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Speaker 2: Seven times out of ten. We listened to our music

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enthrall you with its mesmerizing kidence and envelop you with

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symphony of foundless auditories.

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Speaker 8: Won dude, w M n H rip the novels you're

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listening to w M and H.

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Speaker 9: Your command God don't get supremely up Mazillim.

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Speaker 8: Welcome back everybody as we enter our number two New

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Marrow dose of Matt Connorton Unleashed and we are live

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from the studios of w m n H ninety five

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point three FM and Glorious Manchester, New Hampshire, and Jenny

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is here as well at the news table present and

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we have joining us. By the way, thank you again

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to our friend Hope the Rapper for joining us in

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the first hour. That was wonderful and doing the the

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ten weeks of World Radio premieres on the show. Those

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very cool. Always enjoy speaking with him and supporting supporting

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his music. But we have, speaking of music, we've have

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in the studio right now the band Alta Corvette and

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one of these guys, Huey the Gecko, has been here.

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You've been here a number of times. How many times

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have you been on the show? Are you in the

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five timers club at this point on the show?

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Speaker 10: I think this might be four?

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Speaker 11: Is this four?

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Speaker 10: I think we might be edging on the five club?

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Speaker 8: Yeah, yeah, okay, all right, so this is this is

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four and uh but this is the first time with

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this band, and I'll let you, I'll let you introduce

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your your bandmates.

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Speaker 10: Here and well guess the common theme is for right,

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So this is our fourth appearance here. We're a four

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piece band and we're four piece man. Uh let's see

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we're New Hampshire, Indie. Right now, that's our genre and yeah,

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our our our our music began as an instrumental I

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joined the group and so it was like a corvette.

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It was hurtling down the highway and and I hopped

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on in it. And then I said, well, you know

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what better a name than and let's let's go with

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Lona Corvette.

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Speaker 8: So yes, and so that was kind of a mind a.

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Speaker 10: Little bit of a we had we had a different

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band name, but it was it was like it was taken. Uh,

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it wasn't able to be like we couldn't we couldn't

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use it in terms of marketing or distributing, et cetera.

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Speaker 8: Oh, I'm super I'm super curious. Now what was the name?

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Speaker 10: We were gonna be the Soggies, Okay, and there happens

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to be a few bands that are already operating under that.

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Speaker 8: Yes.

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Speaker 10: Yeah. So so the I don't want to say had

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more originality. The Alta Corvette thing, but it's it was available. Yeah, okay,

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so that makes sense. So originally we I didn't without

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a tea because I thought the Corvette was a brand,

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but I realized it's the warship thing. I didn't realize

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it was the military thing. Oh okay, So the Corvette's

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actually not trademarked, and neither is the word Alana.

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Speaker 12: Ah.

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Speaker 10: Yes, So we were free and clear after that. So

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and uh yeah, the.

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Speaker 8: Odds seem low that you're gonna run into a problem

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with the name Milana Corvette. Yeah, you're You're probably good.

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You're probably good.

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Speaker 10: And that was all it took.

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Speaker 13: Really.

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Speaker 10: So once we had the like I said, the four

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piece band, the love and peace music, so we got

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the right direction, the right message, we kind of just jammed.

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And the jams have been coming together in different ways.

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One of them that you're here today, has a little

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bit more of a Latin feel. One of them is

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a little bit prog rocky, but we're doing the acoustic

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version of it. So we have a variety of different genres,

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but we pretty much just call it in New Hampshire

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indye because right now we're just a we're an independent

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rock band doing the thing.

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Speaker 8: All right, and uh, let's let's hear from your your

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cohorts here. Well, you can introduce us Jobleman because he's

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not on Mike, and then we'll.

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Speaker 10: Well, Mike, my Bassis has been with me and a

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lot of other projects. You guys might be familiar with him.

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He appeared with me before on the show.

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Speaker 8: That's right, I remember that, Yes, so Mike.

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Speaker 10: Yeah, Hey, Mike, welcome Steven.

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Speaker 4: Yeah, what's up. I'm Steve Colveck, guitar player for a

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lot of Corvette. Yeah. No, me and Brad kind of

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we started off the job with a bunch of originals

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from our last project, so okay, kind of fully developing

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him now with the full band, got solely building momentum

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as the snowball rolls downhill.

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Speaker 8: Excellent, excellent.

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Speaker 12: Yeah, and you sir, Yeah, I'm Brad playing the drums.

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Speaker 14: Excited to be here, Excited to play an acoustic set too,

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not something we do too often, but we've got the

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cajone and the bongos here, right, a rock.

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Speaker 8: Good creative challenge, yes, yes, outstanding. Well, I'm very curious

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to hear you guys play. Now we'll have to kind of,

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we have no way to sound check because we're already

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live on the air. But well, I'm used to riding

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the faders, so but I'm very curious. Oh, Aaron Billadoh

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is in the Facebook live chat and he says, is

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that Alna Corvette? It sure is so welcome eron. Yes,

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we're just talking about you. Aaron Billadeau, of course a

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very talented musician. He's been on the show a number

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of times. And actually, Huey, you and at least once

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you and Aaron played together on the show, right, yes, yeah, yeah, yeah,

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I remember you guys performing that Doctor Milligraham song.

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Speaker 10: My second air in appearance. Actually might put us at

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the five.

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Speaker 8: You might be in the five timers club as of today.

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Speaker 10: I didn't yep, I didn't realize I'm being on twice

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with Aaron now you're right.

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Speaker 8: Yeah, yeah, yeah, yeah, there you go, there you go.

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And uh oh, and Ricky Mapleton joins us as well. Hello,

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all right, I'm dying to hear you guys play, so

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I'll turn it over to you and like I said,

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I'll ride the faders. I'll uh make it sound good.

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Speaker 4: But all right, I'm gonna move this to try to

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pick up.

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Speaker 8: Yeah, yeah, that's a good idea. That's a good idea.

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Speaker 10: Searcher first, Yeah, all right, thank you guys. This is

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Searcher by Alana Corvette.

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Speaker 9: Searcher SECA on.

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Speaker 10: Try it, why not?

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Speaker 9: Live's wort the shop, search for meaning, search for reason,

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believe in, the.

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Speaker 13: Believe in the.

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Speaker 9: Meaningless nights, belock sides, meaningless nights, belock sides. Search for reason,

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believe in the meaningless night.

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Speaker 2: In the.

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Speaker 9: See gone, seek gone, searcher, seek gone, search for reason,

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search for meaning.

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Speaker 10: Feeling all right, meaningless nights, feel out the sights, meaningless nights,

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feel out the sights.

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Speaker 9: See God, Searcher, See God, Searcher. Believing that got a

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feeling all right? Search for meaning, search for reason, believe in,

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believe in.

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Speaker 10: See God, Searcher.

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Speaker 13: Where you meant for this?

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Speaker 10: It was life worth the shock god feeling all right?

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Speaker 8: Yeah, very nice, excellent, very nice. If you're just joining us,

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we have a lot of Corvette here with us, alive

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in studio on this Saturday morning. So what's the songwriting

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process like with you guys? You all write together or

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how does that work?

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Speaker 4: Yeah, so that's a good question. Actually what we've been

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doing for a while. So me and Brad were in

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a band for a while. We had some ideas that

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were undeveloped and things that we were kind of had

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in our back pocket for a while. Yeah, and uh yeah.

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So as we got Mike and the band and then

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Matt and the band, we said, hey, we got all

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these ideas, let's start developing them further. And the way

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it'll kind of work is someone will come in with

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an idea and then be it like a bassline or

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just a guitar riff or something like that, and then

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we'll just kind of jam on it and just see

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where it goes, and kind of a lot of it

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like writes itself almost. I think that with music, it's

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like if it doesn't right itself in thirty seconds, y're

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like forcing it.

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Speaker 8: Yeah yeah, yeah, And how did this How did this

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band come up? Because I feel like have you all

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worked together before in some configurations?

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Speaker 10: So the thing that he mentioned there prior Distant Wave

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was you Brad and Ryan?

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Speaker 4: If I'm not mistaken, Yeah, Ryan Martineau from the Whole Loaf.

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Speaker 10: Oh okay, yeah yeah, yeah, he'll be we'll be in

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our show tonight when we play at Terminus. So very good,

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if funny how like you said, musicians travel similar footpaths. Yes,

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and me and Mike you've met. We were a package there. Yes,

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we were working on a project with two other musicians

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called Temporal Rift, okay, and uh, we're working on a

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dual drummers thing, really, and one of our drummers is

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learning from the other drummer. Yeah, so when he gets

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to that area, we're ready to pursue that in terms

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of looking for gigs and stuff like that. But we're

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just in a little bit of a development phase and

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we wanted to do something where we could gig and whatnot.

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So these guys had lost that third piece and Mike,

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it was, you know, stepped in there and he got

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with them prior to me joining the group. And they

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were working on this instrumental called Space and Paula that

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they play and I really liked it. Yeah, yeah, and

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they they sent it to me and we're like, you

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put some lyrics on it, and I was like I did,

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and they thought it was not half bad. Yeah, And

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that was the beginning of it. And then we've been

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doing that kind of the one we just did just now.

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Brad's a counter he's our drummer. He likes this five

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to seven song there, so every now and then thirty

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seconds every now and then it's not there.

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Speaker 4: Both like big oh yeah, gotcha and all that stuff.

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Speaker 10: Yeah, yeah, that one's a little tricky.

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Speaker 8: Now, do you guys have plans to uh, you would

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send me a demo, but do you guys have plans

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to get into the studio?

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Speaker 10: And so yeah, Jim Hurley, I see you. We're gonna

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come down to uh Shatterstar Productions as he calls his

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uh studio and do the whole sixteen mics instead of

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one condensed mike in the corner. Yeah, that'll make it

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sound a little better.

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Speaker 4: We have like bad iPhone demos and the stuff that

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I recorded on like my two interface and into it

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like a cheap.

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Speaker 12: Doe, you know.

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Speaker 10: So yeah, I said to him, think about like you're

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hearing the.

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Speaker 4: Clash in like a club.

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Speaker 8: Oh yeah, yeah about that.

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Speaker 10: I did the thing.

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Speaker 8: Yeah, yeah you did. I caught it. We're on it.

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We're on it away. I caught it, no problem. By

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the way, Eleanor is in the Facebook live chat, she

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says Alana Corvette tonight at Terminus Underground. Yes, yes, we

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had uh, we had Eleanor and Spelfi and Andrea on

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the show with Us a couple of weeks ago talking

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about all that, all the goings on there and h

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and Jenny. We should mention too, Jenny's art is currently

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hanging there as well. Yes, actually twelve of my pieces

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are in there.

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Speaker 4: I've never actually had them all together like that.

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Speaker 10: Actually, I just did an interview with Spelfey yesterday.

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Speaker 8: Yes, yes, so yeah, you'll see some of my acrylics

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on camp on yeh, acrylics on canvas.

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Speaker 10: They're my darkest pieces actually beautiful. Yeah, you have to

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that mediums that artists invest themselves into. I can't wait

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to look at that.

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Speaker 4: I'm looking forward to explore the gallery.

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Speaker 8: Yeah, that was awesome, thank you. And yeah, Aaron also says,

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sounds great. Boys, see you tonight at Terminus. Is he

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performing or is he just kind.

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Speaker 10: Of I think he's just gonna be there for support.

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Speaker 8: Okay, okay, very cool and uh hello to Charmaine Charmaine

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Davis Elliott also in the Facebook live chat. Hello, and

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I just want to make sure I don't miss anybody.

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I have more than one chat room to look at

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now with the software amusing, but yeah, you guys want

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to play another one?

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Speaker 4: Yeah, much as well.

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Speaker 8: Oh yeah, I see, oh I see, I do see

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more people now. Andre Dumont says, what's up kids, Andrea

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of course from Terminus and the Midnight Creatives Collective, and

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of course from the band.

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Speaker 10: Dad Harrison great sound man, he's really good with the sound.

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Speaker 8: Oh, absolutely, absolutely. And also Philip McDuffie is in the chat.

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Hello says uhhi says good will and beep an Art

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also in there, another loyal listener. But yeah, what do

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you guys? Uh you want to play another one?

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Speaker 4: Yeah, let's do it. You got another one for you.

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Speaker 2: Yeah.

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Speaker 10: And if you're in San Diego, where in the world

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is the Laarana Corvette?

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Speaker 13: Yes, if you are just.

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Speaker 8: Joining us, a lot of corvette is with us. They're

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right here at W M and H live in studio.

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Speaker 9: She's a queen of scorn, scorching the ground around us

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with fear, leaving the whole world tone. She's got an

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avoidable fixture on a poisonous mixture called life. She's quen

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of scorn, leaving the whole torn. She's a queen, but

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there ain't no thrown. She's stealing with the vipes. She's

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been thrown she's a queen, but.

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Speaker 10: There ain't no thrown. Reverse engineer, get out of here.

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King of feeding flames, sign of air, say I'm getting

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there where.

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Speaker 13: She's a queen of.

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Speaker 9: Scorn, leaving the whole world torn. She's a queen, but

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there ain't no thrown. She's seeing with those lips. She's

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been thrown. She's a green, but there ain't no thrown.

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She's screamed, but the rain no throat. She's stealing with

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those thoughts.

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Speaker 10: She's been throwed. Scream with the right, no throat.

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Speaker 8: Very nice, very nice. We have a Lot of Corvette

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here with us live in studio this morning. Yes, yes,

307
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And uh, are you guys playing a lot of shows?

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Are you doing a lot out there?

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Speaker 4: Or this is our first gig tonight? Actually, this is it.

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This is the debut.

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Speaker 2: Man.

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Speaker 8: Oh wow, wonderful, the world premiere of a Lot of Corvette.

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I love it. I love it. And now do you

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guys all well, actually, Hue, let me ask you first,

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00:20:18,160 --> 00:20:20,200
because you've you've always got your uh, you've always got

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a lot going on. I mean, do you have other

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projects that you're that you're doing as well right now

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or are you just kind of focused on a lot

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of Corvette.

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Speaker 10: It's funny. I appreciate you saying I kind of feel

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like you know, uh, how do you say that. It's

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like when somebody says how you're doing, you say busy, right,

323
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but they just asked how you're doing, and it's like,

324
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so we're never too busy for each other. The music,

325
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which is good, yeah, and we all are involved in

326
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a lot of things. But Steven and I actually showed

327
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up at Pembroke City Limits just recently excellent. We were

328
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part of this project called Side Note. He was playing

329
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the guitar for them, and I was playing auxiliary instruments

330
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like the cajone and some war drums and stuff. I

331
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didn't even know he was gonna be the guitarist. Oh yeah, alakay.

332
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But I know you're from somewhere, and so it's funny.

333
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The we're hoping to get in the PCL there with

334
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Rob and maybe we'll get this outfit in there doing

335
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an acoustics ceter who knows. There you go, but we're

336
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we've been enjoying our time spent there, uh. And I've

337
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enjoying the opening their beautiful area and building. I like

338
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what they're doing with the food too.

339
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Speaker 8: I stopped in there the other day for the first time,

340
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and it's it's much bigger in there than I imagined.

341
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I was surprised they got.

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Speaker 4: A perfect venue for just live music and stuff.

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Speaker 10: Oh yeah, yeah, absolutely, yeah, But I mean I guess

344
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the people, not the place, but I regardless, you know,

345
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the uh the Strange in Manchester. The Whole Loaf played

346
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there the other day and it was a free show.

347
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So they're playing with us tonight, and we felt like

348
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the need to support and and not just the need,

349
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but we were building some community there where you were

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using the jump rope inside the Strange crew.

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Speaker 8: Yeah, jump rope. I brought it. Brought the jump rope.

352
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Speaker 4: You're doing like double in front of the stage.

353
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Speaker 10: I won't do that again. We got the message I

354
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won't do that again.

355
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Speaker 8: So why is that?

356
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Speaker 10: I think there's no pool rules sign outside, but I

357
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think we might have stretched the limits there a little bit.

358
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Speaker 8: You're not supposed to have a jump rope.

359
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Speaker 4: Well, I mean it wasn't explicit, but yeah, it's one

360
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of those like unspoken I guess.

361
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Speaker 8: Like a liquor commissioner rule or something.

362
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Speaker 4: It's kind of like don't don't leave with your beard

363
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don't bring your jump rope in.

364
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Speaker 8: Right right, yeah, yeah, so yeah, but you know.

365
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Speaker 10: The terminus, I think there might be a little more leeway.

366
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They are a rehearsal space, so maybe they would be

367
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all right with the jump rope.

368
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Speaker 4: Frisbee this time, Yeah, oh, frizzbe' bring in some bubbles.

369
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Speaker 8: I can imagine frisbee being a problem.

370
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Speaker 10: Just bubbles.

371
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Speaker 8: Oh, there you go.

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Speaker 10: We got a couple of bubble girls. They are just

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gonna yeah, yeah, hang out and blow bubbles right.

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Speaker 8: Right, Well, you know Green Jelly slash Green Jellow is

375
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gonna be there on the twenty seventh, and I'm sure

376
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they'll h we.

377
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Speaker 13: Need to link up because you know, I'm a little wild.

378
00:22:55,200 --> 00:22:56,400
Speaker 8: They'll they'll push whatever back.

379
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Speaker 13: You need to link up on that.

380
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Speaker 10: Yes, I've seen what they.

381
00:23:00,319 --> 00:23:03,160
Speaker 8: Yes, yes, yeah, yeah, yeah. They were on the show

382
00:23:03,519 --> 00:23:05,880
a number of months ago when they played in Manchester.

383
00:23:06,000 --> 00:23:08,680
We had them on and then Bill man Speaker was like, yeah,

384
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we should, uh we when we come back through the area,

385
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we should play somewhere.

386
00:23:12,559 --> 00:23:14,200
Speaker 10: It's so funny. Aaron's name is on the tip of

387
00:23:14,240 --> 00:23:15,400
my tongue. He put me onto them.

388
00:23:15,599 --> 00:23:18,319
Speaker 8: Oh really yeah yeah yeah, And then who got them

389
00:23:18,400 --> 00:23:19,119
booked you did.

390
00:23:19,440 --> 00:23:25,240
Speaker 10: Ye, yes, yes, you just don't have capes. Eleanor and

391
00:23:25,359 --> 00:23:29,440
I are going to hould that in our or resumes forever.

392
00:23:29,680 --> 00:23:30,799
Speaker 8: Yes, you know, for her too.

393
00:23:31,039 --> 00:23:33,440
Speaker 10: I you know, like you mentioned, we're not giving a

394
00:23:33,799 --> 00:23:36,000
bunch of places right now, this is our first one.

395
00:23:36,200 --> 00:23:36,400
Speaker 8: Yeah.

396
00:23:36,480 --> 00:23:39,039
Speaker 10: And uh, I've been also just kind of on a

397
00:23:39,160 --> 00:23:41,160
road to recovery, and I wanted to just say, like

398
00:23:41,319 --> 00:23:43,599
to Eleanor and Andre, thank you so much for putting

399
00:23:43,720 --> 00:23:45,880
us on, because like it just gave me a lot

400
00:23:45,960 --> 00:23:47,720
of hope, It gave me a lot of resurgence. So

401
00:23:48,079 --> 00:23:50,000
that was really important that you guys gave us the

402
00:23:50,119 --> 00:23:52,240
chance and put us onto. So I really want to

403
00:23:52,279 --> 00:23:55,240
say thank you for that because that touches place.

404
00:23:55,079 --> 00:23:55,519
Speaker 12: In my heart.

405
00:23:55,720 --> 00:23:59,279
Speaker 8: Yeah yeah, yeah, now resurgence from from what you were.

406
00:24:00,200 --> 00:24:03,319
Speaker 10: I'm like, I've been sober for like sixteen months.

407
00:24:03,400 --> 00:24:05,720
Speaker 8: Okay, congratulations, no whatever.

408
00:24:06,079 --> 00:24:08,559
Speaker 10: It is like I went to a point where it

409
00:24:08,720 --> 00:24:11,799
was like, you know, like the jump rope. Yeah, I

410
00:24:11,880 --> 00:24:15,400
pushed the boundaries sometimes. So yeah, yeah, now I'm polishing

411
00:24:15,480 --> 00:24:16,559
it and getting under control.

412
00:24:16,640 --> 00:24:18,599
Speaker 8: Good for you, Good for you. I have to say,

413
00:24:18,680 --> 00:24:20,400
you look healthier than I've ever seen you.

414
00:24:21,119 --> 00:24:24,079
Speaker 10: Yeah, it's a different, Hui. Yeah, we'll still always be huie.

415
00:24:24,279 --> 00:24:26,519
Speaker 8: Yeah. So I mean not that I thought there was

416
00:24:26,559 --> 00:24:28,799
any issue before, Like I didn't know. I didn't know that.

417
00:24:28,880 --> 00:24:31,359
Speaker 10: Then it was fun too.

418
00:24:31,559 --> 00:24:36,440
Speaker 8: But but you do look healthier, thank you. Yeah, absolutely absolutely. Now, Oh,

419
00:24:36,880 --> 00:24:39,119
turn that mic around, Mike, if you would. I want

420
00:24:39,160 --> 00:24:40,720
to ask you, do you if you have other do

421
00:24:40,720 --> 00:24:42,720
you have other projects you're involved in or you just

422
00:24:43,000 --> 00:24:45,279
focused on a lot of Corvette or Yeah.

423
00:24:45,319 --> 00:24:48,480
Speaker 12: I have a reggae band. H We're called Boom Lava.

424
00:24:49,440 --> 00:24:50,119
Speaker 8: That's a cool name.

425
00:24:50,599 --> 00:24:52,799
Speaker 12: Yeah, yeah, and we do like a lot. We do

426
00:24:53,000 --> 00:24:53,960
quite a few shows.

427
00:24:54,799 --> 00:24:58,160
Speaker 15: We got one in this place called the Canteen Brewery

428
00:24:59,039 --> 00:25:03,359
Sterling Street, Evans coming up on Friday at the end

429
00:25:03,440 --> 00:25:07,920
of August. Leave that's the twenty second or twenty third.

430
00:25:08,400 --> 00:25:11,200
And then we got another one in Rochester, mass which

431
00:25:11,279 --> 00:25:14,559
is I don't know exactly the details, but it's on

432
00:25:14,759 --> 00:25:15,440
the Facebook.

433
00:25:16,599 --> 00:25:19,160
Speaker 12: But yeah, but Boom Lava, Yeah, we do. We do

434
00:25:19,279 --> 00:25:19,519
a lot.

435
00:25:19,599 --> 00:25:21,880
Speaker 15: We do originals, we do covers, and we're just all

436
00:25:21,920 --> 00:25:24,559
about the reggae, the love and that energy.

437
00:25:24,599 --> 00:25:24,720
Speaker 2: You know.

438
00:25:24,960 --> 00:25:29,759
Speaker 8: Oh, very cool, very cool and brad for me right now,

439
00:25:30,720 --> 00:25:35,039
let me I'm sorry, you're Mike is. I mean, go

440
00:25:35,079 --> 00:25:39,039
ahead and say that again. Oh I found you, I

441
00:25:39,119 --> 00:25:40,880
found you? Yeah, say that again, sir. I'm sorry.

442
00:25:40,880 --> 00:25:43,559
Speaker 14: I just saying not in any other projects at the moment,

443
00:25:44,359 --> 00:25:45,599
just focusing on a want of Corvette.

444
00:25:45,640 --> 00:25:48,880
Speaker 8: But you're a drummer, yes now? Is so the reason

445
00:25:49,000 --> 00:25:51,200
this surprises me? And you might already know where I'm

446
00:25:51,240 --> 00:25:54,240
going with this. I know, Jenny does. Every drummer that

447
00:25:54,319 --> 00:25:55,920
we ever have on the show is in like ten

448
00:25:56,039 --> 00:25:58,799
or twelve different bands, really, because drummers are the hardest

449
00:25:58,839 --> 00:26:01,680
to find. Yeah, and and this is your only band.

450
00:26:01,960 --> 00:26:02,559
That's amazing.

451
00:26:04,880 --> 00:26:06,480
Speaker 10: Don't don't steal that.

452
00:26:07,599 --> 00:26:10,319
Speaker 8: Yeah, Yeah, it's true.

453
00:26:10,720 --> 00:26:12,240
Speaker 10: We're not shopping him around.

454
00:26:12,160 --> 00:26:15,039
Speaker 8: Like every every band we have, like the drummers in

455
00:26:15,119 --> 00:26:17,640
multiple bands. And I have a theory about why that is.

456
00:26:18,359 --> 00:26:19,960
I think it's because when you're growing up and you

457
00:26:20,000 --> 00:26:22,359
first want to you know, get you get interested in

458
00:26:22,400 --> 00:26:24,559
playing an instrument, you have to talk with the parents about, hey,

459
00:26:24,640 --> 00:26:27,440
I want to play something. If you say drums, drums

460
00:26:27,480 --> 00:26:29,559
and maybe the tuba or the two, they're going to

461
00:26:29,599 --> 00:26:32,039
actively try to talk you out of and say I

462
00:26:32,079 --> 00:26:34,200
about something a little quieter, you know, because nobody wants

463
00:26:34,200 --> 00:26:36,799
all that noise in their house, if if if their

464
00:26:36,880 --> 00:26:38,720
parents they don't want their their kid banging on a

465
00:26:38,759 --> 00:26:42,799
drum set all night. So that's my theory. So uh, well,

466
00:26:42,839 --> 00:26:44,880
good for you. I'm glad that you know. This is uh,

467
00:26:45,599 --> 00:26:46,240
this is it for you.

468
00:26:46,880 --> 00:26:49,599
Speaker 10: It's funny with the projects with me, like I definitely

469
00:26:49,680 --> 00:26:53,759
need a little bit of like equilibrium, like logic and reason.

470
00:26:53,960 --> 00:26:56,200
Speaker 8: Yeah, yeah, and he provides it.

471
00:26:56,880 --> 00:26:58,119
Speaker 10: It's not easy to provide that.

472
00:27:00,599 --> 00:27:03,759
Speaker 8: No, that makes sense. And so speaking of instruments too,

473
00:27:03,839 --> 00:27:06,559
So you're you're playing the bongos, is that the correct

474
00:27:06,880 --> 00:27:07,599
name for what you're.

475
00:27:07,480 --> 00:27:08,000
Speaker 13: Doing or is that?

476
00:27:08,440 --> 00:27:08,640
Speaker 9: Yeah?

477
00:27:08,759 --> 00:27:11,119
Speaker 10: And then that's why I sometimes use the term auxiliary

478
00:27:11,119 --> 00:27:13,240
instruments too, if it's if it's going to be a

479
00:27:13,279 --> 00:27:15,720
different bongo or a little hand drummer or whatever.

480
00:27:15,839 --> 00:27:18,480
Speaker 8: But because I usually see you playing a guitar, that's

481
00:27:18,480 --> 00:27:19,200
why I wonder.

482
00:27:20,599 --> 00:27:23,000
Speaker 10: Esactually I carry around a little if you've ever seen

483
00:27:23,039 --> 00:27:25,279
me out on the sometimes out on the town, I'll

484
00:27:25,319 --> 00:27:28,039
have a little tiny minutes your pair. But yeah, I

485
00:27:28,559 --> 00:27:31,480
derive a lot of my cont It's funny. We have

486
00:27:31,559 --> 00:27:34,000
a common friend in here. He hosts this strange grew

487
00:27:34,079 --> 00:27:37,799
open Mike's. His name is Scotty Armstrong, and uh, he's

488
00:27:37,839 --> 00:27:39,839
the drummer and I didn't know anything.

489
00:27:39,839 --> 00:27:40,759
Speaker 8: How many bands to see him?

490
00:27:40,759 --> 00:27:41,519
Speaker 2: Do know? None?

491
00:27:41,559 --> 00:27:44,039
Speaker 8: I don't think that's crazy one.

492
00:27:44,079 --> 00:27:46,119
Speaker 10: And he's he's like a secret agent. I can't He

493
00:27:46,279 --> 00:27:48,160
comes in every now and then. Have you ever heard

494
00:27:48,200 --> 00:27:51,319
of Jordan Quinn. Yes, he comes in and does work

495
00:27:51,400 --> 00:27:54,960
with her accompaniments. He's like a secret agent. I'll back

496
00:27:55,000 --> 00:27:56,519
you up when you need it, you know.

497
00:27:56,720 --> 00:27:57,519
Speaker 8: Interesting? Okay?

498
00:27:57,640 --> 00:28:02,880
Speaker 10: Yeah, But with Scotty for me, conceptual wise, with the bongos,

499
00:28:03,079 --> 00:28:04,480
he said to me, you need to learn how to

500
00:28:04,559 --> 00:28:07,759
write the drum parts, little snare things there, and you

501
00:28:07,839 --> 00:28:09,519
need to learn your fat backs and you need to

502
00:28:09,599 --> 00:28:12,400
carry around a set of bongos and learn the takataz.

503
00:28:13,000 --> 00:28:15,480
And then once you do, when Brad says something to

504
00:28:15,559 --> 00:28:18,160
me like I have seven, I'm looking at him like

505
00:28:18,920 --> 00:28:20,480
is that reptile? For I don't know?

506
00:28:21,039 --> 00:28:21,279
Speaker 16: Yeah.

507
00:28:21,640 --> 00:28:25,160
Speaker 10: And then but now I can understand because I'm trying

508
00:28:25,160 --> 00:28:26,839
to put some of the work in so yeah, yeah,

509
00:28:27,319 --> 00:28:29,160
still wear a lot of work in progress.

510
00:28:29,359 --> 00:28:32,160
Speaker 8: Yeah, yeah, no, that's cool. Uh do you do that

511
00:28:32,279 --> 00:28:33,319
on all the songs that you do?

512
00:28:33,640 --> 00:28:35,599
Speaker 10: Or we have two Latin ones. We have a good

513
00:28:35,640 --> 00:28:38,480
one called Queen of Scorn, and then we have the

514
00:28:38,599 --> 00:28:42,480
other one is that's the only one pain.

515
00:28:42,799 --> 00:28:45,720
Speaker 4: Oh yeah yeah, that was like a fun groove kind

516
00:28:45,759 --> 00:28:45,960
of thing.

517
00:28:46,160 --> 00:28:49,119
Speaker 10: Yeah, a little bongo layered on on Pain on my mind.

518
00:28:49,279 --> 00:28:51,240
Speaker 8: Yeah yeah, okay, so that.

519
00:28:51,359 --> 00:28:54,880
Speaker 10: One and Queen, and then I do a touch of

520
00:28:55,319 --> 00:29:00,640
like lead guitar ish, just like playing guitar, like some

521
00:29:00,759 --> 00:29:03,640
wah Wan stuff on, like we play Come Together. We're

522
00:29:03,640 --> 00:29:07,160
gonna play that tonight, and then we're gonna play my song.

523
00:29:07,279 --> 00:29:09,480
I actually play rhythm on. We have one song we

524
00:29:09,519 --> 00:29:12,880
play called sewer Person, and that's a humane song as.

525
00:29:12,799 --> 00:29:15,480
Speaker 8: You can tell, right, Yeah, but but it made it.

526
00:29:15,519 --> 00:29:19,759
Speaker 10: Over into the yeah, and it's got a cool energy.

527
00:29:19,920 --> 00:29:21,599
Speaker 8: I feel like that song has a story.

528
00:29:22,559 --> 00:29:25,559
Speaker 10: Sewer Person is like about somebody that's like sitting on

529
00:29:25,640 --> 00:29:27,480
the stoop that you're not sure if they might have

530
00:29:28,200 --> 00:29:30,680
some stuff that you might not want to contract, but

531
00:29:30,759 --> 00:29:33,000
you definitely want to share the joint with them and

532
00:29:33,079 --> 00:29:35,440
maybe rip off the end of it, you know. But

533
00:29:35,680 --> 00:29:37,559
you know, it's like you don't want to turn away

534
00:29:37,640 --> 00:29:39,680
from that person. You want to listen to their story

535
00:29:40,319 --> 00:29:42,000
and you want to treat them listening because we're all

536
00:29:42,079 --> 00:29:44,640
sewer people and I don't care if it's out of

537
00:29:44,680 --> 00:29:47,000
AA meeting or they're sitting on that stoop wherever that

538
00:29:47,079 --> 00:29:49,839
person is that needs to be heard. It's just like

539
00:29:49,920 --> 00:29:53,480
the musicians, listening is their most powerful tool. So I

540
00:29:53,720 --> 00:29:56,359
try and you know, listen to a person even if

541
00:29:56,359 --> 00:29:57,079
they're from the sewer.

542
00:29:57,640 --> 00:30:00,880
Speaker 8: Oh okay, very good. And but in a situation like that,

543
00:30:01,000 --> 00:30:02,559
you don't call the person a sewer person.

544
00:30:02,599 --> 00:30:03,920
Speaker 10: Well I'm a sewer person, but.

545
00:30:04,000 --> 00:30:06,759
Speaker 8: You don't say you don't. You don't address them as

546
00:30:06,799 --> 00:30:08,720
such because they might take it wrong.

547
00:30:09,079 --> 00:30:12,440
Speaker 10: Amen. You know, I hope they never do. I honestly

548
00:30:12,519 --> 00:30:13,240
hope they never do.

549
00:30:16,119 --> 00:30:19,279
Speaker 8: Oh, very cool, very cool. How many how many songs

550
00:30:19,279 --> 00:30:21,440
do you guys? I know you just wanted to do

551
00:30:21,559 --> 00:30:23,160
the two today? But do you guys have a lot

552
00:30:23,200 --> 00:30:25,880
of material that you've written together as a band?

553
00:30:26,119 --> 00:30:28,279
Speaker 4: Yes, sir, all together with what we've written, I think

554
00:30:28,279 --> 00:30:30,200
we have like forty minutes of material right now. We

555
00:30:30,279 --> 00:30:33,839
probably have like seven or eight songs. I think maybe

556
00:30:34,039 --> 00:30:35,720
nine if it might be nine. Yeah, and then a

557
00:30:35,720 --> 00:30:38,160
couple that are in the works aren't ready to come

558
00:30:38,160 --> 00:30:38,519
out yet.

559
00:30:38,640 --> 00:30:38,839
Speaker 12: Yeah.

560
00:30:38,920 --> 00:30:41,240
Speaker 8: Yeah, Oh very cool. Excellent ECU.

561
00:30:41,359 --> 00:30:42,880
Speaker 10: Yeah that leave it where it lies. It's still a

562
00:30:42,880 --> 00:30:43,480
little rusty.

563
00:30:43,640 --> 00:30:47,160
Speaker 4: Yeah, but that I know it's too good to drop. Yeah,

564
00:30:47,599 --> 00:30:49,880
we got this one, this one riff that that I

565
00:30:50,000 --> 00:30:52,680
just came up with a couple of days ago. We

566
00:30:52,759 --> 00:30:54,680
call it leave it where it lies. It's like it's

567
00:30:54,759 --> 00:30:56,759
kind of like a big kind of bridge or like

568
00:30:56,839 --> 00:30:59,079
a chorus kind of thing. We just play it over

569
00:30:59,160 --> 00:31:00,920
and over again to keep fresh. But we need to

570
00:31:00,920 --> 00:31:03,039
add more parts to it. It just hasn't it's not

571
00:31:03,200 --> 00:31:04,480
ready yet. It hasn't emerged.

572
00:31:04,720 --> 00:31:06,279
Speaker 8: Yeah, yea, yeah, I like it.

573
00:31:07,039 --> 00:31:09,759
Speaker 10: Also, the thing we really needed is Steven's leadership. He

574
00:31:09,920 --> 00:31:12,960
like comes up with some progressions. He's out there playing

575
00:31:13,000 --> 00:31:16,119
rhythm and lead on his own, holding in the for

576
00:31:16,680 --> 00:31:18,160
you know, and he does that for us, and we

577
00:31:18,440 --> 00:31:19,880
need him to do that and he does it. So

578
00:31:20,119 --> 00:31:23,039
it's it's not an easy task. And you know, thank

579
00:31:23,119 --> 00:31:25,200
you because like the songs are coming out great with

580
00:31:25,279 --> 00:31:26,880
those progressions coming together.

581
00:31:26,720 --> 00:31:30,640
Speaker 8: So excellent, excellent. By the way, we have somebody new

582
00:31:30,680 --> 00:31:35,039
in the chat room. Hermit Starky says, good morning, Matt

583
00:31:35,160 --> 00:31:39,160
and Jen. We say, how are you from us, Hermit Starkey.

584
00:31:39,640 --> 00:31:43,319
We we are a singing group quartet. We are from Greensboro,

585
00:31:43,480 --> 00:31:47,240
North Carolina. Really, what was I hope the rappers say

586
00:31:47,359 --> 00:31:51,599
earlier about bots. Yes, we have a lot of I

587
00:31:51,640 --> 00:31:53,480
don't know if this happened, if this has happened any

588
00:31:53,480 --> 00:31:54,079
of the times you've been.

589
00:31:54,039 --> 00:31:56,599
Speaker 10: Honest we say hello to North Carolina.

590
00:31:56,799 --> 00:31:58,759
Speaker 8: Yes, you speak.

591
00:32:00,160 --> 00:32:05,920
Speaker 4: To me, that's our new band name. If Alana Corvette's taken,

592
00:32:06,440 --> 00:32:06,799
there you go.

593
00:32:07,039 --> 00:32:08,519
Speaker 8: There you go. Yes, we had a lot of people,

594
00:32:08,680 --> 00:32:11,759
uh in the chow room who are from Greensboro, North Carolina,

595
00:32:12,200 --> 00:32:14,240
and they're all in these pop singing groups and they

596
00:32:14,279 --> 00:32:15,880
all talk about how they sing and dance.

597
00:32:16,039 --> 00:32:18,799
Speaker 10: We always say about Alana Corvette, right, we always say

598
00:32:18,920 --> 00:32:21,519
she's not popular, she's not shy, but be careful, she

599
00:32:21,640 --> 00:32:22,799
might be a guy or a I.

600
00:32:23,440 --> 00:32:29,119
Speaker 8: Uh huh ah, yes, yes, yes, very good. Does the

601
00:32:29,240 --> 00:32:31,920
name uh we talked about the name where it came from.

602
00:32:31,960 --> 00:32:34,039
But does it have a special meeting or did it

603
00:32:34,240 --> 00:32:35,039
just sound cool or.

604
00:32:35,359 --> 00:32:38,880
Speaker 10: It's the logo? So for us, we're a little bit

605
00:32:38,920 --> 00:32:42,400
camera shy. Yeah, yeah, right, No, I'm just kidding. I'm not.

606
00:32:43,279 --> 00:32:48,000
But you know, we're working on the whole pictures like thing,

607
00:32:48,480 --> 00:32:51,480
and right now it's just been easier to do concept art, okay,

608
00:32:51,680 --> 00:32:53,359
and with Elana the Corvette.

609
00:32:53,599 --> 00:32:54,839
Speaker 8: Yeah, we can draw it.

610
00:32:55,440 --> 00:32:57,440
Speaker 10: We could have somebody paint it. We should have some

611
00:32:57,480 --> 00:32:59,440
people painted, because I want to work with oils and

612
00:32:59,519 --> 00:33:03,359
acrylics and commission someone for art rather than doing digital art,

613
00:33:03,640 --> 00:33:07,039
right whatever. But the digital art thing, we had to

614
00:33:07,079 --> 00:33:10,279
get something out there. Yeah, So it came together easier

615
00:33:10,400 --> 00:33:13,559
with that. So it was a means it's it's like

616
00:33:13,680 --> 00:33:17,000
the whole thing. It's a vehicle. So you know, when

617
00:33:17,079 --> 00:33:19,880
we and we use that to just produce you know,

618
00:33:20,920 --> 00:33:24,000
I think the logo looks nice. Yeah, and we'll look

619
00:33:24,079 --> 00:33:25,720
down the line as far as what we do for

620
00:33:25,960 --> 00:33:28,960
merch maybe a T shirt. Yeah, so that then then

621
00:33:29,039 --> 00:33:30,920
we'll really be like, oh, what do we like about

622
00:33:30,960 --> 00:33:32,880
this logo? Because once the T shirt it gets a

623
00:33:32,920 --> 00:33:35,039
little more you really want it to be nice.

624
00:33:35,160 --> 00:33:38,960
Speaker 8: Then it's real. Yeah, you know, exactly exactly. Yeah, No,

625
00:33:39,119 --> 00:33:40,839
it's a cool it's a cool name. It's a cool logo.

626
00:33:41,000 --> 00:33:41,680
I dig it.

627
00:33:42,079 --> 00:33:42,440
Speaker 12: Did uh?

628
00:33:42,519 --> 00:33:44,160
Speaker 8: Did you guys all agree on it right away? On

629
00:33:44,279 --> 00:33:44,559
the name?

630
00:33:45,400 --> 00:33:47,519
Speaker 4: Pretty much. We're kind of like it's still in the works,

631
00:33:47,759 --> 00:33:49,559
but it's kind of the best name we got so far.

632
00:33:49,799 --> 00:33:53,559
Speaker 8: Yeah. Do you remember any of the others we talked about?

633
00:33:53,559 --> 00:33:55,720
One that you rejected, but the sagis.

634
00:33:55,799 --> 00:33:57,359
Speaker 10: But do you remember I love Have you ever heard

635
00:33:57,799 --> 00:34:02,079
you've heard the Mookie Blaylock thing. Yeah, Jam, they they

636
00:34:02,119 --> 00:34:04,960
were in our Mookie Blaylock phase. Yeah, where we're just

637
00:34:05,200 --> 00:34:09,159
we're shopping, right, But we like Alana right now, Corvette,

638
00:34:09,199 --> 00:34:10,800
and I think that's the thing we might be married

639
00:34:10,840 --> 00:34:13,400
to for a bit. But the sagy is it's gonna

640
00:34:13,440 --> 00:34:15,719
hold a place in our heart for sure. But that

641
00:34:15,800 --> 00:34:18,239
band from New Jersey, they're wrapping it. Yeah, so I

642
00:34:18,280 --> 00:34:19,079
gotta let him have it.

643
00:34:19,320 --> 00:34:22,119
Speaker 8: Yeah, yeah, yeah. For those who don't know, So Mookie

644
00:34:22,119 --> 00:34:25,320
Bladlock was the original name Pearl Jam had and he's

645
00:34:25,360 --> 00:34:27,039
a baseball player, right basketball?

646
00:34:27,199 --> 00:34:27,320
Speaker 12: Oh?

647
00:34:27,400 --> 00:34:30,880
Speaker 8: Basketball? Okay? And then I think they did did the

648
00:34:30,960 --> 00:34:32,920
guy or is the state threatened to sue them?

649
00:34:33,000 --> 00:34:33,519
Speaker 17: Is that what it was?

650
00:34:34,239 --> 00:34:36,280
Speaker 10: The basketball player was going through some legal issues of

651
00:34:36,320 --> 00:34:38,039
his own, so it became a thing.

652
00:34:38,320 --> 00:34:40,400
Speaker 8: Oh okay, Yes, I didn't know about that part. Yeah,

653
00:34:40,519 --> 00:34:42,159
So then they weren't with Pearl Jam.

654
00:34:42,559 --> 00:34:42,880
Speaker 10: I don't know.

655
00:34:43,000 --> 00:34:45,679
Speaker 8: I think it was probably a good decision. Yes, seems

656
00:34:45,719 --> 00:34:48,360
like they they sold a few records.

657
00:34:48,079 --> 00:34:51,320
Speaker 10: Where it's just it's funny, like you said, the promoting

658
00:34:51,400 --> 00:34:53,920
thing with the different social medias and stuff like that,

659
00:34:54,280 --> 00:34:57,679
where your intention and your message is the most important thing.

660
00:34:57,920 --> 00:34:58,119
Speaker 8: Yeah.

661
00:34:58,519 --> 00:35:01,440
Speaker 10: So it's funny where we we we try and stick

662
00:35:01,440 --> 00:35:04,159
with our integrity with that within our songs and the

663
00:35:04,280 --> 00:35:07,880
music and as far as the marketing goes, we're trying

664
00:35:07,920 --> 00:35:11,239
to do something that serves a purpose as far as

665
00:35:11,559 --> 00:35:14,760
you know, helps us reach an audience more And with

666
00:35:14,840 --> 00:35:18,039
the Latin songs, that's even where for me. I've and

667
00:35:18,159 --> 00:35:21,280
we've talked about incorporating some Spanish eventually into it because

668
00:35:21,320 --> 00:35:23,599
we're in southern New Hampshire. So we don't want someone

669
00:35:23,639 --> 00:35:25,840
to walk through the door of a bar that speaks

670
00:35:25,880 --> 00:35:26,519
maybe Spanish.

671
00:35:26,679 --> 00:35:26,960
Speaker 12: We don't.

672
00:35:27,039 --> 00:35:29,119
Speaker 10: We don't want to alienate half our audience right out

673
00:35:29,119 --> 00:35:29,400
the gate.

674
00:35:29,639 --> 00:35:31,800
Speaker 8: Oh that's interesting you. So do you speak Spanish?

675
00:35:32,039 --> 00:35:32,159
Speaker 7: Uh?

676
00:35:32,639 --> 00:35:37,000
Speaker 10: Poco uh tankquetato peril noting meato. It means have caution,

677
00:35:37,119 --> 00:35:37,880
but do not have fear.

678
00:35:38,199 --> 00:35:39,559
Speaker 8: Oh okay, So I.

679
00:35:40,480 --> 00:35:41,039
Speaker 10: A few things.

680
00:35:41,159 --> 00:35:42,519
Speaker 8: That's more than I took three years.

681
00:35:42,639 --> 00:35:45,199
Speaker 10: Like say, if like a grandmother came to a wedding

682
00:35:45,199 --> 00:35:47,800
and nobody else there spoke Spanish, I'd be like, I

683
00:35:47,880 --> 00:35:51,920
got you. We can chat, so you know, uh, but

684
00:35:52,239 --> 00:35:56,000
you know when I'm called upon, Yeah, we're not going

685
00:35:56,079 --> 00:35:58,360
to add all kinds of languages into it, but we

686
00:35:58,599 --> 00:36:01,840
just we want to be approachable and we want to

687
00:36:02,119 --> 00:36:04,480
approach all audiences. So how can you say you do

688
00:36:04,599 --> 00:36:06,079
that if you're not actually trying.

689
00:36:05,920 --> 00:36:06,199
Speaker 2: To do it.

690
00:36:06,440 --> 00:36:08,960
Speaker 4: Yeah, we're really trying to cover like a wide range

691
00:36:09,000 --> 00:36:11,320
of sounds and genres to not get too locked into

692
00:36:11,400 --> 00:36:13,360
one thing with like, oh, we're just gonna sound like

693
00:36:13,840 --> 00:36:16,519
Cage the Elephant, Indie clone or something, right yea.

694
00:36:16,639 --> 00:36:19,159
Speaker 10: Yeah, you just had the artist in here. We're working

695
00:36:19,199 --> 00:36:21,199
with a rapper, so we can maybe have a hip

696
00:36:21,239 --> 00:36:23,199
hop song or too cool. Yeah, so that you can

697
00:36:23,320 --> 00:36:25,320
say we don't cover that genre to right.

698
00:36:25,280 --> 00:36:27,079
Speaker 8: Right, you're working with somebody already.

699
00:36:27,280 --> 00:36:30,079
Speaker 10: Yeah, who is Melissa?

700
00:36:31,440 --> 00:36:32,039
Speaker 8: Her name?

701
00:36:32,719 --> 00:36:32,920
Speaker 6: Yeah?

702
00:36:35,159 --> 00:36:41,360
Speaker 10: Yeah, Lash, Melissa Lash l a chat I wonder correctly,

703
00:36:42,000 --> 00:36:44,840
but I believe it's Melissa Latch so yes.

704
00:36:44,920 --> 00:36:49,079
Speaker 8: Lash Okay, and she's got what she's gonna rap on

705
00:36:49,159 --> 00:36:49,639
a song.

706
00:36:49,599 --> 00:36:52,840
Speaker 10: Or uh so she has an original it's called money

707
00:36:53,360 --> 00:36:57,840
like I think money something problems, Sorry about that, Okay,

708
00:36:58,079 --> 00:37:01,480
I'm catching up on that. This is a new and

709
00:37:02,119 --> 00:37:05,559
uh where we've currently been creating like an instrumental that

710
00:37:05,639 --> 00:37:08,119
could be a backing for it. Okay, And then whether

711
00:37:08,239 --> 00:37:11,400
it she joins a project or whatever. But that's like

712
00:37:11,440 --> 00:37:13,880
a thing where I created an accompaniment for her. She's

713
00:37:13,920 --> 00:37:17,599
doing a lower Water festival this weekend for Cambodia, Like

714
00:37:18,000 --> 00:37:20,519
it's a it's like an awareness type of thing and.

715
00:37:20,559 --> 00:37:21,880
Speaker 4: The lower Folk fest down there.

716
00:37:22,079 --> 00:37:22,320
Speaker 8: Yeah.

717
00:37:22,480 --> 00:37:26,159
Speaker 10: Yeah, So I created this like a traditional Cambodian backing

718
00:37:26,280 --> 00:37:29,639
track for her. And then she was like, could you

719
00:37:29,719 --> 00:37:31,800
also create a backing track for my wrap thing? And

720
00:37:31,880 --> 00:37:33,679
I was like, well that's no, I need a drummer

721
00:37:33,719 --> 00:37:37,000
and a bassist. Yeah, so that's now we're here.

722
00:37:38,480 --> 00:37:42,719
Speaker 8: So you you you created a Cambodian.

723
00:37:43,280 --> 00:37:46,519
Speaker 10: A traditional Cambodian like accompaniment. It's got like yeah, it's

724
00:37:46,559 --> 00:37:50,599
got like mallets and like clovs and like a I

725
00:37:50,639 --> 00:37:53,320
don't know. It's got the use of like instruments that

726
00:37:53,400 --> 00:37:55,840
are more traditional worldly.

727
00:37:55,639 --> 00:37:58,760
Speaker 4: Type of know, like boards of Canada. Yeah, this is

728
00:37:58,840 --> 00:37:59,920
like Boards of Cambodia.

729
00:38:00,119 --> 00:38:00,440
Speaker 8: Okay.

730
00:38:00,599 --> 00:38:04,280
Speaker 10: Yeah, And it's got a little a little synth thing

731
00:38:04,400 --> 00:38:06,760
that you think like you're walking by the little water

732
00:38:06,880 --> 00:38:09,760
thing and it's how did how does.

733
00:38:09,639 --> 00:38:10,280
Speaker 8: This even happen?

734
00:38:10,360 --> 00:38:10,400
Speaker 2: That?

735
00:38:10,679 --> 00:38:12,559
Speaker 8: Like how do you even know to do well? I

736
00:38:12,599 --> 00:38:13,840
always learn things from you.

737
00:38:15,519 --> 00:38:16,440
Speaker 4: You got to just point.

738
00:38:18,519 --> 00:38:22,519
Speaker 10: So I feel like if like if I if I

739
00:38:22,599 --> 00:38:25,960
say no to branching out type of thing recently, it's

740
00:38:26,039 --> 00:38:29,840
only because I'm a little bit working on that, trying

741
00:38:29,920 --> 00:38:32,920
to but but but in general I try and branch

742
00:38:33,039 --> 00:38:36,760
out because I I think that it's it's funny that

743
00:38:36,880 --> 00:38:41,599
whole keeping your ear open. I lose the humility, and

744
00:38:41,840 --> 00:38:43,719
in the very second when I don't do it, like

745
00:38:43,800 --> 00:38:46,559
when I uh, but it's almost like you can learn

746
00:38:47,000 --> 00:38:50,599
lessons from every type of person out there. And even

747
00:38:50,639 --> 00:38:53,079
if I think at first like maybe this guy plays

748
00:38:53,199 --> 00:38:56,440
just down home country and whatever, then all of a sudden,

749
00:38:56,480 --> 00:38:59,079
I'm like, did I just learn to play like a

750
00:38:59,199 --> 00:39:02,360
nice transition from a minor to like a d from

751
00:39:02,440 --> 00:39:04,920
that guy, even though he just plays down home country.

752
00:39:05,679 --> 00:39:08,239
So I try and pick up everybody's little tricks they

753
00:39:08,280 --> 00:39:11,119
got up their sleeves and adam in my book. And

754
00:39:11,519 --> 00:39:14,480
like I said, this woman Melissa, she may be a rapper,

755
00:39:14,519 --> 00:39:17,320
but she's Cambodian. She has this all this heritage and

756
00:39:17,599 --> 00:39:21,440
stuff and these auxiliary instruments that her father left behind.

757
00:39:21,760 --> 00:39:25,159
And I'm like, yo, tink tink tink set up in

758
00:39:25,239 --> 00:39:27,280
front of the condenser. Mic ooh, that's a neat sound.

759
00:39:28,480 --> 00:39:31,400
Speaker 8: So I just love and you do like to experiment.

760
00:39:31,519 --> 00:39:33,280
Speaker 10: You know when you find an instrument in the basement

761
00:39:33,320 --> 00:39:34,920
and somebody tells you about how good it is, but

762
00:39:35,000 --> 00:39:38,760
it's dusty like to I like to clean it up

763
00:39:39,119 --> 00:39:41,639
and record it and go now, it really sounds good

764
00:39:41,840 --> 00:39:45,079
on the track. So I really like to find where

765
00:39:45,079 --> 00:39:47,920
we can. And you have to hear each other and

766
00:39:47,960 --> 00:39:50,840
work together. If I didn't listen to what these guys

767
00:39:50,920 --> 00:39:53,519
come up with, they make most of the instrumentals. I

768
00:39:53,679 --> 00:39:56,760
just sing. So in this group, it's so like I

769
00:39:56,960 --> 00:40:00,280
really really have to listen and if I and if

770
00:40:00,400 --> 00:40:03,079
my vocals come in and it's it doesn't do their

771
00:40:03,119 --> 00:40:05,119
instrumental justice. Start over.

772
00:40:05,400 --> 00:40:07,559
Speaker 8: Yep. Yeah, no, that makes sense.

773
00:40:07,519 --> 00:40:09,239
Speaker 10: That that can be when they say to me, hey,

774
00:40:09,360 --> 00:40:11,719
that one wasn't it. Sometimes I'm like, let me go

775
00:40:11,840 --> 00:40:13,679
on the porch and cry. I'm just.

776
00:40:16,880 --> 00:40:19,559
Speaker 8: Oh, very cool, very cool. Uh So, are you gonna

777
00:40:19,599 --> 00:40:21,960
record with her or is she just gonna play live

778
00:40:22,039 --> 00:40:22,360
with you or.

779
00:40:24,440 --> 00:40:29,320
Speaker 10: Development as a lot of Corvette, We're working on it, okay, okay.

780
00:40:29,360 --> 00:40:31,400
Speaker 4: But have some like backup vocals or something like that.

781
00:40:31,599 --> 00:40:33,360
Speaker 8: Yeah, yeah, yeah, oh very cool.

782
00:40:33,400 --> 00:40:36,280
Speaker 10: He's got a very donna with the dead vibe. Yeah, yeah,

783
00:40:37,079 --> 00:40:40,039
all right, she's a preaching peace and movement and then

784
00:40:40,519 --> 00:40:42,159
all of a sudden belts out at note and you go,

785
00:40:42,400 --> 00:40:43,519
I kind of think that does fit.

786
00:40:43,840 --> 00:40:48,960
Speaker 8: Yeah, very cool, very cool. Now what uh before we

787
00:40:49,039 --> 00:40:49,880
run out of time too?

788
00:40:50,360 --> 00:40:50,480
Speaker 2: Uh?

789
00:40:50,760 --> 00:40:52,559
Speaker 8: What do you obviously you've got to show a terminus

790
00:40:52,599 --> 00:40:54,559
tonight and then are you you have more shows lined

791
00:40:54,639 --> 00:40:55,519
up or what's uh?

792
00:40:55,719 --> 00:40:57,800
Speaker 4: Hit us up on facebook? Man, we're ready to play.

793
00:40:58,000 --> 00:41:01,599
Speaker 8: Yeah yeah, yeah, you guys are pretty new projects. So well,

794
00:41:01,639 --> 00:41:03,360
I think it's very cool that you came in here

795
00:41:03,400 --> 00:41:05,599
to play and uh and we got to kind of

796
00:41:05,880 --> 00:41:07,800
you know, present you having us.

797
00:41:08,360 --> 00:41:10,320
Speaker 10: My buddy there, Jim Hurley with Turbocats.

798
00:41:10,920 --> 00:41:12,360
Speaker 8: Oh, Turbocats was on the show.

799
00:41:12,800 --> 00:41:13,800
Speaker 10: The drummer was here too.

800
00:41:14,280 --> 00:41:15,840
Speaker 8: I think I think the whole band, the whole band

801
00:41:15,920 --> 00:41:16,960
was here, right, Jenny.

802
00:41:16,840 --> 00:41:19,920
Speaker 10: Yeah, Jim the drummer there. He's older but than the

803
00:41:19,960 --> 00:41:21,719
rest of the group. Yeah yeah, yeah, okay.

804
00:41:22,119 --> 00:41:22,239
Speaker 15: Uh.

805
00:41:22,599 --> 00:41:25,960
Speaker 10: He has a barbecue like a little party. We'll play

806
00:41:25,960 --> 00:41:29,639
at that. Yeah, that's our next thing we have. Okay, okay,

807
00:41:29,840 --> 00:41:32,400
but you know, so we like to get a real

808
00:41:32,920 --> 00:41:35,599
gig out there, and yeah, you know it's some at

809
00:41:35,639 --> 00:41:39,000
a venue. But I love Jim and I appreciate him

810
00:41:39,039 --> 00:41:41,000
for putting us on on that. That's good vibes, So

811
00:41:41,239 --> 00:41:42,480
keep the keep the dream going.

812
00:41:42,639 --> 00:41:47,960
Speaker 8: Yeah, absolutely, you work a lot with Jim. Jim great, okay, Yeah,

813
00:41:48,119 --> 00:41:52,239
Dream Alive and Turbocats is great. We liked them very

814
00:41:52,400 --> 00:41:52,760
very much.

815
00:41:53,079 --> 00:41:57,440
Speaker 10: My cat looks like a cow MoU yow genius.

816
00:42:00,119 --> 00:42:01,719
Speaker 8: And where should people go online to keep up with

817
00:42:01,800 --> 00:42:02,679
everything you guys are doing.

818
00:42:02,920 --> 00:42:05,239
Speaker 10: Yeah, we're at a lot of Corvette on Facebook right now.

819
00:42:05,360 --> 00:42:09,079
We'll get on the Instagram. Sorry about dragging my heels everyone.

820
00:42:09,079 --> 00:42:10,840
Speaker 8: But right now it is a new band.

821
00:42:11,039 --> 00:42:13,719
Speaker 10: Yeah, we don't have any demos or music out there

822
00:42:13,800 --> 00:42:15,559
right now, guys, but once we do the show tonight

823
00:42:15,599 --> 00:42:17,920
at Terminus, you'll be able to see us on Facebook.

824
00:42:18,000 --> 00:42:21,920
So support Midnight Creative Collective, support Terminus Underground because they're

825
00:42:21,920 --> 00:42:23,719
supporting live music absolutely.

826
00:42:23,960 --> 00:42:28,039
Speaker 8: Absolutely well, guys, Thank you so much, and we'll have

827
00:42:28,119 --> 00:42:30,360
to do this again in the future. And I really

828
00:42:30,480 --> 00:42:33,840
dig what you're doing and I look forward to premiering

829
00:42:33,880 --> 00:42:36,039
some studio tracks to when you're ready right on.

830
00:42:36,159 --> 00:42:38,039
Speaker 4: Thanks for having us much appreciate.

831
00:42:37,639 --> 00:42:39,920
Speaker 8: It absolutely, guys, Thank you so much, And if you

832
00:42:39,960 --> 00:42:42,480
are listening, live. We've got fate one coming up in

833
00:42:42,599 --> 00:42:44,599
the third hour, so stick around.

834
00:43:37,960 --> 00:43:43,199
Speaker 18: And I feel like things are falling into place, and

835
00:43:43,480 --> 00:43:44,800
I feel.

836
00:43:46,079 --> 00:43:50,199
Speaker 13: Like it's the end of the Red Queen's Races, and

837
00:43:50,440 --> 00:43:51,639
I feel like the.

838
00:43:51,760 --> 00:43:59,840
Speaker 18: Stars are gonna change, because I feel like this was all.

839
00:44:01,880 --> 00:44:08,039
Speaker 13: Real ray. As we move from hugs and hand.

840
00:44:07,960 --> 00:44:19,719
Speaker 18: Shapes, we must remember how our souls, As we move

841
00:44:19,960 --> 00:44:28,719
from confidant to confidect, we must remember how our souls pay.

842
00:44:32,400 --> 00:44:37,639
But A feel like things are falling its legs, and

843
00:44:37,920 --> 00:44:43,400
I feel like it's the end of the Red Queen's Reggae,

844
00:44:44,639 --> 00:44:51,679
and A feel like the storms are gonna shave, because

845
00:44:51,800 --> 00:45:01,239
I feel like this was all just rearray and people take.

846
00:45:01,199 --> 00:45:02,760
Speaker 3: Too much pride.

847
00:45:06,719 --> 00:45:14,599
Speaker 18: In the way they picked their side, split up into

848
00:45:14,840 --> 00:45:16,760
them and us.

849
00:45:20,239 --> 00:45:22,159
Speaker 3: A sign seating on the.

850
00:45:24,599 --> 00:45:25,199
Speaker 9: On the bus.

851
00:45:26,880 --> 00:45:32,199
Speaker 13: But I feel like things are falling its please and

852
00:45:32,440 --> 00:45:33,400
I fee.

853
00:45:35,159 --> 00:45:39,159
Speaker 18: Like it's the end of the Red Queen's Races, and

854
00:45:39,360 --> 00:45:44,480
I feel like the stars, like the stars are gonna shade,

855
00:45:45,719 --> 00:45:48,320
because I feel like this was.

856
00:45:48,440 --> 00:45:49,559
Speaker 3: Hallo Jeff.

857
00:45:51,000 --> 00:46:22,239
Speaker 18: Rearing. As our lives get long separated, well we wish

858
00:46:22,360 --> 00:46:23,039
they weren't.

859
00:46:23,320 --> 00:46:29,760
Speaker 13: So As things get.

860
00:46:29,760 --> 00:46:39,159
Speaker 3: More complicated, well we wish we could just know, just know,

861
00:46:41,800 --> 00:46:42,119
But I.

862
00:46:42,199 --> 00:46:48,360
Speaker 18: Feel like things are falling into please and I feel

863
00:46:49,840 --> 00:46:54,039
like it's the end of the Red Queen's Reggae, and

864
00:46:54,280 --> 00:47:01,159
a feel like the stars are gonna shape because I

865
00:47:01,639 --> 00:47:04,039
feel like this was all just.

866
00:47:05,679 --> 00:47:07,719
Speaker 3: Preer Range, and.

867
00:47:07,840 --> 00:47:14,239
Speaker 18: I feel like things art falling its place, and I

868
00:47:17,119 --> 00:47:21,480
like it's the end of the Red Queen's rage. Had

869
00:47:21,559 --> 00:47:24,800
a feel like the stars, like the.

870
00:47:25,000 --> 00:47:28,639
Speaker 13: Stars are kind of change because.

871
00:47:28,360 --> 00:47:35,320
Speaker 18: I feel like this was all just preer Range, I said,

872
00:47:35,440 --> 00:47:41,079
I feel like this was unjust freer range.

873
00:48:08,840 --> 00:48:09,159
Speaker 2: Ses.

874
00:48:09,199 --> 00:48:16,119
Speaker 17: This is my fos siren God, it's my dope. I'll

875
00:48:16,159 --> 00:48:18,880
wear my serf back. But I'm in the pump craft boat.

876
00:48:23,199 --> 00:48:25,639
Speaker 7: I'm they tell me to give them.

877
00:48:30,599 --> 00:48:32,159
Speaker 9: What's it all, you animals?

878
00:48:32,239 --> 00:48:33,360
Speaker 10: You don't give them rope.

879
00:48:39,119 --> 00:48:40,639
Speaker 13: I'm the pump crack boat.

880
00:48:42,719 --> 00:48:44,400
Speaker 5: What's the mid the young and the dope.

881
00:48:46,360 --> 00:48:51,559
Speaker 10: I'm the pump crack boats working coming home.

882
00:49:06,239 --> 00:49:09,480
Speaker 17: I'm the man, I'm the mist I'm the legend himself,

883
00:49:13,880 --> 00:49:17,039
truck opener. Just to share little else.

884
00:49:20,719 --> 00:49:22,880
Speaker 3: Here the words saying the wisdom.

885
00:49:22,519 --> 00:49:29,840
Speaker 17: Of the bunk cry Gospel. I'm the kings King, I've

886
00:49:29,960 --> 00:49:31,679
forgotten my sauce.

887
00:49:36,920 --> 00:49:38,760
Speaker 12: I'm in the book dry Bote.

888
00:49:40,480 --> 00:49:42,159
Speaker 4: Like the money and the dope.

889
00:49:44,159 --> 00:49:45,880
Speaker 8: I'm the bump crick Bote.

890
00:49:47,760 --> 00:49:49,360
Speaker 17: He being sept pretty company old.

891
00:50:34,679 --> 00:50:39,840
Speaker 13: I'm the buck up. I have the money and the dog.

892
00:50:41,840 --> 00:50:43,639
Speaker 10: I'm the pup bout.

893
00:50:45,559 --> 00:50:46,599
Speaker 19: Every sept.

894
00:50:49,079 --> 00:50:50,760
Speaker 13: I'm the black out.

895
00:50:53,000 --> 00:50:53,599
Speaker 5: The money.

896
00:50:56,320 --> 00:51:01,000
Speaker 12: I'm the ba si Parte.

897
00:51:07,320 --> 00:51:09,519
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Speaker 1: When it comes to keeping WMNH on the air and

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Speaker 2: Zero Midnight seven times out of ten we listened to

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our music at night don titled book Business.

936
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Speaker 3: Program Late Night to Light with DJ Midas right here

937
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on WMNH, Manchester.

938
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Speaker 10: You want to know because.

939
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Speaker 8: Saturdays and Sunday nights midnight to four am.

940
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Speaker 6: This hour on wm NH is sponsored by CGI Business Solutions,

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located at five Dartmouth Drive in Auburn. They serve all

942
00:53:57,639 --> 00:54:01,920
your business needs including employee better fits, planning, corporate design

943
00:54:02,079 --> 00:54:06,960
and business administration, investments and wealth management and customized business

944
00:54:07,079 --> 00:54:10,719
insurance solutions. Their phone number is eight sixty six eight

945
00:54:10,840 --> 00:54:14,199
four one forty six hundred or on the web at

946
00:54:14,320 --> 00:54:16,960
CGI Business Solutions dot com.

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00:54:19,960 --> 00:54:23,480
Speaker 7: Behold the harmony of airwaves as you immerse yourself in

948
00:54:23,559 --> 00:54:27,960
the captivating frequencies of w m NHLP the sonic heartbeats

949
00:54:28,000 --> 00:54:31,519
of Manchester transcending through the ether at ninety five point

950
00:54:31,559 --> 00:54:35,519
three megahertz. Frequency modulation or transmissions emanate from the zenith

951
00:54:35,599 --> 00:54:38,199
of one thousand l streets to insure into the hearts

952
00:54:38,239 --> 00:54:41,280
of our creative realm at one nineteen Canal Street, where

953
00:54:41,360 --> 00:54:45,519
innovation and sound coluge. They're the impro moder of Manchester

954
00:54:45,679 --> 00:54:49,760
Public Television Service in the venerable city of Manchester, New Hampshire, USA.

955
00:54:50,199 --> 00:54:53,199
Enrich your auditory journey with the depth of our license

956
00:54:53,280 --> 00:54:57,280
to WESDENSPT. Your missives. Do WMNH ninety five three at

957
00:54:57,320 --> 00:55:01,000
gmail dot com, or traverse the virtual corridors of w

958
00:55:01,320 --> 00:55:04,599
m n H Radio dot or engage with our rations.

959
00:55:05,000 --> 00:55:06,719
Speaker 8: Wing with us through the digital channels.

960
00:55:06,760 --> 00:55:09,519
Speaker 7: You know her radio back in seager to enthraw you

961
00:55:09,599 --> 00:55:13,400
with its verizing kid incident villap you with boundless All

962
00:55:13,440 --> 00:55:14,599
that's Horris won Dad.

963
00:55:22,079 --> 00:55:25,119
Speaker 10: Need nine million advance Like Toka Rump shifting my hands.

964
00:55:25,119 --> 00:55:27,719
Speaker 20: I've been counting my cards in advising her plan County.

965
00:55:27,800 --> 00:55:28,960
Speaker 2: He did the donomy man.

966
00:55:29,039 --> 00:55:31,400
Speaker 15: What he don't understand is his mama still got some real.

967
00:55:31,679 --> 00:55:34,079
Speaker 8: He keep on talking, on talking, like he just belonging on.

968
00:55:34,159 --> 00:55:35,159
Speaker 3: Something like doctor Phil.

969
00:55:35,559 --> 00:55:37,000
Speaker 4: I don't really know about y'all.

970
00:55:36,840 --> 00:55:37,599
Speaker 13: But I know about me.

971
00:55:37,760 --> 00:55:38,639
Speaker 3: That's how I sleep well.

972
00:55:38,679 --> 00:55:40,679
Speaker 13: And I how many gonna say he the man, but

973
00:55:40,719 --> 00:55:41,639
he's specially different.

974
00:55:41,840 --> 00:55:44,360
Speaker 10: The thing that's out of the msay Boss moves.

975
00:55:44,400 --> 00:55:47,360
Speaker 13: Only y'all think of dans. I'm thinking too. That time

976
00:55:47,440 --> 00:55:48,519
he gonna make my CAMARONI.

977
00:55:48,880 --> 00:55:51,039
Speaker 10: Next time, moll she down for the homely na.

978
00:55:51,159 --> 00:55:53,719
Speaker 20: He's gonna keep poking against autum shots in the keep

979
00:55:53,760 --> 00:55:54,239
one missing.

980
00:55:54,639 --> 00:55:56,199
Speaker 3: He's spitting like bunch y'all with loosen.

981
00:55:56,239 --> 00:55:56,880
Speaker 7: I need to see the.

982
00:55:56,920 --> 00:55:59,519
Speaker 10: Doctor, but I can't afford to that new still ain't

983
00:55:59,519 --> 00:56:00,400
got to deal with my.

984
00:56:00,519 --> 00:56:02,880
Speaker 13: No meal, So we're staying on go this time.

985
00:56:02,960 --> 00:56:05,320
Speaker 3: We here to let him know. Next time we bringing

986
00:56:05,360 --> 00:56:05,599
on a.

987
00:56:05,639 --> 00:56:07,519
Speaker 20: Dough if you want to burse till them Senate check

988
00:56:08,199 --> 00:56:10,599
called the plays like I'm bellow check. I don't understand

989
00:56:10,639 --> 00:56:13,760
those negligence type with my scar like a fellowship.

990
00:56:13,760 --> 00:56:15,199
Speaker 12: Right on my john cy of bellowship.

991
00:56:15,639 --> 00:56:18,440
Speaker 20: So I don't got any preferences if you catch some

992
00:56:18,519 --> 00:56:21,480
my references my etiquette going with the delegates coming ship

993
00:56:21,519 --> 00:56:23,360
a point like a call pin all in flicking my

994
00:56:23,440 --> 00:56:25,199
wrists like I'm mixing a caul try in this ship

995
00:56:25,239 --> 00:56:27,079
and a paul and someone called a bomb threat, feeling

996
00:56:27,119 --> 00:56:28,559
like Lebron did, feeling like Ring.

997
00:56:28,559 --> 00:56:29,199
Speaker 13: Did last night.

998
00:56:29,280 --> 00:56:29,840
Speaker 4: That's right for you.

999
00:56:30,199 --> 00:56:32,000
Speaker 20: A rap site turning to a crash site, hut like

1000
00:56:32,039 --> 00:56:34,360
a craft called me but right for you get slapped

1001
00:56:34,400 --> 00:56:36,199
like Chris rock A pissed off. Let me event now,

1002
00:56:36,480 --> 00:56:38,840
Chris paul A criss cross, keep it in bound, blitz y'all,

1003
00:56:38,840 --> 00:56:40,119
don't kickoff, it's the first down.

1004
00:56:40,320 --> 00:56:41,320
Speaker 13: Kill y'all. Don't feel y'all.

1005
00:56:41,360 --> 00:56:42,719
Speaker 8: Here's your hearse now, kill y'all.

1006
00:56:42,719 --> 00:56:43,280
Speaker 13: Don't feel y'all.

1007
00:56:43,320 --> 00:56:44,519
Speaker 12: Here's your hearse now blow.

1008
00:57:11,480 --> 00:57:14,159
Speaker 4: I don't know what you think of me.

1009
00:57:14,559 --> 00:57:15,599
Speaker 11: I can't help your tell.

1010
00:57:16,039 --> 00:57:17,119
Speaker 10: It's not my business.

1011
00:57:17,239 --> 00:57:21,719
Speaker 4: No, I don't know what you think about me. I

1012
00:57:21,840 --> 00:57:22,719
can't help bick up.

1013
00:57:23,159 --> 00:57:24,559
Speaker 19: It's not my business now.

1014
00:57:25,679 --> 00:57:28,360
Speaker 13: I don't know what you think about me.

1015
00:57:28,760 --> 00:57:29,800
Speaker 8: I can't help your tell.

1016
00:57:30,280 --> 00:57:31,320
Speaker 10: It's not my business.

1017
00:57:31,440 --> 00:57:35,920
Speaker 13: No, I don't know what you think about me. I

1018
00:57:36,039 --> 00:57:38,760
can't help pick up. It's not my business now.

1019
00:57:41,199 --> 00:57:45,760
Speaker 3: I know many of you don't me, but this genius

1020
00:57:45,840 --> 00:57:47,039
sinks implicity.

1021
00:57:48,599 --> 00:57:52,079
Speaker 18: I'm focused on this mentally, physically, emotionally.

1022
00:57:52,199 --> 00:57:55,239
Speaker 3: I'm doing what I gotta do to reach my peek

1023
00:57:55,880 --> 00:57:58,800
right way I'm supposed to be. Globally is the boat,

1024
00:57:58,880 --> 00:57:59,199
you see.

1025
00:57:59,280 --> 00:58:02,559
Speaker 13: So what I'm say started locally, I'm building up my nity.

1026
00:58:02,599 --> 00:58:05,719
Ain't got no time for friending me. Jealous ones will

1027
00:58:05,880 --> 00:58:10,320
envy me. Can never much my energy. What you think

1028
00:58:10,519 --> 00:58:11,039
about me?

1029
00:58:11,480 --> 00:58:12,480
Speaker 9: I can't help it though.

1030
00:58:12,960 --> 00:58:17,000
Speaker 13: It's not my business. No, I don't know what you

1031
00:58:17,199 --> 00:58:18,159
think about me.

1032
00:58:18,559 --> 00:58:21,119
Speaker 10: I can't help pick out it's not my business.

1033
00:58:21,239 --> 00:58:25,239
Speaker 13: No, I don't know what you think about me.

1034
00:58:25,679 --> 00:58:26,719
Speaker 11: I can't help it out.

1035
00:58:27,159 --> 00:58:30,199
Speaker 10: It's not my business. Snum, I don't know.

1036
00:58:30,920 --> 00:58:33,840
Speaker 2: What you think about me. I can't help pick up.

1037
00:58:34,239 --> 00:58:35,280
Speaker 10: It's not my business.

1038
00:58:35,360 --> 00:58:35,639
Speaker 13: Snow