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<v Speaker 1>You are now listening to the Someone's Favorite Productions podcast network.

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<v Speaker 2>Hey there, and welcome back to another Wild Thursday. Everybody.

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<v Speaker 2>Uh this week first time guest, but frequent attender in

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<v Speaker 2>the chat and if you are somebody that is a

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<v Speaker 2>part of the Disconnected discord, you'll definitely recognize this name.

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<v Speaker 2>We have mister Blake Bergman, who you will know is

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<v Speaker 2>Spaghetti aka a various Spaghetti aka the guy who writes

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<v Speaker 2>on letterbox to all the damn time Blake doing that.

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<v Speaker 3>Yeah, thanks for having me. I'm excited to be here.

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<v Speaker 2>It's uh, it's been a bit since I've wanted to

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<v Speaker 2>do this and since I've had you on a list.

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<v Speaker 2>We've got some some cool stuff to talk about. One

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<v Speaker 2>we probably should start with the fact that you and

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<v Speaker 2>I got to work together earlier this year on a

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<v Speaker 2>river from Grayface. You're a part of the very first

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<v Speaker 2>grave Face release. How How was it putting out your

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<v Speaker 2>first visual lesson? My friend?

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<v Speaker 3>Oh man, it was. It was very exciting and it

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<v Speaker 3>was definitely a big learning lesson. I love that you

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<v Speaker 3>get to go through, not that it was troublesome or anything,

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<v Speaker 3>but just you know, the the trial and error of

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<v Speaker 3>learning the process and really getting to put together sort

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<v Speaker 3>of the pragmatic skills that I'm applying in other areas

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<v Speaker 3>and put it on a disc r definitely was a

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<v Speaker 3>big learning lesson and yeah, it was just a ton

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<v Speaker 3>of fun and very gratifying that I was able to

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<v Speaker 3>find that I could do something like that and also

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<v Speaker 3>work with you guys on that as well. So for sure,

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<v Speaker 3>it's definitely a team effort.

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<v Speaker 2>We were stoked to have you and not to mention

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<v Speaker 2>to be a part of the first Gray Face release

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<v Speaker 2>is really cool for all of us to got to

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<v Speaker 2>be a part of it, and it's an incredible movie.

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<v Speaker 2>For anybody that hasn't picked Up River yet, could you

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<v Speaker 2>tell them a little bit about the movie.

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<v Speaker 3>Yeah, So it's a collaboration between the director Juta Yamagucci

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<v Speaker 3>and then Altho the writer Makoto Ueida, and with those

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<v Speaker 3>two it's all about tide paradoxes, and this is the

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<v Speaker 3>second time that those two have worked together. Another shout

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<v Speaker 3>out is a film called Beyond the Infinite two Minutes,

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<v Speaker 3>But basically the narrative of this story is it's a

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<v Speaker 3>a small little mountain resort community in Japan and where

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<v Speaker 3>it's a lot it's pretty simple life day to day,

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<v Speaker 3>and all of a sudden, with really no explanation, time

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<v Speaker 3>starts resetting every two minutes, and so panic sets in.

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<v Speaker 3>Everybody's trying to figure it out. But the interesting novelty

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<v Speaker 3>of this film is that everybody retains the knowledge of

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<v Speaker 3>the past two minutes even though two minutes is resetting.

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<v Speaker 3>So it's very much a movie where they're problem solving

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<v Speaker 3>and they only get two minutes to make a set

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<v Speaker 3>forward with things, and then the two minutes resets, but

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<v Speaker 3>they still remember what they did, so it's a constant

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<v Speaker 3>rat race, is the best way to put it, where

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<v Speaker 3>they learn all about themselves trying to get themselves out

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<v Speaker 3>of this situation. But then also there's a weird tandem

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<v Speaker 3>where they only have two minutes and it's resetting, they

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<v Speaker 3>suddenly have all the time in the world. So there's

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<v Speaker 3>a lot of interesting concepts there. So it's a fun film.

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<v Speaker 2>And somehow been overlooked by a lot of people that,

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<v Speaker 2>like played some festivals, did not get a lot of

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<v Speaker 2>attention like Beyond the Infinite two Minutes did at first,

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<v Speaker 2>And first off, I just love that the creative team

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<v Speaker 2>worked together multiple times on a very similar idea. It

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<v Speaker 2>made two very different movies.

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<v Speaker 3>Yeah, yeah, they both deal with time concepts. But like

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<v Speaker 3>I said, River is more the rat race kind of scenario,

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<v Speaker 3>and then the other one, Beyond the Infinite two Minutes,

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<v Speaker 3>works with it's more like I equate it to like

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<v Speaker 3>the scientific theory kind of movie where they're doing a

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<v Speaker 3>lot of science experiments and a lot of testing in

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<v Speaker 3>the moment because it's all about something called the Drost effect,

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<v Speaker 3>which is picture within picture within picture, and so Beyond

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<v Speaker 3>the Infinite two Minutes is all about this weird echo

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<v Speaker 3>chamber of time travel. And then this one is just

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<v Speaker 3>like I said, retaining knowledge but then how to get

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<v Speaker 3>themselves out of the situation. Yeah, it's the same thing

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<v Speaker 3>but very different at the same time, and that's sort

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<v Speaker 3>of what's the genius.

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<v Speaker 2>About, which kind of works in with the storylines of

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<v Speaker 2>what they're doing. It's literally eating the same thing, but

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<v Speaker 2>just through a very different way. Tonight's tonight's discussion after

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<v Speaker 2>the announcements is going to be a really fun one.

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<v Speaker 2>We decided we were going to talk about just the

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<v Speaker 2>overall theater experience, and Blake has some experience in experiences,

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<v Speaker 2>so we're going to discuss with that framework, we're going

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<v Speaker 2>to talk about what we could be doing in the

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<v Speaker 2>near future to enhance the theater experience, what theaters could

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<v Speaker 2>do to make this better for a lot of us,

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<v Speaker 2>discuss things like D box and four d X and

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<v Speaker 2>all this other stuff that they're trying. We're even going

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<v Speaker 2>to talk about a filmmaker that I'm going to talk

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<v Speaker 2>about now in my recent pickups on mister William Castle.

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<v Speaker 2>So I don't share a lot of my vinegar syndrome

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<v Speaker 2>stuff because I feel like everybody's getting it. But I

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<v Speaker 2>feel like I got this pretty quick this month. So

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<v Speaker 2>this is the brand new cinematograph. This is Shanks William

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<v Speaker 2>Castle's last film, one that I've never seen. Definitely eager

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<v Speaker 2>to check that one out. The other three here, I think,

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<v Speaker 2>are the three from this month that I was most

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<v Speaker 2>eager to check out and most eager to get first.

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<v Speaker 2>I've been dying for a good Blu Ray release Murder

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<v Speaker 2>Party since this movie came out. Jeremy Salny is one

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<v Speaker 2>of my favorites, and to have this from a VS

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<v Speaker 2>partner label as wild. If you've never seen this, this

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<v Speaker 2>is definitely worth checking out. It's the guy that did

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<v Speaker 2>Green Room, this year's Rebel Ridge. He did, oh gosh,

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<v Speaker 2>the other Netflix Turn of the Dark, and that's not it?

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<v Speaker 2>What am I thinking? I don't remember? Somebody will tell

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<v Speaker 2>me the comments. Next one the found Footage Phenomenon. This

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<v Speaker 2>is one that I've been wanting to see. It's directed

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<v Speaker 2>by co directed by Phil Escott, who is a producer

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<v Speaker 2>for Second Sight. He's the guy that owns Fractured Visions

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<v Speaker 2>and the Cool Thing. One of my dear friends, mister

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<v Speaker 2>Sam Cohen, has an essay in this one. It's his

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<v Speaker 2>first written essay, so kudos to Sam. Hold the Dark?

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<v Speaker 2>Is that what I said? That's pretty damn close. I

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<v Speaker 2>don't understand. I can't believe I remembered that. Kyle. Thanks.

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<v Speaker 2>And then finally my last pickup, I'll share corpse Mania.

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<v Speaker 2>I am loving all the Hong Kong titles coming out

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<v Speaker 2>of Vindger Centrom over the last couple of years. This

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<v Speaker 2>is one that I wanted in high quality for a

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<v Speaker 2>very long time. I will be watching this one very

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<v Speaker 2>very soon. What about you, sir? What have you been

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<v Speaker 2>oh Blue Ruin, that's not the great one from him?

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<v Speaker 2>What have you been picking up lately? Because you get

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<v Speaker 2>a lot of stuff?

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<v Speaker 3>Yeah, I do have Vinegar Singer of on the way,

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<v Speaker 3>so I got that one from Castle. It could show

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<v Speaker 3>up today for all I know. Some of the hitters

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<v Speaker 3>I got, like some big notable titles because I did

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<v Speaker 3>get like there's been the Resense Keino sale and the

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<v Speaker 3>Shout Factory Screen Factory Sale, which you can get a

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<v Speaker 3>lot of back titles and bolts stuff like that. But

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<v Speaker 3>some of the notables, like new releases. I'm excited digging

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<v Speaker 3>to this. The House of Doom Set with Lindsey and

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<v Speaker 3>Fulsey's gonna be a lot of fun in this one.

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<v Speaker 3>Let's see, got the the Hollywood Hillside Strangler. Oh nice.

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<v Speaker 2>I did not go for the limited slip, but man,

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<v Speaker 2>I need to pick up this release.

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<v Speaker 3>Yeah, it's gonna be interesting. I heard from somebody the

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<v Speaker 3>discord that it's a little bit different than what we're thinking.

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<v Speaker 3>But that's a good thing. I think it was Adam

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<v Speaker 3>h So I'm interested. You get into this one. Oh,

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<v Speaker 3>everybody's showing this one off.

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<v Speaker 2>Yeah that's a deal.

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<v Speaker 3>Yeah, so this thing's a brick.

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<v Speaker 2>Oh, John's throwing shade at you, says he already went

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<v Speaker 2>through the house as a doom set slacker.

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<v Speaker 3>Yeah, he would he would. And then another brick is

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<v Speaker 3>this thing which is from Umbrella and this thing is

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<v Speaker 3>it's like the Super Mario set for those who have

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<v Speaker 3>that thing. This thing is heavier than heavy.

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<v Speaker 2>There's come damage because I know a lot of people

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<v Speaker 2>are upset with it.

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<v Speaker 3>No, this is pretty clean on all the corners and everything.

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<v Speaker 3>And then a couple things from Arrow Let's see trick

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<v Speaker 3>or treat. I've seen this thing a million times, but

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<v Speaker 3>excited to see it in four K. And then the

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<v Speaker 3>the j Horror Rising set. Excited about that thing. And

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<v Speaker 3>then I guess lastly, which is an interesting title, but

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<v Speaker 3>a lot of people are clamoring over it because I

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<v Speaker 3>guess it was hard to get Yes, future cops.

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<v Speaker 2>Yeah, still, as far as I saw, it was still

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<v Speaker 2>in stock on Orbit. Okay, we're looking after that. Make

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<v Speaker 2>sure you go to Orbit because it is out of

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<v Speaker 2>print from Eureka. Let me make make sure while we're

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<v Speaker 2>talking it is still in stock. Yeah, you can pick

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<v Speaker 2>it up abbit right now.

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<v Speaker 3>It says it's like an absurd. I've never seen it,

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<v Speaker 3>but it says it's like an absurd. It's like street

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<v Speaker 3>Fighter two yep kind of thing. So I'm all about it.

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<v Speaker 3>So I'm definitely interested. So yeah, that's just a couple

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<v Speaker 3>of things on top of like, you know, both the

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<v Speaker 3>bulk you know, some bulk screen factory stuff like that,

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<v Speaker 3>some back titles that are a lot of fun. Excited.

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<v Speaker 2>So some recent watches for both of us. This week

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<v Speaker 2>we watched in our house Women of the Hour, the

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<v Speaker 2>brand new Anna Kendrick film for Netflix. It's about the

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<v Speaker 2>the Dating Game killer, the guy that killed a bunch

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<v Speaker 2>of people and went on the dating game and him

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<v Speaker 2>eventually getting caught for directing debut, and she kind of

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<v Speaker 2>killed it. She she did very well. She acted in

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<v Speaker 2>it as well. Very very happy that we watched it.

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<v Speaker 2>I thought it was pretty well done. Both of the

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<v Speaker 2>leads did an incredible job. She is great, obviously, she's

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<v Speaker 2>usually pretty amazing. But the lead that played the killer,

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<v Speaker 2>I mean, unsettling the entire time, but also charismatic, like

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<v Speaker 2>you expect somebody in a material killer position to be.

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<v Speaker 3>Huh. Yeah. I've seen a couple of people review that

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<v Speaker 3>on miner box. That's interesting. And then I've heard of

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<v Speaker 3>that scenario previously like that character, so that'd be cool

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<v Speaker 3>to look into for sure.

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<v Speaker 2>Only other one I'll talk about is a nice bridge

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<v Speaker 2>to yours because we both watched for tonight mattinay, I

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<v Speaker 2>watched the Old Screen Factory Blu Ray and this movie

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<v Speaker 2>is just so damn good. It might be my favorite Dante. Yeah,

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<v Speaker 2>it is so fun, and I mean Goodman is crazy

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<v Speaker 2>good in it. Yeah, the scenarios are wild. It's like, well,

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<v Speaker 2>I was gonna say modern day William Castle, but nineteen

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<v Speaker 2>fifty set William Castle and done in a way that

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<v Speaker 2>is just the most huckster guy traveling from city to

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<v Speaker 2>city that you can picture, trying to make every buck

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<v Speaker 2>that he can, and that coupled with the nuclear bomb

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<v Speaker 2>of it, all of what was going on then is

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<v Speaker 2>such a perfect way to like set it in realism,

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<v Speaker 2>but make it fun and interesting and make it like

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<v Speaker 2>certain silly things that you could do with it. Yeah,

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<v Speaker 2>it's it's a great film. If you've never seen Mattinee,

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<v Speaker 2>anybody that loves movies should watch mattew It's absolutely that

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<v Speaker 2>just cut and dry.

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<v Speaker 3>It's like I equate it to like the B movie

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<v Speaker 3>version of Sarah the Cinema Paradiso yep. And I've seen

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<v Speaker 3>Mattinee countless times of my life, and I got the

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<v Speaker 3>four K of it. Oh when it came out, I

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<v Speaker 3>think it was about May June something like that, but

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<v Speaker 3>I purposely sat on it for a while and I

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<v Speaker 3>just watched it this week again, and yeah, I loved

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<v Speaker 3>every bit of it, and and I love just revisiting it.

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<v Speaker 3>And there's a lot of things that I noticed upon

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<v Speaker 3>this round that I didn't notice before, and outside of

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<v Speaker 3>just the typical John Goodman character, but like how Dante's

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<v Speaker 3>sneaking in some stuff with the everyday life characters, especially

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<v Speaker 3>to make it sort of like an atomic B movie

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<v Speaker 3>kind of thing. So yeah, I absolutely love that movie.

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<v Speaker 3>And it definitely got better this week, even though it

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<v Speaker 3>was already a five star film for me.

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<v Speaker 2>So yeah, absolutely had the four K on that one.

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<v Speaker 3>Look, it looks great. I mean I would say that

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<v Speaker 3>I'm pretty easy judge compared to some others where I'm

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<v Speaker 3>just like, yeah, it looks great, but yeah, it looks

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<v Speaker 3>it looks pretty fresh, pretty good.

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<v Speaker 2>Not to like pre promote something, but I did want

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<v Speaker 2>to shout out tonight. I posted it in the discord earlier.

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<v Speaker 2>But anybody that is in any way nerdy about visual

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<v Speaker 2>aspects for films or anything. Tomorrow's episode of The Deaf

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<v Speaker 2>Crocodile Podcast is maybe one of the most important things

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<v Speaker 2>that you could listen to over this year. We had

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<v Speaker 2>a special guest on to fully just dedicate almost the

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<v Speaker 2>entire episode to film restoration, and we go through like

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<v Speaker 2>we go through the individual software that they use. We

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<v Speaker 2>talk about what they do on a day to day basis,

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<v Speaker 2>we talk about the threat of AI. There's all kinds

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<v Speaker 2>of stuff that people are gonna love. It's not a

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<v Speaker 2>super long episode, but it's one that you're going to

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<v Speaker 2>probably want to even save and maybe listen to again.

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<v Speaker 2>Lots of great information again, check it out tomorrow. Should

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<v Speaker 2>be releasing about midday on the East Coast. I think

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<v Speaker 2>you'll like it. But what else have you been watching?

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<v Speaker 3>Let's see, so this week, I did you know one

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<v Speaker 3>good shout out? I watched Dead of Night by Bob

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<v Speaker 3>Clark Blue Underground just put that out a little bit ago,

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<v Speaker 3>and I love that movie and it's sort of wildly

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<v Speaker 3>buried in between. Bob Clark's an interesting character. And yeah,

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<v Speaker 3>obviously we know Black Christmas and this is the movie

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<v Speaker 3>that he did right before Black Christmas. But it's very

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<v Speaker 3>interesting film that it's very simple in the sense that

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<v Speaker 3>you don't really know a lot about the character, just

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<v Speaker 3>that he's evil and apparently dead. But you have this

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<v Speaker 3>whole fascinating family drama going on, and that's sort of

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<v Speaker 3>the hidden gym of this film is you're just seeing

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<v Speaker 3>the family dynamic and how it metaphors for probably a

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<v Speaker 3>lot of realism with somebody who had somebody go away

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<v Speaker 3>to war in Vietnam or just in general. So that

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<v Speaker 3>movie is a lot more brilliant in a sense than

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<v Speaker 3>just a standard horror film. Let's see here.

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<v Speaker 2>I think it's the second best film easily to Black Christmas.

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<v Speaker 3>Yeah. Yeah, I mean, he only did really three horror

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<v Speaker 3>movies because he did Children Shouldn't Play with Dead Things,

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<v Speaker 3>which I'll be honest, The beginning of that movie is

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<v Speaker 3>a little bit of a drag. Actually, most of that

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<v Speaker 3>movie is a little bit of a drag. But then

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<v Speaker 3>the final part of it is like, you know, crazy,

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<v Speaker 3>and it makes up for the entire rest of the film.

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<v Speaker 3>But yeah, he Bob Clark's interesting that he did three

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<v Speaker 3>movies in that genre and just said, all right, I'm

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<v Speaker 3>going to do family stuff and then you make Christmas Story,

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<v Speaker 3>which is amazing in its own right. He made two

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<v Speaker 3>of the best Christmas movies of all time, back back

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<v Speaker 3>in their polar opposites of each other. So yeah, yeah,

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<v Speaker 3>Bob Clark, what's another. I'm trying to mix it up

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<v Speaker 3>around hat Halloween season, hitting a bunch of different things.

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<v Speaker 3>I did watch Darkwater, so I got a Jay horror

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<v Speaker 3>in and this one was from back in two thousand

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<v Speaker 3>and two. I saw the one that Jennifer Conley did

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<v Speaker 3>that was like two thousand and five, I believe. But

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<v Speaker 3>this guy, he's the same guy who originally directed Ringo

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<v Speaker 3>or the original Japanese That one was pretty excellent as well.

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<v Speaker 3>I think I might have seen snippets of it before,

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<v Speaker 3>way back when when it was first released, but that

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<v Speaker 3>was definitely an excellent revisit. Just the the perfect dynamic

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<v Speaker 3>of how the Japanese create a horror movie that almost

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<v Speaker 3>seems like it's steeped in like legend and or like folklore.

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<v Speaker 3>Even though this is a movie that's that was like

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<v Speaker 3>then set in a contemporary time, and even though it's

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<v Speaker 3>you know, it's centered on like a murder that happened

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<v Speaker 3>only in nineteen ninety nine and then they're figuring out

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<v Speaker 3>the events in two thousand and two, it still it

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<v Speaker 3>feels like you're watching some parable folk tale thing. So yeah,

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<v Speaker 3>I definitely appreciated watching that one. What's another shout out,

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<v Speaker 3>because I've watched quite a few this week?

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<v Speaker 2>Of course, you.

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<v Speaker 3>Know another one which I think this one is a

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<v Speaker 3>good novelty film, and I bet you it's it's flown

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<v Speaker 3>over as probably a piece of crud by many people.

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<v Speaker 3>But I watched Man's Best Friend last night, and this

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<v Speaker 3>is John Laffia who, although he's the person who coined Chucky,

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<v Speaker 3>the name Chucky, he worked with Don Mancini and they

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<v Speaker 3>wrote the first Child's play and then John directed Child's

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<v Speaker 3>Play too. But he created this movie that's a year

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<v Speaker 3>behind Beethoven, the family film Beethoven, and it's about this

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<v Speaker 3>evil dog that is almost like he's cybernetic. He's like

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<v Speaker 3>a terminator dog and he just goes around and just

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<v Speaker 3>kills people. But the movie is so off kilter and

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<v Speaker 3>it doesn't know how to like tonally that it's footing.

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<v Speaker 3>But it's so weird in retrospect that I bet you,

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<v Speaker 3>if plenty of people watch it now, would be a

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<v Speaker 3>cult hit. At the time it's panned at the time,

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<v Speaker 3>plenty of people say this is garb but yeah, it's

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<v Speaker 3>they're sort of brilliant. So yeah, I had a lot

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<v Speaker 3>of fun with that one just because of the audacity

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<v Speaker 3>of it. But yeah, yeah, I could go on forever

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<v Speaker 3>because I watched ten movies. But yeah, that's just a selection.

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<v Speaker 2>On that note. If you are not following Blake on letterboxed,

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<v Speaker 2>he is linked in the description below, and he is

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<v Speaker 2>an incredible following letterboxed. He takes the time to research

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<v Speaker 2>and write on every single thing that he watches. When

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<v Speaker 2>I say right, I mean like five plus paragraphs usually,

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<v Speaker 2>and done in a way that will entice you to

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<v Speaker 2>watch almost everything. Because he's a very positive person, so

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<v Speaker 2>he's a great follow He's one of those people that

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<v Speaker 2>his reviews get so many likes that you start to

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<v Speaker 2>get jealous. Definitely work to follow him.

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<v Speaker 3>I appreciate it. Yeah, I'm definitely a bit on the

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<v Speaker 3>positive spectrum. But I guess because you know, rating films

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<v Speaker 3>is speculative and it's subjective, so you know, to each

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<v Speaker 3>their own. My mentality is I sort of grade at

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<v Speaker 3>like people great paid first, like if I was a teacher,

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<v Speaker 3>and I just live in a world where you can

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<v Speaker 3>give a lot of a's, so it's like all right.

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<v Speaker 3>You know this movie did its job in the moment.

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<v Speaker 2>So that's the roll speaking my language on a day

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<v Speaker 2>that I had parent teacher conferences for my kid.

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<v Speaker 3>Yep, exactly exactly.

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<v Speaker 2>All right, Let's get into some movies after I highlight

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<v Speaker 2>John's comment, because this is absolutely true. You watch movies

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<v Speaker 2>to essentially like to watch movies.

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<v Speaker 3>Yep, exactly, exactly all right.

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<v Speaker 2>We are starting with Imprint Asia. They announced during the

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<v Speaker 2>show last week, since Sibner and I were on for

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<v Speaker 2>almost five hours last dayDay. These are all coming on

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<v Speaker 2>January eighth on Blu Ray in Australia. The first one,

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<v Speaker 2>this is the Erotic Ghost Story Trilogy. They had revealed

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<v Speaker 2>that this was coming again hardbox release, limited to fifteen

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<v Speaker 2>hundred copies. They've got new special features on these. We've

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<v Speaker 2>got new audio commentary from Ian Jane on the first one,

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<v Speaker 2>new interview on the second one, Costume drama meets Category three.

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<v Speaker 2>On the second one, we've got audio commentary by Keilen Modell,

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<v Speaker 2>new interview with art director Raymond Lee and art assistant

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<v Speaker 2>Cyrus Hoe, a new interview on that one as well.

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<v Speaker 2>And then the third one we got another new commentary

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<v Speaker 2>from Modell. New interview with the art assistant Cyrus Hoe.

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<v Speaker 2>This has been released. It's coming out from Shout Factory

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<v Speaker 2>now coming from Imprint, and I think eighty eight Films

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<v Speaker 2>is doing it in December as well. Are you picking

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<v Speaker 2>any of those up?

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<v Speaker 3>I'm interested in for sure, because it's same directors Rick Riccio,

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<v Speaker 3>at least the first one is I got to see

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<v Speaker 3>if the same person did all three. I didn't look

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<v Speaker 3>at that.

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<v Speaker 2>I don't believe they did.

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<v Speaker 3>Yeah that makes sense. But yeah, the first first film,

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<v Speaker 3>same directors Riccio, and then Seventh Purse, which I love.

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<v Speaker 3>Seventh Purse. It's one of the films I watched a

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<v Speaker 3>few years ago that I was just like, this movie's

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<v Speaker 3>off the wall. Ye, So yeah, for sure. I mean

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<v Speaker 3>probably the easiest act. Excess one is maybe like the

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<v Speaker 3>Shout Factory one. But I mean I'm all over the map,

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<v Speaker 3>so I bounce between all regions, so who knows, whatever,

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<v Speaker 3>whatever one comes my way in the best situation, right, Oh,

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<v Speaker 3>what I'll grab.

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<v Speaker 2>Next one from Imprint Asia is is You U's Train.

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<v Speaker 2>This is from two thousand and two. This is a worldwide,

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<v Speaker 2>first time on Blu. Ray gong Li is starring in

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<v Speaker 2>this one and the important thing, no bonus features on

385
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<v Speaker 2>this film, nothing at all.

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<v Speaker 3>Yeah, this one, I really didn't know a lot about

387
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<v Speaker 3>it at all. I did look it up and somebody

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<v Speaker 3>equated it to like a Douglas Search kind of melodrama.

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<v Speaker 3>So that's a good siding point. But that's that's the

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<v Speaker 3>extent of my knowledge on it. But hey, I'll take

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<v Speaker 3>that well.

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<v Speaker 2>And Gongley's great. Yeah, obviously. The final one from them

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<v Speaker 2>is Yolo from twenty twenty four, again brand new worldwide,

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<v Speaker 2>first on Blu Ray. This is the first release of

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<v Speaker 2>it and again no bonus features whatsoever. And on a

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<v Speaker 2>brand new movie, you would have done anything to have

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<v Speaker 2>some special features. I guarantee the director wants to talk

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<v Speaker 2>about it at least.

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<v Speaker 3>Yeah, for sure. Imprint's an interesting company. I have a

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<v Speaker 3>few other stuff, but yeah, that's yeah.

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00:24:20.559 --> 00:24:26.279
<v Speaker 2>Totally get it. Uh but if man, this is gonna

402
00:24:26.279 --> 00:24:28.960
<v Speaker 2>be a weird one to talk about. So we got

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<v Speaker 2>coming on four K and Blu Ray in the UK

404
00:24:31.319 --> 00:24:35.839
<v Speaker 2>soon from Hammer Films themselves Captain Kronos Vampire Hunter. This

405
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<v Speaker 2>is coming for the first time anywhere on four K.

406
00:24:39.359 --> 00:24:42.519
<v Speaker 2>But what's crazy is this film is getting a five

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<v Speaker 2>disc release two four k's three Blu rays with the

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<v Speaker 2>content duplicated across both formats, and when we were just

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<v Speaker 2>talking about Imprint not having any special features, this has

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<v Speaker 2>like literally anything you could possibly ask for on this release.

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<v Speaker 2>Thrown on here. It looks like a great, solid, really

412
00:25:03.680 --> 00:25:07.039
<v Speaker 2>nice physical media package. But this also is kind of

413
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<v Speaker 2>like an under It's it's like the not not bottom chier.

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<v Speaker 2>I'd say it's more like mid tier Hammer Films. And

415
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<v Speaker 2>the fact that they're putting this one out in a

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<v Speaker 2>five years release, I mean, they're gonna do a lot.

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<v Speaker 3>They're going all in on this thing. This thing, it's

418
00:25:25.839 --> 00:25:30.559
<v Speaker 3>this movie is interesting. Not gonna lie speaking about recent watches.

419
00:25:30.599 --> 00:25:34.599
<v Speaker 3>I actually watched this movie yesterday, right, and because I

420
00:25:35.119 --> 00:25:38.119
<v Speaker 3>found it in like the Scream Screen Factory version, you know,

421
00:25:38.680 --> 00:25:42.160
<v Speaker 3>just in the bundle of Mini and I hadn't seen

422
00:25:42.160 --> 00:25:45.039
<v Speaker 3>this before this one. It's it's weird. It's sort of

423
00:25:45.079 --> 00:25:48.160
<v Speaker 3>like a square peg trying to fit in a round hole.

424
00:25:48.640 --> 00:25:51.000
<v Speaker 3>But that's not necessarily a bad thing like it would

425
00:25:51.079 --> 00:25:55.440
<v Speaker 3>usually be, right because I can see this movie as

426
00:25:55.480 --> 00:25:58.200
<v Speaker 3>sort of a template for a lot of the later

427
00:25:58.279 --> 00:26:03.880
<v Speaker 3>on action narrative like Vampire or just crypto movies in general,

428
00:26:05.119 --> 00:26:09.400
<v Speaker 3>because this guy, he's very much like a swashbuckler and

429
00:26:09.440 --> 00:26:15.119
<v Speaker 3>he's going after fighting these vampires and it's very dry

430
00:26:15.440 --> 00:26:18.519
<v Speaker 3>in Hammer fashion. But once it starts going, it gets going.

431
00:26:19.680 --> 00:26:22.720
<v Speaker 3>I could see a lot of fandom from the adventure

432
00:26:22.799 --> 00:26:26.000
<v Speaker 3>fans getting in this one, so it's an interesting watch.

433
00:26:26.039 --> 00:26:27.160
<v Speaker 3>I definitely recommend it.

434
00:26:27.200 --> 00:26:30.039
<v Speaker 2>But yeah, for sure, this one has probably been a

435
00:26:30.039 --> 00:26:32.039
<v Speaker 2>good ten or twelve years since I've watched this. But

436
00:26:33.079 --> 00:26:35.799
<v Speaker 2>just like Paul said in the comments, there are so

437
00:26:35.839 --> 00:26:38.720
<v Speaker 2>many other Hammer films I'd much rather get this type

438
00:26:38.720 --> 00:26:41.640
<v Speaker 2>of release first than this one. And I'm not saying

439
00:26:41.680 --> 00:26:44.640
<v Speaker 2>at all that this means it's replacing those This was

440
00:26:44.680 --> 00:26:48.240
<v Speaker 2>probably just more recently restored or somebody else had already

441
00:26:48.279 --> 00:26:50.640
<v Speaker 2>started a restoration or something and they said, oh, I

442
00:26:50.680 --> 00:26:52.920
<v Speaker 2>know what we can do to save some money. And

443
00:26:52.960 --> 00:26:54.960
<v Speaker 2>now the hard part is this is going to come out,

444
00:26:55.000 --> 00:26:57.559
<v Speaker 2>and it's going to be a very expensive release. There's

445
00:26:57.599 --> 00:26:59.960
<v Speaker 2>no way you release all of this without it costs

446
00:27:01.359 --> 00:27:04.839
<v Speaker 2>probably more than one hundred dollars plus shipping. And the

447
00:27:04.880 --> 00:27:07.240
<v Speaker 2>fact that they're doing this for a mid tier Hammer.

448
00:27:07.720 --> 00:27:09.960
<v Speaker 2>Some of the bigger Hammer films are gonna get even

449
00:27:10.039 --> 00:27:13.400
<v Speaker 2>bigger releases than this, probably. So. In other words, if

450
00:27:13.440 --> 00:27:15.880
<v Speaker 2>you love Hammer, get ready to open your wallet a

451
00:27:15.920 --> 00:27:17.720
<v Speaker 2>lot because they're willing to go there.

452
00:27:18.200 --> 00:27:20.480
<v Speaker 3>Yeah, and you said it was Hammer directly doing this,

453
00:27:20.559 --> 00:27:21.960
<v Speaker 3>so they probably live in a little bit of an

454
00:27:22.000 --> 00:27:24.799
<v Speaker 3>echo chamber, probably saying, oh, we got all this, and

455
00:27:24.839 --> 00:27:27.920
<v Speaker 3>they they probably love it way more than the average person,

456
00:27:28.279 --> 00:27:30.119
<v Speaker 3>even though there is a lot of fandom for this thing,

457
00:27:30.200 --> 00:27:32.599
<v Speaker 3>so of course they're throwing it all in with this

458
00:27:32.720 --> 00:27:35.759
<v Speaker 3>being sort of their first big release and then so

459
00:27:35.960 --> 00:27:37.160
<v Speaker 3>it's it's an experiment.

460
00:27:37.920 --> 00:27:40.279
<v Speaker 2>But yeah, we'll see what they do next. This thing

461
00:27:40.359 --> 00:27:42.640
<v Speaker 2>will go up for pre order on their website on

462
00:27:42.680 --> 00:27:45.200
<v Speaker 2>Halloween and then we'll find out more about the price

463
00:27:45.240 --> 00:27:49.160
<v Speaker 2>and all that that stuff. Yeah, Vampire Lovers is another

464
00:27:49.160 --> 00:27:51.039
<v Speaker 2>one that definitely needs to be released for sure.

465
00:27:51.480 --> 00:27:53.799
<v Speaker 3>Yeah.

466
00:27:54.039 --> 00:27:57.279
<v Speaker 2>Next is we got word from Second Site that they

467
00:27:57.279 --> 00:28:00.319
<v Speaker 2>are putting out The House of the Devil on Blue

468
00:28:00.359 --> 00:28:05.400
<v Speaker 2>Here soon. This is one that I believe I called

469
00:28:05.400 --> 00:28:07.559
<v Speaker 2>a couple months ago saying I think Second Site will

470
00:28:07.640 --> 00:28:09.960
<v Speaker 2>likely be putting this out soon, so I'm glad to

471
00:28:10.000 --> 00:28:13.720
<v Speaker 2>see that come true. This is a great movie. I

472
00:28:14.279 --> 00:28:16.319
<v Speaker 2>genuinely really like this one. I think I like this

473
00:28:16.400 --> 00:28:20.240
<v Speaker 2>one more than most. How do you feel about this one.

474
00:28:20.680 --> 00:28:23.319
<v Speaker 3>I do need to see it. I'm lacking in some

475
00:28:23.440 --> 00:28:27.000
<v Speaker 3>of my thy West department because I've really only seen

476
00:28:27.279 --> 00:28:31.599
<v Speaker 3>X and Pearl. So yeah, I know this is an

477
00:28:31.640 --> 00:28:34.000
<v Speaker 3>early one, like nine something like that.

478
00:28:34.200 --> 00:28:39.519
<v Speaker 2>I think, right, yeah, yeah, yeah, oh nine. Yeah, that's

479
00:28:39.559 --> 00:28:42.480
<v Speaker 2>a it's a really it's a weird one, but I

480
00:28:42.480 --> 00:28:44.599
<v Speaker 2>think you'll like it. Greta Gerwig is great in it.

481
00:28:44.640 --> 00:28:48.400
<v Speaker 2>For like a couple of minutes. This movie's great. I

482
00:28:48.400 --> 00:28:49.400
<v Speaker 2>think people are gonna love it.

483
00:28:49.960 --> 00:28:53.079
<v Speaker 3>Yeah. Perfect. I mean, I'll definitely catch out for sure.

484
00:28:54.400 --> 00:28:57.160
<v Speaker 2>Next one, Keno announced that they are doing The Great

485
00:28:57.160 --> 00:28:59.839
<v Speaker 2>Gatsby from nineteen forty nine on Blu Ray soon. This

486
00:29:00.119 --> 00:29:02.440
<v Speaker 2>is from a four K scan of the OCN and

487
00:29:02.480 --> 00:29:08.680
<v Speaker 2>it's probably the exact same release that Imprint did last year.

488
00:29:10.640 --> 00:29:15.119
<v Speaker 2>Interesting movie. Not my favorite Gatsby, but I think people

489
00:29:15.279 --> 00:29:18.160
<v Speaker 2>that have never seen they're gonna be happy with it.

490
00:29:18.200 --> 00:29:20.440
<v Speaker 2>This is only the second HD release Imprint had the

491
00:29:20.440 --> 00:29:22.960
<v Speaker 2>first one, so I think if you've never seen it,

492
00:29:22.960 --> 00:29:24.000
<v Speaker 2>it's a good one to check out.

493
00:29:24.640 --> 00:29:28.200
<v Speaker 3>Yeah. I mean, I enjoy Alden Ladd in movies. I

494
00:29:28.319 --> 00:29:31.200
<v Speaker 3>watched Like the Glass Be a little while back. That's

495
00:29:31.240 --> 00:29:34.200
<v Speaker 3>a good one. I sort of cracked up when I

496
00:29:34.240 --> 00:29:36.240
<v Speaker 3>looked at this and it said it's also in the

497
00:29:36.279 --> 00:29:40.680
<v Speaker 3>Dark Side of Cinema box set whatever. Yep, And we're

498
00:29:40.759 --> 00:29:42.559
<v Speaker 3>at the point where it's like, is there more box

499
00:29:42.599 --> 00:29:44.640
<v Speaker 3>sets or super Bowls? Like when you get to the

500
00:29:44.960 --> 00:29:48.119
<v Speaker 3>Roman numeral gibberish and it's like you just start to

501
00:29:48.200 --> 00:29:52.960
<v Speaker 3>give up on counting it all, you know, that's what twenty.

502
00:29:52.200 --> 00:29:54.799
<v Speaker 2>Six, twenty six. Yeah, this will also be in the

503
00:29:54.839 --> 00:29:57.720
<v Speaker 2>twenty six film Noir box from Kinos, So they think

504
00:29:57.799 --> 00:30:02.400
<v Speaker 2>this is enough for people to purchase standalone and uh,

505
00:30:02.519 --> 00:30:04.839
<v Speaker 2>one in the box set for others. So they must

506
00:30:04.880 --> 00:30:06.039
<v Speaker 2>have a lot of faith in this one.

507
00:30:06.319 --> 00:30:09.480
<v Speaker 3>Yeah, it's been a while. Gatsby a nor I don't know,

508
00:30:09.559 --> 00:30:12.680
<v Speaker 3>they're just sort of throwing anything in there, so ish

509
00:30:12.720 --> 00:30:14.920
<v Speaker 3>maybe all right, it's been a while.

510
00:30:15.400 --> 00:30:17.079
<v Speaker 2>It's just dowlan led so it must be in one.

511
00:30:17.240 --> 00:30:18.680
<v Speaker 3>Yeah, there you go. That works.

512
00:30:19.599 --> 00:30:22.480
<v Speaker 2>Uh, next one. Keno is also putting out Shout at

513
00:30:22.480 --> 00:30:24.720
<v Speaker 2>the Devil from nineteen seventy six. This is coming. On

514
00:30:24.759 --> 00:30:28.279
<v Speaker 2>December seventeenth, we had a new audio commentary by Lee Marvin,

515
00:30:28.279 --> 00:30:33.599
<v Speaker 2>biographer Dwayne Epstein and Steve Mitchell accompanying him. Uh, this

516
00:30:34.039 --> 00:30:35.279
<v Speaker 2>is a good looking cover.

517
00:30:35.440 --> 00:30:39.119
<v Speaker 3>I'll definitely yeah, Yeah, this is definitely a film that

518
00:30:39.279 --> 00:30:40.680
<v Speaker 3>I would probably get in the Keno's.

519
00:30:41.839 --> 00:30:44.279
<v Speaker 2>Yes, it is that type of film for sure.

520
00:30:44.960 --> 00:30:52.160
<v Speaker 3>Yeah, it looks interesting. It's the same director as in

521
00:30:52.240 --> 00:30:56.400
<v Speaker 3>Her Majesty's Secret Service, I think, right, I think so. Yeah,

522
00:30:56.480 --> 00:30:59.920
<v Speaker 3>Yeah it's James Bond. That's the one with Lazin be

523
00:31:00.160 --> 00:31:03.680
<v Speaker 3>So everybody sort of forgets that one, right, But yeah,

524
00:31:03.839 --> 00:31:07.599
<v Speaker 3>it looks interesting. I lee Marvin's a good time. So yeah,

525
00:31:07.640 --> 00:31:08.039
<v Speaker 3>for sure.

526
00:31:09.160 --> 00:31:12.400
<v Speaker 2>Love of these comments. Keynot should start advertising Roman Numerals as.

527
00:31:12.279 --> 00:31:14.160
<v Speaker 3>A feature, Yeah, exactly.

528
00:31:16.559 --> 00:31:20.480
<v Speaker 2>They also announced Hyperspace coming on three D Blu ray.

529
00:31:20.519 --> 00:31:24.039
<v Speaker 2>This is from nineteen eighty four. This was starring Chris

530
00:31:24.039 --> 00:31:28.319
<v Speaker 2>Elliott and Paula Poundstone, shot by Earl Dixon, directed by

531
00:31:28.319 --> 00:31:31.319
<v Speaker 2>Todd Durham, and it says the special edition release also

532
00:31:31.319 --> 00:31:33.839
<v Speaker 2>includes the nineteen eighty four three D short film The

533
00:31:33.960 --> 00:31:37.200
<v Speaker 2>Fright Before Christmas that a lot of people have been after.

534
00:31:37.319 --> 00:31:40.480
<v Speaker 2>So this looks to be a pretty great, like comprehensive disc.

535
00:31:42.200 --> 00:31:45.240
<v Speaker 2>Anything that three D Film Archive touches is like really

536
00:31:45.359 --> 00:31:48.200
<v Speaker 2>high quality. Definitely suggests people check this out.

537
00:31:48.720 --> 00:31:51.240
<v Speaker 3>Yeah, it's I watched a little trailer of this because

538
00:31:51.240 --> 00:31:52.720
<v Speaker 3>I didn't know much about it. I watched the little

539
00:31:52.720 --> 00:31:54.839
<v Speaker 3>trailer and it I mean, it looks it looks dumb,

540
00:31:54.920 --> 00:31:58.079
<v Speaker 3>but it looks dumb fun, So it's definitely up my alley.

541
00:31:58.119 --> 00:32:02.880
<v Speaker 3>It reminded me of MBD put out Hardware Wars earlier

542
00:32:02.920 --> 00:32:05.319
<v Speaker 3>this year, which I definitely recommend that as well, because

543
00:32:05.319 --> 00:32:07.920
<v Speaker 3>that's just a lot of fun. So this is the

544
00:32:07.960 --> 00:32:11.839
<v Speaker 3>same vein for sure. Yeah, definitely worth your time.

545
00:32:12.680 --> 00:32:15.440
<v Speaker 2>Yep. Definitely one that if you are into Star Wars,

546
00:32:15.480 --> 00:32:19.960
<v Speaker 2>you're gonna want to watch this. Yeah, yeah, all right,

547
00:32:20.559 --> 00:32:24.319
<v Speaker 2>going to our next one, which is a big deal

548
00:32:24.440 --> 00:32:26.920
<v Speaker 2>November twenty sixth, but also if you order from their

549
00:32:26.960 --> 00:32:30.359
<v Speaker 2>website at shipping now. Media Blasters is releasing a four

550
00:32:30.480 --> 00:32:34.200
<v Speaker 2>K and Blu ray release of Photo the New Generation

551
00:32:34.319 --> 00:32:37.799
<v Speaker 2>from nineteen ninety six. This is not only Media blasters

552
00:32:37.839 --> 00:32:41.799
<v Speaker 2>first four K release ever, this is the first Takashi

553
00:32:42.200 --> 00:32:46.559
<v Speaker 2>mik film on four K ever. Really super surprising that

554
00:32:46.680 --> 00:32:49.359
<v Speaker 2>this is the first one. I would have thought that

555
00:32:49.400 --> 00:32:52.960
<v Speaker 2>some of the others may have made the joke first,

556
00:32:53.079 --> 00:32:56.599
<v Speaker 2>but either way, I'm glad this is coming. We got

557
00:32:57.200 --> 00:32:59.720
<v Speaker 2>brand new four K restoration on this. Some audio commentaries,

558
00:32:59.759 --> 00:33:03.759
<v Speaker 2>video interviews with Mik and the actor Shosa K. Teddy

559
00:33:03.799 --> 00:33:06.960
<v Speaker 2>Hara And there is a side exclusive version with a

560
00:33:06.960 --> 00:33:08.839
<v Speaker 2>slipcover if you want, but you can also get it

561
00:33:08.839 --> 00:33:09.400
<v Speaker 2>on Amazon.

562
00:33:10.599 --> 00:33:12.599
<v Speaker 3>Yeah, you would have thought Aro would have jumped on

563
00:33:12.680 --> 00:33:16.759
<v Speaker 3>something and put out a four K like Audition or Audition.

564
00:33:17.000 --> 00:33:21.160
<v Speaker 3>Yeah yeah, or Ichi the Killer or I don't know

565
00:33:21.160 --> 00:33:22.640
<v Speaker 3>who have the rights of that one, but that, for

566
00:33:22.680 --> 00:33:25.759
<v Speaker 3>sure is some of the more main mainstay ones. I've

567
00:33:25.799 --> 00:33:28.400
<v Speaker 3>never seen this one by him, but I've seen quite

568
00:33:28.440 --> 00:33:31.160
<v Speaker 3>a few of his mainstay ones. This one definitely what's

569
00:33:31.200 --> 00:33:33.400
<v Speaker 3>interesting for sure. I watched the trailer of it.

570
00:33:34.200 --> 00:33:36.519
<v Speaker 2>I've not seen this one either. I'm interested in checking it.

571
00:33:37.000 --> 00:33:39.160
<v Speaker 3>Yeah. A lot of people on the letterbox said that

572
00:33:39.200 --> 00:33:43.279
<v Speaker 3>it's really trashy, which I mean, that's like half his films,

573
00:33:43.440 --> 00:33:46.200
<v Speaker 3>But you know, they said, but it's in a good

574
00:33:46.240 --> 00:33:47.480
<v Speaker 3>sense trashy.

575
00:33:47.160 --> 00:33:48.880
<v Speaker 2>So that's me k.

576
00:33:49.480 --> 00:33:51.640
<v Speaker 3>Yeah.

577
00:33:51.960 --> 00:33:56.960
<v Speaker 2>Next is VCI putting out two poverty row films on

578
00:33:56.960 --> 00:33:59.440
<v Speaker 2>one disc. We got King of the Zombies from nineteen

579
00:33:59.480 --> 00:34:02.519
<v Speaker 2>forty one and Miss v from Moscow from nineteen forty two.

580
00:34:05.119 --> 00:34:07.839
<v Speaker 2>Is VCI, So first of all, keep that in mind.

581
00:34:08.039 --> 00:34:10.880
<v Speaker 2>But the other thing, like, yes, I understand that these

582
00:34:10.880 --> 00:34:14.280
<v Speaker 2>are attached by Poverty Row. These films aren't really anything

583
00:34:14.440 --> 00:34:17.719
<v Speaker 2>like each other. Yeah, and both of these movies are

584
00:34:17.800 --> 00:34:22.480
<v Speaker 2>on YouTube in decent quality. This is a really odd

585
00:34:22.559 --> 00:34:24.760
<v Speaker 2>choice unless they have a new restoration and they're not

586
00:34:24.960 --> 00:34:29.000
<v Speaker 2>advertising that. But even then, again, really weird double feature.

587
00:34:29.559 --> 00:34:32.079
<v Speaker 3>Yeah, it's probably like King and Zombies probably has more

588
00:34:32.119 --> 00:34:34.679
<v Speaker 3>of a draw and they probably were sitting on the

589
00:34:34.719 --> 00:34:36.320
<v Speaker 3>other one and just said, ah, let's just throw it

590
00:34:36.360 --> 00:34:37.039
<v Speaker 3>in there.

591
00:34:37.760 --> 00:34:40.280
<v Speaker 2>Yet something like that. They must have had the ability

592
00:34:40.280 --> 00:34:42.440
<v Speaker 2>to do it. I don't know. Anyways, you can check

593
00:34:42.440 --> 00:34:45.480
<v Speaker 2>that out. This is coming January twenty first on Blu

594
00:34:45.599 --> 00:34:46.400
<v Speaker 2>Ray from VCI.

595
00:34:47.000 --> 00:34:51.000
<v Speaker 3>Yeah, the real cook on King is Zombi. The director's interesting.

596
00:34:51.159 --> 00:34:55.440
<v Speaker 3>I watched Hill Billy's in a Haunted House the other day.

597
00:34:55.519 --> 00:34:57.880
<v Speaker 3>That's from the same guy, So it's it's gonna be

598
00:34:58.000 --> 00:35:01.760
<v Speaker 3>schlocky and anything from Poverty Row, you know is, But yeah,

599
00:35:01.840 --> 00:35:04.480
<v Speaker 3>it'll be fine from the enthusiasts for sure.

600
00:35:05.559 --> 00:35:10.440
<v Speaker 2>I love that. Gym on Facebook says quote classics. Yeah,

601
00:35:10.559 --> 00:35:13.519
<v Speaker 2>Silent Mandil says, is there a mister V I mean, technically,

602
00:35:13.559 --> 00:35:14.000
<v Speaker 2>I guess me.

603
00:35:14.280 --> 00:35:16.800
<v Speaker 3>I guess yeah.

604
00:35:16.800 --> 00:35:19.320
<v Speaker 2>Two Poverty Row picks on one disc from VCI. That's

605
00:35:19.440 --> 00:35:22.519
<v Speaker 2>three bad signs. In one sentence. I couldn't have said

606
00:35:22.559 --> 00:35:25.880
<v Speaker 2>it better myself. Yeah, although I believe these are both

607
00:35:25.920 --> 00:35:28.800
<v Speaker 2>fairly short movies like how Ish.

608
00:35:29.559 --> 00:35:31.360
<v Speaker 3>Yeah, I'm sure.

609
00:35:31.199 --> 00:35:35.840
<v Speaker 2>The next coming soon on four K steel book in

610
00:35:35.880 --> 00:35:39.119
<v Speaker 2>the UK and likely the US and everywhere else right

611
00:35:39.159 --> 00:35:42.840
<v Speaker 2>around the same time. Yeah, from Warner Brothers Constantine from

612
00:35:42.880 --> 00:35:45.039
<v Speaker 2>two thousand and five. This will be a big twentieth

613
00:35:45.079 --> 00:35:49.239
<v Speaker 2>anniversary release. This is going to be having a rigid slipcase,

614
00:35:49.239 --> 00:35:52.480
<v Speaker 2>a steal book, double sided posters, art cards they save

615
00:35:53.199 --> 00:35:56.639
<v Speaker 2>on disc. Special features to be confirmed. I hope. I mean,

616
00:35:56.679 --> 00:35:58.599
<v Speaker 2>like Keanu loves this movie. I'm sure he would have

617
00:35:58.639 --> 00:36:00.639
<v Speaker 2>loved to talk about it. We'll see if we at anything.

618
00:36:01.679 --> 00:36:04.800
<v Speaker 2>But the thing that I'm gonna bring up again Warner

619
00:36:04.840 --> 00:36:07.960
<v Speaker 2>Brothers doing this whole We're gonna make you pre order

620
00:36:08.000 --> 00:36:10.599
<v Speaker 2>something without knowing the artwork, without knowing when it's in

621
00:36:10.599 --> 00:36:14.400
<v Speaker 2>a ship, and that is such a dirty way to

622
00:36:14.519 --> 00:36:17.199
<v Speaker 2>do this in twenty twenty four. Just get your shit

623
00:36:17.280 --> 00:36:18.960
<v Speaker 2>together and then put it up for pre order like

624
00:36:19.039 --> 00:36:19.679
<v Speaker 2>everyone else.

625
00:36:19.960 --> 00:36:25.719
<v Speaker 3>Yeah, they need to get on Hammer's level. Caps. Yeah.

626
00:36:26.320 --> 00:36:31.000
<v Speaker 3>So yeah, Connstein's a good time. I remember seeing it

627
00:36:31.079 --> 00:36:33.119
<v Speaker 3>way back when I've seen this thing so many Times

628
00:36:33.199 --> 00:36:36.159
<v Speaker 3>own multiple copies of it. I for sure enjoy this

629
00:36:36.199 --> 00:36:41.000
<v Speaker 3>film and will definitely upgrade for sure. It's a fun time. Yeah.

630
00:36:41.039 --> 00:36:44.079
<v Speaker 3>I don't know about the comic book enthusiasts, and he's

631
00:36:44.119 --> 00:36:46.840
<v Speaker 3>definitely sort of strayed from the character a little bit,

632
00:36:46.880 --> 00:36:49.599
<v Speaker 3>but I I, you know, it's fine for me. I

633
00:36:49.679 --> 00:36:52.360
<v Speaker 3>enjoy it quite a bit. So it's a lot of fun.

634
00:36:53.079 --> 00:36:55.440
<v Speaker 2>And the other thing like, if the restoration is done right,

635
00:36:55.639 --> 00:36:58.000
<v Speaker 2>this with HDR could look very good.

636
00:36:58.320 --> 00:37:01.119
<v Speaker 3>Yeah. Yeah, yeah, this thing's a blast.

637
00:37:03.440 --> 00:37:06.840
<v Speaker 2>Sibboners says they've already confirmed Constantine tou so just wait

638
00:37:06.880 --> 00:37:08.960
<v Speaker 2>to build on the hype. Was that confirmed? I thought

639
00:37:08.960 --> 00:37:12.519
<v Speaker 2>it was just a semi rumored and like Keanu trying

640
00:37:12.519 --> 00:37:14.159
<v Speaker 2>to get it interesting. I didn't know it was confirmed.

641
00:37:15.559 --> 00:37:17.880
<v Speaker 3>They're gonna bring everybody back? Are they gonna tie down

642
00:37:18.079 --> 00:37:18.760
<v Speaker 3>shil above?

643
00:37:19.920 --> 00:37:23.400
<v Speaker 2>Uh? This is pointless now because you can't use it.

644
00:37:23.440 --> 00:37:27.199
<v Speaker 2>But the Criterion Collection had their fall flash sale like

645
00:37:27.239 --> 00:37:30.880
<v Speaker 2>they always do. Usually it would have been the previous week,

646
00:37:30.960 --> 00:37:33.119
<v Speaker 2>but the flash sale day would have landed on the

647
00:37:33.159 --> 00:37:35.199
<v Speaker 2>new announcement day, so they delayed it a week to

648
00:37:35.239 --> 00:37:36.960
<v Speaker 2>do this. Did you get anything in this one?

649
00:37:37.840 --> 00:37:42.119
<v Speaker 3>Uh? Gummo happiness real quick. I can, I can wait

650
00:37:42.239 --> 00:37:45.519
<v Speaker 3>until the Barns sale. But I think it's good for

651
00:37:45.559 --> 00:37:47.360
<v Speaker 3>what it is. A lot of people are sitting on

652
00:37:47.400 --> 00:37:50.599
<v Speaker 3>their their coupons and so it's a good time to

653
00:37:50.679 --> 00:37:53.480
<v Speaker 3>use it. And I get that Criterion sort of wants

654
00:37:53.480 --> 00:37:56.000
<v Speaker 3>to get their own piece of action before Barnes and

655
00:37:56.000 --> 00:37:58.960
<v Speaker 3>Noble probably takes a chunk of it. So it totally

656
00:37:59.000 --> 00:38:01.000
<v Speaker 3>makes sense. With the sale, I just sort of got

657
00:38:01.039 --> 00:38:01.719
<v Speaker 3>it and got out.

658
00:38:02.320 --> 00:38:06.639
<v Speaker 2>Yeah. Yeah, Eric got the Before trilogy. Good job, that's

659
00:38:06.679 --> 00:38:07.440
<v Speaker 2>a masterpiece.

660
00:38:08.599 --> 00:38:11.039
<v Speaker 3>I'd still got plenty from this summer sale that I

661
00:38:11.079 --> 00:38:13.519
<v Speaker 3>gotta watch. So it's like, I can, I can wait

662
00:38:13.599 --> 00:38:14.159
<v Speaker 3>a little bit.

663
00:38:14.639 --> 00:38:19.599
<v Speaker 2>Yeah, let's stand on. Constantine says nothing is ever confirmed.

664
00:38:19.599 --> 00:38:20.719
<v Speaker 2>Just ask Joaquin Phoenix.

665
00:38:20.840 --> 00:38:24.960
<v Speaker 3>Yeah, yeah, true che Yeah.

666
00:38:25.199 --> 00:38:29.440
<v Speaker 2>Uh. Manda Micabre's Halloween sale is currently live. This is

667
00:38:29.480 --> 00:38:33.280
<v Speaker 2>live until October twenty seventh. The pre orders that are

668
00:38:33.280 --> 00:38:36.480
<v Speaker 2>available as well are Cafe Flesh on four K, Bohachi

669
00:38:36.480 --> 00:38:39.079
<v Speaker 2>Bushido on four K, The Girl Slaves of Morgana La

670
00:38:39.079 --> 00:38:43.440
<v Speaker 2>Fe on four K, and The Punishment. You can still

671
00:38:43.480 --> 00:38:45.360
<v Speaker 2>pre order off our four of those as far as

672
00:38:45.360 --> 00:38:49.920
<v Speaker 2>I know. However, Uh, this has done oh so well

673
00:38:50.000 --> 00:38:55.880
<v Speaker 2>for Monta Micabro. Yeah, Cafe Flesh is almost sold out already, Jared.

674
00:38:55.960 --> 00:38:58.400
<v Speaker 2>If you listen to the Mona Micabre podcast episode that

675
00:38:58.440 --> 00:39:00.760
<v Speaker 2>went up earlier this week, he's said that this should

676
00:39:00.800 --> 00:39:04.519
<v Speaker 2>be available for a month or so at the very least,

677
00:39:04.599 --> 00:39:07.239
<v Speaker 2>and it looks like Cafe Flesh will likely sell out

678
00:39:07.239 --> 00:39:08.599
<v Speaker 2>tonight or tomorrow morning.

679
00:39:09.800 --> 00:39:15.119
<v Speaker 3>Yeah. I mean I loved Doctor Calgary and so I

680
00:39:15.239 --> 00:39:19.440
<v Speaker 3>was obviously Cafe Flesh right off the bat. I'm sold

681
00:39:19.679 --> 00:39:24.679
<v Speaker 3>on that whole crazy wonky all the above. So yeah,

682
00:39:24.719 --> 00:39:27.199
<v Speaker 3>I got to pick a few things from this. I'm

683
00:39:27.719 --> 00:39:32.039
<v Speaker 3>one of the sections of my collection that I definitely

684
00:39:32.039 --> 00:39:35.119
<v Speaker 3>need to catch up to speed on is Mondo Macabre.

685
00:39:35.760 --> 00:39:38.079
<v Speaker 3>So I definitely put a little bit of a dent.

686
00:39:38.199 --> 00:39:40.280
<v Speaker 3>Not crazy, but I definitely want to catch up to

687
00:39:40.280 --> 00:39:43.079
<v Speaker 3>speed with him. So I grabbed a couple from this one.

688
00:39:44.119 --> 00:39:49.119
<v Speaker 3>So I got, like, uh, what I get? Killer Dolls.

689
00:39:49.239 --> 00:39:51.159
<v Speaker 3>I guess a lot of people are talking about that one,

690
00:39:51.320 --> 00:39:57.239
<v Speaker 3>and yeah, blood Spattered Bride and Beast of the Magic

691
00:39:57.280 --> 00:40:01.440
<v Speaker 3>Sword looked crazy. Yeah, yeah, it'll be fun time. So

692
00:40:01.639 --> 00:40:02.039
<v Speaker 3>for sure.

693
00:40:03.960 --> 00:40:05.800
<v Speaker 2>We got a question here from Seminary, says Ryan, do

694
00:40:05.880 --> 00:40:08.119
<v Speaker 2>they confirm how many copies were done? Yes, they did

695
00:40:08.159 --> 00:40:11.000
<v Speaker 2>for all of the titles, but Hachi Bushido and Cafe

696
00:40:11.079 --> 00:40:14.840
<v Speaker 2>Flesh were both two thousand copies, and I believe Morgana

697
00:40:14.920 --> 00:40:17.480
<v Speaker 2>la Fay and The Punishment were both fifteen hundred. I

698
00:40:17.599 --> 00:40:20.800
<v Speaker 2>may be wrong on Morgana la Fae, but it is

699
00:40:20.840 --> 00:40:22.159
<v Speaker 2>on the site. Let me see if I can look

700
00:40:22.199 --> 00:40:25.400
<v Speaker 2>that up before I say the wrong thing. It is

701
00:40:33.480 --> 00:40:35.639
<v Speaker 2>two thousand copies, so I was wrong. Yeah, Morgano la

702
00:40:35.679 --> 00:40:38.960
<v Speaker 2>Fay also two thousand copies. But the big thing, all

703
00:40:39.000 --> 00:40:41.440
<v Speaker 2>of these will have standard copies. If you don't want

704
00:40:42.280 --> 00:40:44.599
<v Speaker 2>you know, the booklet or the slipcover or anything like that,

705
00:40:44.800 --> 00:40:48.119
<v Speaker 2>just wait. It'll be back in stock for the retail edition.

706
00:40:48.239 --> 00:40:51.559
<v Speaker 2>It'll likely not be in stock until like April or May,

707
00:40:52.000 --> 00:40:53.800
<v Speaker 2>so as long as you have no problem waiting, you'll

708
00:40:53.960 --> 00:41:00.199
<v Speaker 2>still be able to get them. Don't worry. Yeah, this is,

709
00:41:00.719 --> 00:41:03.440
<v Speaker 2>like I said, available till the twenty seventh. Check it out,

710
00:41:03.480 --> 00:41:06.119
<v Speaker 2>and if you want Cafe Flesh, sooner than later. Although

711
00:41:06.199 --> 00:41:08.719
<v Speaker 2>keep in mind the brand new four titles are not

712
00:41:08.760 --> 00:41:11.679
<v Speaker 2>shipping until January, so if you want sale titles as well,

713
00:41:11.880 --> 00:41:13.760
<v Speaker 2>you might want to do two orders.

714
00:41:14.880 --> 00:41:17.719
<v Speaker 3>Yeah that makes sense. I'm good, I got playing to watch,

715
00:41:17.800 --> 00:41:20.159
<v Speaker 3>but yeah, through it all in one file, but I'm

716
00:41:20.159 --> 00:41:22.559
<v Speaker 3>good it'll be a good surprise couple of months from now.

717
00:41:23.079 --> 00:41:26.519
<v Speaker 2>And agree with jim Mondo rules. They speak to my

718
00:41:26.639 --> 00:41:27.840
<v Speaker 2>taste almost exactly.

719
00:41:28.719 --> 00:41:31.519
<v Speaker 3>Yeah. Yeah, definitely a lot of fun. I'm definitely happy

720
00:41:31.519 --> 00:41:33.039
<v Speaker 3>that I'm catching up speed with them.

721
00:41:34.519 --> 00:41:37.880
<v Speaker 2>Next one is another piece of important news. This is

722
00:41:37.920 --> 00:41:41.199
<v Speaker 2>just kind of a reminder that Something Weird Video is

723
00:41:41.239 --> 00:41:44.239
<v Speaker 2>shutting down the downloads and the DVD rs that they've

724
00:41:44.239 --> 00:41:47.360
<v Speaker 2>been selling from their websites. You can only get that

725
00:41:47.519 --> 00:41:49.760
<v Speaker 2>until Halloween, which means you only got one more week.

726
00:41:49.840 --> 00:41:53.000
<v Speaker 2>As of the time of this recording. The website is

727
00:41:53.000 --> 00:41:55.239
<v Speaker 2>not going away. Something Weird is not going away. It's

728
00:41:55.440 --> 00:41:59.000
<v Speaker 2>just the dvdrs and the downloads. They're still going to

729
00:41:59.039 --> 00:42:01.559
<v Speaker 2>be doing like restorate with other companies, still going to

730
00:42:01.639 --> 00:42:04.320
<v Speaker 2>be selling some of those Blu ray discs and all that.

731
00:42:05.679 --> 00:42:08.159
<v Speaker 2>Just the dvd rs and the downloads are going away.

732
00:42:08.280 --> 00:42:10.280
<v Speaker 2>Lisa will always be a part of this, I'm sure.

733
00:42:11.079 --> 00:42:13.599
<v Speaker 2>The big thing is they weren't selling very many, so

734
00:42:13.599 --> 00:42:16.000
<v Speaker 2>they said, why are we keeping this available and making

735
00:42:16.079 --> 00:42:18.480
<v Speaker 2>it a headache for us? So they're just cutting this out.

736
00:42:18.519 --> 00:42:20.679
<v Speaker 2>But they announced it very far in advance, so that

737
00:42:20.719 --> 00:42:22.440
<v Speaker 2>everybody could have a chance to get what they wanted.

738
00:42:22.840 --> 00:42:25.480
<v Speaker 2>It's a great deal. If you want your stuff, get

739
00:42:25.519 --> 00:42:27.760
<v Speaker 2>in there and do it. However, you only have a

740
00:42:27.800 --> 00:42:28.440
<v Speaker 2>week left.

741
00:42:28.960 --> 00:42:32.199
<v Speaker 3>Yeah, yeah, I wandered around in there, looked at it. It

742
00:42:32.199 --> 00:42:34.400
<v Speaker 3>was fun stuff. I have a lot of their stuff

743
00:42:34.440 --> 00:42:36.840
<v Speaker 3>on physical media. But yeah, I appreciate the work that

744
00:42:36.840 --> 00:42:39.519
<v Speaker 3>they're doing. And yeah, for sure, there's a lot of weird,

745
00:42:39.559 --> 00:42:40.480
<v Speaker 3>crazy stuff there.

746
00:42:41.320 --> 00:42:44.000
<v Speaker 2>It's true, there's a lot of lot of weird things.

747
00:42:44.039 --> 00:42:47.280
<v Speaker 2>As they said, the big thing is that their partnerships

748
00:42:47.280 --> 00:42:49.119
<v Speaker 2>are amazing. I mean the stuff they do with the AGFA,

749
00:42:49.199 --> 00:42:52.880
<v Speaker 2>the Kino discs that they've got, They've worked with a

750
00:42:52.880 --> 00:42:54.960
<v Speaker 2>handful of others. It's it's great.

751
00:42:55.639 --> 00:42:59.039
<v Speaker 3>Yeah, I got a whole pile of those Kino like

752
00:42:59.079 --> 00:43:02.400
<v Speaker 3>the Drugs films and all those that. Yep, someday it's

753
00:43:02.440 --> 00:43:04.599
<v Speaker 3>a project of mine to like watch them all in order.

754
00:43:04.719 --> 00:43:08.519
<v Speaker 3>So there's like thirteen editions of them sitting there. Who knows,

755
00:43:08.679 --> 00:43:09.719
<v Speaker 3>but yeah.

756
00:43:10.119 --> 00:43:12.159
<v Speaker 2>Well now I think they're up to seventeen or eighteen,

757
00:43:12.199 --> 00:43:12.480
<v Speaker 2>so good.

758
00:43:12.559 --> 00:43:15.920
<v Speaker 3>Yeah, I know I'm missing a few, but yeah, for sure.

759
00:43:16.760 --> 00:43:19.920
<v Speaker 2>All right, Next up, I put a new interview up

760
00:43:19.920 --> 00:43:22.880
<v Speaker 2>on the channel with Eugenio Eklani. He is the on

761
00:43:22.960 --> 00:43:26.679
<v Speaker 2>the Grand producer who goes between Rome and London and

762
00:43:26.760 --> 00:43:31.639
<v Speaker 2>helps like every company out there. Basically, he is one

763
00:43:31.639 --> 00:43:34.599
<v Speaker 2>of the most knowledgeable people in physical media. And I'm

764
00:43:34.679 --> 00:43:36.880
<v Speaker 2>really happy with this conversation. I hope people check it out.

765
00:43:36.960 --> 00:43:40.079
<v Speaker 2>He we get into some like existential stuff about his

766
00:43:40.239 --> 00:43:43.599
<v Speaker 2>purpose in life and talk about how much he's contributed

767
00:43:43.639 --> 00:43:45.440
<v Speaker 2>to over the last year and what makes him happy.

768
00:43:45.920 --> 00:43:48.239
<v Speaker 2>And it's just it's great to see somebody that is

769
00:43:48.280 --> 00:43:51.119
<v Speaker 2>truly passionate about all of these films like we all are.

770
00:43:51.639 --> 00:43:53.159
<v Speaker 3>Yeah, definitely.

771
00:43:54.599 --> 00:43:57.400
<v Speaker 2>Going to our next one. I'm stoke. This is getting

772
00:43:57.480 --> 00:44:01.519
<v Speaker 2>released November nineteenth. Frago Rock Back to the Rock Season

773
00:44:01.679 --> 00:44:05.760
<v Speaker 2>one is getting a physical media release from Sony Pictures.

774
00:44:07.039 --> 00:44:09.719
<v Speaker 2>Kind of surprising. This was a streaming only title and

775
00:44:09.760 --> 00:44:13.079
<v Speaker 2>now here here it is. This This season had a

776
00:44:13.119 --> 00:44:16.360
<v Speaker 2>lot of like special guest We've got Davd Diggs that

777
00:44:16.440 --> 00:44:20.239
<v Speaker 2>was on it, Ed Helm's, Patty LaBelle Keenan Thompson, Cynthia Revo,

778
00:44:22.320 --> 00:44:24.360
<v Speaker 2>the Foo Fighters. But I know that they're looked down

779
00:44:24.360 --> 00:44:27.000
<v Speaker 2>on at the moment. Anyways, frag of Rock Back to

780
00:44:27.039 --> 00:44:29.480
<v Speaker 2>the Rock, I mean it's a handsome thing. Everybody should

781
00:44:29.480 --> 00:44:30.320
<v Speaker 2>love it. It's amazing.

782
00:44:31.119 --> 00:44:33.239
<v Speaker 3>Yeah, and it's I mean, it's good to see stuff

783
00:44:33.280 --> 00:44:36.239
<v Speaker 3>like this get physical release because it's sorted in the

784
00:44:36.280 --> 00:44:40.159
<v Speaker 3>streaming only land. At least that's what people would pragmatically

785
00:44:40.199 --> 00:44:43.599
<v Speaker 3>think prior, where it's sort of set it and then

786
00:44:43.639 --> 00:44:47.360
<v Speaker 3>forget it kind of thing. Obviously, I haven't seen this one.

787
00:44:47.400 --> 00:44:51.440
<v Speaker 3>I've seen obviously the original show plenty of times. Right,

788
00:44:52.000 --> 00:44:55.480
<v Speaker 3>But yeah, definitely it'd be an interesting watch to see.

789
00:44:55.519 --> 00:44:57.800
<v Speaker 3>But yeah, I like that. This is a good sign

790
00:44:58.000 --> 00:45:00.480
<v Speaker 3>in general that a lot of the stuff that would

791
00:45:01.000 --> 00:45:03.400
<v Speaker 3>just be a quick gimmick and then thrown out the

792
00:45:03.400 --> 00:45:05.719
<v Speaker 3>window was definitely being put out there.

793
00:45:06.239 --> 00:45:10.679
<v Speaker 2>Agreed there, Uh, never let go. This is the newest

794
00:45:10.679 --> 00:45:14.599
<v Speaker 2>halle Berry film. This was directed by Alexandra Aja. This

795
00:45:14.679 --> 00:45:17.440
<v Speaker 2>is coming on Blu Ray DVD from lions Gate on

796
00:45:17.760 --> 00:45:20.880
<v Speaker 2>December third. No word on special features yet, but it's

797
00:45:20.960 --> 00:45:24.199
<v Speaker 2>lions Gates, so I really wouldn't expect very much that

798
00:45:24.360 --> 00:45:26.960
<v Speaker 2>their new stuff they don't put a lot into unfortunately,

799
00:45:27.000 --> 00:45:29.039
<v Speaker 2>But I've heard really good things about this one. Did

800
00:45:29.079 --> 00:45:29.840
<v Speaker 2>you go see this one?

801
00:45:30.599 --> 00:45:35.519
<v Speaker 3>Uh? No, I haven't. Was this was it primarily on

802
00:45:35.599 --> 00:45:37.320
<v Speaker 3>streaming or was it? I don't know.

803
00:45:38.119 --> 00:45:40.320
<v Speaker 2>I feel like this was a theatrical release, but I'm

804
00:45:40.360 --> 00:45:41.119
<v Speaker 2>not sure was it.

805
00:45:41.239 --> 00:45:44.280
<v Speaker 3>Okay, No, I have I'm a little rusty on some

806
00:45:44.360 --> 00:45:46.920
<v Speaker 3>of these, but yeah, I mean I know the director

807
00:45:46.960 --> 00:45:50.159
<v Speaker 3>obviously from the French extremity stuff. I've seen that plenty

808
00:45:50.159 --> 00:45:55.039
<v Speaker 3>of times. What's it called it's leaving my mind at

809
00:45:55.039 --> 00:45:58.920
<v Speaker 3>the second high tension? Yeah, I've seen that plenty of times.

810
00:45:59.079 --> 00:46:01.119
<v Speaker 3>But yeah, it looks in interesting. It's one that maybe

811
00:46:01.159 --> 00:46:05.320
<v Speaker 3>I would run into randomly. Oh, I guess it's a Netflix.

812
00:46:05.559 --> 00:46:08.920
<v Speaker 2>Yeah, a Netflix movie, So I guess the.

813
00:46:09.480 --> 00:46:12.559
<v Speaker 3>Same going with Fraggle Rock there is you know what,

814
00:46:12.679 --> 00:46:15.719
<v Speaker 3>I'm glad that this has got a physical format for

815
00:46:15.760 --> 00:46:18.760
<v Speaker 3>the one person out there that definitely wants it for sure.

816
00:46:20.840 --> 00:46:23.280
<v Speaker 2>Next up is a White Bird. This is from this year,

817
00:46:23.360 --> 00:46:26.280
<v Speaker 2>also coming on Blue Rain DVD on December third, from Lionsgate.

818
00:46:26.639 --> 00:46:29.880
<v Speaker 2>This is with Helen Mirren and this is from the

819
00:46:29.880 --> 00:46:34.199
<v Speaker 2>same person that wrote Wonder. The book Wonder I'm supposed

820
00:46:34.199 --> 00:46:37.840
<v Speaker 2>to be like a inspirational story. I've somehow heard that

821
00:46:37.920 --> 00:46:40.280
<v Speaker 2>this is pretty good too, huh.

822
00:46:40.599 --> 00:46:43.800
<v Speaker 3>I think I remember Wonder that was a movie. Julie

823
00:46:43.880 --> 00:46:45.559
<v Speaker 3>Roberts was in that thing.

824
00:46:45.599 --> 00:46:48.320
<v Speaker 2>I think it's been a while it was Zach Braff,

825
00:46:48.400 --> 00:46:50.800
<v Speaker 2>I know that, yeah, and then.

826
00:46:50.800 --> 00:46:55.039
<v Speaker 3>It's it was like a heartwarming film about kid has

827
00:46:55.119 --> 00:46:58.599
<v Speaker 3>physical deformity, and then you know they're talking about the

828
00:46:59.000 --> 00:47:02.840
<v Speaker 3>power of I Forget. But yeah, yeah, I think I

829
00:47:02.920 --> 00:47:05.239
<v Speaker 3>remember that being a decent film. It's been a while,

830
00:47:05.280 --> 00:47:06.559
<v Speaker 3>so yeah, this looks interesting.

831
00:47:07.199 --> 00:47:11.360
<v Speaker 2>Sibbonar says it's a prequel to Wonder. Oh okay, I

832
00:47:11.360 --> 00:47:18.000
<v Speaker 2>didn't realize they were connected. That's interesting. Alrighty. Next Dark

833
00:47:18.079 --> 00:47:22.480
<v Speaker 2>Side Releasing is putting out well, you can purchase it now. Actually,

834
00:47:22.480 --> 00:47:25.639
<v Speaker 2>it's out now Blu Ray for Dead Name from twenty

835
00:47:25.679 --> 00:47:31.519
<v Speaker 2>twenty four. This is a movie that is directed by

836
00:47:31.559 --> 00:47:34.679
<v Speaker 2>Warren Badensky, and it's got an audio commentary on it

837
00:47:34.800 --> 00:47:37.599
<v Speaker 2>and Sympathy's Fall of Rude and music video some interviews

838
00:47:37.599 --> 00:47:41.679
<v Speaker 2>with the cast and crew. Looks like a fairly indie horror.

839
00:47:42.480 --> 00:47:44.440
<v Speaker 3>Ah. This is not a prequel to.

840
00:47:44.400 --> 00:47:47.920
<v Speaker 2>Wonder, Probably not, I mean with this cover.

841
00:47:49.000 --> 00:47:52.679
<v Speaker 3>Yeah, huh, yeah, I've never heard of that company. Yeah.

842
00:47:52.800 --> 00:47:56.880
<v Speaker 2>Keno putting out Mister Monk's Last Case a Monk movie.

843
00:47:57.119 --> 00:48:00.199
<v Speaker 2>This is coming on December seventeenth. The extras get it's

844
00:48:00.239 --> 00:48:03.760
<v Speaker 2>an internet and TV spot and that's it. I'm kind

845
00:48:03.800 --> 00:48:06.000
<v Speaker 2>of kind of surprised they didn't do anything for this

846
00:48:06.199 --> 00:48:08.679
<v Speaker 2>at all, like get Tony Shalaloub to comment on his

847
00:48:08.840 --> 00:48:10.440
<v Speaker 2>long career on this show.

848
00:48:11.079 --> 00:48:14.159
<v Speaker 3>Yeah, yeah, yeah. If there's one thing that Keino's doing,

849
00:48:14.239 --> 00:48:18.679
<v Speaker 3>it's the dark side of film noir and Monk seasons.

850
00:48:18.880 --> 00:48:20.280
<v Speaker 2>This should be the end of it, I think.

851
00:48:20.320 --> 00:48:23.679
<v Speaker 3>Yeah, But you know, I'm glad to see it. I've

852
00:48:24.400 --> 00:48:28.440
<v Speaker 3>I've enjoyed Monk like the next person on syndicated television,

853
00:48:29.559 --> 00:48:32.199
<v Speaker 3>so I haven't been a crazy fan, but I enjoy

854
00:48:32.239 --> 00:48:35.199
<v Speaker 3>it for what it is. I randomly saw Tony Shaloub

855
00:48:35.199 --> 00:48:37.119
<v Speaker 3>in an airport once, but that's it.

856
00:48:38.000 --> 00:48:41.719
<v Speaker 2>Yet another streaming movie that is coming to physical as well.

857
00:48:42.320 --> 00:48:44.280
<v Speaker 3>Yeah, yeah, good to see it.

858
00:48:45.400 --> 00:48:48.920
<v Speaker 2>Next is The Killer Is Loose. Speaking of good Kino art,

859
00:48:48.960 --> 00:48:52.880
<v Speaker 2>this one is great. Yeah. December seventeenth. This is coming

860
00:48:52.880 --> 00:48:55.079
<v Speaker 2>on Blu Ray. This is from nineteen fifty six, starring

861
00:48:55.159 --> 00:48:58.400
<v Speaker 2>Joseph Cotton, directed by the one and only Bud Betteker

862
00:48:58.599 --> 00:49:01.119
<v Speaker 2>and we got a commentary on here by Gary Garani

863
00:49:01.440 --> 00:49:05.960
<v Speaker 2>and a trailer. This is like an exact what we

864
00:49:05.960 --> 00:49:08.239
<v Speaker 2>were saying earlier. This is a when there's a keynosale,

865
00:49:08.280 --> 00:49:09.159
<v Speaker 2>I am picking this up.

866
00:49:09.400 --> 00:49:13.480
<v Speaker 3>Yeah, Yeah, for sure, I'm definitely interested. I am sitting

867
00:49:13.519 --> 00:49:20.119
<v Speaker 3>on Baker's his Western set from Criterion, and part of

868
00:49:20.159 --> 00:49:23.079
<v Speaker 3>me is crazy in the sense that I have intentions

869
00:49:23.119 --> 00:49:25.960
<v Speaker 3>to watch an entire box set from front to back,

870
00:49:26.119 --> 00:49:28.119
<v Speaker 3>and that's the only reason why I haven't gotten to

871
00:49:28.199 --> 00:49:30.480
<v Speaker 3>it yet, even though it's four films and they are

872
00:49:30.519 --> 00:49:32.239
<v Speaker 3>not that long. But I need to just sit down

873
00:49:32.280 --> 00:49:35.199
<v Speaker 3>and watch that thing. But yeah, I know that, just

874
00:49:35.239 --> 00:49:37.519
<v Speaker 3>like I would love those films, I'm gonna love this

875
00:49:37.559 --> 00:49:40.079
<v Speaker 3>film because there's just a sense of how he makes

876
00:49:40.119 --> 00:49:43.800
<v Speaker 3>films and like they're sort of little gritty be kind

877
00:49:43.840 --> 00:49:47.639
<v Speaker 3>of movies, but they're fun in their novelty kind of sense. Yeah,

878
00:49:47.679 --> 00:49:48.719
<v Speaker 3>I'm all about this one.

879
00:49:49.480 --> 00:49:59.280
<v Speaker 2>Indeed. Next one, December seventeenth, Umbrella is giving Terrifier. This

880
00:49:59.679 --> 00:50:04.039
<v Speaker 2>is such a crazy release. They are doing a box

881
00:50:04.079 --> 00:50:08.440
<v Speaker 2>set with so much we're gonna get into. First thing

882
00:50:08.760 --> 00:50:12.320
<v Speaker 2>is where do they get into the details here. This

883
00:50:12.400 --> 00:50:16.199
<v Speaker 2>comprehensive set includes Terrifier, Terrifier two and Terrifier three on

884
00:50:16.400 --> 00:50:20.679
<v Speaker 2>four K, and the anthology prequel film All Hollows Eve,

885
00:50:20.800 --> 00:50:23.920
<v Speaker 2>so you get everything art the clown Possible all coming

886
00:50:23.960 --> 00:50:26.599
<v Speaker 2>in this box set. This is the first time anywhere

887
00:50:26.599 --> 00:50:28.119
<v Speaker 2>in the world that the first film has been on

888
00:50:28.159 --> 00:50:31.039
<v Speaker 2>four K, So if you are four K rider, die,

889
00:50:31.039 --> 00:50:33.320
<v Speaker 2>this is finally the one for you. There was a

890
00:50:33.320 --> 00:50:36.559
<v Speaker 2>steable announced in the UK, but it got delayed and

891
00:50:36.559 --> 00:50:39.239
<v Speaker 2>then delayed again, and it might be coming next year

892
00:50:39.519 --> 00:50:43.679
<v Speaker 2>or who knows, but this is already I think the

893
00:50:43.840 --> 00:50:47.079
<v Speaker 2>fourth or fifth release I've talked about for Terrifier. So

894
00:50:47.159 --> 00:50:50.360
<v Speaker 2>I do want to say to everybody, this is going

895
00:50:50.480 --> 00:50:55.559
<v Speaker 2>to be the most exploited title and series in physical

896
00:50:55.599 --> 00:50:59.360
<v Speaker 2>media in modern horror for the next handful of years.

897
00:50:59.440 --> 00:51:03.280
<v Speaker 2>This is going to be the big one. This set has,

898
00:51:03.559 --> 00:51:05.639
<v Speaker 2>like I said, all the films four K and then

899
00:51:05.639 --> 00:51:09.719
<v Speaker 2>the anthology prequel on Blu Ray and the exclusive version

900
00:51:09.719 --> 00:51:13.519
<v Speaker 2>from the Umbrella Store has an one hundred and eighty

901
00:51:13.559 --> 00:51:16.159
<v Speaker 2>piece brick set. They can't call them legos because they're

902
00:51:16.159 --> 00:51:21.639
<v Speaker 2>off brand legos. Yeah, they've got there you go. Terrifier

903
00:51:21.719 --> 00:51:25.960
<v Speaker 2>three VHS, two hundred and fifty plus page book, behind

904
00:51:26.000 --> 00:51:29.199
<v Speaker 2>the scenes experiences and art with written content from a

905
00:51:29.239 --> 00:51:34.639
<v Speaker 2>handful of people, custom artwork, rigid slipcase arts, Christmas sunglasses,

906
00:51:35.239 --> 00:51:40.039
<v Speaker 2>twelve art cards, two reversible posters, and then it is

907
00:51:40.199 --> 00:51:44.360
<v Speaker 2>their limited edition numbered release This has everything you could

908
00:51:44.360 --> 00:51:47.800
<v Speaker 2>possibly want. There are exclusive features for Terrifier three, so

909
00:51:47.840 --> 00:51:50.679
<v Speaker 2>if you really love this movie, this might be the

910
00:51:50.760 --> 00:51:52.679
<v Speaker 2>release to get because nobody else is going to have

911
00:51:52.719 --> 00:51:57.719
<v Speaker 2>those bonus features. This is a crazy release, and I

912
00:51:57.760 --> 00:52:00.920
<v Speaker 2>gotta be honest. I talk about bad pricing a lot

913
00:52:00.960 --> 00:52:04.039
<v Speaker 2>on here. The fact that this comes out to only

914
00:52:04.119 --> 00:52:07.960
<v Speaker 2>I think one hundred and thirty five dollars US before shipping, Like,

915
00:52:08.000 --> 00:52:09.760
<v Speaker 2>if you buy anything else for five dollars, you get

916
00:52:09.800 --> 00:52:12.280
<v Speaker 2>free shipping, But one hundred and thirty five dollars for

917
00:52:12.320 --> 00:52:16.480
<v Speaker 2>this entire bundle is kind of a pretty great price.

918
00:52:17.199 --> 00:52:20.159
<v Speaker 3>Yeah. Yeah, it's gonna be like what was it that

919
00:52:20.320 --> 00:52:24.719
<v Speaker 3>Collegio set this brick times three?

920
00:52:26.760 --> 00:52:30.360
<v Speaker 2>The crazy thing though, Uh, They've already announced a fourth film,

921
00:52:30.599 --> 00:52:33.480
<v Speaker 2>So for me, I would never buy this box set

922
00:52:33.519 --> 00:52:36.199
<v Speaker 2>because I know there's more coming and they've even hinted

923
00:52:36.239 --> 00:52:39.159
<v Speaker 2>they might be a fifth one. So I mean, do

924
00:52:39.239 --> 00:52:40.719
<v Speaker 2>you want to go all in and buy a box

925
00:52:40.719 --> 00:52:42.760
<v Speaker 2>set every time? Do you want to you know, get

926
00:52:42.800 --> 00:52:44.880
<v Speaker 2>the exclusives and sell the box set of the movies

927
00:52:44.920 --> 00:52:48.119
<v Speaker 2>and buy the next box set? Who knows. I'm not

928
00:52:48.159 --> 00:52:50.719
<v Speaker 2>gonna tell you either way, but this is wild, Like

929
00:52:50.760 --> 00:52:53.239
<v Speaker 2>there are so many people in the mainstream world that

930
00:52:53.360 --> 00:52:56.480
<v Speaker 2>love Terrifier right now that are buying this just because

931
00:52:56.519 --> 00:53:01.159
<v Speaker 2>it's the best looking release of Terrifier. They're going to

932
00:53:01.280 --> 00:53:03.719
<v Speaker 2>sell a metric shit ton of these.

933
00:53:03.960 --> 00:53:06.320
<v Speaker 3>Yeah, but they needed they need to pull a Charles

934
00:53:06.320 --> 00:53:09.960
<v Speaker 3>Band and like full Moon and then like they give

935
00:53:10.000 --> 00:53:13.280
<v Speaker 3>you like the evil Bong box that but then they say, hey,

936
00:53:13.280 --> 00:53:16.039
<v Speaker 3>look there's like ninety of these coming, and so they

937
00:53:16.159 --> 00:53:19.639
<v Speaker 3>leave like this whole cardboard like half empty, so you

938
00:53:19.639 --> 00:53:22.960
<v Speaker 3>can put your additional evil bong movies in there. That's

939
00:53:23.000 --> 00:53:26.400
<v Speaker 3>what they need to do with Just geez. Yeah, this

940
00:53:26.519 --> 00:53:29.000
<v Speaker 3>movie is the movie that will never quit. You know,

941
00:53:29.480 --> 00:53:32.280
<v Speaker 3>I'm all four people who enjoy it. I like it

942
00:53:33.239 --> 00:53:36.039
<v Speaker 3>to a degree. I've seen the first one. In the

943
00:53:36.079 --> 00:53:39.559
<v Speaker 3>second one once a piece. I still need to see that.

944
00:53:40.559 --> 00:53:45.079
<v Speaker 3>The first one. That's like an anthology. It gets a

945
00:53:45.119 --> 00:53:48.719
<v Speaker 3>little taxing after a while. I definitely like the gore

946
00:53:49.000 --> 00:53:53.559
<v Speaker 3>and the physical effects. I think it's a celebration of that.

947
00:53:54.599 --> 00:53:56.239
<v Speaker 3>Do I think it's in its head a little bit

948
00:53:56.320 --> 00:53:58.679
<v Speaker 3>too much? Yeah? Probably, for sure.

949
00:53:58.960 --> 00:54:00.519
<v Speaker 2>It's up something a little too.

950
00:54:00.440 --> 00:54:04.199
<v Speaker 3>Yeah it is. It's it's definitely huff in a little

951
00:54:04.199 --> 00:54:06.960
<v Speaker 3>bit too much of its own fumes. But you know,

952
00:54:07.000 --> 00:54:09.760
<v Speaker 3>there's gonna be some people that, you know, love the

953
00:54:09.800 --> 00:54:13.119
<v Speaker 3>movies and it's all for it, you know. So yeah,

954
00:54:13.159 --> 00:54:15.599
<v Speaker 3>I'm not I'm not opposed to rewatching as well. So

955
00:54:15.840 --> 00:54:18.760
<v Speaker 3>I don't hate them. It's just I'm not crazy.

956
00:54:19.159 --> 00:54:21.719
<v Speaker 2>Yeah, I literally the exact same feelings. I do not

957
00:54:21.840 --> 00:54:25.360
<v Speaker 2>hate them, I don't certainly don't love them. I have

958
00:54:25.599 --> 00:54:27.760
<v Speaker 2>never once had a desire to go throw on a

959
00:54:27.880 --> 00:54:32.719
<v Speaker 2>terrifier film. I'm very happy that they have made practical

960
00:54:32.719 --> 00:54:35.800
<v Speaker 2>effects an important part of the series. I'm also very

961
00:54:35.800 --> 00:54:40.880
<v Speaker 2>happy that a basically a tiny budget Christmas set really

962
00:54:40.920 --> 00:54:44.039
<v Speaker 2>gruesome horror slasher it was the top film at the

963
00:54:44.079 --> 00:54:46.159
<v Speaker 2>box office for a weekend. That sends a lot of

964
00:54:46.199 --> 00:54:49.159
<v Speaker 2>shockwaves through the industry. As many people don't think that's

965
00:54:49.199 --> 00:54:53.840
<v Speaker 2>a big deal, it truly is. I'm I'm stoked for

966
00:54:53.920 --> 00:54:56.760
<v Speaker 2>Damian Leoni. I just don't really care about the movies

967
00:54:56.760 --> 00:54:57.159
<v Speaker 2>all day.

968
00:54:58.519 --> 00:55:02.119
<v Speaker 3>Yeah, I mean, it's it's its own celebration. I'll never

969
00:55:02.440 --> 00:55:05.599
<v Speaker 3>really put it down. Yeah, like I said, I think

970
00:55:05.599 --> 00:55:08.039
<v Speaker 3>it's huffing a little bit too much of its own fumes.

971
00:55:08.079 --> 00:55:10.840
<v Speaker 3>But you know, I enjoy it at the end of

972
00:55:10.920 --> 00:55:11.920
<v Speaker 3>the day for what it is.

973
00:55:12.639 --> 00:55:15.559
<v Speaker 2>What's crazy is if this isn't enough Terrifier for you,

974
00:55:16.320 --> 00:55:19.599
<v Speaker 2>Umbrella has shirts for a pre order right now, They

975
00:55:19.639 --> 00:55:23.360
<v Speaker 2>have art wrapping paper. They even have a shirt that

976
00:55:23.400 --> 00:55:27.159
<v Speaker 2>they're not revealing the design, saying it's too gruesome, and

977
00:55:27.280 --> 00:55:30.599
<v Speaker 2>one of the like subtitle for it says who would

978
00:55:30.679 --> 00:55:33.920
<v Speaker 2>even wear this? Seriously? But that's crazy to me that

979
00:55:33.960 --> 00:55:36.639
<v Speaker 2>you can pre order it without even knowing the design. Yeah,

980
00:55:37.280 --> 00:55:39.159
<v Speaker 2>I love the Umbrella's doing it. They are all in

981
00:55:39.239 --> 00:55:40.880
<v Speaker 2>on it. I think that this is going to be

982
00:55:40.920 --> 00:55:45.119
<v Speaker 2>if you love Terrifyer your favorite release probably well.

983
00:55:45.159 --> 00:55:47.039
<v Speaker 3>And it fits in with the theme of like its

984
00:55:47.079 --> 00:55:51.239
<v Speaker 3>film as an event right oh you know, and definitely

985
00:55:51.280 --> 00:55:54.480
<v Speaker 3>not might pop up later on, but you know, more

986
00:55:54.519 --> 00:55:55.480
<v Speaker 3>power to it for what.

987
00:55:55.480 --> 00:56:01.280
<v Speaker 2>It's doing, all right. Next up, Celluloid Dreams has announced

988
00:56:01.320 --> 00:56:03.119
<v Speaker 2>their next title that's coming out on four K, and

989
00:56:03.119 --> 00:56:06.239
<v Speaker 2>that a short Night of Glass Dolls from nineteen seventy one.

990
00:56:06.760 --> 00:56:11.079
<v Speaker 2>This is a hiallo film that was previously released by

991
00:56:11.119 --> 00:56:14.719
<v Speaker 2>Twilight Time. Has been out of print for some time,

992
00:56:14.840 --> 00:56:18.159
<v Speaker 2>but it's also not that out of reach. I know

993
00:56:18.199 --> 00:56:21.840
<v Speaker 2>a lot of Twilight Time films have exploded in value

994
00:56:21.840 --> 00:56:23.320
<v Speaker 2>and you can't find them for like less than one

995
00:56:23.360 --> 00:56:27.639
<v Speaker 2>hundred and twenty dollars. This one is still pretty gettable. However,

996
00:56:28.199 --> 00:56:31.880
<v Speaker 2>it was a decent Blu ray release. I was hoping

997
00:56:31.960 --> 00:56:34.239
<v Speaker 2>for a little more obscure from them, like when they

998
00:56:34.280 --> 00:56:37.840
<v Speaker 2>announced Black Belly the Tarantula that was the kind of

999
00:56:37.840 --> 00:56:40.559
<v Speaker 2>obscure I was really hoping for. This is fine, it's

1000
00:56:40.559 --> 00:56:42.519
<v Speaker 2>a good movie. I'm glad that it's coming, and we'll

1001
00:56:42.519 --> 00:56:45.519
<v Speaker 2>probably get a gorgeous four K release that's you know,

1002
00:56:45.599 --> 00:56:49.079
<v Speaker 2>some big three or four disc release with art cards

1003
00:56:49.079 --> 00:56:51.440
<v Speaker 2>the size of surfboards and everybody will be super happy.

1004
00:56:51.960 --> 00:56:54.280
<v Speaker 3>Yeah, oh yeah, I still have a case of the

1005
00:56:54.280 --> 00:56:57.119
<v Speaker 3>bloody iris I gotta get too, But yeah, I definitely

1006
00:56:57.159 --> 00:56:58.679
<v Speaker 3>appreciate it for sure.

1007
00:56:58.840 --> 00:57:02.639
<v Speaker 2>Yeah, if you are easy on four K transfers, I

1008
00:57:02.679 --> 00:57:06.360
<v Speaker 2>will say that is genuinely one of the best four

1009
00:57:06.440 --> 00:57:10.119
<v Speaker 2>K transfers the last two years. It is.

1010
00:57:12.079 --> 00:57:14.400
<v Speaker 3>The dinner plates that they brought with it too, But

1011
00:57:14.480 --> 00:57:17.360
<v Speaker 3>you know, that's appreciate. Somebody's gonna frame those and yeah

1012
00:57:17.440 --> 00:57:20.079
<v Speaker 3>put them up or something. So yeah, definitely I'm all

1013
00:57:20.119 --> 00:57:20.400
<v Speaker 3>for it.

1014
00:57:21.159 --> 00:57:24.039
<v Speaker 2>Silent Man, his glass night of short dolls is better.

1015
00:57:26.599 --> 00:57:26.719
<v Speaker 3>Uh.

1016
00:57:26.960 --> 00:57:30.559
<v Speaker 2>I love all of these random puns about Terrifier releases

1017
00:57:30.559 --> 00:57:33.360
<v Speaker 2>that we could get like Arts European Vacation art and space.

1018
00:57:33.800 --> 00:57:34.480
<v Speaker 3>That'd be great.

1019
00:57:35.159 --> 00:57:35.320
<v Speaker 2>Yeah.

1020
00:57:35.719 --> 00:57:40.039
<v Speaker 3>Make him like National Lampoon I overs yeah.

1021
00:57:39.760 --> 00:57:42.480
<v Speaker 2>Art meets Winnie the Pooh.

1022
00:57:42.559 --> 00:57:45.599
<v Speaker 3>Yeah they I mean just make them till end of time.

1023
00:57:46.039 --> 00:57:49.400
<v Speaker 3>That if that if that's the shock that the film

1024
00:57:49.440 --> 00:57:53.920
<v Speaker 3>industry needs to keep going thirty years time and it's

1025
00:57:53.920 --> 00:57:55.159
<v Speaker 3>only art the clown movies.

1026
00:57:55.280 --> 00:57:59.599
<v Speaker 2>Well, David Everard Thornton will be They'll just his face

1027
00:57:59.639 --> 00:58:00.599
<v Speaker 2>will be stuck.

1028
00:58:00.400 --> 00:58:01.760
<v Speaker 3>Like terrorfire Yeah.

1029
00:58:01.960 --> 00:58:05.599
<v Speaker 2>Yeah, Oh jeez, terrifier for Tokyo Drift. Look at that.

1030
00:58:05.800 --> 00:58:06.880
<v Speaker 3>Oh my god.

1031
00:58:07.480 --> 00:58:10.519
<v Speaker 2>Eureka put out a couple announcements today. First one is

1032
00:58:10.679 --> 00:58:13.679
<v Speaker 2>running on Karma. This is coming from their Masters of

1033
00:58:13.719 --> 00:58:16.880
<v Speaker 2>Cinema line on Blu Ray on January twenty seventh. But

1034
00:58:16.920 --> 00:58:19.280
<v Speaker 2>the cool thing this is available in the UK and

1035
00:58:19.400 --> 00:58:22.599
<v Speaker 2>North America. Glad that they are still taking advantage of

1036
00:58:22.639 --> 00:58:25.679
<v Speaker 2>what they're doing in the US and Canada. This one

1037
00:58:25.920 --> 00:58:29.119
<v Speaker 2>is directed by Johnny Toe, a name that many people

1038
00:58:29.159 --> 00:58:30.800
<v Speaker 2>have been in physical media for the last couple of

1039
00:58:30.840 --> 00:58:34.280
<v Speaker 2>years will recognize once again. Limited to two thousand copies,

1040
00:58:34.360 --> 00:58:38.079
<v Speaker 2>it's got a slipcover on it. It's got the new

1041
00:58:38.119 --> 00:58:41.400
<v Speaker 2>audio commentary by Frank Jang and FJ. DeSanto on this

1042
00:58:41.760 --> 00:58:44.400
<v Speaker 2>new interview with Gary Bettenson, the editor in chief of

1043
00:58:44.480 --> 00:58:48.360
<v Speaker 2>Asian Cinema Journal, some archival making of featurettes and trailers,

1044
00:58:48.559 --> 00:58:51.079
<v Speaker 2>and a collector's booklet with a new essay by David West.

1045
00:58:51.800 --> 00:58:53.400
<v Speaker 2>I've not seen this one, but Johnny Toe is a

1046
00:58:53.400 --> 00:58:54.079
<v Speaker 2>hell of a good film.

1047
00:58:54.360 --> 00:58:57.920
<v Speaker 3>Yeah. Yeah, throw downs a good time. Yeah, it looks interesting.

1048
00:58:58.079 --> 00:59:00.559
<v Speaker 3>It looks like a newer movie. I like I said,

1049
00:59:00.639 --> 00:59:03.840
<v Speaker 3>I haven't seen it either, but yeah, looks interesting for sure.

1050
00:59:04.960 --> 00:59:10.119
<v Speaker 2>And in the discord earlier Craig Craig says, man, that

1051
00:59:10.239 --> 00:59:14.280
<v Speaker 2>guy is yoked or whatever he said, buffed something. Yeah,

1052
00:59:14.280 --> 00:59:17.199
<v Speaker 2>this guy's ripped. The muscles on this guy are crazy.

1053
00:59:17.800 --> 00:59:19.360
<v Speaker 3>Yeah.

1054
00:59:19.400 --> 00:59:22.559
<v Speaker 2>But the bigger deal from Eureka over in the UK

1055
00:59:23.079 --> 00:59:29.159
<v Speaker 2>they are getting not a Kira Kiyoshi Kurasawa's Cure from

1056
00:59:29.239 --> 00:59:32.920
<v Speaker 2>nineteen ninety seven coming on four K. This is also

1057
00:59:33.039 --> 00:59:35.119
<v Speaker 2>still part of their Master's the Cinema line, since this

1058
00:59:35.199 --> 00:59:38.880
<v Speaker 2>has been released by them previously, and this has archival

1059
00:59:38.920 --> 00:59:42.239
<v Speaker 2>interviews with Kyoshi and then Kim Newman on Cure, interview

1060
00:59:42.280 --> 00:59:44.159
<v Speaker 2>with a critic and out there Kim Newman a collector's

1061
00:59:44.199 --> 00:59:48.599
<v Speaker 2>booklet with essays on Cure by Tom mess This movie

1062
00:59:48.639 --> 00:59:52.079
<v Speaker 2>will look beautiful swollen, that's the word you used. Cure

1063
00:59:52.239 --> 00:59:56.119
<v Speaker 2>will look beautiful on four K. Gary, glad this is

1064
00:59:56.159 --> 00:59:59.960
<v Speaker 2>coming out. Slip on. This looks great. It's cue.

1065
01:00:01.440 --> 01:00:04.559
<v Speaker 3>Yeah, that's probably a precursor that it's coming four K

1066
01:00:04.760 --> 01:00:06.480
<v Speaker 3>out on this side of things as.

1067
01:00:06.360 --> 01:00:09.360
<v Speaker 2>Well, Criteria definitely released it on four K.

1068
01:00:09.880 --> 01:00:14.239
<v Speaker 3>Yeah, a great film. Everybody who's seen here probably agrees

1069
01:00:14.320 --> 01:00:18.840
<v Speaker 3>that the film's excellent. It's been a bit, but definitely

1070
01:00:18.880 --> 01:00:22.039
<v Speaker 3>I want to revisit this thing. It's definitely a gritty

1071
01:00:22.320 --> 01:00:25.400
<v Speaker 3>I was looking back at my review of it because

1072
01:00:25.400 --> 01:00:27.079
<v Speaker 3>I I'm sort of fuzzy on it because it's been

1073
01:00:27.119 --> 01:00:29.360
<v Speaker 3>a couple of years. But somehow I put the equation

1074
01:00:29.559 --> 01:00:34.760
<v Speaker 3>of seven Meats Stocker like Tarcassi Stoker, and so that

1075
01:00:34.960 --> 01:00:37.639
<v Speaker 3>just like reinvigorated in my brain again that yeah, I

1076
01:00:37.679 --> 01:00:40.360
<v Speaker 3>definitely want to rewatch here. But yeah, I just remember

1077
01:00:40.400 --> 01:00:41.800
<v Speaker 3>loving this thing when I watched it.

1078
01:00:42.559 --> 01:00:45.880
<v Speaker 2>I am the lone outcast idiot. I will say I've

1079
01:00:45.920 --> 01:00:49.239
<v Speaker 2>watched this once and it did nothing for me. I

1080
01:00:49.280 --> 01:00:51.039
<v Speaker 2>really need to see it again. I feel like I

1081
01:00:51.079 --> 01:00:53.480
<v Speaker 2>just went into it on a bad day and I'll

1082
01:00:53.480 --> 01:00:55.880
<v Speaker 2>probably love it on the second watch. But man, I

1083
01:00:56.719 --> 01:00:58.960
<v Speaker 2>don't get the hype for this movie at all.

1084
01:01:00.480 --> 01:01:02.920
<v Speaker 3>Yeah, I mean it's been a while. Like I said,

1085
01:01:02.960 --> 01:01:05.000
<v Speaker 3>I'm Buzzney, but I just remember in the moment it's

1086
01:01:05.079 --> 01:01:08.239
<v Speaker 3>very atmosphere. So I definitely agree. Like if you walk

1087
01:01:08.320 --> 01:01:11.719
<v Speaker 3>into it on and off day and you're not like

1088
01:01:12.239 --> 01:01:14.840
<v Speaker 3>not to say, you're not fully engaged or you know, whatever,

1089
01:01:14.960 --> 01:01:18.159
<v Speaker 3>is off to slightly a degree, I totally can see

1090
01:01:18.400 --> 01:01:21.719
<v Speaker 3>that that happening. But yeah, I mean just full with

1091
01:01:21.920 --> 01:01:23.639
<v Speaker 3>full buy in this movie. S nuts.

1092
01:01:24.519 --> 01:01:25.960
<v Speaker 2>Yeah, I feel like this is one that you got

1093
01:01:26.000 --> 01:01:29.000
<v Speaker 2>to watch in the dark room, no phones, nobody else

1094
01:01:29.039 --> 01:01:31.519
<v Speaker 2>around other than you know, somebody else, silent on the couch.

1095
01:01:31.840 --> 01:01:33.079
<v Speaker 2>This is definitely one that you got.

1096
01:01:32.920 --> 01:01:35.320
<v Speaker 3>To be all in onf Yeah, yeah, for sure.

1097
01:01:37.079 --> 01:01:39.400
<v Speaker 2>Similar Shaw Shank is a classic. I get it. It's

1098
01:01:39.480 --> 01:01:47.599
<v Speaker 2>just overrated, That's okay. Then, the third wave of Disney

1099
01:01:47.760 --> 01:01:50.880
<v Speaker 2>Steel books got announced today, and we got some weird

1100
01:01:51.039 --> 01:01:53.920
<v Speaker 2>things happening here. First off, all these come out on

1101
01:01:53.960 --> 01:01:57.039
<v Speaker 2>December third. The press release for these doesn't say anything

1102
01:01:57.079 --> 01:01:59.760
<v Speaker 2>about Blu Ray this time, so all I see is

1103
01:01:59.760 --> 01:02:02.480
<v Speaker 2>that the are coming out on four K, not on

1104
01:02:02.559 --> 01:02:05.400
<v Speaker 2>Blu Ray potentially. But also it's Disney, they could change

1105
01:02:05.400 --> 01:02:07.199
<v Speaker 2>their minds in the middle of the night and do

1106
01:02:07.239 --> 01:02:09.880
<v Speaker 2>the same thing. The should all go up for pre

1107
01:02:10.000 --> 01:02:12.360
<v Speaker 2>order by the end of next week everywhere. These are

1108
01:02:12.360 --> 01:02:15.760
<v Speaker 2>not exclusives anywhere, and all of these releases are two

1109
01:02:15.840 --> 01:02:18.679
<v Speaker 2>hundred gig discs and they all have Dolby Vision and

1110
01:02:18.840 --> 01:02:21.880
<v Speaker 2>HDR ten, which is a great sign for Disney because

1111
01:02:21.920 --> 01:02:25.440
<v Speaker 2>they were not embracing Dolby Vision for the longest time.

1112
01:02:26.599 --> 01:02:29.559
<v Speaker 3>Yeah, I think Disney is smelling some of the copy

1113
01:02:29.679 --> 01:02:32.599
<v Speaker 3>that they need to get back into physical media a

1114
01:02:32.639 --> 01:02:36.000
<v Speaker 3>little bit. They're so all over the map and temperamental

1115
01:02:36.000 --> 01:02:38.320
<v Speaker 3>in their thoughts stuff like that.

1116
01:02:38.480 --> 01:02:41.199
<v Speaker 2>But yeah, we're gonna talk about Disney later, right, Blake.

1117
01:02:41.360 --> 01:02:43.800
<v Speaker 3>Yeah, Yeah.

1118
01:02:43.840 --> 01:02:47.480
<v Speaker 2>So this first one is the Mandalorian, the complete third season. Now,

1119
01:02:47.599 --> 01:02:50.519
<v Speaker 2>a lot of people complaining because they announced this. They

1120
01:02:50.559 --> 01:02:53.599
<v Speaker 2>did not announce the Book of Boba Fett, which should

1121
01:02:53.639 --> 01:02:57.639
<v Speaker 2>have been the next one to come out in this saga.

1122
01:02:57.679 --> 01:03:02.559
<v Speaker 2>But here we are, Sibner. Remember when Disney said they

1123
01:03:02.559 --> 01:03:04.440
<v Speaker 2>would never put out a four K again. No, but

1124
01:03:04.480 --> 01:03:06.440
<v Speaker 2>I remember when a YouTuber who has no idea what

1125
01:03:06.480 --> 01:03:08.679
<v Speaker 2>he's talking about made the Internet think that was the case.

1126
01:03:11.000 --> 01:03:13.639
<v Speaker 2>Ronnie says, I'm Dying for Nagata all along physical release.

1127
01:03:13.679 --> 01:03:15.360
<v Speaker 2>I hope they get to all of them eventually. I

1128
01:03:15.360 --> 01:03:18.239
<v Speaker 2>mean for people that love Marvel stuff, which I've never

1129
01:03:18.400 --> 01:03:21.079
<v Speaker 2>hated Marvel stuff. Sure, I don't love the current wave,

1130
01:03:21.159 --> 01:03:23.920
<v Speaker 2>but if you love Marvel like yeat release them all.

1131
01:03:24.719 --> 01:03:28.039
<v Speaker 3>Yeah, just ebbs and flows and saturation. But yeah, there's

1132
01:03:28.039 --> 01:03:30.199
<v Speaker 3>a lot of good ERRt there for sure, and I

1133
01:03:30.559 --> 01:03:34.760
<v Speaker 3>want to see the fans get their their physical copies exactly.

1134
01:03:35.559 --> 01:03:38.480
<v Speaker 2>So that is season three of The Mandalorian. There's gonna

1135
01:03:38.519 --> 01:03:40.239
<v Speaker 2>be some bonus features on here as well. There's a

1136
01:03:40.280 --> 01:03:43.840
<v Speaker 2>tribute to Carl Weathers, the creatures and droids of the Mandalorian,

1137
01:03:44.239 --> 01:03:48.079
<v Speaker 2>and then some forgetting Forging the Covert. Part three, Jon

1138
01:03:48.119 --> 01:03:50.760
<v Speaker 2>Favreau and a couple other of the filmmakers explore the

1139
01:03:50.760 --> 01:03:55.800
<v Speaker 2>expanding world of season three's Mandalorian Warriors. Then the next

1140
01:03:55.840 --> 01:03:58.599
<v Speaker 2>Star Wars one they announced is Ahsoka the complete first season.

1141
01:03:59.239 --> 01:04:01.559
<v Speaker 2>This is gonna have some bonus features as well, joining

1142
01:04:01.559 --> 01:04:03.880
<v Speaker 2>the cast and crew for a look at their developing

1143
01:04:03.960 --> 01:04:08.119
<v Speaker 2>live action series, exploring the dynamic of Anakin Skywalker in

1144
01:04:08.159 --> 01:04:10.639
<v Speaker 2>Ahsoka within the world, Go Deep with the spotlight on

1145
01:04:10.679 --> 01:04:14.199
<v Speaker 2>Ahsoka's allies, and then uncover the secrets of Ahsoka's foes.

1146
01:04:15.480 --> 01:04:17.760
<v Speaker 2>Third one is the first Marvel one of this one.

1147
01:04:17.800 --> 01:04:21.159
<v Speaker 2>We got Hawkeye the complete first season. This has all

1148
01:04:21.239 --> 01:04:23.559
<v Speaker 2>kinds of deleted scenes on here, plus a gag reel

1149
01:04:24.159 --> 01:04:27.840
<v Speaker 2>Tale of Two Hawkeyes featurette and then the making of Hawkeye.

1150
01:04:29.000 --> 01:04:33.639
<v Speaker 2>And finally we are also getting Loki the complete second season.

1151
01:04:34.760 --> 01:04:36.239
<v Speaker 2>This is the only one, by the way, that will

1152
01:04:36.239 --> 01:04:38.639
<v Speaker 2>be in a two point two to one aspect ratio

1153
01:04:38.800 --> 01:04:40.599
<v Speaker 2>rather than two point three to nine to one like

1154
01:04:40.639 --> 01:04:44.480
<v Speaker 2>the others. This will have again some deleted scenes assembled,

1155
01:04:44.480 --> 01:04:46.960
<v Speaker 2>the making of a gag reel and all that stuff.

1156
01:04:47.320 --> 01:04:48.719
<v Speaker 2>You're gonna pick any of these up?

1157
01:04:49.679 --> 01:04:54.039
<v Speaker 3>Uh? I don't know. Maybe in the distant future. I'm

1158
01:04:54.400 --> 01:04:56.880
<v Speaker 3>you know, I've actually never seen an episode of Mandalorian,

1159
01:04:56.960 --> 01:04:59.679
<v Speaker 3>which is crazy, except heard a lot of good things

1160
01:04:59.679 --> 01:05:05.039
<v Speaker 3>about I've seen a little bit of Loki. Eventually I

1161
01:05:05.119 --> 01:05:09.239
<v Speaker 3>might get there. I'm so backlogged and doing all kinds

1162
01:05:09.239 --> 01:05:12.639
<v Speaker 3>of crazy old cult films that maybe in the future

1163
01:05:12.880 --> 01:05:16.039
<v Speaker 3>I'll get there again. But yeah, we'll see. I'm not

1164
01:05:16.079 --> 01:05:17.920
<v Speaker 3>against them.

1165
01:05:18.920 --> 01:05:22.679
<v Speaker 2>Let's see Jack Black and Lizzo included. They need people

1166
01:05:22.679 --> 01:05:26.760
<v Speaker 2>to catch up on the Mandalorian for the movie true true, Yeah,

1167
01:05:26.920 --> 01:05:29.199
<v Speaker 2>definitely not releasing in Australia because there's no more Disney

1168
01:05:29.199 --> 01:05:35.119
<v Speaker 2>in Australia. Then just got a few more left. We're

1169
01:05:35.119 --> 01:05:38.800
<v Speaker 2>already almost done with the announcements, which is wild. November nineteenth,

1170
01:05:38.880 --> 01:05:42.239
<v Speaker 2>Magnolia is releasing Yoshiki Under the Sky. This is from

1171
01:05:42.280 --> 01:05:45.400
<v Speaker 2>twenty twenty three and is a music documentary featuring the

1172
01:05:45.400 --> 01:05:49.280
<v Speaker 2>world renowned rock star and composer leading a global concert

1173
01:05:49.320 --> 01:05:53.000
<v Speaker 2>featuring today's top musical artists like The Chainsmokers, Saint Vincent

1174
01:05:53.519 --> 01:05:59.079
<v Speaker 2>and more. Yeah, not many things released like this. This

1175
01:05:59.119 --> 01:06:00.599
<v Speaker 2>is pretty cool that this is and release.

1176
01:06:01.199 --> 01:06:04.199
<v Speaker 3>It was like a good concert on Blu ray, so

1177
01:06:04.239 --> 01:06:07.079
<v Speaker 3>it's a good time. So that's all on that one.

1178
01:06:07.840 --> 01:06:11.440
<v Speaker 2>Same next, Mill Creek doing their next Ultraman thing. I

1179
01:06:11.440 --> 01:06:15.960
<v Speaker 2>believe these were web series and did not get released elsewhere.

1180
01:06:16.360 --> 01:06:18.920
<v Speaker 2>December tenth, there is a Blu Ray coming of Ultra

1181
01:06:19.039 --> 01:06:23.760
<v Speaker 2>Galaxy Fight Series one through three and Ultraman Regulos First Mission.

1182
01:06:24.400 --> 01:06:26.960
<v Speaker 2>Supposedly these are really high quality and if you love Ultraman,

1183
01:06:27.719 --> 01:06:31.239
<v Speaker 2>mill Creek has been killing it over the last At

1184
01:06:31.280 --> 01:06:33.159
<v Speaker 2>this point we're talking like five years for what they've

1185
01:06:33.199 --> 01:06:35.760
<v Speaker 2>done for Ultraman, So check it out.

1186
01:06:36.800 --> 01:06:39.280
<v Speaker 3>You know, mal Creek. I mean, they're fine for being

1187
01:06:39.800 --> 01:06:41.559
<v Speaker 3>some of the bargain bin kind of stuff, but I

1188
01:06:41.639 --> 01:06:43.559
<v Speaker 3>enjoyed when I get a title from them on so

1189
01:06:43.639 --> 01:06:46.880
<v Speaker 3>I you know, I'm very lacking in the ultraman department,

1190
01:06:47.079 --> 01:06:50.840
<v Speaker 3>but yeah, I enjoy like their little retro vhs cover

1191
01:06:50.960 --> 01:06:53.119
<v Speaker 3>stuff like that. So it's a good time to come

1192
01:06:53.159 --> 01:06:55.400
<v Speaker 3>across some random old movie from them.

1193
01:06:55.679 --> 01:06:57.079
<v Speaker 2>And they look great on Blu ray too.

1194
01:06:57.400 --> 01:07:00.559
<v Speaker 3>Will say, yeah, they're good for their value for sure.

1195
01:07:02.320 --> 01:07:04.599
<v Speaker 2>And then I think we got two more left. December eighth,

1196
01:07:04.639 --> 01:07:07.880
<v Speaker 2>on four K Blu Rain DVD from Loma Vista Recordings.

1197
01:07:08.360 --> 01:07:11.400
<v Speaker 2>Ghost right here, right now. This is for the band Ghost.

1198
01:07:12.000 --> 01:07:14.679
<v Speaker 2>It is a film plus bonus content. We got Q

1199
01:07:14.760 --> 01:07:16.880
<v Speaker 2>and A's with some of the band and some others.

1200
01:07:17.480 --> 01:07:20.480
<v Speaker 2>The Future is a forid Land animated music video and

1201
01:07:20.559 --> 01:07:23.679
<v Speaker 2>the webisode series chapters one through twenty eight. Not a

1202
01:07:23.679 --> 01:07:25.760
<v Speaker 2>lot of bands doing releases like this, which is why

1203
01:07:25.760 --> 01:07:27.800
<v Speaker 2>I wanted to make sure that we highlighted it. I

1204
01:07:27.840 --> 01:07:30.199
<v Speaker 2>know a lot of friends who love Ghosts. Yeah, my

1205
01:07:30.280 --> 01:07:33.639
<v Speaker 2>mom' saw Ghost live. But yeah, this is pretty cool

1206
01:07:33.639 --> 01:07:34.760
<v Speaker 2>if you're a fan of Ghost.

1207
01:07:34.960 --> 01:07:35.800
<v Speaker 3>Yeah for sure.

1208
01:07:38.320 --> 01:07:41.760
<v Speaker 2>All right, I think we have one yep, last one.

1209
01:07:42.320 --> 01:07:46.199
<v Speaker 2>I didn't know this existed until today. Fabulous Films over

1210
01:07:46.199 --> 01:07:51.079
<v Speaker 2>in the UK is releasing Taken the complete series on

1211
01:07:51.239 --> 01:07:54.360
<v Speaker 2>December ninth on Blu Ray. This is from twenty seventeen

1212
01:07:54.360 --> 01:07:57.679
<v Speaker 2>to twenty nineteen. It has two seasons that it did.

1213
01:07:58.079 --> 01:08:01.480
<v Speaker 2>And yeah, they made it a Taken TV show and

1214
01:08:01.519 --> 01:08:05.360
<v Speaker 2>it's based on Liam Neeson's character, who is young, younger

1215
01:08:05.400 --> 01:08:07.599
<v Speaker 2>than his actual character, Otherwise they would have to shoot

1216
01:08:07.599 --> 01:08:10.159
<v Speaker 2>this in nine thousand takes like they did the films.

1217
01:08:10.480 --> 01:08:13.440
<v Speaker 3>Yeah, yeah, I've never heard of this. I mean, I've

1218
01:08:13.440 --> 01:08:15.679
<v Speaker 3>heard of the movie, but yeah, I didn't know either

1219
01:08:15.800 --> 01:08:18.720
<v Speaker 3>that this existed. But more power to the people enjoy

1220
01:08:18.760 --> 01:08:19.560
<v Speaker 3>it for sure.

1221
01:08:20.680 --> 01:08:22.319
<v Speaker 2>That is it. I just saw on the top that

1222
01:08:22.359 --> 01:08:28.800
<v Speaker 2>said from producer Luke Passant, that's yeah, that's weird speed Yeah, yeah,

1223
01:08:28.800 --> 01:08:31.479
<v Speaker 2>I can see that as a reminder for what we

1224
01:08:31.520 --> 01:08:35.359
<v Speaker 2>are releasing next week, just in case you forgot Zodiac

1225
01:08:35.560 --> 01:08:38.439
<v Speaker 2>on four K, trick or treat four K like Blake

1226
01:08:38.479 --> 01:08:40.520
<v Speaker 2>already showed us Dragged Me to Hell four K from

1227
01:08:40.560 --> 01:08:45.520
<v Speaker 2>Scream Adam's Family Values four K. We got that colligular

1228
01:08:45.640 --> 01:08:49.079
<v Speaker 2>set coming from that one company that I'm not gonna

1229
01:08:49.119 --> 01:08:52.960
<v Speaker 2>name anymore. Jay, Horror Rising from Arrow Shocker, four K

1230
01:08:53.039 --> 01:08:55.239
<v Speaker 2>from Screen Factory. Doctor SEUs is How the Grinch Stole

1231
01:08:55.359 --> 01:08:59.479
<v Speaker 2>Christmas four K, lots of four K releases, The die

1232
01:08:59.520 --> 01:09:01.880
<v Speaker 2>Gothic set from Radiance that I got to get my

1233
01:09:01.920 --> 01:09:06.800
<v Speaker 2>hands on. I need that box set for sure. Warner Archives,

1234
01:09:06.800 --> 01:09:09.359
<v Speaker 2>The Walking Dead and the Return of Doctor X. The

1235
01:09:09.439 --> 01:09:12.800
<v Speaker 2>Classic Ghosts from Keno. That's definitely what I wanted. All

1236
01:09:12.840 --> 01:09:15.720
<v Speaker 2>of the standard releases from Vinegar Syndrome for this month,

1237
01:09:15.760 --> 01:09:18.279
<v Speaker 2>and a couple from seven look like they're getting their

1238
01:09:18.560 --> 01:09:21.399
<v Speaker 2>retail street date next week. The Beast with Five Fingers

1239
01:09:21.399 --> 01:09:25.680
<v Speaker 2>from Warner Archive, elvem Piro two blood Sucking Tales from

1240
01:09:25.720 --> 01:09:30.399
<v Speaker 2>Mexico from Indicator. Let's see Dogra Magra from Radiance which

1241
01:09:30.439 --> 01:09:32.520
<v Speaker 2>is supposed to be great, Lauren Hardy or two from

1242
01:09:32.600 --> 01:09:35.279
<v Speaker 2>Flicker Rally fil Noir. The Dark Side is in the

1243
01:09:35.479 --> 01:09:40.760
<v Speaker 2>twenty two perfect timing. Yeah, top copy from Keno Lorber

1244
01:09:41.239 --> 01:09:43.560
<v Speaker 2>for your consideration from Warner Archive. Man, this is a

1245
01:09:43.600 --> 01:09:48.039
<v Speaker 2>big week. Yeah, Any of these so far catching your eye?

1246
01:09:48.439 --> 01:09:51.600
<v Speaker 3>Well, I mean, I love for your consideration any Christopher

1247
01:09:51.600 --> 01:09:57.039
<v Speaker 3>Guests movie. I love those movies absolutely trying to think

1248
01:09:57.039 --> 01:09:58.359
<v Speaker 3>of it. I mean a lot of them, I see

1249
01:09:58.359 --> 01:10:04.199
<v Speaker 3>like a lot of the vinegar Syndrome seven stuff. But ah,

1250
01:10:05.039 --> 01:10:08.239
<v Speaker 3>and then the arrow ones that I have, But it

1251
01:10:08.279 --> 01:10:10.560
<v Speaker 3>looks like there's I mean, Chakra was a cool one.

1252
01:10:12.119 --> 01:10:15.079
<v Speaker 3>I'll upgrade that one when it goes on sale. I

1253
01:10:15.119 --> 01:10:17.880
<v Speaker 3>have a slew of radiance things coming my way, and

1254
01:10:17.960 --> 01:10:22.039
<v Speaker 3>I might have Doggar Magrath in there, so I have

1255
01:10:22.079 --> 01:10:25.159
<v Speaker 3>to see what's in that chunk. But yeah, there's some

1256
01:10:25.199 --> 01:10:26.359
<v Speaker 3>good stuff coming out.

1257
01:10:26.279 --> 01:10:30.800
<v Speaker 2>For sure. Jeff says Blake has never said anything bad

1258
01:10:30.800 --> 01:10:35.399
<v Speaker 2>about her release. Is that true, Blake, that's not true.

1259
01:10:35.479 --> 01:10:38.119
<v Speaker 2>Ask about that one MVD rewind title and Blake will

1260
01:10:38.159 --> 01:10:39.039
<v Speaker 2>slam it to hell.

1261
01:10:39.279 --> 01:10:43.479
<v Speaker 3>Oh what was that thing? Oh like the last BHS

1262
01:10:43.560 --> 01:10:45.039
<v Speaker 3>or the first v VCR.

1263
01:10:45.680 --> 01:10:50.800
<v Speaker 2>No, No, I enjoyed the ride MVD rewind.

1264
01:10:50.840 --> 01:10:53.479
<v Speaker 3>It was Oh, Hail Caesar.

1265
01:10:53.600 --> 01:10:55.119
<v Speaker 2>Hail Caesar. That's the one.

1266
01:10:55.399 --> 01:11:00.239
<v Speaker 3>Oh that thing is ai. It's actually it's actually so

1267
01:11:00.439 --> 01:11:02.680
<v Speaker 3>much of a travesty that it was sort of like

1268
01:11:03.319 --> 01:11:07.359
<v Speaker 3>a brain melt watching it. Like they could have like

1269
01:11:07.479 --> 01:11:10.359
<v Speaker 3>promoted that it's so bad on the cover, like, hey,

1270
01:11:10.439 --> 01:11:12.840
<v Speaker 3>you want to watch the worst blu ray ever made?

1271
01:11:13.399 --> 01:11:13.800
<v Speaker 3>Watch this?

1272
01:11:13.920 --> 01:11:17.520
<v Speaker 2>Then? Yeah, some I have not named yet. We should

1273
01:11:17.560 --> 01:11:20.239
<v Speaker 2>finish these real quick. Sorry, Baby Blood four K from Keno,

1274
01:11:20.319 --> 01:11:22.479
<v Speaker 2>Deadly Circuit four K or not four K? Just blu

1275
01:11:22.600 --> 01:11:25.199
<v Speaker 2>Ray from Keno d D is coming as well Man

1276
01:11:25.199 --> 01:11:29.119
<v Speaker 2>called Shenandoa from Warner Archive. Enough Rope from Keno, Sweethearts

1277
01:11:29.119 --> 01:11:33.199
<v Speaker 2>from Warner Archive. Uh krack coon if you were after

1278
01:11:33.239 --> 01:11:36.439
<v Speaker 2>that one. The Heidi Ho in the Boardinghouse Blues from

1279
01:11:36.520 --> 01:11:40.600
<v Speaker 2>Keno is also on the way. The Falling Star from Keno.

1280
01:11:41.199 --> 01:11:43.159
<v Speaker 2>That's a lot of Keno in one week. All right,

1281
01:11:43.319 --> 01:11:44.000
<v Speaker 2>all right, go ahead.

1282
01:11:45.680 --> 01:11:48.439
<v Speaker 3>All that text chainsaws, I mean there's a prellion of them,

1283
01:11:48.680 --> 01:11:50.640
<v Speaker 3>but I saw pictures online and so we had it,

1284
01:11:50.640 --> 01:11:54.079
<v Speaker 3>and it's like a full sized physical chainsaw. It doesn't

1285
01:11:54.079 --> 01:11:56.279
<v Speaker 3>it doesn't provoke me to get it because I got

1286
01:11:56.319 --> 01:11:57.159
<v Speaker 3>the second site one.

1287
01:11:57.239 --> 01:11:59.800
<v Speaker 2>But well, it also must not have sold well because

1288
01:11:59.800 --> 01:12:02.720
<v Speaker 2>it was only listed on the Dark Sky website and

1289
01:12:02.760 --> 01:12:05.319
<v Speaker 2>now it's on Amazon, and it was three hundred on

1290
01:12:05.359 --> 01:12:08.119
<v Speaker 2>the Dark Sky site, it is four hundred on Amazon.

1291
01:12:09.039 --> 01:12:13.079
<v Speaker 3>I think plenty of people will get it enthusia. The

1292
01:12:13.159 --> 01:12:18.520
<v Speaker 3>same people buy an umbrella Terrorizer terrifire sets, they're gonna

1293
01:12:18.520 --> 01:12:22.640
<v Speaker 3>buy Terrorizer terrifier sets. They're gonna buy text Jean saw

1294
01:12:23.039 --> 01:12:24.039
<v Speaker 3>Master sets.

1295
01:12:24.199 --> 01:12:26.880
<v Speaker 2>So, yeah, this is a this is a big week.

1296
01:12:27.039 --> 01:12:30.319
<v Speaker 2>I'm really stoked to hear about how Zodiac looks on

1297
01:12:30.359 --> 01:12:33.239
<v Speaker 2>four K. I'm worry about that. It's my favorite fincher.

1298
01:12:33.439 --> 01:12:36.600
<v Speaker 2>I hope it looks good. Adam's Family Value is obviously

1299
01:12:36.680 --> 01:12:39.399
<v Speaker 2>a great film too. Definitely want that on four K. Eventually.

1300
01:12:40.359 --> 01:12:43.399
<v Speaker 2>My big shout out though is j Horrorrizing. If you

1301
01:12:43.399 --> 01:12:48.079
<v Speaker 2>have never seen n Roy The Curse, definitely consider checking

1302
01:12:48.079 --> 01:12:50.600
<v Speaker 2>out this box set. Look at that. The art looks

1303
01:12:50.600 --> 01:12:54.119
<v Speaker 2>great in person. Man, Yes, I think if you've never

1304
01:12:54.119 --> 01:12:57.199
<v Speaker 2>seen Narroy The Curse, you are going to love that film.

1305
01:12:57.239 --> 01:12:58.439
<v Speaker 2>It is so creepy.

1306
01:12:59.760 --> 01:13:04.199
<v Speaker 3>The just parallel back to Zodiac. I love Zodiac. I

1307
01:13:04.279 --> 01:13:07.680
<v Speaker 3>wonder does that send the director's cretident or is it

1308
01:13:07.720 --> 01:13:11.960
<v Speaker 3>just theatrical That's the only thing that Yeah, that's the

1309
01:13:12.000 --> 01:13:15.479
<v Speaker 3>only thing I'm sort of like about because I love

1310
01:13:15.520 --> 01:13:16.159
<v Speaker 3>that movie.

1311
01:13:16.600 --> 01:13:21.199
<v Speaker 2>Right, it's I mean, literally my favorite finsure. It's it's yeah,

1312
01:13:21.199 --> 01:13:23.119
<v Speaker 2>it's a lot. I don't know what's going on, but

1313
01:13:23.279 --> 01:13:26.079
<v Speaker 2>uh yeah, it seems like we're not going to get

1314
01:13:26.079 --> 01:13:28.359
<v Speaker 2>a lot of these cuts. And from what I hear,

1315
01:13:28.439 --> 01:13:31.359
<v Speaker 2>I mean it's it's supposedly a legal thing where some

1316
01:13:31.439 --> 01:13:35.920
<v Speaker 2>of the actors that appear in scenes that did not

1317
01:13:36.039 --> 01:13:38.319
<v Speaker 2>sign off on this to be released. It's too much

1318
01:13:38.319 --> 01:13:41.079
<v Speaker 2>of an illegal ongoing thing to go get permission from

1319
01:13:41.119 --> 01:13:44.079
<v Speaker 2>everybody to have it released. So in fear of being

1320
01:13:44.159 --> 01:13:47.119
<v Speaker 2>sued by somebody, they are not gonna put it out

1321
01:13:48.000 --> 01:13:51.520
<v Speaker 2>that and there's there's potentially other music cues that were

1322
01:13:51.520 --> 01:13:53.600
<v Speaker 2>in there that they don't have the rights to necessarily.

1323
01:13:53.920 --> 01:13:57.079
<v Speaker 3>Yeah, it makes sense. I get it because I've seen

1324
01:13:57.159 --> 01:13:59.760
<v Speaker 3>like stuff like you know, Stabborn tries to put out

1325
01:13:59.760 --> 01:14:03.039
<v Speaker 3>of it and then like every little you know song

1326
01:14:03.159 --> 01:14:04.920
<v Speaker 3>from a Severn title and they got but like Marty

1327
01:14:04.960 --> 01:14:08.439
<v Speaker 3>graulm Asker, I remember that fiasco and then you know

1328
01:14:08.600 --> 01:14:11.800
<v Speaker 3>it's so it totally makes sense. In retrospect, It's something

1329
01:14:11.840 --> 01:14:14.760
<v Speaker 3>that just being an average movie watcher, I would have

1330
01:14:14.800 --> 01:14:17.359
<v Speaker 3>flown over previously and just would have sat there disgruntled,

1331
01:14:17.359 --> 01:14:20.079
<v Speaker 3>like why am I not getting this version right? But yeah,

1332
01:14:20.119 --> 01:14:23.800
<v Speaker 3>in retrospect, sort of being slightly more connected at the

1333
01:14:23.880 --> 01:14:26.680
<v Speaker 3>hip with stuff, Yeah, it totally makes sense.

1334
01:14:26.880 --> 01:14:29.000
<v Speaker 2>We didn't talk about that that we were going to

1335
01:14:29.039 --> 01:14:33.439
<v Speaker 2>discuss that, but just an inside baseball thing. Blake lives

1336
01:14:33.439 --> 01:14:36.560
<v Speaker 2>close to the Severn warehouse, so sometimes like after the

1337
01:14:36.600 --> 01:14:39.479
<v Speaker 2>big sales or a super big pre order of it,

1338
01:14:39.600 --> 01:14:42.079
<v Speaker 2>and Blake goes and helps with the shipping and then

1339
01:14:42.119 --> 01:14:45.720
<v Speaker 2>they pay him and releases. Oh yeah, what uh, what's

1340
01:14:45.720 --> 01:14:46.960
<v Speaker 2>your experience been like with those?

1341
01:14:47.479 --> 01:14:49.840
<v Speaker 3>Oh, it's a lot of fun. You know, we've got

1342
01:14:49.840 --> 01:14:53.880
<v Speaker 3>it's hard work for sure, Like I won't I mean

1343
01:14:53.920 --> 01:14:55.640
<v Speaker 3>we're not changed to the wall and they're not whipping

1344
01:14:55.680 --> 01:14:57.800
<v Speaker 3>us or anything like that, but I mean you'll break

1345
01:14:57.800 --> 01:15:01.720
<v Speaker 3>a sweat for sure. You know, it's a good atmosphere,

1346
01:15:02.239 --> 01:15:04.960
<v Speaker 3>a lot of film fandom in the room as we're

1347
01:15:05.439 --> 01:15:09.640
<v Speaker 3>packing movies, and you know, we definitely work our butt

1348
01:15:09.640 --> 01:15:11.680
<v Speaker 3>off to try to get it out the door as

1349
01:15:11.720 --> 01:15:15.239
<v Speaker 3>fast as we can. There's a lot of circumstances that

1350
01:15:15.319 --> 01:15:20.159
<v Speaker 3>arise that people don't you know, understand in the in

1351
01:15:20.199 --> 01:15:22.920
<v Speaker 3>the world of They just think that something could show

1352
01:15:23.000 --> 01:15:26.760
<v Speaker 3>up instantaneously. But there's I will just say on that end,

1353
01:15:26.760 --> 01:15:29.359
<v Speaker 3>there's a lot of earnest, hard work effort to make

1354
01:15:30.000 --> 01:15:32.920
<v Speaker 3>title show up as quick as possible. There's there's logistics

1355
01:15:32.920 --> 01:15:36.359
<v Speaker 3>stuff outside of the shipping room that often slows the

1356
01:15:36.359 --> 01:15:38.960
<v Speaker 3>process down. So it's this is what it like the

1357
01:15:38.960 --> 01:15:41.319
<v Speaker 3>postal service, for example. You know, I'm not gonna throw

1358
01:15:41.359 --> 01:15:44.079
<v Speaker 3>them under the bus because there's a lot of postal

1359
01:15:44.079 --> 01:15:47.920
<v Speaker 3>workers that are hard workers, but sometimes they're overloaded and

1360
01:15:48.000 --> 01:15:51.640
<v Speaker 3>so that can delay stuff. So it's not necessarily like severing,

1361
01:15:51.960 --> 01:15:54.800
<v Speaker 3>you know, delay and shipment. So yeah, it is what

1362
01:15:54.840 --> 01:15:57.520
<v Speaker 3>it is. But it's a lot of fun. You know.

1363
01:15:58.760 --> 01:16:01.119
<v Speaker 3>You get to meet a lot of good people that

1364
01:16:01.439 --> 01:16:04.000
<v Speaker 3>know film and you know, and get to see all

1365
01:16:04.039 --> 01:16:08.159
<v Speaker 3>the releases and yeah, great atmosphere. Love doing it.

1366
01:16:08.159 --> 01:16:10.039
<v Speaker 2>It's uh, it's been nice during the sales to have

1367
01:16:10.119 --> 01:16:13.680
<v Speaker 2>Spaghetti comeback and update the discord, being like, yeah, well

1368
01:16:13.720 --> 01:16:15.439
<v Speaker 2>today we finally got in this one title. So if

1369
01:16:15.439 --> 01:16:17.640
<v Speaker 2>you're waiting on that, it's it's gonna start shipping now.

1370
01:16:18.079 --> 01:16:20.239
<v Speaker 3>Yeah. Yeah, I try to do my part just to

1371
01:16:20.319 --> 01:16:23.239
<v Speaker 3>sort of you know, break down some of the rumor

1372
01:16:23.239 --> 01:16:27.159
<v Speaker 3>mill a little bit, you know. But yeah, I mean

1373
01:16:27.239 --> 01:16:30.199
<v Speaker 3>it's it's a good time for sure, working in that room.

1374
01:16:30.479 --> 01:16:33.239
<v Speaker 3>So i'd say working in that room because that's where

1375
01:16:33.359 --> 01:16:34.399
<v Speaker 3>we're small mighty crew.

1376
01:16:34.600 --> 01:16:39.079
<v Speaker 2>So all right, so tonight we are talking about the

1377
01:16:39.079 --> 01:16:42.840
<v Speaker 2>theatrical experience as a whole. To put you on the

1378
01:16:42.880 --> 01:16:46.640
<v Speaker 2>spot in your memory, what is the best theatrical experience

1379
01:16:46.680 --> 01:16:47.239
<v Speaker 2>you ever had?

1380
01:16:48.640 --> 01:16:53.880
<v Speaker 3>Best theatrical experience. I mean, obviously I'm gonna have a

1381
01:16:53.920 --> 01:16:57.600
<v Speaker 3>lot of like old times, I tend to ramble, so

1382
01:16:57.640 --> 01:17:00.840
<v Speaker 3>it just heads up, sorry, ramble the spot, and then

1383
01:17:00.880 --> 01:17:04.880
<v Speaker 3>I start garbling my life story. I think a lot

1384
01:17:04.920 --> 01:17:07.720
<v Speaker 3>of your older stuff, like I remember seeing Roger Rabbit

1385
01:17:07.760 --> 01:17:11.640
<v Speaker 3>and stuff larger than life films. I think that's due

1386
01:17:11.640 --> 01:17:13.479
<v Speaker 3>to my age. But if we have to say, like

1387
01:17:13.680 --> 01:17:19.680
<v Speaker 3>something that's outstanding where you're cheering at the screen, probably

1388
01:17:19.680 --> 01:17:23.600
<v Speaker 3>something like Jurassic Park. You know, I'm that was ninety five.

1389
01:17:23.880 --> 01:17:26.159
<v Speaker 3>I was ten when that came out, so it's the

1390
01:17:26.239 --> 01:17:29.479
<v Speaker 3>right age where it's it's a film that's like an event.

1391
01:17:29.640 --> 01:17:36.119
<v Speaker 3>It's huge, larger than life. I remember seeing I remember

1392
01:17:36.119 --> 01:17:39.920
<v Speaker 3>going seeing Star Wars, not obviously not when it originally

1393
01:17:39.920 --> 01:17:42.159
<v Speaker 3>came out, but they did, like they brought it back

1394
01:17:42.159 --> 01:17:44.800
<v Speaker 3>out and yeah, this is when like they threw in

1395
01:17:44.920 --> 01:17:47.880
<v Speaker 3>cgi Sabbath jab of the Hut and everybody, you know,

1396
01:17:48.079 --> 01:17:51.159
<v Speaker 3>George Lucas was roasted under Coles for that. But you know,

1397
01:17:51.399 --> 01:17:55.800
<v Speaker 3>I'm a little kid, so like that's huge experience. So yeah,

1398
01:17:55.840 --> 01:17:58.680
<v Speaker 3>things like that. The big movies for sure has been

1399
01:17:58.720 --> 01:18:00.039
<v Speaker 3>my best exp.

1400
01:18:02.079 --> 01:18:05.439
<v Speaker 2>Have you done many things that made it a theatrical event,

1401
01:18:05.680 --> 01:18:09.239
<v Speaker 2>like anything with filmmakers there or done any of the

1402
01:18:09.239 --> 01:18:12.079
<v Speaker 2>forty X or D box or any of those fancy ones.

1403
01:18:13.520 --> 01:18:16.560
<v Speaker 3>I've seen a couple three D movies. This is the

1404
01:18:16.600 --> 01:18:21.439
<v Speaker 3>standard three D. You get the glasses. I will say this,

1405
01:18:21.439 --> 01:18:24.479
<v Speaker 3>this is I wish I was able to go to

1406
01:18:24.560 --> 01:18:29.199
<v Speaker 3>more screenings where I were like casting through was there

1407
01:18:29.439 --> 01:18:33.199
<v Speaker 3>to give Q and as things like that. Living in

1408
01:18:33.239 --> 01:18:36.000
<v Speaker 3>the Midwest and now living in Arizona, I haven't really

1409
01:18:36.039 --> 01:18:38.199
<v Speaker 3>gotten a lot of that, right, Like I know that

1410
01:18:38.359 --> 01:18:41.079
<v Speaker 3>you know, La gets it, and New York gets it,

1411
01:18:41.239 --> 01:18:43.600
<v Speaker 3>and you know, probably Chicago and stuff like that. But

1412
01:18:45.920 --> 01:18:49.600
<v Speaker 3>so throwing that to the side because I don't have that,

1413
01:18:49.800 --> 01:18:53.039
<v Speaker 3>it's really a lot of like the elemental gimmicks that

1414
01:18:53.119 --> 01:18:56.359
<v Speaker 3>has to hook me in. I will say one thing currently,

1415
01:18:57.640 --> 01:19:00.279
<v Speaker 3>because you know I live in Phoenix, we don't have

1416
01:19:00.399 --> 01:19:04.000
<v Speaker 3>what we got here. It's a it's the fifth largest

1417
01:19:04.000 --> 01:19:06.319
<v Speaker 3>city of the United States, but it's still growing in culture,

1418
01:19:07.319 --> 01:19:09.159
<v Speaker 3>so they're doing what they can and we have a

1419
01:19:09.159 --> 01:19:12.079
<v Speaker 3>lot of chain stuff. So we have Harkins Theater, which

1420
01:19:12.079 --> 01:19:14.640
<v Speaker 3>is like Janior. But the one gimmick that still hooks

1421
01:19:14.680 --> 01:19:17.039
<v Speaker 3>me that I was going to bring up today is

1422
01:19:17.159 --> 01:19:22.560
<v Speaker 3>They have the biggest theater in the western portion of Phoenix.

1423
01:19:22.640 --> 01:19:24.680
<v Speaker 3>It might be the biggest theater in Phoenix, but it's

1424
01:19:24.680 --> 01:19:28.359
<v Speaker 3>called Cinema One. And they still bring out these big,

1425
01:19:28.479 --> 01:19:32.840
<v Speaker 3>flowy golden curtains like nineteen fifties or something like that,

1426
01:19:32.880 --> 01:19:35.960
<v Speaker 3>and they really make it a spectacle to the pull

1427
01:19:36.000 --> 01:19:39.079
<v Speaker 3>the curtains aside and do the rotating spotlights and stuff

1428
01:19:39.079 --> 01:19:42.239
<v Speaker 3>like that. And it's just little simple things like that

1429
01:19:42.239 --> 01:19:44.479
<v Speaker 3>that I think make all the difference in the world.

1430
01:19:45.039 --> 01:19:48.239
<v Speaker 3>No matter what film I'm watching now, it does make

1431
01:19:48.279 --> 01:19:51.199
<v Speaker 3>a difference later on with the film, but you know,

1432
01:19:51.680 --> 01:19:56.600
<v Speaker 3>that first setup I think does wonders and that's one

1433
01:19:56.600 --> 01:19:59.720
<v Speaker 3>of the first things that I mean, I wish I

1434
01:19:59.720 --> 01:20:02.399
<v Speaker 3>could have the other elements, but that's what I do have.

1435
01:20:02.439 --> 01:20:03.880
<v Speaker 3>At least I can champion that.

1436
01:20:05.399 --> 01:20:09.039
<v Speaker 2>I will say, Blake used to live around where I

1437
01:20:09.119 --> 01:20:10.840
<v Speaker 2>live now, so we've got a lot of the same

1438
01:20:10.960 --> 01:20:13.720
<v Speaker 2>like reference points. And one of the things that's really

1439
01:20:13.720 --> 01:20:16.800
<v Speaker 2>cool is Kansas City. They have a lot of theaters.

1440
01:20:17.079 --> 01:20:18.760
<v Speaker 2>A lot of people don't know this. They are the

1441
01:20:18.800 --> 01:20:22.960
<v Speaker 2>headquarters of AMC here over in Leewood, Kansas. It's in

1442
01:20:22.960 --> 01:20:25.439
<v Speaker 2>the Kansas City metro, so there's there's a lot of

1443
01:20:25.439 --> 01:20:28.520
<v Speaker 2>AMC to choose from. There's like five or six maybe

1444
01:20:28.520 --> 01:20:31.399
<v Speaker 2>even more than that. AMC's in the area. But beyond that,

1445
01:20:31.479 --> 01:20:34.119
<v Speaker 2>we have a little independent theater called Screenland Armor, which

1446
01:20:34.119 --> 01:20:37.199
<v Speaker 2>you have probably heard as a movie fan just scrolling

1447
01:20:37.199 --> 01:20:39.800
<v Speaker 2>through these things. Every year they have a film festival

1448
01:20:39.800 --> 01:20:44.039
<v Speaker 2>there called Panicfest. There's a lot of places with that

1449
01:20:44.159 --> 01:20:47.359
<v Speaker 2>has like partnered with Screenland to show some things. Kevin

1450
01:20:47.399 --> 01:20:51.359
<v Speaker 2>Smith has popped in for a screening of his newest

1451
01:20:51.760 --> 01:20:56.359
<v Speaker 2>Jane Jane Silent Bob film. I will say what Blake

1452
01:20:56.479 --> 01:21:00.000
<v Speaker 2>just mentioned is also a very similar thing for Screenland

1453
01:21:00.239 --> 01:21:03.359
<v Speaker 2>is they've got the curtains, they've got the they've got

1454
01:21:03.359 --> 01:21:07.079
<v Speaker 2>a little like automated robot that does the little hocket

1455
01:21:07.159 --> 01:21:11.479
<v Speaker 2>turning thing that opens the curtains. And seeing this is

1456
01:21:11.520 --> 01:21:14.039
<v Speaker 2>gonna be a weird like touch point. But seeing the

1457
01:21:14.199 --> 01:21:17.600
<v Speaker 2>fourth Hatchet film, which is called Victor Crowley with Adam

1458
01:21:17.680 --> 01:21:21.439
<v Speaker 2>Green there in Screenland Armor was a really fun night.

1459
01:21:21.560 --> 01:21:24.000
<v Speaker 2>I mean to have to have the filmmaker sitting there

1460
01:21:24.079 --> 01:21:26.840
<v Speaker 2>laughing along with his film, with the big audience. Everybody

1461
01:21:26.840 --> 01:21:29.840
<v Speaker 2>had sold it out, and it's a funny movie, like

1462
01:21:29.880 --> 01:21:32.640
<v Speaker 2>it's a comedy horror movie and people are into it,

1463
01:21:32.680 --> 01:21:34.079
<v Speaker 2>and then to have him do the Q and A

1464
01:21:34.079 --> 01:21:36.960
<v Speaker 2>after it was it was something that doesn't happen that

1465
01:21:37.000 --> 01:21:38.960
<v Speaker 2>often in Casey, so it was pretty special. Love to

1466
01:21:39.000 --> 01:21:41.800
<v Speaker 2>hear that craig'say. Shout out to the Straight Cat, another

1467
01:21:42.119 --> 01:21:46.039
<v Speaker 2>small Kansas City theater. That's great. There is so many

1468
01:21:46.079 --> 01:21:48.039
<v Speaker 2>different ways that you can look at this. Another thing

1469
01:21:48.079 --> 01:21:50.720
<v Speaker 2>that I could say is I got really lucky where

1470
01:21:50.720 --> 01:21:54.000
<v Speaker 2>I grew up in California. We lived about forty five

1471
01:21:54.039 --> 01:21:57.600
<v Speaker 2>minutes drive away from a place that had like one

1472
01:21:57.640 --> 01:22:00.079
<v Speaker 2>of the only D box theaters at the time, and

1473
01:22:00.319 --> 01:22:02.479
<v Speaker 2>I got to see way back in what was it

1474
01:22:02.520 --> 01:22:04.800
<v Speaker 2>twenty twelve that it came out. I got to see

1475
01:22:04.800 --> 01:22:07.720
<v Speaker 2>Cabin in the Woods in a D box eater and

1476
01:22:08.279 --> 01:22:10.840
<v Speaker 2>I had never done anything like that before, so having it.

1477
01:22:11.880 --> 01:22:15.399
<v Speaker 2>You know, the the opening shots where after they get

1478
01:22:15.399 --> 01:22:18.119
<v Speaker 2>out of the little factory they're in and they're introducing

1479
01:22:18.159 --> 01:22:20.920
<v Speaker 2>like the core four or five that you meet the teenagers,

1480
01:22:21.439 --> 01:22:23.720
<v Speaker 2>there's this one shot that's a crane shot. They go

1481
01:22:23.760 --> 01:22:26.600
<v Speaker 2>from the ground up to this apartment building and the

1482
01:22:26.720 --> 01:22:29.520
<v Speaker 2>chair felt like it was rising that entire time, and

1483
01:22:29.560 --> 01:22:32.720
<v Speaker 2>the chair is not moving really, It's like slight swivels

1484
01:22:33.119 --> 01:22:35.039
<v Speaker 2>and it's crazy that they can pull that off. I

1485
01:22:35.119 --> 01:22:38.520
<v Speaker 2>was really happy with it. It's not forty X where

1486
01:22:38.520 --> 01:22:40.720
<v Speaker 2>they're spraying water in your face and the wind and

1487
01:22:40.720 --> 01:22:44.079
<v Speaker 2>all that stuff. But we'll get into some more of those. Yeah,

1488
01:22:44.479 --> 01:22:47.520
<v Speaker 2>let's talk about William Castle about how do you feel

1489
01:22:47.520 --> 01:22:48.960
<v Speaker 2>about him as a filmmaker. Oh.

1490
01:22:49.079 --> 01:22:54.199
<v Speaker 3>I love William Castle. I love you know, the entirety

1491
01:22:54.239 --> 01:22:59.079
<v Speaker 3>of not only is he he's sort of an unsung director.

1492
01:22:59.640 --> 01:23:01.239
<v Speaker 3>I mean, people love his work, but he's sort of

1493
01:23:01.319 --> 01:23:04.039
<v Speaker 3>unsung in the merit of his actual films are good,

1494
01:23:05.319 --> 01:23:07.720
<v Speaker 3>but because he's known as the master of the gimmick.

1495
01:23:08.600 --> 01:23:11.640
<v Speaker 3>But I love his uh gimmicks as well. In the

1496
01:23:11.680 --> 01:23:17.520
<v Speaker 3>combination of both of them clashing together is wonderment. He's

1497
01:23:17.600 --> 01:23:20.520
<v Speaker 3>definitely a director that I sort of flew over when

1498
01:23:20.520 --> 01:23:25.399
<v Speaker 3>I was younger, and he's one that I because I mean,

1499
01:23:25.520 --> 01:23:28.960
<v Speaker 3>obviously you're watching like Alverred Hitchcock movies stuff like that,

1500
01:23:29.119 --> 01:23:34.800
<v Speaker 3>and they're they're similar to a degree, but definitely William

1501
01:23:34.800 --> 01:23:38.479
<v Speaker 3>Castle's one that I came into knowing more of his

1502
01:23:38.560 --> 01:23:41.199
<v Speaker 3>persona later on, being more of a movie fan than

1503
01:23:41.279 --> 01:23:45.119
<v Speaker 3>just casual film watcher at a younger age and just

1504
01:23:45.520 --> 01:23:48.239
<v Speaker 3>his He's sort of like the P. T. Barnum there was,

1505
01:23:48.359 --> 01:23:51.840
<v Speaker 3>you know, Robert Ripley mentality, just sort of the the

1506
01:23:51.880 --> 01:23:56.359
<v Speaker 3>wonderments of how can he add an extra spark to

1507
01:23:56.399 --> 01:24:01.079
<v Speaker 3>the movie experience, And yeah, I have a blast every

1508
01:24:01.079 --> 01:24:02.640
<v Speaker 3>time one of his movies pops up.

1509
01:24:03.960 --> 01:24:07.359
<v Speaker 2>This is, uh, you know, one of those filmmakers that,

1510
01:24:09.840 --> 01:24:12.439
<v Speaker 2>like his legacy literally precedes him. He's one of those

1511
01:24:12.479 --> 01:24:16.640
<v Speaker 2>that you hear about how he did things and worked

1512
01:24:16.760 --> 01:24:21.640
<v Speaker 2>to literally sell his films. Yeah, oh yeah, I mean

1513
01:24:22.439 --> 01:24:25.520
<v Speaker 2>you could say huckster, but more of like just freaking

1514
01:24:25.600 --> 01:24:28.359
<v Speaker 2>passionate and fighting to do everything you possibly can to

1515
01:24:28.359 --> 01:24:30.399
<v Speaker 2>get eyes in front of them. And when you hear

1516
01:24:30.399 --> 01:24:32.880
<v Speaker 2>about things like the Tingler and all of the gimmicks

1517
01:24:32.880 --> 01:24:35.439
<v Speaker 2>that come with all of these, it is such a

1518
01:24:35.840 --> 01:24:39.399
<v Speaker 2>unique way to experience these and I would have loved

1519
01:24:39.399 --> 01:24:41.079
<v Speaker 2>to have been a part of someone e these screens.

1520
01:24:40.800 --> 01:24:44.439
<v Speaker 3>Oh yeah, oh yeah. Just the atmosphere of it, I mean,

1521
01:24:44.479 --> 01:24:49.399
<v Speaker 3>and it's just simple novelties and it just like I said,

1522
01:24:49.479 --> 01:24:52.960
<v Speaker 3>you know, going talking about like just farkens in the

1523
01:24:53.000 --> 01:24:58.399
<v Speaker 3>experience of just the golden you know, robes just separating

1524
01:24:58.439 --> 01:25:00.960
<v Speaker 3>like that. It's just the little element that make a difference,

1525
01:25:00.960 --> 01:25:03.840
<v Speaker 3>And so I just know that, you know, whyn Castle

1526
01:25:04.479 --> 01:25:08.439
<v Speaker 3>could just put something that's simple on the screen and

1527
01:25:08.439 --> 01:25:10.279
<v Speaker 3>now I'm gonna build them up. That he actually put

1528
01:25:10.359 --> 01:25:12.800
<v Speaker 3>out some really well movies without the gimmick, But he

1529
01:25:12.800 --> 01:25:15.000
<v Speaker 3>could just put something on the screen and then just

1530
01:25:15.039 --> 01:25:18.000
<v Speaker 3>the atmosphere that has created from the little novelty tricks

1531
01:25:18.039 --> 01:25:21.359
<v Speaker 3>that he does just just blows it through the roof.

1532
01:25:21.800 --> 01:25:26.199
<v Speaker 2>So yeah, he He's done so many different types of

1533
01:25:26.199 --> 01:25:28.800
<v Speaker 2>gimmicks that he was literally famous for them. And again

1534
01:25:29.119 --> 01:25:31.359
<v Speaker 2>not every film of his had them, so he was

1535
01:25:31.359 --> 01:25:34.640
<v Speaker 2>definitely a filmmaker outside of that as well. But it

1536
01:25:34.680 --> 01:25:37.319
<v Speaker 2>all comes down to, sorry if you heard that, we

1537
01:25:37.439 --> 01:25:42.319
<v Speaker 2>just had a thunderstorm start outside. Oh really loud. What

1538
01:25:42.359 --> 01:25:44.680
<v Speaker 2>this comes down to is the experience selling people on

1539
01:25:44.760 --> 01:25:48.880
<v Speaker 2>a reason to come to these and not I hate

1540
01:25:48.880 --> 01:25:51.159
<v Speaker 2>to use the word just, but like come to these

1541
01:25:51.199 --> 01:25:54.920
<v Speaker 2>without just experiencing a film to make it something. And

1542
01:25:54.920 --> 01:25:57.800
<v Speaker 2>you've got a unique background in that. What did you

1543
01:25:57.880 --> 01:26:00.800
<v Speaker 2>do with experiences in your prior jobs?

1544
01:26:01.199 --> 01:26:04.920
<v Speaker 3>Yeah, So I mean, first of all, I was just

1545
01:26:05.000 --> 01:26:07.920
<v Speaker 3>a standard theater grunt working in a movie there that

1546
01:26:08.000 --> 01:26:11.159
<v Speaker 3>wasn't really necessarily experienced. But I worked in a movie theater.

1547
01:26:11.600 --> 01:26:15.399
<v Speaker 3>I knew there was actually the AMC Independence Commons twenty

1548
01:26:15.800 --> 01:26:18.479
<v Speaker 3>which is probably in your neck of the woods a

1549
01:26:18.520 --> 01:26:20.720
<v Speaker 3>little bit, so hopefully if that place is ste.

1550
01:26:20.479 --> 01:26:22.560
<v Speaker 2>Been there many times. That's where I watched Oppenheimer, and

1551
01:26:22.600 --> 01:26:25.000
<v Speaker 2>I try never go to that theater because it's awful.

1552
01:26:25.359 --> 01:26:29.000
<v Speaker 3>Oh geez, well, my day it was. It was decent,

1553
01:26:29.319 --> 01:26:31.000
<v Speaker 3>but yeah, I can't speak for it now.

1554
01:26:32.199 --> 01:26:32.560
<v Speaker 2>But no.

1555
01:26:33.640 --> 01:26:39.880
<v Speaker 3>After after working there, I definitely was given the opportunity

1556
01:26:39.920 --> 01:26:43.319
<v Speaker 3>to work with a lot of experience like retailers, but

1557
01:26:43.359 --> 01:26:48.800
<v Speaker 3>I worked for Mattel and Disney both and they definitely

1558
01:26:48.800 --> 01:26:53.439
<v Speaker 3>have a mentality where it's not directly the you're not

1559
01:26:53.479 --> 01:26:56.319
<v Speaker 3>at a store or you're not you know, just there

1560
01:26:56.359 --> 01:26:58.560
<v Speaker 3>doing a Monday thing. You're there and it's an event,

1561
01:26:59.279 --> 01:27:01.800
<v Speaker 3>and so that it's definitely something that I've tried to

1562
01:27:01.880 --> 01:27:05.239
<v Speaker 3>carry with me in mentality, and that's why I think

1563
01:27:05.359 --> 01:27:08.880
<v Speaker 3>like Castle films and just movie going experience has no

1564
01:27:10.119 --> 01:27:14.600
<v Speaker 3>carried with me as well. First of all, I worked

1565
01:27:14.600 --> 01:27:18.319
<v Speaker 3>with Mattel directly under the window of they had American

1566
01:27:18.359 --> 01:27:21.479
<v Speaker 3>girl dolls, which it was sort of a joke. I

1567
01:27:21.520 --> 01:27:23.039
<v Speaker 3>was sort of the dude in the devile store, but

1568
01:27:23.079 --> 01:27:25.680
<v Speaker 3>I was in logistics mainly, so I mean, I'm not

1569
01:27:25.720 --> 01:27:28.600
<v Speaker 3>out there coman dollar, but that was something they did,

1570
01:27:28.720 --> 01:27:32.399
<v Speaker 3>which you know, that's an event because some little girl

1571
01:27:32.479 --> 01:27:34.560
<v Speaker 3>would go into the store and it's not like, you know,

1572
01:27:35.119 --> 01:27:36.960
<v Speaker 3>you know, kudos to toys. R us were being cool

1573
01:27:37.000 --> 01:27:39.680
<v Speaker 3>because we love it for a nostalgis sense. But going

1574
01:27:39.680 --> 01:27:42.199
<v Speaker 3>to toys arrests and you know, here's the package, you

1575
01:27:42.239 --> 01:27:44.399
<v Speaker 3>go grab it, you go bring out here, you're in

1576
01:27:44.439 --> 01:27:47.279
<v Speaker 3>there and you're getting the full catered experience. It was

1577
01:27:47.279 --> 01:27:50.479
<v Speaker 3>almost like a theme park and in the middle of

1578
01:27:50.640 --> 01:27:53.800
<v Speaker 3>the you know, in Missouri, and this was actually in Kansas,

1579
01:27:54.319 --> 01:27:56.359
<v Speaker 3>but in the middle of the country where you know,

1580
01:27:56.479 --> 01:28:00.239
<v Speaker 3>you're separated from you know, all these major theme parks

1581
01:28:00.279 --> 01:28:04.720
<v Speaker 3>and stuff like that. We did our darness to make

1582
01:28:04.840 --> 01:28:12.760
<v Speaker 3>that the experience. So like with American Girl, I mainly

1583
01:28:12.800 --> 01:28:15.600
<v Speaker 3>did a lot of like training in the sense that

1584
01:28:17.079 --> 01:28:20.560
<v Speaker 3>there's a lot of historical characters and people wouldn't know

1585
01:28:20.840 --> 01:28:25.520
<v Speaker 3>to sell they would just sell standard dolls. And I

1586
01:28:25.560 --> 01:28:29.079
<v Speaker 3>actually went and researched the history of all these characters

1587
01:28:29.079 --> 01:28:31.159
<v Speaker 3>because they have a series of books, and I was

1588
01:28:31.199 --> 01:28:35.680
<v Speaker 3>applying like historical factors and then all of a sudden,

1589
01:28:35.720 --> 01:28:38.720
<v Speaker 3>I had like all these sales staff going out there

1590
01:28:38.760 --> 01:28:41.079
<v Speaker 3>and like teaching the children like this is the World

1591
01:28:41.119 --> 01:28:43.520
<v Speaker 3>War two doll and she's got a friend from the

1592
01:28:43.560 --> 01:28:46.119
<v Speaker 3>Blitzkrieg and all this stuff, and then all of a sudden,

1593
01:28:46.600 --> 01:28:50.720
<v Speaker 3>it builds this entire world for the kid. And it

1594
01:28:50.840 --> 01:28:53.520
<v Speaker 3>made that much of a difference because the sales went

1595
01:28:53.600 --> 01:28:58.359
<v Speaker 3>through the roof, and then from there, you know, I

1596
01:28:58.399 --> 01:29:00.680
<v Speaker 3>was able to make like training material for the rest

1597
01:29:00.680 --> 01:29:05.159
<v Speaker 3>of the company. And you know, I wish that the

1598
01:29:05.199 --> 01:29:09.760
<v Speaker 3>American Girl franchise went a different route. I guess they're

1599
01:29:09.760 --> 01:29:12.159
<v Speaker 3>doing okay now, but a lot of those stores primarily closed.

1600
01:29:12.159 --> 01:29:15.720
<v Speaker 3>That's outside of my bubble. But from there I went

1601
01:29:15.760 --> 01:29:19.479
<v Speaker 3>and I worked at Disney, and Disney I did a

1602
01:29:19.479 --> 01:29:22.159
<v Speaker 3>lot of the same kind of things where I built

1603
01:29:22.199 --> 01:29:26.880
<v Speaker 3>an experience store from the ground up. And like I said,

1604
01:29:26.960 --> 01:29:29.039
<v Speaker 3>you know, you have your theme park in LA and

1605
01:29:29.079 --> 01:29:32.319
<v Speaker 3>you have your theme park in you know, Orlando, and

1606
01:29:32.399 --> 01:29:34.720
<v Speaker 3>you're in the middle of you know, the Kansas City

1607
01:29:34.720 --> 01:29:38.800
<v Speaker 3>metro area. They're two days drive in both directions. You

1608
01:29:38.920 --> 01:29:41.520
<v Speaker 3>better make sure that kid who walks into the door

1609
01:29:41.680 --> 01:29:46.119
<v Speaker 3>is going to Disneyland that day. And so it's just

1610
01:29:46.199 --> 01:29:49.000
<v Speaker 3>a wonderment of turning that into an event. I mean

1611
01:29:49.039 --> 01:29:52.319
<v Speaker 3>we we did rope drops when the store opened, and

1612
01:29:52.439 --> 01:29:55.159
<v Speaker 3>I mean you're in Oak Park Mall at eight o'clock

1613
01:29:55.199 --> 01:29:59.199
<v Speaker 3>on a Tuesday with just mall walkers walking around, and

1614
01:29:59.720 --> 01:30:02.319
<v Speaker 3>you know, and and we're like, the lights are off

1615
01:30:02.359 --> 01:30:05.199
<v Speaker 3>and here's like one kid, or or it's not even

1616
01:30:05.239 --> 01:30:07.319
<v Speaker 3>a kid. It might just be a mallwalker, you know,

1617
01:30:08.000 --> 01:30:11.560
<v Speaker 3>And you know we would I press a button and

1618
01:30:11.600 --> 01:30:15.600
<v Speaker 3>tinkerbells flying around the store at Tuesday morning at eight o'clock,

1619
01:30:15.800 --> 01:30:18.439
<v Speaker 3>you know. But you know, it's it's the little things

1620
01:30:18.479 --> 01:30:21.319
<v Speaker 3>like that. I could press buttons and make muppets up

1621
01:30:21.359 --> 01:30:26.439
<v Speaker 3>out of trees and it was a blast. But what

1622
01:30:26.439 --> 01:30:30.760
<v Speaker 3>what it goes to show is the mentality of you

1623
01:30:30.800 --> 01:30:35.399
<v Speaker 3>don't work directly in a store. You you work in

1624
01:30:35.439 --> 01:30:41.600
<v Speaker 3>an experience. And I think that ties in with Castle,

1625
01:30:42.039 --> 01:30:46.560
<v Speaker 3>uh for sure. And it also ties in with probably

1626
01:30:46.600 --> 01:30:51.560
<v Speaker 3>a mentality that a saturated the theater industry right now

1627
01:30:52.520 --> 01:30:55.600
<v Speaker 3>might need to look into to some degree, and that

1628
01:30:55.720 --> 01:30:59.359
<v Speaker 3>they are, they're they're looking into their avenues. But you know,

1629
01:30:59.560 --> 01:31:02.199
<v Speaker 3>it's it's it's all about bringing the experience back. And

1630
01:31:03.399 --> 01:31:05.279
<v Speaker 3>I guess the other thing I didn't really allude to

1631
01:31:05.479 --> 01:31:07.920
<v Speaker 3>is I built I was part of the team that

1632
01:31:07.960 --> 01:31:10.439
<v Speaker 3>built these stores from the ground up. Not only did

1633
01:31:10.439 --> 01:31:13.560
<v Speaker 3>I run some logistics for them, but I was able

1634
01:31:13.560 --> 01:31:16.239
<v Speaker 3>to see them being built. So it's sort of connected

1635
01:31:16.319 --> 01:31:18.800
<v Speaker 3>me with you know, I watched mattin AE as we

1636
01:31:18.840 --> 01:31:20.600
<v Speaker 3>talked about today, and it was really cool to see

1637
01:31:20.600 --> 01:31:26.000
<v Speaker 3>the scene with like, you know, John Goodman's character Woolsey,

1638
01:31:27.399 --> 01:31:29.840
<v Speaker 3>you know, putting the buzzers under the Seatson like that.

1639
01:31:29.880 --> 01:31:32.119
<v Speaker 3>So I got to see like sort of behind the

1640
01:31:32.159 --> 01:31:35.199
<v Speaker 3>scenes of how all that comes into effect. But yeah,

1641
01:31:35.239 --> 01:31:38.159
<v Speaker 3>it's it's ultimately it boils down to, in my ramble here,

1642
01:31:39.000 --> 01:31:42.880
<v Speaker 3>recreation of the experience and how the experience turns something

1643
01:31:43.840 --> 01:31:46.880
<v Speaker 3>that is normal into something even so much more, and

1644
01:31:46.880 --> 01:31:47.880
<v Speaker 3>that's how to settle sum.

1645
01:31:49.039 --> 01:31:53.000
<v Speaker 2>There was a some sort of news article that came

1646
01:31:53.039 --> 01:31:57.319
<v Speaker 2>out recently that has revealed that some it's like the

1647
01:31:57.359 --> 01:32:00.640
<v Speaker 2>top eight movie theater chains or something like that in

1648
01:32:00.680 --> 01:32:03.800
<v Speaker 2>the US and Canada are investing a shit ton of

1649
01:32:03.800 --> 01:32:07.039
<v Speaker 2>money into adding not only like better seating and better

1650
01:32:07.079 --> 01:32:09.479
<v Speaker 2>audio and visual and all that stuff, but they're investing

1651
01:32:09.600 --> 01:32:12.760
<v Speaker 2>in pickleball courts. And it's this sort of thing that

1652
01:32:12.920 --> 01:32:18.479
<v Speaker 2>is super interesting but also weird, like people are not

1653
01:32:18.479 --> 01:32:22.840
<v Speaker 2>not going to the theater because you don't have pickleball courts. However,

1654
01:32:23.039 --> 01:32:25.840
<v Speaker 2>I could see I could see the appeal of like

1655
01:32:25.920 --> 01:32:28.600
<v Speaker 2>going somewhere and literally making a night out of it,

1656
01:32:28.720 --> 01:32:32.279
<v Speaker 2>being able to get your entire food, the alcohol, spend

1657
01:32:32.279 --> 01:32:34.439
<v Speaker 2>some outside activity, and then and the night with the

1658
01:32:35.159 --> 01:32:37.439
<v Speaker 2>you know, date night of the movie theater type of thing.

1659
01:32:37.880 --> 01:32:40.479
<v Speaker 2>But I I you know, when you're talking about the

1660
01:32:40.520 --> 01:32:44.079
<v Speaker 2>Disney store, I still remember as a child in nineteen

1661
01:32:44.199 --> 01:32:47.920
<v Speaker 2>ninety four going to the Disney store in southern California,

1662
01:32:48.520 --> 01:32:52.239
<v Speaker 2>and there's things to crawl through, There's stuff that like

1663
01:32:52.279 --> 01:32:54.279
<v Speaker 2>you would literally slide down off of one of the

1664
01:32:54.319 --> 01:32:55.880
<v Speaker 2>rocks and suddenly you're in a different part of the

1665
01:32:55.920 --> 01:33:00.520
<v Speaker 2>store looking at more products. And that experience lives with me.

1666
01:33:00.600 --> 01:33:03.199
<v Speaker 2>I still have that pure memory. I can smell it.

1667
01:33:03.319 --> 01:33:07.319
<v Speaker 2>That's that's how weird Disney stores are. Movie theaters need

1668
01:33:07.560 --> 01:33:10.000
<v Speaker 2>something like that. If we are in a part where

1669
01:33:10.039 --> 01:33:16.720
<v Speaker 2>everybody is failing. Yeah, everybody's questioning that. Let me let

1670
01:33:16.800 --> 01:33:19.520
<v Speaker 2>me pull up the link. The pickleball thing is very real.

1671
01:33:20.920 --> 01:33:27.680
<v Speaker 2>Oh god, this link is forever long. It two point

1672
01:33:27.720 --> 01:33:32.319
<v Speaker 2>two billion dollars to upgrade cinemas improof tech and add

1673
01:33:32.359 --> 01:33:35.079
<v Speaker 2>pickleball courts. I think I can post a link in

1674
01:33:35.119 --> 01:33:37.680
<v Speaker 2>the chat, open this in another tab and take a

1675
01:33:37.720 --> 01:33:41.560
<v Speaker 2>look at it. Yeah, they are literally adding pickleball. It

1676
01:33:41.640 --> 01:33:46.119
<v Speaker 2>is such an odd situation, Like, if you are somebody

1677
01:33:46.119 --> 01:33:49.199
<v Speaker 2>that runs a theater in twenty twenty four, the biggest

1678
01:33:49.319 --> 01:33:51.880
<v Speaker 2>enemy right now, and I know, I hope you agree

1679
01:33:51.920 --> 01:33:54.600
<v Speaker 2>because you used to work for them, is Disney. They

1680
01:33:54.640 --> 01:33:58.039
<v Speaker 2>require certain things to be in the theater for a

1681
01:33:58.039 --> 01:33:59.760
<v Speaker 2>certain amount of time, to play a certain number of

1682
01:33:59.760 --> 01:34:02.680
<v Speaker 2>times throughout the day, and it's squashing what some of

1683
01:34:02.720 --> 01:34:05.680
<v Speaker 2>these smaller theaters could do for events. I mean, so

1684
01:34:05.720 --> 01:34:09.520
<v Speaker 2>many of these theaters across the country don't ever have

1685
01:34:09.600 --> 01:34:12.119
<v Speaker 2>the opportunity to have REP screenings. And many of the

1686
01:34:12.159 --> 01:34:15.079
<v Speaker 2>smaller towns across the US has literally never had a

1687
01:34:15.079 --> 01:34:18.159
<v Speaker 2>REP screening because they're required to. If you're going to

1688
01:34:18.199 --> 01:34:20.000
<v Speaker 2>play newer films, you have to play them for a

1689
01:34:20.000 --> 01:34:22.279
<v Speaker 2>certain period of time. I mean, how do we get

1690
01:34:22.279 --> 01:34:22.600
<v Speaker 2>past this?

1691
01:34:23.720 --> 01:34:28.079
<v Speaker 3>Yeah, Disney is a very interesting that they're I always

1692
01:34:28.119 --> 01:34:32.279
<v Speaker 3>say that they're obviously an experienced company first, film company second,

1693
01:34:32.520 --> 01:34:34.680
<v Speaker 3>and sometimes that's a good thing and sometimes that's a

1694
01:34:34.720 --> 01:34:36.640
<v Speaker 3>bad thing. It's a good thing in the sense that

1695
01:34:36.720 --> 01:34:39.159
<v Speaker 3>you're walking in the Disney store and they're making Disneyland

1696
01:34:39.439 --> 01:34:42.439
<v Speaker 3>for in the moment. It's a bad thing in the

1697
01:34:42.520 --> 01:34:47.800
<v Speaker 3>sense of evolving with the industry and also being a

1698
01:34:47.800 --> 01:34:52.439
<v Speaker 3>fair partner in the industry. And that's one of my

1699
01:34:52.520 --> 01:34:56.800
<v Speaker 3>biggest gripes with them is they're very much in the moment.

1700
01:34:57.399 --> 01:35:02.479
<v Speaker 3>They sort of have blind on to do their gain

1701
01:35:02.560 --> 01:35:06.680
<v Speaker 3>in the moment and then then whatever if they don't,

1702
01:35:07.479 --> 01:35:09.800
<v Speaker 3>if it's something that's not really helping them out in

1703
01:35:09.840 --> 01:35:11.880
<v Speaker 3>the moment, just throw it away versus I mean, they

1704
01:35:12.319 --> 01:35:14.439
<v Speaker 3>do have a sense of history in the sense of like,

1705
01:35:14.520 --> 01:35:17.079
<v Speaker 3>you know, stuff Walt Disney did and like the rides

1706
01:35:17.159 --> 01:35:21.640
<v Speaker 3>and things like that, but like, oh, take for example,

1707
01:35:22.000 --> 01:35:23.800
<v Speaker 3>they used to have a Blu ray line. I know

1708
01:35:23.840 --> 01:35:25.479
<v Speaker 3>this is getting away from the theater, but they used to

1709
01:35:25.479 --> 01:35:28.840
<v Speaker 3>have the Disney Classics Blu ray line of like all

1710
01:35:28.880 --> 01:35:30.960
<v Speaker 3>the stuff like you know, twenty thousand Leagues in the

1711
01:35:31.000 --> 01:35:35.920
<v Speaker 3>Sea and you know, you know, Apple Dumpling Gang, stuff

1712
01:35:35.920 --> 01:35:38.079
<v Speaker 3>like that, and that was only you could get that

1713
01:35:38.119 --> 01:35:40.039
<v Speaker 3>if you remember their club. But now it's like the

1714
01:35:40.079 --> 01:35:43.000
<v Speaker 3>club's gone, Like are you gonna get those titles? Who knows?

1715
01:35:43.199 --> 01:35:46.560
<v Speaker 3>You'd probably eBay them, but it's just what Disney is

1716
01:35:46.600 --> 01:35:49.119
<v Speaker 3>in a sense that they're just like, no, this is

1717
01:35:49.119 --> 01:35:51.239
<v Speaker 3>how we play ball. You're gonna work with us here.

1718
01:35:51.880 --> 01:35:56.039
<v Speaker 3>And they're very sided in the moment of what can

1719
01:35:56.079 --> 01:36:00.399
<v Speaker 3>they gain with the properties until it's expended. So, yeah,

1720
01:36:00.520 --> 01:36:03.399
<v Speaker 3>Disney is Disney. That's in a nutshell.

1721
01:36:04.960 --> 01:36:07.319
<v Speaker 2>Craig says in the chat, the studios killed theaters with

1722
01:36:07.359 --> 01:36:11.079
<v Speaker 2>their streaming quote strategy. Friends of mine say that they

1723
01:36:11.159 --> 01:36:14.520
<v Speaker 2>went regularly and now they go rarely. They always say

1724
01:36:14.520 --> 01:36:16.359
<v Speaker 2>I can just watch it at home, and that's true

1725
01:36:16.600 --> 01:36:19.760
<v Speaker 2>for a lot of titles. Yeah. I also think it's

1726
01:36:19.760 --> 01:36:22.159
<v Speaker 2>funny that they tried after COVID to go back to

1727
01:36:22.960 --> 01:36:25.359
<v Speaker 2>in a lot of these ads or trailers. Now we're

1728
01:36:25.399 --> 01:36:29.640
<v Speaker 2>seeing exclusively in theaters. But in all reality, if the

1729
01:36:29.640 --> 01:36:33.119
<v Speaker 2>film fails, like the Joker sequel, it's gonna be streaming

1730
01:36:33.159 --> 01:36:35.800
<v Speaker 2>like two weeks later. Yeah, you can't afford to not

1731
01:36:35.880 --> 01:36:36.560
<v Speaker 2>have it playing.

1732
01:36:38.000 --> 01:36:41.319
<v Speaker 3>Yeah, And there's like there's limited risk if you don't

1733
01:36:41.359 --> 01:36:43.800
<v Speaker 3>miss it. You know, you hear word of mouth and

1734
01:36:43.880 --> 01:36:45.800
<v Speaker 3>people are like, oh, this movie stinks, and you're like,

1735
01:36:45.840 --> 01:36:47.760
<v Speaker 3>all right, well just get it on streaming. So there's

1736
01:36:47.960 --> 01:36:51.960
<v Speaker 3>there's no risk for the consumer, and you know, once again,

1737
01:36:52.119 --> 01:36:55.239
<v Speaker 3>it's all about in that moment to moment basis, you know,

1738
01:36:55.399 --> 01:36:58.840
<v Speaker 3>it's like whatever. But then in the grand scheme of things,

1739
01:36:59.560 --> 01:37:03.560
<v Speaker 3>all these are bubbling up, and you know, you had

1740
01:37:03.600 --> 01:37:06.119
<v Speaker 3>the situation of COVID, which you know, COVID is what

1741
01:37:06.199 --> 01:37:08.479
<v Speaker 3>COVID is. You know, it's something we couldn't avoid. But

1742
01:37:10.000 --> 01:37:13.439
<v Speaker 3>when you're sitting at home and then you're in your

1743
01:37:13.479 --> 01:37:16.439
<v Speaker 3>sweatpants and just lounging on the couch and doing your

1744
01:37:16.439 --> 01:37:22.479
<v Speaker 3>own thing, that became the experience. And now we have

1745
01:37:22.560 --> 01:37:25.680
<v Speaker 3>to break people out of the bubbles of the theaters,

1746
01:37:25.680 --> 01:37:27.800
<v Speaker 3>have to break people out of that bubble of what

1747
01:37:27.840 --> 01:37:31.000
<v Speaker 3>are they going to do to compete? Because before it

1748
01:37:31.079 --> 01:37:32.800
<v Speaker 3>was just the old standard of this is the only

1749
01:37:32.800 --> 01:37:34.399
<v Speaker 3>way you can watch it. And they're trying to do

1750
01:37:34.439 --> 01:37:36.760
<v Speaker 3>a little bit of that. You know, you advertise the

1751
01:37:36.760 --> 01:37:38.960
<v Speaker 3>big movies and say it's only gonna be in theaters now.

1752
01:37:39.079 --> 01:37:45.520
<v Speaker 3>But the system is now damaged to the point where

1753
01:37:45.520 --> 01:37:48.920
<v Speaker 3>people are preconditioned. It's like whatever. And then now you

1754
01:37:49.000 --> 01:37:52.600
<v Speaker 3>have these huge, massive hits that even if they were

1755
01:37:53.479 --> 01:37:55.760
<v Speaker 3>a film that wasn't the greatest, even if it was

1756
01:37:55.800 --> 01:37:58.880
<v Speaker 3>a flop, it would still make way more like Joker too, right,

1757
01:37:59.239 --> 01:38:01.399
<v Speaker 3>I haven't seen Joke or two. I'm I don't know

1758
01:38:01.439 --> 01:38:04.359
<v Speaker 3>if it's good or bad. You know, I'll eventually see it.

1759
01:38:05.000 --> 01:38:08.239
<v Speaker 3>But we live in a day and age where you know,

1760
01:38:08.439 --> 01:38:11.880
<v Speaker 3>Joker two would sell tons regardless of how well it

1761
01:38:11.960 --> 01:38:14.640
<v Speaker 3>was made. But now it's just that word of mouth

1762
01:38:14.800 --> 01:38:18.119
<v Speaker 3>just you know, sparked a flame and it just died

1763
01:38:18.159 --> 01:38:20.760
<v Speaker 3>on arriving, right, So how are we going to break that?

1764
01:38:20.880 --> 01:38:25.239
<v Speaker 3>And the theaters have to figure out something to spark that flame.

1765
01:38:26.199 --> 01:38:28.000
<v Speaker 2>Obviously we're not going to change anything. I'd love to

1766
01:38:28.000 --> 01:38:31.680
<v Speaker 2>hear if anybody yet has any ideas for these. Simnar

1767
01:38:31.760 --> 01:38:34.399
<v Speaker 2>wants to point out if you're if you're living near

1768
01:38:34.439 --> 01:38:37.319
<v Speaker 2>an AMC, just get a list. One Dolby show will

1769
01:38:37.319 --> 01:38:39.640
<v Speaker 2>already save you like four dollars. And it's true. I

1770
01:38:39.720 --> 01:38:42.039
<v Speaker 2>mean in some of the smaller towns it's not quite

1771
01:38:42.159 --> 01:38:45.399
<v Speaker 2>that expensive, but I know in my state, the A

1772
01:38:45.560 --> 01:38:48.760
<v Speaker 2>list is literally less than twenty dollars. It's nineteen ninety five,

1773
01:38:49.199 --> 01:38:53.039
<v Speaker 2>and to go to like a A anything after a

1774
01:38:53.079 --> 01:38:57.600
<v Speaker 2>five PM most of the film started like twenty one dollars.

1775
01:38:57.640 --> 01:39:01.319
<v Speaker 2>So getting a list, I'm all ready literally saving money

1776
01:39:01.319 --> 01:39:03.720
<v Speaker 2>if I only go once. But now I can go

1777
01:39:03.800 --> 01:39:07.239
<v Speaker 2>three times a week for the entire month. That's crazy.

1778
01:39:07.720 --> 01:39:12.199
<v Speaker 3>Yeah, And so I think they're definitely doing better about like, yeah,

1779
01:39:12.199 --> 01:39:16.319
<v Speaker 3>the prices individually are egregious, but that's inflation in general.

1780
01:39:16.640 --> 01:39:20.000
<v Speaker 3>But they're doing They're doing good with the package deals, yep.

1781
01:39:20.079 --> 01:39:23.279
<v Speaker 3>But they still have to find that middle ground of

1782
01:39:23.319 --> 01:39:26.279
<v Speaker 3>how can the package deal still compeat and streaming, you know,

1783
01:39:26.600 --> 01:39:30.119
<v Speaker 3>or something like that. And ultimately, you know, like I said,

1784
01:39:30.199 --> 01:39:33.800
<v Speaker 3>streaming is convenient in the moment, but we've gotten to

1785
01:39:33.840 --> 01:39:36.840
<v Speaker 3>a point where we're, you know, half a decade or

1786
01:39:36.840 --> 01:39:39.199
<v Speaker 3>more in and we've started to see the effects of

1787
01:39:39.279 --> 01:39:43.079
<v Speaker 3>it in that sense. And I'm not all against streaming.

1788
01:39:43.119 --> 01:39:45.880
<v Speaker 3>I've just seen that the natural causation of it is

1789
01:39:46.920 --> 01:39:52.760
<v Speaker 3>definitely evolving some things. And I also think outside of streaming,

1790
01:39:52.840 --> 01:39:55.199
<v Speaker 3>I think a saturation of so I mean, I could

1791
01:39:55.199 --> 01:39:59.319
<v Speaker 3>go to whole Disney dangent, you know, and we could

1792
01:39:59.680 --> 01:40:02.439
<v Speaker 3>get it to that later. But I think saturation of

1793
01:40:02.479 --> 01:40:06.640
<v Speaker 3>properties is another thing that has waned people down as well.

1794
01:40:07.680 --> 01:40:10.359
<v Speaker 3>That you know, I worked for Disney when they bought

1795
01:40:10.399 --> 01:40:13.479
<v Speaker 3>Star Wars and Marvel, and it was very exciting in

1796
01:40:13.520 --> 01:40:19.319
<v Speaker 3>the beginning, but then in typical Disney fashion. What they

1797
01:40:19.359 --> 01:40:22.960
<v Speaker 3>do is they find every single little character, even the

1798
01:40:22.960 --> 01:40:25.880
<v Speaker 3>ones that are in one scene that you and as

1799
01:40:25.920 --> 01:40:28.640
<v Speaker 3>an employee with the Disney company, you know all their

1800
01:40:28.720 --> 01:40:32.319
<v Speaker 3>character dames, like like all the random cars in the

1801
01:40:32.319 --> 01:40:34.560
<v Speaker 3>Cars movie that are in one scene in the background.

1802
01:40:34.640 --> 01:40:37.399
<v Speaker 3>You know that's Fred, you know, and it's like, okay,

1803
01:40:37.439 --> 01:40:41.119
<v Speaker 3>and you better sell twenty Fred Plushy's to a kid,

1804
01:40:41.239 --> 01:40:44.560
<v Speaker 3>right And so I knew as soon as like, that's

1805
01:40:44.560 --> 01:40:49.520
<v Speaker 3>what superheroes are going through right now. You know, Disney

1806
01:40:49.520 --> 01:40:52.720
<v Speaker 3>bought Marvel and they're making a movie out of every

1807
01:40:52.840 --> 01:40:56.800
<v Speaker 3>single little character that you know. I'm glad maybe the

1808
01:40:56.880 --> 01:40:59.760
<v Speaker 3>fandom of that one character is getting their movie, but

1809
01:40:59.840 --> 01:41:04.479
<v Speaker 3>it's also killed the market. It's not something special anymore.

1810
01:41:04.560 --> 01:41:07.119
<v Speaker 3>So that's another co existing.

1811
01:41:07.199 --> 01:41:10.960
<v Speaker 2>Tan Craig just said, Tuesday nights are only like six dollars.

1812
01:41:11.279 --> 01:41:14.039
<v Speaker 2>I just went and looked to book a seat at

1813
01:41:14.079 --> 01:41:16.600
<v Speaker 2>the am Seed that I normally go to to watch

1814
01:41:17.000 --> 01:41:20.760
<v Speaker 2>the new Vendom movie next Tuesday. It is fourteen dollars,

1815
01:41:20.840 --> 01:41:24.000
<v Speaker 2>and that is the discounted price. Normally it's about twenty

1816
01:41:24.039 --> 01:41:29.000
<v Speaker 2>twenty two discounted as fourteen dollars, which is a lot. Still,

1817
01:41:29.239 --> 01:41:31.600
<v Speaker 2>if you were to go and if suddenly, if you're

1818
01:41:31.640 --> 01:41:33.920
<v Speaker 2>taking a partner, which most people go at least two

1819
01:41:33.960 --> 01:41:36.279
<v Speaker 2>people to a theater, you're looking at twenty eight dollars

1820
01:41:36.680 --> 01:41:39.640
<v Speaker 2>plus tax and convenience fees. Doing that as a family,

1821
01:41:39.680 --> 01:41:43.039
<v Speaker 2>now you're talking about fifty six plus tax and countingience fees.

1822
01:41:43.119 --> 01:41:45.680
<v Speaker 3>I'm a family of five and when we go to

1823
01:41:45.760 --> 01:41:48.439
<v Speaker 3>the movie, it's usually all five of us, and it's

1824
01:41:48.840 --> 01:41:50.760
<v Speaker 3>we have to it has to be well worth our time.

1825
01:41:50.960 --> 01:41:53.840
<v Speaker 3>And so that's why it's like, all right, doing what

1826
01:41:53.880 --> 01:41:57.039
<v Speaker 3>I can to help the industry. But they got to

1827
01:41:57.079 --> 01:41:59.960
<v Speaker 3>have this spark again, you know, to make it magic.

1828
01:42:01.600 --> 01:42:04.680
<v Speaker 2>Terry says, uh A, listen unlimited. It's good for the consumer,

1829
01:42:04.760 --> 01:42:08.159
<v Speaker 2>but unless those consumers go to concessions, it doesn't help theaters,

1830
01:42:08.399 --> 01:42:14.479
<v Speaker 2>which is correct. You you absolutely should be doing that,

1831
01:42:15.319 --> 01:42:17.720
<v Speaker 2>not all every time, obviously don't, but at least somewhat

1832
01:42:17.760 --> 01:42:18.800
<v Speaker 2>helped them out a little bit.

1833
01:42:19.239 --> 01:42:23.239
<v Speaker 3>Yeah, the dollar General dollar box of candy that smuggled

1834
01:42:23.279 --> 01:42:23.840
<v Speaker 3>in your pants.

1835
01:42:24.039 --> 01:42:25.319
<v Speaker 2>Do you need to be a member to get the

1836
01:42:25.319 --> 01:42:28.039
<v Speaker 2>good deal? Craig I was signed in. That was the

1837
01:42:28.079 --> 01:42:30.680
<v Speaker 2>price as a signed in a list member that the

1838
01:42:30.920 --> 01:42:33.880
<v Speaker 2>it was showing thirteen ninety nine and then discounted thirteen

1839
01:42:33.920 --> 01:42:35.079
<v Speaker 2>ninety nine became zero.

1840
01:42:36.479 --> 01:42:40.359
<v Speaker 3>Yeah. I remember when I worked for AMC twenty and

1841
01:42:40.760 --> 01:42:44.720
<v Speaker 3>everybody loved My Big Fat Greek Wedding. And the reason

1842
01:42:44.760 --> 01:42:48.840
<v Speaker 3>why the theater the theaters loved big that movie is

1843
01:42:48.880 --> 01:42:54.920
<v Speaker 3>it ran for a year straight, and so at that point,

1844
01:42:54.920 --> 01:42:58.319
<v Speaker 3>that point the theater starts to get revenue from that movie,

1845
01:42:58.359 --> 01:43:02.800
<v Speaker 3>so they kept going the My Big Fat Wedding train

1846
01:43:02.920 --> 01:43:05.359
<v Speaker 3>for like, oh god, that thing was shown for like

1847
01:43:05.520 --> 01:43:11.359
<v Speaker 3>nine months straight. Yeah, it's whatever the window is. You know,

1848
01:43:11.680 --> 01:43:13.880
<v Speaker 3>there's a little bit right off the bat goes straight

1849
01:43:13.920 --> 01:43:17.039
<v Speaker 3>to the studio, but there is a window where if

1850
01:43:17.039 --> 01:43:20.159
<v Speaker 3>they keep it long enough, it's you know, it goes

1851
01:43:20.159 --> 01:43:22.640
<v Speaker 3>to them. But now it's like, I mean, we don't

1852
01:43:22.680 --> 01:43:25.199
<v Speaker 3>live in that world where there's no way a movie

1853
01:43:25.920 --> 01:43:28.439
<v Speaker 3>can go to the theater. And I don't know the

1854
01:43:28.520 --> 01:43:31.760
<v Speaker 3>logistics of like when they're doing like Classics Night and

1855
01:43:31.760 --> 01:43:34.319
<v Speaker 3>they're pulling et on thing, you know, how much of

1856
01:43:34.319 --> 01:43:37.079
<v Speaker 3>that is going to Universal and how much of that

1857
01:43:37.199 --> 01:43:39.680
<v Speaker 3>is going to the theater. I'm sure plenty of it's

1858
01:43:39.720 --> 01:43:42.560
<v Speaker 3>going back to Universal still, but I don't know the

1859
01:43:42.600 --> 01:43:45.479
<v Speaker 3>logistics of that. But yeah, it's it's a different world.

1860
01:43:45.840 --> 01:43:50.039
<v Speaker 2>Quite often we can. We can gauge some of this

1861
01:43:50.119 --> 01:43:53.800
<v Speaker 2>because one of the biggest holders of theatrical titles for

1862
01:43:54.000 --> 01:43:56.920
<v Speaker 2>especially the ones that we like, is AGFA. They actually

1863
01:43:56.920 --> 01:44:00.560
<v Speaker 2>control a lot of the theatrical screenings and most of

1864
01:44:00.600 --> 01:44:03.760
<v Speaker 2>the time their screenings only cost two hundred and fifty

1865
01:44:03.800 --> 01:44:06.920
<v Speaker 2>dollars for the theater. And so when you are showing

1866
01:44:06.920 --> 01:44:09.920
<v Speaker 2>a film like that and your theater holds I don't know,

1867
01:44:09.960 --> 01:44:13.159
<v Speaker 2>even seventy five people, if you're charging ten bucks a seat,

1868
01:44:13.239 --> 01:44:17.279
<v Speaker 2>which most theaters are charging around there, if not more, yeah,

1869
01:44:17.359 --> 01:44:19.720
<v Speaker 2>you're you're making a little bit of money at least.

1870
01:44:20.439 --> 01:44:23.399
<v Speaker 3>Yeah. Yeah. And so I mean, like I said, that's

1871
01:44:23.680 --> 01:44:26.119
<v Speaker 3>you know what a lot of people want to see. Again,

1872
01:44:26.159 --> 01:44:29.239
<v Speaker 3>if we're going back to the events, that's the step

1873
01:44:29.239 --> 01:44:32.840
<v Speaker 3>in the right direction, is you know, the standby classics

1874
01:44:32.880 --> 01:44:35.359
<v Speaker 3>to put on the screen. Yeah, we gotta we got

1875
01:44:35.359 --> 01:44:38.119
<v Speaker 3>a morph into having modern day films doing the same.

1876
01:44:38.199 --> 01:44:41.159
<v Speaker 3>But I whatever they need to figure out to do

1877
01:44:41.560 --> 01:44:47.159
<v Speaker 3>of having classics night, like like right now, my local

1878
01:44:47.239 --> 01:44:49.399
<v Speaker 3>chain is Harkens and they have a Classic Night. I

1879
01:44:49.439 --> 01:44:52.079
<v Speaker 3>think it's like on Wednesday or something like that, and

1880
01:44:52.119 --> 01:44:54.880
<v Speaker 3>they I don't think they advertise it that much. So

1881
01:44:54.920 --> 01:44:57.880
<v Speaker 3>I never go to it, but the tickets are fairly cheap,

1882
01:44:57.880 --> 01:45:00.840
<v Speaker 3>but I would love to see something old, you know,

1883
01:45:00.920 --> 01:45:03.199
<v Speaker 3>on the screen and all of it's gran during glory.

1884
01:45:04.039 --> 01:45:08.000
<v Speaker 3>But it's just sort of a moot point, And I

1885
01:45:08.079 --> 01:45:10.960
<v Speaker 3>understand that's the industry and they're filling stuff in. You know,

1886
01:45:11.000 --> 01:45:15.159
<v Speaker 3>they're gonna have twenty screens of Terrifire twelve, but you

1887
01:45:15.199 --> 01:45:20.079
<v Speaker 3>know it's they I don't know the logistics of how

1888
01:45:20.119 --> 01:45:23.960
<v Speaker 3>much they care from a corporate standpoint to pursue that stuff,

1889
01:45:24.000 --> 01:45:26.840
<v Speaker 3>but I mean there's a lot of Like the easiest

1890
01:45:26.880 --> 01:45:28.800
<v Speaker 3>one is probably like Rocky Horror, and you have the

1891
01:45:28.840 --> 01:45:33.119
<v Speaker 3>whole gimmick with the cast or with the audience dance

1892
01:45:33.199 --> 01:45:35.319
<v Speaker 3>into all the things. But I don't know how much

1893
01:45:35.359 --> 01:45:36.479
<v Speaker 3>revenue that would bring in.

1894
01:45:36.560 --> 01:45:40.800
<v Speaker 2>But then that's usually not like your Regals or AMC's,

1895
01:45:40.800 --> 01:45:43.479
<v Speaker 2>which are most popular across the US, because they literally

1896
01:45:43.520 --> 01:45:45.279
<v Speaker 2>can't because of the Disney requirements.

1897
01:45:45.720 --> 01:45:49.439
<v Speaker 3>Yeah, it's your little independent one, which I forgot to

1898
01:45:49.439 --> 01:45:52.159
<v Speaker 3>shout out earlier because I know Phoenix. I said that

1899
01:45:52.199 --> 01:45:55.760
<v Speaker 3>it's growing in culture. I do have a friend that

1900
01:45:55.880 --> 01:45:59.760
<v Speaker 3>runs something called Cemetery, which is local here, and he's

1901
01:46:00.000 --> 01:46:02.920
<v Speaker 3>definitely doing a damn this to play some old classic

1902
01:46:02.960 --> 01:46:04.960
<v Speaker 3>horror movies. So I want to give him a shout out.

1903
01:46:06.159 --> 01:46:08.159
<v Speaker 2>Terry is correct here too. He says, as much as

1904
01:46:08.199 --> 01:46:10.680
<v Speaker 2>I love trailers, they really need to show less of them.

1905
01:46:10.840 --> 01:46:12.520
<v Speaker 2>People were burned out on them when I was still

1906
01:46:12.520 --> 01:46:14.279
<v Speaker 2>working in one, and I've noticed as the viewer it's

1907
01:46:14.319 --> 01:46:17.439
<v Speaker 2>gotten worse. I will say, Yeah, AMC is great for

1908
01:46:17.479 --> 01:46:20.880
<v Speaker 2>a list, but they are awful for fucking trailers. I

1909
01:46:20.960 --> 01:46:22.560
<v Speaker 2>didn't know how bad it was because we had not

1910
01:46:22.600 --> 01:46:25.239
<v Speaker 2>been going to an AMC. To get to my closest AMC,

1911
01:46:25.520 --> 01:46:29.399
<v Speaker 2>it's a good twenty ish minute drive, and so we

1912
01:46:29.439 --> 01:46:31.279
<v Speaker 2>didn't start doing that until we got a list like

1913
01:46:31.319 --> 01:46:35.960
<v Speaker 2>three months ago. But we went in there and I

1914
01:46:36.000 --> 01:46:37.840
<v Speaker 2>had heard that it had gotten worse. So I said,

1915
01:46:37.840 --> 01:46:39.520
<v Speaker 2>on the first time that we went, I want to

1916
01:46:39.560 --> 01:46:41.680
<v Speaker 2>test this. And our first showing was at one o'clock

1917
01:46:42.119 --> 01:46:45.159
<v Speaker 2>and they started showing the first trailer at twelve fifty nine,

1918
01:46:45.680 --> 01:46:49.760
<v Speaker 2>and the movie did not start until one twenty eight,

1919
01:46:50.399 --> 01:46:54.840
<v Speaker 2>twenty nine minutes of trailers and the Nicole kidmanad and

1920
01:46:55.840 --> 01:46:58.760
<v Speaker 2>Go Bye Snacks whatever it was, all of that stuff

1921
01:46:58.800 --> 01:47:02.319
<v Speaker 2>twenty nine minutes, Like it's already a two hour twenty

1922
01:47:02.359 --> 01:47:04.840
<v Speaker 2>minute movie for you to get another half hour on

1923
01:47:04.880 --> 01:47:07.279
<v Speaker 2>that is a damper to my day.

1924
01:47:07.960 --> 01:47:12.920
<v Speaker 3>Yeah, harkins. I mean they're okay with its a lot

1925
01:47:12.920 --> 01:47:15.159
<v Speaker 3>of local ads that they put on there as well,

1926
01:47:16.159 --> 01:47:19.560
<v Speaker 3>but yeah, for sure, if you're a time constraint, and

1927
01:47:19.840 --> 01:47:23.239
<v Speaker 3>now the interesting factor of your buying seats early, it's

1928
01:47:23.239 --> 01:47:26.319
<v Speaker 3>like purchasing seats on an airplane versus just you can't

1929
01:47:26.319 --> 01:47:29.199
<v Speaker 3>really go to a theater in the whim of it anymore, right,

1930
01:47:29.239 --> 01:47:32.239
<v Speaker 3>And so I just think that and then that's sort

1931
01:47:32.279 --> 01:47:34.439
<v Speaker 3>of what I used to do back in my you know,

1932
01:47:34.520 --> 01:47:37.119
<v Speaker 3>more aggressive movie watching days in the theater. As I

1933
01:47:37.319 --> 01:47:38.760
<v Speaker 3>just say, what are you gonna do right now? I

1934
01:47:38.800 --> 01:47:41.640
<v Speaker 3>don't know, go to the theater now it's just a

1935
01:47:41.680 --> 01:47:46.840
<v Speaker 3>whole structured ordeal and for you to pragmatically think, Okay,

1936
01:47:46.880 --> 01:47:50.079
<v Speaker 3>this is a two hour, fifteen minute movie and it

1937
01:47:50.159 --> 01:47:53.880
<v Speaker 3>turns into a three hour movie. It's like, yeah, totally

1938
01:47:54.000 --> 01:47:54.720
<v Speaker 3>changes things up.

1939
01:47:55.720 --> 01:47:57.520
<v Speaker 2>Craig says, I forget what I'm there to see by

1940
01:47:57.520 --> 01:48:03.239
<v Speaker 2>the time. Yeah, yeah, it's so true. I mean the

1941
01:48:03.640 --> 01:48:05.600
<v Speaker 2>hard part and uh, I think it was similar was

1942
01:48:05.640 --> 01:48:08.279
<v Speaker 2>just joking. I already know that, uh, Wolfman is the

1943
01:48:08.319 --> 01:48:10.039
<v Speaker 2>new Dammel this movie come out already, so I can

1944
01:48:10.039 --> 01:48:13.039
<v Speaker 2>stop seeing this trailer trailer. You know, there was the

1945
01:48:13.079 --> 01:48:16.479
<v Speaker 2>whole joke about Speak No Evil. This year, everybody that

1946
01:48:16.520 --> 01:48:19.359
<v Speaker 2>has gone to the theater even once every couple of weeks,

1947
01:48:19.399 --> 01:48:22.760
<v Speaker 2>you have seen that trailer this year probably forty times.

1948
01:48:22.760 --> 01:48:25.439
<v Speaker 2>And before that one, it was Shyamalan's Trap. It was

1949
01:48:25.600 --> 01:48:29.279
<v Speaker 2>just you see this thing over and over and over again,

1950
01:48:29.439 --> 01:48:32.079
<v Speaker 2>and it's crazy how much they throw it out there.

1951
01:48:32.960 --> 01:48:35.239
<v Speaker 3>Yeah, and I get to the point where saturation and

1952
01:48:35.279 --> 01:48:38.520
<v Speaker 3>you have an audience that is like, well, if I

1953
01:48:38.600 --> 01:48:41.279
<v Speaker 3>missed it the first week that it's in theaters, it's

1954
01:48:41.399 --> 01:48:44.159
<v Speaker 3>just gonna be over on you know, eight on max

1955
01:48:44.720 --> 01:48:47.079
<v Speaker 3>in five seconds anyway, so I might as well just

1956
01:48:47.199 --> 01:48:49.359
<v Speaker 3>you know, hang out, you know, if I miss it.

1957
01:48:49.399 --> 01:48:52.640
<v Speaker 3>So it's it's almost like do you want you want

1958
01:48:52.680 --> 01:48:55.760
<v Speaker 3>to promote your films to get people hyped, but also

1959
01:48:55.800 --> 01:48:57.399
<v Speaker 3>at the same time, it's like do you want to

1960
01:48:57.439 --> 01:49:00.359
<v Speaker 3>overdo it where you kill the buzz and then people

1961
01:49:00.880 --> 01:49:03.239
<v Speaker 3>have easy options to just see it at their own

1962
01:49:03.319 --> 01:49:05.840
<v Speaker 3>leisure outside of it. So it's like.

1963
01:49:07.399 --> 01:49:10.279
<v Speaker 2>Some clarification from Craig. He just went on AMC and

1964
01:49:10.279 --> 01:49:12.199
<v Speaker 2>he says, when you go to check out, the price

1965
01:49:12.279 --> 01:49:15.960
<v Speaker 2>drops to seven dollars at checkout, So I guess I

1966
01:49:16.000 --> 01:49:18.920
<v Speaker 2>did not go one step. It said fourteen and maybe

1967
01:49:18.960 --> 01:49:22.079
<v Speaker 2>goes to seven after that. Still, it's only on Tuesday nights.

1968
01:49:22.119 --> 01:49:23.720
<v Speaker 2>There's a lot of parents that can't get out on

1969
01:49:23.760 --> 01:49:28.520
<v Speaker 2>Tuesday nights. Yeah, hard part. Patty Boy says, I like

1970
01:49:28.560 --> 01:49:30.359
<v Speaker 2>the trailers because I get my popcorn and soda and

1971
01:49:30.359 --> 01:49:32.520
<v Speaker 2>I have twenty minutes to settle in. I get that

1972
01:49:33.840 --> 01:49:36.840
<v Speaker 2>trailers are always too loud three times the movie itself. Yep.

1973
01:49:37.399 --> 01:49:37.720
<v Speaker 3>Yeah.

1974
01:49:37.760 --> 01:49:40.560
<v Speaker 2>And unless streamers are giving theaters price breaks, I really

1975
01:49:40.560 --> 01:49:43.159
<v Speaker 2>don't understand commercials for prime movies or Hulu or tub

1976
01:49:43.600 --> 01:49:50.399
<v Speaker 2>That is a great question. Great question. So what's up

1977
01:49:50.760 --> 01:49:53.479
<v Speaker 2>with the experiences? Any ideas for people are what are

1978
01:49:53.520 --> 01:49:56.239
<v Speaker 2>theaters missing? What do you think we should have? What

1979
01:49:56.319 --> 01:49:57.600
<v Speaker 2>about you blake any ideas?

1980
01:49:57.840 --> 01:50:02.239
<v Speaker 3>Well? I mean I'm speaking for or I enjoy the

1981
01:50:02.800 --> 01:50:06.840
<v Speaker 3>films that are an event. I you know, it was

1982
01:50:06.920 --> 01:50:09.960
<v Speaker 3>really interesting seeing a release schedule of films this year

1983
01:50:10.000 --> 01:50:13.039
<v Speaker 3>and they're using old EPs, because that's sort of they're

1984
01:50:13.079 --> 01:50:15.239
<v Speaker 3>sort of a life support mode a lot of the

1985
01:50:15.239 --> 01:50:18.600
<v Speaker 3>theater industry and a lot of these these studios, they're

1986
01:50:18.640 --> 01:50:20.960
<v Speaker 3>like the only thing we can pump out, it's not

1987
01:50:21.079 --> 01:50:24.479
<v Speaker 3>worth I think part of them wants to pump out

1988
01:50:24.479 --> 01:50:29.159
<v Speaker 3>a fresh new idea, but the business logistics of it

1989
01:50:29.199 --> 01:50:34.239
<v Speaker 3>is not as safe, not safe ground, so they're gonna

1990
01:50:34.239 --> 01:50:37.239
<v Speaker 3>put out a lot of stuff like you know Twister two, right,

1991
01:50:37.560 --> 01:50:40.439
<v Speaker 3>for example. And I enjoyed that for what it was

1992
01:50:40.479 --> 01:50:43.279
<v Speaker 3>because I loved the first Twister growing up. I was

1993
01:50:43.319 --> 01:50:45.680
<v Speaker 3>at perfect age. I was like ten eleven twelve when

1994
01:50:45.680 --> 01:50:48.760
<v Speaker 3>it first came out, And so the second movie comes out,

1995
01:50:49.159 --> 01:50:52.319
<v Speaker 3>it pays respect to the first film, but it's very

1996
01:50:52.479 --> 01:50:57.479
<v Speaker 3>much its own film. And I think Twister two worked

1997
01:50:57.920 --> 01:51:00.640
<v Speaker 3>because it's a disaster film, so you can make an

1998
01:51:00.640 --> 01:51:02.920
<v Speaker 3>event out of it. But they're gonna get to a

1999
01:51:02.960 --> 01:51:09.319
<v Speaker 3>point where they're just oversaturating all these ips that they're

2000
01:51:09.359 --> 01:51:13.840
<v Speaker 3>starting to kill all the established love. It's like when

2001
01:51:13.880 --> 01:51:17.319
<v Speaker 3>you had the first three Star Wars movies and they're amazing,

2002
01:51:17.359 --> 01:51:19.600
<v Speaker 3>they're an event, and then you release three more and

2003
01:51:19.640 --> 01:51:22.279
<v Speaker 3>you're still cool with it. And then they released three

2004
01:51:22.319 --> 01:51:25.079
<v Speaker 3>more and you're like, okay, and now there's TV shows

2005
01:51:25.159 --> 01:51:27.920
<v Speaker 3>and there's a million things, and now Star Wars pales

2006
01:51:27.920 --> 01:51:32.000
<v Speaker 3>in comparison to what it once was, right, or the

2007
01:51:32.079 --> 01:51:35.640
<v Speaker 3>other thing. I guess a recent one before I end

2008
01:51:35.640 --> 01:51:40.119
<v Speaker 3>this tangent here is Beetlejuice. Right. I loved Beetlejuice. Beetlejuice

2009
01:51:40.119 --> 01:51:44.359
<v Speaker 3>too just came out. I enjoyed Beetlejuice two for what

2010
01:51:44.359 --> 01:51:48.039
<v Speaker 3>it was, but they tried to turn it into a

2011
01:51:48.159 --> 01:51:53.000
<v Speaker 3>ride with twenty billion different ideas all smashed into one movie.

2012
01:51:53.439 --> 01:51:55.760
<v Speaker 3>And it's almost like I couldn't breathe in the movie

2013
01:51:56.039 --> 01:51:58.039
<v Speaker 3>because I was like, I love this concept. I love

2014
01:51:58.119 --> 01:52:01.760
<v Speaker 3>this concept. You guys could have made two movies out

2015
01:52:01.760 --> 01:52:04.199
<v Speaker 3>of this one movie. I mean, heck, they have to

2016
01:52:04.199 --> 01:52:06.760
<v Speaker 3>make a movie called Beetlejuice, Beetle Juice, Beetle Juice anyway,

2017
01:52:06.760 --> 01:52:09.119
<v Speaker 3>out of irony of the series. You might as well

2018
01:52:09.199 --> 01:52:11.000
<v Speaker 3>save some of the ideas and do the other one.

2019
01:52:11.560 --> 01:52:14.479
<v Speaker 3>So that's the road that they should not go down.

2020
01:52:14.720 --> 01:52:19.840
<v Speaker 3>That I do see them going down. And so when

2021
01:52:19.840 --> 01:52:26.039
<v Speaker 3>it comes to events they need to do obviously. I

2022
01:52:26.119 --> 01:52:30.840
<v Speaker 3>like the idea of old disaster films is a safe bet.

2023
01:52:31.039 --> 01:52:33.880
<v Speaker 3>Make it a ride, scare the audience. That's why the

2024
01:52:34.439 --> 01:52:37.560
<v Speaker 3>whore is the old standby. I really wish I could

2025
01:52:37.560 --> 01:52:40.880
<v Speaker 3>see something in that forty X or D box, Like

2026
01:52:40.920 --> 01:52:43.840
<v Speaker 3>I said, Phoenix is a growing city, and eventually they'll

2027
01:52:43.840 --> 01:52:46.439
<v Speaker 3>get one because they're big enough to get one. But

2028
01:52:47.159 --> 01:52:50.800
<v Speaker 3>I would love to like ride Twister too, you know,

2029
01:52:50.960 --> 01:52:54.600
<v Speaker 3>in that thing or the original Twister. You know, release

2030
01:52:54.640 --> 01:52:57.039
<v Speaker 3>some of the old films and then do the same

2031
01:52:57.119 --> 01:52:59.279
<v Speaker 3>kind of effects with that. The old standby is that

2032
01:53:00.000 --> 01:53:06.159
<v Speaker 3>people clamor for and have a huge nostalgia, build and

2033
01:53:06.479 --> 01:53:09.399
<v Speaker 3>work with some special effects person to not add to it.

2034
01:53:09.439 --> 01:53:13.159
<v Speaker 3>We're not talking about George Lucas cgi Jabba the Hut here,

2035
01:53:13.199 --> 01:53:15.800
<v Speaker 3>but like add effects to it.

2036
01:53:15.880 --> 01:53:16.119
<v Speaker 2>You know.

2037
01:53:16.199 --> 01:53:19.880
<v Speaker 3>I just got back from Disneyland a couple of weeks ago,

2038
01:53:20.000 --> 01:53:23.520
<v Speaker 3>and they had a simple little three D movie in

2039
01:53:23.600 --> 01:53:25.840
<v Speaker 3>that and there's little stuff lying at your face, and

2040
01:53:26.479 --> 01:53:29.920
<v Speaker 3>it's just the little novelties of it all that I

2041
01:53:29.960 --> 01:53:35.880
<v Speaker 3>think is the first building block that's on that standpoint.

2042
01:53:35.960 --> 01:53:39.239
<v Speaker 3>I do think that we also have to have normalcy

2043
01:53:39.319 --> 01:53:42.399
<v Speaker 3>to get back into dramas and comedies, and those really

2044
01:53:42.399 --> 01:53:48.199
<v Speaker 3>aren't your gimmick films. It's just an It's an interesting landscape,

2045
01:53:48.279 --> 01:53:51.520
<v Speaker 3>and I think that there's some hurdles to get through,

2046
01:53:51.560 --> 01:53:53.560
<v Speaker 3>but I think in retrospect, I think we have to

2047
01:53:53.600 --> 01:53:55.760
<v Speaker 3>go through growing pains and we'll get there. I think

2048
01:53:55.800 --> 01:53:57.800
<v Speaker 3>this is going to be known as like the big

2049
01:53:57.840 --> 01:54:01.079
<v Speaker 3>business era when you're looking at film eras, and I

2050
01:54:01.119 --> 01:54:03.920
<v Speaker 3>think conten years time, we'll have some crazy film movement

2051
01:54:04.000 --> 01:54:07.279
<v Speaker 3>that it'll have its own pros and cons, but it'll

2052
01:54:07.279 --> 01:54:08.840
<v Speaker 3>be interesting to look back at this.

2053
01:54:10.760 --> 01:54:13.800
<v Speaker 2>Yeah, the whole forty X thing, this is one thing

2054
01:54:13.800 --> 01:54:16.199
<v Speaker 2>I was thinking about before. Like I again, I mentioned

2055
01:54:16.199 --> 01:54:19.399
<v Speaker 2>earlier the d box thing. When I was in California, California,

2056
01:54:19.520 --> 01:54:21.359
<v Speaker 2>I had to drive forty five minutes to get to

2057
01:54:21.399 --> 01:54:23.560
<v Speaker 2>a box theater and I think it's the only one

2058
01:54:23.560 --> 01:54:26.000
<v Speaker 2>that was there. I mean this was thirteen years ago

2059
01:54:26.079 --> 01:54:29.600
<v Speaker 2>or whatever. But imagine if you lived in a smaller

2060
01:54:29.640 --> 01:54:33.960
<v Speaker 2>town and you took a fairly small footprint on you know,

2061
01:54:34.079 --> 01:54:38.039
<v Speaker 2>main Street, USA wherever, and just make a little two

2062
01:54:38.119 --> 01:54:41.279
<v Speaker 2>theater for d X or d box place that can

2063
01:54:41.319 --> 01:54:44.840
<v Speaker 2>show catalog titles and not live on new titles, so

2064
01:54:44.880 --> 01:54:48.760
<v Speaker 2>you don't have the desire to compete with Disney. You

2065
01:54:48.800 --> 01:54:52.359
<v Speaker 2>can play Cabin in the Woods the entire month of October. Yeah, come,

2066
01:54:52.399 --> 01:54:54.520
<v Speaker 2>come spend twelve bucks and watch Cabin in the Woods

2067
01:54:54.520 --> 01:54:59.920
<v Speaker 2>and d box and buy our you know, festival apple

2068
01:55:00.720 --> 01:55:04.000
<v Speaker 2>cinnamon beer or whatever we're doing it's crazy.

2069
01:55:04.640 --> 01:55:06.960
<v Speaker 3>Yeah, I mean it's not hard because we're talking about

2070
01:55:07.039 --> 01:55:10.239
<v Speaker 3>you know, William Castle here, he's pulling all these gimmicks

2071
01:55:10.239 --> 01:55:14.119
<v Speaker 3>in the nineteen fifties, right, and so you know, I

2072
01:55:14.159 --> 01:55:16.920
<v Speaker 3>don't know like the safety of it all, you know,

2073
01:55:17.079 --> 01:55:19.720
<v Speaker 3>the wiring under the seats, but you know, that's been

2074
01:55:19.800 --> 01:55:23.399
<v Speaker 3>fifty years plus, and so I'm sure that there's gonna

2075
01:55:23.399 --> 01:55:26.960
<v Speaker 3>be There's been some novelties, but that's what they got

2076
01:55:27.000 --> 01:55:32.239
<v Speaker 3>to break through the barrier of. And I think, yes,

2077
01:55:32.319 --> 01:55:36.039
<v Speaker 3>there's an industry standard where we got to fix the

2078
01:55:36.199 --> 01:55:38.279
<v Speaker 3>new movies that come out. But then alsto, I think

2079
01:55:38.479 --> 01:55:42.000
<v Speaker 3>there's just a reliable source of old movies that you know,

2080
01:55:42.520 --> 01:55:45.039
<v Speaker 3>especially like you said, small town, USA, or you know,

2081
01:55:45.199 --> 01:55:50.159
<v Speaker 3>just moderate you know, any moderate metropolitan area place that

2082
01:55:50.199 --> 01:55:55.000
<v Speaker 3>has you know, plenty of population. Just show some of

2083
01:55:55.000 --> 01:55:59.119
<v Speaker 3>those classics, but don't rely on like six dollars Classic Knight.

2084
01:55:59.239 --> 01:56:01.680
<v Speaker 3>Just come see the movie and just whatever zone out

2085
01:56:02.439 --> 01:56:04.560
<v Speaker 3>build it as you know, you could turn it from

2086
01:56:04.600 --> 01:56:07.760
<v Speaker 3>six dollars Classic Night to ten fifteen dollars Classic Night

2087
01:56:08.319 --> 01:56:11.680
<v Speaker 3>if it's gonna be a crazy you know, shake you

2088
01:56:11.760 --> 01:56:14.520
<v Speaker 3>around a little bit, whatever novelty it is, you know,

2089
01:56:15.520 --> 01:56:18.319
<v Speaker 3>And I think that is gonna be something that starts

2090
01:56:18.319 --> 01:56:20.880
<v Speaker 3>to get people in more and more, and then you know,

2091
01:56:20.960 --> 01:56:24.199
<v Speaker 3>you can make new films that sort of branch off

2092
01:56:24.239 --> 01:56:27.960
<v Speaker 3>of like, hey, you enjoyed this experience that because word

2093
01:56:27.960 --> 01:56:30.720
<v Speaker 3>of mouth catches on right, and so like, hey, you

2094
01:56:30.920 --> 01:56:35.920
<v Speaker 3>enjoyed the re insurgence of you know whatever movie that

2095
01:56:36.079 --> 01:56:38.840
<v Speaker 3>hit a spark again, you know that news is gonna

2096
01:56:38.840 --> 01:56:43.800
<v Speaker 3>travel and then somebody's gonna make a movie that plays

2097
01:56:43.840 --> 01:56:45.680
<v Speaker 3>on that gimmick, but it'll be a new movie. And

2098
01:56:45.720 --> 01:56:49.239
<v Speaker 3>then hair, you got a fresh new genre. And I

2099
01:56:49.279 --> 01:56:53.319
<v Speaker 3>mean the problem is, yes, things can get over saturated eventually,

2100
01:56:53.359 --> 01:56:57.439
<v Speaker 3>but you know, we're jumping forward into something.

2101
01:56:57.600 --> 01:56:57.800
<v Speaker 2>You know.

2102
01:56:57.880 --> 01:57:00.840
<v Speaker 3>I think that's where the terrifier sort of comes in

2103
01:57:00.880 --> 01:57:04.640
<v Speaker 3>because I'll applaud terrifier for what it's doing in its

2104
01:57:04.640 --> 01:57:08.199
<v Speaker 3>own little rights. It's building upon its gimmick. Yes, it's

2105
01:57:08.359 --> 01:57:11.880
<v Speaker 3>it's a chore for some people, and some people really

2106
01:57:11.920 --> 01:57:14.720
<v Speaker 3>love it. But you have to really sit there and say,

2107
01:57:15.079 --> 01:57:18.640
<v Speaker 3>you know, terrifiers doing its thing, and it is. Yes,

2108
01:57:18.720 --> 01:57:22.800
<v Speaker 3>it's horror, so yes that's the most accessible thing. But yeah,

2109
01:57:22.960 --> 01:57:27.960
<v Speaker 3>make people put their phones away, but yeah, it's it's

2110
01:57:28.000 --> 01:57:28.960
<v Speaker 3>one of those things.

2111
01:57:30.439 --> 01:57:33.000
<v Speaker 2>Fully agree with zimmin Er, who is saying, here's a

2112
01:57:33.079 --> 01:57:36.520
<v Speaker 2>nifty gimmick, make people put their phones away. I used

2113
01:57:36.560 --> 01:57:38.479
<v Speaker 2>to have an Alamo draft house here in Kansas City.

2114
01:57:38.640 --> 01:57:41.680
<v Speaker 2>They well, they close down momentarily, and then B and

2115
01:57:41.760 --> 01:57:43.960
<v Speaker 2>B theaters bought them and they're using it now. But

2116
01:57:44.600 --> 01:57:47.560
<v Speaker 2>I only went to that Alamo because of the whole

2117
01:57:47.840 --> 01:57:51.359
<v Speaker 2>no phone requirement and no talking during it or will

2118
01:57:51.359 --> 01:57:53.920
<v Speaker 2>literally kick you out. I really wish most theaters would

2119
01:57:53.920 --> 01:57:57.199
<v Speaker 2>do that. And if you stick to that, it literally

2120
01:57:57.199 --> 01:58:00.920
<v Speaker 2>becomes an experience because you're enveloped by the film. Yeah,

2121
01:58:00.960 --> 01:58:03.720
<v Speaker 2>the amount of times I've seen people texting on their

2122
01:58:03.760 --> 01:58:08.239
<v Speaker 2>watch and peaking at the time during like dark scenes,

2123
01:58:08.479 --> 01:58:11.000
<v Speaker 2>you know, a horror movie is so goddamn annoying.

2124
01:58:11.880 --> 01:58:15.439
<v Speaker 3>Yeah, I mean it's the evolution of human attention, which

2125
01:58:15.479 --> 01:58:19.239
<v Speaker 3>has not helped any of this whatsoever. And so yeah,

2126
01:58:19.399 --> 01:58:21.920
<v Speaker 3>I've definitely seen my fair share of people just pull

2127
01:58:21.960 --> 01:58:24.119
<v Speaker 3>it up their phone. And I think I've seen only

2128
01:58:26.239 --> 01:58:28.880
<v Speaker 3>a movie theater employee like once or twice until somebody

2129
01:58:29.000 --> 01:58:32.399
<v Speaker 3>turn it off. But I have definitely every big movie

2130
01:58:32.479 --> 01:58:35.439
<v Speaker 3>I go to, there's somebody sitting there like just playing

2131
01:58:35.479 --> 01:58:39.399
<v Speaker 3>something on their phone. It's sort of the population we've become.

2132
01:58:39.720 --> 01:58:42.079
<v Speaker 3>They should just put a big thing on the theater

2133
01:58:42.159 --> 01:58:45.960
<v Speaker 3>to the screen that says if you pull up your phone,

2134
01:58:46.039 --> 01:58:48.880
<v Speaker 3>we will confiscate it or something like some scare tactic.

2135
01:58:49.199 --> 01:58:52.640
<v Speaker 3>I don't know. They probably can't so they can't liability.

2136
01:58:52.840 --> 01:58:55.560
<v Speaker 3>But you know, do some scare tactic and there will

2137
01:58:55.600 --> 01:58:58.239
<v Speaker 3>be at least you know, sixty percent of the audience

2138
01:58:58.239 --> 01:59:00.479
<v Speaker 3>they'll buy it. Even though if they can do.

2139
01:59:00.439 --> 01:59:02.439
<v Speaker 2>It, I mean, you have the right to refuse service.

2140
01:59:02.800 --> 01:59:04.399
<v Speaker 3>Yeah, exactly if.

2141
01:59:04.239 --> 01:59:05.920
<v Speaker 2>They're ruining it for other people, even if you got

2142
01:59:05.920 --> 01:59:09.079
<v Speaker 2>a refund them, get out, Like I'd rather have everybody

2143
01:59:09.119 --> 01:59:11.199
<v Speaker 2>else happy and have you out of the.

2144
01:59:11.199 --> 01:59:15.279
<v Speaker 3>Room exactly exactly. And that's I it needs to be

2145
01:59:15.319 --> 01:59:19.439
<v Speaker 3>the undivided attention. Again. I think that's a big chunk

2146
01:59:19.479 --> 01:59:19.760
<v Speaker 3>of it.

2147
01:59:20.199 --> 01:59:23.279
<v Speaker 2>Craig says, most people in LA a pretty good theater etiquette.

2148
01:59:23.279 --> 01:59:26.079
<v Speaker 2>That is very lucky. But similar says, block the cell

2149
01:59:26.119 --> 01:59:28.920
<v Speaker 2>signal from getting inside the theater. I mean that's a

2150
01:59:28.920 --> 01:59:30.439
<v Speaker 2>good start. Make them all afferretag.

2151
01:59:30.520 --> 01:59:31.000
<v Speaker 3>Yeah, but.

2152
01:59:33.079 --> 01:59:34.920
<v Speaker 2>That's probably not enough. People are still gonna check the

2153
01:59:34.960 --> 01:59:38.279
<v Speaker 2>time and shit, yeah, that light, that light is so blinding.

2154
01:59:38.319 --> 01:59:40.920
<v Speaker 2>If like somebody is driving at night and there's no

2155
01:59:41.079 --> 01:59:43.680
<v Speaker 2>lights on the screen, and suddenly somebody's like, oh, it's

2156
01:59:43.680 --> 01:59:45.319
<v Speaker 2>seven thirty four. I got it.

2157
01:59:45.960 --> 01:59:49.159
<v Speaker 3>People just don't care anymore. It's just in cell phone

2158
01:59:49.279 --> 01:59:51.520
<v Speaker 3>so ingrained in that. I mean, they say, I won't

2159
01:59:51.560 --> 01:59:53.640
<v Speaker 3>go on on tangent they're driving, but you know, people

2160
01:59:53.800 --> 01:59:56.520
<v Speaker 3>see daily layers just driving two miles an hour down

2161
01:59:56.520 --> 01:59:58.800
<v Speaker 3>the road because they're texting while they're It's the same thing.

2162
01:59:59.359 --> 02:00:02.600
<v Speaker 3>It's just it's just cell phones are so ingrained that

2163
02:00:02.640 --> 02:00:05.319
<v Speaker 3>it's it's gotta be just a hard stop.

2164
02:00:05.840 --> 02:00:09.640
<v Speaker 2>So I complete tangent. I guess I'm enraged by how

2165
02:00:09.680 --> 02:00:14.000
<v Speaker 2>many people I've seen watching TikTok while driving. What the hell?

2166
02:00:15.840 --> 02:00:19.960
<v Speaker 3>Yeah, I'm I'm definitely in the phase where one other

2167
02:00:20.159 --> 02:00:22.600
<v Speaker 3>random job I used to and we won't take a

2168
02:00:22.640 --> 02:00:25.000
<v Speaker 3>tangent on this whole thing, but I used to investigate

2169
02:00:25.000 --> 02:00:29.720
<v Speaker 3>automobile accidents. Awesome, So texting and driving is a big

2170
02:00:29.760 --> 02:00:32.680
<v Speaker 3>thing with me that I a. But yeah, I'm definitely

2171
02:00:32.680 --> 02:00:36.119
<v Speaker 3>in the mode now where I'm in the car pickup line,

2172
02:00:36.239 --> 02:00:38.560
<v Speaker 3>dropping off my kids, picking them up all the time.

2173
02:00:38.600 --> 02:00:40.600
<v Speaker 3>And I can't tell you how many people are just

2174
02:00:41.199 --> 02:00:44.399
<v Speaker 3>going slower than dirt because they're just texting and looking

2175
02:00:44.399 --> 02:00:46.640
<v Speaker 3>at it all that that's a mess. So yeah, we

2176
02:00:46.720 --> 02:00:48.159
<v Speaker 3>just need to get rid of cell phone and then

2177
02:00:48.239 --> 02:00:51.119
<v Speaker 3>the theater industry will be booming again. It's all cell

2178
02:00:51.159 --> 02:00:53.279
<v Speaker 3>phone's gone. Let's just go back to them. There's the

2179
02:00:53.359 --> 02:00:59.479
<v Speaker 3>cept phone, Motoro and Snake and yeah, yeah, none of it.

2180
02:01:00.359 --> 02:01:03.199
<v Speaker 2>Well, in two hours, in one of our shortest episodes,

2181
02:01:03.239 --> 02:01:05.279
<v Speaker 2>we have solved the theater experience. Just get rid of

2182
02:01:05.279 --> 02:01:08.479
<v Speaker 2>cell phones. Yeah, thanks, thanks for coming on, Blake. This

2183
02:01:08.479 --> 02:01:09.119
<v Speaker 2>has been Yeah.

2184
02:01:09.159 --> 02:01:11.279
<v Speaker 3>Absolutely, yeah, I'm glad to be in here.

2185
02:01:11.399 --> 02:01:15.640
<v Speaker 2>Have fun again shouting out some things for Blake. Everybody

2186
02:01:15.680 --> 02:01:18.000
<v Speaker 2>needs to pick up River. This is the first grave

2187
02:01:18.039 --> 02:01:21.319
<v Speaker 2>Face title that was released. Incredible art. If you've never

2188
02:01:21.399 --> 02:01:25.359
<v Speaker 2>looked close, the back of this release is gorgeous, Like

2189
02:01:25.439 --> 02:01:28.640
<v Speaker 2>both sides are great, but man, this is especially if

2190
02:01:28.680 --> 02:01:30.399
<v Speaker 2>you've seen the film. This is a really great picture.

2191
02:01:31.479 --> 02:01:34.439
<v Speaker 2>Incredible that you were on the first release. Other than that,

2192
02:01:34.520 --> 02:01:37.000
<v Speaker 2>go follow his letterboxed and then I've got some links

2193
02:01:37.000 --> 02:01:39.199
<v Speaker 2>for their podcasts and shows that he's been on in

2194
02:01:39.439 --> 02:01:43.840
<v Speaker 2>the description. Go go check out more Blake and if

2195
02:01:43.840 --> 02:01:46.720
<v Speaker 2>you want to read his opinion and have him respond,

2196
02:01:46.960 --> 02:01:48.520
<v Speaker 2>come join the discord. We'd love to have you.

2197
02:01:48.920 --> 02:01:50.960
<v Speaker 3>Yeah, yeah, definitely.

2198
02:01:51.720 --> 02:01:55.840
<v Speaker 2>All right, everybody, have a good night. Next Thursday's Halloween night.

2199
02:01:55.920 --> 02:01:57.279
<v Speaker 2>You know, we got to do something fun for that,

2200
02:01:57.359 --> 02:02:00.000
<v Speaker 2>so we will see you then. And in the meantime,

2201
02:02:00.039 --> 02:02:02.840
<v Speaker 2>I'm go go watch a movie and we'll see you

2202
02:02:02.920 --> 02:02:07.840
<v Speaker 2>the next one. Thank you for watching The Disconnected. On

2203
02:02:07.920 --> 02:02:09.760
<v Speaker 2>the way out, make sure that you are a subscribed

2204
02:02:09.800 --> 02:02:12.079
<v Speaker 2>to the channel, that you've liked the video, and that

2205
02:02:12.079 --> 02:02:13.720
<v Speaker 2>you've copied the link to be able to share with

2206
02:02:13.760 --> 02:02:17.399
<v Speaker 2>someone else that may appreciate this.

2207
02:02:18.640 --> 02:02:19.039
<v Speaker 3>Tell me.

2208
02:02:50.520 --> 02:02:54.560
<v Speaker 4>The audio commentary. It's a dying art form. But here

2209
02:02:54.600 --> 02:02:58.159
<v Speaker 4>at one track, mind, I you're wonky at Affable Host

2210
02:02:58.239 --> 02:03:02.079
<v Speaker 4>Brian Luis Rodriguez analyze film through the prism of these

2211
02:03:02.159 --> 02:03:08.640
<v Speaker 4>embryonic forms of podcasting, one audio commentary at a time. Masterpieces,

2212
02:03:08.800 --> 02:03:14.640
<v Speaker 4>crapster pieces, live action, animation, cult classics, films literally no

2213
02:03:14.680 --> 02:03:17.760
<v Speaker 4>one has ever heard of. No track is too small

2214
02:03:17.880 --> 02:03:20.840
<v Speaker 4>and no track is too big. Join me and my

2215
02:03:20.960 --> 02:03:24.319
<v Speaker 4>guests from the entertainment world as we keep these features

2216
02:03:24.359 --> 02:03:28.319
<v Speaker 4>alive every other Tuesday. Hey, who else is going to

2217
02:03:28.399 --> 02:03:31.760
<v Speaker 4>discuss Bill and Ted's Bogus Journey one week and Citizen

2218
02:03:31.840 --> 02:03:35.640
<v Speaker 4>Kane the next us? That's who sure you have to

2219
02:03:35.640 --> 02:03:38.239
<v Speaker 4>put up with my voice, but there's a certain give

2220
02:03:38.279 --> 02:03:41.560
<v Speaker 4>and take in this industry that's one track mind. Part

2221
02:03:41.600 --> 02:03:45.319
<v Speaker 4>of the Someone's Favorite Productions family and available wherever you

2222
02:03:45.399 --> 02:03:51.199
<v Speaker 4>get your podcasts.

2223
02:03:57.079 --> 02:03:59.840
<v Speaker 1>Thank you for listening to hear more shows from the

2224
02:04:00.000 --> 02:04:03.760
<v Speaker 1>Someone's Favorite Productions podcast network. Please select the link in

2225
02:04:03.800 --> 02:04:04.359
<v Speaker 1>the description.
