1 00:00:28,440 --> 00:00:36,320 Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boyse, Idaho. 2 00:00:36,560 --> 00:00:39,880 This is your host, Adam Graham. In a moment, we're 3 00:00:39,880 --> 00:00:44,600 going to bring you this week's episode of Broadways My Beat. 4 00:00:44,719 --> 00:00:47,640 But first I want to encourage you. If you're enjoying 5 00:00:47,640 --> 00:00:53,079 the podcast, please follow us using your favorite podcast software. 6 00:00:53,520 --> 00:00:55,960 Today's program is brought to you in part by the 7 00:00:56,000 --> 00:01:00,399 financial support of our listeners. You can support the program 8 00:01:00,479 --> 00:01:05,239 using the Zell app to box thirteen at Great Detectives 9 00:01:05,280 --> 00:01:08,680 dot net. And you can also become one of our 10 00:01:08,719 --> 00:01:12,760 ongoing Patreon supporters for his little last two dollars per 11 00:01:12,799 --> 00:01:17,480 month at Patreon dot Great Detectives dot net. And I 12 00:01:17,560 --> 00:01:22,879 want to welcome our latest Patreon supporter, Tommy, who's supporting 13 00:01:22,920 --> 00:01:25,560 the podcast at the rookie level of two dollars or 14 00:01:25,599 --> 00:01:28,319 more per month. Thanks so much for your support, Tommy. 15 00:01:29,000 --> 00:01:34,200 And now from May twenty sixth, nineteen fifty one, here 16 00:01:34,359 --> 00:01:37,359 is the Eleanor Corbett murder case. 17 00:01:52,560 --> 00:01:56,879 Speaker 2: Broadways might be from Iam Square to Columbus Circle, the Gaudius, 18 00:01:57,079 --> 00:02:06,200 the Most Violent, the Lonesome Smile the World. 19 00:02:07,920 --> 00:02:12,439 Speaker 3: Broadway is My Beat with Larry Thor as Detective Danny Clover. 20 00:02:24,439 --> 00:02:27,800 Speaker 2: There's a special moon over broadways. It dips low and 21 00:02:27,879 --> 00:02:30,000 mixes with the laughter of the clack of heels and 22 00:02:30,039 --> 00:02:33,800 the lights flung downwards from the spectaculars. And occasionally people 23 00:02:33,879 --> 00:02:36,360 notice it and squeeze somebody's hand, point at it, blink 24 00:02:36,360 --> 00:02:38,680 at it, and walk into whatever shadow there's. 25 00:02:38,560 --> 00:02:39,319 Speaker 4: Planning for to night. 26 00:02:40,199 --> 00:02:44,199 Speaker 2: And the moon holds briefly right its long, slow curve Crosstown, 27 00:02:44,400 --> 00:02:53,719 then dries the river. Broadway's happier. But where I was, 28 00:02:53,759 --> 00:02:55,520 in the land of the tenements, the district of the 29 00:02:55,599 --> 00:02:58,560 rat and the low rent, the moon completes. It's transit rapidly. 30 00:02:59,120 --> 00:03:02,080 That's why the light had furnished by the city, specifically 31 00:03:02,120 --> 00:03:04,280 the spotlight and the squad car parked in the alley 32 00:03:04,599 --> 00:03:07,599 and cutting the darkness out of the backyard. The small 33 00:03:07,800 --> 00:03:11,039 detective muggle and cigarette curls up into it deep points 34 00:03:11,080 --> 00:03:17,639 too right there, Danny, uh huh, not too long ago? 35 00:03:18,280 --> 00:03:19,240 Speaker 4: Could be suicide? 36 00:03:19,319 --> 00:03:22,000 Speaker 2: You think, no, No, I don't. This girl fell or 37 00:03:22,039 --> 00:03:25,319 was pushed neck broken. See the attitude of the body. 38 00:03:25,520 --> 00:03:28,240 Speaker 5: Yeah, I saw, That's why I said, maybe suicide. 39 00:03:28,240 --> 00:03:31,840 Speaker 2: Women don't pick backyards of tenement houses muggling. They register 40 00:03:31,919 --> 00:03:34,879 in high class hotels, find a bridge, you know that, Yeah, 41 00:03:34,960 --> 00:03:38,039 most of them, Danny, not all. And take what bruises 42 00:03:38,080 --> 00:03:41,960 on the thlug here? Look here, bruise another one here. 43 00:03:42,919 --> 00:03:45,840 This girl died instantly. These bruises were from a beating, 44 00:03:46,520 --> 00:03:49,360 and she got thrown Huh, I'd say so cruci. 45 00:03:50,080 --> 00:03:53,439 Speaker 5: I can't tell no identification, Danny, I'd say she was 46 00:03:53,479 --> 00:03:54,319 about twenty two. 47 00:03:54,400 --> 00:03:56,479 Speaker 4: Huh, twenty two? 48 00:03:57,280 --> 00:04:00,800 Speaker 2: What nothing but take care of the technical boys and 49 00:04:00,800 --> 00:04:02,840 they get here, mugguman, I'll get back to you later. 50 00:04:06,960 --> 00:04:10,000 And the rows of mas thelip windows like yellow folsters, 51 00:04:10,120 --> 00:04:12,080 piled one on top of the other against the soot 52 00:04:12,159 --> 00:04:16,240 grimed tenement walls, and centered in the leaners upon sills, 53 00:04:16,279 --> 00:04:17,279 the man whose arm. 54 00:04:17,240 --> 00:04:18,959 Speaker 4: Warms the bare shoulders. 55 00:04:18,480 --> 00:04:21,639 Speaker 2: Of the woman beside, the kids leaning far out, shrieking 56 00:04:21,720 --> 00:04:24,600 to each other across the littered yard, littered now with 57 00:04:24,639 --> 00:04:28,199 the new refuse, the dead girl with the black hair. 58 00:04:28,360 --> 00:04:29,680 Speaker 4: Broken and thrown away. 59 00:04:30,639 --> 00:04:33,800 Speaker 2: Finally, the shroud over that draws the curtain on the spectacle. 60 00:04:34,199 --> 00:04:37,120 It turns out the twenty watt bulbs in tenement galleries, 61 00:04:42,600 --> 00:04:45,319 and the nighttime used up by the seekers of their 62 00:04:45,360 --> 00:04:47,959 private dead. The men and women beckoned out of sleep 63 00:04:48,120 --> 00:04:50,920 to identify the girl lying in the morgue, and while 64 00:04:51,000 --> 00:04:52,079 rubbing sleep out. 65 00:04:51,959 --> 00:04:53,720 Speaker 4: Of their eyes, they tell you they don't know. 66 00:04:53,759 --> 00:04:57,959 Speaker 2: They've never seen it. The halting, dragging parade of lost faces. 67 00:04:58,560 --> 00:05:00,959 And then the one that's dawned, the one you won't 68 00:05:00,959 --> 00:05:03,040 easily forget, the one who looks. 69 00:05:02,839 --> 00:05:05,279 Speaker 4: Up the girl and knows her, tells her. 70 00:05:06,160 --> 00:05:09,879 Speaker 6: But she went out last night, Early says she's been 71 00:05:09,920 --> 00:05:13,920 back a little well, who wish she mister Ella, that's ell. 72 00:05:14,319 --> 00:05:16,079 Speaker 4: I'm someone you've known wrong, a friend. 73 00:05:16,480 --> 00:05:21,519 Speaker 6: My wife, Ellen is my wife. Yeah, I said, please 74 00:05:21,800 --> 00:05:22,160 all right? 75 00:05:22,199 --> 00:05:25,439 Speaker 2: If I said, of course, on that bench against the walls, 76 00:05:27,399 --> 00:05:29,279 can I get you something. 77 00:05:29,000 --> 00:05:33,079 Speaker 4: And pass the water? You were understand all? 78 00:05:33,199 --> 00:05:35,240 Speaker 6: It was something I didn't know that she was gone 79 00:05:35,279 --> 00:05:37,399 all night. I woke up this morning and she wasn't 80 00:05:37,399 --> 00:05:37,920 beside me. 81 00:05:38,800 --> 00:05:39,480 Speaker 4: That's the first time. 82 00:05:39,480 --> 00:05:41,759 Speaker 6: I mean. I reported to the police and they asked 83 00:05:41,759 --> 00:05:43,839 me to describe her, and I did in detail. 84 00:05:44,759 --> 00:05:45,759 Speaker 4: They said, please come. 85 00:05:45,680 --> 00:05:50,079 Speaker 6: Down right, have to happen to her. 86 00:05:51,399 --> 00:05:54,000 Speaker 2: You can tell me why, help us find out why, 87 00:05:54,079 --> 00:05:56,160 mister Coleman, I can't. 88 00:05:56,639 --> 00:05:58,800 Speaker 6: I don't understand it. I just don't understand it at all. 89 00:05:59,040 --> 00:06:01,879 Speaker 4: Your wife went out like this other times stayed out 90 00:06:01,920 --> 00:06:02,279 all night. 91 00:06:02,959 --> 00:06:04,160 Speaker 6: What are you trying to say to me? 92 00:06:04,560 --> 00:06:07,160 Speaker 2: We have to know, mister corvit. If you want her murderers, 93 00:06:07,160 --> 00:06:08,920 you'll have to tell us a lot of things that. 94 00:06:08,959 --> 00:06:13,360 Maybe tell her, oh, it was. 95 00:06:13,360 --> 00:06:18,000 Speaker 6: A good watch, it was beautiful. Sometimes she's like to 96 00:06:18,000 --> 00:06:21,120 go out and the evil hello, to move here, just 97 00:06:21,160 --> 00:06:21,720 for a walk. 98 00:06:21,839 --> 00:06:24,319 Speaker 4: She told me she was going to a movie last night. Yes, 99 00:06:24,399 --> 00:06:25,120 that's what she said. 100 00:06:25,160 --> 00:06:27,279 Speaker 6: Well I never checked out her. I'd just go to bed. 101 00:06:27,480 --> 00:06:28,879 Speaker 4: We wait for. 102 00:06:30,439 --> 00:06:35,199 Speaker 6: Last night. I fell asleep. Just leave me alone with it, 103 00:06:35,360 --> 00:06:38,560 just a little, please, please. 104 00:06:39,720 --> 00:06:41,519 Speaker 4: I'll wait in the hall for you, mister cork. 105 00:06:42,240 --> 00:06:47,639 Speaker 2: Oh, I wait for as long as it took me 106 00:06:47,720 --> 00:06:50,120 to smoke two cigarettes, for as long as it took 107 00:06:50,160 --> 00:06:51,639 mister Carbott to consider. 108 00:06:51,399 --> 00:06:53,759 Speaker 4: That his white laid that in a public morgue. 109 00:06:54,879 --> 00:06:57,160 Speaker 2: Then mister Corbett came out into the card, took a 110 00:06:57,279 --> 00:06:58,399 drink of water from the common. 111 00:06:58,439 --> 00:07:00,680 Speaker 4: And it's not that he was ready to go. I 112 00:07:00,759 --> 00:07:03,759 showed him to the street. I watched him go near 113 00:07:03,839 --> 00:07:04,240 the corner. 114 00:07:04,319 --> 00:07:07,399 Speaker 2: He stopped walking, leaned against the building, bowl of his head, 115 00:07:07,439 --> 00:07:11,040 and ran his hand alongside his cheeks. Once a woman 116 00:07:11,199 --> 00:07:22,199 stopped and stared at him, then hurried away, then back 117 00:07:22,240 --> 00:07:24,839 into my office to consider the various reports. In the 118 00:07:24,920 --> 00:07:27,759 corner of the technicians, the lab boys stare at the 119 00:07:27,800 --> 00:07:31,279 photograph taken of missus Eleanor Corbett from death, printed and 120 00:07:31,399 --> 00:07:34,920 retouched to represent a reasonable facsimile of Missus Corbett living 121 00:07:35,800 --> 00:07:38,319 and going now back to the tenements, knocking the door 122 00:07:39,160 --> 00:07:42,879 show the picture asked, The question gets no answers, and 123 00:07:42,959 --> 00:07:45,480 between the fourth and fifth floor the man walks your way. 124 00:07:45,519 --> 00:07:48,240 Speaker 4: He's painting the banisters, and you wait until he straightens up. 125 00:07:51,079 --> 00:07:51,519 Speaker 5: Top job? 126 00:07:52,680 --> 00:07:54,879 Speaker 4: It is you work here all the time or does 127 00:07:54,959 --> 00:07:55,920 this job of painting? 128 00:07:56,160 --> 00:07:56,600 Speaker 7: Who are you? 129 00:07:56,800 --> 00:07:58,920 Speaker 4: Mister police? Danny Clover? 130 00:07:59,120 --> 00:08:01,920 Speaker 6: Hi, wait a time, names Bluss the super right, go 131 00:08:02,040 --> 00:08:03,879 with the rent in the cold water. Right now, I'm 132 00:08:03,959 --> 00:08:05,800 up to my elbows and yellow paint, and I don't 133 00:08:05,800 --> 00:08:07,639 see it from the Take a look at this picture. 134 00:08:07,879 --> 00:08:11,199 It's coming now. I've been expecting cops to tap me 135 00:08:11,279 --> 00:08:12,920 on the shoulder the picture. What about it? 136 00:08:13,079 --> 00:08:14,480 Speaker 4: I've ever seen this girl before? 137 00:08:15,079 --> 00:08:15,519 Speaker 6: Last night? 138 00:08:15,560 --> 00:08:16,040 Speaker 3: About them? 139 00:08:16,360 --> 00:08:18,720 Speaker 6: I'll explain the last question. What do you mean? 140 00:08:18,800 --> 00:08:20,240 Speaker 4: How under what circumstances? 141 00:08:20,279 --> 00:08:22,120 Speaker 6: I mean, so, I just finished putting on the first 142 00:08:22,160 --> 00:08:23,879 coat of paint and I was in my room. She 143 00:08:24,040 --> 00:08:26,199 rang the bell wanted nowhere was the room of al 144 00:08:26,319 --> 00:08:29,079 Martin Ruler? I toldally, went back to my coffee locks. 145 00:08:29,199 --> 00:08:31,000 Speaker 4: Where is Al Martin's room the top of. 146 00:08:31,000 --> 00:08:31,879 Speaker 2: The stairs, right there. 147 00:08:32,360 --> 00:08:32,960 Speaker 4: Look missed it. 148 00:08:33,639 --> 00:08:35,080 Speaker 6: You want to know why I didn't come running to 149 00:08:35,159 --> 00:08:36,600 the police. The girl dead. 150 00:08:37,159 --> 00:08:39,559 Speaker 2: I don't scratch over nobody's grave. That's for you to 151 00:08:39,639 --> 00:08:41,440 come scratch stick around lusk. 152 00:08:41,559 --> 00:08:43,759 Speaker 6: Sure I got a week's barister's yet to paint. 153 00:08:54,879 --> 00:08:57,399 Speaker 4: Yeah, I'm Bennie Polver police name. 154 00:08:59,039 --> 00:09:01,320 Speaker 8: You want to drink from? Johnny Walker on the bottom 155 00:09:01,360 --> 00:09:01,519 of that. 156 00:09:01,559 --> 00:09:03,639 Speaker 4: Bottom Your name al markham our rooms. 157 00:09:03,639 --> 00:09:04,080 Speaker 6: Deal with me. 158 00:09:04,399 --> 00:09:05,200 Speaker 8: I'm Frank Hagen. 159 00:09:05,440 --> 00:09:06,840 Speaker 4: It's about what happened last night. 160 00:09:06,960 --> 00:09:08,360 Speaker 8: Frank, Yeah, I know it's sig. 161 00:09:08,720 --> 00:09:10,320 Speaker 4: Have you ever seen this girl before? 162 00:09:10,639 --> 00:09:13,320 Speaker 8: Let me see it's the gun your fine? 163 00:09:13,399 --> 00:09:13,559 Speaker 4: Huh? 164 00:09:14,399 --> 00:09:16,840 Speaker 8: Yeah, yeah, I saw last night with your roommate. Can't 165 00:09:16,879 --> 00:09:17,320 to see him. 166 00:09:17,360 --> 00:09:18,159 Speaker 2: I got introduced. 167 00:09:18,200 --> 00:09:19,639 Speaker 4: Her name is Eleanor Corbett. 168 00:09:19,720 --> 00:09:21,559 Speaker 8: It could have been I didn't take the time to remember. 169 00:09:21,600 --> 00:09:22,879 I said hello and walked up. 170 00:09:22,960 --> 00:09:24,000 Speaker 4: How long did you stay away? 171 00:09:24,120 --> 00:09:24,679 Speaker 6: As long as it. 172 00:09:24,679 --> 00:09:26,559 Speaker 8: Takes the walk from here to forty second? Speak to 173 00:09:26,639 --> 00:09:27,519 you a double pig. 174 00:09:27,399 --> 00:09:27,919 Speaker 4: And come back. 175 00:09:28,480 --> 00:09:31,120 Speaker 8: Wait a minute was longer than that all night movie house. 176 00:09:31,159 --> 00:09:33,679 I fell asleep, got back here long enough to put 177 00:09:33,679 --> 00:09:35,399 on a clean shirt and go look for the job again. 178 00:09:35,679 --> 00:09:37,120 Speaker 4: Was Al here when you got back? 179 00:09:37,360 --> 00:09:40,080 Speaker 8: No body, just a smell of place, fume, had a scrub, 180 00:09:40,159 --> 00:09:41,759 a lipstick stand off, a cheese glad to get a 181 00:09:41,840 --> 00:09:42,320 drink of water. 182 00:09:42,480 --> 00:09:43,559 Speaker 4: Where's your roommate? Now? 183 00:09:43,879 --> 00:09:47,480 Speaker 8: Al Al wakes folks river down at that with that frame, 184 00:09:48,039 --> 00:09:50,639 being on his way to California, he always wanted to 185 00:09:50,679 --> 00:09:53,480 go to California. I'd say this was an a one 186 00:09:53,519 --> 00:09:54,279 excuse for going. 187 00:09:54,799 --> 00:09:56,679 Speaker 6: Wouldn't you say it was an a one excuse for going? 188 00:10:13,440 --> 00:10:13,480 Speaker 9: You? 189 00:10:14,200 --> 00:10:15,360 Speaker 10: No, lady, no light? 190 00:10:15,480 --> 00:10:16,159 Speaker 5: Mo aroun my work? 191 00:10:16,240 --> 00:10:16,440 Speaker 2: Are you? 192 00:10:16,639 --> 00:10:18,799 Speaker 5: I have permission and I got to schedule a course. 193 00:10:19,039 --> 00:10:20,679 Speaker 11: See the sign in the front office, pin on my 194 00:10:20,759 --> 00:10:24,240 gentim It says developed up final assembly. And you see 195 00:10:24,279 --> 00:10:26,399 this yellow rimmer on the sign that means I'm a 196 00:10:26,480 --> 00:10:28,399 putcher and attention you must be paid. 197 00:10:28,440 --> 00:10:30,679 Speaker 2: I'll pay attention, misspath, I promise. 198 00:10:30,399 --> 00:10:33,720 Speaker 11: Miss I'm working at it for no hanky. Thank you. 199 00:10:33,799 --> 00:10:34,759 Speaker 4: I wouldn't think of it. 200 00:10:35,279 --> 00:10:36,759 Speaker 11: Hey, they thank you to me for work. 201 00:10:37,080 --> 00:10:37,919 Speaker 8: I got news for you. 202 00:10:38,000 --> 00:10:40,360 Speaker 5: I'll break your heart this morning, I can use it. 203 00:10:40,720 --> 00:10:42,519 Speaker 11: Got thanks for the work of mission from in front 204 00:10:42,559 --> 00:10:45,159 of it. You take that, do study your hands a 205 00:10:45,240 --> 00:10:46,200 little and honest toil. 206 00:10:46,399 --> 00:10:48,159 Speaker 2: Let me try to explain it to you, missus Fath. 207 00:10:48,320 --> 00:10:50,559 I'm from the police, from. 208 00:10:50,440 --> 00:10:51,519 Speaker 3: The police God. 209 00:10:51,559 --> 00:10:53,440 Speaker 11: That'll pro thank you from picking up a few part 210 00:10:53,519 --> 00:10:56,720 time Nichols. I'd like to talk to al Mark Al Marta, 211 00:10:57,200 --> 00:10:59,000 a worker who don't show up for work. 212 00:10:59,159 --> 00:11:01,320 Speaker 4: You mean Al hasn't shown up this morning? 213 00:11:01,960 --> 00:11:04,840 Speaker 11: Now the telephone? How much to make a man from 214 00:11:04,879 --> 00:11:14,519 a woman? That client all mustnt no books where all right? 215 00:11:14,639 --> 00:11:16,639 So I sent some boys down the mopp him up. 216 00:11:17,559 --> 00:11:21,320 You want a job of the four lady Mesopolice, take mind? Well, 217 00:11:21,360 --> 00:11:21,919 what's good? 218 00:11:22,000 --> 00:11:22,720 Speaker 4: Health? Martin? 219 00:11:23,480 --> 00:11:24,639 Speaker 5: Trunk drunk is. 220 00:11:24,639 --> 00:11:27,919 Speaker 11: Just krunking Patty's barrow knights after keep pushing, missus Clapp, 221 00:11:28,000 --> 00:11:29,960 I'll go get Martin for you my pleasure. 222 00:11:46,080 --> 00:11:48,639 Speaker 4: Al Martin is he here since last night? 223 00:11:49,320 --> 00:11:51,639 Speaker 5: You'll need a drink to make your equal, honest you will, 224 00:11:51,799 --> 00:11:52,720 You'll need a Carlos. 225 00:11:52,799 --> 00:11:53,240 Speaker 9: Where is he? 226 00:11:54,120 --> 00:11:55,080 Speaker 4: Ed Ben? 227 00:11:55,240 --> 00:11:57,440 Speaker 5: You notice, to the crook of my long slender finger, 228 00:11:58,000 --> 00:12:00,919 I glanced your eye alonger than back be Al Martin 229 00:12:01,639 --> 00:12:03,840 in the back booth around the corner through the paper 230 00:12:03,879 --> 00:12:04,879 flower draped doorway. 231 00:12:04,960 --> 00:12:06,679 Speaker 4: Thanks, hey, don't go yet. 232 00:12:07,000 --> 00:12:08,759 Speaker 5: I'll give you a jig around the house for taking 233 00:12:08,840 --> 00:12:11,679 him out of head. He made trouble, not trouble, only 234 00:12:11,840 --> 00:12:14,360 grief ball. Last night he was in here wiping his 235 00:12:14,480 --> 00:12:17,679 tears at my bar aprin. Then he passed out over that. 236 00:12:17,799 --> 00:12:18,879 Speaker 6: Table to sleep it off. 237 00:12:19,759 --> 00:12:21,000 Speaker 4: I come to open the joint in. 238 00:12:21,000 --> 00:12:23,799 Speaker 5: The early morning hours. He's waiting for me, still passed out. 239 00:12:24,559 --> 00:12:25,879 I'm tired sobering him up. 240 00:12:25,919 --> 00:12:26,279 Speaker 10: This time. 241 00:12:26,320 --> 00:12:28,679 Speaker 5: You tried, and I going O. I just thought i'd 242 00:12:28,720 --> 00:12:31,399 explain him being a defense waker. He can't afford moons 243 00:12:31,480 --> 00:12:33,480 like this at a time like this, This is a 244 00:12:33,559 --> 00:12:35,240 time when every man must come to the Eid and 245 00:12:35,279 --> 00:12:36,320 not go to California. 246 00:12:39,960 --> 00:12:43,919 Speaker 4: Hel al, I'm from the police ower, hel wake up, 247 00:12:44,440 --> 00:12:49,440 Wake up. I shook him. The bottle slipped out of 248 00:12:49,480 --> 00:12:51,559 his fingers, fell rolled on the floor. 249 00:12:52,159 --> 00:12:54,639 Speaker 2: The jukebox played, and Patty at the bar blew on 250 00:12:54,679 --> 00:12:58,440 the glass and polished it. I shook him again. None 251 00:12:58,440 --> 00:13:01,960 of it bore, none of it would ever waken. Stain 252 00:13:02,039 --> 00:13:05,159 of blood under his coat told me that the paper 253 00:13:05,279 --> 00:13:07,720 flowers in the doorway rustles with a new wind. 254 00:13:08,759 --> 00:13:10,320 Speaker 4: Al Martin was dead. 255 00:13:24,759 --> 00:13:28,399 Speaker 3: You are listening to Broadways might be written by Morton 256 00:13:28,480 --> 00:13:32,879 Fine and David Ridkin and starring Larry Thorres Detective Danny Clover. 257 00:13:44,159 --> 00:13:46,480 The new Summer's Day is only a few hours old 258 00:13:46,559 --> 00:13:49,639 on Broadway, and already the street wants up, its screaming 259 00:13:49,720 --> 00:13:52,159 and bounces it against the morning. The gutters have been 260 00:13:52,200 --> 00:13:56,559 swept down, washed plates, the neon dusted, the bolts replaced 261 00:13:56,600 --> 00:14:00,279 in the spectaculars, the swarm released from the steel apps 262 00:14:00,320 --> 00:14:01,919 hurtling and shuttling underground. 263 00:14:02,720 --> 00:14:04,399 Speaker 4: The Summer's Day stretches out. 264 00:14:04,320 --> 00:14:09,039 Speaker 2: Before Brockway, languid and empty, waiting to be filled, waiting 265 00:14:09,080 --> 00:14:17,159 to be torn apart. At headquarters, we didn't have that problem. 266 00:14:17,480 --> 00:14:20,120 The day was planned, maybe the night and the days 267 00:14:20,159 --> 00:14:22,679 and nights after. All that had to be done was 268 00:14:22,759 --> 00:14:24,960 to fill it in with reasons. That two people were 269 00:14:25,039 --> 00:14:28,000 newly dead in the city, Eleanor Corpett and al Martin, 270 00:14:28,159 --> 00:14:30,000 who had met for a time in the tenement room, 271 00:14:30,200 --> 00:14:34,039 then parted. Then in another place, in another darkness, found 272 00:14:34,120 --> 00:14:37,159 death waiting for them. And to help you rid yourself 273 00:14:37,200 --> 00:14:39,840 of it, your left hand, start and protect. 274 00:14:39,519 --> 00:14:42,240 Speaker 6: It, Danny, I am not in the mood but you're 275 00:14:42,360 --> 00:14:43,480 chatted this morning. 276 00:14:43,320 --> 00:14:45,639 Speaker 4: All right, you know any way you wanted you eventually. 277 00:14:45,639 --> 00:14:48,159 Speaker 6: The past two days the murders have drawn a blind 278 00:14:48,320 --> 00:14:51,159 so to speak down across my naturally good natured shows. 279 00:14:51,320 --> 00:14:54,039 Speaker 7: If you say so, Ji, I will not even regain 280 00:14:54,120 --> 00:14:56,360 you with the favor of the zummament funds now lying 281 00:14:56,399 --> 00:14:58,399 in my luck or waiting for my teeth to shink 282 00:14:58,440 --> 00:14:58,840 into them. 283 00:14:59,600 --> 00:15:02,480 Speaker 4: Take it back a notch Geno Zimmerman. 284 00:15:02,080 --> 00:15:04,559 Speaker 7: Bun baked by my neighbor, the baker down the street 285 00:15:04,639 --> 00:15:07,399 from me, Mister Zimmerman especialty. 286 00:15:07,159 --> 00:15:09,639 Speaker 4: Zimmerman bun of thanks for clearing enough for me. 287 00:15:09,879 --> 00:15:10,480 Speaker 6: Don't mention. 288 00:15:12,879 --> 00:15:13,240 Speaker 4: To work. 289 00:15:14,120 --> 00:15:16,320 Speaker 12: In a matter of the death of one al Martin, 290 00:15:16,399 --> 00:15:18,519 the murder weapon of state knife is now being handled 291 00:15:18,559 --> 00:15:20,600 by the boys and technical they come up with anything 292 00:15:20,720 --> 00:15:23,799 two of sorted fingerprints from the fingers of inhabitants of 293 00:15:23,840 --> 00:15:26,480 the bar who have been questioned, recorded and sent on 294 00:15:26,600 --> 00:15:29,440 their way as not one so far has failed to 295 00:15:29,519 --> 00:15:33,080 produce an alibi anything else established by technical but according 296 00:15:33,120 --> 00:15:34,399 to the position of her body. 297 00:15:34,200 --> 00:15:36,960 Speaker 7: In the yard, Missus Corbett was pushed out of the tenement. 298 00:15:36,639 --> 00:15:37,879 Speaker 11: Hall window after death. 299 00:15:38,519 --> 00:15:40,960 Speaker 12: Established the Frank Hagen, who made of Barton is a 300 00:15:41,039 --> 00:15:42,120 man who cannot hold. 301 00:15:41,960 --> 00:15:45,679 Speaker 4: A job established something else? No? 302 00:15:48,320 --> 00:15:52,840 Speaker 7: Yeah, a personal question, nanny, how is it a man 303 00:15:52,960 --> 00:15:55,919 doesn't know where his wife disappears to nights? I am 304 00:15:55,960 --> 00:15:57,440 speaking of mister korbet Danny. 305 00:15:58,360 --> 00:15:59,679 Speaker 13: How can a husband not know? 306 00:16:00,200 --> 00:16:03,200 Speaker 4: Questions? Why don't I go ask the man? Such a 307 00:16:03,279 --> 00:16:04,679 good question? You don't mind? 308 00:16:04,720 --> 00:16:07,399 Speaker 6: It goes without saying, I need an answer to such 309 00:16:07,440 --> 00:16:30,320 a thing. Go down already. Oh oh, hello, mister Clover, 310 00:16:30,919 --> 00:16:34,799 I'm just oh my my name, mister Cover. 311 00:16:34,960 --> 00:16:38,879 Speaker 4: Thanks. You started to say you were busy, mister Calver. 312 00:16:39,000 --> 00:16:42,600 Speaker 6: Oh no, no, no, it's all right in here in 313 00:16:42,679 --> 00:16:48,559 the bedroom. Look it's a small bedroom. No chairs if 314 00:16:48,559 --> 00:16:50,440 you don't mind. I know it's not made up, but 315 00:16:50,559 --> 00:16:54,600 don't sit on the bed like bringing some nos. 316 00:16:54,679 --> 00:16:59,600 Speaker 4: That's all. I'll stand right here. I was packing elements things, staring. 317 00:17:00,159 --> 00:17:04,359 Speaker 6: No, no, I'm I don't think I well, I know 318 00:17:04,480 --> 00:17:08,799 other husbands saved their wives clothes, and I'm giving elements away. 319 00:17:09,319 --> 00:17:11,640 I called a good will mission, sending a truck. 320 00:17:12,000 --> 00:17:12,920 Speaker 4: Just go ahead your. 321 00:17:12,839 --> 00:17:19,039 Speaker 6: Past and she looked nice and miss dress better do well? 322 00:17:20,559 --> 00:17:22,079 Oh yess, that's no way to talk. 323 00:17:22,519 --> 00:17:25,359 Speaker 4: You were happy together, mister Conor oh, I was proud 324 00:17:25,440 --> 00:17:26,240 when I was with her. 325 00:17:27,400 --> 00:17:29,759 Speaker 6: Maybe there wouldn't be people anyways around, but people didn't 326 00:17:29,799 --> 00:17:31,400 have to see me with it. Make me feel proud 327 00:17:32,680 --> 00:17:36,880 just to touch it. She had beautiful hair, I said, oh, 328 00:17:37,000 --> 00:17:41,559 it's just beautiful. You should have seen me in nicenesscover. 329 00:17:42,480 --> 00:17:44,960 And when she got it, she danced around the room. 330 00:17:45,319 --> 00:17:48,000 I watched. When she got near me, she threw her 331 00:17:48,079 --> 00:17:48,880 arms around her neck. 332 00:17:50,480 --> 00:17:51,079 Speaker 4: She kissed me. 333 00:17:51,920 --> 00:17:56,039 Speaker 6: I remember, because her hair was flying got between her lips. 334 00:17:57,680 --> 00:18:05,640 We laughed, mister Carpet, laugh and dance the lady, mister Carpet. 335 00:18:06,519 --> 00:18:08,720 Did you know where your wife went the night before last, 336 00:18:08,960 --> 00:18:09,359 the night. 337 00:18:09,359 --> 00:18:09,960 Speaker 4: She was killed? 338 00:18:10,759 --> 00:18:12,079 Speaker 6: Of course it she went to school. 339 00:18:12,559 --> 00:18:13,759 Speaker 4: School? What school? 340 00:18:14,000 --> 00:18:17,119 Speaker 6: Well, my wife was winning ceramics. Her friend next door 341 00:18:17,279 --> 00:18:19,240 talk to into going. I didn't want her to go 342 00:18:19,359 --> 00:18:23,000 to ceramics with that ashtrays, But Brinnice talked to and 343 00:18:23,039 --> 00:18:23,359 the girl. 344 00:18:23,599 --> 00:18:25,119 Speaker 4: Why didn't you tell me this yesterday? 345 00:18:26,079 --> 00:18:28,880 Speaker 6: Because my wife was found in a strange place. My 346 00:18:28,920 --> 00:18:30,559 wife was found on the edge of an alley and 347 00:18:30,599 --> 00:18:33,759 the place she should never have been, so im ied 348 00:18:34,359 --> 00:18:35,799 the first thing any husband would have done. 349 00:18:36,079 --> 00:18:37,400 Speaker 4: You know what she was doing there? 350 00:18:37,519 --> 00:18:39,480 Speaker 6: No, And I don't want to know. Even if you 351 00:18:39,559 --> 00:18:42,359 find out, I don't want you to tell me. You've 352 00:18:42,359 --> 00:18:44,839 got to promise me at the school, even if you 353 00:18:44,920 --> 00:18:45,359 find out. 354 00:18:45,279 --> 00:18:48,079 Speaker 4: Why it was where she was, don't tell me. 355 00:18:48,960 --> 00:18:49,799 Speaker 6: I don't want to know why. 356 00:18:51,599 --> 00:18:52,359 Speaker 4: I don't want to know. 357 00:18:59,240 --> 00:19:01,559 Speaker 2: Finally got it, hands away from me from clutching my 358 00:19:01,720 --> 00:19:03,799 coat and trying to pull out of its fabric, to 359 00:19:03,839 --> 00:19:06,559 promise he won'ted needed, so the pride could well up 360 00:19:06,640 --> 00:19:10,240 inside him once more. Then he turned away and began 361 00:19:10,440 --> 00:19:13,920 packing her things again, and the dead wife belonged only 362 00:19:14,000 --> 00:19:16,920 to him. He turned once to show me another dress 363 00:19:16,920 --> 00:19:19,440 ship on whenever I really saw it the door I 364 00:19:19,599 --> 00:19:29,039 was closing and blotted it out. Next door, the girl 365 00:19:29,079 --> 00:19:31,799 who asked me him was plain except for the eagerness 366 00:19:31,880 --> 00:19:34,400 in her eyes, except for the hundering them wait at 367 00:19:34,400 --> 00:19:36,839 the feast on the excitement I brought into her chins 368 00:19:36,920 --> 00:19:37,519 curtained light. 369 00:19:38,000 --> 00:19:41,519 Speaker 9: I did my whole room myself, mister clover, we did 370 00:19:41,599 --> 00:19:44,440 the whole thing. You should have seen it when I 371 00:19:44,559 --> 00:19:46,720 moved in there, and ugly. 372 00:19:46,920 --> 00:19:48,160 Speaker 4: I only want you to tell me. 373 00:19:49,400 --> 00:19:55,240 Speaker 9: Don't you think the room? I mean right? Happy all 374 00:19:55,279 --> 00:19:57,880 I wake at night and I could hear it sing. 375 00:19:58,880 --> 00:20:02,599 Speaker 2: I'm inside singing, and she went to school night before 376 00:20:02,720 --> 00:20:04,480 last year, Missus Corbett. 377 00:20:04,279 --> 00:20:06,559 Speaker 9: Next the night she was found dead, wasn't it in 378 00:20:06,680 --> 00:20:07,599 that awful place? 379 00:20:08,640 --> 00:20:10,079 Speaker 4: What happened to her? Mister Clover? 380 00:20:10,319 --> 00:20:11,160 Speaker 6: How was she killed? 381 00:20:12,000 --> 00:20:14,599 Speaker 9: I mean, well, you know the paper They don't. 382 00:20:14,480 --> 00:20:18,839 Speaker 4: Always thrown out of a window, A paper, said. 383 00:20:19,960 --> 00:20:20,400 Speaker 6: I thought. 384 00:20:23,000 --> 00:20:23,480 Speaker 10: I don't know. 385 00:20:24,200 --> 00:20:26,599 Speaker 11: Don't ask me, I don't. 386 00:20:26,440 --> 00:20:27,240 Speaker 6: Know what I thought. 387 00:20:28,680 --> 00:20:31,279 Speaker 4: Was it usual for you to go to ceramics class 388 00:20:31,319 --> 00:20:33,119 with missus Corbett every week? 389 00:20:34,200 --> 00:20:37,079 Speaker 9: Of course there was this time when she had somewhere. 390 00:20:36,759 --> 00:20:37,319 Speaker 6: Better to go. 391 00:20:38,640 --> 00:20:40,680 Speaker 4: She was very pretty. Where did she go? 392 00:20:41,039 --> 00:20:44,079 Speaker 9: The secret? She made me swear I'd keep it a secret. 393 00:20:44,799 --> 00:20:48,400 Girls like Eleanor always trust me, mister Clover, I'm that 394 00:20:48,640 --> 00:20:49,440 kind of girl. 395 00:20:49,920 --> 00:20:52,359 Speaker 2: She went through all Martin's. Did she tell you that's 396 00:20:52,400 --> 00:20:55,839 before she was going? You can tell it now, Bernie, 397 00:20:55,960 --> 00:20:56,400 she's dead. 398 00:20:57,319 --> 00:21:00,599 Speaker 9: It was the only time she has a wins there, 399 00:21:01,599 --> 00:21:03,880 the only time she ever told me about it. I mean, 400 00:21:04,920 --> 00:21:08,200 she said she had to tell him off. He was 401 00:21:08,359 --> 00:21:09,000 bothering her. 402 00:21:09,240 --> 00:21:14,279 Speaker 4: She told Mark No, no, she didn't say his name. 403 00:21:14,480 --> 00:21:16,799 Speaker 9: She just said there were two boys living in this 404 00:21:17,039 --> 00:21:20,519 room together, and one of them had been making advances 405 00:21:20,599 --> 00:21:26,359 and she wanted us to stop? And why are some 406 00:21:26,599 --> 00:21:27,680 people so lucky? 407 00:21:27,799 --> 00:21:29,440 Speaker 4: Mister close me. 408 00:21:30,279 --> 00:21:33,880 Speaker 9: I take night classes and try to improve my mind, 409 00:21:34,000 --> 00:21:39,240 and I should have been dead a girl like Geleanor? 410 00:21:53,519 --> 00:21:54,440 Speaker 8: What do you want from me? 411 00:21:54,599 --> 00:21:54,960 Speaker 4: Clothes? 412 00:21:55,079 --> 00:21:57,200 Speaker 8: Just tell me what you want. I got enough trouble. 413 00:21:57,240 --> 00:21:58,000 I gotta have you. 414 00:21:58,279 --> 00:21:59,480 Speaker 4: What kind of trouble of you got? 415 00:21:59,519 --> 00:22:01,240 Speaker 6: Frank thirty two years close? 416 00:22:01,640 --> 00:22:03,839 Speaker 8: My homes are thinking room and is thinking walk up. 417 00:22:03,880 --> 00:22:04,759 Speaker 6: I got no job. 418 00:22:05,240 --> 00:22:07,640 Speaker 8: I once had a friend, but he got sabb Now 419 00:22:07,680 --> 00:22:09,759 you tell me your trouble will knock our heads against 420 00:22:09,799 --> 00:22:11,079 each other and shed tiah. 421 00:22:11,119 --> 00:22:15,039 Speaker 4: Come, you're not working plenty jobs, run sure, plenty me. 422 00:22:15,200 --> 00:22:17,240 Speaker 8: I got qualifications to get the kind of job where 423 00:22:17,240 --> 00:22:20,000 they called your boy. My old man was the same way. 424 00:22:20,359 --> 00:22:22,920 He filed things in a big office, called him boy, 425 00:22:23,559 --> 00:22:26,519 so they noticed the ball ahead. Then he was called pop. 426 00:22:26,720 --> 00:22:27,680 Speaker 4: How do you live? Rank? 427 00:22:28,160 --> 00:22:31,440 Speaker 8: Sometimes I tow, sometimes I rack pool balls. An old 428 00:22:31,519 --> 00:22:34,039 man that drives a long black car. He think some 429 00:22:34,200 --> 00:22:36,640 good luck, takes me to card game, rubs the back 430 00:22:36,680 --> 00:22:40,039 of me hand for luck. Go away, clover, leave me alone. 431 00:22:40,160 --> 00:22:42,680 Speaker 4: I can't do that. There's still my prime suspect. 432 00:22:42,960 --> 00:22:43,960 Speaker 6: Well you think I like it? 433 00:22:44,160 --> 00:22:45,440 Speaker 4: It's been done in murder cases. 434 00:22:45,720 --> 00:22:47,440 Speaker 8: Like maybe it was the other way around, that's. 435 00:22:47,359 --> 00:22:49,720 Speaker 2: Right, Like maybe eleanor Carbett came to see you and 436 00:22:49,799 --> 00:22:52,119 it was all at the walk and later I killed him. 437 00:22:52,200 --> 00:22:52,319 Speaker 8: Huh. 438 00:22:52,440 --> 00:22:55,839 Speaker 4: Maybe Come on, I said, come on, Frank, let's go 439 00:22:55,880 --> 00:22:57,079 down time right, all right? 440 00:23:00,039 --> 00:23:02,200 Speaker 8: Cloth, I can't just wait till tomorrow. My friend wants 441 00:23:02,200 --> 00:23:04,400 me to play Lucky tonight. He wendsday took me a 442 00:23:04,440 --> 00:23:06,440 stop up. Sometimes he gives me a couple of shikes. 443 00:23:06,480 --> 00:23:07,799 Speaker 4: Come on, oh, crowd me. 444 00:23:08,880 --> 00:23:10,599 Speaker 8: Look, I got this one suit that don't have to 445 00:23:10,680 --> 00:23:11,400 be wrong yet. 446 00:23:12,880 --> 00:23:16,319 Speaker 4: Yeah, yeah, what back in your room? Frank? Sure? 447 00:23:16,400 --> 00:23:17,079 Speaker 6: Sure, think. 448 00:23:21,279 --> 00:23:24,079 Speaker 4: You'll keep your clothes in this closet, Frank me, And. 449 00:23:24,119 --> 00:23:30,400 Speaker 8: Now there it is the one suit. Al Mine's gummy back. 450 00:23:31,000 --> 00:23:33,359 The combined ships are unmentionable. They're in that chest to 451 00:23:33,440 --> 00:23:35,680 draw you want to look clover. 452 00:23:38,359 --> 00:23:38,839 Speaker 4: Over there. 453 00:23:39,240 --> 00:23:42,559 Speaker 2: Frank helped me get put a collection of shirts monograph, 454 00:23:42,759 --> 00:23:45,480 but that's not what I was looking for. Ol shirts 455 00:23:45,480 --> 00:23:47,880 were brought cloth and playing but they didn't have what 456 00:23:47,960 --> 00:23:50,960 I was looking for either. I didn't need anything that 457 00:23:51,119 --> 00:23:59,279 was in that room. Then I went to a place 458 00:23:59,759 --> 00:24:02,960 in the bowery. The guilt from the window that spelled goodwill. 459 00:24:03,039 --> 00:24:06,319 Mischeon was flaked and inside the man told me his 460 00:24:06,440 --> 00:24:08,440 name and told me the coffee and stew would be 461 00:24:08,480 --> 00:24:09,519 served right after the preiman. 462 00:24:09,960 --> 00:24:11,720 Speaker 6: But you don't look like the kind of man who 463 00:24:11,759 --> 00:24:12,599 needs a hand now. 464 00:24:12,640 --> 00:24:14,880 Speaker 4: Thanks, mister Stanmponi. I'm from the police. 465 00:24:15,000 --> 00:24:17,599 Speaker 6: I suspected that. And whoever you want to see? Can't 466 00:24:17,640 --> 00:24:20,359 you wait until l after the prayers? They start in ten. 467 00:24:20,240 --> 00:24:23,240 Speaker 2: Minutes from time to time, mister Stanmponi's I understand that 468 00:24:23,720 --> 00:24:25,839 people who call you and have you sent around a 469 00:24:25,880 --> 00:24:29,119 truck pick up magazines, newspapers, old clothes. 470 00:24:29,279 --> 00:24:30,880 Speaker 6: There are many such kind people. 471 00:24:31,200 --> 00:24:35,240 Speaker 4: Did mister Corbett call you, Yes, yes he did, and the. 472 00:24:35,319 --> 00:24:37,640 Speaker 6: Truck received his donation just a few hours ago. 473 00:24:37,799 --> 00:24:38,680 Speaker 4: Has it been delivered to you? 474 00:24:38,799 --> 00:24:40,599 Speaker 7: Well, the truck road is all over there in the corner. 475 00:24:40,680 --> 00:24:43,000 After the prayers, the men was sorted. They come on, 476 00:24:43,079 --> 00:24:45,960 I'll show you didn't have such a good day today. 477 00:24:46,960 --> 00:24:52,359 Speaker 6: Let's see. I think this is it. There's a tag 478 00:24:52,440 --> 00:24:54,519 on it from mister Walter Corty. 479 00:24:54,720 --> 00:24:56,599 Speaker 4: You mind opening it, mister Stempori, we. 480 00:24:56,599 --> 00:24:57,720 Speaker 6: Don't have to be done anyhow. 481 00:25:01,279 --> 00:25:04,960 Speaker 4: Ladies dresses mind if I look pretty dresses? 482 00:25:06,000 --> 00:25:07,559 Speaker 6: Let's say, young woman. 483 00:25:08,960 --> 00:25:11,240 Speaker 4: Does this look like a young woman's dress to you? 484 00:25:12,279 --> 00:25:13,960 Speaker 6: Of course that it's a man suit code. 485 00:25:14,079 --> 00:25:14,720 Speaker 4: We can use that. 486 00:25:14,880 --> 00:25:16,559 Speaker 6: We'll clean off the paint and don't. 487 00:25:16,359 --> 00:25:19,119 Speaker 4: Bother about it. I'll take it, thanks, mister Stamponi. 488 00:25:40,880 --> 00:25:43,359 Speaker 6: Oh you again, mister Cover. 489 00:25:44,480 --> 00:25:46,119 Speaker 4: But now we'll talk about it inside. 490 00:25:46,160 --> 00:25:47,359 Speaker 12: I told you I didn't. 491 00:25:47,119 --> 00:25:49,799 Speaker 6: Want to know anything more. Helen is dead. I just 492 00:25:50,039 --> 00:25:50,640 leave her alone. 493 00:25:51,359 --> 00:25:52,640 Speaker 4: Let's just joinside, mister. 494 00:25:52,960 --> 00:25:58,119 Speaker 6: I'll just come back from Eleanor's funeral. Very well, come, 495 00:26:02,160 --> 00:26:02,599 what do you want? 496 00:26:03,279 --> 00:26:04,240 Speaker 4: Did you kill your wife? 497 00:26:05,519 --> 00:26:07,920 Speaker 6: Kill Ellen? Do you mean that? 498 00:26:09,640 --> 00:26:09,880 Speaker 4: Yes? 499 00:26:10,079 --> 00:26:10,279 Speaker 9: You do. 500 00:26:10,559 --> 00:26:12,519 Speaker 6: I can see by your face you mean it. And 501 00:26:12,640 --> 00:26:15,640 I thought you were a kind man. Mister Klug, Well 502 00:26:15,680 --> 00:26:16,759 you're a crew man. 503 00:26:16,839 --> 00:26:17,480 Speaker 4: Did you kill al? 504 00:26:17,920 --> 00:26:19,400 Speaker 6: Is this what happens to people like you? 505 00:26:21,920 --> 00:26:22,920 Speaker 1: Mm hmmmm? 506 00:26:25,920 --> 00:26:28,359 Speaker 4: Nice piano almost to call them it's paid for. 507 00:26:29,519 --> 00:26:31,839 Speaker 6: Eleanor wanted to study music, and I bought it for hers. 508 00:26:35,160 --> 00:26:38,279 She lost interest in it makes the place look homey. 509 00:26:38,400 --> 00:26:42,279 Speaker 4: That happens. I didn't mind this a snapshot album. 510 00:26:43,200 --> 00:26:46,960 Speaker 6: Oh all my life with Eleanor's in there. Yeah, yeah, 511 00:26:47,039 --> 00:26:49,160 I just got me show you something. You remember I 512 00:26:49,200 --> 00:26:51,559 told you she had beautiful hair. Just look at that 513 00:26:52,440 --> 00:26:55,079 on the far rockaway last year when I took my vacation. 514 00:26:55,640 --> 00:26:58,440 Speaker 4: A look at the center and why I could kill her. 515 00:27:01,759 --> 00:27:06,599 Speaker 6: You killed you, make me remember the good thing. And 516 00:27:06,680 --> 00:27:10,400 then you say I disturbed here you throwing him, mister Croby, 517 00:27:10,440 --> 00:27:11,319 You're going to get out now in. 518 00:27:11,400 --> 00:27:14,400 Speaker 2: Your own this case of seashells another my mantle of 519 00:27:14,440 --> 00:27:15,640 your happy life together. 520 00:27:15,720 --> 00:27:20,720 Speaker 13: And I bought my father was thrilling her. I told 521 00:27:20,720 --> 00:27:22,720 her I found them on the beach, and I said, 522 00:27:22,759 --> 00:27:26,279 away from them. I wondered, she was so interested in 523 00:27:26,480 --> 00:27:27,200 so many things. 524 00:27:27,319 --> 00:27:28,519 Speaker 4: Sure she was, Al Martin. 525 00:27:28,680 --> 00:27:30,519 Speaker 2: You followed her to his room, waited outside in the 526 00:27:30,559 --> 00:27:32,319 hall when she left there you're slugger and threw. 527 00:27:32,240 --> 00:27:33,440 Speaker 4: Out of the window. And I love it. 528 00:27:33,519 --> 00:27:36,720 Speaker 2: I was even when around and waited for Al. Followed 529 00:27:36,799 --> 00:27:38,640 him to to a bar, sat with him, maybe he 530 00:27:38,680 --> 00:27:39,319 talked to him. 531 00:27:39,400 --> 00:27:41,240 Speaker 6: Stabbed him there. 532 00:27:41,279 --> 00:27:41,920 Speaker 13: I never followed. 533 00:27:42,119 --> 00:27:43,680 Speaker 4: I never followed any inst But I have. 534 00:27:43,720 --> 00:27:45,880 Speaker 2: A colt out of my car, A man's court yours, 535 00:27:46,160 --> 00:27:47,720 the one you sent to the Goodwill mission. 536 00:27:48,319 --> 00:27:50,319 Speaker 4: What are you talking about? The mission will get it back. 537 00:27:50,519 --> 00:27:52,319 Speaker 2: They left to clean it, but they've got ways to 538 00:27:52,400 --> 00:27:55,440 take paint off clothing, green paint from the tenement where 539 00:27:55,480 --> 00:27:57,880 I'll lived off the door of the banisters something where 540 00:27:58,119 --> 00:28:00,279 where you struggled with your wife on your coat, green 541 00:28:00,359 --> 00:28:03,480 painted crazy. I was never there green paint. 542 00:28:03,319 --> 00:28:04,000 Speaker 4: On your coat. 543 00:28:04,400 --> 00:28:06,839 Speaker 6: Oh yes, I remember, Yes, I did get some pin 544 00:28:06,920 --> 00:28:08,599 of my coat, That's why I gave it away. 545 00:28:08,640 --> 00:28:09,440 Speaker 8: But it wasn't green. 546 00:28:09,519 --> 00:28:12,160 Speaker 4: It was yellow. That's right. 547 00:28:13,039 --> 00:28:16,039 Speaker 2: Yellow, the color of the paint in OL's tenement house, 548 00:28:16,799 --> 00:28:18,200 the color that's on your coat. 549 00:28:21,119 --> 00:28:21,960 Speaker 6: I loved Eleanor. 550 00:28:23,559 --> 00:28:24,480 Speaker 4: She didn't know how much. 551 00:28:25,559 --> 00:28:28,720 Speaker 6: I tried to tell her, even out in the hallway 552 00:28:28,880 --> 00:28:32,319 when she came from Arrows room. I tried to tell her. 553 00:28:33,200 --> 00:28:35,400 I wasn't angry. I just wanted her to know how 554 00:28:35,480 --> 00:28:37,960 wrong she was. She was the one I was angry. 555 00:28:38,720 --> 00:28:42,119 I tried to read them with her, and then she 556 00:28:42,279 --> 00:28:48,559 slapped me Eleen. The hit me Ellen, and that made 557 00:28:48,599 --> 00:28:52,200 me furious. I hit her. 558 00:28:53,519 --> 00:28:54,119 Speaker 4: I hit her. 559 00:28:55,640 --> 00:28:56,200 Speaker 10: I hit her. 560 00:28:58,799 --> 00:29:03,799 Speaker 6: Then I didn't want her anymore. It's true, a way. 561 00:29:23,079 --> 00:29:26,839 Speaker 2: Broadway sleeping now, the furious avenues of the night are 562 00:29:26,960 --> 00:29:31,160 still only the sleepwalkers are there, the seekers, the sadden, 563 00:29:31,400 --> 00:29:37,279 the huggers, close to nothing at all. It's Broadway a gaune, 564 00:29:37,880 --> 00:29:45,279 the most violent, the lonesomest mile in the World, Broadway My. 565 00:29:45,440 --> 00:30:12,799 Speaker 3: Feat Tonight ONPN presents You've been listening to some of 566 00:30:12,839 --> 00:30:16,359 the best in radio drama with Member McGhee and Malay 567 00:30:16,440 --> 00:30:17,839 and Broadway as my beat. 568 00:30:18,599 --> 00:30:20,039 Speaker 6: Join us again Monday. 569 00:30:19,799 --> 00:30:23,200 Speaker 3: Evening at the same time Mine Old Bought when FPN 570 00:30:23,359 --> 00:30:25,319 presents drag Nets and. 571 00:30:25,640 --> 00:31:27,160 Speaker 10: Escape Welcome Back. 572 00:31:28,160 --> 00:31:32,640 Speaker 1: It is nice to have Tartaglia provide the key clue 573 00:31:32,839 --> 00:31:37,759 quite intentionally that gets Danny looking in the right direction. Also, 574 00:31:38,039 --> 00:31:41,519 the Zimmerman role is a great name for confection and 575 00:31:41,640 --> 00:31:46,920 if you're a baking minded Zimmerman or Zimmerman adjacent person, 576 00:31:47,039 --> 00:31:50,400 you could probably get away with it. The highlight of 577 00:31:50,480 --> 00:31:53,480 the episode had to be the performance of Howard mcneir. 578 00:31:54,039 --> 00:31:57,559 He was believable right up to the end, even when 579 00:31:57,599 --> 00:32:01,000 he was getting indignat and you looked at the time 580 00:32:01,119 --> 00:32:03,720 remaining and you're like, Okay, there's no way he's not 581 00:32:04,039 --> 00:32:08,279 the murderer. I still wasn't one hundred percent. It really 582 00:32:08,480 --> 00:32:13,160 only became apparent he was lying and the truth became 583 00:32:13,279 --> 00:32:16,400 undeniable at the end. And of course the way he 584 00:32:16,640 --> 00:32:21,440 played the husband, it wasn't like that episode from nineteen 585 00:32:21,680 --> 00:32:26,960 fifty where he played a killer and was totally fabricating 586 00:32:27,119 --> 00:32:31,519 the grief. There was some real complexity there, and again 587 00:32:31,759 --> 00:32:35,000 mcneir just does a great job bringing that out. The 588 00:32:35,079 --> 00:32:38,400 weird part of the episode was the bartender closing up, 589 00:32:38,559 --> 00:32:43,440 believing now was drunk and leaving apparently helping out find 590 00:32:43,519 --> 00:32:47,000 his way out. There are all kinds of ways that 591 00:32:47,160 --> 00:32:50,000 could have ended badly, and this was just one of them. 592 00:32:50,519 --> 00:32:56,599 Worth noting. There is a gap between last week's episode 593 00:32:56,640 --> 00:32:59,680 in this week's there was no missing episode. In that gap, 594 00:32:59,799 --> 00:33:06,079 the series was preempted. However, there actually was a missing episode. 595 00:33:06,119 --> 00:33:10,319 I forgot to mention there was an episode one week 596 00:33:10,440 --> 00:33:13,920 before the first one we played from nineteen fifty one, 597 00:33:14,160 --> 00:33:19,359 and that's actually the first missing episode of the Larry 598 00:33:19,519 --> 00:33:24,599 Thor era. All right, well, now it's time for listener 599 00:33:24,759 --> 00:33:29,799 comments and feedback now, and we have comments regarding the 600 00:33:30,039 --> 00:33:35,119 Harry Foster murder case over on Spotify. Peter Wrights, this 601 00:33:35,519 --> 00:33:39,200 is my all time favorite episode of Broadways my beat. 602 00:33:39,880 --> 00:33:42,759 I love it because Danny says very little at the 603 00:33:42,920 --> 00:33:47,039 end and gives mister and Missus Mason space to implicate themselves. 604 00:33:47,640 --> 00:33:51,319 Missus Mason's Candida mission that going to jail wouldn't make 605 00:33:51,400 --> 00:33:54,440 a difference because she was already in prison in a wheelchair. 606 00:33:55,079 --> 00:33:58,480 Was also really powerfully delivered by the actress who played her. 607 00:33:58,960 --> 00:34:02,039 I could listen to this one over and over again. 608 00:34:02,640 --> 00:34:06,160 Thank you so much, Peter Mechanic sixty six rights good 609 00:34:06,200 --> 00:34:10,719 one and then over on Facebook, Elizabeth writs aside from 610 00:34:10,760 --> 00:34:15,159 the great stories, I love the unique cadence and the dialogue. Well, 611 00:34:15,199 --> 00:34:18,599 thank you so much, Elizabeth. And now it's time to 612 00:34:18,679 --> 00:34:21,599 thank our Patreon supporter of the day, and I want 613 00:34:21,639 --> 00:34:25,840 to thank Lovingly Patreon supporter since November twenty twenty four, 614 00:34:26,400 --> 00:34:30,159 currently supporting the podcast at the Detective Sergeant level of 615 00:34:30,360 --> 00:34:33,480 seven dollars and fourteen cents or more per month. Thanks 616 00:34:33,519 --> 00:34:36,280 so much for your support, Lovingly, and that will actually 617 00:34:36,440 --> 00:34:40,400 do it for today. If you're enjoying the podcast, please 618 00:34:40,559 --> 00:34:45,559 follow us using your favorite podcast software and be sure 619 00:34:45,760 --> 00:34:49,440 to rate and review the podcast wherever you download it from. 620 00:34:50,039 --> 00:34:53,480 We'll be back next Wednesday with another episode of Broadways 621 00:34:53,559 --> 00:34:58,639 My Beat, but join us back here tomorrow for drag Netwere. 622 00:34:59,000 --> 00:35:01,760 Speaker 6: Like a good kid a thirty turn? 623 00:35:01,840 --> 00:35:04,480 Speaker 4: What do you mean, Jocko, how do you turn? Why 624 00:35:04,519 --> 00:35:05,480 do you think I'm here? 625 00:35:05,920 --> 00:35:07,079 Speaker 6: You mean he's the one who works over? 626 00:35:08,000 --> 00:35:10,639 Speaker 4: Yeah? Where is he Jocko? Do you know? No? Do 627 00:35:10,719 --> 00:35:12,400 you know where he's staying? Do you have any idea 628 00:35:12,440 --> 00:35:13,559 at all? No? 629 00:35:15,199 --> 00:35:18,960 Speaker 6: Still all my stuff, everyody outs, what was it? Heroin? 630 00:35:19,599 --> 00:35:19,840 Speaker 4: Yeah? 631 00:35:21,280 --> 00:35:27,440 Speaker 6: Listen, yeah, get him fast. He's got enough junk to 632 00:35:27,480 --> 00:35:28,119 start a war. 633 00:35:28,679 --> 00:35:30,719 Speaker 1: I hope you'll be with us then. In the meantime, 634 00:35:31,239 --> 00:35:35,400 send your comment to Box thirteen at Greatdetectives dot net. 635 00:35:35,519 --> 00:35:40,039 Follow us on Twitter Radio Detectives. Check us out on Instagram, Instagram, 636 00:35:40,760 --> 00:35:45,360 dot com slash Great Detectives from Boise, Idaho. This is 637 00:35:45,440 --> 00:35:47,519 your host, Adam Graham signing off.