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<v Speaker 1>Hi. This is bj Barger from Alexandria, Virginia. In addition

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<v Speaker 1>to joining Fred on an awesome Golf Smarter adventure to Prague,

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<v Speaker 1>I'm a member of Laurel Hill Golf Club and I

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<v Speaker 1>play lots of golf with LPGA, Imateurs and American Singles Golf.

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<v Speaker 1>This is Golf Smarter.

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<v Speaker 2>Number four hundred eighty eight, published on May twelve, twenty fifteen.

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<v Speaker 3>Welcome to Golf Smarter Mulligans, your second chance to gain

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<v Speaker 3>insight and advice from the best instructors featured on the

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<v Speaker 3>Golf Smarter podcast. Great Golf Instruction Never gets old. Our

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<v Speaker 3>interview library features hundreds of hours of game improvement conversations

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<v Speaker 3>like this that are no longer available in any podcast app.

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<v Speaker 4>First off, I never take a practice swing at the

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<v Speaker 4>golf ball. I would select a club. My practice wings

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<v Speaker 4>are behind the ball on the target line, and they

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<v Speaker 4>may not be full. I may take a full casual

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<v Speaker 4>practice swing rip on a tea box just to make

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<v Speaker 4>sure that I'm loose. When I set up to hit

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<v Speaker 4>a shot, I'm gonna tee it up, make sure my

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<v Speaker 4>feet you got a comfortable place to stand. Then I'm

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<v Speaker 4>gonna stand behind the ball. And this all takes just

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<v Speaker 4>a moment, and I'm going to look in where I

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<v Speaker 4>want my golf ball to start? Where's my start line

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<v Speaker 4>from there? It's why do I want my ball to curve?

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<v Speaker 4>If I'm gonna play a little fade or a draw,

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<v Speaker 4>I mean, I'm going to visualize that. So if I

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<v Speaker 4>wanted to start somewhere, that's one thing. I can aim

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<v Speaker 4>the face as best I can to start the ball there.

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<v Speaker 4>If I need to curve it, I need a clubhead

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<v Speaker 4>path go in a slightly different place than more my

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<v Speaker 4>face starts it, because you need a differential between face

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<v Speaker 4>and path the curve the ball. And as a golfer,

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<v Speaker 4>to become a good golfer, you have to learn how

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<v Speaker 4>to take conscious thought through the right experience and repetitions,

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<v Speaker 4>so it jumps the fence into subconscious. So that communication

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<v Speaker 4>isn't smoke signals, and it's not even old analog phone

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<v Speaker 4>that it's high speed fiber optic. Because when the communication

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<v Speaker 4>from brain to body become high speed fiber optic, now

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<v Speaker 4>people can say they're really not thinking about something because

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<v Speaker 4>their consciousness know they're thinking. It's so fast that they

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<v Speaker 4>look and react. That's rubbish. You play that way because

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<v Speaker 4>the consciousness one from slow calculated into some conscious look

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<v Speaker 4>and react behavior that's trained in.

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<v Speaker 2>You can avoid golf lessons and save a lot of

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<v Speaker 2>money using the right training aids.

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<v Speaker 3>With Martin Chuck, this is Golf Smarter Premium.

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<v Speaker 2>Here's your host, Fred Green. Welcome back to the Golf

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<v Speaker 2>Smarter Podcast. Martin, Hey, it's.

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<v Speaker 4>Great to be back, Bretta. Thanks for having me.

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<v Speaker 2>It's my pleasure. I really enjoy having you on the show,

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<v Speaker 2>and I want to talk to you about what's going on.

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<v Speaker 2>I've been seeing you on Revolution Golf a time. You've

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<v Speaker 2>been doing a lot of golf videos, a lot of

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<v Speaker 2>phenomenal instruction, thank you, and really helpful stuff. I mean,

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<v Speaker 2>I hate to admit it, but yeah, I'm watching you

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<v Speaker 2>on Revolution Golf because I'm getting some great tips.

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<v Speaker 4>Thank you.

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<v Speaker 2>So doctor to me, what's going on with that?

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<v Speaker 4>Well, you know, I have a lot of fun with it.

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<v Speaker 4>It's a great platform, goes out to tons of people,

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<v Speaker 4>and you know, just that kind of exposure for me

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<v Speaker 4>is really exciting. I know that I've had a message

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<v Speaker 4>in the game of golf talk to me from some

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<v Speaker 4>great mentors, and it's just a pleasure for me. To

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<v Speaker 4>share that with people, you know, whether they're in the

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<v Speaker 4>United States, Canada, around the world, wherever.

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<v Speaker 2>And but you're doing a lot of stuff. I mean,

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<v Speaker 2>how often are you doing are you doing new tips?

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<v Speaker 4>You know? I'm usually on Relution Golf once a week,

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<v Speaker 4>sometimes twice. I'm on twice this week, will beyond tomorrow,

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<v Speaker 4>be on Friday, and then usually they kind of have

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<v Speaker 4>me plugged in on Tuesdays right now, which is plenty

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<v Speaker 4>because there's a blogging component, you know, we answer questions

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<v Speaker 4>and people have questions. So every day I'm kind of

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<v Speaker 4>dedicated to get online and answer questions in the blog

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<v Speaker 4>to anybody that wants to ask me questions. It keeps

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<v Speaker 4>me kind of busy, is it okay?

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<v Speaker 2>If you answer questions.

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<v Speaker 4>Here, that's why I'm here.

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<v Speaker 2>But well, well, the reason I say it that way

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<v Speaker 2>is because right now we're broadcasting this live via video

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<v Speaker 2>on periscope, and so yeah, and so the audience looking

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<v Speaker 2>at you, hopefully they can hear you as well. I

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<v Speaker 2>know they can hear me, and I'm looking at my screen.

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<v Speaker 2>So if anybody who's watching via periscope wants to ask

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<v Speaker 2>a question of Martin, please go ahead and submit it

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<v Speaker 2>on the screen, I'll be able to see it and

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<v Speaker 2>I will ask him myself. But I have a couple

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<v Speaker 2>of questions I need.

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<v Speaker 4>To ask too, firewaymen.

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<v Speaker 2>Great, let's talk about your product line always. You're You're

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<v Speaker 2>beyond being an excellent golf instructor. You are a very

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<v Speaker 2>creative entrepreneur with non tech gadgets. But I mean it's

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<v Speaker 2>you know, like, there's so many things that need batteries

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<v Speaker 2>right now that you don't have to do that. You're

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<v Speaker 2>not creating, you know what.

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<v Speaker 4>I'm just not very smart, Fred, So there requires any

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<v Speaker 4>kind of electronics or something techie. It's not coming from me,

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<v Speaker 4>I'm afraid.

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<v Speaker 2>Well, let's talk about your last product, and I'm going

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<v Speaker 2>to embarrass you right here. You were supposed to send

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<v Speaker 2>me one of those inflatable balls. You did not, And

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<v Speaker 2>just recently I started remembering about and thinking keep your

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<v Speaker 2>arms together, keep your arms together. Yeah, So tell me

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<v Speaker 2>about that product and what the purpose of it is

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<v Speaker 2>and why it helps.

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<v Speaker 4>Well, you know, it's called the smart ballont I called

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<v Speaker 4>it the smart ball because I couldn't come up with

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<v Speaker 4>a better name. But the basically it's an inflatable, tiny

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<v Speaker 4>beach ball. It's on the exterior. It's got kind of

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<v Speaker 4>a felt feel to it, so it kind of sticks

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<v Speaker 4>to your arms a little bit more effectively than just

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<v Speaker 4>a plastic beach ball. And then it's got a loop

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<v Speaker 4>for an attachment to an adjustable lanyard, and that of

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<v Speaker 4>course lander goes around your neck and then you can

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<v Speaker 4>buil the ball up. It's a six inch ball, and

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<v Speaker 4>that ball fits below your elbows, between your elbows and wrists,

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<v Speaker 4>and when you can manage that triangle of your forearms

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<v Speaker 4>while in your golf swing, a lot of good things happen.

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<v Speaker 4>So you know, there's been products out there in the past,

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<v Speaker 4>and you know, all I think I did was invents

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<v Speaker 4>a little bit better mouse trap, because there's been some

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<v Speaker 4>good products in the past, but the problem was if

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<v Speaker 4>you weren't good at it, the ball dropped and you'd

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<v Speaker 4>be chasing it around or you know. So I thought, well,

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<v Speaker 4>I'm going to make something that somebody can stuff in

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<v Speaker 4>their golf bag that's pretty durable, that they can blow

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<v Speaker 4>up when they want to use it, you know, deflate

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<v Speaker 4>when they don't put in their bag, and then it

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<v Speaker 4>goes between your forms or also you can use it

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<v Speaker 4>as a lot of people will use it under one

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<v Speaker 4>arm or the other, which is a you know, a

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<v Speaker 4>classic connection drill that coaches have been trying to get

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<v Speaker 4>people to do for years of their arms that don't

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<v Speaker 4>run off their bodies so much. So it's just a

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<v Speaker 4>simple thing, and you know, the poleasing thing about it

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<v Speaker 4>is it's been picked up by a lot of tour

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<v Speaker 4>players and it's been fun. Like Darren Clark, you know,

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<v Speaker 4>Ryder Cup captain major winner, sent me a video of

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<v Speaker 4>him using it, you know, at royal Port Rush, his

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<v Speaker 4>club in Northern Ireland, and it's on vine, you know,

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<v Speaker 4>which is another apvocant keep track to all these apps.

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<v Speaker 4>Nowadays there's there's Darren Clark using it, and then a

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<v Speaker 4>lovely gallon the LPGA tour Beatrice Riccari uses it. She's

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<v Speaker 4>been a great proponent of it, and then Charles Howell

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<v Speaker 4>uses it, and a bunch of tour players do it,

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<v Speaker 4>and honestly, I haven't reached out to get him away.

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<v Speaker 4>They've found it and they've ordered it and they they

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<v Speaker 4>use it. So you know, I'm monitored that they considered

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<v Speaker 4>a training aid worthy of use and I'm excited to

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<v Speaker 4>you know, help help out with that kind of level

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<v Speaker 4>of player. Want to get better.

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<v Speaker 2>That was very subtle, Martin. But I feel like a

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<v Speaker 2>total scumbag right now saying why didn't I get my

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<v Speaker 2>smart ball on these people who are making millions on

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<v Speaker 2>the tour, you know, And I'm just I'm.

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<v Speaker 4>Happy to send you one man in my oversight. Unfortunately,

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<v Speaker 4>you know how you get you get busy. Next thing,

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<v Speaker 4>you know, it's yeah, you're very busy.

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<v Speaker 2>So so explain how it works and what it's supposed

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<v Speaker 2>to do, because I know that there's multiple functions for it.

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<v Speaker 4>Well, you know, like I said, you know, you blow

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<v Speaker 4>it up. You put the lanyard around your neck, so

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<v Speaker 4>you've got the suggestible thing, and you kind of get

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<v Speaker 4>it fit for your personal body shape in height, and

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<v Speaker 4>then you kind of hold u between your forums and

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<v Speaker 4>if you can go back and make a back swing,

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<v Speaker 4>certainly in a pitching motion a three quarter shot, if

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<v Speaker 4>you can manage your arms, you're going to become a

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<v Speaker 4>pretty effective player in that aspect. If you're very flexible,

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<v Speaker 4>like a lot of the younger people and professionals are,

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<v Speaker 4>you know, you can take this and pretty much hit

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<v Speaker 4>full shots with it. So most players fred are stuck

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<v Speaker 4>with a whole mentality you know, you've got to keep

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<v Speaker 4>your head down, stay down, stay down, stay down. So

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<v Speaker 4>they've got that that's almost that infliction to such a

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<v Speaker 4>degree that their arms and their body don't work together.

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<v Speaker 4>And when that happens, their elbows separate too much, and

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<v Speaker 4>then they don't have a decent radius of their golf swing.

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<v Speaker 4>The combination of arms in club is a unit. Well,

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<v Speaker 4>the ball smart ball helps keep your forearms, sort it

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<v Speaker 4>together so that it's easier for you to maintain that

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<v Speaker 4>swinging radius and you'll have a little bit more success

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<v Speaker 4>and reliability hitting a golf ball.

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<v Speaker 2>And when you don't inflate the ball.

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<v Speaker 4>Oh, when you don't inflate the ball, you'll use it

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<v Speaker 4>under your left arm, between your left arm and pack

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<v Speaker 4>or right arm and pack. And when it's in there,

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<v Speaker 4>you've got the ability, you know, to feel some arm connection.

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<v Speaker 4>More so so it depends on what you you know,

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<v Speaker 4>what you need and what you want to work on.

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<v Speaker 4>You know, there's the whole idea of connection in a

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<v Speaker 4>golf swing made famous by Jimmy Ballard, you know, in

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<v Speaker 4>the late seventies and eighties. You know, it helps with

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<v Speaker 4>that feeling, the the awareness of forearms sting a in

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<v Speaker 4>a proximity to one another, made famous by Ben Hogan

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<v Speaker 4>in the fifties in his great book You know, So

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<v Speaker 4>it helps with elements that coaches have tried to get

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<v Speaker 4>people to understand for years, and it's it's just a

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<v Speaker 4>it's a simple product. I mean, it really is. It's

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<v Speaker 4>you know, like I said, I'm not very smart, and

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<v Speaker 4>therefore it's a pretty simple product. But I'm glad it

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<v Speaker 4>helps people.

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<v Speaker 2>You don't have to be smart to make a great product.

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<v Speaker 4>You're right, I'm an example.

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<v Speaker 2>Why is it important to you know, the idea of

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<v Speaker 2>keeping under your arm like that so that your arm

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<v Speaker 2>doesn't sweat, swing out on your on your back swing.

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<v Speaker 4>Right, yeah, yeah, So why should improve a golf swing? Right?

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<v Speaker 4>Everybody falls in love with the target line, so they

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<v Speaker 4>always see the ball and they see the pin. They

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<v Speaker 4>want the ball to go A to B and that

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<v Speaker 4>makes perfect sense. But what we get sucked into as

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<v Speaker 4>golfers is we try to control the clubhead to make

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<v Speaker 4>it go down that line, and that defies the geometry

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<v Speaker 4>of a circle. So when you have anything like when

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<v Speaker 4>you have connection awareness, you realize pretty quickly that the

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<v Speaker 4>only thing successful can be a rotational motion that produces

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<v Speaker 4>a straight shot, you know, via good contact and trying

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<v Speaker 4>to guide something down the line actually destroys speed and

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<v Speaker 4>destroys control. So getting those things under check with something

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<v Speaker 4>like a connection connection exercise, whether it be just a

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<v Speaker 4>towel across your chest and you're holding with both arms,

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<v Speaker 4>you know, that tends to be kind of cumbersome and awkward,

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<v Speaker 4>whereas the smart ball, when it's deflated, feels it's a

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<v Speaker 4>thin little bladder really, and it fits in your arm

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<v Speaker 4>quite comfortably, and it's just again, it's a simple way

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<v Speaker 4>for you to practice. And when you relax and your

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<v Speaker 4>arm comes away, it doesn't fall on the ground. You're

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<v Speaker 4>not picking it up. It just kind of hangs from

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<v Speaker 4>the lanyard that's around your neck, as it does when

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<v Speaker 4>you're using it blown up between your forearms.

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<v Speaker 2>That is such a cool idea. It is so simple

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<v Speaker 2>and it works so well.

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<v Speaker 4>You wait for my next one coming soon.

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<v Speaker 2>Oh boy, can you talk about it?

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<v Speaker 4>Yes, I can. It's called the Sammy. You know, it's

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<v Speaker 4>called the Sammy.

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<v Speaker 2>Because that's my middle name.

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<v Speaker 4>There you go, but it's for my daughter Sammy. Samantha.

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<v Speaker 4>We Sammy, and it's an acronym for structural awareness motion instrument.

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<v Speaker 2>I can't write that. I can't write that a structural

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<v Speaker 2>awareness awareness motion uh huh.

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<v Speaker 4>Instrument aka Sammy. And the reason being is because she

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<v Speaker 4>goes to this clothing store and they have these chapsticks

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<v Speaker 4>on a badger real you know, the little zippy badgerils.

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<v Speaker 4>So the chapsticks she can put on her belt, she

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<v Speaker 4>can put on her chapsticks. She can let go of

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<v Speaker 4>it and zips back to her belt. And it made

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<v Speaker 4>me think of a George Newtson application for connection between

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<v Speaker 4>the butt of the club and the left hip bone.

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<v Speaker 4>Well for the right end of golfer. See, he didn't

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<v Speaker 4>and this is another thing, kind of going back to geometry.

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<v Speaker 4>He didn't want the hands chasing the target line. He

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<v Speaker 4>wanted the hands working on a concentric hand path. So

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<v Speaker 4>back up and in down to a low line, back

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<v Speaker 4>up and in. Well, well, my daughter said to me,

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<v Speaker 4>she said, hey, Daddy, you can do something with this

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<v Speaker 4>in golf. And it was a fleeting comment and a

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<v Speaker 4>fleeting thought, and then she ran off to go chase

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<v Speaker 4>the dog or something. I mean, it was literally that fast.

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<v Speaker 4>So I thought of myself, you know what I could,

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<v Speaker 4>So I grabbed her little Chino because she once she

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<v Speaker 4>gets onto something new, it's like, hey, what happened to that?

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<v Speaker 4>She didn't even think about it. So I kind of

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<v Speaker 4>took her little chapstick badge reel and modified it a bit,

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<v Speaker 4>and then I sent it off to my designer friends

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<v Speaker 4>and we made it into a multifunctional badge reel that

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<v Speaker 4>can connect to your thumb, to your belt, to your

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<v Speaker 4>to your to your placard on your shirt. Basically, if

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<v Speaker 4>you want to monitor your right elbow extension, your bending,

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<v Speaker 4>left arm, your how your hand path is, how the

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<v Speaker 4>the flippiness of the shaft relative to your hands. I mean,

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<v Speaker 4>we can connect this thing anywhere. So as an awareness device,

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<v Speaker 4>I've been testing it in my golf school for you know,

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<v Speaker 4>a couple of months now, and people love the thing because,

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<v Speaker 4>you know, for example, if you're a if you if

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<v Speaker 4>you flip it a little bit, Let's say you chip

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<v Speaker 4>and you know, you hit pitch shots and you're trying

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<v Speaker 4>to educate your hands, and you know you're trying to

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<v Speaker 4>have just really simple, solid, you know, impact hands that

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<v Speaker 4>are transported by pivot. Well, if you if you attach

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<v Speaker 4>the sammy to midway down the shaft and then attach

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<v Speaker 4>it via its little kind of gator clip to your

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<v Speaker 4>left shirt sleeve. Now you have this string running down

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<v Speaker 4>and it's pretty easy to see if that's strings, you know,

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<v Speaker 4>waving around inappropriately compared to what a good player is

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<v Speaker 4>going to do. So it's just a feedback device. If

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<v Speaker 4>you want to. You can use it on your left arm,

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<v Speaker 4>you can use it on your right arm, bisk, you

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<v Speaker 4>can attach it anywhere. The hardest thing for me to

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<v Speaker 4>do now with this product that's going to be coming

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<v Speaker 4>out about ninety days is to make the video short

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<v Speaker 4>enough because there's so many applications to use the thing.

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<v Speaker 4>So I'm excited about I think I've got one tour

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<v Speaker 4>player that uses it all the time, Buddy, I coach,

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<v Speaker 4>and you know it helps him with his backswing with

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<v Speaker 4>you know. So again it's just these little products that

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<v Speaker 4>come up with our you know, I teach every day

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<v Speaker 4>all day long, and so I'm always wondering, you know,

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<v Speaker 4>what can I do in the short term to inspire

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<v Speaker 4>some feeling for this person so that they've got something

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<v Speaker 4>to benchmark through their awareness for And thus, you know,

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<v Speaker 4>this new product is Sammy. And then I've got another

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<v Speaker 4>one come with Fred. I've got about three or four

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<v Speaker 4>things coming down the road here to add to the

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<v Speaker 4>touristri touristrik or product line.

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<v Speaker 2>You while you must be exhausted, your brain must hurt.

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<v Speaker 4>No again, they're all simple. There's they're really they're really

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<v Speaker 4>really simple stupid things that are you know that that

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<v Speaker 4>I'm glad to say to help people out. You know,

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<v Speaker 4>I've got I know this these sexy words. This one's

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<v Speaker 4>called the tour Striker Power Sleeve and it's another awareness device,

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<v Speaker 4>you know, for the left arm or right arm, depending

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<v Speaker 4>on what your issue is. And you know, it's just

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<v Speaker 4>a very simple little kind of tube deal that that

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<v Speaker 4>will help people understand, you know, what their left arm's doing.

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<v Speaker 4>You know, whether it's bending, whether it isn't, where it's bending,

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00:14:59.399 --> 00:15:02.759
<v Speaker 4>where it isn't. And you know, so those products are

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<v Speaker 4>coming soon, so it'll be.

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<v Speaker 2>Fun and we can find them beyond just online or

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<v Speaker 2>be on.

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<v Speaker 4>Tours trigger dot com. You know that some of the

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<v Speaker 4>attorney leise and this and that is just being organized

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<v Speaker 4>and the web pages are being built and you know

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<v Speaker 4>again they're they're pos in place, good old China, and

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<v Speaker 4>the product will be available, you know, sooner, hopefully sooner

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<v Speaker 4>than later, but those things it takes a while for

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<v Speaker 4>customs and shipping and so forth.

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<v Speaker 2>For those of us who are lucky enough right now

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<v Speaker 2>to be watching on periscope where I'm looking at you

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<v Speaker 2>via Skype, can you give me a visual right now

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<v Speaker 2>and explain what you're doing of what tourist trike a

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<v Speaker 2>power sleeve actually does?

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<v Speaker 4>Can you? You know, so you get a golfer who

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<v Speaker 4>you know, they may not know me back up a bit.

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<v Speaker 4>They may not know whether they get a lot of

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00:15:53.799 --> 00:15:57.039
<v Speaker 4>left double bend, you know. But more the most important

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<v Speaker 4>thing with the power sleeve is that when somebody tries

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<v Speaker 4>to keep their head down too long, typically you get

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00:16:02.879 --> 00:16:06.159
<v Speaker 4>some kind of a chicken wing condition when your left

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<v Speaker 4>arm can't bend. Like I'm not saying that this isn't

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<v Speaker 4>a device that is on you to lock your left

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<v Speaker 4>arm straight. That's not the point of it. The point

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<v Speaker 4>is for you to feel the awareness of when you

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00:16:16.120 --> 00:16:18.960
<v Speaker 4>bend it. A good swing, a left arm will eventually bend,

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<v Speaker 4>there's no question. But I want somebody to be able

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00:16:21.720 --> 00:16:26.279
<v Speaker 4>to move their arms relative to their body and have

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00:16:26.399 --> 00:16:29.120
<v Speaker 4>the awareness of where these issues happen. So if they

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00:16:29.159 --> 00:16:32.919
<v Speaker 4>have that awareness, it's amazing. As we get older, you know,

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<v Speaker 4>I'll come back to the whole head down thing, because

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<v Speaker 4>that's to me, the biggest poison in golf is that

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<v Speaker 4>as we age. You know, I'm forty six. You know,

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<v Speaker 4>we don't have the same mobility we once had when

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<v Speaker 4>we were seven. So if I talked some keen seven

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<v Speaker 4>year old and I was a coach, and I said, okay,

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<v Speaker 4>young Martin, you keep your head down, son, and you

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00:16:51.039 --> 00:16:53.320
<v Speaker 4>just keep your head down. That seven year old's got

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<v Speaker 4>the mobility to go and hit a golf ball, and

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00:16:55.559 --> 00:16:57.720
<v Speaker 4>he's like a rubber band and he's gumby, and he

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00:16:57.799 --> 00:17:00.200
<v Speaker 4>can have he can move the structure of his farms

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00:17:00.240 --> 00:17:03.440
<v Speaker 4>and arms and body long enough to hit really good shots. Well,

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00:17:03.519 --> 00:17:06.720
<v Speaker 4>use you age that mobility unless you work on it

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<v Speaker 4>every single day, Like say a tour player who hits

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00:17:09.319 --> 00:17:11.599
<v Speaker 4>three hundred balls a day or two hundred balls a

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00:17:11.640 --> 00:17:13.640
<v Speaker 4>day or five hundred balls a day and practices you

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<v Speaker 4>know seven, you know they're going to play five six

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00:17:16.400 --> 00:17:19.160
<v Speaker 4>rounds a week depending on the week. They're going to

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<v Speaker 4>keep building in this mobility because they do it all

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<v Speaker 4>the time. Well, if you take a golf of twenty

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<v Speaker 4>five or thirty or forty or fifty. Good luck with

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<v Speaker 4>that mobility. Okay, So a better person to mimic to

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<v Speaker 4>play good golf is more like Anika Sorenstam, my personal

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<v Speaker 4>favorite golfer, because you know, she's basically not even looking

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<v Speaker 4>at a golf ball when she hits it. Now, I'm

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<v Speaker 4>not here to say don't look at a golf ball

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<v Speaker 4>when you hit it. I'm here to say, have the

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<v Speaker 4>awareness of a motion that can pass through a golf

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<v Speaker 4>ball and then not act like calipers on a break

379
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<v Speaker 4>disc and slow things down to where arms and club

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<v Speaker 4>and everything kind of lose the swinging rhythm. Well with

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00:17:57.240 --> 00:17:59.400
<v Speaker 4>the power sleep you kind of it's a it's an

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00:17:59.440 --> 00:18:03.400
<v Speaker 4>instant wareness. You know right away, you know where I

383
00:18:03.440 --> 00:18:05.240
<v Speaker 4>wear it all the time. I love it. You know

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00:18:05.359 --> 00:18:09.680
<v Speaker 4>right away where the issue happens. And therefore you know

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00:18:09.759 --> 00:18:14.440
<v Speaker 4>you can you can target the relaxation needed the you

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00:18:14.480 --> 00:18:16.759
<v Speaker 4>can target when you need to kind of release your

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00:18:16.759 --> 00:18:19.839
<v Speaker 4>eyes from the ground, which is basically follow the golf ball.

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00:18:20.359 --> 00:18:23.000
<v Speaker 4>But once you have it on, it's easy for people

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00:18:23.000 --> 00:18:25.359
<v Speaker 4>to go, oh boy, I feel a sudden tug here. Okay,

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00:18:25.400 --> 00:18:28.079
<v Speaker 4>well I'm going to find that tug. I'm going to

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00:18:28.359 --> 00:18:33.039
<v Speaker 4>ease up on that little hitchy part that clearly can't

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00:18:33.039 --> 00:18:36.880
<v Speaker 4>be helping me. So once again, all my stuff is

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00:18:36.920 --> 00:18:40.160
<v Speaker 4>there to provide a feedback for the person to learn

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<v Speaker 4>a little faster, all.

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<v Speaker 2>Right, So let's see if we can work on this idea.

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<v Speaker 2>I have recently discovered for myself that if I slow

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<v Speaker 2>my swing down consciously, and whether it's slowing it down

398
00:19:02.000 --> 00:19:06.000
<v Speaker 2>or just making a smoother, you know, stroke through the ball,

399
00:19:06.440 --> 00:19:09.039
<v Speaker 2>like especially with my driver, I'm going, okay, I only

400
00:19:09.079 --> 00:19:11.200
<v Speaker 2>want to hit the ball one hundred and fifty yards

401
00:19:11.559 --> 00:19:14.359
<v Speaker 2>right when I go on the driving range, and I

402
00:19:14.359 --> 00:19:17.839
<v Speaker 2>can hit the ball regularly to twenty five two thirty,

403
00:19:17.880 --> 00:19:20.880
<v Speaker 2>And that's based on statistics I pull off of game golf,

404
00:19:20.920 --> 00:19:22.799
<v Speaker 2>not what's in my head, because of course I think

405
00:19:22.799 --> 00:19:23.880
<v Speaker 2>I hit it two seventy five.

406
00:19:24.079 --> 00:19:25.720
<v Speaker 4>Of course you're right.

407
00:19:25.920 --> 00:19:27.319
<v Speaker 2>But when I'm looking at the stats, like, okay, so

408
00:19:27.400 --> 00:19:28.880
<v Speaker 2>you hit it about two twenty five to two thirty,

409
00:19:28.920 --> 00:19:31.240
<v Speaker 2>that's fine. But when I'm on the driving range and

410
00:19:31.279 --> 00:19:33.319
<v Speaker 2>I'm like, okay, I want to hit the ball just

411
00:19:33.359 --> 00:19:36.680
<v Speaker 2>one hundred and fifty yards. I don't want to swing hard.

412
00:19:37.079 --> 00:19:39.799
<v Speaker 2>I'm also now, you know, picking a flag at one

413
00:19:39.880 --> 00:19:43.000
<v Speaker 2>fifty on the range and I'm a hit in the flag, right.

414
00:19:43.160 --> 00:19:46.039
<v Speaker 2>I mean, I'm hitting my targets. I'm getting a lot

415
00:19:46.039 --> 00:19:50.079
<v Speaker 2>more fairways. And to me, what I find happening is

416
00:19:50.119 --> 00:19:52.839
<v Speaker 2>the more fairways I hit, the more pars I'm getting

417
00:19:52.839 --> 00:19:55.319
<v Speaker 2>because I'm getting greens in regulation because I don't have

418
00:19:55.359 --> 00:19:59.680
<v Speaker 2>to be you know, try to be creative, right, how

419
00:19:59.839 --> 00:20:05.839
<v Speaker 2>can and I take that rhythm and slower rhythm with

420
00:20:06.160 --> 00:20:09.599
<v Speaker 2>all my clubs, and you know, because I can now

421
00:20:09.640 --> 00:20:11.880
<v Speaker 2>I'm getting a point like whoa. I really tried to

422
00:20:11.920 --> 00:20:15.200
<v Speaker 2>swing hard on that and the ball did not cooperate

423
00:20:15.240 --> 00:20:18.640
<v Speaker 2>at all. I'm finding just better ball flight. I'm finding

424
00:20:18.799 --> 00:20:21.720
<v Speaker 2>straighter shots. I'm hitting my targets better.

425
00:20:22.200 --> 00:20:25.240
<v Speaker 4>Yep, you know, I tell you why. That's a great question.

426
00:20:25.359 --> 00:20:28.359
<v Speaker 4>I think one mentor I like to quote Ben Doyle,

427
00:20:28.559 --> 00:20:30.400
<v Speaker 4>and I'm not sure if he was the originator of

428
00:20:30.400 --> 00:20:32.960
<v Speaker 4>this comment. And he passed away this year, So a

429
00:20:33.000 --> 00:20:35.119
<v Speaker 4>lot of teaching pros out there are a great depth

430
00:20:35.119 --> 00:20:37.400
<v Speaker 4>of gratitude to Ben Doyle. He was the original golfing

431
00:20:37.480 --> 00:20:41.839
<v Speaker 4>machine instructor, as trained by Homer Kelly, and he used

432
00:20:41.880 --> 00:20:45.160
<v Speaker 4>to say, always eyes on the ball, mind in the hands. Well,

433
00:20:45.200 --> 00:20:46.960
<v Speaker 4>eyes in the ball, mind in the hands to me.

434
00:20:47.680 --> 00:20:49.480
<v Speaker 4>You know, to me, the ball's not going to go anywhere,

435
00:20:49.720 --> 00:20:52.240
<v Speaker 4>you know, just sitting there. And frankly, I don't really

436
00:20:52.279 --> 00:20:54.599
<v Speaker 4>stare at it. It's more like just a casual observation

437
00:20:54.680 --> 00:20:59.000
<v Speaker 4>from my eyes. But my inside feelings are really in

438
00:20:59.039 --> 00:21:02.640
<v Speaker 4>my hands that see. I don't ever ground the golf club.

439
00:21:02.759 --> 00:21:07.119
<v Speaker 4>Fred and my mentor George Newton taught us from the

440
00:21:07.200 --> 00:21:09.319
<v Speaker 4>kids and the influences when we were in a little

441
00:21:09.319 --> 00:21:12.799
<v Speaker 4>grippy junior golfers, to never ever rest the club in

442
00:21:12.839 --> 00:21:15.759
<v Speaker 4>the ground because he wanted us to establish a peaceful

443
00:21:15.759 --> 00:21:18.400
<v Speaker 4>grip pressure with the club in our hands, not a

444
00:21:18.440 --> 00:21:20.440
<v Speaker 4>grip pressure with the club on the ground. Because he

445
00:21:20.480 --> 00:21:22.160
<v Speaker 4>always said, both the clubs on the ground, at some

446
00:21:22.160 --> 00:21:24.079
<v Speaker 4>point you're going to snatch away, to grab that golf

447
00:21:24.079 --> 00:21:26.559
<v Speaker 4>club to take it back. So he always wanted us

448
00:21:26.599 --> 00:21:29.440
<v Speaker 4>mobile from the wrists with a club off the ground.

449
00:21:29.680 --> 00:21:33.119
<v Speaker 4>You know. Jack Nicholas is a good example, and Tiger Woods,

450
00:21:33.160 --> 00:21:34.880
<v Speaker 4>you know, the club doesn't really rest in the ground.

451
00:21:34.920 --> 00:21:36.839
<v Speaker 4>It's always a part of his body. And then from

452
00:21:36.880 --> 00:21:40.880
<v Speaker 4>there you have an awareness of mobility and the wrists. Well,

453
00:21:40.960 --> 00:21:44.960
<v Speaker 4>if you're always sensing grip pressure and risk awareness, it's

454
00:21:45.000 --> 00:21:47.799
<v Speaker 4>pretty tough to get really wonky as far as rhythm goes.

455
00:21:48.400 --> 00:21:51.400
<v Speaker 4>So the people that I come see me every week

456
00:21:51.440 --> 00:21:53.200
<v Speaker 4>at the golf school, a lot of them put it

457
00:21:53.240 --> 00:21:55.200
<v Speaker 4>on the ground. Put the club on the ground behind

458
00:21:55.240 --> 00:21:56.599
<v Speaker 4>the ball, aim to face for them, want the ball

459
00:21:56.640 --> 00:21:59.039
<v Speaker 4>to go, that's great. And then their first move is

460
00:21:59.079 --> 00:22:01.599
<v Speaker 4>like they're playing flue. Their hands kind of open to

461
00:22:01.599 --> 00:22:03.359
<v Speaker 4>a degree, they close to a degree in a way

462
00:22:03.400 --> 00:22:05.759
<v Speaker 4>they go. And so I call this the grip and go.

463
00:22:06.000 --> 00:22:08.759
<v Speaker 4>And the grip and go is troublesome because you can't

464
00:22:08.799 --> 00:22:11.119
<v Speaker 4>always grip and go. You don't always have a lie

465
00:22:11.160 --> 00:22:13.720
<v Speaker 4>that dictates that you can do that. The ball may

466
00:22:13.720 --> 00:22:15.599
<v Speaker 4>be sitting down in the rough, Well, you're not going

467
00:22:15.640 --> 00:22:17.519
<v Speaker 4>to stick the club down in the grass. You have

468
00:22:17.519 --> 00:22:19.799
<v Speaker 4>to hover it at some point. So to me, it's

469
00:22:19.839 --> 00:22:22.079
<v Speaker 4>best to hover it always. When I say hover it,

470
00:22:22.079 --> 00:22:25.400
<v Speaker 4>I'm not talking about a foot. I'm talking about you know,

471
00:22:25.599 --> 00:22:28.599
<v Speaker 4>three sixteenths of an inch, some negligible amount off the

472
00:22:28.640 --> 00:22:32.200
<v Speaker 4>ground to where your hands have a peaceful hold on

473
00:22:32.240 --> 00:22:35.519
<v Speaker 4>the grip. Yet you have mobility awareness in your wrists.

474
00:22:35.920 --> 00:22:38.960
<v Speaker 4>And that to me is how people can have a

475
00:22:39.119 --> 00:22:43.160
<v Speaker 4>rhythm awareness all the time because of their hand strength

476
00:22:43.200 --> 00:22:47.000
<v Speaker 4>and intension doesn't change much. Pretty tough not to have rhythm.

477
00:22:47.680 --> 00:22:48.920
<v Speaker 2>You don't look at the ball.

478
00:22:50.039 --> 00:22:52.799
<v Speaker 4>I look at it, but it doesn't matter to me, honestly.

479
00:22:52.920 --> 00:22:54.759
<v Speaker 4>I mean, I'm casually aware of it. Like I look.

480
00:22:54.920 --> 00:22:56.759
<v Speaker 4>People saying me, hey, Martin, where do you look? I

481
00:22:56.799 --> 00:22:59.119
<v Speaker 4>go down. And it's kind of a play on words

482
00:22:59.119 --> 00:23:02.400
<v Speaker 4>because the ball really means very little to me. When

483
00:23:02.440 --> 00:23:05.519
<v Speaker 4>I'm playing golf. I look at it, and you know,

484
00:23:05.559 --> 00:23:07.200
<v Speaker 4>there it is, and I set myself, I set the

485
00:23:07.240 --> 00:23:09.039
<v Speaker 4>face up where I want the ball to go. But

486
00:23:09.160 --> 00:23:10.799
<v Speaker 4>once I kind of look at it, and you know,

487
00:23:10.839 --> 00:23:12.839
<v Speaker 4>I look back at the ball, my brain isn't worried

488
00:23:12.839 --> 00:23:15.559
<v Speaker 4>about the ball at all. My brain's more worried about

489
00:23:15.599 --> 00:23:19.079
<v Speaker 4>how my personal body feels at the moment, what I

490
00:23:19.160 --> 00:23:22.039
<v Speaker 4>need in that swing, as far as what certain feels,

491
00:23:22.079 --> 00:23:26.319
<v Speaker 4>as far as trajectory, club path, my expectations of where

492
00:23:26.319 --> 00:23:28.720
<v Speaker 4>the ball's going to go. The visual of my of

493
00:23:28.799 --> 00:23:31.880
<v Speaker 4>the target is burned into my head, and that's what

494
00:23:31.880 --> 00:23:34.480
<v Speaker 4>I'm really That's where my brain's at the golf ball.

495
00:23:34.720 --> 00:23:36.319
<v Speaker 4>Nobody's going to come move it, so I don't have

496
00:23:36.359 --> 00:23:37.640
<v Speaker 4>to give it a great deal of attention.

497
00:23:40.000 --> 00:23:42.920
<v Speaker 2>I sense a contradiction here. You sound like there's a

498
00:23:42.960 --> 00:23:44.880
<v Speaker 2>whole lot of stuff going on in your head before

499
00:23:44.920 --> 00:23:45.640
<v Speaker 2>you hit your ball.

500
00:23:46.519 --> 00:23:48.240
<v Speaker 4>Well, let me walk you through what it would look

501
00:23:48.319 --> 00:23:49.720
<v Speaker 4>like if I was hitting a shot, if you were

502
00:23:49.720 --> 00:23:52.880
<v Speaker 4>in my brain. Okay, first off, I never take a

503
00:23:52.880 --> 00:23:55.440
<v Speaker 4>practice swing at the golf ball. You know, I would

504
00:23:55.440 --> 00:23:58.480
<v Speaker 4>select a club. My practice swings are behind the ball

505
00:23:59.039 --> 00:24:02.039
<v Speaker 4>on the target line, and they may not be full.

506
00:24:02.279 --> 00:24:05.519
<v Speaker 4>I may take a full, casual practice swing rip on

507
00:24:05.599 --> 00:24:09.079
<v Speaker 4>a tea box just to make sure that I'm loose. Now,

508
00:24:09.559 --> 00:24:11.200
<v Speaker 4>when I set up to hit a shot, I'm gonna

509
00:24:11.200 --> 00:24:13.039
<v Speaker 4>tee it up, you know, make sure my feet or

510
00:24:13.440 --> 00:24:15.640
<v Speaker 4>have a good place to stand or you know, in

511
00:24:15.680 --> 00:24:17.480
<v Speaker 4>the fairway. You don't have that luxury, but on a

512
00:24:17.519 --> 00:24:19.000
<v Speaker 4>tea box from tea to make sure I've got a

513
00:24:19.000 --> 00:24:21.559
<v Speaker 4>comfortable place to stand. Then I'm gonna stand behind the ball,

514
00:24:21.599 --> 00:24:24.279
<v Speaker 4>and this all takes just a moment, and I'm gonna look.

515
00:24:24.279 --> 00:24:26.279
<v Speaker 4>I'm going to see where my I want my golf

516
00:24:26.319 --> 00:24:29.200
<v Speaker 4>ball to start. What is where's my start line? And

517
00:24:29.240 --> 00:24:31.279
<v Speaker 4>then from there it's where's my how do I want

518
00:24:31.279 --> 00:24:33.400
<v Speaker 4>my ball to curve? Now, if I'm gonna play little

519
00:24:33.400 --> 00:24:35.319
<v Speaker 4>fade or a draw, I mean I'm going to visualize

520
00:24:35.359 --> 00:24:37.240
<v Speaker 4>that there's where my ball is starting. There is how

521
00:24:37.279 --> 00:24:40.000
<v Speaker 4>it's curving. So if I want it to start somewhere,

522
00:24:40.000 --> 00:24:41.839
<v Speaker 4>that's one thing. I can aim the face as best

523
00:24:41.839 --> 00:24:43.920
<v Speaker 4>I can to start the ball there. If I need

524
00:24:43.960 --> 00:24:45.960
<v Speaker 4>to curve it, I need a clubhead path go in

525
00:24:45.960 --> 00:24:48.279
<v Speaker 4>a slightly different place than more my face starts it

526
00:24:48.279 --> 00:24:50.960
<v Speaker 4>because you need a differential between face and path the

527
00:24:51.000 --> 00:24:54.319
<v Speaker 4>curve the ball. So you go, how technical is this? Well,

528
00:24:54.359 --> 00:24:56.119
<v Speaker 4>I mean, this is all blink stuff. It's like if

529
00:24:56.119 --> 00:24:58.160
<v Speaker 4>I typed you a note. You know, I don't even

530
00:24:58.160 --> 00:25:00.359
<v Speaker 4>know what I'm typing because in there it is there's

531
00:25:00.400 --> 00:25:03.000
<v Speaker 4>the note high Fred blah blah blah, Thanks, look forward

532
00:25:03.000 --> 00:25:05.440
<v Speaker 4>to seeing you again, Martin. While in there's a bunch

533
00:25:05.480 --> 00:25:08.400
<v Speaker 4>of subconscious stuff. It's only subconscious because I've trained it

534
00:25:08.440 --> 00:25:10.799
<v Speaker 4>in and as a golfer, to become a good golfer,

535
00:25:10.799 --> 00:25:13.759
<v Speaker 4>you have to learn how to take conscious thought through

536
00:25:14.160 --> 00:25:17.279
<v Speaker 4>the right experience and repetitions. So it jumps the fence

537
00:25:17.319 --> 00:25:22.119
<v Speaker 4>into subconscious. So that communication isn't like smoke signals okay,

538
00:25:22.160 --> 00:25:24.920
<v Speaker 4>and it's not Morse code, and it's not even old

539
00:25:25.000 --> 00:25:28.240
<v Speaker 4>analog phone that it's you know, high speed fiber optic,

540
00:25:28.279 --> 00:25:31.559
<v Speaker 4>because when the communication from brain to body become high

541
00:25:31.559 --> 00:25:34.279
<v Speaker 4>speed fiber optic, now people can say they're really not

542
00:25:34.359 --> 00:25:37.319
<v Speaker 4>thinking about something because their conscious doesn't know they're thinking.

543
00:25:37.599 --> 00:25:40.359
<v Speaker 4>It's so fast that they look they react, and then

544
00:25:40.359 --> 00:25:42.519
<v Speaker 4>they say, oh, it's just I just play golf because

545
00:25:42.559 --> 00:25:45.240
<v Speaker 4>I look and react. That's rubbish. You play that way

546
00:25:45.279 --> 00:25:48.319
<v Speaker 4>because you've trained that your speed of the conscious is

547
00:25:48.359 --> 00:25:53.240
<v Speaker 4>one from slow calculated into subconscious look and react behavior

548
00:25:53.279 --> 00:25:57.279
<v Speaker 4>that's trained in like learning how to type, So anyway

549
00:25:57.359 --> 00:26:00.559
<v Speaker 4>not to jump back to that. You know, set in,

550
00:26:00.599 --> 00:26:02.160
<v Speaker 4>I am the face where I want the ball to go,

551
00:26:02.759 --> 00:26:04.759
<v Speaker 4>and then from that moment the ball kind of goes

552
00:26:04.759 --> 00:26:07.359
<v Speaker 4>away because now I'm kind of in myself what do

553
00:26:07.400 --> 00:26:09.240
<v Speaker 4>I want to feel? Where's my balance going to go?

554
00:26:09.599 --> 00:26:10.920
<v Speaker 4>Now you can think, well, those are a lot of

555
00:26:10.960 --> 00:26:13.240
<v Speaker 4>swing thoughts, but not really. They're kind of gross motor

556
00:26:13.279 --> 00:26:16.200
<v Speaker 4>skill thoughts, and you know, I'm just trying to kind

557
00:26:16.240 --> 00:26:19.880
<v Speaker 4>of make this overall motion in some kind of balance

558
00:26:20.480 --> 00:26:24.240
<v Speaker 4>in a you know, the masses previous feelings of success,

559
00:26:24.440 --> 00:26:26.039
<v Speaker 4>and hopefully it's a good shot, and if it's not,

560
00:26:26.160 --> 00:26:27.680
<v Speaker 4>I go find it. I hit it again.

561
00:26:29.640 --> 00:26:40.119
<v Speaker 2>And again and again. Well, at least I do. It

562
00:26:40.319 --> 00:26:43.440
<v Speaker 2>reminds me of when I was young and driving a

563
00:26:43.480 --> 00:26:46.079
<v Speaker 2>stick shift, and there are many times where I'm like,

564
00:26:46.359 --> 00:26:47.440
<v Speaker 2>how'd I get in third gear?

565
00:26:47.920 --> 00:26:50.599
<v Speaker 4>Yeah? There you go? How'd you get from you know,

566
00:26:51.319 --> 00:26:53.480
<v Speaker 4>your driveway to the story? You even remember how you

567
00:26:53.519 --> 00:26:53.839
<v Speaker 4>got there?

568
00:26:53.880 --> 00:26:54.000
<v Speaker 5>Right?

569
00:26:54.480 --> 00:26:57.960
<v Speaker 2>Like what I mean? Oh yeah, I reached down. It's

570
00:26:58.000 --> 00:26:58.960
<v Speaker 2>like it's in third already?

571
00:26:58.960 --> 00:26:59.720
<v Speaker 4>How did that happen?

572
00:27:00.000 --> 00:27:00.839
<v Speaker 2>Even? Think about it?

573
00:27:01.240 --> 00:27:01.480
<v Speaker 4>Right?

574
00:27:02.480 --> 00:27:05.200
<v Speaker 2>Another thing that you said that that jumps out at me.

575
00:27:05.240 --> 00:27:08.160
<v Speaker 2>It's like, because I should be paying attention to this

576
00:27:08.240 --> 00:27:11.640
<v Speaker 2>because I learned from you so much. You don't rest

577
00:27:11.640 --> 00:27:17.599
<v Speaker 2>the club on the ground, Okay, I do, but I

578
00:27:17.640 --> 00:27:20.559
<v Speaker 2>can see you know, I'm really starting to focus on

579
00:27:20.759 --> 00:27:25.480
<v Speaker 2>finding the bottom of my swing arc lately, and so

580
00:27:25.640 --> 00:27:28.279
<v Speaker 2>I'm really kind of focused. And I hate using that

581
00:27:28.319 --> 00:27:31.480
<v Speaker 2>word because I'm focused on a target, but I really,

582
00:27:31.759 --> 00:27:35.079
<v Speaker 2>uh you know, look, send my eyes about an inch

583
00:27:35.200 --> 00:27:38.680
<v Speaker 2>in front of the ball, okay, so that I can,

584
00:27:39.039 --> 00:27:41.960
<v Speaker 2>you know, avoid hitting from hitting behind the ball. And

585
00:27:42.000 --> 00:27:44.359
<v Speaker 2>that's helped me a little bit, keeping my eyes you know,

586
00:27:44.440 --> 00:27:46.960
<v Speaker 2>off the ball, just in front of it. What about

587
00:27:46.960 --> 00:27:47.440
<v Speaker 2>your putter?

588
00:27:48.359 --> 00:27:50.680
<v Speaker 4>You know, I try not to ground my putter either.

589
00:27:50.759 --> 00:27:51.079
<v Speaker 2>Wow.

590
00:27:51.359 --> 00:27:54.079
<v Speaker 4>And now when I say because think about it. I

591
00:27:54.079 --> 00:27:56.920
<v Speaker 4>think the yips actually come from the people that have

592
00:27:56.960 --> 00:27:59.200
<v Speaker 4>a hard time putting. I really believe the yips come

593
00:27:59.240 --> 00:28:04.039
<v Speaker 4>from some sort of collision between conscious and subconscious, right.

594
00:28:04.359 --> 00:28:08.279
<v Speaker 4>I mean, you don't trust something, You don't trust your pace,

595
00:28:08.359 --> 00:28:11.599
<v Speaker 4>you don't trust your aim, and you know in that

596
00:28:11.880 --> 00:28:15.720
<v Speaker 4>in that lack of trust becomes you know, comes a flinch. Now,

597
00:28:16.000 --> 00:28:17.960
<v Speaker 4>if you are listening to this out there and you

598
00:28:17.960 --> 00:28:20.119
<v Speaker 4>do have a hard time putting and you don't trust

599
00:28:20.119 --> 00:28:23.240
<v Speaker 4>your stroke, I want you to tee up some golf

600
00:28:23.240 --> 00:28:25.160
<v Speaker 4>balls on the putting green. I know that sounds crazy,

601
00:28:25.200 --> 00:28:28.039
<v Speaker 4>but tee them up half an inch and then just

602
00:28:28.119 --> 00:28:31.559
<v Speaker 4>stroke them off of a high tee and hover the

603
00:28:31.559 --> 00:28:35.000
<v Speaker 4>putter there naturally, Because I think the ground plays a

604
00:28:35.079 --> 00:28:38.160
<v Speaker 4>role in this. I mean people that quote stub their putt,

605
00:28:38.200 --> 00:28:39.920
<v Speaker 4>you know that actually can hit the ground when they

606
00:28:39.920 --> 00:28:44.759
<v Speaker 4>pot accidentally they quote stub it. Well, you know there's

607
00:28:44.880 --> 00:28:48.440
<v Speaker 4>there's a there's a subconscious fear that let's take that

608
00:28:48.519 --> 00:28:50.400
<v Speaker 4>fear away. Now. I'm not saying that you hover the

609
00:28:50.400 --> 00:28:52.000
<v Speaker 4>putter or an inch off the ground and you pot.

610
00:28:52.000 --> 00:28:55.160
<v Speaker 4>That's not it. But we use the expression lady bug

611
00:28:55.240 --> 00:28:58.359
<v Speaker 4>at the golf school, meaning that in all shots. We

612
00:28:58.400 --> 00:29:00.359
<v Speaker 4>want to we want you to gently set the club

613
00:29:00.440 --> 00:29:02.799
<v Speaker 4>on the back of a ladybug that don't kill her,

614
00:29:02.920 --> 00:29:05.000
<v Speaker 4>just set it down there. So there's a dimension between

615
00:29:05.000 --> 00:29:07.839
<v Speaker 4>the bottom of the club and the grass, and it's

616
00:29:07.880 --> 00:29:10.039
<v Speaker 4>a little dimension, and you can tap her and you

617
00:29:10.039 --> 00:29:12.119
<v Speaker 4>can wake her up, but don't squish her. And then

618
00:29:12.119 --> 00:29:14.759
<v Speaker 4>from that radius, from that dimension you've established, go ahead

619
00:29:14.799 --> 00:29:16.519
<v Speaker 4>and putt, and go ahead and chip, and go ahead

620
00:29:16.559 --> 00:29:19.680
<v Speaker 4>and hit your shots. Now, if you watch me hit balls, read,

621
00:29:19.720 --> 00:29:21.759
<v Speaker 4>you wouldn't go well, Martin's covering the club because it's

622
00:29:21.759 --> 00:29:25.599
<v Speaker 4>a tiny dimension now if you looked really closely. And besides,

623
00:29:25.640 --> 00:29:28.079
<v Speaker 4>I'm not static either. I mean I'm not just standing there.

624
00:29:28.079 --> 00:29:30.359
<v Speaker 4>I'm always kind of moving around and moving my feet

625
00:29:30.359 --> 00:29:33.079
<v Speaker 4>and waggling and feeling rhythm before I initiate my swing

626
00:29:33.119 --> 00:29:35.559
<v Speaker 4>with rhythm, you know, And even in putting them ever

627
00:29:35.640 --> 00:29:37.920
<v Speaker 4>standing there statically, there's always a rhythm to it. I

628
00:29:37.920 --> 00:29:40.279
<v Speaker 4>look at react, I go with that look and react

629
00:29:40.400 --> 00:29:43.319
<v Speaker 4>is very specific. It's trained in. It's a it's something

630
00:29:43.359 --> 00:29:45.839
<v Speaker 4>I practice when I when I when I do practice now,

631
00:29:45.839 --> 00:29:48.920
<v Speaker 4>which isn't often, but it's I believe that the routine

632
00:29:48.920 --> 00:29:51.279
<v Speaker 4>and rhythm of the routine is a critical thing that

633
00:29:51.680 --> 00:29:52.960
<v Speaker 4>people really have to be aware of.

634
00:29:54.799 --> 00:29:56.680
<v Speaker 2>Would a teacher look at you and say, you need

635
00:29:56.720 --> 00:29:59.119
<v Speaker 2>to quiet yourself down, you've got your moving too much,

636
00:29:59.200 --> 00:30:02.319
<v Speaker 2>or there's so much going on before you hit the ball.

637
00:30:02.359 --> 00:30:04.720
<v Speaker 4>Maybe, but everybody's walking to their opinion. But I think

638
00:30:04.759 --> 00:30:08.079
<v Speaker 4>if the teacher watched me hit a ball, they'd probably say, hey, Martin,

639
00:30:08.079 --> 00:30:10.319
<v Speaker 4>you got a really good golf swing. You know. So,

640
00:30:11.000 --> 00:30:13.880
<v Speaker 4>I mean I'd say I'd say to the teacher, hey,

641
00:30:13.960 --> 00:30:15.559
<v Speaker 4>let's let's go play for five dollars.

642
00:30:16.359 --> 00:30:22.480
<v Speaker 2>You know, and you're and you're fired, what do you do.

643
00:30:22.640 --> 00:30:26.319
<v Speaker 4>For I think you know, I may be in this

644
00:30:26.519 --> 00:30:29.920
<v Speaker 4>in this interview. I'm not sure how that how it

645
00:30:29.960 --> 00:30:34.599
<v Speaker 4>comes across, right, But there you have to recognize, you

646
00:30:34.640 --> 00:30:37.839
<v Speaker 4>know where your brain's going. There's there's nothing really simple

647
00:30:37.880 --> 00:30:41.240
<v Speaker 4>about it until until your your brain body make it simple.

648
00:30:41.759 --> 00:30:44.039
<v Speaker 4>Like typing. I mean, I'd come back to that, or

649
00:30:44.079 --> 00:30:46.559
<v Speaker 4>playing a musical instrument. Some people make it look like

650
00:30:46.559 --> 00:30:48.880
<v Speaker 4>they're born with a trumpet in their hands. Well they

651
00:30:48.880 --> 00:30:51.559
<v Speaker 4>weren't good thing. I'd be painful for their mother. But

652
00:30:51.680 --> 00:30:55.599
<v Speaker 4>the point is, through tremendous practice, right, you become one

653
00:30:55.680 --> 00:30:58.640
<v Speaker 4>with something and not tremendous and it's the right kind

654
00:30:58.640 --> 00:31:01.480
<v Speaker 4>of practice. So off, it's the same way you become

655
00:31:01.599 --> 00:31:04.400
<v Speaker 4>one after, you know, with certain behaviors, whether they're good

656
00:31:04.480 --> 00:31:07.599
<v Speaker 4>or bad. And I see people that come to the golfschool,

657
00:31:07.599 --> 00:31:12.039
<v Speaker 4>they stand there rigidly over a golf ball. We teach

658
00:31:12.200 --> 00:31:14.519
<v Speaker 4>kind of a kind of a walk in pattern that's

659
00:31:14.599 --> 00:31:17.440
<v Speaker 4>rhythmical that I think the golf swing starts, you know,

660
00:31:17.480 --> 00:31:20.000
<v Speaker 4>way before you take it back. It starts me. You know.

661
00:31:20.039 --> 00:31:24.519
<v Speaker 4>I use this expression read, plan, do and review. So

662
00:31:24.559 --> 00:31:26.599
<v Speaker 4>there reading the plan part. You know, we walk up

663
00:31:26.599 --> 00:31:28.440
<v Speaker 4>to a shot, Well what do we have? You figure

664
00:31:28.519 --> 00:31:31.640
<v Speaker 4>your art as you're reading. Okay, you're looking at the

665
00:31:31.680 --> 00:31:35.119
<v Speaker 4>lie and then you're planning your strategy. Right you walk in.

666
00:31:35.279 --> 00:31:38.160
<v Speaker 4>There's the dow component. There's a swing part of it, right,

667
00:31:38.480 --> 00:31:41.160
<v Speaker 4>and the review component, which is a big part of

668
00:31:41.200 --> 00:31:43.680
<v Speaker 4>what George Newson taught us kids was you know, he

669
00:31:43.759 --> 00:31:45.759
<v Speaker 4>always called it the three second rule, meaning that we

670
00:31:45.759 --> 00:31:48.160
<v Speaker 4>couldn't get mad at herself for three seconds. We had

671
00:31:48.160 --> 00:31:51.200
<v Speaker 4>to kind of stand there for a moment trying to

672
00:31:51.240 --> 00:31:53.079
<v Speaker 4>have some feedback for what we just did, whether it

673
00:31:53.160 --> 00:31:56.400
<v Speaker 4>was good, bad, or indifferent, and then then possibly learn

674
00:31:56.440 --> 00:31:59.599
<v Speaker 4>from that swing rather than hitting you know, slumper shoulders

675
00:31:59.599 --> 00:32:02.160
<v Speaker 4>and throw club or whatever. Then he'd be upset with us.

676
00:32:02.559 --> 00:32:05.440
<v Speaker 4>So there's always a read plan doing a review at

677
00:32:05.440 --> 00:32:07.480
<v Speaker 4>any golf shot for a person that wants to play

678
00:32:07.519 --> 00:32:09.599
<v Speaker 4>high level golf or any kind of decent golf.

679
00:32:10.240 --> 00:32:11.920
<v Speaker 2>It may not have been born with a golf club

680
00:32:11.920 --> 00:32:13.599
<v Speaker 2>in your hands, but right now it sure looks like

681
00:32:13.599 --> 00:32:15.920
<v Speaker 2>Steph Curry was born with a basketball in his hands.

682
00:32:16.319 --> 00:32:21.240
<v Speaker 2>There you go, boy, about as natural as it gets.

683
00:32:21.240 --> 00:32:25.319
<v Speaker 2>All Right, off of basketball for a second. I want

684
00:32:25.359 --> 00:32:28.400
<v Speaker 2>to promote, if I may, another one of your products,

685
00:32:28.440 --> 00:32:30.400
<v Speaker 2>because this is what puts you on the map, right

686
00:32:30.480 --> 00:32:34.559
<v Speaker 2>touris striker. Let's you know, I think that it's something

687
00:32:34.559 --> 00:32:36.359
<v Speaker 2>that you know, you may be tired of talking about it.

688
00:32:36.359 --> 00:32:37.839
<v Speaker 2>It's like, yeah, it's been around for a while, but

689
00:32:38.119 --> 00:32:41.279
<v Speaker 2>there's a lot of people who are still especially when

690
00:32:41.319 --> 00:32:43.079
<v Speaker 2>I have it out of the driving range with me,

691
00:32:43.519 --> 00:32:45.240
<v Speaker 2>that it's like, you know, you might want to look,

692
00:32:45.359 --> 00:32:48.000
<v Speaker 2>you want to try this thing. Tell us a little

693
00:32:48.000 --> 00:32:50.279
<v Speaker 2>bit about the history, tell us what the value of

694
00:32:50.319 --> 00:32:51.559
<v Speaker 2>a tourist striker.

695
00:32:51.599 --> 00:32:55.480
<v Speaker 4>Yea, and the variation. I'm a big believer in intent.

696
00:32:55.559 --> 00:32:57.519
<v Speaker 4>If you have the right intent to do something and

697
00:32:58.200 --> 00:33:01.200
<v Speaker 4>you know there'll be more more success. So being a

698
00:33:01.240 --> 00:33:03.799
<v Speaker 4>teacher for many years, I've been teaching now for thirty years,

699
00:33:03.799 --> 00:33:07.200
<v Speaker 4>which is crazy, started when I was sixteen. And you know,

700
00:33:07.319 --> 00:33:09.240
<v Speaker 4>for a lot of teaching, a lot of teachers are

701
00:33:09.279 --> 00:33:12.240
<v Speaker 4>frustrated as our students because we try to convey a

702
00:33:12.279 --> 00:33:15.400
<v Speaker 4>message and sometimes that message is lost in the translation.

703
00:33:15.720 --> 00:33:19.279
<v Speaker 4>And what I found was that, you know, I find

704
00:33:19.279 --> 00:33:21.559
<v Speaker 4>a good player hits a shot and it's like wow, okay,

705
00:33:21.559 --> 00:33:24.440
<v Speaker 4>that sounds different. That produces a divot, you know, small

706
00:33:24.480 --> 00:33:26.720
<v Speaker 4>divt after impact and the ball kind of goes far

707
00:33:26.880 --> 00:33:29.119
<v Speaker 4>and they don't look like they're swinging that hard. And

708
00:33:29.559 --> 00:33:33.240
<v Speaker 4>you know what's the secret sauce there, Well, they they

709
00:33:33.440 --> 00:33:36.519
<v Speaker 4>move the golf club differently than the person who's having

710
00:33:36.839 --> 00:33:40.720
<v Speaker 4>you know, the hard time. Well, through teaching, I realized

711
00:33:40.759 --> 00:33:42.720
<v Speaker 4>that if I really well, I really don't need the

712
00:33:42.720 --> 00:33:44.839
<v Speaker 4>bottom couple of grooves on a golf club. And I'm

713
00:33:44.839 --> 00:33:47.920
<v Speaker 4>talking about the off a card path even And in fact,

714
00:33:48.160 --> 00:33:49.599
<v Speaker 4>if you're bored out of your mind, go to my

715
00:33:49.680 --> 00:33:51.920
<v Speaker 4>YouTube channel and posted a video I'm hitting a tour

716
00:33:51.960 --> 00:33:55.440
<v Speaker 4>striker off a card path and the ball's going airborne. Fine,

717
00:33:55.960 --> 00:33:58.880
<v Speaker 4>And because it's not about hitting down so much when golf,

718
00:33:59.000 --> 00:34:02.400
<v Speaker 4>everybody's down. When you swing at a golf ball, there's

719
00:34:02.440 --> 00:34:04.680
<v Speaker 4>going to be a down. You don't swing up at

720
00:34:04.680 --> 00:34:06.920
<v Speaker 4>a golf ball. I shouldn't say that. Some people do.

721
00:34:07.359 --> 00:34:10.559
<v Speaker 4>But every circle's got an element of down, every circle's

722
00:34:10.559 --> 00:34:13.440
<v Speaker 4>got an element of up. Well, in golf, since it's

723
00:34:13.480 --> 00:34:16.599
<v Speaker 4>an incline circular game, it's got it down and out,

724
00:34:16.599 --> 00:34:18.599
<v Speaker 4>and it's got it up and in. Well, if we

725
00:34:18.599 --> 00:34:20.639
<v Speaker 4>can get your down and out in the right place,

726
00:34:21.280 --> 00:34:23.519
<v Speaker 4>then you're going to play some pretty good golf. And

727
00:34:23.599 --> 00:34:24.960
<v Speaker 4>if we can get your down and out in the

728
00:34:25.039 --> 00:34:27.519
<v Speaker 4>right place, you know there's gonna be some element of

729
00:34:27.519 --> 00:34:30.559
<v Speaker 4>a clubhead trailing behind a handle a little bit. And

730
00:34:30.639 --> 00:34:33.840
<v Speaker 4>that is what's called for chafflin. So you know when

731
00:34:33.840 --> 00:34:35.800
<v Speaker 4>people are standing there trying to hoist the ball off

732
00:34:35.840 --> 00:34:37.639
<v Speaker 4>the ground because they think that they have to. It's

733
00:34:37.639 --> 00:34:40.599
<v Speaker 4>their job to get it up, and a normal golf

734
00:34:40.599 --> 00:34:43.840
<v Speaker 4>club can let them have some limited success doing that.

735
00:34:44.239 --> 00:34:46.880
<v Speaker 4>I decided to be mean and take away that limited

736
00:34:46.920 --> 00:34:49.639
<v Speaker 4>success because if somebody wants to hang back and hoist

737
00:34:49.639 --> 00:34:51.800
<v Speaker 4>a golf ball off the ground, they're never going to

738
00:34:51.880 --> 00:34:55.320
<v Speaker 4>get that amazing compressed feeling that good players get all

739
00:34:55.360 --> 00:34:57.320
<v Speaker 4>the time, and they're never going to get the distance

740
00:34:57.360 --> 00:35:00.480
<v Speaker 4>that they deserve for their you know, physical talents. So

741
00:35:00.599 --> 00:35:04.880
<v Speaker 4>by taking away the bottom grooves basically really right raising

742
00:35:04.920 --> 00:35:08.159
<v Speaker 4>the leading edge basically you know, more than almost an

743
00:35:08.159 --> 00:35:10.840
<v Speaker 4>inch off the ground, the players forced to learn how

744
00:35:10.840 --> 00:35:13.519
<v Speaker 4>to use the tool differently, and then forcing them to

745
00:35:13.559 --> 00:35:16.840
<v Speaker 4>do that it might inspire something, you know, for them

746
00:35:16.840 --> 00:35:18.639
<v Speaker 4>to think about how they move the club differently. And

747
00:35:18.639 --> 00:35:20.519
<v Speaker 4>that's the whole purpose of it, so that they have

748
00:35:20.639 --> 00:35:23.760
<v Speaker 4>for chaplain, so they can have you know, somewhat a

749
00:35:23.880 --> 00:35:27.239
<v Speaker 4>shallow downwards strike and they can strengthen the loft on

750
00:35:27.280 --> 00:35:30.719
<v Speaker 4>the face rather than weaken the strike loft. So I mean,

751
00:35:30.760 --> 00:35:33.360
<v Speaker 4>that's the whole genesis behind the Tour Striker. And it's

752
00:35:33.400 --> 00:35:35.159
<v Speaker 4>been a great it's been a great ride. I mean,

753
00:35:35.199 --> 00:35:38.840
<v Speaker 4>it's been hard to believe now. It's uh, you know,

754
00:35:39.000 --> 00:35:42.000
<v Speaker 4>it's been seven years since since that's been out, and

755
00:35:42.039 --> 00:35:44.599
<v Speaker 4>that's crazy. We've sold a lot of them all over

756
00:35:44.639 --> 00:35:47.719
<v Speaker 4>the world, and you know, and it's put me on

757
00:35:47.719 --> 00:35:50.440
<v Speaker 4>the map as a coach. Was just cool and it's fun.

758
00:35:50.679 --> 00:35:54.400
<v Speaker 2>So you know, lucky, Yeah, well I understand the luck part,

759
00:35:54.440 --> 00:35:56.880
<v Speaker 2>but there's nobody more deserving I'm so happy for you

760
00:35:56.920 --> 00:35:59.360
<v Speaker 2>that it's such a success and it opens the doors

761
00:35:59.400 --> 00:36:03.320
<v Speaker 2>to allow you to introduce new products like Sammy and

762
00:36:04.599 --> 00:36:07.559
<v Speaker 2>with the bank swing. No the wait, wait, I got

763
00:36:07.559 --> 00:36:11.480
<v Speaker 2>a Tour Striker power sleeve. That's right, right, I wrote

764
00:36:11.519 --> 00:36:13.280
<v Speaker 2>something that I was going to ask about never got to.

765
00:36:13.719 --> 00:36:16.320
<v Speaker 2>Can you give us a quick tip on why we

766
00:36:16.400 --> 00:36:19.039
<v Speaker 2>slice the ball and how to fix it? And I

767
00:36:19.079 --> 00:36:22.320
<v Speaker 2>can see now that you're wearing my smartphone.

768
00:36:22.400 --> 00:36:24.519
<v Speaker 4>Pall, Yeah, I didn't ship it.

769
00:36:24.679 --> 00:36:27.840
<v Speaker 2>Okay, Well, that's that's why I didn't get mine. That's okay.

770
00:36:28.519 --> 00:36:31.719
<v Speaker 2>Sure is a quick tour striker, mister tours striker tip

771
00:36:32.599 --> 00:36:33.199
<v Speaker 2>to striker.

772
00:36:33.239 --> 00:36:35.159
<v Speaker 4>Sure, so you know, you know I've got my tour striker.

773
00:36:35.199 --> 00:36:37.239
<v Speaker 4>Of course they've got a practice with my tour striker

774
00:36:37.280 --> 00:36:40.559
<v Speaker 4>in my golf room here. But I'm wearing the smart ball.

775
00:36:41.079 --> 00:36:43.280
<v Speaker 4>And once again, you know, early for those viewers that

776
00:36:44.519 --> 00:36:45.760
<v Speaker 4>want our listeners.

777
00:36:45.360 --> 00:36:48.559
<v Speaker 5>Too, earlier we talked about if you can manage your arms,

778
00:36:48.599 --> 00:36:50.880
<v Speaker 5>frad you can hit a lot of really good shots, because.

779
00:36:50.599 --> 00:36:52.840
<v Speaker 4>What happens is a lot of people, you know, in

780
00:36:52.880 --> 00:36:53.480
<v Speaker 4>their back.

781
00:36:53.320 --> 00:36:55.840
<v Speaker 5>Swing there, they'll get a lot of elbow separation. And

782
00:36:55.840 --> 00:36:57.119
<v Speaker 5>I'm not going to say you can't play a very

783
00:36:57.119 --> 00:36:57.840
<v Speaker 5>good golf from there.

784
00:36:57.880 --> 00:36:59.400
<v Speaker 4>You can, but you better get in a lot of

785
00:36:59.440 --> 00:37:02.760
<v Speaker 4>reps to build and the familiarity from taking your radius

786
00:37:02.760 --> 00:37:05.800
<v Speaker 4>from address, getting your elbows separated, and then getting to

787
00:37:05.920 --> 00:37:08.480
<v Speaker 4>impact on a good place. So if you have something

788
00:37:08.480 --> 00:37:10.400
<v Speaker 4>like a smartble, it really really helps. Now, the tip

789
00:37:10.440 --> 00:37:12.920
<v Speaker 4>I want to share with you guys today is mostly

790
00:37:12.920 --> 00:37:17.039
<v Speaker 4>you suffering out there. Suffer you know, slice the golf ball.

791
00:37:17.519 --> 00:37:21.119
<v Speaker 4>So a slice a shot that is something that goes

792
00:37:21.719 --> 00:37:23.920
<v Speaker 4>a path that gets over the top and wipes across

793
00:37:23.920 --> 00:37:25.760
<v Speaker 4>the tiret line is usually going to spin the ball

794
00:37:25.800 --> 00:37:28.039
<v Speaker 4>and create a slice. We all know that over the

795
00:37:28.039 --> 00:37:30.360
<v Speaker 4>top swing. That's nothing new. So how are we going

796
00:37:30.400 --> 00:37:32.599
<v Speaker 4>to fix that? Well, I want you to consider this.

797
00:37:33.000 --> 00:37:35.599
<v Speaker 4>When we stand erect and we bend over, we've got

798
00:37:36.159 --> 00:37:39.280
<v Speaker 4>a dress angle, a dressed body postured. I want you

799
00:37:39.320 --> 00:37:40.159
<v Speaker 4>out there to learn.

800
00:37:40.000 --> 00:37:43.360
<v Speaker 5>How to turn your shoulders a little bit steeper, because

801
00:37:43.400 --> 00:37:46.119
<v Speaker 5>if you can get your lead shoulder down okay, and

802
00:37:46.159 --> 00:37:49.559
<v Speaker 5>not necessarily under your chin, because Rory McRoy swings his shoulder,

803
00:37:49.800 --> 00:37:51.800
<v Speaker 5>you know, and you have had lipstick on and get

804
00:37:51.800 --> 00:37:55.760
<v Speaker 5>his shoulder really really colored and lipstick. But the point

805
00:37:55.840 --> 00:37:57.719
<v Speaker 5>is most people take their back swing threat and they

806
00:37:57.760 --> 00:37:58.880
<v Speaker 5>turn their shoulders too.

807
00:37:58.679 --> 00:38:01.360
<v Speaker 6>Flat, and then as soon as initiate some energy from

808
00:38:01.360 --> 00:38:03.880
<v Speaker 6>their body, their arms go out too much, and then

809
00:38:03.920 --> 00:38:06.760
<v Speaker 6>they react by swinging down too much, and that's how

810
00:38:06.760 --> 00:38:08.800
<v Speaker 6>they spin the ball in big slices over a lot

811
00:38:08.840 --> 00:38:09.320
<v Speaker 6>of holes.

812
00:38:09.760 --> 00:38:12.119
<v Speaker 5>So if we learn how to get tipped over the

813
00:38:12.119 --> 00:38:14.480
<v Speaker 5>golf a little bit better and let our lead shoulder

814
00:38:14.519 --> 00:38:15.719
<v Speaker 5>work a little bit down.

815
00:38:15.599 --> 00:38:17.360
<v Speaker 4>Which is not that easy if you're not used to

816
00:38:17.480 --> 00:38:20.039
<v Speaker 4>using your abs this way. From here, it's not even

817
00:38:20.079 --> 00:38:21.880
<v Speaker 4>gonna make sense to try to go over the top.

818
00:38:22.000 --> 00:38:24.800
<v Speaker 5>You want to reroute those arms nicely to the golf ball,

819
00:38:25.000 --> 00:38:26.880
<v Speaker 5>and guess what, you won't slice it anymore.
