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<v Speaker 1>Hey, friends, Andrew here, I hope you had a good

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<v Speaker 1>Christmas and that you're having a good new start to

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<v Speaker 1>the new year, or maybe that it's a start to

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<v Speaker 1>the new year to be good on or something like that.

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<v Speaker 1>Things have been crazy busy for me at the moment.

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<v Speaker 1>I've been working on my book. I've been getting ready

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<v Speaker 1>for the new semester that just full of classes across

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<v Speaker 1>three different universities, and the Lord of the Rings class

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<v Speaker 1>that I'm leading through Patreon and Patia starts on Monday,

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<v Speaker 1>and so there is so much going on as that

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<v Speaker 1>it always seems to be well. For now, I'm going

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<v Speaker 1>to bring you the next of our Fellowship chats on

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<v Speaker 1>the Poetic Eda, or the Elder Eda as it's sometimes called,

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<v Speaker 1>And as a reminder, this was previously posted to the

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<v Speaker 1>Fellowship podcast, but I'm in the process of consolidating both

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<v Speaker 1>shows into this one, and after this conversation, we're going

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<v Speaker 1>to be up to speed on the edit chats up

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<v Speaker 1>to this point, likely with a new one coming next week.

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<v Speaker 1>And after that I'm going to be dropping in some

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<v Speaker 1>more of the Fellowship content whenever I have gaps over here.

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<v Speaker 1>But first, as a quick reminder, I very much welcome

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<v Speaker 1>your over on Patreon, which gives you access to all

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<v Speaker 1>kinds of things as well as funding my ability just

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<v Speaker 1>keep doing the various things that I'm doing, which I

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<v Speaker 1>really could not do without patron support. For just five

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<v Speaker 1>dollars a month, you get full discord access, early in

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<v Speaker 1>ad free episodes of Mythic Mind, and open invitation to

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<v Speaker 1>our fellowship chats, and the ability to post to our

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<v Speaker 1>substack or podcast feed. For ten dollars a month, you

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<v Speaker 1>also have access to all the content from the Fiction

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<v Speaker 1>and Philosophy of CS Lewis Course, which is twenty something

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<v Speaker 1>videos on almost all of Lewis's fiction and more, and

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<v Speaker 1>that's also available through the podcast feed as well. When

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<v Speaker 1>you become a patron at Tier two. Now at the

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<v Speaker 1>third tier that is twenty five dollars a month, you

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<v Speaker 1>can join the live Lord of the Ring study that's

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<v Speaker 1>beginning January fifth, and if you're listening to this late,

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<v Speaker 1>you're still welcome to join us at any time. Each

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<v Speaker 1>week includes two videos, one shorter that provides some kind

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<v Speaker 1>of philosophical, theological, literary, biographical, or low context. It's kind

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<v Speaker 1>of the wildcard video just hits on some angle that

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<v Speaker 1>is directly related to that reading, and then you also

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<v Speaker 1>have one longer video later in the week that serves

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<v Speaker 1>as a companion to the reading. We also have weekly

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<v Speaker 1>live meetings and an ongoing Discord channel. Oh and all

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<v Speaker 1>patrons of any level can join the Discord channel this time.

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<v Speaker 1>And so if you just want to follow along with

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<v Speaker 1>us and talk in the Discord channel, then you can

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<v Speaker 1>feel free to subscribe at a lower level. I hope

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<v Speaker 1>to see you there, but for now, I hope that

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<v Speaker 1>you enjoy this conversation on the poetic da Hello and

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<v Speaker 1>welcome to the Mythic Mind Fellowship podcast. I'm your host,

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<v Speaker 1>Andrew Snyder, and I warmly welcome you around our heart. Now,

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<v Speaker 1>before we get started, I want to let you know

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<v Speaker 1>about some things. So I've decided that, at least for

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<v Speaker 1>the moment, I don't really have very good justification for

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<v Speaker 1>having two separate Mythic Mind podcast feeds and say earliest

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<v Speaker 1>on the public level, and so I'm good to start

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<v Speaker 1>to move some content from here over to the main

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<v Speaker 1>show that is the Mythic Mind Legacy Podcast. Now, the

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<v Speaker 1>odds are pretty high that if you sub to the

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<v Speaker 1>Fellowship show, you already sub to the Legacy show as well,

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<v Speaker 1>but make sure that you do. If that's not already

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<v Speaker 1>the case, and if you're currently listening to this on

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<v Speaker 1>the Legacy Podcast, then just keep doing what you're doing now.

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<v Speaker 1>I do have some ideas for the Fellowship Show down

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<v Speaker 1>the Road, and so don't delete it from your library,

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<v Speaker 1>but you also should not expect it to be updated

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<v Speaker 1>for a while. So again, for the foreseeable future, you

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<v Speaker 1>can expect everything to come through one podcast, that is

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<v Speaker 1>the Mythic Mind Legacy Podcast. Now for our monthly patron Chat,

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<v Speaker 1>we're continuing to work through the poetic edit together, and

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<v Speaker 1>I should begin by apologizing for my part in this,

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<v Speaker 1>as I'm still coming off of a cold that hit

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<v Speaker 1>my lungs pretty hard and so I was not at

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<v Speaker 1>my a game during this conversation, resulting in more mispronunciations

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<v Speaker 1>than is typical, even of some fairly familiar terms. I

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<v Speaker 1>just had a hard time get some words out and

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<v Speaker 1>I cough into the mic a few times, and I

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<v Speaker 1>do apologize for that, but without aside, let's go ahead

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<v Speaker 1>and get to it, all right, Welcome back to our

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<v Speaker 1>Mythic Mind patron chats as we deal with the poetic

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<v Speaker 1>EDA continue to work through that piece by piece, I'm

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<v Speaker 1>gonna hit the next four sections this round now as

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<v Speaker 1>a reminder, we are all amateurs here kind of going

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<v Speaker 1>down the rapids with our homemade rafts, and but it's

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<v Speaker 1>I think it's been a good run so far, and

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<v Speaker 1>I'm really joining the conversations that are coming out of this.

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<v Speaker 1>But before we get into the main topic, I want

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<v Speaker 1>us to start just going around each time and filling

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<v Speaker 1>each other in, filling the listeners in on whatever we

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<v Speaker 1>have going on. And so if we're making something, if

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<v Speaker 1>we're just reading something, thinking about something, listening to something,

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<v Speaker 1>just something that's going on in your life, just give

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<v Speaker 1>some kind of update, Josh, what do you have for us?

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<v Speaker 2>Yeah, So I'm Josh. I'm a student at Memorial College

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<v Speaker 2>right now, actually in the Masters of Arts Great Books programs.

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<v Speaker 2>So basically in the class I'm in right now, we're

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<v Speaker 2>reading either part of or an entire like great text

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<v Speaker 2>a week. Most of those are short enough where it's

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<v Speaker 2>not too crazy to read in a week, but basically

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<v Speaker 2>writing on those like roughly once a week and then

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<v Speaker 2>for a final paper doing something with trying to do

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<v Speaker 2>something with kind of like just like the Mystery of

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<v Speaker 2>Providence as a theme in Oedipus Rex right now, So

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<v Speaker 2>just kind of consulting some scholarship and figuring out more

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<v Speaker 2>specifically what direction to go in that, like what part

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<v Speaker 2>of the text I'm going to talk about with that,

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<v Speaker 2>and then also working on a seven Ecumenical Councils class

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<v Speaker 2>that I'm working with my pastor on that to teach

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<v Speaker 2>it at our church to mostly only people who don't

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<v Speaker 2>really even know what like the Patristic era of church

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<v Speaker 2>history is. So the challenge of being like, how you know,

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<v Speaker 2>how specific or how general to go with that. So

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<v Speaker 2>basically that's what I'm working on right now.

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<v Speaker 1>Look, it's fantastic, that's definitely much needed. I used to

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<v Speaker 1>teach at a classical Christian high school and for I

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<v Speaker 1>think it was tenth maybe eleventh grade, eleventh grade, it

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<v Speaker 1>was systematic theology. And basically the way I did that

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<v Speaker 1>was by primarily focusing on the Ecumenical Councils to really

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<v Speaker 1>get at sort of the way court you know, mere Christianity,

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<v Speaker 1>essential Christian orthodoxy, how the ideas came together and you know,

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<v Speaker 1>the heresies that were dealt with and the way that

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<v Speaker 1>they present themselves today in ways that you know, the

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<v Speaker 1>lay person very often is even going to recognize. And

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<v Speaker 1>so I think that dealing with that early church period,

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<v Speaker 1>it's just it's so important and so ever applicable. So

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<v Speaker 1>that's that's fantastic that you're doing that.

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<v Speaker 3>Absolutely excited about it.

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<v Speaker 1>Yeah, good, Jase. What's something you have going on?

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<v Speaker 4>Yeah? Right now, I'm back up in the Dallas area

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<v Speaker 4>with my family, So I brought a bunch of books

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<v Speaker 4>up to read. We have a guy from my church

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<v Speaker 4>found out that I was. I was taking these classes

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<v Speaker 4>and I was reading a lot of stuff, and he

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<v Speaker 4>invited me to I guess him. Buddies have met for

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<v Speaker 4>twenty years in a group called like the I guess

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<v Speaker 4>it's the Anatheo. So all right, yeah, but it's a

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<v Speaker 4>they go through like a book of months. So this

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<v Speaker 4>next book is The Way of All Flash by Samuel Butler,

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<v Speaker 4>which I had never heard of.

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<v Speaker 1>But we'll see.

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<v Speaker 4>So working through that one and then I'm going to

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<v Speaker 4>jump into the Aliad shortly.

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<v Speaker 1>Yeah, you you definitely need to produce something out there,

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<v Speaker 1>make a podcast. You've been reading a lot of really

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<v Speaker 1>good stuff recently. Yeah, even even beyond this uff we've

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<v Speaker 1>been doing together. So that's that's fantastic that you've been

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<v Speaker 1>doing all that. Yeah, and then on my end, I

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<v Speaker 1>did just get confirmation that next week I should get

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<v Speaker 1>an official offer for a book deal, so hopefully we

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<v Speaker 1>get my book out there in the near future. So

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<v Speaker 1>that's that's exciting. And then I've been making some progress

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<v Speaker 1>on in the screenplay that I've been invited to collaborate on,

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<v Speaker 1>which is just awesome that like, that's not something even

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<v Speaker 1>a year ago was even on my radar. And then

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<v Speaker 1>suddenly I get this invitation and you know, I've talked

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<v Speaker 1>about that some in the discords. You put more information,

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<v Speaker 1>become a patron, but otherwise definitely excited about the potential

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<v Speaker 1>that's that's there. Just you never know where the road's

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<v Speaker 1>going to take you. All right, Well, I guess we

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<v Speaker 1>can go ahead and dive into this, starting with let

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<v Speaker 1>see him Near's poem, all right, so I will read

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<v Speaker 1>at least some of the introduction, maybe all of it

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<v Speaker 1>provided by Larrington here, so that way we all have

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<v Speaker 1>a general sense of what it is that we're dealing with.

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<v Speaker 1>And so Humanar's poem or he Miskvida is a badly

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<v Speaker 1>preserved is badly preserved in the manuscript but we can

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<v Speaker 1>fill in the gaps from Snorri Snorri Stroulsen, who give

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<v Speaker 1>us the proseetta. And so this is a difficult poem

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<v Speaker 1>or difficult poem, yeah, text to work with. I was

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<v Speaker 1>listening to Jack Crawford talk about this. Jack Crawford, who's

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<v Speaker 1>an Old Norse specialist, and he has his own translation

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<v Speaker 1>of the Atom, and he even said that this is

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<v Speaker 1>just a notoriously difficult text to work together because it's

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<v Speaker 1>it's likely that we have some fragments. We have sections

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<v Speaker 1>of like the story from an old time mixed in

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<v Speaker 1>with some updates, and so it's not entirely consistent. It

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<v Speaker 1>kind of seems like some of the characters were swept

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<v Speaker 1>out or were swapped out, and so you know Thor

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<v Speaker 1>his companion in the story, is Tear, but it kind

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<v Speaker 1>of seems like maybe it was Loki at some point,

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<v Speaker 1>maybe somebody else. And so this just across the border.

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<v Speaker 1>It's difficult to figure out exactly what is that we're

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<v Speaker 1>dealing with. But the gods decide to have a feast

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<v Speaker 1>and they compel the giant eg gear to prepare it.

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<v Speaker 1>This may reflect the Scandinavian royal practices in which the

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<v Speaker 1>king enforces his authority on its subordinates by visiting their

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<v Speaker 1>homes and demanding to be feasted. Cunningly, Egger demands an

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<v Speaker 1>enormous cauldron in Whish to brew beer for the feast.

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<v Speaker 1>This can only be obtained with great danger from the

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<v Speaker 1>giant him here Tier, who was probably not the original

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<v Speaker 1>protagonist of the poem, and Thor set off to obtain

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<v Speaker 1>the cauldron, and like most encounters between Thor and the giants,

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<v Speaker 1>the adventure turns into a trial of strength. And so

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<v Speaker 1>that's really the gist of the story, so that they're

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<v Speaker 1>going off to get this giant beer cauldron from this giant.

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<v Speaker 1>So what do we think about this text?

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<v Speaker 2>I think you were definitely it made me feel a

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<v Speaker 2>lot better when you kind of started this off to

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<v Speaker 2>say that this would be a difficult thing to because I

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<v Speaker 2>felt like I had a lot more to say about

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<v Speaker 2>the first probably two or three texts within the poet.

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<v Speaker 3>They eat itself.

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<v Speaker 2>But it almost seems like, I guess like there's the

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<v Speaker 2>kind of this recurring theme in Norse mythology of kind

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<v Speaker 2>of it's like this right of the strongest, and it

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<v Speaker 2>seems like that's probably in a sense like what's what's

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<v Speaker 2>being shown like just like with like I guess like

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<v Speaker 2>Thor's arc, if anything in this in this text.

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<v Speaker 3>I'm exactly sure.

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<v Speaker 2>But beyond that, maybe like hospitality, I guess in some

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<v Speaker 2>ways you could like argue that would be a theme

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<v Speaker 2>in some ways. But yeah, other than that, it's kind

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<v Speaker 2>of hard to pin down exactly like any other like

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<v Speaker 2>higher purpose in a sense.

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<v Speaker 1>Yeah, we do see that even the humor, even he

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<v Speaker 1>this this giant that they came to get the cultron from,

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<v Speaker 1>show some degree of hospitality to Thor and tear here

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<v Speaker 1>in that Thor like basically eat all this stuff, like

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<v Speaker 1>all of its animals, and so then they have to

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<v Speaker 1>go fishing in order to get more food. But then

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<v Speaker 1>even that turns into essentially contest of strength in the

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<v Speaker 1>the game that they're hunting. I don't know, Chase, do

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<v Speaker 1>you have anything to say about this poem?

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<v Speaker 4>Yeah, I will say I liked the the vocabulary for

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<v Speaker 4>a beard the cheek forest. I think that's I I

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<v Speaker 4>thought it was interesting where it talked about like the

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<v Speaker 4>giant is walking across the floor like he saw that

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<v Speaker 4>they so like they recognize who Thor is that slays

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<v Speaker 4>the giants and a lot of battles. Yeah, it's hard

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<v Speaker 4>to kind of tell exactly what it is like. At

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<v Speaker 4>the end, it almost seems like it's like a caper,

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<v Speaker 4>almost like they just came and stole like the butt,

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<v Speaker 4>and he's running out with it and he has to

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<v Speaker 4>turn around and kill all the giants.

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<v Speaker 1>I don't know, right, despite the fact that he wanted,

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<v Speaker 1>you know, he wanted the fair square, and so it

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<v Speaker 1>was given to him. And there's some female giant who

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<v Speaker 1>helps him by telling him. So, okay, to backtrack a

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<v Speaker 1>little bit. So Hemyr and Thor are fishing together because

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<v Speaker 1>I don't know, I guess they're buddies now, I don't know,

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<v Speaker 1>so he mayor the giant. He catches two whales, which

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<v Speaker 1>I mean, that's pretty impressive to go fishing and to

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<v Speaker 1>catch a couple of whales. And then Thor goes fishing

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<v Speaker 1>and he catches the midguard serpent urban gunder, you know,

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<v Speaker 1>the serpent that stretches across the entire world. So that's

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<v Speaker 1>what Thor catches. And in the pros added there's a

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<v Speaker 1>version of the story that has some more details in it.

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<v Speaker 1>When he pulls up the midguard serpent and he's about

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<v Speaker 1>to like smash it with his hammer, and then he

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<v Speaker 1>here he cuts the line because he gets scared about

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<v Speaker 1>what's going on, so he cuts the line, which then

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<v Speaker 1>causes the serpent to go back into the water and

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<v Speaker 1>kind of go back down to the depths where he lives.

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<v Speaker 1>And then Thor gets really mad at him here and

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<v Speaker 1>throws him overboard and essentially kills him in this story,

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<v Speaker 1>in the Snory's version of the story, And of course

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<v Speaker 1>Thor to get angry about that, because the Midguard serpent

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<v Speaker 1>is what's going to kill Thor at Ragnarok, and so,

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<v Speaker 1>you know, Thor, I guess thought maybe he had a

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<v Speaker 1>chance at fighting fate at this point, but of course

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<v Speaker 1>that's not how fate works. That's kind of an interesting factor,

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<v Speaker 1>and that's something that I guess I appreciate about a

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<v Speaker 1>lot of these Norse tales. This is especially true of

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<v Speaker 1>odin that he's always going about trying to fight fate.

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<v Speaker 1>You know, he's trying to discover something about Ragnarok. We've

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<v Speaker 1>seen that in several of the texts that we've been

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<v Speaker 1>studying so far, where he wants some wisdom, some power

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<v Speaker 1>in order to fight the fate that awaits him. His

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<v Speaker 1>inevitable death at the Twilight of the Gods during Ragnarok.

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<v Speaker 1>In fact, it's kind of interesting, you know. I recently,

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<v Speaker 1>in teaching Beowulf to my students on campus, when we

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<v Speaker 1>got to the section with Bewolf and unforth, who are

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<v Speaker 1>you fighting against each other? With their little debate, I

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<v Speaker 1>brought in Harvard's song, which is low key in Odin

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<v Speaker 1>their debate. Brought them as a parallel, and you know,

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<v Speaker 1>I got into a little bit more and thora a

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<v Speaker 1>couple of times kind of chies Odin for always starring

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<v Speaker 1>up conflicts, and that's because Odin does that in order

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<v Speaker 1>to get great warriors to fight each other, so the

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<v Speaker 1>way they die, that way he can bolster his ranks,

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<v Speaker 1>you know, at Ragnarok. And so the gods, especially Odin,

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<v Speaker 1>they're they're always trying to fight against this fate, this

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<v Speaker 1>inevitable doom that's awaiting them. But of course they can't

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<v Speaker 1>do that, because one thing that's unique about the North

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<v Speaker 1>Mythos that even the gods are subject to fate and

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<v Speaker 1>they simply can't escape that. I just I don't find

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<v Speaker 1>that find that interesting. And also there's this mention that

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<v Speaker 1>the Midguard serpent is the brother of the wolf, which

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<v Speaker 1>according to the notes here is Fenrier, who is the

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<v Speaker 1>wolf that's going to kill Odin, And so Fenrier and

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<v Speaker 1>the Midguard Serpent are siblings, which I'm not quite sure

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<v Speaker 1>how that works.

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<v Speaker 3>Do you know that history behind that?

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<v Speaker 1>Not entirely, especially since I know that Fenrier is actually

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<v Speaker 1>Loki's child.

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<v Speaker 2>They actually all are like so Orman Gander, Fenry or

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<v Speaker 2>and then Hell like the goddess of the underworld.

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<v Speaker 3>Like basically I think this is in the prose Ead

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<v Speaker 3>as well.

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<v Speaker 2>It's certainly in other sources, but there's a story where

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<v Speaker 2>basically Loki has an affair with the Giantess and Gribbida,

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<v Speaker 2>and like these three children are kind of like these

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00:16:29.200 --> 00:16:34.519
<v Speaker 2>abominable like a cursed offspring from this this sort of

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00:16:34.559 --> 00:16:38.279
<v Speaker 2>relationship with the Giantess, and that like results in these

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00:16:38.399 --> 00:16:43.000
<v Speaker 2>three beings that are like technically his children. But then

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<v Speaker 2>you know, of course they all have like some sort

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<v Speaker 2>of eschatological significance as well, as you had mentioned previously,

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<v Speaker 2>especially with Jorman Gonder. So that's like the sourcing of

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<v Speaker 2>all of these. It's certainly in like the in like

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<v Speaker 2>what I've read, I'm not sure if there's any like

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<v Speaker 2>conflicting uh, any like primary sources that have like conflicting

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<v Speaker 2>narratives of that, but that's like the primary one I've seen.

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<v Speaker 1>That's it's interesting. I don't really have a much to

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<v Speaker 1>work with this, but the first parallel that comes to

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<v Speaker 1>my mind is in Paradise Lost, Milton has Satan basically

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<v Speaker 1>relate himself to his own pride, and that gives birth

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<v Speaker 1>to this chaos monstrosity that is at the gates of Hell.

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<v Speaker 1>And I don't know, I almost I think of some

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<v Speaker 1>kind of parallelism here of this chaos, this unnatural union.

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<v Speaker 1>You know. Even Loki he's kind of amorphous sexually, like

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<v Speaker 1>sometimes he even takes the role of a female and

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<v Speaker 1>actually gives birth to things himself. So this is all

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<v Speaker 1>kinds of like chaos imagery wrapped up in the very

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<v Speaker 1>person of Loki. I really don't have any point to

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<v Speaker 1>make with any of this, but it's just uh, but

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<v Speaker 1>I guess that's the point of chaos.

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<v Speaker 3>I don't know, Yeah, that's an interesting parallel.

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<v Speaker 2>I just have to think about that more before i'd

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<v Speaker 2>commented on it, but I definitely, uh, it's an interesting

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<v Speaker 2>peril with like Paradise Loss there, So I'm going to

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<v Speaker 2>look into that one more.

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<v Speaker 1>Yeah, I definitely anything worked out on that.

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<v Speaker 4>It's just interesting that like through his affair there's like

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<v Speaker 4>two god ending basically monsters in your role in the

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<v Speaker 4>world Serpent taken out.

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<v Speaker 1>In H four, Right, I don't know what happens to

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<v Speaker 1>lookia Rackenrock. Does he die? Okay, I know not all

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<v Speaker 1>the gods die.

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<v Speaker 3>I'm trying to remember like if he's.

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<v Speaker 2>I believe, yeah, he like basically ends up in like

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<v Speaker 2>hell or the underworld. But yeah, before I want to

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<v Speaker 2>make that coy and I would definitely have to like

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<v Speaker 2>go lookt into that. But that's I read like a

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<v Speaker 2>lot of like these like both both Greek like Greco

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<v Speaker 2>Roman like Norse mythology. Ever, like the stories and like

348
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<v Speaker 2>different like forms and like the books is like a teenager,

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<v Speaker 2>but even those you're never sure like how much some

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<v Speaker 2>like modern fantasy authors is kind of like taking like

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<v Speaker 2>creative freedom and just like riffing off of the iris sources.

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<v Speaker 2>So yeah, I'm like, I'm I'm trying to remember, like

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<v Speaker 2>that was like different in different versions and like but yeah,

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<v Speaker 2>I'm not.

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<v Speaker 3>Exactly sure which.

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<v Speaker 2>Like what like the original U or the really the

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<v Speaker 2>canonical per se fate of like Loki would be in that.

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<v Speaker 2>I know, like obviously like Balder is like ripborn and

359
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<v Speaker 2>that's kind of like the big like almost like crystological

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<v Speaker 2>symbol in a sense with with a lot of this.

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<v Speaker 2>But yeah, I'm pretty sure that Loki does does like

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<v Speaker 2>kind of like end up in the underworld basically.

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<v Speaker 1>Yeah, I just did a quick Google search and says,

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<v Speaker 1>LOOKI dies in battle with heim dollar Pindal in Ragnarok,

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<v Speaker 1>and so yeah, so he dies in battle. Although it

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<v Speaker 1>is interesting and this comes this is reference in one

367
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<v Speaker 1>of the other texts that we look at. The actually

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<v Speaker 1>the next text that LOOKI is the one who keeps

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<v Speaker 1>Balder from coming back basically shortly after he dies. But

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<v Speaker 1>I guess we can get back to that in a

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<v Speaker 1>little bit, right And then and Chase mentioned that at

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<v Speaker 1>the ending it's a little bit haphazard because so they

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<v Speaker 1>do this swimming or this not swimming competition that's Beywolf.

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<v Speaker 1>They do this fishing competition. And then you know, Thor

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<v Speaker 1>is bragging about how great he is, and the Giant says, no,

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<v Speaker 1>you're not. If you were that you know, great and

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<v Speaker 1>that strong, you could break this special goblet of mind.

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<v Speaker 1>This chalice, which is like unbreakable. But then this giantess

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<v Speaker 1>for some reason helps Thor out by telling him that

380
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<v Speaker 1>he can't break it if he breaks it on Humer's head.

381
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<v Speaker 1>So he breaks it on his head, and then he's

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<v Speaker 1>allowed to take the cauldron. But then apparently he's a

383
00:20:58.720 --> 00:21:06.079
<v Speaker 1>deal with giants nonetheless, excuse me, and then his Thor's

384
00:21:06.279 --> 00:21:10.240
<v Speaker 1>goat collapsed because of a curse from Loki, who is

385
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<v Speaker 1>just now mentioned for the first time of this poem,

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00:21:12.599 --> 00:21:15.519
<v Speaker 1>which again kind of hints that there are some fragments

387
00:21:15.519 --> 00:21:18.039
<v Speaker 1>of older versions of the story that are thrown in here.

388
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<v Speaker 1>But it's interesting that so Odin, you know, he has

389
00:21:21.200 --> 00:21:25.640
<v Speaker 1>these goats that you know, pull them around, which you know,

390
00:21:25.880 --> 00:21:29.480
<v Speaker 1>they show up very annoyingly. That in the Marvel movie

391
00:21:29.480 --> 00:21:34.079
<v Speaker 1>the latest one to Thor hit his goats, and these

392
00:21:34.200 --> 00:21:36.359
<v Speaker 1>are special goats and you can kill them and even

393
00:21:36.400 --> 00:21:39.160
<v Speaker 1>eat them, and then they resurrect the next day. But

394
00:21:39.720 --> 00:21:44.920
<v Speaker 1>apparently another version of the story, Loki say, get somebody

395
00:21:44.960 --> 00:21:49.200
<v Speaker 1>to break the bone and eat the marrow out, which

396
00:21:49.279 --> 00:21:53.559
<v Speaker 1>then causes the the goat to be lain when it resurrects,

397
00:21:54.039 --> 00:21:57.440
<v Speaker 1>And so that's how we get to this cursed goat

398
00:21:57.559 --> 00:22:02.119
<v Speaker 1>that collapses half dead all of a sudden. I don't know,

399
00:22:04.440 --> 00:22:10.039
<v Speaker 1>all right, anything else to say about Humor's poem.

400
00:22:10.599 --> 00:22:14.039
<v Speaker 2>This is a super like random off the wall like

401
00:22:14.240 --> 00:22:18.400
<v Speaker 2>thought that probably means absolutely nothing. But in the eighth

402
00:22:18.440 --> 00:22:21.079
<v Speaker 2>stance of the poem, it just it talks about the

403
00:22:21.440 --> 00:22:24.599
<v Speaker 2>lad found his grandmother very ugly. She seemed to him

404
00:22:24.720 --> 00:22:28.920
<v Speaker 2>nine hundred had nine hundred heads she had. And so

405
00:22:29.200 --> 00:22:31.559
<v Speaker 2>I'm almost like throwing out like just like a random

406
00:22:31.640 --> 00:22:33.880
<v Speaker 2>number like nine hundred that's supposed to be like like

407
00:22:34.079 --> 00:22:36.759
<v Speaker 2>less literal and more like symbolic, or is it supposed

408
00:22:36.799 --> 00:22:40.480
<v Speaker 2>to be more of like a historical report where it's like,

409
00:22:40.519 --> 00:22:43.519
<v Speaker 2>this is like about nine hundred, like I because you know,

410
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<v Speaker 2>I think often it's like in the categories of like

411
00:22:46.559 --> 00:22:50.559
<v Speaker 2>Jewish apocalyptic literature, like you know, the Book of Enoch,

412
00:22:50.720 --> 00:22:54.640
<v Speaker 2>or like obviously like Zechariah and like Revelation, where like

413
00:22:54.680 --> 00:22:57.799
<v Speaker 2>that numbers a lot of times correlate to some to

414
00:22:57.880 --> 00:23:03.920
<v Speaker 2>some other meaning other than some mere historic historic narrative reporting.

415
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<v Speaker 2>And I don't know if anybody has any thoughts of

416
00:23:05.960 --> 00:23:07.720
<v Speaker 2>that or if that's making any sense, but I was

417
00:23:07.759 --> 00:23:10.480
<v Speaker 2>curious if you think there's actually a significance to like

418
00:23:11.240 --> 00:23:13.960
<v Speaker 2>numbers like that being reported, or if there's any way

419
00:23:13.960 --> 00:23:14.920
<v Speaker 2>of even telling that.

420
00:23:16.880 --> 00:23:19.400
<v Speaker 1>Yeah, I mean, given the genre of literature or dealing with,

421
00:23:19.480 --> 00:23:22.480
<v Speaker 1>I can only assume it's symbolic. I mean, I have

422
00:23:22.680 --> 00:23:26.640
<v Speaker 1>no idea about old Norse numerology, so I can't really

423
00:23:26.680 --> 00:23:28.920
<v Speaker 1>comment on this specifically, but I can only assume that

424
00:23:28.960 --> 00:23:34.160
<v Speaker 1>it's symbolic. And that's another reason why we have reason

425
00:23:34.200 --> 00:23:36.599
<v Speaker 1>to think that Tira was probably not the original companion,

426
00:23:37.000 --> 00:23:40.160
<v Speaker 1>and that here is said that his descendant or that

427
00:23:40.200 --> 00:23:44.119
<v Speaker 1>he comes from giants. You know, he's the one who

428
00:23:44.160 --> 00:23:46.839
<v Speaker 1>said that, you know, my father, this giant has this

429
00:23:46.880 --> 00:23:50.720
<v Speaker 1>great cauldron, which his father is not supposed to be

430
00:23:50.720 --> 00:23:54.920
<v Speaker 1>a giant. And so there's definitely some mishmashing of stories

431
00:23:54.960 --> 00:24:03.359
<v Speaker 1>going on here with his ugly grandmother with nine hundred heads. Great.

432
00:24:03.400 --> 00:24:05.720
<v Speaker 2>Yeah, like I said, it super super off the wall

433
00:24:05.799 --> 00:24:08.079
<v Speaker 2>idea there. I'd be curious if there's any way to

434
00:24:08.079 --> 00:24:11.039
<v Speaker 2>look into that. But yeah, I'd just be curious. I

435
00:24:11.039 --> 00:24:13.359
<v Speaker 2>think if I almost like the number like one thousand

436
00:24:13.519 --> 00:24:15.960
<v Speaker 2>and like you know a lot of like biblical categories

437
00:24:16.000 --> 00:24:18.720
<v Speaker 2>and equating to like just many, I'm wondering if it's

438
00:24:18.880 --> 00:24:20.039
<v Speaker 2>anything similar to that.

439
00:24:20.519 --> 00:24:22.240
<v Speaker 3>But yeah, I have no idea either.

440
00:24:22.079 --> 00:24:26.359
<v Speaker 1>Yeah, no idea, no idea. All right, well, I guess

441
00:24:26.359 --> 00:24:29.160
<v Speaker 1>moving on to Loki's Quarrel, which is the next one

442
00:24:30.200 --> 00:24:36.880
<v Speaker 1>or Lucas Sina. Now, in this one, basically the gods

443
00:24:37.519 --> 00:24:43.799
<v Speaker 1>are having this great feast drinking party and Loki isn't invited,

444
00:24:43.839 --> 00:24:46.160
<v Speaker 1>and so then he crashes the party and be just

445
00:24:46.519 --> 00:24:48.880
<v Speaker 1>good one by one calling him all cowards and perverts.

446
00:24:50.480 --> 00:24:54.839
<v Speaker 1>So but what what great insights do we have from

447
00:24:54.960 --> 00:24:55.839
<v Speaker 1>Loki's Quarrel?

448
00:25:02.000 --> 00:25:03.960
<v Speaker 2>I think one thing I read that was interesting in

449
00:25:04.000 --> 00:25:06.599
<v Speaker 2>the I mean, like this edition of the text was

450
00:25:06.599 --> 00:25:10.960
<v Speaker 2>that it says the poem maybe early and thus the

451
00:25:11.039 --> 00:25:13.880
<v Speaker 2>composition of a poet who believes in the divinities he

452
00:25:14.039 --> 00:25:17.839
<v Speaker 2>brolesques a little comedy cannot hurt the divinities whose cults

453
00:25:17.920 --> 00:25:20.640
<v Speaker 2>is secure, or it may be late in the mockery

454
00:25:20.680 --> 00:25:24.039
<v Speaker 2>be directed by a Christian poet at Heathen he the

455
00:25:24.079 --> 00:25:27.400
<v Speaker 2>divinities whose immortality can trasts with the stern morality of

456
00:25:27.440 --> 00:25:30.880
<v Speaker 2>the new religion. So obviously, without digging into the scholarship,

457
00:25:30.920 --> 00:25:32.880
<v Speaker 2>it'd be hard to like form an opinion on.

458
00:25:32.839 --> 00:25:34.200
<v Speaker 3>Whether this was earlier or later.

459
00:25:34.319 --> 00:25:36.640
<v Speaker 2>But yeah, I always wonder, like with these kind of

460
00:25:36.640 --> 00:25:39.839
<v Speaker 2>stories like how much like the Christian themes and even

461
00:25:39.839 --> 00:25:41.680
<v Speaker 2>like kind of like the way Loki is treating the

462
00:25:41.720 --> 00:25:44.759
<v Speaker 2>gods is more like anthropomorphic in a sense rather than

463
00:25:44.799 --> 00:25:49.279
<v Speaker 2>being closer to something like transcendent or celestial, if that

464
00:25:50.400 --> 00:25:53.039
<v Speaker 2>like if that is uh like just kind of like

465
00:25:53.160 --> 00:25:55.920
<v Speaker 2>poking at like them being like lesser beings than like

466
00:25:56.200 --> 00:25:59.640
<v Speaker 2>the true like Christian God, or if it's really just

467
00:26:00.119 --> 00:26:03.200
<v Speaker 2>Loki kind of being Loki and just being the cunning

468
00:26:03.359 --> 00:26:07.039
<v Speaker 2>trickster and smoking fun at people in a sense. Yeah,

469
00:26:07.079 --> 00:26:09.039
<v Speaker 2>I'm not sure on that one, but I'm curious if

470
00:26:09.079 --> 00:26:10.559
<v Speaker 2>you guys have thoughts.

471
00:26:10.880 --> 00:26:15.880
<v Speaker 4>Yeah, I don't know. It's interesting to think about. Ah,

472
00:26:16.920 --> 00:26:20.279
<v Speaker 4>I love this Loki. He just makes me think of

473
00:26:20.519 --> 00:26:23.000
<v Speaker 4>Michael Scott saying boom roasted after every one of these,

474
00:26:23.039 --> 00:26:26.920
<v Speaker 4>because everyone is a response to somebody, and it's just

475
00:26:29.480 --> 00:26:31.480
<v Speaker 4>I could see if they did, like the Marvel Loki

476
00:26:31.519 --> 00:26:33.640
<v Speaker 4>would be coming from something like this, you know, like

477
00:26:33.680 --> 00:26:38.279
<v Speaker 4>this one where it's actually just kind of poking fun

478
00:26:38.359 --> 00:26:42.759
<v Speaker 4>or cleverly going back against him.

479
00:26:43.799 --> 00:26:46.640
<v Speaker 1>Yeah, and it is I'm hard to say, especially if

480
00:26:46.720 --> 00:26:48.720
<v Speaker 1>none of us are experts on the scholarship on this

481
00:26:49.200 --> 00:26:57.240
<v Speaker 1>text that I I mean, one hand, assuming this was

482
00:26:57.279 --> 00:27:00.920
<v Speaker 1>an older story actually originally written by a pagan who

483
00:27:00.960 --> 00:27:06.400
<v Speaker 1>believed in the gods. Even still, like the pagan poets

484
00:27:06.640 --> 00:27:10.759
<v Speaker 1>don't usually believe that they're simply recording actual history. I mean,

485
00:27:10.759 --> 00:27:14.240
<v Speaker 1>how would they know about the actual historical ongoings in

486
00:27:14.400 --> 00:27:18.640
<v Speaker 1>Asgard And so, you know, they're still working within the

487
00:27:18.640 --> 00:27:21.960
<v Speaker 1>realm of imagination, and so it would take I think

488
00:27:22.839 --> 00:27:26.160
<v Speaker 1>quite a degree of I don't know if it's confidence, courage,

489
00:27:26.480 --> 00:27:30.839
<v Speaker 1>arrogance whatever to write, you know, these attacks coming from

490
00:27:30.880 --> 00:27:33.799
<v Speaker 1>the mouth of Loki against the gods, because I mean,

491
00:27:33.839 --> 00:27:37.359
<v Speaker 1>they do get right to it, of your coward or

492
00:27:37.519 --> 00:27:40.319
<v Speaker 1>you're sleeping around everyone and you're a pervert, or like

493
00:27:40.559 --> 00:27:44.640
<v Speaker 1>they really go after the immorality of the gods. Not Likewise,

494
00:27:44.680 --> 00:27:47.440
<v Speaker 1>we could also see this coming from maybe a Christian

495
00:27:47.440 --> 00:27:50.079
<v Speaker 1>poet who's trying to demonstrate the fact that these are

496
00:27:50.119 --> 00:27:54.079
<v Speaker 1>not God's worth serving. And so it's I mean, I

497
00:27:54.079 --> 00:27:55.720
<v Speaker 1>could see it coming from either way. I think the

498
00:27:55.759 --> 00:28:00.759
<v Speaker 1>introduction made sense on that now also that I do

499
00:28:00.799 --> 00:28:03.200
<v Speaker 1>appreciate this kind of the rhythm that goes at this,

500
00:28:03.480 --> 00:28:05.519
<v Speaker 1>you know, as Chase is saying that the boom roasted

501
00:28:05.559 --> 00:28:08.079
<v Speaker 1>thing that uh, you know, he wrote to somebody and

502
00:28:08.119 --> 00:28:10.119
<v Speaker 1>then like somebody else will speak up in their defense,

503
00:28:10.119 --> 00:28:11.920
<v Speaker 1>and then he turns to them, I know, someone else

504
00:28:11.920 --> 00:28:14.480
<v Speaker 1>speaks up in their defense, and they basically keeps going

505
00:28:14.519 --> 00:28:17.960
<v Speaker 1>with this, with Loki acting as the dialogue partner to

506
00:28:18.079 --> 00:28:24.000
<v Speaker 1>essentially everybody's going around in a sequential manner. Here also

507
00:28:25.160 --> 00:28:31.680
<v Speaker 1>we get another talkien lift here with Mirkwood's that's a

508
00:28:31.680 --> 00:28:32.160
<v Speaker 1>good find.

509
00:28:33.160 --> 00:28:36.160
<v Speaker 4>I did see that those. I told my brother that

510
00:28:36.240 --> 00:28:37.559
<v Speaker 4>right when I read it school.

511
00:28:38.400 --> 00:28:40.880
<v Speaker 1>Yeah, anything else from Loki's.

512
00:28:40.599 --> 00:28:43.039
<v Speaker 3>Quarrel I didn't have a thought on.

513
00:28:43.920 --> 00:28:47.039
<v Speaker 2>Like the eleventh stanza down there where it says it says,

514
00:28:47.079 --> 00:28:50.400
<v Speaker 2>hail to the se Or, hails the sci Or and

515
00:28:50.440 --> 00:28:53.359
<v Speaker 2>all the most sacred gods, except for that one god

516
00:28:53.359 --> 00:28:57.559
<v Speaker 2>who sits further in Broggy on the benches. And I

517
00:28:57.599 --> 00:28:59.559
<v Speaker 2>looked at the footnotes, and it kind of makes a

518
00:28:59.559 --> 00:29:02.799
<v Speaker 2>claim that the one who sits further in is implying

519
00:29:02.880 --> 00:29:06.279
<v Speaker 2>an or symbolic of like a place of higher honor

520
00:29:06.319 --> 00:29:08.839
<v Speaker 2>in a sense. And so that made me think, is

521
00:29:08.880 --> 00:29:11.440
<v Speaker 2>there any way in which this text could be implying that,

522
00:29:11.559 --> 00:29:15.119
<v Speaker 2>you know, Broggy, like the the god of like this,

523
00:29:15.279 --> 00:29:19.880
<v Speaker 2>the god of like scaldic poetry, per se, Could that

524
00:29:19.960 --> 00:29:24.039
<v Speaker 2>be making a cooim potentially that like the art and

525
00:29:24.200 --> 00:29:28.759
<v Speaker 2>like virtue of this form of poetry is like the

526
00:29:28.839 --> 00:29:32.160
<v Speaker 2>highest of all values in that culture in some sense,

527
00:29:32.359 --> 00:29:36.640
<v Speaker 2>or maybe the highest of values in this context. I'm

528
00:29:36.680 --> 00:29:39.200
<v Speaker 2>not sure, Like it's like making like a distinction there

529
00:29:39.279 --> 00:29:42.960
<v Speaker 2>of Broggy being in that specific place. I'm wondering if

530
00:29:43.000 --> 00:29:45.680
<v Speaker 2>it has anything to do with that specifically.

531
00:29:47.200 --> 00:29:49.359
<v Speaker 1>Yeah, and so, I mean, I can't really speak to

532
00:29:49.400 --> 00:29:51.079
<v Speaker 1>why he would be in the seat of honor to

533
00:29:51.119 --> 00:29:54.119
<v Speaker 1>begin with, but it does seem like Loki is elevating

534
00:29:54.200 --> 00:29:57.079
<v Speaker 1>him for the purpose of knocking him down right, that

535
00:29:57.720 --> 00:30:00.720
<v Speaker 1>Loki is pointing to the fact that, yes, you you

536
00:30:01.119 --> 00:30:05.599
<v Speaker 1>got of you great honor, that you know, SA you

537
00:30:05.640 --> 00:30:08.720
<v Speaker 1>have so much honor that you don't actually do anything.

538
00:30:09.119 --> 00:30:11.519
<v Speaker 1>He calls him a coward, that you know, he's the

539
00:30:11.559 --> 00:30:14.720
<v Speaker 1>shyest of shooting, that he's the wariest of war, and

540
00:30:14.799 --> 00:30:18.000
<v Speaker 1>so he calls him a coward. He he just sits

541
00:30:18.000 --> 00:30:20.559
<v Speaker 1>in honor, doesn't really do anything, and so you know,

542
00:30:20.680 --> 00:30:23.440
<v Speaker 1>it provides just a way for Loki to take kind

543
00:30:23.440 --> 00:30:27.680
<v Speaker 1>of a potshot at him. Again, I just don't know

544
00:30:27.839 --> 00:30:29.559
<v Speaker 1>if an orse mythology to so much more about that

545
00:30:29.599 --> 00:30:31.680
<v Speaker 1>about the God in particular, but can definitely see how

546
00:30:31.720 --> 00:30:33.480
<v Speaker 1>Loki is making use of this perceived honor.

547
00:30:34.400 --> 00:30:35.359
<v Speaker 3>Oh yeah, for sure.

548
00:30:35.799 --> 00:30:38.039
<v Speaker 2>Yeah, all part of you like wants to believe there's

549
00:30:38.039 --> 00:30:40.400
<v Speaker 2>some really cool, like in depth symbolism there, but yeah,

550
00:30:40.400 --> 00:30:42.640
<v Speaker 2>it's probably just a low key being Loki is.

551
00:30:42.720 --> 00:30:45.160
<v Speaker 3>That's probably just like the default hs at the end

552
00:30:45.200 --> 00:30:45.839
<v Speaker 3>of the day.

553
00:30:47.000 --> 00:30:50.200
<v Speaker 1>Yeah, I mean, like I do think that we can

554
00:30:50.319 --> 00:30:53.799
<v Speaker 1>pull wisdom from a lot of these stories, but it's uh,

555
00:30:54.640 --> 00:30:58.759
<v Speaker 1>the the so called barbarian tales. Well, there's a reason

556
00:30:58.799 --> 00:31:02.039
<v Speaker 1>why the Romans, you know, call the barbarians. It's the

557
00:31:02.160 --> 00:31:05.200
<v Speaker 1>very different kinds of stories I play here. It's a

558
00:31:05.200 --> 00:31:08.920
<v Speaker 1>lot more just brutal and sort of guttural and the

559
00:31:08.920 --> 00:31:09.960
<v Speaker 1>way that they treat each other.

560
00:31:11.079 --> 00:31:13.079
<v Speaker 2>Yeah, no, for sure, I can kind of see where

561
00:31:13.119 --> 00:31:15.960
<v Speaker 2>like a lot of like just like the stereotypes of

562
00:31:16.039 --> 00:31:19.160
<v Speaker 2>like epic fantasy and such thing like today have like

563
00:31:19.240 --> 00:31:21.720
<v Speaker 2>derived from this. You even mentioned like the swimming contest

564
00:31:21.759 --> 00:31:24.240
<v Speaker 2>and bo Wolf earlier, where he's kind of like, yeah,

565
00:31:24.279 --> 00:31:26.559
<v Speaker 2>I know I did lose that swimming contest, but I

566
00:31:26.599 --> 00:31:28.440
<v Speaker 2>was also like in a full plate of armor and

567
00:31:28.519 --> 00:31:31.319
<v Speaker 2>like flighting sea monsters. So it's just like it always

568
00:31:31.359 --> 00:31:33.759
<v Speaker 2>has to be like, this is a super manly justification

569
00:31:33.920 --> 00:31:37.880
<v Speaker 2>for everything, right, I love.

570
00:31:37.759 --> 00:31:43.759
<v Speaker 4>The the insult. He's talking to Beyla and he ends

571
00:31:43.799 --> 00:31:47.279
<v Speaker 4>with you don't splatter dairy maid. And then Thor comes

572
00:31:47.279 --> 00:31:50.200
<v Speaker 4>in and he is like, the silent perverse creature, my

573
00:31:50.359 --> 00:31:54.319
<v Speaker 4>mighty hammer you all near, shall deprive you of speech.

574
00:31:54.440 --> 00:31:58.039
<v Speaker 4>Your shoulder rock, I shall strike off your neck, and

575
00:31:58.079 --> 00:32:02.240
<v Speaker 4>then your life will be gone. It's like, okay, Thors

576
00:32:02.279 --> 00:32:02.920
<v Speaker 4>coming into lot.

577
00:32:04.440 --> 00:32:07.039
<v Speaker 1>Yeah, he's the only one who can really shut Loki

578
00:32:07.119 --> 00:32:09.680
<v Speaker 1>up because he just comes in full strength.

579
00:32:10.319 --> 00:32:10.519
<v Speaker 4>Uh.

580
00:32:10.559 --> 00:32:12.559
<v Speaker 1>And this is well one point that is kind of

581
00:32:12.559 --> 00:32:15.920
<v Speaker 1>interesting when at that point, yeah, he says, so be silent,

582
00:32:15.920 --> 00:32:19.119
<v Speaker 1>perverse creature, my mighty hammer, millionaire, will deprive you of speech.

583
00:32:19.480 --> 00:32:22.599
<v Speaker 1>I shall throw you up on the roads to the east. Afterwards,

584
00:32:22.640 --> 00:32:25.119
<v Speaker 1>no one will ever see you. This seems to be

585
00:32:25.160 --> 00:32:27.960
<v Speaker 1>a reference to another one of the stories of Thor,

586
00:32:28.599 --> 00:32:34.160
<v Speaker 1>when Thor killed the giant Thiazzi and took his eyes

587
00:32:34.319 --> 00:32:38.039
<v Speaker 1>and threw them up into the sky and they became

588
00:32:38.119 --> 00:32:42.279
<v Speaker 1>stars and and so basically he's threatening to kill Loki

589
00:32:42.519 --> 00:32:45.680
<v Speaker 1>and to make him into stars, make his corpse into

590
00:32:45.759 --> 00:32:48.599
<v Speaker 1>into stars, just as he's done before. And there's another

591
00:32:48.640 --> 00:32:57.519
<v Speaker 1>time when he kills Arvandil Arvondel and takes his toe

592
00:32:57.680 --> 00:32:59.440
<v Speaker 1>and does the same thing. He throws into the sky

593
00:32:59.480 --> 00:33:03.039
<v Speaker 1>as a star. Now what's interesting is a sorry, I'm

594
00:33:03.079 --> 00:33:07.319
<v Speaker 1>butchering this name on shore. Ar Vandel is also known

595
00:33:07.599 --> 00:33:12.440
<v Speaker 1>in the wider Germanic tradition as Erendil, and so this

596
00:33:12.640 --> 00:33:16.759
<v Speaker 1>is the Norse version of the star of Arndial, which,

597
00:33:16.839 --> 00:33:19.079
<v Speaker 1>of course Tolkien is going to pick up as he

598
00:33:19.160 --> 00:33:20.759
<v Speaker 1>picks up that tradition as it comes to the Anglo

599
00:33:20.799 --> 00:33:23.359
<v Speaker 1>Saxon and eventually makes his way to Tolkien. So I

600
00:33:23.519 --> 00:33:28.640
<v Speaker 1>just find that interesting that the great mariner, Mariner of Arandeal,

601
00:33:28.759 --> 00:33:33.720
<v Speaker 1>of of Arandial in tolkien story that it was the

602
00:33:33.720 --> 00:33:36.359
<v Speaker 1>beginning of his mythology, I mean, finds his way back

603
00:33:36.400 --> 00:33:38.920
<v Speaker 1>in Thor throwing a giant's toe into the sky.

604
00:33:39.799 --> 00:33:42.039
<v Speaker 4>Yeah, I think even the start of exchange two and

605
00:33:42.240 --> 00:33:44.680
<v Speaker 4>Thor comes in, like right before Belo was saying, like

606
00:33:45.440 --> 00:33:47.839
<v Speaker 4>all the Mount Green shakes, I think Thor must be

607
00:33:47.880 --> 00:33:51.359
<v Speaker 4>on his way home, like they know that he's the

608
00:33:51.559 --> 00:33:54.720
<v Speaker 4>kind of guy that handle it, the doer. It seems

609
00:33:54.799 --> 00:33:58.680
<v Speaker 4>like for a lot of the gods, for the ones

610
00:33:58.680 --> 00:34:00.480
<v Speaker 4>that kind of sit back or.

611
00:34:00.839 --> 00:34:02.680
<v Speaker 1>Right and you can only assume the reason why Thor

612
00:34:02.759 --> 00:34:04.880
<v Speaker 1>wasn't there beginning with is because he was off killing

613
00:34:04.880 --> 00:34:05.599
<v Speaker 1>giants or something.

614
00:34:06.759 --> 00:34:08.760
<v Speaker 2>I I wonder too, like how many of these like

615
00:34:08.840 --> 00:34:12.159
<v Speaker 2>allegations like Loki or like are making. Like obviously some

616
00:34:12.199 --> 00:34:15.400
<v Speaker 2>of them can be like qualified or like corroborated in

617
00:34:15.400 --> 00:34:17.559
<v Speaker 2>like other sources in a sense, but some of them

618
00:34:17.559 --> 00:34:21.400
<v Speaker 2>just like, like, I wonder if there's any like any

619
00:34:21.440 --> 00:34:23.719
<v Speaker 2>basis for some of the claims he's making, if he's

620
00:34:23.760 --> 00:34:26.039
<v Speaker 2>just kind of throwing some of them out there right, Like,

621
00:34:26.519 --> 00:34:29.760
<v Speaker 2>I'm not entirely sure, but he certainly got like an

622
00:34:29.760 --> 00:34:33.960
<v Speaker 2>accusation for everybody, sometimes more sometimes more than one.

623
00:34:35.400 --> 00:34:37.599
<v Speaker 1>Yeah, I imagine there's always at least some grain of

624
00:34:37.599 --> 00:34:39.360
<v Speaker 1>truth in this, in that these are the kinds of

625
00:34:39.360 --> 00:34:41.320
<v Speaker 1>things that gods did, Like I mean, going back to

626
00:34:41.480 --> 00:34:45.119
<v Speaker 1>that you know, Harvard song, like Odin is very clear

627
00:34:45.119 --> 00:34:49.880
<v Speaker 1>about his various exploits with the women folk, and so

628
00:34:50.280 --> 00:34:52.360
<v Speaker 1>this is probably the kinds of stuff they did. But

629
00:34:52.400 --> 00:34:56.440
<v Speaker 1>at the same time, excuse me, so overcoming a cold here.

630
00:34:58.760 --> 00:35:02.400
<v Speaker 1>I think of in Beowulf, even when Beoof calls unferth

631
00:35:02.440 --> 00:35:08.320
<v Speaker 1>a kinslayer, probably he was a kinslayer. Excuse me, But

632
00:35:08.400 --> 00:35:11.880
<v Speaker 1>At the same time, the fact that he was in

633
00:35:11.960 --> 00:35:14.559
<v Speaker 1>Roathguar's court means that he probably had some legitimate reason

634
00:35:14.559 --> 00:35:16.800
<v Speaker 1>for killing his kid, like to defend horoalth Guard or

635
00:35:16.840 --> 00:35:18.960
<v Speaker 1>something like that. And so a lot of times in

636
00:35:19.039 --> 00:35:22.519
<v Speaker 1>these Germanic insult fights, there's some grain of truth that

637
00:35:22.559 --> 00:35:25.000
<v Speaker 1>gets like twisted and like, we just want to find

638
00:35:25.000 --> 00:35:27.320
<v Speaker 1>some way to jab that knife into its probably already

639
00:35:27.719 --> 00:35:30.679
<v Speaker 1>a dicey subject. So there's probably some truth to a

640
00:35:30.719 --> 00:35:35.679
<v Speaker 1>lot of this, all right, anything else from Loki squarrel okay.

641
00:35:35.920 --> 00:35:45.079
<v Speaker 1>Then moving on to Thream's poem orrmskvida. So the comedy

642
00:35:45.199 --> 00:35:49.679
<v Speaker 1>of Thream's poem depends on the characterization of Freya and Thorpe.

643
00:35:49.880 --> 00:35:53.559
<v Speaker 1>We're compelled to act against the reputations. Freya is addicted

644
00:35:53.639 --> 00:35:55.960
<v Speaker 1>when Loki and Thorpe suggests that she might marry a giant,

645
00:35:56.239 --> 00:36:00.239
<v Speaker 1>though her reputation for promiscuity is such that take a

646
00:36:00.239 --> 00:36:02.840
<v Speaker 1>giant as a sexual partner might not be regarded as

647
00:36:02.880 --> 00:36:05.440
<v Speaker 1>out of the question. Thor is the most masculine of

648
00:36:05.480 --> 00:36:08.320
<v Speaker 1>the gods, who dressing up as a woman causes him

649
00:36:08.320 --> 00:36:12.559
<v Speaker 1>acute embarrassment. Thrime, who has stolen Thoris Hammer, is a

650
00:36:12.599 --> 00:36:16.920
<v Speaker 1>giant with considerable social pretensions. The simple structure and repetitiveness

651
00:36:16.920 --> 00:36:20.199
<v Speaker 1>of the poem proved suitable for adaptation into the ballid form,

652
00:36:20.239 --> 00:36:21.960
<v Speaker 1>and a number of versions of it are found among

653
00:36:22.039 --> 00:36:27.239
<v Speaker 1>Danish and Swedish ballads. Okay, So any thoughts on this

654
00:36:27.280 --> 00:36:30.400
<v Speaker 1>poem of Thor of retrieving his hammer.

655
00:36:31.719 --> 00:36:34.880
<v Speaker 2>It's probably another really out there saying that I could

656
00:36:34.880 --> 00:36:38.599
<v Speaker 2>read way too much into. But on the second stanza,

657
00:36:38.719 --> 00:36:42.400
<v Speaker 2>like the last line, like it says like the god

658
00:36:42.599 --> 00:36:45.119
<v Speaker 2>like with a capital G. I'm not sure if that's

659
00:36:45.239 --> 00:36:49.079
<v Speaker 2>like a translation slash like punctuation thing, or if there's

660
00:36:49.119 --> 00:36:52.960
<v Speaker 2>some sort of like greater implication with that versus like

661
00:36:53.199 --> 00:36:58.679
<v Speaker 2>the god like lowercase G. It could literally just be

662
00:36:58.840 --> 00:37:02.039
<v Speaker 2>like because like the semicle in there. Maybe it's like

663
00:37:02.239 --> 00:37:04.920
<v Speaker 2>it's like a grammatical thing. But I was curious if

664
00:37:04.920 --> 00:37:09.800
<v Speaker 2>that was somehow like an elevation of like of Thor

665
00:37:09.920 --> 00:37:12.880
<v Speaker 2>referring to the god, the one who has been robbed

666
00:37:12.880 --> 00:37:13.599
<v Speaker 2>of his hammer.

667
00:37:14.679 --> 00:37:18.800
<v Speaker 1>Yeah, that stook up to me as well, and that

668
00:37:18.960 --> 00:37:22.199
<v Speaker 1>not really knowing, my assumption is that this is emphasizing

669
00:37:22.679 --> 00:37:26.400
<v Speaker 1>the reality that of Thor, you know, the fact that

670
00:37:26.400 --> 00:37:28.239
<v Speaker 1>he's had his hammer stolen. It's such a big deal

671
00:37:28.639 --> 00:37:31.199
<v Speaker 1>that in this context he is the god who has

672
00:37:31.239 --> 00:37:34.000
<v Speaker 1>been dishonored, like it is a way of elevating him.

673
00:37:34.119 --> 00:37:38.360
<v Speaker 1>Is that that's my assumption? Yeah, Yeah, an interesting guest

674
00:37:38.400 --> 00:37:41.840
<v Speaker 1>to borrow Free's feather shirt so that he can fly

675
00:37:42.400 --> 00:37:45.440
<v Speaker 1>is my understanding. So I guess that's not something he

676
00:37:45.440 --> 00:37:47.719
<v Speaker 1>can do on his own. I'm gonna be honest. This

677
00:37:47.760 --> 00:37:49.760
<v Speaker 1>is one that I actually just don't remember a lot

678
00:37:49.800 --> 00:37:51.360
<v Speaker 1>of details on. I didn't take a lot of notes.

679
00:37:53.320 --> 00:37:56.320
<v Speaker 2>I kind of wonder because obviously it highlights the fact

680
00:37:56.400 --> 00:38:00.320
<v Speaker 2>that like obviously Thorn like dresses, has to like dress

681
00:38:00.400 --> 00:38:03.559
<v Speaker 2>up as a woman and basically impersonate Freyer. Right, so

682
00:38:04.400 --> 00:38:08.400
<v Speaker 2>maybe he's kind of like, you know, ashamed and uncomfortable

683
00:38:08.480 --> 00:38:11.280
<v Speaker 2>with that. Like do you think that's like a pride

684
00:38:11.280 --> 00:38:13.760
<v Speaker 2>and humiliation thing or do you think like there's like

685
00:38:13.880 --> 00:38:17.599
<v Speaker 2>a like he's pretty justified and feeling that way because

686
00:38:17.639 --> 00:38:20.880
<v Speaker 2>he's in a sense, like a symbol of this this

687
00:38:21.079 --> 00:38:24.480
<v Speaker 2>like kind of like classical or like medieval like Norse

688
00:38:24.920 --> 00:38:27.480
<v Speaker 2>masculinity in a sense, Like it's like, is it pretty

689
00:38:27.639 --> 00:38:31.599
<v Speaker 2>justifiable that he's like uncomfortable with that? And like I

690
00:38:31.599 --> 00:38:35.519
<v Speaker 2>would personally probably say yes, because even as a twenty

691
00:38:35.559 --> 00:38:37.960
<v Speaker 2>first century man, I would be too right, So I

692
00:38:37.960 --> 00:38:41.159
<v Speaker 2>can't imagine how Thor would feel. Yeah, I was kind

693
00:38:41.159 --> 00:38:42.639
<v Speaker 2>of like I was kind of thinking about that where

694
00:38:42.679 --> 00:38:44.239
<v Speaker 2>I'm like, I could see how somebody would almost like

695
00:38:44.280 --> 00:38:46.920
<v Speaker 2>go the direction where it's like, oh, he just needs

696
00:38:46.920 --> 00:38:49.400
<v Speaker 2>to be comfortable with it, But I'm like, no, like

697
00:38:49.440 --> 00:38:51.280
<v Speaker 2>he probably shouldn't be comfortable with that.

698
00:38:51.320 --> 00:38:54.960
<v Speaker 1>At the same time, Wait, you you wouldn't be comfortable

699
00:38:55.000 --> 00:38:59.360
<v Speaker 1>wearing a dress and pretending to marry a giant. I

700
00:38:59.440 --> 00:39:00.400
<v Speaker 1>can aggressive.

701
00:39:00.440 --> 00:39:06.559
<v Speaker 3>You can't say that. I would dig it.

702
00:39:06.400 --> 00:39:15.199
<v Speaker 4>Guiltiest charged. I think just coming from Loki's quarrel. It's

703
00:39:15.199 --> 00:39:17.599
<v Speaker 4>funny because Loki's fine off and it gets like the

704
00:39:17.639 --> 00:39:19.960
<v Speaker 4>interaction with the giants, and then here's kind of like

705
00:39:20.000 --> 00:39:21.840
<v Speaker 4>what has to be done, and he had just like

706
00:39:21.920 --> 00:39:28.559
<v Speaker 4>accused Ray I think of being very promiscuous and then,

707
00:39:30.639 --> 00:39:35.800
<v Speaker 4>you know, agreed upon fixes that thorst kind of dress

708
00:39:35.920 --> 00:39:39.440
<v Speaker 4>up as addressed to go be the bride. And I'm

709
00:39:39.480 --> 00:39:44.760
<v Speaker 4>sure he found some you know, some enjoyment that.

710
00:39:45.800 --> 00:39:50.039
<v Speaker 1>Yeah, and I assume that excuse me, sorry, so we're

711
00:39:50.079 --> 00:39:54.519
<v Speaker 1>going this cough here. I assume that he's that this

712
00:39:54.599 --> 00:39:56.400
<v Speaker 1>is really meant to be a comedy, right, it's to

713
00:39:56.639 --> 00:39:59.679
<v Speaker 1>be funny. You've got this masculine, you know, the most

714
00:39:59.679 --> 00:40:02.519
<v Speaker 1>mass one of the gods, this great warrior who's always

715
00:40:02.920 --> 00:40:07.679
<v Speaker 1>uh killing giants, and he's always just bragging about what

716
00:40:07.760 --> 00:40:10.199
<v Speaker 1>a great warrior he is. That now he has to

717
00:40:10.199 --> 00:40:14.440
<v Speaker 1>submit himself to playing the part of a woman. And

718
00:40:15.159 --> 00:40:16.679
<v Speaker 1>you know, I guess it shows a saucer that the

719
00:40:16.719 --> 00:40:19.440
<v Speaker 1>giants aren't all that cunning. I mean, he starts to

720
00:40:19.440 --> 00:40:21.400
<v Speaker 1>get a little thrown off, saying like there's a fire

721
00:40:21.440 --> 00:40:24.000
<v Speaker 1>in your eyes that I'm not used to here, So

722
00:40:24.159 --> 00:40:26.920
<v Speaker 1>he's getting a little worried, but he's still pretty much

723
00:40:26.960 --> 00:40:31.760
<v Speaker 1>okay with it and keeps moving forward. The fact that

724
00:40:31.840 --> 00:40:35.440
<v Speaker 1>his bride to be is like consuming vast amounts of food.

725
00:40:36.800 --> 00:40:41.119
<v Speaker 1>But I guess he just is so enambored with, you know,

726
00:40:41.199 --> 00:40:44.559
<v Speaker 1>his bride or his idea of his bride, that he's

727
00:40:44.599 --> 00:40:48.000
<v Speaker 1>willing to buy all these ridiculous excuses till finally he

728
00:40:48.239 --> 00:40:52.280
<v Speaker 1>presents the hammer of Thor and then of course propertly dies.

729
00:40:53.719 --> 00:40:55.599
<v Speaker 4>It was cool, seems just kind of note something throughout

730
00:40:55.639 --> 00:40:58.320
<v Speaker 4>all this stuff. But even where it says like let

731
00:40:58.920 --> 00:41:01.840
<v Speaker 4>keys jingled by his side, I guess I had no

732
00:41:01.880 --> 00:41:04.000
<v Speaker 4>idea what that was. But because you know, like the

733
00:41:04.079 --> 00:41:06.800
<v Speaker 4>bride or the wife would have like the keys to

734
00:41:06.920 --> 00:41:09.079
<v Speaker 4>like the pantry and all the storage stuff.

735
00:41:10.039 --> 00:41:11.440
<v Speaker 3>Uh, which is cool.

736
00:41:12.119 --> 00:41:14.599
<v Speaker 1>I like the pro's conclusion here that after this whole

737
00:41:14.599 --> 00:41:18.360
<v Speaker 1>story about how thor you know, finally killed the giant

738
00:41:18.400 --> 00:41:20.880
<v Speaker 1>with his hammer and got out of there, that it

739
00:41:21.000 --> 00:41:27.639
<v Speaker 1>ends with so Odin's son got the hammer back. Good summary.

740
00:41:29.119 --> 00:41:31.679
<v Speaker 3>It seems almost like a little bit unnecessary. It's like, yeah,

741
00:41:31.960 --> 00:41:33.880
<v Speaker 3>of course I got them. You really think he didn't

742
00:41:33.880 --> 00:41:34.440
<v Speaker 3>get it back?

743
00:41:34.599 --> 00:41:40.480
<v Speaker 1>Like reminds you of a few times in the Bible

744
00:41:40.480 --> 00:41:42.960
<v Speaker 1>where things like that happened, like when jail you know,

745
00:41:43.480 --> 00:41:45.920
<v Speaker 1>uh nails the pentag through the guy's head and it

746
00:41:45.920 --> 00:41:49.480
<v Speaker 1>says and he died, Like, yep, that'll happen.

747
00:41:52.400 --> 00:41:54.400
<v Speaker 4>They battered all the race of giants.

748
00:41:54.559 --> 00:42:00.760
<v Speaker 1>Yeah, I do wonder what this this giant, what thrime exactly?

749
00:42:00.760 --> 00:42:01.360
<v Speaker 1>Who's intending?

750
00:42:01.440 --> 00:42:01.519
<v Speaker 3>It?

751
00:42:01.559 --> 00:42:04.760
<v Speaker 1>Says? Then Thring, the lord of Ogres, bringing the hammer

752
00:42:04.800 --> 00:42:08.280
<v Speaker 1>to sanctify the bride, lay Mulenir on the girl's lap,

753
00:42:08.480 --> 00:42:12.639
<v Speaker 1>consecrate us together by the hand of our I wonder

754
00:42:16.159 --> 00:42:19.639
<v Speaker 1>what significant the hammer had for him the giant in

755
00:42:19.760 --> 00:42:21.880
<v Speaker 1>what way? I mean? I guess it's just that it's

756
00:42:21.880 --> 00:42:24.280
<v Speaker 1>an artifact of the gods or something. But I don't

757
00:42:24.320 --> 00:42:26.119
<v Speaker 1>know what sanctifying role this would have for.

758
00:42:27.599 --> 00:42:31.119
<v Speaker 4>That's the it's only the Marvel version that he can

759
00:42:31.159 --> 00:42:34.639
<v Speaker 4>only lift the hammer, right, that's not like anything in this.

760
00:42:34.480 --> 00:42:39.679
<v Speaker 1>Seems to be the case. Okay, yeah, that's the starting

761
00:42:39.679 --> 00:42:42.119
<v Speaker 1>place that most of us are working with. But yeah,

762
00:42:42.119 --> 00:42:46.400
<v Speaker 1>that does not seem to be the case here, Yeah,

763
00:42:46.760 --> 00:42:49.719
<v Speaker 1>all right, anything else from this poem? All right? Then

764
00:42:50.000 --> 00:42:54.800
<v Speaker 1>moving on to Voland? Right. The poem of poland Or

765
00:42:58.599 --> 00:43:02.239
<v Speaker 1>appears to be a combination of two poems, the first

766
00:43:02.360 --> 00:43:04.360
<v Speaker 1>the Tale of the Swan Maidens, and the second the

767
00:43:04.400 --> 00:43:07.920
<v Speaker 1>Tale of Voland's imprisonment and his revenge. Voland is a

768
00:43:07.960 --> 00:43:11.519
<v Speaker 1>strange character, neither human nor divine. At one point, he's

769
00:43:11.559 --> 00:43:14.719
<v Speaker 1>referred to as prince of elves. Since we know so

770
00:43:14.800 --> 00:43:17.440
<v Speaker 1>little about elves and the Norse mythic scheme, we cannot

771
00:43:17.519 --> 00:43:22.760
<v Speaker 1>prove or disprove this attribution, and so Voland is some

772
00:43:22.840 --> 00:43:25.199
<v Speaker 1>kind of elf, which you know, as it just said here,

773
00:43:25.239 --> 00:43:28.000
<v Speaker 1>we we don't we don't really know what elves are

774
00:43:28.039 --> 00:43:31.800
<v Speaker 1>based off the original Norse text. Here, they are these

775
00:43:31.880 --> 00:43:35.920
<v Speaker 1>ambiguous kinds of creatures that him and maybe that's part

776
00:43:35.920 --> 00:43:38.679
<v Speaker 1>of the nature of elves or what we would you know,

777
00:43:38.880 --> 00:43:42.480
<v Speaker 1>later refer to as berries that they live kind of

778
00:43:42.519 --> 00:43:45.159
<v Speaker 1>on the you know, beyond firm categories, sort of on

779
00:43:45.199 --> 00:43:51.280
<v Speaker 1>the the barriers of knowledge. And this Voland gets kidnapped

780
00:43:51.320 --> 00:43:55.079
<v Speaker 1>by this king, but then he manages to escape, and

781
00:43:55.199 --> 00:43:57.760
<v Speaker 1>that's the the big point of the story. And so

782
00:43:59.079 --> 00:44:00.760
<v Speaker 1>I don't know, what, what do we think of this story

783
00:44:01.559 --> 00:44:02.920
<v Speaker 1>or what are some thoughts you have.

784
00:44:03.599 --> 00:44:07.159
<v Speaker 4>It's interesting, like you had brought up earlier with Mirkwood Senior,

785
00:44:07.960 --> 00:44:11.119
<v Speaker 4>which has always seemed mysterious. Kind of a lot of

786
00:44:11.119 --> 00:44:13.400
<v Speaker 4>stuff happening, which kind of goes with the story for

787
00:44:13.599 --> 00:44:14.119
<v Speaker 4>like too.

788
00:44:15.440 --> 00:44:18.000
<v Speaker 1>Yeah, because some weird stuff happens. And so you've got

789
00:44:18.039 --> 00:44:25.599
<v Speaker 1>these three brothers and they fall for or they embrace

790
00:44:25.679 --> 00:44:32.840
<v Speaker 1>these three strange women. I think these swan women h

791
00:44:33.039 --> 00:44:38.320
<v Speaker 1>swan herders or something, and then they these after was

792
00:44:38.360 --> 00:44:42.639
<v Speaker 1>it nine years, yeah, nine years, the women just leave

793
00:44:43.480 --> 00:44:46.320
<v Speaker 1>and two of the brothers go off looking for them.

794
00:44:46.920 --> 00:44:52.119
<v Speaker 1>Volin stays home to make rings for his lady, which

795
00:44:52.159 --> 00:44:54.280
<v Speaker 1>is when he gets captured when he's by himself, by

796
00:44:54.440 --> 00:44:57.199
<v Speaker 1>this local king. And so there's just kind of there's

797
00:44:57.199 --> 00:44:59.599
<v Speaker 1>weird stuff going onto this forest, which again kind of

798
00:44:59.639 --> 00:45:03.039
<v Speaker 1>gives us the Tolkien Mirkwood vibe as well.

799
00:45:04.000 --> 00:45:06.960
<v Speaker 4>It also brings up like the Lappish kings and the

800
00:45:07.000 --> 00:45:09.599
<v Speaker 4>pros the beginning, which I know earlier they kind of

801
00:45:09.639 --> 00:45:13.400
<v Speaker 4>talked about I think it was in grim near sayings

802
00:45:13.800 --> 00:45:17.440
<v Speaker 4>with like it with the torture and everything kind of

803
00:45:17.840 --> 00:45:21.760
<v Speaker 4>or was related to the ritualistic of the lap people.

804
00:45:22.519 --> 00:45:24.880
<v Speaker 4>So I mean they're coming from it seems like kind

805
00:45:24.880 --> 00:45:30.760
<v Speaker 4>of a harsher more mystical people, especially if it's the king.

806
00:45:30.840 --> 00:45:33.000
<v Speaker 4>That's kind of how they talked about him. And then

807
00:45:33.039 --> 00:45:37.280
<v Speaker 4>with the swan maidens being they'll say there they were valkyries,

808
00:45:37.320 --> 00:45:41.039
<v Speaker 4>but it wasn't exactly sure kind of what that they

809
00:45:41.079 --> 00:45:43.639
<v Speaker 4>could fly I guess because they had the swan feathers.

810
00:45:43.679 --> 00:45:50.280
<v Speaker 1>But interesting. Yeah, and you know later in the story,

811
00:45:50.400 --> 00:45:53.320
<v Speaker 1>you know, the way that he escapes is not jumping

812
00:45:53.400 --> 00:45:55.920
<v Speaker 1>into here, but the way he escapes is he we

813
00:45:55.960 --> 00:45:58.079
<v Speaker 1>interually get his ring back that the king had been

814
00:45:58.119 --> 00:46:02.199
<v Speaker 1>taken from him, and he seems to be able to

815
00:46:02.239 --> 00:46:05.000
<v Speaker 1>turn into a swan or something like that. He's able

816
00:46:05.000 --> 00:46:09.800
<v Speaker 1>to fly around. And so so now we've got Mirkwood

817
00:46:09.800 --> 00:46:13.920
<v Speaker 1>and now we've got magic rings, and so I assume

818
00:46:13.960 --> 00:46:17.679
<v Speaker 1>it's because he was forging this ring for the swan maiden,

819
00:46:18.039 --> 00:46:20.840
<v Speaker 1>that there's some connection there with like being able to

820
00:46:20.880 --> 00:46:25.480
<v Speaker 1>be like a swan. Don't know where to go from there, but.

821
00:46:27.400 --> 00:46:29.519
<v Speaker 4>Like how he just skis and then goes and kills

822
00:46:29.519 --> 00:46:32.159
<v Speaker 4>her because she bear brings it back.

823
00:46:34.400 --> 00:46:41.800
<v Speaker 1>Right metal right. And one thing that it's worth noticing

824
00:46:41.880 --> 00:46:45.679
<v Speaker 1>is that even I don't even know if Volan can

825
00:46:45.800 --> 00:46:48.519
<v Speaker 1>be called a hero. I mean, he's as much a

826
00:46:48.519 --> 00:46:51.400
<v Speaker 1>trickster as anybody else, and that I mean, yeah, he's

827
00:46:51.400 --> 00:46:53.679
<v Speaker 1>a victim when he gets captured by the king and

828
00:46:53.719 --> 00:46:59.199
<v Speaker 1>he's made to basically be the king's slave smithy, you know,

829
00:46:59.239 --> 00:47:02.599
<v Speaker 1>making stuff for him, and you know, because he is

830
00:47:03.360 --> 00:47:07.440
<v Speaker 1>the king's wife. The queen advises that Fulan be hamstrung

831
00:47:07.519 --> 00:47:09.679
<v Speaker 1>so that way he can't run away, and so he's

832
00:47:09.679 --> 00:47:11.519
<v Speaker 1>forced to be on this island and to just make

833
00:47:11.519 --> 00:47:15.360
<v Speaker 1>things for the king. But he ends up tricking the

834
00:47:15.440 --> 00:47:19.519
<v Speaker 1>king's sons into coming to him by promising I'm the

835
00:47:19.559 --> 00:47:23.000
<v Speaker 1>great treasure, and he just kills them and buries them,

836
00:47:23.320 --> 00:47:26.320
<v Speaker 1>and then he gets the king's daughter to come to him,

837
00:47:26.400 --> 00:47:30.480
<v Speaker 1>and he seduces her and you know, impregnates her, and

838
00:47:30.559 --> 00:47:32.679
<v Speaker 1>that's part of how he gets his ring back, which

839
00:47:32.679 --> 00:47:36.480
<v Speaker 1>then he's able to use to fly away. And then

840
00:47:36.840 --> 00:47:40.519
<v Speaker 1>you know, that's kind of his parting insult to the

841
00:47:40.639 --> 00:47:43.480
<v Speaker 1>king is that you know, now my offspring is in

842
00:47:43.519 --> 00:47:48.280
<v Speaker 1>your court, see you later he flies away. So he's

843
00:47:48.400 --> 00:47:50.920
<v Speaker 1>very much a trickster, which I guess connects with the

844
00:47:50.960 --> 00:47:55.360
<v Speaker 1>idea being an elf in that you know, he's again

845
00:47:55.719 --> 00:47:59.960
<v Speaker 1>kind of beyond the categories of order. He's not somebody

846
00:48:00.079 --> 00:48:01.880
<v Speaker 1>that you can beat, that you can tame, he's not

847
00:48:01.920 --> 00:48:04.800
<v Speaker 1>something you can domesticate. That the king was operating with

848
00:48:05.079 --> 00:48:07.519
<v Speaker 1>a force that was outside of what he could possibly control.

849
00:48:08.320 --> 00:48:12.519
<v Speaker 1>And so maybe there's some kind of message here regarding domination,

850
00:48:13.360 --> 00:48:17.039
<v Speaker 1>which again could be very Tolkienian in that the more

851
00:48:17.039 --> 00:48:21.679
<v Speaker 1>that you try to dominate, well, the more that you

852
00:48:21.719 --> 00:48:24.239
<v Speaker 1>are going to find yourself dominated by the very power

853
00:48:24.280 --> 00:48:27.679
<v Speaker 1>that you're trying to seize for yourself. So there may

854
00:48:27.679 --> 00:48:30.679
<v Speaker 1>be some kind of power lesson to be understood here.

855
00:48:32.039 --> 00:48:37.280
<v Speaker 4>Yeah, I think of him being like a stronger guy too,

856
00:48:37.280 --> 00:48:41.400
<v Speaker 4>because like having to cut his hamstring so that he

857
00:48:41.480 --> 00:48:43.760
<v Speaker 4>doesn't and he actually doesn't like it's not like they

858
00:48:43.880 --> 00:48:47.199
<v Speaker 4>bound him face to face, I think to come down,

859
00:48:47.239 --> 00:48:49.360
<v Speaker 4>but he had just like fallen asleep because he was

860
00:48:49.400 --> 00:48:52.159
<v Speaker 4>just waiting on his bride that he thought was there.

861
00:48:54.840 --> 00:48:55.320
<v Speaker 1>I did see.

862
00:48:55.320 --> 00:49:00.000
<v Speaker 4>They talked about how later prose account and Tiedric Saga,

863
00:49:01.639 --> 00:49:04.960
<v Speaker 4>one of his brothers comes back to save him, and

864
00:49:05.000 --> 00:49:07.199
<v Speaker 4>then later on Bullen returns with an army and then

865
00:49:07.360 --> 00:49:11.559
<v Speaker 4>kills the king and marries Bodvild, and then their son

866
00:49:11.639 --> 00:49:16.920
<v Speaker 4>becomes a great Germanic hero. So interesting how it changes throughout.

867
00:49:18.480 --> 00:49:21.960
<v Speaker 2>I guess there was like a trickster, and there's some

868
00:49:22.079 --> 00:49:27.280
<v Speaker 2>certainly bizarre aspects to the poem itself. I think there

869
00:49:27.320 --> 00:49:31.400
<v Speaker 2>almost is like a level of admirability I have for

870
00:49:32.239 --> 00:49:36.400
<v Speaker 2>like the character of Land himself, just like merely speaking

871
00:49:36.480 --> 00:49:39.440
<v Speaker 2>in terms of it's kind of like the resilience in

872
00:49:39.440 --> 00:49:42.639
<v Speaker 2>the face of adversity, Like he's trapped in this situation,

873
00:49:42.920 --> 00:49:46.480
<v Speaker 2>like it seems like he's just faded to be there forever.

874
00:49:46.800 --> 00:49:51.039
<v Speaker 2>But however that ultimately works out, like he does find

875
00:49:51.079 --> 00:49:55.360
<v Speaker 2>a way to kind of like escape this this servile

876
00:49:55.519 --> 00:49:59.280
<v Speaker 2>life and actually like become liberated in a way. It's

877
00:49:59.280 --> 00:50:02.239
<v Speaker 2>almost like in like a weird way. It's almost kind

878
00:50:02.239 --> 00:50:04.880
<v Speaker 2>of like like the Shawshank redemption in a sense for

879
00:50:05.079 --> 00:50:07.880
<v Speaker 2>like this guy like in like the most impossible way,

880
00:50:08.039 --> 00:50:11.400
<v Speaker 2>like finds a way out when it seems like impossible.

881
00:50:13.360 --> 00:50:15.559
<v Speaker 3>Yeah, that's that's something I kind of saw through there.

882
00:50:15.599 --> 00:50:18.199
<v Speaker 2>There's there is like a level of admirability, like for

883
00:50:18.239 --> 00:50:19.199
<v Speaker 2>the character himself.

884
00:50:19.239 --> 00:50:23.840
<v Speaker 1>I think, yeah, there is a kind of a kind

885
00:50:23.920 --> 00:50:26.159
<v Speaker 1>of pagan virtue here. And obviously we're not going to

886
00:50:26.159 --> 00:50:27.960
<v Speaker 1>look at a bold and say he's anything like Christian virtue,

887
00:50:28.000 --> 00:50:29.880
<v Speaker 1>and I know that's not the point you're making, but

888
00:50:29.960 --> 00:50:35.639
<v Speaker 1>there is something here we see that you know, even

889
00:50:35.679 --> 00:50:39.400
<v Speaker 1>Odin has a trickster element to him, and that he's

890
00:50:39.440 --> 00:50:43.119
<v Speaker 1>always kind of manipulating people in order to achieve his ends.

891
00:50:43.719 --> 00:50:47.880
<v Speaker 1>And that's part of I think what Norse Wisdom was right.

892
00:50:47.920 --> 00:50:51.880
<v Speaker 1>It was about power. I'm able to assert myself. I'm

893
00:50:51.920 --> 00:50:54.079
<v Speaker 1>able to make things better for me and for my kin.

894
00:50:55.800 --> 00:50:58.960
<v Speaker 1>You know, we see this if you read the volsung

895
00:50:59.199 --> 00:51:05.400
<v Speaker 1>saga that you know Zigmund mixed him up with cigarette

896
00:51:05.400 --> 00:51:08.599
<v Speaker 1>sometimes because Beywolf kind of changes some of that. But

897
00:51:08.760 --> 00:51:10.519
<v Speaker 1>you know when he's going off and he's just like

898
00:51:10.599 --> 00:51:14.360
<v Speaker 1>rating people that that's not seen as a bad thing.

899
00:51:14.519 --> 00:51:16.719
<v Speaker 1>It's just something that you do to advance your station

900
00:51:16.760 --> 00:51:20.079
<v Speaker 1>and that if your kin you know, read the the Huffam,

901
00:51:20.079 --> 00:51:22.559
<v Speaker 1>all the proverbs and the and there's a lot of

902
00:51:22.559 --> 00:51:25.880
<v Speaker 1>that mentality there where virtue is just kind of what

903
00:51:25.960 --> 00:51:27.840
<v Speaker 1>it takes to get ahead the best way. I understand

904
00:51:27.840 --> 00:51:31.440
<v Speaker 1>that at least wisdom, it's about more cunning than anything else.

905
00:51:33.360 --> 00:51:36.000
<v Speaker 1>And I think that we do see that. And with

906
00:51:36.199 --> 00:51:38.920
<v Speaker 1>that kind of framing, maybe Foland is a kind of hero,

907
00:51:39.119 --> 00:51:40.760
<v Speaker 1>a kind of a person to admire.

908
00:51:42.000 --> 00:51:43.320
<v Speaker 4>Yeah, I mean with the.

909
00:51:45.199 --> 00:51:45.440
<v Speaker 3>Is it.

910
00:51:47.239 --> 00:51:49.239
<v Speaker 4>Sayings of the high one where he talks about, like

911
00:51:50.679 --> 00:51:53.639
<v Speaker 4>it said multiple times, like whenever you receive a lie,

912
00:51:53.800 --> 00:51:57.519
<v Speaker 4>like return it with deception. So it's not like even

913
00:51:58.079 --> 00:52:00.519
<v Speaker 4>you know, you're like stupid, don't take the high road,

914
00:52:00.599 --> 00:52:03.239
<v Speaker 4>go down and kind of went against this this lie

915
00:52:03.280 --> 00:52:04.079
<v Speaker 4>that's been.

916
00:52:05.360 --> 00:52:06.239
<v Speaker 3>Brought up against you.

917
00:52:07.079 --> 00:52:09.800
<v Speaker 1>Yeah, I mean these Norse heroes, they're they're street fighters, right,

918
00:52:09.960 --> 00:52:11.679
<v Speaker 1>It's just you get in there and you do what

919
00:52:11.719 --> 00:52:14.079
<v Speaker 1>it takes to win. And that's really what it comes

920
00:52:14.079 --> 00:52:20.320
<v Speaker 1>down to. And say, the honor and virtue they seem

921
00:52:20.400 --> 00:52:22.440
<v Speaker 1>just mean something very different than how we're how we're

922
00:52:22.519 --> 00:52:26.760
<v Speaker 1>used to talking about them. But at the same time, yeah,

923
00:52:27.000 --> 00:52:31.599
<v Speaker 1>I don't know, I think that it's useful to kind

924
00:52:31.599 --> 00:52:34.559
<v Speaker 1>of look with these these different eyes and just see,

925
00:52:34.719 --> 00:52:39.599
<v Speaker 1>you know, what did these people honor and why did

926
00:52:39.599 --> 00:52:42.880
<v Speaker 1>this translate into tales that are still around and that

927
00:52:42.960 --> 00:52:46.239
<v Speaker 1>we're still discussed today and play such an important role

928
00:52:46.800 --> 00:52:50.920
<v Speaker 1>in the cultural world in which we live. I'm not

929
00:52:50.960 --> 00:52:52.639
<v Speaker 1>going to say that we need to go back to

930
00:52:53.119 --> 00:52:55.199
<v Speaker 1>this kind of virtue, because there's a lot very wrong

931
00:52:55.280 --> 00:52:58.519
<v Speaker 1>with this. But at the same time, you know, we

932
00:52:58.639 --> 00:53:01.639
<v Speaker 1>need to you know, even Tolkien size this that in

933
00:53:01.719 --> 00:53:03.840
<v Speaker 1>order to really know what's wrong with something, you have

934
00:53:03.920 --> 00:53:07.480
<v Speaker 1>to see what's good within that thing first, and that's

935
00:53:07.480 --> 00:53:09.320
<v Speaker 1>going to help you to better understand what is wrong

936
00:53:09.360 --> 00:53:12.320
<v Speaker 1>with it, and it's going to give you the opportunity to,

937
00:53:12.960 --> 00:53:15.280
<v Speaker 1>you know, to recognize the light where it is and

938
00:53:15.280 --> 00:53:19.119
<v Speaker 1>then bring it back into proper focus. And so I

939
00:53:19.119 --> 00:53:21.079
<v Speaker 1>don't think there's anything wrong with looking at some of

940
00:53:21.119 --> 00:53:24.719
<v Speaker 1>these what we would see is very flawed heroes and

941
00:53:24.760 --> 00:53:28.559
<v Speaker 1>seeing that there's something admirable about that, recognizing that any

942
00:53:28.559 --> 00:53:31.760
<v Speaker 1>of the thoughts, yeah, I.

943
00:53:31.840 --> 00:53:34.599
<v Speaker 4>Just agree and throw any other thoughts right now?

944
00:53:35.079 --> 00:53:40.199
<v Speaker 1>Well, see was that last one from the section? All right, Well,

945
00:53:41.079 --> 00:53:44.039
<v Speaker 1>this is definitely not an easy run. But I feel

946
00:53:44.039 --> 00:53:48.800
<v Speaker 1>like we've pulled something out of this. I had mentioned

947
00:53:49.039 --> 00:53:50.880
<v Speaker 1>going in just a little while ago that maybe we

948
00:53:50.920 --> 00:53:53.519
<v Speaker 1>could provide some recommendations. Do you guys have anything offhand

949
00:53:54.000 --> 00:53:56.840
<v Speaker 1>that you'd like to endorse anybody's listening. I think you've

950
00:53:56.880 --> 00:53:58.400
<v Speaker 1>been listening to reading kind of wherever you want to

951
00:53:58.400 --> 00:54:02.480
<v Speaker 1>go with that, Josh, what do you have for us? Yeah?

952
00:54:02.519 --> 00:54:04.679
<v Speaker 3>I actually had an idea for that when I saw

953
00:54:04.719 --> 00:54:05.320
<v Speaker 3>that earlier.

954
00:54:05.440 --> 00:54:08.599
<v Speaker 2>So I think one thing I recommend, just for like

955
00:54:08.679 --> 00:54:12.719
<v Speaker 2>a good kind of like robust perspective on more of

956
00:54:12.760 --> 00:54:15.800
<v Speaker 2>like a traditional reading of a lot of a lot

957
00:54:15.800 --> 00:54:19.960
<v Speaker 2>of different literature is actually the ignacious critical editions of

958
00:54:20.000 --> 00:54:23.119
<v Speaker 2>different books. So you kind of see an example here

959
00:54:23.199 --> 00:54:28.039
<v Speaker 2>of like Gulliver's travels him with like pride and prejudice,

960
00:54:28.119 --> 00:54:30.760
<v Speaker 2>like then they do a bunch of other stuff as well.

961
00:54:31.559 --> 00:54:33.039
<v Speaker 3>But Joseph Pierce, I.

962
00:54:33.000 --> 00:54:36.360
<v Speaker 2>Don't know if anybody's familiar with him, but he's the uh,

963
00:54:36.400 --> 00:54:38.480
<v Speaker 2>he's like the main editor for a lot of those

964
00:54:38.880 --> 00:54:44.440
<v Speaker 2>very very solid, like just traditional understands the interpretations of

965
00:54:44.760 --> 00:54:46.920
<v Speaker 2>a lot of these works, and it provides a lot

966
00:54:47.000 --> 00:54:50.519
<v Speaker 2>a lot of really like top notch like scholarly essays

967
00:54:50.559 --> 00:54:54.159
<v Speaker 2>like within the actual volumes themselves. Like along with the

968
00:54:54.199 --> 00:54:58.760
<v Speaker 2>primary text itself. So I found those very helpful personally

969
00:54:58.800 --> 00:55:03.119
<v Speaker 2>just for understanding these works and helping me to kind

970
00:55:03.159 --> 00:55:06.159
<v Speaker 2>of grow out of reading them through like a very

971
00:55:07.119 --> 00:55:10.960
<v Speaker 2>just like modernist like late twentieth early twenty first century

972
00:55:11.079 --> 00:55:14.760
<v Speaker 2>lens like as I was certainly taught through, you know,

973
00:55:14.840 --> 00:55:17.920
<v Speaker 2>going through the public education system as a kid and

974
00:55:17.960 --> 00:55:22.800
<v Speaker 2>as a teenager. So I definitely like recommend those pretty highly.

975
00:55:22.840 --> 00:55:27.159
<v Speaker 2>I would say, I think they're good additions and also.

976
00:55:28.599 --> 00:55:30.320
<v Speaker 1>Yeah, yeah, good, yeah, I've got a few of those,

977
00:55:30.400 --> 00:55:33.719
<v Speaker 1>and so I definitely second that. Cool. Jase, you anything

978
00:55:33.760 --> 00:55:34.079
<v Speaker 1>for us?

979
00:55:36.119 --> 00:55:38.440
<v Speaker 4>I mean, just some books I've read over the last year.

980
00:55:39.000 --> 00:55:42.760
<v Speaker 4>Recommended even this weekend. A guy that was into philosophy

981
00:55:42.800 --> 00:55:45.280
<v Speaker 4>and I had brought up olitheus never heard of it,

982
00:55:45.360 --> 00:55:48.519
<v Speaker 4>so he wrote down the constellation of philosophy to read that.

983
00:55:50.440 --> 00:55:52.480
<v Speaker 4>Another book from the last year that I've read was

984
00:55:52.480 --> 00:55:54.880
<v Speaker 4>Definders of the West. That's a really good read on

985
00:55:55.239 --> 00:56:00.280
<v Speaker 4>just Christian heroes of old and kind of a lot

986
00:56:00.320 --> 00:56:04.159
<v Speaker 4>of things you wouldn't necessarily a different perspective from what

987
00:56:04.199 --> 00:56:05.920
<v Speaker 4>you get a typical public school.

988
00:56:06.199 --> 00:56:12.519
<v Speaker 1>So wait, you mean Christians haven't always been the bad guys?

989
00:56:14.000 --> 00:56:17.960
<v Speaker 4>Interesting, they were just doing it for gold.

990
00:56:18.400 --> 00:56:23.039
<v Speaker 1>That's right, it's a greedy Christians. So I've got a

991
00:56:23.039 --> 00:56:24.760
<v Speaker 1>couple of books. I think I might have recommend this

992
00:56:24.840 --> 00:56:29.039
<v Speaker 1>on the recent podcast. I'm not sure, but I've been

993
00:56:29.079 --> 00:56:32.840
<v Speaker 1>reading a lot for the upcoming Talkien study. I know

994
00:56:32.920 --> 00:56:36.519
<v Speaker 1>that I still need to get out my supplemental reading list,

995
00:56:36.559 --> 00:56:39.599
<v Speaker 1>and so i'll get that done probably tomorrow. But a

996
00:56:39.639 --> 00:56:42.559
<v Speaker 1>couple of books that I've read recently is The Philosophy

997
00:56:42.599 --> 00:56:46.360
<v Speaker 1>of Tolkien by Peter Crift, which if anyone, I mean

998
00:56:46.519 --> 00:56:48.159
<v Speaker 1>probably most of the people listening to this probably do

999
00:56:48.239 --> 00:56:50.880
<v Speaker 1>already follow me on Twitter, you know. I tweeted out

1000
00:56:50.880 --> 00:56:52.400
<v Speaker 1>a lot of this when I went through it recently.

1001
00:56:53.079 --> 00:56:56.719
<v Speaker 1>It's really good if you want an introduction of philosophy.

1002
00:56:56.719 --> 00:56:58.599
<v Speaker 1>It's actually a pretty good text if you're already kind

1003
00:56:58.599 --> 00:57:00.679
<v Speaker 1>of familiar with Talkien and you've never still He's philosophy

1004
00:57:00.679 --> 00:57:03.320
<v Speaker 1>before he even says in his intro that it can

1005
00:57:03.440 --> 00:57:06.159
<v Speaker 1>serve that kind of purpose. But even if you do

1006
00:57:06.239 --> 00:57:09.159
<v Speaker 1>already have some philosophical background, just a great book to

1007
00:57:09.199 --> 00:57:11.599
<v Speaker 1>get you excited about how good Tolkien is. And so

1008
00:57:12.480 --> 00:57:15.960
<v Speaker 1>definitely recommend that, and then for a deeper dive into

1009
00:57:16.440 --> 00:57:20.599
<v Speaker 1>Tolkien and philosophy. I really enjoyed the foot of my

1010
00:57:20.639 --> 00:57:26.559
<v Speaker 1>backgrounds messed this up. The Flame Imperishable by Jonathan McIntosh

1011
00:57:26.639 --> 00:57:30.679
<v Speaker 1>subtitled Tolkien, Saint Thomas and the Metaphysics of Fairy and

1012
00:57:30.719 --> 00:57:35.079
<v Speaker 1>so in this text he's mostly focusing on the delay

1013
00:57:35.440 --> 00:57:39.679
<v Speaker 1>Tolkien's opening creation story in the Cimmarillion and relating that

1014
00:57:39.880 --> 00:57:44.039
<v Speaker 1>to the theology of Thomas Aquinas and just a great

1015
00:57:44.119 --> 00:57:48.480
<v Speaker 1>philosophical dive into the underworkings of Tolkien's world. And you

1016
00:57:48.599 --> 00:57:51.440
<v Speaker 1>just you cannot read this text and then come out

1017
00:57:51.840 --> 00:57:55.840
<v Speaker 1>with the phreposterous belief that Tolkien was not giving us

1018
00:57:55.840 --> 00:57:59.960
<v Speaker 1>a Christian story. He most certainly was, as Tolkien himself said,

1019
00:58:00.079 --> 00:58:02.199
<v Speaker 1>But unfortunately that's still an argument that has to be

1020
00:58:02.199 --> 00:58:07.039
<v Speaker 1>had on a regular basis, usually with those talkiing society folks.

1021
00:58:07.239 --> 00:58:09.719
<v Speaker 1>But one day I want to start a Tolkien society

1022
00:58:09.760 --> 00:58:12.000
<v Speaker 1>for people who actually like Tolkien. That's that's my goal

1023
00:58:12.000 --> 00:58:16.159
<v Speaker 1>in life. But uh, that's why I guess we'll leave

1024
00:58:16.159 --> 00:58:17.679
<v Speaker 1>it from here. Do either of you have anything else

1025
00:58:17.679 --> 00:58:18.360
<v Speaker 1>that you wanted to say?

1026
00:58:21.079 --> 00:58:25.000
<v Speaker 3>I mean, I'll second to your Peter Christ recommendation, and

1027
00:58:25.079 --> 00:58:29.239
<v Speaker 3>I'll also can you can you please clarify.

1028
00:58:28.800 --> 00:58:31.159
<v Speaker 2>A little bit more that you you don't agree with

1029
00:58:31.199 --> 00:58:33.559
<v Speaker 2>Michael Moorcock's epic Pooh essay.

1030
00:58:34.760 --> 00:58:35.559
<v Speaker 3>Have you ever read that?

1031
00:58:37.639 --> 00:58:40.800
<v Speaker 1>Wait? Was that the one where wait what I might have?

1032
00:58:40.880 --> 00:58:42.239
<v Speaker 1>What was that one?

1033
00:58:42.559 --> 00:58:44.519
<v Speaker 2>It's like, uh, I think he wrote it like the

1034
00:58:44.559 --> 00:58:47.360
<v Speaker 2>seventies or something. But he's basically just like almost like

1035
00:58:47.440 --> 00:58:54.000
<v Speaker 2>imposing just these more like modernist, like Marxist claims like

1036
00:58:54.079 --> 00:58:55.639
<v Speaker 2>on on Tolkien this sense.

1037
00:58:55.679 --> 00:58:57.400
<v Speaker 3>And then if anybody's familiar with.

1038
00:58:57.360 --> 00:59:00.440
<v Speaker 2>The sci fi author gene Wolf, like he writes an

1039
00:59:00.559 --> 00:59:04.800
<v Speaker 2>essay in response to it, and it's it's it's incredible.

1040
00:59:05.400 --> 00:59:07.280
<v Speaker 2>I'll send this to you guys in the chat for sure.

1041
00:59:07.360 --> 00:59:11.760
<v Speaker 2>But both of them. Habipoo sucks, it's terrible, but gene

1042
00:59:11.760 --> 00:59:12.960
<v Speaker 2>wolves essay is really great.

1043
00:59:14.000 --> 00:59:17.719
<v Speaker 4>I always at a bachelor party with some guys this

1044
00:59:17.760 --> 00:59:21.320
<v Speaker 4>weekend and I was talking about Lord of the Rings

1045
00:59:22.199 --> 00:59:24.559
<v Speaker 4>and one of the guys I'd never met him before,

1046
00:59:24.599 --> 00:59:27.599
<v Speaker 4>and it's like, yeah, Lord of the Rings is great.

1047
00:59:27.679 --> 00:59:30.480
<v Speaker 4>He's like it other than like you know how folk

1048
00:59:30.519 --> 00:59:32.760
<v Speaker 4>and treats the goblins and the orcs.

1049
00:59:33.239 --> 00:59:40.159
<v Speaker 1>There we go. It was just like a face drop. Yeah,

1050
00:59:40.480 --> 00:59:42.119
<v Speaker 1>there's that article that makes its ground up once in

1051
00:59:42.159 --> 00:59:45.119
<v Speaker 1>a while from the UK he's saying that Lord of

1052
00:59:45.159 --> 00:59:48.760
<v Speaker 1>the Rings in nineteen eighty four are right wing propagannit

1053
00:59:48.760 --> 00:59:50.920
<v Speaker 1>tacks or something. It's just absurd.

1054
00:59:52.119 --> 00:59:54.440
<v Speaker 2>I'm pretty sure, like an epic Pooh like more conclict

1055
00:59:54.480 --> 00:59:56.639
<v Speaker 2>makes the klay and that basically like there's like some

1056
00:59:56.679 --> 00:59:59.880
<v Speaker 2>sort of like just like slave morality, ethic and the

1057
01:00:00.239 --> 01:00:03.679
<v Speaker 2>like forts just like treat Sam like. It's just it's

1058
01:00:03.719 --> 01:00:06.199
<v Speaker 2>it's so terrible. I have to find this and send

1059
01:00:06.199 --> 01:00:08.079
<v Speaker 2>it to you guys so you can read it for yourself.

1060
01:00:09.920 --> 01:00:13.800
<v Speaker 1>Yeah, I feel like we need to have some standalone

1061
01:00:13.800 --> 01:00:16.440
<v Speaker 1>patron chat just about Tolkien and his legacy and all

1062
01:00:16.440 --> 01:00:21.599
<v Speaker 1>this stuff. It maybe something worth doing. I'm done cool,

1063
01:00:21.639 --> 01:00:25.400
<v Speaker 1>so we will work on that. Maybe once the smesters

1064
01:00:25.440 --> 01:00:28.719
<v Speaker 1>over here can have a bonus episode at some point,

1065
01:00:29.639 --> 01:00:33.760
<v Speaker 1>but that's for another time. For now, I'm good talk

1066
01:00:33.760 --> 01:00:36.760
<v Speaker 1>on the EDA and next time we'll cover some more stuff.

1067
01:00:37.039 --> 01:00:46.519
<v Speaker 1>So until then, it's been thanks again for joining us,

1068
01:00:46.559 --> 01:00:48.360
<v Speaker 1>And if you'd like to support the show and have

1069
01:00:48.400 --> 01:00:50.719
<v Speaker 1>the opportunity to join these chats as well as to

1070
01:00:50.760 --> 01:00:54.159
<v Speaker 1>access some exclusive content, including the fiction and philosophy of

1071
01:00:54.199 --> 01:00:56.840
<v Speaker 1>CS Lewis course, then you can become a patron over

1072
01:00:56.840 --> 01:00:59.360
<v Speaker 1>at Patreon dot com slash Mythic Mind and you can

1073
01:00:59.360 --> 01:01:01.159
<v Speaker 1>find that link in the show notes. But that's it

1074
01:01:01.199 --> 01:01:20.199
<v Speaker 1>for now. Until next time, God's Speaking. The Mythic Mind

1075
01:01:20.239 --> 01:01:23.920
<v Speaker 1>Fellowship presents a new study led by doctor Andrew Snyders,

1076
01:01:24.400 --> 01:01:27.119
<v Speaker 1>the Wisdom of Middle Earth, The Lord of the Rings.

1077
01:01:27.960 --> 01:01:29.719
<v Speaker 1>This will be the first study in the Wisdom of

1078
01:01:29.719 --> 01:01:32.239
<v Speaker 1>Middle Earth series, which seeks to bring an array of

1079
01:01:32.239 --> 01:01:35.559
<v Speaker 1>companions together with the common desire of growing in wisdom

1080
01:01:35.599 --> 01:01:40.280
<v Speaker 1>while enjoying the heartening tales of the great tale weaver J. R. R. Tolkien.

1081
01:01:40.840 --> 01:01:43.079
<v Speaker 1>The Lord of the Rings is a profound tale that

1082
01:01:43.119 --> 01:01:46.480
<v Speaker 1>has literally changed lives, as it has for mine. And

1083
01:01:46.679 --> 01:01:50.199
<v Speaker 1>what is it that makes this story so powerful and

1084
01:01:50.239 --> 01:01:55.599
<v Speaker 1>so compelling. It is because Tolkien's stories are fundamentally true,

1085
01:01:55.840 --> 01:01:58.480
<v Speaker 1>and those who engage with it know exactly what I mean.

1086
01:01:58.960 --> 01:02:01.840
<v Speaker 1>They speak to the way that things are. As Peter

1087
01:02:01.960 --> 01:02:04.840
<v Speaker 1>Christ said in the Philosophy of Tolkien, The Lord of

1088
01:02:04.880 --> 01:02:07.800
<v Speaker 1>the Rings is infused with this same light that illumined

1089
01:02:07.840 --> 01:02:10.360
<v Speaker 1>the man who wrote it. And that light is true,

1090
01:02:10.559 --> 01:02:13.480
<v Speaker 1>for it reveals the reality of the world and life.

1091
01:02:14.280 --> 01:02:16.840
<v Speaker 1>So join us on this adventure. Let us grow and

1092
01:02:16.880 --> 01:02:20.880
<v Speaker 1>wisdom together through immersion in this tale, not through cheap allegorizing,

1093
01:02:21.199 --> 01:02:24.119
<v Speaker 1>but by getting a better understanding of the ideas and

1094
01:02:24.159 --> 01:02:26.679
<v Speaker 1>the movements of the heart that bring a tale such

1095
01:02:26.719 --> 01:02:29.960
<v Speaker 1>as this to life. This twelve week study will begin

1096
01:02:30.000 --> 01:02:33.320
<v Speaker 1>with Tolkien's creation account, the Iinuindulay, and then move to

1097
01:02:33.360 --> 01:02:35.920
<v Speaker 1>the beginning of the Fellowship of the Ring. Each week

1098
01:02:35.960 --> 01:02:38.159
<v Speaker 1>will include a signed reading from The Lord of the Rings,

1099
01:02:38.400 --> 01:02:40.159
<v Speaker 1>a short side lesson in the beginning of the week

1100
01:02:40.199 --> 01:02:44.000
<v Speaker 1>that addresses a relevant theme, background story, or secondary text,

1101
01:02:44.239 --> 01:02:46.199
<v Speaker 1>and then once you've had some time to do the reading,

1102
01:02:46.400 --> 01:02:48.360
<v Speaker 1>there will be a longer video that serves as a

1103
01:02:48.440 --> 01:02:51.119
<v Speaker 1>guide in these forests of wisdom. Also, we will have

1104
01:02:51.159 --> 01:02:55.119
<v Speaker 1>additional recommended readings, an active discord channel, and weekly live

1105
01:02:55.199 --> 01:02:57.800
<v Speaker 1>meetings which will be recorded in case you cannot attend.

1106
01:02:58.280 --> 01:03:00.199
<v Speaker 1>Whether you are reading The Lord of the Rings the

1107
01:03:00.199 --> 01:03:03.400
<v Speaker 1>first time or the eleveny first time, I invite you

1108
01:03:03.440 --> 01:03:06.599
<v Speaker 1>to join our company. Prices are currently as low as

1109
01:03:06.599 --> 01:03:08.280
<v Speaker 1>they ever have been, and they are as low as

1110
01:03:08.320 --> 01:03:10.840
<v Speaker 1>they ever will be, So go ahead and join today

1111
01:03:10.960 --> 01:03:14.599
<v Speaker 1>at Andrew Snyder dot Padia dot com, and I hope

1112
01:03:14.599 --> 01:03:16.599
<v Speaker 1>to see you on this road that goes ever on
