Speaker 1: Kathy and Elliott Lewis on stage. Kathy Lewis Elliott Lewis,
Speaker 1: two of the most distinguished names in radio, appearing each
Speaker 1: week in their own theater, starring in a repertory of
Speaker 1: transcribed stories of their own. And you're choosing radio's foremost
Speaker 1: players and radio's foremost plays. Drama, comedy, adventure, mystery, melodrama,
Speaker 1: ladies and gentlemen. Mister Elliott Lewis, Good Evening, May I
Speaker 1: present My wife Kathy Good Evening.
Speaker 2: Four weeks ago tonight, we did a lovely, fragile story
Speaker 2: called Call Me a Cab, which was written for us
Speaker 2: by the very talented Shirley Gordon. You were kind enough
Speaker 2: to write so many letters about the show that we
Speaker 2: asked Shirley Gordon to do another script for us, and
Speaker 2: she did, and we're going to present it tonight.
Speaker 1: This new story is called The Bunch of Violets, and
Speaker 1: that's what it's about. Oh uh, one other thing you
Speaker 1: should know before we start. It's often been said that
Speaker 1: a man continually surrounds himself with the same woman, and
Speaker 1: to prove this, tonight, while I'm being Clint Westcotte, Kathy
Speaker 1: is going to play my wife, My mother and my secretary. Wow,
Speaker 1: so now the preliminary is over. The Bunch of Violets
Speaker 1: by Shirley Gordon.
Speaker 3: When you almost ready.
Speaker 1: Horrible, what did you say? Well, I heardn't fav you learn.
Speaker 4: Well, your breakfast is getting cold. M I wish you
Speaker 4: would answer me when I called you.
Speaker 1: Why I said you Ay said I haven't shaved yet.
Speaker 4: Well I didn't hear you.
Speaker 1: Yeah.
Speaker 4: Anyway, your breakfast is gonna be cold and you're gonna
Speaker 4: be late.
Speaker 1: Uh huh uh. There's a hole in this sock. I
Speaker 1: was gonna wear my brown suit.
Speaker 4: I'll look to your socks today, build something, fix them
Speaker 4: tomorrow while she's here.
Speaker 1: Yeah. Oh, check my shirts too. What do you this collar?
Speaker 1: It's about shot.
Speaker 4: We'll keep it on, keep it on. It's all right
Speaker 4: for one more wearing. I gonna have time to eat
Speaker 4: any breakfast.
Speaker 1: We'll have some coffee. Where'd that's cufflink?
Speaker 4: Go here?
Speaker 1: Oh? Thank great this time? Yeah it's okay. Yeah, coffee
Speaker 1: stole hot?
Speaker 4: How poor?
Speaker 1: It?
Speaker 4: Better at least have some toes with it.
Speaker 1: Yeah. Well, I'll get stoping after I get to the office. Yeah.
Speaker 4: You always say that, and they hope you do.
Speaker 1: No, I do coffee's hot.
Speaker 4: I mean you've got a few minutes of a little
Speaker 4: water in it.
Speaker 1: Yeah.
Speaker 4: You'll be home on time tonight, won't you.
Speaker 1: Yeah, I try to beat We told them Martins.
Speaker 4: We meet them there at seven thirty of them. Uh huh,
Speaker 4: So try to be on time.
Speaker 1: Yes, I will right there, right, I don't think it's about.
Speaker 4: Oh, coffee is still too hot?
Speaker 3: Violence?
Speaker 1: Mister?
Speaker 4: Why fresh bunch of violence?
Speaker 3: Only thirty five cents?
Speaker 1: Oh? No, thanks, Come on.
Speaker 3: Mister, Look how pretty they are?
Speaker 1: No, I'm sorry.
Speaker 3: So everybody loves violence?
Speaker 1: Well, sure, Sonny, only not now It's Monday morning and
Speaker 1: I'm late forul work and I just haven't got any
Speaker 1: use for any vi.
Speaker 3: Why didn't you take something to work with you? Th
Speaker 3: they'll make your day a lot nicer, see if they don't.
Speaker 1: Now, look, Sonny, you're a good little sales.
Speaker 3: Thirty five cents won't hurt you in Okay.
Speaker 1: Kid, you win? Give me the violence, Hey, I keep
Speaker 1: the change.
Speaker 5: Geez, thanks mister, thanks a lot. You won't be sorry
Speaker 5: after all? What harm can there be in buying a
Speaker 5: little bunch of violence?
Speaker 4: Good morning, mister Westcott. Oh, Mr Simmonds, send in some correspondence.
Speaker 4: He wants you to attend to your first thing this morning.
Speaker 4: I put it on your.
Speaker 1: Desk, right, it's probably the Johnsons.
Speaker 4: Yes, it's the Johnson folder.
Speaker 1: Good, I get out it right away. I'll probably need
Speaker 1: you a pre dictation in about half an hour, yes.
Speaker 4: Sir, Oh, yes, mister Wescott.
Speaker 1: Uh here, I brought these in for you. I thought
Speaker 1: you might like to have 'em on your desk. Bios.
Speaker 4: Thank you, mister Westcott.
Speaker 1: You're welcome.
Speaker 2: Yes, miter Westcott, if you aren't going to need me
Speaker 2: just now, would you mind if I went out for
Speaker 2: a few minutes to get some coffee.
Speaker 1: Yeah, sure, that's gonna take me longer than I thought anyway,
Speaker 1: brings him back with you.
Speaker 4: Yes, sir, Barbara, listen, can you get out for coffee now? Good,
Speaker 4: I'll meet you downstairs. I got something to tell you.
Speaker 6: But golly, Ruth, I don't understand it.
Speaker 4: You don't understand it.
Speaker 2: Look, I've been mister Clinton Westcotte secretary for two and
Speaker 2: a half years, and in all of that time, believe me,
Speaker 2: it's hardly ever even said good morning to me when
Speaker 2: he came in. Now, on all of a sudden, today
Speaker 2: he brings me a bunch of violets.
Speaker 1: Well that's what I.
Speaker 4: Don't understand him, Violet.
Speaker 5: After all, you know, roses are red, violets are blue
Speaker 5: and social worst.
Speaker 4: Firebu what are you support?
Speaker 1: I mean, what do I suppose?
Speaker 4: What is it to suppose? Oh that's impossible. Well I've
Speaker 4: been mister Westcott's secretary for for two and.
Speaker 1: A half years.
Speaker 6: You said that, so alrighty, slow slow up to now?
Speaker 4: I thought he was dead.
Speaker 2: Well, anyway, now that you've discovered old Achilles has a heel,
Speaker 2: make the most of it.
Speaker 4: Raise a blister on it?
Speaker 1: What sure?
Speaker 4: Play his game? Threw him right out on a limb
Speaker 4: and let him dangle until he gives you a raise.
Speaker 4: Oh it's ridiculous. It wouldn't work. You're a woman and
Speaker 4: he's a man.
Speaker 6: It'll work.
Speaker 1: Just try it. Mm yours the city team, m M yeah,
Speaker 1: your coffee? Right, you can put it down on the best.
Speaker 4: Mm sugar, no creed right? What I always remember?
Speaker 1: Remember what?
Speaker 4: Who, mister Westcott? Do you find me disturbing?
Speaker 1: Not until today?
Speaker 4: Imagine after two and a half years.
Speaker 1: That's right, what's happened to you today?
Speaker 4: Nothing's happened to me, mister Westcott.
Speaker 1: Well, something may mister. In the meantime, however, I should
Speaker 1: like first to make certain that this Johnson account gets
Speaker 1: taken care of.
Speaker 4: Would you like to give me some dictation, mister Westcott?
Speaker 1: Yes, I'd like that very much. Oh, mister, and you
Speaker 1: may stop calling me mister Westcott. Why mister Rott? Uh
Speaker 1: uh uh Clinton. Oh well, now that's sweet. That's what
Speaker 1: my mother calls me.
Speaker 4: Clinton.
Speaker 1: Yes, like that exactly.
Speaker 4: Imagine after two and a half years.
Speaker 1: No, my mother's known me most of my life.
Speaker 4: I'd like to meet your mother sometime.
Speaker 1: How about some time after we take care of mister
Speaker 1: Johnson's account.
Speaker 4: Oh, yes, mister john.
Speaker 1: You remember him.
Speaker 4: You were going to give me some dictation, that's right.
Speaker 1: But on second thought, I'm sure you can compose the
Speaker 1: letter yourself from my notes. Here you are. I think
Speaker 1: I'll go out and get a little breakfast and you
Speaker 1: can have the report ready for me to sign when
Speaker 1: I come back.
Speaker 2: But you didn't drink the coffee I brought you wasn't
Speaker 2: too cold, too hot?
Speaker 1: It burned the burn on my tongue. Well, Wescotte, good money?
Speaker 1: Oh hi, ed soada, I have some coffee. I've had it.
Speaker 1: I'm an exit. Good Why don't you have a little breakfast,
Speaker 1: Caddie say. Now seems to me you're eating hearty considering,
Speaker 1: considering what this first thing I've had to eat this morning.
Speaker 1: Let love eateth its.
Speaker 7: Way into the height of a hungry man, and he
Speaker 7: shall soon forgeteth his stomach.
Speaker 1: What does that mean?
Speaker 8: We?
Speaker 1: I guess that isn't the way it goes.
Speaker 7: I think I read it somewhere, but I can't remember
Speaker 7: exactly how it went. Well anyway, old man.
Speaker 1: You get the idea. I don't, and I'm not sure
Speaker 1: that I want to. All I'd like to know is
Speaker 1: what's wrong with everybody this morning? You should get a
Speaker 1: load of my secretis.
Speaker 7: And old man, didn't take me any two and a
Speaker 7: half years to get a load of your secretary. I've
Speaker 7: always thought she was quite a dish. A matter of fact,
Speaker 7: I'm surprised it's taken you so long to start showing
Speaker 7: her your appreciation.
Speaker 1: If you know what I mean? What do you mean?
Speaker 1: What's cooking with my secretary?
Speaker 4: To they?
Speaker 1: Anyway?
Speaker 7: Apparently if I'm all I hear old man, who uh
Speaker 7: from all?
Speaker 1: What you hear? Old man? Well?
Speaker 7: Oh love Clinton, oh boy, don't go getting sore headed
Speaker 7: about it.
Speaker 1: After all?
Speaker 7: Can I help it if your secretary tells my secretary
Speaker 7: and my secretary.
Speaker 1: Tells me, tells you?
Speaker 4: What?
Speaker 1: Why that you brought her flowers this morning?
Speaker 7: After all, old man, I'm not the only one who
Speaker 7: knows the whole building is talking about you mean all this.
Speaker 1: Is over, that silly little bunch of violet. Huh So
Speaker 1: then it was violent?
Speaker 7: Well I didn't know you had it in the old man.
Speaker 1: Well that only goes to show not the old man
Speaker 1: you think I am. I'll see you late.
Speaker 7: Wait a minute, old boy, you haven't finished your cop m.
Speaker 1: What's the matter? Burn your tongue? What tongue?
Speaker 4: Oh you're back, mister Wesker Clinton.
Speaker 1: Mm h the job report is ready for you to sign.
Speaker 1: Mm mm uh.
Speaker 4: Is there anything wrong? Did you have your breakfast?
Speaker 1: Yes? I had my breakfast.
Speaker 4: But you're going out again? Where shall I say?
Speaker 1: You are out to lunch? Oh? And I shall want these?
Speaker 1: Thank you for keeping them for me.
Speaker 4: The violes? What are you going to do with them?
Speaker 1: Miss Periwinkle? Ruth hum. This may come as a sort
Speaker 1: of a shock to you, but I feel that it
Speaker 1: is only fair for you to know. M there is
Speaker 1: only one woman in the world, who can call me
Speaker 1: Clinton and get away with it? My mother, therefore, the
Speaker 1: violets are for her. You are listening to Kathy and
Speaker 1: Elliott Lewis on stage Tonight's play The Bunch of Violins.
Speaker 1: Remember radio as it used to be, the days when
Speaker 1: the battery ran down, and so did your set. We'll
Speaker 1: make no damaging admissions about your age, but tune in
Speaker 1: tomorrow night when there's music in the air. Over most
Speaker 1: of these same stations. Your baritone host Donald Richards, Tenor Clark, Dennis,
Speaker 1: Betty Johnson, the Serenaders, and Alfredo Antonini's orchestra take us
Speaker 1: back to the old time radio with music, songs, and
Speaker 1: even the production and sounds of that era. Tomorrow night
Speaker 1: on CBS Radio.
Speaker 6: Mister westcount come in, he lawyer. Your mother's gonna be
Speaker 6: so surprised. You didn't call first.
Speaker 1: Did you. No, I didn't know I was coming. How
Speaker 1: is she?
Speaker 6: Oh? Fine, snappy is a turtle, same as always. You
Speaker 6: know how your mother is?
Speaker 1: Yeah?
Speaker 6: You she's up in your room.
Speaker 1: I think, missus Westcott, Uh, never mind, I I'll just
Speaker 1: go on up. You might bring some coffee though, h
Speaker 1: of course it's miss Pepper, myther. You in here.
Speaker 4: Why Clinton, whatever's brought you here in the middle of
Speaker 4: the day like this? Is there anything wrong?
Speaker 1: No? No, no, no, just found myself free this noon
Speaker 1: and I've been meaning to get over it.
Speaker 4: And I'll have that to fix you some lunch, so
Speaker 4: I I.
Speaker 1: Told her, just coffee. I had a light breakfast.
Speaker 4: M doubt that you ever eat the way you should.
Speaker 4: Can't sick. You're looking your vest, You're way too thin.
Speaker 1: Why I feel just fine? Mother?
Speaker 4: What is that you have there in your hands but
Speaker 4: bunch of violets?
Speaker 1: Oh? Yes, violets. Uh would you like to have a
Speaker 1: bunch of violets? Mother?
Speaker 4: Isn't that strange? I never cared for via? But now
Speaker 4: you sure? There isn't something wrong. Are you feeling well?
Speaker 1: Uh? No, no, I feel just fine.
Speaker 2: Mother, Probably coming down within the cold. You shouldn't wear
Speaker 2: that light suit on a day like today.
Speaker 1: Oh it's it's a beautiful day outside, and I haven't
Speaker 1: had a cold in month.
Speaker 4: It's just the same.
Speaker 2: This is just the time of the year you should
Speaker 2: guard against catching a cold.
Speaker 4: Just can't tell about whether like this. What you ought
Speaker 4: to do is wear that sweater I needed for you
Speaker 4: underneath your coat. Never see you wear that sweater anymore?
Speaker 1: Well, I would wore it all winter long. Mother. It's
Speaker 1: a beautiful sweater. But but it's too warm to wear
Speaker 1: it now it's spring.
Speaker 4: It's just it's spring.
Speaker 7: Cold.
Speaker 4: Are so chretch?
Speaker 1: I I feel fine, mother, just fine.
Speaker 4: That always used to catch a cold in the spring.
Speaker 1: Well, not since I was eight or nine years old.
Speaker 2: Mother, I think what you ought to do is not
Speaker 2: buy and have doctor Greenson give you something.
Speaker 1: Well, I will, first chance I get. I promise to day.
Speaker 4: I'll call him to make sure you do all.
Speaker 1: Right to day. And uh, but I picked these up
Speaker 1: for my office and over to you like that. Uh,
Speaker 1: they'll probably come sometime.
Speaker 4: L Clinton, dear now tell her she's such a dear girl.
Speaker 1: Well, she's fine, mother, she's just fine. Good your coffee,
Speaker 1: oh thank you, Annah, God looks good.
Speaker 2: Be careful Clinton, and his coffee is always too hot
Speaker 2: to drink.
Speaker 1: It doesn't matter, mother, I think my tongues developed an immunity.
Speaker 4: Anna live.
Speaker 2: Want you to listen for the door this afternoon. Clinton
Speaker 2: tells me he's ordered a lovely floral piece for me.
Speaker 2: It should arrive in just a little while.
Speaker 6: Now, I'll watch for it. Missus WesCom. It's very nice,
Speaker 6: mister Westcott. I see you brought a pretty little bunch
Speaker 6: of violets, and.
Speaker 1: Yes, well, if you'd like to have the manor you may,
Speaker 1: I was just going to take them down to the office.
Speaker 6: Very nice of you, but I had my own little
Speaker 6: flower garden out in the back, you know, and it
Speaker 6: just keeps my room looking like a floor shop as
Speaker 6: it is. Anyway, time you think you're taking your little
Speaker 6: bouquet away from you, you just keep those lovely violets
Speaker 6: and enjoy them.
Speaker 1: M Hello, Sarah, how are you ow?
Speaker 4: I'm mister Westcott.
Speaker 6: We haven't seen you in a long time. Hope there's nothing.
Speaker 1: Wrong, No, there isn't. But I'd like to see the
Speaker 1: doctor for a minute.
Speaker 6: If he's the certainly go right in. You be pleased
Speaker 6: to see you.
Speaker 1: You're good? Oh uh? Do you like violets, Sarah?
Speaker 6: I just love them?
Speaker 1: Oh well, here would you like to have.
Speaker 6: Any other time? I'd love to have some, mister Westcott.
Speaker 6: But you see, the doctor serves at the hospital the
Speaker 6: rest of this week in the office to be closed,
Speaker 6: and as it happens, I'm not going directly home from
Speaker 6: work tonight. I'm afraid they'd only die. It'd be ashamed
Speaker 6: just to waste them like that.
Speaker 1: You're so pretty, yeah, you're well? Sure, Well, but you
Speaker 1: can keep away a cold? Well? Yes, thanks, yes, I would.
Speaker 6: And don't worry about them. I'll remind you to take
Speaker 6: them when you leave.
Speaker 1: Oh thanks again, hellover Clinton. Hello Doc, well siphan, it
Speaker 1: brings you here. You're looking well. Oh no, I'm a fine, Doc,
Speaker 1: just fine. Only I thought maybe you could give me
Speaker 1: something to help keep away a cold. Mm. You feel
Speaker 1: like you're catching a cold. What have your symptoms be? Well,
Speaker 1: there haven't exactly been any symptoms, Doc, it's only well
Speaker 1: this time of year, you know spring. Well, what's wrong
Speaker 1: with this time of year? It's beautiful out. But I
Speaker 1: suppose there's no harm in taking a few precautions, is no,
Speaker 1: that's right, Doc, That's what I mean. Well, let me
Speaker 1: see now maybe a new vite of being a little
Speaker 1: you have a Doc, I don't really that should do
Speaker 1: the trick. A shot? Uh, well, just the vitamin should
Speaker 1: be fine, Doc, I think they do the trick. I
Speaker 1: don't see that there's any need for a shot to you. Well, now,
Speaker 1: it's the surest way if you really want to protect
Speaker 1: you well, yes, but well, I I really feel fine.
Speaker 1: It's only day here now though, it's we'll just sting
Speaker 1: a little. Give a Doc, I don't really think you
Speaker 1: have Hey, now that wasn't so bad, was it. Oh?
Speaker 1: Now you can go out in this beautiful warm spring
Speaker 1: weather and not worry about catching your death pneumonia. Okay,
Speaker 1: Sarah will fix you up with the vitamin prescription. Yeah, thanks, doc,
Speaker 1: it's that's the place safe. You know you you you
Speaker 1: can't tell about this kind of weather. Oh, you're perfectly
Speaker 1: rights can't tell. Yes, thanks Sarah. I don't Clinton. Oh
Speaker 1: what's that, Doc? And when you stop by the seer today?
Speaker 4: Just how it was your mother?
Speaker 1: Fine? Doc, she's just fine.
Speaker 6: Wait a minute, mister Whitcott, you're vitamin Oh?
Speaker 1: Yes, thanks Sarah. I almost forgot.
Speaker 6: And it's a good thing I said I'd remind you
Speaker 6: you were gonna go ride out the door without your violet.
Speaker 1: Uh? And he calls for me, miss.
Speaker 2: Terrywinkel Ruth, No, sir, No they haven't been mister westcut Clinton,
Speaker 2: your whole building was talking about. Oh, forgive me for
Speaker 2: this morning.
Speaker 4: But I just couldn't understand what had gotten into you.
Speaker 2: After all, I've been your secretary for two and a
Speaker 2: half years and you've never even.
Speaker 1: Well, I guess I usually don't even say hello. Now.
Speaker 1: This morning was sort of fun though, that that wasn't it.
Speaker 1: You know, the whole building was talking about I know.
Speaker 1: I'm afraid I stock well, no harm done.
Speaker 4: Wait, he's still have the violets. I thought you were
Speaker 4: gonna take them.
Speaker 1: To your money. Oh yes I was, but I changed
Speaker 1: my mind. You wanna back again?
Speaker 2: Oh gosh, no, if you don't mind, My boyfriend's picking
Speaker 2: me up tonight.
Speaker 4: He's the jealous type.
Speaker 1: Oh I see. And besides, the building would start talking again.
Speaker 1: You know how buildings are. I can't keep their mouths shut.
Speaker 1: I guess I'll just keep it myself. I'm becoming sort
Speaker 1: of attached to them. Or would you get a good
Speaker 1: flower shop on the phone for me? Please don't take me.
Speaker 8: Off, Yes, sir, one moment please, mister westcut. Your call's
Speaker 8: on one.
Speaker 1: Oh, thank's ittle rough the old buying is office. Yeah, thanks,
Speaker 1: old girl.
Speaker 4: You're welcome, old man.
Speaker 1: To missus Westcott. That's right. Yes, make sure it's very
Speaker 1: elaborate and have it delivered this afternoon without fail.
Speaker 4: Good.
Speaker 1: That'll be fine, thank you. A bunch of violets in
Speaker 1: your hands? What are you doing pick some things up
Speaker 1: for your wife? No, it's my mother.
Speaker 7: Well I don't know how your mother fits into the act.
Speaker 7: But you're sweet violets, kay, for sure? Cause the stir
Speaker 7: around here today? Did I tell you the whole building
Speaker 7: was talking about?
Speaker 1: Told me? You told me.
Speaker 7: You can't blame anybody for talking about it, can you?
Speaker 7: I mean, it isn't exactly like you all of a
Speaker 7: sudden to show up one morning with a bunch of
Speaker 7: violets in your hands.
Speaker 1: How did you ever happen to get them anywhay? A
Speaker 1: kid was selling them on a street corner, so I
Speaker 1: bought some no reason.
Speaker 7: Well I think they look just darling on your desk,
Speaker 7: old man, don't let anyone tell you any difference. Violets
Speaker 7: they come.
Speaker 1: You shut up. I'm not gonna keep them on my desk.
Speaker 1: But you can't throw away good flowers just because nobody
Speaker 1: wants them.
Speaker 7: You're not me.
Speaker 1: Why don't you take them home to your wife? No?
Speaker 7: No, no, not get me into trouble. Me bring Mabel
Speaker 7: home a bunch of violets.
Speaker 1: Never be able to explain it.
Speaker 7: The million years I'd never be able to convince her
Speaker 7: I hadn't done something wrong.
Speaker 1: I wouldn't have a moment's piece for weeks.
Speaker 7: She'd never stop talking about it, and then on everything
Speaker 7: I did, she'd be suspicious.
Speaker 1: No, you don't.
Speaker 7: You're not getting me into trouble with your crazy.
Speaker 1: But all right, all right, I know what i'll do.
Speaker 1: I'll take them with me and I can give them
Speaker 1: back to the kid that sold them to me. They're
Speaker 1: still fresh. He can sell them over again, make himself
Speaker 1: an extra thirty five cents what I should have done
Speaker 1: in the first place. Let him keep his violence. Hello there,
Speaker 1: remember me? No, Look, you sold me some this morning.
Speaker 1: So see, I still haven't.
Speaker 3: Was there something wrong with a mystery? They still?
Speaker 1: Look? They sure do. I imagine they would last me a
Speaker 1: lifetime if I cared to hang on to them that long.
Speaker 1: But look, I didn't want them this morning, and I
Speaker 1: don't want them tonight, And that's why I brought them
Speaker 1: back to you.
Speaker 3: Geez.
Speaker 1: It isn't that I've got anything against violets, you understand.
Speaker 1: It's only that I just don't happen to have any
Speaker 1: use for Like I told you this morning, So do
Speaker 1: me a favorite wit you and just take them back.
Speaker 1: But Jamus, I don't mean I want my money back.
Speaker 1: I just want to get rid of the violets. You
Speaker 1: can sell them over again. They're still fresh enoughs.
Speaker 3: But I couldn't do that. It wouldn't be fairs. What
Speaker 3: kind of business man.
Speaker 5: You think I am? Anyway, I don't still use merchandise
Speaker 5: to anyone.
Speaker 1: Okay, then just keep them, give them away to somebody.
Speaker 1: I don't care what you doing, mister.
Speaker 5: I already got more violets, but I know what to
Speaker 5: do with now. I still got six bunches left to
Speaker 5: sell tonight. Look, maybe if you bought another bunch to
Speaker 5: add what you already got.
Speaker 1: Looky, look, I'll put paul. I want you to take
Speaker 1: these backs.
Speaker 5: Sorry, mister, I just don't accept returned merchandise. It's the
Speaker 5: policy of the management. I'm sure you don't want another.
Speaker 1: No, No, I don't know more violets. I'll take an
Speaker 1: evening paper though. Here here's the name, sure, mister.
Speaker 5: Glad to be a service here you are. Look, I'll
Speaker 5: put the keep around the flowers like like like that.
Speaker 5: It don't keep nice and fresh for you. Thanks, You're welcome, mister.
Speaker 8: Night in here.
Speaker 1: I'm sorry. I'm a little late. I couldn't help him.
Speaker 4: You better hurry and change. We don't have much time.
Speaker 1: Well, I won't take me long. You won't take look
Speaker 1: at the paper?
Speaker 4: Why didn't you tell me your first re hung?
Speaker 1: You're shut? H you're here? Thanks? You better hurr No,
Speaker 1: I won't take me long.
Speaker 4: What's the headline in the paper tonight?
Speaker 1: Well I didn't look at it yet?
Speaker 2: You look mm clan?
Speaker 1: What's matter? What's to say?
Speaker 4: Why didn't you tell me?
Speaker 1: Tell you what?
Speaker 2: That's the nicest thing you've ever done? Whatever made you
Speaker 2: think of buying me a bunch of vials?
Speaker 1: A bunch of Violet's starring Kathy Insbury and death mister
Speaker 1: and missus Lewis will tell you about next week's play.
Speaker 1: This Saturday night, don't miss the Case of the Trip North,
Speaker 1: dramatized for CBS radio listeners by Gangbusters. It's a true
Speaker 1: crime story taken some actual police records, the account of
Speaker 1: a free, shooting, fast and crooked honeymoon that blazed a
Speaker 1: track from the Deep South to the Big City, a
Speaker 1: track of robbery and death. Remember it's on Gangbusters this
Speaker 1: Saturday night on most of these same stations. Presented by
Speaker 1: CBS Radio and now once again Kathy and Elliott Lewis.
Speaker 4: Thank you Shirley Gordon for the bunch.
Speaker 1: Of violence, and thank you Kathy for being all women
Speaker 1: in my life, mother, wife.
Speaker 2: Secretary while I was your secretary. Next to all of
Speaker 2: them sentencipy friend Barbara. And when I was your mother,
Speaker 2: Peggy Webber was her housekeeper Anna.
Speaker 1: And of being that kind of a night when I
Speaker 1: went to see the doctor Byron Kine to his friends,
Speaker 1: Peggy Webber returned in another uniform to play his nurse.
Speaker 2: Then Dick Beales sold you the violets on the street corner,
Speaker 2: and lou Merrow plagued.
Speaker 4: You at your office.
Speaker 1: And our deep thanks to all of them, since at.
Speaker 2: That time of the year I find myself in exactly
Speaker 2: the same position as most of you women listening.
Speaker 4: My husband once again is.
Speaker 2: Studying batting averages and pitching styles.
Speaker 4: And so next week tell everyone dear next.
Speaker 1: Week a dramatization of Casey at the bass.
Speaker 2: Until then, thank you for listening, and good night, good night, enjoy.
Speaker 1: Young doctor Malone. Music for tonight's story was composed and
Speaker 1: conducted by Fred Steiner. The Kathy and Elliott theme is
Speaker 1: by Ray Noble and the program is transcribed and directed
Speaker 1: by mister Lewis. George Wall speaking and remember listen while
Speaker 1: you work. Enjoy Young Doctor Malone every Monday through Friday
Speaker 1: in the daytime on the CBS Radio network