WEBVTT

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<v Speaker 1>From Hollywood.

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<v Speaker 2>It's time now for John Lunnon as Johnny.

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<v Speaker 3>Dallar word wealth, Johnny, I want to give my regards

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<v Speaker 3>to Broadway.

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<v Speaker 4>You mean, tell all the boys at forty second Street, Oh.

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<v Speaker 5>Forty sixth Street.

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<v Speaker 3>Want you to run down there and see a theatrical

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<v Speaker 3>agent named Lou Waltham.

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<v Speaker 4>What's the pitch?

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<v Speaker 3>Only handles a lot of high priced talents, insures them

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<v Speaker 3>with us for all sorts of things, accidents, injuries, misperformances,

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<v Speaker 3>the usual.

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<v Speaker 1>What's the trouble?

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<v Speaker 4>Actually, I don't know.

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<v Speaker 3>I want you to check on an application he made

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<v Speaker 3>for overall coverage on Kate Bellamy.

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<v Speaker 4>The singer.

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<v Speaker 2>Yeah, we almost she looks like she sounds on my

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<v Speaker 2>record player and radio.

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<v Speaker 4>I'm gonna love this and we'd love to ensure.

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<v Speaker 3>Waltham wants her covered for almost.

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<v Speaker 6>Two million protection against everything up to and.

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<v Speaker 3>Including is being fitten by a seat sa fly?

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<v Speaker 6>But but what the answers to the application questions don't

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<v Speaker 6>seem to check out. I think we'd like to know

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<v Speaker 6>a little more about the girl. As a matter of fact,

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<v Speaker 6>I think Waltham would like to know a little more himself.

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<v Speaker 2>Well, that makes three of us, because now you got

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<v Speaker 2>me interested, John lond and the transcribed Adventure of the

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<v Speaker 2>Man with the Action Packed at Spenser.

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<v Speaker 7>Car America's Fabulous freelance Insurance Investigator.

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<v Speaker 1>Yours Torney Johnny Downer.

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<v Speaker 2>Expense accounts submitted by Special Investigator Johnny Doller to home

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<v Speaker 2>office Hemispheric Insurance Company, Hartford, Connecticut. The following is in

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<v Speaker 2>the County of expenditures during my investigation of the Kay

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<v Speaker 2>Bellamy matter expense account item one twenty two to forty

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<v Speaker 2>plain Fair and incidentals from Hartford to New York and

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<v Speaker 2>cab Fair to the Madhouse on forty six off Broadway

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<v Speaker 2>where Lou.

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<v Speaker 1>Waltham housed his talent enterprises.

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<v Speaker 2>I ran the gamut of wood be Thespians and his

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<v Speaker 2>haggard secretary covered my rear valiantly as I plowed my

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<v Speaker 2>way from the outer office to the inner sancin you'd a.

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<v Speaker 8>Guy from the insurance company.

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<v Speaker 2>Yeah, is it always like that out there?

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<v Speaker 1>I think I want suddenly deaf heah, you're all right?

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<v Speaker 8>This off it is Tom Proke. I go nuts.

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<v Speaker 9>If I listened to that gammering all day. There's a

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<v Speaker 9>little Waltam boy Walts told me to send you down.

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<v Speaker 2>About the policy you want him to write on Kay Bellamy,

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<v Speaker 2>He doesn't think the application.

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<v Speaker 5>Is as neat as it might be.

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<v Speaker 8>Yeah, she's a valuable hunk of talent. I gotta have coverage.

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<v Speaker 4>Well, then we need information.

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<v Speaker 8>I need some of myself. This dame has been a

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<v Speaker 8>headache from avoid go.

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<v Speaker 1>Maybe you better tell me about it.

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<v Speaker 9>I'll give it to you a straight. I picked Kay

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<v Speaker 9>up well a little more two years ago. She was nothing,

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<v Speaker 9>nobody doing a stripping by less singer song. You know,

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<v Speaker 9>once a while I heard something in her voice though,

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<v Speaker 9>something that other guy's missed. I signed her, had a train,

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<v Speaker 9>got her a good deal, that's my business. Sure she

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<v Speaker 9>next down a grand a week on our radio show.

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<v Speaker 9>More on records.

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<v Speaker 8>I could put her into the five grand class in

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<v Speaker 8>no time. But for what, well, we're.

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<v Speaker 1>Gonna tell you.

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<v Speaker 8>See, she won't let me.

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<v Speaker 9>She keeps sending me to the aspir In fact, look,

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<v Speaker 9>let me tell you this. Two months ago I get

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<v Speaker 9>her a picture deal Hollywood got it all sewed up,

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<v Speaker 9>big dough villain.

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<v Speaker 4>So what happens?

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<v Speaker 8>I tell her?

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<v Speaker 1>And she screamed like a bedsheet, no pitchure?

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<v Speaker 5>What is she?

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<v Speaker 4>A screwball?

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<v Speaker 5>Screw ball?

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<v Speaker 9>Take any nothing at out of office out there, and

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<v Speaker 9>I'd lay eight to five in handling them would be

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<v Speaker 9>a vacation at the k Bellamy and maybe talking to

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<v Speaker 9>myself right out of the policy I want.

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<v Speaker 8>But listen, you want to know something one of the

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<v Speaker 8>things she does.

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<v Speaker 1>Just go ahead figure this with.

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<v Speaker 9>In between a radio show, she disappears for a whole week.

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<v Speaker 9>For months, I couldn't never find her except on show

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<v Speaker 9>days until I don't know where does she go?

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<v Speaker 1>So help me?

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<v Speaker 9>You can consume me if I'm lying. She spends her

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<v Speaker 9>time waking and boy less Kia. Yeah, I mean a

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<v Speaker 9>grand a week and one radio show, but she goes

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<v Speaker 9>around play Zip Zip the rest of the time for

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<v Speaker 9>seventy five bucks a week under the name.

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<v Speaker 8>Of Don Levage.

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<v Speaker 4>Are you sure I followed?

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<v Speaker 1>I see it with my own eyes.

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<v Speaker 4>You talk to her about it?

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<v Speaker 9>I toot myself, blowing her face. She freezes and tells

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<v Speaker 9>me to mind my own business. Should go get another agent, you.

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<v Speaker 2>Know, mister Waltham, I think you'd better get another insurance

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<v Speaker 2>coming now. Look wait, look, I do a lot of

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<v Speaker 2>business which you'll find no trouble.

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<v Speaker 8>This ployless valuable property. Give me a pick, can maybe

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<v Speaker 8>you could talk to him. Maybe she just hates agents.

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<v Speaker 2>All right, mister Walton, where can I find it? Boston, Boston,

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<v Speaker 2>doing burlesque in Boston.

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<v Speaker 8>Listen, there ain't need it? Hey, yeah you aren't, Spencer time.

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<v Speaker 9>Yeah, Why well, I'll give you a paster the theater

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<v Speaker 9>up there you can knock down you admission price and

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<v Speaker 9>stick in your kick.

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<v Speaker 2>That's kay, Thanks, thanks submitting what are you laughing?

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<v Speaker 8>A buck's a bucket and.

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<v Speaker 1>Spencer con item too.

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<v Speaker 2>Nineteen forty five cab and Plain fairs between Lou Waltham's

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<v Speaker 2>New York office and the Burly Q Review in Boston,

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<v Speaker 2>where Kay Bellamy, with a little Turkey spail hiding her

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<v Speaker 2>face on the billboards, was dancing.

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<v Speaker 4>Under the name of Don Leva.

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<v Speaker 2>The theater was closed in the later afternoon, but the

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<v Speaker 2>sound of a piano came from the stage door.

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<v Speaker 4>Ally I walked backstage. There was no door man, so

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<v Speaker 4>I went through to the wings.

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<v Speaker 2>Don Levia was on stage, and the dance she was

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<v Speaker 2>doing was enough to make me forget the inadequacies of

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<v Speaker 2>the pianist and the despairing tone of the dance director

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<v Speaker 2>as he tried to whip the lumbering chorus into a

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<v Speaker 2>semblance of unity. Why one.

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<v Speaker 8>Fund sun buggy, you loan beaches your left foot dog,

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<v Speaker 8>you only got fool, make a choice.

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<v Speaker 10>Why do you want forty bucks a week? They're holing

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<v Speaker 10>that's higher your.

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<v Speaker 8>S Look it up with you.

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<v Speaker 4>We were all tired.

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<v Speaker 8>You don't need me for the rest of the numbers.

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<v Speaker 5>Two.

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<v Speaker 8>No, no, you're all right, don darling, go get to

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<v Speaker 8>the speed.

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<v Speaker 2>She walked into the wings, moving towards me in the semidarkness.

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<v Speaker 2>The piano had stopped, but she carried her own music

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<v Speaker 2>with her as she moved, and it wasn't for less music.

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<v Speaker 4>This girl was definitely on the symphony side. What did

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<v Speaker 4>you call me?

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<v Speaker 1>That is your name?

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<v Speaker 5>Is that? Now?

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<v Speaker 1>Mister whoever you are, What are you doing back here anyhow?

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<v Speaker 7>Get out of my way and let me pass it.

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<v Speaker 1>Look, I just want to talk to you.

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<v Speaker 4>Eli. My name is Donald.

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<v Speaker 1>That's a hemispheric insurance.

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<v Speaker 11>Maybe you didn't hear the lady she told you to

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<v Speaker 11>get out of here.

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<v Speaker 4>Don't get dressed, baby, I'll cool this. Thanks for John.

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<v Speaker 5>I'm fool you.

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<v Speaker 4>You came in the wrong door, but the box office

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<v Speaker 4>is around front.

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<v Speaker 1>Listen a hard boy, I got business there.

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<v Speaker 2>My name is Don who you are and know why

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<v Speaker 2>you're here, And I got reasons why you should flow,

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<v Speaker 2>meaning the gun you're holding in your pocket.

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<v Speaker 7>Kay ain't interested in money insurance, Just go tell we

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<v Speaker 7>welcome to insurance self and dropped it right, don't the

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<v Speaker 7>gun can get awful nasty, mister Dollar.

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<v Speaker 4>All right, mister Crow, as long as this isn't a

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<v Speaker 4>personal matter.

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<v Speaker 2>If it ever gets personal, I'm gonna feeds you a

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<v Speaker 2>face for him, Roger that I'll tell a boss right then,

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<v Speaker 2>if you keep nosing around, maybe he'll issue me a

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<v Speaker 2>special hunting.

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<v Speaker 5>License just for you.

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<v Speaker 2>The lover of ole, mister Crowe had told me two things.

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<v Speaker 2>One was that he had a boss, and two Kay

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<v Speaker 2>Bellamine was also taking orders from somebody. I found a

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<v Speaker 2>cafe around the corner from the theater. When the rehearsal broke,

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<v Speaker 2>some of the cast wanted in.

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<v Speaker 4>I went in too. I got a seat at the

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<v Speaker 4>counter next to the girl called Loreenes. I just wanted

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<v Speaker 4>when you get a chance, y'll hello.

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<v Speaker 5>Hi.

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<v Speaker 4>You had a little trouble of rehearsal, didn't you.

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<v Speaker 5>Yeah?

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<v Speaker 4>I always have trouble. Were you there? Yeah? And the wings? Hi,

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<v Speaker 4>you're doing fine?

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<v Speaker 10>Ah, that LUTSI gives me a pain. He's always putting

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<v Speaker 10>on the big act, like he was doing a Hollywood

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<v Speaker 10>musical or something.

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<v Speaker 1>Who's Letsy Letsy.

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<v Speaker 10>Lazario the dance direct You saw him. He's over in

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<v Speaker 10>the corner boots there with Valerie, one of the new girls.

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<v Speaker 10>Do you think she's a regular.

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<v Speaker 1>Romeo continental type?

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<v Speaker 10>Yeah, continental Brooklyn if you ask me. He made a

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<v Speaker 10>play for Dawn, but she brushed him fast.

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<v Speaker 4>So let's see has a big crush on don huh.

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<v Speaker 10>He'll forget it if he's smart. She's aiming for bigger

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<v Speaker 10>moose than him, like who for instance, some guy names Hey, Hey,

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<v Speaker 10>that's my day honking for me. I never mind, I callee,

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<v Speaker 10>I ordered Joe.

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<v Speaker 12>I gotta go.

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<v Speaker 8>I'm sorry, I can't keep you.

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<v Speaker 1>Company's all ram.

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<v Speaker 2>I think I'll go over to the corner booth and

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<v Speaker 2>join Letsie and his girlfriend.

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<v Speaker 12>Okay by me?

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<v Speaker 10>He ain't particular.

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<v Speaker 13>Isn't it.

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<v Speaker 8>Appreciation for the dancers?

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<v Speaker 4>Not what I've been a custom? Please?

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<v Speaker 1>People who knew me and then.

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<v Speaker 8>I Letsylas, Oh, yes, yes, I'm Lazarro.

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<v Speaker 1>Didn't I see you backstage during her horses? Yes, I

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<v Speaker 1>was watching your work. Oh, that's right, Yes, you are

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<v Speaker 1>in the business.

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<v Speaker 2>Well, in a way, I'm doing a little scouting for

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<v Speaker 2>will Walk in the agent. He's got a chance to

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<v Speaker 2>sell some talent for a big Broadway musical if you

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<v Speaker 2>can find the right people.

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<v Speaker 1>No, sweet, won't you sit down, mister This is Valerie,

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<v Speaker 1>mister doll. She's in the corries and this is a

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<v Speaker 1>great pleasure.

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<v Speaker 4>Mister Dollar. Of course you don't know.

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<v Speaker 1>I'm sorry, but I've had an eye on you. You

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<v Speaker 1>and the star of your show don't know.

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<v Speaker 4>Oh, I am so ashamed that you can find me

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<v Speaker 4>in such a place.

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<v Speaker 8>It has been a thing I I've been doing, you know,

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<v Speaker 8>temporarily waiting for a braid.

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<v Speaker 1>Yeah, I understand.

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<v Speaker 13>How about the girl though, don oh you didn't get

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<v Speaker 13>her to leave here, mister Dollar. There ain't as much

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<v Speaker 13>doing all Broadway as she could get just by Mary

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<v Speaker 13>and a guy that after.

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<v Speaker 4>Besides, if you're looking for a Regles.

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<v Speaker 8>Answer, boyfriend sounds like big money.

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<v Speaker 13>More than just money, mister Dollar, real big shot family.

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<v Speaker 13>He's Martin Bayard column the third.

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<v Speaker 2>Her breadth was singing my eyebrows, but it was the

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<v Speaker 2>name that really made him curl. Martin Bayard column the

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<v Speaker 2>third connections with the capital c. Kay Bellamy was rarely

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<v Speaker 2>moving into the big leagues and doing it the hard way.

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<v Speaker 4>The uh burlesque runway didn't add up. You waste your.

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<v Speaker 13>Time with Don mister Dollar. Decide I'm a better hoof

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<v Speaker 13>than chill apathy.

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<v Speaker 2>All I need, I know, I know, vowery of break.

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<v Speaker 2>That's what we all need, just one good break. I'll

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<v Speaker 2>see both of you later. Spencer Count Item three five

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<v Speaker 2>dollars for a Boston hotel room, since I decided to

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<v Speaker 2>stay over and see the show at the Verdecue Review.

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<v Speaker 2>Spencer Count Item four thirty cents Federal amusement tax to

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<v Speaker 2>be paid on the past Low walthamgiven me for the show.

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<v Speaker 1>Expenser car Adem.

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<v Speaker 2>Five twenty five cents for a box of the genuine

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<v Speaker 2>saltwater taffy sold during intermission with a guaranteed prize, and

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<v Speaker 2>each and every box I got a genuine tin cigar clipper.

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<v Speaker 2>I watched Kate Bellamy, masquerading as Don Levia, take off

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<v Speaker 2>everything the law would allow except the veil that covered

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<v Speaker 2>the lower half of her face. Then, emotionally exhausted, I

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<v Speaker 2>went back to my hotel and slept.

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<v Speaker 4>It was noon, when I was wakened.

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<v Speaker 1>By a knock on the door.

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<v Speaker 2>Flies to seebee, Oh, little miss Bellamy, you weren't happy

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<v Speaker 2>with me yesterday?

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<v Speaker 12>Well, I was angry with Lou Waltham for sending you.

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<v Speaker 1>See mister Dory, I started out.

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<v Speaker 12>From burl asking frankly.

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<v Speaker 8>For some reason.

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<v Speaker 2>I like it that though, Oh you must mix it

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<v Speaker 2>with a thousand dollars a week radio career.

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<v Speaker 12>Sometimes a farm kid makes good in a big city,

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<v Speaker 12>gets his own swimming pool, but when he gets a chance,

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<v Speaker 12>he takes off.

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<v Speaker 4>His shoes and goes waiting in the brook.

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<v Speaker 5>Sometimes that's the way it is with me.

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<v Speaker 4>A lie like that ought to get your pretty mouth

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<v Speaker 4>washed out with soap.

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<v Speaker 5>Why should I lie to you?

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<v Speaker 12>Besides, Lough Waltham has no right to insure me unless

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<v Speaker 12>I want myself insured, does he?

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<v Speaker 4>So why don't you forget it and let's be friends.

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<v Speaker 3>Johnny Dower, Johnny Welch, having an awful time finding you if.

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<v Speaker 2>You want Innis and I put through a call to you, Bert,

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<v Speaker 2>I think you'd better forget about that ka battlemy policy

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<v Speaker 2>Waltham wanted.

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<v Speaker 4>The lady doesn't want to be insured.

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<v Speaker 3>Even if she did, it wouldn't matter. Now, what do

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<v Speaker 3>you mean Lough Waltham is dead? What he shot and

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<v Speaker 3>killed in his private office sometime this morning at least

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<v Speaker 3>just found the body.

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<v Speaker 4>We'll return you to yours, truly, Johnny Dollar, in just

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<v Speaker 4>a moment. Right now.

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<v Speaker 7>Our country is engaged in all out effort to fight

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<v Speaker 7>off aggression and preserve our democratic freedom. The future of

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<v Speaker 7>America concerns us all. That's why we should all help

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<v Speaker 7>to make that future as bright as possible. By buying

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<v Speaker 7>United States Defense Bond, you can help make American freedom secure,

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<v Speaker 7>and at the same time you'll be automatically saving for

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<v Speaker 7>your own financial security. Buy an extra bond for defense. Now,

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<v Speaker 7>with our star John Lunn, we bring you the second

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<v Speaker 7>act of yours, truly, Johnny Dollar.

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<v Speaker 2>I grabbed the first plane out of Boston was back

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<v Speaker 2>in the yard by late afternoon. Charlie Dyer from the

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00:14:08.200 --> 00:14:09.840
<v Speaker 2>police Lab was going over lou.

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<v Speaker 4>Waltham's private office with dusting powder and camera.

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00:14:14.919 --> 00:14:16.679
<v Speaker 8>Some of them actor still outside.

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00:14:17.440 --> 00:14:21.919
<v Speaker 2>Yeah, Charlie, you find anything about two hundred sets a fingerprints,

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<v Speaker 2>all different.

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<v Speaker 8>This one's gonna be fun. Probably turn out the Shakespeare

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<v Speaker 8>did it.

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<v Speaker 4>Half the talent of the outer office.

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<v Speaker 2>There might confess if they were sure the last meal

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<v Speaker 2>is all that's cracked up to be.

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<v Speaker 8>Maybe they're waiting to see if we're gonna cast Paul Bearers.

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<v Speaker 4>Hey, what are you doing here?

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<v Speaker 1>Just looking over some papers under desk?

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<v Speaker 4>Charlie?

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<v Speaker 9>Oh, come off a dollar? You know better than that,

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<v Speaker 9>Lieutenant finds out. I'll let you in here, all right, Charlie, Look,

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<v Speaker 9>just give me one break. You got the keys of

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<v Speaker 9>this file cabinet?

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<v Speaker 1>Yeah, why open it for me?

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<v Speaker 4>Will you just this one drawer A through c Come on, Charlie,

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00:14:54.399 --> 00:14:55.200
<v Speaker 4>can't hurt anything.

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<v Speaker 8>Oh, there's nothing nose parts but contracts.

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<v Speaker 2>Johnny, I know, I just wanna look up a few,

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<v Speaker 2>Kay Bellamy singer you think she did it?

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<v Speaker 4>No?

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<v Speaker 1>But well I want to.

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<v Speaker 4>See the file, that's all. Come on, Charlie, will the

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<v Speaker 4>one peak five minutes?

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<v Speaker 8>All right? Can I finish that side of the room

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<v Speaker 8>any hire? God take the fold of you on, Johnny,

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00:15:19.960 --> 00:15:20.480
<v Speaker 8>But I want.

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00:15:20.320 --> 00:15:21.840
<v Speaker 1>To see what you're doing here.

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<v Speaker 2>It is, Kay Bellamy, just curious about something once. Why

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00:15:27.279 --> 00:15:29.919
<v Speaker 2>a doll with her voice and face and figure isn't

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<v Speaker 2>on television?

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<v Speaker 8>Oh, for crying out loud, go out and take a

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<v Speaker 8>seat on the bench with the rest of those nuts.

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<v Speaker 1>I didn't even hear him.

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<v Speaker 2>Kay Bellany's contract with Lou Waltham was a dilly. No

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<v Speaker 2>personal appearances, no club dates, no publicity pictures released without

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<v Speaker 2>her approval, no studio audiences permitted. That are broadcasts, no

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<v Speaker 2>television show.

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<v Speaker 8>Look, Johnny, will you finish that and get.

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<v Speaker 2>Out of here.

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<v Speaker 1>I'm finished, Charlie, Why she.

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<v Speaker 8>Ain't on television? If you ask me, she must have

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<v Speaker 8>a face, would blow out the transmitter.

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<v Speaker 4>What makes you say that?

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<v Speaker 8>Pictures of her in the photo file where bottom drawer,

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00:16:05.240 --> 00:16:06.000
<v Speaker 8>it's just photos.

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<v Speaker 1>I wanna see those two, Charlie.

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<v Speaker 8>There's nothing to see.

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<v Speaker 9>Hats with veiled silhouettes, even in the newspaper clippings. She

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00:16:14.480 --> 00:16:18.039
<v Speaker 9>must really be ugly. Then there's the only shot without

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00:16:18.039 --> 00:16:20.639
<v Speaker 9>a veil, her and some guy wearing big hats, shadow

358
00:16:20.639 --> 00:16:21.039
<v Speaker 9>all over.

359
00:16:20.960 --> 00:16:25.919
<v Speaker 2>The faces, Mexican sombreros, mule and cart in the background.

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00:16:27.039 --> 00:16:28.720
<v Speaker 4>This must have been snapped in Mexico.

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<v Speaker 8>Come on, put 'em back, Johnny, clear out, there's nothing

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<v Speaker 8>to see.

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00:16:34.720 --> 00:16:38.639
<v Speaker 4>He was wrong. There was something to see in that

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00:16:38.759 --> 00:16:39.879
<v Speaker 4>Mexican photo, all right.

365
00:16:40.679 --> 00:16:43.960
<v Speaker 2>Not Kay Bellamy's face, but her hand holding the rim

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00:16:44.039 --> 00:16:46.559
<v Speaker 2>of the sombrero and I'm the hand.

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00:16:47.000 --> 00:16:47.879
<v Speaker 1>A wedding ring.

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00:16:52.399 --> 00:16:55.919
<v Speaker 2>Spencer con Items seven same as items two and six

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<v Speaker 2>nineteen forty five cab and plane fair between New York

370
00:16:59.440 --> 00:17:02.360
<v Speaker 2>and Boston. I made the plane just in time, and

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00:17:02.440 --> 00:17:05.440
<v Speaker 2>then got another little shock. There was a vacant seat

372
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<v Speaker 2>on the aisle.

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<v Speaker 5>I took it.

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00:17:07.200 --> 00:17:11.599
<v Speaker 4>The window seat was occupied by a dancer named Valerie. Well,

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<v Speaker 4>I'm fancy meeting you here.

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<v Speaker 1>Mister Dowler.

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<v Speaker 2>You better uh fasten that seatbeltst You're a long way

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<v Speaker 2>from Boston, aren't you. Well?

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<v Speaker 4>I I I flew down this morning, he said.

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00:17:21.799 --> 00:17:23.759
<v Speaker 13>Mister Waltham was looking for people for a shell, so

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<v Speaker 13>I thought I ought to see him, did you no, Well,

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00:17:29.680 --> 00:17:31.000
<v Speaker 13>William must know about the murder and.

383
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<v Speaker 4>Police and everything I know about the murder and the police,

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00:17:33.880 --> 00:17:38.200
<v Speaker 4>but not everything you wanna fill me in. I don't

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<v Speaker 4>know what you're talking about.

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00:17:39.599 --> 00:17:41.359
<v Speaker 1>What time was it when you went to see Waltam?

387
00:17:41.799 --> 00:17:44.079
<v Speaker 4>I'll remember exactly afternoon.

388
00:17:44.480 --> 00:17:45.680
<v Speaker 1>Police were outside the building.

389
00:17:45.759 --> 00:17:47.240
<v Speaker 4>I heard what happened.

390
00:17:47.279 --> 00:17:49.559
<v Speaker 2>I didn't even go up the imagine weren't there earlier,

391
00:17:50.559 --> 00:17:52.799
<v Speaker 2>like between eight and nine this morning when the police.

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00:17:52.599 --> 00:17:53.400
<v Speaker 1>Think he was killed?

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00:17:53.599 --> 00:17:55.559
<v Speaker 4>What would he be doing in his office so early?

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00:17:56.440 --> 00:17:59.279
<v Speaker 1>It was his hour for thinking before the arrival of

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00:17:59.359 --> 00:17:59.759
<v Speaker 1>the Howling.

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<v Speaker 5>Didn't you know that?

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00:18:02.480 --> 00:18:03.240
<v Speaker 4>How would I know it?

398
00:18:03.920 --> 00:18:04.079
<v Speaker 1>Yeah?

399
00:18:04.200 --> 00:18:04.720
<v Speaker 4>Maybe you would.

400
00:18:05.680 --> 00:18:06.920
<v Speaker 5>It was a thing that was known.

401
00:18:06.759 --> 00:18:11.000
<v Speaker 2>Only by his better clients, like Fay Bellamy or friends.

402
00:18:12.640 --> 00:18:14.559
<v Speaker 2>Which plane did you take from Boston in the York

403
00:18:14.599 --> 00:18:15.000
<v Speaker 2>this morning?

404
00:18:15.759 --> 00:18:16.000
<v Speaker 1>Lunch?

405
00:18:16.039 --> 00:18:18.319
<v Speaker 4>Ask the airlines leave me alone. I'm in mourning for

406
00:18:18.440 --> 00:18:21.920
<v Speaker 4>Loue Wolf. Maybe for you, Hani, maybe for you.

407
00:18:31.279 --> 00:18:33.119
<v Speaker 2>A lot of people were tying up together, and they

408
00:18:33.160 --> 00:18:36.160
<v Speaker 2>were all tying around Kay Bellamy, but there was still

409
00:18:36.240 --> 00:18:39.160
<v Speaker 2>no sign of the payoff. I had to find out

410
00:18:39.200 --> 00:18:42.000
<v Speaker 2>where Martin Bay had Cullen the third came into the picture.

411
00:18:42.920 --> 00:18:45.400
<v Speaker 2>When we reached Boston, I taxied out to the exclusive

412
00:18:45.480 --> 00:18:48.160
<v Speaker 2>Back Bay mansion that had housed the Cullens for generations.

413
00:18:48.720 --> 00:18:51.400
<v Speaker 2>Martin the Third received me in the library.

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00:18:52.000 --> 00:18:55.759
<v Speaker 14>Your card says you're an insurance investigator. Whatever your business is,

415
00:18:55.839 --> 00:18:57.200
<v Speaker 14>I would prefer it to if you would take the

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00:18:57.240 --> 00:18:58.680
<v Speaker 14>matter up with my business counselors.

417
00:18:58.759 --> 00:19:00.599
<v Speaker 1>Well, it's the kind of business they might know about.

418
00:19:01.119 --> 00:19:03.160
<v Speaker 4>I want some information about a girl you've been seeing?

419
00:19:03.480 --> 00:19:06.160
<v Speaker 4>What girl and what sort of information? Don Levy at

420
00:19:06.240 --> 00:19:09.400
<v Speaker 4>the Burley Que Review. I don't answer any questions concerning Don.

421
00:19:09.519 --> 00:19:09.920
<v Speaker 4>What color?

422
00:19:10.000 --> 00:19:11.519
<v Speaker 1>This is important? A man has been murdered.

423
00:19:11.839 --> 00:19:14.319
<v Speaker 4>Are you implying that Don is involved in murder?

424
00:19:14.359 --> 00:19:16.079
<v Speaker 1>I'm not implying. I'm saying it right out.

425
00:19:16.279 --> 00:19:17.799
<v Speaker 14>Are you going to get out of here, mister Dollar,

426
00:19:17.880 --> 00:19:18.799
<v Speaker 14>or shall I throw you out?

427
00:19:18.920 --> 00:19:19.519
<v Speaker 1>I don't try.

428
00:19:19.640 --> 00:19:23.000
<v Speaker 2>You might bend your suits. You're being a sucker about

429
00:19:23.000 --> 00:19:25.960
<v Speaker 2>your lady love, Colin. She's been working here for something,

430
00:19:26.039 --> 00:19:29.000
<v Speaker 2>hasn't she some kind of a favor something?

431
00:19:30.519 --> 00:19:34.720
<v Speaker 4>By yes, what kind of a favor? Maybe the key

432
00:19:34.759 --> 00:19:35.240
<v Speaker 4>to a murder?

433
00:19:35.359 --> 00:19:35.640
<v Speaker 1>Colin.

434
00:19:37.039 --> 00:19:38.880
<v Speaker 4>You may help her later as she's involved, but you

435
00:19:38.960 --> 00:19:39.559
<v Speaker 4>can't cover.

436
00:19:39.559 --> 00:19:39.920
<v Speaker 5>For her.

437
00:19:41.480 --> 00:19:46.079
<v Speaker 4>All right. There's a man in the federal penitentiary, her uncle.

438
00:19:46.200 --> 00:19:47.440
<v Speaker 4>His name is Fred Bellamy.

439
00:19:48.240 --> 00:19:50.440
<v Speaker 14>She asked me to use my influence to have him

440
00:19:50.440 --> 00:19:52.160
<v Speaker 14>moved from the West Coast prison to one in the

441
00:19:52.160 --> 00:19:54.000
<v Speaker 14>east where members of the family will.

442
00:19:53.799 --> 00:19:54.680
<v Speaker 5>Be able to visit him.

443
00:19:55.240 --> 00:19:58.480
<v Speaker 4>Fred Bellamy, that's right. You will think you can make

444
00:19:58.759 --> 00:19:59.480
<v Speaker 4>murder out of that.

445
00:20:00.359 --> 00:20:04.279
<v Speaker 2>Listen, Sham, do you think Don Levia is really her name?

446
00:20:04.440 --> 00:20:07.279
<v Speaker 2>I never asked, Frankly, but he should have not that

447
00:20:07.400 --> 00:20:08.000
<v Speaker 2>she'd have told you.

448
00:20:08.640 --> 00:20:09.559
<v Speaker 4>But her real name is.

449
00:20:09.680 --> 00:20:12.960
<v Speaker 2>Kay Bellamy, Kay Bellamy, and I five will get you

450
00:20:13.119 --> 00:20:15.920
<v Speaker 2>ten that Fred Bellamy is her husband, not her uncle.

451
00:20:17.119 --> 00:20:18.960
<v Speaker 4>He was married. The police would have known it, not

452
00:20:19.039 --> 00:20:20.720
<v Speaker 4>if he was married in Mexico. But he's been in

453
00:20:20.799 --> 00:20:21.720
<v Speaker 4>jail for five years.

454
00:20:21.839 --> 00:20:24.400
<v Speaker 2>Yeah, and an eye witness who helped to convict him

455
00:20:24.440 --> 00:20:26.200
<v Speaker 2>swore that a girl drove the getaway car.

456
00:20:26.920 --> 00:20:27.599
<v Speaker 4>You've been out with her?

457
00:20:27.640 --> 00:20:32.039
<v Speaker 2>Color she ever show her face in public? I I

458
00:20:32.200 --> 00:20:36.039
<v Speaker 2>know she always wears a hat with vag she she

459
00:20:36.160 --> 00:20:41.960
<v Speaker 2>never liked crowded places I have been taken in every day.

460
00:20:42.119 --> 00:20:46.720
<v Speaker 2>MM happens for the best of us. But for your sake,

461
00:20:46.759 --> 00:20:48.799
<v Speaker 2>I hope you didn't try to arrange that favor.

462
00:20:49.119 --> 00:20:51.920
<v Speaker 14>I'm free as I did do. Bellamy should be a

463
00:20:52.000 --> 00:20:54.480
<v Speaker 14>boarded train headed east right now. Well, then you better

464
00:20:54.519 --> 00:20:56.440
<v Speaker 14>call everybody you know in Washington and get him to

465
00:20:56.480 --> 00:20:58.640
<v Speaker 14>call out the Marines or something, because somebody's gonna make

466
00:20:58.640 --> 00:21:00.359
<v Speaker 14>a petch to yank Bellamy off that train.

467
00:21:06.799 --> 00:21:09.119
<v Speaker 2>But it still didn't solve the murder of low Waltham.

468
00:21:10.200 --> 00:21:14.319
<v Speaker 2>He'd found out the same things. I was certain, but

469
00:21:14.519 --> 00:21:18.039
<v Speaker 2>how I kept thinking about it on my way down

470
00:21:18.079 --> 00:21:21.880
<v Speaker 2>the gravel driveway from the Colon house. Then I reached

471
00:21:21.960 --> 00:21:25.079
<v Speaker 2>the street and started to think of another murder. One

472
00:21:25.160 --> 00:21:28.039
<v Speaker 2>that looked like it was just about to take place my.

473
00:21:28.160 --> 00:21:32.160
<v Speaker 4>Own alright, nos he that for that kind climate. You're

474
00:21:32.160 --> 00:21:33.799
<v Speaker 4>a busy little fella. Why don't you crowl?

475
00:21:34.759 --> 00:21:37.000
<v Speaker 11>And I asked the boss for that special hunting license,

476
00:21:37.079 --> 00:21:40.440
<v Speaker 11>like I said, and I got it. You man of

477
00:21:40.519 --> 00:21:42.839
<v Speaker 11>like this ride there, crawling behind a wheel.

478
00:21:45.640 --> 00:21:49.960
<v Speaker 4>Alright? Started and get gone too bad. You have to

479
00:21:50.000 --> 00:21:53.720
<v Speaker 4>work so hard all alone, crawl. I just found out

480
00:21:53.759 --> 00:21:57.200
<v Speaker 4>why you haven't had more company. I can handle you alone, buster,

481
00:21:57.880 --> 00:22:00.839
<v Speaker 4>And now he looks like part of a gang crawl.

482
00:22:01.400 --> 00:22:02.039
<v Speaker 1>You're the type.

483
00:22:02.799 --> 00:22:04.440
<v Speaker 4>And the rest of the boys are out meeting a

484
00:22:04.519 --> 00:22:05.920
<v Speaker 4>train someplace, aren't they?

485
00:22:06.680 --> 00:22:08.039
<v Speaker 1>The Fred Bellamy special.

486
00:22:08.200 --> 00:22:09.640
<v Speaker 11>Oh, I know you have mouth has to be z

487
00:22:09.640 --> 00:22:12.880
<v Speaker 11>a bit. He's beginning nice and docks soon take a

488
00:22:12.960 --> 00:22:15.680
<v Speaker 11>road out of town. Let's see a little country. Sure

489
00:22:16.920 --> 00:22:18.720
<v Speaker 11>going fast enough for you and I'll get funny.

490
00:22:18.720 --> 00:22:20.319
<v Speaker 4>Slow down. Oh, I like the breeze.

491
00:22:20.400 --> 00:22:21.880
<v Speaker 5>Want this gunbell across your teeth?

492
00:22:22.200 --> 00:22:24.079
<v Speaker 4>No, but I don't want the bulletier plenty to give

493
00:22:24.119 --> 00:22:24.400
<v Speaker 4>me either.

494
00:22:24.799 --> 00:22:26.920
<v Speaker 2>He's got me scared. When I get scared, I get crazy.

495
00:22:26.960 --> 00:22:28.839
<v Speaker 2>I don't like the idea of dying alone. He's trying

496
00:22:28.880 --> 00:22:29.279
<v Speaker 2>to bluff me.

497
00:22:29.359 --> 00:22:30.039
<v Speaker 4>Oh, you ever hit the.

498
00:22:30.000 --> 00:22:31.880
<v Speaker 2>Back of a ten ton truck at eighty miles an hour,

499
00:22:31.880 --> 00:22:33.799
<v Speaker 2>and now a smart guy. You're going to a smart

500
00:22:33.880 --> 00:22:39.240
<v Speaker 2>guy because there's one right in front of us. He

501
00:22:39.359 --> 00:22:41.119
<v Speaker 2>turned his eyes away from me and saw the back

502
00:22:41.160 --> 00:22:42.880
<v Speaker 2>of the truck rooming up suddenly in the dusk.

503
00:22:43.200 --> 00:22:45.000
<v Speaker 1>For a minute, fear paralyzed him, and.

504
00:22:45.119 --> 00:22:47.359
<v Speaker 8>He gave a wild shriek and opened the door and jumped.

505
00:22:50.480 --> 00:22:52.200
<v Speaker 1>He yanked the wheel hard and the car missed the

506
00:22:52.240 --> 00:22:53.039
<v Speaker 1>truck by inches.

507
00:22:53.680 --> 00:22:54.480
<v Speaker 4>The crow didn't.

508
00:22:55.160 --> 00:22:57.079
<v Speaker 2>His leap had smashed him right into the back of it.

509
00:22:57.640 --> 00:22:59.799
<v Speaker 2>I felt my heart kicking up at something in my throat.

510
00:23:01.119 --> 00:23:03.000
<v Speaker 2>I turned the car around and drove back to the

511
00:23:03.039 --> 00:23:05.960
<v Speaker 2>bird Cue Review at fifteen miles an hour.

512
00:23:16.279 --> 00:23:24.240
<v Speaker 5>Collen, Hello, okay, h, that's you.

513
00:23:25.279 --> 00:23:30.480
<v Speaker 4>Yeah, tired of running? K Yeah, tired.

514
00:23:32.160 --> 00:23:35.240
<v Speaker 1>Your husband isn't gonna get off that train. The gang

515
00:23:35.279 --> 00:23:38.200
<v Speaker 1>will be picked up too, I know, h.

516
00:23:39.839 --> 00:23:42.039
<v Speaker 12>I just had a phone call from Martin Bay had

517
00:23:42.160 --> 00:23:43.000
<v Speaker 12>Cullen the third.

518
00:23:43.960 --> 00:23:47.599
<v Speaker 4>It made me feel like it was rotten.

519
00:23:47.720 --> 00:23:48.720
<v Speaker 12>I did it because I had to.

520
00:23:49.559 --> 00:23:51.960
<v Speaker 2>Your husband wasn't gonna let you enjoy the comforts of

521
00:23:52.039 --> 00:23:53.599
<v Speaker 2>life while he rotted away in jail.

522
00:23:53.720 --> 00:23:54.039
<v Speaker 5>Is that it?

523
00:23:54.359 --> 00:23:54.559
<v Speaker 2>Yes?

524
00:23:55.240 --> 00:23:57.160
<v Speaker 12>He let me take the radio job because he thought

525
00:23:57.200 --> 00:23:58.920
<v Speaker 12>he might be able to buy his way out with

526
00:23:59.039 --> 00:24:00.279
<v Speaker 12>the money out of.

527
00:24:00.279 --> 00:24:04.200
<v Speaker 4>The federal penn He was dreaming, glad it's over.

528
00:24:05.559 --> 00:24:08.400
<v Speaker 12>He had Cruel and the other boys watching me for

529
00:24:08.559 --> 00:24:11.759
<v Speaker 12>him to keep me working in burlesque, make things rough

530
00:24:11.839 --> 00:24:15.079
<v Speaker 12>for me, so i'd never forget what a bad time

531
00:24:15.160 --> 00:24:15.759
<v Speaker 12>he was having.

532
00:24:16.599 --> 00:24:17.680
<v Speaker 4>I'd better call the police.

533
00:24:17.759 --> 00:24:17.960
<v Speaker 5>King.

534
00:24:18.799 --> 00:24:22.240
<v Speaker 4>You don't have to, mister Dollar. I call him myself

535
00:24:22.680 --> 00:24:27.319
<v Speaker 4>two minutes ago. I'm just waiting.

536
00:24:30.039 --> 00:24:32.160
<v Speaker 1>Okay, you've seen the farewell performance.

537
00:24:33.039 --> 00:24:35.319
<v Speaker 4>Now, why don't you leave me alone? Please?

538
00:24:36.079 --> 00:24:36.319
<v Speaker 5>Sure?

539
00:24:39.480 --> 00:24:42.599
<v Speaker 1>Oh, mister dollar, Ollo, let's see.

540
00:24:42.640 --> 00:24:45.000
<v Speaker 4>Oh I say, I heard the terrible news about mister Watson.

541
00:24:45.160 --> 00:24:46.480
<v Speaker 4>Such a terrible thing.

542
00:24:47.000 --> 00:24:49.160
<v Speaker 8>Yeah, I know you worked for him, I know how

543
00:24:49.200 --> 00:24:50.319
<v Speaker 8>badly your most feel left.

544
00:24:50.400 --> 00:24:51.240
<v Speaker 5>Will tell me something.

545
00:24:51.319 --> 00:24:53.519
<v Speaker 4>Are you taking over the business when you've been looking

546
00:24:53.559 --> 00:24:56.000
<v Speaker 4>for the people for that show? I'll uh let you

547
00:24:56.079 --> 00:24:58.240
<v Speaker 4>know his Valerie around game in.

548
00:24:58.319 --> 00:25:01.599
<v Speaker 8>The manager's office just over there, mister Crow's office.

549
00:25:01.759 --> 00:25:05.720
<v Speaker 2>You know me sour, Yeah, I met him around a

550
00:25:05.759 --> 00:25:17.119
<v Speaker 2>couple of times. Thanks, hello, Valerie, you boy scrawl. I

551
00:25:17.160 --> 00:25:20.759
<v Speaker 2>don't know for sure, maybe out in the highway, maybe

552
00:25:20.799 --> 00:25:26.119
<v Speaker 2>in the morgue. By now, the mark his hunting license expired.

553
00:25:26.960 --> 00:25:28.119
<v Speaker 2>You lost your boyfriend.

554
00:25:28.759 --> 00:25:31.519
<v Speaker 4>He was nothing to me. No, And why did you

555
00:25:31.599 --> 00:25:33.759
<v Speaker 4>follow me to Collins House and then tip him off

556
00:25:33.799 --> 00:25:35.759
<v Speaker 4>that I was there? Hell about what you're talking about?

557
00:25:35.960 --> 00:25:37.000
<v Speaker 1>Let's try something else.

558
00:25:37.079 --> 00:25:39.519
<v Speaker 2>Then you went to New York with him when he

559
00:25:39.640 --> 00:25:42.400
<v Speaker 2>killed Waltham, but you took different planes coming back.

560
00:25:42.519 --> 00:25:42.799
<v Speaker 4>Hih.

561
00:25:43.680 --> 00:25:45.400
<v Speaker 13>So he killed Waltham and now he's dead.

562
00:25:45.880 --> 00:25:48.599
<v Speaker 5>Why does that make me an accessory? No?

563
00:25:49.559 --> 00:25:52.519
<v Speaker 13>No, look listen to me, mister dollar. I didn't know

564
00:25:52.519 --> 00:25:53.960
<v Speaker 13>what he was gonna do. I didn't even know why

565
00:25:54.000 --> 00:25:56.839
<v Speaker 13>he was gonna see Waltham. First I knew it was

566
00:25:56.880 --> 00:25:58.720
<v Speaker 13>trouble was when I was sitting in the outer office

567
00:25:58.720 --> 00:26:00.960
<v Speaker 13>and I heard them yelling, and then I heard a shot.

568
00:26:01.720 --> 00:26:03.759
<v Speaker 4>You mean Crawl was in the private office with Waltham.

569
00:26:04.400 --> 00:26:05.400
<v Speaker 1>You didn't see them together.

570
00:26:05.720 --> 00:26:07.359
<v Speaker 4>I couldn't. The door was closed.

571
00:26:07.839 --> 00:26:10.599
<v Speaker 2>Too bad you heard that shot then, because it makes

572
00:26:10.640 --> 00:26:14.200
<v Speaker 2>you sound like a liar. Waltham's private office was completely

573
00:26:14.319 --> 00:26:14.839
<v Speaker 2>sound proof.

574
00:26:17.960 --> 00:26:18.359
<v Speaker 5>I see.

575
00:26:18.759 --> 00:26:22.200
<v Speaker 4>Oh sure, sure, you're a nice pieceful all right?

576
00:26:23.240 --> 00:26:23.519
<v Speaker 1>Got it?

577
00:26:26.240 --> 00:26:26.720
<v Speaker 5>That's better.

578
00:26:28.160 --> 00:26:31.480
<v Speaker 2>Police will be here soon with a wagon. You better

579
00:26:31.559 --> 00:26:44.119
<v Speaker 2>put something, guys, so you don't catch cold. And that's

580
00:26:44.160 --> 00:26:47.240
<v Speaker 2>about it for the bump and grind artists. Lou Waltham

581
00:26:47.319 --> 00:26:49.720
<v Speaker 2>never insured himself because he had nobody to leave it to,

582
00:26:49.920 --> 00:26:53.039
<v Speaker 2>so there's no loss there. Of course, the k Bellamy

583
00:26:53.119 --> 00:26:56.160
<v Speaker 2>policy was never issued. You lose a fat premium, but

584
00:26:56.200 --> 00:26:58.480
<v Speaker 2>don't fret over it. Clause forty two A would have

585
00:26:58.559 --> 00:27:01.599
<v Speaker 2>cost you a mint, the one about mint performances. She'll

586
00:27:01.640 --> 00:27:04.160
<v Speaker 2>be missing him for the next ten years. I guess

587
00:27:04.240 --> 00:27:07.400
<v Speaker 2>your total loss lies in my expense account. Itam eatee

588
00:27:07.480 --> 00:27:10.640
<v Speaker 2>forty three dollars miscellaneous item nine six dollars and ten

589
00:27:10.759 --> 00:27:14.359
<v Speaker 2>cents trained fare from Boston back to Hartford, Connecticut. Please

590
00:27:14.440 --> 00:27:16.599
<v Speaker 2>note that I did not charge you for the admission

591
00:27:16.680 --> 00:27:19.759
<v Speaker 2>pass that Waltham gave me to the Burdecue review, nor

592
00:27:19.880 --> 00:27:22.480
<v Speaker 2>did I charge you cab fare from the Collin Mansion

593
00:27:22.519 --> 00:27:27.359
<v Speaker 2>to town, since Crawle provided car service. Expense account total

594
00:27:27.400 --> 00:27:30.559
<v Speaker 2>one hundred and thirty five dollars and forty cents. Here's truly,

595
00:27:30.599 --> 00:27:46.880
<v Speaker 2>Johnny dollars, yours truly Johnny Dollar. Stars John London the

596
00:27:46.920 --> 00:27:49.240
<v Speaker 2>title role, and was written by Joel Murcott with music

597
00:27:49.279 --> 00:27:52.039
<v Speaker 2>by Eddie Dunstutter. John Lunn can currently be seen in

598
00:27:52.119 --> 00:27:55.640
<v Speaker 2>the Universal International Picture just across the street. Featured in

599
00:27:55.680 --> 00:27:58.480
<v Speaker 2>tonight's cast were Raymond burb, Benny Rubin, jain O Fellow,

600
00:27:58.559 --> 00:28:02.880
<v Speaker 2>Gene Bates, hi Everback, Sandra Gold, and Gloria Blondell. Yours Truly,

601
00:28:03.000 --> 00:28:06.359
<v Speaker 2>Johnny Dollar is transcribed in Hollywood by I'm a by.

602
00:28:09.319 --> 00:28:09.359
<v Speaker 5>This.

603
00:28:09.599 --> 00:28:11.400
<v Speaker 4>Here's the CBS Radio Network
