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<v Speaker 1>This should be the cold open, because this is actually like,

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<v Speaker 1>what are these guys laughing about?

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<v Speaker 2>This is great? I gotta listen to this whole thing, you.

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<v Speaker 3>Know, right, all right, think think I'm still in I'm

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<v Speaker 3>still in programming meeting mode here, you're coming.

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<v Speaker 2>Well, how about this? Let me let me just do it.

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<v Speaker 1>Let me take a crack at Yeah, this podcast that

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<v Speaker 1>we have done now fifty plus episodes, I feel like

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<v Speaker 1>you and I are kind of developing a familiarity over

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<v Speaker 1>what is going to slap and what is it is

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<v Speaker 1>not going to slap for each other?

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<v Speaker 3>Do you find yourself then in the least weird way

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<v Speaker 3>I can possibly ask this question, do you.

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<v Speaker 1>Think even when it's like something that I don't think

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<v Speaker 1>you're into that, Like when we're watching Nuremberg, I was

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<v Speaker 1>even thinking of like Commonos isn't gonna like this at all?

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<v Speaker 2>Yeah, you know what I mean.

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<v Speaker 1>And then and I'm like, and then I watched stuff

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<v Speaker 1>that like you kind of turned me on to, and

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<v Speaker 1>and I'm like, I'm like kind of guessing as like, Okay,

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<v Speaker 1>is this yes, this is his genre, but is this

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<v Speaker 1>his type of genre? Lauren Michaels always did this in SNL,

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<v Speaker 1>like it's like talking about a sketch. Yes, it gotta laugh,

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<v Speaker 1>but did it get the right kind of laugh?

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<v Speaker 2>Oh? Sure?

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<v Speaker 1>Yeah? So this this is a horror, but was it

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<v Speaker 1>the right kind of horror for you? And I feel

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<v Speaker 1>like the way that you laid out while you loved

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<v Speaker 1>Ready or Not the first one so much, we're reviewing

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<v Speaker 1>Ready or Not too here I come in this podcast.

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<v Speaker 1>I felt like it was going to be difficult for

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<v Speaker 1>you to like this one as much as the other one.

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<v Speaker 1>And I feel like this was a different movie than

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<v Speaker 1>what we saw in the first one too, do you?

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<v Speaker 2>I do believe that this was a different movie.

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<v Speaker 1>It was a different I mean, it was similar formula,

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<v Speaker 1>but it was it was a different this stakes were different, Uh,

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<v Speaker 1>they were much higher and I think it got to

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<v Speaker 1>be more hokey, right.

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<v Speaker 3>I was going to say it was higher, but somehow

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<v Speaker 3>also less serious, less serious time.

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<v Speaker 1>And it was And it was really expansive, like they

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<v Speaker 1>really expanded on this whole Now you see now you

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<v Speaker 1>see me, I'm gonna I'm gonna do that multiple times,

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<v Speaker 1>Ready or Not. They expanded on this whole universe that

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<v Speaker 1>it wasn't just one family, This is.

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<v Speaker 2>A whole different this is a whole big like not

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<v Speaker 2>a click what do you call it? Cult? Yes, the

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<v Speaker 2>whole big cult that was behind this.

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<v Speaker 3>Yeah. And I'll be honest with you, man, I found

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<v Speaker 3>myself because you were spot on, and I used a

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<v Speaker 3>couple of examples during our ties on Outside the Box.

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<v Speaker 2>I said, uh, this is prior to you watching it.

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<v Speaker 3>Yeah, And I think and I could tell though already,

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<v Speaker 3>just based on the trailer I used. I think Megan

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<v Speaker 3>is an example, but I think the ultimate example is

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<v Speaker 3>Guardians of the Galaxy. I was so unsold about the

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<v Speaker 3>first Guardians that I did even see it in theaters.

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<v Speaker 3>I was like a talking tree in Raccoon. Okay, I

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<v Speaker 3>realized Marvel's been good, but they've clearly Yeah, of course

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<v Speaker 3>they clearly have overstepped with this one, and I think

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<v Speaker 3>they're getting a little too far out there. Flash forward

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<v Speaker 3>to me catching it five months after the fact, thinking

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<v Speaker 3>it was brilliant. I was like, this is fantastic.

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<v Speaker 1>You know what's funny about that is is like they've

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<v Speaker 1>made three Guardians of the Galaxy, and if you looked

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<v Speaker 1>at the first one like well, this will never work,

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<v Speaker 1>and yet they made one Eternals and you're like, oh wow,

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<v Speaker 1>this is gonna be great.

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<v Speaker 3>It was super epic because they earned it, because like,

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<v Speaker 3>they earned that kind of trust, and.

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<v Speaker 2>Now it's it's like an abomination. Everybody hates that. You know, Well, yeah,

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<v Speaker 2>they'll never be in eternals.

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<v Speaker 3>Too, there won't be. Even though I didn't really mind

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<v Speaker 3>the first one, I liked it. Yeah, I say all

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<v Speaker 3>that to say, though, the second Guardians of the Galaxy

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<v Speaker 3>is a fine movie. But after going from well I

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<v Speaker 3>don't want to see that, that's stupid to oh my god,

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<v Speaker 3>that was the best Star Wars movie I've ever seen

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<v Speaker 3>in my life. And it's not even a Star.

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<v Speaker 2>Wars Star Wars movie. I think it's a great Father's

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<v Speaker 2>Day movie.

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<v Speaker 3>The second one, second one, Yeah, yeah, I agree, I agree.

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<v Speaker 3>Don't even get me started with that. But but I

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<v Speaker 3>say all that to say that, like the second one,

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<v Speaker 3>while on its own, was a fine movie. The jokes

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<v Speaker 3>felt more forced, the chemistry while yeah, I felt like

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<v Speaker 3>everywhere it was because they tried to take the formula

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<v Speaker 3>from the first one that was so unique, so fresh,

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<v Speaker 3>and so new, and they just kind of tried to

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<v Speaker 3>superimpose it onto a new story. And that's basically what

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<v Speaker 3>we dealt with here. I mean, we can spoil the

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<v Speaker 3>first ready or not, right, because that's been out.

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<v Speaker 2>So let's just get the gist of this.

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<v Speaker 1>Basically, this is a woman who marries into a family,

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<v Speaker 1>and this family has been blessed by Satan with ungodly riches. Okay,

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<v Speaker 1>but every time somebody is you know, every time there's

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<v Speaker 1>a new family member, they have to play a game

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<v Speaker 1>this family owns, like this board game.

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<v Speaker 3>Yeah, they're basically what was the main one that did

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<v Speaker 3>like Monopoly and has Milton Bradleyeah, yeah, exactly, they're basically.

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<v Speaker 2>Basically Melton Bradley.

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<v Speaker 1>And so they have to play a game and and

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<v Speaker 1>and if the game comes out like chess or checkers

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<v Speaker 1>or whatever, nothing happens. But the game, if it's Hide

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<v Speaker 1>and Seek, the one that's randomly selected, then basically they

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<v Speaker 1>have to kill the new person in the family before

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<v Speaker 1>sunrise or they all die. The whole family dies. So

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<v Speaker 1>that's the gist of the movie.

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<v Speaker 3>But the important part of that is that you spend

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<v Speaker 3>the entire movie thinking they are nuts. You're like, Okay,

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<v Speaker 3>obviously Satan doesn't have to Yeah. At no point, ever,

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<v Speaker 3>oh I did not cross my mind that they actually

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<v Speaker 3>had to kill her. I was like, Okay, so these

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<v Speaker 3>guys are gonna be nuts and there's not going to

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<v Speaker 3>be like that's and then the ultimate climax of the movie,

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<v Speaker 3>you're like, oh no, it quite literally is satan.

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<v Speaker 1>Well well quite frankly, they didn't. They didn't know either,

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<v Speaker 1>Like the husband of the sister, I think it was.

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<v Speaker 1>He's like, see, I knew it. I knew it was

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<v Speaker 1>all bs like this isn't real and all of a sudden, right, So,

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<v Speaker 1>but I was thinking of that. It was still like,

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<v Speaker 1>you know, there's something there.

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<v Speaker 3>See. That was why I liked it so much is

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<v Speaker 3>because the way they explode in the first one, because

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<v Speaker 3>it's just like they don't do what they're supposed to

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<v Speaker 3>do and they literally explode into little pieces and it's

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<v Speaker 3>so graphic and so over the top and in my opinion,

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<v Speaker 3>so unforeseeable that I was like, oh, so this is

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<v Speaker 3>this is a good movie. I didn't realize I was

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<v Speaker 3>watching a movie that's this good. I say that to say.

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<v Speaker 2>So, what did you think was gonna happen at the

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<v Speaker 2>end as you're watching this?

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<v Speaker 3>I didn't know if they was just going to be

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<v Speaker 3>like an awkward they go their separate ways or whatever

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<v Speaker 3>the situation was. But it kind of lent itself to

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<v Speaker 3>like because they were all so eccentric and so strange,

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<v Speaker 3>and you were just like, oh, so these guys are

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<v Speaker 3>just kind of chalking it up to that, And.

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<v Speaker 2>Like I didn't think they were that eccentric.

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<v Speaker 1>Oh yeah, Adam Brodie's character, all of them, No, I

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<v Speaker 1>didn't see that some of them. Yeah, But like I

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<v Speaker 1>thought Andy McDowell and Henry is it Serny Cherney guy

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<v Speaker 1>from Mission Impossible, Yeah, I thought they were pretty normal.

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<v Speaker 1>Like the one unhinged one was the.

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<v Speaker 3>The ant, Yeah, the ant was up there. The cokehead

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<v Speaker 3>sister was you know, yeah, and like you know, the

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<v Speaker 3>other sister as well with the heavy set husband who

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<v Speaker 3>like she was kind of cold. But I mean, like

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<v Speaker 3>when you look at all those I guess my main

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<v Speaker 3>problem with it is this movie just took all of

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<v Speaker 3>those parts and recycled them. Nothing new is going to happen.

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<v Speaker 2>But that's that's a sequel. That's what a sequel is. See.

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<v Speaker 3>I think we are in a new era. And now

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<v Speaker 3>we've never talked about this, but I genuinely believe and

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<v Speaker 3>it's not new meaning the last couple of years, but

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<v Speaker 3>our adult life. I think the idea that something is

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<v Speaker 3>a sequel no longer guarantees law of diminishing returns anymore.

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<v Speaker 3>I expect to go see second and even third movies

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<v Speaker 3>that find a way to intrigue me more. I I'll

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<v Speaker 3>get me Winter Soldier over First Avenger any day of

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<v Speaker 3>the week, you know what I mean? Give me a

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<v Speaker 3>if I thought about Dark Knight versus Batman begins, and

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<v Speaker 3>I'm sure if I thought long enough, I could get

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<v Speaker 3>outside a superhero movies. But there's play of examples, even

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<v Speaker 3>Mission Impossible seven and eight. I go into those expecting

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<v Speaker 3>to one up what was happening in Mission Impossible two

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<v Speaker 3>and three?

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<v Speaker 1>Like okay, But can I just say what all those

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<v Speaker 1>films that you just mentioned have in comment?

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<v Speaker 3>What's that?

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<v Speaker 2>They were all planned? They were all planned sequels.

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<v Speaker 3>Do you think they expected dead reckoning and final reckoning

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<v Speaker 3>when they were doing the one with Philip Seymour Hoffman

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<v Speaker 3>in two thousand Sex.

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<v Speaker 1>That was a third one, dude, that was a third

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<v Speaker 1>one Mission Impossible and Tom Cruise wasn't going anywhere like this.

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<v Speaker 2>That was a franchise at that point.

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<v Speaker 1>Once you hit three, you are a franchise, right, And

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<v Speaker 1>so so my point at like Marvel, uh you mentioned

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<v Speaker 1>like this is All and the Nolan trilogy.

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<v Speaker 2>It was always gonna be a trilogy.

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<v Speaker 1>This one, I think because of the success of it,

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<v Speaker 1>and it did pretty well. The first one didn't. Yeah,

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<v Speaker 1>I think like, hey, let's do a second one. But

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<v Speaker 1>like and when you don't have that whole story board,

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<v Speaker 1>that whole arc planned out, things get a little sloppy.

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<v Speaker 3>But are you a Planet of the original Planet of

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<v Speaker 3>the Apes guy, like.

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<v Speaker 1>Charles Heston, Yeah, I mean I remember seeing it like

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<v Speaker 1>forty years ago and it was okay.

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<v Speaker 3>So there were five of them and they all tell

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<v Speaker 3>one long story that the kind of wraps in on

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<v Speaker 3>itself with time travel and whatnot. But you know, it

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<v Speaker 3>does a whole story.

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<v Speaker 1>You're talking about the five of them, like with Wahlberg

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<v Speaker 1>and no, no, no, I'm talking five just with Heston,

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<v Speaker 1>and you know the ones that come after that, but

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<v Speaker 1>not with Wahlberg.

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<v Speaker 3>But there's like five from that era, you know, Planet

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<v Speaker 3>of the Apes, Beneath the Planet, Conquest for the Planet, battles,

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<v Speaker 3>so and so forth. They tell one long story. But

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<v Speaker 3>by the time you get the Planet of the Apes four,

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<v Speaker 3>you watch them blow up a tree and then you

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<v Speaker 3>watch them blow up that same tree fifteen times because

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<v Speaker 3>they're trying to cut costs. And I know it was

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<v Speaker 3>fifteen different explosions, Like there was an aspect growing up

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<v Speaker 3>on eighties whrror you expect Friday the Thirteenth, Part seven

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<v Speaker 3>to suck more than Friday the Thirteenth, Part one. When

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<v Speaker 3>I go to see you Ready or Not? When I

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<v Speaker 3>saw Megan two point zero, I fully expected that to

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<v Speaker 3>be better than the first. I fully expected Ready or Not.

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<v Speaker 3>And I'll be real with you, man, I was sitting

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<v Speaker 3>there about sixty percent of the way through this one,

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<v Speaker 3>and I was thinking to myself, I kind of wish

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<v Speaker 3>we chose to see the other movie. That's basically the

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<v Speaker 3>same plot. They're going to kill us or they want

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<v Speaker 3>to kill us, whatever that movie is that's out right now,

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<v Speaker 3>basically the same plot, but new characters, new actress, new

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<v Speaker 3>new story, all that, Jazz.

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<v Speaker 2>I'm sitting there, hold.

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<v Speaker 1>On, hold on, that's that's an original one. That's not

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<v Speaker 1>a sequel to something that's all.

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<v Speaker 3>They want to kill us or whatever. Yeah, No, that's

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<v Speaker 3>a whole, completely unique storyline. And I'm sitting there because

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<v Speaker 3>I had that affinity for Ready or not because I

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<v Speaker 3>liked it so much. I was like, no, we got

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<v Speaker 3>to see ready or not too Whereas sixty percent of

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<v Speaker 3>the way through, I'm like, ah, son of a gun, you.

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<v Speaker 2>Know what, I didn't mean to see this. At what

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<v Speaker 2>point did you kind of?

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<v Speaker 3>Yeah? Right after The best scene in the movie is

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<v Speaker 3>the turnaround scene when Turnaround is playing the song and

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<v Speaker 3>things are happening, We'll turn around playing. I'm like, ah,

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<v Speaker 3>this is fun. This reminds me of the first one.

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<v Speaker 3>And other than that, that was like the only time

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<v Speaker 3>after that the movie sucked. The rest of the movie.

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<v Speaker 3>After that, the movie sucked. But that scene gave me

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<v Speaker 3>a little bit of hope. And when it got out

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<v Speaker 3>of it and I saw the trajectory we were on,

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<v Speaker 3>I was like, we should have just saw they want

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<v Speaker 3>to kill us.

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<v Speaker 2>Yeah, it was.

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<v Speaker 1>It was tough because you're you're balancing by the way,

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<v Speaker 1>Megan mathriegan two point zero.

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<v Speaker 2>That was also not a planned sequel, right.

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<v Speaker 3>Yeah, exactly. That was Oh who saw this coming? Uh?

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<v Speaker 3>Did you see the Nobody sequel sucked? Yeah? It was terrible.

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<v Speaker 3>It was atrocious. I was like, I can't believe they

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<v Speaker 3>made this. I'm like, actually I can, because no one expected.

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<v Speaker 3>You watched the first one, Yeah, it was great, Okay,

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<v Speaker 3>it was great. This is with Bob odenk I'm thinking

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<v Speaker 3>of Yeah, and I've never seen an action movie like

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<v Speaker 3>that where he beats the crap out of five people

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<v Speaker 3>in the bus and then it immediately goes to like

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<v Speaker 3>a very heartfelt and well acted scene between him and

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<v Speaker 3>his life, Like you don't get this in action movies

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<v Speaker 3>very often. This is a nice blend. Second one sucked,

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<v Speaker 3>so I think you might be onto something here with

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<v Speaker 3>the uh surprise hit. Let's double down.

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<v Speaker 1>On because Hollywood wants something that's bankable. Yeah, something that's

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<v Speaker 1>gonna make money. And by the way, didn't ready or

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<v Speaker 1>not to make a lot of money.

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<v Speaker 3>I don't know, but I can find that out. I

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<v Speaker 3>know our next feature, Hail Mary, has won the last

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<v Speaker 3>two weeks in terms of box office, But that doesn't

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<v Speaker 3>mean that these guys didn't do anything. There was nobody

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<v Speaker 3>in my theater I was watching. I think there might

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<v Speaker 3>have been four or five people.

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<v Speaker 1>Getting getting back to that film ready or not too

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<v Speaker 1>It was difficult to be I think part of what

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<v Speaker 1>made the first one so cool was the comedic aspects

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<v Speaker 1>about it of it and you know, like for moments

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<v Speaker 1>of levity.

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<v Speaker 2>In this one.

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<v Speaker 1>I think it was difficult to balance out the comedy

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<v Speaker 1>and obviously like that when you have a musical montage

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<v Speaker 1>like that.

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<v Speaker 3>Yeah, that was perfect.

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<v Speaker 2>That was a total eclipse of the heart.

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<v Speaker 1>I think is the name of the song, right, Yeah?

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<v Speaker 1>And yeah, Bonnie Tyler.

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<v Speaker 2>I think it was Bonnie Tyler.

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<v Speaker 1>Anyway, it's difficult to balance it off. When Sean Hatosi's character,

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<v Speaker 1>I can't remember his name in the film. He was

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<v Speaker 1>Sarah Michelle Geller's brother. Yeah, Titus Titus, Yeah, Titus dand forth.

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<v Speaker 2>It was. It's when you have.

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<v Speaker 1>A character as sadistic and carnal, is that guy, it's

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<v Speaker 1>called the blend in comedy. Yeah, you know, so I

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<v Speaker 1>thought that was not the greatest thing that this movie

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<v Speaker 1>had going for him.

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<v Speaker 3>Did you feel it was earned? Did you like? I

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<v Speaker 3>felt like they kind of made him. I thought maybe

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<v Speaker 3>that's what they wanted.

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<v Speaker 1>Here's the thing. Did you see Rampage with the Rock? Yeah,

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<v Speaker 1>so you remember in that film, I want to say

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<v Speaker 1>it was Malin Ackerman and I can't remember the guy's name,

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<v Speaker 1>but he was on the last season of the Office.

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<v Speaker 1>They were the brother and sister that sort of headed

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<v Speaker 1>up the lab.

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<v Speaker 2>Sure, and they were they're the bad guys. You know.

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<v Speaker 1>It was kind of weird because I think they they

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<v Speaker 1>tried to play this guy as like sort of a

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<v Speaker 1>doofy character, the brother in that movie. He was sort

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<v Speaker 1>of like a doofy character most of the movie, but

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<v Speaker 1>then like at the end, it was like more serious,

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<v Speaker 1>you know. And I think this is how it was

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<v Speaker 1>with this tightest guy, where he's just he's almost like

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<v Speaker 1>a like, you know, this cartoonish, angry, jealous, spoiled son

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<v Speaker 1>slash brother, and then you find out like this this

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<v Speaker 1>is a deep personality thing with him where it goes

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<v Speaker 1>much more than he.

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<v Speaker 2>Hey, is just a dick. No, this guy is super sadistic.

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<v Speaker 3>Yeah, it really is.

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<v Speaker 2>And like it went from zero to sixty, like it's

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<v Speaker 2>very very quick.

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<v Speaker 3>Yes, like even a schlocky movie like Hostile too. It

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<v Speaker 3>inverts the two characters because they have two people like

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<v Speaker 3>ready to go and kill people at the Hostile one

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<v Speaker 3>of them's gung ho and one of them's like, I

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<v Speaker 3>don't know if I want to do this. By the

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<v Speaker 3>end of the movie, they've inverted their rules. But it

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<v Speaker 3>is a gradual process that you understand how they ended

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<v Speaker 3>up getting there, and for Hostile Too to take the

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<v Speaker 3>time to develop it, whereas here and maybe that's what

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<v Speaker 3>they were going for. I'm like, Okay, so Sarah Michelle

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<v Speaker 3>Geller is going to take this guy out at some

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<v Speaker 3>point because he clearly has no idea.

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<v Speaker 1>But I never really thought I mean, like it, just

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<v Speaker 1>not to interrupt you, but I thought Sarah Michelle Geller's

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<v Speaker 1>character is very similar to the one she played in

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<v Speaker 1>Cruel Intentions.

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<v Speaker 3>I said this, I was thinking the same thing.

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<v Speaker 1>I was thinking the same where I think she's cunning

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<v Speaker 1>and crafty and two steps ahead the whole time, and

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<v Speaker 1>then we find out towards the end that was not

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<v Speaker 1>what was going on with her at all, right, and

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<v Speaker 1>in fact I kind of misjudged what kind of character

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<v Speaker 1>she was. Now you could make the case that had

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<v Speaker 1>things played out differently in this movie, maybe my first

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<v Speaker 1>impression would have been correct.

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<v Speaker 2>We won't know.

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<v Speaker 1>But as much as you say, like it wasn't earned

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<v Speaker 1>with Titus, for how is his character development like how

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<v Speaker 1>it took place in the Snap of Fingers, Sarah Michelle

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<v Speaker 1>Geller is kind of the same way. Yeah, where she

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00:15:29.799 --> 00:15:31.679
<v Speaker 1>was this one character the whole movie and all of

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<v Speaker 1>a sudden towards the end, with this one conversation she's

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<v Speaker 1>having with Tomorrow Weaving, It's like, oh, okay, Well, either

350
00:15:37.200 --> 00:15:39.799
<v Speaker 1>this movie is not very well put together or I

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<v Speaker 1>totally misread what was going on, right, And.

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<v Speaker 3>I'll be real with you. So Samorrow Weaving's sister is

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<v Speaker 3>played by Catherine Newton, who's the daughter in Quantumnia. She's

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<v Speaker 3>in an handful of things, which I didn't figure that

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<v Speaker 3>out un till after the movie. I'm like, what do

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<v Speaker 3>I know? This vie from it was driving me nuts.

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<v Speaker 3>I'll be okay, so it's not a spoiler if it's

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<v Speaker 3>not what happened I spent the entire movie because she's

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<v Speaker 3>gone for seven years. That's the whole point, which not

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00:16:02.759 --> 00:16:04.840
<v Speaker 3>to send too many tangents here, but this is like

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<v Speaker 3>the fifth movie we've.

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<v Speaker 2>Famara Weavings's character has been gone for seven years, is

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<v Speaker 2>what you're saying.

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<v Speaker 3>Yeah, they had been separated, the sisters, she went to college.

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<v Speaker 3>They hadn't spoken for seven years, and this is like

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<v Speaker 3>the third or fourth movie where that's like a main point.

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<v Speaker 3>I know that was a point in Final Destination. I

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00:16:18.639 --> 00:16:20.960
<v Speaker 3>don't know if that's a thing that was yeah. I

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<v Speaker 3>don't know if that's a gen Z thing or what,

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<v Speaker 3>but there is a recurring theme where younger siblings are

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<v Speaker 3>mad when the older siblings go off to college. That's

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<v Speaker 3>like not a thing.

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<v Speaker 2>Gone a sixty seconds. I just watched that the other day.

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<v Speaker 3>But so I'm watching the movie, I'm like, Okay, so

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<v Speaker 3>this younger sister hasn't been in her life for seven years.

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<v Speaker 3>Sarah Michelle Geller is behaving so weird. I thought they

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00:16:41.639 --> 00:16:45.320
<v Speaker 3>were in cahoots. I was like, there's something with the

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<v Speaker 3>sister where nothing is. This isn't what it seems like.

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<v Speaker 3>That was the way Sarah Michelle Goether because even at

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<v Speaker 3>one point she says something and I'm blanking on it.

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<v Speaker 3>But there was like a weird interaction between the four

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<v Speaker 3>of them, the brother and sister and then the two sisters,

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<v Speaker 3>and I was like, something's up with this, and I

384
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<v Speaker 3>didn't know what it was, but I was like, there's

385
00:17:04.160 --> 00:17:06.480
<v Speaker 3>going to be a really cool reveal at some point

386
00:17:06.599 --> 00:17:08.920
<v Speaker 3>and none of that, none of that comes to fruition.

387
00:17:09.000 --> 00:17:12.480
<v Speaker 3>But that's how ambiguous Sarah Michelle Skeeller's character was. Was.

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00:17:12.519 --> 00:17:15.519
<v Speaker 3>I was expecting these these big reveals about how she

389
00:17:15.680 --> 00:17:19.200
<v Speaker 3>was two steps ahead and this mastermind concoction, because it

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00:17:19.240 --> 00:17:21.680
<v Speaker 3>didn't make sense that the sister was involved.

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<v Speaker 1>You are at any point, you are on a whole

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<v Speaker 1>different plane. Why but well, I mean an elevated plane

393
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<v Speaker 1>with how you watch films. I mean it's like watching

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00:17:32.000 --> 00:17:35.160
<v Speaker 1>it with a detective. Well, I'm just I think I'm

395
00:17:35.200 --> 00:17:37.880
<v Speaker 1>actively watching something and that's not even close.

396
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<v Speaker 2>Compared to the thoughts that are going through your head.

397
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<v Speaker 3>It tell me it wouldn't have been better if it

398
00:17:41.039 --> 00:17:42.799
<v Speaker 3>turned out the sister had some kind of because like

399
00:17:42.839 --> 00:17:44.279
<v Speaker 3>she made up. Oh, I don't want to get too

400
00:17:44.319 --> 00:17:46.200
<v Speaker 3>much into because there's like reveals, so I'm not going

401
00:17:46.240 --> 00:17:48.079
<v Speaker 3>to get too much into. But you find out you

402
00:17:48.119 --> 00:17:49.319
<v Speaker 3>really don't know shit about it.

403
00:17:49.400 --> 00:17:51.160
<v Speaker 2>These two. I'll say this. I'll say this.

404
00:17:51.279 --> 00:17:57.880
<v Speaker 1>I think they incorporated the sister into this film because

405
00:17:57.920 --> 00:18:02.839
<v Speaker 1>they incorporated so many more like families or stakeholders or whatever,

406
00:18:03.200 --> 00:18:05.200
<v Speaker 1>that it just made sense to add sort of like

407
00:18:05.319 --> 00:18:08.960
<v Speaker 1>another lead. You're going to a sequel, you have to

408
00:18:08.960 --> 00:18:12.440
<v Speaker 1>make it bigger, more expansive, hopefully better. In this case,

409
00:18:12.440 --> 00:18:14.640
<v Speaker 1>it probably wasn't. So I think that just makes sense

410
00:18:14.680 --> 00:18:17.319
<v Speaker 1>that you bring in like two people into.

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<v Speaker 3>This and it provides a nice you know, what's the

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<v Speaker 3>word dichotomy? Like you see the whole theme is family, right,

413
00:18:23.319 --> 00:18:25.559
<v Speaker 3>and you see the wealthy families kind of stabbing one

414
00:18:25.599 --> 00:18:28.039
<v Speaker 3>another in the back in different ways, leaving one another

415
00:18:28.079 --> 00:18:30.240
<v Speaker 3>out to dry, being angry for one reason. And then

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00:18:30.240 --> 00:18:32.960
<v Speaker 3>these two sisters who haven't spoken in seven years and

417
00:18:33.000 --> 00:18:35.279
<v Speaker 3>have every reason to hate each other, find a way

418
00:18:35.319 --> 00:18:37.440
<v Speaker 3>to work together and make sure that they cover each

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<v Speaker 3>other's asses. I understand thematically why they wanted to go

420
00:18:41.079 --> 00:18:44.279
<v Speaker 3>about it this way. In terms of story board wise,

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<v Speaker 3>I don't understand why the sister was included in any

422
00:18:47.000 --> 00:18:49.119
<v Speaker 3>kind of way. I don't know why they brought her

423
00:18:49.119 --> 00:18:50.720
<v Speaker 3>in that they could have just grabbed her from the

424
00:18:50.759 --> 00:18:53.039
<v Speaker 3>hospital in the first scene of the movie yea, and

425
00:18:53.319 --> 00:18:55.160
<v Speaker 3>did the whole scene with just so like there's no

426
00:18:55.359 --> 00:18:58.000
<v Speaker 3>justification behind it other than okay, so she's in on

427
00:18:58.039 --> 00:19:00.839
<v Speaker 3>it somehow, Like that was my logic, like why is

428
00:19:00.839 --> 00:19:01.240
<v Speaker 3>she here?

429
00:19:01.599 --> 00:19:03.480
<v Speaker 2>Did you like?

430
00:19:03.559 --> 00:19:05.960
<v Speaker 1>It took me a few scenes to realize it, but

431
00:19:06.440 --> 00:19:09.559
<v Speaker 1>I realized that the creepy guy the law the lawyer

432
00:19:10.079 --> 00:19:13.599
<v Speaker 1>was Elijah Wood or like that you didn't wait, what, Yeah,

433
00:19:13.680 --> 00:19:15.200
<v Speaker 1>I didn't realize it was him. And I don't know

434
00:19:15.200 --> 00:19:17.640
<v Speaker 1>if it's because like I knew i'd seen him before

435
00:19:17.640 --> 00:19:18.599
<v Speaker 1>I knew I recognized him.

436
00:19:18.599 --> 00:19:19.119
<v Speaker 3>That's crazy.

437
00:19:19.279 --> 00:19:20.440
<v Speaker 2>What is this guy's name?

438
00:19:20.880 --> 00:19:22.640
<v Speaker 1>And then I don't know, something clicked in like the

439
00:19:22.640 --> 00:19:24.640
<v Speaker 1>third scene or something, or I'm seeing like, oh, yeah,

440
00:19:24.640 --> 00:19:26.440
<v Speaker 1>that's Elijah Wood, you know, because I was not a

441
00:19:26.440 --> 00:19:29.480
<v Speaker 1>hobbit guy like I didn't that was not you know,

442
00:19:29.519 --> 00:19:31.279
<v Speaker 1>And what else has he benet?

443
00:19:32.240 --> 00:19:33.119
<v Speaker 2>That's a long time ago.

444
00:19:34.680 --> 00:19:36.200
<v Speaker 3>Yeah, okay, I was just going to say, Lord of

445
00:19:36.240 --> 00:19:36.559
<v Speaker 3>the Ring.

446
00:19:38.039 --> 00:19:41.000
<v Speaker 2>That will be North. Yeah, I remember that too, And

447
00:19:41.000 --> 00:19:44.160
<v Speaker 2>he was in that. Forgot about that.

448
00:19:44.599 --> 00:19:47.000
<v Speaker 1>He was in the Dirk Bentley or what was it

449
00:19:47.039 --> 00:19:52.720
<v Speaker 1>called a Holistic a detective agency show that was on AMC. Yeah,

450
00:19:52.759 --> 00:19:54.559
<v Speaker 1>that was that was that was that was out there.

451
00:19:56.079 --> 00:19:58.200
<v Speaker 1>But yeah, I didn't even realize it was him. And

452
00:19:58.200 --> 00:20:00.880
<v Speaker 1>and uh, but what did you make of him as

453
00:20:00.880 --> 00:20:03.839
<v Speaker 1>far as his role and the way that they deployed

454
00:20:03.920 --> 00:20:08.240
<v Speaker 1>him as a either existent or perhaps non existent plot

455
00:20:08.279 --> 00:20:09.160
<v Speaker 1>device in this film?

456
00:20:09.400 --> 00:20:11.480
<v Speaker 3>Yeah, I thought it was interesting. He was almost like

457
00:20:11.519 --> 00:20:14.119
<v Speaker 3>a neutral, a little bit entity in it, which I

458
00:20:14.160 --> 00:20:17.000
<v Speaker 3>found interesting. It's almost like, because that's the whole theme

459
00:20:17.039 --> 00:20:19.599
<v Speaker 3>of both of these movies, and fundamentally seventy percent of

460
00:20:19.640 --> 00:20:21.759
<v Speaker 3>the movies we end up seeing is the system is

461
00:20:21.799 --> 00:20:25.240
<v Speaker 3>not your Friend is basically a lot of the theme

462
00:20:25.279 --> 00:20:27.960
<v Speaker 3>of movies these days, and he kind of represents that

463
00:20:28.000 --> 00:20:30.799
<v Speaker 3>he doesn't care who wins, who loses, who dies.

464
00:20:30.920 --> 00:20:33.240
<v Speaker 2>Is very very swisses Swiss.

465
00:20:33.640 --> 00:20:36.039
<v Speaker 3>It's just all I know is there are rules that

466
00:20:36.160 --> 00:20:38.319
<v Speaker 3>need to be followed, and as long as those rules

467
00:20:38.319 --> 00:20:39.759
<v Speaker 3>are followed, then I am content.

468
00:20:39.960 --> 00:20:40.160
<v Speaker 2>Yeah.

469
00:20:40.160 --> 00:20:43.079
<v Speaker 1>That's another thing with the rules kind of. I mean,

470
00:20:43.839 --> 00:20:47.880
<v Speaker 1>I understand they're there for plot reasons, but it's just

471
00:20:47.960 --> 00:20:52.359
<v Speaker 1>really janky, like hokey stuff that like, oh, you can

472
00:20:52.400 --> 00:20:54.079
<v Speaker 1>do this, but nobody can do this, but they can

473
00:20:54.119 --> 00:20:55.599
<v Speaker 1>do this, and there's a loop pillar here, but this

474
00:20:55.640 --> 00:20:57.200
<v Speaker 1>could never Yeah.

475
00:20:57.240 --> 00:20:59.440
<v Speaker 3>Oh yeah, they definitely added a ton of things like

476
00:20:59.480 --> 00:21:00.359
<v Speaker 3>that in there, just.

477
00:21:00.359 --> 00:21:02.839
<v Speaker 1>Made it more confusing. Yeah, I agree, But the first

478
00:21:02.880 --> 00:21:06.640
<v Speaker 1>one was real simple. She lives till the dawn, everybody dies,

479
00:21:06.799 --> 00:21:09.240
<v Speaker 1>everybody else dies unless you're Ben and you're thinking that

480
00:21:09.319 --> 00:21:14.160
<v Speaker 1>might be a blowed up whoey. Yeah, this one, well, okay,

481
00:21:14.279 --> 00:21:17.279
<v Speaker 1>so now there's this seat open on this council and

482
00:21:17.839 --> 00:21:19.680
<v Speaker 1>oh but but it's not just a seat that could

483
00:21:19.680 --> 00:21:20.599
<v Speaker 1>control everything.

484
00:21:20.599 --> 00:21:21.759
<v Speaker 2>And oh that's the other thing I was going to

485
00:21:21.799 --> 00:21:23.160
<v Speaker 2>point out to you Ben.

486
00:21:23.079 --> 00:21:27.519
<v Speaker 1>The father, the actor who played the father of Sarah

487
00:21:27.519 --> 00:21:31.200
<v Speaker 1>Michelle Geller and Seanatozi in this His name is, I

488
00:21:31.319 --> 00:21:33.519
<v Speaker 1>want to say, and I'm probably gonna I might be

489
00:21:33.640 --> 00:21:34.319
<v Speaker 1>misremembering it.

490
00:21:34.359 --> 00:21:35.400
<v Speaker 2>I want to say, David Kroner.

491
00:21:36.559 --> 00:21:38.119
<v Speaker 3>Yeah, man, I saw as soon as he came up

492
00:21:38.200 --> 00:21:40.640
<v Speaker 3>freaking video drone. So you so you know, you knew

493
00:21:41.240 --> 00:21:43.880
<v Speaker 3>you he made some of my favorite movies. Okay, so

494
00:21:44.119 --> 00:21:47.240
<v Speaker 3>he looks like and you're not. Did you watch the

495
00:21:47.279 --> 00:21:50.720
<v Speaker 3>paper the spinoff of the Office. Now I'm familiar with it.

496
00:21:50.960 --> 00:21:51.680
<v Speaker 3>I didn't watch it.

497
00:21:51.720 --> 00:21:54.880
<v Speaker 1>So the guy who like owns the newspaper, I think

498
00:21:54.920 --> 00:21:58.359
<v Speaker 1>his name is Marv. He looked just like this, this

499
00:21:58.640 --> 00:22:01.920
<v Speaker 1>actor slash director you know in this in this scene,

500
00:22:02.119 --> 00:22:04.480
<v Speaker 1>So immediately that's who I thought it was. And then

501
00:22:04.519 --> 00:22:06.240
<v Speaker 1>I'm like reading about this, I'm like, oh, this was

502
00:22:06.279 --> 00:22:09.160
<v Speaker 1>sort of an homage for everything.

503
00:22:08.720 --> 00:22:12.680
<v Speaker 2>That that he's done in film over the years.

504
00:22:13.119 --> 00:22:17.039
<v Speaker 1>And I was a little disappointed because well I was

505
00:22:17.039 --> 00:22:19.240
<v Speaker 1>disappointed after the fact, but if I knew it going in,

506
00:22:19.279 --> 00:22:21.240
<v Speaker 1>and maybe you were disappointed too, or maybe you should

507
00:22:21.240 --> 00:22:23.799
<v Speaker 1>have been if you weren't the stuff that he was

508
00:22:23.880 --> 00:22:28.000
<v Speaker 1>known for for, this sort of like body metamorphosis and

509
00:22:28.160 --> 00:22:30.680
<v Speaker 1>like whatever, like that's what his films are known for.

510
00:22:31.319 --> 00:22:32.680
<v Speaker 2>Do we see any of that?

511
00:22:33.480 --> 00:22:36.000
<v Speaker 1>Which I thought that was gonna be coming, because because

512
00:22:36.039 --> 00:22:38.640
<v Speaker 1>you have him in the movie, there's gonna be a tribute,

513
00:22:38.839 --> 00:22:41.599
<v Speaker 1>you know, to his style of filmmaking, And then there

514
00:22:41.640 --> 00:22:43.839
<v Speaker 1>never was. So I found that out after the fact.

515
00:22:43.920 --> 00:22:47.200
<v Speaker 1>I was disappointed, But knowing who he was in it,

516
00:22:47.240 --> 00:22:49.279
<v Speaker 1>were you disappointed at all that we didn't see any

517
00:22:49.319 --> 00:22:50.000
<v Speaker 1>of then?

518
00:22:50.559 --> 00:22:54.559
<v Speaker 3>Because there's like movies that he has done. He was

519
00:22:54.640 --> 00:22:57.799
<v Speaker 3>revolutionary in the eighties, let alone today. Yeah, and like

520
00:22:57.839 --> 00:23:00.000
<v Speaker 3>there was an element of excitement that I was like, Oh,

521
00:23:00.039 --> 00:23:01.039
<v Speaker 3>what are they what are they going?

522
00:23:01.359 --> 00:23:02.960
<v Speaker 2>He just recently worked on something.

523
00:23:03.039 --> 00:23:04.799
<v Speaker 1>I don't think he was the director of it, but

524
00:23:04.839 --> 00:23:07.920
<v Speaker 1>he was like a like a consultant or a producer

525
00:23:07.960 --> 00:23:10.200
<v Speaker 1>on something that came out within the last ten years

526
00:23:10.319 --> 00:23:12.440
<v Speaker 1>or so, something like that, like a well known film.

527
00:23:12.599 --> 00:23:14.799
<v Speaker 1>And I don't think it was horror, if I remember correctly.

528
00:23:14.920 --> 00:23:17.680
<v Speaker 1>I think it was something else, like a drama or something.

529
00:23:17.799 --> 00:23:19.799
<v Speaker 3>I don't know, well, it doesn't if it was.

530
00:23:20.559 --> 00:23:24.640
<v Speaker 2>If it was, are you on IMDb?

531
00:23:25.480 --> 00:23:27.759
<v Speaker 3>I'm on the Google list there. But based on what

532
00:23:27.799 --> 00:23:29.480
<v Speaker 3>I'm looking at here, a lot if it is from

533
00:23:29.519 --> 00:23:31.720
<v Speaker 3>back in the day. If it if it did register, fine,

534
00:23:31.759 --> 00:23:34.200
<v Speaker 3>he didn't find his name on there. But I mean,

535
00:23:34.200 --> 00:23:36.559
<v Speaker 3>there's a half a dozen movies that I could rattle

536
00:23:36.599 --> 00:23:39.240
<v Speaker 3>off that I thought he was. He does a phenomenal

537
00:23:39.359 --> 00:23:41.359
<v Speaker 3>job with and they kind.

538
00:23:41.160 --> 00:23:43.160
<v Speaker 2>Of Scanners was another one. Did you mention skinning?

539
00:23:43.160 --> 00:23:46.240
<v Speaker 3>I didn't mention Scanners, but yeah, exactly existenz when you're

540
00:23:46.279 --> 00:23:48.920
<v Speaker 3>inside the video game, Like, there were some good ones

541
00:23:48.960 --> 00:23:51.640
<v Speaker 3>out there that I think would be uh worth checking out,

542
00:23:51.880 --> 00:23:56.000
<v Speaker 3>much more so than this movie. His inclusion when I

543
00:23:56.000 --> 00:23:56.720
<v Speaker 3>see stuff like that.

544
00:23:58.039 --> 00:24:04.640
<v Speaker 1>Sorry, it was Cosmopolis, remember that, that's with he directed it, Okay,

545
00:24:04.720 --> 00:24:08.200
<v Speaker 1>he produced and directed it. This was Pattens, Robert Pattinson,

546
00:24:08.200 --> 00:24:12.680
<v Speaker 1>Paul Giamoni, Samantha Morton, Julia Pino's, Jay Barukele, Kevin durand

547
00:24:12.839 --> 00:24:14.200
<v Speaker 1>who's actually in this film too.

548
00:24:15.160 --> 00:24:16.519
<v Speaker 2>But I think that's kind of interesting.

549
00:24:17.000 --> 00:24:19.079
<v Speaker 3>Uh, That's what I'm saying when you see stuff like that.

550
00:24:19.160 --> 00:24:19.920
<v Speaker 2>And I'm sorry.

551
00:24:19.920 --> 00:24:23.039
<v Speaker 1>The other one that because Mophlis was one, History of

552
00:24:23.119 --> 00:24:26.680
<v Speaker 1>Violence was the other one. Yeah, that he was that

553
00:24:26.799 --> 00:24:28.960
<v Speaker 1>he was, he directed it. He directed a History of

554
00:24:29.000 --> 00:24:31.480
<v Speaker 1>Violence and that movie is so good and and well

555
00:24:31.519 --> 00:24:33.039
<v Speaker 1>and the other thing I phoned out when I was

556
00:24:33.079 --> 00:24:34.680
<v Speaker 1>reading about him. He's done a lot of stuff with

557
00:24:34.759 --> 00:24:37.519
<v Speaker 1>Vigo Mortenson over the years, like they've worked together on

558
00:24:37.599 --> 00:24:38.400
<v Speaker 1>several films.

559
00:24:38.759 --> 00:24:40.839
<v Speaker 3>Nothing wrong with that anyway, I got you're one of.

560
00:24:40.759 --> 00:24:43.000
<v Speaker 2>The happened to Vigo Mortenson. I haven't seen him in a.

561
00:24:43.000 --> 00:24:45.400
<v Speaker 3>Lot, And more importantly, you're one of the only other

562
00:24:45.400 --> 00:24:48.680
<v Speaker 3>people it's ever mentioned history of violence to me?

563
00:24:50.279 --> 00:24:52.920
<v Speaker 2>Was that Laura Lenny who is the Who's the No,

564
00:24:52.960 --> 00:24:54.839
<v Speaker 2>it was the one from E R. It was the one.

565
00:24:54.880 --> 00:24:56.000
<v Speaker 3>Yeah, I don't know her name.

566
00:24:56.000 --> 00:24:58.440
<v Speaker 2>But yeah, that was good. That was a good film.

567
00:24:58.559 --> 00:25:00.440
<v Speaker 3>Yeah, I was. I was pleasantly super The.

568
00:25:00.480 --> 00:25:03.240
<v Speaker 1>Last thing I think Vigo Mortensen did was Green Book,

569
00:25:03.319 --> 00:25:05.440
<v Speaker 1>right with Herschel As.

570
00:25:05.079 --> 00:25:07.480
<v Speaker 3>Far as I'm aware, he went. You know, you know

571
00:25:07.880 --> 00:25:10.680
<v Speaker 3>that Rob Redford kind of set the stage for like,

572
00:25:10.759 --> 00:25:13.480
<v Speaker 3>once you hit a certain point, if you're a true artiste,

573
00:25:13.519 --> 00:25:15.640
<v Speaker 3>then you kind of go into the world of movies

574
00:25:15.680 --> 00:25:18.119
<v Speaker 3>that seventeen people will end up seeing. And so for

575
00:25:18.160 --> 00:25:21.200
<v Speaker 3>all I know, he's done fifteen more movies that weren't

576
00:25:21.240 --> 00:25:24.079
<v Speaker 3>in the in the mainstream. But who the heck knows.

577
00:25:24.240 --> 00:25:27.200
<v Speaker 3>But I will say to take it back to the

578
00:25:27.240 --> 00:25:29.799
<v Speaker 3>conversation about filling the seats and like, okay, so the

579
00:25:29.839 --> 00:25:33.160
<v Speaker 3>seat's gone. It's a more common trope than you realize

580
00:25:33.240 --> 00:25:35.519
<v Speaker 3>in these kind of movies, and I'm sure there's like

581
00:25:35.599 --> 00:25:38.440
<v Speaker 3>some kind of greater meaning of like there always has

582
00:25:38.480 --> 00:25:41.119
<v Speaker 3>to be someone being the you know, the the in

583
00:25:41.160 --> 00:25:45.000
<v Speaker 3>the jerk role of society. There was there's a series

584
00:25:45.039 --> 00:25:46.960
<v Speaker 3>of movies which I think has come to an end

585
00:25:47.039 --> 00:25:50.680
<v Speaker 3>called Hulu After Dark never went to theaters. They were

586
00:25:51.079 --> 00:25:54.720
<v Speaker 3>horror movies. They'd released once a month on Hulu, different director,

587
00:25:54.759 --> 00:25:57.400
<v Speaker 3>different casts, different plots, but like you know, all under

588
00:25:57.400 --> 00:26:00.880
<v Speaker 3>the same label, and it's going to do it justice

589
00:26:00.880 --> 00:26:02.720
<v Speaker 3>because I don't remember the title of it, but there's

590
00:26:02.759 --> 00:26:07.440
<v Speaker 3>one where the CEO and his wife essentially invite four

591
00:26:07.799 --> 00:26:11.079
<v Speaker 3>of their employees and their spouses to a dinner and

592
00:26:11.119 --> 00:26:13.599
<v Speaker 3>they put them in a position where they are in

593
00:26:14.119 --> 00:26:17.920
<v Speaker 3>escalating situations where they're bigger and bigger jags to each

594
00:26:17.960 --> 00:26:20.599
<v Speaker 3>other and other people in society, and it's all in

595
00:26:20.640 --> 00:26:24.440
<v Speaker 3>the name of finding out who the next person like

596
00:26:24.720 --> 00:26:30.680
<v Speaker 3>the CEO this cult of people oh that runs things

597
00:26:30.680 --> 00:26:32.240
<v Speaker 3>and like you know this the whole time, and it's

598
00:26:32.279 --> 00:26:34.279
<v Speaker 3>like who's going to be the CEO and be in

599
00:26:34.319 --> 00:26:36.400
<v Speaker 3>this cult, and then the ending has a very fun

600
00:26:36.440 --> 00:26:37.559
<v Speaker 3>plot twist on all of that.

601
00:26:37.559 --> 00:26:39.200
<v Speaker 2>Which we'll never know because you can't remember the name

602
00:26:39.200 --> 00:26:39.440
<v Speaker 2>of it.

603
00:26:39.839 --> 00:26:42.920
<v Speaker 3>I'll get it before it's over. But I say all

604
00:26:43.000 --> 00:26:45.160
<v Speaker 3>that to say, like there's this common trope of like

605
00:26:45.640 --> 00:26:48.720
<v Speaker 3>even the most powerful people in the world, like they

606
00:26:48.759 --> 00:26:51.400
<v Speaker 3>can go it's next man up, and they kind of

607
00:26:51.480 --> 00:26:54.000
<v Speaker 3>you mentioned the Hobbit, you mentioned Lord of the Rings,

608
00:26:54.000 --> 00:26:56.200
<v Speaker 3>and there's even element of that that those movies in

609
00:26:56.240 --> 00:26:59.359
<v Speaker 3>this when you have that ultimate power. My whole show

610
00:26:59.359 --> 00:27:01.960
<v Speaker 3>Outside the Bar is all about taxing these m efforts.

611
00:27:02.200 --> 00:27:04.119
<v Speaker 3>If you all of a sudden gave me the magical

612
00:27:04.160 --> 00:27:08.000
<v Speaker 3>Hobbit ring and told me, oh, you now have all

613
00:27:08.039 --> 00:27:09.559
<v Speaker 3>of that, you still want to you want to tax

614
00:27:09.640 --> 00:27:11.240
<v Speaker 3>these guys. You want to use this for good because

615
00:27:11.279 --> 00:27:14.079
<v Speaker 3>realistically nothing can stop you at this point, So what

616
00:27:14.079 --> 00:27:15.920
<v Speaker 3>would you like to do? And that's the whole point

617
00:27:16.000 --> 00:27:18.039
<v Speaker 3>of The Lord of the Rings, And to a certain extent,

618
00:27:18.240 --> 00:27:19.799
<v Speaker 3>they kind of flirt with that idea in.

619
00:27:19.839 --> 00:27:22.160
<v Speaker 1>This a little bit, so like, well, that's like right

620
00:27:22.200 --> 00:27:25.119
<v Speaker 1>out at that with Cronenberg in that first scene where

621
00:27:25.160 --> 00:27:26.279
<v Speaker 1>he's watching all these.

622
00:27:26.119 --> 00:27:28.920
<v Speaker 3>Well, that was the best part of the movie. I think, really, Yeah,

623
00:27:29.039 --> 00:27:31.720
<v Speaker 3>better than totally Okay, Yeah, that was the best line

624
00:27:31.759 --> 00:27:32.359
<v Speaker 3>of the movie.

625
00:27:32.720 --> 00:27:35.440
<v Speaker 2>Oh issue the ceasefire. Yeah, because there's.

626
00:27:35.359 --> 00:27:37.519
<v Speaker 3>So much conflict in the world right now, and you

627
00:27:37.559 --> 00:27:40.599
<v Speaker 3>watch him in like literally seconds after he says it,

628
00:27:40.680 --> 00:27:42.920
<v Speaker 3>it's on the news, and I'm like, uh, that's so good.

629
00:27:43.000 --> 00:27:45.359
<v Speaker 1>So, like, I mean, I don't think I'm spoiling anything here.

630
00:27:45.759 --> 00:27:49.279
<v Speaker 1>What was the what was the reasoning? So so obviously

631
00:27:49.480 --> 00:27:51.079
<v Speaker 1>what the name of the family.

632
00:27:52.599 --> 00:27:55.599
<v Speaker 2>Don't it reminds me of dumbass? Do so?

633
00:27:55.799 --> 00:27:58.240
<v Speaker 3>Was that design that they were because they lean into

634
00:27:58.279 --> 00:28:01.039
<v Speaker 3>it more in the first one they kind of gloss

635
00:28:01.079 --> 00:28:02.839
<v Speaker 3>over it, but I had forgotten that that was their

636
00:28:02.880 --> 00:28:05.680
<v Speaker 3>last time. I did not rewatch the first one in preparation.

637
00:28:05.759 --> 00:28:08.519
<v Speaker 3>I've just seen it enough times. I know it well

638
00:28:08.640 --> 00:28:11.279
<v Speaker 3>enough that because I really did enjoy it. But they

639
00:28:11.359 --> 00:28:13.000
<v Speaker 3>lean into it much more and they're like, I don't

640
00:28:13.000 --> 00:28:15.000
<v Speaker 3>even know if they pronounced the s it's like the

641
00:28:15.000 --> 00:28:17.519
<v Speaker 3>Saint Dumas. Yeah, like you know what I mean, and

642
00:28:17.920 --> 00:28:18.759
<v Speaker 3>you know what they're going on.

643
00:28:19.279 --> 00:28:22.480
<v Speaker 1>So okay, break this down for me, and I'm literally

644
00:28:22.519 --> 00:28:26.640
<v Speaker 1>going to find this out from you. Hopefully they were

645
00:28:26.680 --> 00:28:31.759
<v Speaker 1>the only family that had this blessing from Satan the

646
00:28:31.839 --> 00:28:34.079
<v Speaker 1>demas right, they were the only one.

647
00:28:34.519 --> 00:28:36.720
<v Speaker 3>Oh see that wasn't my interpreter.

648
00:28:36.519 --> 00:28:38.680
<v Speaker 2>And tell me what's your interpretation? Now?

649
00:28:38.680 --> 00:28:41.440
<v Speaker 3>This is interesting? So my interpretation was, there's just a

650
00:28:41.480 --> 00:28:45.240
<v Speaker 3>handful of families. They clearly do some messed up things

651
00:28:45.279 --> 00:28:47.119
<v Speaker 3>in order to find themselves in favor.

652
00:28:47.119 --> 00:28:49.759
<v Speaker 1>Because there's so you thought all the families in this

653
00:28:49.880 --> 00:28:52.079
<v Speaker 1>film were blessed by Satan?

654
00:28:52.480 --> 00:28:57.559
<v Speaker 3>Yeah, because okay, A people were exploding before like the

655
00:28:57.599 --> 00:29:00.599
<v Speaker 3>game realistically even started. And b One of the themes,

656
00:29:00.599 --> 00:29:02.440
<v Speaker 3>which is a theme from the first movie as well,

657
00:29:02.559 --> 00:29:05.119
<v Speaker 3>is you have to use weapons from the era in

658
00:29:05.119 --> 00:29:08.200
<v Speaker 3>which your family got their friction. And I assume the

659
00:29:08.279 --> 00:29:10.839
<v Speaker 3>fortune goes hand in hand with the blessing of Satan.

660
00:29:10.920 --> 00:29:12.880
<v Speaker 3>Otherwise you don't end up in that boat.

661
00:29:12.960 --> 00:29:17.119
<v Speaker 1>Okay, So so I understand that. Then what are they

662
00:29:17.160 --> 00:29:21.400
<v Speaker 1>fighting for? What are all these families fighting for? If

663
00:29:21.440 --> 00:29:24.480
<v Speaker 1>they all have these huge riches and fortunes.

664
00:29:24.279 --> 00:29:28.400
<v Speaker 3>Why do running backs hold out for higher contracts when

665
00:29:28.400 --> 00:29:32.000
<v Speaker 3>they're already making eight million dollars to play a game?

666
00:29:32.079 --> 00:29:37.000
<v Speaker 2>Okay, if that's the case, what are they holding out for?

667
00:29:37.079 --> 00:29:39.720
<v Speaker 1>What's what's the what's the bigger? They have to be

668
00:29:39.720 --> 00:29:40.880
<v Speaker 1>holding out for something.

669
00:29:40.640 --> 00:29:44.799
<v Speaker 3>More I assume it's the complete control. But then why

670
00:29:44.799 --> 00:29:46.279
<v Speaker 3>did the Crohenberg have it?

671
00:29:46.440 --> 00:29:50.480
<v Speaker 1>And no, exactly, So that's that's where my mind let Okay,

672
00:29:50.519 --> 00:29:51.759
<v Speaker 1>so they want to be the one that's in.

673
00:29:51.759 --> 00:29:53.920
<v Speaker 2>Charge of the world. Why did why did Cronenberg's character

674
00:29:53.960 --> 00:29:54.759
<v Speaker 2>get give its ruined?

675
00:29:54.759 --> 00:29:56.680
<v Speaker 3>You're one hundred percent right, doesn't make any sense.

676
00:29:56.680 --> 00:29:58.240
<v Speaker 2>There's good There's got to be something we're missing.

677
00:29:58.279 --> 00:30:01.079
<v Speaker 3>No, I think it's stupid because you're exactly right, because

678
00:30:01.119 --> 00:30:03.359
<v Speaker 3>they say the death of the family in the first

679
00:30:03.400 --> 00:30:05.319
<v Speaker 3>one is the reason why the seat's vacant, And yes,

680
00:30:05.359 --> 00:30:07.519
<v Speaker 3>there is a vacant seat, but it wasn't a head seat, right,

681
00:30:07.680 --> 00:30:12.279
<v Speaker 3>So unless any family dying means you know, what's that

682
00:30:12.319 --> 00:30:14.160
<v Speaker 3>game twenty one where you throw the football up in

683
00:30:14.200 --> 00:30:16.400
<v Speaker 3>the air and whoever catches the football? I don't know,

684
00:30:16.759 --> 00:30:18.880
<v Speaker 3>but they don't say that in the plot. I'm literally

685
00:30:19.000 --> 00:30:21.359
<v Speaker 3>just spitballing that with the.

686
00:30:21.279 --> 00:30:24.480
<v Speaker 1>Tightest dand Forth says in this movie this this is

687
00:30:24.799 --> 00:30:27.960
<v Speaker 1>is rightfully ours and they end up posting like this

688
00:30:28.079 --> 00:30:31.480
<v Speaker 1>game at their place. Yeah, So was it a case

689
00:30:31.519 --> 00:30:33.680
<v Speaker 1>of like he didn't It couldn't be like he didn't

690
00:30:33.680 --> 00:30:36.480
<v Speaker 1>want his own kids to have that power, right, because

691
00:30:36.519 --> 00:30:39.240
<v Speaker 1>He's still essentially they still.

692
00:30:39.079 --> 00:30:40.839
<v Speaker 2>Had the chance to win that power.

693
00:30:40.920 --> 00:30:41.720
<v Speaker 3>Yeah, I don't know.

694
00:30:41.799 --> 00:30:42.119
<v Speaker 2>I don't.

695
00:30:42.160 --> 00:30:46.319
<v Speaker 3>That's no, that's so dumb. You're exactly right, they don't.

696
00:30:46.799 --> 00:30:49.039
<v Speaker 2>It's can't be dumb. There's there's something we're missing here.

697
00:30:49.079 --> 00:30:50.880
<v Speaker 3>I don't think so, man, how did neither one of

698
00:30:50.920 --> 00:30:51.640
<v Speaker 3>us notice it?

699
00:30:51.799 --> 00:30:51.920
<v Speaker 2>Like?

700
00:30:52.000 --> 00:30:54.079
<v Speaker 1>Because that's well, I kind of was thinking it, but

701
00:30:54.200 --> 00:30:57.559
<v Speaker 1>I was like normally when I see stuff like this,

702
00:30:58.319 --> 00:31:00.519
<v Speaker 1>I just I know. I'm like, well, Bene either Better

703
00:31:00.559 --> 00:31:03.440
<v Speaker 1>or Wikipedia. Like somebody on the interview, I didn't have it,

704
00:31:03.480 --> 00:31:06.759
<v Speaker 1>did you Look? Nothing was explained in there that Well,

705
00:31:06.799 --> 00:31:07.799
<v Speaker 1>I got to load it up here.

706
00:31:07.880 --> 00:31:11.319
<v Speaker 3>Yeah, I'll tell you there's nothing wrong with his logic.

707
00:31:11.400 --> 00:31:11.599
<v Speaker 2>There.

708
00:31:11.680 --> 00:31:15.240
<v Speaker 3>I see a glaring hole in why this happened? Again,

709
00:31:15.279 --> 00:31:18.720
<v Speaker 3>you could explain it away with two lines of dialogue. Yeah, oh,

710
00:31:18.920 --> 00:31:22.039
<v Speaker 3>we someone failed at their game, which means we have

711
00:31:22.079 --> 00:31:24.799
<v Speaker 3>to start all this over. It's like Cabin in the Woods, right, Like,

712
00:31:24.960 --> 00:31:27.279
<v Speaker 3>you gotta kill the people in this order, and if

713
00:31:27.319 --> 00:31:29.559
<v Speaker 3>you don't, bad things happen. And we have four different

714
00:31:29.599 --> 00:31:31.960
<v Speaker 3>people all trying to accomplish that at the same time.

715
00:31:32.279 --> 00:31:34.640
<v Speaker 3>Freaking You could knock that out very quickly. But there

716
00:31:34.720 --> 00:31:39.720
<v Speaker 3>is no descriptor as to why it shakes out the

717
00:31:39.759 --> 00:31:41.960
<v Speaker 3>way that it does. Why did that family have the ring?

718
00:31:42.039 --> 00:31:43.200
<v Speaker 3>Why did they have to give it up?

719
00:31:43.480 --> 00:31:50.759
<v Speaker 1>Okay, so so he kind of Okay, Chester is Cronenberg's character. Yeah,

720
00:31:51.160 --> 00:31:54.559
<v Speaker 1>he lets them sort of he lets his kids like

721
00:31:55.319 --> 00:31:58.480
<v Speaker 1>sort of do whatever. But they had to do it

722
00:31:58.519 --> 00:32:00.319
<v Speaker 1>at the same time so they can enter the game

723
00:32:00.359 --> 00:32:01.160
<v Speaker 1>at the same time.

724
00:32:01.599 --> 00:32:02.559
<v Speaker 2>That was another big thing.

725
00:32:02.680 --> 00:32:04.559
<v Speaker 3>No, I thought they only entered at the same time

726
00:32:04.599 --> 00:32:07.640
<v Speaker 3>because they're twins, so technically neither one of them is older,

727
00:32:07.720 --> 00:32:09.960
<v Speaker 3>so I think it was the oldest one. That was

728
00:32:10.039 --> 00:32:13.279
<v Speaker 3>my interpretation of that. I don't understand why they why

729
00:32:13.319 --> 00:32:16.039
<v Speaker 3>they had to, you know, do what they had to

730
00:32:16.039 --> 00:32:18.440
<v Speaker 3>do to get into the game, because it's like, well,

731
00:32:18.480 --> 00:32:20.640
<v Speaker 3>based on the way these rules work, because there's fifty

732
00:32:20.640 --> 00:32:24.039
<v Speaker 3>seven rules, it's a delineation. So he could have taken

733
00:32:24.079 --> 00:32:26.640
<v Speaker 3>his shots, although I assume he probably just couldn't stand up,

734
00:32:26.799 --> 00:32:28.119
<v Speaker 3>Like I don't know if he's not in the movie

735
00:32:28.160 --> 00:32:30.920
<v Speaker 3>for particularly long. I'll allow you guys listening at home

736
00:32:30.960 --> 00:32:32.160
<v Speaker 3>to figure out why that is.

737
00:32:32.359 --> 00:32:35.559
<v Speaker 1>The lawyer explains the new situation due to Grace's victory

738
00:32:35.599 --> 00:32:39.119
<v Speaker 1>at the Lidomas Hide and Seek game, the four remaining

739
00:32:39.160 --> 00:32:42.000
<v Speaker 1>families must kill her before dawn to acquire the high seat,

740
00:32:42.039 --> 00:32:45.279
<v Speaker 1>and a ring with seemingly infinite worldwide power will be

741
00:32:45.440 --> 00:32:46.480
<v Speaker 1>provided to the winner.

742
00:32:47.640 --> 00:32:49.799
<v Speaker 3>Okay, so I guess it's just a fail safe to

743
00:32:49.880 --> 00:32:54.039
<v Speaker 3>make sure that everybody shows up. But like, while, if

744
00:32:54.079 --> 00:32:56.279
<v Speaker 3>you want to do loopholes, so let's do loopholes. Okay,

745
00:32:56.640 --> 00:32:59.720
<v Speaker 3>the Dumas is in the first movie, straight up, don't

746
00:32:59.759 --> 00:33:02.759
<v Speaker 3>fall of the rules, Like they're told you cannot use

747
00:33:02.839 --> 00:33:07.440
<v Speaker 3>the technology that existed didn't exist, and they start using

748
00:33:07.480 --> 00:33:10.559
<v Speaker 3>their cameras. And then meanwhile, in this one, the second

749
00:33:10.640 --> 00:33:14.400
<v Speaker 3>you think about breaking the rules, you immediately die, and

750
00:33:14.640 --> 00:33:16.200
<v Speaker 3>so what the fuck?

751
00:33:17.799 --> 00:33:21.720
<v Speaker 1>The other thing too with with this is let's let

752
00:33:21.920 --> 00:33:26.599
<v Speaker 1>let's just assume that Grace the Bride is killed off

753
00:33:26.640 --> 00:33:30.599
<v Speaker 1>Ben in the first one, Okay, why why is that

754
00:33:30.680 --> 00:33:33.920
<v Speaker 1>high card that high seat high card?

755
00:33:34.160 --> 00:33:36.480
<v Speaker 2>Why is that high seat then not available?

756
00:33:37.079 --> 00:33:40.200
<v Speaker 3>Because the system worked? Like you just you, you carry

757
00:33:40.240 --> 00:33:42.559
<v Speaker 3>on as usual, and I like, I don't know, like

758
00:33:42.680 --> 00:33:44.559
<v Speaker 3>that's the best I got, But I mean, clearly there's

759
00:33:44.559 --> 00:33:44.920
<v Speaker 3>a sister.

760
00:33:45.079 --> 00:33:48.799
<v Speaker 1>Chester was going Chester dan Forth was going to die.

761
00:33:49.079 --> 00:33:51.279
<v Speaker 1>I mean it seemed like he was. Yeah, he's pretty

762
00:33:51.279 --> 00:33:53.119
<v Speaker 1>close for sure, so then what happened if you would

763
00:33:53.160 --> 00:33:53.519
<v Speaker 1>have died.

764
00:33:54.880 --> 00:33:56.680
<v Speaker 3>I guess one of the kids just inherited. That's what

765
00:33:56.720 --> 00:33:58.640
<v Speaker 3>I'm saying. Like, there's there was not a lot of

766
00:33:58.680 --> 00:34:00.480
<v Speaker 3>thought put in this. Again, I think you hit the nail.

767
00:34:00.519 --> 00:34:01.680
<v Speaker 2>Maybe there's too much thought.

768
00:34:01.960 --> 00:34:03.880
<v Speaker 1>Sometimes you put too much thought in it, and you

769
00:34:03.920 --> 00:34:05.640
<v Speaker 1>had all these cooks in the kitchen and it spoils

770
00:34:05.640 --> 00:34:06.000
<v Speaker 1>the dinner.

771
00:34:06.079 --> 00:34:07.839
<v Speaker 3>Yeah, I think you hit the nail on the head.

772
00:34:07.839 --> 00:34:09.320
<v Speaker 3>This was an unexpected seat, it.

773
00:34:09.360 --> 00:34:12.559
<v Speaker 2>Was too Okay. I've used this analogy before. I'm gonna

774
00:34:12.639 --> 00:34:13.119
<v Speaker 2>use it again.

775
00:34:13.199 --> 00:34:13.920
<v Speaker 3>Yeah.

776
00:34:13.960 --> 00:34:16.000
<v Speaker 1>One of the companies I work for a fantasy football company.

777
00:34:16.000 --> 00:34:17.519
<v Speaker 1>When we try to come up with new games, we

778
00:34:17.559 --> 00:34:19.639
<v Speaker 1>try to come up with things that we think people

779
00:34:19.719 --> 00:34:23.039
<v Speaker 1>might play. For me, the biggest thing and for us,

780
00:34:23.079 --> 00:34:27.559
<v Speaker 1>I think the biggest thing is simplicity, easy to understand,

781
00:34:27.719 --> 00:34:31.199
<v Speaker 1>easy to follow, not confusing. Here's what it is. You

782
00:34:31.199 --> 00:34:35.199
<v Speaker 1>can explain it two sentences and that's it. Sometimes I

783
00:34:35.199 --> 00:34:37.760
<v Speaker 1>think some of these movies would be better off following

784
00:34:37.800 --> 00:34:41.280
<v Speaker 1>that strategy, having this like you know, and like I

785
00:34:41.320 --> 00:34:43.400
<v Speaker 1>feel like not to toot our own horns. I feel

786
00:34:43.440 --> 00:34:47.800
<v Speaker 1>like we're we're not I think we're pretty well adjusted

787
00:34:48.000 --> 00:34:51.800
<v Speaker 1>veteran filmgoers film watchers. What does that say for the

788
00:34:51.840 --> 00:34:54.159
<v Speaker 1>majority of the people who are not, who are just

789
00:34:55.079 --> 00:34:57.440
<v Speaker 1>average Joe blow, Hey, let's check out this ready or

790
00:34:57.440 --> 00:35:00.599
<v Speaker 1>not too movies? Yeah, how is that even enjoyable?

791
00:35:00.800 --> 00:35:01.039
<v Speaker 2>See?

792
00:35:01.079 --> 00:35:03.719
<v Speaker 3>I think they think less than we do. Not to

793
00:35:03.760 --> 00:35:05.440
<v Speaker 3>be a jerk, but I think a lot of people

794
00:35:05.599 --> 00:35:07.880
<v Speaker 3>just go and people who aren't making it a weekly

795
00:35:07.920 --> 00:35:10.079
<v Speaker 3>occurrence to make sure they see a new movie.

796
00:35:10.320 --> 00:35:12.199
<v Speaker 2>Okay, that's right there, fair enough.

797
00:35:12.320 --> 00:35:14.199
<v Speaker 1>If that's the case, then why put in all this

798
00:35:14.280 --> 00:35:17.639
<v Speaker 1>extraneous stuff if the people who you know are gonna

799
00:35:17.719 --> 00:35:19.400
<v Speaker 1>enjoy it regardless, I don't.

800
00:35:20.480 --> 00:35:22.559
<v Speaker 3>I don't know who the movie was for. And you asked,

801
00:35:22.599 --> 00:35:23.320
<v Speaker 3>you pointed this out.

802
00:35:23.400 --> 00:35:24.880
<v Speaker 2>It was for the people who liked the first one.

803
00:35:24.920 --> 00:35:26.119
<v Speaker 2>That's what I'd argue.

804
00:35:26.119 --> 00:35:27.760
<v Speaker 3>It isn't because I loved the first one and I

805
00:35:27.800 --> 00:35:30.199
<v Speaker 3>was like this, this wasn't it, Like you guys missed

806
00:35:30.199 --> 00:35:32.679
<v Speaker 3>with this, And yes, all the same pieces are there,

807
00:35:32.719 --> 00:35:35.679
<v Speaker 3>and yes you should, it should by all accounts. And

808
00:35:35.719 --> 00:35:37.920
<v Speaker 3>this was better than Undertone, and I'd even say it

809
00:35:37.960 --> 00:35:40.760
<v Speaker 3>was probably better than Mathrieguan two point zero, but it

810
00:35:40.800 --> 00:35:43.679
<v Speaker 3>was it was not. It was not good. Maybe it's

811
00:35:43.719 --> 00:35:45.760
<v Speaker 3>because in my opinion, Ready or not was probably a

812
00:35:45.840 --> 00:35:49.599
<v Speaker 3>higher starting point in my opinion. But it's just I said.

813
00:35:49.360 --> 00:35:52.840
<v Speaker 2>It blood was bloodlines better destination.

814
00:35:53.159 --> 00:35:55.320
<v Speaker 3>Yeah, yeah, it was, Yeah, it was. It was. I'd

815
00:35:55.400 --> 00:35:59.159
<v Speaker 3>argue it was much better. Okay, Yeah, maybe it's because

816
00:35:59.159 --> 00:36:01.039
<v Speaker 3>there was a longer lull in that and it was

817
00:36:01.119 --> 00:36:03.159
<v Speaker 3>kind of telling its own story. And again, that's kind

818
00:36:03.159 --> 00:36:05.280
<v Speaker 3>of what I was getting at, is I think you

819
00:36:05.360 --> 00:36:08.199
<v Speaker 3>hit the nail on the head with Mathriagan, with this

820
00:36:08.400 --> 00:36:12.000
<v Speaker 3>with nobody. Those were smash hits. Let's take two years

821
00:36:12.320 --> 00:36:15.079
<v Speaker 3>and do another match, squeeze some more, and we'll figure

822
00:36:15.119 --> 00:36:20.599
<v Speaker 3>it out, right, I mean, realistically, before Disney got involved

823
00:36:20.599 --> 00:36:22.679
<v Speaker 3>with Marvel, that was kind of what they were doing.

824
00:36:22.719 --> 00:36:27.039
<v Speaker 3>Like they wreckconned the cube being an Infinity stone and

825
00:36:27.079 --> 00:36:29.119
<v Speaker 3>all these different things happening because like a lot of

826
00:36:29.119 --> 00:36:31.239
<v Speaker 3>stuff didn't make sense, and it's like, we'll just figure

827
00:36:31.239 --> 00:36:33.320
<v Speaker 3>it out. And then they once they realized they had

828
00:36:33.360 --> 00:36:36.480
<v Speaker 3>a multi billion dollar operation going, they're like, Okay, let's

829
00:36:36.719 --> 00:36:38.559
<v Speaker 3>let's lay this out here in a way that we

830
00:36:38.599 --> 00:36:39.079
<v Speaker 3>know we're not.

831
00:36:39.000 --> 00:36:41.199
<v Speaker 2>Going to h He wasn't always in charge, no, he was.

832
00:36:41.280 --> 00:36:42.559
<v Speaker 3>Yeah, And like there was a time when there were

833
00:36:42.559 --> 00:36:45.920
<v Speaker 3>a bunch of disparate hands all just kind of telling

834
00:36:46.000 --> 00:36:48.760
<v Speaker 3>a story together and like it was fine, it worked,

835
00:36:48.800 --> 00:36:50.760
<v Speaker 3>but it became what it was when they found that

836
00:36:50.800 --> 00:36:54.199
<v Speaker 3>through line. This movie I think suffers from we need

837
00:36:54.239 --> 00:36:56.400
<v Speaker 3>a reason for this to continue.

838
00:36:56.039 --> 00:36:57.920
<v Speaker 2>All right, so let's play.

839
00:36:58.280 --> 00:37:00.639
<v Speaker 1>Let's look at this when the producer side of it

840
00:37:00.840 --> 00:37:06.239
<v Speaker 1>and the screenwriters, actors or whatever. If you have a success,

841
00:37:06.280 --> 00:37:11.760
<v Speaker 1>which you did with ready or not, immediately talks you know, like, Okay,

842
00:37:11.760 --> 00:37:14.199
<v Speaker 1>we got to make a sequel because this is super successful.

843
00:37:14.199 --> 00:37:14.679
<v Speaker 2>We don't know.

844
00:37:15.920 --> 00:37:19.159
<v Speaker 1>Did we stumble on like this giant gusher of an

845
00:37:19.159 --> 00:37:23.199
<v Speaker 1>oil reserve. We don't know unless we make the sequel.

846
00:37:23.599 --> 00:37:26.760
<v Speaker 1>And then if you make the sequel, then I would

847
00:37:26.760 --> 00:37:30.880
<v Speaker 1>contend that if it is successful, a third one will

848
00:37:30.880 --> 00:37:33.960
<v Speaker 1>be made. And now you're in franchise territory. Now you

849
00:37:34.000 --> 00:37:35.519
<v Speaker 1>have made it. I don't think you have to make

850
00:37:35.559 --> 00:37:39.400
<v Speaker 1>a third successful film to keep making films, right, ye,

851
00:37:40.599 --> 00:37:43.400
<v Speaker 1>Like once you once you do two of them that

852
00:37:43.480 --> 00:37:45.760
<v Speaker 1>are big hits, the key is unlocked.

853
00:37:46.639 --> 00:37:47.599
<v Speaker 2>And and so.

854
00:37:48.880 --> 00:37:52.519
<v Speaker 1>If I'm a producer, if I'm a director, if I'm

855
00:37:52.559 --> 00:37:55.880
<v Speaker 1>a screenwriter, if I'm one of the stars, I want

856
00:37:55.920 --> 00:37:59.559
<v Speaker 1>to have that possibility unlocked for me and I'll never

857
00:37:59.639 --> 00:38:02.039
<v Speaker 1>know us I come up with something, maybe it sucks,

858
00:38:02.599 --> 00:38:05.360
<v Speaker 1>maybe nobody sees it, and then and then we move on.

859
00:38:05.679 --> 00:38:07.960
<v Speaker 1>But at least we have to take the shot. Yeah,

860
00:38:08.000 --> 00:38:08.760
<v Speaker 1>and they took the shot.

861
00:38:08.840 --> 00:38:11.639
<v Speaker 3>And I don't think anybody involved in this movie is

862
00:38:11.719 --> 00:38:16.280
<v Speaker 3>going to see their career take a hit or anything.

863
00:38:16.360 --> 00:38:19.159
<v Speaker 3>So I thought the performances were fine. This was not.

864
00:38:19.320 --> 00:38:22.280
<v Speaker 3>I am harder on this movie only because I enjoyed

865
00:38:22.280 --> 00:38:24.239
<v Speaker 3>the first one as much as I did. This one

866
00:38:24.320 --> 00:38:26.960
<v Speaker 3>just kind of felt redundant. It felt like a nineties sequel.

867
00:38:27.000 --> 00:38:29.360
<v Speaker 3>It felt like, let's just do the same thing. Yeah,

868
00:38:29.599 --> 00:38:31.920
<v Speaker 3>and a little bit worse with no new ideas, but

869
00:38:31.960 --> 00:38:34.360
<v Speaker 3>a lot of the familiar points are going to be there.

870
00:38:34.519 --> 00:38:36.960
<v Speaker 2>And uh, well there was some new ideas. It just

871
00:38:37.079 --> 00:38:39.440
<v Speaker 2>wasn't really they get.

872
00:38:39.880 --> 00:38:43.639
<v Speaker 1>I'm all for suspending disbelief, but this was yeah, and

873
00:38:44.199 --> 00:38:46.400
<v Speaker 1>just too. I mean that whole I mean the scene

874
00:38:46.440 --> 00:38:48.079
<v Speaker 1>at the end. I'm not going to reveal what was

875
00:38:48.119 --> 00:38:50.679
<v Speaker 1>going on with the ceremony scene. Yeah, I'm like, Jesus,

876
00:38:50.760 --> 00:38:51.400
<v Speaker 1>give me a break.

877
00:38:51.559 --> 00:38:53.360
<v Speaker 3>It was dumb. It was absolutely dumb.

878
00:38:53.440 --> 00:38:55.480
<v Speaker 1>And then you had that one guy who kind of

879
00:38:55.519 --> 00:38:57.760
<v Speaker 1>like he was one of the families that he he

880
00:38:57.840 --> 00:39:00.280
<v Speaker 1>kind of didn't want to be involved, and then you

881
00:39:00.360 --> 00:39:02.440
<v Speaker 1>had like comic relief for him in the midst of

882
00:39:02.480 --> 00:39:04.039
<v Speaker 1>this very serious.

883
00:39:04.000 --> 00:39:06.679
<v Speaker 3>Which if I were in this game, I would absolutely

884
00:39:06.679 --> 00:39:09.079
<v Speaker 3>be the Middle Eastern billionaires something come out just bumping

885
00:39:09.119 --> 00:39:12.400
<v Speaker 3>wrap beats, like clearly not really caring, just here to party. Yeah, Like,

886
00:39:12.440 --> 00:39:14.400
<v Speaker 3>I'm not here to make life miserable. I'm just trying

887
00:39:14.440 --> 00:39:18.159
<v Speaker 3>to enjoy mine, right, Unfortunate that I'm in this position,

888
00:39:18.599 --> 00:39:21.039
<v Speaker 3>Like there were characters that were very interesting, and by

889
00:39:21.039 --> 00:39:23.679
<v Speaker 3>the way, the movie broke even a box office to

890
00:39:23.719 --> 00:39:26.400
<v Speaker 3>budget to twenty three million at the box office twenty

891
00:39:26.440 --> 00:39:29.719
<v Speaker 3>million to make it, so technically a failure in the

892
00:39:29.760 --> 00:39:33.840
<v Speaker 3>eyes of Hollywood, but in terms of if you and

893
00:39:33.880 --> 00:39:36.800
<v Speaker 3>I put twenty million dollars into something that made twenty

894
00:39:36.800 --> 00:39:39.280
<v Speaker 3>three and'd be like, well that was a really successful number. Yea,

895
00:39:39.360 --> 00:39:40.119
<v Speaker 3>So it depends.

896
00:39:40.400 --> 00:39:42.440
<v Speaker 2>I was just gonna say, I looked at the Wikipedia

897
00:39:42.559 --> 00:39:47.079
<v Speaker 2>entry and there is no sequel section on.

898
00:39:47.039 --> 00:39:50.679
<v Speaker 3>This for a third one one. Yeah, I mean, let's

899
00:39:50.719 --> 00:39:53.599
<v Speaker 3>just say there is a possibility for it based on

900
00:39:53.639 --> 00:39:57.599
<v Speaker 3>who lives and who dies. But whether or not that

901
00:39:57.599 --> 00:39:59.960
<v Speaker 3>that happens, I doubt it. I don't think there's gonna

902
00:40:00.159 --> 00:40:02.599
<v Speaker 3>too much of an appetite for a third one. By

903
00:40:02.639 --> 00:40:04.719
<v Speaker 3>the way, the Hulu After Dark movie is a nasty

904
00:40:04.760 --> 00:40:05.440
<v Speaker 3>piece of work.

905
00:40:05.800 --> 00:40:06.480
<v Speaker 2>That's what it's called.

906
00:40:06.519 --> 00:40:08.440
<v Speaker 3>A nasty piece of fun fact that actually there was

907
00:40:08.440 --> 00:40:10.159
<v Speaker 3>twenty four of them, and I found a list that

908
00:40:10.320 --> 00:40:13.400
<v Speaker 3>was ranking every Hulu After Dark movie and this was

909
00:40:13.440 --> 00:40:13.920
<v Speaker 3>the best one.

910
00:40:14.000 --> 00:40:15.159
<v Speaker 2>Oh really, how about that?

911
00:40:15.199 --> 00:40:17.239
<v Speaker 3>But what's funny is it actually was one of my favorites.

912
00:40:17.280 --> 00:40:19.320
<v Speaker 3>But my absolute favorite was right did you see all

913
00:40:19.360 --> 00:40:23.199
<v Speaker 3>of them? Just about? Yeah? My absolute favorite was ranked

914
00:40:23.239 --> 00:40:26.119
<v Speaker 3>twenty three out of twenty four, So what do I know?

915
00:40:26.559 --> 00:40:28.760
<v Speaker 3>But this one was right number one. But a nasty

916
00:40:28.800 --> 00:40:30.760
<v Speaker 3>piece of work if you guys want to see an

917
00:40:30.800 --> 00:40:33.519
<v Speaker 3>interesting take on the same plot, not nearly as graphic.

918
00:40:34.800 --> 00:40:35.519
<v Speaker 2>The cast.

919
00:40:35.599 --> 00:40:37.559
<v Speaker 1>I always like to talk about the cast, Yeah, because

920
00:40:37.599 --> 00:40:42.039
<v Speaker 1>I think the casting in this one, while with respect

921
00:40:42.079 --> 00:40:47.679
<v Speaker 1>to Adam Brody, Andy McDowell, Henry Cherney in the first one,

922
00:40:48.440 --> 00:40:55.280
<v Speaker 1>Kevin durand Sarah Michelle Geller, Sean Atosi, Nester Carbonell, who

923
00:40:55.280 --> 00:40:57.440
<v Speaker 1>I'm going to talk about in a second, Catherine Newton.

924
00:40:59.440 --> 00:41:00.599
<v Speaker 2>Oh I forget.

925
00:41:00.400 --> 00:41:06.079
<v Speaker 3>Obviously, Yes, yeah, you've hit all the names of relevance. Okay,

926
00:41:06.159 --> 00:41:07.159
<v Speaker 3>no offense to anyone else.

927
00:41:07.400 --> 00:41:10.039
<v Speaker 1>So, Nestor Carbonel, I want to talk about him for

928
00:41:10.079 --> 00:41:14.039
<v Speaker 1>a second. That dude was You didn't watch Lost, right, No,

929
00:41:15.599 --> 00:41:18.800
<v Speaker 1>So he played a character on Lost where he doesn't

930
00:41:18.840 --> 00:41:23.360
<v Speaker 1>age because of the island there, there's a there's some

931
00:41:23.440 --> 00:41:25.280
<v Speaker 1>power it has in him and he doesn't age. So

932
00:41:25.800 --> 00:41:30.079
<v Speaker 1>he's on this island like thousands, like thousands of years

933
00:41:30.079 --> 00:41:32.000
<v Speaker 1>and he looks the exact same. He looks good, doesn't

934
00:41:32.159 --> 00:41:36.920
<v Speaker 1>He was in the Dark Knights as the mayor, and

935
00:41:37.039 --> 00:41:38.320
<v Speaker 1>I see him in this movie.

936
00:41:39.880 --> 00:41:42.039
<v Speaker 2>Dude might be possessed by that power in real life.

937
00:41:42.119 --> 00:41:44.639
<v Speaker 1>Yeah, he looks the same now as he did thirty

938
00:41:44.719 --> 00:41:46.880
<v Speaker 1>years ago. People always say with Paul Rudd he doesn't

939
00:41:46.880 --> 00:41:49.239
<v Speaker 1>age a yeah, he does. You can tell, don't don't

940
00:41:49.280 --> 00:41:51.559
<v Speaker 1>give me this, this is whoy that he's not aging.

941
00:41:51.639 --> 00:41:53.800
<v Speaker 1>He looks good for his age, but you can tell. Yeah,

942
00:41:54.039 --> 00:41:56.960
<v Speaker 1>what you know, Nestor Carbonel, I don't see.

943
00:41:56.760 --> 00:41:58.840
<v Speaker 2>Any aging with that. That guy may have made a

944
00:41:58.880 --> 00:42:00.760
<v Speaker 2>deal with label as it were.

945
00:42:00.639 --> 00:42:02.840
<v Speaker 3>And did you notice like it was a quasi I

946
00:42:03.159 --> 00:42:05.679
<v Speaker 3>don't want to say passive aggressive because obviously the script

947
00:42:05.719 --> 00:42:09.119
<v Speaker 3>was written and she okay in it, but like there's

948
00:42:09.159 --> 00:42:11.199
<v Speaker 3>always a fine line in how you say these kind

949
00:42:11.199 --> 00:42:14.199
<v Speaker 3>of things. But let's just say I remember the Buffy

950
00:42:14.199 --> 00:42:17.519
<v Speaker 3>the Vampire Slayer TV show, and I remember I know

951
00:42:17.559 --> 00:42:19.719
<v Speaker 3>what you did last summer in Cruel Intentions, and there

952
00:42:19.760 --> 00:42:22.800
<v Speaker 3>was a long gap of no Sarah Michelle Geller. And

953
00:42:22.840 --> 00:42:25.039
<v Speaker 3>now she's kind of re emerging, which is great for her.

954
00:42:25.280 --> 00:42:26.159
<v Speaker 3>And there's a line in the.

955
00:42:26.079 --> 00:42:28.519
<v Speaker 2>Movie is she re emerging? I mean, what else is

956
00:42:28.519 --> 00:42:28.679
<v Speaker 2>she do?

957
00:42:29.159 --> 00:42:32.559
<v Speaker 3>She was in the U, I know she did last summer, right, yeah, yeah, yeah,

958
00:42:32.639 --> 00:42:34.800
<v Speaker 3>She's kind of been popping around here and there. But

959
00:42:35.039 --> 00:42:36.960
<v Speaker 3>there's a line in the movie where I don't remember

960
00:42:37.000 --> 00:42:38.639
<v Speaker 3>who she bumps into and he looks at it goes,

961
00:42:38.679 --> 00:42:41.480
<v Speaker 3>you have an age today, And I was like, is

962
00:42:41.480 --> 00:42:43.760
<v Speaker 3>that was that a was that a joke or was that?

963
00:42:43.920 --> 00:42:46.119
<v Speaker 3>Because like it it resonated with me because I'm like,

964
00:42:46.199 --> 00:42:49.840
<v Speaker 3>she looks again, it's thirty years since the projects that

965
00:42:49.840 --> 00:42:50.599
<v Speaker 3>I'm talking.

966
00:42:50.719 --> 00:42:53.719
<v Speaker 1>She has aged incredibly well. Yes, she does not look

967
00:42:53.880 --> 00:42:54.800
<v Speaker 1>like she.

968
00:42:54.440 --> 00:42:55.360
<v Speaker 2>She tell that.

969
00:42:55.639 --> 00:42:58.559
<v Speaker 1>I would contend that she may look like she might

970
00:42:58.599 --> 00:43:00.639
<v Speaker 1>have had some some lifting done.

971
00:43:00.760 --> 00:43:02.800
<v Speaker 2>Yeah to her face. Maybe I'm wrong.

972
00:43:02.880 --> 00:43:05.480
<v Speaker 3>And Hollywood's a bastard. And I understand that, Like I

973
00:43:05.519 --> 00:43:06.280
<v Speaker 3>get all those things.

974
00:43:06.480 --> 00:43:09.360
<v Speaker 1>I always thought she kind of not that she left

975
00:43:09.360 --> 00:43:11.840
<v Speaker 1>the industry, but that you know, she married Freddy Prince

976
00:43:11.920 --> 00:43:14.440
<v Speaker 1>Junior and I think they had several kids together. I

977
00:43:14.519 --> 00:43:17.119
<v Speaker 1>just always thought she was raising these kids and she

978
00:43:17.239 --> 00:43:17.840
<v Speaker 1>wasn't working.

979
00:43:18.000 --> 00:43:20.079
<v Speaker 3>Oh yeah. And I mean also she was in an

980
00:43:20.159 --> 00:43:22.440
<v Speaker 3>era where you did age out, like that was a

981
00:43:22.519 --> 00:43:25.280
<v Speaker 3>thing that happened and people would disappear and then you know,

982
00:43:25.400 --> 00:43:27.760
<v Speaker 3>come and now they can make their comebacks because we're

983
00:43:27.760 --> 00:43:28.719
<v Speaker 3>more enlightened people.

984
00:43:29.400 --> 00:43:31.960
<v Speaker 1>I don't think it's more enlightened I think it's a

985
00:43:32.000 --> 00:43:36.239
<v Speaker 1>nostalgia aspect of it. You know, where we we crave,

986
00:43:36.440 --> 00:43:39.519
<v Speaker 1>you know, like what our lives were thirty years.

987
00:43:39.400 --> 00:43:41.599
<v Speaker 3>Ago with it maybe to a certain you know what I.

988
00:43:41.519 --> 00:43:44.119
<v Speaker 1>Mean, like like our teenage years and our early twenties

989
00:43:44.159 --> 00:43:47.000
<v Speaker 1>when the world was our oyster, everything was in front

990
00:43:47.000 --> 00:43:49.480
<v Speaker 1>of us. And Sarah Michelle Keeller is kind of a

991
00:43:49.519 --> 00:43:50.159
<v Speaker 1>reminder of that.

992
00:43:50.360 --> 00:43:52.360
<v Speaker 3>Yeah, were you a Buffy guy at all?

993
00:43:52.519 --> 00:43:54.719
<v Speaker 2>No? I was not. I did not. I probably should

994
00:43:54.760 --> 00:43:56.239
<v Speaker 2>have watched that show.

995
00:43:56.039 --> 00:43:58.199
<v Speaker 3>But I mean I was like ten, But I mean

996
00:43:58.280 --> 00:44:01.559
<v Speaker 3>it was horror. There was like was I scary elements

997
00:44:01.559 --> 00:44:03.360
<v Speaker 3>to a child and I was like this is great.

998
00:44:03.400 --> 00:44:05.679
<v Speaker 2>Well, there was that there was there was Charmed, right,

999
00:44:05.760 --> 00:44:06.920
<v Speaker 2>those were like the two like.

1000
00:44:06.960 --> 00:44:09.480
<v Speaker 3>Yeah, Supernatural, Charmed. Though I watched Buffy.

1001
00:44:09.599 --> 00:44:12.039
<v Speaker 1>I had a friend who watched it quite a bit.

1002
00:44:12.599 --> 00:44:15.920
<v Speaker 1>I was and like, I'll fully admit this, like the

1003
00:44:16.000 --> 00:44:18.679
<v Speaker 1>only WB because those are basically soap operas.

1004
00:44:18.679 --> 00:44:19.760
<v Speaker 2>They're like four or soap.

1005
00:44:19.880 --> 00:44:20.039
<v Speaker 3>Yeah.

1006
00:44:20.079 --> 00:44:22.519
<v Speaker 2>The only like primetime soap I watched on w B

1007
00:44:22.800 --> 00:44:24.039
<v Speaker 2>was Dawson's Creek of.

1008
00:44:24.000 --> 00:44:27.159
<v Speaker 3>Course, never missed that. Never watched that one actually, but uh,

1009
00:44:27.239 --> 00:44:29.960
<v Speaker 3>Dawson's Creek. Yeah, never because again there's like that slight

1010
00:44:30.039 --> 00:44:32.039
<v Speaker 3>gap between you and I, and there wasn't enough to

1011
00:44:32.159 --> 00:44:33.920
<v Speaker 3>keep me interested at that age.

1012
00:44:33.760 --> 00:44:35.960
<v Speaker 1>You know. Honestly, the only reason I watched it was

1013
00:44:36.000 --> 00:44:38.760
<v Speaker 1>because of the Mighty Ducks and Joshua Jackson Mighty.

1014
00:44:38.639 --> 00:44:40.159
<v Speaker 2>Dos and I'm like, oh, he's in this. I gotta

1015
00:44:40.199 --> 00:44:40.760
<v Speaker 2>check this out.

1016
00:44:41.039 --> 00:44:41.400
<v Speaker 3>And like.

1017
00:44:43.320 --> 00:44:45.519
<v Speaker 1>Like watching the first episode and I'm like, this is

1018
00:44:45.559 --> 00:44:48.079
<v Speaker 1>not you know what I I mean, I should have

1019
00:44:48.159 --> 00:44:50.559
<v Speaker 1>realized what it was. But then he's like sleeping with

1020
00:44:50.639 --> 00:44:53.400
<v Speaker 1>his teacher in like the pilot or the second episode.

1021
00:44:53.400 --> 00:44:56.559
<v Speaker 1>I'm like, I gotta keep watching now, let's see what's

1022
00:44:56.599 --> 00:44:58.000
<v Speaker 1>what what happens here?

1023
00:44:58.280 --> 00:45:00.199
<v Speaker 2>And I ended up really liking.

1024
00:45:00.119 --> 00:45:02.559
<v Speaker 3>You know, what's funny is Buffy was such an integral

1025
00:45:02.599 --> 00:45:06.760
<v Speaker 3>part of my childhood that aliceon Hannigan was Michelle in

1026
00:45:06.840 --> 00:45:09.760
<v Speaker 3>the American Pie movies and she was I forget her name,

1027
00:45:09.800 --> 00:45:12.079
<v Speaker 3>but I watched all of How I Met Your Mother

1028
00:45:12.119 --> 00:45:13.559
<v Speaker 3>and she's one of the leads in that, and she

1029
00:45:13.599 --> 00:45:15.840
<v Speaker 3>will always when I see him, like, oh, Willows in

1030
00:45:15.840 --> 00:45:19.400
<v Speaker 3>the Problem because it's Willow from Like I don't remember

1031
00:45:19.400 --> 00:45:22.639
<v Speaker 3>her name in that every episode.

1032
00:45:22.760 --> 00:45:24.519
<v Speaker 1>You know, what's funny is like when Buffy the Vampire

1033
00:45:24.599 --> 00:45:26.599
<v Speaker 1>Slayer came out, I was like, oh, this is just

1034
00:45:26.840 --> 00:45:28.800
<v Speaker 1>me some cheap, schlocky television.

1035
00:45:28.800 --> 00:45:29.360
<v Speaker 3>Sure it was.

1036
00:45:29.599 --> 00:45:31.880
<v Speaker 2>No, No, it was I'm telling you this this.

1037
00:45:32.119 --> 00:45:35.400
<v Speaker 1>I'm like, oh, this's be a cheap rip off of

1038
00:45:35.440 --> 00:45:38.880
<v Speaker 1>the Buffy the Vampire Slayer movie with Christy Swanson. Yeah,

1039
00:45:38.920 --> 00:45:42.920
<v Speaker 1>And ultimately what happened. The TV show became way bigger

1040
00:45:42.960 --> 00:45:45.079
<v Speaker 1>than the movie ever was. And now you think of

1041
00:45:45.119 --> 00:45:47.760
<v Speaker 1>the Buffy the Vampire Slayer, it's the television show and

1042
00:45:47.800 --> 00:45:49.360
<v Speaker 1>then like and then you hear like, oh they made

1043
00:45:49.360 --> 00:45:51.840
<v Speaker 1>a movie about that, Sarah Michelle go, No, the movie

1044
00:45:51.880 --> 00:45:53.280
<v Speaker 1>came out way before the TV.

1045
00:45:53.119 --> 00:45:55.280
<v Speaker 2>Show Wilde Wild how that works?

1046
00:45:55.320 --> 00:45:57.360
<v Speaker 3>Yeah, the movie was I mean again haven't seen it

1047
00:45:57.400 --> 00:45:59.239
<v Speaker 3>since I was a kid, But I did enjoy the

1048
00:45:59.320 --> 00:46:01.719
<v Speaker 3>movie as well. Like, I just thought that was that

1049
00:46:01.800 --> 00:46:04.360
<v Speaker 3>was a cool uh, it was a cool scenario. And

1050
00:46:04.400 --> 00:46:06.599
<v Speaker 3>again it just uh there was it was. It was

1051
00:46:06.639 --> 00:46:08.880
<v Speaker 3>just the perfect time for me. But I mean I

1052
00:46:08.880 --> 00:46:10.679
<v Speaker 3>say all that to say I have a spot near

1053
00:46:10.719 --> 00:46:13.199
<v Speaker 3>and deer in my heart for Sarah Michelle Taller because

1054
00:46:13.239 --> 00:46:14.280
<v Speaker 3>I did enjoy that series.

1055
00:46:14.440 --> 00:46:14.960
<v Speaker 2>You know J. S.

1056
00:46:14.960 --> 00:46:17.000
<v Speaker 3>Whedon, right, Yes, it was yeah, you.

1057
00:46:16.920 --> 00:46:19.800
<v Speaker 1>Know the list I talk about, Yeah, but my rotating

1058
00:46:19.960 --> 00:46:21.360
<v Speaker 1>potential future wives on it.

1059
00:46:21.519 --> 00:46:22.559
<v Speaker 2>She was always top ten.

1060
00:46:22.960 --> 00:46:24.719
<v Speaker 1>She might have snuck into the top five a couple

1061
00:46:24.760 --> 00:46:28.480
<v Speaker 1>of times, but yeah, I don't know. Man like, and

1062
00:46:28.519 --> 00:46:31.360
<v Speaker 1>then she did Cruel Intentions, which was great. It was

1063
00:46:31.400 --> 00:46:34.760
<v Speaker 1>an awesome her character is great. But then I was like,

1064
00:46:34.800 --> 00:46:37.039
<v Speaker 1>ah god, I'm kind of turned off to her a

1065
00:46:37.039 --> 00:46:38.480
<v Speaker 1>little bit. She lost a little bit of.

1066
00:46:38.519 --> 00:46:43.199
<v Speaker 2>All Americas even more attractive to Yeah, I could see that.

1067
00:46:45.239 --> 00:46:47.400
<v Speaker 3>I saw Cool Intentions too, And then I saw the

1068
00:46:47.440 --> 00:46:50.719
<v Speaker 3>Cruel Intentions prequel, and like you would think.

1069
00:46:50.840 --> 00:46:56.639
<v Speaker 1>I think it was was Cool Intentions three a prequel Yeah, okay, yeah,

1070
00:46:56.840 --> 00:46:58.639
<v Speaker 1>because Amy Adams was in one of them.

1071
00:46:58.719 --> 00:47:00.559
<v Speaker 3>Yeah, I want to be honest, with you. None of

1072
00:47:00.559 --> 00:47:02.199
<v Speaker 3>them sucked. None of them were as good as the

1073
00:47:02.199 --> 00:47:04.079
<v Speaker 3>first one. Yeah, but none of them sucked. The first

1074
00:47:04.119 --> 00:47:06.880
<v Speaker 3>movies should suck, yeah, like the second.

1075
00:47:07.039 --> 00:47:09.840
<v Speaker 1>And that was that was sort of like like Reese

1076
00:47:09.880 --> 00:47:12.119
<v Speaker 1>Witherspoon like that. This is when she was like the

1077
00:47:12.119 --> 00:47:16.239
<v Speaker 1>wholesome yeah you know it girl. She did Fear, which

1078
00:47:16.280 --> 00:47:19.360
<v Speaker 1>was tremendous yep, and then she I think cruel Intentions

1079
00:47:19.360 --> 00:47:25.440
<v Speaker 1>came out after Fear, right, yeah, and and so so

1080
00:47:25.800 --> 00:47:28.239
<v Speaker 1>it's so funny because I say Fear the first thing

1081
00:47:28.280 --> 00:47:32.239
<v Speaker 1>I think of his roller coaster, you know, with that one,

1082
00:47:32.400 --> 00:47:34.519
<v Speaker 1>like it burned into my mind. So yeah, I mean,

1083
00:47:34.599 --> 00:47:36.440
<v Speaker 1>and then she was kind of like competing like his

1084
00:47:36.599 --> 00:47:40.199
<v Speaker 1>female leads and Sarah Michelle Geller and and Reese Withersmon

1085
00:47:40.280 --> 00:47:44.159
<v Speaker 1>competing female leads and cruel intentions, which is weird because

1086
00:47:44.199 --> 00:47:46.320
<v Speaker 1>Ryan Philippi was in there, and wasn't he married to

1087
00:47:46.440 --> 00:47:47.639
<v Speaker 1>Reese Witherspoon for a while.

1088
00:47:48.039 --> 00:47:49.440
<v Speaker 2>And I don't know what happened to his career.

1089
00:47:49.480 --> 00:47:51.679
<v Speaker 3>Well, he's the worst actor ever, so I imagine he

1090
00:47:51.800 --> 00:47:53.199
<v Speaker 3>faded off the face of the earth.

1091
00:47:53.280 --> 00:47:55.199
<v Speaker 1>I guess you ever see the Way of the Gun,

1092
00:47:55.280 --> 00:47:59.599
<v Speaker 1>The Way the Gun all Benicio del Toro. James Kahn

1093
00:47:59.719 --> 00:48:01.440
<v Speaker 1>is in it, dude, Well, I don't know if it's

1094
00:48:01.480 --> 00:48:05.320
<v Speaker 1>your cup of tea, but it's it's Julie, Julie What's

1095
00:48:05.360 --> 00:48:07.159
<v Speaker 1>what's her name from? From Dust Hill Dawn?

1096
00:48:08.440 --> 00:48:12.519
<v Speaker 3>Oh, Julian Juliet Moore, Juliet Juliet lewis.

1097
00:48:12.320 --> 00:48:13.800
<v Speaker 2>Right, she's in it as well.

1098
00:48:14.039 --> 00:48:17.079
<v Speaker 1>It's it's I mean, it's a good it's like a

1099
00:48:17.159 --> 00:48:21.119
<v Speaker 1>heist kind of caper movie, and Philippy kind of plays

1100
00:48:21.159 --> 00:48:22.760
<v Speaker 1>this like browie.

1101
00:48:23.800 --> 00:48:26.119
<v Speaker 2>Bad guy, So it's it's.

1102
00:48:25.719 --> 00:48:27.519
<v Speaker 3>Is there like a big time plot twist at the

1103
00:48:27.599 --> 00:48:29.519
<v Speaker 3>end of that movie of some kind? I've seen a

1104
00:48:29.559 --> 00:48:32.440
<v Speaker 3>movie I don't think it's involved. Oh, Jason Statham's in it.

1105
00:48:32.480 --> 00:48:33.679
<v Speaker 3>I'm thinking about that one.

1106
00:48:34.639 --> 00:48:37.519
<v Speaker 1>But he like where his acting chops aren't really you know,

1107
00:48:38.320 --> 00:48:39.639
<v Speaker 1>they're not required a whole lot.

1108
00:48:40.280 --> 00:48:43.079
<v Speaker 3>So it's just he He never did it for me.

1109
00:48:43.119 --> 00:48:46.239
<v Speaker 3>He's in some movies that I like, but he personally Yeah.

1110
00:48:46.239 --> 00:48:48.559
<v Speaker 1>And and like he was in he I think he

1111
00:48:48.599 --> 00:48:52.079
<v Speaker 1>did that was a Network with Tim Robbins, which I

1112
00:48:52.119 --> 00:48:54.400
<v Speaker 1>thought was all right. But outside of that, I'm trying

1113
00:48:54.400 --> 00:48:56.280
<v Speaker 1>to think of like good movies he was in. He

1114
00:48:56.360 --> 00:48:59.440
<v Speaker 1>was in MacGruber for God's sake, you know, like when

1115
00:48:59.719 --> 00:49:02.360
<v Speaker 1>you know, oh it's bad when you are a serious

1116
00:49:02.400 --> 00:49:06.360
<v Speaker 1>actor of Ryan Philippi's ilk and you're doing blank and mcgruber.

1117
00:49:07.840 --> 00:49:09.519
<v Speaker 2>Yeah, yeah, no without a doubt.

1118
00:49:09.559 --> 00:49:11.280
<v Speaker 3>And to take it back to Fear really quickly, because

1119
00:49:11.320 --> 00:49:12.800
<v Speaker 3>the only thing I remember from that, and it's because

1120
00:49:12.840 --> 00:49:16.440
<v Speaker 3>of always Sonny when he's punching himself, because they redo.

1121
00:49:19.320 --> 00:49:22.000
<v Speaker 2>That was good. Wahlberg was great and that yeah, yeah

1122
00:49:22.039 --> 00:49:23.320
<v Speaker 2>he was. That's fantastic.

1123
00:49:23.440 --> 00:49:25.840
<v Speaker 3>Yeah, we should just be reviewing nineties movies because any

1124
00:49:25.840 --> 00:49:27.639
<v Speaker 3>one of these movies were saying is better than Ready

1125
00:49:27.719 --> 00:49:28.199
<v Speaker 3>or not too?

1126
00:49:28.320 --> 00:49:30.920
<v Speaker 2>Ah, Yeah, we haven't. We've been stumbled on one that

1127
00:49:31.000 --> 00:49:33.639
<v Speaker 2>was that was that was not as good as it so.

1128
00:49:35.159 --> 00:49:37.320
<v Speaker 3>And you could call that nostalgia, you could call it

1129
00:49:37.320 --> 00:49:41.039
<v Speaker 3>be younger and less cynical. But I'm telling you right now,

1130
00:49:41.440 --> 00:49:43.960
<v Speaker 3>like I said, it reminds me of a nineties sequel.

1131
00:49:44.000 --> 00:49:46.559
<v Speaker 3>But even the sequel to Cruel Intentions was better than

1132
00:49:46.599 --> 00:49:47.599
<v Speaker 3>the sequel too.

1133
00:49:48.159 --> 00:49:50.840
<v Speaker 2>Yeah, I mean relative to what it was, you know

1134
00:49:50.880 --> 00:49:51.199
<v Speaker 2>what I mean.

1135
00:49:51.239 --> 00:49:54.880
<v Speaker 3>I'm not saying like there's more production value here, it's

1136
00:49:54.920 --> 00:49:56.079
<v Speaker 3>not as dated.

1137
00:49:55.800 --> 00:49:57.880
<v Speaker 2>But who's in the second who's in the sequel?

1138
00:49:57.920 --> 00:50:00.760
<v Speaker 3>I don't think anybody. Okay, I I don't remember, but.

1139
00:50:00.920 --> 00:50:02.280
<v Speaker 2>There is one guy I think it was in the

1140
00:50:02.320 --> 00:50:02.800
<v Speaker 2>third one.

1141
00:50:03.039 --> 00:50:05.760
<v Speaker 1>He was in he guessed on guest it on Dawson's

1142
00:50:05.800 --> 00:50:08.440
<v Speaker 1>Creek for like a six episode arc or something.

1143
00:50:08.880 --> 00:50:12.480
<v Speaker 2>Yeah. Uh, anyway, I've I'm.

1144
00:50:12.280 --> 00:50:14.559
<v Speaker 3>Done, I've expired on.

1145
00:50:14.599 --> 00:50:15.840
<v Speaker 2>How long did we make it?

1146
00:50:16.280 --> 00:50:16.360
<v Speaker 1>Oh?

1147
00:50:16.480 --> 00:50:20.119
<v Speaker 3>Yeah, No, it's a pretty standard. Uh, we're what fifty minutes,

1148
00:50:20.159 --> 00:50:21.719
<v Speaker 3>but we kind of pissed around a little bit at

1149
00:50:21.760 --> 00:50:22.079
<v Speaker 3>the beginning.

1150
00:50:22.079 --> 00:50:22.760
<v Speaker 2>We did a little bit.

1151
00:50:22.840 --> 00:50:26.960
<v Speaker 1>Yeah, but I mean, listen this, I don't think that

1152
00:50:28.559 --> 00:50:30.519
<v Speaker 1>when we look back and if you were listening to this,

1153
00:50:30.639 --> 00:50:32.599
<v Speaker 1>and you know, after you saw the movie, I think

1154
00:50:32.639 --> 00:50:35.119
<v Speaker 1>your expectations are probably meant of what kind of podcast

1155
00:50:35.159 --> 00:50:35.800
<v Speaker 1>this was going to be.

1156
00:50:35.840 --> 00:50:36.159
<v Speaker 3>It was.

1157
00:50:37.400 --> 00:50:41.480
<v Speaker 1>There's not a lot to break down, get who lost

1158
00:50:41.639 --> 00:50:45.000
<v Speaker 1>piece this movie? There's one thing you take away from

1159
00:50:45.000 --> 00:50:46.840
<v Speaker 1>this podcast, watch a nasty piece of work.

1160
00:50:46.920 --> 00:50:50.559
<v Speaker 3>Yeah, I promise it'll be much more enjoyable than especially

1161
00:50:50.559 --> 00:50:51.760
<v Speaker 3>if you liked the first one.

1162
00:50:51.920 --> 00:50:54.599
<v Speaker 1>I will say, just as far as acting performances go, tomorrow,

1163
00:50:54.639 --> 00:50:56.599
<v Speaker 1>Weaving was pretty good again in this.

1164
00:50:56.800 --> 00:50:57.760
<v Speaker 3>Yeah, absolutely, she's good.

1165
00:50:57.760 --> 00:51:01.719
<v Speaker 1>And everything Catherine Newton I thought was solid. Yeah, outside of.

1166
00:51:01.679 --> 00:51:04.760
<v Speaker 3>That, you want to laugh. I'm on mashable dot com.

1167
00:51:04.760 --> 00:51:06.519
<v Speaker 3>That's where I got the list of Hulu movies. And

1168
00:51:06.559 --> 00:51:08.719
<v Speaker 3>for every one of the Hulu movies, it says for

1169
00:51:08.920 --> 00:51:11.840
<v Speaker 3>fans good for fans of and it lists movies in

1170
00:51:11.920 --> 00:51:14.360
<v Speaker 3>the first one that's listed on this is Ready or Not.

1171
00:51:14.840 --> 00:51:19.679
<v Speaker 3>Wait a minute, for good for fans of Colon, And

1172
00:51:19.719 --> 00:51:23.800
<v Speaker 3>then it lists and yeah, but what movie a nasty

1173
00:51:23.840 --> 00:51:24.440
<v Speaker 3>piece of work?

1174
00:51:24.960 --> 00:51:27.440
<v Speaker 1>Is good if you're a fan of Readier? Yes, or

1175
00:51:27.800 --> 00:51:29.199
<v Speaker 1>Ready or Not? How about that?

1176
00:51:29.280 --> 00:51:32.199
<v Speaker 3>Yeah? And also your next, which is obviously, you know,

1177
00:51:32.440 --> 00:51:34.840
<v Speaker 3>kind of the inspiration of this movie. What's your next?

1178
00:51:34.880 --> 00:51:37.199
<v Speaker 3>Also instead of Ready or Not? Too realistically, either one

1179
00:51:37.239 --> 00:51:38.039
<v Speaker 3>of those would be better.

1180
00:51:38.119 --> 00:51:40.719
<v Speaker 1>Yeah, I would say this, like, like you all the

1181
00:51:40.760 --> 00:51:43.559
<v Speaker 1>best bits and the best tropes from the Ready or

1182
00:51:43.599 --> 00:51:46.760
<v Speaker 1>Not idea is they're all in.

1183
00:51:46.800 --> 00:51:47.400
<v Speaker 2>The first one.

1184
00:51:47.599 --> 00:51:51.360
<v Speaker 1>There's like, yes, like you said, like, there's these generic

1185
00:51:51.599 --> 00:51:55.079
<v Speaker 1>not generic, there's these manufactured tropes in the second one

1186
00:51:55.119 --> 00:51:58.440
<v Speaker 1>that just don't hit the same way, so you don't

1187
00:51:58.440 --> 00:51:58.920
<v Speaker 1>need to bother.

1188
00:51:59.039 --> 00:52:01.519
<v Speaker 3>The only one, just to end on a positive note,

1189
00:52:01.639 --> 00:52:05.639
<v Speaker 3>is they still do a good job of making the

1190
00:52:05.679 --> 00:52:09.280
<v Speaker 3>wealthy people getting their hands dirty look inept. There are

1191
00:52:09.400 --> 00:52:12.800
<v Speaker 3>very funny moments in this that stem from these people

1192
00:52:12.840 --> 00:52:15.960
<v Speaker 3>don't do their own stuff. Yeah, so like they do

1193
00:52:16.000 --> 00:52:17.559
<v Speaker 3>a good job of that in the first one. Yeah,

1194
00:52:17.599 --> 00:52:19.039
<v Speaker 3>and they did a good job with it here.

1195
00:52:19.079 --> 00:52:21.480
<v Speaker 1>If you like the comedy in the first one, I

1196
00:52:21.880 --> 00:52:24.119
<v Speaker 1>don't think you'll be let down in the second one

1197
00:52:24.199 --> 00:52:26.880
<v Speaker 1>from a comedic standpoint, like there was there was some

1198
00:52:26.920 --> 00:52:29.519
<v Speaker 1>moments that well we brought up the one montage that.

1199
00:52:29.639 --> 00:52:32.440
<v Speaker 3>Yeah, yeah, that by far, and even the lead up

1200
00:52:32.440 --> 00:52:34.800
<v Speaker 3>into it the rocket launcher, Like there's so many moments

1201
00:52:34.800 --> 00:52:36.679
<v Speaker 3>that I'm like, this is the best scene, like it

1202
00:52:36.760 --> 00:52:37.360
<v Speaker 3>is by far?

1203
00:52:37.519 --> 00:52:39.480
<v Speaker 1>Did you see that that thing coming with the rocket

1204
00:52:39.599 --> 00:52:42.639
<v Speaker 1>launch I was, I was like, I don't know if

1205
00:52:42.679 --> 00:52:44.159
<v Speaker 1>this is gonna yea oh it.

1206
00:52:44.159 --> 00:52:48.239
<v Speaker 3>Was so good. Yeah. But I mean, realistically, I would say,

1207
00:52:48.639 --> 00:52:51.559
<v Speaker 3>just because I know I gave Mathriagan two point zero five,

1208
00:52:51.599 --> 00:52:54.920
<v Speaker 3>I'm gonna go five point five because this was better

1209
00:52:55.000 --> 00:52:56.679
<v Speaker 3>than Mathreegan, so that I.

1210
00:52:56.679 --> 00:52:58.280
<v Speaker 2>Don't know what I gave with threegan, but it had

1211
00:52:58.280 --> 00:52:58.760
<v Speaker 2>to be low.

1212
00:52:59.480 --> 00:53:00.880
<v Speaker 3>I don't remember. I feel like we were both in

1213
00:53:00.920 --> 00:53:02.639
<v Speaker 3>the I was gonna give one of three and a half.

1214
00:53:02.679 --> 00:53:05.840
<v Speaker 3>Oh really you think this was as good as freaking undertone?

1215
00:53:06.199 --> 00:53:07.119
<v Speaker 2>What did I give Undertone.

1216
00:53:07.119 --> 00:53:08.320
<v Speaker 3>I feel like we were in the three three and

1217
00:53:08.360 --> 00:53:09.400
<v Speaker 3>a half range.

1218
00:53:09.159 --> 00:53:10.039
<v Speaker 2>So I'll go four and a half.

1219
00:53:10.079 --> 00:53:10.599
<v Speaker 3>Okay.

1220
00:53:10.960 --> 00:53:12.440
<v Speaker 2>If I gave Undertone a three and a half, i

1221
00:53:12.480 --> 00:53:13.079
<v Speaker 2>gotta go higher.

1222
00:53:13.320 --> 00:53:15.760
<v Speaker 3>I have not stopped complaining about that movie to people,

1223
00:53:15.880 --> 00:53:17.440
<v Speaker 3>like since last week.

1224
00:53:17.599 --> 00:53:20.519
<v Speaker 1>I just think it's a matter of like expectations going in,

1225
00:53:20.559 --> 00:53:22.519
<v Speaker 1>Like if we knew it was a half million dollar budget,

1226
00:53:22.639 --> 00:53:25.079
<v Speaker 1>we would have been like it would have been, it

1227
00:53:25.079 --> 00:53:26.480
<v Speaker 1>would have been much more palatable.

1228
00:53:26.880 --> 00:53:29.639
<v Speaker 3>I suppose I have almost a higher threshold for that.

1229
00:53:29.719 --> 00:53:31.440
<v Speaker 3>I'm like, all right, well, these guys are really going

1230
00:53:31.519 --> 00:53:33.199
<v Speaker 3>to give it to me. But like we've been, we've

1231
00:53:33.199 --> 00:53:36.480
<v Speaker 3>been missing. I'll eventually I will see they want to

1232
00:53:36.559 --> 00:53:39.280
<v Speaker 3>kill us, like probably when it's streaming somewhere. Yeah, And

1233
00:53:39.440 --> 00:53:41.880
<v Speaker 3>I'll just randomly bring it up on this podcast to

1234
00:53:41.960 --> 00:53:43.559
<v Speaker 3>be like, just so you know, we did mess up,

1235
00:53:43.559 --> 00:53:46.119
<v Speaker 3>because I have a feeling. I just someone at the

1236
00:53:46.159 --> 00:53:49.480
<v Speaker 3>movie theater. I'm walking out. I'm just rambling at this one.

1237
00:53:49.480 --> 00:53:50.840
<v Speaker 3>But I'm walking out and they look at me and

1238
00:53:50.880 --> 00:53:53.119
<v Speaker 3>they say, oh, I didn't see ready or not too

1239
00:53:53.199 --> 00:53:54.639
<v Speaker 3>I did they want to kill us? I'm like we

1240
00:53:54.639 --> 00:53:57.159
<v Speaker 3>were back and forth between those they were like, oh,

1241
00:53:57.199 --> 00:53:59.960
<v Speaker 3>It's like what happens if Sam Ramie and Quentin Tarantina

1242
00:54:00.119 --> 00:54:02.880
<v Speaker 3>made a movie together. And I said that description actually

1243
00:54:02.880 --> 00:54:05.159
<v Speaker 3>makes me so angry. Didn't see this?

1244
00:54:05.280 --> 00:54:06.920
<v Speaker 2>Oh no, you didn't see that one. Yeah. I'm like,

1245
00:54:07.000 --> 00:54:09.559
<v Speaker 2>I'm like, oh my god, really this is the sounds.

1246
00:54:09.239 --> 00:54:12.199
<v Speaker 3>Tremendous, I know, And I was like, no, I saw

1247
00:54:12.320 --> 00:54:14.239
<v Speaker 3>ready or not too and it was very milk toast,

1248
00:54:14.800 --> 00:54:17.719
<v Speaker 3>thank you, thank you, So maybe see that. Not an endorsement.

1249
00:54:17.800 --> 00:54:19.679
<v Speaker 3>Haven't seen it yet, but the people at the theater

1250
00:54:20.159 --> 00:54:22.119
<v Speaker 3>seem to be big fans of what that one was.

1251
00:54:22.159 --> 00:54:24.960
<v Speaker 3>And we may have missed and we're going into the

1252
00:54:24.960 --> 00:54:28.400
<v Speaker 3>realm of the one of the more bankable stars in Hollywood,

1253
00:54:28.400 --> 00:54:30.719
<v Speaker 3>and I really feel like we gota can't miss next week.

1254
00:54:30.840 --> 00:54:32.079
<v Speaker 1>Yes, so I was gonna ask you about that. So

1255
00:54:32.079 --> 00:54:34.480
<v Speaker 1>we're doing Project tail Mare. Yeah, okay, I really love

1256
00:54:34.519 --> 00:54:37.719
<v Speaker 1>this film just as a teaser for our next show.

1257
00:54:37.760 --> 00:54:41.400
<v Speaker 1>I really loved it. Uh stir Fry that I work with,

1258
00:54:41.840 --> 00:54:46.760
<v Speaker 1>who hates everything, he brought it up to me like

1259
00:54:46.840 --> 00:54:48.400
<v Speaker 1>I wasn't even talking about it and he's like, hey,

1260
00:54:48.400 --> 00:54:50.400
<v Speaker 1>that was that movie was pretty good. I'm like, yeah,

1261
00:54:50.519 --> 00:54:52.880
<v Speaker 1>it was pretty good. So I'm excited to talk about

1262
00:54:52.920 --> 00:54:56.320
<v Speaker 1>that one with you, and then.

1263
00:54:56.800 --> 00:54:59.119
<v Speaker 2>That I got nothing, Okay, so then we have to

1264
00:54:59.280 --> 00:55:00.679
<v Speaker 2>I mean, we could talk this next week.

1265
00:55:00.719 --> 00:55:02.719
<v Speaker 1>But I think the only one on the hopper is

1266
00:55:02.719 --> 00:55:04.760
<v Speaker 1>Scream seven, which neither one of us has seen yet.

1267
00:55:04.960 --> 00:55:06.840
<v Speaker 3>Yeah, and I have to believe that'll be out of

1268
00:55:06.880 --> 00:55:07.599
<v Speaker 3>theaters by then.

1269
00:55:07.719 --> 00:55:09.440
<v Speaker 2>Okay, then we may have to come up with something else.

1270
00:55:09.440 --> 00:55:12.119
<v Speaker 1>But the next big one that comes out, and I

1271
00:55:12.239 --> 00:55:14.480
<v Speaker 1>just looked at wide releases, there could be some limited

1272
00:55:14.480 --> 00:55:16.760
<v Speaker 1>ones we could take a look at. Is the Super

1273
00:55:16.800 --> 00:55:21.119
<v Speaker 1>Mario Brothers Galaxy movie, which I really don't want to do. Yeah, perfect,

1274
00:55:21.440 --> 00:55:23.159
<v Speaker 1>because I was like, if Ben fights for it, I'll

1275
00:55:23.159 --> 00:55:24.840
<v Speaker 1>do it. But I really don't want That's not right.

1276
00:55:25.039 --> 00:55:26.480
<v Speaker 1>It doesn't really fit in with what we do.

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00:55:26.599 --> 00:55:28.559
<v Speaker 3>So I saw the first one when it went on Netflix.

1278
00:55:28.559 --> 00:55:30.119
<v Speaker 3>I didn't go see it or anything like that. And

1279
00:55:30.159 --> 00:55:33.159
<v Speaker 3>I my friends who are gamers, they're talking like, what'd

1280
00:55:33.199 --> 00:55:34.159
<v Speaker 3>you think about it? And I was like, if I

1281
00:55:34.199 --> 00:55:36.440
<v Speaker 3>was a kid, forget about it. Yes, I was like,

1282
00:55:36.519 --> 00:55:39.199
<v Speaker 3>you will never convince me that there was a script

1283
00:55:39.280 --> 00:55:44.960
<v Speaker 3>to that movie. Just showed up every day like, okay,

1284
00:55:45.000 --> 00:55:47.400
<v Speaker 3>what are we going to say today? Jack Flack's over there,

1285
00:55:47.440 --> 00:55:49.760
<v Speaker 3>just jerking around with some music. They're like, oh, we're

1286
00:55:49.760 --> 00:55:52.119
<v Speaker 3>putting that in the movie, like you know, that's how

1287
00:55:52.559 --> 00:55:54.400
<v Speaker 3>that's how that movie came to be. And I have

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00:55:54.440 --> 00:55:56.760
<v Speaker 3>a feeling the sequel will probably be that as well,

1289
00:55:57.039 --> 00:55:59.000
<v Speaker 3>So we'll figure it out over the course of the

1290
00:55:59.000 --> 00:56:02.519
<v Speaker 3>next couple of weeks. Here, the live action Mario Brothers

1291
00:56:02.559 --> 00:56:03.800
<v Speaker 3>movie was better than the cartoon.

1292
00:56:04.000 --> 00:56:07.800
<v Speaker 2>Thank you, Wow, strong words and on that note.

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00:56:07.679 --> 00:56:09.920
<v Speaker 3>Thank you very much. Guys. We'll be back next week

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<v Speaker 3>with Project He'll Marry
