Speaker 1: Around Dodge City and in the territory on West, there
is just one way to handle the killers and the spoilers.
And that's where the US Marshal and the Smell of
Guns Smoke Gone Will Smoke, starring William Conrad, The story
of the violence that moved west with young America and
the story of a man who moved with it.
Speaker 2: I'm that man, Matt Dillon, United States Marshal, the first
man they look for and the less they want to meet.
It's a chancy job, and it makes a man watchful.
Had a little lone, lad.
Speaker 3: I'm gone at all what you're doing.
Speaker 4: This old stove burns up cottonwood just as fast as
double buffalo chimps. Uh huh right, you don't know more
and chuck in a couple of chunks and wolf sting.
Nothing left but a handful of coals, you.
Speaker 2: Picking them up and measuring 'em chested. So no, sir,
of course not.
Speaker 4: That's just the way you're talking. Handful means just enough
to well see you about as much as uh as
I had for it, Yes, sir, that that that's right?
You mean we need new stove anyway? This gonnea dang
old Watt's been here since the jail was built.
Speaker 2: Alright, I'll tell you what we'll We'll get a letter
off to Washington right away. Oh my, that'll do uh good.
Speaker 5: Why then party back there.
Speaker 4: I don't even know there is any country west of the
Mississippi River.
Speaker 2: You know, there are times I agree with 'em. You
just say that, but you.
Speaker 3: Don't mean it.
Speaker 2: I don't know.
Speaker 4: No, say you don't, mister don't. Why the only way
you ever leave Dodd Cities for him to carry you.
Speaker 2: Out in the box. And even then you'll put the
lab out. Trusser sounded like it come from across the street. Yeah, ah,
somebody's standing over that by that horse. Yeah. Yeah, he
don't stand in front of the window. Oh yeah, stepping
out a lot light.
Speaker 6: Come on out, marshall. And when you do ad a gun.
Speaker 4: In your hand, well, he'd be just a boy, mister Dillan.
Speaker 2: That's a man's size gun. Though you ever seen him before?
Speaker 4: No, sir, you ain't from round Dodge r.
Speaker 1: Hiding in there in the dark, marsele go hide and fight.
Speaker 2: And that's simpleton.
Speaker 4: He's standing right out there in the middle of the
street in plain sight.
Speaker 2: Yeah, he's showing pretty poor since yeah, take his rifle. Chester, Huh,
Look if I slip out the sideway and draw his attention,
get him turned around, you think he can shoot the
gun out of his hand? Oh no, agrecio, can you
do it? I?
Speaker 4: Well, but look here, and I suppose I was to
miss and hit him.
Speaker 2: He'll at five face him. I'll probably have to kill him.
Speaker 4: H alright, then I reckon, I can do it. I
can kindly steady the barrel on the window sill here, gut.
Speaker 2: You waiting? He turned so Y's right?
Speaker 6: Well, what's amount of Marshall? You're too st care to
come out?
Speaker 2: No? Where are you the corner of the building.
Speaker 7: Huh?
Speaker 2: Over here if you think your alright, Chester, come out
of han.
Speaker 1: Huh.
Speaker 2: That was a real full struck you pulled, mister, and
that was I'll speak you when you pulled like to
ruin my hand.
Speaker 1: Al I didn't hit him doing, mister Dylan.
Speaker 2: Now you're dead fine? Chester?
Speaker 3: Well, I'm glad.
Speaker 2: Did somebody send you to do this? No? I just
wanted to get me a loman. There's the law after
you for something?
Speaker 1: It is now I recommend mat match.
Speaker 6: Hey, you you are right there.
Speaker 2: Yeah, I'm alright.
Speaker 1: H guess well, I wropped my bag right along with
it his and a couple of blank corners reports too,
you know, just in case I.
Speaker 2: Don't guess you'll need him this time. You gonna lock
me up? That's right?
Speaker 3: For what?
Speaker 2: Just talking? I didn't do nothing. You might do something, though,
I after you think things over it, you might tell
me who sent you to kill me. You can keep
me in myself forever. And I won't tell wherever. It's
a long time, Sonny. Huh?
Speaker 1: How do you know my name?
Speaker 2: It's never mind? How what's your last name? Sonny?
Speaker 7: What?
Speaker 1: Sonny? Garnet?
Speaker 2: Where you're from? Out West Oho? You're traveling with? Wo'd
you come to dodge F I ain't telling then you
did come with somebody? Who? Where are they now? Who
put you up to this?
Speaker 6: I ain't gonna tell you nothing.
Speaker 2: Okay, jail's right ahead and start walking.
Speaker 4: What do you think?
Speaker 2: Youshed doll him? And I think we both better walk
real careful. Chester, the kid missed, but his partner may not.
Now won have minute a Chester? I opened the door
for you.
Speaker 4: Oh thank you you? And I just can't seem to
get the neck and toting the tray, and you don't
see how them waiters does.
Speaker 1: It's easy, has practice, Chester.
Speaker 2: We just have to get some more prisoners for you
to feed.
Speaker 4: One's just one too many, you ask.
Speaker 2: Me, Martin, Sonny, how do you feel?
Speaker 3: All right?
Speaker 1: I got some breakfast here for you, and I ain't hungry.
Set it inside of the floor, Chester, and you better.
Speaker 4: Eat it too, while the problem winds to cooked me.
Speaker 2: I said I wasn't hungry, all right to leave it?
Then you know what, You gotta get mighty hungry before
the end of the week. Though you've got no right
to hold mean Marshall. Oh is that so you got
no reason to Tightning to kill somebody is a pretty
good reason. I didn't mean it. I was just joking, joking.
That's what I'm doing too, Sonny, keeping you locked up?
It's just a joke. Now, Why don't we let your
partner in on it so he can laugh too. I
got nothing to say. Where's he hiding? Not while you're
doing his dirty work? Huh? Is he in? Tom? Where's
he camped out on the prairie somewhere? I told you,
why are you stringing along with a coward?
Speaker 6: Because I wanted to prove it.
Speaker 2: I don't prove what prove that you're a man, But
killing a marshal, I got nothing to say. At least
we know one thing now. He's an older man. He
probably wanted by the law. How do you know, because
that's the kind of talk every old out of law
uses on a kid when he gets a chance and
he feels himself slipping and starts to turn the coward.
Speaker 1: Nate's not a coward, Oh, Nate?
Speaker 2: Who? I don't know any Nate. I don't know what
you're talking about. Wouldn't be Nate Skyler by any chance.
How did you, Nate Skyler?
Speaker 4: Saye?
Speaker 1: I saw that?
Speaker 2: Yeah, sure you have Chester. He's wanted a half a
dozen states and territories, a train robbery, bank hold ups, murder.
He killed the sheriff up in Montana only three or
four months ago. He shot him in the back. Hey,
So that's the way he operates. He gets the local
law out of the way first, then he moves in.
So Dodge City's on his list and he's found himself
a new easy mark. Is that right, Sonny?
Speaker 1: I don't know nothing about nothing.
Speaker 2: You sure don't, Sonny. You wouldn't be here I won't
be Oh, forget it. Nate's not gonna try to get
you out.
Speaker 1: You wait and see locked the.
Speaker 5: Souls, I said, gratious.
Speaker 3: Just feel that that you're doing.
Speaker 2: I swear it's going to be spring now before we're going. Yeah,
and in summer and fall the first thing you know, Chester,
there's gonna be wonder again. Be cold as blazes.
Speaker 4: There you go, taking all of your head.
Speaker 2: Where where dark Shore is in a lather about something?
Look at it. He probably got a hold of a
bad bottle of cornway. Yes, come on, hurry up.
Speaker 1: I can show you right where you can put your
hands on it. On hold that kid, sunny Garnet. You've
had a jail breaking.
Speaker 2: You don't even know. Oh, come on, come on, I
know right.
Speaker 1: Worry is I just saw I'm going to Wilbert Jonas's store.
Speaker 2: All right, doc, let's go.
Speaker 1: Yeah, it's lucky for you.
Speaker 2: I happen to see him.
Speaker 1: Let me got you this way, you can get him
back nobody. Even though he broke out, Come on, come on,
he isn't going to steal it foret of you.
Speaker 2: I hope not to talk if he does. There wasn't
much point in turning him a little stop turning him rude. Yeah,
about three hours ago, I had a couple of boys
keeping an eye.
Speaker 6: Well, what in the world you do that for?
Speaker 2: I hope you might lead us tonight, Skyler. Maybe he
needs a little pride to start it moving.
Speaker 1: Oh then I got my blood pressure all stirred up
for nothing.
Speaker 2: Stood for you. Dog helps keep your heart beating.
Speaker 1: Oh, I'm gonna go back to my office. Oh, Marshall,
I I'm glad to see you. I'll owe mister Drummers.
This young fellow was getting the bad Damn Marshall.
Speaker 2: Idea, what, Sonny? This man won't sell me nothing. Now,
that's not what I said, young fella. I just won't
tell you a.
Speaker 1: Gun, that's all. You had no right to keep my gun, Marshal.
And I've been to three places now and none of
them would sell me one.
Speaker 2: What would you do with a gun if you had it? Sonny?
You guess I've already guessed. That's why nobody in ton
will do business with you. What's the matter? Are you
scared to face me? Not particularly?
Speaker 1: It was last week you were scared to come out
in the streets. You had your partner shoot at me
through the windows.
Speaker 2: You want to know something, Sunny, that's why you're still alive.
The way you tell Itmitty, you'll see it different to him.
You wouldn't face me. That's enough for me, and Nate's scyt.
I won't face me. That's six and one and a
half a dozen of another. And it needed shoot you
down for you could even move. Yeah, he might at
that if he was behind me where he usually makes
sure of being.
Speaker 1: That's a lie, you, Lorman, just make up them things.
You give a dog a bad name. And in hanging.
Speaker 2: Pert, that's what Nate tells you. I know what I know,
that's all. And you'll probably know about his other partners
what you mean. Course they're dead now, most of them.
The same story as yours, more or less. They took
the chances, and they took the money. Lies. That's on.
Didn't even tell you about that partner in Pueblo, the
one he.
Speaker 1: Murdered, what you're talking about.
Speaker 2: As a bank called up as they started to leave,
a guard shot Nate's partner. He hurt him bad, so
he couldn't ride. Nate was afraid to leave him. I here,
afraid he might talk and tell where he was head
And so he shot him to death in cold blood.
He rode right on out of town. It looked real
fine too. Nate got clean away. I don't believe it
in our Sonny. I don't much care what you believe.
I've given you about all the chance I'm going to
now you ask Nate about it. If you got the nerve,
come on chester him, mister Jonas, very much.
Speaker 3: The right thing.
Speaker 2: I never heard that story before me going, oh, Nate
Scott is that kind of man. It could have happened.
Speaker 6: You know something?
Speaker 3: Then?
Speaker 2: What kidding? In the last thirty minutes.
Speaker 4: You've said exactly twelve words they been counting.
Speaker 2: Have you nothing else too?
Speaker 1: I could get more conversation out of that stuffed moose
head over the bar.
Speaker 2: And what's bothering you?
Speaker 7: Mess?
Speaker 1: Mean?
Speaker 5: Skyta?
Speaker 1: Yeah?
Speaker 2: I had to help a lot if I even know
what they look like. I had plenty of circlers on him,
no pictures. They could be any stranger on the street.
I hope that sunny at panic and lead us to him.
And I'm proud of him every way. I know how
you just won't move, crazy kid. I put our word
tonight and I'm gonna get up a bussee in the
morning to cover the whole countryside and still keeps right
on hanging around time.
Speaker 1: Matt, What gets into a boy like that and makes
him sublime? Anybody can see Skyl is just using him.
Speaker 2: I don't kidding. Let it happens. So young kid drifting
around on a loose unsure of himself and grow into
a man and not knowing how to the somebody liked
Skylar says, go kiddy yourself, alarm that boy, and that's
the way, and the kid goes along like a sheep.
Sky there ought to be hung. He probably will be
if I ever find him. Well, maybe he's right here
in town somewhere. I doubt it. Sonny doesn't act like
he expects to run into him on the street, cause
there's always a chance to get curious and come in
and see what's going on?
Speaker 7: You do?
Speaker 2: Yeah, what is it? Chest?
Speaker 4: The kid and every table saddling up his horse.
Speaker 1: Huh, looks like he's pitching to ride out.
Speaker 2: And let's go find out. Take it easy, Chester. We've
been following him too close.
Speaker 3: And he ain't the bridest boy in the world, he responded.
He had six miles to do it then, cause all you.
Speaker 2: Was pushing my luck. We just dropped back a little
hold up a m.
Speaker 4: Well, that's when the circle bar line cabin. We said,
don't you reckon that RaSE heading And.
Speaker 2: He's riding right up to the cabin's empty. This time
of year, it come up before. Leave the horses here.
Speaker 4: And decry, I wish said, because the moon wasn't bright.
Speaker 2: Quiet Holly, right there, pick your hands up.
Speaker 6: It's all right, Nate. It took me Sonny lam him
off on that horse.
Speaker 2: He'd come on up, alright, Nate, take it easy, chests.
Speaker 3: Give you up.
Speaker 2: You'd I had talked the marshmans stilled you in jail. Yeah,
I thought you like to set in square after all
that big off of yours. How you was gonna stand
up and call him?
Speaker 1: I didn't call Himnate, but he had his partner stack.
Speaker 2: Down on me. Yeah, joy, it did.
Speaker 3: Then he caught you and.
Speaker 1: Spanked you and put you to bed out or suffer.
Speaker 2: You Just wait and see.
Speaker 6: I'm going back and get him.
Speaker 2: I just come for a gun.
Speaker 3: Won't nobody in town sell anyone?
Speaker 2: They probably if you are too young to pack one,
probably scar your shoot yourself. You wait, you see, you're
gonna step out and call him you even have the
gumps and to escape.
Speaker 1: Well I didn't exactly escape, yeah, ain't you?
Speaker 6: The Marshall turned me loose?
Speaker 1: You what turn the loose?
Speaker 2: You simple minded hat?
Speaker 6: With what all'd you tell him?
Speaker 1: Nothing? He just guess it was you to send me.
Speaker 2: I ain't telling him.
Speaker 1: Sure you told him, and he turned you loose so
he could bother it.
Speaker 6: All right, you Nate, what you gonna do?
Speaker 2: I'm gonna put a bullet with your brain on all
this sky out and you're runner rist, I'll drop you
a long man. Alright, come out, Chester. So that's what
Nate Sky looks like he when he was lying. I mean, yeah, well.
Speaker 4: That nature what I mean looking, ma'am mitche Jill got
a face like a cowd uht least art.
Speaker 5: Teach that kid lesson.
Speaker 2: I'm afraid he won't doing much good Chester.
Speaker 7: Huh, he's dead too.
Speaker 1: Gunsmoke, produced and directed by Norman McDonald, stars William Conrad
as Matt Dylan Us Marshall. The script was specially written
for gun Smote by Les Crutchfield, with editorial supervision by
John Meston. The music was composed and conducted by Rex
Cory Sound Patterns were by Ray Kemper and Bill James.
Featured in the cast were Parley Bahir as Chester, Howard
McGear as Doc, and Georgia Ellis as kidding