Speaker 1: From Hollywood.
Speaker 2: It's time now for John Lunnon as Johnny.
Speaker 3: Dallar word wealth, Johnny, I want to give my regards
Speaker 3: to Broadway.
Speaker 4: You mean, tell all the boys at forty second Street, Oh.
Speaker 5: Forty sixth Street.
Speaker 3: Want you to run down there and see a theatrical
Speaker 3: agent named Lou Waltham.
Speaker 4: What's the pitch?
Speaker 3: Only handles a lot of high priced talents, insures them
Speaker 3: with us for all sorts of things, accidents, injuries, misperformances,
Speaker 3: the usual.
Speaker 1: What's the trouble?
Speaker 4: Actually, I don't know.
Speaker 3: I want you to check on an application he made
Speaker 3: for overall coverage on Kate Bellamy.
Speaker 4: The singer.
Speaker 2: Yeah, we almost she looks like she sounds on my
Speaker 2: record player and radio.
Speaker 4: I'm gonna love this and we'd love to ensure.
Speaker 3: Waltham wants her covered for almost.
Speaker 6: Two million protection against everything up to and.
Speaker 3: Including is being fitten by a seat sa fly?
Speaker 6: But but what the answers to the application questions don't
Speaker 6: seem to check out. I think we'd like to know
Speaker 6: a little more about the girl. As a matter of fact,
Speaker 6: I think Waltham would like to know a little more himself.
Speaker 2: Well, that makes three of us, because now you got
Speaker 2: me interested, John lond and the transcribed Adventure of the
Speaker 2: Man with the Action Packed at Spenser.
Speaker 7: Car America's Fabulous freelance Insurance Investigator.
Speaker 1: Yours Torney Johnny Downer.
Speaker 2: Expense accounts submitted by Special Investigator Johnny Doller to home
Speaker 2: office Hemispheric Insurance Company, Hartford, Connecticut. The following is in
Speaker 2: the County of expenditures during my investigation of the Kay
Speaker 2: Bellamy matter expense account item one twenty two to forty
Speaker 2: plain Fair and incidentals from Hartford to New York and
Speaker 2: cab Fair to the Madhouse on forty six off Broadway
Speaker 2: where Lou.
Speaker 1: Waltham housed his talent enterprises.
Speaker 2: I ran the gamut of wood be Thespians and his
Speaker 2: haggard secretary covered my rear valiantly as I plowed my
Speaker 2: way from the outer office to the inner sancin you'd a.
Speaker 8: Guy from the insurance company.
Speaker 2: Yeah, is it always like that out there?
Speaker 1: I think I want suddenly deaf heah, you're all right?
Speaker 8: This off it is Tom Proke. I go nuts.
Speaker 9: If I listened to that gammering all day. There's a
Speaker 9: little Waltam boy Walts told me to send you down.
Speaker 2: About the policy you want him to write on Kay Bellamy,
Speaker 2: He doesn't think the application.
Speaker 5: Is as neat as it might be.
Speaker 8: Yeah, she's a valuable hunk of talent. I gotta have coverage.
Speaker 4: Well, then we need information.
Speaker 8: I need some of myself. This dame has been a
Speaker 8: headache from avoid go.
Speaker 1: Maybe you better tell me about it.
Speaker 9: I'll give it to you a straight. I picked Kay
Speaker 9: up well a little more two years ago. She was nothing,
Speaker 9: nobody doing a stripping by less singer song. You know,
Speaker 9: once a while I heard something in her voice though,
Speaker 9: something that other guy's missed. I signed her, had a train,
Speaker 9: got her a good deal, that's my business. Sure she
Speaker 9: next down a grand a week on our radio show.
Speaker 9: More on records.
Speaker 8: I could put her into the five grand class in
Speaker 8: no time. But for what, well, we're.
Speaker 1: Gonna tell you.
Speaker 8: See, she won't let me.
Speaker 9: She keeps sending me to the aspir In fact, look,
Speaker 9: let me tell you this. Two months ago I get
Speaker 9: her a picture deal Hollywood got it all sewed up,
Speaker 9: big dough villain.
Speaker 4: So what happens?
Speaker 8: I tell her?
Speaker 1: And she screamed like a bedsheet, no pitchure?
Speaker 5: What is she?
Speaker 4: A screwball?
Speaker 5: Screw ball?
Speaker 9: Take any nothing at out of office out there, and
Speaker 9: I'd lay eight to five in handling them would be
Speaker 9: a vacation at the k Bellamy and maybe talking to
Speaker 9: myself right out of the policy I want.
Speaker 8: But listen, you want to know something one of the
Speaker 8: things she does.
Speaker 1: Just go ahead figure this with.
Speaker 9: In between a radio show, she disappears for a whole week.
Speaker 9: For months, I couldn't never find her except on show
Speaker 9: days until I don't know where does she go?
Speaker 1: So help me?
Speaker 9: You can consume me if I'm lying. She spends her
Speaker 9: time waking and boy less Kia. Yeah, I mean a
Speaker 9: grand a week and one radio show, but she goes
Speaker 9: around play Zip Zip the rest of the time for
Speaker 9: seventy five bucks a week under the name.
Speaker 8: Of Don Levage.
Speaker 4: Are you sure I followed?
Speaker 1: I see it with my own eyes.
Speaker 4: You talk to her about it?
Speaker 9: I toot myself, blowing her face. She freezes and tells
Speaker 9: me to mind my own business. Should go get another agent, you.
Speaker 2: Know, mister Waltham, I think you'd better get another insurance
Speaker 2: coming now. Look wait, look, I do a lot of
Speaker 2: business which you'll find no trouble.
Speaker 8: This ployless valuable property. Give me a pick, can maybe
Speaker 8: you could talk to him. Maybe she just hates agents.
Speaker 2: All right, mister Walton, where can I find it? Boston, Boston,
Speaker 2: doing burlesque in Boston.
Speaker 8: Listen, there ain't need it? Hey, yeah you aren't, Spencer time.
Speaker 9: Yeah, Why well, I'll give you a paster the theater
Speaker 9: up there you can knock down you admission price and
Speaker 9: stick in your kick.
Speaker 2: That's kay, Thanks, thanks submitting what are you laughing?
Speaker 8: A buck's a bucket and.
Speaker 1: Spencer con item too.
Speaker 2: Nineteen forty five cab and Plain fairs between Lou Waltham's
Speaker 2: New York office and the Burly Q Review in Boston,
Speaker 2: where Kay Bellamy, with a little Turkey spail hiding her
Speaker 2: face on the billboards, was dancing.
Speaker 4: Under the name of Don Leva.
Speaker 2: The theater was closed in the later afternoon, but the
Speaker 2: sound of a piano came from the stage door.
Speaker 4: Ally I walked backstage. There was no door man, so
Speaker 4: I went through to the wings.
Speaker 2: Don Levia was on stage, and the dance she was
Speaker 2: doing was enough to make me forget the inadequacies of
Speaker 2: the pianist and the despairing tone of the dance director
Speaker 2: as he tried to whip the lumbering chorus into a
Speaker 2: semblance of unity. Why one.
Speaker 8: Fund sun buggy, you loan beaches your left foot dog,
Speaker 8: you only got fool, make a choice.
Speaker 10: Why do you want forty bucks a week? They're holing
Speaker 10: that's higher your.
Speaker 8: S Look it up with you.
Speaker 4: We were all tired.
Speaker 8: You don't need me for the rest of the numbers.
Speaker 5: Two.
Speaker 8: No, no, you're all right, don darling, go get to
Speaker 8: the speed.
Speaker 2: She walked into the wings, moving towards me in the semidarkness.
Speaker 2: The piano had stopped, but she carried her own music
Speaker 2: with her as she moved, and it wasn't for less music.
Speaker 4: This girl was definitely on the symphony side. What did
Speaker 4: you call me?
Speaker 1: That is your name?
Speaker 5: Is that? Now?
Speaker 1: Mister whoever you are, What are you doing back here anyhow?
Speaker 7: Get out of my way and let me pass it.
Speaker 1: Look, I just want to talk to you.
Speaker 4: Eli. My name is Donald.
Speaker 1: That's a hemispheric insurance.
Speaker 11: Maybe you didn't hear the lady she told you to
Speaker 11: get out of here.
Speaker 4: Don't get dressed, baby, I'll cool this. Thanks for John.
Speaker 5: I'm fool you.
Speaker 4: You came in the wrong door, but the box office
Speaker 4: is around front.
Speaker 1: Listen a hard boy, I got business there.
Speaker 2: My name is Don who you are and know why
Speaker 2: you're here, And I got reasons why you should flow,
Speaker 2: meaning the gun you're holding in your pocket.
Speaker 7: Kay ain't interested in money insurance, Just go tell we
Speaker 7: welcome to insurance self and dropped it right, don't the
Speaker 7: gun can get awful nasty, mister Dollar.
Speaker 4: All right, mister Crow, as long as this isn't a
Speaker 4: personal matter.
Speaker 2: If it ever gets personal, I'm gonna feeds you a
Speaker 2: face for him, Roger that I'll tell a boss right then,
Speaker 2: if you keep nosing around, maybe he'll issue me a
Speaker 2: special hunting.
Speaker 5: License just for you.
Speaker 2: The lover of ole, mister Crowe had told me two things.
Speaker 2: One was that he had a boss, and two Kay
Speaker 2: Bellamine was also taking orders from somebody. I found a
Speaker 2: cafe around the corner from the theater. When the rehearsal broke,
Speaker 2: some of the cast wanted in.
Speaker 4: I went in too. I got a seat at the
Speaker 4: counter next to the girl called Loreenes. I just wanted
Speaker 4: when you get a chance, y'll hello.
Speaker 5: Hi.
Speaker 4: You had a little trouble of rehearsal, didn't you.
Speaker 5: Yeah?
Speaker 4: I always have trouble. Were you there? Yeah? And the wings? Hi,
Speaker 4: you're doing fine?
Speaker 10: Ah, that LUTSI gives me a pain. He's always putting
Speaker 10: on the big act, like he was doing a Hollywood
Speaker 10: musical or something.
Speaker 1: Who's Letsy Letsy.
Speaker 10: Lazario the dance direct You saw him. He's over in
Speaker 10: the corner boots there with Valerie, one of the new girls.
Speaker 10: Do you think she's a regular.
Speaker 1: Romeo continental type?
Speaker 10: Yeah, continental Brooklyn if you ask me. He made a
Speaker 10: play for Dawn, but she brushed him fast.
Speaker 4: So let's see has a big crush on don huh.
Speaker 10: He'll forget it if he's smart. She's aiming for bigger
Speaker 10: moose than him, like who for instance, some guy names Hey, Hey,
Speaker 10: that's my day honking for me. I never mind, I callee,
Speaker 10: I ordered Joe.
Speaker 12: I gotta go.
Speaker 8: I'm sorry, I can't keep you.
Speaker 1: Company's all ram.
Speaker 2: I think I'll go over to the corner booth and
Speaker 2: join Letsie and his girlfriend.
Speaker 12: Okay by me?
Speaker 10: He ain't particular.
Speaker 13: Isn't it.
Speaker 8: Appreciation for the dancers?
Speaker 4: Not what I've been a custom? Please?
Speaker 1: People who knew me and then.
Speaker 8: I Letsylas, Oh, yes, yes, I'm Lazarro.
Speaker 1: Didn't I see you backstage during her horses? Yes, I
Speaker 1: was watching your work. Oh, that's right, Yes, you are
Speaker 1: in the business.
Speaker 2: Well, in a way, I'm doing a little scouting for
Speaker 2: will Walk in the agent. He's got a chance to
Speaker 2: sell some talent for a big Broadway musical if you
Speaker 2: can find the right people.
Speaker 1: No, sweet, won't you sit down, mister This is Valerie,
Speaker 1: mister doll. She's in the corries and this is a
Speaker 1: great pleasure.
Speaker 4: Mister Dollar. Of course you don't know.
Speaker 1: I'm sorry, but I've had an eye on you. You
Speaker 1: and the star of your show don't know.
Speaker 4: Oh, I am so ashamed that you can find me
Speaker 4: in such a place.
Speaker 8: It has been a thing I I've been doing, you know,
Speaker 8: temporarily waiting for a braid.
Speaker 1: Yeah, I understand.
Speaker 13: How about the girl though, don oh you didn't get
Speaker 13: her to leave here, mister Dollar. There ain't as much
Speaker 13: doing all Broadway as she could get just by Mary
Speaker 13: and a guy that after.
Speaker 4: Besides, if you're looking for a Regles.
Speaker 8: Answer, boyfriend sounds like big money.
Speaker 13: More than just money, mister Dollar, real big shot family.
Speaker 13: He's Martin Bayard column the third.
Speaker 2: Her breadth was singing my eyebrows, but it was the
Speaker 2: name that really made him curl. Martin Bayard column the
Speaker 2: third connections with the capital c. Kay Bellamy was rarely
Speaker 2: moving into the big leagues and doing it the hard way.
Speaker 4: The uh burlesque runway didn't add up. You waste your.
Speaker 13: Time with Don mister Dollar. Decide I'm a better hoof
Speaker 13: than chill apathy.
Speaker 2: All I need, I know, I know, vowery of break.
Speaker 2: That's what we all need, just one good break. I'll
Speaker 2: see both of you later. Spencer Count Item three five
Speaker 2: dollars for a Boston hotel room, since I decided to
Speaker 2: stay over and see the show at the Verdecue Review.
Speaker 2: Spencer Count Item four thirty cents Federal amusement tax to
Speaker 2: be paid on the past Low walthamgiven me for the show.
Speaker 1: Expenser car Adem.
Speaker 2: Five twenty five cents for a box of the genuine
Speaker 2: saltwater taffy sold during intermission with a guaranteed prize, and
Speaker 2: each and every box I got a genuine tin cigar clipper.
Speaker 2: I watched Kate Bellamy, masquerading as Don Levia, take off
Speaker 2: everything the law would allow except the veil that covered
Speaker 2: the lower half of her face. Then, emotionally exhausted, I
Speaker 2: went back to my hotel and slept.
Speaker 4: It was noon, when I was wakened.
Speaker 1: By a knock on the door.
Speaker 2: Flies to seebee, Oh, little miss Bellamy, you weren't happy
Speaker 2: with me yesterday?
Speaker 12: Well, I was angry with Lou Waltham for sending you.
Speaker 1: See mister Dory, I started out.
Speaker 12: From burl asking frankly.
Speaker 8: For some reason.
Speaker 2: I like it that though, Oh you must mix it
Speaker 2: with a thousand dollars a week radio career.
Speaker 12: Sometimes a farm kid makes good in a big city,
Speaker 12: gets his own swimming pool, but when he gets a chance,
Speaker 12: he takes off.
Speaker 4: His shoes and goes waiting in the brook.
Speaker 5: Sometimes that's the way it is with me.
Speaker 4: A lie like that ought to get your pretty mouth
Speaker 4: washed out with soap.
Speaker 5: Why should I lie to you?
Speaker 12: Besides, Lough Waltham has no right to insure me unless
Speaker 12: I want myself insured, does he?
Speaker 4: So why don't you forget it and let's be friends.
Speaker 3: Johnny Dower, Johnny Welch, having an awful time finding you if.
Speaker 2: You want Innis and I put through a call to you, Bert,
Speaker 2: I think you'd better forget about that ka battlemy policy
Speaker 2: Waltham wanted.
Speaker 4: The lady doesn't want to be insured.
Speaker 3: Even if she did, it wouldn't matter. Now, what do
Speaker 3: you mean Lough Waltham is dead? What he shot and
Speaker 3: killed in his private office sometime this morning at least
Speaker 3: just found the body.
Speaker 4: We'll return you to yours, truly, Johnny Dollar, in just
Speaker 4: a moment. Right now.
Speaker 7: Our country is engaged in all out effort to fight
Speaker 7: off aggression and preserve our democratic freedom. The future of
Speaker 7: America concerns us all. That's why we should all help
Speaker 7: to make that future as bright as possible. By buying
Speaker 7: United States Defense Bond, you can help make American freedom secure,
Speaker 7: and at the same time you'll be automatically saving for
Speaker 7: your own financial security. Buy an extra bond for defense. Now,
Speaker 7: with our star John Lunn, we bring you the second
Speaker 7: act of yours, truly, Johnny Dollar.
Speaker 2: I grabbed the first plane out of Boston was back
Speaker 2: in the yard by late afternoon. Charlie Dyer from the
Speaker 2: police Lab was going over lou.
Speaker 4: Waltham's private office with dusting powder and camera.
Speaker 8: Some of them actor still outside.
Speaker 2: Yeah, Charlie, you find anything about two hundred sets a fingerprints,
Speaker 2: all different.
Speaker 8: This one's gonna be fun. Probably turn out the Shakespeare
Speaker 8: did it.
Speaker 4: Half the talent of the outer office.
Speaker 2: There might confess if they were sure the last meal
Speaker 2: is all that's cracked up to be.
Speaker 8: Maybe they're waiting to see if we're gonna cast Paul Bearers.
Speaker 4: Hey, what are you doing here?
Speaker 1: Just looking over some papers under desk?
Speaker 4: Charlie?
Speaker 9: Oh, come off a dollar? You know better than that,
Speaker 9: Lieutenant finds out. I'll let you in here, all right, Charlie, Look,
Speaker 9: just give me one break. You got the keys of
Speaker 9: this file cabinet?
Speaker 1: Yeah, why open it for me?
Speaker 4: Will you just this one drawer A through c Come on, Charlie,
Speaker 4: can't hurt anything.
Speaker 8: Oh, there's nothing nose parts but contracts.
Speaker 2: Johnny, I know, I just wanna look up a few,
Speaker 2: Kay Bellamy singer you think she did it?
Speaker 4: No?
Speaker 1: But well I want to.
Speaker 4: See the file, that's all. Come on, Charlie, will the
Speaker 4: one peak five minutes?
Speaker 8: All right? Can I finish that side of the room
Speaker 8: any hire? God take the fold of you on, Johnny,
Speaker 8: But I want.
Speaker 1: To see what you're doing here.
Speaker 2: It is, Kay Bellamy, just curious about something once. Why
Speaker 2: a doll with her voice and face and figure isn't
Speaker 2: on television?
Speaker 8: Oh, for crying out loud, go out and take a
Speaker 8: seat on the bench with the rest of those nuts.
Speaker 1: I didn't even hear him.
Speaker 2: Kay Bellany's contract with Lou Waltham was a dilly. No
Speaker 2: personal appearances, no club dates, no publicity pictures released without
Speaker 2: her approval, no studio audiences permitted. That are broadcasts, no
Speaker 2: television show.
Speaker 8: Look, Johnny, will you finish that and get.
Speaker 2: Out of here.
Speaker 1: I'm finished, Charlie, Why she.
Speaker 8: Ain't on television? If you ask me, she must have
Speaker 8: a face, would blow out the transmitter.
Speaker 4: What makes you say that?
Speaker 8: Pictures of her in the photo file where bottom drawer,
Speaker 8: it's just photos.
Speaker 1: I wanna see those two, Charlie.
Speaker 8: There's nothing to see.
Speaker 9: Hats with veiled silhouettes, even in the newspaper clippings. She
Speaker 9: must really be ugly. Then there's the only shot without
Speaker 9: a veil, her and some guy wearing big hats, shadow
Speaker 9: all over.
Speaker 2: The faces, Mexican sombreros, mule and cart in the background.
Speaker 4: This must have been snapped in Mexico.
Speaker 8: Come on, put 'em back, Johnny, clear out, there's nothing
Speaker 8: to see.
Speaker 4: He was wrong. There was something to see in that
Speaker 4: Mexican photo, all right.
Speaker 2: Not Kay Bellamy's face, but her hand holding the rim
Speaker 2: of the sombrero and I'm the hand.
Speaker 1: A wedding ring.
Speaker 2: Spencer con Items seven same as items two and six
Speaker 2: nineteen forty five cab and plane fair between New York
Speaker 2: and Boston. I made the plane just in time, and
Speaker 2: then got another little shock. There was a vacant seat
Speaker 2: on the aisle.
Speaker 5: I took it.
Speaker 4: The window seat was occupied by a dancer named Valerie. Well,
Speaker 4: I'm fancy meeting you here.
Speaker 1: Mister Dowler.
Speaker 2: You better uh fasten that seatbeltst You're a long way
Speaker 2: from Boston, aren't you. Well?
Speaker 4: I I I flew down this morning, he said.
Speaker 13: Mister Waltham was looking for people for a shell, so
Speaker 13: I thought I ought to see him, did you no, Well,
Speaker 13: William must know about the murder and.
Speaker 4: Police and everything I know about the murder and the police,
Speaker 4: but not everything you wanna fill me in. I don't
Speaker 4: know what you're talking about.
Speaker 1: What time was it when you went to see Waltam?
Speaker 4: I'll remember exactly afternoon.
Speaker 1: Police were outside the building.
Speaker 4: I heard what happened.
Speaker 2: I didn't even go up the imagine weren't there earlier,
Speaker 2: like between eight and nine this morning when the police.
Speaker 1: Think he was killed?
Speaker 4: What would he be doing in his office so early?
Speaker 1: It was his hour for thinking before the arrival of
Speaker 1: the Howling.
Speaker 5: Didn't you know that?
Speaker 4: How would I know it?
Speaker 1: Yeah?
Speaker 4: Maybe you would.
Speaker 5: It was a thing that was known.
Speaker 2: Only by his better clients, like Fay Bellamy or friends.
Speaker 2: Which plane did you take from Boston in the York
Speaker 2: this morning?
Speaker 1: Lunch?
Speaker 4: Ask the airlines leave me alone. I'm in mourning for
Speaker 4: Loue Wolf. Maybe for you, Hani, maybe for you.
Speaker 2: A lot of people were tying up together, and they
Speaker 2: were all tying around Kay Bellamy, but there was still
Speaker 2: no sign of the payoff. I had to find out
Speaker 2: where Martin Bay had Cullen the third came into the picture.
Speaker 2: When we reached Boston, I taxied out to the exclusive
Speaker 2: Back Bay mansion that had housed the Cullens for generations.
Speaker 2: Martin the Third received me in the library.
Speaker 14: Your card says you're an insurance investigator. Whatever your business is,
Speaker 14: I would prefer it to if you would take the
Speaker 14: matter up with my business counselors.
Speaker 1: Well, it's the kind of business they might know about.
Speaker 4: I want some information about a girl you've been seeing?
Speaker 4: What girl and what sort of information? Don Levy at
Speaker 4: the Burley Que Review. I don't answer any questions concerning Don.
Speaker 4: What color?
Speaker 1: This is important? A man has been murdered.
Speaker 4: Are you implying that Don is involved in murder?
Speaker 1: I'm not implying. I'm saying it right out.
Speaker 14: Are you going to get out of here, mister Dollar,
Speaker 14: or shall I throw you out?
Speaker 1: I don't try.
Speaker 2: You might bend your suits. You're being a sucker about
Speaker 2: your lady love, Colin. She's been working here for something,
Speaker 2: hasn't she some kind of a favor something?
Speaker 4: By yes, what kind of a favor? Maybe the key
Speaker 4: to a murder?
Speaker 1: Colin.
Speaker 4: You may help her later as she's involved, but you
Speaker 4: can't cover.
Speaker 5: For her.
Speaker 4: All right. There's a man in the federal penitentiary, her uncle.
Speaker 4: His name is Fred Bellamy.
Speaker 14: She asked me to use my influence to have him
Speaker 14: moved from the West Coast prison to one in the
Speaker 14: east where members of the family will.
Speaker 5: Be able to visit him.
Speaker 4: Fred Bellamy, that's right. You will think you can make
Speaker 4: murder out of that.
Speaker 2: Listen, Sham, do you think Don Levia is really her name?
Speaker 2: I never asked, Frankly, but he should have not that
Speaker 2: she'd have told you.
Speaker 4: But her real name is.
Speaker 2: Kay Bellamy, Kay Bellamy, and I five will get you
Speaker 2: ten that Fred Bellamy is her husband, not her uncle.
Speaker 4: He was married. The police would have known it, not
Speaker 4: if he was married in Mexico. But he's been in
Speaker 4: jail for five years.
Speaker 2: Yeah, and an eye witness who helped to convict him
Speaker 2: swore that a girl drove the getaway car.
Speaker 4: You've been out with her?
Speaker 2: Color she ever show her face in public? I I
Speaker 2: know she always wears a hat with vag she she
Speaker 2: never liked crowded places I have been taken in every day.
Speaker 2: MM happens for the best of us. But for your sake,
Speaker 2: I hope you didn't try to arrange that favor.
Speaker 14: I'm free as I did do. Bellamy should be a
Speaker 14: boarded train headed east right now. Well, then you better
Speaker 14: call everybody you know in Washington and get him to
Speaker 14: call out the Marines or something, because somebody's gonna make
Speaker 14: a petch to yank Bellamy off that train.
Speaker 2: But it still didn't solve the murder of low Waltham.
Speaker 2: He'd found out the same things. I was certain, but
Speaker 2: how I kept thinking about it on my way down
Speaker 2: the gravel driveway from the Colon house. Then I reached
Speaker 2: the street and started to think of another murder. One
Speaker 2: that looked like it was just about to take place my.
Speaker 4: Own alright, nos he that for that kind climate. You're
Speaker 4: a busy little fella. Why don't you crowl?
Speaker 11: And I asked the boss for that special hunting license,
Speaker 11: like I said, and I got it. You man of
Speaker 11: like this ride there, crawling behind a wheel.
Speaker 4: Alright? Started and get gone too bad. You have to
Speaker 4: work so hard all alone, crawl. I just found out
Speaker 4: why you haven't had more company. I can handle you alone, buster,
Speaker 4: And now he looks like part of a gang crawl.
Speaker 1: You're the type.
Speaker 4: And the rest of the boys are out meeting a
Speaker 4: train someplace, aren't they?
Speaker 1: The Fred Bellamy special.
Speaker 11: Oh, I know you have mouth has to be z
Speaker 11: a bit. He's beginning nice and docks soon take a
Speaker 11: road out of town. Let's see a little country. Sure
Speaker 11: going fast enough for you and I'll get funny.
Speaker 4: Slow down. Oh, I like the breeze.
Speaker 5: Want this gunbell across your teeth?
Speaker 4: No, but I don't want the bulletier plenty to give
Speaker 4: me either.
Speaker 2: He's got me scared. When I get scared, I get crazy.
Speaker 2: I don't like the idea of dying alone. He's trying
Speaker 2: to bluff me.
Speaker 4: Oh, you ever hit the.
Speaker 2: Back of a ten ton truck at eighty miles an hour,
Speaker 2: and now a smart guy. You're going to a smart
Speaker 2: guy because there's one right in front of us. He
Speaker 2: turned his eyes away from me and saw the back
Speaker 2: of the truck rooming up suddenly in the dusk.
Speaker 1: For a minute, fear paralyzed him, and.
Speaker 8: He gave a wild shriek and opened the door and jumped.
Speaker 1: He yanked the wheel hard and the car missed the
Speaker 1: truck by inches.
Speaker 4: The crow didn't.
Speaker 2: His leap had smashed him right into the back of it.
Speaker 2: I felt my heart kicking up at something in my throat.
Speaker 2: I turned the car around and drove back to the
Speaker 2: bird Cue Review at fifteen miles an hour.
Speaker 5: Collen, Hello, okay, h, that's you.
Speaker 4: Yeah, tired of running? K Yeah, tired.
Speaker 1: Your husband isn't gonna get off that train. The gang
Speaker 1: will be picked up too, I know, h.
Speaker 12: I just had a phone call from Martin Bay had
Speaker 12: Cullen the third.
Speaker 4: It made me feel like it was rotten.
Speaker 12: I did it because I had to.
Speaker 2: Your husband wasn't gonna let you enjoy the comforts of
Speaker 2: life while he rotted away in jail.
Speaker 5: Is that it?
Speaker 2: Yes?
Speaker 12: He let me take the radio job because he thought
Speaker 12: he might be able to buy his way out with
Speaker 12: the money out of.
Speaker 4: The federal penn He was dreaming, glad it's over.
Speaker 12: He had Cruel and the other boys watching me for
Speaker 12: him to keep me working in burlesque, make things rough
Speaker 12: for me, so i'd never forget what a bad time
Speaker 12: he was having.
Speaker 4: I'd better call the police.
Speaker 5: King.
Speaker 4: You don't have to, mister Dollar. I call him myself
Speaker 4: two minutes ago. I'm just waiting.
Speaker 1: Okay, you've seen the farewell performance.
Speaker 4: Now, why don't you leave me alone? Please?
Speaker 5: Sure?
Speaker 1: Oh, mister dollar, Ollo, let's see.
Speaker 4: Oh I say, I heard the terrible news about mister Watson.
Speaker 4: Such a terrible thing.
Speaker 8: Yeah, I know you worked for him, I know how
Speaker 8: badly your most feel left.
Speaker 5: Will tell me something.
Speaker 4: Are you taking over the business when you've been looking
Speaker 4: for the people for that show? I'll uh let you
Speaker 4: know his Valerie around game in.
Speaker 8: The manager's office just over there, mister Crow's office.
Speaker 2: You know me sour, Yeah, I met him around a
Speaker 2: couple of times. Thanks, hello, Valerie, you boy scrawl. I
Speaker 2: don't know for sure, maybe out in the highway, maybe
Speaker 2: in the morgue. By now, the mark his hunting license expired.
Speaker 2: You lost your boyfriend.
Speaker 4: He was nothing to me. No, And why did you
Speaker 4: follow me to Collins House and then tip him off
Speaker 4: that I was there? Hell about what you're talking about?
Speaker 1: Let's try something else.
Speaker 2: Then you went to New York with him when he
Speaker 2: killed Waltham, but you took different planes coming back.
Speaker 4: Hih.
Speaker 13: So he killed Waltham and now he's dead.
Speaker 5: Why does that make me an accessory? No?
Speaker 13: No, look listen to me, mister dollar. I didn't know
Speaker 13: what he was gonna do. I didn't even know why
Speaker 13: he was gonna see Waltham. First I knew it was
Speaker 13: trouble was when I was sitting in the outer office
Speaker 13: and I heard them yelling, and then I heard a shot.
Speaker 4: You mean Crawl was in the private office with Waltham.
Speaker 1: You didn't see them together.
Speaker 4: I couldn't. The door was closed.
Speaker 2: Too bad you heard that shot then, because it makes
Speaker 2: you sound like a liar. Waltham's private office was completely
Speaker 2: sound proof.
Speaker 5: I see.
Speaker 4: Oh sure, sure, you're a nice pieceful all right?
Speaker 1: Got it?
Speaker 5: That's better.
Speaker 2: Police will be here soon with a wagon. You better
Speaker 2: put something, guys, so you don't catch cold. And that's
Speaker 2: about it for the bump and grind artists. Lou Waltham
Speaker 2: never insured himself because he had nobody to leave it to,
Speaker 2: so there's no loss there. Of course, the k Bellamy
Speaker 2: policy was never issued. You lose a fat premium, but
Speaker 2: don't fret over it. Clause forty two A would have
Speaker 2: cost you a mint, the one about mint performances. She'll
Speaker 2: be missing him for the next ten years. I guess
Speaker 2: your total loss lies in my expense account. Itam eatee
Speaker 2: forty three dollars miscellaneous item nine six dollars and ten
Speaker 2: cents trained fare from Boston back to Hartford, Connecticut. Please
Speaker 2: note that I did not charge you for the admission
Speaker 2: pass that Waltham gave me to the Burdecue review, nor
Speaker 2: did I charge you cab fare from the Collin Mansion
Speaker 2: to town, since Crawle provided car service. Expense account total
Speaker 2: one hundred and thirty five dollars and forty cents. Here's truly,
Speaker 2: Johnny dollars, yours truly Johnny Dollar. Stars John London the
Speaker 2: title role, and was written by Joel Murcott with music
Speaker 2: by Eddie Dunstutter. John Lunn can currently be seen in
Speaker 2: the Universal International Picture just across the street. Featured in
Speaker 2: tonight's cast were Raymond burb, Benny Rubin, jain O Fellow,
Speaker 2: Gene Bates, hi Everback, Sandra Gold, and Gloria Blondell. Yours Truly,
Speaker 2: Johnny Dollar is transcribed in Hollywood by I'm a by.
Speaker 5: This.
Speaker 4: Here's the CBS Radio Network