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<v Speaker 1>You see somethings are going to happen. What what's gonna happen?

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<v Speaker 1>I think?

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<v Speaker 2>Whatcome to everybody?

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<v Speaker 3>To another headless magical mailbag, I am joined by my

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<v Speaker 3>co host Nick Nick. Tell them what you're been working on?

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<v Speaker 4>What is what I've been working I've been working on

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<v Speaker 4>finding pictures for this show today. Besides that, you're still

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<v Speaker 4>working on the same ship. I'm about to like just

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<v Speaker 4>fucking lose it, man, I'm so tired of editing these

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<v Speaker 4>same fucking shows. But yeah, hopefully by the end of

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<v Speaker 4>the week I'll be working on Valentina's to fucking change

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<v Speaker 4>the pace. But yeah, it's still working on the Sacred

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<v Speaker 4>Geometry shows because I mean that was like a three

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<v Speaker 4>part really kind of three parts, so it's a lot.

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<v Speaker 4>But yeah, just that still. Unfortunately, Uh, let me see

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<v Speaker 4>if we have any shows coming up that's a interesting

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<v Speaker 4>nothing tomorrow, believe it or not, unless you've got an idea.

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<v Speaker 1>I'm down for Tomorrow night.

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<v Speaker 3>But we got Friday are less.

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<v Speaker 1>Yeah, That's what I'm saying.

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<v Speaker 4>And it's like I didn't even schedule anybody, and it's

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<v Speaker 4>like fuck, like they do do well.

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<v Speaker 1>They normally are good. Saturday, we do have.

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<v Speaker 4>I find this interesting because we did have I find

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<v Speaker 4>it interesting.

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<v Speaker 1>In a few ways. I'm going to keep it real.

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<v Speaker 4>I didn't realize these people were with maps, but we

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<v Speaker 4>did have somebody on the show about Circuit eight, and

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<v Speaker 4>they were with maps.

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<v Speaker 1>Unfortunately. I'm just going to keep it real.

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<v Speaker 4>The Occult Rejects has done an expose on maps, so

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<v Speaker 4>I what to say about that kind of you know,

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<v Speaker 4>that was like the whole Matthew North connection with Joe

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<v Speaker 4>Rogan and all those people. But they're very big into

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<v Speaker 4>using drugs with uh, you know, spirituality Saturday. I don't

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<v Speaker 4>know if it was because Richard Ruock or maybe Colin

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<v Speaker 4>Colin Conkret listen to it, but they both want to

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<v Speaker 4>come on Saturday and do uh anti psychle And I'm

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<v Speaker 4>basically saying, you don't need drugs to have a magical experience,

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<v Speaker 4>and they're going to talk about that, so.

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<v Speaker 1>That should be interesting.

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<v Speaker 4>And fucking David James smith Man he uh eight thirty

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<v Speaker 4>in the morning Sunday morning.

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<v Speaker 1>I'll be alive with that fucking.

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<v Speaker 4>Eight thirty in the morning for fuck's sakes.

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<v Speaker 1>Yo Ike Baker's even gonna be there. I'm like, fuck.

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<v Speaker 3>Nice, But what do you think about like having a

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<v Speaker 3>discussion where we've got like two different sides of the panel,

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<v Speaker 3>where we've got the pro psychonaut position and then the

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<v Speaker 3>anti That would be fun, That would be right.

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<v Speaker 1>Yeah.

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<v Speaker 4>I still even when to get someone like one of

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<v Speaker 4>the one of the guys that was on the show,

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<v Speaker 4>I was like, I wrote like fifteen books and he

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<v Speaker 4>was very interesting doing it. Isn't stupid like I do

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<v Speaker 4>want I want to get him on. The funny thing

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<v Speaker 4>was is that uh he even said I think I

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<v Speaker 4>told you this. That day he had forgot that he

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<v Speaker 4>had a show, so he was like, fuck it, I'm

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<v Speaker 4>gonna use some strooms today. And then like an half

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<v Speaker 4>hour or two Landa like that Lady Rachel hit him

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<v Speaker 4>up and she's like, oh you still good for that

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<v Speaker 4>show leader, And he was like oh shit, So like yeah,

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<v Speaker 4>it was like tripping balls on the show. And I

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<v Speaker 4>never would have guessed until he admitted it. And he

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<v Speaker 4>said he's like, Yo, out of all the interviews and

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<v Speaker 4>all the podcasts he's done, he's like I even interviewed

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<v Speaker 4>I think he said he interviewed Alan Wants when he

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<v Speaker 4>was younger. He's like, I didn't even trip out When

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<v Speaker 4>I interviewed that guy, He's like, this is the first

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<v Speaker 4>time I've ever done this shit on fucking tripping.

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<v Speaker 1>I was like, that's pretty cool.

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<v Speaker 3>Nice. I mean, in some cases it could be a

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<v Speaker 3>performance enhancement.

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<v Speaker 4>Oh sure, No, No, I know plenty of magicians who

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<v Speaker 4>have microdos shrooms or acid. I mean, it's not for

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<v Speaker 4>me because I think I'm I fucked my I have

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<v Speaker 4>used it too much when I was younger, unfortunately, so,

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<v Speaker 4>but I can see it possibly helping people in certain

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<v Speaker 4>ways for sure.

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<v Speaker 3>The chemical threshold.

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<v Speaker 1>Yes, well, I have a little.

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<v Speaker 3>Video about some of the more mysterious kind of cylinder

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<v Speaker 3>seals that we've seen. I'd like to incorporate cylinder seals

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<v Speaker 3>into more magical practices because that's what they were used for,

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<v Speaker 3>you know. So like right, right, So let's let's take

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<v Speaker 3>a look at this one real quick. I'm not gonna

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<v Speaker 3>play the whole thing, but there's a couple of mysterious

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<v Speaker 3>ones in here that kind of have some interesting implications.

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<v Speaker 5>The ancient world has fascinated us for years. There are

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<v Speaker 5>many artifacts that have been discovered, though that of course

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<v Speaker 5>asked to question what they depict. One interesting artifact that

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<v Speaker 5>is set to show advanced technology is that of the

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<v Speaker 5>Babylonian slender sell theorists have said this serious proof of

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<v Speaker 5>advanced weaponry. It's important to note this skept.

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<v Speaker 3>Come on, look at that. I mean, you've got the

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<v Speaker 3>mushroom cloud and the freaking body.

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<v Speaker 5>That is just to scientist, this isn't what it depicts.

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<v Speaker 5>But some true researchers have said we can learn a

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<v Speaker 5>lot about the past by looking at ancient TEGs. Those

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<v Speaker 5>who've seen this seals have said it looks like a

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<v Speaker 5>nuclear bomber an explosion. Some have used examples like this

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<v Speaker 5>to prove that ancient humans had advanced technology. As with

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<v Speaker 5>the majority of these fundings, they're up for debates. Believe

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<v Speaker 5>us have said this seal is similar to the ones

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<v Speaker 5>found in Egypt. They allegedly showed Gyptians using advanced technology.

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<v Speaker 3>Now I don't know whether or not they were using

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<v Speaker 3>advanced technology, but I do believe that you could probably

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<v Speaker 3>make the case that they might be remote viewing something

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<v Speaker 3>in the future that would bring this up because that

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<v Speaker 3>looks like radiation.

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<v Speaker 4>Imagine that, dude, Yeah, oh that was why Like you

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<v Speaker 4>ever see like when oh they got the helicopters on

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<v Speaker 4>the planes and the submarines.

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<v Speaker 1>They saw the shit remote viewing in the future.

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<v Speaker 3>Right.

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<v Speaker 4>I never thought that's so fucking simple too. I never

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<v Speaker 4>thought of that, right.

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<v Speaker 3>Because that's what they're actually trying to do, is they're

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<v Speaker 3>trying to create prophecies for their people. And I mean,

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<v Speaker 3>come on, why wouldn't that be a thing. Let's go

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<v Speaker 3>a few more minutes on this one. But the Babylonian

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<v Speaker 3>cylinder steal is just there's a lot of them out there,

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<v Speaker 3>and it's it's crazy. So man, mind.

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<v Speaker 5>One uses at the following, going back thousands of years ago,

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<v Speaker 5>the only way humans could detail the past was in

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<v Speaker 5>writings the house. We shouldn't take everything so literal, but

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<v Speaker 5>this still does look like a bomb going off. It

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<v Speaker 5>doesn't mean that's what's happening here, but it does certainly

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<v Speaker 5>make funny.

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<v Speaker 3>One other interesting thing is this line right here, coming

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<v Speaker 3>straight down as if the bomb is dropping, and you know,

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<v Speaker 3>he's got this sort of kingly appearance, and it's like

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<v Speaker 3>he's ordering the bomb to drop, and it's just you know,

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<v Speaker 3>I thought i'd bring it up because we're kind of

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<v Speaker 3>doing a lot and I ran right now, and I ran,

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<v Speaker 3>it's really close to Babylon.

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<v Speaker 1>You know, it's yo, that is true.

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<v Speaker 4>And you know it's like if I guess depending on

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<v Speaker 4>what you're removiewing, well, let's just say all you saw

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<v Speaker 4>was just an explosion and something like that. Again, even

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<v Speaker 4>how that guy to the side looks like he's from

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<v Speaker 4>maybe when they were around, it doesn't mean that you

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<v Speaker 4>had to have seen who was in charge. You just

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<v Speaker 4>saw the bomb drop, so you could even be depicting

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<v Speaker 4>who you think they looked like then, because you didn't

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<v Speaker 4>see a person, technically, you're still drawing him the same

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<v Speaker 4>way you look now. And because you've mixed that shit together,

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<v Speaker 4>people just think it's then you understand what I'm a

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<v Speaker 4>getting in, And it's like, well, I just all I

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<v Speaker 4>visioned was this explosion. I didn't see what the people

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<v Speaker 4>were dressed in the fucking streets, like.

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<v Speaker 3>Right, And you know, it could just be the impression

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<v Speaker 3>that they got about sort of who is ordering this

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<v Speaker 3>to happen? Right, So you've got the stars above him,

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<v Speaker 3>which is like, you know where it's dropping from. It's

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<v Speaker 3>dropping from the heavens, you know, and then you've got

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<v Speaker 3>all of the radiation and the directionality of it, and

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<v Speaker 3>it's sort of like a king that's dropping a bomb

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<v Speaker 3>and it's exploding. So well, both of these arrows, right,

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<v Speaker 3>so you've got one here and one there that is, uh.

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<v Speaker 1>That was the thing to the side that other thing.

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<v Speaker 1>It almost looks like it was like a silo or

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<v Speaker 1>some shit.

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<v Speaker 3>Or a tower.

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<v Speaker 4>Yeah, and then like those things coming off of it.

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<v Speaker 4>Is that supposed to be like very weird, dude, this

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<v Speaker 4>is a weird fucking seal.

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<v Speaker 3>Yeah. Man, there's a lot in there. But you know, again,

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<v Speaker 3>you've got him walking on the broken land. And then

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<v Speaker 3>I don't know, I don't know, but we've got one.

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<v Speaker 3>We've got one email if we're gonna go over that

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<v Speaker 3>before we get so this is from a guy named Dustin.

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<v Speaker 3>So it says it's my it's my birthday, three three

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<v Speaker 3>oh three, nineteen eighty two, also the year I was born.

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<v Speaker 3>And I've seen one of the devil's face to face

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<v Speaker 3>in this country, been shot with a graphene dart at

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<v Speaker 3>work in front of others, have had bad injuries and

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<v Speaker 3>poisons ever since, had witnesses. Was stalked and abused while

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<v Speaker 3>alone in my room from one to four yards years

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<v Speaker 3>old as a little boy, evil entities, been abandoned and

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<v Speaker 3>left to die have witnessed so many miracles and curses.

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<v Speaker 3>Was just carved up by a surgeon and told he

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<v Speaker 3>was going to move nerves. Instead, he cut bone out

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<v Speaker 3>and had to open me up twice. I've lost leaders

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<v Speaker 3>of blood and now I'm crippled.

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<v Speaker 1>I'm sorry, Fox, sorry dude.

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<v Speaker 3>I live in a horse trailer. I sued Black Rock

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<v Speaker 3>for killing two hundred and forty nine people experimenting with

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<v Speaker 3>Havoni and eighteen daycoma, and they gave my late wife

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<v Speaker 3>in twenty eighteen. I had to file papers Affidavid February two,

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<v Speaker 3>twenty twenty one in ten Federal Building. I typed my

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<v Speaker 3>name in their one public computer and found a secret

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<v Speaker 3>case against me. That was October twenty twenty And when

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<v Speaker 3>all this begun recently, the court clerk must have been

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<v Speaker 3>overwatched and realized to who I was. At the opening

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<v Speaker 3>of the case. She literally ran across the fourth floor

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<v Speaker 3>office and froze me out of the computer. It was

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<v Speaker 3>USA versus little Field Royal and Sarah Minerva Musgrove is

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<v Speaker 3>my great grandma who has a lot of inheritance and

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<v Speaker 3>the Treasury Treasury. She never knew about that. I only

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<v Speaker 3>have researched and learned besides the ones who are trying

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<v Speaker 3>to cover it up amid the steel, my life is hell.

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<v Speaker 3>Please pray for me. Her grandfather was Chief Da Gooda

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<v Speaker 3>of the Cherokee Nation, and my father James F. Muskgrove,

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<v Speaker 3>both royal families in America in their own respect. Adopted

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<v Speaker 3>because her father was shot as the first elected sheriff

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<v Speaker 3>of the Cherokee Nation and going in Snake District where

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<v Speaker 3>Oglala is today by by an osage Indian. He was

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<v Speaker 3>with Millie Thompson, Chief John Degota, Thompson's daughter. It was

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<v Speaker 3>a tragedy amid She adopted off for six or seven

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<v Speaker 3>months later so she had a family with parents who

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<v Speaker 3>would love her. It was all over the newspapers in

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<v Speaker 3>nineteen eighty eighteen ninety five. Oklahoma, Cherokee Territory, Please pray

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<v Speaker 3>for me. Well that's sad, but that sounds a lot

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<v Speaker 3>like Oklahoma. Yeah, but gang Stocking, that seems to be

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<v Speaker 3>a common theme that a lot of people who watch

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<v Speaker 3>the show are having. But I do think there is

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<v Speaker 3>something to psychotronic warfare. You know, if there is something

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<v Speaker 3>to that, why wouldn't they experiment on Americans? What can

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<v Speaker 3>we really do you know, so if there is that

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<v Speaker 3>going on, I don't know how to defend yourself. But

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<v Speaker 3>there is the whole idea behind, you know, using Faraday

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<v Speaker 3>cage to sort of block out ambient radiation from the outside,

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<v Speaker 3>which is uh, you know, covering your place with a

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<v Speaker 3>lot of aluminum and wires.

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<v Speaker 4>So I used to use that Faraday cloth before I move.

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<v Speaker 4>They used to put it around a lot of stuff

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<v Speaker 4>when I was podcasting rights crazy what this is fucking funny.

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<v Speaker 4>But it was also because like I it's just at

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<v Speaker 4>the time, I'm gonna keep it real. It was just

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<v Speaker 4>some a little bit weird shit going on when I

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<v Speaker 4>happened to get a little bit opinionated about tinfoil hat,

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<v Speaker 4>and my paranoid even took me to the point where

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<v Speaker 4>I was putting that Faraday cloth inside my hat lighting

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<v Speaker 4>and inside my hat where I was wearing it, because honestly,

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<v Speaker 4>I didn't trust certain people at that time.

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<v Speaker 1>I'm just gonna keep it real.

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<v Speaker 3>Did it help? I mean, like you could you can.

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<v Speaker 4>Put possibly nothing going on to begin with, but you know,

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<v Speaker 4>it's all probably a fucking mental you never know.

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<v Speaker 3>I mean, like, if you're putting a Faraday cage around

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<v Speaker 3>your head and you live near you know, power lines

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<v Speaker 3>or anything else, it's gotta block out a lot of

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<v Speaker 3>that electromagnetic radiation. You probably will have less headaches and

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<v Speaker 3>other things. But you know, we are just bathed in

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<v Speaker 3>ambient radiation all the time, so you never know.

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<v Speaker 1>No, I know, I do.

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<v Speaker 4>I have even used my EMF meter and there is

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<v Speaker 4>times where they get around with all this equipment on it.

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<v Speaker 4>You're just all getting spikes or you know, you'll get something.

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<v Speaker 3>Right, dirty electricity, you know, stuff is leaking out of

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<v Speaker 3>sockets and stuff, so you never know. I think that's

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<v Speaker 3>very unexplored, and the cellular industry doesn't want it explored.

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<v Speaker 3>So sleeping with the cell phone next to your head

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<v Speaker 3>is probably a really bad idea, even though I'm guilty

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<v Speaker 3>of it.

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<v Speaker 4>Oh I used to too, and now I actually put

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<v Speaker 4>it like on the other other like nights then.

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<v Speaker 1>That nobody's using it.

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<v Speaker 4>So yeah, it's on the other side of the bed

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<v Speaker 4>or the other side of the couch when I pass

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<v Speaker 4>out on it.

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<v Speaker 3>Right, And there could be some sacred geometry to this

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<v Speaker 3>stuff too, So we're talking about frequencies that can interact

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<v Speaker 3>with each other at given points in space, so there

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<v Speaker 3>could be something to be used with, you know, creating

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<v Speaker 3>sort of sacred geometry using frequencies that is, you know,

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<v Speaker 3>not necessarily fully discovered yet. So in terms of like

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<v Speaker 3>exploring that, that would be interesting as well. If anybody's

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<v Speaker 3>ever done that. I think I'm not really good because

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<v Speaker 3>I don't have an asilloscope. But if you've got a

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<v Speaker 3>silloscope and you can test this stuff out, you could

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<v Speaker 3>actually make some sacred geometry radiation waves that might be

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<v Speaker 3>able to help or hinder based off of your magical work. Yeah,

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<v Speaker 3>so what do you say we get into it?

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<v Speaker 4>Yeah, remote viewing. I'm the one with the pictures today.

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<v Speaker 4>They're not going to be that easy and some of

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<v Speaker 4>them going to be weird. So you know you're gonna

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<v Speaker 4>have to focus for these people.

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<v Speaker 1>All right?

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<v Speaker 4>Yeah, let me see, did you actually lift up to

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<v Speaker 4>I do have the envelopes? Am I actually like supposed

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<v Speaker 4>to hold these things up? And everything I have, like

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<v Speaker 4>the numbers?

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<v Speaker 3>Hold them up? Yeah, hold them up? Show people off. Yeah,

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<v Speaker 3>just give them something that they could focus on and

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<v Speaker 3>use a target.

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<v Speaker 1>All right.

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<v Speaker 4>All right, So uh for right now, I guess just

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<v Speaker 4>to kind of like get yourself into the space. All right,

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<v Speaker 4>So we're kind of gonna start, like, you know, hopefully

293
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<v Speaker 4>relax and while we are well why you are trying

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<v Speaker 4>to guess what is inside this envelope, the image, you know,

295
00:15:21.600 --> 00:15:22.480
<v Speaker 4>try to put yourself.

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<v Speaker 1>Into, like somewhat of a meditative state.

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<v Speaker 4>So I'm gonna try to hopefully read some stuff off now,

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<v Speaker 4>just something short, not too long, just to you know,

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<v Speaker 4>get us into the zone here, all right. So you're

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00:15:32.279 --> 00:15:34.519
<v Speaker 4>gonna take a deep breath, You're gonna breathe it in.

301
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<v Speaker 4>You're gonna let it go very slow. Continue to do

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00:15:38.960 --> 00:15:42.519
<v Speaker 4>that tonight wherever you are. I want you to give

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00:15:42.559 --> 00:15:48.639
<v Speaker 4>yourself permission to become still, not forced, not strained, just still.

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00:15:48.840 --> 00:15:50.720
<v Speaker 4>Let your body settle on the chair, that couch, the

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00:15:50.759 --> 00:15:53.879
<v Speaker 4>floor of the bed, wherever you're listening from. Let your

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00:15:53.879 --> 00:15:58.039
<v Speaker 4>hands rest easy and clench your jaw, loosen your shoulders,

307
00:15:59.000 --> 00:16:03.600
<v Speaker 4>let the muscles around your take another slow breath in

308
00:16:04.000 --> 00:16:07.039
<v Speaker 4>through the nose, hold it gently for a moment, and

309
00:16:07.120 --> 00:16:13.159
<v Speaker 4>exhale through the mouth again. Keep breathing in and exhale.

310
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<v Speaker 4>You do not need to chase thoughts away. You do

311
00:16:16.159 --> 00:16:18.960
<v Speaker 4>not need to be perfectly blank. You do not need

312
00:16:19.000 --> 00:16:26.399
<v Speaker 4>to perform. You're only observing, watching, and allowing. All right,

313
00:16:27.200 --> 00:16:29.039
<v Speaker 4>So now we're going to get into the first envelope

314
00:16:29.200 --> 00:16:35.000
<v Speaker 4>and I will hold that up envelope one and focus.

315
00:16:35.480 --> 00:16:43.600
<v Speaker 4>We'll give you some time. I'm going to breathe and focus.

316
00:16:46.879 --> 00:16:54.440
<v Speaker 4>Write down whatever you see, whatever you feel. Don't try

317
00:16:54.480 --> 00:17:08.960
<v Speaker 4>to force it, just let it come, all right, did

318
00:17:09.039 --> 00:17:10.119
<v Speaker 4>you get something down the headless?

319
00:17:10.200 --> 00:17:11.519
<v Speaker 1>Try to get an idea? If that was enough?

320
00:17:11.559 --> 00:17:14.960
<v Speaker 3>Time a little bit more?

321
00:17:15.079 --> 00:17:26.119
<v Speaker 4>Okay, all right, focus on your breathing and staying relaxed

322
00:17:26.119 --> 00:18:00.720
<v Speaker 4>and just let it come to you.

323
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<v Speaker 1>M all right.

324
00:18:04.359 --> 00:18:09.000
<v Speaker 4>I think that's been long enough there, sir. Yeah, I'm good,

325
00:18:11.640 --> 00:18:14.240
<v Speaker 4>all right, So I guess my opinion. I would say

326
00:18:14.279 --> 00:18:17.359
<v Speaker 4>to try to really let go of that image you

327
00:18:17.400 --> 00:18:20.559
<v Speaker 4>just had in your head and kind of just you know,

328
00:18:20.720 --> 00:18:23.920
<v Speaker 4>make create a clean slate again. Maybe close your eyes,

329
00:18:24.920 --> 00:18:30.720
<v Speaker 4>start to breathing over again. I would suggest to breathe

330
00:18:30.759 --> 00:18:33.119
<v Speaker 4>in through the nose and you hold it for a

331
00:18:33.160 --> 00:18:37.440
<v Speaker 4>moment and exhale through the mouth. Breathe in again, over

332
00:18:37.480 --> 00:18:45.880
<v Speaker 4>and over, slowly, find your natural rhythm, and again, do

333
00:18:46.000 --> 00:18:48.000
<v Speaker 4>not need to change your thoughts away. You do not

334
00:18:48.160 --> 00:18:50.720
<v Speaker 4>need to be perfectly blank, you don't need to perform.

335
00:18:50.759 --> 00:18:56.160
<v Speaker 4>You're just observing, watching and allowing visions, feelings.

336
00:18:55.680 --> 00:20:16.960
<v Speaker 1>And thoughts flutter into your mind. And here resimble two.

337
00:19:47.799 --> 00:20:31.319
<v Speaker 4>Me. Okay, I think that was good. Alrighty, then he's

338
00:20:31.319 --> 00:20:35.480
<v Speaker 4>a hard one. So yeah, sorry, Not everybody's going to

339
00:20:35.480 --> 00:20:36.160
<v Speaker 4>a trophy out.

340
00:20:36.039 --> 00:20:37.119
<v Speaker 1>This one.

341
00:20:38.359 --> 00:20:38.880
<v Speaker 3>Already.

342
00:20:38.920 --> 00:20:41.640
<v Speaker 4>No, no, it is, it is. We have even had

343
00:20:41.680 --> 00:20:43.599
<v Speaker 4>other ideas already for future ones. I think it's gonna

344
00:20:43.680 --> 00:20:48.920
<v Speaker 4>keep it interesting. So again, let it all go. Maybe

345
00:20:48.960 --> 00:20:51.559
<v Speaker 4>even try to think of something else, a good memory.

346
00:20:51.759 --> 00:20:53.720
<v Speaker 4>Just try to forget about what you were thinking about before,

347
00:20:54.400 --> 00:20:58.319
<v Speaker 4>and then try to forget about that. But yeah, even

348
00:20:58.400 --> 00:21:00.759
<v Speaker 4>even if you gotta do, shake it off, take some

349
00:21:00.880 --> 00:21:05.359
<v Speaker 4>big breaths in and out, whatever, try to let it

350
00:21:05.400 --> 00:21:08.559
<v Speaker 4>all go. Let your body start to go still again,

351
00:21:08.680 --> 00:21:11.920
<v Speaker 4>let all the muscles go. Try to relax. If you're

352
00:21:11.960 --> 00:21:13.960
<v Speaker 4>sitting there, you know, let yourself all into the couch.

353
00:21:14.079 --> 00:21:23.480
<v Speaker 4>Just relax and now stop your breathings. And again, don't strain,

354
00:21:24.200 --> 00:21:31.279
<v Speaker 4>don't force it on yourself. Let the images, the feelings, colors, shapes, whatever,

355
00:21:33.480 --> 00:22:57.920
<v Speaker 4>just let them flow in.

356
00:23:12.759 --> 00:23:35.559
<v Speaker 1>H All right, you got this, sir.

357
00:23:37.160 --> 00:23:39.519
<v Speaker 4>Two more left. We're almost done, and there's one in

358
00:23:39.559 --> 00:23:41.200
<v Speaker 4>every one of these. There's no blanks.

359
00:23:41.200 --> 00:23:46.880
<v Speaker 1>That's done. Oh I should have said that. Fuck what else?

360
00:23:47.200 --> 00:23:47.519
<v Speaker 4>You feel like?

361
00:23:47.559 --> 00:23:49.200
<v Speaker 1>I got a blank? This one's a blank? Like no?

362
00:23:51.480 --> 00:23:54.039
<v Speaker 1>All right? Yes, so now think of a blank card again.

363
00:23:54.119 --> 00:23:54.720
<v Speaker 1>Blank space.

364
00:23:55.359 --> 00:23:57.960
<v Speaker 4>If you're into lesser banishing ritual of the pentagram, you

365
00:23:58.000 --> 00:23:58.920
<v Speaker 4>know what I'm talking about.

366
00:23:59.039 --> 00:23:59.960
<v Speaker 1>Creat a blank space.

367
00:24:00.160 --> 00:24:03.960
<v Speaker 4>Wipe everything out, start all over again, no influence from

368
00:24:04.000 --> 00:24:08.720
<v Speaker 4>the last image. Shake your body off, Relax again. Make

369
00:24:08.720 --> 00:24:10.920
<v Speaker 4>sure all your muscles will relax, especially the ones in

370
00:24:10.960 --> 00:24:14.799
<v Speaker 4>your face, your jaw, your eyes. Be surprised how much

371
00:24:14.960 --> 00:24:20.559
<v Speaker 4>we actually hold on to that. Still, get relaxed. Even

372
00:24:20.599 --> 00:24:22.039
<v Speaker 4>if you have to move around to the couch to

373
00:24:22.160 --> 00:24:25.480
<v Speaker 4>sit yourself. Feel comfortable again. If you're sitting on the floor,

374
00:24:25.480 --> 00:24:27.319
<v Speaker 4>you gotta move your legs a little bit differently. Or however,

375
00:24:27.720 --> 00:24:31.839
<v Speaker 4>get comfortable and start the breathing again. Start to relax

376
00:24:33.359 --> 00:25:24.799
<v Speaker 4>and close your eyes and let the show begin. Breathe

377
00:25:24.839 --> 00:25:31.799
<v Speaker 4>and relax and let the visions come to you. Just

378
00:25:31.839 --> 00:26:19.400
<v Speaker 4>be there observing it. I make sure you write down

379
00:26:19.400 --> 00:26:48.240
<v Speaker 4>everything you feel and seek. All right, I think we're

380
00:26:48.240 --> 00:26:52.720
<v Speaker 4>gonna start wrapping it up. All right, we got one

381
00:26:52.880 --> 00:26:56.480
<v Speaker 4>more and then the fun see a lot of people

382
00:26:56.519 --> 00:26:57.480
<v Speaker 4>guessing already.

383
00:26:57.160 --> 00:27:01.960
<v Speaker 1>In the chat. That's kind of funny, very interesting.

384
00:27:02.759 --> 00:27:04.920
<v Speaker 3>Write it down, guys. We want to see what she got,

385
00:27:04.920 --> 00:27:08.079
<v Speaker 3>but only once we go through them. So this is

386
00:27:08.160 --> 00:27:10.440
<v Speaker 3>number five target number five.

387
00:27:11.559 --> 00:27:13.119
<v Speaker 4>So you know this is interesting. And I did see

388
00:27:13.119 --> 00:27:14.799
<v Speaker 4>somebody in here. Am I supposed to be picturing what's

389
00:27:14.799 --> 00:27:16.599
<v Speaker 4>in my in the thing too and sending that I

390
00:27:16.599 --> 00:27:20.799
<v Speaker 4>don't know. I wasn't doing that, but I did think of,

391
00:27:20.880 --> 00:27:22.720
<v Speaker 4>like I did wonder about that in the future, like

392
00:27:22.799 --> 00:27:24.400
<v Speaker 4>is that a thing we could do? Was even us

393
00:27:24.440 --> 00:27:27.519
<v Speaker 4>focus on the image and see if? But no, I

394
00:27:27.559 --> 00:27:29.880
<v Speaker 4>am not trying to really help you out in that sense.

395
00:27:29.920 --> 00:27:33.799
<v Speaker 4>You're just like Ghostbusters that movie. I guess what was

396
00:27:33.839 --> 00:27:34.640
<v Speaker 4>behind the card.

397
00:27:34.759 --> 00:27:38.880
<v Speaker 3>No, right, Well, it could be retro causality too, so

398
00:27:38.920 --> 00:27:41.359
<v Speaker 3>you could be channeling what we're about to say in

399
00:27:41.400 --> 00:27:42.440
<v Speaker 3>the future as we're.

400
00:27:42.319 --> 00:27:48.799
<v Speaker 6>Showing technically, technically if they get it right or if

401
00:27:48.799 --> 00:27:51.000
<v Speaker 6>they kind of making that cylinder seal now I haven't

402
00:27:51.000 --> 00:27:53.279
<v Speaker 6>revealed it yet exactly.

403
00:27:54.440 --> 00:27:57.279
<v Speaker 1>Yeah, you're funny, dude. It was a method to you men.

404
00:27:58.759 --> 00:28:01.200
<v Speaker 3>Well, what if consciousness without time and space?

405
00:28:01.279 --> 00:28:02.799
<v Speaker 4>No, I don't think I don't. I think you're right.

406
00:28:03.440 --> 00:28:04.720
<v Speaker 4>I think do you think you're right? I think you

407
00:28:04.720 --> 00:28:07.680
<v Speaker 4>think it is beyond time and space that is very

408
00:28:07.680 --> 00:28:09.960
<v Speaker 4>well said. All right, everybody, you had a couple of

409
00:28:09.960 --> 00:28:12.640
<v Speaker 4>good laughs. Let it out again. Get comfortable again. If

410
00:28:12.640 --> 00:28:15.119
<v Speaker 4>you're sitting on the couch, make sure you're nice and cozy.

411
00:28:15.640 --> 00:28:18.000
<v Speaker 4>If you're sitting in a chair, you know, make sure

412
00:28:18.039 --> 00:28:20.480
<v Speaker 4>you're cozy. Fix yourself. If you're laying on the floor,

413
00:28:20.599 --> 00:28:23.440
<v Speaker 4>sitting on the floor, let your body relax. It's the

414
00:28:23.519 --> 00:28:28.599
<v Speaker 4>last one. We're almost done. Let those those muscles in

415
00:28:28.640 --> 00:28:31.759
<v Speaker 4>your face and around your body start to relax. Stop

416
00:28:31.799 --> 00:28:36.119
<v Speaker 4>breathing in and out. This is the last one. Envelope five.

417
00:28:38.759 --> 00:28:41.559
<v Speaker 4>Let the visions float into you. Don't force it.

418
00:29:00.039 --> 00:30:19.039
<v Speaker 7>Ste right, all right, you ready for this?

419
00:30:19.119 --> 00:30:23.680
<v Speaker 4>Everybody ready? Put your pens down. Give yourself a pat

420
00:30:23.720 --> 00:30:26.839
<v Speaker 4>on the back for going through all that. Alright, let

421
00:30:26.920 --> 00:30:30.400
<v Speaker 4>me pull out the first one, right, I think, so

422
00:30:30.519 --> 00:30:32.119
<v Speaker 4>really be like, yo, you can really use this shit.

423
00:30:32.200 --> 00:30:34.759
<v Speaker 1>I don't know. It wasn't making it easy.

424
00:30:35.640 --> 00:30:37.640
<v Speaker 3>I could go through some of my impressions before we

425
00:30:37.680 --> 00:30:38.000
<v Speaker 3>see it.

426
00:30:38.279 --> 00:30:40.200
<v Speaker 1>Ah, yeah, let me know about the first one first.

427
00:30:40.960 --> 00:30:43.720
<v Speaker 3>All right, So the first impression I got was white brick,

428
00:30:44.559 --> 00:30:45.480
<v Speaker 3>black numbers.

429
00:30:45.839 --> 00:30:51.119
<v Speaker 1>That's really weird. But wow, okay, that's impressive. Actually fucked

430
00:30:51.880 --> 00:30:52.440
<v Speaker 1>a little.

431
00:30:52.200 --> 00:30:56.240
<v Speaker 3>Bit, all right, So these are just some of the

432
00:30:56.400 --> 00:31:01.680
<v Speaker 3>other impressions that I got, which would be left, green, leaves, square,

433
00:31:02.799 --> 00:31:07.400
<v Speaker 3>red door, gray, and rectang.

434
00:31:08.400 --> 00:31:10.920
<v Speaker 4>Yeahn you might have actually done better than I expected.

435
00:31:10.960 --> 00:31:11.759
<v Speaker 4>But just you'll see.

436
00:31:11.799 --> 00:31:12.640
<v Speaker 1>You'll see as we go through it.

437
00:31:12.680 --> 00:31:13.839
<v Speaker 4>But I don't know which ones you guess, but that

438
00:31:13.880 --> 00:31:15.160
<v Speaker 4>is actually pretty fucking interesting.

439
00:31:15.200 --> 00:31:18.160
<v Speaker 1>All right. So here's the first one. You have to

440
00:31:18.160 --> 00:31:18.920
<v Speaker 1>pull it up headless.

441
00:31:19.640 --> 00:31:25.279
<v Speaker 4>Yeah, this is your stream ya Ooh so.

442
00:31:25.359 --> 00:31:26.799
<v Speaker 1>I mean, yeah, it's kind of white.

443
00:31:26.799 --> 00:31:29.200
<v Speaker 4>I don't know about you know, brick technically, but there

444
00:31:29.279 --> 00:31:30.759
<v Speaker 4>is you know, there's a whole lot of white going

445
00:31:30.799 --> 00:31:31.160
<v Speaker 4>on in there.

446
00:31:31.200 --> 00:31:34.519
<v Speaker 1>I just thought that was weird. And that's an Indian temple.

447
00:31:35.599 --> 00:31:38.279
<v Speaker 3>Because I was thinking about it sort of like an

448
00:31:38.279 --> 00:31:43.119
<v Speaker 3>impressionistic painting, right, So this is more like so I

449
00:31:43.160 --> 00:31:45.920
<v Speaker 3>see the segmentation and it kind of reminds me of

450
00:31:45.920 --> 00:31:47.720
<v Speaker 3>brick a little bit, you know. So it was like

451
00:31:48.240 --> 00:31:51.160
<v Speaker 3>the segmentation, right, and I got the impression of a

452
00:31:51.279 --> 00:31:53.519
<v Speaker 3>red door, but there's no red in it, but there

453
00:31:53.559 --> 00:31:55.559
<v Speaker 3>is a door and it was rectangle.

454
00:31:55.720 --> 00:31:57.400
<v Speaker 4>Oh, I thought the red door was for a different

455
00:31:57.400 --> 00:31:59.200
<v Speaker 4>one because that was interesting that you said that.

456
00:32:00.079 --> 00:32:03.079
<v Speaker 3>Could be as well. I mean like, so, yeah, and

457
00:32:03.319 --> 00:32:07.160
<v Speaker 3>rectangle and also a square, but I don't see any square,

458
00:32:07.480 --> 00:32:09.839
<v Speaker 3>so there there could be some impressions that were off.

459
00:32:09.920 --> 00:32:12.680
<v Speaker 3>But it's it's interesting about the brick, like if you

460
00:32:12.680 --> 00:32:13.960
<v Speaker 3>squitch your eyes.

461
00:32:15.359 --> 00:32:16.440
<v Speaker 1>That's what I was saying. I just thought it was

462
00:32:16.440 --> 00:32:19.240
<v Speaker 1>a plus. It's all white. I mean, that was impressive.

463
00:32:20.920 --> 00:32:23.400
<v Speaker 3>I got some impressions in here. We got I had

464
00:32:23.480 --> 00:32:24.880
<v Speaker 3>a school.

465
00:32:27.519 --> 00:32:31.160
<v Speaker 1>So this is m I don't know, it's a delay

466
00:32:31.440 --> 00:32:35.559
<v Speaker 1>DeLaura temple. M mm hmmm. All right, on to the

467
00:32:35.559 --> 00:32:39.599
<v Speaker 1>next one. People were off and number two all.

468
00:32:39.559 --> 00:32:44.440
<v Speaker 3>Right, right, oh, oh okay, So I had as my

469
00:32:44.519 --> 00:32:51.880
<v Speaker 3>first impression it was lava rock. Black lava rock could

470
00:32:51.880 --> 00:32:54.200
<v Speaker 3>be but it was it was more like a lumpy

471
00:32:54.319 --> 00:32:58.079
<v Speaker 3>black rock, which I don't know is there is there

472
00:32:58.119 --> 00:33:01.799
<v Speaker 3>any lumpy black rock around there. But I got yellow

473
00:33:01.920 --> 00:33:13.000
<v Speaker 3>stairs not here at all, blue green, purple pen and foot.

474
00:33:13.359 --> 00:33:15.880
<v Speaker 3>So this one's way off, but you could see the difference.

475
00:33:15.960 --> 00:33:16.160
<v Speaker 1>Right.

476
00:33:16.279 --> 00:33:18.960
<v Speaker 3>So on the last one it was white brick, which

477
00:33:19.000 --> 00:33:23.000
<v Speaker 3>is more similar, but this one is like absolutely nothing.

478
00:33:23.119 --> 00:33:26.960
<v Speaker 3>So I got to recalibrate and figure out that first

479
00:33:27.160 --> 00:33:30.119
<v Speaker 3>sort of impulse or feeling I was getting connecting to

480
00:33:30.200 --> 00:33:33.680
<v Speaker 3>that so that I can better, you know, connect to

481
00:33:33.880 --> 00:33:37.599
<v Speaker 3>images more clearly. But this one is like zero hits

482
00:33:38.200 --> 00:33:39.359
<v Speaker 3>on my side.

483
00:33:40.400 --> 00:33:41.599
<v Speaker 1>Nice, all right?

484
00:33:41.759 --> 00:33:47.119
<v Speaker 4>So that was number two people, if you mixed one

485
00:33:47.160 --> 00:33:50.359
<v Speaker 4>and two together, he was accurate, that's funny.

486
00:33:51.160 --> 00:33:51.440
<v Speaker 1>All right.

487
00:33:51.480 --> 00:33:53.000
<v Speaker 3>Here we go, white tree.

488
00:33:53.200 --> 00:33:55.839
<v Speaker 1>You know number three?

489
00:33:58.200 --> 00:34:01.039
<v Speaker 3>All right, So here's what I have. I said, left

490
00:34:01.240 --> 00:34:05.279
<v Speaker 3>side density because it felt lopsided to me.

491
00:34:06.799 --> 00:34:08.400
<v Speaker 4>Well, I mean, if you put the pole on the

492
00:34:08.480 --> 00:34:11.000
<v Speaker 4>right stand, isn't no, Yeah, I could see.

493
00:34:10.880 --> 00:34:13.320
<v Speaker 3>The pole is sort of supporting the right side there,

494
00:34:13.800 --> 00:34:20.840
<v Speaker 3>and then I got railing right and then creed orange

495
00:34:23.000 --> 00:34:29.079
<v Speaker 3>fish and mouse. But you see that little orange tag

496
00:34:29.159 --> 00:34:29.760
<v Speaker 3>right there.

497
00:34:31.800 --> 00:34:33.880
<v Speaker 1>It's like, what are those things you go fishing with?

498
00:34:36.880 --> 00:34:39.760
<v Speaker 3>Right right, right right?

499
00:34:42.119 --> 00:34:45.119
<v Speaker 1>But I don't think I got to take a picture

500
00:34:45.119 --> 00:34:45.400
<v Speaker 1>of that.

501
00:34:47.599 --> 00:34:48.719
<v Speaker 2>Thirty three.

502
00:34:49.000 --> 00:34:50.880
<v Speaker 3>I wasn't looking for numbers when I was doing it.

503
00:34:50.920 --> 00:34:52.239
<v Speaker 3>But that's also another thing.

504
00:34:52.119 --> 00:34:53.480
<v Speaker 1>To you talked about.

505
00:34:53.559 --> 00:34:56.679
<v Speaker 4>Yeah, So it gave me the idea to take this

506
00:34:56.719 --> 00:34:59.880
<v Speaker 4>because every time I like, this actually is inside my complex.

507
00:35:00.000 --> 00:35:01.639
<v Speaker 4>Every time I walked to the gym at the other end,

508
00:35:02.159 --> 00:35:03.880
<v Speaker 4>I crossed paths and I always see that and I

509
00:35:03.880 --> 00:35:05.840
<v Speaker 4>always just think it's funny, like thirty three, and I

510
00:35:05.920 --> 00:35:10.800
<v Speaker 4>was like, guy, fuck it, I'll take a picture of that. Yeah,

511
00:35:10.840 --> 00:35:14.039
<v Speaker 4>all right, So that was number three. Here's number four,

512
00:35:16.559 --> 00:35:20.760
<v Speaker 4>all right, And I got that if anybody's wondering, I

513
00:35:20.760 --> 00:35:25.000
<v Speaker 4>got that that coaster from a Charlie's uh, that Charlie's

514
00:35:25.000 --> 00:35:27.079
<v Speaker 4>event I went to, and I.

515
00:35:27.039 --> 00:35:27.639
<v Speaker 3>Don't see it.

516
00:35:28.800 --> 00:35:29.480
<v Speaker 1>You don't see it?

517
00:35:30.599 --> 00:35:31.000
<v Speaker 3>Now?

518
00:35:31.199 --> 00:35:31.920
<v Speaker 2>Oh there we go.

519
00:35:32.039 --> 00:35:32.639
<v Speaker 3>Now it's up.

520
00:35:33.280 --> 00:35:34.000
<v Speaker 1>Oh okay.

521
00:35:34.800 --> 00:35:39.079
<v Speaker 3>So this one is half arrow, right, So if you

522
00:35:39.199 --> 00:35:41.480
<v Speaker 3>split an arrow in half, that's what I got. No

523
00:35:41.639 --> 00:35:44.800
<v Speaker 3>sort of facing to the to the left right, and

524
00:35:44.840 --> 00:35:51.079
<v Speaker 3>then I got negative space neon and then sort of

525
00:35:51.119 --> 00:35:57.039
<v Speaker 3>a backwards L backwards L shape, and then it had

526
00:35:57.199 --> 00:36:02.280
<v Speaker 3>movement of right to left. So I'm not saying any

527
00:36:02.320 --> 00:36:04.119
<v Speaker 3>of that. I mean, there might be some sort of

528
00:36:04.119 --> 00:36:07.559
<v Speaker 3>directionality to the solemn Monic pentacles because it's kind of

529
00:36:07.599 --> 00:36:10.880
<v Speaker 3>going this way, but the half L is sort of

530
00:36:10.920 --> 00:36:12.920
<v Speaker 3>like a corner of a book, you know, just doing

531
00:36:12.960 --> 00:36:13.679
<v Speaker 3>the opposite way.

532
00:36:13.719 --> 00:36:17.559
<v Speaker 8>But anyways, the movement I got was from right to

533
00:36:17.679 --> 00:36:21.440
<v Speaker 8>left if there was any movement happening, which it's not

534
00:36:21.480 --> 00:36:23.559
<v Speaker 8>really going on there, So I would say that that's

535
00:36:23.599 --> 00:36:24.639
<v Speaker 8>another bust.

536
00:36:25.719 --> 00:36:27.840
<v Speaker 4>Yeah, I wasn't trying to try to make this a

537
00:36:27.840 --> 00:36:29.360
<v Speaker 4>little bit harder. Actually believe it in that.

538
00:36:29.880 --> 00:36:30.920
<v Speaker 1>Put like like this.

539
00:36:31.039 --> 00:36:32.599
<v Speaker 4>I thought with like multiple things in there, it might

540
00:36:32.599 --> 00:36:34.519
<v Speaker 4>have actually made it harder to make it more specific.

541
00:36:36.039 --> 00:36:38.840
<v Speaker 1>All right. Last one, last one kind of a basic

542
00:36:38.880 --> 00:36:39.360
<v Speaker 1>simple one.

543
00:36:40.599 --> 00:36:46.000
<v Speaker 3>Man, that's kind of rubber banding.

544
00:36:47.079 --> 00:36:51.719
<v Speaker 1>Oh my fucking shower curtain. Interesting.

545
00:36:52.039 --> 00:36:54.760
<v Speaker 4>So I'm such an occult as everything in my bathroom

546
00:36:54.840 --> 00:36:56.800
<v Speaker 4>is black and white because of all the water went

547
00:36:56.880 --> 00:36:59.440
<v Speaker 4>to your byss, so the shower curtains black and white.

548
00:36:59.559 --> 00:37:02.519
<v Speaker 4>To cope, it's black fucking shot, dude.

549
00:37:04.000 --> 00:37:07.800
<v Speaker 3>My first one was figure, right, because I got sort

550
00:37:07.840 --> 00:37:10.199
<v Speaker 3>of like a figure drawing feel to it, like kind

551
00:37:10.199 --> 00:37:15.239
<v Speaker 3>of that's that's black and white. And then under a tree,

552
00:37:16.000 --> 00:37:18.719
<v Speaker 3>and so if you're taking that impression, I kind of

553
00:37:18.719 --> 00:37:19.320
<v Speaker 3>see a tree of that.

554
00:37:19.639 --> 00:37:21.320
<v Speaker 4>Oh yeah, no, I can see the tree of there

555
00:37:21.360 --> 00:37:23.519
<v Speaker 4>for sure.

556
00:37:23.639 --> 00:37:24.199
<v Speaker 1>Somebody rode.

557
00:37:24.199 --> 00:37:27.559
<v Speaker 4>I got a pitchfork in circle at bottom and line

558
00:37:27.559 --> 00:37:39.679
<v Speaker 4>through center. M someone got molecules, metal.

559
00:37:39.639 --> 00:37:45.920
<v Speaker 3>Shows, mellow boat, shower curtain. Okay, So yeah, you got

560
00:37:45.920 --> 00:37:48.000
<v Speaker 3>to write your impressions before we go over them. I

561
00:37:48.000 --> 00:37:49.920
<v Speaker 3>think that's that's the key too, is so that we

562
00:37:49.960 --> 00:37:52.920
<v Speaker 3>could just sort of confirm or deny before we put

563
00:37:52.960 --> 00:37:59.880
<v Speaker 3>it out there. I got check mark space tire right

564
00:38:00.519 --> 00:38:05.719
<v Speaker 3>way off top right to bottom left. Is that the

565
00:38:05.760 --> 00:38:09.639
<v Speaker 3>way that you you pull it is like from this way?

566
00:38:11.159 --> 00:38:14.280
<v Speaker 1>Uh no, I start from the left with my right

567
00:38:14.280 --> 00:38:15.000
<v Speaker 1>hand and pull it. Oup.

568
00:38:15.280 --> 00:38:18.599
<v Speaker 4>Yeah, the shower curtain, the shower heads to the left.

569
00:38:20.000 --> 00:38:20.960
<v Speaker 3>Oh okay, yeah, yeah.

570
00:38:20.960 --> 00:38:22.239
<v Speaker 4>I don't know if people get in from the back

571
00:38:22.320 --> 00:38:23.800
<v Speaker 4>end of the front end, but that's how that's how

572
00:38:23.840 --> 00:38:24.320
<v Speaker 4>I get it.

573
00:38:25.719 --> 00:38:29.280
<v Speaker 3>And then I had roots and scaffold. So I think

574
00:38:29.599 --> 00:38:31.599
<v Speaker 3>probably the closest I got was number one.

575
00:38:32.199 --> 00:38:34.159
<v Speaker 4>Well, I do think even so we say it, I

576
00:38:34.239 --> 00:38:36.639
<v Speaker 4>think tree is at hit. I mean, I mean that's

577
00:38:36.639 --> 00:38:38.599
<v Speaker 4>pretty close. I mean, to me, it looks like the

578
00:38:38.639 --> 00:38:40.480
<v Speaker 4>shape of a Christmas tree, just not in my house.

579
00:38:41.679 --> 00:38:46.639
<v Speaker 3>Right specifically said under tree. So I was seeing sort

580
00:38:46.639 --> 00:38:48.679
<v Speaker 3>of like the can under the tree.

581
00:38:49.960 --> 00:38:50.880
<v Speaker 1>At least being honest.

582
00:38:52.079 --> 00:38:54.400
<v Speaker 3>Right, Well, I think that it's important because you know,

583
00:38:54.599 --> 00:38:58.000
<v Speaker 3>the hits are important to really nail down. So I

584
00:38:58.000 --> 00:39:00.800
<v Speaker 3>think what it is is there's the minute she returns

585
00:39:00.840 --> 00:39:04.840
<v Speaker 3>for me based upon how many more I'm doing. Right,

586
00:39:04.880 --> 00:39:08.119
<v Speaker 3>So maybe understanding that would give me a better impression

587
00:39:08.639 --> 00:39:12.679
<v Speaker 3>the first impression. But that's also something to keep in

588
00:39:12.760 --> 00:39:15.440
<v Speaker 3>mind because how you can clear your mind or have

589
00:39:15.599 --> 00:39:18.559
<v Speaker 3>the space would be something interesting too.

590
00:39:21.039 --> 00:39:23.800
<v Speaker 4>Somebody was saying in the chat that they're in some

591
00:39:24.079 --> 00:39:26.000
<v Speaker 4>Remo viewing group, and they said they probably would have

592
00:39:26.000 --> 00:39:28.679
<v Speaker 4>considered those other things hits for you, as that's interesting.

593
00:39:30.599 --> 00:39:32.480
<v Speaker 4>The tree and the door in the white brick would

594
00:39:32.480 --> 00:39:35.360
<v Speaker 4>have been considered hits.

595
00:39:36.679 --> 00:39:37.920
<v Speaker 1>That's interesting, but.

596
00:39:40.440 --> 00:39:43.800
<v Speaker 3>Those would be like, you know, I'm still in the

597
00:39:43.920 --> 00:39:47.239
<v Speaker 3>twenty percentile of hits, so that's still not bad if

598
00:39:47.239 --> 00:39:49.480
<v Speaker 3>you think about it. Just takes more practice.

599
00:39:50.960 --> 00:39:53.239
<v Speaker 4>Yeah, I definitely think it was fun, though, Yeah, I

600
00:39:53.519 --> 00:39:55.039
<v Speaker 4>mean I do even understand. I think some of the

601
00:39:55.039 --> 00:39:56.280
<v Speaker 4>ones I picked her a little bit harder. Just a

602
00:39:56.320 --> 00:39:59.000
<v Speaker 4>lot of shit going on. You could have been multiple things.

603
00:39:59.559 --> 00:40:01.119
<v Speaker 4>I even all like the one with the stuff on

604
00:40:01.119 --> 00:40:02.760
<v Speaker 4>the table might have made it easier because it's like

605
00:40:02.800 --> 00:40:04.480
<v Speaker 4>someone could have sor a foocus. Somebody could have seen

606
00:40:04.480 --> 00:40:06.920
<v Speaker 4>a remote control of the fucking you know, the coaster,

607
00:40:07.880 --> 00:40:11.079
<v Speaker 4>so who knows, right right?

608
00:40:11.320 --> 00:40:14.039
<v Speaker 3>Uh, you know, focusing on objects is something that you

609
00:40:14.079 --> 00:40:18.079
<v Speaker 3>could also sort of like having a script for the

610
00:40:18.119 --> 00:40:21.360
<v Speaker 3>relaxation where you're actually activating each one of the senses

611
00:40:22.159 --> 00:40:24.400
<v Speaker 3>as you go through it. So then when you're you're

612
00:40:24.400 --> 00:40:27.360
<v Speaker 3>holding up the thing, it's like, you know, the sensory

613
00:40:27.480 --> 00:40:30.360
<v Speaker 3>data is already primed like some people might be eye

614
00:40:30.400 --> 00:40:33.559
<v Speaker 3>dependent or ear dependent or whatever. So if you got

615
00:40:33.559 --> 00:40:36.480
<v Speaker 3>that script where you can, you know, activate each other

616
00:40:36.639 --> 00:40:40.360
<v Speaker 3>sense to see what you're getting from it, that.

617
00:40:40.360 --> 00:40:43.719
<v Speaker 1>Is try too. Yeah that's interesting. Yeah that was fun.

618
00:40:44.000 --> 00:40:44.880
<v Speaker 1>Do it again next week.

619
00:40:45.039 --> 00:40:48.440
<v Speaker 3>Absolutely, Yeah, this is a great episode. Thank you guys

620
00:40:48.480 --> 00:40:52.199
<v Speaker 3>for joining us, and join us again tomorrow if we

621
00:40:52.239 --> 00:40:53.719
<v Speaker 3>do another Friday night.

622
00:40:54.079 --> 00:40:56.119
<v Speaker 4>Yeah, yeah, I'm down with it. I'm down with it.

623
00:40:56.159 --> 00:40:58.000
<v Speaker 4>So check it out. Keep keep an eye out to

624
00:40:58.000 --> 00:40:59.679
<v Speaker 4>see if we post lives up with tomorrow.

625
00:41:01.440 --> 00:41:04.159
<v Speaker 3>All right, So thank you everybody for coming and we

626
00:41:04.199 --> 00:41:05.760
<v Speaker 3>will see you again next time.

627
00:41:06.840 --> 00:41:07.679
<v Speaker 1>Later, later,
