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Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.

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This is your host, Adam Graham. In a moment, we're

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going to bring you this week's episode of The Big Story.

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But first I do want to encourage you. If you

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are enjoying the podcast, please follow us using your favorite

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podcast software. I also want to encourage you to check

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out our other podcast. Today, I'm highlighting the old time

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radio snack Wagon snack wagon dot net, where every Monday

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we post a boite sized bit of old time radio

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for your listening pleasure. It comes from a variety of

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genres and can be anything from comedies to histories to

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unusual music programs. These are rare in triggering little bits

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of old time radio. You can find it at snackwagon

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dot net or wherever you get your podcast from. But now,

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from October twelfth, nineteen forty nine, here is the Loneliest

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man on Earth, The Big Story.

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Speaker 2: Three men at the Cozy Conbecue in Westmolland County, Pennsylvania.

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Speaker 3: One Am you keep it? Yeah, that's right, Okay, let's

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have it. What are you the cash registered? Keeva, the

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cash register? What are you waiting for?

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Speaker 4: He's laying on the cash register, or push him off.

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Speaker 2: You got hands, hated his money in that registered. There

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was money in that register, eight dollars. The three men left,

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leaving Kiev behind dead. Pittsburgh, Pennsylvania. The story of a

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murder and of a reporter who befriended the loneliest man

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on earth, Pitsburgh, Pennsylvania. The story hasn't actually happened. Rays

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Spriggle's story as he liveded, this was before you won

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the fullet surprise, Ray Wriggle, reporter for the Pittsburgh Post Gazette.

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Before you are brilliant and humane work on behalf of

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the underprivileged of America. But even then, a few years back,

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the same unmistakable signs were there, the perception, the respect

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for facts, the sympathy for other human beings. The woman

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at your desk, sitting on the edge of her chair,

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was thirty five, maybe she was younger. What she'd been

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through made her look like twelve thirty five, And the

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story came out haltingly, as if it hurt to open

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the wounds she carried. Her name was Hortense Grayson's name.

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Speaker 5: He doesn't much to mister Spree. I don't think so, no,

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I guess almost nobody remembers. Six years ago, mister sprigger,

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my husband was arrested for robbery. He broke into a

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doctor's office. He and two other.

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Speaker 6: You said robbery. He isn't the murder.

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Speaker 5: That's right, mister spreeper. He has a life sentence for murder,

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a murder he never committed. Maybe I ought to tell

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you first. Why came to you?

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Speaker 7: You see your name? Well, maybe this doesn't not like

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anything to you, but I've read your articles.

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Speaker 8: Is dispaber.

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Speaker 7: No, I'd like to say. I think if there's anyone

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in Pittsburgh who can do anything, you're that man. I

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don't say your husband.

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Speaker 6: Let's get back to the story, shall.

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Speaker 5: I've told you my husband was a robbery. I told

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you that he was arrested for a murder, which he

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never can I want to tell you this too. I

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divorced him four years ago.

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Speaker 6: And what's a woman who divorced her husband doing and

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fighting for his release?

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Speaker 7: The answer is just that I know he is innocent.

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He didn't do it.

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Speaker 6: Well, suppose you tell me all about it now.

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Speaker 5: My husband and these two other men Fraymon Jensen were

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picked up after they robbed the doctor's office that was

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in Cambria County. There was no question about his guilty.

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Speaker 7: While I was quick it was sentenced to ten years.

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We hadn't been in prison a week when witnesses came

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forward and testified that he and the other two men

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that robbed the doctor's office and also killed this man

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Cheever in his barbecue place three weeks before the other

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two were guilty. Well, now I'm jail, but Clem Clem

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wasn't at Keeper's place that night. I was sick in

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bed in it. He took care of me, and there

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were two other people in the house playing parts with Clim.

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They swear he never left the house.

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Speaker 6: Is there any evidence outside of the statement that you've made.

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Speaker 7: That's the terrible part. You see Framer, one of the

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men in kill Keeper, he admitted that Clam wasn't there

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that night. He wrote out a confession. And Jensen, the

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other killer, he admitted it to me that Clam wasn't there,

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but he wouldn't write a confession. And the court transcript,

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if you read the transcript the way the witnesses changed their.

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Speaker 5: Minds, said mister Sprig, and I can't do anything.

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Speaker 6: You pardon this question, missus, said us his name. Do

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you have anything besides.

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Speaker 8: You would.

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Speaker 7: I've brought it off and the distriggled transcripts, confession statements

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and witnesses. If you'd only read it, I don't know why.

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Speaker 6: Okay, just put it down on the desk. I'll read

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it and maybe I will write a story. Now tell

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me one thing. Why did you divorce it?

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Speaker 7: I don't want to talk about it. You have to

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talk about it.

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Speaker 8: That's okay, that's okay.

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Speaker 2: Maybe it's as pony it's a three dollar bill. But

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even if it is, even if everything she says is

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pure on adulterated fabrication, it's a pretty good story. The

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host woman seeks to free X made not fair, not fair,

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and on that somewhat cynical, somewhat casual note, raise spiggle,

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you get involved.

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Speaker 6: Well, let's must start here. Compassion of George Rayman.

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Speaker 8: They committed one o'clock. He told him that US was

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in the register.

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Speaker 4: He went for gun and Rogers shot him and we

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left the Counada. Money was eight dollars, so me and

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Jensen and Rogers went home. Clem Grayson wasn't there.

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Speaker 2: Depositions of convicted men aren't very much, you know, But

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when a man in prison for life that LITZI was

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involved in a murder and thereby jeopardizes his chance for

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parole or part.

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Speaker 6: Hey, maybe there's something here. Sworn statement Robert. Robert and

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I broke the regular with Ben raising the night at.

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Speaker 9: A Kiva killing. We started at nine thirty in his kitchen.

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His wife was sick in the bedroom. We played till

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two fifteen. We remember because when we were finished, I

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said to my brother five hours to lose thirty five.

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But ain't ray smart.

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Speaker 6: Transcriptive testimony in case of the Commonwealth of Pennsylvania versus Clem.

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Speaker 8: Graces.

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Speaker 6: Here's the section The attorney then examined the witness.

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Speaker 8: You positively identify the defendant.

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Speaker 6: Grayson is one of the trio.

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Speaker 10: Yes, sir, I was eating a barbecue.

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Speaker 11: Sandwich, but you didn't identify Grayson when you were first

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taken to the county jail.

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Speaker 10: I'll have to acknowledge. I was a little confused, But now.

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Speaker 12: They're absolutely certain. Absolutely. The reason I didn't then was

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I I guess I was slightly muddled. What makes you

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certain now?

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Speaker 13: Well?

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Speaker 12: I thought it over and I had a.

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Speaker 10: Talk with the sergeant in charge, and he convinced me

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and no, I'm not so slegeant.

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Speaker 6: And thought I was muddled before. Now I'm absolutely certain

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gets more interesting online. Now it's testimony of Nellie Swinson, waitress.

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Speaker 8: In fact, Miss Swinson, that you.

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Speaker 11: Were asked at the preliminary hearing, can you tell who

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was standing in the doorway with the gun?

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Speaker 8: Yes, sir, what did you say?

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Speaker 7: I said, I couldn't tell exactly, because you see, he

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had his coat collar up and his hat down, and

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I didn't watch his face. I watched his gun.

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Speaker 11: That's what you said at the preliminary hearing some weeks ago.

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Now what did you testify to a few minutes ago?

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Speaker 7: I can't exactly remember.

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Speaker 11: I shall refresh your memory. You said quote.

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Speaker 6: I saw was Clem Grayson? Is that correct?

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Speaker 7: Yes?

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Speaker 11: How do you explain you're evamping your testimony?

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Speaker 7: I can't.

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Speaker 11: During the recess a few minutes ago, would you talk

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to the prosecutor in this case?

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Speaker 7: Yes, Louder please, yes, I did.

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Speaker 14: Will you please tell the court what it was you

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talked to the prosecutor about.

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Speaker 8: I object I want to sustain the objection.

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Speaker 6: On the grounds of the content of the conversation was immaterial. Immaterial,

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it's the most material thing on earth. This is fantastic. Edna, Edna,

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get me missus Grayson on the phone. Missus Grayson. If

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I look like a man who's tolling himself, that's just

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what I am. I've seldom seen anything so blatant's so

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open and shuts over. What are you crying about?

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Speaker 8: It's nothing. It was.

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Speaker 6: No, no, no, I've cut that out.

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Speaker 7: It's just the first person in six years understood.

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Speaker 6: You've been on this six years.

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Speaker 7: First, I took it to the prosecuting a turn. He

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told me to take it to the sheriff of West Mall.

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I went to the sheriff. He told me to take

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it to the state police at Harrisburg. At Harrisburg, they

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told me to see the governor. Governor's a busy man.

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I saw the second assistant to the lieutenant governor. He

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told me to take it to the prosecuting attorney.

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Speaker 6: And that's what you've been doing for six.

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Speaker 7: Years, six years, five months, nineteen days.

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Speaker 6: Now tell me why, why you know what I'm talking about? Why,

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after being divorced, you keep the name a murderer's name.

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Why have you kept going at it for six years,

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five months and nineteen days.

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Speaker 5: I love the guy. No, if this was a movie,

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that would be the reason I don't love Clem. I

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guess I haven't loved Clem for a long time.

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Speaker 7: The reason is Kathy. Kathy's oar gone, mister Spriggler. Wild

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horses couldn't.

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Speaker 8: Get me hut.

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Speaker 7: But after the way you've talked, I think you ought

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to know. Kathy was about four at the time. Claim

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was senter. You see, I found out that a grown

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woman can put a man out of her life if

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she wants to, but a child can't. And Clem was

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in her life, whether I liked it or not. And

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as she grew older, she's ten ten and a half,

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I got to do a lot of questions. Other girls

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have fathers, She has no father, And what am I

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going to tell her when she grows in the young womanhood?

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What's she going to tell her friends that her father's

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a convict, that he's in prison for murder. She'll have

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to lie and evade it. That'll work. I don't want that.

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I don't want that, especially because her father's innocent. So

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you see, I didn't solve anything by divorce and friends.

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Speaker 6: I'm beginning to understand. And if he's braved what will

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she be able to listen?

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Speaker 7: She'll say, my parents are the worst. My father and

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mother never got along.

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Speaker 15: I live with my mother, but I for my father

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all the time, working in Cleveland, Boston and California.

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Speaker 7: If she can say that, mister, that's all I want.

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Speaker 6: Well, suppose we see what we can do, Missus Grayson.

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Let's see if there really is such a thing as

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power of truth. It's a good story and a big one.

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And you Ray Spriggle, reporter for the Pittsburgh Post Gazette,

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do it in three installments, three big half pages, setting

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forth the affidavits, the confessions, and the conflicting testimony. Did

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you wait and see what the power of truth is?

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You also go a step further with missus Grayson. You

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helped prepare the papers for the pardon board. Don't worry

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not don't worry. I think we've got one of the

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finest cases of a presenter. Let's go in this.

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Speaker 16: Have to d and careful consideration of this pardon board.

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It is our considered judgment that the confession of the

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convicted murderer Cramer is inconclusive, that internal conflict within the

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testimony of witnesses has been demonstrated but is insufficient. And

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let it be remembered that the prisoner seeking this pardon,

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CLYM Grayson, is not only an admitted robber, but has

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been found guilty of murder by a jury of his peers.

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Pardon denied.

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Speaker 2: Now you begin to understand those six years, five months,

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nineteen days. This isn't a matter of simple justice. This

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isn't a matter of the power of truth or the press.

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The law is a highly technical, complex, careful business. And

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so you bring into the case an old friend, Tom

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and a lawyer. It's a good case. Rate good, but.

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Speaker 6: Not good enough.

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Speaker 17: What more do you want, Tom, Well, if you could

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get the jury each one of the jurors, that'd be something.

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If you could show about six more cracks in the

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testimony of the witnesses, that would be something. If you

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could get Jensen, the third guy, to confess, that I

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guess would be almost conclusive. Almost, That's what I said. Oh,

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what are you trying to do? Make it tougher than

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it is?

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Speaker 18: Oh, my friend, I am nearly trying to make it

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precisely as tough as the pardon board made it.

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Speaker 6: Okay, I think you understand. How about you? What about me?

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Will you see this thing through with me.

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Speaker 8: What do you think I'm doing here twiddling myself?

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Speaker 6: There's no money. Grayson hasn't got to me. Neither is

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missus Grayson. And all I can do is take you

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out for a shot once in a while. I'll cut

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it out. And as far as publicity goes, you guys

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need publicity. Don't kid me, Tom, you might come in

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for some shall we say, adverse publicity? What are we

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stand around talking for the guys in jail? You'll move now.

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Speaker 2: First in the Westmoreland County dives, full rooms, clop houses,

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and there when you ask the question, you get a

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common answer.

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Speaker 13: Kidding Brad Grayson never done that job. It was Rogers

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all the way, Cramber, Jenson and Rogers.

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Speaker 6: Everybody says the same thing, Tom, everywhere I go, Kramer,

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Jensen and Rodgers. What about Rodgers? He's the third of

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the trio, now I know that.

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Speaker 8: I mean, what's he doing now?

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Speaker 6: Well, the court didn't believe he was mixed up with

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the killing, so he never went to jail. Now he's

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a small town political art in Cambria County.

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Speaker 8: Didn't get anything on him.

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Speaker 6: I'm sure a friend out there. You mean what I

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just told you was no good. It's common gossip. Rogers

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did it.

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Speaker 18: Look, I'll say it to you once more. The law

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is no layman's game. Specific full blown evidence is needed.

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What's gossip? What they say in the gin mills and

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the flop houses doesn't go very far in court or

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with the part for it. Try your sheriff friend, break

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down Rogers, get Jensen to admit that Grayson wasn't.

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Speaker 8: Then on him.

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Speaker 6: Then come back.

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Speaker 8: We'll talk about what to do.

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Speaker 6: Hey, this is tough.

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Speaker 2: You'll move again, this time more slowly, carefully, and it

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takes time. A month, six months, a year, two years. Finally,

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four years have gone by since missus Grayson first came

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into your office, a thing you thought would take a

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few articles in the paper. And even now after four years,

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all you've got the show is sure.

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Speaker 6: If you've got to get me something on Rogers, you've

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got to.

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Speaker 13: There's nothing on earth I'd like to do better than

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but Rogers belongs. I'm sure he was the one of

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murdered Keeler, and you know it. There's no proof.

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Speaker 6: Look, I know all about proof. Can't we get something

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on him?

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Speaker 13: The past four years I've watched Rogers. You all I

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can tellue is that the average choir boy has gotten

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in a more trouble. Well, if anything shows up, I'll.

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Speaker 6: Get in touch with him. What kind of a human

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being are you, Gensen?

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Speaker 16: I ain't a human being. I'm a convict and then

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a murder.

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Speaker 6: Look, Jensen, you know Grayson had nothing to do with

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the murder. You know Rogers did it. Kramer admitted it.

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Why don't you give the guy a break? He served

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ten years?

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Speaker 16: Yeah, how long you think? I said?

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Speaker 6: There's an innocent man rotting in jail. So I'm a

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guilty man riding in jail. Why don't you try your

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story on Rogers? He might listen to you me. I

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am too big a Rogers. Name's Armon t Rogers. I

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like to be called by my name. You don't mind,

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you pretty? Assure you so much sitting pretty. You don't

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care that Grayson didn't do it, but he's taken the

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rap for you. You don't care about anything.

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Speaker 14: I wouldn't say, mister Spiggle. I like a good cigar,

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I like music, and I like fine food. Race is

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sure I care. I care the same way. It's when

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a fly gets in my way and I got to

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kill him and look them all.

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Speaker 2: And it goes on. Now the four years have becomes five,

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the five it becomes six. Every two years, you and

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Attorney Tom and or have gone before the pardon good

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three times you've gone and three times you've heard the

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words pardon the knive.

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Speaker 8: There it's me.

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Speaker 6: Well, you're be pused to know they turned this down

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a third time?

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Speaker 8: What is smiling about?

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Speaker 7: You know what they say about women?

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Speaker 6: That's just how dont know? What are you talking about?

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Speaker 7: About? How weak we are, can't do anything by ourselves?

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Speaker 6: What have you got?

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Speaker 7: I went to see Jensen today. I told him the

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pardon board to turn down clems please the third time.

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And what he said he did?

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Speaker 8: You got it?

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Speaker 7: He did? Geez.

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Speaker 15: I thought the pardon board would give it to him

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long ago, but I guess they won't. So he sat

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down and wrote a full confession, clearing clemm happy, I please, this.

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Speaker 7: Is what we were after.

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Speaker 6: Now, look, I got a lot older since you first

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song six years ago. I would have turned handspas Now

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I want to be sure passion has played it's true

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before we go back to that pardon border. I want

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to have an absolutely type case.

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Speaker 7: What more can we possibly get?

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Speaker 6: I'm waiting for Roger to cry.

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Speaker 7: Meantime Clem's and jail.

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Speaker 6: I believe, please believe, let's make shoe will get.

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Speaker 19: Him, So you said, with the swan confession of Jensen

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making two sworn confessions that Clym Grayson is innocent and

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Rogers is guilty.

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Speaker 6: You wait for the call which finally comes Friggel speaking

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to tell you Rogers Roger, and so you finally slipped Rogers.

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You beat up your wife last night. You beat her

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up and put her in the hospital for a month.

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Speaker 13: Look, I don't have to sit here and listen to you.

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Speaker 6: That's where you're wrong. The sheriff said, stay with him

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as long as you like Ray. That's me Ray, till

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you get just what you want. And just what I

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want is a signed confession that you killed You not

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clam Grayson, another kill Kiev. Should I read you the

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confession of Kramer, the whole thing, with every one of

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its lousy, sordid details. You want to hear the confession

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of Jensen how he says you were the one pushed

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the body off the cash register and took the money out.

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I don't care what you got to say. Shall I

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tell you what your wife told me and the sheriff

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about that night, about your alibi.

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Speaker 13: The liars, both of them lie, I'll say.

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Speaker 6: Rogers, do it the hard way, get in, caught and

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faced them. Everything about the murder will come out, every

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dirty piece of it. A confession would have made it

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much easier for you, But you won't talk well, Rogers.

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It'll be a pleasure, a great pleasure, to take you apart,

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bit by bit in a courtroom, right in front of

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the whole world.

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Speaker 2: And on a winter day a little later, you and

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hard hands graces wait. The chairman of the part board

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says the inevitable words, setting Clem Grayson free. The wheels

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of justice crying slow, sometimes in this case twelve years,

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five months, twenty two days. But the important thing is

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they do crime.

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Speaker 6: Now.

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Speaker 10: We read you that telegram from Ray Spriggel of the

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Pittsburgh Post Gazette.

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Speaker 6: Grayson granted full pardon on the murder conviction. When released,

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he quickly enlisted in the United States Army and served

387
00:26:38,400 --> 00:26:42,839
overseas with distinction. Rogers, the actual killer, was convicted and

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sentenced to a long term in the Western Penitentiary for

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his complicity in the murder. And so when's another Big Story.

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Speaker 20: In order to protect the names of people actually involved

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in the night's authentic Big Story, the names of all

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00:27:06,680 --> 00:27:09,759
characters and the dramatization were changed. With the exception of

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00:27:09,799 --> 00:27:43,359
the newspaper reporter, The Big Story has been a presentation

394
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of the United States Armed Forces Radio Service, the Voice

395
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of Information and Education.

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00:28:57,960 --> 00:29:03,079
Speaker 1: Welcome back now to the scripts. For our credits. The

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00:29:03,480 --> 00:29:08,880
reporter Ray Spriggle was played by Bill Smith. In addition

398
00:29:08,960 --> 00:29:14,559
to that, the cast also featured Barbara Weeks, George Petrie,

399
00:29:14,720 --> 00:29:20,880
Joshua Shelley, Eric Dressler, Humphrey Davis, and Jim Bowles, and

400
00:29:21,440 --> 00:29:25,319
the narrator Bob Sloan also got into the action playing

401
00:29:25,559 --> 00:29:29,079
a voice. And this was another week where everyone, including

402
00:29:29,119 --> 00:29:33,319
the star, was doubling up. Now, Bill Smith is not

403
00:29:33,920 --> 00:29:37,359
one of those that we heard a lot of. He

404
00:29:37,759 --> 00:29:42,240
was mainly a supporting actor. He's been in programs such

405
00:29:42,279 --> 00:29:45,720
as Call the Police, but not a lot of starring work.

406
00:29:46,160 --> 00:29:52,920
I thought that this was an incredible story. The information

407
00:29:53,079 --> 00:29:59,799
on it from doctor Joseph Webb. The stories behind the

408
00:30:00,279 --> 00:30:06,279
story essentially track with what we heard in the episode.

409
00:30:06,400 --> 00:30:10,400
The name of the robber in this case was Paul Boggs,

410
00:30:10,480 --> 00:30:15,960
who was found guilty of a nineteen thirty one robbery

411
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of a doctor's office, and he got ten years, And

412
00:30:19,599 --> 00:30:23,400
then they brought this other case against him involving the

413
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killing of the restaurant owner named Francis McGreevey. The man

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00:30:27,960 --> 00:30:33,319
who actually did the crime was named Robert Bruner, who

415
00:30:34,039 --> 00:30:38,079
admitted that he did it, and he was convicted in

416
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nineteen forty three, but Boggs did not get out until

417
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nineteen forty nine, and as Joe Webb points out, Spriegel

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00:30:50,279 --> 00:30:55,559
wrote that there was a time when both Boggs and

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Brunner were in prison even for the same crime, even

420
00:31:00,400 --> 00:31:07,559
though Boggs had been cleared. And then once when Boggs

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00:31:07,599 --> 00:31:10,519
got released, the first thing he did is he went

422
00:31:10,640 --> 00:31:15,240
immediately down to the draft board and said, let's go ahead.

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I need you to get me inducted because there's a

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00:31:17,960 --> 00:31:20,079
war going on and I need to do my part.

425
00:31:20,279 --> 00:31:24,680
And he went off and served with distinction. Now, interestingly enough,

426
00:31:24,799 --> 00:31:28,279
the Big Story puts a far more positive spin on

427
00:31:28,319 --> 00:31:33,880
the situation than Sprigel himself did with their talk about Hey,

428
00:31:33,920 --> 00:31:37,680
at the end of the day, justice was served. Sprigol

429
00:31:37,759 --> 00:31:43,079
had actually written a big feature item looking back on

430
00:31:43,119 --> 00:31:49,400
the story earlier in nineteen forty nine entitled they Railroaded

431
00:31:49,519 --> 00:31:54,000
Paul Boggs. And essentially the prosecutors fought this at every

432
00:31:54,119 --> 00:31:59,559
turn because getting this overturned wouldn't just put Bogs out

433
00:31:59,599 --> 00:32:03,960
of jail, it would shine a lot on their own misconduct.

434
00:32:04,240 --> 00:32:09,759
And when it takes that long to crack obvious injustices,

435
00:32:09,920 --> 00:32:14,559
it undermines the whole system, I mean, the whole justification

436
00:32:14,680 --> 00:32:17,920
of the parole board. After all, he was convicted by

437
00:32:18,559 --> 00:32:24,839
a jury rings hollow if the prosecutors were coaching and

438
00:32:24,920 --> 00:32:30,480
manufacturing evidence pretty blatantly, so much that all Spriggol had

439
00:32:30,519 --> 00:32:34,079
to do was look at the transcript. Now, it should

440
00:32:34,119 --> 00:32:37,000
be noted that this is one of those cases where

441
00:32:37,160 --> 00:32:41,079
you just had to stick with it, and Spriggol kept

442
00:32:41,119 --> 00:32:45,000
working on this whole story even while he was doing

443
00:32:45,079 --> 00:32:50,200
other things. He actually won his Politzer Prize while this

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00:32:50,480 --> 00:32:56,440
was going on, as he uncovered the history of newly

445
00:32:56,480 --> 00:33:01,359
appointed Justice Hugo Black as a member of the ku

446
00:33:01,480 --> 00:33:05,680
Klux Klan. He had a very strong career and took

447
00:33:05,799 --> 00:33:11,440
on a lot of risk, got himself committed to a

448
00:33:11,599 --> 00:33:15,920
mental institution in order to report what conditions were like,

449
00:33:16,240 --> 00:33:19,400
and people who listening on the radio would have known

450
00:33:19,480 --> 00:33:23,200
him for some of his more recent work, which was

451
00:33:23,319 --> 00:33:26,720
referenced subtly at the start of the episode. He went

452
00:33:26,799 --> 00:33:31,640
to the Deep South undercover disguised as a black man,

453
00:33:32,119 --> 00:33:37,079
and he wrote a major series of articles on what

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00:33:37,160 --> 00:33:41,720
that experience was like and letting his readers know what

455
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was going on.

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Speaker 8: Now.

457
00:33:42,759 --> 00:33:49,559
Speaker 1: Of course, novelist named John Howard Griffin's efforts are more

458
00:33:49,599 --> 00:33:54,519
famous about a decade later, and that was published in

459
00:33:54,640 --> 00:33:56,000
the book Black Like Me.

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00:33:56,480 --> 00:33:56,680
Speaker 6: Now.

461
00:33:56,720 --> 00:34:00,160
Speaker 1: Spriegel was We don't know how he felt about the

462
00:34:00,240 --> 00:34:04,519
radio adaptation, but he was not a fan of the

463
00:34:04,720 --> 00:34:09,880
television program. According to doctor Joe Webb, he said when

464
00:34:09,880 --> 00:34:12,920
it was adapted for TV in nineteen fifty five, I

465
00:34:12,960 --> 00:34:16,719
think the true story would have made it a lot

466
00:34:16,800 --> 00:34:21,280
more effective and powerful dramatization. And the critic who wrote

467
00:34:21,280 --> 00:34:27,760
about the series when Fanning, said that was true of

468
00:34:27,880 --> 00:34:33,519
most of the Big Story TV productions, with Fanning writing, actually,

469
00:34:33,559 --> 00:34:36,000
what might be one of the best programs on TV

470
00:34:36,360 --> 00:34:39,079
is one of the worst. Now, of course, we don't

471
00:34:39,119 --> 00:34:41,880
have a ton of the TV episodes of The Big

472
00:34:41,920 --> 00:34:45,199
Story to judge this by. The one thing that's worth

473
00:34:45,440 --> 00:34:50,840
noting is that the Big Story TV series had the

474
00:34:51,039 --> 00:34:56,039
exact same tom slots around twenty four minutes of story

475
00:34:56,119 --> 00:34:59,519
time as the radio version. And on radio you can

476
00:34:59,559 --> 00:35:03,719
do a good job breaking down an event and being

477
00:35:03,760 --> 00:35:07,639
fairly faithful to it with half a dozen actors in

478
00:35:07,679 --> 00:35:11,920
a studio. On television, there are so many other visual

479
00:35:12,079 --> 00:35:15,559
elements that you need to care for. On radio, you

480
00:35:15,599 --> 00:35:21,079
can have unlimited settings. On television you really do face

481
00:35:21,920 --> 00:35:26,440
some restraints in terms of budget in terms of talent available.

482
00:35:26,599 --> 00:35:29,559
Though it's worth noting the Big Show ran for non

483
00:35:29,719 --> 00:35:35,079
seasons on television, so apparently the viewing public was more

484
00:35:35,119 --> 00:35:38,039
impressed with it than some of the critics. All right,

485
00:35:38,119 --> 00:35:41,840
listener comments and feedback now, and we have some comments

486
00:35:41,880 --> 00:35:46,119
on Spotify regarding the Bitterest Man on Earth Harrison Riots.

487
00:35:46,719 --> 00:35:49,480
This was one of those stories that frustrated me due

488
00:35:49,519 --> 00:35:52,559
to everyone's conviction that this guy wasn't who he said

489
00:35:52,559 --> 00:35:54,840
he was, and yet it took the reporter and not

490
00:35:54,960 --> 00:35:59,039
the state that was trying to find out the truth.

491
00:35:59,119 --> 00:36:02,400
While I'm enjoying the series, I wish it set the

492
00:36:02,440 --> 00:36:05,480
stories in the time period when they took place. It's

493
00:36:05,559 --> 00:36:09,760
not like it's Dragnet where it's the same protagonists each week.

494
00:36:09,960 --> 00:36:12,599
So the stories have to take place in the here

495
00:36:12,639 --> 00:36:16,559
and now. It's not like it makes it less entertaining.

496
00:36:16,960 --> 00:36:23,559
I definitely understand the concern. Harrison and I tend to agree.

497
00:36:23,760 --> 00:36:29,559
I think it really becomes an issue when the events

498
00:36:29,639 --> 00:36:33,239
of the time would make more sense of the story.

499
00:36:34,199 --> 00:36:39,280
In that story a couple weeks back that ended in suicide,

500
00:36:40,239 --> 00:36:43,440
understanding that this was during the Great Depression, that they

501
00:36:43,440 --> 00:36:46,920
were doing this, it makes a lot more sense. And

502
00:36:46,960 --> 00:36:51,719
there are other events that change the typical behavior, like

503
00:36:52,000 --> 00:36:56,920
if you think about the war or the housing shortage

504
00:36:57,360 --> 00:37:03,519
after the war leads to behaviors that don't make sense

505
00:37:04,079 --> 00:37:07,960
without the context, like why are you doing that in

506
00:37:08,079 --> 00:37:11,320
nineteen forty eight or nineteen forty nine. So I think

507
00:37:11,400 --> 00:37:15,920
it tends to complicate the production if you if you

508
00:37:16,119 --> 00:37:20,599
don't address those because the logic can be weak. Dawn

509
00:37:20,639 --> 00:37:23,679
Wright's please don't take this as a complaint. This was

510
00:37:23,719 --> 00:37:27,119
an interesting story, but not much of a mystery and

511
00:37:27,159 --> 00:37:29,880
not a lot of detection needed. It was fascinating to

512
00:37:29,880 --> 00:37:35,360
see a judicial just a story presented with nineteen forty sensibilities. Well,

513
00:37:35,440 --> 00:37:40,400
I definitely understand what you're saying, and truthfully, the big

514
00:37:40,480 --> 00:37:45,400
story is kind of a stretch to our format. It's

515
00:37:45,440 --> 00:37:48,719
the type of series I probably would not have thought

516
00:37:48,760 --> 00:37:52,639
I'd end up playing when we started doing great detectives.

517
00:37:52,800 --> 00:37:56,639
But it's one of those series that's close enough as

518
00:37:56,679 --> 00:38:01,840
we began to run out of material, and certainly not

519
00:38:02,159 --> 00:38:06,760
every case is going to fit neatly into a typical

520
00:38:06,920 --> 00:38:10,480
mystery bucket, although I think there are also several episodes

521
00:38:10,519 --> 00:38:16,239
of Dragnet quite honestly, that are very entertaining but don't

522
00:38:17,000 --> 00:38:20,920
fit that as well. You take something like The Big Break,

523
00:38:21,119 --> 00:38:25,039
which is one of my all time favorite Dragnet episodes,

524
00:38:25,559 --> 00:38:30,760
where you're dealing with this fugitive robber, and they know

525
00:38:30,800 --> 00:38:34,000
who the robber is, they know he did it, and

526
00:38:34,239 --> 00:38:37,519
it's just a matter of finding him and bringing him

527
00:38:37,519 --> 00:38:41,159
to justice, And the same can be true of so

528
00:38:41,320 --> 00:38:45,760
many cases where it's just a matter of finding the fugitive,

529
00:38:45,920 --> 00:38:51,000
and episodes like that one and this one are about

530
00:38:51,119 --> 00:38:55,079
how is it that you are able to correct an

531
00:38:55,159 --> 00:39:01,000
unjustice and prove to the satisfaction of the parole board

532
00:39:01,400 --> 00:39:07,440
that this man is not guilty and merits a pardon

533
00:39:07,559 --> 00:39:10,639
or a new trial, and then Mechanic sixty six rights

534
00:39:10,760 --> 00:39:14,840
that Goodwin could have been Tenny and went under different

535
00:39:14,920 --> 00:39:18,199
names at different places. I don't recall any mention of

536
00:39:18,280 --> 00:39:22,760
him having any identification under any name. It's a fair point,

537
00:39:22,840 --> 00:39:27,679
but there's also not any suggestion that the man whose

538
00:39:28,280 --> 00:39:32,719
wife was murdered was some sort of transient. In fact,

539
00:39:32,760 --> 00:39:36,239
my recollection is that up until the time of the

540
00:39:36,360 --> 00:39:41,519
murder he was pretty much in the same place. As

541
00:39:41,559 --> 00:39:46,320
to the identification point, it was really not common in

542
00:39:46,360 --> 00:39:50,920
the early nineteen thirties for everybody to carry IDA around,

543
00:39:51,079 --> 00:39:55,239
so it was a lot more informal, so the absence

544
00:39:55,280 --> 00:39:59,559
of ID wouldn't really prove anything. Well, now it's time

545
00:39:59,639 --> 00:40:02,320
to th our Patreon supporter of the day, and I

546
00:40:02,400 --> 00:40:07,440
want to thank Ronda, Patreon supporter since October twenty twenty,

547
00:40:07,559 --> 00:40:11,400
currently supporting the podcast at the shawmus level of four

548
00:40:11,480 --> 00:40:14,400
dollars or more per month. Thanks so much for your

549
00:40:14,440 --> 00:40:17,480
support and that will do it for today. If you're

550
00:40:17,639 --> 00:40:22,239
enjoying the podcast, please follow us using your favorite podcast

551
00:40:22,400 --> 00:40:25,760
software and be sure to rate and review the podcast

552
00:40:25,800 --> 00:40:29,039
wherever you download it from. We'll be back next Tuesday

553
00:40:29,039 --> 00:40:32,719
with another episode of The Big Story, but join us

554
00:40:32,760 --> 00:40:39,599
back here tomorrow for Broadways My Beat Where.

555
00:40:39,440 --> 00:40:44,079
Speaker 21: Done the steps He's in the Senate, you were the

556
00:40:44,119 --> 00:40:44,840
one who found him.

557
00:40:44,920 --> 00:40:47,559
Speaker 22: See we went down here to my store Vitory Prentice

558
00:40:47,599 --> 00:40:48,800
to be for my customers.

559
00:40:50,400 --> 00:40:53,880
Speaker 21: Will you re see it got any other entrance to

560
00:40:53,920 --> 00:40:56,039
this seller than those steps we just came down you

561
00:40:56,239 --> 00:40:59,559
e see sing Look, don't make a drama out of it, Louise,

562
00:40:59,679 --> 00:41:00,440
just take it's easy.

563
00:41:02,199 --> 00:41:06,639
Speaker 22: There and the big cases stretched out with dead.

564
00:41:06,800 --> 00:41:08,800
Speaker 21: I'll tell us, Luis, how did you get in here?

565
00:41:08,880 --> 00:41:09,239
Speaker 6: Puffy?

566
00:41:09,800 --> 00:41:12,199
Speaker 22: You see a window through which deliveries are made from

567
00:41:12,199 --> 00:41:14,360
the alley mirror. The window is broken through.

568
00:41:14,360 --> 00:41:18,320
Speaker 21: So take a look at the alley comments. Okay, you

569
00:41:18,400 --> 00:41:19,440
know who he is, Luis.

570
00:41:19,599 --> 00:41:22,760
Speaker 22: See his recodomy Gate and the boy who lives near

571
00:41:23,199 --> 00:41:25,400
the boy who works at the pastality of Segnor. Look

572
00:41:26,719 --> 00:41:29,119
the bakery shop also not five.

573
00:41:31,000 --> 00:41:35,320
Speaker 21: Yeah stamped four places than actors.

574
00:41:36,280 --> 00:41:38,440
Speaker 22: There's the floor show, Senor be gone.

575
00:41:38,599 --> 00:41:39,760
Speaker 21: Yeah, decide you.

576
00:41:39,960 --> 00:41:41,559
Speaker 22: Cannot take the time to see Senor.

577
00:41:41,840 --> 00:41:44,679
Speaker 21: It is exciting, decad you have not the time.

578
00:41:45,320 --> 00:41:47,920
Speaker 1: I hope you'll be with us then in the meantime.

579
00:41:48,320 --> 00:41:52,960
Send your comments to Box thirteen at Great Detectives dot net,

580
00:41:53,000 --> 00:41:56,920
follow us on Twitter at Radio Detectives, and check us

581
00:41:56,960 --> 00:42:03,719
out on Instagram, Instagram, dot com slash great detectives from Boise, Idaho.

582
00:42:03,960 --> 00:42:07,000
This is your host, Adam Graham signing off.

