Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.
This is your host, Adam Graham. In a moment, we
are going to bring you this week's episode of The
Big Story. But first I want to encourage you. If
you're enjoying the podcast, please follow us using your favorite
podcast software. I also want to encourage you to check
out our other podcast, and today I am highlighting the
old time radio snack Wagon. As you might know, this
July Mark's the two hundred and fiftieth birthday of the
United States, and we have a special six week mini
series of programs about America that we will be featuring
and you can check that out out at snackwagon dot
net or wherever you get your podcast from. But now,
from November eighth, nineteen fifty, here is Bobby Socks hustling.
Speaker 2: The Big Story. Okay, guys, least up. Come on. We
only get two blocks to row the bust down. Nobody's waking.
Speaker 3: Come on, Come on at faf to two. I'm on
the front since four pm, even the buses times.
Speaker 4: Come on, guys, come on out.
Speaker 3: I'm too back at the Come on in fifteen minutes
since I get what are you trying.
Speaker 4: We have to go, but no, you have to get stuck,
need to get it changed.
Speaker 2: What do you do?
Speaker 4: And I sure ain't gonna even get.
Speaker 5: A New York City, New York The story of a
city editor who uncovered one of the most vicious crime
syndicates in history and knew he'd only touched the surface.
New York City. The story is that actually happened? Paul
Schoenstein's story as he lived it.
Speaker 6: The story of the two Bobby Foxes who had shot, killed,
and robbed the bus driver on East Fremont Avenue. That
was one of several in this series that got you going,
Paul showing scenes, city editor of the General Americans. That
and the story of the wolf girl Pact None.
Speaker 2: No.
Speaker 6: Twenty who snatched first tour clothes and killed when pursed
in the corner. That and the woman who ran an
uptown knight spot and who gased with a last breast.
Speaker 4: That bunch.
Speaker 7: They say they're going to give you a break of
your pay in a mist, so you pay them, then
they do this. You you hood fick your pots with
a snap.
Speaker 6: That determined you, Faul showing scenes to get to the
core of these horrors, you called Jim Huran and Leon
Rock in the Europae. Both of them were reporters, both
men like you, who are after the fact. Rock a
big rowbond man who has been assigned to the Bobby
Doctors selling.
Speaker 2: They picked up the two kids.
Speaker 6: They were hiding out on the most obvious hide out
in the world, a friend's place, and well, come on, Leane,
come on, I want to know what's going on here.
They pretty the juvenile authorities will take care of the
two girls, all right.
Speaker 2: The real point is why they did it.
Speaker 6: These are just two or ten thousand kids running around
the city with crazy ideas in there, all right? Why
some dame woman named Marie something fantastic, mysterious, exotic, who
knows what else. He's behind them some way. All right, Leon,
lets your assign them get Marie. You got a week
come back with the answers. Leon Rock smiles a smile
that you know is calling you on names of being
such a tough nuts, but a smile at the same
time at the desk. If the stuffs get a home,
he'll get it. If you turn to Huran, who has
by now pound it out, I'll leave that.
Speaker 4: Victoria.
Speaker 2: Well let me hear it. Jim, it's a.
Speaker 6: Little rough, all right, kill it ruber, rampant white slavery
with virtual children as the vice slaves, drug dens, sale
of marijuana, heroine, and soap games. That's a good idea, Jim,
but it won't work. What's a metapor It just sounds sensational,
big talk. I want the facts, every single detail of
this thing found out, nailed down prints. There could be
a lot of trouble, and I want names, name, the
responsibility to play where it belongs. I can make it
pretty high, get pretty high up. That's exactly the idea, exactly.
So begins an investigation in the crime and the greatest
city in the world. It begins in a bar uptown
about a minute to four four o'clock in the morning,
just before legal clothing times. And you're there, Paul Shawenstein
with Jim Huran playing a role as an out of town.
Speaker 2: What do you have? Uh, give me a double?
Speaker 6: It's four o'clock, brothers. Now, maybe your watch is fast,
Come on, give us two doubles.
Speaker 2: Oh no, my watch keeps very good time. Why don't
you came in? I don't know. Walk around the corner.
Stop at one seven. That's your place. They never heard
of clock.
Speaker 6: One thirty seven is just the room with just a
man and the table, just the bottle and two blacks
and no clock.
Speaker 4: Give us the double. Okay, hey, what are they putting
these bottles?
Speaker 2: You around? Here? For you?
Speaker 8: I ain't a question, so say they call me partty boy?
Oh that night I send you two walking around? Then
you're wondering finally seen you come in. Then you waste
your money if you're me on the hill like no,
the stuff's good as good as any after our place,
And what I mean is mostly an out of town.
I would order himself a double set under the rope,
would order himself a shortage the shorty in the question
what's the shorty? You get yourself a triple drink and
pay the price of a double. Oh, what's the question?
That's something you ask and I answered, it's gotta be interested.
Speaker 2: What do you have?
Speaker 6: I'll take a shorty and I'll ask a question. Body
boy leads away. You just start up a miserable straight
stop at a miserable staircase. And as for a house
or a miserable hall, the shade are drawn and the
doors are closed, and the muffled music can't be heard
from the streets, but inside inside the conic. Second, that
does dancy stuff. Take a look around. Anything you see
looks like it might be lucky.
Speaker 4: You just not at it.
Speaker 2: Fuck, you didn't ask the question, didn't you? You might
need a little.
Speaker 6: Luck for the answers, the luck of Bobby Toots, kids
like a duo killed a bus driver, up some lazily
dancing others. Just stand and wait those two of the
role you're playing you Paul shown sins nod at a
smoky eyed redhead and Jim Duran indicates that thousand blonds
maybe eighteen that's.
Speaker 4: Going inside of the questioning the place still be around that.
Speaker 2: Point. It even betook five to get fire.
Speaker 6: Not just a roving dice game, not just the corner
of a wall with a tough guy cutting competents.
Speaker 2: Of the house, but a layout as elaborate.
Speaker 6: And spank as anything in the same sporting clubs all
over the country.
Speaker 4: And then, oh, play the dice, mister, play the dice.
Speaker 2: That's what I love. The dice. Here, Doris, my name
is alone.
Speaker 6: There, a thousand blonde and the smoky eyed redhead. They're
there standing there next to you.
Speaker 9: Oh daddy, I'm a drinking Let's.
Speaker 4: Play the dice here.
Speaker 6: This is the professional little kids that ought to be
at home in bed, half crocked on the cut Gins
I promising everything in the world and telling you and
their childish voice, I.
Speaker 2: Tell you, daddy, I'm the luckiest thing in the world.
Speaker 4: I'm dying here the work on a commissioned basin. Now,
that didn't cost you too much, Gin, I mean that
much fun?
Speaker 2: Well, no party, boy, I know it was science. Well
you know where to go in the future anyhow, Introductions.
Speaker 4: Are always a little bit expensive. Yeah, well, how how
do you get these girls? I just told you you
point at them?
Speaker 2: I don't know.
Speaker 4: I mean, where did they come from? I wouldn't know
that that.
Speaker 8: He might concern especially interested in doing. Who ate if
that's the truth? In that case, you ought to tie
up with Marie. Marie again, Marie, one.
Speaker 6: Of the places you've started from and now one of
the places you've come back to.
Speaker 2: One of the big names together with Big.
Speaker 6: Joe Katterson, a tectives together with Lennox's, Avenue's tom hotels
with rooms for rents. One of the big names you're after.
Leon Rock has a special look on his face. It's
four days since he went out from Marie. Oh, we've
really got hers. He's had twenty seven different hideouts in
the last year.
Speaker 2: Well, where is you know? No information at all.
Speaker 6: He works through the high schools, recruits the kids in
some class and met kids to colonizeer for us, brings
the girl after class and one of Marie's hideouts, and
that's where it begins.
Speaker 2: And you've got no immediate lead.
Speaker 6: Well, justice, He's supposed to be moving into Phillips High School.
Speaker 2: Yea.
Speaker 6: The high school lies flat in the middle of an
area where ten percent of the houses have outside fatas stations,
and we have two and three families live in a
space where one could live. And the features perhaps the
most harrassed human beings are Earth co.
Speaker 9: Operate, sure our co operations to jelling steam. I've talked
to police, civic leads, the form organizations of District of
Caning classics. I'd be glad to talk to you or
anyone else.
Speaker 6: Well, just the second attempt, and I here, I know
there have been a lot of tries and a lot
of slobs. The way to go about this thing, well,
if we think so, is one thing at a time.
Speaker 2: We want Marie I.
Speaker 9: Think if I ever thought that would, if I ever
came face to face to the right kidder. But see,
I've been hit you. The poor girl my cluss like what? Oh,
I don't have words to say it. Every foul thing
you can imagine.
Speaker 2: Where is she operating from?
Speaker 6: Now?
Speaker 2: This Marie?
Speaker 9: I got hold of two girls diaries that got in
to school to show off to each other what they
were doing.
Speaker 4: I got one of the girls. She had little sense left,
and she told.
Speaker 9: Me there was a place in East one hundred and
fourteenth teece.
Speaker 4: But that's the last progress I ever heard of.
Speaker 2: Well, thanks for Punton, Thank you very much.
Speaker 6: It's not very hard because the diary entry is very recent,
and the house is there, and the apartment, and you
and Leon Rock are at the door.
Speaker 4: Can I help you?
Speaker 2: Well, we'd like to talk to you, Marie. Oh have
we met? No, you're a well known woman, that's all.
Speaker 4: I'm beginning not to like what I hear.
Speaker 2: What do you think you hear? That's you?
Speaker 4: Okay, Sam, You're not coming in home, but.
Speaker 2: We are Marie.
Speaker 8: Coming here?
Speaker 2: Yeah? You do that? Do that? Will you? In the meantime,
we'll kind of look around.
Speaker 6: They tell me Marie, is this the place where you
make high school girls into seas? There are a nine room,
I meid the swallow of the rest of the neighborhood.
Marie's place is a palace, indirect lighting, oriental rugs on
the floor, and the bathroom's done an onyx and gold pain,
A real little paradise conjured up out of the brain
of one Marie.
Speaker 4: Joe says, to tell you to be sure to stick around.
Oh big Joe, Joe keatsines, uh huh. You know, I
like the way you do it, Marie.
Speaker 6: You get them out of those sinking holes they live
in ordinarily with the outside plumbing. You give them a
social club, music, the room of their own, a little
of the feel of the good light.
Speaker 4: Joe also says, it don't matter whether you say or not,
you won't get yes.
Speaker 6: If you're head here getting used to the good lights,
maybe getting fifteen dollars in the pocket too. Give him
a tape for good liquor, and then show up. How
easy to keep going top your head off? Then all
I got to do is show up in want a party,
boy's places or somewhere else nice rolling gambling joints. Whether
it bring you Lucky dys or twenty one or Chuck
a Lot or whatever or ten percent of the house
to say, what are you one of them reformers? And
that's only the beginning. First to steer and then anything grows. Yeah,
it's very nice, Marie, it's real democratic. Any girl can
rise to the top of the heap.
Speaker 4: Why do you think you can tag human nature?
Speaker 2: It's kind of set up.
Speaker 10: All all with the around mister, you won't.
Speaker 4: She's got something there that's terribly profound. True.
Speaker 6: It's not only poverty sending them in situations like this
is what Marie called human nature. Well, you're getting somewhere,
you and Jim Muran and Leon Ross something besides editorial
age the facts. And as you walk back to your
hotel that you set up as headquarters because home isn't
the safest place on earth, there's a note waiting voice,
I stop now while I can't. After all, you can't
change human nature. Sign Joe Big Joe Catterson talking philosophy
and with a subtle threaten in your hands. You know
you're getting somewhere. You start again tomorrow to go beneath
the surface, beneath the incredible horror of the surface. That
you've only touched.
Speaker 5: This is Sary Harris returning it to your marriedor, and
the big story of Paul Showen Steve as he lived
it and broughte it.
Speaker 2: You're after the story of Bike in the City.
Speaker 6: You make your home, Paul Shawn Stein Bike in New
York City, and it's big and infinite and sprawling.
Speaker 2: Is the city itself.
Speaker 6: Because you've touched on Pot one lequer and Pot two
gambling and Pot three girls, Pot four rats, was now surprised.
And so you sit now with Jim Huran and Leon Rock,
reporters who have gone all the way with you and
planned the answer to the threat.
Speaker 2: Okay, first we run the editorial, then we have the
theory with Jim. I know you'd figure out something like that.
Speaker 6: There's no figuring involved. It's the only thing you can do.
We'll try editorials and while they're running, we'll work up
the rest of us. I picked the right guys for
the gub. The rest is right. Joe Keattison, Letnix have
it a come. We've got all the leads. Part one
and two and three and four have been comparatively easy.
What you want now are the men behind the Dyke
Games the steers, the Marie, the pody tries, the men
who put in the fa You're the guy I gotta
see the prims. Well, I want over the club. I
want a night place with a good appointments. Leting low down,
it's still the peens. Marie said you were the guy
I should see because she's working with me. I never
heard of Marie. But if you want a place, I'll
draw you up, Alice. All I know about mister is
I own the place. You go through a lot of motions.
Now one of the boys on the paper comes in
to decorate the place. You spend one of your night
men to talk terms of the landlord about the bar
that's going to run the whole length of the flight.
You make arrangements with Fear Company, a spectly legitimate operations.
Yet see, and in time the man you've been waiting
for shows up. You're a little surprise.
Speaker 4: That's who it is. It's gonna be a nice place. Well,
party boy, Well what brings you to the second of.
Speaker 8: The world bar in the bank stables? Out of here
little space for dancing? I hear you rented the rooms
upstairs too. Hey, you get around, don't you?
Speaker 2: You know?
Speaker 6: First some of the boys were worried. But I got
a message for you, Big Joe says. It will be
one hundred dollars a week with start protection. Joe said
he didn't like the way he talked with Marie.
Speaker 4: That was an event time. He didn't know what you
were after.
Speaker 2: He says, one hundred to start. Well, I'll be glad
to meet with Joe.
Speaker 8: Sesay's fine, he says, tonight by a little before eleven
at my place.
Speaker 11: You tell Joe, I said, fine, huh you you went
on this come it's my place you're moving into, didn't
you know? And this here is Buster? Oh, well, where's Joe.
Buster's Joe. He's as good as Joe anyhow, well, look,
I want to see Joe. I don't want to get
around with with what Well, I want to talk with
Joe direct.
Speaker 8: You know, I thought for a minute maybe you were
going to say you didn't want to kit around with
small time.
Speaker 4: Buster wouldn't like that, would you.
Speaker 2: Buster.
Speaker 4: Buster ain't a guy that talks a lot.
Speaker 2: But he don't like it.
Speaker 4: I can tell just by looking at him.
Speaker 2: Whoa.
Speaker 6: Look, there's no heart healing or anything like that. Fuck,
have a drink, Go ahead, I'll have a shorty, shorty
butter invention, all right, So so accept that, huh, I
move in in about three weeks. Fixtures are all lined up.
I think the places are ready about the end. It's
one hundred a week, one hundred and fifties. You said
one hundred.
Speaker 8: That was before before what There's a couple of things
Joe was asking a couple of questions about that though,
For instance, where you're from, who your buddies?
Speaker 2: How do we know you ain't Tony? Here guy? Cases
of town.
Speaker 6: The guy lines up all the money, he's got, all
the lukesh. He goes step by step finding just what
he wants. Gets a good after our setup, get this
game room lined up, get his girls of steers coming
in smooth, makes his number connections.
Speaker 4: All he needs is to fix And you guys put
the squeeze on him. What do you think buster all
right doing? You got your six for one hundred and sixty?
Speaker 8: Ye?
Speaker 4: Close, too close?
Speaker 6: You're getting too the heart of it now because those
three type faced him that i'd men body boy and
my next avenue, Tom and Fuss represented Joe Kattison. Any
one of them would have knocked you out easier than
knocking out a cigarette. You know that this has gone
beyond the newspaper stage, like your wife, your homes, your life,
your job, too much and anything else would the steward side.
I've been expecting you for a long time, mister Johnston.
It's the District Attorney of New York comedy, the solid,
substantial thought of a man, and you're doubly glass.
Speaker 2: You came well, I don't know how much over laughing.
Speaker 6: We've done the District Attorney a good deal, I'm sure,
but you go ahead anyway. Well, we have got the
party boys set up pretty well in hand, and we
know all about Marie. Marie, yeah, Marie, face to face
with Marie and Fries and diary statements from girls and pelves.
Speaker 2: Not too much over laughing. You've done a lot better
than we have.
Speaker 6: And in the Landlord of the Places through love to
have the Thomas Department General go between ings party boy again.
You kid really get to rhymes and buster the payoffs,
the fix, the protection, Oh yeah, numbers. But I never
got to Joe, big Joe. Well we got the big
Jopoe's a big Joe. We got the inside on police
draft and what is.
Speaker 4: In fact integral part of the whole crime set up.
Speaker 6: Well, then I think I've a both played out my usefulness.
I wouldn't say that at all. We can stage the
rest easy, pick up this one and that one. But
in the end, these lights have a saying it can't
change human nature. Yeah, I've heard it, meaning close up
one place, another will open right next door. Stop one
hop joint, another will.
Speaker 4: Spring up down the Bluff's a tough thing to change.
That's where you come in.
Speaker 6: If you can make this stuff live, get it so
people will see it in terms of their own daughter,
their own sons, the price they have to pay for
this thing that hangs over our city. I wrote an edatory,
run it run a series of them, not just high
and mighty talk big words, but down the earth human
translation of this stuff in terms of people, ordinary people.
Speaker 4: If you do that, That's what I'm in visits for.
And then it began.
Speaker 6: Not since the days of al Capone, the days of
Lucky Luciana, have the facts been poured out. There are
dens in this city where a man or woman can
drink for twenty four hours out of twenty four drink
and gamble and anything else he wants.
Speaker 2: It is easier to get into most of the institutions
of vices in New York City than.
Speaker 4: It is to get into Downtown's more exclusive restaurants.
Speaker 6: There are operators in this city who openly boast of
being able to buy any beliefman from inspector down. And
as the articles drawl out, the public reacts and the
ta move. One hundred and four more arrested in vice
trades over the weekend. Total now two hundred and ninety
three found up includes leaders of greatest Wife combined says
Lucky Luciano went to tails.
Speaker 2: All right now. Total three hundred white group match.
Speaker 6: You see them in the lineup in the Thas office,
party Boy and Duchess who runs one of the dance palaces,
Marie Frank Kashek hop joint owners, Freddy Vadasher and Lennox
Avenue Tom hotel keepers who rent rooms for parties. And finally,
Buster and Big Joe Catism three hundred men and women
who have preyed on menus three hundred who have made
a living out of the poverty and anxiety and the
desires of ordinary people. Three hundred human sultures brought to
the only rightful ness for this kind of bird of prey,
the lock up, the jail, facing your jack.
Speaker 5: Now we read you that telegram from Paul Schoenstein of
the New York Journal.
Speaker 6: Americans of the three hundred arrested and the vice clean up,
many were convicted and received lengthy sentences. Vice in New
York received a severe setback, but as any honest reporter knows,
it has by no means ended. But at least we
cut the surface. We set a foundation for future investigations,
future campaigns against the many thousands who still prey on
New York millions. In order to protect the names of
people actually involved in the night's pothetic big story, the
names of all characters who drum the station were changed,
with the exception of the newspaper reporter. This is the
United States Armed Forces Radio Surface, the Voice of Information
and Education.
Speaker 1: Well, let's start off with our cast list. Walter Griza
played Paul Schoenstein, and also in the cast Pat Hawsley, Grace,
Kenny Joan, Alexander Mandel, Kramer, Nat Poland, Gill Mack, Grant Richards,
and George Petrie. Now of note, this is another episode
where Petree plays the district attorney. In this case the
district Attorney in New York City. I think this is
the second or third episode we've come across where he's
played the DA in The Big Story. So uh, maybe
working on follow of it's got him typecast a little bit,
though I wouldn't take that too far. This is still
very much and in ensemble show, and of the male actors,
we've heard four episodes with them in the lead, Petree,
Grant Richards and Nat Poland this is the first time
we've heard Grisa in the lead, but he's been a
supporting player in several episodes now. Showing Stein's an interesting
profile in that he was an assistant editor with people
working under him, which is a very different situation now.
These stories behind the Big Story website were not able
to identify story in question because showing Stein worked for
the New York Journal American, which has not had its
archives digitized. The newspapers on microfilm in three different cities,
New York, Washington, and Austin, so it's very hard to research.
And showing Stein was with the paper for quite a
long time, and other newspapers didn't report on things, you know,
the investigative reports being uncovered by rival papers. So you
can't actually check the Daily News or the New York
Times to find out what exactly showing Stein uncovered. Doctor
Web speculates it is likely that it is a composite
of vice raids and police corruption stories in the mid
thirties related to the operations of Dutch Schultz and Lucky Luciana.
I think you do have a sense in the episode
that it was trying to walk a fine line. On
one hand, they were trying to comply with the expectations
for radio broadcast in nineteen fifty. On the other hand,
you get the sense that there were some things going
on that were quite untoward that they can only hint
about on radio, And so there was this tension between
having a complete story and maintaining a sense of good taste.
All right, listener comments and feedback. Now, and we go
to Spotify and we have a comment regarding the episode
Death in the Family. Wow, you accidentally skipped this last week.
I almost wish you would have skipped it this week too,
But it makes me appreciate my kids way more. Well,
thanks so much, and I do appreciate that, you know.
I think that it is the challenge with these series
that kind of do have a bit of a true
crime element, and I'll be honest, I'm not usually a
fan of that genre of podcasts now, no disrespect to
anybody who works on those podcasts or enjoys them. It's
just personal tolerances. Series like The Big Story, Dragnat Tales
of the Texas Rangers are fascinating because they tell stories
that are at least based on true life incidents. But
sometimes these series can hit a lot harder than your
typical fiction series because of the effort to portray the
real life event. And I definitely have had more episodes
that have made me personally feel that way since I
became a dad. So it's a balancing act and I
definitely appreciate where you're coming from. Well, now we turn
to YouTube and we have comments on the same story,
starting with Jeffrey, seems kind of a long sentence for
a manslaughter conviction. Killing her kids should have landed her
a horsher sentence with manslaughter. I bet she would have
gotten out after a few years. Well, thanks for the comment, Jeffrey,
and I should clarify what the real life sentence was
that she He was actually convicted on two counts. She
was convicted for second degree murder of her daughter and
manslaughter for the killing of her husband. So she was
convicted of murder and manslaughter now for the killing of
the son. The Stories behind the Big Story website states
that the judge dismissed those charges and I assume on
some sort of technical grounds, and she was sentenced to
life imprisonment, which on its face is a pretty severe sentence,
although there's often the possibility of parole, although I couldn't
find any information on whether she had been paroled, and
certainly eight years later she was still in prison at
the time that the Big Story episode aired and then
red Sox Fans zero nine zero seven. But we still
don't know how the fire started, a terrific point. We
don't and even the Stories behind the Big Story website
notes that she told the story to the police that
her husband killed the kids, tried to kill her, and
started the fire. But the website doesn't specify how the
fire was started, and it could have been set intentionally
by her in hopes of covering up evidence. It could
have happened accidentally while she was attacking her husband and
he was trying to defend himself, and I guess for
the sake of the criminal case, it didn't matter much.
But yeah, it's definitely a curious open question for a
radio listener. Well, now it's time to think. Our Patreon
supporter of the day. Thank you to Lawrence, Patreon supporter
since January twenty twenty five, currently supporting the podcast at
the Detective Sergeant level of seven dollars and fourteen cents
or more per month. Thanks so much for your support, Lawrence,
And that will do it for today. If you're enjoying
the podcast, please follow us using your favorite podcast software
and be sure to rate and review the podcast wherever
you're downloading it from. We will be back next Tuesday
with another episode of The Big Story, but join us
back here tomorrow for Broadways my bait where you.
Speaker 12: Understand it's quite a privileged, our private little part. And
I must say, miss Hope said, she availed herself up
a part to rally for what reasons? I shudder to think, Why,
mister Flemon, why do you shudder? Well, after all, it
is rather desirable to maintain residents here in Gramercy. I
could hill you waiting list year's long lived here. Of
course she lived here, but so sporadically. Weeks on weeks
would go by with her apartment standing forlorn, empty, lonely.
You're saying, mister Clement, that she lived here, but didn't
only use this as a mailing address. I've hear in
a kind of phone service, or what reason you shut
her quiet to see? Her mail box is filled with
uncalled for levers from a doctor hosted relative, given from
the apartment stores, book clubs, and these phone methods. This
man has been calling for three days now. I keep
telling him Miss Linn isn't in leaves his number, not
his name, of course, no one else to give it to.
Now he is there, show me her apartment, mister clem,
I did like to do. It's one of our most desirable.
Now I'm free to inform the management that which one isn't.
Just down the hall here we are, Oh what a mess,
what a frightful mess, dis arrayed, the things left about,
These stains on our.
Speaker 10: Carpets, bloodstains, mister f Yeah, that kind of steam. That
means you must have been here when she here in
Gramercy Park on first of the phone.
Speaker 1: Ope you'll be with us then in the meantime, send
your comments to Box thirteen at Greatdetectives dot net, Follow
us on Twitter at Radio Detectives, and check us out
on Instagram, Instagram, dot com, slash Great Detectives from Boise Aldohol.
This is your host, Adam Graham. Sign and off.