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Speaker 1: W m n h rips the normals.

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Speaker 2: How long do you really think I'll let you keep

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me here til.

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Speaker 3: I got a new reason and that's job, hasn't Familia

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jakes my you have don't.

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Speaker 4: Read the same. I should I've walked away sad everything

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I have to say?

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Speaker 3: I said this was another mistakes right t shay sapphatic.

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Speaker 2: I should I've rode away?

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Speaker 4: You know that side.

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Speaker 5: It's just watch it off my job.

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Speaker 4: You're that side star? What scess that my.

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Speaker 5: Shl who you fang? You will let this go to

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your fall?

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Speaker 2: It's selling me.

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Speaker 5: I'm bar now want say junny side.

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Speaker 1: Tag ward a kind of the reason the bride that straw,

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I said.

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Speaker 3: Familiar flags, y'all draws watching everything?

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Speaker 6: Fine body watch.

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Speaker 2: Shot walk a way?

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Speaker 5: No I got side a s h tie got barjo,

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No T got side a side?

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Speaker 2: Thanks?

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Speaker 5: Do I time not draw.

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Speaker 7: U?

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Speaker 5: You fand you.

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Speaker 4: Start to fall.

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Speaker 2: It's hearing me.

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Speaker 4: Now watching sid.

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Speaker 5: That's why supper suppri That's why supper soup lord.

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Speaker 8: Why watch on.

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Speaker 6: Chrowchang your side. I've lost love my life shrugball lochs.

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Why watch on yeh cow chyrs long No, not very

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love brought all the find your calls.

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Speaker 5: Louder you thank you. I let this go to the fall.

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Speaker 9: It's serving me. I'm about yeah, watch her y your side,

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uder you, thank you.

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Speaker 5: I let this go to the fall. It's serving me.

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Speaker 4: Ambo yeah, watch her yet, gunny side.

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Speaker 10: I'll get the blood pumping on a cold Saturday morning,

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on a cold winterss morning.

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Speaker 11: Welcome everybody, Here we go.

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Speaker 10: We are into our number two you narrow dose of

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Matt unleashed, our first show of twenty twenty five. Today

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is Saturday, January fourth, twenty twenty five. Jenny is here

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as well, of course at the news table.

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Speaker 4: President that account of for and we have joining us a.

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Speaker 10: Live in studio. And again, if you are just joining us,

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forgive my voice. I'm still recovering from my recent sound kit.

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Speaker 11: I don't think it does.

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Speaker 10: I'm very frustrated my cracking voice, but so recovering again,

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still recovering from my recent asthma incident.

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Speaker 11: But we have joining us alive in studio. The guys

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from Scarecrow Hill are here. How are you guys?

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Speaker 8: Welcome, Hello, hello, hello, thank you for having us.

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Speaker 10: Absolutely I'm excited to talk to you. I really love

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your sound. As we were talking off air, and that

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track is great? Is that the uh now that's from

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the new album of course at Death in the Family. Yes, excellent.

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So why don't we We'll start in the corner here,

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and if we could just go around the room and

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you can each tell us who you are, what you

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do in the band, any other pertinent information. Tyler, I

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sing okay, Joe lead guitar player, okay, I am Brendan,

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And I am the drummer.

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Speaker 8: Okay, I'm Joe.

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Speaker 11: I'm the bass player okay. And is it just the

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four of you?

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Speaker 8: No, we actually dominate our rhythm. Guitar player couldn't be

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with us, okay, okay, gotcha, gotcha? Yeah, you guys have

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a big sound.

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Speaker 10: You know what I like about that track too, Like

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you're not in any hurry to get to the end

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of it, you know what I mean, Like like that

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riff just keeps going for a while. And I think

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that because I think that's kind of a lost thing,

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Like I don't hear a lot of bit I feel

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like we live in a time where a lot of

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bands it's like, you know, I don't know if it's

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because everybody thinks that people have short attention spans or whatever.

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But it's like, Okay, a couple of choruses and we'll

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end it or will fade it out. But you guys

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kind of take your time with it and groove on

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that for a while. And I just think that's really cool.

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Speaker 8: We had had a lot of fun coming up with

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that ending, and we loved the riffs that they did,

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so we wanted to kind of stretch that out.

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Speaker 11: Yeah, yeah, no, that's really cool. How long has Scarecrow Hill.

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Scarecrow Hill been around.

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Speaker 8: Three for what matters, since twenty eighteen, okay.

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Speaker 11: Okay, But there was a version of the band that

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existed before that.

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Speaker 8: There was Joel and I started the band in two

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thousand and three, okay, okay. We went till about twenty fourteen,

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and then we had split up, and then at the

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end of twenty eighteen beginning of twenty nineteen, we got

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back together with these guys.

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Speaker 11: Oh okay, now what caused the return.

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Speaker 8: Brendan and Joe Okay, we met them and the way

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they played the music, we were just like, we need

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to do this again.

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Speaker 10: When when the band ended the first time, after you said,

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what about a ten year run? Yeah, the first time,

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did you always kind of know that it would be

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back some day or was it like, no, that's it.

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Speaker 8: I think we kind of secretly hoped, but we didn't

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really know what was going to happen either way.

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Speaker 10: Okay, okay, So everything on the new album is the

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current lineup, the five of you.

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Speaker 11: Yeah, excellent, excellent.

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Speaker 10: Yeah, because I was pretty sure because when when Jenny,

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you know, Jenny does all the booking for the show,

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and when she mentioned Scarecrow Hill, I was like, that's

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a familiar name from like I think back when I

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was still playing.

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Speaker 11: Yeah, but but I wasn't one hundred percent sure.

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Speaker 10: And then when I saw online it looked you know,

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I saw the new album, and then I I didn't, like,

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I didn't find.

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Speaker 11: Does the old material does that survive? Like does or

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have you left that kind of in that other era.

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Speaker 8: We've tried pretty hard to get rid of that. Yeah, Yeah,

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there's a there's still one record out there from like

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twenty twelve. We're pretty alright with that still being around.

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But oh okay, yeah, everything else I worked pretty hard

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to its quiet as much as possible.

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Speaker 10: No kidding, so like actively suppressive, like you don't even

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want oh no kidding. Interesting why is that, Like, do

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you just feel that the sound has evolved so much?

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Speaker 8: And yeah, just everything about the band like I, like

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I said, it's when Joel and Dom and I came

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back to the band and we hooked up with Joe

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and Brenda here, it was just like we didn't care

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about the past anymore. It's this, this is our band.

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Speaker 10: Yeah, yeah, when you I've been in situations like I

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don't play anymore. I used to be in a bunch

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of bands, and I've been in situations where, you know,

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maybe there'd been some sort of a transformation and an evolution,

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and then there's that that inevitable conversation about do we change.

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Speaker 11: The name or and and I always I remember I

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was in a specific band.

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Speaker 10: I was in a band called My Life Crisis, and

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I remember actually having that argument with you know, when

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we had a big shift in personnel, and uh, the

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guys kind of wanted to, oh, let's you know, our

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sound kind of change, let's change the name. And I

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fought for keeping the name because I was like, well, look,

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people know us as this. I understand it's a different

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band kind of, but we've built up this name, not

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you know, not that we ever got anywhere big or anything.

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But I but I felt there was value in our name,

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Like was that was that a conversation amongst you guys

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do we do we be Scarecrow Hill or or do

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we do something?

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Speaker 11: Or do we be something new?

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Speaker 8: I don't think we ever even discussed it really really yeah, yeah.

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Speaker 12: Yeah it scare Hill.

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Speaker 13: It was kind of like such a long standing name

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and entity for for Tie. Yeah, and Tie being kind

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of our fearless leader. That's like we go as he goes.

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Speaker 11: Yeah. No, and that makes sense.

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Speaker 10: I mean you've got you know, you've got equity in that,

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you know. So, and like I said, I I remembered it.

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It was familiar to me when Jenny mentioned, I thought

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you guys had been around for a while. So no,

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So I think that makes sense. We're gonna We're gonna

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play something a little bit later. That's really really interesting

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in terms of uh, there's there's a bit of a surprise,

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well a couple of surprises.

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Speaker 11: On the track.

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Speaker 10: But I'm curious about how you describe your sound because

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you're I mean, obviously, you know you kind of fit

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in the metal genre broadly, but of course you have

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all these subgenres and whatnot. But but your your approach,

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especially from what I was reading online, your your approach

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is a little bit different in terms of You're not

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My impression is you're not trying to You're not You're

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not trying to be one specific thing. You know, You're

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You're You're Yeah, exactly exactly, you know, because most metal

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bands do try to be one specific thing. But has

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that always been your approach to kind of be open

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to different influences And.

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Speaker 8: Yeah, I think, I think absolutely, because when you've got

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you know, five personalities and five sets of influences and

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five musical directions that everybody wants to go, I think

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you kind of have to have the open air for

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that to happen. And yeah, I'm I'm like the least

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metal guy in the world. Man, I like the Beatles

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and Tech nine, you know what I mean like that,

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So these guys like teach me a lot about the

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metal genre and the metal community, and we've all kind

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of had to work together, and it just makes it

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so that, you know, when Joe puts his stamp on

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something and then Dominic comes in and Joe and it

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just it is so many sounds. Yeah, it makes it

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cool for.

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Speaker 11: Us yeah, does that happen.

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Speaker 10: I assume that happens kind of organically, right, It sounds

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like it like you don't like you don't say, you know,

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we need to try to shove this other influence into

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this song, but it just kind of happened.

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Speaker 8: Yeah.

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Speaker 13: I think it kind of depends, like the way when

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I'm writing, a lot of the time, I'll be inspired

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by like a particular song, or like an idea that

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exists in a song. Sometimes I'll take that as a

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starting point and kind of like build a demo around

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that idea. But like the inspiration comes from so many

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different directions sometimes that like to not have to pigeonhole

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into like we have to sound like such and such,

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it's it's kind of freeing in terms of inspirational direction.

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Speaker 10: Yeah, yeah, that makes sense. Your live show too, I

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would imagine it's pretty energetic, you know, to match.

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Speaker 13: Your Yeah, it's a lot of fun, you know, it's yeah,

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I'll just leave it at that, trying to keep it

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radio friendly, but yeah, we have a lot of fun,

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and we try to keep it very high energy.

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Speaker 5: Yeah.

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Speaker 11: Yeah.

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Speaker 8: The live show too, I think is very very organic.

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It's we don't there's no choreograph or anything like that.

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We just kind of go into it knowing that we

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were with our team, Like we just see what happens. Yeah,

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start to rock out, man, like a little bit of

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old school in the new school.

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Speaker 11: Yeah. Yeah.

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Speaker 10: When you guys play out, do you do you have

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opportunities to play with bands that you played.

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Speaker 8: With like way back in the day or shockingly yes, I.

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Speaker 10: Suspected as much because I can tell you just doing this,

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I'll while we've had guests on the show or or

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talk to people about coming on to I'm like I

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didn't even know.

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Speaker 11: Wow, Like I remember doing shows with them like twenty

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years ago and there and they're back. That's really cool.

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Like who are some of the bands that you guys

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get to play with that you played with back then?

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Speaker 8: So a lot of times it might not even be

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necessarily be a whole band, but like even just last

241
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night we got to play over here at the Shaskiing,

242
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which what a great little room. That was a lot

243
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of fun. Oh yeah I love them, yeah, oh yeah,

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what a great place. And but so Rags the Stitches

245
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shout out to our boys from New Hampshire. Uh, they

246
00:14:00,080 --> 00:14:03,679
put the show on nice and their their bass player

247
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is a guy that we have been playing with in

248
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different bands. I mean since me and Joel were kids,

249
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Like we we grew up playing shows with this guy.

250
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And yeah, he's still out there doing a whistle out.

251
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They're doing it twenty years later. So like it's there's

252
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a lot of that. A lot of bands unfortunately don't

253
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stay around as long, but right the musicians do, and

254
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we'll we'll get out there and get to see this guy. Oh,

255
00:14:24,639 --> 00:14:26,120
he used to be in this band that we toured

256
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with and that that stuff's a lot of fun. It's

257
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really cool.

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Speaker 11: Oh, that's really cool. Did we have Rex's stitches? Did

259
00:14:31,919 --> 00:14:34,639
we have them on you remember? I feel like we did.

260
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Speaker 4: I'm not positive.

261
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Speaker 11: I'd have to go back and look. I think we

262
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might have.

263
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Speaker 4: Yeah.

264
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Speaker 12: If not, you should, yeah definitely if you haven't, or.

265
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Speaker 10: Or the name has come up on this show, maybe

266
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that might be the name might have come up on

267
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the show before. Yeah, are you guys playing out a lot?

268
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Speaker 8: Or yeah? Yeah, we've been very very busy.

269
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Speaker 11: Good, very nice, excellent, excellent? And how long has this

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album been out? This is this is pretty new right.

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Speaker 12: Uh yeah, July August something like that, less than a year.

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More than a month.

273
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Speaker 11: Okay, okay, cool? Where do you record?

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Speaker 8: We do it?

275
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Speaker 10: You know, that's awesome because it sounds like I'm always curious,

276
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you know, because we live in a time where you've

277
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got so many different options in terms of how you record,

278
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and there's so many great studios around, but you can

279
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also do it yourself and it sounds like it was

280
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recorded in a million dollar studio, you know. Thanks, So

281
00:15:25,320 --> 00:15:30,000
it's really impressive, Like like, do you have a home studio?

282
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Does one of you have a home studio set up

283
00:15:31,799 --> 00:15:32,919
or what's what's the approach?

284
00:15:33,159 --> 00:15:36,000
Speaker 13: We kind of each of us has our own little

285
00:15:36,039 --> 00:15:38,639
setup at home where well, we'll do some demos, but

286
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when it comes time to like actually cut the final thing,

287
00:15:42,440 --> 00:15:45,159
we have a decent setup at the band, like our

288
00:15:45,200 --> 00:15:51,159
practice space where we track everything in and then once

289
00:15:51,240 --> 00:15:54,360
that's all done, we take it to our guy Joe Clapp,

290
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who's got like a really nice professional studio and he

291
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mixes it and masters it for us.

292
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Speaker 11: Oh fantas as Okay, Yeah, it's cool that that you're

293
00:16:03,360 --> 00:16:04,360
able to do it that way.

294
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Speaker 10: You know, I'm old enough to remember, and some of

295
00:16:09,120 --> 00:16:12,360
you might be when you know your only options were

296
00:16:12,399 --> 00:16:13,279
really you know like you could.

297
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Speaker 11: Yeah, you can record demos at home on your.

298
00:16:15,840 --> 00:16:19,200
Speaker 10: Task and you know, and then but then, yeah, then

299
00:16:19,279 --> 00:16:21,600
go spend a ton of money in a studio to

300
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do everything there.

301
00:16:22,480 --> 00:16:24,399
Speaker 13: And me and Brennan were joking on the way over

302
00:16:24,480 --> 00:16:27,039
here because we rode together and we're a couple of

303
00:16:27,080 --> 00:16:29,799
years younger than the rest of the guys in the band. Yeah,

304
00:16:29,840 --> 00:16:32,679
we were joking about I I had mentioned before how

305
00:16:32,840 --> 00:16:35,600
one of the early scarecrow Hill demos was done on

306
00:16:36,000 --> 00:16:41,320
an answering machine. How far it's come in the way

307
00:16:41,399 --> 00:16:45,320
that you can get like really high quality recordings at

308
00:16:45,360 --> 00:16:49,120
home for like a pretty relatively affordable price compared to

309
00:16:50,080 --> 00:16:53,159
even like five or ten years ago, where it was

310
00:16:53,440 --> 00:16:55,519
the barrier to entry was so high.

311
00:16:55,840 --> 00:16:59,840
Speaker 11: Yeah, yeah, absolutely. Oh that's funny though, the answering machine.

312
00:17:00,600 --> 00:17:01,279
That makes sense.

313
00:17:01,799 --> 00:17:05,599
Speaker 8: I'm going to the public library and running off covers

314
00:17:05,680 --> 00:17:09,079
for the cassette tapes Dublin, No kidding, it was, you know,

315
00:17:09,160 --> 00:17:11,680
there was no distribution around here that anybody can afford

316
00:17:11,720 --> 00:17:14,519
or anything back, right exactly exactly. If you knew a

317
00:17:14,559 --> 00:17:19,400
band that had CDs, they were like big times yea, even.

318
00:17:19,640 --> 00:17:20,920
Speaker 11: Over the course of the years just.

319
00:17:22,839 --> 00:17:25,039
Speaker 10: Doing this well I've I've been at w M n

320
00:17:25,160 --> 00:17:27,720
H for it'll be eight years in April, but I've

321
00:17:27,720 --> 00:17:30,720
been interviewing bands for a lot longer. And we were

322
00:17:30,759 --> 00:17:33,640
talking talking to somebody last week on the show about

323
00:17:33,640 --> 00:17:36,400
how when I first started doing this, like bands would

324
00:17:36,480 --> 00:17:37,559
usually show up with a CD.

325
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Speaker 8: You know.

326
00:17:38,359 --> 00:17:40,559
Speaker 10: Now, of course you can just email everything, but and

327
00:17:40,680 --> 00:17:42,920
the move was was very often it would be, you know,

328
00:17:43,119 --> 00:17:46,319
just like a CDR with sharpie written on it. You know,

329
00:17:46,440 --> 00:17:48,680
these are the songs we want to feature on the show.

330
00:17:48,759 --> 00:17:50,599
And they they'd handed to me on their finger. It

331
00:17:50,599 --> 00:17:54,119
wouldn't even be in a case. And yeah, those were

332
00:17:54,440 --> 00:17:57,599
those were the days. Yeah, we actually have I don't

333
00:17:57,720 --> 00:18:00,000
use it, but we we do have a functioning CD play.

334
00:18:00,240 --> 00:18:01,279
Speaker 8: Here's awesome.

335
00:18:01,400 --> 00:18:02,079
Speaker 12: Yeah, I love that.

336
00:18:02,519 --> 00:18:04,160
Speaker 11: One of the guys, Rob, I don't know if you

337
00:18:04,200 --> 00:18:04,960
know Rob as a veto.

338
00:18:05,039 --> 00:18:06,720
Speaker 10: He owes a show here called Granted State of Mind

339
00:18:06,759 --> 00:18:09,599
and he uses occasionally, but but he's kind of old

340
00:18:09,640 --> 00:18:10,119
school with that.

341
00:18:10,279 --> 00:18:13,160
Speaker 11: But the new album is it available on CD or

342
00:18:13,240 --> 00:18:14,599
is it only on streaming platforms?

343
00:18:14,680 --> 00:18:18,000
Speaker 8: This one is only on streaming platforms. We have three

344
00:18:18,039 --> 00:18:20,559
other records that we take physical copies out on the

345
00:18:20,640 --> 00:18:22,200
road with us but this is the one we wanted

346
00:18:22,240 --> 00:18:25,279
to try just just to see first. Yeah, how it

347
00:18:25,359 --> 00:18:28,200
did is digital only, and figured maybe if if it

348
00:18:28,319 --> 00:18:30,480
keeps doing as well as it's doing, we'll probably end

349
00:18:30,519 --> 00:18:31,720
up doing some physical copies.

350
00:18:31,880 --> 00:18:36,200
Speaker 11: Yeah, yeah, I want to play. So I surprise you

351
00:18:36,319 --> 00:18:36,839
guys with this.

352
00:18:37,319 --> 00:18:41,279
Speaker 10: I made a radio edit of this track that Little

353
00:18:41,400 --> 00:18:46,480
Voice featuring Adam Ramie partly well. So a couple things

354
00:18:46,519 --> 00:18:49,480
about it that that really grabbed me. One is I

355
00:18:49,640 --> 00:18:54,359
just find the subject very relatable, you know, talking about

356
00:18:54,400 --> 00:18:56,079
that that little voice that so many of us have

357
00:18:56,160 --> 00:18:58,000
in our heads that tries to kind of drag us

358
00:18:58,039 --> 00:18:59,799
down and tell us a lot of negative things, negative

359
00:18:59,839 --> 00:19:03,000
so talk and all that. So I think a lot

360
00:19:03,039 --> 00:19:05,480
of people can really relate to the lyrics. The other

361
00:19:05,599 --> 00:19:08,160
thing that's really interesting to me is what's going on

362
00:19:08,279 --> 00:19:12,680
in the chorus, which is very unusual and it's it's cool.

363
00:19:12,759 --> 00:19:16,720
I was like, what, oh, that's interesting and it's got

364
00:19:16,960 --> 00:19:19,200
and and tell me about uh but we'll talk about

365
00:19:19,200 --> 00:19:21,839
that part after we play it. But tell me tell

366
00:19:21,880 --> 00:19:23,039
me too about Adam Raymie.

367
00:19:23,440 --> 00:19:24,799
Speaker 8: Adam. Adam is amazing.

368
00:19:25,440 --> 00:19:25,480
Speaker 14: So.

369
00:19:26,440 --> 00:19:29,680
Speaker 8: Adam is one of the vocalists for the band Dropout Kings, okay,

370
00:19:30,400 --> 00:19:32,759
and he's said the range that this man has where

371
00:19:32,799 --> 00:19:36,000
he can you know, he does the dirty vocals, screaming stuff.

372
00:19:36,039 --> 00:19:40,000
He does these absolutely beautiful, powerful lead vocals. And then

373
00:19:41,039 --> 00:19:43,119
we had, uh, we've done a few shows together over

374
00:19:43,119 --> 00:19:45,279
the years, and we had talked a few times about

375
00:19:45,279 --> 00:19:48,200
doing a track. So when I sent him this, he said, well,

376
00:19:48,319 --> 00:19:49,279
you know, what are you going to do with it?

377
00:19:49,319 --> 00:19:52,000
I said, we trust you, like you know your your

378
00:19:52,079 --> 00:19:54,640
range is ridiculous. And this was the last thing we

379
00:19:54,720 --> 00:19:56,920
were expecting. Yeah, said, we were like, wow, this is

380
00:19:57,200 --> 00:19:59,480
all right, Like he went different with this and we

381
00:19:59,519 --> 00:20:02,920
were super excited about it. But he's just one of

382
00:20:02,960 --> 00:20:05,519
those guys that he can do anything, and he's so

383
00:20:05,640 --> 00:20:06,720
much fun to work with on this.

384
00:20:07,000 --> 00:20:08,319
Speaker 11: Yeah, yeah, pretty cool.

385
00:20:08,400 --> 00:20:09,880
Speaker 10: So this is of course from the new album, but

386
00:20:09,960 --> 00:20:12,039
Death of the Family will give this a spind uh.

387
00:20:12,240 --> 00:20:14,759
This is called that Little Voice featuring Adam Raby and

388
00:20:14,880 --> 00:20:16,240
this is Scarecrow Hill.

389
00:20:27,960 --> 00:20:30,960
Speaker 4: Spots. And I got this voice up inside of my

390
00:20:31,039 --> 00:20:32,920
head side of me. I should beating my bloody I'm one.

391
00:20:32,960 --> 00:20:35,480
Speaker 3: I should ever reclady, who's ever reason God'll taking another

392
00:20:35,559 --> 00:20:36,960
thing problem me? You just can't just stand on a

393
00:20:37,000 --> 00:20:38,920
plattlefield but I keep telling you want of my boots

394
00:20:38,960 --> 00:20:41,079
have been money. The biggest surprise of my entire life

395
00:20:41,160 --> 00:20:42,960
is still that I managed to walk in my twenties,

396
00:20:43,160 --> 00:20:44,960
no matter how hard that I'm working, no matter how

397
00:20:45,079 --> 00:20:47,480
much I have risen apaw, Why here these whistles ada.

398
00:20:47,400 --> 00:20:48,799
Speaker 4: In my ear telling me that my best is a

399
00:20:48,920 --> 00:20:49,519
lucky enough.

400
00:20:49,680 --> 00:20:51,559
Speaker 3: So I keep pushing and fighting them, sucking this hole

401
00:20:51,599 --> 00:20:53,599
and everybody should jack When I dug, then he tell

402
00:20:53,640 --> 00:20:54,640
me a lot in voices.

403
00:20:54,680 --> 00:20:56,359
Speaker 4: They tell me that I should just quitn't give up.

404
00:20:56,759 --> 00:20:58,480
Speaker 1: I swear to God sometimes in my head all I

405
00:20:58,519 --> 00:20:59,079
hear where.

406
00:20:58,880 --> 00:21:00,720
Speaker 4: The ghost of my past to tell you? If there's

407
00:21:00,720 --> 00:21:02,119
no said, why it doesn't exist?

408
00:21:02,160 --> 00:21:04,039
Speaker 3: When you're heart my God, every day my brain you're

409
00:21:04,039 --> 00:21:05,559
telling let me define When my muther on some day

410
00:21:05,599 --> 00:21:07,160
stopped me in the back, I feel my whole.

411
00:21:07,160 --> 00:21:08,880
Speaker 1: I'm just doing a new circles because I'm a pree

412
00:21:08,960 --> 00:21:10,039
Ready when they are changed.

413
00:21:10,480 --> 00:21:14,640
Speaker 14: Charles since arth So splint suits.

414
00:21:15,119 --> 00:21:17,200
Speaker 2: It's flats sas d.

415
00:21:23,960 --> 00:21:28,160
Speaker 14: Charles So spl suits.

416
00:21:28,680 --> 00:21:29,359
Speaker 2: That's my team.

417
00:21:30,240 --> 00:21:30,839
Speaker 7: Stud.

418
00:21:44,119 --> 00:21:45,920
Speaker 3: I got these voices inside of my head telling me

419
00:21:46,039 --> 00:21:47,799
I can never be saved. And if I keep talking,

420
00:21:47,880 --> 00:21:49,640
and if I keep trying, I'm gonna find myself in

421
00:21:49,640 --> 00:21:51,480
the inner of the grave. But that's okay, because I

422
00:21:51,559 --> 00:21:53,960
got another one telling me nobody cares any weighing if

423
00:21:53,960 --> 00:21:55,519
I got tomorrow, they don't bring no sorrow.

424
00:21:55,640 --> 00:21:57,160
Speaker 4: No one will even remember my name.

425
00:21:57,640 --> 00:21:59,160
Speaker 3: I ever taught ness is side to me that I

426
00:21:59,240 --> 00:22:01,400
have never been able to fight. And he keeps telling me,

427
00:22:01,480 --> 00:22:03,119
yet there's some mattic. There's nothing that I have but

428
00:22:03,200 --> 00:22:05,640
to will be right. I hear real voices, I telling

429
00:22:05,680 --> 00:22:07,839
me I don't deserve happiness of my largess I personal

430
00:22:07,960 --> 00:22:09,839
even out into the world, and it's making your rhind

431
00:22:09,839 --> 00:22:10,640
of of living the night.

432
00:22:11,200 --> 00:22:12,680
Speaker 4: I got the voice in the back of my mind

433
00:22:12,720 --> 00:22:15,519
telling me that I'll never be I got the voice.

434
00:22:15,319 --> 00:22:16,680
Speaker 1: In the back of my mind, and I had got

435
00:22:16,759 --> 00:22:18,759
something of my stris free jing my mind keep telling

436
00:22:18,799 --> 00:22:19,480
me everything out.

437
00:22:19,519 --> 00:22:20,839
Speaker 4: I was barely hanging by his stitch.

438
00:22:20,920 --> 00:22:22,640
Speaker 1: I spent my whole I just been in his sutcase

439
00:22:22,680 --> 00:22:23,400
trying to catch him.

440
00:22:23,400 --> 00:22:27,119
Speaker 2: While it's in the show Truce, so.

441
00:22:28,680 --> 00:22:32,240
Speaker 14: Shoes the flice, young man, sasay.

442
00:22:38,319 --> 00:22:40,640
Speaker 2: Choices, so.

443
00:22:42,200 --> 00:22:45,240
Speaker 5: Te this fight man SATs.

444
00:22:45,000 --> 00:23:00,079
Speaker 15: Day food, these little voices and screaming the meat that

445
00:23:00,079 --> 00:23:01,440
I'm not the one you really blaunch.

446
00:23:01,599 --> 00:23:03,279
Speaker 4: I remember the way that you whooked at me in

447
00:23:03,359 --> 00:23:05,599
the beginning. I hate that it's gone. The truth of

448
00:23:05,640 --> 00:23:06,279
the matter is this.

449
00:23:06,359 --> 00:23:08,599
Speaker 3: Sporable situation is going on too wrong. I wish that

450
00:23:08,720 --> 00:23:10,400
somebody had to make I told me I was losing

451
00:23:10,480 --> 00:23:12,720
my sulf before I was lost. I get the toist

452
00:23:12,759 --> 00:23:14,480
in my head telling me that the shadows I'm seeing

453
00:23:14,559 --> 00:23:16,680
no rail. My brain is almost by you in my

454
00:23:16,759 --> 00:23:18,720
heart because I cannot trust what I feel. I keep

455
00:23:18,759 --> 00:23:20,480
the weight on my shoulders to myself, the same way

456
00:23:20,519 --> 00:23:22,440
the weight on my hippos can zeal. Sometimes I get

457
00:23:22,480 --> 00:23:23,759
in the proof and I met it all all, but

458
00:23:23,839 --> 00:23:25,119
you know I'm rinking the seal.

459
00:23:25,599 --> 00:23:27,079
Speaker 4: I get the voice in the back of my mind

460
00:23:27,119 --> 00:23:27,440
and we're.

461
00:23:27,359 --> 00:23:28,400
Speaker 5: Trying to killing it shot.

462
00:23:28,960 --> 00:23:30,440
Speaker 4: I get the voice in the back of my mind,

463
00:23:30,480 --> 00:23:31,000
and I hate that.

464
00:23:31,119 --> 00:23:33,400
Speaker 1: Mother of great game my brain. You're telling me y'all

465
00:23:33,400 --> 00:23:35,559
that I have to refoward to its more regrets. I said,

466
00:23:35,559 --> 00:23:37,000
I'm a whole. I've just been in the sert because

467
00:23:37,000 --> 00:23:38,839
because I can't get the coulf out of my ship.

468
00:23:38,920 --> 00:23:56,920
Speaker 14: No choruses shoes shoes.

469
00:24:14,839 --> 00:24:16,240
Speaker 2: I got a let up by.

470
00:24:17,839 --> 00:24:23,319
Speaker 5: My head. I have got a nice ship that try.

471
00:24:23,240 --> 00:24:24,880
Speaker 1: You don't even recognize this man.

472
00:24:25,119 --> 00:24:27,519
Speaker 2: Cough, guy had shot up.

473
00:24:28,400 --> 00:24:31,240
Speaker 5: I had a let up by so many voices in

474
00:24:31,359 --> 00:24:32,559
my head. It's not a guy.

475
00:24:32,680 --> 00:24:34,279
Speaker 2: I would shut up.

476
00:24:35,160 --> 00:24:36,079
Speaker 8: I don't got that.

477
00:24:36,279 --> 00:24:39,920
Speaker 2: Try this gag.

478
00:24:41,400 --> 00:24:44,240
Speaker 10: That is that little voice featuring Adam Raimi and the

479
00:24:44,319 --> 00:24:47,599
band is a Scarecrow Hill with us in the studio

480
00:24:47,720 --> 00:24:48,200
this morning.

481
00:24:48,559 --> 00:24:51,160
Speaker 11: Yeah, so tell me about that, guys, tell me about

482
00:24:51,200 --> 00:24:54,920
that chorus, like, because that was was that something Adam did?

483
00:24:55,079 --> 00:24:57,640
Speaker 8: Yeah? Yeah, we did that, Yeah, we did. We had

484
00:24:57,720 --> 00:25:00,200
sent him the basic demo with the track and I

485
00:25:00,279 --> 00:25:04,000
hadn't even laid my vocals yet. Yeah, like he had

486
00:25:04,200 --> 00:25:05,279
just you know, what do you want to do it?

487
00:25:05,319 --> 00:25:07,799
So we trust you man, Like obviously we're fans and

488
00:25:07,920 --> 00:25:10,839
we know the things you're capable of. And yeah, he

489
00:25:10,960 --> 00:25:12,559
sent that back and he was like, you know, I

490
00:25:12,640 --> 00:25:14,960
hope you dig it. He's like, because I love this.

491
00:25:15,119 --> 00:25:16,519
He's like, I think it's one of one of my

492
00:25:16,559 --> 00:25:20,720
favorite features I've done. And I was so taken back

493
00:25:20,759 --> 00:25:22,200
by it. I was like, wow, I'm going to rewrite

494
00:25:22,200 --> 00:25:24,079
everything I had because like I need my stuff to

495
00:25:24,119 --> 00:25:24,759
be cooler. Now.

496
00:25:24,920 --> 00:25:28,039
Speaker 11: Oh okay, so that caused you to read your part?

497
00:25:28,279 --> 00:25:28,480
Speaker 3: Yeah?

498
00:25:28,480 --> 00:25:31,720
Speaker 10: Absolutely, Yeah, yeah, the chorus is I think we were

499
00:25:31,759 --> 00:25:33,759
talking about it off air. It's like nothing I've ever heard.

500
00:25:33,839 --> 00:25:36,119
It's it's it's it's such a unique sound.

501
00:25:37,680 --> 00:25:39,960
Speaker 11: And uh now, Joe, you were saying too, so what

502
00:25:40,039 --> 00:25:41,400
do you the genre that.

503
00:25:41,559 --> 00:25:42,039
Speaker 8: That you call?

504
00:25:42,240 --> 00:25:42,319
Speaker 2: Uh?

505
00:25:42,519 --> 00:25:44,759
Speaker 13: Yeah, so we were talking about genre before. I think

506
00:25:44,799 --> 00:25:47,079
if if for Scarecrow Hill, if you were kind of

507
00:25:47,119 --> 00:25:48,880
to nail it down to something, we kind of used

508
00:25:48,880 --> 00:25:50,559
the tagline hip hop death rock.

509
00:25:50,799 --> 00:25:51,119
Speaker 11: Okay.

510
00:25:51,240 --> 00:25:56,720
Speaker 13: So Ty especially has a lot of like hip hop influences.

511
00:25:57,160 --> 00:25:58,680
So you know, in a song like that, you can

512
00:25:58,880 --> 00:26:01,759
hear the rapping and that. That's a lot of the

513
00:26:01,839 --> 00:26:03,519
songs that we do have a lot of like hip

514
00:26:03,559 --> 00:26:06,200
hop influence to it. So we try to have like,

515
00:26:07,039 --> 00:26:09,000
you know, a groove and a bounce to a lot

516
00:26:09,039 --> 00:26:11,160
of you know, while it might be a heavy riff,

517
00:26:11,720 --> 00:26:13,599
you know, it can be broken down into a groove

518
00:26:13,680 --> 00:26:14,759
that grooves.

519
00:26:15,039 --> 00:26:15,240
Speaker 11: Yeah.

520
00:26:15,599 --> 00:26:18,680
Speaker 10: Yeah, okay, no, well put yeah, no that makes sense

521
00:26:18,720 --> 00:26:21,279
to me. No, that's that's a great Do you play

522
00:26:21,359 --> 00:26:22,920
that live or is it hard to do without?

523
00:26:23,039 --> 00:26:24,480
Speaker 8: Uh we we haven't.

524
00:26:24,640 --> 00:26:25,880
Speaker 12: Yeah, we haven't played that one live.

525
00:26:26,519 --> 00:26:26,720
Speaker 5: Yeah.

526
00:26:26,880 --> 00:26:28,440
Speaker 11: Yeah, no, that's that's really good.

527
00:26:30,000 --> 00:26:32,799
Speaker 10: Also another track maybe we'll play it at the end

528
00:26:32,839 --> 00:26:35,119
of if we have time, But you do a cover

529
00:26:35,279 --> 00:26:36,839
on this that I that I really like on the

530
00:26:36,880 --> 00:26:39,000
new album, of course we should mention again a death

531
00:26:39,079 --> 00:26:39,599
in the family.

532
00:26:40,319 --> 00:26:41,319
Speaker 11: We're in this together now.

533
00:26:41,359 --> 00:26:42,960
Speaker 10: And I remember looking at the track list and I

534
00:26:43,039 --> 00:26:44,480
was like, I wonder if that's an original or if

535
00:26:44,519 --> 00:26:46,720
that's a nine Inch Nails cover. And I listened to it,

536
00:26:47,160 --> 00:26:49,160
and uh, man, you sing the hell out of that,

537
00:26:49,359 --> 00:26:54,279
thank you. Yeah, It's really like there's there's an emotion

538
00:26:54,400 --> 00:26:56,920
to it. There's almost like a like a desperation that

539
00:26:57,039 --> 00:26:59,240
comes across in your vocal. I don't know if that's

540
00:26:59,279 --> 00:27:00,920
what you're going for, probably, but.

541
00:27:01,480 --> 00:27:03,920
Speaker 8: I mean it, it happens. I've I've actually heard that

542
00:27:04,279 --> 00:27:08,519
several times about several songs that we do. Yeah, which

543
00:27:08,559 --> 00:27:11,279
I think is I take that as as a pretty

544
00:27:11,319 --> 00:27:15,359
huge compliment because I've never been one of those guys

545
00:27:15,400 --> 00:27:17,480
that can like just sing a cover song. Yeah, it's

546
00:27:17,519 --> 00:27:19,599
gotta be something that really resonates with me. It's got

547
00:27:19,680 --> 00:27:21,279
to be something that like means something.

548
00:27:21,599 --> 00:27:23,759
Speaker 11: Yeah. No, I was playing it, it was like, Wow,

549
00:27:23,799 --> 00:27:26,640
you know, I really really feel this. You know, was

550
00:27:26,680 --> 00:27:27,720
that challenging to sing?

551
00:27:29,559 --> 00:27:33,079
Speaker 8: Yeah? I mean yes, and no, it's uh, yes, in

552
00:27:33,200 --> 00:27:35,319
the fact that like it. It's you know, it's pretty

553
00:27:35,400 --> 00:27:40,279
up there and it's a hard song in general. But yeah, personally,

554
00:27:40,400 --> 00:27:42,680
Trent Reznor has been like one of my biggest vocal

555
00:27:42,759 --> 00:27:46,599
influences ever. Yeah, and I've been singing that song for

556
00:27:46,960 --> 00:27:49,200
as long as I can remember. Yeah, when I finally

557
00:27:49,240 --> 00:27:50,519
get to get into the booth with it, and I

558
00:27:50,640 --> 00:27:52,559
was like, wow, all right, like this is this is

559
00:27:52,599 --> 00:27:53,640
gonna be awesome. Yeah.

560
00:27:53,839 --> 00:27:55,920
Speaker 11: Yeah, No, I came out great. It came out great.

561
00:27:57,000 --> 00:27:58,480
Speaker 10: Is there any kind of a theme to the album?

562
00:27:58,559 --> 00:28:00,279
I mean, you know, it's got a pretty ominous title

563
00:28:00,319 --> 00:28:02,480
of Death in the Family. I'm curious about does the

564
00:28:02,519 --> 00:28:05,400
title have any meaning specifically and is there a theme

565
00:28:05,519 --> 00:28:05,720
to this?

566
00:28:06,119 --> 00:28:10,880
Speaker 8: To this album, we had gone through a small lineup change.

567
00:28:12,920 --> 00:28:16,000
We had so since twenty eighteen, we did a trilogy

568
00:28:16,039 --> 00:28:20,359
of records not Dead Yet, Never Say Die and Until

569
00:28:20,519 --> 00:28:24,799
Death and that was our It's just kind of about

570
00:28:24,839 --> 00:28:26,799
everything that was going on at the time, and as

571
00:28:26,880 --> 00:28:30,039
well as kind of like a not necessarily a promise

572
00:28:30,119 --> 00:28:31,599
or an oath or something, but something that we did

573
00:28:31,640 --> 00:28:33,440
for each other, like this, this is it, this is

574
00:28:33,480 --> 00:28:37,240
what we're going to do. Yeah, And we for a

575
00:28:37,359 --> 00:28:42,359
while we're a six member band in that fizzled away

576
00:28:42,599 --> 00:28:46,000
and that became a death in the family as a

577
00:28:46,039 --> 00:28:47,960
way to just kind of put closure on that chapter.

578
00:28:48,240 --> 00:28:48,960
Speaker 11: Oh okay, and.

579
00:28:48,960 --> 00:28:51,240
Speaker 8: Then the things that we we have come in now

580
00:28:51,279 --> 00:28:53,359
are moving on to the next chapter.

581
00:28:53,640 --> 00:28:53,960
Speaker 11: Okay.

582
00:28:54,359 --> 00:28:56,680
Speaker 8: So this band was a six piece at one point. Yeah,

583
00:28:56,759 --> 00:29:01,720
for wow, what did the other member do? The little percussion,

584
00:29:01,920 --> 00:29:04,599
some backup vocals. It's kind of an auxiliary, remember, yeah,

585
00:29:05,400 --> 00:29:07,079
which which was fun. It was a it was a

586
00:29:07,119 --> 00:29:10,920
great thing to have. But I think all it really

587
00:29:11,000 --> 00:29:14,000
did was just kind of solidify our five member band

588
00:29:14,079 --> 00:29:17,680
and yeah, kind approved to us that we didn't necessarily

589
00:29:17,799 --> 00:29:19,240
need anybody else there.

590
00:29:19,079 --> 00:29:23,319
Speaker 10: With us, right right, Yeah, I mean, I know from

591
00:29:23,359 --> 00:29:26,960
my own experience, it's it's hard. It can be hard enough,

592
00:29:27,079 --> 00:29:28,920
you know, like with a five piece or even a

593
00:29:28,960 --> 00:29:30,440
four piece, it can be hard enough trying to work

594
00:29:30,480 --> 00:29:33,559
with everyone's schedules and everyone's you know, everyone's got lives

595
00:29:33,599 --> 00:29:37,039
and and you know, and trying to book shows and everything.

596
00:29:37,079 --> 00:29:38,839
Speaker 11: So I can only imagine with a six piece what

597
00:29:38,960 --> 00:29:39,359
that was like.

598
00:29:41,480 --> 00:29:43,480
Speaker 10: Some of the it's funny, uh, you know, we have

599
00:29:43,519 --> 00:29:45,799
a lot of singer songwriters on the show, and very

600
00:29:45,839 --> 00:29:49,480
often there are people who used to play in bands

601
00:29:49,519 --> 00:29:53,039
who you know, got they get to a point where

602
00:29:53,039 --> 00:29:55,079
it's it's it just becomes too much to manage. So

603
00:29:55,200 --> 00:29:57,480
then they decide to do their own thing, you know,

604
00:29:57,640 --> 00:30:00,640
and and just and not have to deal with all

605
00:30:00,720 --> 00:30:03,119
the Somebody somebody said to me, I forget who it

606
00:30:03,240 --> 00:30:05,400
was who said it on the show, that being in

607
00:30:05,480 --> 00:30:08,119
a band with four other people is like being in

608
00:30:08,359 --> 00:30:11,640
four relationships. It's like is like or is like being

609
00:30:11,640 --> 00:30:13,400
in a relationship with four other people who are all

610
00:30:13,440 --> 00:30:14,920
in a relationship with four other people.

611
00:30:15,039 --> 00:30:15,799
Speaker 12: That is true.

612
00:30:17,920 --> 00:30:19,720
Speaker 10: I wish I could remember who said it so I

613
00:30:19,759 --> 00:30:21,680
could give them credit. But I thought it was a

614
00:30:21,720 --> 00:30:24,920
great I thought it was a great insight. But you

615
00:30:25,000 --> 00:30:26,720
guys have a lot going on with you know, you're

616
00:30:26,799 --> 00:30:29,319
you're playing a lot, and I mean, is it hard

617
00:30:29,359 --> 00:30:31,119
to is it hard to manage all that with with

618
00:30:31,599 --> 00:30:32,599
with a five piece band?

619
00:30:32,799 --> 00:30:36,039
Speaker 8: Or I think it would be more difficult if we

620
00:30:36,160 --> 00:30:39,960
weren't as tight knit. Yeah, But the fact that you know,

621
00:30:40,119 --> 00:30:42,720
like these this is we're a team. Yeah, and we

622
00:30:42,880 --> 00:30:46,400
worked very hard to make sure that you know, maybe

623
00:30:46,480 --> 00:30:49,640
we can't grab every opportunity like today with Dominic not

624
00:30:49,720 --> 00:30:51,920
being able to be here, but Dominic also very much

625
00:30:52,000 --> 00:30:54,599
understood and you know, you know, you guys go do this.

626
00:30:54,720 --> 00:30:56,720
I have to do some other things right now. Yeah,

627
00:30:57,119 --> 00:30:59,880
And that's usually the way it always goes, is we

628
00:31:00,359 --> 00:31:02,440
work very hard to make sure that it's amicable for

629
00:31:02,640 --> 00:31:06,880
everyone and that we're amicable to everything. Might not be

630
00:31:07,240 --> 00:31:09,440
a show. Joe's crazy about playing, but he you know,

631
00:31:09,519 --> 00:31:11,759
he believes in his band and he's here for his band,

632
00:31:11,799 --> 00:31:13,400
so we can make that work right.

633
00:31:13,440 --> 00:31:15,839
Speaker 13: And I think another thing too is that you know,

634
00:31:15,880 --> 00:31:20,240
I've been in bands before where and you know, it's

635
00:31:20,480 --> 00:31:22,359
just like ty said, with a team dynamic on like

636
00:31:22,440 --> 00:31:26,160
a sports team or in a lot of situations, there's

637
00:31:26,799 --> 00:31:30,640
you know, leadership and there's not followers, but like people

638
00:31:30,680 --> 00:31:33,880
who look up to the leader. And Tye being the leader,

639
00:31:33,960 --> 00:31:36,559
he does the booking, he has the majority of the connections,

640
00:31:38,079 --> 00:31:39,880
and he kind of sets the schedule for us. We've

641
00:31:39,920 --> 00:31:43,279
all kind of committed Sunday, you know, Sunday afternoons is

642
00:31:43,359 --> 00:31:45,720
band day. That's when we get together, that's when we practice,

643
00:31:45,720 --> 00:31:48,759
we talk about band business, and then we've got a

644
00:31:48,799 --> 00:31:51,559
group calendar that you know, if there's a date that

645
00:31:52,200 --> 00:31:54,640
anybody can't do something, we put it in the group

646
00:31:54,720 --> 00:31:56,279
calendar and then other than that.

647
00:31:57,200 --> 00:31:58,880
Speaker 12: It's basically free reign.

648
00:31:59,119 --> 00:32:03,880
Speaker 13: Yeah, time knows to you know, he does right by

649
00:32:04,000 --> 00:32:07,400
us and not booking something that's gonna totally you.

650
00:32:07,440 --> 00:32:11,720
Speaker 12: Know, derail derail everybody's.

651
00:32:11,200 --> 00:32:13,880
Speaker 13: Lives because you know, as much as we'd all love

652
00:32:14,039 --> 00:32:18,519
to be the full time touring bands and everything, it's

653
00:32:18,599 --> 00:32:20,000
it's so hard to get to that level.

654
00:32:20,079 --> 00:32:21,640
Speaker 12: So yeah, we get day jobs.

655
00:32:21,759 --> 00:32:23,440
Speaker 11: Yeah, of course, of course.

656
00:32:23,960 --> 00:32:26,079
Speaker 10: Do you guys like, how how far do you go

657
00:32:26,160 --> 00:32:27,720
in terms of when you're playing shows, Like you said,

658
00:32:27,720 --> 00:32:28,359
you're playing a lot.

659
00:32:28,759 --> 00:32:30,079
Speaker 11: You get out of New England, do you go?

660
00:32:30,359 --> 00:32:33,359
Speaker 8: We'll go wherever we'll have us. Yeah, we just we

661
00:32:34,039 --> 00:32:35,960
want to get out to as many people as possible

662
00:32:36,039 --> 00:32:38,839
with We love new venues, we love new bands, we

663
00:32:38,920 --> 00:32:41,279
love all the things that we were very lucky enough

664
00:32:41,319 --> 00:32:43,920
to get to do. So anywhere that will have us,

665
00:32:44,000 --> 00:32:45,000
we are we are glad to go.

666
00:32:45,319 --> 00:32:47,680
Speaker 11: Yeah, yeah, excellent. Where does the name come from, by

667
00:32:47,680 --> 00:32:48,799
the way, Scarecrow Hill.

668
00:32:49,160 --> 00:32:51,640
Speaker 8: So that we have been we have ended this question

669
00:32:51,759 --> 00:32:55,880
for so long, So Scarecrow It was actually when when

670
00:32:56,000 --> 00:32:59,519
we were very first trying to start this band, we

671
00:32:59,640 --> 00:33:02,319
had had a different name and everything, and we had

672
00:33:02,359 --> 00:33:06,759
written kind of like this mission statement. It was like

673
00:33:06,920 --> 00:33:10,680
partial lyrics, partial, just eighteen year old bravado. And yeah,

674
00:33:11,400 --> 00:33:14,000
we had used the term scarecrow hill as a metaphor

675
00:33:15,240 --> 00:33:20,039
because you know, scarecrows are they're they're warning. It's like

676
00:33:20,160 --> 00:33:22,200
to stay away from somewhere. It's to keep you out

677
00:33:22,240 --> 00:33:25,960
of something, and hills are like steep and hard decline,

678
00:33:26,039 --> 00:33:28,359
and so we used scarecrow Hill as a metaphor of like,

679
00:33:28,640 --> 00:33:32,720
we need to get past a scarecrow hill into the

680
00:33:32,799 --> 00:33:36,400
music business. Yeah, and it's actually my mom looked at

681
00:33:36,480 --> 00:33:38,519
us and was like, that's your band name, Like, that's

682
00:33:38,720 --> 00:33:41,000
that's what your band name should be. Yeah, we're all right,

683
00:33:41,000 --> 00:33:42,119
we'll give it a shot. It's different.

684
00:33:43,240 --> 00:33:48,240
Speaker 11: Yeah, right, And it's speaking of moms, high moms. Yes,

685
00:33:48,319 --> 00:33:52,319
time moms. What was what was the Do you want

686
00:33:52,319 --> 00:33:52,759
to say.

687
00:33:52,559 --> 00:33:54,599
Speaker 8: What the name was before you say we were called

688
00:33:54,720 --> 00:33:55,400
standing Room?

689
00:33:55,720 --> 00:33:58,519
Speaker 10: Because I love hearing about rejected band names the standing Room?

690
00:33:59,440 --> 00:34:01,279
Why why didn't you? Why didn't you stick with that?

691
00:34:02,200 --> 00:34:04,559
Speaker 8: Honestly, just like I said when she was like, scarecrow

692
00:34:04,599 --> 00:34:07,519
Hill is a better band name. It does sound kind

693
00:34:07,519 --> 00:34:07,799
of cool.

694
00:34:07,880 --> 00:34:09,800
Speaker 11: Actually, yeah, yeah, yeah, I do think it's a better

695
00:34:09,880 --> 00:34:10,679
name than standing room.

696
00:34:10,679 --> 00:34:14,199
Speaker 8: Oh yeah, no doubt.

697
00:34:14,360 --> 00:34:17,000
Speaker 10: Well let's oh boy, my voice is cracking. Let's do this,

698
00:34:17,159 --> 00:34:18,719
which is the perfect time to do this because we

699
00:34:18,800 --> 00:34:21,159
were talking about it. Let's play uh, let's play wearing

700
00:34:21,239 --> 00:34:24,519
this together now. I just I'm so amazed by this. Now,

701
00:34:24,639 --> 00:34:27,519
Who's because obviously this this is not the full band

702
00:34:27,599 --> 00:34:29,760
on this track, So who else is playing?

703
00:34:29,920 --> 00:34:30,719
Speaker 11: Who else is doing what.

704
00:34:30,840 --> 00:34:35,519
Speaker 8: On this cloud? Yeah? So myself and our our other producer,

705
00:34:35,639 --> 00:34:38,559
Joe Clap, did a lot of stuff, and then there

706
00:34:38,679 --> 00:34:42,880
was a lady that we had reached out to a

707
00:34:42,920 --> 00:34:45,760
couple of years back actually to get some of the

708
00:34:45,800 --> 00:34:50,079
original piano pieces, and we just kind of combined everything

709
00:34:50,119 --> 00:34:51,519
and then he and I sat in the booth and

710
00:34:52,280 --> 00:34:55,000
did a lot a lot of additional piano and the

711
00:34:55,119 --> 00:34:56,480
strings and all that kind of stuff.

712
00:34:56,519 --> 00:35:00,679
Speaker 10: And yeah, no, it's really impressive. I'm eager to play it.

713
00:35:00,800 --> 00:35:02,960
Let's give this a listen if you're just joining us.

714
00:35:03,280 --> 00:35:05,920
Scarecrow Hill is with us here in studio this morning,

715
00:35:06,039 --> 00:35:09,000
and this is their cover of nine Inch Nails.

716
00:35:09,039 --> 00:35:10,880
Speaker 11: This is called We're in This Together now.

717
00:35:24,239 --> 00:36:03,599
Speaker 7: H m hm.

718
00:36:05,480 --> 00:36:05,920
Speaker 2: M hm.

719
00:36:08,000 --> 00:36:10,079
Speaker 5: Hm ah.

720
00:36:11,880 --> 00:36:12,880
Speaker 2: Be jim.

721
00:36:16,760 --> 00:36:19,440
Speaker 1: Him possibles holding up.

722
00:36:21,039 --> 00:36:23,000
Speaker 2: To when where.

723
00:36:22,960 --> 00:36:35,480
Speaker 16: Everything seems mad more virtue all you lose, all you used.

724
00:36:35,199 --> 00:36:39,920
Speaker 2: And beating up, watching face as if for.

725
00:36:41,559 --> 00:36:44,760
Speaker 5: Don't the pass we have jo.

726
00:36:47,039 --> 00:36:49,400
Speaker 2: Jo mad.

727
00:36:50,519 --> 00:36:52,119
Speaker 4: We're at least a gather.

728
00:36:54,960 --> 00:37:00,920
Speaker 2: Not then stoppers Bulliam. We get through some.

729
00:37:05,079 --> 00:37:10,559
Speaker 5: Yeah in May and the world of breaking Hi.

730
00:37:12,840 --> 00:37:15,320
Speaker 2: N tell the very end of man.

731
00:37:17,440 --> 00:37:19,400
Speaker 5: Until the very end of you.

732
00:37:26,639 --> 00:37:30,159
Speaker 16: Who wakes on the sound does appeal about the skin

733
00:37:31,000 --> 00:37:33,800
they'd pick in They fall trying.

734
00:37:33,599 --> 00:37:34,599
Speaker 2: To get the vegus in.

735
00:37:35,280 --> 00:37:38,199
Speaker 17: Whether they're gonna kill what we found, well, they're gonna

736
00:37:38,280 --> 00:37:39,400
hate what they fear.

737
00:37:39,920 --> 00:37:43,000
Speaker 8: Well, they're gonna make it go away, while they're gonna.

738
00:37:42,840 --> 00:37:44,519
Speaker 4: Make it disappear.

739
00:37:47,239 --> 00:37:47,840
Speaker 7: The father.

740
00:37:48,199 --> 00:37:52,920
Speaker 4: I fall on the side you as lost as I

741
00:37:53,119 --> 00:37:54,079
guess I.

742
00:37:54,199 --> 00:37:59,639
Speaker 17: Will find you the tea bottle warm dom inside you.

743
00:38:01,400 --> 00:38:02,559
Speaker 2: Rather endeavor.

744
00:38:02,880 --> 00:38:05,440
Speaker 5: I am a bard of jol.

745
00:38:06,920 --> 00:38:14,400
Speaker 17: May we're released in Johann. No they can stop us

746
00:38:14,519 --> 00:38:19,039
now we will make it jos.

747
00:38:25,039 --> 00:38:25,280
Speaker 7: Man.

748
00:38:26,440 --> 00:38:32,159
Speaker 17: If the wilch of Brankin Hi, the telor very and

749
00:38:32,440 --> 00:38:37,119
the man. Until the very end of.

750
00:38:41,960 --> 00:38:48,079
Speaker 18: All that we were is gone, we have to folk gone.

751
00:38:51,159 --> 00:38:54,400
All that we were is gone.

752
00:38:54,639 --> 00:38:57,119
Speaker 14: We have to hold on.

753
00:39:00,360 --> 00:39:03,599
Speaker 4: Without all hobbies gone.

754
00:39:03,840 --> 00:39:06,320
Speaker 12: We had to hold on.

755
00:39:09,679 --> 00:39:15,800
Speaker 1: All that we weres gone, but we gain all time.

756
00:39:18,159 --> 00:39:23,880
Speaker 17: Join man wearing this togethern.

757
00:39:26,039 --> 00:39:27,679
Speaker 5: No that can stop us.

758
00:39:27,840 --> 00:39:32,599
Speaker 2: Now we will make it through some time.

759
00:39:36,480 --> 00:39:44,760
Speaker 17: Join many in and out of everything, you know, the

760
00:39:44,960 --> 00:39:50,920
cleaning on the jack, nothing else we tell anything.

761
00:40:00,239 --> 00:40:15,760
Speaker 5: H h.

762
00:40:28,679 --> 00:40:29,199
Speaker 11: That's so good.

763
00:40:29,239 --> 00:40:31,280
Speaker 10: I didn't even want to talk over that slow fade

764
00:40:31,320 --> 00:40:32,559
at the end. I was like, no, I got to

765
00:40:32,599 --> 00:40:34,360
give that a few more seconds. That's intense.

766
00:40:34,760 --> 00:40:37,280
Speaker 11: That is so good. Scarecrow Hill is here with us

767
00:40:37,320 --> 00:40:38,719
in studio if you are.

768
00:40:39,000 --> 00:40:42,239
Speaker 10: Just joining us, and that is their cover of We're

769
00:40:42,280 --> 00:40:44,880
in This Together Now by Nine Inch Nails and yeah, great,

770
00:40:45,000 --> 00:40:45,800
great job on that.

771
00:40:47,320 --> 00:40:49,920
Speaker 11: What do you guys, uh, what do you guys have

772
00:40:50,039 --> 00:40:50,400
coming up?

773
00:40:50,440 --> 00:40:53,320
Speaker 10: In terms of are you are you already working on

774
00:40:53,440 --> 00:40:55,639
material for I know this album just came out, but

775
00:40:56,079 --> 00:40:59,199
you know, you strike me as guys who probably have

776
00:40:59,239 --> 00:41:01,880
a lot of ideas, probably already working on some new stuff.

777
00:41:02,800 --> 00:41:07,559
Speaker 8: We're pretty much constantly anytime we put anything out, we'll

778
00:41:07,599 --> 00:41:10,159
give it a few months and really hone in on

779
00:41:10,280 --> 00:41:13,880
the live part of the show and things that we

780
00:41:14,000 --> 00:41:17,920
gotta do. But I think genuinely we enjoy writing together

781
00:41:18,079 --> 00:41:20,400
so much that we just we never stopped it. Yeah,

782
00:41:20,960 --> 00:41:24,000
we we just came finished and started polishing a new

783
00:41:24,079 --> 00:41:25,239
track a week ago.

784
00:41:26,480 --> 00:41:26,639
Speaker 7: Yeah.

785
00:41:26,760 --> 00:41:30,360
Speaker 19: Well, that's like the exciting part because I'm speaking for myself,

786
00:41:30,400 --> 00:41:33,320
I'm kind of the impatient type. So pretty much even

787
00:41:33,400 --> 00:41:37,199
before we put an album out, we're already kind of

788
00:41:37,280 --> 00:41:40,400
looking at the next next new material that we're going

789
00:41:40,480 --> 00:41:43,920
to be writing, and we're looking at ways, really how

790
00:41:45,039 --> 00:41:50,440
one we can improve into how we can I'm just

791
00:41:50,519 --> 00:41:53,519
moving forward, but what we can do to evolve our sound,

792
00:41:54,320 --> 00:41:57,159
which you know, I think it's awesome, and.

793
00:41:57,159 --> 00:41:59,679
Speaker 12: There's a lot of a lot of time. There's enough time.

794
00:41:59,760 --> 00:42:02,400
Speaker 13: But between when you're done writing a batch of songs

795
00:42:02,440 --> 00:42:05,320
for a record and the time that that comes out,

796
00:42:06,039 --> 00:42:10,960
that between that you're already I mean personally, sometimes I

797
00:42:11,039 --> 00:42:14,159
get a little fatigued from like the writing and recording process.

798
00:42:14,239 --> 00:42:16,760
So like to have like maybe even just like a

799
00:42:16,840 --> 00:42:19,159
month to kind of like forget about it is good. Yeah,

800
00:42:19,199 --> 00:42:21,719
But even still, like once we're done with the writing

801
00:42:21,760 --> 00:42:23,880
and recording, even before the next one comes out, it's

802
00:42:24,280 --> 00:42:27,079
a lot of the time it's already creative juices are

803
00:42:27,119 --> 00:42:28,000
flowing for the next thing.

804
00:42:28,159 --> 00:42:30,639
Speaker 19: Yeah, no doubt exactly, And honestly, it comes to the

805
00:42:30,679 --> 00:42:34,159
most random times. I always joke around like some of

806
00:42:34,199 --> 00:42:37,119
the best ideas coming to me in the shower of all. Yeah,

807
00:42:37,360 --> 00:42:39,920
and you know, if that's the case, it could be

808
00:42:40,800 --> 00:42:42,679
a day after we put out the new album and

809
00:42:43,719 --> 00:42:46,920
already putting down new ideas. Sometimes you're listening to the

810
00:42:47,000 --> 00:42:50,599
final mix of the album and you're like, oh, a really.

811
00:42:50,440 --> 00:42:51,119
Speaker 11: Good idea, you know.

812
00:42:51,320 --> 00:42:54,280
Speaker 19: All right, Yeah, it's always an evolving process. And that's

813
00:42:54,320 --> 00:42:55,920
the thing I think I love most about it.

814
00:42:56,119 --> 00:42:57,840
Speaker 12: I think we do. I shouldn't even speak for myself,

815
00:42:58,079 --> 00:42:59,400
we all do.

816
00:43:00,000 --> 00:43:01,239
Speaker 10: Any of the songs that you guys are working on

817
00:43:01,320 --> 00:43:03,760
d end up playing them out live before before they've

818
00:43:03,760 --> 00:43:04,599
been recorded.

819
00:43:04,559 --> 00:43:08,039
Speaker 11: Usually them, Yeah, no, but sometimes yeah.

820
00:43:08,239 --> 00:43:12,199
Speaker 13: Yeah, there's usually like if we put out a record

821
00:43:12,239 --> 00:43:14,360
that I mean, the first three of the tri that

822
00:43:14,480 --> 00:43:17,360
trilogy that was that I was talking about earlier was

823
00:43:18,239 --> 00:43:21,440
the start of that was the beginning of this iteration

824
00:43:21,559 --> 00:43:25,639
of the lineup. So since then there was always like

825
00:43:25,880 --> 00:43:28,519
one or two or three that were like the ones

826
00:43:28,559 --> 00:43:30,559
that we knew were would go over well live and

827
00:43:30,679 --> 00:43:32,719
those were always the ones that we took out and

828
00:43:32,840 --> 00:43:34,760
played first before anything came out.

829
00:43:34,920 --> 00:43:37,519
Speaker 11: Okay, yeah that makes sense, that makes sense.

830
00:43:38,599 --> 00:43:42,159
Speaker 10: And then uh, so so, even though obviously we're in winter,

831
00:43:42,239 --> 00:43:44,360
a lot of bands kind of slowed down with the

832
00:43:44,400 --> 00:43:45,920
live shows, but it sounds like, are you guys going

833
00:43:45,960 --> 00:43:47,719
to be continuing to play through the winter?

834
00:43:48,199 --> 00:43:50,159
Speaker 8: Uh? Yeah, so we've got we've got a few more

835
00:43:50,239 --> 00:43:54,119
this month, and then we're actually we're taking our first

836
00:43:54,639 --> 00:43:58,480
break from live shows in almost three years. Wow. We're

837
00:43:58,719 --> 00:44:01,639
taking the month of February to kind of go home

838
00:44:01,719 --> 00:44:06,199
and reassess and rehune in on some things and and

839
00:44:06,440 --> 00:44:09,119
get some things lined back up. But then I mean, right,

840
00:44:09,440 --> 00:44:11,239
the first week in March, we're right back at it.

841
00:44:11,320 --> 00:44:12,119
We're back out of there.

842
00:44:12,320 --> 00:44:13,119
Speaker 11: So excellent.

843
00:44:13,840 --> 00:44:15,840
Speaker 8: Nice to have a little time off, but I'm glad

844
00:44:15,880 --> 00:44:16,880
it's the shortest month.

845
00:44:17,000 --> 00:44:19,719
Speaker 11: Right right, Yeah, yeah, exactly.

846
00:44:19,840 --> 00:44:21,719
Speaker 10: Well, it seems like you have a lot of momentum

847
00:44:21,800 --> 00:44:24,480
and uh, you know, like I said, the album is great.

848
00:44:25,920 --> 00:44:28,880
And then, by the way, do you guys do any

849
00:44:28,920 --> 00:44:32,320
covers live other than I don't, like, I don't know really,

850
00:44:33,760 --> 00:44:36,000
I'm just all I was curious. I always say you

851
00:44:36,000 --> 00:44:37,519
can kind of tell tell a little bit about a

852
00:44:37,559 --> 00:44:39,400
band's influences by the covers that they do. But you

853
00:44:39,480 --> 00:44:42,840
guys have such an interesting sound and such a disparate

854
00:44:43,199 --> 00:44:47,280
influences anyway, that which I think is really cool. Is

855
00:44:47,320 --> 00:44:48,760
there anybody in the scene, by the way, that you

856
00:44:48,800 --> 00:44:50,440
play a lot of shows with? You know, sometimes it

857
00:44:50,480 --> 00:44:53,679
happens organically, you just end up sort of teaming up

858
00:44:53,760 --> 00:44:56,119
unofficially with bands and like like like.

859
00:44:56,159 --> 00:44:57,880
Speaker 4: Who who who around here?

860
00:44:57,920 --> 00:44:58,760
Speaker 11: Do you guys play a lot with?

861
00:44:59,679 --> 00:45:01,760
Speaker 8: Well, I mean, like, like we said, we get Rags

862
00:45:01,800 --> 00:45:03,199
of Stitches right here in New Hampshire.

863
00:45:03,760 --> 00:45:06,719
Speaker 10: Oh, I finally remembered. Now why Jenny, you know why

864
00:45:06,800 --> 00:45:08,880
that Dave is so familiar. We saw them at a

865
00:45:09,159 --> 00:45:09,920
Spelfy fest.

866
00:45:11,400 --> 00:45:13,719
Speaker 11: Rags of Stitches was there. That's why. Okay, so yeah,

867
00:45:13,800 --> 00:45:16,039
we will get them on. I'm sorry, I mean but yeah,

868
00:45:16,119 --> 00:45:16,639
so you.

869
00:45:16,679 --> 00:45:19,360
Speaker 8: Know we love those and I mean there's fear of

870
00:45:19,400 --> 00:45:22,079
the Masses out of Connecticut or you know, good Buddies

871
00:45:22,079 --> 00:45:23,199
of ours that we play with a lot.

872
00:45:23,400 --> 00:45:24,199
Speaker 11: That's a name I've heard.

873
00:45:24,280 --> 00:45:26,000
Speaker 8: Yeah, yeah, yeah, they're They're phenomenal.

874
00:45:26,199 --> 00:45:28,119
Speaker 12: The Great Curtain. Shout out the Great Curtain.

875
00:45:28,320 --> 00:45:30,480
Speaker 11: Oh I love we had the Great Curtain on the show.

876
00:45:30,559 --> 00:45:31,079
Great band.

877
00:45:31,199 --> 00:45:31,920
Speaker 12: Yeah, great band.

878
00:45:32,239 --> 00:45:33,199
Speaker 11: Dennis Layton is.

879
00:45:33,559 --> 00:45:35,880
Speaker 12: Great, one of the one of the greatest humans you

880
00:45:35,920 --> 00:45:36,480
will ever meet.

881
00:45:36,519 --> 00:45:39,360
Speaker 10: Oh, he's awesome and another guy who too, like really

882
00:45:39,440 --> 00:45:42,800
tries to do something different, yes, like really unique.

883
00:45:42,920 --> 00:45:44,280
Speaker 11: Oh love love that band.

884
00:45:44,440 --> 00:45:47,320
Speaker 13: You cannot say that he is not one hundred percent

885
00:45:47,480 --> 00:45:50,159
himself when he's doing what he's doing. He's not trying

886
00:45:50,199 --> 00:45:51,400
to be anything else other than that.

887
00:45:51,679 --> 00:45:52,760
Speaker 11: Yeah, yeah, exactly.

888
00:45:53,199 --> 00:45:55,960
Speaker 8: It's one of the things that we all really seem

889
00:45:56,039 --> 00:45:59,280
to love and enjoy about the New England scene is uh,

890
00:46:00,159 --> 00:46:02,440
there isn't a whole lot of competition going on like

891
00:46:02,559 --> 00:46:08,960
in some scenes around. It's much more of a teamwork

892
00:46:09,039 --> 00:46:10,920
thing that a lot of bands that are friends, a

893
00:46:10,960 --> 00:46:11,679
lot of bands.

894
00:46:11,519 --> 00:46:13,559
Speaker 12: Yes, yeah, Rising Tide lifts all ships.

895
00:46:13,679 --> 00:46:14,320
Speaker 2: Yeah yeah.

896
00:46:14,559 --> 00:46:17,320
Speaker 8: And we'll go play this show, you know, down in

897
00:46:18,360 --> 00:46:21,159
the middle of nowhere, Connecticut, and there's ten bands on

898
00:46:21,239 --> 00:46:23,519
the bill and eight of them are bands that we've

899
00:46:23,559 --> 00:46:26,280
played twenty five shows with. Yeah, I me and guys

900
00:46:26,320 --> 00:46:29,440
that we're like genuinely looking forward to seeing. Right. It

901
00:46:29,519 --> 00:46:31,079
makes it a lot of fun, It makes it very cool.

902
00:46:31,280 --> 00:46:31,480
Speaker 5: Yeah.

903
00:46:31,880 --> 00:46:35,840
Speaker 10: I always feel like, you know, music is very much

904
00:46:36,159 --> 00:46:37,960
people are supportive of each other. I always kind of

905
00:46:38,000 --> 00:46:41,320
contrast it with stand up comedy because I listen to

906
00:46:41,400 --> 00:46:43,239
some podcasts where you know, you've got these stand up

907
00:46:43,280 --> 00:46:46,360
comics who talk about about that industry, and my impression

908
00:46:46,440 --> 00:46:48,880
is that in stand up comedy everyone is very cutthroat

909
00:46:48,920 --> 00:46:51,119
and everyone kind of secretly hates each other. And I

910
00:46:51,199 --> 00:46:53,920
feel like music is the opposite of that. Like in music,

911
00:46:54,000 --> 00:46:55,519
I mean, don't get me wrong, there are sharks and

912
00:46:55,519 --> 00:46:57,920
there are cutthroat people in the music industry too, obviously,

913
00:46:58,159 --> 00:47:01,119
but I think generally musicians to really support each other,

914
00:47:02,159 --> 00:47:06,119
try to support each other and uplift everybody. So I

915
00:47:06,400 --> 00:47:08,320
so I think that's that's really cool. And then do

916
00:47:08,360 --> 00:47:10,719
you guys, what do you guys have coming up? Do

917
00:47:10,719 --> 00:47:12,760
you have any shows this weekend that you're playing that

918
00:47:12,800 --> 00:47:13,360
you want to plug?

919
00:47:13,719 --> 00:47:16,920
Speaker 8: We have, so on January fifteenth, we're actually at the

920
00:47:17,000 --> 00:47:21,960
Worcester Palladium with Dropout Kings and the Browning Okay, which

921
00:47:22,079 --> 00:47:25,920
we're very much looking forward to. Excellent, And then yeah,

922
00:47:26,000 --> 00:47:30,000
we get gosh And on the seventeenth, we're in our hometown,

923
00:47:30,199 --> 00:47:32,159
which is a rare thing but an awesome thing. We

924
00:47:32,239 --> 00:47:33,119
love getting to play there.

925
00:47:34,960 --> 00:47:35,920
Speaker 11: Where is that?

926
00:47:36,119 --> 00:47:39,960
Speaker 8: That's at a place called the New World Tavern in Plymouth, mass.

927
00:47:39,920 --> 00:47:44,239
Speaker 13: Excellent, one of the coolest venues in that section of Massachusetts. Yeah,

928
00:47:44,360 --> 00:47:46,800
for sure, it's like a very like when you go

929
00:47:46,880 --> 00:47:49,239
in the front, it's a very unassuming tavern looking place,

930
00:47:49,280 --> 00:47:50,960
but you go down this little hallway to the back

931
00:47:51,000 --> 00:47:54,000
and there's probably like a two hundred person venue with

932
00:47:54,119 --> 00:47:55,719
a nice stage sound set up.

933
00:47:55,800 --> 00:47:56,880
Speaker 12: It's it's pretty awesome.

934
00:47:56,960 --> 00:47:57,960
Speaker 8: They treat us very well.

935
00:47:58,039 --> 00:48:02,159
Speaker 11: Yeah, that's awesome. That's awesome. Well, guys, the time goes

936
00:48:02,199 --> 00:48:02,519
so quick.

937
00:48:02,519 --> 00:48:04,519
Speaker 10: We're already approaching the top of the hour and I

938
00:48:04,559 --> 00:48:07,079
am going to play to end the segment this track

939
00:48:07,159 --> 00:48:07,880
Wasting Time.

940
00:48:08,360 --> 00:48:09,639
Speaker 11: Another great, great song.

941
00:48:09,800 --> 00:48:12,000
Speaker 10: I really like this one a lot from the new

942
00:48:12,039 --> 00:48:14,960
album of Death in the Family from Scarecrow Hill. But

943
00:48:15,119 --> 00:48:17,440
before we let you go to what should our listeners

944
00:48:17,519 --> 00:48:19,039
know about where to keep up with everything that you're

945
00:48:19,039 --> 00:48:19,599
doing online?

946
00:48:19,599 --> 00:48:21,039
Speaker 11: Where's the best place to go?

947
00:48:21,320 --> 00:48:23,400
Speaker 8: I mean, just like anybody else man where we have

948
00:48:23,480 --> 00:48:26,880
the Instagram, Facebook, any anywhere there's a band begging for attention,

949
00:48:27,000 --> 00:48:31,639
We're on there.

950
00:48:29,559 --> 00:48:30,239
Speaker 12: You go, there, you go?

951
00:48:30,480 --> 00:48:32,280
Speaker 11: All right, guys, thank you so much.

952
00:48:32,960 --> 00:48:37,119
Speaker 10: If you are listening live on Saturday morning, we've got

953
00:48:37,679 --> 00:48:38,119
let's see.

954
00:48:38,280 --> 00:48:41,320
Speaker 11: Oh I'm sorry, who do we have? It's oh slim

955
00:48:42,000 --> 00:48:44,360
slim volume. Sorry, good blanking.

956
00:48:44,519 --> 00:48:45,840
Speaker 4: You turned me off again, didn't you?

957
00:48:45,880 --> 00:48:49,199
Speaker 10: I did, I think, well, I have an excuse now

958
00:48:49,239 --> 00:48:51,679
because of the asthma. The oxygen's not getting to my brain.

959
00:48:53,320 --> 00:48:55,119
So slim volume is coming up next if you are

960
00:48:55,199 --> 00:48:57,679
listening live on Saturday. But we're going to end this

961
00:48:57,920 --> 00:49:00,840
hour with another great track from Scarecrow Hill from the

962
00:49:00,880 --> 00:49:01,920
album of Death in the Family.

963
00:49:02,000 --> 00:49:04,760
Speaker 11: This is called wasting Time. And guys, thank you again.

964
00:49:04,880 --> 00:49:05,960
This has been thank you for having me.

965
00:49:06,039 --> 00:49:07,679
Speaker 12: Thank you absolutely and a lot of fun.

966
00:49:57,480 --> 00:49:59,559
Speaker 5: Let's hold.

967
00:50:20,880 --> 00:50:24,599
Speaker 6: You know we from world rosburn in Town advise my

968
00:50:24,840 --> 00:50:28,559
job wise yild became a smile to this time and

969
00:50:28,800 --> 00:50:29,639
now that's.

970
00:50:29,519 --> 00:50:33,320
Speaker 20: Not very I canter in my heart toward make good

971
00:50:33,559 --> 00:50:37,000
sounds right, a sip at night, jot not y but.

972
00:50:37,079 --> 00:50:40,440
Speaker 6: I'm afraid of me children, I'm going down these work

973
00:50:40,519 --> 00:50:41,840
for job.

974
00:50:53,000 --> 00:50:56,480
Speaker 2: Well, I have no you some my eyes red gods

975
00:50:56,519 --> 00:50:57,480
that mess.

976
00:50:57,880 --> 00:51:02,480
Speaker 21: Yeah, and that's what my h Well, you're opening out

977
00:51:02,880 --> 00:51:07,639
that jo No I should lie I since you now

978
00:51:07,840 --> 00:51:08,280
know that.

979
00:51:08,519 --> 00:51:12,000
Speaker 5: Truf you in mind.

980
00:51:11,840 --> 00:51:14,199
Speaker 2: All I don't at some time when.

981
00:51:35,639 --> 00:51:39,719
Speaker 6: I'm not afraid of work, some nice no fault pass

982
00:51:39,880 --> 00:51:43,679
my dry don't even after I think to rise like.

983
00:51:43,840 --> 00:51:47,079
Speaker 2: My yards in this time the monkey.

984
00:51:46,840 --> 00:51:50,599
Speaker 20: Certain were wrong, alright, no matter what my blows A

985
00:51:50,880 --> 00:51:54,280
love for an't were the joy ting die if I

986
00:51:54,480 --> 00:51:57,440
don't wear some time weary.

987
00:52:07,679 --> 00:52:11,039
Speaker 22: Well I have know you saw my eyes ran God

988
00:52:11,119 --> 00:52:15,559
say don't messen you and that's where my arm.

989
00:52:15,800 --> 00:52:20,840
Speaker 2: Well you can I'll go JOm. I know I should live.

990
00:52:21,159 --> 00:52:23,840
But since you'll now know that, drub.

991
00:52:24,599 --> 00:52:26,599
Speaker 5: If you want in mind.

992
00:52:26,519 --> 00:52:27,239
Speaker 2: All I too.

993
00:52:27,559 --> 00:52:28,880
Speaker 5: At some time where.

994
00:53:12,480 --> 00:53:13,360
Speaker 4: One job.

995
00:53:26,199 --> 00:53:37,719
Speaker 2: You can have that job says shown.

996
00:53:39,480 --> 00:53:39,519
Speaker 7: You.

997
00:53:42,480 --> 00:53:43,559
Speaker 2: Sometime where.

998
00:53:48,800 --> 00:53:50,960
Speaker 23: In times of crisis you need a law firm that

999
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stands by your side. With over forty years of experience,

1000
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As former state prosecutors are attorneys have the knowledge and

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team will assess your case and fight for the compensation

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you deserve. Serving all of New Hampshire. Craigan Getzulis is

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com for a free consultation. Craigan get zulus your advocates,

1008
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1009
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Speaker 24: Bring your kitchen to life with Queen Citycabinetry, located at

1010
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eighty seven Elm Street in the historic Sunbeam Wall in Manchester.

1011
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Speaker 8: Open Monday through Friday nine.

1012
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Speaker 24: Am to five thirty pm, in Saturday's ten am to

1013
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two pm. They can be reached at six h three

1014
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two two two to zero zero seven. We're on the

1015
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web at Queen citycabinatree NH dot com. Come see the

1016
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possibility is Queen Citycabinetry. Another proud sponsor of WMNH.

1017
00:54:56,360 --> 00:54:59,000
Speaker 25: Busine's Cafe is the place to put us. Smile on

1018
00:54:59,119 --> 00:55:01,519
your face and the crew will take care of you.

1019
00:55:01,760 --> 00:55:05,880
Bring your appetite, intrigue, your taste, buds right business cafe

1020
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is always a winning choice. Breakfast, lunch or supper Dizze's

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Cafe at eight sixty Elm Street in downtown Manchester. Dine in,

1022
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take out or make a reservation call six oh three

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1024
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be happy Dizze's Cafe.

1025
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Speaker 26: When it comes to keeping WMNH on the air and

1026
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your own personal or business computer needs, trust growl In

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virus removal and custom built systems. Are you looking for

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expenses here. Visit Grolind dot com or call Grolling Computers

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at six zero three six four five zero one zero one.

1033
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Your Tech, your Way, Trust groll In Computers.

1034
00:56:03,960 --> 00:56:08,320
Speaker 7: Midnight Seven times out of ten we listened to our

1035
00:56:08,519 --> 00:56:14,880
music at nights on the titled Bristessess program.

1036
00:56:14,679 --> 00:56:17,119
Speaker 6: Late Night to Light with DJ Midas right here on

1037
00:56:17,320 --> 00:56:20,559
WMNH Manchester wonder Line because.

1038
00:56:22,239 --> 00:56:24,320
Speaker 2: Saturdays and Sunday nights midnight.

1039
00:56:24,039 --> 00:56:24,599
Speaker 25: To four am.

1040
00:56:25,920 --> 00:56:31,400
Speaker 27: This hour on WMNH is sponsored by CGI Business Solutions,

1041
00:56:31,760 --> 00:56:35,760
located at five Dartmouth Drive in Auburn. They serve all

1042
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your business needs including employee benefits, planning, corporate design and

1043
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business administration, investments and wealth management and customized business insurance solutions.

1044
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Their phone number is eight sixty six eighty four to

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one forty six hundred, or on the web at CGI

1046
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Business Solutions dot com.

1047
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Speaker 28: Behold the harmony of airways as you immerse yourself in

1048
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the captivating frequencies of w MNHLP.

1049
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Speaker 4: The sonic heartbeats of Manchester is transcending.

1050
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Speaker 28: Through the ether at ninety five point three megahertz frequency

1051
00:57:11,079 --> 00:57:13,840
modulation or transmissions EM and eate from the zenith of

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one thousand elm streets, insure into the hearts of our

1053
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creative realm at one nineteen Canal Street, where innovation and

1054
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sound collage. They're the impro moder of Manchester Public Television

1055
00:57:24,760 --> 00:57:28,000
Service in the venerable city of Manchester, New Hampshire, USA.

1056
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Enrich your auditory journey with the depth of our license

1057
00:57:31,480 --> 00:57:35,480
to WESIDENSSPT. Your missives to WMNH ninety five three at

1058
00:57:35,559 --> 00:57:40,280
gmail dot com or traverse the virtual corridors of wmnhradio

1059
00:57:40,400 --> 00:57:43,559
dot org. Engage with our sonic vibrations by communing with

1060
00:57:43,719 --> 00:57:47,079
us through the digital channel or radio beckons eager to

1061
00:57:47,320 --> 00:57:50,079
enthrall you with its mesmerizing kittence and develop you with

1062
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a symphony of foundless auditories.

1063
00:57:52,280 --> 00:57:59,320
Speaker 2: Won dude, WMNH rip the novels.

1064
00:58:28,800 --> 00:58:35,760
Speaker 17: Hey, I'm a made lots of big classes, carry away,

1065
00:58:36,079 --> 00:58:37,360
but say.

1066
00:58:38,599 --> 00:58:41,199
Speaker 4: It might be too much of a good thing.

1067
00:58:41,960 --> 00:58:48,400
Speaker 17: No, no, you have to change me, ad, No, No,

1068
00:58:50,079 --> 00:58:51,400
I'm sure.

1069
00:58:52,719 --> 00:59:15,920
Speaker 5: I always know you want. I know you know that

1070
00:59:16,119 --> 00:59:29,320
I've been start. It's the hardest bald and she knows.

1071
00:59:30,400 --> 00:59:31,920
Speaker 24: She knows it.

1072
00:59:32,639 --> 00:59:34,360
Speaker 5: Tell them all.

1073
00:59:35,760 --> 00:59:55,599
Speaker 2: And made up the mad to they are. Why