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<v Speaker 1>You see, something's going to happen.

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<v Speaker 2>What what's going to happen?

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<v Speaker 1>I'll take.

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<v Speaker 2>What help?

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<v Speaker 1>What is up? Everybody? Happy Thursday night? My cat just

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<v Speaker 1>knocked over one of my paintings. I'm on with the

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<v Speaker 1>indomitable host of the Occult Rejects, Nick, I'm introduced your

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<v Speaker 1>MIC's music.

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<v Speaker 2>Sorry about that. I don't know how that happened. Yoh,

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<v Speaker 2>I heard that too with the cat. I was like, Yo,

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<v Speaker 2>what the hell just happened?

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<v Speaker 1>I switched out the paging again, and so I didn't

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<v Speaker 1>hang the other one. And so obviously it's a toy.

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<v Speaker 2>You Oh yeah, if it's on the floor, it's a

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<v Speaker 2>toy for the cat.

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<v Speaker 1>It's a giant pagig.

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<v Speaker 2>Yeah.

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<v Speaker 1>But uh yeah, I took my cat Mountain Climate the

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<v Speaker 1>other day.

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<v Speaker 2>You know, I've watched the video. So Judy was doing

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<v Speaker 2>that with his cat, his cat and his dog like

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<v Speaker 2>mountain cleaning together. The thing was and he had like

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<v Speaker 2>a least to the cat. I guess in case it fell.

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<v Speaker 1>Well, see that's the thing. Like she's very, very surefooted,

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<v Speaker 1>even though she's a klutz and she's kind of like

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<v Speaker 1>back heavy. She eats a lot, but she did great,

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<v Speaker 1>Like she was climbing up those cliffs and stuff. I've

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<v Speaker 1>got this place called Castle Mound. It's not really a mound,

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<v Speaker 1>it's a natural feature. But they call everything that sticks

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<v Speaker 1>up in Wisconsin a mound. So it's really hard to

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<v Speaker 1>know what's a mound and what's actually a real mount. Yeah,

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<v Speaker 1>but Wisconsin has the most amount of animal shaped mounds

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<v Speaker 1>of any other state. So we have the most effigy mounts.

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<v Speaker 1>So we've got rain deer, we've got otters, We've got

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<v Speaker 1>all sorts of stuff that represent the animal and there

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<v Speaker 1>they can only be seen from, you know, up above.

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<v Speaker 1>So you know, it would be really cool to do

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<v Speaker 1>a light our scan not to get all those on

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<v Speaker 1>the record.

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<v Speaker 2>And it's gotta scan off a lot of things. Yeah,

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<v Speaker 2>you know what, you know what, you know what I

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<v Speaker 2>saw today? That Uh well, I say, I think yesterday

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<v Speaker 2>the people who did that scan, regardless what people are

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<v Speaker 2>thinking about that stuff with the pyramids, they said they

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<v Speaker 2>did a scan prior to that, I think a few

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<v Speaker 2>years ago where they were like scanning trees or whatever

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<v Speaker 2>with the same type of device. I think it was

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<v Speaker 2>the same people and they found like like it was

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<v Speaker 2>almost like an Ewok like society, like like in the

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<v Speaker 2>trees where they actually found like an old civilization. I

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<v Speaker 2>literally built like a town within the trees, and you

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<v Speaker 2>wouldn't even have seen it. Yeah, like they were actually yeah,

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<v Speaker 2>I'd have to go back and see it. But it

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<v Speaker 2>was like this long line of like all these trees

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<v Speaker 2>that had like this tower. You could see that everything

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<v Speaker 2>was connecting from one tree to the next, and they

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<v Speaker 2>must have like literally been living up in the trees.

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<v Speaker 1>Awesome. I know there was this story back in Maryland

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<v Speaker 1>when I lived there that there was a bunch of

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<v Speaker 1>circus midgets that had started their own village off of

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<v Speaker 1>Route or I ninety five, really close to the Beltway,

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<v Speaker 1>Like just as you're coming off the Beltway, there was

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<v Speaker 1>this little village off the side that had been abandoned

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<v Speaker 1>like back in the fifties, but like we're talking about

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<v Speaker 1>early days of the circus, and it was a circus

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<v Speaker 1>midget village, and there's so many reports that this place

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<v Speaker 1>is haunted. I never got to go there. I was

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<v Speaker 1>always wondering about it. But this circus midget village sort

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<v Speaker 1>of has that same idea. It's sort of like they

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<v Speaker 1>just went back into nature. But a lot of people

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<v Speaker 1>speculate maybe they weren't circus midgets, maybe they were actually

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<v Speaker 1>like ELFs or leprechauns or something like that.

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<v Speaker 2>Yeah, I shit, you know, when I grew up, I

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<v Speaker 2>could even still be there. I mean, I'm not going

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<v Speaker 2>to try to be schoogling it now, but I think

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<v Speaker 2>it's Bohemias technically the town when I grew up. I

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<v Speaker 2>didn't even know about it for a long time time

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<v Speaker 2>until like I met somebody that actually like lived closer

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<v Speaker 2>to the school than I did, on a different area

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<v Speaker 2>and they took us too. There was a town I

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<v Speaker 2>think in Bohemia, and it looks like, in my opinion,

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<v Speaker 2>I think it might have been like a trailer park,

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<v Speaker 2>but they were like really low and y know, I shit,

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<v Speaker 2>you not even the mailboxes. Well, my man, it was

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<v Speaker 2>like this own little town for midgets, if you know.

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<v Speaker 2>People would drive through like just to be like oh

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<v Speaker 2>my god. Like it was like kind of like fucked

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<v Speaker 2>up to them because they're like, yeah, okay, thanks, you know,

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<v Speaker 2>you're just like looking at us like we're still freaks.

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<v Speaker 2>But like people will get stoned and drive through be

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<v Speaker 2>like what the fuck, like purposely and for entertainment.

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<v Speaker 1>Right, So if you guys get a chance. I want

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<v Speaker 1>you to look up a midget supremacy on YouTube. That

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<v Speaker 1>video is fucking hilarious, right, So the whole idea of

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<v Speaker 1>like the circus midget town, right, only for short people,

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<v Speaker 1>and they call all the rest of us biggers. He

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<v Speaker 1>even moved bigger. It's a great video. It's a great video.

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<v Speaker 1>But we gotta get on with the show. So I'm

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<v Speaker 1>gonna let you talk about your glyph of the night.

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<v Speaker 2>Yeah, yes, we can. You pull out the picture if

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<v Speaker 2>you don't mind minor multiple glyphs. I guess actually, in

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<v Speaker 2>a sense, this is a celestial writing, or also known

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<v Speaker 2>as angelic script. This can be found in three books.

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<v Speaker 2>Grip is three books of a cult philosophy. And I'll

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<v Speaker 2>just read like the first paragraph that's in there that

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<v Speaker 2>kind of mentions. It says, among the Hebrews, I find

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<v Speaker 2>more fashions of characters, whereof one is most ancient, an

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<v Speaker 2>ancient writing which Moses and the prophets used, the form

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<v Speaker 2>of which is not rationally to be discovered to any

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<v Speaker 2>For those letters which they use at this day were

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<v Speaker 2>instituted by s s dress. There is also among them

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<v Speaker 2>a writing which they call celestial because they show it

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<v Speaker 2>placed and figured amongst the stars, no otherwise than the

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<v Speaker 2>other astrologers produce images of signs from the lineaments of stars,

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<v Speaker 2>and yeah, just to get into it. It is also

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<v Speaker 2>meant to be confused with John D. And Edward Kelly's

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<v Speaker 2>Atochian alphabet, which is sometimes called the celestial alphabet. The

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<v Speaker 2>language was first made by scholars studying angelic kingdoms, specifically

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<v Speaker 2>Heinrich Cornelius, a gripper in the sixteenth century. The script

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<v Speaker 2>was first published in his third Book of Occult Philosophy.

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<v Speaker 2>The script and language was invented in order to communicate

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<v Speaker 2>with angels, and it was later claimed that these symbols

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<v Speaker 2>were sent by God, given to angels, and then passed

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<v Speaker 2>along to humans. No known major books have come out

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<v Speaker 2>written in this script nowadays. It's still occasionally used in rituals.

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<v Speaker 2>And one thing I did want to notice too, just

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<v Speaker 2>to let people know you can see on the screen

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<v Speaker 2>talk about them, I guess maybe. There are only twenty

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<v Speaker 2>two known characters, and most of which are based around

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<v Speaker 2>Hebrew names such as Gimil, Sammoth, and Alith. It is

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<v Speaker 2>also an abjod, meaning there are no vowels, and it

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<v Speaker 2>is read and written from left to right in horizontal lines.

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<v Speaker 2>So I thought that would be something different to bring up.

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<v Speaker 1>That is fancastic.

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<v Speaker 2>Yeah, we'll just go through this book and find some

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<v Speaker 2>weird stuff.

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<v Speaker 1>So I think, what's interesting about this consonant only languages.

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<v Speaker 1>I don't know why I think this, but for some reason,

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<v Speaker 1>consonants to me seem like stone, right, and the vowels

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<v Speaker 1>seem like air, right, because you're saying I'm with an

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<v Speaker 1>open mouth.

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<v Speaker 2>Yeah, it's even harder too, like yeah, I guess se

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<v Speaker 2>what are you calling? Yeah right?

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<v Speaker 1>And so like the spirit of the word is in

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<v Speaker 1>the vowels, but the bedrock of the word is in

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<v Speaker 1>the consonants.

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<v Speaker 2>That could be right and yeah right.

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<v Speaker 1>And so when you think about it in terms of

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<v Speaker 1>like stones and air, you could think of like ancient

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<v Speaker 1>megalithic structures being like the word make flesh because you've

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<v Speaker 1>got the air and the energy moving around the stones.

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<v Speaker 1>And then you've also got your teeth with which are

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<v Speaker 1>hydroxy appetite. It's a mineral which is stones, and you're

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<v Speaker 1>using your teeth flattering.

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<v Speaker 2>Sounds like stones banging each other consonants.

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<v Speaker 1>To make the consonants, you have to use your teeth

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<v Speaker 1>and you have to use your whole mouth. So it's

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<v Speaker 1>all in there if you just sort of apply the

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<v Speaker 1>air and stone analogy broadly, and then you see where

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<v Speaker 1>do they put the words in the stones? Right, they're

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<v Speaker 1>chiseling them out. So for me, the written language really

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<v Speaker 1>does have this sort of consonanty feel.

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<v Speaker 2>You know, some of these letters are a little interesting.

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<v Speaker 2>I mean, some of them still look like the Hebrew

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<v Speaker 2>and the best interesting it looks like it still looks

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<v Speaker 2>like the Gmail symbol kind.

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<v Speaker 1>Of well, they're starting on aim. Oh and I gotta

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<v Speaker 1>say big thank you to Tara Jackson. That's the first

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<v Speaker 1>ever donation I've ever gotten. Thank you so much, Tara. Yes,

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<v Speaker 1>midget supremacy, get out of your biggers.

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<v Speaker 2>Yeah, y'all, I love that.

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<v Speaker 1>I hate to say you got to use that, dude.

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<v Speaker 2>Yeah. I mean I'm five six, so I mean there's

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<v Speaker 2>a lot of people that can say that. Hell yeah,

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<v Speaker 2>that sound like I gotta use it.

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<v Speaker 1>It's like a slap across the face. They'll be like,

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<v Speaker 1>I didn't know you could use that word.

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<v Speaker 2>Yeah, but it's like slapping in the face with the

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<v Speaker 2>white globe, right.

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<v Speaker 1>Oh man, it takes me back, but yeah, yeah, so

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<v Speaker 1>this language it. I believe that all languages are divine

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<v Speaker 1>because of the fact that the sounds that they make

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<v Speaker 1>are divine. So in a lot of ways, I see that,

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<v Speaker 1>and you know, people who make their own languages and

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<v Speaker 1>make their own writing styles, I see that as a

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<v Speaker 1>supreme effort of imagination to try and complete the circle.

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<v Speaker 1>You know, because as you're speaking, the universe is taking

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<v Speaker 1>that in. You know, this is how magic works. So

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<v Speaker 1>when you're creating your own language, it's like you're in

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<v Speaker 1>a private conversation with the universe.

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<v Speaker 2>I do think, yeah, a lot of languages the reason

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<v Speaker 2>they're different than other ones is because they might have

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<v Speaker 2>been specifically made for kind of like what you're getting

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<v Speaker 2>at everyone is like, it's all magical dialect.

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<v Speaker 1>Maybe right.

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<v Speaker 2>I do think that, you know, certain sounds that are

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<v Speaker 2>being made that other languages may not use for different reasons.

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<v Speaker 2>I used to think English was designed literally for magical reasons.

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<v Speaker 1>Oh yeah, no, but I don't think they were good reasons.

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<v Speaker 2>Yeah, yeah, exactly, That's that's what I think he even

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<v Speaker 2>thought too.

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<v Speaker 1>I think I think it has something to do with

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<v Speaker 1>my symbol.

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<v Speaker 2>Actually, bring it up, let's see what it is.

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<v Speaker 1>So I have the alchemical symbol for antimony antimony. You

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<v Speaker 1>see those right there. So what's interesting though, is whenever

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<v Speaker 1>you see the crown, whenever you see the king in

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<v Speaker 1>these portraits and paintings, he's always holding the globis cruciger,

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<v Speaker 1>which is a like an orb, bejeweled orb that has

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<v Speaker 1>a little cross on top, which is the alchemy symbol

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<v Speaker 1>for antimony. Well, the antimony symbol is represented by the

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<v Speaker 1>gray wolf, and the gray wolf is considered to be

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<v Speaker 1>man's primal urges, So the crown is saying that they

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<v Speaker 1>have control over man's primal urges and that is what

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<v Speaker 1>makes them authorized to rule. That's kind of interesting. The

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<v Speaker 1>other variation on the antimony symbol over here is a

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<v Speaker 1>modified sigil of Pluto, which kind of tells you who

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<v Speaker 1>these guys who think that they control your basic primal

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<v Speaker 1>emotions really worship is Pluto. And Pluto's name is actually

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<v Speaker 1>you know, Haites. They call him Pluto plutocracy, which means

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<v Speaker 1>rule by the rich. They call them Pluto because Pluto

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<v Speaker 1>means wealth, and so he's the god of the underworld

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<v Speaker 1>and all of the gold is found in the ground,

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<v Speaker 1>all of the minerals, and all of the precious gems

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<v Speaker 1>are found in the ground. All primary economic activity happens

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<v Speaker 1>when you're digging it in the whether you're talking about

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<v Speaker 1>farming or pulling minerals out of the ground, pulling metals

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<v Speaker 1>out of the ground, it all has to do with Pluto.

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<v Speaker 1>That's his sphere. So it really kind of makes sense

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<v Speaker 1>why they would be saying this. Now, what's interesting about

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<v Speaker 1>the metal antimony is that it gobbles up everything else.

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<v Speaker 1>The alchemist called it a wolf because anytime you combine

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<v Speaker 1>antimony with another metal, you get a very fast and

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<v Speaker 1>hard alloy. Right, so antimony alloys with pretty much every

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<v Speaker 1>other metal, copper, gold, silver, whatever. But you can use

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<v Speaker 1>antimony to purify gold, which is really kind of interesting.

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<v Speaker 1>You combine the two, you make a alloy out of

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<v Speaker 1>the antimony. It kicks out any other impurities from the gold,

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<v Speaker 1>and then you get a pure golden alloy once you

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<v Speaker 1>separate the two again. So what they're kind of doing

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<v Speaker 1>there is gobbling up all of your shit, and they're

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<v Speaker 1>telling you about it through their symbols that they use

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<v Speaker 1>for themselves. This antimony symbol would be a symbol like

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<v Speaker 1>the wolf's head. You see the wolf's head lodge and

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<v Speaker 1>freemasonry is very closely related to the royals. It's not

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<v Speaker 1>a coincidence. The idea of antimony is one of those

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<v Speaker 1>not very often looked at resemblances to royal authority.

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<v Speaker 2>So are you saying plutocrats hold assets and medals?

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<v Speaker 1>Yes, they do. That's one of the main features is

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<v Speaker 1>that they hold assets and medals. What's that old saying?

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<v Speaker 1>The slave trades in debt? The what is it? The

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<v Speaker 1>shopkeeper trades in silver, but only the royals trade in gold.

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<v Speaker 1>Only the free men are the royals because their sovereign.

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<v Speaker 1>And what do we say when we want to be free?

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<v Speaker 1>We say we want sovereignty. Who's the sovereign? They're telling

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<v Speaker 1>you who the real free person is, statue, It's a

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<v Speaker 1>person in charge. So when you when you add all

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<v Speaker 1>these different factors together, you really start to see a

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<v Speaker 1>different picture of how they feel about us. I think, now,

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<v Speaker 1>what did you put up there the antimony symbol?

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<v Speaker 2>Yeah? I just put it up there for you before

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<v Speaker 2>in case you.

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<v Speaker 1>Right, can you pull up the symbol for Pluto?

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<v Speaker 2>Yeah? Yeah, When do you think about that? Almost? I

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<v Speaker 2>mean it doesn't, but it does it a little bit

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<v Speaker 2>to me, It almost looks like a flower as well.

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<v Speaker 1>It does. And what do they say that there's a

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<v Speaker 1>free Masonic sort of saying about Saturn. You know, this

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<v Speaker 1>guy Death is that he's a good chopper of all flowers,

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<v Speaker 1>all flowers he chops to do the young, old doesn't

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<v Speaker 1>matter because he's got the scythe right, and so the

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<v Speaker 1>symbol for death, Saturn has the scythe and he chops

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<v Speaker 1>through everything. So he's kind of like another one of

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<v Speaker 1>their main symbols is death and Saturn, and I think

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<v Speaker 1>that's pretty significant.

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<v Speaker 2>I've never noticed this other one, but maybe it.

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<v Speaker 1>Is this Pluto one that's a newer one, the one

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<v Speaker 1>on the right, the one on the left that's a

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<v Speaker 1>that's a very old one. Now what's interesting is, you know,

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<v Speaker 1>you got that sort of flower pedal design around the head,

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<v Speaker 1>but it's more circular and it's got no connection to

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<v Speaker 1>the rest of the body, almost like it's headless.

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<v Speaker 2>Yeah, yeah, yeah, I do. Actually, I was gonna say,

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<v Speaker 2>I do find that interesting with this symbol, that there

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<v Speaker 2>is there is a disconnection between those two.

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<v Speaker 1>So yeah, this, uh, this whole Pluto connection to the

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<v Speaker 1>globus Cruciger and antimony I think plays a significant role

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<v Speaker 1>because really What separates freeman from slaves is knowledge and

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<v Speaker 1>all this stuff about alchemy and the metals and all

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<v Speaker 1>this stuff. That is what made men extremely wealthy back

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<v Speaker 1>in the day is having the knowledge to do this

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<v Speaker 1>kind of stuff. This set them apart from everything else.

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<v Speaker 1>And you could see that in the Alchemist too. Where

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<v Speaker 1>did the alchemist serve in the court? They wanted them

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<v Speaker 1>front and center because it wasn't just alchemy, it was

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<v Speaker 1>all the sciences.

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<v Speaker 2>I even think of understanding sciences and alchemy, you might

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<v Speaker 2>have actually been able to be a magician in the

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<v Speaker 2>sense of like fooling the masses with visual effects. Right again,

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<v Speaker 2>like you've said before, I don't necessarily think that when

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<v Speaker 2>these occultists are contributed with making androids. I think they

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<v Speaker 2>might have actually just knew how to manipulate a mercury

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<v Speaker 2>and a few other things, and you've got something looking

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<v Speaker 2>like it's moving, you know. I just I do think

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<v Speaker 2>alchemists can be used so that, you know, that's why

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<v Speaker 2>important people may want them sometimes too.

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<v Speaker 1>Think about the uniform of the stage magician.

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<v Speaker 2>Exactly, Yeah, the high paid a grand stage magician. They

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<v Speaker 2>want a chriss angel.

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<v Speaker 1>Isn't it funny that they kind of dressed like Freemasons,

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<v Speaker 1>and you know the Freemasons are always involved in entertainment

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<v Speaker 1>over in England. The biggest Freemason lodge is all about

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<v Speaker 1>the actors. It's the Actors Studio. There's a funny show.

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<v Speaker 1>If you ever get the chance, watch The Toast of

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<v Speaker 1>London the Freemason episode, because he's trying to become a

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<v Speaker 1>Freemason so that he can be basically part of this

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<v Speaker 1>inner order of actors, so that he can get all

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<v Speaker 1>the best roles. And so it's just NonStop, like weird

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<v Speaker 1>fun with him in his art rival God I can't

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<v Speaker 1>remember his name, but Steven Toast and his art rival

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00:18:52.799 --> 00:18:55.680
<v Speaker 1>are trying to battle each other of him getting in

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<v Speaker 1>the Freemasons. The other guy doesn't want a man, and

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<v Speaker 1>he wants to get in so that he can get

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<v Speaker 1>the best rolls. It's a great episode, all right. So

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<v Speaker 1>my first one comes from Denise Denton, Hey, Headless, Giant Man.

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<v Speaker 1>My strangeness was in twenty eighteen when a friend and

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<v Speaker 1>I were coming home from work all day as dead

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<v Speaker 1>people on fear of the walking Dead. We always shot

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<v Speaker 1>way out of town, so the trip back was long

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<v Speaker 1>and we were both hungry. And tired, So I guess

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<v Speaker 1>she was an extra or one of the stars of

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<v Speaker 1>Walking Dead. You love that show, dude.

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<v Speaker 2>Yeah I did. Yeah. Yeah.

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<v Speaker 1>Before leaving set, we decided to order a pizza when

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00:19:41.039 --> 00:19:44.400
<v Speaker 1>we got close to home. Had to be back on

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<v Speaker 1>the set early the next morning. Eating was the only

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00:19:46.960 --> 00:19:50.319
<v Speaker 1>thing we were concerned with. It started when I said

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<v Speaker 1>we were at Barton Springs. Holy shit, dude, this is Austin.

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<v Speaker 1>Order the pizza. My friend is a vegetarian and always

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<v Speaker 1>got ushrooms and pineapple. Have you ever been to Austin before?

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<v Speaker 2>No, I have not.

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<v Speaker 1>Oh dude, if you go, you got to stop by

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<v Speaker 1>Barton Springs. That place is amazing, gotcha. Anyways, I was

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<v Speaker 1>gonna forget if I didn't mention it. It's it's a

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<v Speaker 1>football field wide, it's a pool. That's the springs, right,

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<v Speaker 1>and so it's really really cold. So like it's one

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<v Speaker 1>hundred and ten degrees outside, this is like fifty five degrees.

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<v Speaker 1>It's fantastic, and you just jump in. I mean, Austin

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<v Speaker 1>can get fucking hot, but even when it's super boiling out,

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<v Speaker 1>Barton Springs is always cold. It's fantastic. Anyways, Barton Springs

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<v Speaker 1>ordered the pizza. My friend is a vegetarian and always

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<v Speaker 1>got mushrooms and pineapple. I thought as she called she

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<v Speaker 1>would order mushrooms and onions tonight. This is JJ. It's

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<v Speaker 1>gotta be JJ.

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<v Speaker 2>Let's email.

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<v Speaker 1>The emails Denise Dan. But he's going full pizza man.

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<v Speaker 1>I think I think it's coming.

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<v Speaker 2>All right, let's see he's he's I'll be totally honest

359
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<v Speaker 2>with you. One time I was hanging out, you know,

360
00:21:10.039 --> 00:21:12.599
<v Speaker 2>hanging out with him personally, and he might have he

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<v Speaker 2>took me on like a ten minute around the world

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<v Speaker 2>to like slap me in the face with like an

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<v Speaker 2>ongoing joke, so like he is really good at it,

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<v Speaker 2>and I did not catch it coming at all untill

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<v Speaker 2>he smacked me with it. I was like, wow, dude,

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<v Speaker 2>you just did all that to come back to that again.

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<v Speaker 2>So he could do it, he could do it. It

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<v Speaker 2>might possibly happen. Let's see what happens all.

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<v Speaker 1>And as she placed the order, she started onions and

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<v Speaker 1>mushrooms on half. I looked at her and I said,

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<v Speaker 1>I knew you were going to order that. Did you

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<v Speaker 1>say something? I'm just thinking, I'm a mind reader. This

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<v Speaker 1>is where we have no idea what happened, She said, no,

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<v Speaker 1>I just decided as I ordered to do onions tonight.

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<v Speaker 1>This is when we noticed we were nowhere near close

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<v Speaker 1>to home, but on seventy one at Montopolis, nine miles

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<v Speaker 1>from where we were, and no way we had driven

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<v Speaker 1>to this point. It was nine to twelve when she

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<v Speaker 1>started to order pizza, which we both saw Barton Springs

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<v Speaker 1>exit right before she placed the order. It was nine

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<v Speaker 1>thirteen when we noticed we weren't where we just were.

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<v Speaker 1>We got to the pizza place fifteen minutes later, headed

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<v Speaker 1>home and went back to the gig the next morning.

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<v Speaker 1>No clue how we ended up so far from where

385
00:22:23.960 --> 00:22:27.839
<v Speaker 1>we started in a minute, but we did have another

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<v Speaker 1>about my father passing. We'll email it soon. I don't

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00:22:31.039 --> 00:22:35.440
<v Speaker 1>think this was him. What was the price of the pizza?

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<v Speaker 2>Oh god, how the hell did I forget? I knew

389
00:22:39.839 --> 00:22:42.799
<v Speaker 2>it for a minute. So how many times?

390
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<v Speaker 1>It was fifteen twenty three or something?

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<v Speaker 2>Yeah?

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<v Speaker 1>Well, thank you, Denise. That sounds like alien abduction time scenarios.

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<v Speaker 1>You know, anytime you hear about alien abductions, they talk

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<v Speaker 1>about this missing times. All of a sudden, a minute later,

395
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<v Speaker 1>you're sixteen miles down the road, fifteen miles. You know,

396
00:23:04.680 --> 00:23:07.240
<v Speaker 1>you've got this massive lapse and you have no idea

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00:23:07.279 --> 00:23:10.440
<v Speaker 1>where it went, and sometimes even the clocks won't show

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<v Speaker 1>that you've gone you know, that far, that amount of time,

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00:23:14.119 --> 00:23:17.039
<v Speaker 1>So there could be a real time freezing thing going

400
00:23:17.079 --> 00:23:19.799
<v Speaker 1>on there. But I would be interested to know what

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00:23:19.839 --> 00:23:22.319
<v Speaker 1>did the time what did the clocks around you say?

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00:23:22.359 --> 00:23:25.599
<v Speaker 1>As you were thinking about ordering pizza, had a mind

403
00:23:25.680 --> 00:23:27.799
<v Speaker 1>meld about what you wanted to order on your pizza,

404
00:23:27.880 --> 00:23:31.319
<v Speaker 1>and then all of a sudden it was thirteen miles

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<v Speaker 1>down the road.

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<v Speaker 2>Yeah, I mean, I like pizza, but I don't think

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<v Speaker 2>I can. I don't think I could. Don't think about

408
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<v Speaker 2>that too much.

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<v Speaker 1>That's the thing too, Like this mind meld, it seems

410
00:23:43.440 --> 00:23:46.559
<v Speaker 1>like it was synonymous with the time skip, so it's

411
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<v Speaker 1>almost like something changed in space time which would cause

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<v Speaker 1>them to have this sort of mind meld of unified thoughts,

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<v Speaker 1>you know, I'm assuming.

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<v Speaker 2>Oh, thank you for the email though, Thank you very

415
00:24:05.119 --> 00:24:05.640
<v Speaker 2>much Toase.

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<v Speaker 1>That was a very interesting story, and I'm glad it

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<v Speaker 1>wasn't JJ. Where'd he go?

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<v Speaker 2>That was another reason too. I was like, maybe he's right,

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<v Speaker 2>and that's why he wants to hear it.

420
00:24:15.359 --> 00:24:20.200
<v Speaker 1>He wants to hear it? All right, let me see here,

421
00:24:20.480 --> 00:24:30.759
<v Speaker 1>I got another one from where is it David Snicker?

422
00:24:30.799 --> 00:24:34.240
<v Speaker 1>Come on, they make it so hard to scroll and Gmail,

423
00:24:42.000 --> 00:24:45.799
<v Speaker 1>I don't see it. Oh damn. All right, Well, my

424
00:24:45.920 --> 00:24:48.480
<v Speaker 1>dad sent me an email and he was talking about

425
00:24:48.480 --> 00:24:55.960
<v Speaker 1>his uncle Dan and his cousin Mary Grace saw the

426
00:24:56.000 --> 00:25:00.799
<v Speaker 1>spirit of Uncle Dan just as he was passing, and

427
00:25:00.880 --> 00:25:04.400
<v Speaker 1>so that was You know, something that she talks about

428
00:25:04.480 --> 00:25:07.039
<v Speaker 1>very often is that she knows that there's an afterlife

429
00:25:07.079 --> 00:25:11.559
<v Speaker 1>because she saw Uncle Dan, her father, just as he

430
00:25:11.640 --> 00:25:14.799
<v Speaker 1>was passing. He was a very beloved man. Everybody in

431
00:25:14.839 --> 00:25:18.160
<v Speaker 1>the family loved Uncle Dan. I have vague memories. He

432
00:25:18.240 --> 00:25:20.559
<v Speaker 1>died when I was very little, but he was a

433
00:25:20.599 --> 00:25:24.960
<v Speaker 1>great guy. Lived in Saint Louis, Missouri. Uncle Dan Fister.

434
00:25:26.240 --> 00:25:29.640
<v Speaker 2>Now, like when they saw when she says she's sore him,

435
00:25:29.680 --> 00:25:31.599
<v Speaker 2>Like how does she mean? Like was he not there

436
00:25:31.680 --> 00:25:33.799
<v Speaker 2>when he passed away? And so like he appeared in

437
00:25:33.799 --> 00:25:36.039
<v Speaker 2>front of Like I'm not exactly sure what she means with.

438
00:25:36.119 --> 00:25:39.279
<v Speaker 1>Him, right, So she was I think this was in

439
00:25:39.319 --> 00:25:41.759
<v Speaker 1>a hallway again, Like I must have deleted the email

440
00:25:42.160 --> 00:25:43.119
<v Speaker 1>for some reason as well.

441
00:25:43.200 --> 00:25:44.720
<v Speaker 2>You were just looking at it before the show too.

442
00:25:44.759 --> 00:25:45.839
<v Speaker 2>I know it existed.

443
00:25:48.000 --> 00:25:51.559
<v Speaker 1>And so yeah, so I think she saw him pass

444
00:25:51.640 --> 00:25:55.160
<v Speaker 1>in the hallway just at the same time that he

445
00:25:55.279 --> 00:25:57.960
<v Speaker 1>died in the hospital. So she was at home, he

446
00:25:58.000 --> 00:26:03.400
<v Speaker 1>was in the hospital. So yeah, big separation. But I'd

447
00:26:03.480 --> 00:26:05.920
<v Speaker 1>have to go back to it if I could. You

448
00:26:05.960 --> 00:26:13.720
<v Speaker 1>see recently deleted? Is that a thing? Trash?

449
00:26:15.279 --> 00:26:15.400
<v Speaker 2>All?

450
00:26:15.480 --> 00:26:17.559
<v Speaker 1>Right? Here we go. I found it. It says in

451
00:26:17.680 --> 00:26:20.440
<v Speaker 1>nineteen eighty nine, my uncle Dan lay dying in his

452
00:26:20.480 --> 00:26:23.640
<v Speaker 1>bed at home. His daughter Mary was in the living room,

453
00:26:23.680 --> 00:26:27.680
<v Speaker 1>which she noticed an apparition of Dan's deceased best friend

454
00:26:27.759 --> 00:26:31.920
<v Speaker 1>d Bright, walking down the hallway towards Dan's bedroom. She

455
00:26:32.119 --> 00:26:35.200
<v Speaker 1>followed D into the bedroom and discovered that Dan was

456
00:26:35.240 --> 00:26:40.400
<v Speaker 1>dead and d had disappeared. That's what it was. So

457
00:26:40.480 --> 00:26:43.920
<v Speaker 1>his old friend came to take him into the afterlife.

458
00:26:43.960 --> 00:26:50.240
<v Speaker 1>I think that's fantastic, you know. I mean, if I'm dying,

459
00:26:50.279 --> 00:26:51.119
<v Speaker 1>I'd love to see my.

460
00:26:52.279 --> 00:26:57.799
<v Speaker 2>You know, that's gay. He's a welcoming way right to

461
00:26:57.880 --> 00:26:58.799
<v Speaker 2>accept the situation.

462
00:27:00.119 --> 00:27:04.480
<v Speaker 1>Yeah, I mean, we're all gonna die. What better way

463
00:27:04.480 --> 00:27:06.599
<v Speaker 1>to go than having your best friend who already passed

464
00:27:06.599 --> 00:27:07.480
<v Speaker 1>on come and get you.

465
00:27:07.480 --> 00:27:13.160
<v Speaker 2>You know that bad Yeah, come on, bro, it's better

466
00:27:13.200 --> 00:27:16.079
<v Speaker 2>than here. It's better than that, bro right.

467
00:27:16.079 --> 00:27:18.640
<v Speaker 1>Like home is waiting for you. I mean, that's great.

468
00:27:21.880 --> 00:27:25.440
<v Speaker 1>So yeah, that's that's our show for tonight. I hope

469
00:27:25.480 --> 00:27:28.359
<v Speaker 1>you guys enjoyed it. I had a wonderful time with everybody.

470
00:27:28.440 --> 00:27:31.160
<v Speaker 1>We're gonna keep it right at about thirty minutes every time,

471
00:27:31.279 --> 00:27:35.680
<v Speaker 1>so keep you wanting more. Definitely, if you have any stories,

472
00:27:36.160 --> 00:27:39.599
<v Speaker 1>email the Headless Giant Podcast at gmail dot com and

473
00:27:39.880 --> 00:27:42.119
<v Speaker 1>I will read them and we'll talk about them and

474
00:27:42.160 --> 00:27:47.119
<v Speaker 1>it'll be a great time. Uh let's see you got

475
00:27:47.160 --> 00:27:48.119
<v Speaker 1>anything coming up there?

476
00:27:48.200 --> 00:27:48.319
<v Speaker 2>Uh?

477
00:27:48.519 --> 00:27:49.599
<v Speaker 1>Nick, with your cult.

478
00:27:49.440 --> 00:27:53.119
<v Speaker 2>Rejects, I think we have our sounded spirit dropping tomorrow.

479
00:27:54.599 --> 00:27:58.240
<v Speaker 2>So yeah. But besides that, uh no, nothing off hand

480
00:27:58.240 --> 00:28:00.279
<v Speaker 2>that I can think of. So yeah, basically, he's just

481
00:28:00.319 --> 00:28:02.720
<v Speaker 2>still for my listeners. Please send headlessen email if he

482
00:28:02.759 --> 00:28:04.880
<v Speaker 2>cut stories. You know, I really would like to hear some.

483
00:28:05.720 --> 00:28:09.119
<v Speaker 1>I was re listening to that Oregon podcast.

484
00:28:09.279 --> 00:28:11.680
<v Speaker 2>Oh yeah, yeah, yeah. I dropped that because in case

485
00:28:11.720 --> 00:28:13.599
<v Speaker 2>he comes on the show again tomorrow, I wanted people

486
00:28:13.799 --> 00:28:15.519
<v Speaker 2>knew listeners to know who the hell Leon is.

487
00:28:16.359 --> 00:28:20.359
<v Speaker 1>Right, Leon is fantastic. I mean to talk this guy up.

488
00:28:20.400 --> 00:28:24.240
<v Speaker 1>He's so knowledgeable about Oregon energy and all these different

489
00:28:24.240 --> 00:28:27.480
<v Speaker 1>things and how it works together. He's just an encyclopedia

490
00:28:27.559 --> 00:28:28.119
<v Speaker 1>that I love it.

491
00:28:28.200 --> 00:28:30.400
<v Speaker 2>Yeah, that it is something that we could plug. I'm

492
00:28:30.400 --> 00:28:31.880
<v Speaker 2>not gonna go live with it because I'm actually gonna

493
00:28:31.960 --> 00:28:34.640
<v Speaker 2>drop it the next day. But Saturday we are recording

494
00:28:34.720 --> 00:28:38.480
<v Speaker 2>uh me headless. We got Leon, the orgone guy. We

495
00:28:38.559 --> 00:28:40.319
<v Speaker 2>got a Biss three six nine coming back on with

496
00:28:40.359 --> 00:28:43.400
<v Speaker 2>his friend, look Ricardo, which you know, he's got published works,

497
00:28:43.400 --> 00:28:45.559
<v Speaker 2>he's got his own institute, and they got a bunch

498
00:28:45.599 --> 00:28:47.000
<v Speaker 2>of things to talk about that they're kind of talking

499
00:28:47.039 --> 00:28:49.200
<v Speaker 2>about last time. And I think getting the three of

500
00:28:49.240 --> 00:28:51.720
<v Speaker 2>them together should be pretty impressive. And we might even

501
00:28:51.759 --> 00:28:54.680
<v Speaker 2>have Robbie March join us too, so it should be that's.

502
00:28:54.519 --> 00:28:59.079
<v Speaker 1>Gonna be fireworks. Yeah, we're talking an Agent, History, Agent Tech,

503
00:29:00.039 --> 00:29:05.000
<v Speaker 1>Modern Technology, and Oregon all in the same sort of podcast,

504
00:29:05.119 --> 00:29:07.839
<v Speaker 1>all cross referencing each other. It's gonna be mind blowing,

505
00:29:07.920 --> 00:29:08.200
<v Speaker 1>I think.

506
00:29:08.240 --> 00:29:10.160
<v Speaker 2>So yeah, Yeah, I really do think That's what I

507
00:29:10.200 --> 00:29:11.759
<v Speaker 2>was like, Yo, I gotta get Leon with these guys.

508
00:29:11.759 --> 00:29:14.319
<v Speaker 2>This is gonna get impressive. So yeah, definitely keep an

509
00:29:14.359 --> 00:29:16.000
<v Speaker 2>eye out for that will drop Sunday.

510
00:29:16.160 --> 00:29:20.599
<v Speaker 1>So absolutely, and thank everybody for coming and hanging around

511
00:29:20.599 --> 00:29:22.839
<v Speaker 1>and writing these comments. Tara, thank you so much for

512
00:29:22.880 --> 00:29:28.519
<v Speaker 1>giving me my first donation. Yeah, that was great. See

513
00:29:28.519 --> 00:29:29.799
<v Speaker 1>you guys again next time.
