, but when it's originally rediscovered,

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<v Speaker 2>they discovered that within that story is a story of

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<v Speaker 2>the flood that predates the Bible, which is really interesting.

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<v Speaker 2>And it's like it was so exciting and thrilling to

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<v Speaker 2>Victorian culture to have these discoveries being made. So I

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<v Speaker 2>find that really interesting, like very very interesting.

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<v Speaker 4>So again maybe we're getting off on a well we are,

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<v Speaker 4>we'll come back.

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<v Speaker 2>So one of the mysteries. Still remaining for me was

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<v Speaker 2>how did this silver bullet concepts get so firmly entrenched

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<v Speaker 2>with wolf floor. Now, even in nineteen forty one, when

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<v Speaker 2>you have the Wolfman movie, silver is the method by

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<v Speaker 2>which they kill the werewolf. But it's not a bullet.

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<v Speaker 2>Talbot's father beats him to death with a silver wolf cane,

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<v Speaker 2>like a cane with a silver wolf on the end

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<v Speaker 2>of it. And it's not until I think, well, even

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<v Speaker 2>when the forty three version there's a freakas I meets

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<v Speaker 2>the Wolfman. Then that's when they have the full moon

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<v Speaker 2>resurrect the Talbot as a wolf again because he but

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<v Speaker 2>that's a little iffy, But you know the movies. I

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<v Speaker 2>guess My point is the movies have a big influence

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<v Speaker 2>on werewell floor, and then that feeds back into fiction.

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<v Speaker 2>But before this, this is what excited me about justin

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<v Speaker 2>Mollis's letter, was Okay, here's a book from nineteen fifteen.

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<v Speaker 2>This is clearly talking about silver and werewolves and witches.

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<v Speaker 2>But even it is not explicitly saying that they're the

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<v Speaker 2>same thing. But I wanted to know why it was

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<v Speaker 2>coming up in nineteen fifteen.

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<v Speaker 3>Well, it makes you think it's got to go back

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<v Speaker 3>further than.

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<v Speaker 2>That, exactly, exactly, and so I think that the culprit

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<v Speaker 2>is actually the Golden Bough. James George Fraser wrote The

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<v Speaker 2>Golden Bowel, but now he wrote it. Originally it was

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<v Speaker 2>a two volume set in eighteen ninety, and then he

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<v Speaker 2>experided on it and does a three volume version in

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<v Speaker 2>nineteen hundred, and then a twelve volume version that comes

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<v Speaker 2>out between nineteen oh six and nineteen fifteen.

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<v Speaker 3>Twelve volume wit.

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<v Speaker 2>Yeah, yeah, And so it's in that longer twelve volume

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<v Speaker 2>version that in volume seven there's a whole section called

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<v Speaker 2>Balder the Beautiful talking about balder from the Norse.

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<v Speaker 3>Sounds like bold and the beautiful.

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<v Speaker 2>Oh doesn't it. It doesn't. Golly, I didn't make that connection,

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<v Speaker 2>but yeah, Balder the Beautiful, and in that yeah, maybe

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<v Speaker 2>they had. There's just story after a story about folkloric

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<v Speaker 2>transformation of creatures, and a bunch of stuff about werewolves

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<v Speaker 2>and witches. And again it doesn't explicitly say that they're

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<v Speaker 2>the same thing, but it puts them literally on the

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<v Speaker 2>same page or within a page of each other, of

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<v Speaker 2>stories of werewolves that are almost identical to the stories

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<v Speaker 2>of witches. So I think it would be incredibly easy

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<v Speaker 2>for someone to read that book and draw that conclusion,

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<v Speaker 2>even if Fraser himself never says these are the same

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<v Speaker 2>exact phenomenon, right and so, And it's not really clear.

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<v Speaker 2>I mean, he's collecting the folklore and a lot of

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<v Speaker 2>the folklorus were just repeating the stories, not speculating on

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<v Speaker 2>whether they were true or not. You know that exactly

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<v Speaker 2>sort of you himerius tendency to try to find the

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<v Speaker 2>real cause of this stuff that wasn't there. This is

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<v Speaker 2>just a huge, massive collection of folk tales, and Fraser

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<v Speaker 2>himself heavily references where he gets his stuff from. And

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<v Speaker 2>I found I put some links to previous material that

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<v Speaker 2>was being used by him that's coming out of Celtic folklore.

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<v Speaker 2>So there's a lot of this stuff going on, and

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<v Speaker 2>I think the connector there is Fraser. I think Fraser

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<v Speaker 2>is clearly putting it right there on the page that

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<v Speaker 2>you have werewolves in shape changing, and you have witches

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<v Speaker 2>in shape changing, and what's good for the goose is

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<v Speaker 2>good for the gander. Grab that silver right and have

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<v Speaker 2>some fun. I think that's what's really going on.

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<v Speaker 4>Well, I wonder have you dived into any mortoguse Summers

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<v Speaker 4>to see if he makes mention of.

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<v Speaker 3>Any of this.

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<v Speaker 2>Okay, So his book comes out in thirty three, and

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<v Speaker 2>it is an astonishing collection of folklore and uh legend

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<v Speaker 2>and thoughts. It's it's really a comprehensive book. If you're

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<v Speaker 2>going to study wherebeles, you have to have it. Uh.

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<v Speaker 2>And that's the werewolf and Lauren legend. But he annoys

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<v Speaker 2>me so much I can't talk about him without mentioning

356
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<v Speaker 2>that he constantly assumes we've all had a classical British education.

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<v Speaker 2>So we speak Greek and we speak Latin and we

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<v Speaker 2>don't need a translation to explain, so he'll just cut yeah, yes,

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<v Speaker 2>and uh and we I apparently like young men a

360
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<v Speaker 2>bit more than we ought to. Yeah, he's a Summers

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<v Speaker 2>is a problematic dude to get to be blunt. Uh

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<v Speaker 2>he is he is? He is. Yeah, but did his

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<v Speaker 2>books on vampires, the books on werewolf absolutely uh core material.

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<v Speaker 2>He did a tremendous job of collecting all that material

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<v Speaker 2>into one volume. So I'd like to get and I

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<v Speaker 2>haven't found one. There's some similar stuff and not quite

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<v Speaker 2>I'd like an annotated version that actually bothers to translate

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<v Speaker 2>all that stuff, and if nobody ever gets to it,

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<v Speaker 2>whenever the copyright expires, maybe I'll get to it because

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<v Speaker 2>I would really like that. It would be.

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<v Speaker 4>Really nice, fantastic idea, but that would be a hell

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<v Speaker 4>of a lot of work.

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<v Speaker 2>It would be a ton of work, but it would

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<v Speaker 2>be really useful. So I agree. Yeah, Okay, well enough

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<v Speaker 2>of that, But that's a funny. Year thirty three, you

376
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<v Speaker 2>get his book, and you also get The Werewolf of

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<v Speaker 2>Paris comes out the same year, and that book explicitly

378
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<v Speaker 2>talks about silver bullets and getting them blessed, and that

379
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<v Speaker 2>again is coming straight out of the folklore and is

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<v Speaker 2>mentioned by Fraser. But that's not how they kill the

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<v Speaker 2>world either.

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<v Speaker 4>So already established then at that point, by nineteen thirty three,

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<v Speaker 4>that generally accepted that.

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<v Speaker 2>Yeah, it does appear to be somewhere, right. You don't

385
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<v Speaker 2>see it in the folklore in the eighteen hundreds, but

386
00:22:56.440 --> 00:22:59.640
<v Speaker 2>by the nineteen hundreds it's starting to be backfilled. Which

387
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<v Speaker 2>is another problem. If you get modern retellings of the folklore,

388
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<v Speaker 2>they will frequently throw in stuff that's anachronistic, right, Like

389
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<v Speaker 2>that's what happens with Jaevadon. It's not until the eighteen hundreds,

390
00:23:14.519 --> 00:23:17.440
<v Speaker 2>people start inserting the silver bullet into the story, and

391
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<v Speaker 2>it's not until the twentieth century that they actually literally

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<v Speaker 2>make the claim that a silver bullet was used to

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<v Speaker 2>kill the wolf.

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<v Speaker 4>Right.

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<v Speaker 2>That was one of my big questions, and I've come

396
00:23:28.400 --> 00:23:30.839
<v Speaker 2>down pretty hard that that was John Keel's work. That

397
00:23:31.599 --> 00:23:35.799
<v Speaker 2>John Keel in nineteen seventy. It's not even supposed to

398
00:23:35.799 --> 00:23:38.559
<v Speaker 2>be a well researched part of the book. He just

399
00:23:38.599 --> 00:23:40.920
<v Speaker 2>throws out there that in the case of Jeva Don

400
00:23:41.279 --> 00:23:44.119
<v Speaker 2>a blessed silver bullet was used by Chastelle to to

401
00:23:44.279 --> 00:23:47.720
<v Speaker 2>kill the wolf. It's just out of his butt. I

402
00:23:47.720 --> 00:23:50.839
<v Speaker 2>don't know, it's not so yeah.

403
00:23:51.079 --> 00:23:53.839
<v Speaker 4>Yeah, it just shows them that many layers, like an onion,

404
00:23:53.920 --> 00:23:57.039
<v Speaker 4>really peeling back those layers to get to the truth

405
00:23:57.039 --> 00:23:58.880
<v Speaker 4>of this story. But it does seem like it is

406
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<v Speaker 4>a relatively modern notion.

407
00:24:02.079 --> 00:24:04.279
<v Speaker 2>It does. And I think one of the problems I've

408
00:24:04.319 --> 00:24:06.759
<v Speaker 2>got as a researcher is, you know, I've talked about

409
00:24:06.759 --> 00:24:09.480
<v Speaker 2>this a few times on the show, but this is

410
00:24:09.599 --> 00:24:16.079
<v Speaker 2>not useful. I mean, I can say these things, I

411
00:24:16.079 --> 00:24:17.680
<v Speaker 2>could put stuff in the show notes, but that's not

412
00:24:17.720 --> 00:24:21.039
<v Speaker 2>really useful for researchers. Researchers want something published, So I

413
00:24:21.640 --> 00:24:26.000
<v Speaker 2>think what I've decided is exactly and I think I'm

414
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<v Speaker 2>going to take all my findings and put them into

415
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<v Speaker 2>a monograph.

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<v Speaker 3>I think that's a wonderful I had sort.

417
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<v Speaker 2>Of toyed with that idea before, but I've realized that

418
00:24:35.799 --> 00:24:38.960
<v Speaker 2>and now that I've actually done some publishing myself with

419
00:24:39.960 --> 00:24:44.000
<v Speaker 2>the KDP, the Kindle point. Yeah, it was just Nichols's book.

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00:24:44.519 --> 00:24:49.720
<v Speaker 2>The barrier to entry is very low, and it also

421
00:24:49.799 --> 00:24:51.920
<v Speaker 2>means that I can do something pretty cool, which is

422
00:24:52.440 --> 00:24:54.839
<v Speaker 2>I've got the spreadsheet which somebody can go look at now.

423
00:24:55.039 --> 00:24:56.839
<v Speaker 2>But it'd be much better, I think, to put this

424
00:24:56.880 --> 00:25:02.079
<v Speaker 2>into a format where it's more like each page or

425
00:25:02.160 --> 00:25:05.240
<v Speaker 2>each section is an entry from the table, and then

426
00:25:05.279 --> 00:25:06.799
<v Speaker 2>it's got links to it. So if you want to

427
00:25:06.839 --> 00:25:08.359
<v Speaker 2>go back to the source materwier, you can click the

428
00:25:08.400 --> 00:25:11.000
<v Speaker 2>link and go straight to the web page from the ebook.

429
00:25:11.920 --> 00:25:12.359
<v Speaker 3>Very cool.

430
00:25:12.440 --> 00:25:15.599
<v Speaker 2>That would be a better approach, and so it would

431
00:25:15.680 --> 00:25:18.519
<v Speaker 2>allow a lot of hopping around within the text to

432
00:25:18.759 --> 00:25:21.440
<v Speaker 2>go to references. And I really like that idea, so

433
00:25:21.480 --> 00:25:24.759
<v Speaker 2>when you're researching something, it's really a good useful tool.

434
00:25:24.799 --> 00:25:27.039
<v Speaker 2>So I think I'm going to try to put that

435
00:25:27.119 --> 00:25:29.599
<v Speaker 2>together and just I don't think it'll be very long,

436
00:25:29.720 --> 00:25:33.599
<v Speaker 2>but well formatted monograph. I think that would be the

437
00:25:33.599 --> 00:25:36.279
<v Speaker 2>next thing to come out of Monster House Publishing.

438
00:25:36.759 --> 00:25:38.839
<v Speaker 3>Yeah, I think that's a great idea.

439
00:25:39.319 --> 00:25:41.400
<v Speaker 4>I mean, this is something that a lot of people

440
00:25:41.480 --> 00:25:44.559
<v Speaker 4>have talked about, but I think you and I go

441
00:25:44.640 --> 00:25:47.960
<v Speaker 4>into a lot more detail, hit a lot of these stories,

442
00:25:48.119 --> 00:25:51.079
<v Speaker 4>doing research, and I think to compile all of that

443
00:25:51.359 --> 00:25:54.240
<v Speaker 4>and to make it accessible would be really great, but

444
00:25:54.319 --> 00:25:57.279
<v Speaker 4>a big task again, not another mamoth task when you

445
00:25:57.319 --> 00:25:58.119
<v Speaker 4>can get around to it.

446
00:25:58.319 --> 00:26:01.160
<v Speaker 2>Yeah, I mean the good news is the core work

447
00:26:01.279 --> 00:26:03.920
<v Speaker 2>is done, so you know, turning that into something that's

448
00:26:03.960 --> 00:26:08.279
<v Speaker 2>a little bit more narratively structured with chapters, and you know,

449
00:26:08.319 --> 00:26:10.880
<v Speaker 2>I want people to get value. So I mean what

450
00:26:10.960 --> 00:26:13.079
<v Speaker 2>I have now would be a ninety nine cent book,

451
00:26:13.119 --> 00:26:14.680
<v Speaker 2>but if I put it all together, I think it

452
00:26:14.680 --> 00:26:18.240
<v Speaker 2>could be two or three bucks worth of work. I think,

453
00:26:18.559 --> 00:26:19.640
<v Speaker 2>you know, I don't know, I have to look at

454
00:26:19.640 --> 00:26:23.359
<v Speaker 2>the pricing. But I, for example, I mean this core

455
00:26:24.240 --> 00:26:28.759
<v Speaker 2>historical research into these references. That's useful for a lot

456
00:26:28.799 --> 00:26:30.839
<v Speaker 2>of people, I think if they're interested in this topic.

457
00:26:31.240 --> 00:26:34.599
<v Speaker 2>But also I think we've just uncovered a lot of

458
00:26:34.640 --> 00:26:37.799
<v Speaker 2>little tidbits that would be worth having published. You know,

459
00:26:38.119 --> 00:26:40.839
<v Speaker 2>the whole thing about when did silver bullets enter the

460
00:26:40.920 --> 00:26:43.640
<v Speaker 2>Jevadon legend? Well, that could be a chapter, like I

461
00:26:43.759 --> 00:26:45.559
<v Speaker 2>you know, I could, I could make that a chapter.

462
00:26:45.680 --> 00:26:48.559
<v Speaker 2>And then when did the moon become an influential part

463
00:26:48.599 --> 00:26:53.000
<v Speaker 2>of where we'll full coward? Yeah? Yes, all these things

464
00:26:53.039 --> 00:26:55.559
<v Speaker 2>like who who introduced them? Where they first show up?

465
00:26:55.559 --> 00:26:58.440
<v Speaker 2>That those are like, that's really useful material, I think

466
00:26:58.440 --> 00:27:01.000
<v Speaker 2>for people who have this sort of mindset. So I

467
00:27:01.039 --> 00:27:02.559
<v Speaker 2>don't know why I'm so interested in this stuff, but

468
00:27:02.640 --> 00:27:04.160
<v Speaker 2>I am. And I'm glad that we have an audience

469
00:27:04.200 --> 00:27:06.920
<v Speaker 2>that also cares. So thanks, we have.

470
00:27:06.920 --> 00:27:10.559
<v Speaker 4>A fantastic audience. And I guess I've got one final

471
00:27:10.640 --> 00:27:15.079
<v Speaker 4>question about this. So you have this association of silver

472
00:27:15.599 --> 00:27:19.960
<v Speaker 4>with were wolves. Are they associated with any other materials

473
00:27:20.319 --> 00:27:25.079
<v Speaker 4>or maybe gemstones or anything like that, maybe used as

474
00:27:25.200 --> 00:27:30.279
<v Speaker 4>amulets to protect people against were wolves or to to

475
00:27:30.400 --> 00:27:31.680
<v Speaker 4>kill them, or anything else.

476
00:27:31.759 --> 00:27:33.359
<v Speaker 2>So we get to use one of my favorite words,

477
00:27:33.599 --> 00:27:40.200
<v Speaker 2>apotropaic magic, like the bless you you know, all those

478
00:27:40.240 --> 00:27:43.039
<v Speaker 2>little necklaces people wear to ward off the evil eye,

479
00:27:43.200 --> 00:27:47.680
<v Speaker 2>that kind of thing. I don't remember much of that.

480
00:27:48.000 --> 00:27:52.599
<v Speaker 2>Herbs seem to be the thing. Obviously, wolf spring comes

481
00:27:52.640 --> 00:27:57.920
<v Speaker 2>up a lot, and that's worth investigating, you know what.

482
00:27:57.920 --> 00:28:01.519
<v Speaker 2>That would be a how do you make a werewolf?

483
00:28:01.680 --> 00:28:03.359
<v Speaker 2>Is one thing I thought would be a useful chapter

484
00:28:03.400 --> 00:28:06.359
<v Speaker 2>because there's so much conflicting more over that, and how

485
00:28:06.359 --> 00:28:08.920
<v Speaker 2>do you dispatch your werewolf? Would be another one, And

486
00:28:09.759 --> 00:28:11.960
<v Speaker 2>but a third option would be how do you just

487
00:28:12.039 --> 00:28:13.359
<v Speaker 2>keep them at bay?

488
00:28:13.720 --> 00:28:18.759
<v Speaker 4>I think that's yeah, protect yourself against them, or a

489
00:28:18.799 --> 00:28:21.200
<v Speaker 4>talisman if you want to attract them for some reason,

490
00:28:21.640 --> 00:28:23.079
<v Speaker 4>A sixy exactly.

491
00:28:23.519 --> 00:28:26.400
<v Speaker 2>But boy, howdy is there a lot of that going around?

492
00:28:26.400 --> 00:28:28.200
<v Speaker 3>Oh my god, it really is.

493
00:28:28.319 --> 00:28:30.279
<v Speaker 4>Yeah, that's I don't know if that stems from the

494
00:28:30.279 --> 00:28:34.079
<v Speaker 4>whole vampire sixy vampire angle.

495
00:28:34.440 --> 00:28:42.079
<v Speaker 2>The Laurel K. Hamilton writes a series Anita Blake Anita

496
00:28:42.079 --> 00:28:47.759
<v Speaker 2>Blake Vampire Hunter, and boy that is it is full

497
00:28:47.839 --> 00:28:52.720
<v Speaker 2>of sexy vampires and werewolves and all kinds of it.

498
00:28:52.839 --> 00:28:54.839
<v Speaker 2>I liked it. Originally it started out like as a

499
00:28:54.839 --> 00:28:57.720
<v Speaker 2>more like a racier version of Buffy the Vampire Slayer,

500
00:28:57.720 --> 00:29:01.640
<v Speaker 2>and then it just got into explicitly it's it's werewolf

501
00:29:01.640 --> 00:29:04.039
<v Speaker 2>and vampire porn from a lady's perspective.

502
00:29:04.119 --> 00:29:07.279
<v Speaker 3>So bizarre, but stronger than Harlequin.

503
00:29:07.599 --> 00:29:09.960
<v Speaker 2>Oh yeah, oh yeah, yeah, quite a bit, quite a bit.

504
00:29:10.079 --> 00:29:14.440
<v Speaker 2>So there's if you look at uh, I mean, we've

505
00:29:14.440 --> 00:29:17.039
<v Speaker 2>talked about this before with Bigfoot, there is a ton

506
00:29:17.079 --> 00:29:21.680
<v Speaker 2>of bigfoot porn and werewolf porn and vampire porn. If

507
00:29:21.720 --> 00:29:25.480
<v Speaker 2>there's a monster, there is nessy porn. There's like, if

508
00:29:25.480 --> 00:29:28.119
<v Speaker 2>there's a monster, there's people writing about sleeping with it.

509
00:29:28.200 --> 00:29:29.680
<v Speaker 2>So yeah, that's a real thing.

510
00:29:29.680 --> 00:29:32.079
<v Speaker 4>You know, we need to cover that, I think in

511
00:29:32.119 --> 00:29:34.039
<v Speaker 4>a show as well, because I'm going to have to

512
00:29:34.079 --> 00:29:37.240
<v Speaker 4>admit I've never read anything like that, but there is

513
00:29:37.480 --> 00:29:38.440
<v Speaker 4>a lot of it out.

514
00:29:38.240 --> 00:29:40.599
<v Speaker 3>There, and it seems to be on the increase too.

515
00:29:40.799 --> 00:29:43.519
<v Speaker 4>I remember first hearing about this maybe ten to fifteen

516
00:29:43.599 --> 00:29:45.880
<v Speaker 4>years ago, so it's really floaded.

517
00:29:46.160 --> 00:29:49.039
<v Speaker 2>I think there was a period when people got them, ironically,

518
00:29:50.599 --> 00:29:52.720
<v Speaker 2>but I think that period may have passed. I mean,

519
00:29:53.000 --> 00:29:55.240
<v Speaker 2>some of these things, I mean are still You've got

520
00:29:55.240 --> 00:30:00.920
<v Speaker 2>people who write porn about dinosaurs and people like Pterodactyl's

521
00:30:01.119 --> 00:30:03.039
<v Speaker 2>kidnapping women, and.

522
00:30:02.680 --> 00:30:05.039
<v Speaker 4>It is Oh, if you can think of it, you

523
00:30:05.039 --> 00:30:06.079
<v Speaker 4>can imagine it, you can.

524
00:30:06.319 --> 00:30:09.119
<v Speaker 2>Yeah, pretty much, I think right about it. You know,

525
00:30:09.160 --> 00:30:11.759
<v Speaker 2>I don't know, that might actually be a really interesting

526
00:30:12.079 --> 00:30:13.599
<v Speaker 2>sort of thing to dive into. And I don't know

527
00:30:13.640 --> 00:30:16.000
<v Speaker 2>what sort of numbers we can find, but it would

528
00:30:16.000 --> 00:30:19.119
<v Speaker 2>be interesting to know. I don't know if Amazon shares this,

529
00:30:19.160 --> 00:30:21.039
<v Speaker 2>but I'd like to know, like, how well did these

530
00:30:21.039 --> 00:30:21.880
<v Speaker 2>things actually sell?

531
00:30:22.000 --> 00:30:25.759
<v Speaker 4>I know back, I think they'd sell pretty well because

532
00:30:25.880 --> 00:30:30.240
<v Speaker 4>I recently uploaded my book on the story of Abraham

533
00:30:30.279 --> 00:30:33.359
<v Speaker 4>Lincoln and ghost stories surrounding him and the Ghost Train.

534
00:30:33.720 --> 00:30:35.559
<v Speaker 4>And the funny thing is it was a category. One

535
00:30:35.599 --> 00:30:38.359
<v Speaker 4>of the categories was historical short fiction, and when I

536
00:30:38.400 --> 00:30:41.079
<v Speaker 4>went and looked at other books in that genre, there

537
00:30:41.079 --> 00:30:43.160
<v Speaker 4>were a lot of short stories that were kind of

538
00:30:43.480 --> 00:30:47.359
<v Speaker 4>historical romances and I mean stuff along the lines of

539
00:30:47.640 --> 00:30:50.240
<v Speaker 4>what we're talking about too. So I think it's it's

540
00:30:50.359 --> 00:30:54.400
<v Speaker 4>weirdly popular. Maybe it's not so weird, but it's really

541
00:30:54.440 --> 00:30:55.359
<v Speaker 4>a popular genre.

542
00:30:55.640 --> 00:31:02.480
<v Speaker 2>Mister Lincoln, what a big hat? You have? Everything? Over

543
00:31:02.519 --> 00:31:07.640
<v Speaker 2>with everything? Well, they've already had Abraham Lincoln Vampire Hunter,

544
00:31:07.720 --> 00:31:09.720
<v Speaker 2>so why not Abraham Lincoln Werewolf's Lover?

545
00:31:10.000 --> 00:31:13.440
<v Speaker 3>Yep, you're going to be the one to write that.

546
00:31:13.519 --> 00:31:19.400
<v Speaker 2>Oh yeah, I'm all over that. Well, So when can

547
00:31:19.480 --> 00:31:25.680
<v Speaker 2>we expect to hear more about your DVD project? You know,

548
00:31:25.880 --> 00:31:26.839
<v Speaker 2>they're all up in the air.

549
00:31:27.799 --> 00:31:31.640
<v Speaker 4>Well, yeah, the interview is done and they seem to

550
00:31:31.680 --> 00:31:35.640
<v Speaker 4>be happy with it, so I'll let the gang know

551
00:31:35.799 --> 00:31:39.240
<v Speaker 4>as soon as I know. I was hoping that you

552
00:31:39.559 --> 00:31:42.119
<v Speaker 4>could get involved as well. I certainly a name dropped you,

553
00:31:42.240 --> 00:31:47.440
<v Speaker 4>and because you are a wealth of law and folklore

554
00:31:47.519 --> 00:31:51.039
<v Speaker 4>and information about where really know your stuff.

555
00:31:51.119 --> 00:31:55.559
<v Speaker 2>I've read almost three books and seen nearly five movies

556
00:31:56.720 --> 00:31:57.440
<v Speaker 2>all most.

557
00:31:57.680 --> 00:32:01.039
<v Speaker 4>But I am really excited about the idea of you

558
00:32:01.079 --> 00:32:03.960
<v Speaker 4>putting together a book on werewolves and compiling all of

559
00:32:03.960 --> 00:32:06.359
<v Speaker 4>this research and there's just so much more out there.

560
00:32:07.039 --> 00:32:08.680
<v Speaker 3>Maybe I should to get involved too.

561
00:32:08.920 --> 00:32:10.559
<v Speaker 2>Yeah, I think this would be a fun one, and

562
00:32:10.880 --> 00:32:12.880
<v Speaker 2>you know what, if it's successful, maybe we can do

563
00:32:12.920 --> 00:32:15.680
<v Speaker 2>more Monster Talk series books That would be really cool.

564
00:32:16.480 --> 00:32:19.359
<v Speaker 3>Yeah, that's that is the goals for sure.

565
00:32:19.319 --> 00:32:23.799
<v Speaker 2>For sure. Yeah. Yeah. Well again, in case you haven't

566
00:32:23.839 --> 00:32:26.440
<v Speaker 2>caught on, we're obsessed with monsters here at Monster Talk,

567
00:32:26.519 --> 00:32:29.240
<v Speaker 2>so we hope you continue to be as well. So

568
00:32:29.319 --> 00:32:33.160
<v Speaker 2>thank you for listening. This. This is the latest joinny

569
00:32:33.200 --> 00:32:36.880
<v Speaker 2>us what we're doing, and we will be exploding into

570
00:32:36.880 --> 00:32:40.359
<v Speaker 2>your world with more monsters next week. Very will monster

571
00:32:41.759 --> 00:32:45.319
<v Speaker 2>You've been listening to Monster Talk, the science show about monsters.

572
00:32:45.680 --> 00:32:47.480
<v Speaker 2>I'm Blake Smith.

573
00:32:47.400 --> 00:32:48.599
<v Speaker 3>And I'm Karen Stolsner.

574
00:32:48.920 --> 00:32:51.720
<v Speaker 2>You just heard a discussion of some upcoming werewolf projects

575
00:32:51.839 --> 00:32:53.720
<v Speaker 2>Karen and I are working on. Check the show notes

576
00:32:53.759 --> 00:32:55.960
<v Speaker 2>for links to our previous coverage of this topic, and

577
00:32:56.039 --> 00:32:58.079
<v Speaker 2>stay tuned for what I hope will be a useful

578
00:32:58.119 --> 00:33:04.440
<v Speaker 2>project for fellow werewolf efficients. This has been the extended

579
00:33:04.440 --> 00:33:08.720
<v Speaker 2>commercial free version of the show exclusive for patreons. Here's

580
00:33:08.720 --> 00:33:11.119
<v Speaker 2>a little bonus tidbit for you that'll show up in

581
00:33:11.119 --> 00:33:14.039
<v Speaker 2>the monograph if I succeed in that project. Wolf Spain

582
00:33:14.319 --> 00:33:16.640
<v Speaker 2>shows up in so many werewolf movies as a kind

583
00:33:16.640 --> 00:33:19.440
<v Speaker 2>of magic herb, similar to how fresh garlic sposed to

584
00:33:19.480 --> 00:33:22.880
<v Speaker 2>ward off vampires. But in nature, wolf spain does not

585
00:33:23.079 --> 00:33:26.039
<v Speaker 2>deter wolves. So why did you get this name? According

586
00:33:26.079 --> 00:33:28.920
<v Speaker 2>to my reading, the ancient Greeks used this highly poisonous

587
00:33:28.960 --> 00:33:31.039
<v Speaker 2>plant as a coating on meat which was used to

588
00:33:31.079 --> 00:33:33.440
<v Speaker 2>bait wolves. The wolves would eat the bait and then

589
00:33:33.480 --> 00:33:36.960
<v Speaker 2>they would die, hence the name wolf Spain. But in

590
00:33:36.960 --> 00:33:39.519
<v Speaker 2>Europe the name came to be associated with a folkloric

591
00:33:39.559 --> 00:33:42.000
<v Speaker 2>tradition that the plant could ward off wolves or even

592
00:33:42.039 --> 00:33:44.640
<v Speaker 2>were wolves. It was even said to have been used

593
00:33:44.640 --> 00:33:46.359
<v Speaker 2>as a kind of were wolf cure, but do not

594
00:33:46.480 --> 00:33:49.319
<v Speaker 2>even think about trying that this plant will kill you.

595
00:33:49.680 --> 00:33:54.839
<v Speaker 2>It is extremely toxic, very pretty, but very deadly. Thanks

596
00:33:54.839 --> 00:33:58.119
<v Speaker 2>for your kind patronage and extraordinary generosity. Karen and I

597
00:33:58.200 --> 00:34:04.240
<v Speaker 2>deeply appreciate your support and comments. Monster Talk theme music

598
00:34:04.359 --> 00:34:07.200
<v Speaker 2>is by Pete Stealing Monkeys. Thank you, as always for

599
00:34:07.279 --> 00:34:09.000
<v Speaker 2>taking the time to make us a part of your

600
00:34:09.000 --> 00:34:22.480
<v Speaker 2>listening life.

601
00:34:56.079 --> 00:35:08.320
<v Speaker 3>This has been a Monster House presentation. Yeah, werewolf, werewolf there,

602
00:35:09.400 --> 00:35:16.519
<v Speaker 3>but therewolf, the castles. Why are you talking that way?

603
00:35:17.360 --> 00:35:19.639
<v Speaker 3>I thought you wanted to No, I don't want to

604
00:35:20.920 --> 00:35:23.039
<v Speaker 3>suit yourself. I'm easy
