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Speaker 1: Around Dodge City and in the territory on West, there

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is just one way to handle the killers and the spoilers.

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And that's where the US Marshal and the Smell of

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Guns Smoke Gone Will Smoke, starring William Conrad, The story

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of the violence that moved west with young America and

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the story of a man who moved with it.

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Speaker 2: I'm that man, Matt Dillon, United States Marshal, the first

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man they look for and the less they want to meet.

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It's a chancy job, and it makes a man watchful.

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Had a little lone, lad.

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Speaker 3: I'm gone at all what you're doing.

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Speaker 4: This old stove burns up cottonwood just as fast as

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double buffalo chimps. Uh huh right, you don't know more

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and chuck in a couple of chunks and wolf sting.

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Nothing left but a handful of coals, you.

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Speaker 2: Picking them up and measuring 'em chested. So no, sir,

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of course not.

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Speaker 4: That's just the way you're talking. Handful means just enough

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to well see you about as much as uh as

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I had for it, Yes, sir, that that that's right?

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You mean we need new stove anyway? This gonnea dang

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old Watt's been here since the jail was built.

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Speaker 2: Alright, I'll tell you what we'll We'll get a letter

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off to Washington right away. Oh my, that'll do uh good.

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Speaker 5: Why then party back there.

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Speaker 4: I don't even know there is any country west of the

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Mississippi River.

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Speaker 2: You know, there are times I agree with 'em. You

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just say that, but you.

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Speaker 3: Don't mean it.

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Speaker 2: I don't know.

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Speaker 4: No, say you don't, mister don't. Why the only way

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you ever leave Dodd Cities for him to carry you.

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Speaker 2: Out in the box. And even then you'll put the

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lab out. Trusser sounded like it come from across the street. Yeah, ah,

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somebody's standing over that by that horse. Yeah. Yeah, he

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don't stand in front of the window. Oh yeah, stepping

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out a lot light.

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Speaker 6: Come on out, marshall. And when you do ad a gun.

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Speaker 4: In your hand, well, he'd be just a boy, mister Dillan.

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Speaker 2: That's a man's size gun. Though you ever seen him before?

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Speaker 4: No, sir, you ain't from round Dodge r.

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Speaker 1: Hiding in there in the dark, marsele go hide and fight.

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Speaker 2: And that's simpleton.

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Speaker 4: He's standing right out there in the middle of the

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street in plain sight.

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Speaker 2: Yeah, he's showing pretty poor since yeah, take his rifle. Chester, Huh,

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Look if I slip out the sideway and draw his attention,

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get him turned around, you think he can shoot the

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gun out of his hand? Oh no, agrecio, can you

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do it? I?

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Speaker 4: Well, but look here, and I suppose I was to

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miss and hit him.

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Speaker 2: He'll at five face him. I'll probably have to kill him.

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Speaker 4: H alright, then I reckon, I can do it. I

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can kindly steady the barrel on the window sill here, gut.

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Speaker 2: You waiting? He turned so Y's right?

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Speaker 6: Well, what's amount of Marshall? You're too st care to

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come out?

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Speaker 2: No? Where are you the corner of the building.

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Speaker 7: Huh?

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Speaker 2: Over here if you think your alright, Chester, come out

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of han.

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Speaker 1: Huh.

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Speaker 2: That was a real full struck you pulled, mister, and

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that was I'll speak you when you pulled like to

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ruin my hand.

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Speaker 1: Al I didn't hit him doing, mister Dylan.

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Speaker 2: Now you're dead fine? Chester?

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Speaker 3: Well, I'm glad.

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Speaker 2: Did somebody send you to do this? No? I just

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wanted to get me a loman. There's the law after

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you for something?

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Speaker 1: It is now I recommend mat match.

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Speaker 6: Hey, you you are right there.

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Speaker 2: Yeah, I'm alright.

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Speaker 1: H guess well, I wropped my bag right along with

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it his and a couple of blank corners reports too,

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you know, just in case I.

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Speaker 2: Don't guess you'll need him this time. You gonna lock

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me up? That's right?

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Speaker 3: For what?

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Speaker 2: Just talking? I didn't do nothing. You might do something, though,

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I after you think things over it, you might tell

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me who sent you to kill me. You can keep

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me in myself forever. And I won't tell wherever. It's

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a long time, Sonny. Huh?

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Speaker 1: How do you know my name?

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Speaker 2: It's never mind? How what's your last name? Sonny?

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Speaker 7: What?

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Speaker 1: Sonny? Garnet?

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Speaker 2: Where you're from? Out West Oho? You're traveling with? Wo'd

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you come to dodge F I ain't telling then you

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did come with somebody? Who? Where are they now? Who

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put you up to this?

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Speaker 6: I ain't gonna tell you nothing.

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Speaker 2: Okay, jail's right ahead and start walking.

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Speaker 4: What do you think?

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Speaker 2: Youshed doll him? And I think we both better walk

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real careful. Chester, the kid missed, but his partner may not.

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Now won have minute a Chester? I opened the door

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for you.

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Speaker 4: Oh thank you you? And I just can't seem to

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get the neck and toting the tray, and you don't

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see how them waiters does.

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Speaker 1: It's easy, has practice, Chester.

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Speaker 2: We just have to get some more prisoners for you

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to feed.

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Speaker 4: One's just one too many, you ask.

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Speaker 2: Me, Martin, Sonny, how do you feel?

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Speaker 3: All right?

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Speaker 1: I got some breakfast here for you, and I ain't hungry.

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Set it inside of the floor, Chester, and you better.

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Speaker 4: Eat it too, while the problem winds to cooked me.

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Speaker 2: I said I wasn't hungry, all right to leave it?

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Then you know what, You gotta get mighty hungry before

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the end of the week. Though you've got no right

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to hold mean Marshall. Oh is that so you got

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no reason to Tightning to kill somebody is a pretty

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good reason. I didn't mean it. I was just joking, joking.

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That's what I'm doing too, Sonny, keeping you locked up?

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It's just a joke. Now, Why don't we let your

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partner in on it so he can laugh too. I

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got nothing to say. Where's he hiding? Not while you're

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doing his dirty work? Huh? Is he in? Tom? Where's

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he camped out on the prairie somewhere? I told you,

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why are you stringing along with a coward?

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Speaker 6: Because I wanted to prove it.

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Speaker 2: I don't prove what prove that you're a man, But

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killing a marshal, I got nothing to say. At least

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we know one thing now. He's an older man. He

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probably wanted by the law. How do you know, because

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that's the kind of talk every old out of law

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uses on a kid when he gets a chance and

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he feels himself slipping and starts to turn the coward.

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Speaker 1: Nate's not a coward, Oh, Nate?

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Speaker 2: Who? I don't know any Nate. I don't know what

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you're talking about. Wouldn't be Nate Skyler by any chance.

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How did you, Nate Skyler?

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Speaker 4: Saye?

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Speaker 1: I saw that?

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Speaker 2: Yeah, sure you have Chester. He's wanted a half a

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dozen states and territories, a train robbery, bank hold ups, murder.

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He killed the sheriff up in Montana only three or

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four months ago. He shot him in the back. Hey,

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So that's the way he operates. He gets the local

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law out of the way first, then he moves in.

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So Dodge City's on his list and he's found himself

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a new easy mark. Is that right, Sonny?

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Speaker 1: I don't know nothing about nothing.

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Speaker 2: You sure don't, Sonny. You wouldn't be here I won't

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be Oh, forget it. Nate's not gonna try to get

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you out.

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Speaker 1: You wait and see locked the.

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Speaker 5: Souls, I said, gratious.

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Speaker 3: Just feel that that you're doing.

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Speaker 2: I swear it's going to be spring now before we're going. Yeah,

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and in summer and fall the first thing you know, Chester,

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there's gonna be wonder again. Be cold as blazes.

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Speaker 4: There you go, taking all of your head.

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Speaker 2: Where where dark Shore is in a lather about something?

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Look at it. He probably got a hold of a

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bad bottle of cornway. Yes, come on, hurry up.

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Speaker 1: I can show you right where you can put your

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hands on it. On hold that kid, sunny Garnet. You've

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had a jail breaking.

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Speaker 2: You don't even know. Oh, come on, come on, I

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know right.

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Speaker 1: Worry is I just saw I'm going to Wilbert Jonas's store.

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Speaker 2: All right, doc, let's go.

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Speaker 1: Yeah, it's lucky for you.

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Speaker 2: I happen to see him.

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Speaker 1: Let me got you this way, you can get him

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back nobody. Even though he broke out, Come on, come on,

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he isn't going to steal it foret of you.

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Speaker 2: I hope not to talk if he does. There wasn't

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much point in turning him a little stop turning him rude. Yeah,

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about three hours ago, I had a couple of boys

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keeping an eye.

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Speaker 6: Well, what in the world you do that for?

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Speaker 2: I hope you might lead us tonight, Skyler. Maybe he

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needs a little pride to start it moving.

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Speaker 1: Oh then I got my blood pressure all stirred up

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for nothing.

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Speaker 2: Stood for you. Dog helps keep your heart beating.

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Speaker 1: Oh, I'm gonna go back to my office. Oh, Marshall,

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I I'm glad to see you. I'll owe mister Drummers.

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This young fellow was getting the bad Damn Marshall.

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Speaker 2: Idea, what, Sonny? This man won't sell me nothing. Now,

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that's not what I said, young fella. I just won't

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tell you a.

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Speaker 1: Gun, that's all. You had no right to keep my gun, Marshal.

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And I've been to three places now and none of

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them would sell me one.

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Speaker 2: What would you do with a gun if you had it? Sonny?

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You guess I've already guessed. That's why nobody in ton

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will do business with you. What's the matter? Are you

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scared to face me? Not particularly?

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Speaker 1: It was last week you were scared to come out

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in the streets. You had your partner shoot at me

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through the windows.

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Speaker 2: You want to know something, Sunny, that's why you're still alive.

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The way you tell Itmitty, you'll see it different to him.

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You wouldn't face me. That's enough for me, and Nate's scyt.

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I won't face me. That's six and one and a

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half a dozen of another. And it needed shoot you

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down for you could even move. Yeah, he might at

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that if he was behind me where he usually makes

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sure of being.

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Speaker 1: That's a lie, you, Lorman, just make up them things.

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You give a dog a bad name. And in hanging.

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Speaker 2: Pert, that's what Nate tells you. I know what I know,

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that's all. And you'll probably know about his other partners

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what you mean. Course they're dead now, most of them.

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The same story as yours, more or less. They took

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the chances, and they took the money. Lies. That's on.

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Didn't even tell you about that partner in Pueblo, the

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one he.

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Speaker 1: Murdered, what you're talking about.

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Speaker 2: As a bank called up as they started to leave,

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a guard shot Nate's partner. He hurt him bad, so

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he couldn't ride. Nate was afraid to leave him. I here,

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afraid he might talk and tell where he was head

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And so he shot him to death in cold blood.

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He rode right on out of town. It looked real

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fine too. Nate got clean away. I don't believe it

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in our Sonny. I don't much care what you believe.

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I've given you about all the chance I'm going to

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now you ask Nate about it. If you got the nerve,

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come on chester him, mister Jonas, very much.

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Speaker 3: The right thing.

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Speaker 2: I never heard that story before me going, oh, Nate

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Scott is that kind of man. It could have happened.

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Speaker 6: You know something?

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Speaker 3: Then?

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Speaker 2: What kidding? In the last thirty minutes.

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Speaker 4: You've said exactly twelve words they been counting.

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Speaker 2: Have you nothing else too?

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Speaker 1: I could get more conversation out of that stuffed moose

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head over the bar.

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Speaker 2: And what's bothering you?

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Speaker 7: Mess?

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Speaker 1: Mean?

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Speaker 5: Skyta?

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Speaker 1: Yeah?

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Speaker 2: I had to help a lot if I even know

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what they look like. I had plenty of circlers on him,

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no pictures. They could be any stranger on the street.

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I hope that sunny at panic and lead us to him.

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And I'm proud of him every way. I know how

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you just won't move, crazy kid. I put our word

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tonight and I'm gonna get up a bussee in the

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morning to cover the whole countryside and still keeps right

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on hanging around time.

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Speaker 1: Matt, What gets into a boy like that and makes

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him sublime? Anybody can see Skyl is just using him.

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Speaker 2: I don't kidding. Let it happens. So young kid drifting

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around on a loose unsure of himself and grow into

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a man and not knowing how to the somebody liked

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Skylar says, go kiddy yourself, alarm that boy, and that's

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the way, and the kid goes along like a sheep.

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Sky there ought to be hung. He probably will be

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if I ever find him. Well, maybe he's right here

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in town somewhere. I doubt it. Sonny doesn't act like

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he expects to run into him on the street, cause

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there's always a chance to get curious and come in

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and see what's going on?

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Speaker 7: You do?

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Speaker 2: Yeah, what is it? Chest?

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Speaker 4: The kid and every table saddling up his horse.

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Speaker 1: Huh, looks like he's pitching to ride out.

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Speaker 2: And let's go find out. Take it easy, Chester. We've

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been following him too close.

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Speaker 3: And he ain't the bridest boy in the world, he responded.

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He had six miles to do it then, cause all you.

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Speaker 2: Was pushing my luck. We just dropped back a little

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hold up a m.

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Speaker 4: Well, that's when the circle bar line cabin. We said,

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don't you reckon that RaSE heading And.

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Speaker 2: He's riding right up to the cabin's empty. This time

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of year, it come up before. Leave the horses here.

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Speaker 4: And decry, I wish said, because the moon wasn't bright.

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Speaker 2: Quiet Holly, right there, pick your hands up.

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Speaker 6: It's all right, Nate. It took me Sonny lam him

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off on that horse.

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Speaker 2: He'd come on up, alright, Nate, take it easy, chests.

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Speaker 3: Give you up.

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Speaker 2: You'd I had talked the marshmans stilled you in jail. Yeah,

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I thought you like to set in square after all

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that big off of yours. How you was gonna stand

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up and call him?

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Speaker 1: I didn't call Himnate, but he had his partner stack.

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Speaker 2: Down on me. Yeah, joy, it did.

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Speaker 3: Then he caught you and.

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Speaker 1: Spanked you and put you to bed out or suffer.

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Speaker 2: You Just wait and see.

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Speaker 6: I'm going back and get him.

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Speaker 2: I just come for a gun.

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Speaker 3: Won't nobody in town sell anyone?

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Speaker 2: They probably if you are too young to pack one,

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probably scar your shoot yourself. You wait, you see, you're

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gonna step out and call him you even have the

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gumps and to escape.

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Speaker 1: Well I didn't exactly escape, yeah, ain't you?

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Speaker 6: The Marshall turned me loose?

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Speaker 1: You what turn the loose?

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Speaker 2: You simple minded hat?

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Speaker 6: With what all'd you tell him?

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Speaker 1: Nothing? He just guess it was you to send me.

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Speaker 2: I ain't telling him.

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Speaker 1: Sure you told him, and he turned you loose so

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he could bother it.

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Speaker 6: All right, you Nate, what you gonna do?

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Speaker 2: I'm gonna put a bullet with your brain on all

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this sky out and you're runner rist, I'll drop you

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a long man. Alright, come out, Chester. So that's what

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Nate Sky looks like he when he was lying. I mean, yeah, well.

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Speaker 4: That nature what I mean looking, ma'am mitche Jill got

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a face like a cowd uht least art.

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Speaker 5: Teach that kid lesson.

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Speaker 2: I'm afraid he won't doing much good Chester.

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Speaker 7: Huh, he's dead too.

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Speaker 1: Gunsmoke, produced and directed by Norman McDonald, stars William Conrad

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as Matt Dylan Us Marshall. The script was specially written

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for gun Smote by Les Crutchfield, with editorial supervision by

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John Meston. The music was composed and conducted by Rex

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Cory Sound Patterns were by Ray Kemper and Bill James.

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Featured in the cast were Parley Bahir as Chester, Howard

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McGear as Doc, and Georgia Ellis as kidding

