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<v Speaker 1>Kalaroga Shark Media.

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<v Speaker 2>Hello Chi Meg with your daily comedy news this week.

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<v Speaker 2>The first annual Columbus Comedy Festival takes place the fourteenth

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<v Speaker 2>through the eighteenth, featuring over one hundred performers including national,

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<v Speaker 2>regional and local comedians. Headliners include Jason Banks, Michael Ee,

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<v Speaker 2>and black Tony Rock, Irene Ii fumu Abe, and a

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<v Speaker 2>bunch of others. My guest today is Walker Evans. Walker

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<v Speaker 2>is putting this thing together and as you're about to hear,

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<v Speaker 2>dude knows his stuff. And this is no little comedy festival.

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<v Speaker 2>This is not the as you'll hear me say during

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<v Speaker 2>the interview, the Smallville Comedy Festival where we grab the

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<v Speaker 2>locals from the chuckle Hut and called it comedy festival.

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<v Speaker 2>This is a real deal. So we get into the

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<v Speaker 2>business of it. And as you listen, you'll hear that

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<v Speaker 2>Walker knows his comedy. So it's the Columbus Comedy Festival,

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<v Speaker 2>kicking off on August fourteenth, five days, one hundred and

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<v Speaker 2>fifty plus comics. Here's Walker. So I'm really curious on

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<v Speaker 2>your background. I've definitely attended festivals. I've even put together

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<v Speaker 2>a few events. It is no small task, whatsoever? What's

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<v Speaker 2>your deal? How do you come to put together a

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<v Speaker 2>comedy festival? And as we dive into the details of it,

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<v Speaker 2>this is no small festival. I've looked at the sponsor list,

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<v Speaker 2>the number of events, the level of comedians. This isn't

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<v Speaker 2>you know. Hey, I'm friends with the guy at the club.

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<v Speaker 2>We'll throw a two night event and call it a

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<v Speaker 2>comedy festival. This is a real deal. So what's your story.

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<v Speaker 3>Yeah, My wife and I have run a local news

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<v Speaker 3>publication here in Columbus for the past twenty three years,

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<v Speaker 3>started in two thousand and one called Columbus Underground, and

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<v Speaker 3>about eleven twelve years ago, we decided to pivot into

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<v Speaker 3>event production. Instead of doing like a paywall model that

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<v Speaker 3>a lot of news organizations do, we throw events and

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<v Speaker 3>so we can tell our readers, Hey, if you like journalism,

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<v Speaker 3>if you like what you're doing, buy a ticket, come

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<v Speaker 3>to an event, have a good time, and know that

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<v Speaker 3>helps to fund local journalism here in Columbus. Some of

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<v Speaker 3>our events are on the smaller side to three hundred people,

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<v Speaker 3>but we've run a coffee festival since twenty sixteen that

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<v Speaker 3>has grown. Last year, in the eighth year, it's sold

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<v Speaker 3>out in advance with eighty five hundred people in attendance,

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<v Speaker 3>so that event has grown into a pretty big undertaking

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<v Speaker 3>putting this coffee festival together, So we do have experience

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<v Speaker 3>with like larger scale of end production. We're aiming for

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<v Speaker 3>ten thousand attendees this year in October. But we're also

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<v Speaker 3>big fans of comedy and there isn't a festival in

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<v Speaker 3>Columbus currently, so we're like, why don't we rally the

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<v Speaker 3>troops and try and pull off one of these to

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<v Speaker 3>a large scale?

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<v Speaker 2>All right, so many questions, So let's start with the

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<v Speaker 2>business sides. Presumably you have existing relationships with sponsors, You're

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<v Speaker 2>known in the community, so it was a little easier

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<v Speaker 2>to reach out as opposed to if I just showed

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<v Speaker 2>up in small town, USA and I was like, Hey,

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<v Speaker 2>it's the Smallville Comedy Festival. Who wants to sponsor it?

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<v Speaker 2>Can I have a check? So I assume it was

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<v Speaker 2>a little more straightforward because of your two decades.

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<v Speaker 3>Yeah, yeah, we've built a pretty good reputation on being

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<v Speaker 3>able to pull off the events that we say that

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<v Speaker 3>we're going to produce. So we've got a little bit

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<v Speaker 3>of history and again, twenty years yeah, connecting. Columbus is

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<v Speaker 3>a really interesting city because it's a region of two

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<v Speaker 3>million people, so we're a pretty big city. But it's

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<v Speaker 3>pretty easy to get to know people here. You just

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<v Speaker 3>reach out and say, hey, do you want to get coffee,

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<v Speaker 3>and you can connect with people pretty pretty easily. There's

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<v Speaker 3>not a lot of gatekeepers, so yeah, and I think

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<v Speaker 3>people really like We love festivals. We have a whole

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<v Speaker 3>summer lineup of the Arts Festival, the Asian Festival, the

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<v Speaker 3>Red White and Boom. We have a huge Pride festival,

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<v Speaker 3>so all some are long. People are looking for things

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<v Speaker 3>to do. And because we're not replicating something else that's

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<v Speaker 3>already here. There's six different Taco festivals. We're not like, hey,

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<v Speaker 3>we're going to be Taco fest numbers step because we're

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<v Speaker 3>doing something different. There isn't a comedy fest currently. There

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<v Speaker 3>have been some in the past that have come and gone.

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<v Speaker 3>People seem to be really excited about something new to

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<v Speaker 3>add to the lineup.

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<v Speaker 2>Who's uh, I don't necessarily need a specific name, but

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<v Speaker 2>who's helping you with the booking? Because there are some

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<v Speaker 2>big time comedians on this list. Again, this isn't the

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<v Speaker 2>Smallville Comedy Festival. We'll just get the regulars from the

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<v Speaker 2>Chuck ohad do you play there every Tuesday? You're bringing

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<v Speaker 2>real names in, knowing something about the business. Again, no

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<v Speaker 2>small feat and discussions and logistics going to that. So

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<v Speaker 2>how are you tackling the bringing in the Mike Leean

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<v Speaker 2>Blacks of the world.

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<v Speaker 3>Yeah, so I guess to rewind to last year, like

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<v Speaker 3>last October, when we were sort of noodling on this idea.

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<v Speaker 3>We brought together all of the local venue operators, promoters,

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<v Speaker 3>different groups in town to say, hey, what if Columbus

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<v Speaker 3>Underground runs the festival as a whole, But then each

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<v Speaker 3>of the different venue partners can program their own events,

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<v Speaker 3>do their things their own best way, and it's all

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<v Speaker 3>under the umbrella the festival. So that allowed others to

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<v Speaker 3>do their own things. And so, for example, the Attic,

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<v Speaker 3>which is a local club, they're bringing in Jim Florentine.

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<v Speaker 3>They have a pre existing relationship with him, so they're

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<v Speaker 3>able to tap into him pretty easily. The Funny Bone,

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<v Speaker 3>which is the big dog in town, got Tony Rock,

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<v Speaker 3>so that's obviously a big name and they had their

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<v Speaker 3>relationship there. But the events that we're programming, we just

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<v Speaker 3>started reaching out to people to see who we could get,

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<v Speaker 3>who's available, whose price range and budget we can work with.

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<v Speaker 3>And there's been a couple of folks that you reach

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<v Speaker 3>out to one agent or management or group and you

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<v Speaker 3>get one person, They're like, oh, what about this person?

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<v Speaker 3>This person they're on tour. Anyway, adding a Columbus date

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<v Speaker 3>might be pretty easy. So some of it, like Mike

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<v Speaker 3>William Black just came through talking with Curtis Flag in Chicago.

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<v Speaker 3>I think I reached out to him originally about Kristen

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<v Speaker 3>Toomey and He's like, here's the rest of the list

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<v Speaker 3>that I represent, right, who can we plug it? And

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<v Speaker 3>I'm like, yeah, I love my people Black, I love

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<v Speaker 3>the States. I'm old enough to remember the state from

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<v Speaker 3>the nineties on MTV, and so yeah, it ended up

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<v Speaker 3>being just throw a.

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<v Speaker 1>Lot with the wall and see what sticks. Approach.

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<v Speaker 2>Let's talk about these specific lineups and catch a listeners

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<v Speaker 2>up on it, and I will be doing raps about

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<v Speaker 2>it on the particular individual days, but in multiple venues,

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<v Speaker 2>multiple artists every night, can you just give us an

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<v Speaker 2>overview of who's coming in what a typical breakdown is

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<v Speaker 2>both headliners and I always advise the audience if you

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<v Speaker 2>go to festivals, especially the really bigger name ones, I

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<v Speaker 2>always say, don't go see Chris Rock. You can see

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<v Speaker 2>Chris Rock on Netflix. Go see somebody who maybe you've

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<v Speaker 2>never heard of, who's in up in comer. So just

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<v Speaker 2>if you can give us an overview of what the

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<v Speaker 2>next few days look.

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<v Speaker 3>Like, Yeah, sure, I mean I would say, even like

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<v Speaker 3>the bigger shows in the bigger rooms, the bigger headliners

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<v Speaker 3>are still like emerging.

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<v Speaker 1>Upcomer might not be.

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<v Speaker 3>The best term for them, But people like Chloe Radcliffe

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<v Speaker 3>who's been doing it for a while, building an audience,

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<v Speaker 3>but still very much not an arena level comic, but

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<v Speaker 3>headed on that trajectory. I would say her, Sumi Abe

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<v Speaker 3>who's coming in on Friday, Sam Jay, who was recently

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<v Speaker 3>on the roads to Tom Brady. Some of these folks,

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<v Speaker 3>I think being able to come and see them in

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<v Speaker 3>a little bit more of an intimate environment in a

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<v Speaker 3>room that seats two hundred to four hundred people is

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<v Speaker 3>going to be something special because those folks when they

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<v Speaker 3>come back to town and play like the big arena

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<v Speaker 3>in a couple of years, that's when the tickets are

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<v Speaker 3>going to be a lot more expensive, and that sort

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<v Speaker 3>of thing. But we have a lot of great regional comics,

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<v Speaker 3>not just from Chicago, but Cleveland and Cincinnati. Ramon Revas

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<v Speaker 3>is a big name in Cleveland that's coming down. Ran

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<v Speaker 3>Barnaclough and Blake Hammond from Cincinnati are coming up.

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<v Speaker 1>But a lot of great locals though too.

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<v Speaker 3>Jason Banks is one of our big kind of hometown heroes,

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<v Speaker 3>Simon Fraser, who's semi local. Yeah, there's gonna be a

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<v Speaker 3>lot to choose from, and a lot no matter what

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<v Speaker 3>your style of comedy is. We try to go for

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<v Speaker 3>diversity and style of comedy as well.

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<v Speaker 2>What comedy are you into? No, I hate comedy. I'm

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<v Speaker 2>just doing this festival some question.

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<v Speaker 3>Yeah, No, I like a variety of things. I would

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<v Speaker 3>say I love a good weirdo. Okay, me too, yes, yes,

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<v Speaker 3>so on. One person I'm very excited to see is

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<v Speaker 3>Comrade Tripp.

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<v Speaker 1>I'm not sure if you're familiar with them. He's based

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<v Speaker 1>in Minneapolis.

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<v Speaker 3>Definitely like an emerging talent, but he's very monotone and dry.

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<v Speaker 3>His humor is very nihilistic, it's self deprecating. It's really

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<v Speaker 3>funny if you like that style of comedy, a little

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<v Speaker 3>emo phillips ish I would say a little Mitch hedbergish

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<v Speaker 3>in terms of like tone. So folks like that I

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<v Speaker 3>really enjoy quite a bit. But I'm really excited to

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<v Speaker 3>see Pat Burscher. He's a Canadian comedian based in New York.

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<v Speaker 3>He's had some really great viral clips that I've watched

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<v Speaker 3>and fell in love with on the social media, so

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<v Speaker 3>we'll be going to see a full set from him too.

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<v Speaker 2>I think we're speaking the same language. There are different

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<v Speaker 2>styles of comedy and there's the straightforward approach, and it

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<v Speaker 2>was recently a notable Netflix special where the comic and

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<v Speaker 2>question went straight down the middle, and that's fine, but

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<v Speaker 2>I prefer personally to play on the edges as well.

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<v Speaker 2>As I was prepping for this and clicking on Walker

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<v Speaker 2>Evans and seeing what comes up, you got to see

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<v Speaker 2>Mitch Hedberg. Now he's not someone I saw. Just to

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<v Speaker 2>catch you up and the listeners, I started running Serious

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<v Speaker 2>XM comedy. I think it was two thousand and four,

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<v Speaker 2>so Mitch was around and hot. I've told the listeners

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<v Speaker 2>a story before. We were doing a broadcast at the

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<v Speaker 2>Javit Center at the New York Car Show. Jim Brewer

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<v Speaker 2>was our afternoon drive host, and it's been twenty years.

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<v Speaker 2>Jim was a little pissy that day because the night before,

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<v Speaker 2>Mitch didn't show up for a show. We later found

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<v Speaker 2>out the reason Mitch didn't show up for the show

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<v Speaker 2>is because he had passed away. But he was booked

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<v Speaker 2>on the show that day, so I never got to

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<v Speaker 2>see him. I never got to meet him. I know

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<v Speaker 2>his wife reasonably. Well. What was it like seeing Mitch

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<v Speaker 2>Hedberg in concert?

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<v Speaker 1>It was great. We were big fans.

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<v Speaker 3>This was it the what was then the Cleveland Improv.

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<v Speaker 3>I think it's rebranded to the Cleveland Funny Bone. But like,

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<v Speaker 3>his level of fame and popularity had gotten to the

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<v Speaker 3>point where he's on stage and he's trying to tell

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<v Speaker 3>jokes and there are people in the crowd finishing the

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<v Speaker 3>punchline because they had listened to his material, like they

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<v Speaker 3>bought an album, and so you could see that like

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<v Speaker 3>wearing on him and frustrating him. And at one point

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<v Speaker 3>halfway did the show, he said something along the lines

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<v Speaker 3>and I'm paraphrasing, but he's you know what, screw it,

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<v Speaker 3>I'm going to do all new material. It's not as good,

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<v Speaker 3>but at least you people won't be able to finish

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<v Speaker 3>my punchlines because you've never heard it, and everything we

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<v Speaker 3>cheered that, we'll like, yeah, let's hear some new stuff.

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<v Speaker 3>So he was rolling with it, but you could tell

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<v Speaker 3>like maybe the fame was getting to him. He wasn't

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<v Speaker 3>able to cope with it in a way that other

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<v Speaker 3>people do, so it was really of his past.

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<v Speaker 2>It's really interesting to me to hear you tell that

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<v Speaker 2>story unless you've listened to fifteen hundred episodes of Daily

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<v Speaker 2>Comedy News and you were familiar with the story I'm

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<v Speaker 2>about to tell. So when Mitch passed away, I'm not

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<v Speaker 2>a vulture. I wanted to do something for Mitch on

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<v Speaker 2>the radio station, but I'm not like, Hey, your husband

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<v Speaker 2>passed away three hours ago, let's do a tribute show.

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<v Speaker 2>So I like waited whatever amount of time, and I

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<v Speaker 2>reached out to Lynn and I'm like, hey, we really

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<v Speaker 2>want to do something. And she came in and shared

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<v Speaker 2>with me that this is going somewhere that she had

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<v Speaker 2>shared me that she hadn't really heard from anybody was

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<v Speaker 2>excited about it. So she came in and I was

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<v Speaker 2>sitting in one of the little edit boots with her,

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<v Speaker 2>and she had some tapes of Mitch late in life sets,

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<v Speaker 2>perhaps a show you were at, and she's playing them

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<v Speaker 2>and they're really well recorded, and I'm like, you've got

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<v Speaker 2>an album here, and I don't make comedy albums. Just

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<v Speaker 2>as a fan, I want to hear it. And we

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<v Speaker 2>connected her with Comedy Central and a guy named Jack

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<v Speaker 2>Vaughn and that became the posthumous Mitch Hedberg album. But

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<v Speaker 2>she had shared with me exactly what you said, that

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<v Speaker 2>he was frustrated that his timing was getting off because

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<v Speaker 2>he had to speed up and tell the punch before

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<v Speaker 2>somebody in the audience got to the punchline, and he

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<v Speaker 2>was really struggling with his cadence there. So it's fascinating

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<v Speaker 2>to me as a fan to hear you tell that

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<v Speaker 2>story that you experienced that.

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<v Speaker 3>Yeah, Yeah, that was a really Despite the issues that

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<v Speaker 3>he was dealing with on stage, it was a really

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<v Speaker 3>fun show. He put on a great show and we

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<v Speaker 3>couldn't have been more pleased to have the opportunity to

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<v Speaker 3>see him. I will say too, we had a local

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<v Speaker 3>comedian here at Columbus Pass relatively recently within the past

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<v Speaker 3>month named John Summerville, who I didn't really know very well.

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<v Speaker 3>He ran a lot of open mics like ten to

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<v Speaker 3>fifteen years ago. So a lot of the folks who

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<v Speaker 3>are coming up now really wanted to pay tribute to

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<v Speaker 3>him because of what he helped build in the local

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<v Speaker 3>scene here. And we noodled with the idea of doing

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<v Speaker 3>something like in remembrance or making some sort of award

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<v Speaker 3>in his name, maybe for comedian during the festival, but

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<v Speaker 3>it feels a little too soon because it was so fresh,

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<v Speaker 3>and so it's one of those things that we need

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<v Speaker 3>to talk with his family and maybe see if there's

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<v Speaker 3>something like next year, like some sort of legacy award

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<v Speaker 3>or something, just to kind of keep his name in

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<v Speaker 3>the spotlight.

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<v Speaker 2>Yeah, I think your sensibility is in the right spot.

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<v Speaker 2>There's always that careful walk of your heart wants to

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<v Speaker 2>do to the right thing, but sometimes things are just

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<v Speaker 2>better off if you take a beat, and I think

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<v Speaker 2>legacy things like that are great. I was recently speaking

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<v Speaker 2>to Jerniy Gunderson, who runs the National Comedy Center, about

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<v Speaker 2>how comedians get forgotten. We were specifically talking about people

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<v Speaker 2>like Richard Jenny or Robert Shimmel who were huge twenty

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<v Speaker 2>five years ago and you don't hear their names now,

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<v Speaker 2>and there's their material doesn't really surface. I guess Netflix

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<v Speaker 2>really isn't going to put up a twenty five year

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<v Speaker 2>old special, and the YouTube algorithm is more friendly towards

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<v Speaker 2>newer things, so it's a shame. So anyway you can

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<v Speaker 2>keep someone's name out there, I think that's really important.

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<v Speaker 3>Yeah, we're doing something else now that you mentioned that,

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<v Speaker 3>and I guess this will in the past at the

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<v Speaker 3>time this is released. But this Friday we are screening

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<v Speaker 3>the Aristocrats film from Henerie, I should say, from two

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<v Speaker 3>thousand and five, which I'm like, man, it'd be great

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<v Speaker 3>if it was the twentieth anniversary, but that would be

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<v Speaker 3>next year. And you go back and watch the trailer

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<v Speaker 3>and look at the list and how many people have

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<v Speaker 3>passed that.

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<v Speaker 1>Were in that.

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<v Speaker 3>George Carlin was in that when that was recorded, but

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<v Speaker 3>Bob Saggett has passed, Gilbert Godfrey has passed, Richard Lewis

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<v Speaker 3>has passed. So I think it's going to be fun

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<v Speaker 3>to watch this, especially with some comedians in town who

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<v Speaker 3>are like in their twenties, so they've never even heard

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<v Speaker 3>of this documentary, let alone seen it.

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<v Speaker 1>But my wife and I saw it in the theater and.

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<v Speaker 3>The one theater in town that would play it because

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<v Speaker 3>AMC wouldn't play it back in two thousand and five.

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<v Speaker 1>So I think that's gonna be really fun just to

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<v Speaker 1>watch some of these comedy legends like really go off

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<v Speaker 1>the rails. Have you seen that Cash?

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<v Speaker 3>Well?

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<v Speaker 2>Absolutely, You've got my brain thinking now that it has

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<v Speaker 2>been a minute since it came out and there's this

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<v Speaker 2>whole generation. I wonder what a Shane Gillis or a

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<v Speaker 2>Sam Morrell or somebody like that would do with the aristocrats.

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<v Speaker 2>I'd love to see an dated version of something like that.

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<v Speaker 1>Yeah.

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<v Speaker 3>Yeah, So we're partnering with the local theater here at

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<v Speaker 3>the Gateway Film Center. They're going to do a screening

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<v Speaker 3>and we have a couple of local comedians who do

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<v Speaker 3>like some sketch kind of stuff, like some short films.

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<v Speaker 3>We'll tie in some local little bits before that as well.

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<v Speaker 3>So it should be a lot of fun a way

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<v Speaker 3>to kick off the festival.

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<v Speaker 2>That's awesome, all right, more with Walker Evans in a second.

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<v Speaker 2>It's the Columbus Comedy Festival kicking off August fourteenth. How

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<v Speaker 2>are you staffing? Having ran a very small event, I

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<v Speaker 2>know it's hard when you're not in the room and

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<v Speaker 2>worrying about what's happening in the other room and the

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<v Speaker 2>three things that are going to go wrong, and your

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<v Speaker 2>phone's going to light up because somebody's cranky about something.

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<v Speaker 2>What do I do here? How are you staffed up

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<v Speaker 2>for this one?

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<v Speaker 1>Yeah?

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<v Speaker 3>So we have a full time events director, Daniel Hagworth,

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<v Speaker 3>who works for us with Columbus hunder Grounds, so she'll

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<v Speaker 3>be in charge of a lot of that stuff. We'll

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<v Speaker 3>have people at each of the venues that we're operating

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<v Speaker 3>to make sure that volunteers are checking people in, directing

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<v Speaker 3>people to where they need to sit, pointing out where

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<v Speaker 3>the bar is, that sort of stuff.

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<v Speaker 1>We've got a pretty good group I think about thirty five.

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<v Speaker 3>Volunteers that'll help reset the rooms, clean up trash, do

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<v Speaker 3>the legwork of that sort of stuff. But then with

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<v Speaker 3>each of the shows, we'll have a show runner assigned

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<v Speaker 3>to make sure that the comedians are checking in when

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<v Speaker 3>they need to, the lights go down, when the lights

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<v Speaker 3>need to go down, the audio comes on, and that

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<v Speaker 3>sort of stuff. And then a lot of just background

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<v Speaker 3>logistics type of stuff. We have someone in charge of

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<v Speaker 3>like ground transportation to make sure that the headliners have

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<v Speaker 3>a ride to and from the airport, hotel, venues and

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<v Speaker 3>stuff like that. So it's a pretty big undertaking, and

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<v Speaker 3>there is stress knowing that I'm not going to be

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<v Speaker 3>in every place all at once, and I want to

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<v Speaker 3>make sure everything goes as best as it can. We're

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<v Speaker 3>good at delegating and trusting and people to make sure

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<v Speaker 3>that everyone has a good time.

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<v Speaker 2>Are you feeling good going in?

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<v Speaker 3>Look?

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<v Speaker 2>I'm looking at the sponsors White Castle. How did you

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<v Speaker 2>pull White Castle?

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<v Speaker 3>They're based here in Columbus, so I've known the VP

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<v Speaker 3>of marketing there for a good long time. It's a

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<v Speaker 3>great I think it's easy to make fun of sometimes

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<v Speaker 3>it's like the drunken late night food. But it's still

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<v Speaker 3>a family owned business after one hundred years of operations.

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<v Speaker 3>So it's a really good, like fourth generation local company,

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<v Speaker 3>and they really care about the local community a whole lot. Yeah,

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<v Speaker 3>just tapping it into those resources and leveraging them. But overall,

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<v Speaker 3>I mean feel good. You know, there's always like the

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<v Speaker 3>nervousness speak out from an event. I feel a little

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<v Speaker 3>better knowing that it's completely indoors, so whether it's too

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<v Speaker 3>hot or rainy or anything won't really affect it. With

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<v Speaker 3>our coffee festival. It's an outdoor event, so we always

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<v Speaker 3>start checking the weather, hitting refresh onweather dot com and

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<v Speaker 3>praying that it doesn't rain. But no, I think we

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<v Speaker 3>feel pretty good. People seem to be really excited. We've

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<v Speaker 3>got some local media coverage on it, and the buzz

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<v Speaker 3>has been pretty positive.

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<v Speaker 2>Good. Nervous energy is always a good thing. I've been

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<v Speaker 2>doing this in some form since ninety two, and I

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<v Speaker 2>still get that nervous energy before a live show, before

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<v Speaker 2>a big show. I think it's a good thing. I'm

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<v Speaker 2>thinking now what my brain two went to is what

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<v Speaker 2>it was at Serius XM. We did comic Con radio

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<v Speaker 2>a few times, so that's part of my insight into

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<v Speaker 2>knowing what goes on behind the scenes. So we would

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<v Speaker 2>show up there and have to put together an entire

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<v Speaker 2>radio station from scratch when the door's open, so we

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<v Speaker 2>would do if Comic San Diego Comic Con was Thursday

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<v Speaker 2>to Sunday, we'd land and not have anything and have

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<v Speaker 2>to be on the air by six pm Eastern, which

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<v Speaker 2>was three pacifics So the doors didn't open un till

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<v Speaker 2>noon Pacific. So somebody go record a panel, and somebody

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<v Speaker 2>go talk to some fans and get some audio, and

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<v Speaker 2>I'd send it back to New York and till my

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<v Speaker 2>number two, who would stay back in New York to

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<v Speaker 2>run the show. Okay, I've got six minutes of us

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<v Speaker 2>talking to fans, and we'll have a panel in eight minutes.

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<v Speaker 2>But I don't have it yet, but be ready, here

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<v Speaker 2>comes a file, upload it and he would just handle

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<v Speaker 2>everything back and then I guess this is your role

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<v Speaker 2>for next week. I would try and stay calm in

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<v Speaker 2>the middle and never let him see a sweat and

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<v Speaker 2>I'd have a million questions in my mind, but just

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<v Speaker 2>stay calm.

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<v Speaker 3>Yeah, yeah, I think we've learned with the iterations of

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<v Speaker 3>the coffee festival, the minutia, the detail that can get

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<v Speaker 3>under your skin and make you freak out in the moment.

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<v Speaker 1>You're the only one paying attention to that.

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00:17:52.559 --> 00:17:54.839
<v Speaker 3>Everyone else is having a good time, and you're just like,

402
00:17:54.920 --> 00:17:57.200
<v Speaker 3>you're so focused on some of the little tiny things

403
00:17:57.279 --> 00:17:59.720
<v Speaker 3>that like you have to learn to like let some

404
00:17:59.759 --> 00:18:01.839
<v Speaker 3>of that go and just look at the thing as

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<v Speaker 3>a whole.

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<v Speaker 2>So yeah, I was at my daughter's musical last weekend

407
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<v Speaker 2>and she was saying, I don't know, somebody missed a

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<v Speaker 2>line or somebody had to add lib something to cover something,

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<v Speaker 2>and I said, I'm in the audience. I didn't notice.

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00:18:12.319 --> 00:18:16.079
<v Speaker 2>I don't know right going there. What other comedians are

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<v Speaker 2>you into these days who aren't at the festival? What

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<v Speaker 2>are you watching? What are you digging?

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<v Speaker 3>Yeah, I would say some of the ones that I

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<v Speaker 3>wanted to have, and they either weren't available or some

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<v Speaker 3>other sort of scheduling conflicts. I've really been enjoying Jeffrey

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<v Speaker 3>Asthmas a whole lot. I've seen him live at times.

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<v Speaker 1>He is a killer. His crowd work is probably some

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<v Speaker 1>of the best. I know.

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<v Speaker 3>Crowdborks an overdone thing, but he's hilarious. Sam Talent is

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<v Speaker 3>another one who The special he released earlier this year

421
00:18:43.440 --> 00:18:45.839
<v Speaker 3>is really good, the Toad's morale, his videos he's been

422
00:18:45.839 --> 00:18:49.240
<v Speaker 3>posting on YouTube. His travel videos have been really great.

423
00:18:49.240 --> 00:18:52.400
<v Speaker 3>Trips to Tokyo and Paris just like tag along with

424
00:18:52.480 --> 00:18:56.160
<v Speaker 3>Sam Talent and friends, those have been fun. Jordan Jensen

425
00:18:56.279 --> 00:18:59.319
<v Speaker 3>is another one who I love to see. She's coming

426
00:18:59.359 --> 00:19:00.880
<v Speaker 3>to the Funny Bone and September, and they're one of

427
00:19:00.920 --> 00:19:02.799
<v Speaker 3>our venue partners, so it didn't really make sense to

428
00:19:02.839 --> 00:19:06.200
<v Speaker 3>have her in town August and then September would cannibalize,

429
00:19:06.279 --> 00:19:08.119
<v Speaker 3>so maybe we'll try and get her next year. And

430
00:19:08.160 --> 00:19:10.039
<v Speaker 3>then one of the specials that really blew me away.

431
00:19:10.119 --> 00:19:12.240
<v Speaker 3>I mostly listened to it on a bike ride and

432
00:19:12.240 --> 00:19:14.559
<v Speaker 3>then I stopped. I stopped my bike ride and got

433
00:19:14.559 --> 00:19:17.240
<v Speaker 3>off to like finish watching it on my phone was

434
00:19:17.359 --> 00:19:21.920
<v Speaker 3>mo welch Sure new special Dad jokes. Yeah, that was

435
00:19:21.920 --> 00:19:25.720
<v Speaker 3>so well done because one part documentary, one part stand up.

436
00:19:25.680 --> 00:19:28.880
<v Speaker 1>Special and it just it blew me away. I got

437
00:19:29.079 --> 00:19:30.039
<v Speaker 1>those are a few, I guess.

438
00:19:30.119 --> 00:19:32.319
<v Speaker 2>So another thing that's coming across here in kudos to

439
00:19:32.319 --> 00:19:35.200
<v Speaker 2>you is you're not a business dude who went and

440
00:19:35.200 --> 00:19:36.720
<v Speaker 2>we could probably make some bucks if we dore a

441
00:19:36.759 --> 00:19:40.279
<v Speaker 2>comedy festival. You're clearly a fan. You clearly know the space.

442
00:19:40.640 --> 00:19:41.559
<v Speaker 1>Yeah, I try.

443
00:19:41.720 --> 00:19:43.400
<v Speaker 3>I'm sure I have my blind spots. I'm sure there's

444
00:19:43.400 --> 00:19:45.480
<v Speaker 3>comedians out there who are great that I've never even

445
00:19:45.519 --> 00:19:47.839
<v Speaker 3>heard of. But yeah, I mean, at the end of

446
00:19:47.880 --> 00:19:49.519
<v Speaker 3>the day, we are trying to make money because we're

447
00:19:49.519 --> 00:19:52.680
<v Speaker 3>trying to fund journalism and keep that alive in some

448
00:19:52.799 --> 00:19:56.000
<v Speaker 3>way shape. We're paying every performer, even if they're just

449
00:19:56.039 --> 00:19:57.960
<v Speaker 3>on stage for five minutes, they're getting a little bit

450
00:19:57.960 --> 00:20:00.880
<v Speaker 3>of something. Because I went, not just to the headliners,

451
00:20:00.880 --> 00:20:04.039
<v Speaker 3>but the locals to feel like this is a career

452
00:20:04.079 --> 00:20:06.279
<v Speaker 3>path for me and something I can develop, And so

453
00:20:07.240 --> 00:20:08.920
<v Speaker 3>I want the venues to make money. I want the

454
00:20:08.920 --> 00:20:11.400
<v Speaker 3>bartenders to make money. If everybody comes away from this

455
00:20:11.599 --> 00:20:13.759
<v Speaker 3>like having a good time, feeling good, and a little

456
00:20:13.759 --> 00:20:15.039
<v Speaker 3>bit more money in their pocket at the end of

457
00:20:15.039 --> 00:20:17.640
<v Speaker 3>the day, then we all win and hopefully that could

458
00:20:17.640 --> 00:20:20.440
<v Speaker 3>be something sustainable too. If I were a quick cash

459
00:20:20.480 --> 00:20:22.519
<v Speaker 3>grab sort of a thing, like we could just try

460
00:20:22.880 --> 00:20:25.119
<v Speaker 3>and do as much, but then people wouldn't want to

461
00:20:25.160 --> 00:20:25.920
<v Speaker 3>come back next year.

462
00:20:26.079 --> 00:20:27.440
<v Speaker 1>If they're like, well, I performed, but.

463
00:20:27.519 --> 00:20:29.880
<v Speaker 3>I didn't see any sort of profit or benefit, then

464
00:20:30.279 --> 00:20:32.839
<v Speaker 3>it makes asking the comeback second time a tough question.

465
00:20:32.920 --> 00:20:36.039
<v Speaker 2>Yeah, sometimes people will get weird about when you're just

466
00:20:36.119 --> 00:20:40.359
<v Speaker 2>being real about money. For example, I'm enjoying talking to you.

467
00:20:40.680 --> 00:20:44.480
<v Speaker 2>I'm excited for the festival. I like comedy. Also, I'm

468
00:20:44.519 --> 00:20:46.119
<v Speaker 2>going to run a three minute commercial break in the

469
00:20:46.119 --> 00:20:48.720
<v Speaker 2>middle of our interview. This is a fun hobby, but

470
00:20:48.759 --> 00:20:50.599
<v Speaker 2>it also pays the bills at some point and the

471
00:20:50.599 --> 00:20:52.720
<v Speaker 2>commercial so there. I hope your festival makes a lot

472
00:20:52.720 --> 00:20:54.839
<v Speaker 2>of money, so you can do the festival for twenty

473
00:20:54.880 --> 00:20:57.160
<v Speaker 2>five years or however long you enjoy it and then

474
00:20:57.200 --> 00:20:59.599
<v Speaker 2>pass it to the next person. Right, there's a business here,

475
00:20:59.640 --> 00:21:00.599
<v Speaker 2>thank you Castle.

476
00:21:00.839 --> 00:21:02.960
<v Speaker 3>Yeah, yeah, I mean it's it's how the world works, right,

477
00:21:03.079 --> 00:21:03.839
<v Speaker 3>we're just living at it.

478
00:21:04.400 --> 00:21:08.279
<v Speaker 2>I'm not good at geography. How far away is Yellow Springs?

479
00:21:08.279 --> 00:21:11.519
<v Speaker 2>Because I know there's some comedians over there, and he chanced.

480
00:21:11.440 --> 00:21:14.480
<v Speaker 3>Yeah, yellow Springs is super close. It's maybe an hour drive,

481
00:21:14.799 --> 00:21:17.119
<v Speaker 3>like fifty miles. It's a little bit closer to Dayton

482
00:21:17.160 --> 00:21:19.519
<v Speaker 3>than it is Columbus. But it's like a fun road

483
00:21:19.519 --> 00:21:21.480
<v Speaker 3>trip because Yellow Springs is.

484
00:21:21.519 --> 00:21:23.079
<v Speaker 1>Very like there's some great hiking.

485
00:21:23.119 --> 00:21:25.920
<v Speaker 3>It's very hilly and scenic over there. But I've not

486
00:21:26.000 --> 00:21:29.079
<v Speaker 3>been to the new club that Chappelle opened, the firehouse

487
00:21:29.119 --> 00:21:31.759
<v Speaker 3>that he renovated. I know it's delayed because of the pandemic,

488
00:21:31.839 --> 00:21:33.920
<v Speaker 3>but it soft opened, I want to say, like at

489
00:21:33.920 --> 00:21:36.119
<v Speaker 3>the beginning of the year. But the local club I

490
00:21:36.160 --> 00:21:39.119
<v Speaker 3>mentioned earlier, the Attic, built a relationship to his son

491
00:21:39.200 --> 00:21:42.400
<v Speaker 3>and had Dave come to the Attic here in colamb

492
00:21:42.400 --> 00:21:45.359
<v Speaker 3>It's nice. Yeah, he did three This was last summer.

493
00:21:45.400 --> 00:21:48.119
<v Speaker 3>He did three like unannounced shows, so like tickets went

494
00:21:48.119 --> 00:21:50.759
<v Speaker 3>on sale at noon for the show that night at

495
00:21:50.759 --> 00:21:54.279
<v Speaker 3>eight pm, and they sold out in fifteen seconds because

496
00:21:54.400 --> 00:21:56.720
<v Speaker 3>the venue only seeds like eighty, so it was like

497
00:21:56.799 --> 00:21:59.000
<v Speaker 3>a living room show with Dave Chappelle and my wife

498
00:21:59.039 --> 00:22:00.440
<v Speaker 3>and I went to the first one because we know

499
00:22:00.559 --> 00:22:02.279
<v Speaker 3>the owner and he's like, the tickets are going on

500
00:22:02.359 --> 00:22:06.960
<v Speaker 3>sailor two seconds but such a and Dave, you know,

501
00:22:07.960 --> 00:22:09.799
<v Speaker 3>love him or hate him, it was an interesting show

502
00:22:09.799 --> 00:22:11.599
<v Speaker 3>that we wanted to be there and be a part of,

503
00:22:11.759 --> 00:22:14.000
<v Speaker 3>and so it was very electric, like the club was

504
00:22:14.039 --> 00:22:16.599
<v Speaker 3>really like alive that night, which is a lot of

505
00:22:16.599 --> 00:22:18.160
<v Speaker 3>fun and hopefully they can do more of that sort

506
00:22:18.200 --> 00:22:20.640
<v Speaker 3>of stuff. They did something similar earlier this year with

507
00:22:20.680 --> 00:22:22.839
<v Speaker 3>Mark Normand who was in town doing like a bigger

508
00:22:22.880 --> 00:22:24.640
<v Speaker 3>show in one of the downtown theaters, and he did

509
00:22:24.680 --> 00:22:27.440
<v Speaker 3>like a sort of unannounced walk on twenty minutes of

510
00:22:27.519 --> 00:22:28.799
<v Speaker 3>the attic and it was one of those things like

511
00:22:28.839 --> 00:22:30.079
<v Speaker 3>if you knew he was going to be there, you

512
00:22:30.079 --> 00:22:33.200
<v Speaker 3>bought the tickets, but it wasn't really advertised.

513
00:22:33.240 --> 00:22:34.960
<v Speaker 1>So fun stuff like that.

514
00:22:34.680 --> 00:22:37.680
<v Speaker 2>That's fantastic. You mentioned crowd work and good crowd work

515
00:22:37.680 --> 00:22:40.920
<v Speaker 2>and bad crowd work. I'm a fan of good crowd work.

516
00:22:40.920 --> 00:22:44.240
<v Speaker 2>For example, if Dave Attel walks into a club, I'd

517
00:22:44.359 --> 00:22:47.240
<v Speaker 2>rather Dave just free form for an hour. I've seen

518
00:22:47.319 --> 00:22:51.839
<v Speaker 2>Chappelle a few times due where he's not doing his act,

519
00:22:51.880 --> 00:22:54.359
<v Speaker 2>where he just takes the stage and just talks for

520
00:22:55.200 --> 00:22:58.039
<v Speaker 2>and it can be anything from fifteen minutes to two hours.

521
00:22:58.240 --> 00:23:02.440
<v Speaker 2>I love that just free forms stuff. So that's awesome

522
00:23:02.440 --> 00:23:04.200
<v Speaker 2>that you got to see him do a pop up show,

523
00:23:04.240 --> 00:23:08.319
<v Speaker 2>and he does a lot of those. I usually prep

524
00:23:08.400 --> 00:23:11.160
<v Speaker 2>this show in the morning, recorded around midday, and then

525
00:23:11.200 --> 00:23:12.480
<v Speaker 2>it goes out at three a m. The next day.

526
00:23:12.559 --> 00:23:15.119
<v Speaker 2>The amount of times I've told the listeners Dave Chappelle

527
00:23:15.119 --> 00:23:16.759
<v Speaker 2>and has to pop up show, but it's already he's

528
00:23:16.799 --> 00:23:18.240
<v Speaker 2>held out. I would have told you about it, but

529
00:23:18.279 --> 00:23:20.359
<v Speaker 2>I didn't know. But that happens a lot.

530
00:23:20.599 --> 00:23:23.039
<v Speaker 3>Yeah, Yeah, it's really cool and we I should shout

531
00:23:23.039 --> 00:23:25.440
<v Speaker 3>out the other venue partners as well that Don't Tell

532
00:23:25.480 --> 00:23:28.079
<v Speaker 3>crew that space here in Columbus. Over the past two

533
00:23:28.160 --> 00:23:30.519
<v Speaker 3>years that they've been running Don't Tell shows, they've turned

534
00:23:30.559 --> 00:23:32.720
<v Speaker 3>it into the number one ticket selling market in the

535
00:23:32.720 --> 00:23:35.759
<v Speaker 3>country here in Columbus. And so Simon Brazier shout out

536
00:23:35.759 --> 00:23:37.799
<v Speaker 3>to him who books all that Don't Tell shows.

537
00:23:37.839 --> 00:23:38.920
<v Speaker 1>He's operating out of.

538
00:23:38.880 --> 00:23:41.119
<v Speaker 3>Chicago now and helping to book Don't Tell in Chicago.

539
00:23:41.440 --> 00:23:43.160
<v Speaker 3>They do a great job and bring in something and

540
00:23:43.200 --> 00:23:45.400
<v Speaker 3>that's where I've seen Jeffrey Aspas twice in the past

541
00:23:45.440 --> 00:23:47.519
<v Speaker 3>two years. Is it don't tell shows here in Columbus,

542
00:23:47.920 --> 00:23:50.440
<v Speaker 3>but they bring in some talent to those shows that

543
00:23:50.480 --> 00:23:54.599
<v Speaker 3>we're also working with Hashtag Comedy, a newer club started

544
00:23:54.640 --> 00:23:56.240
<v Speaker 3>as an improv troop and they do a lot of

545
00:23:56.319 --> 00:23:59.279
<v Speaker 3>variety shows and sketch shows and improv shows and they

546
00:23:59.279 --> 00:24:01.599
<v Speaker 3>We're also working with next theater that was founded by

547
00:24:01.680 --> 00:24:05.480
<v Speaker 3>some old school Chicago improv trainees that have been doing

548
00:24:05.519 --> 00:24:08.200
<v Speaker 3>it for twenty years called The Nest Theater and Tara

549
00:24:08.279 --> 00:24:11.240
<v Speaker 3>and Rants are amazing at improv and they they sell

550
00:24:11.240 --> 00:24:11.839
<v Speaker 3>their shows out.

551
00:24:11.839 --> 00:24:14.039
<v Speaker 1>They do a great job with all their improv work.

552
00:24:14.640 --> 00:24:17.160
<v Speaker 3>But I feel like comedy we decided to go the

553
00:24:17.279 --> 00:24:20.759
<v Speaker 3>route of instead of doing like big expensive festival passes.

554
00:24:20.799 --> 00:24:23.440
<v Speaker 1>It's fully alic heart and the median ticket price.

555
00:24:23.319 --> 00:24:25.960
<v Speaker 3>Is twenty bucks, so people can feel like they can

556
00:24:26.000 --> 00:24:27.920
<v Speaker 3>go see two or three or four different shows without

557
00:24:27.960 --> 00:24:30.359
<v Speaker 3>feeling like they're breaking the bank and investing in a

558
00:24:30.400 --> 00:24:33.799
<v Speaker 3>three hundred dollars festival pass. So I would just recommend

559
00:24:33.799 --> 00:24:36.279
<v Speaker 3>people pick a random show, pick someone you've never heard of,

560
00:24:36.480 --> 00:24:38.079
<v Speaker 3>you're gonna have a good time no matter what, and

561
00:24:38.119 --> 00:24:39.039
<v Speaker 3>it's only twenty bucks.

562
00:24:39.119 --> 00:24:41.599
<v Speaker 2>He's Walker Evans, I'm Johnny Mack and it's the Columbus

563
00:24:41.640 --> 00:24:45.119
<v Speaker 2>Comedy Festival, kicking off Thursday, five days, one hundred and

564
00:24:45.160 --> 00:24:48.160
<v Speaker 2>fifty plus comics in. That is your comedy news for today.

565
00:24:48.440 --> 00:24:50.079
<v Speaker 2>See you tomorrow with a normal episode.
