1 00:00:01,520 --> 00:00:04,320 Speaker 1: And don't touch that. Don't touch it again. 2 00:00:04,639 --> 00:00:06,400 Speaker 2: That's cross contamination. 3 00:00:07,480 --> 00:00:12,000 Speaker 1: Don't touch this and touch that. Don't touch it again. 4 00:00:12,279 --> 00:00:19,480 Speaker 3: That's cross conxamination, cross cross cross cross contamination, cross cross 5 00:00:19,559 --> 00:00:21,760 cross cross contamination. 6 00:00:22,920 --> 00:00:25,719 Speaker 1: Don't touch it. 7 00:00:25,800 --> 00:00:30,519 Speaker 3: This is where the chicken stays away from the vegetables. 8 00:00:30,600 --> 00:00:37,719 Cross cross cross cross contamination, cross cross gross cross contamination 9 00:00:38,719 --> 00:00:39,679 to things that. 10 00:00:39,719 --> 00:00:41,079 Speaker 2: Don't belong together. 11 00:00:42,359 --> 00:00:49,200 Speaker 1: Choose from the chicken and the carrot. Keep them sepper separated. 12 00:00:50,240 --> 00:00:55,479 Speaker 3: You will not get cross contamination cross cross, gross cross 13 00:00:55,560 --> 00:00:56,920 gross contamination. 14 00:00:57,439 --> 00:01:05,560 Speaker 4: Cross okay to manuch cross cross cross fross, candor cross cross, 15 00:01:05,640 --> 00:01:13,239 bross cross contamination, cross cross cross cross candor cross cross 16 00:01:13,319 --> 00:01:15,519 cross cross condamination. 17 00:01:26,040 --> 00:01:31,319 Speaker 5: I was falling, gently, settled in the silence, frozen dark, 18 00:01:32,159 --> 00:01:37,840 an empty hibernation. You were there to catch me, drawn 19 00:01:37,920 --> 00:01:42,280 in by the wildness of broken heart, whole kind of 20 00:01:42,319 --> 00:01:45,920 patience in your hands. 21 00:01:46,159 --> 00:01:51,640 Speaker 2: My world does the world, the scream, all the world 22 00:01:51,680 --> 00:01:52,200 of light. 23 00:01:53,959 --> 00:02:00,519 Speaker 6: On the branches, open leg side, grass caps. 24 00:02:00,280 --> 00:02:04,879 Speaker 5: Shearing, a light stole in second chances at the light, 25 00:02:05,120 --> 00:02:09,159 and you're right. There's no wrong right, no one wrong 26 00:02:09,280 --> 00:02:25,719 or right. It's only ever always in Queen running from 27 00:02:25,759 --> 00:02:30,159 the heartache, certain in the distance, we had put behinde. 28 00:02:31,039 --> 00:02:35,639 The best could only change us. Love was like an earthquake, 29 00:02:36,479 --> 00:02:39,400 overwhelming and es capable and violent. 30 00:02:40,400 --> 00:02:47,960 Speaker 2: So we let itto cuz some worlds and forelights everything 31 00:02:48,240 --> 00:02:51,120 screamed all the world light. 32 00:02:52,680 --> 00:02:57,000 Speaker 6: Was on the branches over and like the sky COAXI 33 00:02:58,840 --> 00:03:03,199 capturing a light stole in the second chances having them 34 00:03:03,199 --> 00:03:04,439 a nine, And you're right. 35 00:03:05,000 --> 00:03:08,439 Speaker 2: There's no wrong. You're right, no more not you're right. 36 00:03:10,479 --> 00:03:12,240 Only I've always. 37 00:04:06,240 --> 00:04:09,319 Speaker 7: That's a place where the bottles go down, and then 38 00:04:09,960 --> 00:04:10,800 that's me. 39 00:04:13,159 --> 00:04:22,000 Speaker 8: I'm from all of the same people strive to remind. 40 00:04:21,639 --> 00:04:29,199 Speaker 9: You how we're so look go first, wata all how 41 00:04:29,240 --> 00:04:29,800 we feel? 42 00:04:40,560 --> 00:04:43,399 Speaker 8: Every day people fall apart the. 43 00:04:46,279 --> 00:04:50,360 Speaker 9: Well, see it all the time. 44 00:04:54,000 --> 00:04:54,920 Speaker 2: But I don't care. 45 00:04:55,120 --> 00:04:55,800 Speaker 8: I don't care. 46 00:04:56,000 --> 00:04:59,639 Speaker 10: I don't care what they'll say. 47 00:05:00,040 --> 00:05:01,199 Speaker 9: There's our do And. 48 00:05:01,319 --> 00:05:02,839 Speaker 8: In my own work. 49 00:05:06,519 --> 00:05:11,800 Speaker 7: If I'm asking go on the streets, ny, Jill you to, 50 00:05:13,600 --> 00:05:17,560 I'm let all right, tell only on the side we're 51 00:05:17,639 --> 00:05:23,839 all down and out over every way where the people said, 52 00:05:24,680 --> 00:05:27,759 why oh, why should I really check your this? 53 00:05:28,160 --> 00:05:51,079 Speaker 11: Jo stover side, that's a place where the storm goes 54 00:05:51,120 --> 00:05:52,000 down and go. 55 00:05:52,759 --> 00:05:58,920 Speaker 8: Go b Well, I wonder where we're. 56 00:06:02,560 --> 00:06:05,160 Speaker 12: But I'll be fine in my mind trying to make 57 00:06:05,240 --> 00:06:17,199 a loose was right, ignore it on the outside once again. 58 00:06:17,439 --> 00:06:20,600 Speaker 10: In the end, I'll be in the back. 59 00:06:20,040 --> 00:06:20,360 Speaker 13: Of a. 60 00:06:23,040 --> 00:06:26,439 Speaker 9: Lesson about just what I don't. 61 00:06:29,040 --> 00:06:32,079 Speaker 2: I'm a beef of the stationer and. 62 00:06:32,199 --> 00:06:34,920 Speaker 9: I you jill us to go home. 63 00:06:35,879 --> 00:06:39,560 Speaker 8: I'm not a right down on the other side of. 64 00:06:39,639 --> 00:06:41,160 Speaker 14: The falling yet. 65 00:06:43,079 --> 00:06:46,160 Speaker 8: Oh, let's bring away. We got you guys. 66 00:06:47,000 --> 00:06:52,160 Speaker 9: While should I really check your it's Joe not. 67 00:06:52,920 --> 00:06:54,360 Speaker 8: To say. 68 00:07:24,279 --> 00:07:28,759 Speaker 9: Last came to the Chaser killed us. 69 00:07:32,000 --> 00:07:39,079 Speaker 11: Down on the other side with falling. 70 00:07:35,839 --> 00:07:40,720 Speaker 8: Yeah, we got chah. 71 00:07:41,800 --> 00:07:45,920 Speaker 15: Why why should I really Jack chases juic. 72 00:07:46,839 --> 00:07:56,839 Speaker 1: Snop that is not the same by John Denton, who 73 00:07:56,839 --> 00:07:59,079 we're going to be speaking with in just a moment. 74 00:07:59,120 --> 00:08:03,120 Welcome everybody. It is Matt Connorton Unleashed. It is a Saturday, 75 00:08:03,160 --> 00:08:07,480 March one, two thy twenty five. Jenny is here, of 76 00:08:07,480 --> 00:08:11,839 course at the news table. And let's see we've got 77 00:08:11,920 --> 00:08:16,560 them on skype here, John, are you there? Hello, Hey, 78 00:08:16,759 --> 00:08:20,040 John Denton. Welcome to Matt Connorton Unleashed, our number one 79 00:08:20,439 --> 00:08:23,879 on this Saturday morning. We just heard, of course, your 80 00:08:23,959 --> 00:08:28,759 great track, not the same your debut single. And uh, 81 00:08:28,800 --> 00:08:31,439 by the way, so you are you are a very 82 00:08:31,480 --> 00:08:32,159 young man. 83 00:08:32,080 --> 00:08:36,279 Speaker 7: Correct, Yeah, fourteen years old. 84 00:08:36,320 --> 00:08:40,039 Speaker 1: So so it started off your career very strong. I 85 00:08:40,039 --> 00:08:42,279 mean that is uh, that is such a great track. 86 00:08:42,320 --> 00:08:43,960 And I was reading a little bit about it too, 87 00:08:44,080 --> 00:08:46,159 and and what the lyrics are about and everything. So 88 00:08:46,159 --> 00:08:48,480 so congratulations on that. And you've already made it to 89 00:08:48,559 --> 00:08:50,480 American radio, so that's pretty cool. 90 00:08:51,799 --> 00:08:53,480 Speaker 14: That's good day. Yeah, yeah, thanks forming me. 91 00:08:54,720 --> 00:08:57,399 Speaker 1: Now, so tell us tell us a little bit about 92 00:08:57,399 --> 00:08:59,000 the song first and then we'll you know, we'll talk 93 00:08:59,039 --> 00:09:01,840 about your background and stuff. But because I was reading 94 00:09:01,879 --> 00:09:05,320 about how the song is, uh, tell me if I 95 00:09:05,399 --> 00:09:09,159 understand this correctly. Uh, And it's a subject that is 96 00:09:09,399 --> 00:09:12,440 very near and dear to me of course, talking about 97 00:09:12,519 --> 00:09:15,519 mental health and and what what different people are dealing 98 00:09:15,600 --> 00:09:17,320 with and how we're not all the same in terms 99 00:09:17,360 --> 00:09:20,519 of what we as individuals have to deal with, uh, 100 00:09:20,960 --> 00:09:23,799 you know, mentally and emotionally and all of that. Is 101 00:09:23,799 --> 00:09:25,919 that Am I on the right track? 102 00:09:26,919 --> 00:09:27,159 Speaker 14: Yeah? 103 00:09:27,200 --> 00:09:30,399 Speaker 16: So I think, But I think I think when I 104 00:09:30,399 --> 00:09:32,559 was writing the song, I just sort of I don't know, 105 00:09:32,559 --> 00:09:34,559 it was just I think it was that time where 106 00:09:34,559 --> 00:09:36,240 I was thinking a lot about, you know, because there's 107 00:09:36,279 --> 00:09:38,159 some pretty bad stuff going on in my country and 108 00:09:38,200 --> 00:09:40,879 obviously around the world and obviously you know, I'm just 109 00:09:41,039 --> 00:09:42,679 I'm just love from a small town who you know 110 00:09:42,799 --> 00:09:45,600 doesn't really well it doesn't you know, experience any of that. 111 00:09:45,679 --> 00:09:49,399 So just sort of like, I don't know, just sort 112 00:09:49,440 --> 00:09:53,559 of a right down my thoughts about like how you know, 113 00:09:54,480 --> 00:09:57,399 you know other songs says you know, we're not the same. Sorry, 114 00:09:57,879 --> 00:10:00,759 I'm so about I'm so about interviews me by Isolate. 115 00:10:01,759 --> 00:10:05,320 Speaker 1: Yeah, I think that I was. I was reading too 116 00:10:06,080 --> 00:10:08,600 about you know, some of your your influences in terms 117 00:10:08,600 --> 00:10:11,320 of of the style of the song. I mean, it 118 00:10:11,360 --> 00:10:13,440 reminded me a little bit of The Killers and maybe 119 00:10:13,480 --> 00:10:16,600 The Strokes, and I was reading online, Uh, someone was 120 00:10:16,639 --> 00:10:19,120 comparing it to something by the Smiths. I mean, is 121 00:10:19,159 --> 00:10:21,399 that is that kind of your influence? I don't know, 122 00:10:21,440 --> 00:10:23,399 I don't like, I don't know what your broader influence 123 00:10:23,480 --> 00:10:25,879 influences are yet because you're just starting out. This is 124 00:10:25,919 --> 00:10:29,200 your first uh, this is your first big single. But 125 00:10:29,200 --> 00:10:31,799 but can you tell me about some of your musical 126 00:10:31,840 --> 00:10:34,639 inspirations for for writing a song like this? And I'm 127 00:10:34,679 --> 00:10:36,399 also curious to know if some of the other music 128 00:10:36,399 --> 00:10:39,240 that you're working on if it's similar or or if 129 00:10:39,279 --> 00:10:41,960 it has a different vibe and some different influences. 130 00:10:42,799 --> 00:10:45,480 Speaker 16: Yeah, so I'd say I've always been quite inspired by, like, 131 00:10:45,519 --> 00:10:47,879 you know, the the sounds of my city, you know, 132 00:10:47,879 --> 00:10:48,720 because I'm from Sulford. 133 00:10:48,799 --> 00:10:50,559 Speaker 14: I'm from a time called sulf It. 134 00:10:50,799 --> 00:10:54,000 Speaker 16: And it's it's in Manchester, okay, you know, way it 135 00:10:54,039 --> 00:10:56,480 close to the cities, and so you know, I've got 136 00:10:56,480 --> 00:10:58,519 you know, i'd say I've got a lot of access 137 00:10:58,559 --> 00:11:01,519 to you know, like well obviously you obviously center and 138 00:11:02,240 --> 00:11:05,039 the culture and yeh, so i'd say just to know 139 00:11:05,120 --> 00:11:07,679 my hometownd stuff really like look like you know, like 140 00:11:07,720 --> 00:11:09,639 Stone Roses and Smith's an Oasis. 141 00:11:09,720 --> 00:11:13,159 Speaker 1: Yeah, yeah, oh yeah, the Stone Roses. That's another band 142 00:11:13,200 --> 00:11:15,159 I was thinking of. It didn't come to mind when 143 00:11:15,200 --> 00:11:16,960 I was talking about it, but when I was listening 144 00:11:17,039 --> 00:11:19,159 to the song the first time because we actually played 145 00:11:19,200 --> 00:11:20,720 it on the show last week for the first time, 146 00:11:20,720 --> 00:11:23,919 and yeah, yeah, Stone Roses, that's I can definitely, I 147 00:11:23,960 --> 00:11:27,240 can definitely hear that. Are you working on obviously this 148 00:11:27,320 --> 00:11:30,279 is the first single, so this is the immediate focus. 149 00:11:30,360 --> 00:11:32,440 But do you have something lined up for a second 150 00:11:32,440 --> 00:11:35,360 single already or are you working on something? Where are 151 00:11:35,399 --> 00:11:36,360 you in the process? 152 00:11:37,080 --> 00:11:39,240 Speaker 16: I mean listening to them yeah. I mean, you know, 153 00:11:39,240 --> 00:11:41,840 because I'm mostly wrapping zones all the time. So yeah, 154 00:11:42,120 --> 00:11:45,559 I've always got you know, stuff, stuff going on. I 155 00:11:45,559 --> 00:11:47,559 will be honest, there's a few, like there's a few 156 00:11:47,559 --> 00:11:50,000 specific songs that I prefer to not the same, you know, 157 00:11:50,120 --> 00:11:52,519 just sell you know, I say selfish like, you know, 158 00:11:52,600 --> 00:11:54,600 just for myself, I prefer you know, I prefer it. 159 00:11:54,679 --> 00:11:56,279 So you know, of course I'm right all the time. 160 00:11:56,320 --> 00:11:58,720 So I'm probably quite know in a few months. So 161 00:11:58,879 --> 00:12:02,840 obviously you know, doing second single and yeah. 162 00:12:02,440 --> 00:12:06,159 Speaker 1: Yeah, yeah, we look forward to hearing more from more 163 00:12:06,159 --> 00:12:08,399 from you in the future in terms of your musical output. 164 00:12:08,480 --> 00:12:10,679 And like I said, you're off to such a great start. 165 00:12:11,000 --> 00:12:14,519 Where was this recorded? Did you did you record not 166 00:12:14,679 --> 00:12:17,759 the same uh? On your own? Or did you go 167 00:12:17,799 --> 00:12:19,919 to a studio? Did you work with a producer? Because 168 00:12:19,919 --> 00:12:20,720 it sounds great? 169 00:12:21,559 --> 00:12:24,559 Speaker 16: Yes, I went to I went to Olive Studios any 170 00:12:24,559 --> 00:12:26,600 time called witness it's not too far from Manchester and 171 00:12:26,879 --> 00:12:27,879 you got called JOHNO. 172 00:12:29,480 --> 00:12:33,559 Speaker 14: List name John Oltringo. Okay, so I added. 173 00:12:33,320 --> 00:12:35,519 Speaker 16: The bass and all the all the guitars and up 174 00:12:35,519 --> 00:12:38,159 to the vocals and ate it jumps. 175 00:12:38,399 --> 00:12:41,039 Speaker 1: Oh wow, that's great when you can do the bulk 176 00:12:41,039 --> 00:12:43,080 of it yourself, right, because then you you can be 177 00:12:43,080 --> 00:12:46,039 assured that it's going to really be kind of your 178 00:12:46,159 --> 00:12:48,480 vision of what the song should be, you know, instead 179 00:12:48,480 --> 00:12:50,120 of being in a situation where maybe you go to 180 00:12:50,120 --> 00:12:53,159 a studio and you've got studio musicians who are playing 181 00:12:53,159 --> 00:12:54,759 these parts that you kind of have in mind. When 182 00:12:54,759 --> 00:12:56,720 you have the ability to do it all yourself, that's 183 00:12:57,000 --> 00:12:59,679 that's fantastic. And you said John did the drums and 184 00:13:00,120 --> 00:13:01,840 obviously produce it. 185 00:13:02,120 --> 00:13:05,600 Speaker 16: Yeah, So it was funny though, So so I think 186 00:13:05,639 --> 00:13:08,240 I I think you have like a guide track, you know, 187 00:13:08,440 --> 00:13:11,240 just with a metronomonic that I've done at home. Yeah, 188 00:13:11,279 --> 00:13:13,120 And he literally just went on stairs and just did 189 00:13:13,399 --> 00:13:15,279 a deal thing without putting much art into it. 190 00:13:15,279 --> 00:13:18,799 Speaker 14: It was amazing, really yeah. He just yeah, I mean 191 00:13:18,799 --> 00:13:19,240 the great. 192 00:13:19,080 --> 00:13:22,159 Speaker 1: Your drums aren't like it's nice when it when it 193 00:13:22,200 --> 00:13:24,440 comes together that quickly like that, and it's sort of 194 00:13:24,519 --> 00:13:27,320 organic and intuitive, and you know, you know then that 195 00:13:27,360 --> 00:13:29,639 you've got something really good and really strong when it 196 00:13:29,879 --> 00:13:32,720 when it comes together the other quickly and you can say, wow, 197 00:13:32,759 --> 00:13:36,679 this sounds great that. Do you intend to work with 198 00:13:36,759 --> 00:13:39,120 him going forward? Are you going to uh? Are you 199 00:13:39,159 --> 00:13:41,200 going to work with him on on future tracks. Are 200 00:13:41,240 --> 00:13:43,279 you going to kind of maybe shop around a little 201 00:13:43,279 --> 00:13:45,639 bit or do you have that part planned out yet? 202 00:13:46,360 --> 00:13:49,039 Speaker 16: Yeah, so I think I'll I think most likely, you know, 203 00:13:49,080 --> 00:13:51,159 for the next for the next few singers, I'll just 204 00:13:51,200 --> 00:13:52,120 be working with him, I think. 205 00:13:52,679 --> 00:13:52,879 Speaker 1: I think. 206 00:13:53,840 --> 00:13:55,159 Speaker 16: I think the one thing that I really like about 207 00:13:55,200 --> 00:13:57,440 me is like, like one of the first things that 208 00:13:57,480 --> 00:13:59,639 he said to me before before recording this. 209 00:13:59,720 --> 00:14:01,440 Speaker 14: Song was that he wanted it sound real. 210 00:14:01,799 --> 00:14:04,720 Speaker 16: And so that's like my main like what's the word, 211 00:14:05,360 --> 00:14:07,159 that's my main sort of aspiration with it, you know, 212 00:14:07,360 --> 00:14:08,240 with regarding songs. 213 00:14:08,320 --> 00:14:10,159 Speaker 14: Definitely, so so yeah. 214 00:14:09,759 --> 00:14:13,159 Speaker 1: Yeah, yeah, excellent. And now what about performing live? Do 215 00:14:13,200 --> 00:14:17,080 you perform live in your area? I saw, I thought 216 00:14:17,080 --> 00:14:18,879 I saw a couple of pictures that looked like they 217 00:14:18,919 --> 00:14:21,200 were taken from a live show. But I don't know. 218 00:14:21,360 --> 00:14:23,799 I mean, I don't know if at your age. I know, 219 00:14:23,879 --> 00:14:26,600 here in America, when you're you know, if you're fourteen, 220 00:14:27,120 --> 00:14:29,480 you're a little bit limited as far as places you 221 00:14:29,519 --> 00:14:31,679 can play. I mean, you know, you can do coffee 222 00:14:31,720 --> 00:14:34,000 houses and stuff like that, but you know, you certainly 223 00:14:34,039 --> 00:14:36,360 can't do bars or pubs. I guess you would, you 224 00:14:36,360 --> 00:14:39,399 would call them, But what what is your situation as 225 00:14:39,399 --> 00:14:40,960 far as playing live? Are you able to do a 226 00:14:40,960 --> 00:14:41,799 lot of live shows? 227 00:14:42,559 --> 00:14:43,240 Speaker 14: Yeah, so I am. 228 00:14:43,399 --> 00:14:45,840 Speaker 16: I've been geting so I've been thinking pretty much every 229 00:14:45,840 --> 00:14:47,639 weekend for about like three years. 230 00:14:47,960 --> 00:14:50,159 Speaker 1: Right, Oh, excellent, excellent. 231 00:14:49,919 --> 00:14:51,960 Speaker 16: Yeah, So I mean, I'll be honest back so at 232 00:14:51,960 --> 00:14:55,200 the moment, like I look about eighteen and I've been 233 00:14:55,200 --> 00:14:57,039 told that by by a lot of people. 234 00:14:57,200 --> 00:14:58,440 Speaker 1: So that's good. 235 00:14:59,000 --> 00:15:01,120 Speaker 14: Yeah, so just a I get any places. 236 00:15:01,519 --> 00:15:04,320 Speaker 1: Oh that's oh, that's great, that's great. Yeah, that's that's 237 00:15:04,519 --> 00:15:05,679 definitely to your advantage. 238 00:15:07,120 --> 00:15:10,519 Speaker 16: Yes, I've begins around like Manchester, Liverpool. I'm doing your 239 00:15:10,519 --> 00:15:13,440 first like proper, like a like long way gig. I'm 240 00:15:13,440 --> 00:15:16,360 going to London in April and then that's gonna be 241 00:15:16,799 --> 00:15:21,279 So it's my first international gig. Well i'd say, so, yeah, international. 242 00:15:21,440 --> 00:15:25,799 I'm going to Scotland. I'm going to Glasgow this year 243 00:15:25,840 --> 00:15:29,559 at one point. Yeah, there's no date, there's no date. Yeah, yeah, 244 00:15:29,559 --> 00:15:31,879 exactly happening here. So yeah, I'm looking forward to that definitely. 245 00:15:31,960 --> 00:15:35,159 Speaker 1: Oh that's excellent. Okay. So, so in addition to obviously 246 00:15:35,279 --> 00:15:38,519 so the single, you're getting some traction with and and 247 00:15:38,559 --> 00:15:41,000 you're sounds like you've got a lot of good traction 248 00:15:41,080 --> 00:15:42,759 too as far as playing out. You know, you're playing 249 00:15:42,759 --> 00:15:46,960 every weekend. That's fantastic. Good for you. Also, I'm curious 250 00:15:46,960 --> 00:15:50,759 to know more about your connection to Johnny Marr. You've 251 00:15:50,759 --> 00:15:54,120 got Johnny Mar's stamp of approval, but can you tell 252 00:15:54,159 --> 00:15:55,120 us a little bit about that. 253 00:15:56,200 --> 00:16:00,360 Speaker 16: Yeah, so about about three years ago, Yes, about three 254 00:16:00,399 --> 00:16:02,480 years ago, I just met I just met him by 255 00:16:02,559 --> 00:16:05,720 chance in Manchester at this record signing and then the 256 00:16:05,799 --> 00:16:09,759 year after he put this light application form and it 257 00:16:09,840 --> 00:16:12,399 was targeted at Salford to aviously my owntown, like you know, 258 00:16:13,480 --> 00:16:15,440 and yes, so it was it was it was called 259 00:16:15,480 --> 00:16:18,759 it the Johnny marrow Ard, and it was a basically 260 00:16:19,759 --> 00:16:21,120 I'm trying to find a work the right way to 261 00:16:21,120 --> 00:16:24,679 explain it. So it was like a fun not one raiser, sorry, 262 00:16:24,840 --> 00:16:27,080 it was like a bit of funding for like a 263 00:16:28,039 --> 00:16:31,679 for one musician. So obviously you know that it was 264 00:16:31,759 --> 00:16:35,639 joined with this foundation, the Sulfur Foundation, which is my owntown, 265 00:16:36,440 --> 00:16:39,279 and they were going to pick one musician to like, 266 00:16:39,519 --> 00:16:42,919 you know, help out of it. And and yes, right 267 00:16:42,919 --> 00:16:44,960 I applied and I got it and I met him 268 00:16:45,000 --> 00:16:47,440 again and it was greater the hero. 269 00:16:47,600 --> 00:16:50,720 Speaker 14: So it was amazing. Fami yea, because he because I 270 00:16:50,799 --> 00:16:52,039 got the ord like he really is. 271 00:16:52,080 --> 00:16:55,639 Speaker 1: So yeah, yeah, no, that's that's fantastic. And uh, you 272 00:16:55,759 --> 00:16:57,840 just never know where something like that will lead. Is 273 00:16:57,840 --> 00:17:00,639 that was it because of him that you connected with 274 00:17:00,679 --> 00:17:04,279 that producer that you're working with or did that happen separately? 275 00:17:05,279 --> 00:17:07,559 Speaker 16: So I'm working with this this management compant well I 276 00:17:07,799 --> 00:17:11,079 say company, but like this management group, and they've let 277 00:17:11,119 --> 00:17:11,680 me up with him. 278 00:17:11,559 --> 00:17:12,319 Speaker 14: And yeah, it's been good. 279 00:17:12,799 --> 00:17:15,759 Speaker 1: That's excellent. Yeah, so you've got you've got a lot 280 00:17:15,759 --> 00:17:19,519 of power behind you. That's great, that's great. Any idea 281 00:17:19,559 --> 00:17:23,119 when the next single will be out? We're already, like 282 00:17:23,160 --> 00:17:25,720 I said, we played we played not the same last 283 00:17:25,759 --> 00:17:28,200 week on the show, and all the response that we've heard, 284 00:17:28,240 --> 00:17:30,799 all the feedback has been very positive. So people want 285 00:17:30,839 --> 00:17:33,000 to hear more from you, obviously, and you're you're just 286 00:17:33,039 --> 00:17:35,440 starting out. But do you know when the next single 287 00:17:35,519 --> 00:17:35,839 might be? 288 00:17:37,440 --> 00:17:41,240 Speaker 16: I don't know, no, Yeah, but i'd say like maybe 289 00:17:41,279 --> 00:17:45,160 like near the end of this year somewhere obviously, I guess. Obviously, 290 00:17:45,200 --> 00:17:46,519 you know, you've got to pick the right song because 291 00:17:46,559 --> 00:17:51,000 when you like it all depends on your financial situation, 292 00:17:51,039 --> 00:17:53,240 if you know what I mean. I've got a bit 293 00:17:53,279 --> 00:17:54,440 of saving up to do, so. 294 00:17:54,200 --> 00:17:57,000 Speaker 1: So yeah, you've probably got a lot of Yeah, I'm 295 00:17:57,000 --> 00:17:59,079 sure you've already written a lot of music, and it 296 00:17:59,200 --> 00:18:02,160 probably some of it comes down to just kind of 297 00:18:02,160 --> 00:18:04,079 figuring out what the next song is that you want 298 00:18:04,079 --> 00:18:06,240 to record, right because you've you've probably got quite a 299 00:18:06,240 --> 00:18:08,519 few that you have ready to go. Just a matter 300 00:18:08,599 --> 00:18:16,759 of making decisions about what to do next, I would assume, yeah, yeah, definitely, Yeah, absolutely, Well, John, 301 00:18:16,839 --> 00:18:19,400 like I said, we love the track. Uh, where should 302 00:18:19,440 --> 00:18:23,200 people know to? Where should they go to find you online? 303 00:18:23,240 --> 00:18:26,240 What is the best place for people to go online 304 00:18:26,240 --> 00:18:28,920 to keep track with everything that John Denton is doing 305 00:18:28,960 --> 00:18:30,839 in terms of your music? And you know, if we 306 00:18:30,839 --> 00:18:32,640 have listeners over there who want to know where they 307 00:18:32,640 --> 00:18:34,960 can see you live, et cetera. Hopefully someday you'll be 308 00:18:35,000 --> 00:18:37,920 able to come to America too to play live. But 309 00:18:37,920 --> 00:18:39,880 but where should people go online to keep up with 310 00:18:39,920 --> 00:18:40,759 everything that you're doing? 311 00:18:41,480 --> 00:18:41,680 Speaker 14: Yes? 312 00:18:41,720 --> 00:18:44,319 Speaker 16: So social mediais I'm on Instagram. I'll tell you this 313 00:18:44,400 --> 00:18:47,000 comes like the main platform just because you know, that's 314 00:18:47,000 --> 00:18:48,960 where've got the most people sort of interaction with me. 315 00:18:49,400 --> 00:18:54,839 So Instagram and Twitter, TikTok, TikTok. Great, for musicians, isn't it? 316 00:18:55,279 --> 00:18:55,480 Speaker 1: Yes? 317 00:18:56,200 --> 00:18:57,400 Speaker 14: Is it not bud in your country? 318 00:18:57,519 --> 00:19:02,160 Speaker 1: I thought it was TikTok was banned and then quickly unbanned, 319 00:19:02,359 --> 00:19:05,640 and I think that was probably it. I don't think 320 00:19:05,680 --> 00:19:09,400 it's going to get banned again. But the the political 321 00:19:09,440 --> 00:19:13,920 situation here is so strange. Anything can happen and uh, 322 00:19:14,480 --> 00:19:19,880 I mean almost literally anything can happen here, John. But 323 00:19:19,880 --> 00:19:23,160 but right now, right now, TikTok Is is not banned 324 00:19:23,200 --> 00:19:25,359 in the United States. But we'll see what the future holds. 325 00:19:25,400 --> 00:19:29,880 And yeah, TikTok is a great resource for musicians absolutely. 326 00:19:29,519 --> 00:19:33,039 Speaker 16: Absolutely all the dreaming platforms. And do you listen to 327 00:19:33,079 --> 00:19:33,359 his own? 328 00:19:33,920 --> 00:19:36,960 Speaker 1: Yeah? Yeah, yeah, very cool, very cool. So, John, it's 329 00:19:36,960 --> 00:19:39,599 been wonderful speaking with you. We're going to actually close 330 00:19:39,640 --> 00:19:41,880 out the segment with We're gonna give this another spin, 331 00:19:42,640 --> 00:19:44,960 not the same. It's such a great song, very very catchy. 332 00:19:45,039 --> 00:19:46,920 We love it here. Like I said, a lot of 333 00:19:46,920 --> 00:19:49,920 great feedback here. And hopefully this is only the beginning 334 00:19:50,279 --> 00:19:55,519 of your you know, your your beginnings with on American radio, uh, 335 00:19:55,599 --> 00:19:58,000 because we think you have a great sound and uh, 336 00:19:58,039 --> 00:20:00,720 and I wish you continued success. And when the next 337 00:20:00,720 --> 00:20:03,240 single is ready, let's definitely have you back and we 338 00:20:03,240 --> 00:20:05,920 can talk some more then and we will look forward 339 00:20:05,920 --> 00:20:08,119 to hearing new music from you. 340 00:20:08,960 --> 00:20:12,079 Speaker 16: I've noticed that I've noticed that American radio presenters up, 341 00:20:12,440 --> 00:20:14,559 I know what's the words, they're a lot more hsiastic 342 00:20:14,640 --> 00:20:16,039 compared to the British ones. 343 00:20:16,240 --> 00:20:19,000 Speaker 14: So yeah, yeah, well wonderful. 344 00:20:19,119 --> 00:20:23,359 Speaker 1: Perhaps we're a little bit less reserved, but yes, no, 345 00:20:23,519 --> 00:20:24,880 we we love what you're doing. 346 00:20:24,960 --> 00:20:25,200 Speaker 5: John. 347 00:20:25,519 --> 00:20:27,559 Speaker 1: We'll let you go so we can give this another spin. 348 00:20:27,640 --> 00:20:29,599 But thank you so much for joining us today. We 349 00:20:29,680 --> 00:20:33,519 appreciate it, and we will talk again soon. All right, 350 00:20:33,559 --> 00:20:36,839 you got it, John, take care, bye bye. All right. 351 00:20:36,920 --> 00:20:39,559 That was John Denton skyping in from the UK. Very 352 00:20:39,599 --> 00:20:43,359 young man, very impressive, fourteen years old, but just starting out. 353 00:20:43,480 --> 00:20:45,799 So it's nice to kind of be in at ground 354 00:20:45,880 --> 00:20:48,440 zero of his career and see him from from very early. 355 00:20:48,559 --> 00:20:50,720 But let's give this another spin. If you missed it, 356 00:20:50,839 --> 00:20:52,599 not the same, and then we've got a great show. 357 00:20:53,000 --> 00:20:54,480 I'll plan for you for the rest of the show 358 00:20:54,519 --> 00:20:56,960 as well. We are we are only speaking of only 359 00:20:57,000 --> 00:20:59,400 getting started. We are in the early stages of this 360 00:20:59,559 --> 00:21:02,960 approach ram today here on Matt Connorton Unleashed. But if 361 00:21:02,960 --> 00:21:04,759 you miss it, here it is again, or if you 362 00:21:04,839 --> 00:21:06,000 heard it and you just want to hear it again, 363 00:21:06,079 --> 00:21:07,920 this is not the same John Denton. 364 00:21:43,000 --> 00:21:44,839 Speaker 8: That's the place where the bottles go. 365 00:21:45,039 --> 00:21:47,559 Speaker 10: Down, and then that's me. 366 00:21:49,960 --> 00:21:50,480 Speaker 17: I'm from. 367 00:21:50,599 --> 00:21:53,160 Speaker 9: All of the same. 368 00:21:56,720 --> 00:21:58,640 Speaker 1: People's rides are in my yah. 369 00:21:58,680 --> 00:22:05,400 Speaker 9: How is so look Kip go first, I wanta know. 370 00:22:05,759 --> 00:22:06,640 Speaker 18: I it field. 371 00:22:17,359 --> 00:22:20,160 Speaker 8: Every day people fall above the. 372 00:22:23,039 --> 00:22:31,920 Speaker 9: Well see it all side, But I don't care. I 373 00:22:32,039 --> 00:22:32,599 don't cat. 374 00:22:32,799 --> 00:22:37,920 Speaker 10: I don't care what they'll say because I do it 375 00:22:38,119 --> 00:22:39,599 in my own work. 376 00:22:43,480 --> 00:22:46,759 Speaker 19: Five nice people fall off the street shirt. 377 00:22:46,720 --> 00:22:52,200 Speaker 8: N Jill said, don't I'm not al right down on. 378 00:22:52,440 --> 00:22:56,119 Speaker 9: The other side. We're all down and out. 379 00:22:57,640 --> 00:22:59,079 Speaker 8: Over every well. 380 00:22:59,480 --> 00:23:00,920 Speaker 9: People who said. 381 00:23:01,440 --> 00:23:08,559 Speaker 11: Why why should I really check your this jo start side. 382 00:23:25,839 --> 00:23:28,400 Speaker 10: That's a place where the song goes down and. 383 00:23:28,680 --> 00:23:39,440 Speaker 8: Go go b Well, I won't know where, but. 384 00:23:39,640 --> 00:23:42,720 Speaker 10: I'll be fine in my mind trying to make go loose. 385 00:23:43,279 --> 00:23:48,799 Speaker 2: Worse right, ignore it all. 386 00:23:48,759 --> 00:23:50,599 Speaker 8: The outside. 387 00:23:53,279 --> 00:23:56,880 Speaker 9: Once again in the end, ally in the back of. 388 00:23:57,039 --> 00:24:01,960 Speaker 8: A joy about to do. 389 00:24:06,599 --> 00:24:11,200 Speaker 7: People say, say to jail, just to go. 390 00:24:13,920 --> 00:24:17,920 Speaker 19: Down on the up the side of the follow Yeah, 391 00:24:19,880 --> 00:24:24,119 oh break away, we got you that a while. 392 00:24:24,920 --> 00:24:31,119 Speaker 8: So I really checked against Joe stop say. 393 00:25:02,960 --> 00:25:05,960 Speaker 9: Chase chill, mister. 394 00:25:11,559 --> 00:25:17,119 Speaker 19: Fat you. 395 00:25:23,599 --> 00:25:23,920 Speaker 2: Stop. 396 00:25:31,559 --> 00:25:34,599 Speaker 1: That is not the same. That is the debut single 397 00:25:34,799 --> 00:25:38,480 from fourteen year old John Denton from the UK and 398 00:25:38,920 --> 00:25:41,319 I was wonderful speaking with him and we look forward 399 00:25:41,359 --> 00:25:43,599 to more from him in the future. This is Matt 400 00:25:43,680 --> 00:25:46,920 Connorton Unleashed and we are live from the studios of 401 00:25:47,160 --> 00:25:51,039 w m n H ninety five point three FM, Inglorious Manchester, 402 00:25:51,200 --> 00:25:54,039 New Hampshire. Of course, also streaming online. Go to Matt 403 00:25:54,079 --> 00:25:58,119 connorton dot com slash live for all your live streaming options, 404 00:25:58,240 --> 00:26:01,440 social media links contact infosh are, chives, et cetera, et cetera. 405 00:26:01,720 --> 00:26:06,359 Today is March first, twenty to twenty five. Jenny of 406 00:26:06,400 --> 00:26:10,240 course is here at the news table. Oh you know what, 407 00:26:10,400 --> 00:26:12,240 I didn't load it up. I didn't load it up 408 00:26:12,279 --> 00:26:14,720 because we did things in kind of a different order today. 409 00:26:16,799 --> 00:26:23,000 Speaker 20: Well fine, jeez, that was a lackluster Well good morning. 410 00:26:23,440 --> 00:26:33,519 Now that's better, Jenny, Morning Sun. 411 00:26:33,960 --> 00:26:36,519 Speaker 1: It just seems weird playing it. It's almost nine thirty 412 00:26:37,599 --> 00:26:41,839 weird to say it, I know, I know. Hey, we 413 00:26:41,920 --> 00:26:46,759 should mention the art show coming up. Do you have 414 00:26:46,839 --> 00:26:50,599 the it's the matter you don't have that ready. I 415 00:26:50,680 --> 00:26:52,720 wanted to give that a plug early, I know, and 416 00:26:52,799 --> 00:26:55,279 we'll mention it again later too that it's very exciting. 417 00:26:55,559 --> 00:26:58,400 It's it's at top of mind for me because of 418 00:26:58,440 --> 00:27:01,680 course yesterday I dropped off some of your art. 419 00:27:01,839 --> 00:27:03,920 Speaker 21: So it's been a fun week for me for art. 420 00:27:04,039 --> 00:27:07,279 This you were at one gallery picking up art and 421 00:27:07,319 --> 00:27:09,839 you're at another gallery dropping off art, all in the 422 00:27:09,920 --> 00:27:10,319 same week. 423 00:27:10,400 --> 00:27:10,799 Speaker 22: It's fun. 424 00:27:11,119 --> 00:27:14,079 Speaker 1: This will be and this is the third place right 425 00:27:14,160 --> 00:27:18,599 that your art will have been featured because there's there's Mosaic, yeah, 426 00:27:18,920 --> 00:27:21,880 and then and then of course before it became New 427 00:27:21,880 --> 00:27:25,319 Hampshire Underground, when it was still the Midnight Creatives Collective. Yeah, 428 00:27:25,680 --> 00:27:29,440 in Nashua, Eleanora and Andre they featured your art there. 429 00:27:30,759 --> 00:27:34,000 Speaker 21: Wonder if they do a black line and and now. 430 00:27:34,279 --> 00:27:36,640 Speaker 1: Now you have a third place feature in your artwork. 431 00:27:36,920 --> 00:27:40,759 Speaker 21: I'm super excited too. I never would have thought that 432 00:27:40,880 --> 00:27:45,400 this was going I know, right, So what's going to happen. 433 00:27:45,480 --> 00:27:49,559 Speaker 20: What's gonna happen right here in the Queens City on 434 00:27:49,880 --> 00:27:53,559 March fifty, there's going to be a unique art show. 435 00:27:54,160 --> 00:27:57,720 Speaker 21: This is called the Uncensored Underground. 436 00:27:57,440 --> 00:28:00,480 Speaker 20: Art Experience and it's going to be how the twenty 437 00:28:00,599 --> 00:28:05,680 garden Way, excuse me, twenty garden Walk for give me 438 00:28:05,960 --> 00:28:08,480 right here in the Queen City from six to nine pm. 439 00:28:08,960 --> 00:28:11,720 Speaker 21: And this show is uncensored, it's for adults. 440 00:28:11,440 --> 00:28:15,400 Speaker 20: It's political, it's ugly, it's beautiful, it's amazing, and you 441 00:28:15,519 --> 00:28:18,559 really really get to come see it. They actually fell 442 00:28:18,680 --> 00:28:24,319 in love with my insurance collection, and they've actually requested 443 00:28:24,400 --> 00:28:27,160 that I bring all of the paintings in, even though 444 00:28:27,200 --> 00:28:28,799 they don't think they're going to be able to hang 445 00:28:28,880 --> 00:28:32,200 all of them, all five of them, but they wanted 446 00:28:32,240 --> 00:28:34,440 to see all of them. So you actually brought all 447 00:28:34,480 --> 00:28:37,240 of them in and one of them you can play 448 00:28:37,319 --> 00:28:39,640 with with some three D glasses which I also sent 449 00:28:39,720 --> 00:28:40,240 in as well. 450 00:28:40,920 --> 00:28:41,880 Speaker 21: For those that don't know. 451 00:28:42,119 --> 00:28:47,559 Speaker 20: The insurance collection was my outlet of fighting with insurance 452 00:28:47,640 --> 00:28:50,480 companies for coverage and for the things I'm supposed to 453 00:28:50,480 --> 00:28:53,279 be able to have, and that ended up coming out 454 00:28:53,359 --> 00:28:54,400 in my artwork. 455 00:28:54,559 --> 00:28:58,240 Speaker 21: So it started with the illustrious agent. 456 00:28:59,559 --> 00:29:03,000 Speaker 20: And how wonderful they treated me, and it went on 457 00:29:03,200 --> 00:29:06,400 from there to you know, dealing with the vice President 458 00:29:06,480 --> 00:29:10,160 who was attacking and came across so attacking that it 459 00:29:10,279 --> 00:29:14,359 came out as quite the interesting painting, which you can 460 00:29:14,519 --> 00:29:16,200 check out at Gencoffee dot com. 461 00:29:16,400 --> 00:29:17,079 Speaker 5: J E. N. N. 462 00:29:17,240 --> 00:29:21,200 Speaker 20: Co f f uy dot com. Check out my creations, 463 00:29:21,400 --> 00:29:23,839 lots of things there, lots of information on my activism 464 00:29:23,960 --> 00:29:27,960 as well. And actually my website got a revamp recently. 465 00:29:28,680 --> 00:29:32,119 I have an amazing webmaster. Yes and yeah, I'm pretty 466 00:29:32,119 --> 00:29:35,359 excited about the changes and I'm going to be you 467 00:29:35,440 --> 00:29:36,799 going to see a little bit more of me I 468 00:29:36,880 --> 00:29:37,640 think in the future. 469 00:29:38,759 --> 00:29:41,519 Speaker 1: Very good. Well, congratulations on that, of course, thank you. 470 00:29:41,920 --> 00:29:45,039 We should also plug two. Someone with your last name 471 00:29:45,119 --> 00:29:46,960 is performing live later today. 472 00:29:47,279 --> 00:29:51,079 Speaker 21: Yes, they are at the Great North Alworks right here, 473 00:29:51,200 --> 00:29:55,200 also in the Queen City. Oh forgive me cool. 474 00:29:56,119 --> 00:29:59,400 Speaker 20: My son Jesse Coffee will be performing tonight starting at 475 00:29:59,400 --> 00:30:02,480 four pm at the Great North. He's a singer songwriter. 476 00:30:02,640 --> 00:30:05,160 He has an amazing voice and if you've never been 477 00:30:05,200 --> 00:30:07,400 to the Great North, it's an amazing place. 478 00:30:07,839 --> 00:30:10,000 Speaker 21: They have a lot of homegrown creations and if you 479 00:30:10,079 --> 00:30:12,920 love sporting, local small business, you definitely want to go 480 00:30:13,000 --> 00:30:14,279 support the Great North. 481 00:30:14,559 --> 00:30:17,440 Speaker 1: Absolutely absolutely, and we have an exciting show for you today. 482 00:30:17,480 --> 00:30:19,279 Of course, we did speak a few minutes ago with 483 00:30:19,359 --> 00:30:22,039 John Denton, a very impressive young man from the UK, 484 00:30:22,599 --> 00:30:26,160 and his first single and his first time on American 485 00:30:26,240 --> 00:30:30,000 radio is track Not the Same, Great song Coming up. 486 00:30:30,000 --> 00:30:33,160 In the second hour, singer songwriter Ian Gallipo will be here, 487 00:30:33,319 --> 00:30:35,079 and in the third hour we're going to be talking 488 00:30:35,119 --> 00:30:39,720 with Jordan about his project Becoming Human. He will be 489 00:30:39,759 --> 00:30:44,279 skyping in from Texas. I love that so oh Becoming Human. 490 00:30:44,359 --> 00:30:46,400 Speaker 21: Yeah yes, yeah, really they've been on my playlist now 491 00:30:46,480 --> 00:30:47,400 for well over a year. 492 00:30:47,640 --> 00:30:49,640 Speaker 1: Really great, really great. By the way, we'll say hello 493 00:30:49,720 --> 00:30:51,680 to a few people in the chat room too. In 494 00:30:51,799 --> 00:30:55,200 the Facebook chat I see Chris Porrier better known as Chrispy, 495 00:30:55,680 --> 00:30:58,000 a great local comedian who's been on the show. He says, Hi, 496 00:30:58,079 --> 00:31:01,720 Matt and Jenny, I love your art. Oh, very nice, 497 00:31:01,839 --> 00:31:04,400 very nice. Our friend Ricky Mapleton in the chat room 498 00:31:04,440 --> 00:31:06,200 and said hello. That's why I decided to open with 499 00:31:06,240 --> 00:31:08,440 a Ricky Mapleton song today at the beginning of the show, 500 00:31:08,480 --> 00:31:12,519 the cross contamination song food safety very important, very important, 501 00:31:12,599 --> 00:31:15,960 very important. So no, we love that song and we 502 00:31:16,039 --> 00:31:17,839 played it in Ian Gallipo track, and then of course 503 00:31:17,920 --> 00:31:20,920 played not the Same by John Denton to open our conversation. 504 00:31:21,119 --> 00:31:24,039 Also Eric Lesniak in the chat room. Eric does a 505 00:31:24,079 --> 00:31:27,720 lot for the city here, for Manchester and very important 506 00:31:27,759 --> 00:31:30,680 part of things here and is on the morning show. 507 00:31:30,720 --> 00:31:32,839 I believe every Friday. He is on the morning show 508 00:31:32,880 --> 00:31:37,240 with Peter White here in the studio and actually one 509 00:31:37,279 --> 00:31:40,200 of the oh wow, was a while ago now, it 510 00:31:40,240 --> 00:31:41,480 must have been like a year and a half ago 511 00:31:41,519 --> 00:31:44,039 at least, but there was a morning show that I 512 00:31:44,200 --> 00:31:46,240 was on, not here, it was in the old studio. 513 00:31:46,319 --> 00:31:47,599 That's how I know it was a while ago that 514 00:31:47,759 --> 00:31:51,119 Eric was also on a Friday morning. Oh, it was 515 00:31:51,119 --> 00:31:52,880 when we were making the format change with this show 516 00:31:52,880 --> 00:31:55,400 and we were kind of announcing everything. So it's great 517 00:31:55,440 --> 00:31:57,880 to actually get to sit with Eric on the morning show. 518 00:31:57,920 --> 00:31:59,960 That was a while ago though, But yeah, Eric Lesniak 519 00:32:00,079 --> 00:32:06,119 does a lot of great things. Let's see. Also, we've 520 00:32:06,160 --> 00:32:10,079 got bfraid, Boston's Final Raid in the chat room. H 521 00:32:10,480 --> 00:32:13,880 And we haven't done this in a while, but our 522 00:32:13,920 --> 00:32:17,680 old friend Isaac Banks from from Greensboro, North Carolina in 523 00:32:17,759 --> 00:32:21,880 the chat room. Let's see, Isaac says, good morning, Matt. 524 00:32:22,440 --> 00:32:27,279 What's happening Matt. Yesterday my friend Pete ives rube Ly 525 00:32:27,799 --> 00:32:32,000 or Ruby passed away and he was old time friend 526 00:32:32,079 --> 00:32:35,799 of mine since he is from Greensboro, North Carolina. He 527 00:32:36,039 --> 00:32:39,960 was in a wheelchair. He rides the bus. Rest in peace, 528 00:32:40,079 --> 00:32:44,279 Michelle Tractenburg. We love. This is all Isaac rest in Peace, 529 00:32:44,359 --> 00:32:48,680 Michelle Tractenburg, We love you, good morning. Hashtag Jen coffee. 530 00:32:48,960 --> 00:32:52,480 Hashtag Jen Coffee. I am known as Eichman Breezy and 531 00:32:52,640 --> 00:32:57,480 I did videos of cover tunes hashtag Jen coffee. I 532 00:32:57,599 --> 00:33:03,119 did cover song of Peter Set just Like Love. Hashtag 533 00:33:03,279 --> 00:33:09,880 Matt and hashtag Jen. Jeff Pegari and Johnny McKee v 534 00:33:10,680 --> 00:33:15,359 formed a or Maybe It's Five. Johnny formed a singing 535 00:33:15,480 --> 00:33:23,279 quartet mixed group called GSO six with Evan McGraw, Valerie Miller, 536 00:33:23,720 --> 00:33:29,119 Kathy Clifton, and Egan Conrad. Matt connorton Unleashed check out 537 00:33:29,240 --> 00:33:34,960 on YouTube is Aikman Breezy back on the block GSO 538 00:33:35,640 --> 00:33:40,759 Generation Socially six for the singing quartet mixed group. Of 539 00:33:40,880 --> 00:33:44,200 the lineup is Jeff Pegari, Valerie Biller, Johnny McKee five, 540 00:33:44,640 --> 00:33:50,319 Egan Conrad, Evan McGrath and Kathy Clifton. Generation Socially six 541 00:33:50,519 --> 00:33:55,839 manager is Joshua Walker and producer is me Isaac Banks. 542 00:33:55,960 --> 00:33:59,440 Hashtag Matt and hashtag Jen. I'm watching you from Greensboro, 543 00:33:59,599 --> 00:34:03,319 North Carela. Very good. Well, It's wonderful to get caught 544 00:34:03,400 --> 00:34:12,159 up with Isaac Banks from Iikman breezy. Yes, yes, very nice, 545 00:34:13,079 --> 00:34:13,480 very nice. 546 00:34:13,639 --> 00:34:13,760 Speaker 22: Hey. 547 00:34:14,159 --> 00:34:17,760 Speaker 1: So something we started to do recently too on the 548 00:34:17,800 --> 00:34:19,239 show and we didn't get we didn't get far with 549 00:34:19,280 --> 00:34:22,159 it because we just ran out of time. But uh, 550 00:34:22,320 --> 00:34:24,280 you know, because we talk about AI and we do 551 00:34:24,360 --> 00:34:27,639 have a couple of news stories involving AI and music 552 00:34:27,679 --> 00:34:29,719 and so forth that we might get to. But we 553 00:34:29,840 --> 00:34:32,320 also started to I thought it would be fun. And 554 00:34:32,360 --> 00:34:33,639 this is something I've kind of had in the back 555 00:34:33,679 --> 00:34:36,400 of my mind for months and months and months, and 556 00:34:36,400 --> 00:34:37,679 we've just ever had time to get to it. But 557 00:34:37,719 --> 00:34:39,559 we might do it right now. And this could be 558 00:34:40,159 --> 00:34:42,840 This could be a lot of fun. This could be 559 00:34:43,000 --> 00:34:45,320 a disaster. I don't know what's going to happen. But 560 00:34:46,280 --> 00:34:49,360 Sono is one of the services where you can create 561 00:34:49,599 --> 00:34:53,199 AI music AI generated music, and I thought it would 562 00:34:53,199 --> 00:34:56,159 be fun because they do have a free version, because 563 00:34:56,199 --> 00:34:58,320 I don't like to pay for things, especially if I 564 00:34:58,480 --> 00:35:00,400 don't think I'm ever going to use them again, although 565 00:35:00,440 --> 00:35:02,360 who knows, I might use this again in the future. 566 00:35:02,400 --> 00:35:06,440 We shall see. But Souno Suno dot com. I did 567 00:35:06,639 --> 00:35:09,719 set up a free account. This was a few weeks ago. 568 00:35:09,800 --> 00:35:11,639 We had started to do this and then, like I said, 569 00:35:11,679 --> 00:35:13,800 we just ran out of time, but I thought it 570 00:35:13,800 --> 00:35:18,280 would be interesting if we create an AI generated song 571 00:35:18,559 --> 00:35:21,320 live on the air and just see what happens and 572 00:35:21,400 --> 00:35:24,960 see what all the fuss is about. So I created 573 00:35:25,000 --> 00:35:28,760 an account and didn't get very far. But one of 574 00:35:28,800 --> 00:35:31,519 the options is so song description, and they give you 575 00:35:31,599 --> 00:35:34,360 an example of a song description that you can use 576 00:35:34,440 --> 00:35:37,679 a prompt if you will an AI prompt. So the 577 00:35:37,920 --> 00:35:42,440 first song description, well, here's what it says. Describe the 578 00:35:42,480 --> 00:35:45,440 style of music and topic you want. For example, acoustic 579 00:35:45,559 --> 00:35:50,880 pop about the holidays. Use genres in vibes instead of 580 00:35:51,039 --> 00:35:55,000 specific artists and songs, So they don't want examples of 581 00:35:56,159 --> 00:35:58,719 artists and songs that you want to sound like, but 582 00:35:58,840 --> 00:36:01,840 they want they want a description of what the vibe 583 00:36:02,079 --> 00:36:05,400 should be. And an example that they give is an 584 00:36:05,440 --> 00:36:10,719 emotional classical song about a faded photo on the mantle. 585 00:36:11,920 --> 00:36:15,440 So what should we Jenny, what should we prompt it 586 00:36:15,519 --> 00:36:17,199 to to write about? What should be? 587 00:36:17,400 --> 00:36:17,519 Speaker 8: Uh? 588 00:36:18,199 --> 00:36:19,000 Speaker 21: Death destruction? 589 00:36:19,320 --> 00:36:24,280 Speaker 1: K okay? So I'm going to type that I'm channeling 590 00:36:24,400 --> 00:36:31,920 Melanie death destruction. De kay. Now let's see, and then 591 00:36:32,000 --> 00:36:40,840 you can you can select a lyrics model. Uh, you 592 00:36:40,920 --> 00:36:46,239 know what I think? So there's two options here. There's 593 00:36:46,639 --> 00:36:52,199 uh remy, which is our newest, most creative model, may 594 00:36:52,320 --> 00:36:55,800 generate content that some find offensive. Okay, so we don't 595 00:36:55,840 --> 00:36:56,840 want that because. 596 00:36:56,840 --> 00:36:59,440 Speaker 21: One, because we need to uh it's Saturday morning. 597 00:36:59,480 --> 00:37:01,840 Speaker 1: We don't want to create something that I can't actually 598 00:37:01,920 --> 00:37:04,159 play on the air. Or the other option is that 599 00:37:04,280 --> 00:37:09,559 we can stick with classic follows prompts closely and takes 600 00:37:10,760 --> 00:37:13,679 fewer risks. But you know what, I'm also too because 601 00:37:13,800 --> 00:37:15,760 I just to be sure. I mean, we are on 602 00:37:15,800 --> 00:37:17,320 a delay. I can always set the dump button, but 603 00:37:17,320 --> 00:37:19,000 I don't want to have to do that. So I'm 604 00:37:19,079 --> 00:37:24,599 going to Okay, so I typed death, destruction, decay, but 605 00:37:24,719 --> 00:37:35,079 I'm also going to say with clean lyrics, no profanity, 606 00:37:35,159 --> 00:37:36,760 because we don't want it to spit out something I 607 00:37:36,800 --> 00:37:41,480 can't even play on the air. Okay, So, well, it 608 00:37:41,519 --> 00:37:44,840 doesn't want it doesn't want specific. It wants vibes, not 609 00:37:45,320 --> 00:37:47,840 I don't. That might be that might be getting too 610 00:37:47,920 --> 00:37:53,360 specific if I say that. Okay, So now, so now 611 00:37:53,400 --> 00:37:55,039 I'm going to click create. 612 00:37:56,280 --> 00:37:58,760 Speaker 21: And does it tell you it doesn't give you, like 613 00:37:58,800 --> 00:38:00,119 the ability to pick like John. 614 00:38:01,360 --> 00:38:03,840 Speaker 1: Well no, I oh no, oh no, I could have, 615 00:38:04,039 --> 00:38:06,519 but I just typed. I mean we can we can always. 616 00:38:07,239 --> 00:38:09,719 I just I just typed death, destruction, decay, and then 617 00:38:09,760 --> 00:38:13,000 I also said with clean lyrics, no profanity. Okay. So 618 00:38:14,039 --> 00:38:17,000 it is generating. It looks like it is generating more 619 00:38:17,079 --> 00:38:25,760 than one option. It's it's given. Oh okay, it's created 620 00:38:25,800 --> 00:38:28,960 a couple of files. So they both have the same 621 00:38:29,079 --> 00:38:32,159 name though. Walts of the Shadows is the name of 622 00:38:32,199 --> 00:38:35,920 the song, and there's a descriptor underneath it. It says clean, 623 00:38:36,079 --> 00:38:41,239 haunting orchestral dark. It's called Walts of the Shadows. But 624 00:38:42,159 --> 00:38:44,079 it looks like it's created two of them. Okay, So 625 00:38:44,119 --> 00:38:46,480 I'm gonna click the first one and let's see what happens. 626 00:38:46,559 --> 00:38:48,239 This is we're doing this live on the air. I 627 00:38:48,320 --> 00:38:51,360 never done this before. This is AI generated by this 628 00:38:51,519 --> 00:38:55,199 service Souno dot com. So I'm going to go ahead 629 00:38:55,239 --> 00:38:57,679 and click this and I'm gonna click play and let's 630 00:38:57,840 --> 00:39:08,119 just see what happens. Sounds like the beginning of an 631 00:39:08,119 --> 00:39:09,440 Evanescence song so far. 632 00:39:10,079 --> 00:39:16,800 Speaker 23: In Blood for Shadows dotre Oh, it's kind of nice. 633 00:39:17,760 --> 00:39:19,320 Speaker 18: Whispers of vended. 634 00:39:20,599 --> 00:39:22,119 Speaker 21: We can't see. 635 00:39:26,360 --> 00:39:37,880 Speaker 23: The care of said songs around time as dusk transforms into. 636 00:39:39,039 --> 00:39:49,400 Speaker 18: Nice, what sings a quiet beneath the song for. 637 00:39:51,119 --> 00:39:56,599 Speaker 23: Destruction writes letters in a dreams turn to dust in 638 00:39:56,800 --> 00:39:57,519 a flash. 639 00:40:01,599 --> 00:40:05,079 Speaker 1: Well I can see, well, I can see why people 640 00:40:05,159 --> 00:40:10,000 are worried because this is this is AI generated. But 641 00:40:10,199 --> 00:40:14,960 it's also really yeah, it's it's good. It's it's legitimately good. 642 00:40:15,119 --> 00:40:18,039 It's not even like, oh, this is good for AI. 643 00:40:18,039 --> 00:40:23,159 I guess no, this is like, this sounds legit. I'm 644 00:40:23,360 --> 00:40:25,519 understanding song. 645 00:40:25,599 --> 00:40:26,199 Speaker 21: It really does. 646 00:40:26,400 --> 00:40:29,039 Speaker 1: Yeah, I'm understanding on a new level why people are 647 00:40:29,159 --> 00:40:32,760 legitimately worried, you know what I mean. 648 00:40:32,920 --> 00:40:34,960 Speaker 21: And it just did that in a split second. 649 00:40:35,239 --> 00:40:37,159 Speaker 1: Yeah, that's a couple of prompts. 650 00:40:37,280 --> 00:40:38,119 Speaker 21: It's disturbing. 651 00:40:42,960 --> 00:40:45,280 Speaker 1: Okay, Rather than listening to the whole song, though, let's 652 00:40:45,360 --> 00:40:47,320 pick because it gave us it. Well, it gave us 653 00:40:47,360 --> 00:40:51,599 two options, so let's listen to the second option and 654 00:40:51,800 --> 00:40:56,639 see what this is, and it might be similar. We'll see. 655 00:41:07,159 --> 00:41:10,199 Speaker 2: Through the land where shadows dance. 656 00:41:11,000 --> 00:41:12,840 Speaker 1: Oh, now we have a male vocalist. 657 00:41:13,840 --> 00:41:18,840 Speaker 2: Whispers of endings. We can see. 658 00:41:21,079 --> 00:41:32,599 Speaker 13: Dka wraps its arms around time his dust transforms into nine. 659 00:41:36,159 --> 00:41:38,480 Speaker 2: All things a quiet to. 660 00:41:41,679 --> 00:41:44,159 Speaker 18: Beneath the sord. 661 00:41:48,239 --> 00:41:50,679 Speaker 1: So now we have acause, Jenny, you had to leave 662 00:41:50,719 --> 00:41:52,079 the room for a moment. Now we have a male 663 00:41:52,320 --> 00:41:55,360 vocalist on the On the second example. 664 00:41:56,360 --> 00:41:59,800 Speaker 2: Dreams turned to dust In a. 665 00:42:05,599 --> 00:42:12,159 Speaker 1: What's really good? It's really good? Oh boy? But why 666 00:42:12,280 --> 00:42:12,719 is it good? 667 00:42:14,679 --> 00:42:17,960 Speaker 8: Stories I have and it's just. 668 00:42:22,159 --> 00:42:25,320 Speaker 15: And steagetation times. 669 00:42:29,280 --> 00:42:29,559 Speaker 8: I just. 670 00:42:31,320 --> 00:42:34,559 Speaker 1: This is so much better than I expected. Really, yeah 671 00:42:34,599 --> 00:42:36,840 it is. I didn't expect it to be this quality. 672 00:42:42,280 --> 00:42:59,239 Speaker 2: Whos trees so embrace? 673 00:43:05,199 --> 00:43:07,480 Speaker 1: Yeah, that's that's really good. Now I do want to 674 00:43:08,760 --> 00:43:12,280 just for the heck of it. Uh, this is not 675 00:43:12,519 --> 00:43:14,920 something that we've This is a subject we haven't visited 676 00:43:14,960 --> 00:43:16,119 in a while. But I just want to see what 677 00:43:16,159 --> 00:43:17,760 it does, so you know how of course, you know, 678 00:43:17,880 --> 00:43:20,159 last week we were talking about Kendrick Lamar super Bowl 679 00:43:20,639 --> 00:43:23,719 appearance and everything during the halftime show, and of course 680 00:43:23,800 --> 00:43:25,960 you know we're talking about you know, the great hip 681 00:43:25,960 --> 00:43:28,239 hop beefs of all time. Now, I had a hip 682 00:43:28,280 --> 00:43:30,320 hop beef which we haven't mentioned in a long time 683 00:43:30,800 --> 00:43:32,400 because I hate to poke that bear because I do 684 00:43:32,480 --> 00:43:36,159 fear for my life. But well, of course mc Hammer 685 00:43:37,000 --> 00:43:39,360 for for uh. This was quite a few years ago now, 686 00:43:39,400 --> 00:43:42,960 but I was concerned MC hammer was going to uh 687 00:43:43,079 --> 00:43:47,360 to come here and harm me. I would like to 688 00:43:47,639 --> 00:43:52,920 ask this program, soono to create a disc track about 689 00:43:53,119 --> 00:43:57,360 MC Hammer that my alter ego M Sizzle could perhaps 690 00:43:58,320 --> 00:44:01,039 a death lyrics. Yes, yes, I'm going. 691 00:44:00,920 --> 00:44:04,239 Speaker 21: To I don't have to hit the dump, right. 692 00:44:04,280 --> 00:44:06,000 Speaker 24: I don't know if this will even this might be 693 00:44:07,880 --> 00:44:13,079 if this works, Oh my god. Okay, so will it 694 00:44:13,159 --> 00:44:15,239 tell you to not going to go there? 695 00:44:15,400 --> 00:44:18,360 Speaker 1: Okay? This track it did because it did say not 696 00:44:18,519 --> 00:44:22,800 to mention specific artists, but this is about a specific artist. Okay, 697 00:44:22,880 --> 00:44:36,039 So this track about uh about MC hammer, clean lyrics only, 698 00:44:36,840 --> 00:44:45,199 no offensive words. Uh, and let's just see what happens. Okay, 699 00:44:45,239 --> 00:44:48,880 So I'm gonna click create. Yeah. For those who don't 700 00:44:48,880 --> 00:44:50,400 know what I'm referring to, if you if you go 701 00:44:50,519 --> 00:44:53,360 on YouTube and just type in Matt Connerton mc Hammer, 702 00:44:53,599 --> 00:44:55,880 you can find the whole saga. I was in fear 703 00:44:55,960 --> 00:45:02,920 for my life. Okay, so we're gonna. 704 00:45:02,679 --> 00:45:06,639 Speaker 21: Start trouble again to change my phone number again. 705 00:45:06,719 --> 00:45:08,840 Speaker 1: People who are new to the show are like, what 706 00:45:08,920 --> 00:45:12,280 are you talking about? And people who know and people 707 00:45:12,320 --> 00:45:14,199 who are not new to the show are also like, 708 00:45:14,280 --> 00:45:16,199 what are you talking about? But but yeah, just go 709 00:45:16,280 --> 00:45:19,440 on YouTube and just okay. So it has created a 710 00:45:19,519 --> 00:45:23,920 song called Hammer Time out Out. Yes, oh, my God, 711 00:45:24,159 --> 00:45:27,599 and the uh and the description and the description it 712 00:45:27,639 --> 00:45:31,960 says hip hop, funky, clean and great news. It has 713 00:45:32,000 --> 00:45:35,159 also given us two It says, yeah, yeah, It has 714 00:45:35,199 --> 00:45:38,079 also given us two examples. So well, all right, let's 715 00:45:38,119 --> 00:45:40,719 play the first one. I hope Hammers not listening. He's 716 00:45:40,719 --> 00:45:42,320 going to be angry with me all over again. All right, 717 00:45:42,360 --> 00:45:43,039 here's the first one. 718 00:45:52,480 --> 00:45:55,960 Speaker 15: Always told us, can't just this do that, dude, this 719 00:45:56,320 --> 00:45:59,760 now for them shine it. Parachute pants thought she was 720 00:45:59,800 --> 00:46:04,840 so fly wow, But now you're just a memory dancing 721 00:46:05,039 --> 00:46:08,639 in the swing past, faded from the lime like beust. 722 00:46:08,719 --> 00:46:10,400 Speaker 8: Good things never last. 723 00:46:10,960 --> 00:46:12,400 Speaker 2: It's hell of time out. 724 00:46:12,719 --> 00:46:14,679 Speaker 8: You couldn't keep the beat. 725 00:46:15,280 --> 00:46:16,960 Speaker 2: Dance your way to the top. 726 00:46:17,559 --> 00:46:21,920 Speaker 15: Now you're off your feet something you had your moment. 727 00:46:22,480 --> 00:46:25,360 Speaker 2: Now it's sitting away. 728 00:46:27,239 --> 00:46:28,280 Speaker 15: Hamming time out. 729 00:46:28,440 --> 00:46:31,519 Speaker 2: Looks like you're yes, oh. 730 00:46:32,400 --> 00:46:35,039 Speaker 1: Wow, Wow, what's the wow? 731 00:46:35,840 --> 00:46:36,039 Speaker 2: Soul? 732 00:46:36,360 --> 00:46:40,679 Speaker 15: Millions like hotcakes, But those fans moved on. Now they 733 00:46:40,880 --> 00:46:45,920 vibe with new steaks. Your moves were sling, but transchange 734 00:46:46,000 --> 00:46:49,800 real quick, cause it's tough when the time don't match 735 00:46:49,840 --> 00:46:50,320 the track. 736 00:46:50,960 --> 00:46:55,800 Speaker 2: Wow, it's ham and time out. You couldn't keep the beat. 737 00:46:56,400 --> 00:46:59,920 Dance your way to the top. Now you're off your 738 00:47:00,039 --> 00:47:00,639 old feet. 739 00:47:01,840 --> 00:47:03,039 Speaker 9: You had your moment. 740 00:47:03,559 --> 00:47:11,000 Speaker 2: Now it's slipping way Hamlet sime out looks like you're yesterday. 741 00:47:14,400 --> 00:47:18,920 Speaker 15: You had the flash, the cash, a mansion, soul grand, 742 00:47:19,480 --> 00:47:23,039 But fame is a fickle frame things getting out a 743 00:47:23,119 --> 00:47:28,039 head came and swinging hard. I thought you'd always stand toll. 744 00:47:28,360 --> 00:47:31,880 Now it's Hammo time out. Ain't we see it? 745 00:47:36,519 --> 00:47:39,480 Speaker 2: Oh my good? But it ain't no denying. 746 00:47:39,639 --> 00:47:40,599 Speaker 9: You rocked. 747 00:47:40,679 --> 00:47:43,519 Speaker 2: That Golden Age brought some fun and. 748 00:47:43,599 --> 00:47:49,119 Speaker 8: Flare to the concert stage. Know the curtain clues. Damn, 749 00:47:49,199 --> 00:47:50,599 the crowds moved on. 750 00:47:51,760 --> 00:47:57,599 Speaker 15: Can't erase the groove of your classics, son of sime. 751 00:47:57,280 --> 00:48:00,679 Speaker 1: Out there deep the beat as. 752 00:48:00,679 --> 00:48:02,039 Speaker 15: Your way to the top. 753 00:48:02,639 --> 00:48:04,519 Speaker 2: Now you're off your feet. 754 00:48:05,760 --> 00:48:07,000 Speaker 9: You had a moment. 755 00:48:07,519 --> 00:48:11,559 Speaker 15: Now it's say. 756 00:48:12,320 --> 00:48:14,920 Speaker 2: He looks like you were yesterday. 757 00:48:16,199 --> 00:48:20,239 Speaker 1: Wow, it's hamn same out. 758 00:48:21,159 --> 00:48:22,559 Speaker 2: It's heaven sad out. 759 00:48:26,079 --> 00:48:28,320 Speaker 1: It's not quite what I expected though in the sunset 760 00:48:28,440 --> 00:48:30,840 poppy because I said distrack, so I thought it would 761 00:48:30,840 --> 00:48:34,320 be somebody rapping instead of singing. There's more. 762 00:48:34,480 --> 00:48:40,920 Speaker 15: Wow, that Golden Age brought some fun to the concert stage. 763 00:48:41,760 --> 00:48:45,400 The curtain clothes and the crowds moved on. 764 00:48:45,840 --> 00:48:48,960 Speaker 1: Yeah, I think it's repeating the first verse. Yeah, all right, 765 00:48:49,000 --> 00:48:50,400 let's check. Let's check the other one. 766 00:48:51,440 --> 00:48:53,519 Speaker 21: Let's see. Well this female around. 767 00:48:53,920 --> 00:48:54,679 Speaker 8: Can't touch this? 768 00:48:55,559 --> 00:48:55,800 Speaker 5: Do that? 769 00:48:56,119 --> 00:48:56,360 Speaker 24: Do this? 770 00:48:56,599 --> 00:48:59,360 Speaker 2: Now them shining parachute pants. 771 00:48:59,440 --> 00:49:02,000 Speaker 8: Thought you were so fly wow, But. 772 00:49:02,199 --> 00:49:06,320 Speaker 1: Now the one dancing in the swank sort. 773 00:49:06,119 --> 00:49:10,039 Speaker 2: Of faded from the limelight. I guess good things. Never less, 774 00:49:10,280 --> 00:49:11,880 it's had a time out. 775 00:49:12,519 --> 00:49:14,519 Speaker 21: You couldn't keep the beating. 776 00:49:15,000 --> 00:49:20,360 Speaker 1: Dance your way, Yeah, your feet. You had a moment. 777 00:49:20,880 --> 00:49:23,239 Speaker 2: Now it's being away. 778 00:49:24,440 --> 00:49:30,119 Speaker 15: Hammer sound looks like you yesterday once upon a time 779 00:49:30,519 --> 00:49:34,599 sold millions like hot cakes, but those fans moved on. 780 00:49:35,000 --> 00:49:36,079 Speaker 9: Now they've vib. 781 00:49:37,519 --> 00:49:40,639 Speaker 2: Your mapples were slick, but trans changed. Real. 782 00:49:42,239 --> 00:49:42,880 Speaker 1: What's that? What's that? 783 00:49:43,199 --> 00:49:44,880 Speaker 21: Maybe you have to tell it for you around? 784 00:49:45,360 --> 00:49:45,639 Speaker 1: Maybe? 785 00:49:46,079 --> 00:49:51,599 Speaker 21: Yeah, the lyrics is the first one. Yeah, they're both 786 00:49:51,679 --> 00:49:55,440 poppy yea bubble gum pop. 787 00:49:56,239 --> 00:50:02,320 Speaker 1: All right, let me uh, let me say rapping disc 788 00:50:02,400 --> 00:50:07,280 track and that by the way, So for anyone listening, 789 00:50:07,320 --> 00:50:08,719 if you're listening to the show and you want to 790 00:50:08,760 --> 00:50:10,960 hear the full versions of this, I will put these 791 00:50:11,079 --> 00:50:15,000 on YouTube. I'll put the full things on YouTube because 792 00:50:15,000 --> 00:50:19,320 I know we gotta Yeah, yeah, and uh is our 793 00:50:19,519 --> 00:50:21,559 is our? Is he in here? Yes, okay, and our 794 00:50:21,639 --> 00:50:23,039 next guest is here, so we want to get them 795 00:50:23,079 --> 00:50:25,519 in shortly because we're already approaching the top of the 796 00:50:25,599 --> 00:50:27,039 r But I just want to try this really quick, 797 00:50:27,239 --> 00:50:29,360 so I I changed the prompt. I put rapping in 798 00:50:29,480 --> 00:50:31,719 the prompt and let's just see if this works, and 799 00:50:31,760 --> 00:50:33,559 we'll just listen to a little bit of it and 800 00:50:33,639 --> 00:50:34,280 then we'll move on. 801 00:50:34,480 --> 00:50:34,880 Speaker 8: And uh. 802 00:50:35,199 --> 00:50:38,039 Speaker 1: But like I said, I'll put these all on YouTube later. 803 00:50:38,599 --> 00:50:40,840 I'll put them up on the i PM Nation YouTube 804 00:50:40,920 --> 00:50:44,039 channel and I'll share them out so you can see. Okay, 805 00:50:44,280 --> 00:50:46,679 oh okay, So this one is called and again it 806 00:50:46,719 --> 00:50:51,360 made two versions, can't touch your missteps. 807 00:50:54,599 --> 00:50:55,079 Speaker 7: And uh. 808 00:50:56,719 --> 00:51:01,559 Speaker 1: In the uh description it says rap clean, rhythmic, edgy, 809 00:51:01,719 --> 00:51:04,440 hip hop edgy. Okay, but Cleen is in there. All right, 810 00:51:04,519 --> 00:51:05,119 let's see what we got. 811 00:51:09,920 --> 00:51:18,679 Speaker 15: Yeah yeah, uh uh pencil baggy looking like hot air balloons. 812 00:51:18,400 --> 00:51:19,079 Speaker 1: Dancing on TV. 813 00:51:19,199 --> 00:51:22,400 Speaker 15: But your career popping soon through saxic cash inside. 814 00:51:22,119 --> 00:51:23,000 Speaker 8: A golden room. 815 00:51:23,119 --> 00:51:24,960 Speaker 1: Now your bank account emptier than. 816 00:51:24,880 --> 00:51:28,440 Speaker 7: A monsoon chasing trend's hard, saw your flaws on display, 817 00:51:28,760 --> 00:51:29,639 paid for your fame. 818 00:51:29,760 --> 00:51:32,119 Speaker 21: Now you can't afford to stay used to be a star, 819 00:51:32,280 --> 00:51:33,440 Now you're in disarray. 820 00:51:33,840 --> 00:51:36,119 Speaker 1: Can't touch success when it slips away. 821 00:51:36,360 --> 00:51:42,199 Speaker 17: Can't touch your missteps, man, it's of it, falling from 822 00:51:42,360 --> 00:51:48,239 grace pass so relevant, yeah, can't touch your future, man, 823 00:51:48,440 --> 00:51:49,039 it has it. 824 00:51:51,880 --> 00:51:53,360 Speaker 2: One s the king now a. 825 00:51:53,400 --> 00:51:58,360 Speaker 15: Broken testinent, spent all that dough on a lavish throne, 826 00:51:58,800 --> 00:51:59,960 built up an empire. 827 00:52:00,119 --> 00:52:01,000 Speaker 2: Now you're all alone. 828 00:52:01,280 --> 00:52:02,920 Speaker 1: Thought you were on touched a bullet now all right, 829 00:52:02,960 --> 00:52:04,440 I'm gonna pause out on. Let's just check the other 830 00:52:04,480 --> 00:52:05,760 one really quick, Like I said, if you want to 831 00:52:05,800 --> 00:52:07,320 hear the whole thing, I'll put it on YouTube later, 832 00:52:08,360 --> 00:52:10,599 I promise. Yeah. 833 00:52:17,239 --> 00:52:21,400 Speaker 25: Pay so baggy looking like high air balloons dancing on TV. 834 00:52:21,519 --> 00:52:22,920 Speaker 2: But your career, puppy soon. 835 00:52:23,519 --> 00:52:25,639 Speaker 25: Sex and catch is not a golden room. Now you 836 00:52:25,760 --> 00:52:28,639 bake account emptier than a month soon. He's in trend's 837 00:52:28,719 --> 00:52:31,880 hard saw your flaws on display. Paid for your fame, man, 838 00:52:31,960 --> 00:52:34,480 you can't afford to stay. Used to be a star now. 839 00:52:34,480 --> 00:52:35,440 Speaker 8: Your wind disarray. 840 00:52:35,559 --> 00:52:37,920 Speaker 1: Can't touch success when it slips. 841 00:52:37,559 --> 00:52:40,760 Speaker 25: Away, can't touch your missteps, man, it's of it and. 842 00:52:40,920 --> 00:52:43,440 Speaker 21: Fallen from grace past, so relevant. 843 00:52:43,159 --> 00:52:44,920 Speaker 1: Can't touch your future. 844 00:52:44,760 --> 00:52:45,800 Speaker 21: Man, it's hesitant. 845 00:52:46,000 --> 00:52:47,199 Speaker 1: Once a king now a. 846 00:52:47,280 --> 00:52:50,960 Speaker 2: Broken testament, spent all that dole on the Lavish throng. 847 00:52:52,079 --> 00:52:52,920 Speaker 1: These are really good? 848 00:52:54,119 --> 00:52:55,159 Speaker 21: Why are they really good? 849 00:52:59,199 --> 00:53:02,880 Speaker 1: I don't know. I mean, I'm extremely impressed. Well, we 850 00:53:02,960 --> 00:53:05,159 know why because you know generative AI. We know how 851 00:53:05,159 --> 00:53:08,000 it works, and it sucks up everything and and. 852 00:53:08,199 --> 00:53:10,440 Speaker 21: Uh because it learned it all from real artist. 853 00:53:10,320 --> 00:53:14,280 Speaker 1: Right exactly exactly. But but what it's what it's giving us. 854 00:53:14,360 --> 00:53:17,880 This is so this, this far far exceeds my expectations 855 00:53:18,639 --> 00:53:19,480 as good. I didn't think it. 856 00:53:19,639 --> 00:53:20,559 Speaker 21: I didn't think it would be good. 857 00:53:20,599 --> 00:53:22,000 Speaker 1: I didn't think it would be this good. 858 00:53:23,079 --> 00:53:24,880 Speaker 21: So but then, you know, you think about it. 859 00:53:25,159 --> 00:53:27,079 Speaker 20: There's so much talent in the world and how many 860 00:53:27,800 --> 00:53:32,800 millions or billions of data that has it sucked in 861 00:53:33,440 --> 00:53:36,760 every potential artist out there, every yeah, you know, from 862 00:53:37,679 --> 00:53:40,239 from the the person who's at home in their closet. 863 00:53:39,960 --> 00:53:43,400 Speaker 21: It's her in it. Yeah, and it's putting all that 864 00:53:43,679 --> 00:53:44,559 data into this. 865 00:53:44,960 --> 00:53:48,960 Speaker 1: Yeah, it's too easy. It is, it's very I mean, 866 00:53:49,400 --> 00:53:54,039 we created these with a simple prompt, a prompt like 867 00:53:54,199 --> 00:53:58,000 one prompt, and and this is what we got. So 868 00:53:59,000 --> 00:54:01,280 I don't know, is this it is this the end 869 00:54:01,360 --> 00:54:02,519 of music? Is music dead? 870 00:54:02,599 --> 00:54:02,719 Speaker 2: Now? 871 00:54:04,159 --> 00:54:05,440 Speaker 21: You don't protect the artists. 872 00:54:05,480 --> 00:54:06,760 Speaker 1: I don't know what to I don't know what. 873 00:54:06,880 --> 00:54:08,719 Speaker 21: Don't protect the artist, you won't be able to know 874 00:54:08,800 --> 00:54:09,440 which ones what. 875 00:54:09,880 --> 00:54:11,400 Speaker 1: I'm just I'm I'm amazed. 876 00:54:11,639 --> 00:54:20,320 Speaker 26: I mean this is uh, I mean, Testament spent all 877 00:54:20,440 --> 00:54:23,480 that toe on eleve stroll, built up in the empire. 878 00:54:23,559 --> 00:54:24,480 Speaker 8: Now you're all alone. 879 00:54:24,800 --> 00:54:27,599 Speaker 15: Thought you were run such a bullnell over Blowncastle turned 880 00:54:27,639 --> 00:54:30,039 to say, left with just a tone orsement. 881 00:54:32,000 --> 00:54:35,199 Speaker 1: I mean, I'm I'm more impressed with the beat than anything, really, 882 00:54:35,400 --> 00:54:38,599 I mean, the lyrics are clever, but I'm but I'm 883 00:54:38,599 --> 00:54:42,159 impressed with the but the beat to the production, you know, 884 00:54:42,360 --> 00:54:45,159 I mean it's like, oh my god, what have we 885 00:54:45,199 --> 00:54:48,079 gotten ourselves into? Well, this is I'm glad we finally 886 00:54:48,119 --> 00:54:49,440 had a chance to do this so on the show. 887 00:54:49,519 --> 00:54:52,079 This is fun and this is interesting, but it's also terrifying, 888 00:54:54,480 --> 00:54:59,280 you know, I mean, and uh, I don't know. I'm 889 00:54:59,360 --> 00:55:04,599 kind of almost speechless. But anyway, all right, so we're 890 00:55:04,599 --> 00:55:07,039 gonna fade that out than I thought. 891 00:55:07,719 --> 00:55:10,000 Speaker 21: We're even more concerned than I heard he was. 892 00:55:10,400 --> 00:55:10,599 Speaker 1: Yeah. 893 00:55:10,679 --> 00:55:13,960 Speaker 20: Yeah, for artists to protect their work, I mean, if 894 00:55:14,519 --> 00:55:17,880 it's learning off of everybody else's. 895 00:55:19,159 --> 00:55:22,559 Speaker 21: Work, yeah, it's not coming up with something unique in 896 00:55:22,719 --> 00:55:23,119 that way. 897 00:55:23,559 --> 00:55:27,519 Speaker 20: Yeah, it's repurposing everything it's learned from something else, the 898 00:55:27,639 --> 00:55:28,679 human something else. 899 00:55:30,519 --> 00:55:33,079 Speaker 1: But let's not lose track of what I think is 900 00:55:33,199 --> 00:55:36,480 ultimately the most important thing here in this moment, and 901 00:55:36,599 --> 00:55:40,719 that is just like Kendrick Lamar with the final nail 902 00:55:40,760 --> 00:55:44,679 in Drake's coffin, with that halftime show performance. I, by 903 00:55:44,800 --> 00:55:50,519 creating these disc tracks using AI, within seconds, Peter have 904 00:55:50,639 --> 00:55:54,159 emerged triumphant in my long standing beef with mc hammer. 905 00:55:54,480 --> 00:55:58,400 I don't know, yes, And if I look at my 906 00:55:58,559 --> 00:56:00,000 Google Analytics. 907 00:56:00,159 --> 00:56:01,719 Speaker 21: Again, you're gonna be sleeping on the couch. 908 00:56:01,880 --> 00:56:04,519 Speaker 1: If I look at my Google Analytics for my website 909 00:56:04,599 --> 00:56:08,519 later and I see Oakland, California showing up again, I'll 910 00:56:08,599 --> 00:56:11,760 know that he knows that once again he has been 911 00:56:11,840 --> 00:56:19,599 bested by his arch nemesis M sizzle. Oh God, yes, effortlessly. 912 00:56:19,760 --> 00:56:23,280 So all right, well here we're going to end the 913 00:56:23,400 --> 00:56:25,519 hour with UH. We're gonna play another one of these 914 00:56:25,559 --> 00:56:28,880 great studio tracks from a real, living, breathing musician, Ian 915 00:56:28,960 --> 00:56:31,599 Gallipo and UH, And then we'll show some love to 916 00:56:31,639 --> 00:56:33,639 our amazing sponsors. And then when we come back in 917 00:56:33,679 --> 00:56:36,760 the second hour in just a few minutes, Ian Gallipo 918 00:56:36,920 --> 00:56:39,119 will be here with us alive, in studio. This is 919 00:56:39,199 --> 00:56:41,239 Matt Connorton unleashed, and we have a lot more show 920 00:56:41,280 --> 00:56:43,800 to go, so don't go anywhere. I didn't. I didn't 921 00:56:43,840 --> 00:56:54,880 mute the still playing. Now it's away, all right, okay, 922 00:56:54,920 --> 00:56:56,400 I close that out. All right, here we go. This 923 00:56:56,599 --> 00:56:58,880 is uh, this is Ian Gallipo. Check this out. 924 00:57:04,719 --> 00:57:08,440 Speaker 2: Count down the lift off, knowing you and I be 925 00:57:08,719 --> 00:57:09,760 worlds upon. 926 00:57:11,880 --> 00:57:16,400 Speaker 27: Expectations were a couple of months at most, we would 927 00:57:16,440 --> 00:57:17,639 do our level. 928 00:57:17,599 --> 00:57:27,880 Speaker 2: Best to carry on firely, rumbling down below sky above. 929 00:57:27,480 --> 00:57:31,679 Speaker 22: On folds, and it's getting dark. 930 00:57:33,119 --> 00:57:39,159 Speaker 2: Sky above U falls AND's getting dar. 931 00:57:43,920 --> 00:57:50,800 Speaker 5: We made it farther than anybody evergot of home. Starlight 932 00:57:50,960 --> 00:57:55,639 filled us up so we could stab beyond the limits. 933 00:57:55,719 --> 00:57:58,480 Speaker 2: Everybody said it would take their toll. 934 00:58:00,079 --> 00:58:06,519 Speaker 22: We opened up the whole world to explore together, just 935 00:58:06,920 --> 00:58:14,800 a light on in the dark together, just a light 936 00:58:15,239 --> 00:58:26,079 on in the dark, all on the horizon, and all 937 00:58:26,159 --> 00:58:27,280 that you could do. 938 00:58:28,239 --> 00:58:29,960 Speaker 2: Was ward. 939 00:58:31,840 --> 00:58:38,079 Speaker 27: While I was overwhelmed, and there was nothing I could say, 940 00:58:39,039 --> 00:58:51,440 but my baderi is long and it's getting dark. My 941 00:58:51,760 --> 00:58:56,320 badi is long and it's getting dark. 942 00:59:07,280 --> 00:59:10,760 Speaker 2: We tried to hold on. The week's turned into months, 943 00:59:10,800 --> 00:59:16,239 still out of range, until that moment when you sang 944 00:59:16,400 --> 00:59:20,199 out yr goodbye. I was too far gone for you 945 00:59:20,519 --> 00:59:26,599 to hear me. But the morning sun let the heart 946 00:59:26,760 --> 00:59:33,360 in sight, A fine no pulse, a glamor the dark. 947 00:59:35,440 --> 00:59:40,599 Speaker 5: A fineal pulse of glamor and the dark. 948 00:59:42,760 --> 00:59:47,719 Speaker 8: Together, just a light on in the dark. 949 00:59:50,119 --> 00:59:58,079 Speaker 27: The sky above and fall, and it's getting dark, My bad,