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Speaker 1: All right, thank you, Matt. That's good.

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Speaker 2: Do I how do I stop?

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Speaker 1: I don't know.

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Speaker 2: It's a record of this computer again.

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Speaker 1: What happened? Stop? Hello and welcome to Deep Blue CEI

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the podcast. On this show we've been to the entire

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I didn't know anything I see but doing it again,

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but not today. Today is seeing adjacent film and continuation

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of twenty twenty six year of reptiles with Boa versus Python.

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All has gone versus Python. It's a two thousand and

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four i'd give us yes, sci fi channel as well

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film in which is.

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Speaker 2: It's good to have both you and Mark and you know, schedule.

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Speaker 1: Fight a little bit, but the best we can do

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this is midweek. This was news to me the fourth

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part of our franchise three Pie that until after I

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had watched I think, I think when I thought was

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standalone Python Fight. Because again the premise it's directed by Glora,

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is written by Spots stars David the trade every Monday

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and Friday even other people six hours. So it's Angel.

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They're not going to Angel borrow, and that's what we

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tend to recall. So the main premise is there's a

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so that works out and then Rick but yeah, famous

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talk about and big game Hunter City impressive breaching is

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a giant python if it gets loose, high rolling hunt. Meanwhile,

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the FBI stopped this usually because I'm going to a

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marine biologist video camera equipment. I might be a prpetologist

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with a giant bough constrictor and the day you'll go

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on the hunt for this other and hilarity. Yeah, as

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ever that this was my first time watching. But he's

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seen the film three or four times and now so

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it's perfect Matt Pray from DTV because welcome back to

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this we eventually do shot.

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Speaker 2: Thank you, thank you for having me that welcome.

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Speaker 1: Yeah, maybe all of the big films that he should

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have covered by now basically keep coming back and picking

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of us wait to do that one.

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Speaker 2: This one is an interesting one because first it was

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the first movie I ever reviewed on this.

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Speaker 1: And wow, great okay, and I haven't you know, I.

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Speaker 2: Can't remember why that was since it would have been

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May of two thousand and seven when I remember watching

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it with my friends T six. We're just like hanging

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out at a friend's time and everything, and he had

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a DVR box. This is the first time any of

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us had seen TVR box could do. And we're watching

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that scene of Boll versus Python where they're doing that

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because holding their breath challenge, and you know that there's

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like this big navy seal guy with a blonde bullet

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and he's holding his breath and then Jimmie Bergman she

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actually she's going to take off her top underwater to

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get him to you know, and he starts making these

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funny faces and we're laughing. We're thinking this is hilarious.

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My friend just rewinds it and we're like, wait a second,

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you just rewound that. And so I think we watched

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it like three times that scene, that scene in particular,

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and then we ended up there. There actually is an

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edit of this version that's not a even though the

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movie was, like you said, it was made for sci

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Fi or was released on sci Fi, one of us

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bought the VHS and discovered like, oh no, there's scenes

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that were cut out in the sci Fi version. So yeah,

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I think i'd seen it one other time when we

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got the you know, the unedited version, and then I

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watched it for the podcast here, So I guess it's

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three maybe four times I think that I've seen it.

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Speaker 1: Have you seen the rest of the franchise. Have you seen,

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because it's it's Python to start with, which has a

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sequel Pythons or Pythons two. Then there's New Alcatraz, which

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about New Alcatraz sounds like I'm definitely covering New Ucatras. Seeah,

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that's sounds great about a boastructor in an underground Antarctic prison. Hell. Yes,

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And then the two franchises came together for Boba Bursas Python.

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Are you familiar with anything else in the Sahaga?

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Speaker 2: No, I've never seen. I when I That's another thing

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that happens when I watch the movie is that I

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go on IMDb, sees that it has the other movies,

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go oh, I'll watch the other movies, and then of

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course I don't. So again I've had that same feeling

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this time much. Oh there's other I mean one of

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them got Casper van Dean, who I loved you, So

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I should probably go back and watch them at somewhere.

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I think they're all on like streamers as well.

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Speaker 1: So Python has Billy's Abka, Will Wheaton, Casper Van Deen,

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Jenny McCarthy, Robert England. There's loads of people in it.

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And then New Alcatraz has Dean Caine and Grandel Bush

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from die Hard. Python's two still has Biddy's Apa. He's

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back in Dana Ashbrook, also from Starship Troopers. So yeah, no,

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it's from Twin Peaks. That's what I from. Yeah, so

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there's there's like people in them. And how if I've

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known it was a franchise, then maybe we would have

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done the whole franchise. Maybe we still will. I don't

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know we'll do it. But because this didn't feel like

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Part four or like two behemoths coming to go. This

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isn't like Alien versus Predator, where there's this established law.

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This is just like there's a truck with a big

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snake in it. Where the big snake come from. They

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kind of mentioned there's some like experimenting in Russia it

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got out, but they didn't. Really, you don't need to

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know that. It's just big snake other big snake fight.

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It takes a long time to get there. It's a

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ninety minute film and it takes like eighty five minutes

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before the snakes really start going at each other. They're

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on the same team for more often than they're a

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inst each.

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Speaker 2: Other, right right exactly, which I guess in a way,

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it makes the most sense that, you know, two snakes

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probably would be more likely to team up, but I

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guess they don't WRT because they're kind of solitary creatures.

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They sort of live on their own.

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Speaker 1: Yeah, we're told the territorial and like the way that

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they're going to take each other, the way that the

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boat and surch is gonna be encouraged to fight the

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python is it's in the same space, so only the

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two snakes center one snake leaves kind of like instead

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two snakes center baby snakes up up bread right the

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other option.

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Speaker 3: Yeah, yeah, so, uh so did you say this is

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this film the inspiration for the t TV because its

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a site?

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Speaker 2: No? No, no, So it was my friends and I

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would watch a lot of directive video movies. I mean yeah,

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you know, like especially like the Dolph Lungeries where the inspiration.

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That's why I don't really remember why I chose bo

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versus Python. It's the first. It must have been like

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fresh in my mind or something because we may have

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just rewatched it. I can't there's I can't go back

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and think of why that was because I think there

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was like a good like fifty posts before I got

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to a Dolph Lungder movie. So I also don't know

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why it took that long to do to a dolphlund movies.

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So yeah, but yeah, no, it was kind of an

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overall inspiration that my friends and I would watch movies

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like this, you know, low budget action, that kind of thing,

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and then also growing up in the nineties liking like,

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you know, erotic thrillers, more low budget action, all that

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kind of stuff then too. Yeah, so this was just

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like one of many that we enjoyed.

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Speaker 1: Fair enough, fair enough, would you say, is there enough?

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This isn't a not an uneurotic film, right? You consider

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this a eurotic thriller.

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Speaker 2: It's funny because when you watch the site when we

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watched that of the Sci Fi Channel, those scenes that

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you're talking about were not in the movie, you know,

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so like Angel Boris, you know, taking a bath, that

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scenes not in there. Obviously, the the couple making out

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on the outskirts of quote unquote Philadelphia, they you know,

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and mistake decides to help out help out right, yes

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exactly what well the bad is uh pleasuring right?

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Speaker 1: Right?

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Speaker 2: That scene wasn't there. And I remember when we watched

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the VHS and we were watching these scenes, We're like, whoa,

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Like the nudity made sense, Like it's like, okay, of

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course there's not gonna be new, you know, you know,

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of course we'll be missing nudity on the sci fi version.

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But that other scene we were just like, you know,

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because the other thing, too, is that that other scene

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tells you how much more it's tongue in cheek, no

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pun intended, but we you know, I think we thought

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the movie was more earnest, and we were making fun

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of an earnest movie, and then you see a scene

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like that and you're like that this movie is probably

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a lot more self aware that we realized.

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Speaker 1: Yeah, yeah, yes, yeah, there's a scene what kinda jump

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around a little bit. There's a scene. For the people

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who haven't haven't watched the film, check it out. It's

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a fun time. Actually. I enjoyed this film quite a bit.

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I've watched a lot of films for this podcast. They

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are not often good. I would say this isn't a

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good film. This is wanting in many areas, but it's fun.

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There are characters in it. The characters do funny things intentionally.

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Sometimes it's not just the terrible acting. There there is

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terrible acting. There's a character called Text who does not

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sound like he's from Texas because this film was made

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in Uh. I read it made in Bulgaria, and I

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believe he is a Bulgarian actor. And he's like, let's

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call him Text and put him in a cowboy hat,

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cowboy boots and just have him say one line that's

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non American. Yeah, he's not around for long. It's fine,

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But I do enjoy when people have like a cast

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of Hunters. These are all people like competing and they've

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all got their own little thing that's always fun and

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they do that and most of them are good, and

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a couple of them are there as well, and there's like,

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you know, there's a love story. Is this all going on?

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There's a good stuff. It's a good it's a good time.

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It's not it's not as it's still silly. It's very silly.

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And if are bad when the snakes are on screen,

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which isn't very often, they are terribly done, even for

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two thousand and four. But as these films go, I

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had a better time than I was expecting to have

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with Boa, with called both of us as Python for

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the Sci Fi Channel. I was that well, but hey,

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a good time was sad and yeah, So there is

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a scene where what the snake has escaped and there's

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a couple making it in the car and the guy

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begins to progress down the lady and the door his

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door is opened to his car and the snake like

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rips him away and prettyply eats him. I don't know,

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and then the snake just kind of slid it in.

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The snake is huge, it isn't it described as an

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eighty to one hundred foot reticulated python that is a

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big snake. Is the very bit is too bic The

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snakes go too big. We recently had a conversation on

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this show about when is a snake so big that

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it's not too big anymore? A question that doesn't make sense.

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But the snake very much in the too big category

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of snakes. And that snake then proceeds to take the

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place of the man performing the kind of lingus and

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she doesn't notice the change and is enjoying the experience

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until she is eaten. And that scene confused me greatly,

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But it's whatever. I can see them cutting it on

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the side Fy channel, the yeah, the other the other

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erotic the quote scene you mentioned was Angel Boris. They're

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on a private jet. She's taking a bath on a

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private jet, and that bath is made of marble. It

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is a marble but a very solid looking built in

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marble bath on a private jet currently flying in this sky.

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I haven't been on a private jet. If I went

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on one that had a marble bath in it, I

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would be concerned, I think.

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Speaker 2: But marble pillars that are yes, yes, this is.

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Speaker 1: A full marble bath. Remarble not a light material, not

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designed for air travel. But she is having a bath

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in which she just approaches the bath fully naked, gets

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in fully naked, and then is like sat up and

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very carefully like squirting shower gel seductively onto a sponge

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and lather ring. And it's it's a whole like what

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is the most unnecessary sequence for any film? It's not

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plot related the zene. Eventually she sees a snake in

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the barsom of a regular sized snake that was put

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there by her partner as a joke. It's not. It's

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non venomous, and that's the only purpose is, Hey, you

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put a snake in here, just doesn't factor into anything.

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It is entirely superfluous gratuitous. That's the world that's coming up.

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This entirely gratuitous scene as the most gratuitive scene I

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think I've ever seen in any film. People complain about

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00:12:52,559 --> 00:12:55,279
deep boz seven bors getting down to her underwear. That

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makes sense for the plot, at least there is like

239
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plot reason for it. This is nonsense. This is yes,

240
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we want to get some tits in the film. So

241
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all it is do you want to get some boobs

242
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in there? And hey, mission accomplished.

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Speaker 2: The thing I love about it too, is that when

244
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you say sponge right, for people who haven't seen it,

245
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it is like this industrial like washing your cars, right,

246
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It's like it's not like a loofer or something like that.

247
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It's this big yellow block of sponge.

248
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Speaker 1: It's like they were using it to wash the plane.

249
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And she's like, oh, have you got a bath? It's

250
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none of that makes sense now. Yeah. So I was

251
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a little concerned when this film started because it starts

252
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off on a wrestling match where the wrestlers are called

253
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Boa and Python, and I was like, what have I done?

254
00:13:46,720 --> 00:13:48,960
This isn't the snake film. This is a wrestling film.

255
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How have I had out this is to happen? Butfortunately

256
00:13:51,879 --> 00:13:55,320
that's not the case. I've never been a wrestling fan.

257
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I've never watched wrestling, so I can't say I'm a pane.

258
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Are you a wrestling enjoyer? Is this something that you've partaken?

259
00:14:01,960 --> 00:14:04,320
Speaker 2: So yes and no. So you know I watched there

260
00:14:04,320 --> 00:14:06,840
as a kid. I actually went to a wrestling event

261
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in Portland, Maine because the way I used to work

262
00:14:09,480 --> 00:14:12,120
where I live near near Boston, Massachusetts, like kind of

263
00:14:12,159 --> 00:14:15,480
between Boston, Massachusetts and Portland, Maine. They would have wrestling

264
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events in Boston, Massachusetts where all the big stars would go,

265
00:14:18,600 --> 00:14:20,679
and then I guess the ones in Vince McMahon didn't

266
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like would have to go to Portland and do another event.

267
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And so I went and saw people like Hacksaw, Jim

268
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Duggan there, you know, some of the kind of like

269
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the lesser wrestlers. So then when I got into high

270
00:14:31,320 --> 00:14:33,240
school or when I got to college, I had I

271
00:14:33,279 --> 00:14:35,279
stopped in high school watching wrestling, and then I got

272
00:14:35,279 --> 00:14:38,919
to college there was that whole nWo thing with w CW,

273
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and my friends and I would do like Monday nights

274
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the channel in the United States T and T they

275
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would do w CW and then they would do a

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directive video action movie after it was kind of a

277
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cool little, you know, double feature. They also did the

278
00:14:53,799 --> 00:14:56,960
Moral Kombat TV series at that time as well, so

279
00:14:57,000 --> 00:14:58,879
we kind of would make that like a Monday night

280
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thing when the wa UW kind of wrapped up because

281
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they they sort of had a bunch of injuries and

282
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then the WWF bought them and they were done. So

283
00:15:07,279 --> 00:15:09,039
when that happened, that was about the last time I

284
00:15:09,039 --> 00:15:11,639
watched wrestling. That would have been probably like ninety eight,

285
00:15:11,720 --> 00:15:13,919
ninety nine maybe, So it's probably been about twenty five

286
00:15:13,960 --> 00:15:16,120
twenty six years since I've really watched it. Like I

287
00:15:16,200 --> 00:15:18,320
know who some of the people are involved, Like you said,

288
00:15:18,559 --> 00:15:21,480
Roman Reigns, I know who he is. But yeah, in

289
00:15:21,600 --> 00:15:24,039
terms of actually watching an event, it's probably been yeah,

290
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which is crazy to thin because I would think of my

291
00:15:25,559 --> 00:15:27,440
head like, oh, I know wrestling, I kind of get it.

292
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But as we're talking about it now, I'm like, oh no,

293
00:15:29,279 --> 00:15:32,960
it's been like, yeah, almost three decades watching it actively.

294
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Speaker 1: So so I did this seem like a believable wrestling

295
00:15:36,519 --> 00:15:39,600
match where you're happy with the wrestling on display from

296
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Biro and Python.

297
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Speaker 2: It didn't make a lot of sense because it was

298
00:15:44,200 --> 00:15:45,639
it was I guess supposed to be like it was

299
00:15:45,679 --> 00:15:47,960
an Atlantic city and it was supposed to be like

300
00:15:48,000 --> 00:15:50,679
both a big event and a local kind of thing.

301
00:15:50,879 --> 00:15:52,679
Like it didn't, you know, like neither of it made

302
00:15:52,679 --> 00:15:54,799
any sense. And then like the rich guy brought it

303
00:15:54,879 --> 00:15:57,600
and his girlfriend played by Angel Bores. They're supposed to

304
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be sitting in five hundred dollars seats, which I don't

305
00:16:00,720 --> 00:16:03,320
know what that was, and like she's ordering raisinettes from

306
00:16:03,320 --> 00:16:09,840
this like local Atlantic city wrestling event, and the woman's like, yeah,

307
00:16:10,080 --> 00:16:12,320
I don't know it was. I mean, I get like

308
00:16:12,360 --> 00:16:14,720
the idea of it of like, hey, let's make it

309
00:16:14,759 --> 00:16:16,759
look like we're having a fight right away, but we're not.

310
00:16:16,919 --> 00:16:18,639
You know, let's do the sort of red hairing kind

311
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of thing. But yeah, it also kind of felt like

312
00:16:21,279 --> 00:16:23,080
they weren't actually wrestling. It felt like they were like

313
00:16:23,120 --> 00:16:26,639
fighting each other for real, right, and then Angel Boris

314
00:16:26,639 --> 00:16:28,519
pulls a gun on one of them when he falls

315
00:16:28,519 --> 00:16:29,360
out of the ring. That's it.

316
00:16:29,399 --> 00:16:32,120
Speaker 1: They've got seats next to the like they've got seats

317
00:16:32,159 --> 00:16:33,720
on the ground next to the ring, So I feel

318
00:16:33,720 --> 00:16:35,240
like they're in a bad position because they're kind of

319
00:16:35,279 --> 00:16:37,639
looking up but you can't get a good view in it,

320
00:16:37,759 --> 00:16:39,279
and then one of the wrestlers gets thrown out and

321
00:16:39,360 --> 00:16:41,039
kind of lands in her lap and she pulls a

322
00:16:41,080 --> 00:16:46,039
gun on him. I okay, show up, fine, whatever, maybe

323
00:16:46,039 --> 00:16:49,840
that happens, I don't. Yeah, it's in Atlantic City. We

324
00:16:50,399 --> 00:16:53,639
know this because there are eight hundred different credits saying

325
00:16:53,639 --> 00:16:56,759
Atlantic City scrolling across the screen and flashing at us

326
00:16:56,799 --> 00:16:59,799
for about a minute prior to that. It's way too

327
00:16:59,799 --> 00:17:02,639
many any location specific things. I know none of it

328
00:17:02,759 --> 00:17:07,759
was shot in these places, so I guess it's necessary. Yeah,

329
00:17:07,799 --> 00:17:10,160
but we're not not at the restling venue for very long,

330
00:17:10,200 --> 00:17:11,880
so that's fine. Because then they head off to go

331
00:17:12,000 --> 00:17:14,359
and there's he's on products on the phone to his

332
00:17:14,440 --> 00:17:17,400
guys bringing the snake in, and they have that they

333
00:17:17,880 --> 00:17:21,240
the snake is tranquilized, but it's woken up because it's huge.

334
00:17:21,279 --> 00:17:24,000
It's not a trankuliser in the world. It's a giant.

335
00:17:24,039 --> 00:17:27,920
It's one hundred feet long. It's ridiculous, and it wakes

336
00:17:28,000 --> 00:17:31,920
up and takes out everybody in the whole convoy. You

337
00:17:32,039 --> 00:17:35,480
just see like a tail emerging through a window, and

338
00:17:35,920 --> 00:17:39,400
any kind of close up shots are incredibly blurry. You

339
00:17:39,440 --> 00:17:41,559
feel like this this thing looks like a snake if

340
00:17:41,599 --> 00:17:43,599
you take it down to a few pixels long. But

341
00:17:43,640 --> 00:17:46,039
they zoomed in all the way and it just kind

342
00:17:46,079 --> 00:17:51,119
of looks like a fuzzy mess and it takes everybody out.

343
00:17:51,960 --> 00:17:57,000
They're all dead, so good. Yeah, and then we get

344
00:17:57,039 --> 00:18:00,680
the marble bath, which I kind of get past a

345
00:18:00,720 --> 00:18:06,480
marble bar or a plane just of all the things,

346
00:18:06,519 --> 00:18:09,920
of all the things, so we we eventually meet the

347
00:18:10,279 --> 00:18:13,119
rest of the hunters. Did you have any any favorites

348
00:18:13,160 --> 00:18:17,400
from the group of hunters? We have, there's texts, there's Foley,

349
00:18:17,480 --> 00:18:21,119
who's the sniper, there's the two like hunter, there's the

350
00:18:21,200 --> 00:18:24,559
father and son hunters, the Danas, and then there's the

351
00:18:24,680 --> 00:18:30,400
silent guy, Little Field, and then Brodick and Eve, and

352
00:18:30,519 --> 00:18:32,359
any any standouts amongst them.

353
00:18:32,839 --> 00:18:36,519
Speaker 2: You know, I mean obviously that the father and son pair,

354
00:18:37,480 --> 00:18:39,839
you know, because they're just so bumbling and and so

355
00:18:39,920 --> 00:18:42,960
there's that that aspect to them. Yeah, that the sniper guy,

356
00:18:43,000 --> 00:18:44,759
of course, because we find out that he has a

357
00:18:44,759 --> 00:18:47,799
thing for Angel Boars and she she has a thing

358
00:18:47,839 --> 00:18:50,559
for him as well, I think. But also it's not

359
00:18:50,640 --> 00:18:53,079
so much that she has a thing for him, I think,

360
00:18:53,160 --> 00:18:56,759
but that earlier at the wrestling match. The waitress was

361
00:18:56,799 --> 00:19:00,319
hitting on Broddick and that upset Angel Boar is now

362
00:19:00,319 --> 00:19:02,799
it's like turn about his fair play kind of thing.

363
00:19:03,559 --> 00:19:05,960
But yeah, I think the sniper guy. You know, the

364
00:19:05,960 --> 00:19:07,519
thing is they're supposed to be setting up for, like

365
00:19:07,680 --> 00:19:09,799
who do you want to get eaten the most? And

366
00:19:10,720 --> 00:19:12,599
it does feel like the sniper guy is one that

367
00:19:12,640 --> 00:19:14,279
you're like, boy, yeah, you'd like to see a good

368
00:19:14,519 --> 00:19:18,359
you know, half eaten chop, you know, where the snake

369
00:19:18,400 --> 00:19:20,720
comes out and just like consumes the whole top half

370
00:19:20,720 --> 00:19:23,440
of their body, right exactly. Yeah, he seemed like he

371
00:19:23,480 --> 00:19:25,279
was he was ripe for it, you know. But also

372
00:19:25,359 --> 00:19:28,240
also the dad, the father and son group, Yeah, you

373
00:19:28,319 --> 00:19:29,920
kind of want the dad maybe to get it as well.

374
00:19:29,960 --> 00:19:31,920
It's there's a whole lot of people you want to

375
00:19:31,960 --> 00:19:34,720
see get eaten and so so.

376
00:19:38,559 --> 00:19:43,640
Speaker 1: Good. Yeah, I was. I liked the father and son

377
00:19:43,680 --> 00:19:46,200
because they're amongst they have they have jokes, they've got

378
00:19:46,279 --> 00:19:49,920
jokes going on James being useless. It's his father point.

379
00:19:50,680 --> 00:19:56,599
I really hate you. He has to stop to go

380
00:19:56,759 --> 00:20:03,400
for a p I was disappointed by little Field, like

381
00:20:03,400 --> 00:20:07,319
the Silent Crossbow guy. I got like Vinnie Jones and

382
00:20:07,440 --> 00:20:10,960
gone in sixty seconds kind of vibe like Sphinx showing up?

383
00:20:11,440 --> 00:20:17,240
Is it Sphinx? He's yeah, yeah, And there's a joke

384
00:20:17,279 --> 00:20:18,920
there because it turns out he as he sounds like

385
00:20:19,000 --> 00:20:21,640
Vinnie Jones. He's not. He's not from New England or

386
00:20:21,680 --> 00:20:25,920
New Jersey or uh. But this guy doesn't say anything.

387
00:20:25,920 --> 00:20:29,319
It doesn't do anything. He just has a crossboat, never shoots,

388
00:20:29,359 --> 00:20:32,960
it doesn't do anything useful. Taken out, well, that feels

389
00:20:32,960 --> 00:20:35,960
like a waste because done something with him? Why why

390
00:20:36,000 --> 00:20:41,000
why even bothers? Exactly the I likes the sniper as well, foally.

391
00:20:41,279 --> 00:20:44,920
He calls Eve a tasty biscuit at one point.

392
00:20:46,680 --> 00:20:49,000
Speaker 2: Right, It's like he's just doing everything you can you

393
00:20:49,039 --> 00:20:52,000
can want him to do to like get eaten. He

394
00:20:52,200 --> 00:20:55,599
just you know, yeah, It's it's almost like that's kind

395
00:20:55,599 --> 00:20:59,599
of what these characters are there for, is like you know, right, exactly,

396
00:20:59,720 --> 00:21:03,519
Like their character arc is simply being developed so that

397
00:21:03,599 --> 00:21:05,559
we don't feel so that we we root for it

398
00:21:05,640 --> 00:21:07,759
as supposed to feel bad when they get eaten by

399
00:21:07,759 --> 00:21:08,440
the by the.

400
00:21:08,400 --> 00:21:10,799
Speaker 1: Snake and he's a sniper, but he's only got he's

401
00:21:10,839 --> 00:21:14,799
only got one round, I think, right, Yeah, he makes

402
00:21:14,799 --> 00:21:16,799
the point of only only like one round, you only

403
00:21:16,799 --> 00:21:20,319
needing one round and he eventually shoots. I think I

404
00:21:20,359 --> 00:21:21,880
feel like if you were to talk to a sniper,

405
00:21:21,920 --> 00:21:23,680
you'd be like, Okay, the first shot, you're probably go

406
00:21:23,759 --> 00:21:26,920
need to gauge wind speed or whatever. He's like a distance.

407
00:21:27,559 --> 00:21:29,519
You know, if you're already gonna do something in one shot,

408
00:21:29,519 --> 00:21:31,880
you're gonna get there. You'll see films where like a

409
00:21:31,880 --> 00:21:35,240
snipe will go to the location beforehand and kind of judge, okay,

410
00:21:35,440 --> 00:21:38,240
this kind of angle hits the window above romming before okay,

411
00:21:38,279 --> 00:21:40,559
recal and he's like that one thing is that I

412
00:21:40,599 --> 00:21:42,640
need for this snake that's bigger than the size of

413
00:21:42,640 --> 00:21:44,759
our house, not just just the ones, just the one.

414
00:21:44,759 --> 00:21:50,039
But then he ends up shooting a guy instead exactly,

415
00:21:51,720 --> 00:21:54,920
and Twitter's response is whoops. And then he gets taken out,

416
00:21:55,359 --> 00:21:59,599
he gets dragged off. You rarely see the big c

417
00:21:59,720 --> 00:22:03,079
g I snakes interacting with people. In this film, you'll

418
00:22:03,079 --> 00:22:06,720
see a shot of a blurry snakehead and then you'll

419
00:22:06,720 --> 00:22:09,119
see a shot of just the person being dragged off

420
00:22:09,119 --> 00:22:12,240
screen by something and you piece it together. But it's

421
00:22:12,359 --> 00:22:16,039
rare that you'll see the interaction, which is sad. But

422
00:22:16,079 --> 00:22:23,319
there we are yeah, yeah text we mentioned being being

423
00:22:23,359 --> 00:22:26,160
not from Texas, but he shows up in a truck

424
00:22:26,200 --> 00:22:28,720
with an American flag on the top and he's yeah,

425
00:22:29,319 --> 00:22:34,039
we get it, we get it good. And then our

426
00:22:34,119 --> 00:22:40,319
hero team we have Monica so Sharp FBI agent Sharp

427
00:22:40,359 --> 00:22:43,519
cut what is going me? First? But he's just kind

428
00:22:43,559 --> 00:22:45,839
of a suit he's an FBI gu had not a

429
00:22:45,839 --> 00:22:50,839
lot to him. Then Monica bonds. Jamie Bergman is the

430
00:22:52,799 --> 00:22:57,079
Navy seal or the Navy dolphin expert. I think she's

431
00:22:57,920 --> 00:23:01,759
designed go pros for dolphins. And yeah, we meet her

432
00:23:01,799 --> 00:23:04,000
doing the breath holding challenge. When she ropes a bikini.

433
00:23:04,000 --> 00:23:07,039
You don't see her she's going to and Yeah, the

434
00:23:07,079 --> 00:23:12,400
expressions that guy was making incredible. It's like he's he's

435
00:23:12,720 --> 00:23:17,359
a fully adult man. He has seen things. He must

436
00:23:17,440 --> 00:23:21,559
have seen dress before, Like this cannot be his first

437
00:23:21,559 --> 00:23:24,880
time being near a lady taking a bikini top off.

438
00:23:24,920 --> 00:23:31,359
It cannot be, It cannot be. He's making expressions like

439
00:23:32,119 --> 00:23:34,920
the end of total recal, like when he's just been

440
00:23:34,960 --> 00:23:39,160
dropped on Mars with an atmosphere. It's incredible.

441
00:23:41,000 --> 00:23:44,000
Speaker 2: He's like a teenager in a ROMP movie, like an

442
00:23:44,000 --> 00:23:46,279
eighties romp movie who's never seen a pair of booths

443
00:23:46,319 --> 00:23:50,039
before reacting to the first time seeing a pair. Yeah,

444
00:23:50,119 --> 00:23:52,480
and like that that look on his face when she

445
00:23:52,519 --> 00:23:54,839
first got you know my friends and I like, you

446
00:23:55,000 --> 00:23:56,359
get like we lost it and then just like that

447
00:23:56,480 --> 00:23:59,640
idea that, oh, we could rewind it and watch it again, which,

448
00:23:59,680 --> 00:24:01,480
of course, you know, people listening to this now it's

449
00:24:01,519 --> 00:24:03,200
like now, I mean, streaming is a big you know,

450
00:24:03,200 --> 00:24:05,480
everybody watches on streaming where you just hit the thirty

451
00:24:05,519 --> 00:24:08,119
second back and you can watch it again. But at

452
00:24:08,119 --> 00:24:10,119
that time, it was like this big deal that nobody

453
00:24:10,160 --> 00:24:12,119
had this tape. You were watching it live on cable

454
00:24:12,359 --> 00:24:15,039
and we can rewind it back. And that face that

455
00:24:15,119 --> 00:24:17,160
he makes when cause he's like, like you said, he's like,

456
00:24:17,519 --> 00:24:19,640
I didn't think of it like that, But that's perfect analogy.

457
00:24:19,720 --> 00:24:22,160
He's like swartzenegg Are on Mars when you know the

458
00:24:22,799 --> 00:24:27,319
oxygen's going yeah, and he just you know it. But

459
00:24:27,359 --> 00:24:29,119
it kind of sets the stage in a way. It

460
00:24:29,160 --> 00:24:31,240
sets the stage more for what you're going to see

461
00:24:31,519 --> 00:24:33,400
than the wrestling match before it does.

462
00:24:34,880 --> 00:24:40,359
Speaker 1: Absolutely, yeah, yeah, yeah, It's just such an odd choice

463
00:24:40,400 --> 00:24:42,680
and I love that that's what they kept in the film.

464
00:24:42,799 --> 00:24:46,319
Is this guy game so over? The top. I just

465
00:24:46,319 --> 00:24:49,920
wrote down his expressions notes that.

466
00:24:50,000 --> 00:24:55,039
Speaker 2: One that's why the movie became a classic of Once

467
00:24:55,079 --> 00:24:57,440
my Friends. Really was that scene. You know, everything else

468
00:24:57,519 --> 00:25:01,640
is just your standard animals attack movie, but that scene

469
00:25:01,759 --> 00:25:04,920
was just so so, you know, so I am memorable,

470
00:25:04,960 --> 00:25:05,680
I guess, I don't know.

471
00:25:06,440 --> 00:25:09,799
Speaker 1: Yeah. So they take Monica away, but she's got enough

472
00:25:09,799 --> 00:25:11,640
time to pack a bag but not get changed out

473
00:25:11,680 --> 00:25:15,559
for a bikini, which fine. Uh, and she's got like

474
00:25:15,559 --> 00:25:17,599
a jacket on over the top of her but she's whatever.

475
00:25:18,039 --> 00:25:21,079
As she's taken to go and meet her patologist, doctor

476
00:25:21,119 --> 00:25:24,759
Stephen Emmett played with David Hewlett, who I recognized from Cube.

477
00:25:25,400 --> 00:25:26,839
He's one of the guys in Cube. He's in a

478
00:25:26,839 --> 00:25:30,079
bunch of stuff. He's in a bunch of GAMADATORI films

479
00:25:30,119 --> 00:25:35,759
as well. This was It was an awkward meeting because

480
00:25:36,279 --> 00:25:38,880
she's like deposited out the front of his building. The

481
00:25:38,920 --> 00:25:41,079
FBI guy goes around the back and she like has

482
00:25:41,079 --> 00:25:43,640
her back to the doors and starts just talking to

483
00:25:43,640 --> 00:25:46,920
herself about how creepy and weird all her patologists are.

484
00:25:47,160 --> 00:25:50,079
And he's right behind her, and you know, and it's

485
00:25:50,279 --> 00:25:53,880
just a little bit awkward, a little bit that wouldn't

486
00:25:53,920 --> 00:25:58,799
really happen. Okay, whatever, But yeah, and so they're initially

487
00:25:58,839 --> 00:26:01,920
at odds with each other, the bit distrustful as to

488
00:26:02,079 --> 00:26:03,880
whose tech is going to work while we're all here,

489
00:26:03,880 --> 00:26:08,440
et cetera. Just setting up a relationship we built and

490
00:26:09,920 --> 00:26:14,160
will lead to some underwater kissing later on. So yeah,

491
00:26:14,160 --> 00:26:17,559
so he's got a bio constrictor that is also huge.

492
00:26:17,559 --> 00:26:20,680
It's a comparable size to the python. But he's friends

493
00:26:20,720 --> 00:26:25,440
with it, and her name is Betty, And I don't

494
00:26:25,920 --> 00:26:29,880
by reading through like the general synopsis of New Alcatraz

495
00:26:29,960 --> 00:26:32,200
Or Boa, it doesn't sound like it's going to be

496
00:26:32,240 --> 00:26:36,799
the same snake, but maybe it is. I don't know.

497
00:26:37,200 --> 00:26:40,599
I'll find that when I watched that. And so how

498
00:26:40,640 --> 00:26:43,799
this will be a meeting of those two films unclear.

499
00:26:44,279 --> 00:26:46,079
We'll cross that approach to some other film, some other

500
00:26:46,079 --> 00:26:49,200
episode down the line. But what did you what do

501
00:26:49,279 --> 00:26:52,000
you make of this guy? Any any any thoughts on Emmett?

502
00:26:52,720 --> 00:26:55,279
Speaker 2: Yes, Well, so, so he's I think he's in that

503
00:26:55,440 --> 00:26:58,839
category of actor that excuse me. We've seen a lot

504
00:26:58,839 --> 00:27:02,279
of Steven Seagal movies where they shoot these movies in

505
00:27:02,799 --> 00:27:05,200
Bulgaria and they go to the UK and say you

506
00:27:05,279 --> 00:27:07,119
go to some you know, talent agers in the UK

507
00:27:07,200 --> 00:27:08,920
and say, who do you have that has a couple

508
00:27:08,960 --> 00:27:11,079
of weeks off that wants to make an extra fifty

509
00:27:11,240 --> 00:27:14,200
thousand quid or something like that. You know, Martin Hewlett

510
00:27:14,200 --> 00:27:16,119
seems like he's in that category where, you know, I

511
00:27:16,160 --> 00:27:18,880
think that the best example of that is Amalda Staunton

512
00:27:18,960 --> 00:27:21,640
did a cigall movie where she never did a scene

513
00:27:21,680 --> 00:27:23,759
with I think it was called Mercenary for just or no, no,

514
00:27:23,839 --> 00:27:26,960
it was shadow shadow Man, so what it was called.

515
00:27:27,480 --> 00:27:29,799
She never did a scene with him, and she discovered

516
00:27:29,839 --> 00:27:31,880
she was only going to be acting opposite his double

517
00:27:31,920 --> 00:27:34,839
the whole time, and she was not happy and she

518
00:27:34,880 --> 00:27:37,119
never did another one. Of course, she did Harry Potter

519
00:27:37,160 --> 00:27:38,799
I think soon after that and never had to do

520
00:27:38,839 --> 00:27:41,400
another one of those. But yeah, so that's the most

521
00:27:41,440 --> 00:27:44,559
famous example, but it's a common thing and this movie

522
00:27:44,559 --> 00:27:46,880
didn't have as many of those actors as I was expecting.

523
00:27:47,240 --> 00:27:50,319
But yeah, Usually when we do Sagall movies on the site,

524
00:27:50,680 --> 00:27:54,759
Scott Murphy who's from Scotland, from Edinburgh, he will go

525
00:27:54,799 --> 00:27:56,599
through the list of actors in the movie and tell

526
00:27:56,680 --> 00:27:59,599
us what shows in the UK they did, sort of

527
00:27:59,640 --> 00:28:02,039
the you know, give us the history on who they are,

528
00:28:02,440 --> 00:28:04,599
but yeah, Martin Hewlett is kind of that one. The

529
00:28:04,680 --> 00:28:06,440
one name in the movie that I recognized as a

530
00:28:06,559 --> 00:28:10,799
UK actor who yeah was you know, had a couple

531
00:28:10,839 --> 00:28:12,200
of weeks to kill and that he'd come over and

532
00:28:12,200 --> 00:28:14,720
shoot show off that he could do an American accent.

533
00:28:15,519 --> 00:28:18,680
Speaker 1: I've just looked up seadow Man and it also has

534
00:28:18,720 --> 00:28:21,480
Alex Ferns in it. Who did he standers for a while,

535
00:28:21,640 --> 00:28:24,359
but he was also in. He was the commissioner in

536
00:28:24,480 --> 00:28:27,839
the Batman from a couple of years ago. All right,

537
00:28:28,119 --> 00:28:31,119
he was in. He was like one of the naked

538
00:28:31,200 --> 00:28:35,680
miners in the Chernobyl series that came out. He's a

539
00:28:37,039 --> 00:28:39,839
big guy, big gruff guy who I love what he

540
00:28:39,880 --> 00:28:41,599
crops up and stuff. Who's in the States and film

541
00:28:41,640 --> 00:28:43,119
wraff of Man a couple of years ago as well.

542
00:28:43,200 --> 00:28:46,119
Speaker 2: All right, yeah.

543
00:28:45,000 --> 00:28:46,799
Speaker 1: He's in that as well. So good. So I imagine

544
00:28:46,799 --> 00:28:50,200
he gets like taken out by Sigal at some point.

545
00:28:50,240 --> 00:28:53,599
He seems like the type. He was a real I

546
00:28:53,599 --> 00:28:55,200
didn't watch his standards for a while, but wash It

547
00:28:55,240 --> 00:28:57,279
with my family did, and he was a real proper

548
00:28:58,000 --> 00:29:01,759
soap opera villains. His character, but he's a real piece

549
00:29:01,759 --> 00:29:06,200
of work. Yeah, Trevor, his name is Trevor and he

550
00:29:06,240 --> 00:29:11,119
gets killed with an iron at some point. Real classic

551
00:29:11,160 --> 00:29:15,519
British for the stuff he would do. Well, yeah, this

552
00:29:15,599 --> 00:29:17,160
kind of film, I think he'd you a good hunter

553
00:29:17,359 --> 00:29:18,160
with that expense.

554
00:29:19,119 --> 00:29:21,279
Speaker 2: Yeah, it's it's funny because like, you know, they don't

555
00:29:21,319 --> 00:29:23,599
make as many movies in Bulgaria as they used They

556
00:29:23,640 --> 00:29:27,960
still do, the New Millennium Crew or not sorry, the

557
00:29:28,000 --> 00:29:30,039
Millennium Crew. They used to be New Image. They have

558
00:29:30,400 --> 00:29:32,359
a studio in Bulgaria they still use. They do like

559
00:29:32,359 --> 00:29:35,599
you know, Nicolas Cage showed up. I think Subservience, the

560
00:29:36,079 --> 00:29:38,640
Megan Fox movie was shot there. So they still do

561
00:29:38,720 --> 00:29:40,440
make movies there. But it used to be that, like

562
00:29:40,480 --> 00:29:41,720
there were a ton of movies at this time in

563
00:29:41,759 --> 00:29:45,039
the early two thousands, and yeah that's how they would

564
00:29:45,079 --> 00:29:46,680
cast the movies, as they would you know, they would

565
00:29:46,680 --> 00:29:49,279
get some American actors and fly them over. But but

566
00:29:49,359 --> 00:29:50,759
a lot of times it was they've just sort of

567
00:29:50,799 --> 00:29:52,960
you know, talk to the agents in the UK and say,

568
00:29:52,960 --> 00:29:55,000
who's got a couple of weeks to spare do you

569
00:29:55,039 --> 00:29:56,359
want to be in the Steven siegalb or do you

570
00:29:56,359 --> 00:29:57,279
want to do something like this.

571
00:29:58,119 --> 00:30:00,960
Speaker 1: I mean fair play to about as Staunton, for I've

572
00:30:01,039 --> 00:30:05,000
never would have thought with all the actors not going

573
00:30:05,079 --> 00:30:07,480
to do this, but hey, good on her.

574
00:30:07,519 --> 00:30:12,759
Speaker 2: I guess she was playing like an American like diplomat

575
00:30:12,880 --> 00:30:17,640
or like maybe like an ambassador or something. And you know,

576
00:30:17,640 --> 00:30:18,880
it's one of those things where I don't think she

577
00:30:18,960 --> 00:30:21,640
understood she was getting herself into and she didn't know

578
00:30:21,759 --> 00:30:24,480
like how blow budget was all that, So which makes

579
00:30:24,480 --> 00:30:27,759
me wonder if maybe she fired her agent after she

580
00:30:27,880 --> 00:30:30,680
made the movie, Like it was like because the interviews

581
00:30:30,680 --> 00:30:32,559
that she does about it, she was just like, you know,

582
00:30:32,759 --> 00:30:34,920
she didn't know she wasn't gonna be acting with She

583
00:30:34,920 --> 00:30:36,319
didn't know any of that kind of stuff.

584
00:30:37,559 --> 00:30:41,440
Speaker 1: Because she's done like Mike Lee films, so she's done

585
00:30:41,640 --> 00:30:45,200
low budget films. But there's a difference between the Mike

586
00:30:45,319 --> 00:30:47,440
Lee low budget and a Salo budget where it's it's

587
00:30:47,480 --> 00:30:52,599
the same budget, but it's being used in different areas well.

588
00:30:52,599 --> 00:30:54,960
Speaker 2: I imagine the Mike Lee film she was acting, she

589
00:30:55,039 --> 00:30:57,240
was doing her scenes opposite her co stars like.

590
00:30:57,759 --> 00:31:02,799
Speaker 1: Yes, yeah, I reckon Eddie Marsan and Probaby showed up

591
00:31:02,799 --> 00:31:09,960
to them. Jill Davis was there when she shot via Drake. Yeah,

592
00:31:10,319 --> 00:31:15,160
good ah, we'll probably never cover in a Milder Staunton

593
00:31:15,519 --> 00:31:19,160
film on this podcast was the more's the pity. I

594
00:31:19,240 --> 00:31:22,119
wonder what her most deep was. The adjacent film would be,

595
00:31:23,440 --> 00:31:28,599
let's have a look at her see, hmmm, has she

596
00:31:28,680 --> 00:31:33,680
done anything? Chicken Run is technically animals. We're debating doing

597
00:31:33,680 --> 00:31:38,960
bird Year at some point we could Yeah, I think

598
00:31:38,960 --> 00:31:42,079
I think that could be. Yeah, this this, oh no, oh,

599
00:31:42,119 --> 00:31:45,160
there we go the Pirates and an adventure scientists, pirate film,

600
00:31:45,160 --> 00:31:49,039
boat film, water all the way through it. And if

601
00:31:49,039 --> 00:31:50,559
you do Mammal Year, we can do all the all

602
00:31:50,599 --> 00:31:55,000
of the Paddington films because they're perfect. Good, there we go,

603
00:31:55,039 --> 00:31:57,559
She's done some stuff that's a blip. Would work. We'll

604
00:31:57,559 --> 00:31:59,960
get to your one day Staunton. Your day's are numbered,

605
00:32:00,559 --> 00:32:08,559
that's a promise. I liked the her Pathologist lab. Lots

606
00:32:08,559 --> 00:32:10,519
of blue lights. Always happy to see lots of blue

607
00:32:10,559 --> 00:32:14,680
lights in these films. And its one one giant room

608
00:32:14,880 --> 00:32:20,359
sized enclosure in which Monica rests her leg just casually

609
00:32:20,400 --> 00:32:22,680
rests her foot up on something that is of course

610
00:32:22,720 --> 00:32:27,240
the snake. Yeah, and she's terrified, she's understanding me, terrified.

611
00:32:27,240 --> 00:32:30,880
It's a terrifying situation. The snake is huge, it's too big,

612
00:32:31,160 --> 00:32:36,640
too big, it shouldn't be allowed stop it. Yes, So

613
00:32:36,720 --> 00:32:40,000
then we go from there to the couple being pleasured

614
00:32:40,039 --> 00:32:43,599
by the snake and an even by the snake. Throughout

615
00:32:43,599 --> 00:32:46,079
all this there is a news reporter who keeps cropping up.

616
00:32:46,839 --> 00:32:50,319
His name is is Kent Kent humphreyes by Jeff Rank

617
00:32:50,880 --> 00:32:57,759
and his cameraman Lewis this guy maybe my favorite character

618
00:32:58,519 --> 00:33:00,720
not around long enough. He again, it's one of the

619
00:33:00,720 --> 00:33:02,839
people that has brought him, brought him just to die

620
00:33:03,599 --> 00:33:07,559
because he's it keeps on saying like this, there's been

621
00:33:07,599 --> 00:33:11,440
a truck crash, it's probably Alka, and everything is okay.

622
00:33:11,799 --> 00:33:17,039
It's so terrorist attacks. And then at one point he

623
00:33:17,119 --> 00:33:20,359
said he's reporting. We need something more than the facts.

624
00:33:21,440 --> 00:33:23,920
We need the truth. I was like, what you work

625
00:33:24,000 --> 00:33:27,200
for Fox News? This is a wall channel what you're

626
00:33:27,200 --> 00:33:30,880
reporting for now? But I loved him. My wife far

627
00:33:31,000 --> 00:33:34,480
more of him than he. Kian, Did you like KNT

628
00:33:34,519 --> 00:33:36,039
Humphries actually did?

629
00:33:36,759 --> 00:33:38,920
Speaker 2: Yeah, I gotta kick out of Cat Humphreys. He was great.

630
00:33:39,160 --> 00:33:41,240
The funny thing is, again, this is what's interesting about

631
00:33:41,240 --> 00:33:43,519
watching this movie now after seeing so many of these

632
00:33:43,519 --> 00:33:46,440
movies over the past like twenty years or so. Is

633
00:33:46,480 --> 00:33:50,119
that I didn't recognize that the was it? Vella zar

634
00:33:50,160 --> 00:33:54,240
Bayev the cameraman. He does a ton of these movies

635
00:33:54,279 --> 00:33:57,400
that are shot in Bulgaria, So speaking of subservience, he

636
00:33:57,440 --> 00:34:01,559
played a robot butler or robot care taker in Serbians,

637
00:34:01,680 --> 00:34:03,920
you know, just earlier this year. But yeah, it seems

638
00:34:03,920 --> 00:34:05,799
like whenever they need somebody to play a certain part.

639
00:34:06,160 --> 00:34:08,840
And it is kind of funny like how he has

640
00:34:08,880 --> 00:34:13,079
these interactions with with Kent Humphries, where like Ken Humphries

641
00:34:13,119 --> 00:34:15,599
fires him at one point and he's like, well we've

642
00:34:15,639 --> 00:34:18,039
been over this before, you can't fire me, you know,

643
00:34:18,119 --> 00:34:20,159
or like he's like, that's why you're where you are

644
00:34:20,199 --> 00:34:22,159
and I'm where I am. He's like, but I'm the cameraman.

645
00:34:22,239 --> 00:34:24,519
That's this is where I'm supposed to be. Like you know,

646
00:34:24,519 --> 00:34:26,840
it's like this idea that like the camera would want

647
00:34:26,880 --> 00:34:30,239
to be the reporter, you know. It's uh yeah, And

648
00:34:30,280 --> 00:34:32,440
it's one of those things too where you're just like, again,

649
00:34:32,519 --> 00:34:35,159
Ken Humphries is setting himself up to be eaten, like

650
00:34:35,400 --> 00:34:38,159
you you want to see him get eaten. He can't

651
00:34:38,519 --> 00:34:41,519
you know, be be you know, like every scene that

652
00:34:41,559 --> 00:34:44,480
he's developing himself into wanting somebody that you want to

653
00:34:44,480 --> 00:34:46,559
see get get eaten, and he does a great job

654
00:34:46,599 --> 00:34:46,880
of that.

655
00:34:47,599 --> 00:34:50,440
Speaker 1: And the camera in Venezolbaz was also Intervny Helden film.

656
00:34:50,440 --> 00:34:53,679
He was in Refuge, oh from twenty twenty three for

657
00:34:53,760 --> 00:34:56,880
a little connection. And also Young Young Woman in the Sea,

658
00:34:57,360 --> 00:35:00,360
the Daisy Ridley swimming film. That's very good. I don't

659
00:35:00,360 --> 00:35:03,000
remand being in it. But that's not all people in

660
00:35:03,039 --> 00:35:06,800
that good. Uh yeah, he was, he was good. We

661
00:35:06,840 --> 00:35:08,599
didn't we didn't see what happened to Lewis. I think

662
00:35:08,599 --> 00:35:11,400
the camera gets eaten, sorry, think the report gets eaten,

663
00:35:11,480 --> 00:35:16,239
but Lewis it goes and finds another cameraman, another reporter,

664
00:35:16,280 --> 00:35:17,360
I guess, yeah.

665
00:35:17,400 --> 00:35:20,199
Speaker 2: I think he calls the He's the one who calls

666
00:35:20,679 --> 00:35:23,400
the like off off camera, off screen, you know, like

667
00:35:23,440 --> 00:35:26,239
between scenes. I think he's the one who phones in,

668
00:35:26,639 --> 00:35:30,000
and then when the agent says he's been eaten, it's

669
00:35:30,079 --> 00:35:31,519
it would Yeah, I think it was the cameraman who

670
00:35:31,559 --> 00:35:33,360
did that. But yeah, because the camera, I think that's

671
00:35:33,400 --> 00:35:35,119
That's one of the things this movie does pretty well.

672
00:35:35,119 --> 00:35:37,079
I mean, you know, there's a couple of people working

673
00:35:37,079 --> 00:35:39,360
at a service station that you'd rather not see get eaten.

674
00:35:39,679 --> 00:35:41,960
But for the most part, the people who get eaten,

675
00:35:42,679 --> 00:35:44,320
I don't deserve it as the right term, because like

676
00:35:44,760 --> 00:35:47,800
obviously the couple you know hooking up, they technically don't deserve.

677
00:35:47,880 --> 00:35:50,079
That's more of like an old you know, movie trope

678
00:35:50,079 --> 00:35:53,039
than right, the couple hooking up gets you know. But

679
00:35:53,039 --> 00:35:55,159
but for the most part, it's like they deserve it.

680
00:35:55,239 --> 00:35:58,000
And I guess the cameraman you know, again from the

681
00:35:58,000 --> 00:36:00,400
movie standpoint, they would feel like if he on it,

682
00:36:00,400 --> 00:36:04,440
it would be a little bit too you know, means spirited.

683
00:36:04,639 --> 00:36:06,119
You know, if he got it, he's.

684
00:36:06,000 --> 00:36:09,159
Speaker 1: Not done anything wrong, if he's a victim of the

685
00:36:09,199 --> 00:36:13,079
insults of the reporter. Yeah he's a good guy. Yeah

686
00:36:13,159 --> 00:36:14,920
I didn't I didn't necessarily want to see him eating,

687
00:36:14,960 --> 00:36:16,599
but I would have liked to see and like, oh

688
00:36:16,719 --> 00:36:19,960
that's him. He runs away, He gets away scot free,

689
00:36:20,519 --> 00:36:25,440
not just the snake lives another day. Yeah, that's that's fine.

690
00:36:26,800 --> 00:36:29,960
We then get a little bit of a spat between

691
00:36:30,519 --> 00:36:33,360
our good guys, where it turns out Agent Sharp wants

692
00:36:33,440 --> 00:36:37,679
to kill every snake available and Emmett wants to keep

693
00:36:37,760 --> 00:36:40,239
the snake to try it because he's working on a

694
00:36:40,360 --> 00:36:44,360
universal anti venom that will work for all snakes, which

695
00:36:44,719 --> 00:36:47,800
if that works, great. I don't think it's gonna but

696
00:36:47,960 --> 00:36:50,079
I think that it's a good idea of you, if

697
00:36:50,079 --> 00:36:52,599
you can do it, fantastic because he has a tragic

698
00:36:52,639 --> 00:36:54,679
backstory where when he was six years old, his sister

699
00:36:55,280 --> 00:36:58,000
stood on a pit viper and they were too far

700
00:36:58,039 --> 00:37:00,599
away from anywhere to determine what the snake and get

701
00:37:00,639 --> 00:37:02,320
the right antivenem, et cetera, et cetera, et cetera. So

702
00:37:02,320 --> 00:37:04,719
we just trying to prevent that. It's a good, fine

703
00:37:04,800 --> 00:37:09,559
backstory established, Yeah, And so they have a little bit

704
00:37:09,559 --> 00:37:11,639
of a disagreement there, but not for very long. It's

705
00:37:11,639 --> 00:37:15,280
all fine. They're just gonna get on with it. And

706
00:37:15,280 --> 00:37:20,719
they follow the They send Betty with the camera attachments

707
00:37:20,719 --> 00:37:23,199
on her. She got these like things on her sides

708
00:37:23,199 --> 00:37:25,719
and the top of her head, and they follow her

709
00:37:25,760 --> 00:37:28,480
through the sewers or like underground in some way, and

710
00:37:28,519 --> 00:37:31,960
they're following her on foot and the snake is slithering

711
00:37:32,000 --> 00:37:34,079
on at the pace it would be, which is quite fast,

712
00:37:34,760 --> 00:37:38,239
and they're just walking along on foot behind her. And

713
00:37:38,280 --> 00:37:42,559
I don't understand what their plan is in terms of

714
00:37:42,960 --> 00:37:45,559
keeping up with the giant snake that's gone off in

715
00:37:46,360 --> 00:37:49,800
the top speed after a bigger snake. I don't know,

716
00:37:51,320 --> 00:37:55,000
but they don't seem to care. So I'm just gonna

717
00:37:55,039 --> 00:38:00,039
walk along the in the sewer, walking the speed, and

718
00:38:00,159 --> 00:38:04,719
Monica's tech is very temperamental, doesn't doesn't work for more

719
00:38:04,760 --> 00:38:07,360
than a couple of minutes at a time, which is

720
00:38:07,360 --> 00:38:12,239
also frustrating. But there we are. Yeah, we keep cutting

721
00:38:12,239 --> 00:38:15,440
between them, and the Hunter's text gets taken out. No

722
00:38:15,440 --> 00:38:18,119
one cares, no one even reverences. The text isn't around

723
00:38:18,119 --> 00:38:22,639
anymore because they'll spill off into three teams, and the

724
00:38:22,679 --> 00:38:25,480
sniper leaves text behind, and then Broddick is like, you

725
00:38:25,599 --> 00:38:27,840
never leave your abandon your team, and they have like

726
00:38:28,719 --> 00:38:31,079
they're in each other's chests, are brown out a little bit,

727
00:38:31,119 --> 00:38:33,000
and it's okay, both of you need to get in

728
00:38:33,119 --> 00:38:38,000
so uh yeah. Then Product gets a flame thrower and

729
00:38:38,039 --> 00:38:41,159
everyone's really impressed. He's got a flamethrower, so sure, okay,

730
00:38:41,840 --> 00:38:45,239
ye he lights a cigar with it. Just yeah, I did.

731
00:38:45,360 --> 00:38:49,119
I didn't like this guy. It's a good bad guy.

732
00:38:49,159 --> 00:38:51,519
I guess one of the one of the Hunters is

733
00:38:51,559 --> 00:38:53,400
that I've been waiting fifteen years to use this and

734
00:38:53,480 --> 00:38:56,599
throws grenade the wrong way. That that kind of stuff

735
00:38:57,280 --> 00:39:01,719
is happening, I'm surprisident blows himself up like throws the

736
00:39:01,800 --> 00:39:08,880
pin or something. But eventually they all kind of meet

737
00:39:09,119 --> 00:39:12,760
underground in is this what is this? What kind of facility?

738
00:39:12,840 --> 00:39:15,320
Did you think this was supposed to be? Well? Where

739
00:39:15,360 --> 00:39:19,960
were they the height the heights that they're out of,

740
00:39:20,039 --> 00:39:21,239
the floors are out of labeled.

741
00:39:22,519 --> 00:39:24,639
Speaker 2: It could have been yeah, I mean I was trying

742
00:39:24,719 --> 00:39:27,079
to think like what they could have been using. I mean,

743
00:39:27,079 --> 00:39:28,800
it could have been like a prison set. I don't.

744
00:39:28,880 --> 00:39:32,039
Speaker 1: Yeah, it's it's a Wikipedia it's a water treatment facility.

745
00:39:32,039 --> 00:39:33,440
And they do say that at the start whether the

746
00:39:33,440 --> 00:39:37,719
snake has gone on yeh, which makes sense to where

747
00:39:37,719 --> 00:39:40,719
it floods later on? Good okay ex.

748
00:39:40,639 --> 00:39:42,320
Speaker 2: Usually yeah, Because one of the things that's funny is

749
00:39:43,199 --> 00:39:45,760
that so when it gets to the water treatment facility,

750
00:39:45,880 --> 00:39:50,679
the agent guy he says, oh, you know, turn off

751
00:39:50,719 --> 00:39:52,920
all the water because we want to you know. And

752
00:39:53,280 --> 00:39:57,199
here Philadelphia, I remember there was some incident where water

753
00:39:57,719 --> 00:40:01,079
like like chemicals or something, we're dumped in to a

754
00:40:01,320 --> 00:40:04,239
source of water that we would use for drinking. And

755
00:40:04,360 --> 00:40:05,679
it was one of those things where I got like

756
00:40:05,760 --> 00:40:07,920
a notification on my phone. I didn't even you know,

757
00:40:08,199 --> 00:40:10,239
know that that happened, but there was a notification on

758
00:40:10,320 --> 00:40:13,960
our phone saying don't drink the water. And suddenly there

759
00:40:14,039 --> 00:40:16,800
was like this huge you know, everybody like trying to

760
00:40:17,599 --> 00:40:20,280
uh get you know, get as much water as they could.

761
00:40:20,360 --> 00:40:22,199
And it was like pretty quickly that you know, there

762
00:40:22,360 --> 00:40:24,239
was no water. You know, like everything got bought up.

763
00:40:24,920 --> 00:40:26,960
And the funny thing was I had to go to Washington,

764
00:40:27,079 --> 00:40:30,079
d C. I'd see a sporting event, and of course,

765
00:40:30,119 --> 00:40:31,480
you know, they didn't have any problems with water, so

766
00:40:31,519 --> 00:40:34,480
I could like buy bottles of water there and bring

767
00:40:34,559 --> 00:40:36,119
it back on the train with me. And it was

768
00:40:36,239 --> 00:40:37,760
kind of funny, how like when you're in these like

769
00:40:38,000 --> 00:40:39,840
you know, even the United States, you could be in

770
00:40:39,880 --> 00:40:43,800
this like one pocket where there's no water and it's

771
00:40:43,840 --> 00:40:46,039
like all sold out and everything, but you know, an

772
00:40:46,079 --> 00:40:48,880
hour train a two hour train ride south and everybody's

773
00:40:48,920 --> 00:40:49,280
got water.

774
00:40:49,440 --> 00:40:53,960
Speaker 1: You know, just like, yeah, it's an odd country from

775
00:40:54,239 --> 00:40:59,119
from outside exactly. You hear about places like Michigan. We're like,

776
00:40:59,119 --> 00:41:01,000
wellwcome to the water. There is poison everywhere else is

777
00:41:01,199 --> 00:41:05,480
it's fine? It feels like something that could be sordered,

778
00:41:05,519 --> 00:41:09,239
but there were are. So yeah, so they see on

779
00:41:09,360 --> 00:41:11,760
the on the go Bros. That the snakes have met

780
00:41:11,800 --> 00:41:13,840
each other. They counts each other and instead of fighting,

781
00:41:13,880 --> 00:41:18,760
they start getting it on, getting frisky and fine, why

782
00:41:18,800 --> 00:41:25,119
shouldn't they monsters? As why that's terrifying creatures. I'm not like,

783
00:41:25,639 --> 00:41:27,599
I don't mind snakes. I feel like I'd be terrified

784
00:41:27,639 --> 00:41:31,360
of a snake that big. Just just just saying shouldn't

785
00:41:31,400 --> 00:41:36,639
be allowed. So everyone, everyone's in this underwater water under

786
00:41:37,000 --> 00:41:42,599
underground water treatment facility, and people just get taken out

787
00:41:42,760 --> 00:41:45,119
left and right. Of this season, it's pretty much like

788
00:41:45,280 --> 00:41:48,440
the the FBI guy gets shut the phony gets dragged away,

789
00:41:48,559 --> 00:41:53,719
the two hunters. The hunter dad gets like ripped apart

790
00:41:53,840 --> 00:41:58,599
by a snake tail. His son is distracted by a

791
00:41:58,679 --> 00:42:01,480
wall of water coming towards him. I just gets tired

792
00:42:01,559 --> 00:42:05,480
with the tail and smither rings. Not a good way

793
00:42:05,519 --> 00:42:12,880
to go well. And then eventually, oh yeah, so Emtt

794
00:42:12,920 --> 00:42:15,159
and Monica hide, they hide from the snake and they

795
00:42:15,239 --> 00:42:18,719
hide under water, and as we've seen, Monica very good

796
00:42:18,760 --> 00:42:21,199
at holding her breath. Emmett this may be his first

797
00:42:21,199 --> 00:42:24,320
time being underwater. I don't know, so he is less good,

798
00:42:24,559 --> 00:42:27,280
and so of course, of course they have a kiss

799
00:42:27,440 --> 00:42:30,280
so she can transfer some air into him to breathe.

800
00:42:30,960 --> 00:42:37,400
Oh lovely, So that happens good, and they survived that encounter.

801
00:42:37,960 --> 00:42:41,679
And then they come across Broddick, who's the only other guy.

802
00:42:42,079 --> 00:42:44,800
What happened to Eve? Eve got taken? She dropped She

803
00:42:44,800 --> 00:42:46,119
picked up an egg. They found a egg and she

804
00:42:46,199 --> 00:42:48,920
dropped it. And then the snake either Yeah, yeah, she

805
00:42:48,960 --> 00:42:51,599
gets constricted. That's what she gets constricted by the python.

806
00:42:52,559 --> 00:42:55,920
Speaker 2: Yeah, he promises, he vows that he'll get revenge for her.

807
00:42:56,719 --> 00:42:59,119
But this is the problem too with only having a

808
00:42:59,199 --> 00:43:03,079
flamethrower as your weapon, is that it was really hard

809
00:43:03,119 --> 00:43:05,280
for him to use the flame throw on the pipe

810
00:43:05,679 --> 00:43:09,039
on the or the boa and not burn her at

811
00:43:09,079 --> 00:43:11,840
the same time. So, you know, as much as he

812
00:43:11,920 --> 00:43:14,199
thought that was a cool weapon, he didn't really you know,

813
00:43:14,639 --> 00:43:18,679
he he he if you know, if he lived long enough,

814
00:43:18,719 --> 00:43:21,920
he could have regrets for that, you know, But I

815
00:43:21,920 --> 00:43:23,400
don't see that he would be someone that will have

816
00:43:23,440 --> 00:43:24,159
that kind of reflection.

817
00:43:24,679 --> 00:43:25,440
Speaker 1: He just blamed.

818
00:43:25,960 --> 00:43:27,800
Speaker 2: He wouldn't say, you know, if I hadn't had this

819
00:43:27,840 --> 00:43:31,239
stupid flamethrower for whatever reason, I could have potentially saved

820
00:43:31,320 --> 00:43:33,880
my person that I was I guess in love with.

821
00:43:33,960 --> 00:43:36,880
Speaker 1: I don't know what the you know, seems like the

822
00:43:36,960 --> 00:43:38,760
kind of guy who'd be like, the problem was my

823
00:43:38,840 --> 00:43:41,679
flamethrow just wasn't big enough, and we'll just get a

824
00:43:41,679 --> 00:43:46,000
bigger flamethrower. It's a very specific weapon, it's a very

825
00:43:46,639 --> 00:43:51,400
very specific uses and fighting a giant snake in an

826
00:43:51,440 --> 00:43:55,880
underground on water treatment facility, it feels like inappropriate for

827
00:43:56,039 --> 00:43:58,960
a flamethrower, and he knows that. Now, we all know

828
00:43:59,039 --> 00:44:04,159
that now, So yeah, so and Monica encounter Product in

829
00:44:04,639 --> 00:44:08,159
and Emmett's responses punch him the face, and then immediately

830
00:44:08,480 --> 00:44:11,320
Fi shows up and arrests him. And I've found that hilarious.

831
00:44:12,480 --> 00:44:15,360
It's odd fifteen minutes for the end of a giant

832
00:44:15,400 --> 00:44:18,039
snake film for the cops to show up and arrest

833
00:44:18,119 --> 00:44:20,800
the bad guy. That's not how these films end, and

834
00:44:20,920 --> 00:44:22,760
it's not how this film ens. But this is a

835
00:44:22,760 --> 00:44:25,400
sequence I was not expecting, because like these films end

836
00:44:25,480 --> 00:44:27,920
with the giant snake eating the bad guy, that's, you know,

837
00:44:28,159 --> 00:44:31,199
how it's gonna happen. We still have six of the

838
00:44:31,239 --> 00:44:36,320
film to go. So Product gets arrested and then the

839
00:44:36,639 --> 00:44:38,079
heroes are gond have saved and taken out of the

840
00:44:38,119 --> 00:44:40,320
water treatment place, and now we're up on the ground

841
00:44:42,480 --> 00:44:47,480
with like the military going after these snakes. Things have escalated,

842
00:44:47,840 --> 00:44:51,480
and they still let product tag along. He is arrested.

843
00:44:51,519 --> 00:44:54,840
He is not in handcuffs, he is not under surveillance.

844
00:44:55,119 --> 00:44:58,039
He is just there part of the team. Now.

845
00:45:00,559 --> 00:45:03,559
Speaker 2: I guess like it's maybe the most realistic part because

846
00:45:03,599 --> 00:45:06,480
he's a billionaire, And I guess a billionaire probably would

847
00:45:06,519 --> 00:45:08,880
get really good treatment from the authorities, like they wouldn't,

848
00:45:09,159 --> 00:45:11,320
you know, write It would have been kind of funny

849
00:45:11,400 --> 00:45:15,199
if like he'd had somebody with him that you're like

850
00:45:15,239 --> 00:45:17,840
a like a like an assistant or somebody or somebody

851
00:45:17,880 --> 00:45:20,199
else that was on the hunt who you know, like

852
00:45:20,440 --> 00:45:22,000
maybe like a like a black person who might get

853
00:45:22,000 --> 00:45:24,159
treated poorly by the cops, or you know, somebody that

854
00:45:24,320 --> 00:45:27,599
like like you know that like gets rougher treatment than

855
00:45:27,679 --> 00:45:30,679
he does. And it's almost like that juxtaposition. But I

856
00:45:30,719 --> 00:45:32,119
also can understand too that you don't want to be

857
00:45:32,119 --> 00:45:34,000
paying more actors for a movie like this year, you know,

858
00:45:34,840 --> 00:45:35,719
just do what you're gonna do.

859
00:45:36,119 --> 00:45:38,440
Speaker 1: Yeah, we can't have diversity in this cast. What are

860
00:45:38,440 --> 00:45:44,920
you talking about the snake's a different colors, doesn't that count.

861
00:45:47,679 --> 00:45:49,360
Speaker 2: Yeah, that's a good point because even like the crew,

862
00:45:49,360 --> 00:45:53,360
because it's all people from Bulgaria. Yeah, excuse me, because

863
00:45:53,360 --> 00:45:56,199
that's another area where a lot of these UK films

864
00:45:56,440 --> 00:46:01,840
or sorry, a lot of these Bulgaria productions, they will

865
00:46:01,880 --> 00:46:04,280
go to the UK where there are you know, especially

866
00:46:04,360 --> 00:46:05,960
with black actors in the UK who maybe can't do

867
00:46:06,079 --> 00:46:08,400
like Victorian, especially in the early two thousands, where they

868
00:46:08,559 --> 00:46:10,599
you know, it's like, okay, well here's some easy work

869
00:46:10,639 --> 00:46:13,039
that you can do, and so they'll just shoot over

870
00:46:13,320 --> 00:46:16,039
and again. They'll have like an American accent usually, and

871
00:46:16,760 --> 00:46:19,000
you know, and then you know, like when when I'm

872
00:46:19,199 --> 00:46:20,840
doing the Sagall movie, Scott will tell me that this

873
00:46:20,960 --> 00:46:24,159
is what this actor actually does. Also Asian actors as well,

874
00:46:24,559 --> 00:46:27,599
from from the UK, they'll you know, maybe they can't

875
00:46:27,599 --> 00:46:29,519
get the work that they're looking for there all the time.

876
00:46:29,920 --> 00:46:32,719
And so then here, you know, producers from Bulgaria show

877
00:46:32,760 --> 00:46:34,760
up and say, hey, you know, you can make up

878
00:46:34,840 --> 00:46:37,119
you know, five figures doing a movie with us for

879
00:46:37,119 --> 00:46:39,440
a little bit. And so it is interesting this movie

880
00:46:39,480 --> 00:46:39,920
didn't do that.

881
00:46:41,599 --> 00:46:46,679
Speaker 1: Yeah, yeah, I don't have a reason why. They just didn't,

882
00:46:48,199 --> 00:46:54,039
I guess, so they just they determined that the boa

883
00:46:54,559 --> 00:46:57,440
is out for vengeance. Maybe that there's the line you're

884
00:46:57,480 --> 00:46:59,480
telling me your snake has a sense of vengeance is

885
00:46:59,480 --> 00:47:04,000
a great line to write down. So yeah, whilst everyone

886
00:47:04,119 --> 00:47:08,400
is distracted, product steals a tank because again not under

887
00:47:08,400 --> 00:47:10,039
any kind of serventans or handcuffs, and it just has

888
00:47:10,039 --> 00:47:14,039
a tank to go out after the snake doesn't go well.

889
00:47:14,239 --> 00:47:18,159
They've secured a secured a five mile perimeter and there's

890
00:47:18,159 --> 00:47:22,320
no one inside that perimeter except for a fully populated nightclub,

891
00:47:23,079 --> 00:47:26,880
which somehow everybody missed. It's not quiet. There's a lot

892
00:47:26,920 --> 00:47:31,760
of people in it and the snake when I've lost

893
00:47:31,800 --> 00:47:33,840
track of which snake is doing what at this point,

894
00:47:35,920 --> 00:47:38,960
so it doesn't really matter. It doesn't really matter. One

895
00:47:38,960 --> 00:47:40,840
of the snakes has gone to the nightclub and it's

896
00:47:40,880 --> 00:47:43,760
slithering around the nightclub. This is a huge snake. The

897
00:47:43,840 --> 00:47:47,519
diameter of the snake is waste level, Like, it's huge,

898
00:47:48,519 --> 00:47:51,519
and it's like sliving around the nightclub. We don't see

899
00:47:51,559 --> 00:47:53,440
the snake, but we see people's reactions to it, and

900
00:47:53,519 --> 00:47:56,199
they seem pretty chill about it. They seem pretty like

901
00:47:56,400 --> 00:47:59,519
huh or just like as if someone's just just jostled

902
00:47:59,519 --> 00:48:01,840
their drink a little bit. No one's all that concerned

903
00:48:02,280 --> 00:48:04,679
that there is a snake that they could all easily

904
00:48:04,719 --> 00:48:08,559
fit inside. Uh, sitting around until it ras up behind

905
00:48:08,599 --> 00:48:10,679
the DJ and then eats the TJ.

906
00:48:12,599 --> 00:48:16,599
Speaker 2: I love to see because because the DJ, they're like

907
00:48:16,760 --> 00:48:21,480
waving at the DJ to tell him get away. They're

908
00:48:21,559 --> 00:48:23,559
like doing like the you know, like the race of

909
00:48:23,559 --> 00:48:25,960
the roof thing, and he's like he's like doing it

910
00:48:26,079 --> 00:48:26,599
back to them.

911
00:48:27,039 --> 00:48:35,280
Speaker 1: Oh yeah, good times. Uh, and with with like so

912
00:48:35,440 --> 00:48:38,960
the eats the DJ place closed out and then with

913
00:48:39,159 --> 00:48:40,679
like five minutes of the film have to go. The

914
00:48:40,719 --> 00:48:43,880
snakes finally start fighting each other. The promise of the

915
00:48:43,920 --> 00:48:49,440
title is finally brought forward, and they fight and somehow

916
00:48:49,599 --> 00:48:53,400
end up on the subway tracks, and unclear how, they

917
00:48:53,519 --> 00:48:55,679
just kind of they're somewhere and it collapses and then

918
00:48:55,679 --> 00:48:58,039
they're on the subway tracks and they're going at it,

919
00:48:58,199 --> 00:49:01,199
and what happened to product?

920
00:49:02,760 --> 00:49:06,840
Speaker 2: He so he was he was so he remember he

921
00:49:06,880 --> 00:49:10,320
had the flame thrower and he was trying to torch.

922
00:49:10,639 --> 00:49:12,760
He ends up like torching a bunch of government agents

923
00:49:14,039 --> 00:49:17,599
and then I think, oh, what did that's?

924
00:49:18,199 --> 00:49:20,719
Speaker 1: I think I just watched it on a day ago,

925
00:49:20,880 --> 00:49:23,440
and did Emmett. I think Emmett shoots him with a

926
00:49:23,440 --> 00:49:24,280
tranquilizer dart.

927
00:49:24,800 --> 00:49:28,199
Speaker 2: That's right, oh, with the it's a tranquilizer that is

928
00:49:29,119 --> 00:49:31,840
like meant for the snake, so it's very high powered.

929
00:49:32,119 --> 00:49:34,000
He shoots him in the stomach becausemember, he's ripped his

930
00:49:34,039 --> 00:49:36,519
shirt off and he's got like this distended you know,

931
00:49:36,519 --> 00:49:38,119
it's supposed to be a watchboard ad. It's kind of

932
00:49:38,159 --> 00:49:40,280
more distended, and he shoots him right there, and I

933
00:49:40,320 --> 00:49:42,719
guess because it's so powerful.

934
00:49:42,639 --> 00:49:43,519
Speaker 1: That it kills him.

935
00:49:43,679 --> 00:49:46,760
Speaker 2: I think right that it's like yeah, because he starts

936
00:49:46,760 --> 00:49:47,559
foaming at the mouth.

937
00:49:47,599 --> 00:49:50,639
Speaker 1: I think yeah, But I think he's still alive. I

938
00:49:50,679 --> 00:49:52,639
think the two snakes can rip him apart, so he's

939
00:49:52,719 --> 00:49:54,760
like just about alive enough for them to kill him.

940
00:49:55,280 --> 00:49:55,719
Speaker 2: That's right.

941
00:49:55,880 --> 00:49:58,920
Speaker 1: It's again rare for this kind of film for the

942
00:49:58,960 --> 00:50:01,159
bad guy to be shot by a human when there's

943
00:50:01,199 --> 00:50:03,800
two giant snakes around to do the job for him.

944
00:50:04,599 --> 00:50:06,880
But there we are, say thanks for from the pop.

945
00:50:07,639 --> 00:50:13,280
Speaker 2: Yeah yeah, now the subway. Oh yeah, I was gonna

946
00:50:13,280 --> 00:50:15,360
say the subway. This is something that I didn't pick

947
00:50:15,480 --> 00:50:17,559
up on until I moved down here. To Philadelphia. There's

948
00:50:17,559 --> 00:50:19,760
a few things about this movie that taking place in

949
00:50:19,760 --> 00:50:22,199
Philadelphia that I didn't even though it's not shot here.

950
00:50:23,039 --> 00:50:24,760
But one of them was that, And I don't know

951
00:50:24,760 --> 00:50:26,599
why I didn't get this, because I grew up near Boston,

952
00:50:27,119 --> 00:50:29,239
and maybe I did at the time catch that the

953
00:50:29,280 --> 00:50:32,960
subway stops or Boston subway stops. Yeah, so like it's

954
00:50:33,280 --> 00:50:36,599
essentially it's the Blue Line in Boston Boden State Government Center.

955
00:50:38,159 --> 00:50:40,440
But the other thing is that Philadelphia subway system is

956
00:50:40,599 --> 00:50:44,679
very small. It's not it's two lines. One goes north south.

957
00:50:44,719 --> 00:50:46,880
I think it's like maybe like fifteen sixteen miles north

958
00:50:46,920 --> 00:50:49,400
south and then east west like twenty miles or something

959
00:50:49,480 --> 00:50:51,119
like that. So it's not like like you know, like

960
00:50:51,199 --> 00:50:53,880
in London or New York City, where you've got or

961
00:50:53,920 --> 00:50:57,320
even Boston, where there's you know, more extensive subway network

962
00:50:57,559 --> 00:50:59,719
where you could just drop down anywhere and you'd be

963
00:51:00,119 --> 00:51:02,639
in the underground or you'd be in the MTA subway.

964
00:51:03,039 --> 00:51:06,840
In Philadelphia, it's a cross. It's essentially, you know, a

965
00:51:06,920 --> 00:51:09,840
great and there's large swaths of the city that don't

966
00:51:09,880 --> 00:51:13,760
have any kind of subway access. So there's nowhere that

967
00:51:13,840 --> 00:51:15,880
I could think of that they would have been when

968
00:51:15,920 --> 00:51:17,559
they's supposed to be this area that's supposed to be

969
00:51:17,599 --> 00:51:19,760
more rural and outside of the city, that would be

970
00:51:19,880 --> 00:51:23,360
near a subway station. So but you wouldn't know that.

971
00:51:23,400 --> 00:51:24,599
I think if you unless you you know, if you're

972
00:51:24,599 --> 00:51:26,239
in Bulgaria, you have no idea think, oh, well, of

973
00:51:26,280 --> 00:51:28,239
course they've got a subway. You know, this just makes sense,

974
00:51:28,320 --> 00:51:30,440
you know, but it kind of seems like the kind

975
00:51:30,440 --> 00:51:33,119
of thing that chat GPT would make a mistake about that.

976
00:51:33,239 --> 00:51:36,000
You know, sure, Philadelphia is a subway. Here are the

977
00:51:36,000 --> 00:51:37,920
subway stops and their Boston subway stops.

978
00:51:38,480 --> 00:51:42,159
Speaker 1: Now, yeah, we can't we can't blame chat GPT for that.

979
00:51:42,239 --> 00:51:43,719
We can for a lot of things, but not for

980
00:51:44,199 --> 00:51:50,679
getting a script wrong. Right, Yeah, in two thousand and four. Yeah,

981
00:51:50,719 --> 00:51:54,280
so they end up fighting in the subway. There's this

982
00:51:54,519 --> 00:51:58,719
device that Emmett has on on Betty the Boa that

983
00:51:58,840 --> 00:52:03,239
will like stun and it might kill her, It might

984
00:52:03,400 --> 00:52:05,679
just kind of put her out for a little bit,

985
00:52:06,480 --> 00:52:10,199
but it's some kind of last ditch attempt they will

986
00:52:10,239 --> 00:52:11,880
have to use if need be. And so whilst the

987
00:52:11,920 --> 00:52:15,000
snakes are fighting, he decides he's going to have to

988
00:52:15,119 --> 00:52:18,519
use it because I think Monica is hiding in the

989
00:52:18,559 --> 00:52:20,960
train tracks as the train coming, and so he uses

990
00:52:21,039 --> 00:52:24,679
the device and it does the snake survive. It kind

991
00:52:24,679 --> 00:52:26,559
of shocks them and it separates them, and it throws

992
00:52:26,639 --> 00:52:30,800
Betty the boa backwards and leaves the python in the

993
00:52:31,079 --> 00:52:32,840
track in the way of the train and they can

994
00:52:32,880 --> 00:52:37,320
stay up by train, So hooray. And then Betty alive

995
00:52:37,599 --> 00:52:41,639
flees and just because her own I presume because of

996
00:52:41,760 --> 00:52:43,760
her own shocked her and she knows her own shot her.

997
00:52:43,760 --> 00:52:46,519
I don't know. She's free now she's trying out about

998
00:52:46,719 --> 00:52:51,280
and the film ends with Emmett and a searching for Betty. Credits.

999
00:52:51,639 --> 00:52:55,360
Love it, No hanging around like what do we do tomorrow?

1000
00:52:55,519 --> 00:52:59,039
Where do we go for eggs? No, that's it's We're done,

1001
00:52:59,119 --> 00:53:05,360
good Granits were done. Yes, So I had a good

1002
00:53:05,400 --> 00:53:08,599
time with this one. I had a fun, fun time

1003
00:53:08,639 --> 00:53:10,639
watching both of us as python, more so than I

1004
00:53:10,679 --> 00:53:12,480
thought I was going to do. Did it held up

1005
00:53:12,519 --> 00:53:14,880
for your your rewatch? Yes?

1006
00:53:15,079 --> 00:53:17,119
Speaker 2: Yeah it was. And again it was interesting, like there

1007
00:53:17,159 --> 00:53:20,320
were things that I caught this time that I didn't before. Again,

1008
00:53:20,400 --> 00:53:22,280
like that the Pennsylvania things. I mean, one of the

1009
00:53:22,360 --> 00:53:24,639
interesting ones is this is something that I never would

1010
00:53:24,679 --> 00:53:28,760
have known living in Maine. Pennsylvania is a unique state

1011
00:53:28,840 --> 00:53:31,519
in that you you don't you're not required to have

1012
00:53:31,599 --> 00:53:33,840
a front license plate on your car. You just need

1013
00:53:33,880 --> 00:53:36,360
to have a back license plate. So there's a scene

1014
00:53:36,360 --> 00:53:39,320
where the agents all drive up to this location to

1015
00:53:39,519 --> 00:53:41,480
like plot how they're going to deal with the snakes

1016
00:53:41,800 --> 00:53:43,480
and all the cars. They do a good job of

1017
00:53:43,599 --> 00:53:47,119
mimicking what a Pennsylvania license plate looks like, but the

1018
00:53:47,199 --> 00:53:48,320
fact that they were all in the front of the

1019
00:53:48,400 --> 00:53:50,760
cars was you know, oh, I picked like I caught

1020
00:53:50,800 --> 00:53:52,559
it right away, which is something I would never catch them.

1021
00:53:52,719 --> 00:53:54,880
Like one of the things here in Philadelphia's people who

1022
00:53:54,960 --> 00:53:57,920
move here from Europe they keep their old, like long

1023
00:53:58,280 --> 00:54:00,239
European style license plate and put it on the under

1024
00:54:00,239 --> 00:54:02,480
their car because they don't need to have an actual one.

1025
00:54:02,559 --> 00:54:04,800
So so like that's something I wouldn't I never would

1026
00:54:04,840 --> 00:54:06,800
have caught before watching this movie. So there's like little

1027
00:54:06,840 --> 00:54:10,559
tidbits like that Jamie Bergman, who you know, who plays

1028
00:54:10,559 --> 00:54:13,320
that that main character, she's married to David Briannis, who's

1029
00:54:13,480 --> 00:54:16,920
from Philadelphia. So yeah, so yeah, so she's suddenly you know,

1030
00:54:17,840 --> 00:54:19,119
and I don't know if she had been married to

1031
00:54:19,199 --> 00:54:23,119
him before she made the movie. But yeah, I've seen

1032
00:54:23,159 --> 00:54:24,800
him at sporting events here, like they show him on

1033
00:54:24,800 --> 00:54:27,039
the big screen, Like, oh, you know, that's a what

1034
00:54:27,199 --> 00:54:29,239
passes for celebrities in Philadelphia where it's like, you know,

1035
00:54:29,280 --> 00:54:30,719
you watch him in New York City and it's like,

1036
00:54:30,800 --> 00:54:33,159
you know, Elliott Page or I'm trying to think, you know,

1037
00:54:33,360 --> 00:54:35,320
Michael J. Fox. You know, you know, big names.

1038
00:54:35,360 --> 00:54:39,400
Speaker 1: You know, I think Doriannis is big enough. You know,

1039
00:54:39,519 --> 00:54:43,440
he's done a thousand TV episodes to his name show.

1040
00:54:43,880 --> 00:54:46,000
I think he's earned the right to be called a celebrity.

1041
00:54:46,480 --> 00:54:48,760
Speaker 2: Yeah, no, no, he definitely is. Definitely is it just yeah,

1042
00:54:48,800 --> 00:54:50,760
it's funny like with Philadelphia. It's like, you know, like

1043
00:54:50,920 --> 00:54:52,440
you go to a Knicks game in New York and

1044
00:54:52,440 --> 00:54:55,199
they have like a whole front row corned off so

1045
00:54:55,280 --> 00:54:58,000
the celebrities can sit there. Sure, okay, you know, I

1046
00:54:58,039 --> 00:54:59,519
guess in his case, he was sitting in like a

1047
00:54:59,599 --> 00:55:01,800
luxury box suite and they showed him and we all

1048
00:55:01,880 --> 00:55:04,480
waved to, you know, to the big screen that yeah,

1049
00:55:04,559 --> 00:55:06,920
that he was there. But uh but yeah, but it's funny,

1050
00:55:07,079 --> 00:55:09,679
like again, that's something I would have thought about before that, Like,

1051
00:55:09,800 --> 00:55:12,519
you know, she made a movie that in Bulgaria that

1052
00:55:12,679 --> 00:55:14,639
doesn't take you know, that wasn't shot in Philadelphia, but

1053
00:55:14,639 --> 00:55:16,719
was supposed to take place there. And then she's married

1054
00:55:16,760 --> 00:55:18,440
to somebody who's actually from Philadelphia.

1055
00:55:18,519 --> 00:55:22,840
Speaker 1: Now I've just been on have Wikipedia and I referenced

1056
00:55:22,840 --> 00:55:24,519
called in sixty Seconds earlier. She was in Gone in

1057
00:55:24,559 --> 00:55:28,360
sixty Seconds. She was blonde in Drag Race. She played

1058
00:55:28,440 --> 00:55:30,800
party girl at any Given Sunday alongside the logo.

1059
00:55:31,159 --> 00:55:38,159
Speaker 2: From yeah, well that's the thing with these movies like

1060
00:55:38,239 --> 00:55:40,000
between this, you know, between her and and you know,

1061
00:55:40,119 --> 00:55:42,440
David Hewlett, like you know David Hewlett. I haven't seen

1062
00:55:42,519 --> 00:55:44,599
c but I saw a movie I think, oh, what

1063
00:55:44,800 --> 00:55:49,239
was it called? It was a movie that had Jeremy Northum.

1064
00:55:49,320 --> 00:55:50,639
It was by the same director as Q.

1065
00:55:51,559 --> 00:55:59,400
Speaker 1: Oh god, what did Vincenzo and Itali direct? Yeah, like

1066
00:55:59,440 --> 00:56:01,639
Splice scause he's in Splice.

1067
00:56:02,320 --> 00:56:05,559
Speaker 2: No, it was when something to do with like Jeremy

1068
00:56:05,599 --> 00:56:07,440
Northon's character was trying to figure out who he was

1069
00:56:07,599 --> 00:56:12,039
or something. It had Lucy lew in it as well. Cipher,

1070
00:56:12,159 --> 00:56:15,880
that's what it was, Cipher. Yeah, yeah, I covered that

1071
00:56:15,960 --> 00:56:19,800
on the podcast with uh Tom joelof who's a screenwriter.

1072
00:56:20,039 --> 00:56:22,320
He sometimes will come on to talk about just movies

1073
00:56:22,360 --> 00:56:24,320
that he likes, that we discuss something. I'll talk about

1074
00:56:24,320 --> 00:56:26,519
his new movies as well sometimes, And so we talked

1075
00:56:26,559 --> 00:56:28,800
about Cipher, and yeah, David Hull has a very small

1076
00:56:28,880 --> 00:56:32,159
part in that One does not be the star, you know,

1077
00:56:32,239 --> 00:56:34,519
to be the main characters. Name was Jamie Bergman right

1078
00:56:34,519 --> 00:56:36,280
where she's you know, like you said, she's blonde to

1079
00:56:36,320 --> 00:56:37,800
the drag race, you know, and a lot of you know,

1080
00:56:38,119 --> 00:56:40,400
but she gets to be the star here. And that's

1081
00:56:40,440 --> 00:56:41,920
always kind of a fun thing I think with these

1082
00:56:42,000 --> 00:56:44,199
movies when they kind of give these acts and it's

1083
00:56:44,199 --> 00:56:47,280
probably the draw for them beyond the paycheck. It's the

1084
00:56:47,320 --> 00:56:49,800
fact that they can, you know, they get they actually

1085
00:56:49,840 --> 00:56:53,559
get more pages of script to actually you know, act

1086
00:56:53,679 --> 00:56:54,119
on the film.

1087
00:56:54,159 --> 00:56:57,639
Speaker 1: In the film he's in here att centupan called Nothing,

1088
00:56:57,760 --> 00:57:01,960
which Vincenza Ntelli also directed, where it's mainly just him

1089
00:57:02,199 --> 00:57:04,840
and Andrew Miller, who crops up. He's that kind of

1090
00:57:04,880 --> 00:57:07,400
actor as well, where it's just just the two of

1091
00:57:07,480 --> 00:57:10,559
them for most of the film. I think that's that's

1092
00:57:10,719 --> 00:57:12,000
that's an interesting film as well.

1093
00:57:13,239 --> 00:57:15,559
Speaker 2: Yeah, I'm going to see more looks like I saw

1094
00:57:15,639 --> 00:57:18,119
Cipher for the for the podcast, but I meant to

1095
00:57:18,159 --> 00:57:19,159
watch more of his movies.

1096
00:57:20,480 --> 00:57:22,840
Speaker 1: Yeah. Yeah, nothing is like these two guys discover they

1097
00:57:22,880 --> 00:57:28,039
can get wish things, wish things away as it ends up,

1098
00:57:28,039 --> 00:57:32,320
which is the two of them in this void in

1099
00:57:32,440 --> 00:57:34,400
their house, but just like nothing around it, and it's

1100
00:57:34,559 --> 00:57:39,880
how that plays away. Yeah, it's it goes places. It's

1101
00:57:39,920 --> 00:57:40,480
a weird film.

1102
00:57:43,119 --> 00:57:45,000
Speaker 2: Yeah, I mean, Cipher is an interesting one. I think

1103
00:57:45,039 --> 00:57:47,599
if you you know, if you've seen other Natali's movies,

1104
00:57:48,719 --> 00:57:51,199
it don't be worth checking out. But it's it's a

1105
00:57:51,280 --> 00:57:52,079
very interesting one.

1106
00:57:53,119 --> 00:57:55,119
Speaker 1: Okay, that's I'll watched. I think I've seen like half

1107
00:57:55,159 --> 00:57:59,320
of his films. This far more than I thought. Did

1108
00:57:59,360 --> 00:58:02,199
you have any any more thoughts on on Boa versus Python?

1109
00:58:03,239 --> 00:58:05,159
Speaker 2: You know, I think just with it being on two B,

1110
00:58:05,599 --> 00:58:07,440
I guess the one thing is us discovering that it's

1111
00:58:07,480 --> 00:58:10,400
a part of a series of movies. It there's no

1112
00:58:10,599 --> 00:58:14,480
requirement to watch the other movies and enjoy this one, right,

1113
00:58:14,519 --> 00:58:16,880
there's nothing, you know, there's nothing that you're going to miss.

1114
00:58:17,000 --> 00:58:18,800
I think I'm going to get I haven't seen the

1115
00:58:18,800 --> 00:58:20,280
other movies, but it seems like that. So I think

1116
00:58:20,599 --> 00:58:23,599
for people that are like scrolling to B or you

1117
00:58:23,679 --> 00:58:25,800
know whatever streamers and you see this pop up and

1118
00:58:25,840 --> 00:58:29,039
you're looking for something fun to watch on a Saturday

1119
00:58:29,119 --> 00:58:32,480
night with people, Yeah, this is definitely worth it. You

1120
00:58:32,760 --> 00:58:34,880
know you'll you'll have a fun ninety minutes with it.

1121
00:58:36,159 --> 00:58:39,119
Speaker 1: I completely agree. A good time can be had on

1122
00:58:39,239 --> 00:58:44,000
a Thursday evening watching Boa versus Python for a podcast. Okay,

1123
00:58:46,199 --> 00:58:47,559
Like I said, I've watched a lot of these films

1124
00:58:47,599 --> 00:58:50,320
for this kind of this show, and this is one

1125
00:58:50,320 --> 00:58:53,800
of one of the more enjoyable ones. Good, so listen.

1126
00:58:53,880 --> 00:58:55,760
So this is your first time listening to the show, welcome,

1127
00:58:56,000 --> 00:58:58,239
because this is deeply seeing the podcast. With every new

1128
00:58:58,280 --> 00:59:00,559
film we cover, we have to go through and work

1129
00:59:00,599 --> 00:59:03,079
out how deep all the action takes place at, how

1130
00:59:03,119 --> 00:59:04,639
blue everything on screen is, and how much of it

1131
00:59:04,719 --> 00:59:07,960
takes place at sea. So Deep Blue Sea, of course,

1132
00:59:08,159 --> 00:59:11,400
is approximately forty seven fourteen and a half meters deeper

1133
00:59:11,480 --> 00:59:14,119
forty seven and a half feet deep, about thirty one

1134
00:59:14,119 --> 00:59:16,360
percent blue, and eighty nine percent of it takes place

1135
00:59:16,519 --> 00:59:19,400
at sea. Matt, do you think both of us as

1136
00:59:19,440 --> 00:59:21,760
Python is deeper, bluer, or more at sea than Deep

1137
00:59:21,800 --> 00:59:22,159
Blue Sea?

1138
00:59:23,360 --> 00:59:26,280
Speaker 2: So I was curious to think about whether it's deeper

1139
00:59:26,400 --> 00:59:28,800
or not because on the one hand we're underground, but

1140
00:59:28,880 --> 00:59:32,039
on the other hand, we've got this airplane with marble

1141
00:59:32,079 --> 00:59:35,320
pillars in the marble bathtub during that. So I want

1142
00:59:35,360 --> 00:59:37,519
to say it's not deeper because of the how it

1143
00:59:37,679 --> 00:59:42,639
evens out. So and I definitely bluer. I don't think

1144
00:59:42,639 --> 00:59:44,840
it's bluer either. I mean, we get the pool that's blue,

1145
00:59:44,880 --> 00:59:48,239
and like said, there's the blue light in the in

1146
00:59:48,599 --> 00:59:50,920
the lab for David Hewett, but I don't think it's

1147
00:59:50,920 --> 00:59:53,000
bluer and definitely not more c as well.

1148
00:59:54,000 --> 00:59:55,599
Speaker 1: Yeah, you're right, it doesn't. It doesn't even out. It

1149
00:59:55,679 --> 00:59:57,840
stays quite high up in the air because when they

1150
00:59:57,880 --> 00:59:59,639
go they go underground the othern side, the fourth or

1151
00:59:59,679 --> 01:00:03,760
fifth story, and private jets fly at like twelve thousand feet,

1152
01:00:04,400 --> 01:00:07,360
So this works out on average forty four hundred and

1153
01:00:07,480 --> 01:00:10,519
seventy meters up in the air, or fifteen hundred feet

1154
01:00:10,599 --> 01:00:13,079
up in the air, which is slightly higher up than

1155
01:00:13,320 --> 01:00:16,360
No Way Up an airplane film, and slightly lower than

1156
01:00:16,360 --> 01:00:18,239
Renne Harden's The Misfits, which also has a lotch of

1157
01:00:18,239 --> 01:00:23,880
stuff in airplanes blueness. It's nine point five three five

1158
01:00:24,000 --> 01:00:26,239
percent blue. I had to go that specific because it's

1159
01:00:27,159 --> 01:00:30,840
that's a point zero five percent less blue than Renny

1160
01:00:30,840 --> 01:00:35,880
Harden's twelve rounds and slightly bluer than Renny Harden's skip trace. Yeah,

1161
01:00:36,199 --> 01:00:38,480
the blue lights in the lab. There's blue lights in

1162
01:00:38,519 --> 01:00:40,800
the nightclub as well, and the pool and various other

1163
01:00:40,880 --> 01:00:43,360
bits here and there, and yeat Never at Sea. Not

1164
01:00:43,480 --> 01:00:45,440
for a single second is it at see five point

1165
01:00:45,519 --> 01:00:47,760
one five percent of it is on water or around

1166
01:00:47,840 --> 01:00:51,199
water of some kind. But that's not that's more at

1167
01:00:51,239 --> 01:00:54,159
water than shukn no four, less at water than megapython

1168
01:00:54,280 --> 01:00:58,159
versus Gatoroid, but not Never at Sea joins the many

1169
01:00:58,199 --> 01:01:02,320
many films Never at Sea. So that's all our ranking

1170
01:01:02,440 --> 01:01:05,920
of bow of Us as Python in the deeply c category,

1171
01:01:06,119 --> 01:01:09,119
not very in all of them. It turns out good.

1172
01:01:09,920 --> 01:01:12,280
So Matt, thank you for joining me for bow of

1173
01:01:12,360 --> 01:01:14,679
usus Python. Where can on Esson's find you? What have

1174
01:01:14,719 --> 01:01:15,280
you got to plug?

1175
01:01:16,039 --> 01:01:19,960
Speaker 2: Yeah? So the site is Dtvconnoisseur dot blogspot dot com.

1176
01:01:20,559 --> 01:01:23,000
That's where you can find links to everything. So that's

1177
01:01:23,000 --> 01:01:25,800
where the reviews are for the site. Links to the

1178
01:01:25,880 --> 01:01:28,639
podcast which Jay has been on. We talked about Inside

1179
01:01:28,679 --> 01:01:32,440
the Grizzly Maize, Into the Grizzliness yeah. So another big

1180
01:01:32,519 --> 01:01:35,599
animal movie that one used more real bears in this,

1181
01:01:35,800 --> 01:01:38,920
And I will say I prefer a good fake animal

1182
01:01:39,320 --> 01:01:41,079
to a real animal in a movie anyway, even if

1183
01:01:41,119 --> 01:01:44,599
it doesn't look great. Yeah. Yeah, so that's that. It

1184
01:01:44,679 --> 01:01:46,719
was a pretty but yeah, so that's you know that

1185
01:01:46,840 --> 01:01:49,760
that podcasting can find on all major podcasters. And my

1186
01:01:49,840 --> 01:01:53,960
new novel is Mark in Sales. It features a salesperson

1187
01:01:54,079 --> 01:01:55,960
named Mark who's really good at selling cut rate health

1188
01:01:56,000 --> 01:01:58,960
insurance here in the US, but he starts to realize

1189
01:01:59,000 --> 01:02:01,360
that one's taken hole in his family because he's not around.

1190
01:02:01,719 --> 01:02:04,079
But to the people who are stuck with this bad

1191
01:02:04,119 --> 01:02:06,440
health insurance and don't you know, get the care that

1192
01:02:06,519 --> 01:02:09,199
they want they were used to before, that they're suffering

1193
01:02:09,199 --> 01:02:11,559
as a result. So he has a dilemma of whether

1194
01:02:11,679 --> 01:02:14,360
or not he keeps with this job or he moves

1195
01:02:14,360 --> 01:02:16,159
on to something else. And as he's having this dilemma,

1196
01:02:16,480 --> 01:02:19,159
the company offers him the promotion he's always wanted. So

1197
01:02:19,559 --> 01:02:21,960
now he has a decision to make a.

1198
01:02:22,039 --> 01:02:24,880
Speaker 1: Very nice yeah with your real animals fake animals. I

1199
01:02:25,000 --> 01:02:28,119
just watched Monkey Shines for the first time recently, which

1200
01:02:28,119 --> 01:02:29,840
has a lot of real monkeys in it, and it

1201
01:02:29,920 --> 01:02:32,400
makes a real point of saying no monkeys were harmed

1202
01:02:32,480 --> 01:02:34,239
during this. I was like, yeah, they probably went harmed,

1203
01:02:34,400 --> 01:02:36,480
but did they have a good time. I don't know.

1204
01:02:37,840 --> 01:02:39,159
They're doing a lot of stuff in it that I

1205
01:02:39,199 --> 01:02:43,400
don't really appreciate. So yeah, you don't get that ethical

1206
01:02:43,519 --> 01:02:44,639
dynamo with fake monkeys.

1207
01:02:47,840 --> 01:02:50,159
Speaker 2: I mean, I don't think this had. Even the snake

1208
01:02:50,239 --> 01:02:53,039
that's there for angel Boris, I don't think is a

1209
01:02:53,119 --> 01:02:56,800
real snake. I think it's like a rubber snake around.

1210
01:02:57,199 --> 01:02:58,960
Speaker 1: It is alive at one point, because it's like moving

1211
01:02:59,000 --> 01:03:01,320
around on the bed. Yeah.

1212
01:03:04,119 --> 01:03:05,599
Speaker 2: Yeah, I wonder EFN when it was moving if it

1213
01:03:05,679 --> 01:03:07,440
was like there's some sort of mechanical aspect to it.

1214
01:03:07,519 --> 01:03:10,039
Ierhape Sir, Yeah, yeah, because they did. They did just

1215
01:03:10,079 --> 01:03:12,079
throw a snake. That's a good point. Yeah. I don't

1216
01:03:12,079 --> 01:03:14,599
know if in Bulgaria they have the same laws about

1217
01:03:14,639 --> 01:03:16,679
that dating in other personal world.

1218
01:03:17,360 --> 01:03:20,679
Speaker 1: Who knows. Who knows. I'm not going to go find out.

1219
01:03:21,280 --> 01:03:23,880
Good So, as for this podcast, you can follow Oliver

1220
01:03:23,960 --> 01:03:27,039
social media at deep Blue Seapod or email us deeply

1221
01:03:27,119 --> 01:03:29,079
Seapod at gmail dot com. If you've seen the rest

1222
01:03:29,119 --> 01:03:31,960
of the Boa or Python franchises and they are worth watching.

1223
01:03:32,079 --> 01:03:36,159
Let us know. Next week will be our final scene

1224
01:03:36,199 --> 01:03:41,559
of Deep with C one Dive two, Chapter thirty three

1225
01:03:41,679 --> 01:03:45,360
talking mainly talking about the end credits song we've got

1226
01:03:45,800 --> 01:03:48,039
Bubble eaton Nick. Yes, for that one, we've already recorded it.

1227
01:03:48,159 --> 01:03:50,079
It was a fun time to come out next week

1228
01:03:50,159 --> 01:03:52,639
for that one, and then we're back on Reptiles the

1229
01:03:52,679 --> 01:03:57,559
week after. But as for Boa versus Python, thank you

1230
01:03:57,679 --> 01:04:00,599
once again to my wonderful guest Matt Porray. Yes, I

1231
01:04:00,719 --> 01:04:03,039
have been Jake Lewer and I'll deep Blue see you

1232
01:04:03,159 --> 01:04:03,559
next week