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<v Speaker 1>Criminal justice, heal education, Good morning, afternoon, evening. However, and

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<v Speaker 1>whenever you are watching, you guys shouldn't know me by now,

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<v Speaker 1>But if you guys don't, my name is Holly's Sisa.

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<v Speaker 1>I'm the lovely host of this program we call Morning

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<v Speaker 1>Mimosa or We've Got Human Life, just this healing and

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<v Speaker 1>educator for the black and minority communities, and better yet,

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<v Speaker 1>we actually remixed that to specifically say we empower the

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<v Speaker 1>black and minority communities through wellness, justice and wisdom. Guys,

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<v Speaker 1>today we have somebody that embodies pretty much a lot

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<v Speaker 1>of those characteristics, and I am super duper excited to

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<v Speaker 1>have her on the show. Who I've been trying to

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<v Speaker 1>get somebody from this organization to come on Morning with

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<v Speaker 1>Moses for a long time, So it's absolutely awesome that

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<v Speaker 1>she works for this organization. But she's also a martyr

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<v Speaker 1>in her own individuality. Right. But before we bring on

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<v Speaker 1>this queen, guys, let's get out one commercial from our

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<v Speaker 1>lovely partners here at Danelle's Crafts and Harley Hindrich.

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<v Speaker 2>Good Morning, afternoon or evening.

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<v Speaker 1>It is Harley.

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<v Speaker 2>I am the owner of the Nales Crafts where we

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<v Speaker 2>can make crochet items from our family to yours.

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<v Speaker 3>There are two ways.

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<v Speaker 2>So you can get a handmade item for Canail's Crabs,

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<v Speaker 2>and I'm gonna tell you about them. The first way

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<v Speaker 2>and the easiest way, is to just pick from our

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<v Speaker 2>available now inventory. We have items like this awesome floppy

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<v Speaker 2>hat and other items that are available as is ready

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<v Speaker 2>for sale immediately. However, you might want something a little

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<v Speaker 2>bit more custom like this beautiful red dress. No problem,

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<v Speaker 2>we got you. You would just fill out an order

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<v Speaker 2>form also located on our Instagram page and we will

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<v Speaker 2>complete your order. Something to note about a custom order

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<v Speaker 2>is that custom orders are to be paid for in

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<v Speaker 2>full before we get started, so.

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<v Speaker 3>We can get the material before you and we can

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<v Speaker 3>pay the laborer ahead of their labor. If you mentioned

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<v Speaker 3>Morning Mimosa's.

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<v Speaker 2>At the end of your checkout or at any point

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<v Speaker 2>you're in your purchase, you get ten.

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<v Speaker 1>Dollars off your total, So shout out to.

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<v Speaker 3>Holly for that.

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<v Speaker 2>Continued to partnership and support. If you want to place

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<v Speaker 2>an order with Gnail Crabs, we are open year round.

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<v Speaker 3>There are only two months of the year where we

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<v Speaker 3>do not take orders. Of July because me the.

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<v Speaker 2>Owner, that's my birthday in December where we honor our

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<v Speaker 2>farmers sister.

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<v Speaker 3>And the name of our company, Ganioker. Other than that,

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<v Speaker 3>order away, we are available.

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<v Speaker 1>Now Dame once again. Guys, that is Nanel's Crafts and

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<v Speaker 1>Harley Hendrix. Please please please make sure that you guys

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<v Speaker 1>are buying from her. Guys, you guys have been promoting

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<v Speaker 1>her business for twice some time and I love, love,

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<v Speaker 1>love love getting based from her. But guys, I've already,

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<v Speaker 1>you know, praised another queen. Let's welcome another one, as

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<v Speaker 1>DJ called would say, to the show. But guys, let's

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<v Speaker 1>make sure we welcome her the proper way. You guys

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<v Speaker 1>know how we do it. Oh my goodness, thank you,

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<v Speaker 1>thank you, thank you so much for coming on the

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<v Speaker 1>show today. It is such an honor to have you on. Guys.

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<v Speaker 1>I just I want her to say her name, but

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<v Speaker 1>I also want to say it because it's just it's

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<v Speaker 1>so it's so beautiful neoncore. You see how that rolls

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<v Speaker 1>off the tongue. Neoncore. Just it's just sexty. I love it. Welcome,

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<v Speaker 1>Welcome to Morning with Moses Queen. Thank you so much

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<v Speaker 1>for being on the show today.

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<v Speaker 4>Oh so happy, Thank you so much for having me, Holly, Yes,

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<v Speaker 4>my name is Neoncore.

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<v Speaker 3>Also the Crochets.

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<v Speaker 5>I need that red dress.

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<v Speaker 1>Oh my okay, Harley does her thing.

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<v Speaker 4>Right, Oh my gosh. And she said that she'd be

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<v Speaker 4>off in July because it's her birthday. My birthday is

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<v Speaker 4>also in July, so I'm like, okay, let's go already

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<v Speaker 4>a connection.

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<v Speaker 1>Yeah, absolutely love it. Well. As you guys know, we

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<v Speaker 1>care about the person that is our guest for the show.

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<v Speaker 1>So we're gonna go ahead and we're gonna ask her,

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<v Speaker 1>so just do a little introduction about herself and who

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<v Speaker 1>she is.

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<v Speaker 4>Ooh okay, this is always an interesting question.

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<v Speaker 3>My name is Neil burge Wage.

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<v Speaker 4>I am the daughter of Cecilia, a book, daughter of Nanuel.

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<v Speaker 4>And I say my mother's names, my grandmother's names, because

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<v Speaker 4>those are who I came from, those are we are

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<v Speaker 4>very much so like a matriarchal family, and so I

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<v Speaker 4>gotta get reverence their first and foremost. I am a storyteller.

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<v Speaker 4>I am a radical communicator. I like to say, as

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<v Speaker 4>far as like my job goes, I'm a cancer.

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<v Speaker 3>Piscey's moon, Virgo, rising.

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<v Speaker 4>Nature, girly through and through, and I'm just really honored

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<v Speaker 4>to be here today and really excited to unpack this

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<v Speaker 4>conversation feeling kind of nervous.

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<v Speaker 3>So yeah, like, let me let me grand myself.

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<v Speaker 1>You're gonna You're gonna do amazing. One of the things

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<v Speaker 1>that we value here in Morning and Moos is making

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<v Speaker 1>sure people feel like family. So if you ever get nervous,

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<v Speaker 1>just let me know. I'm here for you. I'm here

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<v Speaker 1>for you. So we're gonna start off with our first question.

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<v Speaker 1>So we're going to start off with the power of

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<v Speaker 1>our story. So you have worked closely with our our

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<v Speaker 1>Story initiative. Why was it so vital for black women

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<v Speaker 1>and gender expansive individuals to archive their own truth rather

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<v Speaker 1>than letting them out, letting outside resources write them.

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<v Speaker 3>Oh, it is such a juicy question.

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<v Speaker 4>When it comes to our story and specifically black women

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<v Speaker 4>and black films to be able to be at the

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<v Speaker 4>frontline of that. I think it's because there's a lot

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<v Speaker 4>of nuance to our experiences. There is oftentimes, like at

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<v Speaker 4>least from my experience just listening to and I say, like,

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<v Speaker 4>when I talk about like storytelling, I mean like throughout

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<v Speaker 4>different mediums, whether that is through communications or like through

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<v Speaker 4>the arts, film, anything of that sort. I feel like

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<v Speaker 4>storytelling is very much so like an Umberella, and there's

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<v Speaker 4>like different ways to tell stories. But specifically when it

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<v Speaker 4>comes to the ways in which I experienced in the

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<v Speaker 4>past our stories being told, they weren't being told by us.

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<v Speaker 4>They weren't or they were being exploited, and so it's like, yeah,

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<v Speaker 4>like you have black women who are saying these stories,

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<v Speaker 4>but the person essentially like producing the story or like

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<v Speaker 4>directing the story or whatever, is using it for their

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<v Speaker 4>own gain. And I think that there's something very beautiful

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<v Speaker 4>when we're able to collaborate as Black women, as black

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<v Speaker 4>fans to be able to not only like create the

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<v Speaker 4>platform to tell the story, but then also like share

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<v Speaker 4>the story in a way that unpacks that nuance and

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<v Speaker 4>then also hosts dignity. So yeah, that's what I would

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<v Speaker 4>say as far as.

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<v Speaker 1>That, thank you so much for your response to that.

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<v Speaker 1>So from the research that I've done in the here

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<v Speaker 1>Black Women's Series, you use poetry to explore complex topics

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<v Speaker 1>like reproductive justice. How does art help us communicate things

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<v Speaker 1>that standard conversations sometimes can't reach.

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<v Speaker 4>MM, Well, first and foremost they hear Black Women's Series,

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<v Speaker 4>such an amazing, such an amazing project I want to

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<v Speaker 4>shout out my good sis free for just the idea

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<v Speaker 4>and the creative direction.

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<v Speaker 3>So it's a three part series.

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<v Speaker 4>The first one was a short documentary which interview three

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<v Speaker 4>black women about their experiences navigating through abortion and reproductive justice.

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<v Speaker 4>And then my part was like poetry talking about like

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<v Speaker 4>the reclamation of the black women's body. And then the

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<v Speaker 4>third one was a call to action when it comes

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<v Speaker 4>to how do we hold lawmakers accountable? So that was

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<v Speaker 4>just like an amazing, amazing, amazing project I would say

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<v Speaker 4>for to hear black women.

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<v Speaker 5>Like the poem the Black Women's Body poem.

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<v Speaker 3>Specifically, the way.

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<v Speaker 5>That I was approaching that project was.

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<v Speaker 4>How again, like how do how do I how do

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<v Speaker 4>we like really like center dignity and how do we

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<v Speaker 4>also use art to transform and open up conversations around

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<v Speaker 4>hard issues. As an artist, I do believe that art

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<v Speaker 4>is one of, uh one of the ways and like

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<v Speaker 4>a very important tool to be able to talk about

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<v Speaker 4>like very hard conversations when it comes to issues because

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<v Speaker 4>working in just like the nonprofit space, like social justice space,

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<v Speaker 4>sometimes language is like.

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<v Speaker 3>What are these big words that we're using, Like what

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<v Speaker 3>does this mean? Da da da da da?

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<v Speaker 4>And so it's like, how do we like translate that

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<v Speaker 4>to something real, like something that you could like actually

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<v Speaker 4>feel in your body and you could be able to

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<v Speaker 4>like open up and be.

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<v Speaker 3>Like, hey, you know, like I don't know what.

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<v Speaker 5>Reproductive justice means, but.

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<v Speaker 4>I do know that I want to reclaim my body,

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<v Speaker 4>you know, Like I do know that I want to

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<v Speaker 4>have like autonomy over my body, over my choices and whatnot,

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<v Speaker 4>and so like what does that look like?

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<v Speaker 3>But yeah, so I feel like for me.

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<v Speaker 4>I've always thought like that art was like that middle

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<v Speaker 4>language that can like translate and allow people to because

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<v Speaker 4>art makes you feel, you know, as someone who creates it,

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<v Speaker 4>as someone who experiences it, it does.

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<v Speaker 5>Open you up in a way, and it's like I

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<v Speaker 5>don't really like let me explore this more.

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<v Speaker 3>Do I want to learn about this? Do I not

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<v Speaker 3>want to learn about this?

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<v Speaker 4>But it like makes you feel something, and so yeah,

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<v Speaker 4>like it's a different language within itself. And I really

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<v Speaker 4>felt honored to be able to even be considered for

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<v Speaker 4>that for that project, and I thought it was like

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<v Speaker 4>a beautiful way, especially like the way like the series happened.

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<v Speaker 1>That was absolutely awesome And I'm glad that you were

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<v Speaker 1>able to be a part of something so amazing, because

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<v Speaker 1>it just seems like you're just doing just amazing things

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<v Speaker 1>with art and being able to translate that with justice.

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<v Speaker 1>I'm like, that's I'm not saying, that's not an easy

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<v Speaker 1>thing to do. So I'm glad that you're able to

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<v Speaker 1>navigate through that. So my next question has to do

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<v Speaker 1>with healing through creativity. So you're yes for me. So

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<v Speaker 1>your work spans poetry, dance, and digital media. Do you

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<v Speaker 1>find that different art forms that allow you to tap

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<v Speaker 1>into different parts of your own healing journey?

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<v Speaker 5>The short answer is yes, Yeah. I think.

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<v Speaker 4>When it comes to writing, writing for me feels very

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<v Speaker 4>much so meditative. I think of my journal as my therapist.

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<v Speaker 4>I think that's the best way to describe that. When

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<v Speaker 4>it comes to movement, it's it's somatic. I'm somebody who

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<v Speaker 4>struggles with being in my body, and so it's very

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<v Speaker 4>important for me to do things that make me be

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<v Speaker 4>in my body, whether that is dancing, whether it is

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<v Speaker 4>like performative are like, whether it's exercise, like I need

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<v Speaker 4>to be in my body because I'm somebody who will

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<v Speaker 4>literally like be like bye, like I disassociate a lot,

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<v Speaker 4>and so that for me is very healing to be

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<v Speaker 4>able to just be grounded.

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<v Speaker 5>And then when it comes to just.

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<v Speaker 6>Like digital media and like multimedia and like exploring in

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<v Speaker 6>that form, that's like my creative healing for real, for real.

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<v Speaker 4>So yeah, I feel like they tap, Like it's just

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<v Speaker 4>like caps different aspects of healing for me and of grounding,

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<v Speaker 4>And I think it's beautiful because I'm able to have

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<v Speaker 4>to be present in order to figure out like what

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<v Speaker 4>kind of expression I'm looking for. There's this person I

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<v Speaker 4>there's like a TED talk that I watched and it

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<v Speaker 4>was talking about like the eight Oh, I'm sorry. It

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<v Speaker 4>was talking about like the different dimensions of rest. I

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<v Speaker 4>don't know if you're familiar with the NAP ministry and

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<v Speaker 4>like Trish er Hershey and the amazing work that she does,

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<v Speaker 4>but this person was just talking about like there are

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<v Speaker 4>different ways in which you need to rest, and the

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<v Speaker 4>ways in which I think about healing is very much

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<v Speaker 4>so from like a rest perspective until it's like you

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<v Speaker 4>need to Like there's like I don't want to butcher it,

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<v Speaker 4>y'all should look it up, but it's like like how

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<v Speaker 4>do you rest spiritually? Like how do you rest socially?

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<v Speaker 4>Like how do you rest physically, mentally, emotionally, and then

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<v Speaker 4>I'm going to forget the other three So I'm not

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<v Speaker 4>even gonna say it, but I feel like that's kind

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<v Speaker 4>of how I approach my creative work too. It's like,

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<v Speaker 4>what are the different dimensions that I'm trying to tap

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<v Speaker 4>into as I'm creating. And not only that, but also

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<v Speaker 4>it's like I'm experiencing because art heals me too.

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<v Speaker 1>I thank you so much for sharing that. So we're

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<v Speaker 1>going to go into the fourth question. We have three

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<v Speaker 1>more questions to go, and this one pertains to the

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<v Speaker 1>spirit of rest. Now. Yeah, so, as you guys heard

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<v Speaker 1>in the beginning, she is she works for the soldierscl

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<v Speaker 1>Sisters here in Colorado because I know I have my

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<v Speaker 1>podcast is national so that I have to reach or

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<v Speaker 1>I mentioned that. So it is an organization here in

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<v Speaker 1>Colorado that she works for, and they often emphasize that

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<v Speaker 1>rest is a spiritual practice. As a multi media artist

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<v Speaker 1>and professional, how do you personally protect your peace and

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<v Speaker 1>make room for rest? Mm hmm.

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<v Speaker 4>That is such a good question and funny that like

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<v Speaker 4>that was the next question I'm talking about.

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<v Speaker 3>Ooh, I struggle with this, I do.

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<v Speaker 4>I think right now, the ways in which I'm prioritizing

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<v Speaker 4>rest is by it's gonna sound crazy, but by saying yes,

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<v Speaker 4>by like saying yes to supper is. I think what

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<v Speaker 4>protects protects.

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<v Speaker 3>Me is whimsy.

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<v Speaker 4>Like I'm a very whimsical person, and I think that

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<v Speaker 4>sometimes in the work, especially like movement work, being in

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<v Speaker 4>movement spaces, trying to advocate for community being met with

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<v Speaker 4>like so much rigidness, it's very hard to be whimsical

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<v Speaker 4>to like hold on to the joy, to like like no,

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<v Speaker 4>like the world is really a great place and.

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<v Speaker 5>It's not doom and gloom.

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<v Speaker 4>And so I feel like I've been saying yes to

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<v Speaker 4>surprises and that's been helping me rest more because it's like,

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<v Speaker 4>oh so like an example that I can give one

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<v Speaker 4>of my friends was and this somebody maybe friend is

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<v Speaker 4>a stretch and my friends, my real friends, they're gonna

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<v Speaker 4>be like, this is your problem.

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<v Speaker 3>You be thinking everybody is a friend.

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<v Speaker 4>But it was a cool surprise because I was recently

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<v Speaker 4>asked to I'm trying to like say my words in

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<v Speaker 4>a way that won't get me in trouble. Somebody asked

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<v Speaker 4>me if I can come to a film premiere that

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<v Speaker 4>was sold out.

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<v Speaker 3>We didn't have no tickets.

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<v Speaker 5>They were like come and I said, yes, let's go.

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<v Speaker 3>Let's pull up.

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<v Speaker 5>And I pulled and it was an event.

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<v Speaker 4>And I don't know if you know about Boots Riley,

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<v Speaker 4>but Boots Riley was there and I got to meet

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<v Speaker 4>Boots Riley.

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<v Speaker 3>It was like so cool.

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<v Speaker 4>He wrote sorry to bother You and then the show

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<v Speaker 4>I Am a Virgo. He has a new movie coming

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<v Speaker 4>out called I Love Boosters. Yet we watched I Love

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<v Speaker 4>Boosters and it was like a special premiere.

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<v Speaker 3>But I feel like that's how I'm protected my resk by.

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<v Speaker 6>Like feeding my spirit, like feeding my creativity, like feeding

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<v Speaker 6>my whimsy, feeding like all the things that make me great.

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<v Speaker 1>I absolutely love that, and I don't I don't blame it.

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<v Speaker 1>We only live once, right, so you know you're not

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<v Speaker 1>doing anything criminal. No, I absolutely love that. So we're

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<v Speaker 1>gonna move over to the question number five, which is

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<v Speaker 1>the the ancestral connection. Hm hm, So I am also

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<v Speaker 1>I was born to Kongali's parents, so I I know

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<v Speaker 1>a little bit. But the question pertaining to that is,

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<v Speaker 1>you have been involved in traditional African dance and drumming,

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<v Speaker 1>drumming assemblies. How does connecting with those ancestral rhythms feed

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<v Speaker 1>into the work of the modern day liberation.

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<v Speaker 4>Ooh, the immediate answer is sankofa. You know, like we

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<v Speaker 4>gotta go back and get it. And for me, I

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<v Speaker 4>have had the privilege of.

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<v Speaker 3>Just being.

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<v Speaker 4>Sitting literally at the feet of many amazing elders in community.

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<v Speaker 4>Shout out to Seneca, shout out to go to Peiju,

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<v Speaker 4>who have they They're the ones that literally like, no,

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<v Speaker 4>you know, like you gotta you gotta be rooted in

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<v Speaker 4>terms of like your ancestry and your spirituality. It's interesting

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<v Speaker 4>to me because I actually grew up a Jehovah's witness

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<v Speaker 4>and so like for me, and not only that, but

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<v Speaker 4>like migrated here when I was really young, and so

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<v Speaker 4>I didn't really have a connection to I would say,

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<v Speaker 4>like my ancestors my just like family outside of my

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<v Speaker 4>mom and my sisters. And so I feel like that

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<v Speaker 4>work has been very important in allowing me to like

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<v Speaker 4>reclaim who I am and who I know to be.

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<v Speaker 4>And it's it continues to just like unpack every single day.

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<v Speaker 4>But I will say when it comes to just like

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<v Speaker 4>the dancing and the drumming, I want to be accountable

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<v Speaker 4>and say, just in case.

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<v Speaker 3>You know, I haven't been to dance in a while.

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<v Speaker 4>I'll hold myself accountable, okay, but I feel like it's

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<v Speaker 4>just so much deeper. I don't know, the work is

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<v Speaker 4>so much deeper than just like exploring the dance and

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<v Speaker 4>exploring the drums and again just like that unearthing and

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<v Speaker 4>opening inside which has led me to.

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<v Speaker 3>So many things.

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<v Speaker 1>Who well, I thank you for sharing that. We are

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<v Speaker 1>on questionabistics, which is going to go into defining restoration.

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<v Speaker 1>When we talk about community restoration, we are often talking

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<v Speaker 1>about more than just finances. What does a truly restored

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<v Speaker 1>community in Denver look like to you?

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<v Speaker 3>That's a tough question.

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<v Speaker 1>It is.

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<v Speaker 5>It looks like, yeah, it looks like collaboration.

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<v Speaker 4>I think that it requires everybody to quote unquote have

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<v Speaker 4>a seat at the table.

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<v Speaker 3>I feel like.

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<v Speaker 4>Everyone has different needs and that's what I've learned more

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<v Speaker 4>than anything in doing this work. And some people's needs

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<v Speaker 4>are immediate, you know, like it's like, no, I literally

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<v Speaker 4>need food right now, or I need housing right now,

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<v Speaker 4>or I need this thing right now. Like some things

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<v Speaker 4>are very urgent, while other things are not so much urgent,

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<v Speaker 4>And so it's like, how do we hold space for

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<v Speaker 4>those conversations and how do we allow people to feel

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<v Speaker 4>safe to name their urgent needs because a lot of

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<v Speaker 4>people don't because they feel like people don't care or

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<v Speaker 4>don't know, or like there's just like people are disconnected.

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<v Speaker 4>And I think that there are different priorities when it

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<v Speaker 4>comes to.

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<v Speaker 3>The city of Denver.

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<v Speaker 4>Overall, everything's just like so spread out, and sometimes I

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<v Speaker 4>wish it would like come together to be able to

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<v Speaker 4>like hold all those complexities because there are people who

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<v Speaker 4>are making decisions for people who aren't in the room,

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<v Speaker 4>and I don't think that's okay, Okay, do we get

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<v Speaker 4>the people in the room and what does it require?

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<v Speaker 4>But I think that sometimes like being in community. I've

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<v Speaker 4>been saying this a lot lately, is like it can

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<v Speaker 4>be inconvenient, and so like are you willing to inconvenienced?

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<v Speaker 4>And so ask the real question like are you willing

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<v Speaker 4>to go, you know, like pick up that person that

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<v Speaker 4>you feel like needs to be in the room.

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<v Speaker 3>Are you willing to listen? Are we willing to wait?

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<v Speaker 3>Are we willing to hurry up?

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<v Speaker 5>So it's a very complicated question.

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<v Speaker 1>That's interesting that you mentioned that because my last question

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<v Speaker 1>for you is pertaining to the creative call to action.

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<v Speaker 1>So for the listeners who want to support social change

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<v Speaker 1>but don't feel like activists, how can they use their

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<v Speaker 1>own unique creative gifts to help the movement.

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<v Speaker 3>I love this question.

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<v Speaker 4>Because it is unique, and I almost think that in

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<v Speaker 4>movement spaces and like social justice and like social change spaces,

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<v Speaker 4>the narrative is that you have to be at the

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<v Speaker 4>front lines and you have to like go and you

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<v Speaker 4>have to protest, and you have to put your body

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<v Speaker 4>on the plane, and you have to do all this stuff.

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<v Speaker 4>And it's like, that's not true. That is literally not true.

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<v Speaker 4>I for me think that the uniqueness comes from like

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<v Speaker 4>who you are and what you are willing to bring,

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<v Speaker 4>whether that is through your art and that could look

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<v Speaker 4>like whatever, you know, like music, dancing, It could whether

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<v Speaker 4>or not you want to like you know, like go

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<v Speaker 4>feed your community, like that's literally you're doing social change

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<v Speaker 4>work there. Whether you want to read, knowledge is power,

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<v Speaker 4>you know, like read, you could read, you know, like

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<v Speaker 4>you could research, you could you could do so many things,

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00:28:24.359 --> 00:28:28.039
<v Speaker 4>you know, like and it does it's not just about

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<v Speaker 4>like being on the front lines and like putting your

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<v Speaker 4>body in a line, like there are so many things.

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<v Speaker 4>I think it's more so like for me, like I

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<v Speaker 4>think like social justice and like social change and like

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<v Speaker 4>movement is a value, and so it's like, how do

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<v Speaker 4>you break down that value and like what are you

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<v Speaker 4>willing to like contribute from that?

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<v Speaker 1>And you guys heard that here and that's why I

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<v Speaker 1>made sure that that was the last question. A lot

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<v Speaker 1>lot a lot of people don't know where to start

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00:28:59.440 --> 00:29:02.720
<v Speaker 1>when it's to actors, and they're like, oh, they just

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<v Speaker 1>like you said, they think they have to protest, they

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<v Speaker 1>have to march, don't. I don't go to protest or march,

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00:29:09.119 --> 00:29:12.039
<v Speaker 1>but I do my detective work from home, you know,

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<v Speaker 1>when I'm trying to solve these cases. So you can

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<v Speaker 1>definitely do things at your capacity for sure. So I

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<v Speaker 1>thank you so much for giving your opinion on that

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<v Speaker 1>last one, because that is very much valid. Guys, we

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<v Speaker 1>have a special treat from this queen today. He's going

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<v Speaker 1>to read us a poem.

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<v Speaker 3>Guys.

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<v Speaker 1>I love poetry. I oh, I mean I used to

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<v Speaker 1>get published in poetry books when I was a kid.

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<v Speaker 1>I love poetry. So I need y'all just whatever you're doing,

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00:29:43.599 --> 00:29:46.759
<v Speaker 1>just mute, mute something. Let's take the time and listen

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<v Speaker 1>to this amazing poem that we're about to take a

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<v Speaker 1>listen to today.

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<v Speaker 4>You are so so generous.

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<v Speaker 3>Thank you.

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<v Speaker 4>Yeah, this is a poem that I wrote. I visited

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<v Speaker 4>South Sudan, that's where I'm from my family, and it

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<v Speaker 4>was the end of twenty twenty three, I think, no,

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<v Speaker 4>twenty twenty four, I don't know, but I went to

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<v Speaker 4>South Sudan and this was at the intersection of what

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<v Speaker 4>was happening with Palestine, and so this poem is called Home.

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<v Speaker 4>I haven't slept since I've returned home. Away from home.

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<v Speaker 4>I slept and rested in my room, a chair near

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<v Speaker 4>the nile, my sister's lap, my mother's buzzum. Even as

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<v Speaker 4>Daddy drove on unpaved roads, I slept and rested, did

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<v Speaker 4>and right now I want nothing more than to ki

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<v Speaker 4>key with my cousin Lily about dogs and traveling. I

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<v Speaker 4>haven't slept since I've returned home. Away from home. I

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<v Speaker 4>slept and rested and love and safety in communion, the

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<v Speaker 4>irony of being in danger, yet that being the safest

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<v Speaker 4>I've ever been.

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<v Speaker 5>That's home.

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<v Speaker 1>Absolutely beautiful, Thank you, absolutely beautiful, guys. I have nothing

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<v Speaker 1>else after a beautiful home like that. We're gonna go

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<v Speaker 1>ahead and thank our wonderful, wonderful guests Neoncore for coming

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<v Speaker 1>on Morning with Moses. Guys, we're definitely going to bring

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<v Speaker 1>her back. She has been nothing but a beautiful insight.

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<v Speaker 1>So once again, thank you Queen for being on Morning

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<v Speaker 1>with Moses today. Guys, we're going to get out of

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<v Speaker 1>We're going to get out of here. We're finally having

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<v Speaker 1>a decent day here in Colorado as far as wether

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<v Speaker 1>and wise, so we're going to go get out here

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<v Speaker 1>and injoy ourselves. Guys, this is Mourning with Moses. We're

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<v Speaker 1>revalue human life, justice, healing and educating for the Black

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<v Speaker 1>and minority communities, or as we have remixed it, empowering

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<v Speaker 1>the black and minority communities to justice, wellness and wisdom

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<v Speaker 1>until next time. We'll see you guys later
