WEBVTT

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<v Speaker 1>If I'm honest, I'd have told you I came to

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<v Speaker 1>cedar Mead for the peace and quiet, for a little

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<v Speaker 1>air that tastes faintly of grass and flour, for soft

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<v Speaker 1>mornings with a fresh roll beside the window, and the sharp,

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<v Speaker 1>honest angle of sunlight slashing through half tinted glass. In

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<v Speaker 1>my thirty eight years on the rails, I'd marked my

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<v Speaker 1>days in half hour blocks, every minute accounted for between

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<v Speaker 1>stations and scheduled arrivals. On the first afternoon of my retirement,

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<v Speaker 1>I promised myself two things. I'd try every village bakery

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<v Speaker 1>my train used to skirt, and I'd never again set

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<v Speaker 1>an alarm. Cedar Mead was supposed to be a first

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<v Speaker 1>stop on that gentle campaign for loaf and leisure. The

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<v Speaker 1>train station sat like a worn down pebble on the

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<v Speaker 1>edge of the valley, a low stone building, almost embarrassed

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<v Speaker 1>by its own newness, since it had been rebuilt after

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<v Speaker 1>a spring flood a decade ago. My own watch ticks

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<v Speaker 1>steadily as I lugged my bag up the lane toward

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<v Speaker 1>the heart of the village, winding past hawthorn hedges and small,

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<v Speaker 1>neat gardens, the kind that seem always a day removed

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<v Speaker 1>from peak bloom. Cedar Mead's main street was just as

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<v Speaker 1>I'd pictured it, slate roofs crowding low above crooked yellow bricks,

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<v Speaker 1>shop windows full of practical cakes and knitted things. At

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<v Speaker 1>the center, a clock tow perched atop the town hall,

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<v Speaker 1>its face wide and friendly hands, burnished almost silver by

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<v Speaker 1>some combination of care and time. I squinted up three

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<v Speaker 1>twelve by the tower's reckoning early afternoon, which felt about

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<v Speaker 1>right after my slow walk from the platform. Crossing toward

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<v Speaker 1>the post office, a squat building with a fussy blue

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<v Speaker 1>and white awning, I glimpsed another clock, peeking out above

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<v Speaker 1>the postmaster's door. Out of habit, I checked for confirmation

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<v Speaker 1>three fourteen. Unless my eyes were tricking me, it was

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<v Speaker 1>off by a full two minutes from the tower. I paused,

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<v Speaker 1>then fished my own pocket watch from my jacket, winding

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<v Speaker 1>it open with a flick of my finger. Three seventeen.

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<v Speaker 1>I frowned each clock out of step, but not enough

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<v Speaker 1>to set off an alarm or claim malfunction. There was

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<v Speaker 1>no subtle shuddering tick or clanky hesitation. Both clocks I

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<v Speaker 1>saw moved confidently, easily as if the difference was intentional.

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<v Speaker 1>I moved on two doors down. The bakery's windows steamed

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<v Speaker 1>in slow, fragrant waves. Inside, a round old clock on

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<v Speaker 1>the wall presided over baskets of crusty loaves three nineteen,

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<v Speaker 1>now slightly ahead of the others. A woman in a

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<v Speaker 1>red scarf bustled by and called over her shoulder, if

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<v Speaker 1>you want a walnut loaf, best be here by quarter

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<v Speaker 1>past bakery time. She grinned at the baker, who replied,

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<v Speaker 1>says you, post office time still means half a batch left.

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<v Speaker 1>I hovered invisible for the moment. No one seemed even

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<v Speaker 1>to register that three clocks hung within eyeshot of one

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<v Speaker 1>another were marking not only different minutes, but different moods.

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<v Speaker 1>When I drifted outside, still clutching my bag, I realized

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<v Speaker 1>I'd stood in the square for five steady minutes, just staring,

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<v Speaker 1>uncertain whether I'd fallen behind or if the village was

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<v Speaker 1>somehow blissfully ahead. Across the way, a sturdy man with

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<v Speaker 1>a newspaper tucked under his arm nodded at me, as

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<v Speaker 1>if to check my presence off on some invisible ledger.

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<v Speaker 1>Lovely afternoon by sun dial time, he said, nodding up

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<v Speaker 1>the street, where a faded stone disc stood among the daffodils.

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<v Speaker 1>My old career trained me to notice small misalignments, a

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<v Speaker 1>distant signal showing yellow when the time card called for green,

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<v Speaker 1>the slight hush before a late engine's whistle cedar meade

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<v Speaker 1>I could already see was composed of just such tiny departures.

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<v Speaker 1>Yet here everyone behaved as though they lived on an intricate,

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<v Speaker 1>invisible schedule no visitor could see, but which was apparently

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<v Speaker 1>just as binding as a conductor's whistle or the click

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<v Speaker 1>of the station clock. I thought, unexpected, how much more

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<v Speaker 1>interesting my retirement might be than i'd planned. Missus Jellard's

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<v Speaker 1>guest house is what the guide book would call well appointed,

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<v Speaker 1>but that's the sort of phrase that makes comfort sound

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<v Speaker 1>like furniture. There's a reading chair beneath the east window,

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<v Speaker 1>cushions only a little faded, and in the hallway an

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<v Speaker 1>umbrella stand polished her rare soft glow. The mantle in

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<v Speaker 1>my room bears an old brass clock, squat and serious.

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<v Speaker 1>Its dial marked the hour at three twenty one. I

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<v Speaker 1>set my bag down, carefully, wiped contral dust from my shoes,

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<v Speaker 1>and pressed the winding key gently. The clock's hands shivered,

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<v Speaker 1>then settled on the dresser lay a note wind each evening.

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<v Speaker 1>Not a minute more she found me in the doorway,

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<v Speaker 1>a legend in slippers and a sky blue cardigan, her

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<v Speaker 1>cheeks full as a hot scone. You're the one from

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<v Speaker 1>the train, yes, she asked her vowels bright as a bell.

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<v Speaker 1>I remembered my note. Gerald keys railman retired. But don't

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<v Speaker 1>let that put you off. I snored gently, and keep

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<v Speaker 1>my shoes outside. Missus jellard Elsie, it's a joy. Breakfast

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<v Speaker 1>is at half past tower and supper by bakery. But

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<v Speaker 1>I'll bang the gong for strays. She caught my bewildered

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<v Speaker 1>glance at the clock. Oh don't mind that tower. Time

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<v Speaker 1>for breakfast, bakery for supper is the old way. I

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<v Speaker 1>met half the village before seven that first evening. Tom

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<v Speaker 1>at the bakery, flower on his collar, Molly the school teacher,

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<v Speaker 1>glasses swinging from a chain as she counted coins for

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<v Speaker 1>a fundraiser, Reverend Sims, whose hand shake lasted slightly longer

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<v Speaker 1>than his greeting, and Arthur behind the post office counter,

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<v Speaker 1>eternally scribbling in a slim brown ledger. The bus arrived

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<v Speaker 1>in a hush of wet tires as the post office

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<v Speaker 1>clock struck six, and a string of villagers darted aboard,

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<v Speaker 1>one waving behind at the tower, which announced six o five.

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<v Speaker 1>Meals and chaws unraveled in delicate little eddies of time.

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<v Speaker 1>Tom clap his hands together, called tea by bakery clock now,

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<v Speaker 1>and half the morning que trickled inside, watches pressed to

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<v Speaker 1>their ears. Church bells rang not according to Big Ben,

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<v Speaker 1>but to whatever minute the reverend set, bold and implacable

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<v Speaker 1>fifteen feet above his head. Molly hustled a knot of

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<v Speaker 1>children into the class room at quarter past bakery, although

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<v Speaker 1>the schoolhouse clock showed quarter after ten. The bus driver,

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<v Speaker 1>a ginger haired woman in a crisp jacket, departed precisely

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<v Speaker 1>by post office time. I's never straying to tower or bakery.

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<v Speaker 1>I found myself fielding the odd look as I double

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<v Speaker 1>checked my watch against the nearest wall face. My old

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<v Speaker 1>engineer's habit made it hard to let such things pass.

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<v Speaker 1>Every time I thought I'd caught up a quick calculation

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<v Speaker 1>a new set of minutes, something shifted five minutes ahead

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<v Speaker 1>on this clock, three behind on that. A different answer

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<v Speaker 1>from each Missus Jellard caught me at it one afternoon,

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<v Speaker 1>shaking her head. If you try to fit it all

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<v Speaker 1>in one line, Gerald, you'll never have a proper breakfast.

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<v Speaker 1>Later that evening, I found myself quietly aligned to a

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<v Speaker 1>new pattern I'd never been told, watching as school children

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<v Speaker 1>collected at the bakery for half past bakery. Families met

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<v Speaker 1>on the green ten after post office, and no one

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<v Speaker 1>seemed to hesitate over whose time applied in which corner

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<v Speaker 1>of the village. There was a quiet choreography at work here,

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<v Speaker 1>a patchwork of clocks, but not at odds, each performing

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<v Speaker 1>its proper part, each sign posting its own small world.

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<v Speaker 1>I didn't know it yet, but I was already watching

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<v Speaker 1>for the sea. Friday morning dawned with pink cloud piled

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<v Speaker 1>up behind the silhouetted tower. I had arranged to meet Jamie,

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<v Speaker 1>Missus Jellard's nephew for a stroll up to the old

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<v Speaker 1>Stone Mill. A short walk promised us ten o'clock at

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<v Speaker 1>the square. I set my watch old Habits, unwilling to surrender.

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<v Speaker 1>There was a pleasure in being punctual, a lifetime had

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<v Speaker 1>convinced me. So I arrived at the square to find Jamie,

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<v Speaker 1>lacing his boots by the horse trough rucksack on his back,

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<v Speaker 1>his cheeks damp with morning effort. He blinked at me, startled,

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<v Speaker 1>Uncle Gerald, I thought you de changed your mind. I

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<v Speaker 1>waited ten minutes, then figured i'd stroll round before heading back.

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<v Speaker 1>I frowned, glancing at my pocket watch. I'm exactly on time.

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<v Speaker 1>Ten sharp, He pointed up at the clock tower, a

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<v Speaker 1>jeweler's loop for a moment in his squint, ten passed

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<v Speaker 1>by the tower, but the post office, says, I pedantically

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<v Speaker 1>crossed the square barely five past. Jamie pulled out a

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<v Speaker 1>battered phone. Church time as almost quarter past? Didn't you see?

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<v Speaker 1>Standing before three clocks tower, post office and the brass

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<v Speaker 1>plate by the bakery window. We compared, confirmed, even synchronized,

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<v Speaker 1>and wound up thoroughly mystified, Jamie grinned sheepishly. It's always

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<v Speaker 1>a game, isn't it. You don't mind, do you? No?

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<v Speaker 1>I allowed, mostly amused, though inside I chafed at the contradiction.

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<v Speaker 1>Just seems a puzzle. No one's in a hurry to solve,

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<v Speaker 1>he laughed, swinging his knapsack over his shoulder. I don't

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<v Speaker 1>think there's a prize if you finish, Uncle Gerald. He

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<v Speaker 1>kicked at a pebble and started up the lane, letting

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<v Speaker 1>me catch up in silence. I tried again that afternoon,

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<v Speaker 1>arranging with Tom to meet for a bier at six o'clock.

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<v Speaker 1>He nodded under the chestnut tree by bakery time right,

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<v Speaker 1>I let him decide. Determined not to slip behind, I

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<v Speaker 1>watched the bakery clock from across the street, making my

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<v Speaker 1>way over as the minute hand ticked past six, and

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<v Speaker 1>found Tom just finishing his pint, waving my empty seat

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<v Speaker 1>with a floury hand. I must have got caught up,

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<v Speaker 1>he said, not fuss. I guess you're right on time,

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<v Speaker 1>depending which timer you trust. I began to suspect that

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<v Speaker 1>trust was at the heart of the matter, that and

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<v Speaker 1>a deliberate, practiced willingness to let difference slide. By Saturday,

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<v Speaker 1>I'd surrendered any hope of remaining a passive observer. I

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<v Speaker 1>borrowed a note book from missus Jellard's desk, a ragged

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<v Speaker 1>affair with pencil stubbs tucked into its spine, and set

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<v Speaker 1>off to count clocks. The church tower eight thirty one,

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<v Speaker 1>ringing the hour with full bell, throated confidence, the post

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<v Speaker 1>office eight thirty four, its second hand aloft like a flag.

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<v Speaker 1>Bakery eight thirty six, Tom inside, arranging loaves with precision,

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<v Speaker 1>school House eight thirty eight, the children queuing for morning assembly,

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<v Speaker 1>the market's stall nine thirty, its owner already packing away,

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<v Speaker 1>with the pace of a man running late by one

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<v Speaker 1>clock but not another. The sun dial in the park court,

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<v Speaker 1>just enough sun to cast a fat little shadow, announcing

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<v Speaker 1>nine fifteen, which seemed more hopeful than precise. Not one

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<v Speaker 1>of these clocks lagged or raced. I set my own watch,

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<v Speaker 1>repeatedly tried to match, first the church, then the bakery,

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<v Speaker 1>then the post office. Each time the drift returned, a

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<v Speaker 1>minute gained too lost, always floating gently out of co operation,

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<v Speaker 1>as though tugged by a hidden current. No one else

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<v Speaker 1>seemed drawn to this stranger synchrony. School children in bright jackets,

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<v Speaker 1>clustered at the bakery after lessons, comparing pocket watches and

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<v Speaker 1>joking about catching up to Arthur before he closes the post.

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<v Speaker 1>The bus bearing its small clutch of travelers, always left

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<v Speaker 1>on post office clock, the driver pausing her sandwich only

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<v Speaker 1>when the minute hand squared up to its proper station.

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<v Speaker 1>In missus Jellard's sitting room, the mantelpiece clock ticked steadily,

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<v Speaker 1>earnest and slow, while a grandfather clock in the hall

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<v Speaker 1>declared itself a full four minutes ahead for supper. At

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<v Speaker 1>least once I caught Molly penciling lesson times on the blackboard,

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<v Speaker 1>correcting herself. Not bakery, post office, No wait, not on Tuesdays.

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<v Speaker 1>The children rolled their eyes. We know, Miss I grew

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<v Speaker 1>increasingly amused by the precision with which confusion was avoided.

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<v Speaker 1>At the bus stop, the timetable, posted crisply above the

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<v Speaker 1>shelter read all services depart by post office clock check

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<v Speaker 1>before queuing. I asked Molly over a cup of tea

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<v Speaker 1>if she found all this juggling difficult. She looked at

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<v Speaker 1>me utterly serene. Oh, not really. You just get used

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<v Speaker 1>to thinking in layers. If you miss one, there's always

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<v Speaker 1>another clock to catch. I flipped through the guest house

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<v Speaker 1>visitors log seeking patterns, doctor Salt appearing from nowhere during breakfast, confided,

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<v Speaker 1>if I kept appointments by church time, I'd never see

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<v Speaker 1>a patient after lunch. The trick is not letting the

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<v Speaker 1>clocks rush you. Ducking into the library, a low sun

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<v Speaker 1>dusted room full of the smell of crumbling leather and beeswax.

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<v Speaker 1>I shuffled through bundles of old council bulletins. Each advertised event,

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<v Speaker 1>each meeting, each fate was punctuated, always by which clock's

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<v Speaker 1>time applied by tower time at dusk or meeting at

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<v Speaker 1>quarter past bakery time Tuesday last. So familiar, so gentle

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<v Speaker 1>in its deliberateness, Yet something some essential contradiction still pressed

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<v Speaker 1>at the edges. If all these faces kept such exact discrepancies,

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<v Speaker 1>why did no one mind? Or was I the only

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<v Speaker 1>one who'd ever made a list? I carried my diagram

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<v Speaker 1>home that night, a constellation of clocks mapped out in

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<v Speaker 1>colored pencil. Unlike any time table I'd ever issued in

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<v Speaker 1>my career, here every minute was claimed by more than

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<v Speaker 1>one owner, and none contested. The point I was beginning

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<v Speaker 1>to suspect there was a method within the apparent madness,

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<v Speaker 1>though not a method I'd ever been taught at signal school.

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<v Speaker 1>I gave up my watch the next morning, at least

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<v Speaker 1>in spirit. The sun rose high, and yellow roof tiles

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<v Speaker 1>shimmering in a slow early heat, and I made myself

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<v Speaker 1>part of the village's easy bustle I followed the bakery crowd,

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<v Speaker 1>standing in line at what I guessed was the busiest time,

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<v Speaker 1>watching Tom slap dough and chat through the open window.

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<v Speaker 1>A rush of laughter signaled school children racing off again,

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<v Speaker 1>debates over bakery or school house time filling the air.

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<v Speaker 1>It struck me that the tide of the day wasn't

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<v Speaker 1>a tide at all, but a series of overlapping eddies,

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<v Speaker 1>moments of rush and lull, pangs of hunger, stoked and satisfied.

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<v Speaker 1>Appointments kept and missed, all according to which clock, whose routine.

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<v Speaker 1>When I brought up my observation to missus Jellard, she brightened,

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<v Speaker 1>that's right, dear, the morning belongs to Tom at least

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<v Speaker 1>until church bells ring afternoons more for the post and

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<v Speaker 1>sundial time is best for slipping away. I caught the

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<v Speaker 1>phrase belong That was it. Each clock demarcated a piece

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<v Speaker 1>of the day, laid claim to its own rhythms. People

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<v Speaker 1>streamed toward the schoolhouse for lessons by bakery's reckoning, but

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<v Speaker 1>errands to the green or market followed the post office clock.

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<v Speaker 1>The bells on the church didn't call the hour they

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<v Speaker 1>claimed territory. Young Martha Tom's daughter explained it another way.

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<v Speaker 1>If you want to find someone, go by the clock

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<v Speaker 1>that fits. My mum says, it's a mercy when the

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<v Speaker 1>tower lags behind, gives her more time. Before the rush

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<v Speaker 1>on cakes, children huddled by the bench besides the bakery

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00:15:20.360 --> 00:15:24.679
<v Speaker 1>traded cards illustrated with the various famous clock line ups.

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<v Speaker 1>Remember last year when the market was ahead of the

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<v Speaker 1>bakery by four whole minutes, we got two breaks. They

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<v Speaker 1>dealt cards with scandalous mismatches, amusement, masking the pride in

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<v Speaker 1>knowing Cedar Meade's strange choreography. Every event, every meeting was

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<v Speaker 1>calibrated not to a single overriding schedule, but to whichever

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00:15:45.639 --> 00:15:50.480
<v Speaker 1>cycle best suited need or tradition. No arguments, no bickering

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<v Speaker 1>over tardiness. The clocks were both boundary and invitation. Was

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00:15:55.600 --> 00:15:59.679
<v Speaker 1>this an accident, a patchwork quilt left from generations slowly

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00:15:59.720 --> 00:16:02.840
<v Speaker 1>tipped minutes one way or another, Or had some one,

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<v Speaker 1>once upon a time designed this mosaic of difference? And

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<v Speaker 1>if so, why I kept that question close Each hour

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<v Speaker 1>I spent in the village, I was less convinced these

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00:16:13.919 --> 00:16:17.840
<v Speaker 1>differences were mere remnants. There was an intention here, Maybe

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00:16:17.879 --> 00:16:21.320
<v Speaker 1>too subtle to state aloud. If so, what kind of

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00:16:21.440 --> 00:16:24.679
<v Speaker 1>order would choose to weave its days out of contradictions.

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<v Speaker 1>For the first time in many trips, I turned to

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<v Speaker 1>a true expert, mister Avery, retired horologist and keeper of

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<v Speaker 1>the village clocks, A man as thin and smooth as

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<v Speaker 1>a pendulum rod, was said to walk the lanes every Thursday,

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<v Speaker 1>winding and adjusting as his father had before him. I

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<v Speaker 1>found him at the foot of the church tower, stooped

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<v Speaker 1>before a small hatch, his toolkit opened like a surgeon's tray.

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<v Speaker 1>Mister Avery, I ventured, his hands, spotted and precise, didn't pause.

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<v Speaker 1>You're the new man keys, isn't it, missus? Jellard said,

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<v Speaker 1>you come hunting answers, I admitted as much, adding you

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00:17:04.759 --> 00:17:07.759
<v Speaker 1>do a fine job. But most places I know prefer

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00:17:07.839 --> 00:17:12.480
<v Speaker 1>their clocks to agree, he smiled barely. We check each

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<v Speaker 1>one every week. Bits of copper, touch of oil, nothing

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00:17:16.000 --> 00:17:18.880
<v Speaker 1>left to drift. But they're not meant to match. Not here,

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00:17:20.039 --> 00:17:24.559
<v Speaker 1>why not? I pressed, mister Avery regarded the clock's works

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00:17:24.599 --> 00:17:28.559
<v Speaker 1>tools poised. Why not is a larger puzzle? The patterns

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00:17:28.599 --> 00:17:33.720
<v Speaker 1>older than me, These constellations always changing, never repeating exactly

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00:17:34.200 --> 00:17:40.440
<v Speaker 1>never allowed to drift too close constellations, I echoed. He turned,

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00:17:40.519 --> 00:17:44.720
<v Speaker 1>gestured upward. You've seen maps of stars, patterns in the difference,

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00:17:44.839 --> 00:17:48.000
<v Speaker 1>not in the sameness. Cedar needs much the same, But

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00:17:48.079 --> 00:17:51.680
<v Speaker 1>our stars are hours, not light. I left him to

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00:17:51.720 --> 00:17:56.359
<v Speaker 1>his tune up brain, humming with unfamiliar harmonies. The next

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<v Speaker 1>morning I found the bakery clock freshly wound and form

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<v Speaker 1>in its ahead of the tower. Tom winked at me,

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00:18:03.079 --> 00:18:06.480
<v Speaker 1>as if the whole show was for my benefit alone.

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00:18:06.839 --> 00:18:09.759
<v Speaker 1>Later that week I asked Arthur at the post office,

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00:18:10.119 --> 00:18:13.160
<v Speaker 1>a man built entirely of pockets and ledges, when the

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00:18:13.200 --> 00:18:16.640
<v Speaker 1>clocks had last been in perfect step. His response was

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<v Speaker 1>as tidy as his counter not as far as I know, sir.

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00:18:20.440 --> 00:18:24.519
<v Speaker 1>Perfect agreement begets perfect confusion, and nobody knows who's in

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00:18:24.640 --> 00:18:27.559
<v Speaker 1>charge of the cakes or the sermons. The trick is

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00:18:27.680 --> 00:18:31.400
<v Speaker 1>knowing which minute belongs to whom. It was clear by

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00:18:31.440 --> 00:18:34.440
<v Speaker 1>now I was not the first, nor even the hundredth

295
00:18:34.559 --> 00:18:38.319
<v Speaker 1>to notice the divergence. What surprised me was how serenely

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00:18:38.400 --> 00:18:43.839
<v Speaker 1>every one managed not indifference but deep practiced participation. Each

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00:18:43.960 --> 00:18:47.640
<v Speaker 1>villager inhabited not one temporal reality, but half a dozen

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00:18:48.039 --> 00:18:50.960
<v Speaker 1>moving between them. As easily as crossing from one side

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<v Speaker 1>of the street to another. If anything, time in cedar

300
00:18:54.640 --> 00:18:57.599
<v Speaker 1>Mead was less a river and more a weaving, a

301
00:18:57.640 --> 00:19:02.640
<v Speaker 1>thing not to be followed in one straight line, but negotiated, occasionally, knotted,

302
00:19:02.920 --> 00:19:07.160
<v Speaker 1>always particular. The more I pressed, the less certain I

303
00:19:07.240 --> 00:19:10.039
<v Speaker 1>became which part of the system was cause and which

304
00:19:10.119 --> 00:19:13.759
<v Speaker 1>was effect. My need for answers had reached a point

305
00:19:13.839 --> 00:19:18.039
<v Speaker 1>past gentle curiosity. It was now a challenge. I set

306
00:19:18.039 --> 00:19:21.839
<v Speaker 1>about tracing history in Earnest, determined to catch cedar Meade's

307
00:19:21.920 --> 00:19:26.720
<v Speaker 1>secret untangling itself. The village library sat low beneath a

308
00:19:26.839 --> 00:19:30.640
<v Speaker 1>thatched roof, its bell pull frayed from generations of gentle

309
00:19:30.680 --> 00:19:35.759
<v Speaker 1>requests for entry inside. Blinking through a sunbeam thick with dust,

310
00:19:36.119 --> 00:19:39.880
<v Speaker 1>I asked the librarian, Missus Hargreaves, for council records on

311
00:19:39.920 --> 00:19:43.759
<v Speaker 1>the clocks we agreed on post office time for my visit.

312
00:19:44.000 --> 00:19:46.559
<v Speaker 1>At least, I thought so. She welcomed me with a

313
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<v Speaker 1>smile as the tower bell rang, saying you're early by church,

314
00:19:51.000 --> 00:19:54.960
<v Speaker 1>precisely right by town hall. In a back corner lay

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00:19:55.000 --> 00:19:58.440
<v Speaker 1>decades of ledgers cataloged thinly on shelves too shallow for

316
00:19:58.480 --> 00:20:02.279
<v Speaker 1>their seriousness. I they started with the most recent, working backward,

317
00:20:02.599 --> 00:20:05.640
<v Speaker 1>every entry catalog, who wound, which clock, which face was

318
00:20:05.680 --> 00:20:09.359
<v Speaker 1>adjusted for market days, church feasts, even the odd sports

319
00:20:09.400 --> 00:20:13.480
<v Speaker 1>event a flickering margin read moved bakery ahead three minutes

320
00:20:13.519 --> 00:20:17.599
<v Speaker 1>for harvest festival per committee vote, or sundial shifted to

321
00:20:17.640 --> 00:20:22.519
<v Speaker 1>a line with church time duration one week. The father

322
00:20:22.599 --> 00:20:25.279
<v Speaker 1>I looked the odd of the pattern, the intervals, always

323
00:20:25.359 --> 00:20:29.119
<v Speaker 1>shifting a new configuration each year, never quite returning to

324
00:20:29.160 --> 00:20:32.960
<v Speaker 1>the same. Some years the clocks were closely packed, differences

325
00:20:33.000 --> 00:20:36.400
<v Speaker 1>barely a minute in others wildly outstretched post office a

326
00:20:36.480 --> 00:20:40.039
<v Speaker 1>full tenor head of market, and always the language market

327
00:20:40.079 --> 00:20:43.920
<v Speaker 1>clock shall rule stalls this November sermons accorded to tower

328
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<v Speaker 1>time pending repairs. The voices of old committee minutes carried

329
00:20:47.839 --> 00:20:52.559
<v Speaker 1>as much comfort as authority, as if reporting tides. Older

330
00:20:52.599 --> 00:20:55.720
<v Speaker 1>notebooks bound in linen and foxed at the corners held

331
00:20:55.759 --> 00:20:59.839
<v Speaker 1>stranger wisdoms nine's time for haymaking, as was tradition, and

332
00:21:00.039 --> 00:21:03.839
<v Speaker 1>de mar Jellard let Oxen's bell signal new moon sup

333
00:21:03.880 --> 00:21:07.400
<v Speaker 1>before rival crows call. The further back the more the

334
00:21:07.440 --> 00:21:11.799
<v Speaker 1>reference stood, independent of any mechanical clock. Hours divided by

335
00:21:11.839 --> 00:21:17.960
<v Speaker 1>animal calls, sun position, church bells outpacing crowing roosters between

336
00:21:18.000 --> 00:21:21.200
<v Speaker 1>the tallies. I penciled my own diagram year on year,

337
00:21:21.480 --> 00:21:26.079
<v Speaker 1>a constellation in shifting minutes. The connections emerged slowly whenever

338
00:21:26.119 --> 00:21:29.000
<v Speaker 1>the clocks were particularly far apart. There was a notation

339
00:21:29.119 --> 00:21:34.640
<v Speaker 1>about crisis avoided, flood abated, church time rung, late, townspeople spared,

340
00:21:35.240 --> 00:21:39.839
<v Speaker 1>frost struck, early, festival still completed by bakery's hour. No

341
00:21:39.920 --> 00:21:43.160
<v Speaker 1>one wrote how this had helped, but the implication rippled

342
00:21:43.200 --> 00:21:46.440
<v Speaker 1>like a shadow through the ledges. During the week day

343
00:21:46.480 --> 00:21:49.720
<v Speaker 1>dinner at missus Jellard's, she all but insisted I accompany

344
00:21:49.839 --> 00:21:53.599
<v Speaker 1>her to the coming harvest festival, a date she reminded

345
00:21:53.599 --> 00:21:57.480
<v Speaker 1>me entirely bakery time this year, though we swapped from

346
00:21:57.519 --> 00:22:02.240
<v Speaker 1>market after last October's reign. Her smile dared me to remember.

347
00:22:03.279 --> 00:22:06.680
<v Speaker 1>At the market, beneath a sky, uneasy with cloud, I

348
00:22:06.720 --> 00:22:10.480
<v Speaker 1>asked the elderly doctor Salt about clock alignments. He leaned

349
00:22:10.480 --> 00:22:14.559
<v Speaker 1>against the hay bales. Boasting village survived the Great Frieze

350
00:22:14.559 --> 00:22:18.680
<v Speaker 1>by being late by bakery clock. Only mind you, post

351
00:22:18.720 --> 00:22:22.279
<v Speaker 1>office would have left us knee deep. I laughed, but

352
00:22:22.359 --> 00:22:26.599
<v Speaker 1>the fun faded into stubborn curiosity. Some one or something

353
00:22:26.960 --> 00:22:30.599
<v Speaker 1>had molded this system, adjusted it year by year, as

354
00:22:30.599 --> 00:22:34.359
<v Speaker 1>though in subtle conversation with whatever risks and fortunes shaped

355
00:22:34.359 --> 00:22:37.720
<v Speaker 1>the valley. Out by the hedgerow, a pair of bird

356
00:22:37.720 --> 00:22:41.799
<v Speaker 1>watchers compared checklists in hushed tones. I greeted them privately,

357
00:22:41.839 --> 00:22:45.079
<v Speaker 1>hoping for gossip, and one, a professor from the university

358
00:22:45.279 --> 00:22:50.000
<v Speaker 1>come to track warbler migrations, smiled wryly. Funny thing. Your clocks,

359
00:22:50.160 --> 00:22:53.279
<v Speaker 1>she said, counted the minutes on years. The bakery lad

360
00:22:53.359 --> 00:22:57.440
<v Speaker 1>birds nested earlier. The mismatches over decades almost seemed to

361
00:22:57.480 --> 00:23:00.599
<v Speaker 1>follow odd weather patterns. I doubt it's on purpose, but

362
00:23:00.680 --> 00:23:04.680
<v Speaker 1>the echoes are there. I felt the scale's tip, the

363
00:23:04.720 --> 00:23:08.599
<v Speaker 1>constellations of minutes, the old ways of keeping time, not uniform,

364
00:23:08.680 --> 00:23:12.880
<v Speaker 1>but flexible, mapped and remapped, always reshaped in step with

365
00:23:12.960 --> 00:23:18.359
<v Speaker 1>something larger, the weather, the seasons. The birds overhead cedar

366
00:23:18.440 --> 00:23:22.279
<v Speaker 1>meads times weren't just tradition, nor were they accident. They

367
00:23:22.319 --> 00:23:26.039
<v Speaker 1>formed a living, breathing web, grown out of and into

368
00:23:26.400 --> 00:23:29.640
<v Speaker 1>the very patterns of chance and survival, threading the valley.

369
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<v Speaker 1>As the festival wound down, sunlight angling gold across the

370
00:23:34.480 --> 00:23:37.680
<v Speaker 1>cricket Green. I watched people pack up according to three

371
00:23:37.720 --> 00:23:41.880
<v Speaker 1>different hour chimes, each content in their own reckoning. The

372
00:23:41.920 --> 00:23:45.880
<v Speaker 1>bus departed on time, but whose time even the driver

373
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<v Speaker 1>couldn't quite say. The question I'd carried from the railway

374
00:23:49.799 --> 00:23:53.319
<v Speaker 1>platform now felt larger. If this was a system, who

375
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<v Speaker 1>or what truly kept it running? Were these clocks merely

376
00:23:57.000 --> 00:24:01.640
<v Speaker 1>followers or secret stubborn leaders guiding hundreds of villagers in

377
00:24:01.680 --> 00:24:05.799
<v Speaker 1>a dance, half ritual, half resilience. It was as far

378
00:24:05.880 --> 00:24:09.640
<v Speaker 1>from the mechanical certainty of train travel as I'd ever wandered,

379
00:24:10.119 --> 00:24:13.440
<v Speaker 1>but I couldn't imagine anywhere else in that moment I'd

380
00:24:13.559 --> 00:24:17.200
<v Speaker 1>rather have been. I left the cricket Green trailing half

381
00:24:17.240 --> 00:24:20.599
<v Speaker 1>a thought and the after taste of baked apples. Dusk

382
00:24:20.720 --> 00:24:23.359
<v Speaker 1>was settling heavily on the hedgerows, pulling the cool up

383
00:24:23.359 --> 00:24:26.079
<v Speaker 1>from the grass, and I walked back to Missus jellard

384
00:24:26.599 --> 00:24:30.240
<v Speaker 1>Es with my head swimming with possibilities. My notebook was

385
00:24:30.279 --> 00:24:33.240
<v Speaker 1>still in my coat pocket, corners softening in the warmth

386
00:24:33.240 --> 00:24:36.640
<v Speaker 1>of my palm, its pages covered with times and lines

387
00:24:36.680 --> 00:24:41.079
<v Speaker 1>and criss crossing arrows, ambition barely contained by ruled margins.

388
00:24:42.079 --> 00:24:45.960
<v Speaker 1>The baker's bell rang somewhere behind me, its chime carrying

389
00:24:46.000 --> 00:24:50.359
<v Speaker 1>over the laughter and chattering of neighbors dismantling festival tents

390
00:24:50.599 --> 00:24:54.880
<v Speaker 1>according to their own private timings. At supper, the guest

391
00:24:54.880 --> 00:24:58.039
<v Speaker 1>house was swelling with the gentle chaos of festival leftovers.

392
00:24:58.480 --> 00:25:02.559
<v Speaker 1>Someone had brought onions some elsesider. Missus Jellard, flushed with

393
00:25:02.640 --> 00:25:05.240
<v Speaker 1>pride and smoke from the kitchen, felt it only right

394
00:25:05.319 --> 00:25:08.680
<v Speaker 1>that I be introduced between slices of pumpkin pie to

395
00:25:08.759 --> 00:25:12.440
<v Speaker 1>Molly's mother and Reverend Sims, never seen husband, fresh from

396
00:25:12.480 --> 00:25:15.920
<v Speaker 1>a job in Lincoln, now describing the peculiar punch of

397
00:25:15.960 --> 00:25:19.599
<v Speaker 1>Cedar Mead's weather. At a lull, Sims asked how I

398
00:25:19.680 --> 00:25:23.240
<v Speaker 1>was getting on with our elusive clocks. It's not the

399
00:25:23.279 --> 00:25:26.920
<v Speaker 1>clocks that confuse me, I said, honestly, but how every

400
00:25:26.920 --> 00:25:30.000
<v Speaker 1>one seems exactly where they need to be, without ever

401
00:25:30.119 --> 00:25:33.920
<v Speaker 1>needing to agree on what time it actually is. Tom

402
00:25:33.960 --> 00:25:37.599
<v Speaker 1>the baker mouthfull pointed at me, that's only because you're

403
00:25:37.640 --> 00:25:42.319
<v Speaker 1>thinking in straight lines. Cedar Meads more like, well, imagine

404
00:25:42.400 --> 00:25:45.799
<v Speaker 1>every person traveling on their own gentle tide. If our

405
00:25:45.839 --> 00:25:48.680
<v Speaker 1>clocks met up too neatly, there'd be nowhere new for

406
00:25:48.759 --> 00:25:53.200
<v Speaker 1>any one to go. Molly's mother grinned, he's right, you know.

407
00:25:53.720 --> 00:25:56.319
<v Speaker 1>I once tried to reset my kitchen clock to match

408
00:25:56.319 --> 00:26:00.119
<v Speaker 1>the bakery burnt the scones every morning for a week.

409
00:26:00.559 --> 00:26:03.359
<v Speaker 1>There was laughter and a story about a market day

410
00:26:03.359 --> 00:26:05.839
<v Speaker 1>when the sun dial ran fast and a cart full

411
00:26:05.880 --> 00:26:08.559
<v Speaker 1>of plums was saved from the sun. And after a moment,

412
00:26:08.720 --> 00:26:12.440
<v Speaker 1>some one started singing sweet and off key about nine's

413
00:26:12.519 --> 00:26:15.839
<v Speaker 1>time and crows call. The words felt older than the

414
00:26:15.880 --> 00:26:19.559
<v Speaker 1>sealing beams, the chorus trailing off into giggles, but again

415
00:26:19.680 --> 00:26:23.039
<v Speaker 1>the same message. Every marker was at once real and

416
00:26:23.119 --> 00:26:27.759
<v Speaker 1>a little bit negotiable. I found myself asking, more directly

417
00:26:27.799 --> 00:26:31.000
<v Speaker 1>than before, has it always been this way? Here? Did

418
00:26:31.039 --> 00:26:35.400
<v Speaker 1>you ever want just one time? Arthur the postmaster, shook

419
00:26:35.400 --> 00:26:38.160
<v Speaker 1>his head slowly. Wouldn't know what to do with a

420
00:26:38.200 --> 00:26:41.160
<v Speaker 1>single time, sir, who'd hold the right to the day.

421
00:26:41.599 --> 00:26:44.599
<v Speaker 1>We'd lose half our serendipity and the rest would be

422
00:26:44.640 --> 00:26:49.519
<v Speaker 1>scheduled to death. Somewhere in the exchange, the conversation turned

423
00:26:49.559 --> 00:26:53.440
<v Speaker 1>to railway mishaps and the necessity of precision. Outside the valley,

424
00:26:54.079 --> 00:26:57.119
<v Speaker 1>I felt them eyeing me kindly, letting me chase truth.

425
00:26:57.240 --> 00:27:01.400
<v Speaker 1>So long as I didn't expect one neat answer. That night,

426
00:27:01.559 --> 00:27:05.039
<v Speaker 1>alone in my room, I sat in candlelight, replaying every

427
00:27:05.079 --> 00:27:09.319
<v Speaker 1>conversation in my mind. The clocks themselves were watched, wound,

428
00:27:09.640 --> 00:27:14.160
<v Speaker 1>cared for, kept separate with an obvious, deliberate attention. Yet

429
00:27:14.160 --> 00:27:16.480
<v Speaker 1>the question that now pressed hardest was not how the

430
00:27:16.519 --> 00:27:20.000
<v Speaker 1>system persisted, but why no one challenged its oddity, even

431
00:27:20.039 --> 00:27:24.960
<v Speaker 1>as newcomers arrived, even as time everywhere else congealed into

432
00:27:25.000 --> 00:27:28.960
<v Speaker 1>digital certainty. I wondered if any one ever tried to

433
00:27:29.000 --> 00:27:33.359
<v Speaker 1>step fully outside the system, impose an external schedule, what

434
00:27:33.400 --> 00:27:38.319
<v Speaker 1>would happen? I resolved next day to find out. I

435
00:27:38.400 --> 00:27:40.880
<v Speaker 1>caught Jamie over a mug of chocolate at the bakery,

436
00:27:41.279 --> 00:27:44.279
<v Speaker 1>his boots still carrying a skein of field mud from

437
00:27:44.279 --> 00:27:46.960
<v Speaker 1>the festival, and told him my plan to test the

438
00:27:47.000 --> 00:27:52.680
<v Speaker 1>system by sticking rigidly to outside time. He laughed, do

439
00:27:52.759 --> 00:27:55.640
<v Speaker 1>what you need, uncle Gerald, but you're bound to miss

440
00:27:55.680 --> 00:27:59.200
<v Speaker 1>the good bits. I switched the settings on my phone,

441
00:27:59.519 --> 00:28:02.640
<v Speaker 1>locked my watched to Greenwich meantime, and left them both

442
00:28:02.720 --> 00:28:06.720
<v Speaker 1>buzz and beep on my pillow. No adjustments, no glances

443
00:28:06.759 --> 00:28:10.680
<v Speaker 1>at the village clocks. I would follow strict railway time

444
00:28:10.759 --> 00:28:14.079
<v Speaker 1>for the entire day. I started by aiming to be

445
00:28:14.119 --> 00:28:17.039
<v Speaker 1>first in the bakery q at nine exactly by my phone,

446
00:28:17.519 --> 00:28:20.119
<v Speaker 1>The window only showed a cleaning rag and a sign

447
00:28:20.680 --> 00:28:24.359
<v Speaker 1>back in five. By bakery time, I wandered to the market.

448
00:28:24.720 --> 00:28:27.960
<v Speaker 1>Stalls were being set up with slow deliberation, the owner

449
00:28:28.000 --> 00:28:30.480
<v Speaker 1>of the fruit stand laughing with Molly about the sun.

450
00:28:31.079 --> 00:28:34.359
<v Speaker 1>Ten minutes later, as the post office clock struck, the

451
00:28:34.400 --> 00:28:38.240
<v Speaker 1>place was already busy. My time keeping was, by every measure,

452
00:28:38.400 --> 00:28:42.359
<v Speaker 1>out of alignment. By midday, I'd missed Tom's hot rolls,

453
00:28:42.599 --> 00:28:45.839
<v Speaker 1>Molly's little class of bookworms, and after a brief fluster,

454
00:28:46.319 --> 00:28:49.440
<v Speaker 1>managed to just miss Missus Jellard's tea, arriving as she

455
00:28:49.519 --> 00:28:52.960
<v Speaker 1>was clearing cups and shaking crumbs from the tray. My

456
00:28:53.119 --> 00:28:57.000
<v Speaker 1>phone chirped the next precise quarter hour. Its chirp seemed

457
00:28:57.000 --> 00:28:59.759
<v Speaker 1>not only out of place, but somehow, sitting among the

458
00:28:59.799 --> 00:29:04.759
<v Speaker 1>village's softer chimes, rather rude. I gave up before the afternoon.

459
00:29:04.759 --> 00:29:09.640
<v Speaker 1>Waned my phone and watch told the time precisely objectively,

460
00:29:10.039 --> 00:29:12.240
<v Speaker 1>and it turned out to be a terrible predictor of

461
00:29:12.279 --> 00:29:16.599
<v Speaker 1>Cedar Meade's actual events. Next, at the pub, I found

462
00:29:16.599 --> 00:29:19.160
<v Speaker 1>a small knot of people gathered in the corner, an

463
00:29:19.200 --> 00:29:23.880
<v Speaker 1>empty chair, kept warm by expectation. You're earlier than we thought,

464
00:29:24.039 --> 00:29:27.319
<v Speaker 1>according to the bakery, said Tom, but just in time

465
00:29:27.400 --> 00:29:30.640
<v Speaker 1>by the market. He patted the seat and waited for

466
00:29:30.720 --> 00:29:33.839
<v Speaker 1>me to settle, not a glimmer of impatience in his face.

467
00:29:34.920 --> 00:29:39.000
<v Speaker 1>I noticed the way each person carried, almost unconsciously, a

468
00:29:39.039 --> 00:29:43.279
<v Speaker 1>default clock in their language and their movements. Arthur gesturing

469
00:29:43.279 --> 00:29:46.559
<v Speaker 1>to his wrist whenever the post office clock was mentioned,

470
00:29:46.960 --> 00:29:49.880
<v Speaker 1>Missus Jellard drawing a mental line back to the tower.

471
00:29:50.319 --> 00:29:53.680
<v Speaker 1>Molly rolling her eyes at the schoolhouse bell, but listening

472
00:29:53.720 --> 00:29:57.720
<v Speaker 1>for it. All the same outsiders, people who had lived

473
00:29:57.759 --> 00:30:00.880
<v Speaker 1>here a few years but not all their life, seemed

474
00:30:00.880 --> 00:30:04.359
<v Speaker 1>to walk a little carefully, checking whichever face suited their

475
00:30:04.440 --> 00:30:07.559
<v Speaker 1>errand but never quite discarding the idea that there could

476
00:30:07.599 --> 00:30:11.799
<v Speaker 1>be a single correct time. One such resident, a chef

477
00:30:11.880 --> 00:30:15.240
<v Speaker 1>named Dora, who'd moved from Birmingham the previous autumn, told

478
00:30:15.279 --> 00:30:19.359
<v Speaker 1>me her own adaptation story. First month, she confessed, I

479
00:30:19.400 --> 00:30:21.799
<v Speaker 1>thought you all were winding me up like some posh

480
00:30:21.880 --> 00:30:25.279
<v Speaker 1>country joke. I'd run for appointments only to turn up

481
00:30:25.319 --> 00:30:28.000
<v Speaker 1>early or late, or precisely in the middle of nothing.

482
00:30:28.559 --> 00:30:31.440
<v Speaker 1>After a while, I just stopped caring what my phone said.

483
00:30:31.920 --> 00:30:34.880
<v Speaker 1>Let the clocks sought themselves, I thought, And then things

484
00:30:34.920 --> 00:30:39.000
<v Speaker 1>started to line up. I'm never late, not really not

485
00:30:39.160 --> 00:30:43.039
<v Speaker 1>by the time that matters. A pattern began to emerge.

486
00:30:43.440 --> 00:30:47.079
<v Speaker 1>It wasn't that Cedar Mead existed without time. If anything,

487
00:30:47.400 --> 00:30:50.880
<v Speaker 1>time was more present here than anywhere I'd known. It

488
00:30:51.000 --> 00:30:53.599
<v Speaker 1>was the willingness of the system and the people in

489
00:30:53.640 --> 00:30:57.160
<v Speaker 1>it to work with difference, to lean into discrepancy, and

490
00:30:57.240 --> 00:31:00.359
<v Speaker 1>let habits and needs settle the shape of every day.

491
00:31:01.400 --> 00:31:05.559
<v Speaker 1>The children's games made this clearest. After school, a pack

492
00:31:05.559 --> 00:31:09.119
<v Speaker 1>of half a dozen clustered near the green, comparing watches

493
00:31:09.119 --> 00:31:13.079
<v Speaker 1>and plotting. I whispered, consultation, which clock would govern their

494
00:31:13.119 --> 00:31:17.559
<v Speaker 1>next rendezvous for Hide and seek? Meet at quarter to market?

495
00:31:18.480 --> 00:31:22.000
<v Speaker 1>Too easy. Let's do ten past church, but only if

496
00:31:22.000 --> 00:31:27.160
<v Speaker 1>the bakery bells just rung. Martha, her curls bouncing with impatience,

497
00:31:27.279 --> 00:31:30.240
<v Speaker 1>turned to me. Want to see how it works, mister keys.

498
00:31:30.640 --> 00:31:32.920
<v Speaker 1>We'll pick a time and a clock, see if you

499
00:31:32.960 --> 00:31:37.240
<v Speaker 1>can catch us. Challenge accepted. I waited by the church,

500
00:31:37.519 --> 00:31:40.759
<v Speaker 1>scanning the tower for signs of movement. Every few minutes

501
00:31:41.039 --> 00:31:44.680
<v Speaker 1>chimes rang faintly through the air, the post office, the market,

502
00:31:44.880 --> 00:31:49.000
<v Speaker 1>the bakery window. But the children never materialized. Each time

503
00:31:49.039 --> 00:31:53.160
<v Speaker 1>I thought I'd calculated correctly, they'd reappear elsewhere, laughing and

504
00:31:53.200 --> 00:31:57.079
<v Speaker 1>waving at a safe distance. Each clock's asynchrony multiplied the

505
00:31:57.079 --> 00:32:01.319
<v Speaker 1>permutation of possible meetings, scattering the simplest plan across a

506
00:32:01.359 --> 00:32:05.240
<v Speaker 1>dozen potential minute hands. As I crossed the green later,

507
00:32:05.599 --> 00:32:09.079
<v Speaker 1>Martha found me once more, her hands sticky with toffee.

508
00:32:09.559 --> 00:32:12.839
<v Speaker 1>You can't win at clocks here, she declared, not unkindly,

509
00:32:13.359 --> 00:32:17.480
<v Speaker 1>but that means you're never really losing either. I marveled

510
00:32:17.519 --> 00:32:21.799
<v Speaker 1>at how thoroughly this ethos learned in childhood had permeated

511
00:32:21.839 --> 00:32:25.880
<v Speaker 1>every system I could see. On market day, the village

512
00:32:25.920 --> 00:32:29.400
<v Speaker 1>was an undulating swirl, stalls moving in or out as

513
00:32:29.400 --> 00:32:33.200
<v Speaker 1>the sun faded and the wind rose, each section bustling

514
00:32:33.319 --> 00:32:35.920
<v Speaker 1>or winding down to the cues of its governing clock.

515
00:32:36.680 --> 00:32:41.400
<v Speaker 1>It was the most vivid demonstration yet overlapping coordinated chaos,

516
00:32:41.680 --> 00:32:45.160
<v Speaker 1>not the least hurried or frenetic, indeed a kind of

517
00:32:45.160 --> 00:32:50.640
<v Speaker 1>sustainable communal choreography I'd never seen elsewhere. I walked the lanes,

518
00:32:51.000 --> 00:32:55.759
<v Speaker 1>observing the soft negotiations, the forgiving of tardiness, the tiny

519
00:32:55.799 --> 00:32:59.240
<v Speaker 1>pleasures in finding some one waiting at just the right minute,

520
00:32:59.279 --> 00:33:03.319
<v Speaker 1>even if you're watches disagreed. I began to sense that

521
00:33:03.359 --> 00:33:06.240
<v Speaker 1>Cedar Meade's secret was not the clocks at all, nor

522
00:33:06.279 --> 00:33:10.039
<v Speaker 1>even the management of their mistakes, but the making, deliberate

523
00:33:10.119 --> 00:33:14.519
<v Speaker 1>or not, of human room. Inside each differential, the systems

524
00:33:14.559 --> 00:33:18.160
<v Speaker 1>shaped and were shaped by its users. Time didn't impose,

525
00:33:18.279 --> 00:33:22.599
<v Speaker 1>it flexed. I needed a new angle, a wider history,

526
00:33:22.839 --> 00:33:26.640
<v Speaker 1>and so returned to the library. Missus Hargreaves, presiding behind

527
00:33:26.680 --> 00:33:30.279
<v Speaker 1>the desk, knitting needles in hand, the faint sound of

528
00:33:30.319 --> 00:33:34.519
<v Speaker 1>bells trickling in from the tower. Ready to chase the fox,

529
00:33:34.839 --> 00:33:39.039
<v Speaker 1>She asked me, what fox is that? The one that

530
00:33:39.079 --> 00:33:42.000
<v Speaker 1>taught the crow to call and the oxen to walk slow.

531
00:33:42.480 --> 00:33:45.480
<v Speaker 1>Pull up a chair, Let's see if the ancestors left

532
00:33:45.480 --> 00:33:48.680
<v Speaker 1>you any clues. She led me to a high shelf

533
00:33:48.720 --> 00:33:52.680
<v Speaker 1>tucked behind the agricultural almanacs, only reachable with a trembling

534
00:33:52.680 --> 00:33:56.119
<v Speaker 1>wooden step stool. From a battered box, she produced old

535
00:33:56.160 --> 00:34:01.000
<v Speaker 1>parish ledgers, pages warped and faded, but beautifully obsessively annotated.

536
00:34:01.640 --> 00:34:04.799
<v Speaker 1>Each year's notes charted everything from weather to live stock,

537
00:34:05.119 --> 00:34:09.119
<v Speaker 1>but threaded throughout in a squiggily looping hand were notes

538
00:34:09.159 --> 00:34:13.880
<v Speaker 1>pairing time and natural events. Crows nested before Oxen's bell,

539
00:34:14.239 --> 00:34:18.920
<v Speaker 1>frost next day, river flooded, the meadows market held one

540
00:34:18.960 --> 00:34:23.760
<v Speaker 1>hour earlier. Rains missed, the peas black cap returned before

541
00:34:23.800 --> 00:34:28.079
<v Speaker 1>sundial marked ten. The village rose early, feast went long.

542
00:34:29.199 --> 00:34:32.599
<v Speaker 1>Every pairing connected the position of a clock or earlier,

543
00:34:32.840 --> 00:34:36.079
<v Speaker 1>some local signal with a pattern in the sky, the wind,

544
00:34:36.440 --> 00:34:40.239
<v Speaker 1>or the animal world. Some years, clocks or bells or

545
00:34:40.280 --> 00:34:43.960
<v Speaker 1>the sun's shadow were intentionally moved early or late, based

546
00:34:43.960 --> 00:34:47.840
<v Speaker 1>on predictions from the river or bird behavior. Sometimes the

547
00:34:47.880 --> 00:34:51.159
<v Speaker 1>adjustment was recorded after the fact, as if the environment

548
00:34:51.199 --> 00:34:54.360
<v Speaker 1>itself had nudged the moment forward or slowed it down.

549
00:34:55.440 --> 00:34:59.239
<v Speaker 1>Missus Hargreaves sat with me, squinting over her by focals, humming,

550
00:34:59.280 --> 00:35:03.840
<v Speaker 1>absent minded. Most outsiders think it's just eccentricity. But if

551
00:35:03.880 --> 00:35:07.239
<v Speaker 1>you read closely, each adjustment looks like the village borrowing

552
00:35:07.280 --> 00:35:10.960
<v Speaker 1>a little insurance from the world. If the swallows fly early,

553
00:35:11.239 --> 00:35:14.880
<v Speaker 1>the church clocks wound tight. If the beech trees stubbornly

554
00:35:14.880 --> 00:35:18.840
<v Speaker 1>hold their leaves mark it slows by a day. But

555
00:35:18.920 --> 00:35:21.719
<v Speaker 1>why keep the system going. Now that the weather is

556
00:35:21.800 --> 00:35:26.440
<v Speaker 1>forecast and birds are barely noticed by most, Why keep

557
00:35:26.480 --> 00:35:30.000
<v Speaker 1>singing songs when the radio will do, she answered, arching

558
00:35:30.000 --> 00:35:33.039
<v Speaker 1>an eyebrow, Because it's our way of being together, of

559
00:35:33.119 --> 00:35:36.440
<v Speaker 1>hedging our bets. Some things you keep because they're true

560
00:35:36.519 --> 00:35:39.239
<v Speaker 1>in a deeper way, not for each second, but for

561
00:35:39.320 --> 00:35:43.119
<v Speaker 1>how they stretch and gather the whole. A thought nagged

562
00:35:43.119 --> 00:35:46.000
<v Speaker 1>at me all the way home. Cedar Mead's clocks weren't

563
00:35:46.039 --> 00:35:50.480
<v Speaker 1>just relics or local color. There were mechanisms carefully cultivated

564
00:35:50.719 --> 00:35:54.000
<v Speaker 1>to keep the community responsive, not to an abstraction like

565
00:35:54.079 --> 00:35:57.679
<v Speaker 1>the time, but to every small signal. The valley provided

566
00:35:58.199 --> 00:36:03.679
<v Speaker 1>a sort of collective adaptation, passed through generations, solidified in practice.

567
00:36:04.519 --> 00:36:07.679
<v Speaker 1>By never letting the clocks line up perfectly, the village

568
00:36:07.679 --> 00:36:10.559
<v Speaker 1>created enough slack in the machinery of their lives to

569
00:36:10.639 --> 00:36:15.360
<v Speaker 1>absorb changes and ride out shocks, the unplanned opportunity, the

570
00:36:15.360 --> 00:36:20.000
<v Speaker 1>looming danger, the odd drift of weather or birds. Back

571
00:36:20.039 --> 00:36:23.039
<v Speaker 1>at the guest house, as I was jotting these connections,

572
00:36:23.320 --> 00:36:27.559
<v Speaker 1>Missus Jellard knocked at my open door. Arthur suggests you

573
00:36:27.599 --> 00:36:29.679
<v Speaker 1>look over the old guest books. If you've got the

574
00:36:29.719 --> 00:36:34.239
<v Speaker 1>itch newcomers always write about the clocks first, the confusion,

575
00:36:34.480 --> 00:36:37.760
<v Speaker 1>the late arrivals. But keep reading and you'll see how

576
00:36:37.840 --> 00:36:42.719
<v Speaker 1>quickly most come round. She was right. Entry after entry,

577
00:36:42.840 --> 00:36:47.800
<v Speaker 1>spanning decades, offered the same arc bafflement, mild frustration, and

578
00:36:47.840 --> 00:36:50.920
<v Speaker 1>then a kind of comfort, even nostalgia, for the oddly

579
00:36:51.039 --> 00:36:55.000
<v Speaker 1>synchronizing routines of the village. Some even wrote that after

580
00:36:55.039 --> 00:36:59.400
<v Speaker 1>returning home, their watches misbehaved for weeks, never again matching

581
00:36:59.440 --> 00:37:02.599
<v Speaker 1>precisely with normal time, until they'd let go of the

582
00:37:02.639 --> 00:37:06.440
<v Speaker 1>habit of checking. The final click in the puzzle arrived

583
00:37:06.480 --> 00:37:08.599
<v Speaker 1>by way of a letter from an out of towner

584
00:37:08.719 --> 00:37:12.559
<v Speaker 1>who had become a permanent resident. She wrote, I came

585
00:37:12.599 --> 00:37:15.719
<v Speaker 1>here for the quiet, but stayed because your clock's taught

586
00:37:15.719 --> 00:37:19.000
<v Speaker 1>me something I hadn't noticed. I needed a little space

587
00:37:19.079 --> 00:37:22.719
<v Speaker 1>between my own steps and the world's loud ticking. Now

588
00:37:22.920 --> 00:37:25.679
<v Speaker 1>I cannot imagine living in only one kind of time.

589
00:37:26.840 --> 00:37:30.679
<v Speaker 1>That night, rain tapped gently against the windows. The clocks

590
00:37:30.719 --> 00:37:33.920
<v Speaker 1>in the house ticked their various paces, each marking some

591
00:37:33.960 --> 00:37:37.480
<v Speaker 1>particular room or memory, and still I found myself awake,

592
00:37:37.880 --> 00:37:40.960
<v Speaker 1>heart beating quietly in time with who knew which dial.

593
00:37:42.079 --> 00:37:46.360
<v Speaker 1>Something had fundamentally shifted in me. All those years chasing precision,

594
00:37:46.679 --> 00:37:50.400
<v Speaker 1>matching time tables to the minute, and demanding certainty felt

595
00:37:50.400 --> 00:37:53.280
<v Speaker 1>suddenly narrow. A pursuit of a kind of safety that

596
00:37:53.360 --> 00:37:57.280
<v Speaker 1>life itself rarely offers, cedar mead with its layard. A

597
00:37:57.360 --> 00:38:01.440
<v Speaker 1>synchrony had built instead a living buffer, a system designed

598
00:38:01.719 --> 00:38:05.400
<v Speaker 1>unconsciously or otherwise, to keep options open, to let the

599
00:38:05.400 --> 00:38:08.079
<v Speaker 1>mood of the world seep into the cracks of the schedule.

600
00:38:09.039 --> 00:38:11.559
<v Speaker 1>I found myself wondering if what I had first called

601
00:38:11.599 --> 00:38:15.559
<v Speaker 1>confusion was actually freedom, if strict agreement on the hour

602
00:38:15.679 --> 00:38:20.039
<v Speaker 1>was a road to resentment or even brittleness. Here contention

603
00:38:20.320 --> 00:38:24.199
<v Speaker 1>was side stepped, not through consensus, but through generous difference.

604
00:38:25.320 --> 00:38:28.599
<v Speaker 1>Morning came quickly, with the sky an even wash of blue,

605
00:38:28.719 --> 00:38:31.840
<v Speaker 1>and the sound of birds plovers, I thought, though I

606
00:38:31.840 --> 00:38:36.360
<v Speaker 1>could never be sure. Calling from the field edge at breakfast,

607
00:38:36.480 --> 00:38:40.519
<v Speaker 1>missus Jellard leaned in her voice, Low, have you found

608
00:38:40.519 --> 00:38:45.039
<v Speaker 1>your time, then, mister Keys, I smiled. I don't know

609
00:38:45.079 --> 00:38:48.039
<v Speaker 1>if I ever will, but my watch keeps drifting no

610
00:38:48.199 --> 00:38:52.280
<v Speaker 1>matter how often I set it. She beamed, not with triumph,

611
00:38:52.360 --> 00:38:56.000
<v Speaker 1>but something softer. Then you'll do just fine. You've heard

612
00:38:56.000 --> 00:38:58.320
<v Speaker 1>the chimes out of order, but it won't trouble you

613
00:38:58.400 --> 00:39:02.599
<v Speaker 1>any more. I lingered long over my toast, savoring the

614
00:39:02.639 --> 00:39:05.840
<v Speaker 1>hum of conversation. As people came and went according to

615
00:39:05.920 --> 00:39:10.519
<v Speaker 1>whatever clock suited their morning. The mantel clock chimed, followed

616
00:39:10.559 --> 00:39:13.400
<v Speaker 1>by the distant peal from the tower, then a shout

617
00:39:13.440 --> 00:39:16.639
<v Speaker 1>from the market end, a kind of rolling music of difference,

618
00:39:17.039 --> 00:39:20.960
<v Speaker 1>each chime finding its moment. As I packed to leave,

619
00:39:21.280 --> 00:39:24.320
<v Speaker 1>I checked my train ticket three times, smiling at my

620
00:39:24.360 --> 00:39:28.320
<v Speaker 1>own precaution. I watched the station platform clock as I approached,

621
00:39:28.639 --> 00:39:31.599
<v Speaker 1>noting with amusement that it, too, refused to play along

622
00:39:31.639 --> 00:39:34.760
<v Speaker 1>with any of its village cousins. Six minutes late by

623
00:39:34.840 --> 00:39:38.559
<v Speaker 1>church for ahead of the post office. The conductor, seeing

624
00:39:38.599 --> 00:39:42.599
<v Speaker 1>my baffled look, grinned and shrugged. Best guess, sir, Same

625
00:39:42.639 --> 00:39:46.360
<v Speaker 1>as always. In my seat, As the train rattled out

626
00:39:46.400 --> 00:39:49.920
<v Speaker 1>of Cedar Mead Fields, folding away behind me, I gazed

627
00:39:49.960 --> 00:39:53.440
<v Speaker 1>at the message scribbled in my note book. Constellation not

628
00:39:53.599 --> 00:39:58.199
<v Speaker 1>calendar time in Cedar Mead, I realized wasn't a single road,

629
00:39:58.559 --> 00:40:01.920
<v Speaker 1>but a web constantly reach spun by each person's choices

630
00:40:02.079 --> 00:40:06.400
<v Speaker 1>and the world's own shifting moods. As the train gathered speed,

631
00:40:06.719 --> 00:40:11.119
<v Speaker 1>my thoughts drifted wider still. Perhaps every village, every family,

632
00:40:11.400 --> 00:40:14.440
<v Speaker 1>every work shift, or circle of friends lives in its

633
00:40:14.480 --> 00:40:18.559
<v Speaker 1>own faint patchwork of moments, tightening and loosening their routines

634
00:40:18.599 --> 00:40:23.440
<v Speaker 1>according to invisible markers. No schedule can quite predict. Maybe

635
00:40:23.559 --> 00:40:27.840
<v Speaker 1>universal time was always a kind of gentle illusion, a convenience,

636
00:40:28.199 --> 00:40:30.840
<v Speaker 1>not the underlying order I'd once believed it to be.

637
00:40:32.000 --> 00:40:34.400
<v Speaker 1>I looked at my watch, found it had wandered a

638
00:40:34.400 --> 00:40:38.719
<v Speaker 1>few minutes ahead without my noticing. I left it alone, delighted.

639
00:40:39.719 --> 00:40:42.800
<v Speaker 1>Beyond the window, cedar Meade was becoming a smudge of

640
00:40:42.880 --> 00:40:48.159
<v Speaker 1>stone and green, already receding into memory. I thought, not unhappily,

641
00:40:48.440 --> 00:40:51.800
<v Speaker 1>that perhaps nowhere is truly on just one time. Some

642
00:40:52.000 --> 00:40:57.280
<v Speaker 1>places simply make the difference visible, and that is the end.

643
00:40:57.800 --> 00:40:59.920
<v Speaker 1>Thank you for listening, and I will see you in

644
00:40:59.920 --> 00:41:03.320
<v Speaker 1>the next one.
