1 00:00:00,120 --> 00:00:03,879 Speaker 1: But joining us right now, we have in studio with us. 2 00:00:05,240 --> 00:00:08,560 Rachel Molina is here and let me make sure to 3 00:00:08,720 --> 00:00:11,679 make sure we can hear you. Hello, Rachel, Hello, welcome 4 00:00:11,679 --> 00:00:12,279 to the program. 5 00:00:12,439 --> 00:00:12,720 Speaker 2: Thank you. 6 00:00:13,279 --> 00:00:15,039 Speaker 3: Uh so you're gonna play. 7 00:00:15,320 --> 00:00:17,399 Speaker 1: You've got your guitar and again if you are watching 8 00:00:17,440 --> 00:00:19,760 the video feed, you can see but she's got her 9 00:00:19,800 --> 00:00:22,719 guitar out and looking forward to hearing you play live. Now, 10 00:00:22,760 --> 00:00:25,000 you don't, just so people know, So you don't. You 11 00:00:25,039 --> 00:00:26,679 don't have any studio tracks yet, but I assume you're 12 00:00:26,679 --> 00:00:28,280 gonna be going into the studio at some point soon 13 00:00:28,320 --> 00:00:30,440 because you've got some You've got some original music as 14 00:00:30,440 --> 00:00:31,120 well as covers. 15 00:00:31,160 --> 00:00:34,640 Speaker 4: Correct, correct, and do a lot of covers. I'm starting 16 00:00:34,679 --> 00:00:37,159 to write music. I think have finished one and have 17 00:00:37,320 --> 00:00:38,679 almost finished for the second one. 18 00:00:38,759 --> 00:00:40,359 Speaker 3: Oh no kidding, Oh very cool. 19 00:00:40,520 --> 00:00:42,039 Speaker 4: I read a lot of lyrics. I just have to 20 00:00:42,039 --> 00:00:42,840 put music to them. 21 00:00:42,920 --> 00:00:44,640 Speaker 1: Oh that has that always been the case with you? 22 00:00:44,719 --> 00:00:47,439 I have you always? I mean, did you start out writing? 23 00:00:47,840 --> 00:00:50,640 Some people some singer songwriters will start out kind of 24 00:00:50,640 --> 00:00:53,119 writing poetry and then they'll say, you know, these would 25 00:00:53,119 --> 00:00:55,119 make good songs, Maybe I should put music to these. 26 00:00:55,119 --> 00:00:56,920 I mean, is that because cause you mentioned you have 27 00:00:56,960 --> 00:00:57,679 a lot of lyrics. 28 00:00:57,799 --> 00:00:59,679 Speaker 4: Yeah, they kind of come as journal entries, but they 29 00:00:59,719 --> 00:01:02,479 come out out his songs, and I always thought, somebody 30 00:01:02,479 --> 00:01:04,439 I'll put this to music. Yeah, so I've got like 31 00:01:04,480 --> 00:01:05,000 a backup. 32 00:01:08,200 --> 00:01:10,879 Speaker 1: Now why now, Because you said so recently you started 33 00:01:10,879 --> 00:01:14,159 writing music, but I assume you've been performing covers and 34 00:01:14,200 --> 00:01:15,079 such for a long time. 35 00:01:15,120 --> 00:01:15,480 Speaker 3: Correct. 36 00:01:15,879 --> 00:01:18,439 Speaker 4: So I've been playing guitar a long time. But two 37 00:01:18,519 --> 00:01:21,120 and a half years ago I started doing open mics 38 00:01:21,239 --> 00:01:23,400 nights with Andrew North and the Rangers. 39 00:01:23,599 --> 00:01:23,799 Speaker 5: Yeah. 40 00:01:24,319 --> 00:01:26,680 Speaker 1: Yeah, we were talking off air about them, and that's 41 00:01:26,920 --> 00:01:28,519 kind of how you got started doing the open mics. 42 00:01:28,599 --> 00:01:28,719 Speaker 6: Right. 43 00:01:30,280 --> 00:01:34,280 Speaker 4: I've always wanted to do music, but recently finally just 44 00:01:35,480 --> 00:01:38,000 I guess it's giving yourself permission to go for it. 45 00:01:38,480 --> 00:01:39,680 Speaker 3: Yeah, So what. 46 00:01:39,519 --> 00:01:42,280 Speaker 1: Was holding you back? Is it something you can identify 47 00:01:42,400 --> 00:01:44,400 or was it just Yeah. 48 00:01:44,120 --> 00:01:49,239 Speaker 4: I struggled a long time with kind of the societal 49 00:01:49,280 --> 00:01:52,840 pressure to get a career, get the right job, you know, 50 00:01:52,879 --> 00:01:57,120 figure your life out. And I just turned forty. 51 00:01:56,920 --> 00:01:59,439 Speaker 3: Last weekend, happy birthday. 52 00:01:59,079 --> 00:02:02,079 Speaker 4: And I told myself I wanted to have my dream 53 00:02:02,159 --> 00:02:05,439 job by the time I'm forty. Yeah, I've had so far. 54 00:02:05,640 --> 00:02:07,159 Speaker 3: Yeah, Well it's a start. 55 00:02:07,319 --> 00:02:10,039 Speaker 1: It's a start, and and you're you're so you're a 56 00:02:10,120 --> 00:02:12,759 professional musician now, because the way I've always looked at it, 57 00:02:12,759 --> 00:02:17,639 you know, sometimes people will kind of agonize over, well, 58 00:02:17,639 --> 00:02:19,960 when can I call myself a professional? Yeah, you know, 59 00:02:19,960 --> 00:02:22,120 if it's if it's something that's not their full time job, 60 00:02:22,360 --> 00:02:24,000 you know, when can I call myself a professional? 61 00:02:24,000 --> 00:02:25,599 Speaker 3: And the way I've always looked at it is no. 62 00:02:25,840 --> 00:02:27,840 Speaker 1: And this applies to music or anything anything that you 63 00:02:27,879 --> 00:02:31,159 do in life that you're passionate about. Once you've been 64 00:02:31,199 --> 00:02:32,680 paid for something, that's it. 65 00:02:32,759 --> 00:02:34,759 Speaker 3: You're a pro. You can call yourself. So you can 66 00:02:34,800 --> 00:02:36,360 call yourself a professional musician. 67 00:02:36,120 --> 00:02:37,599 Speaker 1: As far as I'm concerned, even if you've only had 68 00:02:37,639 --> 00:02:40,000 one paid gig, and you know there will be more, 69 00:02:40,280 --> 00:02:42,719 right I mean, because once that starts, you know, as 70 00:02:42,719 --> 00:02:44,199 long as you keep at it, you know that's going 71 00:02:44,280 --> 00:02:47,159 to grow and grow. And so that's awesome. Good for you, 72 00:02:47,639 --> 00:02:50,520 Good for you? Is that what so turning forty? Is 73 00:02:50,520 --> 00:02:52,719 that what made you say I got to do this 74 00:02:52,800 --> 00:02:53,319 now or never? 75 00:02:53,599 --> 00:02:56,520 Speaker 4: Or actually is when I got an office job a 76 00:02:56,520 --> 00:02:57,240 couple of years ago? 77 00:02:57,439 --> 00:03:00,000 Speaker 3: Yeah? Is that when you started started thinking, I don't know, 78 00:03:00,800 --> 00:03:01,159 I was. 79 00:03:01,120 --> 00:03:04,800 Speaker 4: The most I it was it was hard. I got 80 00:03:04,840 --> 00:03:07,560 an office job person and I got really depressed and 81 00:03:07,719 --> 00:03:10,719 I was like, what am I doing with life? 82 00:03:10,719 --> 00:03:11,240 Speaker 2: This isn't me. 83 00:03:11,599 --> 00:03:16,039 Speaker 4: Yeah, And then actually actually listened to a book by 84 00:03:16,120 --> 00:03:19,439 Dave Stewart of Your Rhythmics, his audio book about how 85 00:03:19,479 --> 00:03:23,840 the band started, and it was it was like really inspirational. 86 00:03:24,560 --> 00:03:28,919 Between that and listen, like I went to one show 87 00:03:28,960 --> 00:03:33,000 every month last year musicians and just like seeing people 88 00:03:33,039 --> 00:03:37,000 do it, Yeah, like it can happen, It's possible. Yeah, yeah, 89 00:03:37,240 --> 00:03:38,159 it's a world changer. 90 00:03:38,360 --> 00:03:40,439 Speaker 1: Yeah, good for you, Good for you. Well, I'm dying 91 00:03:40,479 --> 00:03:43,080 to hear you play. I've not heard you play at 92 00:03:43,080 --> 00:03:46,280 all yet, so now I but but I don't From 93 00:03:46,280 --> 00:03:47,840 what I've seen online it looks like, you know, people 94 00:03:47,840 --> 00:03:51,800 are really digging what you're doing. So I just realized, too, 95 00:03:51,840 --> 00:03:54,520 that explains the picture so the and it ended up 96 00:03:54,520 --> 00:03:56,240 being the picture that I used to promote today's show 97 00:03:56,639 --> 00:03:58,840 of you on Facebook, and you wrote so this is 98 00:03:58,879 --> 00:04:01,120 what it's like or something. It's you on stage and 99 00:04:01,120 --> 00:04:02,520 You're like, this is what it's like. It's like, okay, 100 00:04:02,520 --> 00:04:07,120 so she really is new with this, so very very cool. Well, yeah, 101 00:04:07,159 --> 00:04:08,840 I'm dying to hear you play. I'm sure the listeners 102 00:04:08,840 --> 00:04:10,759 are too. What do you What are you gonna do? 103 00:04:10,840 --> 00:04:11,439 Speaker 3: First? For us? 104 00:04:11,520 --> 00:04:14,000 Speaker 4: I'm gonna do Live and Die by David Brothers. 105 00:04:14,120 --> 00:04:15,280 Speaker 3: Okay, excellent. 106 00:04:15,479 --> 00:04:15,919 Speaker 5: This was. 107 00:04:17,959 --> 00:04:20,879 Speaker 4: A song that I played at every year I play 108 00:04:20,920 --> 00:04:24,160 at a New England Mountain Bike Association has a meet 109 00:04:24,240 --> 00:04:25,800 up and they asked me to play a couple of 110 00:04:25,839 --> 00:04:27,800 years in a row. Oh cool, that's probably that's how 111 00:04:27,800 --> 00:04:32,160 I started performing performing and okay, this was one of 112 00:04:32,199 --> 00:04:34,279 the songs the friend got me to do. 113 00:04:34,560 --> 00:04:35,680 Speaker 3: All right, excellent. 114 00:04:56,279 --> 00:05:07,000 Speaker 5: Ah, little takes just one mom you say goodbye to 115 00:05:07,199 --> 00:05:13,759 hobwie hi a planned, fear like habit. 116 00:05:14,199 --> 00:05:18,639 Speaker 4: Run like a rabbit. I Hannah away. 117 00:05:20,120 --> 00:05:31,079 Speaker 5: Through the screen door to the ah. No, No, I wanna 118 00:05:31,199 --> 00:05:38,519 love you more. I want to find you more. Where 119 00:05:38,839 --> 00:05:42,720 do you reside when you're high? 120 00:05:42,959 --> 00:05:44,240 Speaker 2: How can I find you? 121 00:05:45,879 --> 00:05:45,920 Speaker 7: No? 122 00:05:45,959 --> 00:05:51,040 Speaker 5: I want to send you more. I want to send 123 00:05:51,120 --> 00:05:57,839 you more. Can you tell that I I am a lie? 124 00:05:59,000 --> 00:06:00,040 Speaker 4: Let me prove. 125 00:06:02,920 --> 00:06:06,079 Speaker 8: You and I were the same. Live and Die were 126 00:06:06,120 --> 00:06:09,639 the same? Yourent voice, no my name? You and I 127 00:06:10,000 --> 00:06:10,759 were the same. 128 00:06:14,560 --> 00:06:23,160 Speaker 5: Little lack pharaoh sing like a sparrow and anyway, even 129 00:06:23,519 --> 00:06:30,759 if there is no land or love inside, we bloom 130 00:06:31,120 --> 00:06:39,240 like Roses, Lee like Moses, ah and away through the 131 00:06:39,319 --> 00:06:47,399 bitter crowd to the day. Lie and I wanna love 132 00:06:47,480 --> 00:06:52,199 you and mom, I wanna find you more? 133 00:06:54,040 --> 00:06:58,319 Speaker 2: Can you tell that I. 134 00:06:57,160 --> 00:06:58,000 Speaker 4: Am a lie? 135 00:06:59,000 --> 00:07:00,800 Speaker 2: Clam It proved, suya. 136 00:07:03,000 --> 00:07:06,160 Speaker 8: You and I were the same, Live and I were 137 00:07:06,199 --> 00:07:09,680 the same. Here a joice, I complain. You and I 138 00:07:10,000 --> 00:07:13,360 were the same. Live and I were the same. You 139 00:07:13,399 --> 00:07:14,759 and I were the same. 140 00:07:15,199 --> 00:07:16,040 Speaker 2: Hear my voice? 141 00:07:16,240 --> 00:07:16,879 Speaker 3: No, my name? 142 00:07:17,279 --> 00:07:18,959 Speaker 9: You and I were the same. 143 00:07:40,480 --> 00:07:45,120 Speaker 5: I want to love you more over, I want to 144 00:07:45,199 --> 00:07:46,360 find you more. 145 00:07:48,199 --> 00:07:52,480 Speaker 2: Where do you reside? When? And high? 146 00:07:53,040 --> 00:07:57,839 Speaker 5: I can't offernd you and I won't send you more. 147 00:07:59,680 --> 00:08:01,199 Speaker 4: I want to don't. 148 00:08:00,959 --> 00:08:08,759 Speaker 5: You can learn? 149 00:08:08,800 --> 00:08:09,319 Speaker 2: Improver? 150 00:08:12,319 --> 00:08:17,160 Speaker 9: You and I would say, and I would say, you're joice? 151 00:08:17,399 --> 00:08:18,040 Speaker 4: I complaining. 152 00:08:18,439 --> 00:08:19,920 Speaker 9: You and I were the same. 153 00:08:20,360 --> 00:08:21,959 Speaker 2: Did and I were the same? 154 00:08:22,480 --> 00:08:25,240 Speaker 9: You and I were the same. You're my voice? 155 00:08:25,519 --> 00:08:26,120 Speaker 3: Oh my name? 156 00:08:26,519 --> 00:08:26,920 Speaker 5: You and I? 157 00:08:30,120 --> 00:08:30,560 Speaker 4: You and I? 158 00:08:37,000 --> 00:08:39,320 Speaker 3: Oh, very nice, very nice. 159 00:08:39,840 --> 00:08:42,120 Speaker 1: If you're just joining us, Rachel Moline is here with us, 160 00:08:42,240 --> 00:08:44,720 alive in studio sounding amazing. 161 00:08:44,799 --> 00:08:49,120 Speaker 3: That was wonderful. That was wonderful. Tell me about Are 162 00:08:49,159 --> 00:08:50,200 they a big influence on you? 163 00:08:51,240 --> 00:08:54,159 Speaker 4: No? Actually, it just happened to be a song that 164 00:08:54,639 --> 00:08:57,720 my buddy was playing with picked he he was like, 165 00:08:57,799 --> 00:09:00,120 I love this song. I had not really listened to 166 00:09:00,200 --> 00:09:03,000 them much. Yeah, played it turned out I loved it. 167 00:09:03,639 --> 00:09:05,879 I don't know. I just kind of pick up music 168 00:09:05,960 --> 00:09:07,120 that clicks. 169 00:09:06,840 --> 00:09:11,120 Speaker 1: With me and yeah, yeah, yeah, do you have are 170 00:09:11,159 --> 00:09:14,120 there specific influences that have really kind of shaped your 171 00:09:14,799 --> 00:09:16,799 you know, your approach to uh to how you play. 172 00:09:16,960 --> 00:09:20,120 And I'm especially curious too about about your singing, because 173 00:09:20,240 --> 00:09:22,600 you know, you've you've got a great voice, and I'm 174 00:09:22,679 --> 00:09:25,360 curious like how you learn to sing and who who 175 00:09:25,440 --> 00:09:27,440 you listened to or maybe maybe you even took lessons. 176 00:09:27,480 --> 00:09:30,320 Speaker 4: I don't know, I it's it's been a mix. But 177 00:09:30,399 --> 00:09:33,279 I grew up in choir, Okay, a church choir when 178 00:09:33,320 --> 00:09:35,759 I was a teenager, was the choir for about six years. 179 00:09:36,320 --> 00:09:41,200 That's where I got my musical I guess training you 180 00:09:41,360 --> 00:09:42,559 just the more you do it, the more. 181 00:09:42,840 --> 00:09:43,039 Speaker 3: Yeah. 182 00:09:44,399 --> 00:09:46,200 Speaker 4: I never learned how to read music or anything. I 183 00:09:46,320 --> 00:09:47,759 just like sang. I loved singing. 184 00:09:48,000 --> 00:09:48,200 Speaker 3: Yeah. 185 00:09:50,200 --> 00:09:52,159 Speaker 4: I listened to a lot of like punk and rock 186 00:09:52,559 --> 00:09:56,399 growing up, and I don't know if that had any influence, 187 00:09:56,480 --> 00:09:59,519 but just definitely energetic and loud and yeah, and I 188 00:09:59,799 --> 00:10:03,000 just kept singing. Yeah, took lessons once. 189 00:10:03,480 --> 00:10:07,399 Speaker 1: Did you, Yeah, like like literally one lesson or for 190 00:10:08,360 --> 00:10:11,200 just for like six months. Oh okay, do you think 191 00:10:11,200 --> 00:10:11,639 it helped you? 192 00:10:12,159 --> 00:10:14,960 Speaker 4: Yeah, there's yeah, there's definitely things that have stuck from it. 193 00:10:15,320 --> 00:10:15,559 Speaker 3: Yeah. 194 00:10:15,759 --> 00:10:18,000 Speaker 4: I think I absorb a lot by listening to other people. 195 00:10:18,120 --> 00:10:19,080 YouTube does a lot. 196 00:10:19,360 --> 00:10:21,759 Speaker 1: Oh yeah, yeah, well that's the thing. Yeah, YouTube you 197 00:10:21,799 --> 00:10:24,559 can learn. You can learn so much from YouTube. It's 198 00:10:24,639 --> 00:10:28,120 probably put a lot of music instructors out of business, actually, 199 00:10:28,159 --> 00:10:30,279 now that I'm thinking about it, YouTube, because you know, 200 00:10:30,720 --> 00:10:33,279 if you think about it, that never really occurred to 201 00:10:33,360 --> 00:10:36,000 me until just now. But yeah, it's probably you know, 202 00:10:36,440 --> 00:10:39,240 like I remember, you know, buying DVDs about how to 203 00:10:39,320 --> 00:10:40,960 sing and how to play, and you know that's of 204 00:10:41,039 --> 00:10:42,399 course you don't need to do that anymore. 205 00:10:43,440 --> 00:10:45,840 Speaker 4: I've seen instructors go online. 206 00:10:45,480 --> 00:10:47,759 Speaker 3: Though, oh yeah, yeah, of course. Yeah. 207 00:10:48,039 --> 00:10:50,240 Speaker 4: So I don't know. Maybe it's, yeah, the. 208 00:10:50,279 --> 00:10:52,600 Speaker 1: Ones who are comfortable with it. But sure I took 209 00:10:52,879 --> 00:10:57,559 I took voice lessons and I from a variety of 210 00:10:57,600 --> 00:10:59,799 different instructors over the years, and I doubt any of 211 00:10:59,840 --> 00:11:02,519 them or even still in business. But they didn't help 212 00:11:02,559 --> 00:11:04,759 me much. I'm not a bad harmony singer. I can 213 00:11:04,840 --> 00:11:06,320 kind of find the octave and lock in. But on 214 00:11:06,440 --> 00:11:07,279 my own, I get lost. 215 00:11:08,360 --> 00:11:10,279 Speaker 4: Everything's easier when you do with people. 216 00:11:10,399 --> 00:11:13,159 Speaker 1: Oh yeah, yeah, no, but just starting to inquire, starting 217 00:11:13,200 --> 00:11:14,679 singing and inquire. I mean, I think that's a great 218 00:11:14,679 --> 00:11:17,720 way to start. I always I've always heard Daryl Hall 219 00:11:17,759 --> 00:11:19,200 say that, like he learned to sing because when he 220 00:11:19,279 --> 00:11:21,000 was a kid, his mom took him to church. Yeah, 221 00:11:21,080 --> 00:11:24,679 and that's, you know, growing up in Philadelphia, that's you know, 222 00:11:24,759 --> 00:11:26,200 that was a great way to start, you know. 223 00:11:26,320 --> 00:11:28,559 Speaker 3: And his mother also is a I. 224 00:11:28,600 --> 00:11:30,399 Speaker 1: Say it is because I think she's still alive, but 225 00:11:31,679 --> 00:11:35,240 she's also a vocal teacher herself, and she taught him 226 00:11:35,240 --> 00:11:36,960 how to breathe and everything and took him to church 227 00:11:37,000 --> 00:11:38,639 and said, here, sing with these people, and. 228 00:11:39,360 --> 00:11:40,440 Speaker 4: Yeah, that's cool. 229 00:11:40,639 --> 00:11:40,840 Speaker 5: Yeah. 230 00:11:41,080 --> 00:11:42,960 Speaker 3: Now what about guitar? How did you learn to play guitar? 231 00:11:44,480 --> 00:11:49,240 Speaker 4: I got my first guitar when I was seventeen from 232 00:11:49,360 --> 00:11:52,279 like a summer crush. He played me, like, I mean, 233 00:11:52,320 --> 00:11:54,000 he taught me how to play GCD. 234 00:11:54,440 --> 00:11:55,440 Speaker 3: Yeah, and then. 235 00:11:57,799 --> 00:12:01,320 Speaker 4: Over the years it's just been slowly picking up some songs. 236 00:12:01,639 --> 00:12:01,879 Speaker 3: Yeah. 237 00:12:02,399 --> 00:12:02,480 Speaker 5: Uh. 238 00:12:03,639 --> 00:12:06,159 Speaker 4: The first song I ever learned was Boston by Augustana 239 00:12:06,360 --> 00:12:09,039 And oh, so I guess we're talking about musicians and bands. 240 00:12:09,120 --> 00:12:12,759 They were augustana Is. They're not super popular, but they 241 00:12:12,799 --> 00:12:15,200 were like so influential to me. 242 00:12:15,600 --> 00:12:15,799 Speaker 3: Yeah. 243 00:12:16,159 --> 00:12:19,480 Speaker 4: Probably when I started writing songs, I it was it 244 00:12:19,559 --> 00:12:23,200 was a lot of like a lot of like kind 245 00:12:23,279 --> 00:12:27,480 of dark, sad sounding music. You know, a lot of 246 00:12:27,519 --> 00:12:31,360 my lyrics would come out as like these sad stories 247 00:12:31,559 --> 00:12:36,879 and yeah, I like I like heartfelt things like emotion. Sure, sure, 248 00:12:37,039 --> 00:12:42,000 but anyway, okay, Yeah. And then it was two and 249 00:12:42,039 --> 00:12:44,559 a half years ago, I again doing open mic nights. 250 00:12:44,600 --> 00:12:47,240 I was like, well, I don't pick it up again. 251 00:12:47,960 --> 00:12:51,600 So I picked up my my old guitar that I'd 252 00:12:51,720 --> 00:12:54,720 got in San Francisco years ago on a whim. 253 00:12:55,039 --> 00:12:57,840 Speaker 1: Yeah, did you go a really long time without playing 254 00:12:57,879 --> 00:13:00,639 at all? Or did you kind of probably. 255 00:13:00,399 --> 00:13:03,879 Speaker 4: Went stretches a couple of years stretches and then I'd 256 00:13:03,879 --> 00:13:06,679 pick up guitar and like fiddle with it. Yeah, yeah, 257 00:13:07,639 --> 00:13:10,879 I might have gone five or six years without really playing. 258 00:13:11,240 --> 00:13:11,440 Speaker 3: Yeah. 259 00:13:11,799 --> 00:13:13,879 Speaker 4: I started dabbling in the keyboard too, and that it 260 00:13:13,960 --> 00:13:17,200 was fun. Yeah, guitar is always way more intimidating. 261 00:13:17,440 --> 00:13:21,919 Speaker 3: Yeah. So then, so when did you so? 262 00:13:22,279 --> 00:13:23,519 Speaker 1: But it was a couple of years ago that you 263 00:13:23,799 --> 00:13:26,000 picked it back up and really started to focus on 264 00:13:26,080 --> 00:13:27,960 it or yeah, and I just. 265 00:13:28,000 --> 00:13:30,480 Speaker 4: Had to, like again, it was giving myself permission. Just 266 00:13:31,759 --> 00:13:33,799 I don't really still sometimes feel like I don't know 267 00:13:33,840 --> 00:13:38,480 what I'm doing, but I I just I learn songs. 268 00:13:38,559 --> 00:13:40,039 I find songs that I love, and I'm like, I 269 00:13:40,120 --> 00:13:42,279 better if I can learn that, Yeah it's too complicated, 270 00:13:42,320 --> 00:13:44,399 I let it go. Yeah, and then to find ones 271 00:13:44,720 --> 00:13:45,279 that are easy. 272 00:13:45,840 --> 00:13:47,200 Speaker 3: So that makes me curious, like what have you? 273 00:13:47,600 --> 00:13:49,240 Speaker 1: Is there anything you can think of specifically that you 274 00:13:49,320 --> 00:13:51,519 tried to learn that you you've felt was too complicated 275 00:13:51,559 --> 00:13:53,440 that maybe you'll you'll put aside and come back later. 276 00:13:54,080 --> 00:13:55,639 Speaker 3: Well, it's curious about this kind of thing. Is there? 277 00:13:55,679 --> 00:13:56,080 Is there anything? 278 00:13:56,159 --> 00:13:59,679 Speaker 4: I think there was a Beatles song, Yeah, I can't 279 00:13:59,679 --> 00:14:02,440 remember what was called. Yeah, I get remember which one, 280 00:14:02,480 --> 00:14:05,799 but they use a lot of when I say complimented 281 00:14:06,399 --> 00:14:09,639 complicated chords, it's like there you have to stretch your 282 00:14:09,679 --> 00:14:13,399 fingers around or there's a chord change every you know, 283 00:14:13,600 --> 00:14:16,720 every beat home. Yeah, it feels like yeah, and sometimes 284 00:14:16,960 --> 00:14:19,559 I've learned too to allow myself to just instead of 285 00:14:19,639 --> 00:14:21,720 changing chords, you might find one that sounds similar, so 286 00:14:21,840 --> 00:14:22,320 just stay on. 287 00:14:22,440 --> 00:14:29,200 Speaker 1: It right right, Yes, yes, absolutely, When I when I 288 00:14:29,279 --> 00:14:31,679 was a teenager, so I took guitar lessons, and but 289 00:14:31,799 --> 00:14:33,120 I was I was kind of a lazy kid. 290 00:14:33,840 --> 00:14:35,960 Speaker 3: If I wasn't good at something quickly enough, I would 291 00:14:35,960 --> 00:14:36,679 tend to give up on it. 292 00:14:37,440 --> 00:14:40,320 Speaker 1: And that's how I ended up. And bass players hate 293 00:14:40,360 --> 00:14:42,240 when I say this. I know that, but I'm a 294 00:14:42,279 --> 00:14:43,879 bass player, so I can say it. That's how I 295 00:14:43,960 --> 00:14:47,399 ended up playing bass because I got frustrated with the 296 00:14:47,480 --> 00:14:49,919 guitar and and then I picked up a bass. I 297 00:14:50,039 --> 00:14:53,559 was with some friends, some musicians, and I picked up 298 00:14:53,559 --> 00:14:55,279 a bass and I seem to have a feel for 299 00:14:55,360 --> 00:14:57,000 it really quickly, and I was kind of like, oh, 300 00:14:57,360 --> 00:14:59,759 two less strings and I don't have to know any chords. 301 00:15:00,159 --> 00:15:02,399 I think I found my instrument. And it turned out 302 00:15:02,399 --> 00:15:04,080 I did find my instrument because I ended up playing 303 00:15:04,080 --> 00:15:06,120 in a bunch of bands over the years. But then 304 00:15:06,159 --> 00:15:07,840 I'm not a bad bass player. But and I can 305 00:15:07,879 --> 00:15:09,159 still play a little bit of guitar. You know, I 306 00:15:09,200 --> 00:15:11,039 can play. I can play in a punk band probably, 307 00:15:11,120 --> 00:15:14,519 but but uh but yeah, it's uh, But I know 308 00:15:14,600 --> 00:15:17,799 what you mean. And it's like you can you can 309 00:15:17,879 --> 00:15:20,679 kind of cite yourself out by trying trying too hard 310 00:15:20,720 --> 00:15:23,279 to emulate exactly what the original artist did. When you can, 311 00:15:23,879 --> 00:15:26,519 you can change it, yeah, and make it sound the same. 312 00:15:27,120 --> 00:15:29,960 You know, there's no there's no rules really, I mean, 313 00:15:30,080 --> 00:15:32,879 music theory is music theory, but that doesn't mean you 314 00:15:33,039 --> 00:15:35,159 have to do it exactly the way it was done 315 00:15:35,240 --> 00:15:36,919 to make it sound good. And if along the way 316 00:15:36,960 --> 00:15:38,919 you kind of make it your own, that's good too. 317 00:15:39,240 --> 00:15:43,879 Speaker 4: I think, yeah, there's I think music has taught me 318 00:15:44,000 --> 00:15:47,639 that I'm can be a perfectionist and it's a lot 319 00:15:47,679 --> 00:15:50,720 of your heart on yourself, and it's like that has 320 00:15:50,799 --> 00:15:54,480 to really be ingrained as it's okay to be flexible 321 00:15:54,519 --> 00:15:56,240 with the songs, okay to put your own spin on it. 322 00:15:56,440 --> 00:15:56,639 Speaker 3: Yep. 323 00:15:57,080 --> 00:16:00,840 Speaker 4: And people want that probably, yeah, yeah, some people do. 324 00:16:01,000 --> 00:16:03,120 Speaker 3: I mean some people. There's always some people who will 325 00:16:03,200 --> 00:16:05,679 complain like, oh that you didn't play that right. 326 00:16:05,879 --> 00:16:08,759 Speaker 1: But it's like, uh, you know, but to me, I 327 00:16:08,840 --> 00:16:11,120 always like, you know, it's like if I see a 328 00:16:11,200 --> 00:16:16,399 cover band, I don't necessarily want to hear everything exactly 329 00:16:16,440 --> 00:16:19,720 the way it sounds, the way the original artists played it. 330 00:16:19,799 --> 00:16:21,639 I kind of want to hear It's like, Okay, I 331 00:16:21,720 --> 00:16:23,559 know how the original goes. I can I hear it 332 00:16:23,639 --> 00:16:25,360 on the radio. I can pull it up online. I 333 00:16:25,440 --> 00:16:27,240 want to hear your interpretation of it, you know what 334 00:16:27,279 --> 00:16:29,080 I mean? That to me is more interesting. But there 335 00:16:29,120 --> 00:16:30,720 are some people who are just like, oh, you didn't 336 00:16:30,840 --> 00:16:33,480 You didn't play that the way I know it. It's like, well, 337 00:16:33,679 --> 00:16:35,360 go listen to it the way you know it. The 338 00:16:35,440 --> 00:16:36,919 way you know it is available to you. 339 00:16:37,440 --> 00:16:38,360 Speaker 2: Yeah, that's true. 340 00:16:38,960 --> 00:16:40,879 Speaker 4: That's true. It is about creativity. 341 00:16:41,159 --> 00:16:43,440 Speaker 3: Yeah, yeah, or it should be, at least it should be. 342 00:16:44,159 --> 00:16:45,120 You want to play another one? 343 00:16:45,320 --> 00:16:48,000 Speaker 1: Okay, all right, if you're just joining us, Rachel Molein 344 00:16:48,159 --> 00:16:50,559 is here with us live in studio, sounding great. 345 00:16:51,919 --> 00:16:56,600 Speaker 4: I sorry, okay, I'll play I'll play an original. 346 00:16:56,799 --> 00:17:00,600 Speaker 1: Okay, awesome. So this will be the first time this 347 00:17:00,679 --> 00:17:01,679 has been played on the radio. 348 00:17:01,879 --> 00:17:02,279 Speaker 4: That's true. 349 00:17:02,519 --> 00:17:06,240 Speaker 3: So it was a world premiere, yes, yes, is this recorded? 350 00:17:06,839 --> 00:17:09,160 Speaker 4: Well? Of course technically the first time it's every recorded 351 00:17:09,200 --> 00:17:09,640 to this. 352 00:17:09,680 --> 00:17:11,559 Speaker 3: Will be the first time. Wait, you know what, just 353 00:17:11,839 --> 00:17:13,759 just for that, I should uh, I should do this, 354 00:17:14,000 --> 00:17:18,640 uh do this for you. You are listening to wumin Ah. 355 00:17:20,559 --> 00:17:21,519 Speaker 2: World premiere. 356 00:17:24,759 --> 00:17:26,400 Speaker 1: Oh you probably couldn't hear that because you don't have 357 00:17:26,440 --> 00:17:31,160 headphones on. I gave you the world premiere bumper. Yes, 358 00:17:31,599 --> 00:17:33,880 you'll hear it later when you listen to it. All right, 359 00:17:34,079 --> 00:17:34,680 what's this called? 360 00:17:34,799 --> 00:17:40,240 Speaker 4: It's called this song is called the Moment. It's very short. 361 00:17:40,480 --> 00:17:44,519 It's it's about living in the moment, really because a 362 00:17:44,599 --> 00:17:47,160 lot of times they escape us, yes, before we've had 363 00:17:47,200 --> 00:17:48,599 a chance to do something about it. 364 00:17:48,799 --> 00:17:52,480 Speaker 3: And let's bring that back, all right, Rachel Mouley. 365 00:18:10,640 --> 00:18:15,440 Speaker 6: Stand to stay moment. 366 00:18:17,240 --> 00:18:18,079 Speaker 5: For the moment. 367 00:18:18,440 --> 00:18:22,200 Speaker 9: Nos, it passes bar. 368 00:18:26,960 --> 00:18:30,960 Speaker 2: And see hard on Wonday. 369 00:18:33,680 --> 00:18:45,640 Speaker 10: It leaves no chase, it flies with Breathe the moment 370 00:18:46,039 --> 00:18:46,920 back now. 371 00:18:49,599 --> 00:18:50,720 Speaker 2: Because I know. 372 00:18:53,640 --> 00:19:30,759 Speaker 6: I would say, find yourself a moment, so it does. 373 00:19:32,960 --> 00:19:34,400 Speaker 2: Saying it's too. 374 00:19:39,799 --> 00:19:43,079 Speaker 9: God hand sip beside me. 375 00:19:45,279 --> 00:19:50,160 Speaker 2: We'll fly away, We'll fly. 376 00:19:58,559 --> 00:20:00,359 Speaker 3: Beautiful, beautiful, Thank you. 377 00:20:00,720 --> 00:20:03,039 Speaker 1: Rachel Moleen is here with us, live in studio, and 378 00:20:03,119 --> 00:20:03,839 that's called the Moment. 379 00:20:04,839 --> 00:20:09,440 Speaker 4: The scariest thing I've ever done, really, maybe so far. 380 00:20:09,559 --> 00:20:11,160 Speaker 1: I mean as you, as you advance into your career, 381 00:20:11,160 --> 00:20:15,720 I'm sure it'll get scarier. This is nothing, This is 382 00:20:15,799 --> 00:20:18,480 nothing if you are just joining us. Rachel Moleen is 383 00:20:18,559 --> 00:20:20,799 here with us, live in studio, and so. 384 00:20:21,160 --> 00:20:22,559 Speaker 3: What kind of what kind of shows have you you 385 00:20:22,640 --> 00:20:22,920 been doing? 386 00:20:23,000 --> 00:20:25,079 Speaker 1: You mentioned the open mics, and then have you been 387 00:20:26,039 --> 00:20:28,519 but you know you've been doing more than just that obviously. 388 00:20:29,039 --> 00:20:32,640 Speaker 4: So yeah, volunteered for a couple of things. It played 389 00:20:32,640 --> 00:20:37,039 at a school last weekend, like a parent teacher fundraiser thing. 390 00:20:37,119 --> 00:20:40,119 Oh cool, that was fun. There was three other artists there, 391 00:20:40,319 --> 00:20:44,319 one that I knew. Playing in front a bunch of 392 00:20:44,519 --> 00:20:47,119 kids is really fun there. They give a lot of 393 00:20:47,119 --> 00:20:51,559 feedback right away, dancing to your music, or or they 394 00:20:51,599 --> 00:20:53,680 come up there and they just stare at you playing. 395 00:20:54,160 --> 00:20:56,880 Speaker 3: Yeah. Yeah. 396 00:20:57,799 --> 00:21:00,200 Speaker 4: I played at Feathered Friends last week in open for 397 00:21:01,319 --> 00:21:03,799 Lee and Doctor g Okay, he is a local man. 398 00:21:04,759 --> 00:21:05,880 Speaker 3: Now where is that feather trends? 399 00:21:06,319 --> 00:21:07,839 Speaker 4: Feathered Friends feather trends? 400 00:21:08,720 --> 00:21:11,240 Speaker 1: I don't know why though, sometimes I don't hear things 401 00:21:11,279 --> 00:21:14,480 correctly feathered trends, like like, what would that be like 402 00:21:14,599 --> 00:21:17,319 a store that sells jackets made of feather? 403 00:21:19,200 --> 00:21:20,160 Speaker 4: I think I should. 404 00:21:21,279 --> 00:21:25,200 Speaker 1: Should open that feathered trends. So Feathered Friends, okay, okay, 405 00:21:25,279 --> 00:21:25,759 So what is that? 406 00:21:26,079 --> 00:21:27,079 Speaker 4: It's a brewery. 407 00:21:27,200 --> 00:21:28,079 Speaker 3: It's a brewery. Okay. 408 00:21:28,680 --> 00:21:31,799 Speaker 4: They have a cool stage in the back. Then I 409 00:21:32,039 --> 00:21:36,559 played last December. I played up at a place in Bethlehem, 410 00:21:37,039 --> 00:21:38,480 Okay called Flamingo. 411 00:21:38,799 --> 00:21:39,119 Speaker 3: Okay. 412 00:21:39,480 --> 00:21:42,599 Speaker 4: A buddy of mine, Jim Terrell, is also a New Hampshire. 413 00:21:42,640 --> 00:21:43,880 Speaker 3: Oh I know Jim ye yep. 414 00:21:44,039 --> 00:21:46,799 Speaker 1: I've interviewed him actually, jeez, I don't know how many 415 00:21:46,839 --> 00:21:47,680 times over the years. 416 00:21:47,839 --> 00:21:49,799 Speaker 3: Yeah, yeah, oh absolutely, Jim's great. 417 00:21:50,480 --> 00:21:50,720 Speaker 5: I was. 418 00:21:51,279 --> 00:21:55,880 Speaker 4: I went up to see him play because he plays 419 00:21:55,920 --> 00:21:56,680 there every Wednesday. 420 00:21:56,880 --> 00:21:57,079 Speaker 3: Yeah. 421 00:21:57,640 --> 00:21:59,000 Speaker 4: He had me sing a couple of songs and the 422 00:21:59,079 --> 00:22:01,119 owner was like, Jim can't be here next week, do 423 00:22:01,160 --> 00:22:01,759 you want to fill in? 424 00:22:02,000 --> 00:22:02,160 Speaker 3: Oh? 425 00:22:02,400 --> 00:22:05,200 Speaker 4: Nice, it's a three hour set and I was. 426 00:22:05,240 --> 00:22:08,880 Speaker 3: Like, oh, okay, yeah, yeah, let's do Yeah. 427 00:22:09,640 --> 00:22:09,839 Speaker 5: It was. 428 00:22:10,000 --> 00:22:12,400 Speaker 4: It was a really good experience. It was a challenge 429 00:22:12,400 --> 00:22:15,519 because I didn't have three hours of material, but well. 430 00:22:15,480 --> 00:22:17,200 Speaker 3: The thing is, though, with a situation like that, too, 431 00:22:17,240 --> 00:22:18,240 you can repeat some stuff. 432 00:22:18,279 --> 00:22:19,799 Speaker 1: I mean, you're not you know, you're not playing to 433 00:22:19,839 --> 00:22:21,720 the same crowd in the first hour that you you know, 434 00:22:21,920 --> 00:22:23,279 in the third hour, you know what I mean? 435 00:22:23,519 --> 00:22:25,640 Speaker 3: Right, So yeah, you're right. I mean, is that what 436 00:22:25,720 --> 00:22:26,240 you ended up doing? 437 00:22:26,319 --> 00:22:29,240 Speaker 4: You just yeah, yeah, did about had about an hour 438 00:22:29,279 --> 00:22:30,720 and twenty minutes or so. 439 00:22:31,039 --> 00:22:33,160 Speaker 1: Oh yeah, she just played this stuff. Just play the 440 00:22:33,240 --> 00:22:35,839 set twice, right, Yeah, no big deal. Yeah no, that's cool. 441 00:22:35,839 --> 00:22:37,279 Speaker 3: So I went, well it did. 442 00:22:37,519 --> 00:22:40,480 Speaker 4: Yeah, I was not as prepared as I could have been. 443 00:22:40,559 --> 00:22:41,720 I think I say that every time. 444 00:22:42,160 --> 00:22:45,680 Speaker 1: Sure, well, you know, like we talked about earlier, you know, 445 00:22:45,720 --> 00:22:48,240 I'm creative. People are most hard on themselves, you know, 446 00:22:48,480 --> 00:22:51,319 the most self critical. So but it comes from a 447 00:22:51,359 --> 00:22:52,920 good place because you want to be good at what 448 00:22:53,000 --> 00:22:54,759 you're doing and you you know, you want people to 449 00:22:54,799 --> 00:22:55,799 be impressed and whatnot. 450 00:22:55,920 --> 00:22:58,440 Speaker 3: So right, So are you? 451 00:22:58,680 --> 00:23:01,119 Speaker 1: Is that kind of is your all to to continue 452 00:23:01,119 --> 00:23:02,920 to do shows like that? More and more shows like that? 453 00:23:03,319 --> 00:23:03,480 Speaker 5: Is that? 454 00:23:04,039 --> 00:23:05,400 Speaker 3: Like you want to be playing out all the time? 455 00:23:05,440 --> 00:23:07,119 I assume I would like to. 456 00:23:07,519 --> 00:23:10,480 Speaker 4: Uh, it's really good. I've found that. It it's a 457 00:23:10,559 --> 00:23:14,759 lot of pressure. I mean, I put pressure on myself. Yeah, 458 00:23:14,960 --> 00:23:17,720 but it's really good to develop my set list and 459 00:23:18,119 --> 00:23:21,039 it it's I'm learning so much as I'm learning songs. 460 00:23:21,240 --> 00:23:21,440 Speaker 3: Yep. 461 00:23:23,000 --> 00:23:25,440 Speaker 4: I'd like to be able to like to be able 462 00:23:25,440 --> 00:23:26,920 to support myself with music. 463 00:23:27,160 --> 00:23:28,240 Speaker 3: Yeah, of course. Yeah. 464 00:23:28,359 --> 00:23:31,119 Speaker 4: I do want to keep writing and start recording, and 465 00:23:31,680 --> 00:23:35,559 I'd love to eventually start a band. Can I say 466 00:23:36,680 --> 00:23:40,680 I'm looking for a fiddle player? Know that there's fiddle 467 00:23:40,720 --> 00:23:43,480 players like all over, but yeah, I would love to 468 00:23:43,559 --> 00:23:44,640 collaborate with someone. 469 00:23:45,400 --> 00:23:47,039 Speaker 3: Now, why a fiddle player specifically? 470 00:23:47,559 --> 00:23:52,319 Speaker 4: It okay, it's probably some band influences like Airborne Toxic 471 00:23:52,359 --> 00:23:55,960 Event is a rock band and they have a fiddle 472 00:23:57,319 --> 00:24:01,559 late fiddle was one of his first band members. Oh, violin. Same, 473 00:24:01,680 --> 00:24:04,200 But yeah, it just sounds so cool, I think in 474 00:24:04,319 --> 00:24:07,359 any style of music. Yeah, adds something that you don't 475 00:24:08,039 --> 00:24:10,039 get to see or hear a lot. 476 00:24:10,319 --> 00:24:10,519 Speaker 5: Yeah. 477 00:24:11,039 --> 00:24:13,359 Speaker 3: Does Andrew North and the Rangers have a fiddle player? 478 00:24:13,400 --> 00:24:14,359 Speaker 2: Don't they know they have? 479 00:24:14,640 --> 00:24:18,200 Speaker 3: Don't they have a Who am I thinking of? No, 480 00:24:18,400 --> 00:24:20,319 I'm thinking I don't know who I'm thinking of. 481 00:24:20,720 --> 00:24:23,759 Speaker 1: But yeah, I mean it's not like, uh yeah, fiddle 482 00:24:23,759 --> 00:24:25,680 players though. Yeah, it's not like you know, guitar players 483 00:24:25,720 --> 00:24:27,319 are everywhere, but fiddle players. 484 00:24:27,440 --> 00:24:28,920 Speaker 3: Yeah. How do you find a fiddle player? 485 00:24:30,079 --> 00:24:32,240 Speaker 4: I've been asked. I've been I just asked people some 486 00:24:32,559 --> 00:24:33,680 I'll come up with one. 487 00:24:34,000 --> 00:24:35,640 Speaker 1: And when you find one, they're probably already in a 488 00:24:35,640 --> 00:24:37,640 bunch of bands because it's not many fiddle players around. 489 00:24:38,119 --> 00:24:38,480 Speaker 3: Probably. 490 00:24:38,720 --> 00:24:40,920 Speaker 1: No, I'm sure you'll find somebody. No, that's cool though, Yeah, 491 00:24:41,359 --> 00:24:43,200 that's cool. So you obviously, so you want to do 492 00:24:43,279 --> 00:24:45,680 something that doesn't sound like everything else, You want to 493 00:24:45,720 --> 00:24:50,519 do something something different. No, I think that's awesome. Yeah, yeah, 494 00:24:50,640 --> 00:24:51,680 fiddle players. 495 00:24:52,119 --> 00:24:53,119 Speaker 3: I'm trying to think of who. 496 00:24:53,559 --> 00:24:55,000 Speaker 1: I don't know why I was thinking of Andrew North, 497 00:24:55,000 --> 00:24:57,880 maybe just because we were talking about earlier. But yeah, no, 498 00:24:58,039 --> 00:24:59,880 that's that's cool. Now if you so, if you act 499 00:25:00,240 --> 00:25:01,960 started looking for band members or are you just kind 500 00:25:02,000 --> 00:25:02,559 of starting to. 501 00:25:02,599 --> 00:25:05,319 Speaker 4: Look, I'm starting to look. I've been meeting people at 502 00:25:05,400 --> 00:25:06,519 the open mic night. 503 00:25:06,839 --> 00:25:08,519 Speaker 3: Yeah, that's a that's a great Oh. 504 00:25:08,839 --> 00:25:11,400 Speaker 1: Over the years of interviewing people, so many bands have 505 00:25:11,599 --> 00:25:14,359 started out of open mic nights, just people meeting there. 506 00:25:14,640 --> 00:25:16,640 Speaker 3: It's it's such a great place in network. 507 00:25:16,759 --> 00:25:18,039 Speaker 4: Right, Yeah, I have faith in that. 508 00:25:18,240 --> 00:25:20,599 Speaker 3: Oh yeah, yeah, so that's that's that's one of the 509 00:25:20,640 --> 00:25:22,319 long term goals. Get a band going. 510 00:25:22,720 --> 00:25:25,079 Speaker 4: Yeah, I'm not exactly sure what kind of band yet. 511 00:25:25,160 --> 00:25:26,799 I know I want a fiddle player. 512 00:25:27,000 --> 00:25:27,200 Speaker 3: Yeah. 513 00:25:27,400 --> 00:25:29,880 Speaker 4: There's this band called the East Pointers. They're from Prince 514 00:25:30,000 --> 00:25:34,200 Edward Island. Okay, oh recently. I went to see them 515 00:25:34,279 --> 00:25:37,319 last year and that was a moment. It was one 516 00:25:37,400 --> 00:25:38,039 moment where I was. 517 00:25:38,079 --> 00:25:38,720 Speaker 2: Like, I can do this. 518 00:25:39,039 --> 00:25:39,240 Speaker 3: Yeah. 519 00:25:39,400 --> 00:25:42,680 Speaker 4: They're a guitar player and a fiddle player and one 520 00:25:42,720 --> 00:25:46,400 of them they switched to keyboard. Oh, but they also 521 00:25:46,519 --> 00:25:49,279 do you know, they do beats and stuff. Their music 522 00:25:49,400 --> 00:25:53,640 is like not really traditional fiddle player. It's not Irish 523 00:25:53,680 --> 00:25:54,000 per se. 524 00:25:54,279 --> 00:25:54,680 Speaker 3: Interesting. 525 00:25:54,839 --> 00:25:58,440 Speaker 4: It's a lot of really cool different sounds and high energy. 526 00:25:59,000 --> 00:25:59,799 Speaker 3: I'm super curious. 527 00:25:59,799 --> 00:26:02,000 Speaker 4: What are they called together, The East Pointers? 528 00:26:02,079 --> 00:26:03,759 Speaker 3: The East Pointers. I gotta look them up. 529 00:26:03,839 --> 00:26:07,799 Speaker 4: They're really good. They've got a good, good presence on Instagram. 530 00:26:07,880 --> 00:26:10,640 They they just put out some really fun stuff, definitely fun. 531 00:26:10,759 --> 00:26:13,240 Speaker 3: Dire from Providence or you saw or you saw them in. 532 00:26:13,240 --> 00:26:14,880 Speaker 4: Probably from Prince Edward Island. 533 00:26:15,240 --> 00:26:20,640 Speaker 1: Oh okay, okayland in Portland, Oh, in Portland, Okay, Okay, 534 00:26:20,920 --> 00:26:23,039 I gotta look them up. Yeah, oh that's really interesting. 535 00:26:23,200 --> 00:26:25,119 Speaker 4: Yeah, they just you watch them up there, and then 536 00:26:25,240 --> 00:26:26,359 you know the one guy in the fiddles, just like 537 00:26:27,680 --> 00:26:30,640 the other guys. They just look fun and they have 538 00:26:30,839 --> 00:26:31,880 fun and their music's good. 539 00:26:32,079 --> 00:26:34,480 Speaker 3: Yeah. Oh that's really cool. That's really cool. 540 00:26:34,920 --> 00:26:37,039 Speaker 1: If you're just joining us, Rachel Molina is here with us. 541 00:26:37,160 --> 00:26:39,160 Speaker 3: You want to play another one? Dying to hear more? 542 00:26:39,640 --> 00:26:43,160 Speaker 4: All right, do you think there'll be two more? 543 00:26:43,359 --> 00:26:45,519 Speaker 3: I've got Oh we can, yeah, we got we have time. 544 00:26:45,759 --> 00:26:46,720 We definitely have time. 545 00:26:47,559 --> 00:26:50,240 Speaker 4: Yeah, well, okay, I'll jump into this. 546 00:26:56,759 --> 00:27:00,480 Speaker 9: M uh. 547 00:27:01,799 --> 00:27:02,960 Speaker 4: The song is called What's Up? 548 00:27:03,799 --> 00:27:04,559 Speaker 3: Is this an original? 549 00:27:04,720 --> 00:27:04,759 Speaker 5: No? 550 00:27:05,079 --> 00:27:05,200 Speaker 1: Oh? 551 00:27:05,240 --> 00:27:07,720 Speaker 4: Okay, this is very much not an original. 552 00:27:07,759 --> 00:27:08,880 Speaker 3: Oh is this for none blinds? 553 00:27:09,240 --> 00:27:09,480 Speaker 4: Yeah? 554 00:27:09,559 --> 00:27:13,400 Speaker 3: Okay, you feel like I'm gonna karaoke bar all of 555 00:27:13,440 --> 00:27:14,079 a sudden. 556 00:27:14,000 --> 00:27:15,599 Speaker 4: A little clue, But I love singing. 557 00:27:15,640 --> 00:27:18,759 Speaker 3: It's no I'm dying to hear it. Yeah, okay, all right. 558 00:27:35,720 --> 00:27:39,960 Speaker 5: Twenty five years and the laughers still trying to get 559 00:27:40,079 --> 00:27:41,880 up there, great big hill. 560 00:27:42,160 --> 00:27:43,119 Speaker 9: Uh home. 561 00:27:45,000 --> 00:27:52,880 Speaker 4: For Destined Nation. Real last weekly had a new las should. 562 00:27:52,720 --> 00:27:56,319 Speaker 5: That the world was made up of his brother food. 563 00:27:56,519 --> 00:28:00,920 Oh man, oh whatever that means. 564 00:28:03,680 --> 00:28:07,160 Speaker 9: So I cried sometimes on a lying in bed, just 565 00:28:07,279 --> 00:28:08,319 to get it up. 566 00:28:08,839 --> 00:28:10,200 Speaker 2: What's in my head? 567 00:28:10,480 --> 00:28:14,880 Speaker 9: And I I'm feeling a little peculiar. 568 00:28:17,440 --> 00:28:19,880 Speaker 5: So I wake up in the morning and I step 569 00:28:19,960 --> 00:28:23,960 outside and I take anypro and I gave real high 570 00:28:24,119 --> 00:28:24,440 and I. 571 00:28:25,079 --> 00:28:28,160 Speaker 4: Screamed from the top of my lungs what's going on? 572 00:28:31,119 --> 00:28:41,200 Speaker 9: And said hey, hey, hey, yeah, I said hey, what's 573 00:28:41,359 --> 00:28:52,559 going on? And I said he here, he yeah. I said, hey, 574 00:28:54,640 --> 00:28:55,799 what's going on? 575 00:29:00,079 --> 00:29:00,640 Speaker 4: Mm hmmm? 576 00:29:01,599 --> 00:29:14,960 Speaker 2: Oh oh? 577 00:29:24,960 --> 00:29:30,880 Speaker 7: And I try, oh my god, to try. I try 578 00:29:31,279 --> 00:29:38,359 all the time, and this since they're too shine, and 579 00:29:38,599 --> 00:29:39,359 I pray. 580 00:29:40,640 --> 00:29:47,680 Speaker 9: Oh my God, I pray a pravacing god Dad for 581 00:29:48,039 --> 00:29:53,920 red a little shin So I cry sometimes when I'm 582 00:29:54,000 --> 00:29:55,920 lying in bed just to get it. 583 00:29:56,039 --> 00:30:01,319 Speaker 5: Over what's in my head, and I I'm feel a 584 00:30:01,480 --> 00:30:02,720 little cutier. 585 00:30:05,000 --> 00:30:07,160 Speaker 2: And I wake up in the morning at. 586 00:30:07,160 --> 00:30:11,480 Speaker 4: Us to outside and I take any breath again, real high, 587 00:30:11,640 --> 00:30:14,680 and I screamed from the top of my lungs, what's 588 00:30:14,839 --> 00:30:15,519 going on? 589 00:30:17,799 --> 00:30:20,960 Speaker 9: And I said yeay, y. 590 00:30:22,680 --> 00:30:23,680 Speaker 2: Hey, yay. 591 00:30:25,400 --> 00:30:29,240 Speaker 4: I said, hey, what's going on? 592 00:30:31,480 --> 00:30:42,920 Speaker 11: And I said, heah, yeah, I said, hey, what's going on? 593 00:30:46,720 --> 00:30:50,960 Speaker 5: Twenty five years and Lafe's still trying to get up 594 00:30:51,079 --> 00:30:53,440 that creepy hue of ho. 595 00:30:55,720 --> 00:30:57,119 Speaker 4: For a destonation. 596 00:31:03,880 --> 00:31:07,039 Speaker 3: Very nice, Rachel Molein, he're with us in studio? Was 597 00:31:07,039 --> 00:31:07,759 there more of the son? 598 00:31:08,000 --> 00:31:08,039 Speaker 4: No? 599 00:31:08,240 --> 00:31:10,759 Speaker 3: I just do that, okay, okay. I wasn't sure if 600 00:31:10,759 --> 00:31:13,079 there was another part that I was forgetting. I don't 601 00:31:13,119 --> 00:31:14,000 feel badly when I do that. 602 00:31:14,039 --> 00:31:15,519 Speaker 1: It doesn't happen often, but every once in a while, 603 00:31:15,599 --> 00:31:17,759 like I'll think somebody's done and then I'm like, oops, 604 00:31:17,799 --> 00:31:18,400 I'm so sorry. 605 00:31:21,319 --> 00:31:24,200 Speaker 3: Rachel Molein is here with us, live, sounding great and 606 00:31:24,480 --> 00:31:25,720 h so what do you have to like? Do you 607 00:31:25,759 --> 00:31:27,519 have shows this weekend or what's uh? 608 00:31:28,160 --> 00:31:30,400 Speaker 4: Well, no, I don't have anything booked now going forward? 609 00:31:30,799 --> 00:31:31,319 Speaker 3: Oh you don't. 610 00:31:31,400 --> 00:31:33,960 Speaker 4: I had a bunch of stuff for like a couple 611 00:31:34,000 --> 00:31:36,480 of months, and then this was the last thing I 612 00:31:36,559 --> 00:31:37,359 was kind of preparing for. 613 00:31:37,559 --> 00:31:39,240 Speaker 2: And I I'll be. 614 00:31:39,319 --> 00:31:41,039 Speaker 4: Honest, I'm stuck in like a. 615 00:31:42,920 --> 00:31:44,119 Speaker 2: Like I need to take a break. 616 00:31:44,240 --> 00:31:45,960 Speaker 4: But then I'm like, well, you can't do that. Yeah, 617 00:31:46,039 --> 00:31:47,400 I mean you're moving forward. 618 00:31:47,480 --> 00:31:49,400 Speaker 3: Yeah, you got momentum. Yeah, you gotta keep going. 619 00:31:49,480 --> 00:31:53,240 Speaker 4: Yeah. I've been talking to some people supposed to play 620 00:31:53,240 --> 00:31:56,119 at Conquered Craft, which is also in Conquered Oh yeah, 621 00:31:56,200 --> 00:31:57,480 hopefully the next three or four weeks. 622 00:31:57,839 --> 00:31:59,839 Speaker 3: Yeah, yeah, good good. 623 00:32:00,440 --> 00:32:03,720 Speaker 4: And I do want to I do want to like 624 00:32:03,839 --> 00:32:05,720 shift gears a little and try to try to find 625 00:32:05,720 --> 00:32:06,400 people to play with. 626 00:32:06,559 --> 00:32:09,559 Speaker 10: And there's a lot to do. 627 00:32:10,039 --> 00:32:12,519 Speaker 3: M Oh yeah, there's a lot to it. There's a 628 00:32:12,599 --> 00:32:13,920 lot to it. Yeah yeah. 629 00:32:14,319 --> 00:32:16,119 Speaker 1: How do you feel about that part of it? I mean, 630 00:32:16,160 --> 00:32:18,920 are are you intimidated by it? Or because you know, 631 00:32:20,119 --> 00:32:22,480 some some musicians actually kind of embrace all of it. 632 00:32:22,640 --> 00:32:24,440 Some musicians are just like I just want to play. 633 00:32:24,599 --> 00:32:26,039 I want somebody else to do all the all the 634 00:32:26,119 --> 00:32:27,759 other stuff. I mean, how do you feel about it? 635 00:32:28,599 --> 00:32:33,039 Speaker 4: I I want to do it all, to be honest, 636 00:32:33,079 --> 00:32:36,079 I want to sing, like mostly I play guitar, because 637 00:32:36,119 --> 00:32:39,079 it so I can play out unforcing like I'm forcing 638 00:32:39,119 --> 00:32:39,759 myself sort of to. 639 00:32:40,960 --> 00:32:43,160 Speaker 1: But in an ideal situation, you'd like to be in 640 00:32:43,200 --> 00:32:45,400 a band and not have to worry about the guitar 641 00:32:45,680 --> 00:32:47,319 eventually on vocals, Yeah. 642 00:32:47,119 --> 00:32:50,519 Speaker 4: I would love to sing. I I played with saying 643 00:32:50,599 --> 00:32:55,480 with a friend of mine. Their band is called J 644 00:32:55,640 --> 00:32:59,599 Street Extension. They're up in the Northfield area and they 645 00:32:59,680 --> 00:33:02,319 had asked me to sing with them a couple months 646 00:33:02,400 --> 00:33:04,279 back and it was mind blowing. 647 00:33:04,359 --> 00:33:04,880 Speaker 2: I loved it. 648 00:33:05,319 --> 00:33:05,519 Speaker 3: Yeah. 649 00:33:05,640 --> 00:33:07,279 Speaker 4: I had to learn all these songs that I didn't 650 00:33:07,319 --> 00:33:09,920 know a lot of, like Bonnie Rate and oh okay 651 00:33:09,960 --> 00:33:14,519 Little Tom Petty and I had so much fun though. 652 00:33:15,240 --> 00:33:16,960 That was also like okay, this is it. 653 00:33:18,359 --> 00:33:20,279 Speaker 3: Yeah, yeah, oh very cool, very cool. 654 00:33:20,599 --> 00:33:22,559 Speaker 1: Well, I'm sure you'll get You'll get more bookings to 655 00:33:22,720 --> 00:33:25,079 after the show, you get the Matt Conderton Unleashed bump, 656 00:33:25,279 --> 00:33:29,559 you know, yes, oh yes, I'm sure you've heard about it. Yeah, 657 00:33:31,160 --> 00:33:33,599 and then uh so, now what about recording? So have 658 00:33:33,720 --> 00:33:37,039 you have you also started looking into where you're going 659 00:33:37,079 --> 00:33:38,440 to do that or who you're going to work with 660 00:33:38,559 --> 00:33:39,880 or is that still is that kind of on the 661 00:33:39,920 --> 00:33:41,440 back burner that. 662 00:33:41,599 --> 00:33:45,720 Speaker 4: Will be that will be a working on going forward 663 00:33:45,759 --> 00:33:49,400 because yeah, I don't. I'm trying to learn a little bit. 664 00:33:49,400 --> 00:33:53,480 I bought a microphone. Was it like an H four 665 00:33:53,640 --> 00:33:55,119 little zoom recorder? 666 00:33:55,240 --> 00:33:55,440 Speaker 3: Yeah. 667 00:33:55,720 --> 00:33:57,319 Speaker 4: I can record some of my own stuff and do 668 00:33:57,400 --> 00:34:02,839 stuff on on like on Instagram and things. Yeah, recording studio, 669 00:34:02,920 --> 00:34:05,440 I have to have to meet people. I don't know 670 00:34:05,480 --> 00:34:08,760 where to start, honestly. Yeah, yeah, I am all yours. 671 00:34:08,920 --> 00:34:10,639 Speaker 3: There's a lot of options. Yeah. 672 00:34:10,920 --> 00:34:13,239 Speaker 1: I think the name that comes up the most often 673 00:34:13,320 --> 00:34:16,079 on this show is Eric Sotter from Blackheart. He's I 674 00:34:16,119 --> 00:34:17,599 don't know if you if you've heard of him, if 675 00:34:17,599 --> 00:34:20,000 you've heard his name around, but he a lot of 676 00:34:20,000 --> 00:34:21,440 the guests that we've had on the show have recorded 677 00:34:21,480 --> 00:34:24,280 with him, and he's fantastic. Yeah, and he's been on 678 00:34:24,360 --> 00:34:27,000 the show too, and he fascinating to talk to. But 679 00:34:27,079 --> 00:34:31,760 he's so talented. Yeah, so somebody might want to keep 680 00:34:31,800 --> 00:34:34,400 in mind. But but yeah, but you've got a lot 681 00:34:34,480 --> 00:34:35,920 of options, and you know, and we live in a 682 00:34:35,960 --> 00:34:38,159 time too where like when I was growing up, I'm 683 00:34:38,159 --> 00:34:40,079 old enough to remember when it was like, you know, 684 00:34:40,239 --> 00:34:42,760 you you had to find a studio and pay somebody 685 00:34:43,320 --> 00:34:45,800 incredible amounts of money to record in their million dollars 686 00:34:45,880 --> 00:34:48,760 studio and and uh, if you didn't have the money 687 00:34:48,880 --> 00:34:51,559 while you were sol you know, or maybe or maybe 688 00:34:51,599 --> 00:34:54,239 you just record something on a little task him four track, 689 00:34:54,280 --> 00:34:56,119 you know, a demo or something. But now it's like 690 00:34:56,159 --> 00:34:59,320 you've got so many options, you know. It's it's a 691 00:34:59,679 --> 00:35:01,079 techno is a wonderful thing. 692 00:35:01,239 --> 00:35:04,239 Speaker 4: Yeah, that part's intimidating, to be honest. Yeah, I look 693 00:35:04,239 --> 00:35:05,239 at all the stuff and I'm. 694 00:35:05,119 --> 00:35:11,000 Speaker 3: Like, yeah, no doubt, I just want to play the music. Yeah, 695 00:35:11,159 --> 00:35:12,000 let someone else do that. 696 00:35:12,199 --> 00:35:15,079 Speaker 1: Yeah, No, I can understand that you want to play 697 00:35:15,119 --> 00:35:18,400 one more Ah, yeah, okay, all right, if you're just 698 00:35:18,480 --> 00:35:21,159 joining us, Rachel Moline is here with us live in studio. 699 00:35:24,400 --> 00:35:27,880 Speaker 4: This is ah. This song is for my buddy Andy 700 00:35:27,920 --> 00:35:28,800 that lives in Colorado. 701 00:35:29,159 --> 00:35:31,599 Speaker 3: Okay, he's listening in Oh, excellent, it's not Andy. 702 00:35:34,320 --> 00:35:36,079 Speaker 4: This is a song by the Bodines. 703 00:35:36,400 --> 00:35:37,599 Speaker 3: Okay, everybody free. 704 00:35:39,800 --> 00:35:41,920 Speaker 4: That's kind of where my heart's at right now too. 705 00:35:41,920 --> 00:35:43,280 And I think a lot of people's hearts are at 706 00:35:43,519 --> 00:35:46,920 just everybody wants to love and live how they want 707 00:35:46,960 --> 00:35:47,239 to live. 708 00:35:47,480 --> 00:35:56,719 Speaker 3: Yep, agreed, Sorry, I needed to take no worries. 709 00:35:57,360 --> 00:36:03,960 Speaker 5: Everybody wants to live how they want to live. Everybody 710 00:36:04,239 --> 00:36:09,920 wants to love how they want to love. Everybody wants 711 00:36:10,199 --> 00:36:21,719 to be closer to free. Everybody wants to touch that 712 00:36:22,079 --> 00:36:38,360 little pen. Everybody wants to live sorry. Everybody wants to 713 00:36:38,960 --> 00:36:43,880 live how they want to live. Everybody wants to love 714 00:36:44,360 --> 00:36:50,000 how they want to love. Everybody wants to be closer 715 00:36:50,239 --> 00:37:01,639 to free. Everybody wants respect still let open. Everybody needs 716 00:37:01,840 --> 00:37:08,559 a chance once in a while. Everybody wants studie closer 717 00:37:08,760 --> 00:37:20,000 to free. Everybody one everybody or two everybody free. 718 00:37:22,079 --> 00:37:25,760 Speaker 2: Everybody needs a touch, you know know, and. 719 00:37:25,880 --> 00:37:30,400 Speaker 9: Then everybody needs a good good friend. 720 00:37:31,280 --> 00:37:57,119 Speaker 5: Everybody wants studie closer to free. Everybody one everybody or 721 00:37:57,159 --> 00:38:06,360 two everybody free. Everybody wants to how they want to do. 722 00:38:07,119 --> 00:38:09,719 Everybody wants to love. 723 00:38:10,239 --> 00:38:11,440 Speaker 2: Hell, I want to love. 724 00:38:12,000 --> 00:38:21,079 Speaker 9: Everybody wants to be goo Sert to free, Goosert. 725 00:38:24,519 --> 00:38:25,119 Speaker 2: Closert. 726 00:38:38,639 --> 00:38:39,960 Speaker 3: Oh, wonderful, wonderful. 727 00:38:40,079 --> 00:38:44,639 Speaker 1: Rachel Molin here with us live in studio, sounding great, Rachel, 728 00:38:44,960 --> 00:38:47,039 What should people know about where to find you online? 729 00:38:47,039 --> 00:38:49,760 To keep up with everything that you're doing, because you've. 730 00:38:49,639 --> 00:38:51,920 Speaker 3: Got a lot in your future. I think thank you. 731 00:38:52,199 --> 00:38:56,719 Speaker 4: I'm on Facebook. Uh Rachel moleen m O L I 732 00:38:56,880 --> 00:39:00,480 n E. I have an Instagram. It's at Rape mollen 733 00:39:00,719 --> 00:39:01,679 our a E M O. 734 00:39:01,880 --> 00:39:02,400 Speaker 3: L I n E. 735 00:39:05,239 --> 00:39:07,960 Speaker 4: Soon there will be music going up on Instagram. 736 00:39:08,280 --> 00:39:09,599 Speaker 3: Yeah, right now. 737 00:39:09,880 --> 00:39:12,119 Speaker 4: I tend to post a lot of other musicians because 738 00:39:12,119 --> 00:39:16,800 I think they're better than I am. Uh yeah those 739 00:39:16,880 --> 00:39:20,559 two okay pose yeah yeah. And every first Wednesday of 740 00:39:20,639 --> 00:39:24,599 the month at oh Thank of Hampshire Stage in Conquered 741 00:39:25,880 --> 00:39:27,400 if there's any fiddlers out there, meet me. 742 00:39:27,440 --> 00:39:31,440 Speaker 3: There, there you go, there you go. That is awesome. Well, Rachel, 743 00:39:31,480 --> 00:39:32,039 thank you so much. 744 00:39:32,119 --> 00:39:34,400 Speaker 1: This has been wonderful and we'll definitely do it again 745 00:39:34,440 --> 00:39:36,280 in the future, and especially too when you got some 746 00:39:37,280 --> 00:39:38,079 studio stuff too. 747 00:39:38,119 --> 00:39:39,079 Speaker 3: We'd love to play it, you know. 748 00:39:39,239 --> 00:39:40,960 Speaker 1: Right, We like to do the world radio premiere, so 749 00:39:41,000 --> 00:39:42,559 you'll get to hear the bumper when you listen back 750 00:39:42,559 --> 00:39:46,079 to this later. Thanks so much, Rachel Molein, Thank you 751 00:39:46,159 --> 00:39:46,480 so much.