1 00:00:07,240 --> 00:00:11,880 Speaker 1: Commander, don't get supreme, Lida Maxill. 2 00:00:14,759 --> 00:00:17,920 Speaker 2: Good morning, everybody, welcome, here we go. We are diving 3 00:00:18,079 --> 00:00:21,519 right in to open the show. This morning, we have 4 00:00:22,120 --> 00:00:26,960 and WMNH exclusive the American radio premiere of the brand 5 00:00:27,039 --> 00:00:30,879 new Ryan Redwood track All the Way from the UK. 6 00:00:31,359 --> 00:00:33,520 This is really good. This is called Tomorrow. 7 00:00:33,679 --> 00:00:48,719 Speaker 3: Check this out, less escape the weever run away for 8 00:00:49,039 --> 00:01:00,399 the winter, prolongue, suffer and and delay, the exubstantial crisis. 9 00:00:58,840 --> 00:01:06,760 Speaker 4: Fun ourra belt are that old story itself? What will 10 00:01:06,799 --> 00:01:10,319 remain of us when there's nothing but. 11 00:01:13,000 --> 00:01:14,400 Speaker 5: Just get all? Say? 12 00:01:15,040 --> 00:01:17,519 Speaker 6: Why when it rays some. 13 00:01:20,200 --> 00:01:25,319 Speaker 7: There's nothing leave for you? Touphia when you fell so 14 00:01:25,719 --> 00:01:26,840 much before? 15 00:01:27,239 --> 00:01:27,920 Speaker 5: Lolas? 16 00:01:28,359 --> 00:01:29,640 Speaker 4: Why best races? 17 00:01:29,719 --> 00:01:31,719 Speaker 5: When some. 18 00:01:34,439 --> 00:01:36,359 Speaker 8: There's nothing lam for you? 19 00:01:36,760 --> 00:01:50,879 Speaker 9: Sufia, when it's since running away eight enough? 20 00:01:51,000 --> 00:01:58,000 Speaker 4: Where do we finally say? Shelter comedy and answer save 21 00:01:58,359 --> 00:02:05,200 won't save us? It's time the side said the chats 22 00:02:05,359 --> 00:02:12,000 is that we still, that's epos. Don't say oh it's you? 23 00:02:12,400 --> 00:02:13,080 Speaker 6: Is it true? 24 00:02:14,199 --> 00:02:14,840 Speaker 10: That's gay? 25 00:02:17,000 --> 00:02:18,479 Speaker 4: It's your doll side? 26 00:02:18,680 --> 00:02:22,199 Speaker 5: Oh wait, we d bow. 27 00:02:24,199 --> 00:02:30,280 Speaker 7: That's not fair that far you to field wedding fail songs, 28 00:02:30,400 --> 00:02:36,280 The Fall? Why's last? Why best Fast? Why that Chivato? 29 00:02:38,439 --> 00:02:42,719 That's not fair that far you to your feel wet 30 00:02:43,000 --> 00:03:01,039 sace J is that mean man? 31 00:03:01,199 --> 00:03:01,960 Speaker 5: S w to. 32 00:03:04,560 --> 00:03:05,520 Speaker 11: N sos to. 33 00:03:08,120 --> 00:03:09,080 Speaker 10: Nso wet to. 34 00:03:13,960 --> 00:03:17,400 Speaker 4: It's good. All fade a way when it ens. 35 00:03:26,400 --> 00:03:26,759 Speaker 7: Just good. 36 00:03:27,439 --> 00:03:31,560 Speaker 12: Say you know why weds. 37 00:03:33,560 --> 00:03:38,639 Speaker 2: That's nothing that far serious? Weds that so. 38 00:03:40,639 --> 00:03:43,360 Speaker 5: Past this last wedding. 39 00:03:47,759 --> 00:03:50,520 Speaker 10: That's not being that's far year serious. 40 00:03:52,319 --> 00:04:04,319 Speaker 2: So I love it. That is so good. That is 41 00:04:04,719 --> 00:04:08,039 Ryan Redwood, a great artist from the UK, and that 42 00:04:08,199 --> 00:04:11,520 is the American radio premiere of his brand new track Tomorrow, 43 00:04:12,719 --> 00:04:15,400 just coming out this week, I believe, and that is 44 00:04:15,520 --> 00:04:18,040 the first time you have heard that on an American 45 00:04:18,160 --> 00:04:20,959 radio station. So we're very happy to have that exclusive 46 00:04:21,720 --> 00:04:25,279 WMNH ninety five point three FM presenting the American radio 47 00:04:25,360 --> 00:04:29,480 premiere of Tomorrow right here on Matt Connorton Unleashed. Welcome everybody. 48 00:04:29,639 --> 00:04:31,759 Today is Saturday if you are listening to Live of 49 00:04:31,839 --> 00:04:36,240 course April five, two thy twenty five. We've got a 50 00:04:36,319 --> 00:04:38,720 great show ahead for the next few hours. Of course, 51 00:04:39,079 --> 00:04:41,360 coming up in just a few minutes. Harry fora Zacherley, 52 00:04:41,680 --> 00:04:44,319 another great artist from the UK. We did the American 53 00:04:44,439 --> 00:04:46,519 radio premiere of his newest track I Want to Go Home. 54 00:04:47,120 --> 00:04:48,519 Just a couple of weeks ago, so he's going to 55 00:04:48,519 --> 00:04:50,839 be skyping in to talk to us. Looking forward to that. 56 00:04:51,199 --> 00:04:54,839 In the second hour, we have awaiting Abigail Great band 57 00:04:54,920 --> 00:04:57,319 from Texas. They're going to be calling in in the 58 00:04:57,480 --> 00:04:59,920 first half of the second hour if you can follow that, 59 00:05:00,160 --> 00:05:02,160 and then in the second half of the second hour 60 00:05:02,759 --> 00:05:06,279 we will be joined by John Poussett Dart. John was 61 00:05:06,360 --> 00:05:08,199 with us about six months ago, but he's on tour 62 00:05:08,279 --> 00:05:09,800 again and he's going to be playing at the Rex 63 00:05:09,879 --> 00:05:12,600 Theater right here in Manchester, New Hampshire, so he's going 64 00:05:12,639 --> 00:05:15,000 to be calling in to join us as well. We 65 00:05:15,079 --> 00:05:18,160 had a really interesting conversation last time he was on 66 00:05:18,360 --> 00:05:20,279 and so looking forward to speaking with him again. Of course, 67 00:05:20,360 --> 00:05:25,240 John Poussett Dart is a legend and just a fantastic musician, 68 00:05:25,360 --> 00:05:28,160 but also really interesting to speak with, so looking forward 69 00:05:28,160 --> 00:05:30,199 to that having him back on the show. And then 70 00:05:30,279 --> 00:05:33,079 in the third hour, Justin Hunt will be here and 71 00:05:33,480 --> 00:05:35,560 he's got a very interesting story to tell as well, 72 00:05:35,639 --> 00:05:38,519 So we've got a big show planned ahead for you. Also, 73 00:05:38,600 --> 00:05:40,319 I want to mention, and I did make mention of 74 00:05:40,360 --> 00:05:44,240 this on social media, but this week eight years the 75 00:05:44,360 --> 00:05:49,240 eight year anniversary of Matt Connorton unleashed here on WMNH 76 00:05:49,680 --> 00:05:53,160 ninety five point three FM, right here in Manchester, and 77 00:05:54,240 --> 00:05:56,720 so as always, so very honored and privileged to have 78 00:05:56,800 --> 00:05:59,399 the opportunity to do the show here eight years. I'll 79 00:05:59,439 --> 00:06:01,000 tell you what go on in the blink of an eye, 80 00:06:01,279 --> 00:06:03,120 and of course all the all the support that we 81 00:06:03,199 --> 00:06:05,720 get for the show. Jenny, of course a big part 82 00:06:05,759 --> 00:06:07,279 of the show. She's not here with me this week. 83 00:06:07,600 --> 00:06:10,360 She is otherwise occupied, although I know she's listening. I 84 00:06:10,439 --> 00:06:12,720 see her in the chat room. But of course the 85 00:06:12,759 --> 00:06:17,120 past eight years not possible without Jenny, her love and 86 00:06:17,199 --> 00:06:19,160 support as always, and you know she does all the 87 00:06:19,160 --> 00:06:21,000 booking for the show too. She books all the guests 88 00:06:21,040 --> 00:06:24,240 and she's very organized and professional, so we really we 89 00:06:24,360 --> 00:06:28,279 depend on that. So so always wonderful to have Jenny here. 90 00:06:28,319 --> 00:06:30,319 I'm sure she'll be back next week. But she's a 91 00:06:30,879 --> 00:06:34,160 very big part of the show also, of course everybody 92 00:06:34,199 --> 00:06:35,959 here at WM and H. You know, I was texting 93 00:06:36,000 --> 00:06:38,959 earlier with Peter White, who not only is he the 94 00:06:39,399 --> 00:06:41,639 morning show host here and has been for I think, 95 00:06:41,759 --> 00:06:43,720 I think for Peter it's been nine years now here. 96 00:06:44,680 --> 00:06:48,000 Recently he celebrated his nine year anniversary at wm and AH. 97 00:06:48,040 --> 00:06:50,959 She's also the program director here, so he's a very 98 00:06:51,000 --> 00:06:54,959 important part of what keeps this whole thing going and 99 00:06:55,560 --> 00:06:57,839 so you know we rely on him very much. So 100 00:06:58,279 --> 00:07:00,839 thank you, of course to Peter White, you know, and everybody, 101 00:07:00,920 --> 00:07:03,439 all the other hosts here. Of course poly Ce from 102 00:07:03,480 --> 00:07:06,360 Retrospectrum Radio with Polyc. I'm also his co host on 103 00:07:06,439 --> 00:07:09,199 that show, and I love getting to do that on 104 00:07:09,319 --> 00:07:11,600 Friday nights, and everybody here. I almost don't want to 105 00:07:11,600 --> 00:07:14,000 mention everybody because I'm afraid I'll forget somebody. But you know, 106 00:07:14,040 --> 00:07:16,319 you've got Kyle Heavy from Off the Mark Sports, Rob 107 00:07:16,360 --> 00:07:19,759 has a Veto from Granted State of Mind, Rob die 108 00:07:19,879 --> 00:07:24,240 on from Through the Stage Door, and there's other newer programming. 109 00:07:24,399 --> 00:07:26,519 There's some newer things here too that hosts that I 110 00:07:26,560 --> 00:07:28,879 haven't even had a chance to meet yet. So you know, 111 00:07:28,959 --> 00:07:31,639 things continue to grow here at WMNH. It's so wonderful 112 00:07:31,639 --> 00:07:34,839 to be a part of this amazing station, WMNH at 113 00:07:34,959 --> 00:07:37,480 ninety five point three FM. If you are local in Manchester, 114 00:07:37,600 --> 00:07:40,000 and of course you can stream from anywhere in the world, 115 00:07:40,120 --> 00:07:43,519 go to wm Andhradio dot orgon click listen live and 116 00:07:43,600 --> 00:07:45,680 you can get the station anywhere. You know, we do 117 00:07:45,759 --> 00:07:47,560 have a lot of people. You know, we're We're not 118 00:07:47,720 --> 00:07:50,160 just local. I mean, you know, nothing is anymore because 119 00:07:50,199 --> 00:07:53,920 everything's available online, right, so everything is global in a sense, right, 120 00:07:54,000 --> 00:07:56,120 and we do we this station has a lot of 121 00:07:56,720 --> 00:07:59,079 dedicated listeners from other parts of the country and even 122 00:07:59,120 --> 00:08:00,959 other parts of the world. It's really amazing what we've 123 00:08:00,959 --> 00:08:03,800 built here, and of course the management here. Some people 124 00:08:03,839 --> 00:08:06,040 don't like having their names mentioned, but of course you 125 00:08:06,120 --> 00:08:10,920 know everyone here who makes WM and H possible here 126 00:08:11,120 --> 00:08:14,920 in Manchester, everybody behind the scenes, you know who you are. 127 00:08:15,399 --> 00:08:17,720 And I do love and appreciate you all, I really do. 128 00:08:17,920 --> 00:08:19,920 So it's so great to be a part of this 129 00:08:20,000 --> 00:08:21,800 and to be able to do this here, to be 130 00:08:21,879 --> 00:08:23,399 able to do this show here and the other things 131 00:08:23,439 --> 00:08:27,160 I'm involved into, really really great. So I don't mean 132 00:08:27,199 --> 00:08:30,160 to get sappy and sentimental. It's really not my nature 133 00:08:30,279 --> 00:08:33,600 to do that, at least not outwardly, but I do 134 00:08:33,720 --> 00:08:36,080 want everyone to know how much I appreciate them. And 135 00:08:36,679 --> 00:08:38,240 if you are in any way a part of this, 136 00:08:38,399 --> 00:08:40,879 or even if you're not a part of making what 137 00:08:41,000 --> 00:08:43,639 we do here, but you're a loyal listener, or even 138 00:08:43,639 --> 00:08:45,320 if you're not a loyal listener, even if you're just 139 00:08:45,399 --> 00:08:48,360 an occasional listener, if you pay us even the slightest 140 00:08:48,399 --> 00:08:51,279 bit of attention, I appreciate you. And even the haters. 141 00:08:51,440 --> 00:08:53,679 I only know of one really active hater that we have, 142 00:08:53,919 --> 00:08:56,360 but I have an appreciate it. Why not, I'm feeling generous. 143 00:08:56,399 --> 00:09:00,559 I have an appreciate that guy. So here's what we're 144 00:09:00,559 --> 00:09:02,240 gonna do. So in a couple of minutes, we're going 145 00:09:02,279 --> 00:09:05,159 to play the uh, the Harry phazackerly single again. I 146 00:09:05,240 --> 00:09:06,879 want to go home, and by that point we should 147 00:09:06,879 --> 00:09:08,759 have him on with us via Skype. Looking forward to 148 00:09:08,759 --> 00:09:12,240 speaking with him. But I've got a little something uh special. 149 00:09:12,440 --> 00:09:15,080 And if you have been following the show recently, if 150 00:09:15,080 --> 00:09:17,120 you are a regular listener, you'll be able to figure 151 00:09:17,159 --> 00:09:19,639 out where this came from. But pay attention to the lyrics. 152 00:09:20,200 --> 00:09:22,919 Pay close attention to the lyrics on this, and then 153 00:09:22,960 --> 00:09:25,440 we'll go from this right to the Harry Phazacrile single, 154 00:09:25,480 --> 00:09:29,279 and then we'll talk with Harry. But uh again, pay 155 00:09:29,320 --> 00:09:30,919 attention to the lyrics, and keep in mind we are 156 00:09:31,000 --> 00:09:32,879 celebrating eight years here at WM. 157 00:09:32,639 --> 00:09:54,000 Speaker 10: And hring the Cash Voice. 158 00:09:54,039 --> 00:10:00,960 Speaker 13: If we do not tailing home, follow the three first 159 00:10:01,080 --> 00:10:05,080 dollar brain match that's on the host began one ninety. 160 00:10:04,840 --> 00:10:07,320 Speaker 2: Five four three Rise at night. 161 00:10:07,799 --> 00:10:09,840 Speaker 14: You may steal the. 162 00:10:13,799 --> 00:10:14,960 Speaker 15: Years of fury. 163 00:10:15,639 --> 00:10:22,639 Speaker 12: Listen a life, crossing the silence the same sum way 164 00:10:23,200 --> 00:10:26,440 away free, don't the skive. 165 00:10:26,559 --> 00:10:32,039 Speaker 14: Forever LEAs le time so the class. 166 00:10:31,679 --> 00:10:35,159 Speaker 12: State myself tom in fine limits answers it. 167 00:10:35,200 --> 00:10:37,159 Speaker 13: All, pushing bloweries. 168 00:10:36,720 --> 00:10:37,600 Speaker 10: I'm posing song. 169 00:10:37,759 --> 00:10:39,960 Speaker 2: I'm stuff of a pause for an on ba. 170 00:10:40,559 --> 00:10:44,679 Speaker 16: Do last three three myself fine limits answers it. 171 00:10:44,720 --> 00:10:48,679 Speaker 10: All pushing blow reason, I pushing song, I stuff of course. 172 00:10:53,759 --> 00:10:59,879 Speaker 14: Say years of Philly listen to life classing the silence 173 00:11:00,240 --> 00:11:09,919 the same, no survise way always. We dominate the sky forever, lasallever. 174 00:11:09,519 --> 00:11:36,240 Speaker 16: Time eight years a legacy coffin stove everywhere at old 175 00:11:36,320 --> 00:11:40,080 see if we've sold, no retreat standing abound, bringing the 176 00:11:40,240 --> 00:11:41,840 tracy on lay south. 177 00:11:43,159 --> 00:11:45,639 Speaker 2: Eight years of Philly Ley. 178 00:11:45,639 --> 00:11:49,960 Speaker 12: Stand alive, blessing the silence. 179 00:11:49,559 --> 00:11:53,519 Speaker 2: The same, nor survise ray life. 180 00:11:53,720 --> 00:11:56,919 Speaker 12: We dominate the sky forever. 181 00:11:57,679 --> 00:11:58,639 Speaker 15: RASO never. 182 00:12:00,200 --> 00:12:21,840 Speaker 17: Die at least and alive crossing the silence. The signal 183 00:12:22,000 --> 00:12:29,840 survives radio waves. We dominate the sky forever, unleast. 184 00:12:29,399 --> 00:12:32,600 Speaker 18: Will never die die. 185 00:13:10,639 --> 00:13:12,039 Speaker 19: I'm welcome down the park. 186 00:13:12,480 --> 00:13:13,480 Speaker 2: Hold in your heart. 187 00:13:14,399 --> 00:13:18,480 Speaker 20: I'm welcoming into the future seeing this last but now 188 00:13:18,559 --> 00:13:23,200 I'm welcome back seeing old false graphs, reminess about the 189 00:13:23,360 --> 00:13:32,960 pasty joy only die soon, your holy die. That's so 190 00:13:33,360 --> 00:13:38,200 I want to go home, Fucky, Welcome and shore. 191 00:13:40,480 --> 00:13:41,759 Speaker 21: Now I'm find to be. 192 00:13:43,919 --> 00:13:43,960 Speaker 22: That. 193 00:13:44,200 --> 00:14:03,559 Speaker 2: I'm going by your level and now I'm starting me 194 00:14:04,240 --> 00:14:07,600 seeing you leave. Now I'm all the money, you know. 195 00:14:08,159 --> 00:14:11,399 Speaker 20: But she meets him me and laughing, Michael John up 196 00:14:11,559 --> 00:14:15,120 shop in the chair. Now, mister all of the things 197 00:14:15,200 --> 00:14:16,799 she said by you, mister w. 198 00:14:19,000 --> 00:14:20,600 Speaker 16: I you stood over there. 199 00:14:23,399 --> 00:14:29,399 Speaker 19: He I feel my comfort. 200 00:14:32,159 --> 00:14:33,960 Speaker 20: Then I want to find a place. 201 00:14:35,639 --> 00:14:37,360 Speaker 21: That I have to come out your. 202 00:14:54,080 --> 00:14:58,919 Speaker 22: Go I feel my comfort. 203 00:15:01,759 --> 00:15:03,200 Speaker 19: Hello on the beach. 204 00:15:05,879 --> 00:15:44,799 Speaker 2: Comm hm, that is I want to go home. That 205 00:15:44,960 --> 00:15:47,679 is Harry Fayzakerley all the way from the UK, looking 206 00:15:47,679 --> 00:15:49,320 forward to talking with him. We're having a little bit 207 00:15:49,360 --> 00:15:49,720 of trouble. 208 00:15:49,840 --> 00:15:49,960 Speaker 7: Uh. 209 00:15:50,320 --> 00:15:56,519 Speaker 2: You know sometimes with Skype uh these international uh intercontinental calls, 210 00:15:56,559 --> 00:15:59,679 if you will, uh don't always pan out. So there 211 00:15:59,679 --> 00:16:02,519 there my be a technical issue. So Jenny's working on 212 00:16:02,799 --> 00:16:04,159 seeing if we can get him on with us. But 213 00:16:04,840 --> 00:16:07,240 what we'll do is he's got another track, and this 214 00:16:07,399 --> 00:16:12,759 is very appropriate. This is called Patience, so and no 215 00:16:12,879 --> 00:16:14,600 it's not a cover of the Guns and Roses song. 216 00:16:14,840 --> 00:16:16,759 But let's give this a listen to and we'll see 217 00:16:16,759 --> 00:16:18,919 if we can get Harry on skype or maybe he 218 00:16:18,960 --> 00:16:21,679 can call in if he's having a technical problem. But 219 00:16:21,879 --> 00:16:24,080 this does happen. But we'll give this a spin too. 220 00:16:24,159 --> 00:16:28,799 This is another great track. This is Patience from Harry phazackerly. 221 00:16:57,840 --> 00:17:00,919 Speaker 21: Because it's a little sound mascot a lot. 222 00:17:01,039 --> 00:17:01,559 Speaker 22: It's long. 223 00:17:01,799 --> 00:17:06,279 Speaker 19: She was yoursis so well last time thinking up the 224 00:17:06,359 --> 00:17:09,039 next those pants begging through the end of my phone, 225 00:17:10,599 --> 00:17:12,759 make them up the course share with a fear, so 226 00:17:12,880 --> 00:17:13,480 we left them in. 227 00:17:13,519 --> 00:17:14,039 Speaker 12: The out. 228 00:17:15,960 --> 00:17:18,279 Speaker 20: The sos ap pears and a song one that there 229 00:17:18,400 --> 00:17:20,319 the matter of the constam. 230 00:17:20,000 --> 00:17:23,319 Speaker 21: To the conflicts a pears and a song there. 231 00:17:23,440 --> 00:17:26,720 Speaker 20: Matter the costa of bars of the conflicts of pears 232 00:17:26,799 --> 00:17:27,759 and a song all b. 233 00:17:27,920 --> 00:17:31,599 Speaker 21: There master the constant bar to the conflict. So it's appears, 234 00:17:31,640 --> 00:17:34,759 and a song one out there under the constant to 235 00:17:34,839 --> 00:17:53,160 the conflict. Is it to night, beloose to say ow 236 00:17:53,200 --> 00:17:55,400 goodbye for mascot the lasts more. 237 00:17:55,640 --> 00:18:00,119 Speaker 19: She was your's eyes, so all last time thinking the 238 00:18:00,240 --> 00:18:04,680 nat of stairs, stay in through the end of le phone, let. 239 00:18:04,720 --> 00:18:07,319 Speaker 21: Him up the door chair of mere so we left them. 240 00:18:07,319 --> 00:18:12,200 Speaker 12: Always a pace of one out there. 241 00:18:12,319 --> 00:18:14,599 Speaker 10: But what of the cost of a bar to the company? 242 00:18:14,920 --> 00:18:17,640 Speaker 21: Always a pace and a song one out there unto 243 00:18:17,720 --> 00:18:20,720 the constant bad to the company, the pace of. 244 00:18:20,799 --> 00:18:23,640 Speaker 2: A s one out there, come out of the constant bar. 245 00:18:23,759 --> 00:18:27,440 Speaker 21: To the conflict, Always a pace some sum one out there. Master, 246 00:18:27,519 --> 00:18:54,279 the cost of a bar to the conflict, says sat 247 00:18:54,319 --> 00:19:09,240 at the bar. It's a lets shut the. 248 00:19:27,000 --> 00:19:29,319 Speaker 22: Ah steps like a way free compos is a nice 249 00:19:29,319 --> 00:19:31,480 bucking up of legend to me through their ways route. 250 00:19:31,519 --> 00:19:33,920 Speaker 2: We call it the song levels. After a legend is 251 00:19:33,920 --> 00:19:35,279 born from the sad question. 252 00:19:35,359 --> 00:19:37,119 Speaker 22: Flashes are true and we used to fire up up 253 00:19:37,119 --> 00:19:38,519 from Nan for you don't say so. 254 00:19:38,599 --> 00:19:40,200 Speaker 23: Sound is the way the contained scaring. 255 00:19:40,319 --> 00:19:40,839 Speaker 17: The movie cuts. 256 00:19:41,039 --> 00:19:41,480 Speaker 7: You're the d. 257 00:19:43,640 --> 00:19:45,240 Speaker 2: He's getting songs apen to the sky. 258 00:19:45,480 --> 00:19:46,799 Speaker 12: Sorry to tell you a lot of feelings. 259 00:19:47,359 --> 00:19:49,599 Speaker 14: That concer at least bringing a wall seven you have 260 00:19:49,799 --> 00:19:53,960 lemon stand it's all for me all. It's a little 261 00:19:54,440 --> 00:19:58,880 through long ice, black face, stand up fight, shoot, light 262 00:19:59,000 --> 00:20:00,400 shot the dance lad fight. 263 00:20:02,000 --> 00:20:04,119 Speaker 22: Sur rember. It's just a voice sun up for red. 264 00:20:05,720 --> 00:20:09,240 Speaker 1: Five in the years, whatever word for you play from 265 00:20:09,279 --> 00:20:10,240 the standing. 266 00:20:09,920 --> 00:20:12,480 Speaker 2: Cries and frustrat It's so true, it's so true. And 267 00:20:13,119 --> 00:20:15,480 leased the fire your film on made a field. 268 00:20:16,160 --> 00:20:19,920 Speaker 1: No chase, no silence, no lay, truck, cat saty, scary, 269 00:20:20,480 --> 00:20:22,720 scaring rook huts, sticking the rain. 270 00:20:24,920 --> 00:20:27,720 Speaker 2: Through it all from stat clas and pash. It so true, 271 00:20:27,839 --> 00:20:29,319 unlease the fire You're thing for me and for you, 272 00:20:29,559 --> 00:20:31,119 No change, no sound is the way you can. 273 00:20:31,119 --> 00:20:34,480 Speaker 17: Say you spearing a rookie, cut straight through the rays, finish. 274 00:20:34,400 --> 00:20:36,559 Speaker 14: Sawing through the sky, turn the tile out, feeling and 275 00:20:36,640 --> 00:20:39,119 flying Matt, consider the least stringing all the wall si 276 00:20:39,319 --> 00:20:39,480 you in. 277 00:20:39,640 --> 00:20:40,599 Speaker 18: Then they stand it's all. 278 00:20:40,559 --> 00:20:48,759 Speaker 2: For real's long night. 279 00:20:48,960 --> 00:20:52,559 Speaker 1: By Jason said, not fight, So turn the tile a 280 00:20:52,599 --> 00:20:56,039 lot of feet to it and fly in Matt Johnson, 281 00:20:56,240 --> 00:20:57,799 I'm released picking no wall so when you. 282 00:20:57,839 --> 00:20:58,240 Speaker 12: Were a friend. 283 00:20:58,319 --> 00:21:01,480 Speaker 17: Next day he's off through we all from the static 284 00:21:01,680 --> 00:21:02,000 rise up. 285 00:21:02,039 --> 00:21:04,079 Speaker 10: Gosh, it's so true, so true. 286 00:21:04,599 --> 00:21:08,279 Speaker 14: At least the fire yourself on me of you, no shase, 287 00:21:08,400 --> 00:21:13,759 no sellars, no way, trucks, staring, speeal, Luchey shots free 288 00:21:13,799 --> 00:21:14,480 to Doway. 289 00:21:15,480 --> 00:21:20,839 Speaker 17: Do it all, through it, all the middle, for all, 290 00:21:23,079 --> 00:21:23,799 for Liddle. 291 00:21:24,000 --> 00:21:42,039 Speaker 15: For Riddle, eight years strong. We're on the air, tuneing 292 00:21:42,160 --> 00:21:43,599 in the voice is everywhere. 293 00:21:43,960 --> 00:21:47,480 Speaker 22: WM and H keeps the five alive. Matt Counterton the 294 00:21:47,599 --> 00:21:48,680 reason we thrive. 295 00:21:49,200 --> 00:21:53,799 Speaker 1: Eight eight years We've been unleashed radio waves, breaking up peace, 296 00:21:54,400 --> 00:21:57,160 turn out, let us stun ignight when ninety five doing 297 00:21:57,279 --> 00:21:58,640 three is taking flight. 298 00:21:59,119 --> 00:22:00,880 Speaker 24: Mike's been hot since day one. 299 00:22:01,680 --> 00:22:06,160 Speaker 1: Every show another run Topic Shark, keeping it real. 300 00:22:06,480 --> 00:22:08,000 Speaker 2: You know Matt's bringing the deal. 301 00:22:09,119 --> 00:22:14,079 Speaker 15: Celebrate the gude, to hide the crime, unleash you truth, no, rewind. 302 00:22:13,839 --> 00:22:15,599 Speaker 2: Every cell, aball everything. 303 00:22:16,359 --> 00:22:17,240 Speaker 10: Eight full years. 304 00:22:17,319 --> 00:22:19,039 Speaker 23: That's selek the. 305 00:22:19,160 --> 00:22:23,759 Speaker 22: Listeners rise, the passion grows from Manchester Knights to global flows. 306 00:22:24,119 --> 00:22:27,960 Matt's the captain leading clear through the speakers for every year. 307 00:22:29,200 --> 00:22:33,799 Speaker 1: Eight eight years, we've been unleashed radio waves, breaking up peace, 308 00:22:34,400 --> 00:22:37,480 turn it out, let us down, Big Night, when three 309 00:22:37,640 --> 00:22:38,599 is taking in flight. 310 00:22:58,519 --> 00:23:00,319 Speaker 22: Mike's been hot since day one. 311 00:23:00,720 --> 00:23:04,920 Speaker 12: Every show another run, another run, Top of Sharks, Keeping 312 00:23:04,960 --> 00:23:05,319 it real. 313 00:23:05,680 --> 00:23:07,400 Speaker 24: You know Matt's bringing in the deal. 314 00:23:09,160 --> 00:23:10,880 Speaker 8: Mike's been hot since day one. 315 00:23:11,680 --> 00:23:15,319 Speaker 22: Every show, another run, Top of Shot, keep it real. 316 00:23:15,559 --> 00:23:17,400 Speaker 24: You know Matt's bringing in the deal. 317 00:23:29,160 --> 00:23:31,759 Speaker 15: Eight years strong, We're run the air, dun and in 318 00:23:32,519 --> 00:23:33,599 voices everywhere. 319 00:23:34,240 --> 00:23:37,559 Speaker 22: W M n H keeps the vibe alive. Matt Conterton, 320 00:23:37,759 --> 00:23:40,440 the reason we fry eight years. 321 00:23:40,279 --> 00:23:44,920 Speaker 1: We've been a leashed radio waves breaking the piece, turn out, 322 00:23:45,039 --> 00:23:45,599 let us down. 323 00:23:45,720 --> 00:24:01,640 Speaker 2: Ignite three is taking flight. This is eleanor Likedorn from 324 00:24:01,720 --> 00:24:04,119 vices In and we're listening to Matt Connorton unleashed on 325 00:24:04,200 --> 00:24:06,200 ninety five point three w M n H. 326 00:24:35,119 --> 00:24:39,440 Speaker 5: When I was a boy, Oh, I think god ow 327 00:24:39,759 --> 00:24:44,039 this one big doing that I was. When I was 328 00:24:44,160 --> 00:24:49,039 a kid, I got my face up there not toilets 329 00:24:49,400 --> 00:24:50,359 with the geese. 330 00:24:50,960 --> 00:24:51,240 Speaker 15: Damn. 331 00:24:51,799 --> 00:24:57,559 Speaker 5: I wasn't always a stool, but when I was, I 332 00:24:57,920 --> 00:25:02,680 was a jump get it always look at. 333 00:25:02,599 --> 00:25:07,279 Speaker 4: Some I used to have pimble filled man bus. 334 00:25:09,319 --> 00:25:14,160 Speaker 5: I remember roll the bad Times and picks member Bob. 335 00:25:16,680 --> 00:25:21,400 Speaker 10: It feels like someone that's shopping their sad fun all 336 00:25:21,519 --> 00:25:22,640 of my bar. 337 00:25:25,119 --> 00:25:25,400 Speaker 21: Ride. 338 00:25:26,000 --> 00:25:29,799 Speaker 5: Don't your nest side go where no scene down? 339 00:25:30,119 --> 00:25:33,480 Speaker 10: Bob me roll the live I ride? 340 00:25:34,160 --> 00:25:37,960 Speaker 5: Do you miss side go where no scene down? 341 00:25:38,039 --> 00:25:40,799 Speaker 10: A Boby roll up live. 342 00:25:48,200 --> 00:26:01,000 Speaker 5: Yeah. When I was in school did make good grapes. 343 00:26:01,200 --> 00:26:05,319 I was, yes, still being numb fool. When I was 344 00:26:05,400 --> 00:26:06,200 still young. 345 00:26:07,519 --> 00:26:10,599 Speaker 23: All I cared about proud Wis girls. 346 00:26:10,279 --> 00:26:12,599 Speaker 5: But they didn't like my temples. 347 00:26:13,039 --> 00:26:13,960 Speaker 13: I used to be. 348 00:26:14,240 --> 00:26:19,759 Speaker 5: Sun just a wo refore day as nine crying on 349 00:26:19,960 --> 00:26:23,799 the floor. They used to wear your fans read me 350 00:26:24,039 --> 00:26:28,519 of my milk money taking. When I was growing up, 351 00:26:30,640 --> 00:26:35,440 I remember all the van times and taking them alarm. 352 00:26:38,079 --> 00:26:42,039 It feels like someone is shoving the same like. 353 00:26:42,400 --> 00:26:43,839 Speaker 20: As of my heart. 354 00:26:45,720 --> 00:26:50,960 Speaker 2: I ride down your nest side go with no sink. 355 00:26:50,960 --> 00:26:52,960 Speaker 7: Down, nabomb you all alive. 356 00:26:53,839 --> 00:26:59,279 Speaker 5: I ride done mass side go wi no se down, 357 00:26:59,400 --> 00:27:19,319 no bob be o up live. You know when I 358 00:27:19,559 --> 00:27:22,720 was a boy, my father used to look down at 359 00:27:22,839 --> 00:27:25,839 me insane. What the hell is even? 360 00:27:25,960 --> 00:27:28,000 Speaker 8: Then go outside and. 361 00:27:28,079 --> 00:27:29,200 Speaker 5: Cut some grass. 362 00:27:30,000 --> 00:27:31,440 Speaker 17: Why don't you go kids a girl? 363 00:27:31,519 --> 00:27:32,720 Speaker 19: You stupid loser? 364 00:28:07,799 --> 00:28:19,519 Speaker 5: Why I call no c whys I go way no 365 00:28:19,880 --> 00:28:23,519 SND live. 366 00:28:47,880 --> 00:28:50,799 Speaker 2: Welcome everybody. This is Matt Connorton Unleashed and we are 367 00:28:50,920 --> 00:28:54,400 live from the studios of w m n H ninety 368 00:28:54,400 --> 00:28:58,480 five point three f M Inglorious, Manchester, New Hampshire. Of course, 369 00:28:58,519 --> 00:29:00,519 you can also stream the show from anywhere to my 370 00:29:00,640 --> 00:29:03,839 website Matt connorton dot com slash live for all of 371 00:29:03,880 --> 00:29:07,680 your live streaming options, and you can chat with us. 372 00:29:07,759 --> 00:29:09,880 You can message us right through the website. Of course, 373 00:29:09,960 --> 00:29:13,920 you can chime in in the various chat rooms. Let's 374 00:29:13,960 --> 00:29:15,880 see here. We'll say hi to a couple of people 375 00:29:15,920 --> 00:29:18,680 too if you are just joining us. One of the things, 376 00:29:18,720 --> 00:29:20,319 you know, we've got some great guests coming. It didn't 377 00:29:20,359 --> 00:29:22,839 work out with our guests for this hour unfortunately, I 378 00:29:22,880 --> 00:29:26,400 guess tech issues, but that is the way it goes. 379 00:29:26,720 --> 00:29:30,799 Like I said, sometimes these intercontinental skype calls don't always 380 00:29:30,920 --> 00:29:33,720 work out. But so we've got some great guests coming 381 00:29:33,799 --> 00:29:34,920 up though in the show. At the top of the 382 00:29:34,960 --> 00:29:38,279 hour we have awaiting Abigail, a great band from Texas 383 00:29:38,319 --> 00:29:40,640 who I'm looking forward to talking to in the first 384 00:29:40,720 --> 00:29:42,759 half of the second hour, if you can follow that, 385 00:29:42,880 --> 00:29:45,119 and then in the second half of the second hour, 386 00:29:45,880 --> 00:29:48,200 we're joined by John Poussett Dart who's going to be 387 00:29:48,240 --> 00:29:50,799 calling in. Of course, he is a legend and he 388 00:29:50,880 --> 00:29:54,759 played in Manchester, I believe at the Rex Theater about 389 00:29:55,240 --> 00:29:57,799 six months ago and he was on with us. He 390 00:29:57,920 --> 00:29:59,640 called in to talk with us and we had a 391 00:29:59,720 --> 00:30:02,920 really interesting conversation. I loved talking with him, and of 392 00:30:03,000 --> 00:30:06,359 course we talked about his music and how his music 393 00:30:06,640 --> 00:30:09,119 career has changed and evolved over the years and adapting 394 00:30:09,240 --> 00:30:12,720 to the current music industry, which is very different from 395 00:30:12,759 --> 00:30:15,079 when he started it out in the nineteen seventies with 396 00:30:15,119 --> 00:30:17,160 the Poussett Dart Band. But and of course we talked 397 00:30:17,160 --> 00:30:19,079 about his show coming up at the Rex Theater. Well, 398 00:30:19,079 --> 00:30:21,319 he's going to be calling in again today because he's 399 00:30:21,359 --> 00:30:24,200 got another show. He's coming back to the Rex Theater 400 00:30:24,359 --> 00:30:26,680 and we're going to talk about that and get caught 401 00:30:26,759 --> 00:30:28,079 up with him. So we really looking forward to that. 402 00:30:28,200 --> 00:30:30,640 And then in the third hour, Justin Hunt is going 403 00:30:30,680 --> 00:30:32,319 to be here with us in studio. So we have 404 00:30:32,359 --> 00:30:35,960 a lot planned for today, and we are celebrating eight 405 00:30:36,119 --> 00:30:40,039 years of Matt Connorton unleashed here at WM and H 406 00:30:40,279 --> 00:30:42,559 ninety five point three FM. And already I won't get 407 00:30:42,599 --> 00:30:45,240 all sappy and sentimental about it again like I did 408 00:30:45,599 --> 00:30:47,160 at the top of the show. We're close to the 409 00:30:47,200 --> 00:30:49,039 top of the show. But because we also had the 410 00:30:49,039 --> 00:30:52,000 American radio premiere of a new track from another UK artist, 411 00:30:52,079 --> 00:30:53,759 and we will do that again too, if you missed it, 412 00:30:54,000 --> 00:30:55,880 we'll do that again in a little bit. We'll try 413 00:30:55,920 --> 00:30:58,400 to do that every hour of our show if you 414 00:30:58,440 --> 00:31:04,079 are listening live on Saturday. More earning. But but yeah, 415 00:31:04,200 --> 00:31:06,400 eight years here at WM and H, so we're kind 416 00:31:06,400 --> 00:31:10,599 of celebrating that as well, so let's see and today. 417 00:31:10,640 --> 00:31:13,079 By the way, if you are listening live, or if 418 00:31:13,079 --> 00:31:16,640 you're not listening live and you're wondering where when this occurred, 419 00:31:17,279 --> 00:31:19,000 it is because I don't think I remember to give 420 00:31:19,039 --> 00:31:22,480 the date. It is April five, twenty twenty five. But 421 00:31:22,559 --> 00:31:24,319 I do want to say hello to some people in 422 00:31:24,440 --> 00:31:27,720 the chat rooms we have. I say rooms plural, because 423 00:31:27,799 --> 00:31:30,119 we now we stream the show to Facebook and to 424 00:31:30,240 --> 00:31:34,039 YouTube and to LinkedIn even Let's see Texas Mike, who 425 00:31:34,119 --> 00:31:37,240 had the pleasure of seeing last night on Retrospectrum Radio 426 00:31:37,319 --> 00:31:39,640 with poly Cee. He joined us on that show. He's 427 00:31:39,680 --> 00:31:41,119 in the chat room, he says, I love being a 428 00:31:41,160 --> 00:31:43,480 part of your show, Matt. Thank you very much, Texas Mike. 429 00:31:44,359 --> 00:31:47,279 Give us a yeeha wherever you are and perhaps well 430 00:31:47,440 --> 00:31:49,640 perhaps we'll be able to hear it here. Jenny, of course, 431 00:31:49,759 --> 00:31:52,279 is in the chat room as always. She's either in 432 00:31:52,359 --> 00:31:54,160 the chat or here with me in studio. She'll be 433 00:31:54,240 --> 00:31:56,400 back next week, I'm sure, but she says, thank you 434 00:31:56,480 --> 00:31:58,880 for the kind words. Congrats on eight years. So proud 435 00:31:58,880 --> 00:32:02,079 of you. Thank you very much. DJ Steve, who hosts 436 00:32:02,119 --> 00:32:04,559 the show here at WMNH. I believe every other Thursday, 437 00:32:05,039 --> 00:32:07,920 says good morning, Matt, congratulations, keep it rocking. Thank you 438 00:32:08,079 --> 00:32:12,720 very much. Andre Dumont of course from well, from various places, 439 00:32:12,759 --> 00:32:16,160 of course, the great band Dead Harrison. He's also of 440 00:32:16,240 --> 00:32:20,640 course from Terminus Underground and New Hampshire Underground. Are wonderful friends. 441 00:32:20,720 --> 00:32:24,119 Andrea and Eleanor in Nashua, New Hampshire. We love them. 442 00:32:24,680 --> 00:32:28,079 Andre says, good morning Matt and Jen. Hope all is 443 00:32:28,200 --> 00:32:31,039 wonderful today. Thank you very much. Oh Eric Street, here's 444 00:32:31,039 --> 00:32:32,359 someone I haven't heard from in a while. He's in 445 00:32:32,400 --> 00:32:34,319 the chat room also and says, I listen a lot 446 00:32:34,400 --> 00:32:37,400 in the car, but here I am welcome, Eric, so 447 00:32:37,559 --> 00:32:40,200 nice to see you in there. Let's see who else 448 00:32:40,319 --> 00:32:49,400 do we have here? Oh Andrew from Dublin, Dublin, Ireland 449 00:32:49,640 --> 00:32:53,920 says solo, of course we have listeners there, very good 450 00:32:54,400 --> 00:32:57,559 on Tomorrow radio on Sunset Radio. Thank you very much 451 00:32:57,599 --> 00:33:01,039 for that. Yes, yes, yes, yes, I appreciate that very much, 452 00:33:01,119 --> 00:33:04,519 and it's wonderful to work with you as well. Let's 453 00:33:04,519 --> 00:33:08,720 see we have Enrique Benavitas, Alfredo whom I believe used 454 00:33:08,759 --> 00:33:12,519 to be Alfredo and Rique Benavitas when he would show 455 00:33:12,599 --> 00:33:15,079 up in our chat room. But so I might be 456 00:33:15,160 --> 00:33:16,880 reading it wrong, as often say, I do think I 457 00:33:16,960 --> 00:33:21,160 might be suffering from adult on set dyslexia. But no, 458 00:33:21,359 --> 00:33:25,319 but our friend Fredo, wonderfully talented musician, he is in 459 00:33:25,440 --> 00:33:31,279 the chat room and says, hey, hey, nice witch Trot shirt. Yeah, 460 00:33:31,359 --> 00:33:33,599 witch Trot is a band. This is a shirt that 461 00:33:33,640 --> 00:33:35,720 I don't pull out very often. I was trying to 462 00:33:35,799 --> 00:33:38,400 decide what to wear today and I was like, oh, 463 00:33:38,400 --> 00:33:40,319 I haven't worn the witch Trot shirt in a long time. 464 00:33:40,640 --> 00:33:43,039 But they were Jesus, it was at least two years ago. 465 00:33:43,039 --> 00:33:44,640 It might have been three years ago now that Witch 466 00:33:44,720 --> 00:33:46,920 Trot was on the show with us. A really really 467 00:33:46,960 --> 00:33:50,799 great band and a cool shirt too, So thank you. Yes, 468 00:33:51,000 --> 00:33:52,759 we got to get them back on. I assume they're 469 00:33:52,799 --> 00:33:55,799 still around, haven't haven't really heard from them. But Miriam 470 00:33:55,799 --> 00:33:57,759 Banishad joins us in the chat and says, good morning, 471 00:33:57,799 --> 00:34:01,400 hello Miriam. Also Mike McDowell, of course, he was on 472 00:34:01,480 --> 00:34:03,559 the program a couple of months ago, also known as 473 00:34:03,759 --> 00:34:06,599 the Healer, and he's got a great new place in 474 00:34:06,720 --> 00:34:09,719 Nashua called The Spot doing all ages shows and all 475 00:34:09,840 --> 00:34:12,480 kinds of great stuff. We gotta get you, we gotta 476 00:34:12,480 --> 00:34:14,320 get you back on the show, Mike, I want to 477 00:34:14,360 --> 00:34:17,159 hear an update on everything that you're doing. He's such 478 00:34:17,199 --> 00:34:19,320 a positive guy, doing great things in the community and 479 00:34:19,440 --> 00:34:22,199 Nashua and of course for the music scene, which obviously 480 00:34:22,320 --> 00:34:28,159 reverberates beyond Nashua. So we met, actually we met Mike 481 00:34:28,639 --> 00:34:32,639 through Eleanor and Andre from Terminus and New Hampshire Underground. 482 00:34:32,719 --> 00:34:36,159 So yeah, great things, great things happening there, and Mike, 483 00:34:36,280 --> 00:34:37,719 I do want to have you back on. Also, he 484 00:34:37,840 --> 00:34:43,079 has an auto repair place in Nashua called Devoted. Devoted 485 00:34:43,159 --> 00:34:46,079 Auto is a devoted auto repair. I know it's devoted. 486 00:34:46,119 --> 00:34:48,840 I know devoted is in the name, so check check 487 00:34:48,920 --> 00:34:52,320 them out. Let's see, we've got a little bit of 488 00:34:52,440 --> 00:34:55,199 time again awaiting. Abigail is going to join us at 489 00:34:55,199 --> 00:34:57,320 the top of the hour. But I did see something, 490 00:34:57,400 --> 00:34:59,760 so you know, we talk a lot on the show 491 00:35:00,000 --> 00:35:04,559 about music industry discussions, music industry topics, I should say 492 00:35:04,559 --> 00:35:09,639 that become discussions on the program, and very often these 493 00:35:10,000 --> 00:35:12,559 controversies that are going on. For example, last week, Jenny 494 00:35:12,559 --> 00:35:16,199 and I talked about the controversy of Bruno Mars, not 495 00:35:16,280 --> 00:35:19,760 Bruno Mars himself, but one of the one of the 496 00:35:20,480 --> 00:35:22,840 companies that owns a Steak and the song When I 497 00:35:22,960 --> 00:35:25,920 Was Your Man by Bruno Mars suing Miley Cyrus and 498 00:35:26,559 --> 00:35:29,280 I think everyone Miley Cyrus has ever associated with over 499 00:35:29,360 --> 00:35:31,960 the song Flowers claiming copyright infringement and all of that. 500 00:35:32,119 --> 00:35:33,800 We did put the segment up on YouTube if you 501 00:35:33,840 --> 00:35:37,760 missed it. Kind of a very much I would say, 502 00:35:37,760 --> 00:35:40,159 I shouldn't say kind of very much a frivolous lawsuit 503 00:35:40,280 --> 00:35:44,360 in my opinion. But so we talked about these various controversies, 504 00:35:44,480 --> 00:35:46,559 legal issues going on in the music industry. We talk 505 00:35:46,599 --> 00:35:48,599 about AI a lot, all this kind of stuff, and 506 00:35:48,800 --> 00:35:51,639 of course, you know Jenny and I both we love 507 00:35:51,719 --> 00:35:56,280 a good hip hop beef. So after the well even 508 00:35:56,360 --> 00:36:00,199 before Kendrick Lamar's Super Bowl performance, we talked about on 509 00:36:00,280 --> 00:36:03,320 the show. We talked about the beef between Kendrick and Drake, 510 00:36:03,840 --> 00:36:05,920 which has gone back over a decade now at this 511 00:36:06,039 --> 00:36:11,000 point or about a decade. But so we did a 512 00:36:11,079 --> 00:36:13,480 long segment about that, which again is on YouTube if 513 00:36:13,519 --> 00:36:19,000 you want to check it out, and talking about we 514 00:36:19,199 --> 00:36:22,639 felt from our perspective that Kendrick had kind of put 515 00:36:22,679 --> 00:36:25,840 the final nail in that coffin winning that, you know, 516 00:36:25,960 --> 00:36:29,239 because what is a distrack ever been performed at the 517 00:36:29,360 --> 00:36:31,480 super Bowl. Now, maybe there is an example of that 518 00:36:31,559 --> 00:36:33,239 that I'm just not aware of, but that seemed like 519 00:36:33,280 --> 00:36:36,039 a pretty big, you know, pretty big deal. That seemed like, 520 00:36:36,119 --> 00:36:40,159 you know, how does Drake top that? I don't. I 521 00:36:40,199 --> 00:36:43,960 don't think that he does. But there's also a legal aspect, 522 00:36:44,000 --> 00:36:46,000 or I guess I should say a civil aspect, right, 523 00:36:46,079 --> 00:36:48,239 because it's not a it's not a criminal, but it 524 00:36:48,320 --> 00:36:52,079 is civil this lawsuit that Jake has fouled, and that 525 00:36:52,280 --> 00:36:55,360 aspect of it we touched on during our conversation post 526 00:36:55,599 --> 00:36:58,639 super Bowl performance. Jenny and I did talk about that 527 00:36:58,760 --> 00:37:00,719 a little bit, but we didn't get an it too 528 00:37:00,800 --> 00:37:03,000 deep that aspect of it. But if you don't know, 529 00:37:03,400 --> 00:37:07,960 Drake has filed a lawsuit against Kendrick Lamar, actually not 530 00:37:08,079 --> 00:37:10,599 against well, we should be precise when speaking about this, 531 00:37:11,039 --> 00:37:16,360 not Kendrick Lamar directly, but against Universal Music Group, who 532 00:37:16,599 --> 00:37:19,199 is no strangers to being sued. And we've talked about 533 00:37:19,239 --> 00:37:22,079 that on the show too. Months ago, we talked about 534 00:37:22,119 --> 00:37:26,559 the limp biscuit lawsuit against UMG. Drake is suing UMG 535 00:37:27,360 --> 00:37:31,679 because not only is Drake on UMG, but Kendrick Lamar 536 00:37:32,239 --> 00:37:38,800 is on UMG. And according to Drake, UMG kind of 537 00:37:38,840 --> 00:37:41,639 put their thumb on the scale in favor of Kendrick 538 00:37:41,719 --> 00:37:46,039 Lamar to try to devalue Drake because there is a 539 00:37:46,159 --> 00:37:49,840 contract negotiation coming up. Drake's contract with UMG is almost up, 540 00:37:50,360 --> 00:37:55,880 and Drake seems to feel that UMG, or at least 541 00:37:55,880 --> 00:37:59,679 a lawyers, seem to think that they can successfully sue 542 00:37:59,679 --> 00:38:02,840 for this. Who knows what anyone really thinks or believes, right, 543 00:38:03,360 --> 00:38:07,079 But you know, when there's money to be gone after 544 00:38:08,679 --> 00:38:10,840 this is what happens. So you know, who knows what 545 00:38:10,960 --> 00:38:13,239 Drake really thinks, right, but or what any of them 546 00:38:13,320 --> 00:38:16,199 really believe. But they think that they have a They 547 00:38:16,239 --> 00:38:19,440 think they have a good case to say that UMG 548 00:38:20,719 --> 00:38:24,519 conspired effectively with Kendrick Lamar to push this song not 549 00:38:24,800 --> 00:38:29,639 Like Us as a way of devaluing Drake somewhat. Now, 550 00:38:29,760 --> 00:38:35,199 why would if you're thinking about it logically, why would UMG? 551 00:38:35,440 --> 00:38:39,159 What incentive they're both on UMG? So what possible incentive 552 00:38:40,199 --> 00:38:45,599 would a record label like UMG have for devaluing their 553 00:38:45,679 --> 00:38:49,360 most successful artist Drake is I didn't even realize this 554 00:38:49,519 --> 00:38:53,320 until recently. Drake is the most streamed artist on Spotify, 555 00:38:53,800 --> 00:38:55,679 not the most streamed artist in hip hop, by the way, 556 00:38:55,800 --> 00:38:58,559 the most streamed artist period. I believe that still holds 557 00:38:58,639 --> 00:39:02,880 on Spotify. I think or is he number two? Is 558 00:39:02,960 --> 00:39:07,079 Taylor Swift? Actually, first, we're so used to talking about 559 00:39:07,079 --> 00:39:08,960 I see now I'm second guessing myself because we're so 560 00:39:09,119 --> 00:39:14,639 used to talking about Taylor Swift being number one and everything. 561 00:39:16,000 --> 00:39:21,920 But I believe Drake is number one. And why would 562 00:39:22,159 --> 00:39:25,440 so why would a record label with such a successful 563 00:39:25,480 --> 00:39:28,360 artists want to devalue them? And the explanation, which UMG 564 00:39:28,559 --> 00:39:30,760 denies and I'm, by the way, I find this claim 565 00:39:30,840 --> 00:39:32,840 dubious as well, So I'm skeptical about this. But the 566 00:39:33,599 --> 00:39:38,679 explanation from Drake's lawyers and why they are accusing you 567 00:39:38,800 --> 00:39:42,559 MG of this is that they feel that because Drake's 568 00:39:42,639 --> 00:39:46,519 contract is almost up, if you devalue him a little bit, 569 00:39:47,760 --> 00:39:51,000 you weaken Drake's negotiating position because they're gonna have to 570 00:39:51,039 --> 00:39:53,639 negotiate a new contract, or Drake goes elsewhere, he goes 571 00:39:53,639 --> 00:39:56,119 to another label, or Drake just doesn't have a label 572 00:39:56,519 --> 00:39:59,800 because he's already super famous. Why do you need a label? 573 00:40:00,039 --> 00:40:03,320 We live in an era where, you know, because of 574 00:40:03,360 --> 00:40:05,719 the Internet, you don't need a label. It helps if 575 00:40:05,760 --> 00:40:08,960 you're already famous, you've got a giant head start, right, 576 00:40:09,360 --> 00:40:13,519 but you don't necessarily even need a label. But if 577 00:40:13,599 --> 00:40:15,639 that label's going to advance you millions and millions of 578 00:40:15,719 --> 00:40:17,679 dollars on everything that you do, you know it can 579 00:40:17,719 --> 00:40:23,159 be helpful too. So that's another discussion. But so legal 580 00:40:23,239 --> 00:40:27,199 representation for Drake is claiming that UMG intentionally has devalued him, 581 00:40:27,239 --> 00:40:31,159 conspiring with Kendrick Lamar on that song Not Like Us 582 00:40:31,280 --> 00:40:35,559 to devalue Drake ahead of their their contract negotiations, to 583 00:40:35,719 --> 00:40:40,719 weaken Drake's negotiating position. Again, I'm skeptical. That seems like 584 00:40:40,719 --> 00:40:45,360 an awfully big gamble. Plus, you know, these conspiracies, don't, 585 00:40:45,360 --> 00:40:47,519 get me wrong, Conspiracies happen, of course they do, But 586 00:40:48,840 --> 00:40:55,840 I don't know. I don't know. Awkham's razor would suggest that, Yeah, 587 00:40:56,119 --> 00:40:58,519 obviously UMG wanted Kendrick to have a big hit with 588 00:40:58,599 --> 00:41:01,840 Not Like Us because it's on you and Kendrick is 589 00:41:01,880 --> 00:41:04,519 also on UMG, so they want you know, you always 590 00:41:04,559 --> 00:41:06,400 want to have a hit single, right and not Like 591 00:41:06,519 --> 00:41:10,639 Us as wildly successful. Heck, so successful it got performed 592 00:41:10,679 --> 00:41:14,320 at the super Bowl. Anyway, Here's here's what's There are 593 00:41:14,440 --> 00:41:21,519 updates with this. There are updates. This is from This 594 00:41:21,679 --> 00:41:24,760 is from Music Businessworldwide dot com, a very very handy 595 00:41:24,800 --> 00:41:28,280 website for this kind of thing. Court says discovery process 596 00:41:28,440 --> 00:41:31,800 can move forward and Drake's defamation lawsuit against UMG over 597 00:41:31,960 --> 00:41:35,519 not like US. It says here at a pre trial 598 00:41:35,880 --> 00:41:39,519 conference this morning in New York. And when we say 599 00:41:39,559 --> 00:41:43,039 this morning, we actually mean April second, so a few 600 00:41:43,119 --> 00:41:50,199 days ago, earlier this week. But in that conference, Judge 601 00:41:50,360 --> 00:41:54,199 Jeannette Vargas ruled that the discovery process in Drake's defamation 602 00:41:54,280 --> 00:41:56,559 lawsuit over Kendrick Lamar is not like US can begin. 603 00:41:57,960 --> 00:42:01,880 UMG asked the US Federal Court judge or a stay 604 00:42:01,960 --> 00:42:04,280 of discovery in the lawsuit on March eighteen, a day 605 00:42:04,320 --> 00:42:07,559 after the company filed a motion to dismiss the case. 606 00:42:08,159 --> 00:42:11,320 As reported last week, Drake's legal team pushed back against 607 00:42:11,360 --> 00:42:15,360 the request to pause the evidence gathering process. Following the 608 00:42:15,400 --> 00:42:18,880 decision made at this moment at this morning's pre trial conference. Again, 609 00:42:18,920 --> 00:42:21,440 this was earlier in the week. The discovery process for 610 00:42:21,519 --> 00:42:25,400 both parties can now move forward. UMG's motion to dismiss 611 00:42:26,039 --> 00:42:29,960 is still pending, with a hearing date set for June thirtieth. 612 00:42:30,960 --> 00:42:34,679 In a letter to Judge Jeannette A. Vargas filed last Wednesday, 613 00:42:34,800 --> 00:42:39,760 March twentieth and obtained by Music Business Worldwide, Drake's attorney 614 00:42:39,880 --> 00:42:43,800 Michael J. Gottlieb argued that UMG's request to freeze discovery 615 00:42:43,840 --> 00:42:46,400 should be denied. By the way, So, I'm not a 616 00:42:46,519 --> 00:42:50,599 legal expert, I have no legal background nothing, so I 617 00:42:50,760 --> 00:42:52,960 just I'm speaking as a layman. But if you don't know, 618 00:42:54,039 --> 00:43:01,840 discovery is when you get to discovery literally the evidence 619 00:43:02,840 --> 00:43:05,960 that is involved in the case. So if you are 620 00:43:06,480 --> 00:43:10,360 Drake's attorneys, you're looking for in terms of discovery, you 621 00:43:10,480 --> 00:43:17,360 want access to any of the documents, anything that your 622 00:43:17,440 --> 00:43:20,239 opponents in this case, of course, the legal representation for 623 00:43:20,360 --> 00:43:23,559 Kendrick Lamar or actually, I'm sorry again, we should be 624 00:43:23,599 --> 00:43:27,400 precise with UMG, the legal representation of UMG because they're 625 00:43:27,400 --> 00:43:31,760 not suing Kendrick Lamar directly unless I've misunderstood something, which 626 00:43:31,800 --> 00:43:36,719 is always possible, but anything, because here's what they're looking for. 627 00:43:37,039 --> 00:43:41,400 They want something, whether it's emails, whether it's something written 628 00:43:41,440 --> 00:43:46,800 down somewhere, whatever it may be. They want something. Drake's 629 00:43:46,800 --> 00:43:50,960 attorneys want something that shows evidence that there was a 630 00:43:51,119 --> 00:43:55,639 conspiracy to actually devalue Drake and thus weaken his negotiating 631 00:43:55,679 --> 00:44:01,039 position for the next contract. They want something that suggests that. 632 00:44:02,360 --> 00:44:07,840 Again I'm very skeptical about this whole theory. I find 633 00:44:07,920 --> 00:44:11,719 it to be a dubious claim at best, but it's possible. 634 00:44:13,760 --> 00:44:16,360 So that's what they're looking for. So through discovery they 635 00:44:16,440 --> 00:44:20,159 can get access to things that are not going to 636 00:44:20,199 --> 00:44:23,320 be given, not going to be offered voluntarily, right, But 637 00:44:23,400 --> 00:44:25,440 they can get access to all of that evidence because 638 00:44:26,159 --> 00:44:29,480 and again I might get some of the terminology wrong. 639 00:44:29,960 --> 00:44:32,480 I'm not a legal expert. I have no legal background, 640 00:44:32,559 --> 00:44:36,280 but from what I know, unfortunately, I've never been sued 641 00:44:36,320 --> 00:44:39,360 and I've never had to sue anybody, and I've gotten 642 00:44:39,400 --> 00:44:41,119 this far in life with avoiding all of that. But 643 00:44:42,440 --> 00:44:48,239 from what I understand, both parties have a right in 644 00:44:48,360 --> 00:44:51,920 a legal dispute, whether be it civil or criminal. Both 645 00:44:51,960 --> 00:44:54,000 parties have a right, in this case civil to see 646 00:44:54,159 --> 00:44:57,360 all of the evidence that the other party has that 647 00:44:57,440 --> 00:45:01,000 they're going to use in core in the case. So 648 00:45:01,119 --> 00:45:04,880 that's what discovery is. You're discovering what your opposition has 649 00:45:05,639 --> 00:45:08,039 because you have a right to be able to see 650 00:45:08,079 --> 00:45:11,400 that and have access to it as well. Very often 651 00:45:11,440 --> 00:45:16,000 the legal wrangling ends up being over what documents do 652 00:45:16,039 --> 00:45:18,280 you have a right to see? In terms of discovery, 653 00:45:18,679 --> 00:45:21,639 what do you have a right to access to? So 654 00:45:21,679 --> 00:45:24,079 if you're suing UMG, for example, and I know because 655 00:45:24,119 --> 00:45:26,039 another news story I saw, and it might be mentioned 656 00:45:26,079 --> 00:45:27,920 in this article, I don't know, we'll see, but I 657 00:45:28,079 --> 00:45:32,559 know that one of the issues that had arisen was 658 00:45:33,760 --> 00:45:38,079 do Drake's legal team do they have a right to 659 00:45:38,320 --> 00:45:43,400 access Kendrick Lamar's they're suing MG, they're not suing Kendrick directly, 660 00:45:43,440 --> 00:45:46,079 but do they have a right to access Kendrick Lamar's 661 00:45:46,199 --> 00:45:53,280 documents to see if he has any correspondence talking about 662 00:45:53,280 --> 00:45:57,119 a conspiracy to devalue Drake anything like that right? So, 663 00:45:57,440 --> 00:45:59,000 and that was a question at one point that the 664 00:45:59,079 --> 00:46:02,159 judge had to rule one. You know, it's one thing 665 00:46:02,280 --> 00:46:04,199 for them, they're suing UMG. It's one thing for them 666 00:46:04,239 --> 00:46:07,280 to have access to any UMG documents that they want. 667 00:46:07,360 --> 00:46:10,119 Do they also should they have a right to have 668 00:46:10,239 --> 00:46:14,000 access to Kendrick Lamar's documents or anyone else associated, anyone 669 00:46:14,000 --> 00:46:17,519 else who might be mixed up in this effectively, if 670 00:46:17,559 --> 00:46:24,519 I understand that correctly, Okay, so let me back up 671 00:46:24,519 --> 00:46:24,920 a little bit. 672 00:46:24,960 --> 00:46:25,000 Speaker 22: So. 673 00:46:25,119 --> 00:46:28,800 Speaker 2: In a letter to Judge Vargas filed on Wednesday, March twentieth, 674 00:46:29,719 --> 00:46:33,719 Drake's attorney argued that UMG's request to freeze discovery should 675 00:46:33,719 --> 00:46:38,719 be denied. Quote UMG has failed to meet its burden unquote, 676 00:46:38,760 --> 00:46:42,519 Gottlieb claims in the four page letter, arguing that UMG's 677 00:46:42,599 --> 00:46:47,360 motion to stay discovery fails on all three factors courts 678 00:46:47,440 --> 00:46:51,440 consider when investigating such requests. Gottlieb's letter reference to the 679 00:46:51,519 --> 00:46:54,599 court's own statement that quote, it is not the practice 680 00:46:54,719 --> 00:46:58,559 of the court to routinely stay discovery pending the outcome 681 00:46:58,679 --> 00:47:01,840 of emotion to dismiss un quote, highlighting that such pauses 682 00:47:02,320 --> 00:47:06,239 are the exception rather than the rule. The filing arrived 683 00:47:06,320 --> 00:47:08,079 just one day after UMG asked the court for a 684 00:47:08,119 --> 00:47:13,639 stay of discovery, with UMG attorney rollin a Ransom, which 685 00:47:13,719 --> 00:47:15,559 is such a great name. By the way, he must 686 00:47:15,840 --> 00:47:18,360 represent a lot of people in the music industry, because 687 00:47:18,360 --> 00:47:21,679 that names come up on the show before rollin a Ransom, 688 00:47:23,039 --> 00:47:26,320 arguing that I mean that sounds like the name of 689 00:47:26,400 --> 00:47:27,840 a character in a film it or a book. It 690 00:47:27,880 --> 00:47:30,719 doesn't sound like a real person, arguing that quote. Courts 691 00:47:30,800 --> 00:47:35,760 in this district have emphasized that defamation defendants must be 692 00:47:35,920 --> 00:47:40,880 protected from unnecessary discovery to safeguard First Amendment protections unquote. 693 00:47:41,760 --> 00:47:45,159 Drake's lawsuit against UMG, filed in January, alleges that the 694 00:47:45,239 --> 00:47:49,880 company promoted a false and malicious narrative about Drake via 695 00:47:50,000 --> 00:47:53,840 the context of the lyrics, single, artwork and music video 696 00:47:53,920 --> 00:47:56,639 for not Like Us. Today's decision over discovery is the 697 00:47:56,719 --> 00:47:59,039 latest development in the legal fallout from one of twenty 698 00:47:59,119 --> 00:48:02,280 twenty four's biggest hit. It's and a high profile wrap feud. 699 00:48:02,719 --> 00:48:04,800 Not Like Us was released in May twenty twenty four 700 00:48:04,840 --> 00:48:07,800 as part of a series of distracts exchanged between Drakes 701 00:48:07,880 --> 00:48:11,599 and Lamar. The development follows Drake's withdrawal of his previous 702 00:48:11,679 --> 00:48:16,960 legal petition against UMG and Spotify in January, which had 703 00:48:17,000 --> 00:48:21,199 discussed the companies, which had accused the companies of artificially 704 00:48:21,239 --> 00:48:29,639 inflating streams for Lamar's track By the way, what's interesting 705 00:48:29,679 --> 00:48:32,039 about that and that we don't have time to get 706 00:48:32,079 --> 00:48:34,239 into that aspect of all of this in detail, but 707 00:48:34,360 --> 00:48:37,400 that would be a really interesting conversation. Probably Jenny and 708 00:48:37,480 --> 00:48:39,519 I will tackle that in the future at some point, 709 00:48:40,440 --> 00:48:42,280 because I know there are a lot of strong feelings 710 00:48:42,280 --> 00:48:47,599 about it in terms of what is and is not 711 00:48:47,719 --> 00:48:52,199 appropriate or legal or ethical. Legally, I don't think there's 712 00:48:52,199 --> 00:48:57,679 any issue, but ethically when companies artificially inflate the numbers, 713 00:48:58,440 --> 00:49:00,760 and that's something that happens across the Internet, by the way, 714 00:49:00,880 --> 00:49:05,000 not just in streaming. You know, if say Spotify, I'll 715 00:49:05,039 --> 00:49:08,000 just give you a hypothetical, say, and and artists or 716 00:49:08,320 --> 00:49:15,360 or label is paying Spotify money to artificially inflate the 717 00:49:15,480 --> 00:49:19,760 numbers of a particular single from a particular artist, so 718 00:49:19,840 --> 00:49:23,360 that when you look at that on Spotify it looks 719 00:49:23,440 --> 00:49:26,800 like it's got a lot more listens than it actually does. 720 00:49:29,639 --> 00:49:32,639 Is that ethical? Is that okay? Or is that a 721 00:49:32,719 --> 00:49:35,239 form of payola? And again we can have a whole 722 00:49:35,400 --> 00:49:41,559 that's a whole separate conversation because I know a lot 723 00:49:41,559 --> 00:49:43,480 of people have feelings about that. But when when I 724 00:49:43,519 --> 00:49:46,400 say that happens across the Internet, that happens to other 725 00:49:46,440 --> 00:49:48,599 places too. What happens with podcasts, it happens with everything. 726 00:49:48,639 --> 00:49:56,719 For example, on on X formerly Twitter, sometimes people will 727 00:49:57,280 --> 00:49:59,639 put videos or live streams on X and then they'll 728 00:49:59,719 --> 00:50:02,440 be talking about you know, look at how successful this was, 729 00:50:02,480 --> 00:50:04,159 and look at all the people who watched my video, 730 00:50:04,800 --> 00:50:09,039 when in reality, anybody who even scrolls past that video, 731 00:50:09,119 --> 00:50:11,920 even if they don't watch more than a second of it, 732 00:50:12,320 --> 00:50:14,800 you know, that counts as a quote unquote view of 733 00:50:14,960 --> 00:50:17,920 the video. So the numbers are artificially inflated that way, 734 00:50:20,559 --> 00:50:23,079 or Rumble does that. Rumble is notorious for doing that. 735 00:50:23,159 --> 00:50:26,880 They inflate their numbers to make their context content creators 736 00:50:26,920 --> 00:50:30,519 happy and make them look more successful and so forth. 737 00:50:30,599 --> 00:50:33,559 But there is more to this article, but we are 738 00:50:34,159 --> 00:50:37,559 we are running short in this hour. But music Businessworldwide 739 00:50:37,639 --> 00:50:44,039 dot com is a great website. So if you are 740 00:50:44,159 --> 00:50:48,199 interested in matters of the music industry, whether they be 741 00:50:48,559 --> 00:50:53,400 controversies and legal problems that seem to come up quite 742 00:50:53,400 --> 00:50:56,599 a bit, or if you're just curious about keeping up 743 00:50:56,599 --> 00:50:58,159 on what's going on in the industry, that's a great 744 00:50:58,199 --> 00:51:01,920 website to go to. But here's what we're going to do. 745 00:51:02,239 --> 00:51:03,960 We are approaching the top of the hour, so I 746 00:51:04,000 --> 00:51:06,039 think we should take a quick break. We're going to 747 00:51:06,079 --> 00:51:09,000 show some love to our amazing sponsors. Right after the break, 748 00:51:09,079 --> 00:51:11,920 we're going to do again. If you missed it at 749 00:51:11,920 --> 00:51:14,599 the top of the show, we'll open our number two 750 00:51:14,880 --> 00:51:17,880 or not quite open, but we'll be going into our 751 00:51:17,960 --> 00:51:23,960 number two with again the American radio premiere of a 752 00:51:24,039 --> 00:51:28,840 brand new UK artist, Ryan Redwood. The track is called Tomorrow. 753 00:51:29,119 --> 00:51:31,400 And then from that we'll also play one of the 754 00:51:31,440 --> 00:51:33,960 great tracks from awaiting Abigail, who are going to be 755 00:51:34,039 --> 00:51:37,000 joining us from Texas, and then we're going to talk 756 00:51:37,079 --> 00:51:38,880 with them. Really looking forward to that. So we have 757 00:51:38,960 --> 00:51:41,840 a great show ahead if you are listening live on Saturday. 758 00:51:41,920 --> 00:51:47,119 But as we celebrate our eight years eight year anniversary 759 00:51:47,199 --> 00:51:51,760 here of Matt Connorton Unleashed on WM ANDH, so only 760 00:51:51,840 --> 00:51:55,480 appropriate of course to celebrate the amazing sponsors who make 761 00:51:55,599 --> 00:51:58,079 all of this possible. So if you are listening live 762 00:51:58,119 --> 00:52:01,239 on Saturday, there's plenty more to come. I don't go anywhere. 763 00:52:03,159 --> 00:52:05,360 Speaker 6: In times of crisis. 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They serve all 810 00:54:48,039 --> 00:54:52,440 your business needs including employee benefits, planning, corporate design and 811 00:54:52,559 --> 00:54:58,440 business administration, investments and wealth management and customized business insurance solutions. 812 00:54:58,719 --> 00:55:02,960 Their phone number is eight eight four one forty six hundred, 813 00:55:03,280 --> 00:55:07,079 or on the web at CGI Business Solutions dot com. 814 00:55:10,079 --> 00:55:13,519 Speaker 18: Behold the harmony of airwaves as you immerse yourself in 815 00:55:13,599 --> 00:55:17,599 the captivating frequencies of w m NHLP, the sonic heart 816 00:55:17,719 --> 00:55:21,239 beats of Manchesters transcending through the ether at ninety five 817 00:55:21,280 --> 00:55:25,000 point three megahertz frequency modulation. Our transmissions emanate from the 818 00:55:25,079 --> 00:55:27,719 scene at the one thousand Elm Streets. You're into the 819 00:55:27,800 --> 00:55:30,719 hearts of our creative realm at one nineteen Canal Street, 820 00:55:30,920 --> 00:55:35,280 where Innovation and Sound colobe. They're the impromoter of Manchester 821 00:55:35,440 --> 00:55:39,480 Public Television Service in the venerable city of Manchester, New Hampshire, USA. 822 00:55:39,920 --> 00:55:42,880 Enrich your auditory journey with the depth of our license 823 00:55:42,920 --> 00:55:46,880 to wesdospent your missives. Do WMNH ninety five three at 824 00:55:46,920 --> 00:55:51,639 gmail dot com or traverse the virtual corridors of wmnhradio 825 00:55:51,719 --> 00:55:54,880 dot org. Engage with our sonic vibrations by commuting with 826 00:55:55,000 --> 00:55:58,320 us through the digital channels or radio beckons eager to 827 00:55:58,559 --> 00:56:01,119 enthrall you with its mesmer thinking it's an ability you 828 00:56:01,159 --> 00:56:03,400 wouldn't seen any of foundless on its owners. 829 00:56:03,440 --> 00:56:03,880 Speaker 10: Wonder w. 830 00:56:09,320 --> 00:56:10,880 Speaker 8: Grip the numbers. 831 00:56:12,639 --> 00:56:18,199 Speaker 4: Let's escape the weather mad, run away for the winter. 832 00:56:19,800 --> 00:56:27,719 Speaker 3: Prolonged, suffer and and delay the existential crisis falling. 833 00:56:27,440 --> 00:56:35,360 Speaker 4: Inturpara el from that old story itself, What will remain 834 00:56:35,719 --> 00:56:38,360 of us when there's nothing but. 835 00:56:41,079 --> 00:56:53,400 Speaker 7: The skill fay, there's nothing leaf turpia web fell so 836 00:56:53,840 --> 00:56:56,960 much fat, Why. 837 00:56:56,920 --> 00:57:03,280 Speaker 21: There's that's nothing? 838 00:57:03,639 --> 00:57:07,280 Speaker 4: Leave for you to feel where its. 839 00:57:16,639 --> 00:57:18,000 Speaker 9: Sins running away? 840 00:57:18,719 --> 00:57:18,960 Speaker 15: Enough? 841 00:57:19,119 --> 00:57:26,159 Speaker 4: Where do we finally say? Shelter comedy and answer say. 842 00:57:26,039 --> 00:57:28,760 Speaker 5: You won't save us this time? 843 00:57:30,719 --> 00:57:35,360 Speaker 4: The Watson, the chat is that we still that's. 844 00:57:37,800 --> 00:57:38,679 Speaker 3: The equals. 845 00:57:38,719 --> 00:57:40,079 Speaker 6: I'll say, no, it's a you. 846 00:57:40,480 --> 00:57:43,239 Speaker 4: It is true of the desk. 847 00:57:45,119 --> 00:57:47,639 Speaker 21: Just you a'll say why. 848 00:57:47,599 --> 00:57:50,079 Speaker 22: We fad tomorrow? 849 00:57:52,280 --> 00:57:53,039 Speaker 13: That's nothing? 850 00:57:53,440 --> 00:57:56,840 Speaker 4: Laugh for you to feel where it. 851 00:57:56,920 --> 00:58:04,400 Speaker 7: Fell off before wise like wads flas wed to battle. 852 00:58:06,559 --> 00:58:11,599 That's nothing that bore si feu webs. 853 00:58:28,519 --> 00:58:30,199 Speaker 21: Made the west. 854 00:58:32,480 --> 00:58:37,320 Speaker 2: Yessss wet. 855 00:58:42,280 --> 00:58:47,320 Speaker 3: Good old faye a way when it ends to borrow. 856 00:58:54,480 --> 00:59:02,800 Speaker 7: This good say wait were by bottle. That's nothing that 857 00:59:03,159 --> 00:59:11,360 far in SUSA f so perform once last this last week, 858 00:59:15,880 --> 00:59:17,039 that's nothing that. 859 00:59:17,360 --> 00:59:19,119 Speaker 10: Far sus. 860 00:59:20,440 --> 00:59:24,920 Speaker 7: So so 861 00:59:28,480 --> 00:59:28,519 Speaker 11: So