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<v Speaker 1>All the weather outside is frightful, but the fire is

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<v Speaker 1>so delightful.

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<v Speaker 2>And since we've no place to go, let it snow,

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<v Speaker 2>Let it snow.

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<v Speaker 1>Let it snow.

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<v Speaker 2>Man, it doesn't show signs is stopping.

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<v Speaker 3>And I've brought me some corn for Poppa.

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<v Speaker 2>The lights are turned to weed down load, Let it snow.

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<v Speaker 1>Let it snow. When we're finally kissed, good night.

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<v Speaker 4>Yeah, it's Christmas time going out. The classics are being played.

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<v Speaker 4>Everyone's doing the last minute shopping and trying to get

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<v Speaker 4>in the mood. And it is Christmas is a prelude

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<v Speaker 4>to the big day coming up here. And I hope

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<v Speaker 4>you're doing well. Welcome to earth, ancients. I'm your host,

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<v Speaker 4>Cliff Dunning. And if you're not in the spirit, I

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<v Speaker 4>hope you're getting in the spirit. And I've always talked

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<v Speaker 4>about eggnog and brandy and good food and companions and

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<v Speaker 4>you know, friends and things like that. And that's what

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<v Speaker 4>Christmas is all about, is gathering. And I hope you

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<v Speaker 4>are preparing for the holidays and whatever way that I

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<v Speaker 4>usually used to do a tree, now it's more of

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<v Speaker 4>a wreath and lights. Some people do big production. My

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<v Speaker 4>brother who has the annual Christmas event has this huge ceiling,

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<v Speaker 4>I think it's ceiling, and it's like seventeen fifteen, seventeen

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<v Speaker 4>feet high, and he gets a huge tree. The tree

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<v Speaker 4>is about twelve feet and my sister in law decorates

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<v Speaker 4>the tree as lavishly as she can each year. And

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<v Speaker 4>it's really it's fun to live vicariously through others because

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<v Speaker 4>I don't want to go do all that preparation and

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<v Speaker 4>then have to take it all down. So anyhow, we're

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<v Speaker 4>getting close. We're getting close to Christmas, and I hope

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<v Speaker 4>you're getting in the mood in the season. I just

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<v Speaker 4>got back from an amazing tour two weeks in Guatemala.

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<v Speaker 4>Had never been there before, and I got to say

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<v Speaker 4>that the group we had to a person, were wonderful,

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<v Speaker 4>really good people, and together we experienced the ancient world

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<v Speaker 4>of the Maya at places like to Call and we

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<v Speaker 4>started at Guatemala City and then we did a tour.

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<v Speaker 4>I got to mention this. The museums in Guatemala, the

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<v Speaker 4>National Ethropological Museum, is really fabulous and if you want

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<v Speaker 4>to see a few of the photographs that represent this

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<v Speaker 4>one major anthropological museum, go to Earth Ancients Facebook page.

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<v Speaker 4>I'm posting groupings of photographs the sculpture, this standing sculpture

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<v Speaker 4>is really quite wonderful, and there's one piece in particular

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<v Speaker 4>where this king is is really emerging from the stone,

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<v Speaker 4>beautifully carved arms, legs, his clothing, and his face is

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<v Speaker 4>pretty much worn down, but you get a sense of

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<v Speaker 4>what he must have looked like when he was carved.

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<v Speaker 4>And it's just one of many pieces that I feature

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<v Speaker 4>in these galleries, and I'll continue to post these galleries

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<v Speaker 4>for the next couple of weeks as I can download

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<v Speaker 4>the information. I have a unique special edition that's coming

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<v Speaker 4>out next week as kind of a Christmas present, where

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<v Speaker 4>I interview one of the local archaeologists, a Guatemalan archaeologist,

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<v Speaker 4>who has a completely different take on what we consider

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<v Speaker 4>tolleric energy coming out of these pyramids, and I was

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<v Speaker 4>surprised that he hadn't been indoctrinated into the hole there's

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<v Speaker 4>no energy. These are temples built to the gods kind

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<v Speaker 4>of thing. This perception that I recorded will be surprising

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<v Speaker 4>to a lot of people because basically their belief is

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<v Speaker 4>from the generations of earlier families in Maya that these

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<v Speaker 4>are energy generators, and they don't quite know how that

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<v Speaker 4>energy was used because there's no more information. The earlier

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<v Speaker 4>generations didn't leave much on how to work with that energy.

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<v Speaker 4>But we actually all together climbed to the Lost World

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<v Speaker 4>pyramid in Tikal and sat up at the very top,

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<v Speaker 4>and you can feel, if you close your eyes a

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<v Speaker 4>low frequency of some kind of pulsation of energy that

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<v Speaker 4>was emerging from this pyramid. And this is exactly what

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<v Speaker 4>I've been talking about for years about John Burke's work,

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<v Speaker 4>this scientist businessman who climbed to the top of the

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<v Speaker 4>Lost World and to call and actually conducted testing on

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<v Speaker 4>how much energy is coming out, what the energy seems

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<v Speaker 4>to be doing, and the time of day when it's

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<v Speaker 4>the strongest. And we were there in the as I see,

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<v Speaker 4>the afternoon, so the field energy was a lot weaker,

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<v Speaker 4>but you can still feel it. And we were up there,

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<v Speaker 4>our group with some other people, and I wondered if

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<v Speaker 4>all those people were dissipating the energy. I would have

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<v Speaker 4>liked to have gone up there alone, but it's just

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<v Speaker 4>not possible because to cause a very popular place. So anyhow,

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<v Speaker 4>this interview that I'll feature next week with this archaeologist

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<v Speaker 4>is a little bit of an eye opener and it's

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<v Speaker 4>a breath of fresh air. And I'm really glad that

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<v Speaker 4>I was able to interview him and get a sense

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<v Speaker 4>of what the local thinking is on these pyramids. So

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<v Speaker 4>you can expect that next week now Today's programs with

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<v Speaker 4>returning guest Adam Young. Adam used to be a regular

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<v Speaker 4>in the very beginnings of Earth Ancients. He was a

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<v Speaker 4>research investigator and at the time he had in his

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<v Speaker 4>possession some of these stone were were from Egypt that

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<v Speaker 4>we didn't really pay a great deal of attention to,

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<v Speaker 4>other than the fact that they were cut with a

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<v Speaker 4>level of perfection and precision that was strangely out of

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<v Speaker 4>sorts for the time period they were found in. And

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<v Speaker 4>these plates and vases and bowls now have been recognized

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<v Speaker 4>as very very early pre Dynastic representations of an unknown civilization.

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<v Speaker 4>And they're very hard stone, and we think they're cut

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<v Speaker 4>on lays, but now we're not so sure, and they

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<v Speaker 4>are falling into the classification of out of place artifacts.

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<v Speaker 4>That means that they are so anomalous that no one

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<v Speaker 4>has a clue. In fact, at the end of this

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<v Speaker 4>interview today, you'll hear from Adam that he doesn't even

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<v Speaker 4>know after years of analysis. Our technology just is not

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<v Speaker 4>able to perceive. Current technology is not able to perceive

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<v Speaker 4>how these were cut, how they were shaped, how they

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<v Speaker 4>were polished, and above all were they used for everyday

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<v Speaker 4>household items holding liquids, holding food, whatever or has been.

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<v Speaker 4>Van Kirkwick, who he had on a few months ago,

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<v Speaker 4>likes to think they may be a form of technology.

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<v Speaker 4>They may be part of a machine, because the tolerances

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<v Speaker 4>that they are cut at are so precise that it

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<v Speaker 4>doesn't make sense that they'd be just used for simple

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<v Speaker 4>household use. Hence the term stoneware, like you would get

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<v Speaker 4>that you would buy at a store, plates and bulls

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<v Speaker 4>and cups and such. So that's our program today, And

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<v Speaker 4>I gotta tell you there is a series of photographs

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<v Speaker 4>that Adam has sent to me which represents the testing pieces,

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<v Speaker 4>but also there's some other images of machinery testing devices

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<v Speaker 4>that were used to get a sense of just how

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<v Speaker 4>perfect and how precise these objects were cut. So today's

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<v Speaker 4>program is out of place artifacts from ancient Egypt. And

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<v Speaker 4>my guest is Adam Young. Yeah, I got a new

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<v Speaker 4>Earth Ancients and get your subscriptions started today. The term

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<v Speaker 4>out of place artifacts has been in vogue for a

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<v Speaker 4>while now. And when we talk about ancient Egypt, artifacts

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<v Speaker 4>are collected in the thousands, if they're not the millions,

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<v Speaker 4>and a number of them are out of place. In

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<v Speaker 4>other words, they are unique in many ways. Mohammedan Imbrahim

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<v Speaker 4>and introduced me to a number of stone where pieces.

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<v Speaker 4>This is about almost eight ninety years ago, and I

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<v Speaker 4>didn't realize that they not only are available to see

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<v Speaker 4>in the museums, but they're collected by people. And I

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<v Speaker 4>remember when we had Adam Young on the program. He

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<v Speaker 4>was discussing these and I didn't pay attention until Been

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<v Speaker 4>Kirkwick brought him up and was just talking about him.

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<v Speaker 4>And we've had Adam on, Adams coming back to us.

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<v Speaker 4>We had Adam on quite regularly about seven eight years ago,

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<v Speaker 4>and we have him back with this to talk about

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<v Speaker 4>these these artifacts. And you know, Adam's like, hey, look,

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<v Speaker 4>I got I have these for many years and I

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<v Speaker 4>wasn't paying attention, and I'm paying attention now. And Adam

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<v Speaker 4>is a research investigator. He's done not only some excellent

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<v Speaker 4>work in describing these out of place artifacts, but he's

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<v Speaker 4>shown up and was part of the Cosmic Summit which

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<v Speaker 4>just happened in North Carolina and was presenting these. So hey, Adam, great,

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<v Speaker 4>welcome back, buddy, and thanks for joining me.

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<v Speaker 1>Well, thanks, Cliff. Yeah, it's been too long.

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<v Speaker 4>Yeah, it's funny because you know, I remember you telling

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<v Speaker 4>me about these items that you had, and I thought

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<v Speaker 4>at the time maybe my head wasn't screwed on, right,

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<v Speaker 4>but they were very, very unique because of the precision.

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<v Speaker 4>But what was attraction? What was the attraction for you

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<v Speaker 4>when you began collect these I don't know, it's been

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<v Speaker 4>at least ten years now, right, Yeah.

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<v Speaker 1>I think I probably wasn't as knowledgeable back then, so

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<v Speaker 1>I was describing what I thought was anomalous, and I

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<v Speaker 1>think I had only conducted a few, you know, somewhat

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<v Speaker 1>rudimentary or initial scans in that analysis afterwards, and just

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<v Speaker 1>didn't really know how big it would be or how

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<v Speaker 1>prevalent this sort of data is. And since then, we've,

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<v Speaker 1>you know, we've I've created a pretty big team of

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<v Speaker 1>researchers from mostly North America and Europe, and we've been

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<v Speaker 1>conducting this in concert with institutions like museums and universities,

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<v Speaker 1>and so it's really grown a lot and we have

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<v Speaker 1>a lot more data. We have a bigger story oftell

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<v Speaker 1>I think at this point, and you know, it's taken

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<v Speaker 1>a while, but it's difficult because of the thousands of

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<v Speaker 1>years of sort of like dogmatic archaeological accepted, mainstream ideas

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<v Speaker 1>that we had to you know, overcome.

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<v Speaker 4>Do you now feel that these items are much more

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<v Speaker 4>important than just being vases and plates and bowls for

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<v Speaker 4>everyday household use or do they have more of a

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<v Speaker 4>place as machines or devices that are part of machines,

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<v Speaker 4>or sophisticated applications of some kind.

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<v Speaker 1>That's a great question. I really don't know. I think

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<v Speaker 1>it could go either way. I have a strong sense

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<v Speaker 1>that they were made using advanced knowledge of machining and

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<v Speaker 1>techniques to achieve the levels of precision and very little

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<v Speaker 1>tolerance as that we're seeing. But what to what end? Well,

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<v Speaker 1>if this was just easy and very possible, it's it's

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<v Speaker 1>conceivable that the rudimentary, like normal objects would would be made.

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<v Speaker 1>We don't really make anything today purely by hand that's

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<v Speaker 1>designed to be purposeful, right, So like most of our

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<v Speaker 1>most art is made by hand today, but not things

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<v Speaker 1>that you find in your kitchen and bathroom that's generally

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<v Speaker 1>made using machines just because it's easier, it's faster. So

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<v Speaker 1>I don't think there's anything wrong with saying these were

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<v Speaker 1>mundane objects. They were vases and stoneware or platewaar, things

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<v Speaker 1>like that. That could potentially be true, or they could

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<v Speaker 1>be components in something different, something with higher function. It's

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<v Speaker 1>been speculated by Kristow and others that potentially there's resonant

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<v Speaker 1>properties and some of these things that they could have

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<v Speaker 1>functioned in harmony in some sort of a monumental building

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<v Speaker 1>like a pyramid or other places. I just don't know

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<v Speaker 1>enough to say whether or not. You know, I have

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<v Speaker 1>an opinion on that. I'm more concerned with kind of

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00:16:52.559 --> 00:16:55.399
<v Speaker 1>when these are made and by who, and less so

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<v Speaker 1>to what end. It would be great to have answers

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<v Speaker 1>to all of these questions, so maybe one day we'll

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<v Speaker 1>have a little bit more than we do now.

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<v Speaker 4>Yeah, exactly did Petrie collect these items? I know he's

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<v Speaker 4>got like cores. I was at the Peatrie Museum in

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<v Speaker 4>London a couple of years ago, and the cores are

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<v Speaker 4>very obviously some form of machinery. But does he collect

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<v Speaker 4>I didn't. I don't think I saw any of the

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<v Speaker 4>bulls or vases that are very popular right now.

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<v Speaker 1>You know, Petrie was all he was in Giza, he

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<v Speaker 1>was in Abydos, he was he was up and down

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<v Speaker 1>the Nile, and he he did, he collected them. He

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<v Speaker 1>he brought back hundreds of thousands of objects from Egypt.

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<v Speaker 1>So these were a big part of it. He was

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<v Speaker 1>fascinated by these. He thought these were originally he thought

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<v Speaker 1>they were made by like he said, he used the

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<v Speaker 1>term aliens, but he was talking about aliens that were

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<v Speaker 1>not native to the region. So he thought there were

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<v Speaker 1>some sort of invaders or Libyans or something like that

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00:17:54.839 --> 00:17:58.160
<v Speaker 1>that had come into the to the area and potentially

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<v Speaker 1>found in Egypt. Because he he he had excavated some

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<v Speaker 1>of these in very old sites and said, oh this,

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<v Speaker 1>these people must have been who built all this stuff.

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<v Speaker 1>And because there's so much more advanced than any of

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<v Speaker 1>the other pottery or or lithics or or whatever surviving

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<v Speaker 1>in these in these burials, it's not much pottery would survive.

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<v Speaker 1>Generally would wouldn't, but sometimes it would if it was

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<v Speaker 1>preserved in the desert, and it was especially the Middle

248
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<v Speaker 1>and Lake Kingdom. We see, we do see wood objects,

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<v Speaker 1>but these were just of a much different nature, and

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<v Speaker 1>they seemed to be replicated in other mediums potentially later on,

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<v Speaker 1>such as such as the pottery. You see some pottery

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00:18:34.759 --> 00:18:36.400
<v Speaker 1>that seems to be emulating a lot of a stone.

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<v Speaker 1>And so yet he was he was obsessed, uh, with

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<v Speaker 1>a lot of this. He he was in themes, he

255
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<v Speaker 1>was in the Fayoum, Nakada, of course Albudo's lux or Armana,

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00:18:48.240 --> 00:18:50.960
<v Speaker 1>a lot of different places, and he he found these

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<v Speaker 1>in relatively small quantities in specific geographical locations. A French

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<v Speaker 1>archaeologist later on uh up to probably up to thirty

259
00:19:02.920 --> 00:19:05.839
<v Speaker 1>years after Patree first started finding these in recording them,

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00:19:05.920 --> 00:19:10.680
<v Speaker 1>found many thousands of these at Sakara. So it wasn't

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<v Speaker 1>just Petrie, was others. But Petrie started really documenting this

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<v Speaker 1>and he was He's called the father of Egyptology for

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<v Speaker 1>a reason, right. He introduced He introduced really at the

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<v Speaker 1>end of the day, he was he just really cared

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<v Speaker 1>more than anyone else, and he didn't think this was

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<v Speaker 1>a treasure hunting game. He thought this stuff had to

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00:19:27.640 --> 00:19:30.599
<v Speaker 1>be protected in some way, and so he did take

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<v Speaker 1>a lot of stuff back, but he's and he gave

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<v Speaker 1>it to his benefactors and museums and sold some stuff. Yes,

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<v Speaker 1>but what he didn't do was destroy it. He never

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<v Speaker 1>used dynamite. He was very careful. He was concerned about

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<v Speaker 1>preservation because he recognized the importance of this a lot

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<v Speaker 1>of this material.

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<v Speaker 4>What is the unique factors in these vases and the

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<v Speaker 4>I'm just going to call him stoneware because that's what

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<v Speaker 4>I considered them as I have. Two years ago, I

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00:20:00.200 --> 00:20:06.119
<v Speaker 4>got a part of a cup that was cut right

278
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<v Speaker 4>in half. I got it from an archaeologist. From that

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00:20:11.039 --> 00:20:16.839
<v Speaker 4>Muhammad introduced to me. And the level of precision is machined,

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00:20:17.279 --> 00:20:21.680
<v Speaker 4>is some form of machinery. But describe the uniqueness of

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<v Speaker 4>these vases, bulls whatever, that makes them really out of

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<v Speaker 4>place for the time period, and why there's such a

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00:20:31.279 --> 00:20:32.119
<v Speaker 4>unique item.

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<v Speaker 1>I think it's important to recognize that not everything we

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00:20:38.839 --> 00:20:41.480
<v Speaker 1>dig up and look at is super impressive, right, and

286
00:20:41.640 --> 00:20:45.880
<v Speaker 1>not every stone base is very precise. A lot of

287
00:20:45.920 --> 00:20:48.400
<v Speaker 1>them are a lot of the ones that we're interested

288
00:20:48.400 --> 00:20:50.680
<v Speaker 1>in analyzing end up being that way because we can

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00:20:50.720 --> 00:20:52.920
<v Speaker 1>see that they are before. We can see that they

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00:20:53.880 --> 00:20:57.400
<v Speaker 1>look symmetrical, right, they look very geometric. They look like

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00:20:57.440 --> 00:21:01.359
<v Speaker 1>they were made by hands or something that wasn't making

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00:21:01.400 --> 00:21:03.799
<v Speaker 1>the other stuff, and so you know, we have a

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00:21:03.799 --> 00:21:06.519
<v Speaker 1>bit of a selection bias. Not there's millions of objects

294
00:21:06.519 --> 00:21:08.880
<v Speaker 1>that were taken out of Egypt. You know, we don't

295
00:21:08.880 --> 00:21:12.119
<v Speaker 1>have the time or the energy or the interest analyze everything.

296
00:21:12.279 --> 00:21:15.920
<v Speaker 1>But when we're talking about like the different categories, perhaps

297
00:21:16.119 --> 00:21:18.640
<v Speaker 1>generally the ones that are the most precise are the oldest,

298
00:21:18.880 --> 00:21:21.960
<v Speaker 1>So that is that's something that really needs to be clarified.

299
00:21:22.240 --> 00:21:24.160
<v Speaker 1>Many of them are labeled pre dynastic. They were found

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00:21:24.200 --> 00:21:27.440
<v Speaker 1>in burials that pre date any of the dynasties by

301
00:21:27.640 --> 00:21:29.799
<v Speaker 1>up to thousands of years, up to one to two

302
00:21:29.799 --> 00:21:34.200
<v Speaker 1>thousand years at least, and I've heard other excavations have

303
00:21:34.279 --> 00:21:37.079
<v Speaker 1>potentially uncovered things that were even older. But there's there's

304
00:21:37.079 --> 00:21:41.440
<v Speaker 1>a gap in the archaeological record also. But what we're

305
00:21:41.480 --> 00:21:46.240
<v Speaker 1>seeing is complex spherical geometry in these vessels called in

306
00:21:46.279 --> 00:21:50.880
<v Speaker 1>phases if you like, That is not of a simple

307
00:21:51.000 --> 00:21:55.759
<v Speaker 1>cylindrical nature. Cylinders are not that difficult to get around.

308
00:21:56.039 --> 00:21:59.319
<v Speaker 1>We can use grinding tech. Very rudimentary grinding techniques given

309
00:21:59.440 --> 00:22:04.160
<v Speaker 1>enough time, will in part round us. They have you know,

310
00:22:04.279 --> 00:22:07.599
<v Speaker 1>potentially low friction as well, so you can carve a

311
00:22:07.640 --> 00:22:11.680
<v Speaker 1>really really round cylinder with primitive techniques. But these are

312
00:22:11.720 --> 00:22:18.279
<v Speaker 1>complex spherical geometry. Sometimes there's there's hyperbolic features. Sometimes they're elliptical,

313
00:22:18.680 --> 00:22:20.880
<v Speaker 1>which is crazy. We could talk about that and a

314
00:22:20.880 --> 00:22:23.680
<v Speaker 1>bit too like ol in nature. So there's effectively too

315
00:22:23.759 --> 00:22:28.160
<v Speaker 1>radio folk. We don't know how they were made, but

316
00:22:29.160 --> 00:22:33.079
<v Speaker 1>we haven't. I haven't seen anyone make them really today,

317
00:22:33.319 --> 00:22:36.640
<v Speaker 1>even with modern machinery. We think it's possible. Sure, a

318
00:22:36.680 --> 00:22:39.240
<v Speaker 1>lot of people think it's possible, but it's expensive and

319
00:22:39.279 --> 00:22:41.960
<v Speaker 1>time consuming and so, like you were asking me earlier,

320
00:22:42.680 --> 00:22:45.160
<v Speaker 1>some of these used to be cheap one hundreds of

321
00:22:45.160 --> 00:22:47.319
<v Speaker 1>dollars or a few thousand dollars. That wouldn't really make

322
00:22:47.440 --> 00:22:51.240
<v Speaker 1>sense if it was very difficult and laborious to create.

323
00:22:52.720 --> 00:22:55.440
<v Speaker 1>Not to mention the the old the different geometric features

324
00:22:55.480 --> 00:22:59.799
<v Speaker 1>like the interiors that a contour to the outside for

325
00:23:00.200 --> 00:23:02.279
<v Speaker 1>to some extent, whether or it's not just a cordial

326
00:23:02.359 --> 00:23:06.440
<v Speaker 1>or cylindrical dig out, it's really contour and that's extremely

327
00:23:06.480 --> 00:23:10.519
<v Speaker 1>difficult to do in any hearts igneous rock. Right, So

328
00:23:10.559 --> 00:23:16.519
<v Speaker 1>we're talking about grantite diarte sometimes porphyry and serpentine and

329
00:23:16.559 --> 00:23:20.000
<v Speaker 1>others like that, but we're not really talking about, or

330
00:23:20.000 --> 00:23:23.079
<v Speaker 1>at least not enough is the alabaster, so that there's

331
00:23:23.160 --> 00:23:25.440
<v Speaker 1>a whole lot of alabaster. Alabaster was an industry in

332
00:23:25.480 --> 00:23:27.519
<v Speaker 1>Egypt all the way through the New Kingdom, and so

333
00:23:27.559 --> 00:23:30.079
<v Speaker 1>we know that Dynastic Egyptians did make a lot of alabaster.

334
00:23:30.880 --> 00:23:33.160
<v Speaker 1>The ones that they appear to have made, we don't

335
00:23:33.200 --> 00:23:38.960
<v Speaker 1>really see the level of quite the level of precision

336
00:23:38.960 --> 00:23:40.599
<v Speaker 1>that we see in the older ones, but we do

337
00:23:40.680 --> 00:23:42.960
<v Speaker 1>see some alabaster that appear to be old, that appear

338
00:23:43.000 --> 00:23:45.440
<v Speaker 1>to be as precise as the igneous rock ones too.

339
00:23:46.640 --> 00:23:49.000
<v Speaker 1>So it's a long period of time. There's thousands of

340
00:23:49.119 --> 00:23:51.319
<v Speaker 1>years that evolved that went on there, and there was

341
00:23:51.319 --> 00:23:55.559
<v Speaker 1>different groups doing different things. But I think it's, you know,

342
00:23:55.720 --> 00:23:59.000
<v Speaker 1>something that that really was never It wasn't studied enough.

343
00:23:59.400 --> 00:24:02.920
<v Speaker 1>It was came to vogue in the Victorian error and

344
00:24:03.559 --> 00:24:06.160
<v Speaker 1>archaeologists to use something called form based dating to try

345
00:24:06.160 --> 00:24:08.359
<v Speaker 1>to date some of these things. So they were found

346
00:24:08.359 --> 00:24:11.039
<v Speaker 1>in tombs, and if the tombs, if we think we

347
00:24:11.079 --> 00:24:13.079
<v Speaker 1>know the tomb is to twenty five years old or

348
00:24:13.160 --> 00:24:15.240
<v Speaker 1>six nine to see whatever, then they would describe that

349
00:24:15.279 --> 00:24:18.720
<v Speaker 1>age to the object. Irrespective of the fact that every

350
00:24:18.759 --> 00:24:21.519
<v Speaker 1>rooms are handed down right, So that was always ignored.

351
00:24:21.880 --> 00:24:23.839
<v Speaker 1>But then they would they would say, well, this form

352
00:24:24.480 --> 00:24:26.640
<v Speaker 1>matched another form, we're confident on that date. So then

353
00:24:26.680 --> 00:24:28.559
<v Speaker 1>everything that looks like that, or most things that look

354
00:24:28.640 --> 00:24:32.400
<v Speaker 1>like that are now that age just because they look similar, right,

355
00:24:33.119 --> 00:24:36.799
<v Speaker 1>And what that's led to is just I think inaccuracy

356
00:24:36.839 --> 00:24:39.400
<v Speaker 1>and dating of all sorts of objects, not just these vases.

357
00:24:39.799 --> 00:24:44.079
<v Speaker 1>There's extreme it's it's extremely imprecise, is what I would

358
00:24:44.119 --> 00:24:45.880
<v Speaker 1>the way I would describe it. Yes, we can carbonate

359
00:24:45.920 --> 00:24:48.599
<v Speaker 1>bodies if you can't carbon date stone, of course, so

360
00:24:48.680 --> 00:24:50.480
<v Speaker 1>form based dating doesn't make sense, and it relies on

361
00:24:50.519 --> 00:24:52.799
<v Speaker 1>assumptions like people are going to make the same thing

362
00:24:52.839 --> 00:24:56.200
<v Speaker 1>for a period of time. We see certain objects that

363
00:24:56.240 --> 00:24:59.680
<v Speaker 1>are classified, they look very very similar, and the date

364
00:25:00.039 --> 00:25:02.039
<v Speaker 1>dates can range by two thousand years, which I think

365
00:25:02.160 --> 00:25:05.119
<v Speaker 1>is just really knowledgical to think that a group of

366
00:25:05.119 --> 00:25:07.279
<v Speaker 1>people would be making the same thing for two thousand years,

367
00:25:07.599 --> 00:25:09.240
<v Speaker 1>or that a group of people would even exist for

368
00:25:09.279 --> 00:25:15.079
<v Speaker 1>two thousand years. Right. So it's a huge subject. Yeah,

369
00:25:15.119 --> 00:25:17.359
<v Speaker 1>and we can talk about it all night, Like, can

370
00:25:17.400 --> 00:25:18.200
<v Speaker 1>you show us.

371
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<v Speaker 4>A couple of pieces that you find are great examples

372
00:25:23.200 --> 00:25:25.960
<v Speaker 4>of perhaps your own collection?

373
00:25:27.920 --> 00:25:32.319
<v Speaker 1>Yeah, yes, let's see.

374
00:25:34.960 --> 00:25:38.359
<v Speaker 4>My curiosity is that you've named a number of very

375
00:25:38.400 --> 00:25:43.960
<v Speaker 4>hard rocks stone and the initial idea was that they

376
00:25:43.960 --> 00:25:49.400
<v Speaker 4>were placed on lays and spun a great revolution and

377
00:25:49.440 --> 00:25:53.079
<v Speaker 4>then cut. But the tools to cut would have to

378
00:25:53.079 --> 00:25:58.039
<v Speaker 4>be very very sharp. And also there's the issue with

379
00:25:58.119 --> 00:26:00.279
<v Speaker 4>the handle or the grip. I don't know how I

380
00:26:00.319 --> 00:26:03.960
<v Speaker 4>should describe it. If they stop and then start again

381
00:26:04.039 --> 00:26:08.240
<v Speaker 4>and then carve the handle, it's like, how the hell

382
00:26:08.240 --> 00:26:12.720
<v Speaker 4>did they explain that? You know, it's a very unique vessel.

383
00:26:13.839 --> 00:26:15.920
<v Speaker 1>Yeah, so if you're talking about lug handles, you're talking

384
00:26:15.960 --> 00:26:19.839
<v Speaker 1>about these sort of these things, right or how how

385
00:26:19.880 --> 00:26:24.000
<v Speaker 1>would that have happened? Right? I don't know. It's it's

386
00:26:24.039 --> 00:26:28.720
<v Speaker 1>difficult to to really even speculate. But most likely there

387
00:26:28.759 --> 00:26:32.000
<v Speaker 1>was a toroidal band that was left around the body

388
00:26:32.039 --> 00:26:34.000
<v Speaker 1>of the ain't it and the materials removed to reveal

389
00:26:34.039 --> 00:26:37.240
<v Speaker 1>the handles. Uh, we don't. We don't see. What we

390
00:26:37.319 --> 00:26:42.400
<v Speaker 1>do see is a very high levels of precision in

391
00:26:42.400 --> 00:26:44.759
<v Speaker 1>the middle of where the handles are, which which would

392
00:26:44.839 --> 00:26:47.440
<v Speaker 1>not correspond to cutting the whole thing on the leaves.

393
00:26:47.759 --> 00:26:50.279
<v Speaker 1>So there must have been multiple processes involved. I think

394
00:26:50.359 --> 00:26:56.359
<v Speaker 1>that's probably not controversial, but we do see you know,

395
00:26:56.400 --> 00:26:59.400
<v Speaker 1>we see other we see playing that don't. So here's

396
00:26:59.400 --> 00:27:01.519
<v Speaker 1>a few that don't. This is from the Peture Museum.

397
00:27:02.119 --> 00:27:04.599
<v Speaker 1>Here's another one from the Peture Museum that we be analyzed.

398
00:27:04.640 --> 00:27:08.720
<v Speaker 1>This one was remarkably precise, but interestingly enough, the interior

399
00:27:08.759 --> 00:27:10.400
<v Speaker 1>was much more precise in the exterior.

400
00:27:11.000 --> 00:27:15.279
<v Speaker 4>Are you showing something because I can't see it? Oh?

401
00:27:15.400 --> 00:27:23.640
<v Speaker 1>Yes, one second, be able to see this.

402
00:27:24.240 --> 00:27:26.720
<v Speaker 4>Now I can see the screens in the night. There

403
00:27:26.759 --> 00:27:27.559
<v Speaker 4>you go. Perfect.

404
00:27:27.799 --> 00:27:31.759
<v Speaker 1>Yeah. This is an example of a vessel with lug

405
00:27:31.759 --> 00:27:35.400
<v Speaker 1>handles and then vessels without. On the left. This is

406
00:27:35.440 --> 00:27:38.839
<v Speaker 1>from the Petring Museum, where the interior is more precise

407
00:27:38.880 --> 00:27:39.559
<v Speaker 1>in the exterior.

408
00:27:40.319 --> 00:27:40.799
<v Speaker 4>Hm hmmm.

409
00:27:40.960 --> 00:27:42.640
<v Speaker 1>So it's not always the other way out. Most of

410
00:27:42.680 --> 00:27:45.039
<v Speaker 1>the time we've seen xteriors are much more round than

411
00:27:45.039 --> 00:27:47.240
<v Speaker 1>the interior because the interior is very difficult to cut

412
00:27:47.240 --> 00:27:51.559
<v Speaker 1>to begin with, let alone to finish to whatever level

413
00:27:51.599 --> 00:27:57.920
<v Speaker 1>of accuracy or precision that was desired. And I think

414
00:27:57.960 --> 00:28:01.000
<v Speaker 1>back to your other point, we don't see any that

415
00:28:01.079 --> 00:28:03.440
<v Speaker 1>are exactly the same. But from these four you can

416
00:28:03.480 --> 00:28:06.319
<v Speaker 1>see that there's this is this would be something that

417
00:28:06.960 --> 00:28:09.440
<v Speaker 1>would let it tell to form based dating. So these

418
00:28:09.480 --> 00:28:11.759
<v Speaker 1>these look very similar. It's a very similar design. They're

419
00:28:11.759 --> 00:28:13.720
<v Speaker 1>not exactly the same, but these are all different materials.

420
00:28:13.720 --> 00:28:18.079
<v Speaker 1>That's real red granite to you know, to assault and

421
00:28:18.119 --> 00:28:19.079
<v Speaker 1>then limestone the right.

422
00:28:19.480 --> 00:28:22.799
<v Speaker 4>You know what's funny about these adam is that I

423
00:28:22.839 --> 00:28:27.400
<v Speaker 4>don't have never seen these this this shape. They're all

424
00:28:27.480 --> 00:28:37.960
<v Speaker 4>kind of similar design, but they're gorgeous, they're beautiful, and

425
00:28:38.079 --> 00:28:42.039
<v Speaker 4>to say these are just random? What are archaeological What

426
00:28:42.200 --> 00:28:46.319
<v Speaker 4>are thetological communities saying about these? Are they paying attention

427
00:28:46.480 --> 00:28:51.559
<v Speaker 4>to the craftsmanship or is it just the general assumption

428
00:28:51.640 --> 00:28:53.440
<v Speaker 4>that this is just the way it is with the

429
00:28:53.480 --> 00:29:00.440
<v Speaker 4>Old Kingdom, Middle Kingdom, New Cakedom. You know, how are

430
00:29:00.480 --> 00:29:01.400
<v Speaker 4>they explaining this.

431
00:29:03.200 --> 00:29:07.119
<v Speaker 1>Well in terms of how First of all, in terms

432
00:29:07.119 --> 00:29:11.519
<v Speaker 1>of dating, there there's there's there is, there's consensus with

433
00:29:11.640 --> 00:29:14.160
<v Speaker 1>respect to you know, we think we know who made

434
00:29:14.160 --> 00:29:17.000
<v Speaker 1>these things. We think they think they know where most

435
00:29:17.119 --> 00:29:21.400
<v Speaker 1>of uh, the pharaohs and kings were eventually buried right

436
00:29:21.440 --> 00:29:25.960
<v Speaker 1>not inside pyramids namely, but and in other areas. There's

437
00:29:25.960 --> 00:29:28.559
<v Speaker 1>there's burials around Abbeydoss burials and their Gizes burials in

438
00:29:28.960 --> 00:29:32.279
<v Speaker 1>the around Luxwre and u value of the kings and queens.

439
00:29:33.400 --> 00:29:36.079
<v Speaker 1>But in terms of like who made things. That's a lot,

440
00:29:36.240 --> 00:29:40.000
<v Speaker 1>it's a lot less clear. Uh. You may find the

441
00:29:40.119 --> 00:29:42.400
<v Speaker 1>name of someone on a on a building or on

442
00:29:42.440 --> 00:29:47.119
<v Speaker 1>a wall, and that's typically who who is who is

443
00:29:47.119 --> 00:29:49.640
<v Speaker 1>attributed to having made that thing. But what if you

444
00:29:49.680 --> 00:29:51.920
<v Speaker 1>don't right, what if there's no what if there's no

445
00:29:52.000 --> 00:29:55.000
<v Speaker 1>name on something that still needs a name, It still

446
00:29:55.039 --> 00:29:57.240
<v Speaker 1>needs to be attributed to someone. And so that's where

447
00:29:57.279 --> 00:30:01.079
<v Speaker 1>I think the theory came in. That's where the you know,

448
00:30:01.119 --> 00:30:06.359
<v Speaker 1>the practice of that we still sort of see today.

449
00:30:06.400 --> 00:30:08.920
<v Speaker 1>It started in the eighteen hundreds and it's persisted, and

450
00:30:08.920 --> 00:30:13.039
<v Speaker 1>that's archaeologists are very reluctant to question those ideas, like

451
00:30:13.119 --> 00:30:19.599
<v Speaker 1>did Pharaohs build the very impressive pyramids? Did dynastic Egyptians

452
00:30:20.079 --> 00:30:22.319
<v Speaker 1>make this stuff? Some of this stuff? They were very

453
00:30:22.319 --> 00:30:28.920
<v Speaker 1>impressive people. Yeah, they were astronomers, physicists, like spectacular doctors

454
00:30:28.920 --> 00:30:32.799
<v Speaker 1>and musicians, everything. They were extremely impressive. However, I think

455
00:30:32.839 --> 00:30:35.319
<v Speaker 1>with some of these objects, we don't see any evidence

456
00:30:35.319 --> 00:30:38.079
<v Speaker 1>that they had the tools of the technology to make them.

457
00:30:38.920 --> 00:30:40.319
<v Speaker 1>I think I think some of these vessels are an

458
00:30:40.319 --> 00:30:43.519
<v Speaker 1>example of that. But we have something also very interesting

459
00:30:43.720 --> 00:30:46.680
<v Speaker 1>in that a lot of these vessels, a lot of

460
00:30:46.680 --> 00:30:51.119
<v Speaker 1>the very precise ones were actually not found in the

461
00:30:51.160 --> 00:30:54.440
<v Speaker 1>possession of dynastic Egyptians. They were found in a precursor

462
00:30:54.480 --> 00:30:58.839
<v Speaker 1>civilization that was much less advanced. Yeah, and that's namely Nakata.

463
00:30:59.319 --> 00:31:03.720
<v Speaker 1>And so that's that's really probably my favorite part of

464
00:31:03.759 --> 00:31:06.640
<v Speaker 1>the story because this culture was living in mud husts.

465
00:31:06.680 --> 00:31:11.079
<v Speaker 1>They they trade it a lot, so who knows where

466
00:31:11.079 --> 00:31:13.319
<v Speaker 1>they got them from. But then they were found buried

467
00:31:13.359 --> 00:31:15.720
<v Speaker 1>with these and so that's what Petri was excavating and

468
00:31:16.039 --> 00:31:18.880
<v Speaker 1>was very focused on for much of his life. But

469
00:31:18.920 --> 00:31:22.079
<v Speaker 1>this culture didn't have spindles. They didn't have the wheel

470
00:31:22.559 --> 00:31:25.440
<v Speaker 1>as far as we know, and they did have pottery. Coincidentally,

471
00:31:25.440 --> 00:31:28.000
<v Speaker 1>their pottery was handmade. It was made by coiling or

472
00:31:28.000 --> 00:31:30.160
<v Speaker 1>pinching the clay. What they didn't have a pottery wheel.

473
00:31:31.039 --> 00:31:33.519
<v Speaker 1>These objects, these these stone vessels, appear to have been

474
00:31:33.519 --> 00:31:36.400
<v Speaker 1>made on something that's rotating. You can see rotational marks

475
00:31:36.400 --> 00:31:38.279
<v Speaker 1>in a lot of these. You see grooves, you see

476
00:31:38.279 --> 00:31:41.319
<v Speaker 1>the evidence of pantoles. Or imagine something spinning on a

477
00:31:41.359 --> 00:31:43.759
<v Speaker 1>lathe and you holding an object to it. You see

478
00:31:43.759 --> 00:31:47.759
<v Speaker 1>that pressure equally rotating around the object. That's that had

479
00:31:47.839 --> 00:31:51.440
<v Speaker 1>to have been done by revolving equipment of some sort

480
00:31:51.640 --> 00:31:53.640
<v Speaker 1>right indicating the wheel or the lay that was used.

481
00:31:53.880 --> 00:31:55.720
<v Speaker 1>That doesn't seem to have been in Egypt until three

482
00:31:55.720 --> 00:31:58.160
<v Speaker 1>thousand years oh, three thousand BC, and it certainly wasn't

483
00:31:58.160 --> 00:32:00.079
<v Speaker 1>in Nakata. They didn't use it for anything else, so

484
00:32:00.119 --> 00:32:01.039
<v Speaker 1>they must not have had it.

485
00:32:01.359 --> 00:32:05.279
<v Speaker 4>What's caught a time frame that these are found is

486
00:32:05.279 --> 00:32:06.559
<v Speaker 4>that like four thousand BC.

487
00:32:07.000 --> 00:32:09.200
<v Speaker 1>I think it's roughly three to five. A lot of

488
00:32:09.240 --> 00:32:11.440
<v Speaker 1>these are found in that sort of forest, a little

489
00:32:11.440 --> 00:32:13.839
<v Speaker 1>Singakata two a lot in a lot of times, which

490
00:32:13.880 --> 00:32:15.599
<v Speaker 1>is like thirty five hundred to four or up to

491
00:32:15.599 --> 00:32:19.480
<v Speaker 1>forty five hundred pc. So sometimes I think it's you

492
00:32:19.480 --> 00:32:22.799
<v Speaker 1>can say one to two thousand years before thy dastic Egypt.

493
00:32:23.079 --> 00:32:26.519
<v Speaker 4>What are two thousand years? So are you speculating that

494
00:32:26.559 --> 00:32:33.359
<v Speaker 4>this is from a culture that is Ice age, like

495
00:32:33.480 --> 00:32:41.039
<v Speaker 4>perhaps nine thousand, five hundred or earlier, prior to the

496
00:32:41.119 --> 00:32:47.799
<v Speaker 4>hypothesis of the catastrophe, the Younger Driest hypothesis.

497
00:32:48.119 --> 00:32:53.599
<v Speaker 1>Yeah, Again, it's really hard to speculate that this is

498
00:32:53.680 --> 00:32:57.519
<v Speaker 1>evidence of the turning marks I was referring to. Oh excellent, yeah, yeah,

499
00:32:57.559 --> 00:33:00.079
<v Speaker 1>So this this the thing was being rotated right on

500
00:33:00.319 --> 00:33:05.160
<v Speaker 1>a fixed axis spindle something something that was rotating in

501
00:33:05.200 --> 00:33:08.559
<v Speaker 1>a circular motion. That's why you see those lines like that.

502
00:33:08.640 --> 00:33:11.240
<v Speaker 4>Your exercise very precise cuts too.

503
00:33:11.319 --> 00:33:13.480
<v Speaker 1>There. You wouldn't get that if you were holding it

504
00:33:13.519 --> 00:33:17.319
<v Speaker 1>and scraping it right, you wouldn't see that. So they're

505
00:33:17.319 --> 00:33:20.839
<v Speaker 1>made using rotating tools. It's of some sort. The timeline

506
00:33:20.920 --> 00:33:25.119
<v Speaker 1>that you're asking about is tricky, so let's just use

507
00:33:25.119 --> 00:33:27.799
<v Speaker 1>five thousand BC as the start of Nikata, just for argument.

508
00:33:27.839 --> 00:33:30.079
<v Speaker 1>Seeing we don't see much in the filesil record or

509
00:33:30.079 --> 00:33:33.000
<v Speaker 1>in the archaeological record, excuse me, from five to ten

510
00:33:33.000 --> 00:33:36.880
<v Speaker 1>thousand BC, there's very little. I don't know. Why. Is

511
00:33:36.920 --> 00:33:41.480
<v Speaker 1>that because Nikata found them? All right? I don't know.

512
00:33:41.960 --> 00:33:45.039
<v Speaker 1>Was there something else at play? Did Nikata? Did they?

513
00:33:45.079 --> 00:33:48.400
<v Speaker 1>Did they trade for these things? They were world travelers.

514
00:33:48.440 --> 00:33:50.000
<v Speaker 1>They were all up and down Africa, they were in

515
00:33:50.039 --> 00:33:51.559
<v Speaker 1>the Middle East, all the way up to Syria. Did

516
00:33:51.599 --> 00:33:53.319
<v Speaker 1>they trade for these and bring them back somewhere else?

517
00:33:53.519 --> 00:33:57.240
<v Speaker 1>I don't know. But a lot of these were you know,

518
00:33:57.680 --> 00:33:59.599
<v Speaker 1>a lot of these were found during that time period

519
00:34:00.039 --> 00:34:02.039
<v Speaker 1>and not much before. I've heard stories that some of

520
00:34:02.039 --> 00:34:05.640
<v Speaker 1>these have been found before. I haven't really seen documentation

521
00:34:05.720 --> 00:34:07.599
<v Speaker 1>of it yet. So that's very interested to see that.

522
00:34:08.760 --> 00:34:11.599
<v Speaker 1>I don't know when they were made. But Nikata is

523
00:34:11.639 --> 00:34:15.239
<v Speaker 1>really the only civilization that predates Dynastic Egypt that we

524
00:34:15.280 --> 00:34:17.840
<v Speaker 1>really know much about it all. There's Badarians, There's a

525
00:34:17.880 --> 00:34:20.480
<v Speaker 1>number of other cultures that existed back then. None of

526
00:34:20.480 --> 00:34:23.199
<v Speaker 1>them were sophisticated. They weren't even close to Dynastic Egypt

527
00:34:24.519 --> 00:34:27.840
<v Speaker 1>from what we believe is true. They were much simpler,

528
00:34:28.039 --> 00:34:30.920
<v Speaker 1>were rudimentary people. So who made these is a big

529
00:34:31.000 --> 00:34:34.440
<v Speaker 1>question and when? How is it how? Of course it

530
00:34:34.519 --> 00:34:37.119
<v Speaker 1>is an audious question, but who and when? We haven't

531
00:34:37.239 --> 00:34:39.760
<v Speaker 1>Literally no, I don't think anyone knows.

532
00:34:40.079 --> 00:34:51.360
<v Speaker 4>Yeah, the latest uh genre of thought on ancient cultures

533
00:34:51.719 --> 00:34:56.719
<v Speaker 4>has the idea of reuse of temples, reuse of buildings,

534
00:34:57.280 --> 00:35:01.440
<v Speaker 4>reuse of artifacts. In fact, I had we've had Kara Cooning,

535
00:35:01.480 --> 00:35:05.079
<v Speaker 4>doctor Cooney from UCLA come on a few times, who

536
00:35:05.079 --> 00:35:08.559
<v Speaker 4>has had written a whole book called Reusing for the Dead,

537
00:35:09.400 --> 00:35:15.719
<v Speaker 4>whereas where they were using their tomb goods and the

538
00:35:15.840 --> 00:35:22.400
<v Speaker 4>artifacts and items for the dead over and over and

539
00:35:22.440 --> 00:35:25.599
<v Speaker 4>over again over hundreds of years, which was a shock.

540
00:35:26.920 --> 00:35:30.840
<v Speaker 4>But we now are thinking that these temples like Karnak

541
00:35:31.480 --> 00:35:39.559
<v Speaker 4>looks Are and then Dera were used and perhaps were

542
00:35:39.639 --> 00:35:45.559
<v Speaker 4>pre Deluvian and so if that's the case, that's the

543
00:35:45.599 --> 00:35:50.480
<v Speaker 4>evidence of the of an earlier race of people who

544
00:35:50.519 --> 00:35:55.519
<v Speaker 4>could be behind these these stone stoneware. But there's no

545
00:35:55.559 --> 00:35:59.119
<v Speaker 4>way to know because there's no writing. But I think

546
00:35:59.159 --> 00:36:01.719
<v Speaker 4>the only thing you can really track is the sophistication

547
00:36:01.800 --> 00:36:06.840
<v Speaker 4>of these temples. And these megalithic temples are very very

548
00:36:06.840 --> 00:36:11.920
<v Speaker 4>difficult to put together, and if they are being used

549
00:36:12.920 --> 00:36:16.440
<v Speaker 4>continually over thousands of years, maybe they do have a

550
00:36:16.480 --> 00:36:20.480
<v Speaker 4>connection to these stoneware items that you are presenting.

551
00:36:22.320 --> 00:36:26.400
<v Speaker 1>We can't prove that what you said is na true, right, Yeah,

552
00:36:26.440 --> 00:36:28.119
<v Speaker 1>you can't prove. We can't prove that it was not

553
00:36:28.159 --> 00:36:30.920
<v Speaker 1>made by an earlier civilization because there's no evidence that

554
00:36:30.960 --> 00:36:35.320
<v Speaker 1>anyone made it that we have been told yea productively,

555
00:36:35.800 --> 00:36:39.000
<v Speaker 1>I see, yeah, I see strong overlaps in the geometry

556
00:36:39.480 --> 00:36:44.119
<v Speaker 1>and symmetry, the medium, the types of stone that was

557
00:36:44.199 --> 00:36:48.000
<v Speaker 1>used in these objects and in larger buildings like the pyramids,

558
00:36:48.119 --> 00:36:50.760
<v Speaker 1>like there's there's I suspect it was the same group

559
00:36:50.800 --> 00:36:54.119
<v Speaker 1>of people, And I don't think that the Dynastic Egyptians

560
00:36:54.159 --> 00:36:56.239
<v Speaker 1>had the technology or the tools of the know how

561
00:36:56.239 --> 00:36:58.480
<v Speaker 1>to build either one of those personally, So I do

562
00:36:58.559 --> 00:37:01.360
<v Speaker 1>think it was someone else. But I don't. We don't.

563
00:37:01.400 --> 00:37:03.119
<v Speaker 1>There's no evidence to say it. So it's older than

564
00:37:03.119 --> 00:37:06.360
<v Speaker 1>it's pretty lit be it's total than years old. There's

565
00:37:06.360 --> 00:37:08.400
<v Speaker 1>no evidence for that, but there's no evidence. I don't

566
00:37:08.400 --> 00:37:14.039
<v Speaker 1>think there's any evidence that suggests Nakata or curly dynastic

567
00:37:14.039 --> 00:37:19.599
<v Speaker 1>Egyptions made these either. Yeah.

568
00:37:19.920 --> 00:37:22.039
<v Speaker 4>We're going to take a short commercial break to allow

569
00:37:22.119 --> 00:37:26.400
<v Speaker 4>our sponsors to identify themselves, and we will return shortly

570
00:37:27.039 --> 00:37:30.360
<v Speaker 4>with my guest today, Adam Young, discussing out of place

571
00:37:30.639 --> 00:37:38.239
<v Speaker 4>artifacts from ancient Egypt. Will be right back.

572
00:37:50.320 --> 00:37:56.719
<v Speaker 3>I never had much for winter eyes and snow leaves

573
00:37:56.760 --> 00:38:02.000
<v Speaker 3>me totally cold, but something's up each eve in December.

574
00:38:02.400 --> 00:38:07.000
<v Speaker 3>I love it like a mine loves gold. It's never

575
00:38:07.280 --> 00:38:13.480
<v Speaker 3>about the presence of the turkey or the Christmas tree.

576
00:38:14.239 --> 00:38:18.199
<v Speaker 3>It's all about the glow in my baby's eyes.

577
00:38:23.079 --> 00:38:25.400
<v Speaker 4>My guest today is Adam Young. He is a research

578
00:38:25.480 --> 00:38:30.400
<v Speaker 4>investigator who has a collection of very very early pre

579
00:38:30.519 --> 00:38:34.920
<v Speaker 4>dynastic bulls, plates and vases that he has analyzed over

580
00:38:34.960 --> 00:38:38.880
<v Speaker 4>the years and discovered some quite unique aspects to these

581
00:38:39.440 --> 00:38:48.199
<v Speaker 4>ancient stoneware. Let's talk a little bit about this new

582
00:38:48.239 --> 00:38:56.239
<v Speaker 4>analysis you've taken. Simply conceiving of a sophisticated society into

583
00:38:56.960 --> 00:39:00.119
<v Speaker 4>the lab and are doing some very very inhabitantent need

584
00:39:00.119 --> 00:39:04.519
<v Speaker 4>you to do some very very sophisticated analysis. Talk a

585
00:39:04.599 --> 00:39:07.360
<v Speaker 4>little bit about what you have been able to find

586
00:39:08.079 --> 00:39:11.320
<v Speaker 4>with the use of present day technology.

587
00:39:12.039 --> 00:39:15.079
<v Speaker 1>So here's an image of us at the Petrie Museum.

588
00:39:15.480 --> 00:39:18.599
<v Speaker 1>This is Kyleie Poker. He's another member of the Artifact Foundation.

589
00:39:18.880 --> 00:39:22.920
<v Speaker 1>He has his own independent podcast as well. It's called

590
00:39:22.920 --> 00:39:25.960
<v Speaker 1>the Ancient Technology Podcast. He's on YouTube. So he's a

591
00:39:25.960 --> 00:39:29.000
<v Speaker 1>member of the Artifact Foundation with me, and we've gone

592
00:39:29.000 --> 00:39:31.119
<v Speaker 1>into a number of museums in the last couple of years.

593
00:39:31.159 --> 00:39:33.679
<v Speaker 1>This is the Petrie Museum in London. I was in

594
00:39:33.679 --> 00:39:36.559
<v Speaker 1>twenty twenty four and so we're using a laser scanner.

595
00:39:36.960 --> 00:39:39.920
<v Speaker 1>This just accumulates data points around that object and puts

596
00:39:39.960 --> 00:39:42.079
<v Speaker 1>it into a point cloud data set which is like

597
00:39:42.119 --> 00:39:46.599
<v Speaker 1>a Cartesian xyz coordinate system that you can then bring

598
00:39:46.639 --> 00:39:48.880
<v Speaker 1>with you portable right, so you can now do the

599
00:39:48.920 --> 00:39:53.119
<v Speaker 1>analysis anywhere you want. Oh wow, and so you know

600
00:39:53.800 --> 00:39:55.280
<v Speaker 1>this is kind of what looks like on the screen

601
00:39:55.440 --> 00:39:56.400
<v Speaker 1>where we're just captains.

602
00:39:56.400 --> 00:40:00.440
<v Speaker 4>How did you get permission to pull U don't wear

603
00:40:00.519 --> 00:40:01.719
<v Speaker 4>from Peatries Museum?

604
00:40:02.199 --> 00:40:07.000
<v Speaker 1>Jeez? They were the they're the most friendly really apparently

605
00:40:07.400 --> 00:40:11.320
<v Speaker 1>establish a relationship with them a while ago, and we've

606
00:40:11.440 --> 00:40:15.440
<v Speaker 1>we've also been to the Term Museum in Italy, the

607
00:40:15.599 --> 00:40:17.920
<v Speaker 1>Brooklyn Museum here in York, and then the MFA in Boston.

608
00:40:17.920 --> 00:40:20.320
<v Speaker 1>The MFA actually took the longest dight. It took me

609
00:40:20.360 --> 00:40:22.599
<v Speaker 1>a couple of years to ingratiate ourselves with them. But

610
00:40:22.719 --> 00:40:25.840
<v Speaker 1>we were not seeking to challenge the narrative or to

611
00:40:26.039 --> 00:40:29.039
<v Speaker 1>challenge anything, you know, We're looking to analyze first and foremost.

612
00:40:29.480 --> 00:40:32.519
<v Speaker 1>There's a preservation aspect here. But if we get something

613
00:40:32.719 --> 00:40:36.320
<v Speaker 1>like this digitized, it's uh, it can then be shared

614
00:40:36.440 --> 00:40:38.119
<v Speaker 1>and stored by the museum.

615
00:40:38.519 --> 00:40:43.360
<v Speaker 4>Oh right, so you share your your your researching, your analysis.

616
00:40:43.360 --> 00:40:45.760
<v Speaker 1>Certainly the scans, you know, the research and analysis. I

617
00:40:45.800 --> 00:40:50.639
<v Speaker 1>think traditional institutions are probably less interested in that. They're

618
00:40:50.880 --> 00:40:53.039
<v Speaker 1>it's curious to them, but I don't think they're they're

619
00:40:53.039 --> 00:40:55.639
<v Speaker 1>thinking of the implications yet just yet.

620
00:40:55.440 --> 00:40:58.559
<v Speaker 4>Are they having any is does anyone else scanned their Uh,

621
00:40:59.000 --> 00:41:00.880
<v Speaker 4>there's stoneware same manner.

622
00:41:00.679 --> 00:41:01.119
<v Speaker 3>That you are.

623
00:41:01.760 --> 00:41:06.480
<v Speaker 1>Since us, others have been there and used other equipment.

624
00:41:06.840 --> 00:41:09.840
<v Speaker 1>But in all the places we've been, we were the first.

625
00:41:09.880 --> 00:41:12.559
<v Speaker 1>We were the first to even ask them wow. Generally,

626
00:41:12.800 --> 00:41:15.159
<v Speaker 1>or we were the first that they allowed, they generally

627
00:41:15.239 --> 00:41:18.519
<v Speaker 1>don't allow this level of that's fantastic, but it's not.

628
00:41:18.639 --> 00:41:21.280
<v Speaker 1>It's non destructive, right, we're not touching the objects aside

629
00:41:21.280 --> 00:41:24.320
<v Speaker 1>from placing them on a pedestal or a rotating table

630
00:41:24.400 --> 00:41:27.000
<v Speaker 1>like an inspection table, not touching them. So we're not

631
00:41:27.639 --> 00:41:30.400
<v Speaker 1>taking prints. We're not using like wax or rubber or

632
00:41:30.400 --> 00:41:33.800
<v Speaker 1>anything else, no chemicals, it's just light. Effectively, it's laser light.

633
00:41:35.440 --> 00:41:39.519
<v Speaker 1>These are or photo photographmetry, capturing photographs and stitching them together.

634
00:41:40.559 --> 00:41:45.039
<v Speaker 1>There are there machines like like CMM machines. We don't

635
00:41:45.079 --> 00:41:47.920
<v Speaker 1>have anything that's portable that would be more accurate that

636
00:41:48.000 --> 00:41:50.519
<v Speaker 1>does involve touching, So it's really a question of what

637
00:41:50.880 --> 00:41:55.800
<v Speaker 1>are the policies. Petrie considered this as teaching material, so

638
00:41:55.920 --> 00:41:58.840
<v Speaker 1>this was like probably the bottom five percent of the

639
00:41:59.639 --> 00:42:02.719
<v Speaker 1>object he brought back and he eventually donated and sold

640
00:42:02.760 --> 00:42:06.679
<v Speaker 1>these to this museum here at this college in London,

641
00:42:07.519 --> 00:42:10.079
<v Speaker 1>which maintains it, and they allow researchers here. While we

642
00:42:10.119 --> 00:42:11.719
<v Speaker 1>were here, there was another table next to us with

643
00:42:12.039 --> 00:42:14.360
<v Speaker 1>someone doing something else, not the same thing, but they

644
00:42:14.400 --> 00:42:15.400
<v Speaker 1>were also doing research.

645
00:42:15.960 --> 00:42:20.639
<v Speaker 4>How extensive is his collection Adam. Does he have like

646
00:42:21.440 --> 00:42:25.119
<v Speaker 4>a whole room of vases and plates and bowls and

647
00:42:25.239 --> 00:42:26.719
<v Speaker 4>things or is it limited?

648
00:42:28.599 --> 00:42:31.320
<v Speaker 1>There's eighty or ninety thousand objects in this museum, I

649
00:42:31.360 --> 00:42:35.079
<v Speaker 1>would say, you know, there's less than thirty or forty

650
00:42:35.239 --> 00:42:38.840
<v Speaker 1>of these types of hard rock vessels that we were

651
00:42:38.920 --> 00:42:42.519
<v Speaker 1>interested in. He also has fragments and shards. But again,

652
00:42:42.719 --> 00:42:44.960
<v Speaker 1>most of his the best stuff that he found generally

653
00:42:45.079 --> 00:42:47.440
<v Speaker 1>might say the best, like the most interesting from a

654
00:42:47.519 --> 00:42:51.280
<v Speaker 1>variety of perspectives, was given or sold given to his

655
00:42:51.360 --> 00:42:53.840
<v Speaker 1>benefactors and the people that he worked with in concert

656
00:42:53.920 --> 00:42:57.079
<v Speaker 1>with his family retained a lot, and then other stuff

657
00:42:57.119 --> 00:43:00.760
<v Speaker 1>was sold off. So you know what we found here

658
00:43:01.159 --> 00:43:05.119
<v Speaker 1>is let me hope you can see this file. We're

659
00:43:05.159 --> 00:43:08.599
<v Speaker 1>able to see this, Yeah, So this is just a

660
00:43:08.639 --> 00:43:12.159
<v Speaker 1>comparison of the different objects we saw and we and

661
00:43:12.199 --> 00:43:16.039
<v Speaker 1>we analyzed, and so across the bottom is the circularity

662
00:43:16.199 --> 00:43:19.599
<v Speaker 1>median circularity, which is the deviance from a perfect circle.

663
00:43:19.719 --> 00:43:19.800
<v Speaker 3>Right.

664
00:43:19.840 --> 00:43:23.960
<v Speaker 1>If we take a scan image of an object, we

665
00:43:24.079 --> 00:43:27.119
<v Speaker 1>then cut it into vertical slices, maybe thousands of slices,

666
00:43:27.159 --> 00:43:30.039
<v Speaker 1>and then each slice we overlay a circle on and

667
00:43:30.119 --> 00:43:32.119
<v Speaker 1>we measure the distance from each point to a circle.

668
00:43:32.199 --> 00:43:34.920
<v Speaker 1>So if it was perfect, there'd be no deviation. Every

669
00:43:34.960 --> 00:43:37.519
<v Speaker 1>point would be on that circle. We just we just

670
00:43:38.079 --> 00:43:41.559
<v Speaker 1>layer it on right, photoshopped on. Effectively, if the less

671
00:43:41.599 --> 00:43:44.519
<v Speaker 1>perfect it is, the more either damage, wear and tear,

672
00:43:44.679 --> 00:43:46.559
<v Speaker 1>or just the less round it is, the more deviation,

673
00:43:46.639 --> 00:43:48.519
<v Speaker 1>the more of these points are going to vary from

674
00:43:48.679 --> 00:43:52.360
<v Speaker 1>true circular at your perfection. And so that this is

675
00:43:52.400 --> 00:43:54.679
<v Speaker 1>the object I was showing me. Really the inside it

676
00:43:54.800 --> 00:43:56.239
<v Speaker 1>was more on the all way and the left. Did

677
00:43:56.239 --> 00:43:58.039
<v Speaker 1>you see four one oh five three where the inside

678
00:43:58.119 --> 00:44:00.559
<v Speaker 1>was more precise in the exterior and then and then

679
00:44:00.599 --> 00:44:02.840
<v Speaker 1>it kind of ranges. So this is These are not

680
00:44:02.920 --> 00:44:05.519
<v Speaker 1>the best results we've seen. We've seen other objects, particularly

681
00:44:05.599 --> 00:44:09.239
<v Speaker 1>in private collections, that are more precise than this, far

682
00:44:09.320 --> 00:44:12.159
<v Speaker 1>more precise in some cases. But even the ones here

683
00:44:12.239 --> 00:44:16.039
<v Speaker 1>that that seem to be less precise are still are

684
00:44:16.119 --> 00:44:19.880
<v Speaker 1>still very interesting and are probably I believe, not not

685
00:44:20.000 --> 00:44:22.480
<v Speaker 1>possible to do strictly by head. You would need some

686
00:44:23.039 --> 00:44:24.559
<v Speaker 1>sort of machining apparatus.

687
00:44:24.719 --> 00:44:29.079
<v Speaker 4>So they're considered machine. They're considered machine basically by me.

688
00:44:29.719 --> 00:44:33.000
<v Speaker 1>I would consider these machined by archaeologists. No, they're not.

689
00:44:33.239 --> 00:44:40.199
<v Speaker 1>Archaeologists have a mainstream set of instructions that involve I'll

690
00:44:40.239 --> 00:44:41.679
<v Speaker 1>go through it real quick. So you get like a

691
00:44:41.760 --> 00:44:45.519
<v Speaker 1>stone boulder. You know, if you find the target stone,

692
00:44:46.119 --> 00:44:47.800
<v Speaker 1>you carve it into like some sort of a round

693
00:44:47.880 --> 00:44:54.000
<v Speaker 1>spherical object using dolorate pounders, which is about a six

694
00:44:54.079 --> 00:44:56.039
<v Speaker 1>on the most go. So it's quite hard. It's almost

695
00:44:56.039 --> 00:44:58.559
<v Speaker 1>it's not quite as hard as granted, and copper chisels.

696
00:44:58.960 --> 00:45:01.360
<v Speaker 1>Copper has to make its way in there somewhere. You

697
00:45:01.480 --> 00:45:03.960
<v Speaker 1>pierce the top of it using a tube drill also

698
00:45:04.039 --> 00:45:08.320
<v Speaker 1>made of copper. Now and it might have it's going

699
00:45:08.400 --> 00:45:12.199
<v Speaker 1>to have something some sort of removal material that could

700
00:45:12.199 --> 00:45:15.519
<v Speaker 1>potentially be like coroundulum or quartz which is all over Egypt,

701
00:45:16.199 --> 00:45:19.320
<v Speaker 1>to hollow that out. You then fix it somewhere. So

702
00:45:19.440 --> 00:45:22.280
<v Speaker 1>the traditional story goes, you fix this into a hole

703
00:45:22.400 --> 00:45:25.079
<v Speaker 1>or at a work table. You then use flint and

704
00:45:25.719 --> 00:45:27.840
<v Speaker 1>you attach the flint to a fork stick and you

705
00:45:27.920 --> 00:45:30.199
<v Speaker 1>turn it into basically like a forked drill that you

706
00:45:30.320 --> 00:45:33.320
<v Speaker 1>then rotate around by hand. So everything, everything in the

707
00:45:33.400 --> 00:45:39.480
<v Speaker 1>traditional story is is you know, we're revolves around hand tools.

708
00:45:39.960 --> 00:45:40.840
<v Speaker 1>So here's another.

709
00:45:42.679 --> 00:45:46.599
<v Speaker 4>So I don't understand, even in the face of advanced

710
00:45:46.679 --> 00:45:52.079
<v Speaker 4>engineering and machining, they still go by this rudimentary handcut

711
00:45:53.760 --> 00:45:56.159
<v Speaker 4>stone ball or stone vase.

712
00:45:57.159 --> 00:46:01.000
<v Speaker 1>And here's why. These are pictures from tombs of the

713
00:46:01.079 --> 00:46:03.360
<v Speaker 1>nobles on the rad hand side, which isn't hieroglyphs. By

714
00:46:03.360 --> 00:46:07.840
<v Speaker 1>the way, this is painted on basically with effectively plaster walls.

715
00:46:08.119 --> 00:46:11.440
<v Speaker 1>So this was New Kingdom and they're talking about making

716
00:46:11.599 --> 00:46:14.639
<v Speaker 1>you can see on the lower right rectangle here they're

717
00:46:14.679 --> 00:46:20.079
<v Speaker 1>talking about making a big jar. So this is a

718
00:46:20.159 --> 00:46:23.199
<v Speaker 1>description of life back in their day. They're also making

719
00:46:23.239 --> 00:46:28.639
<v Speaker 1>wooden furnisure and other things. And archaeological archaeologists have extrapolated

720
00:46:28.719 --> 00:46:32.320
<v Speaker 1>this to explain how everything was made based on a

721
00:46:32.400 --> 00:46:36.039
<v Speaker 1>couple of accounts, third party accounts, potentially many thousands of

722
00:46:36.119 --> 00:46:40.800
<v Speaker 1>years later. And I think these stories are probably meant

723
00:46:40.840 --> 00:46:46.079
<v Speaker 1>to relate to both pottery and limestone or calcite. So yeah,

724
00:46:46.159 --> 00:46:50.599
<v Speaker 1>so limestone vessels, calcite alabaster, those are very soft and

725
00:46:50.880 --> 00:46:53.679
<v Speaker 1>you can cut these things with bronze copper. You don't

726
00:46:53.679 --> 00:46:57.119
<v Speaker 1>even really need an abrasive. The Romans were doing that

727
00:46:57.199 --> 00:47:01.320
<v Speaker 1>too without an abrasive. And this whole concept of beforek drill.

728
00:47:01.559 --> 00:47:04.199
<v Speaker 1>I believe this was used in the Egyptian alabaster industry.

729
00:47:04.320 --> 00:47:06.440
<v Speaker 1>The problem is it's not capable of precision at all,

730
00:47:07.199 --> 00:47:09.559
<v Speaker 1>and when we analyze these vessels, they're off by orders

731
00:47:09.559 --> 00:47:11.519
<v Speaker 1>of magnitude one to two orders of magnitude, which is

732
00:47:11.559 --> 00:47:14.760
<v Speaker 1>between ten and one hundred times less precise. And that's

733
00:47:15.239 --> 00:47:18.519
<v Speaker 1>where the traditional narrative comes from.

734
00:47:19.199 --> 00:47:21.519
<v Speaker 4>I think there's a book in there somewhere, Adam, there's

735
00:47:21.559 --> 00:47:28.239
<v Speaker 4>a book with some the alternative view with engineering analysis

736
00:47:28.320 --> 00:47:31.159
<v Speaker 4>and some of the equipment and the analytical tools that

737
00:47:31.239 --> 00:47:34.920
<v Speaker 4>you've used. To wake people up, because this is crazy.

738
00:47:35.039 --> 00:47:39.800
<v Speaker 4>To keep thinking that they're using hand tools to create

739
00:47:39.880 --> 00:47:44.599
<v Speaker 4>these bowls, vases and plates. It's just crazy.

740
00:47:46.400 --> 00:47:50.079
<v Speaker 1>Yeah, So I want to share something with you also,

741
00:47:51.239 --> 00:47:54.480
<v Speaker 1>This is we haven't really been talking about yet because

742
00:47:54.480 --> 00:47:59.039
<v Speaker 1>we haven finished our analysis. We just pull it up.

743
00:47:59.280 --> 00:48:03.519
<v Speaker 1>So about to share my screen here. This is a vessel.

744
00:48:05.360 --> 00:48:10.519
<v Speaker 1>This is a vessel from from the term Museum in Italy.

745
00:48:11.239 --> 00:48:13.079
<v Speaker 1>And so the term Museum is like the second largest

746
00:48:13.079 --> 00:48:17.320
<v Speaker 1>collection of Egyptian objects outside of the Cairo Museum in

747
00:48:17.360 --> 00:48:19.800
<v Speaker 1>the world. It was it was really like the first

748
00:48:19.880 --> 00:48:21.400
<v Speaker 1>Egyptian museum outside of Cairo.

749
00:48:21.440 --> 00:48:26.679
<v Speaker 4>And now when did the Italians start collecting such volume.

750
00:48:27.639 --> 00:48:30.360
<v Speaker 1>It was late eighteen hundreds. It was it was private

751
00:48:30.400 --> 00:48:32.960
<v Speaker 1>collection then that that was then gifted or sold to

752
00:48:33.039 --> 00:48:33.440
<v Speaker 1>the museum.

753
00:48:33.679 --> 00:48:35.920
<v Speaker 4>Oh so that was during the Nomad period of Egypt,

754
00:48:35.960 --> 00:48:37.920
<v Speaker 4>when there's nobody out there and they could just kind

755
00:48:37.920 --> 00:48:40.519
<v Speaker 4>of come in and oh yeah.

756
00:48:40.320 --> 00:48:43.719
<v Speaker 1>The Italians were The Italians were prolific in archaeology, as

757
00:48:43.760 --> 00:48:46.280
<v Speaker 1>well as the French, Austrians, Germans, and then of course

758
00:48:46.320 --> 00:48:52.559
<v Speaker 1>the BRITSKAY. So this is a you know, I don't

759
00:48:52.599 --> 00:48:56.039
<v Speaker 1>remember the actual dating, but most of these are either

760
00:48:56.119 --> 00:49:01.239
<v Speaker 1>Early Dynastic Egypt or before pre Dynastic, including Kata. So

761
00:49:01.760 --> 00:49:04.400
<v Speaker 1>when we were analyzing this, we at first we thought, well,

762
00:49:04.480 --> 00:49:06.039
<v Speaker 1>you know, I love it when there are these these

763
00:49:06.119 --> 00:49:09.320
<v Speaker 1>feldspar inclusions to either court. When you see these big things.

764
00:49:09.360 --> 00:49:12.159
<v Speaker 1>These crystals are either quarts or felsparget typically, and they're

765
00:49:12.199 --> 00:49:14.039
<v Speaker 1>usually a lot harder than the grand mass than the

766
00:49:14.119 --> 00:49:17.119
<v Speaker 1>ground mass, which is that the blackish material. Usually the

767
00:49:17.159 --> 00:49:20.119
<v Speaker 1>crystals are harder. Quartz is sort of like a seven

768
00:49:20.119 --> 00:49:22.280
<v Speaker 1>on the most scale. I think feldspar is close. So

769
00:49:22.320 --> 00:49:24.239
<v Speaker 1>it would have been really hard to cut and make this. However,

770
00:49:24.679 --> 00:49:27.559
<v Speaker 1>it can be done you using techniques that have low friction,

771
00:49:28.320 --> 00:49:31.079
<v Speaker 1>like grinding. So I think we have an idea that

772
00:49:31.480 --> 00:49:34.800
<v Speaker 1>sure this was possible. Obviously somebody made it using something,

773
00:49:35.480 --> 00:49:37.840
<v Speaker 1>but when we looked at it, we realized it's not

774
00:49:38.079 --> 00:49:40.039
<v Speaker 1>perfectly round. We were looking at in the top down

775
00:49:40.199 --> 00:49:42.840
<v Speaker 1>and it just didn't seem to be round. But what

776
00:49:42.920 --> 00:49:46.000
<v Speaker 1>it did look like was an oval. Said, okay, this

777
00:49:46.119 --> 00:49:50.599
<v Speaker 1>looks like an oval, and so how do we put

778
00:49:50.760 --> 00:49:54.440
<v Speaker 1>this together? Recently on the right, so this is a silhouette.

779
00:49:54.480 --> 00:49:56.440
<v Speaker 1>So this is the object. The exterior walls are in

780
00:49:56.519 --> 00:49:58.280
<v Speaker 1>red and blue, and the reason it's suit forerent colors

781
00:49:58.320 --> 00:50:00.920
<v Speaker 1>is because we rotated the object night degrees, So the

782
00:50:01.000 --> 00:50:03.559
<v Speaker 1>red is a ninety degree rotated view of the blue,

783
00:50:04.679 --> 00:50:07.760
<v Speaker 1>and you can see that it is a mobile. There's

784
00:50:07.760 --> 00:50:09.599
<v Speaker 1>a better way of showing this. Well, we need to

785
00:50:09.639 --> 00:50:14.400
<v Speaker 1>show three dimensionally. This is an oval, so it's ellipsoid.

786
00:50:14.519 --> 00:50:19.199
<v Speaker 1>There's effectively there's there's two axes in here. So if

787
00:50:19.239 --> 00:50:23.199
<v Speaker 1>you think these were made on a lathe, I have

788
00:50:23.280 --> 00:50:25.760
<v Speaker 1>never seen a lave that has two axes. The layer

789
00:50:25.840 --> 00:50:28.559
<v Speaker 1>would be rotating in an old fashion at some point, right,

790
00:50:29.079 --> 00:50:31.320
<v Speaker 1>or the grinding apparatus, whatever you're using to cut the

791
00:50:31.400 --> 00:50:34.119
<v Speaker 1>stone would have to be rotating around it in an

792
00:50:34.159 --> 00:50:37.880
<v Speaker 1>oval fashion. Yeah, I don't know. It is the word perfect.

793
00:50:38.079 --> 00:50:40.159
<v Speaker 1>It's not a perfect not a tough thing is perfect.

794
00:50:40.159 --> 00:50:43.000
<v Speaker 1>There's no perfect circles, there's no perfect stoneware, there's no

795
00:50:43.039 --> 00:50:46.360
<v Speaker 1>perfect ovals. But this is pretty oval.

796
00:50:46.880 --> 00:50:49.760
<v Speaker 4>I think the other thing that makes this remarkable vase

797
00:50:49.960 --> 00:50:57.559
<v Speaker 4>is this these unusual grip or hand holding protrusions at

798
00:50:57.599 --> 00:51:00.360
<v Speaker 4>the top. It's like, wow, that is so cool. It's

799
00:51:00.360 --> 00:51:05.679
<v Speaker 4>almost modern thought, you know it's not. I mean, wow,

800
00:51:05.840 --> 00:51:06.679
<v Speaker 4>it's pretty beautiful.

801
00:51:06.840 --> 00:51:08.639
<v Speaker 1>This was like eighteen interest. This was huge too. It

802
00:51:08.920 --> 00:51:09.280
<v Speaker 1>was large.

803
00:51:09.360 --> 00:51:10.239
<v Speaker 4>No, it's big, huh.

804
00:51:11.480 --> 00:51:15.440
<v Speaker 1>Yeah. Yeah. The blood handles have always been a point

805
00:51:15.480 --> 00:51:18.800
<v Speaker 1>of interest. They're they're potentially functional, like to pick something

806
00:51:18.880 --> 00:51:21.519
<v Speaker 1>up easier. Yes, but yeah, only some of these have them,

807
00:51:22.000 --> 00:51:25.760
<v Speaker 1>you know, I might relative minority of objects have walg candles.

808
00:51:26.119 --> 00:51:30.679
<v Speaker 4>I mean, this goes beyond a lathe spinning. This is

809
00:51:30.760 --> 00:51:36.679
<v Speaker 4>something entirely unique. Is there any way through microscope or

810
00:51:36.920 --> 00:51:45.639
<v Speaker 4>or fine imaging that you can see cut lines, any

811
00:51:45.719 --> 00:51:50.599
<v Speaker 4>kind of chipping away or carving on that on that vase,

812
00:51:52.519 --> 00:51:53.000
<v Speaker 4>this one.

813
00:51:52.920 --> 00:51:57.639
<v Speaker 1>In particular, Yeah, I don't recall what we were looking at.

814
00:51:57.760 --> 00:52:00.320
<v Speaker 1>There is, though, there's and there's evidence of hand tooling

815
00:52:00.679 --> 00:52:04.599
<v Speaker 1>on a lot of these, so in some of them. Okay,

816
00:52:04.639 --> 00:52:07.519
<v Speaker 1>here's an image of the og vessel. This is a

817
00:52:09.079 --> 00:52:12.199
<v Speaker 1>and I'll share it in a microphone camera. I'm click too.

818
00:52:12.239 --> 00:52:14.639
<v Speaker 1>So this is the og base. It's it's red granite,

819
00:52:14.880 --> 00:52:17.519
<v Speaker 1>potentially a sway and granite. You can see it's it's

820
00:52:18.400 --> 00:52:21.519
<v Speaker 1>very nice. It's not perfect, nothing's perfect, but this is

821
00:52:21.559 --> 00:52:24.880
<v Speaker 1>one of the highest precision objects we've we've ever measured.

822
00:52:25.480 --> 00:52:34.800
<v Speaker 1>Now there's enough close picture of it. Right here we go.

823
00:52:35.039 --> 00:52:38.559
<v Speaker 1>So this is a lug handle. Now you can see

824
00:52:39.280 --> 00:52:43.239
<v Speaker 1>besides there seems to be some some wear or tear

825
00:52:43.480 --> 00:52:46.639
<v Speaker 1>tooling or something. Yeah, there's there's evidence that something else

826
00:52:46.760 --> 00:52:48.320
<v Speaker 1>was touching this. So you do see this in a

827
00:52:48.400 --> 00:52:51.159
<v Speaker 1>lot of these where the body is perfect and there's

828
00:52:51.199 --> 00:52:53.559
<v Speaker 1>something there's a top or a lip or a lug handle,

829
00:52:53.920 --> 00:52:55.840
<v Speaker 1>and there seems to be evidence that maybe somebody went

830
00:52:55.920 --> 00:52:58.159
<v Speaker 1>by with a some sort of hand tool would finish

831
00:52:58.199 --> 00:53:02.000
<v Speaker 1>it off or was removing was removing a feature that

832
00:53:02.280 --> 00:53:03.079
<v Speaker 1>wasn't meant to be there.

833
00:53:03.599 --> 00:53:10.639
<v Speaker 4>Mm hm. When you say lug handle, it's got a

834
00:53:10.920 --> 00:53:13.599
<v Speaker 4>hole in it. Was there something attached to that so

835
00:53:13.679 --> 00:53:15.760
<v Speaker 4>it was easier to lift, or holes or something.

836
00:53:16.519 --> 00:53:20.400
<v Speaker 1>The lug handles in some cases, in many cases were

837
00:53:20.480 --> 00:53:23.480
<v Speaker 1>drilled out, so you'll see that drilled out. Yeah, and

838
00:53:24.320 --> 00:53:25.679
<v Speaker 1>so you see this drill, this is a drill.

839
00:53:25.800 --> 00:53:29.440
<v Speaker 4>Yeah, that's a beautiful I mean, that's a perfect hole

840
00:53:29.760 --> 00:53:30.480
<v Speaker 4>that's been cut.

841
00:53:30.679 --> 00:53:32.519
<v Speaker 1>That's almost like it looks like it from one side,

842
00:53:32.559 --> 00:53:34.320
<v Speaker 1>but if you look at the other side, they don't align.

843
00:53:35.280 --> 00:53:37.920
<v Speaker 1>They're almost they're almost always destroying. They're not parallel or

844
00:53:37.920 --> 00:53:39.679
<v Speaker 1>symmetrical to each other. Sometimes it looks like they came

845
00:53:39.719 --> 00:53:44.320
<v Speaker 1>in from two different sides and didn't quite meet. Really. Yes,

846
00:53:44.599 --> 00:53:48.400
<v Speaker 1>so yeah, I suspect that these holes were made much

847
00:53:48.519 --> 00:53:52.079
<v Speaker 1>later by a different civilization. Same thing here. I think

848
00:53:52.079 --> 00:53:56.000
<v Speaker 1>the holes were all pretty much all added later. Maybe

849
00:53:56.079 --> 00:53:57.440
<v Speaker 1>not all the time, but from what I've seen, it

850
00:53:57.480 --> 00:54:02.559
<v Speaker 1>looks at the case amazing because we've seen we've seen

851
00:54:02.599 --> 00:54:04.199
<v Speaker 1>in a number with with no holes as well.

852
00:54:05.239 --> 00:54:09.679
<v Speaker 4>So with the analysis that you and your team has

853
00:54:10.239 --> 00:54:15.159
<v Speaker 4>have have been using, what are some of the takeaways.

854
00:54:16.880 --> 00:54:27.639
<v Speaker 1>That you have formulated, you know, I would say, yeah,

855
00:54:29.320 --> 00:54:31.480
<v Speaker 1>we don't know how these were made. We suspect that

856
00:54:31.559 --> 00:54:34.079
<v Speaker 1>there's there's various methods and some of them could be

857
00:54:35.159 --> 00:54:39.239
<v Speaker 1>could be very simple. They could be they could they

858
00:54:39.280 --> 00:54:43.639
<v Speaker 1>could appear to be complex or modern, but maybe aren't.

859
00:54:44.599 --> 00:54:48.400
<v Speaker 1>Here's a here's a video of what's called centerless grinding.

860
00:54:48.639 --> 00:54:51.320
<v Speaker 1>So you're basically setting up two rotating wheels and you

861
00:54:51.400 --> 00:54:54.760
<v Speaker 1>have the piece in the middle, and this this can

862
00:54:54.880 --> 00:54:58.960
<v Speaker 1>make a cylinder that's remarkably precise. A cylinder though right

863
00:54:59.079 --> 00:55:01.719
<v Speaker 1>it's it's going to be used for a very specific purpose.

864
00:55:02.719 --> 00:55:08.079
<v Speaker 1>So that's based on some complex mathematics as you see here,

865
00:55:08.239 --> 00:55:10.119
<v Speaker 1>But you could also iterate this. You could figure this

866
00:55:10.199 --> 00:55:12.639
<v Speaker 1>out by trial and error. It doesn't mean that you

867
00:55:12.760 --> 00:55:16.039
<v Speaker 1>need to have advanced trigonometric capabilities to build a centerless

868
00:55:16.079 --> 00:55:18.400
<v Speaker 1>grinding tool. It means that you just experiment by moving

869
00:55:18.480 --> 00:55:21.639
<v Speaker 1>things in different configurations until you get something that works,

870
00:55:22.320 --> 00:55:25.679
<v Speaker 1>and given enough time, you can Here's another sort of

871
00:55:27.079 --> 00:55:31.800
<v Speaker 1>bad drawing of minds showing how potentially the bottom of

872
00:55:31.880 --> 00:55:34.440
<v Speaker 1>these vessels may have had kind of like a stalk

873
00:55:34.679 --> 00:55:38.159
<v Speaker 1>or a piece left off it. So this bottom spindle

874
00:55:38.400 --> 00:55:41.960
<v Speaker 1>and this effects of this functions like a spindle to

875
00:55:42.039 --> 00:55:44.920
<v Speaker 1>hold the workpiece, and that could have been rotated and

876
00:55:45.000 --> 00:55:48.199
<v Speaker 1>then at the end, once you're done grinding or whatever else,

877
00:55:48.400 --> 00:55:50.559
<v Speaker 1>you snap that bottom piece off and then just finish

878
00:55:50.639 --> 00:55:52.400
<v Speaker 1>off the base. So if the bases on a lot

879
00:55:52.440 --> 00:55:54.599
<v Speaker 1>of these don't seem very precise, and that could explain that,

880
00:55:56.880 --> 00:55:58.960
<v Speaker 1>and then you see you would effectively remove that and

881
00:55:59.079 --> 00:56:07.079
<v Speaker 1>end up with finished product. Ah okay, I think you know.

882
00:56:07.239 --> 00:56:09.440
<v Speaker 1>It begs a question like and this is what gets

883
00:56:09.599 --> 00:56:15.559
<v Speaker 1>archaeologists and traditional historians anxiety. Gives them anxiety to talk

884
00:56:15.599 --> 00:56:19.119
<v Speaker 1>about what's you know, what is what's a machine? These are?

885
00:56:19.960 --> 00:56:22.880
<v Speaker 1>These are machines from the eighteen hundreds. These are all

886
00:56:23.599 --> 00:56:27.840
<v Speaker 1>foot and hand powered machines. Because a sewing, sewing machine,

887
00:56:27.960 --> 00:56:31.719
<v Speaker 1>a pottery wheel, I laid in, a saw, the table

888
00:56:31.800 --> 00:56:35.960
<v Speaker 1>saw all powered by humans. But these machines, I think, sure,

889
00:56:36.519 --> 00:56:39.239
<v Speaker 1>So when we're talking about machines, I think these were machined.

890
00:56:39.280 --> 00:56:41.199
<v Speaker 1>I think there were There were machines used in the

891
00:56:41.360 --> 00:56:45.039
<v Speaker 1>construction or the manufacturing process of a lot of these,

892
00:56:46.159 --> 00:56:50.440
<v Speaker 1>But they could have been powered by humans or camels, right,

893
00:56:50.840 --> 00:56:52.599
<v Speaker 1>And that means that there's still a human involved. And

894
00:56:52.639 --> 00:56:55.800
<v Speaker 1>we do see a lot of imperfections, we see we

895
00:56:55.920 --> 00:56:59.800
<v Speaker 1>see various levels of quality and sophistication. But this, this

896
00:57:00.000 --> 00:57:02.960
<v Speaker 1>story is not told. This is really left out of

897
00:57:03.000 --> 00:57:06.440
<v Speaker 1>the paradigm. Nobody suggests that they have these types of

898
00:57:06.480 --> 00:57:11.639
<v Speaker 1>things back then. I'm suggesting that something at least the

899
00:57:11.719 --> 00:57:16.360
<v Speaker 1>sophisticated must have been used at least we do not think,

900
00:57:16.480 --> 00:57:19.400
<v Speaker 1>and I don't either, that the Dynastic Egyptians have these

901
00:57:19.840 --> 00:57:22.920
<v Speaker 1>I don't think I certainly don't think Nakata or Badarian

902
00:57:22.960 --> 00:57:25.760
<v Speaker 1>on those civilizations pre dynastic had any of these things,

903
00:57:26.440 --> 00:57:31.639
<v Speaker 1>which leaves the question than who did and when? You know?

904
00:57:31.719 --> 00:57:33.519
<v Speaker 1>And where are the tools is another big question. So

905
00:57:34.880 --> 00:57:39.119
<v Speaker 1>in all of Egyptian history, we found only one hundred

906
00:57:39.119 --> 00:57:41.559
<v Speaker 1>to two hundred copper tools total, saws and drills, we

907
00:57:41.639 --> 00:57:44.119
<v Speaker 1>found ten to twenty. That's it, Max, And these people

908
00:57:44.159 --> 00:57:46.400
<v Speaker 1>were using copper for at least two thousand years and

909
00:57:46.480 --> 00:57:50.400
<v Speaker 1>we found one or two hundred. So where are the tools?

910
00:57:50.440 --> 00:57:53.000
<v Speaker 1>If this was, like you said, prediliving ten thousand years ago,

911
00:57:53.079 --> 00:57:59.440
<v Speaker 1>well long gone, repurposed, stolen, rotten, disintegrated, oxidized, whatever. We

912
00:57:59.480 --> 00:58:01.639
<v Speaker 1>don't necessar sssarily need to find tools to show that

913
00:58:02.000 --> 00:58:05.400
<v Speaker 1>the evidence of tool use is in. It is in

914
00:58:05.519 --> 00:58:08.800
<v Speaker 1>the perfection, it's in the witness marks, it's in the symmetry.

915
00:58:09.079 --> 00:58:15.320
<v Speaker 4>Yes, we're going to take a short commercial break to

916
00:58:15.400 --> 00:58:19.920
<v Speaker 4>allow our sponsors to identify themselves, and we will return

917
00:58:20.000 --> 00:58:26.199
<v Speaker 4>shortly with my guest today, research investigator Adam Young, coming

918
00:58:26.239 --> 00:58:28.280
<v Speaker 4>to us from the East coast of the United States.

919
00:58:29.480 --> 00:58:58.440
<v Speaker 4>We will be right back every Christmas.

920
00:58:58.559 --> 00:59:09.320
<v Speaker 2>Baby rain Dass coming out of place across his back

921
00:59:09.559 --> 00:59:10.400
<v Speaker 2>and the pre.

922
00:59:16.800 --> 00:59:18.800
<v Speaker 4>My guest today is Adam Young. He has made a

923
00:59:18.960 --> 00:59:24.159
<v Speaker 4>lifelong study of unusual stoneware from Egypt, found in grave

924
00:59:24.280 --> 00:59:30.119
<v Speaker 4>sites and at Sakara. These are stoneware bowls, vases, and

925
00:59:30.320 --> 00:59:36.000
<v Speaker 4>plates that are remarkably precise and come from a period

926
00:59:36.199 --> 00:59:47.360
<v Speaker 4>of great technological advancement. If you were to pick an

927
00:59:47.480 --> 00:59:53.639
<v Speaker 4>item that is from what you might think as the

928
00:59:53.880 --> 01:00:00.159
<v Speaker 4>time period, or perhaps an item that is similar to

929
01:00:00.320 --> 01:00:03.320
<v Speaker 4>a oz to the stone where what would you choose

930
01:00:03.559 --> 01:00:05.880
<v Speaker 4>in Egypt? Would you choose a temple that is very

931
01:00:06.000 --> 01:00:10.960
<v Speaker 4>highly constructed? Would you? I mean the pyramids by themselves

932
01:00:11.039 --> 01:00:18.159
<v Speaker 4>are enigmatic because there's huge and each stone is minimum

933
01:00:18.280 --> 01:00:24.760
<v Speaker 4>two point five tons. Egyptologists seem to think that dynastics

934
01:00:24.800 --> 01:00:27.320
<v Speaker 4>built it. There's no way in hell that they touched it,

935
01:00:27.920 --> 01:00:28.760
<v Speaker 4>that they dealt with it.

936
01:00:28.880 --> 01:00:29.920
<v Speaker 1>It came with him.

937
01:00:30.000 --> 01:00:33.920
<v Speaker 4>But with your net, with your work, what would you

938
01:00:34.000 --> 01:00:37.599
<v Speaker 4>say is something that would be from a similar time

939
01:00:37.679 --> 01:00:41.960
<v Speaker 4>period or a similar technology that you can identify?

940
01:00:44.159 --> 01:00:47.239
<v Speaker 1>You know, I don't know if I, if I, if

941
01:00:47.320 --> 01:00:50.079
<v Speaker 1>I necessarily would would take one side or the other

942
01:00:50.360 --> 01:00:53.559
<v Speaker 1>I know the dynastic Egyptians were very capable. I think

943
01:00:53.599 --> 01:00:56.599
<v Speaker 1>they were rehabbing a lot of these sites. They had

944
01:00:56.960 --> 01:01:00.440
<v Speaker 1>the minister, like one of the pharaoh's brothers. Forget to

945
01:01:00.519 --> 01:01:03.440
<v Speaker 1>forget the one. I'm terrible. My Egyptian is not good.

946
01:01:04.000 --> 01:01:07.599
<v Speaker 1>But the pharaoh had a brother who he appointed a

947
01:01:07.679 --> 01:01:13.199
<v Speaker 1>ministry of reconstruction rehabilitation. His job was to go around

948
01:01:13.239 --> 01:01:15.639
<v Speaker 1>and rehab ancient sites. Why would he need a person

949
01:01:15.800 --> 01:01:19.079
<v Speaker 1>like that if they were making these things, they they

950
01:01:19.239 --> 01:01:22.000
<v Speaker 1>stumbled upon a lot of these and they tried to

951
01:01:22.079 --> 01:01:25.039
<v Speaker 1>make them better. Yeah, I don't know why. Is that

952
01:01:25.159 --> 01:01:30.559
<v Speaker 1>because they were destroyed in a cataclysm, by water, by flooding,

953
01:01:30.679 --> 01:01:35.079
<v Speaker 1>by by other humans. I don't know. But the Egyptians

954
01:01:35.119 --> 01:01:37.880
<v Speaker 1>were rehabbing these sites actively. You can see it. That's

955
01:01:37.960 --> 01:01:43.239
<v Speaker 1>not it's not controversial, right that The controversy as well,

956
01:01:43.800 --> 01:01:46.880
<v Speaker 1>did they actually build them? Right? They built some things.

957
01:01:46.920 --> 01:01:50.639
<v Speaker 1>They built beautiful temples. They typically use much smaller stones.

958
01:01:50.679 --> 01:01:52.760
<v Speaker 1>They used effectively bricks. Like if you look at the

959
01:01:52.880 --> 01:01:55.960
<v Speaker 1>Washington Monument, that's not an obelisk, that's not a solid

960
01:01:55.960 --> 01:01:58.199
<v Speaker 1>piece of granite that Those are bricks. Those are blocks,

961
01:01:58.239 --> 01:02:02.679
<v Speaker 1>construction blocks, right, You can't do that today. But they

962
01:02:02.679 --> 01:02:06.119
<v Speaker 1>are obelisks. Whoever made the real obelisks? Those are solid

963
01:02:06.199 --> 01:02:09.199
<v Speaker 1>pieces of stone that are one hundred plus feet tall.

964
01:02:09.280 --> 01:02:14.199
<v Speaker 1>Sometimes that's incredible, right. The pyramids have they and they

965
01:02:14.239 --> 01:02:16.599
<v Speaker 1>have you know, less impressive limestone blocks, but they also

966
01:02:16.679 --> 01:02:20.119
<v Speaker 1>have giant granite that's that's made to unbelievable levels of

967
01:02:20.320 --> 01:02:25.199
<v Speaker 1>flatness and precision. We were I'll show you one that's

968
01:02:25.280 --> 01:02:32.039
<v Speaker 1>really that's really incredible. So there's a there's region of

969
01:02:32.159 --> 01:02:36.840
<v Speaker 1>Egypt called the Fayum. It's a it's south of Cairo,

970
01:02:37.159 --> 01:02:47.039
<v Speaker 1>south of Giza, so it's not it's not too far away. Sorry,

971
01:02:47.079 --> 01:02:51.880
<v Speaker 1>I'm going through my library here and here it is.

972
01:02:57.440 --> 01:03:00.320
<v Speaker 1>So there's mud break pyramids in this region. There's of

973
01:03:00.360 --> 01:03:02.280
<v Speaker 1>these four of them are that are surviving. I don't

974
01:03:02.280 --> 01:03:06.719
<v Speaker 1>know how many, oh, mud brick pyramids. Yeah, like, yes, exactly.

975
01:03:06.880 --> 01:03:09.119
<v Speaker 1>So this is in the fire region. It's called a

976
01:03:09.360 --> 01:03:13.280
<v Speaker 1>Lahoune pyramid, so a lah or send it. It's attributed

977
01:03:13.360 --> 01:03:16.639
<v Speaker 1>to uh send Us read the second, which is a pharaoh.

978
01:03:17.280 --> 01:03:19.280
<v Speaker 4>I think they can look at all those mud bricks.

979
01:03:19.360 --> 01:03:21.039
<v Speaker 4>I mean, it's ridiculous.

980
01:03:21.800 --> 01:03:23.719
<v Speaker 1>So this is a special type of mud. It still

981
01:03:23.800 --> 01:03:25.920
<v Speaker 1>survives even though It doesn't rain very much here, but

982
01:03:26.000 --> 01:03:28.079
<v Speaker 1>it used to, and you still see a lot of this.

983
01:03:28.239 --> 01:03:30.719
<v Speaker 1>It gets it gets very windy there and occasionally when

984
01:03:30.760 --> 01:03:33.000
<v Speaker 1>it when it does rain, you would expect probably more

985
01:03:33.039 --> 01:03:35.960
<v Speaker 1>destruction than there has been. So it's a remarkable it's

986
01:03:35.960 --> 01:03:39.280
<v Speaker 1>a remarkable chemical composition. They're large, they're not small red

987
01:03:39.320 --> 01:03:41.440
<v Speaker 1>bricks like we think of. They're much bigger. But look

988
01:03:41.440 --> 01:03:48.519
<v Speaker 1>at what's underneath here. Megalithic limestone blocks seem to form

989
01:03:48.920 --> 01:03:52.199
<v Speaker 1>the infrastructure, and I think that's the case with a

990
01:03:52.239 --> 01:03:55.280
<v Speaker 1>lot of these, So they're not just simple mud bricks

991
01:03:55.280 --> 01:03:57.840
<v Speaker 1>stacked up. There's a grand plan here. If they could

992
01:03:57.880 --> 01:04:00.440
<v Speaker 1>build with megolithic limestone, we see that all of the place,

993
01:04:00.840 --> 01:04:02.840
<v Speaker 1>why would they use mud bricks. Well, it turns out

994
01:04:02.840 --> 01:04:06.000
<v Speaker 1>that there was also casing stones, probably limestone in some

995
01:04:06.119 --> 01:04:08.679
<v Speaker 1>cases basalt or granite on top of this p tree

996
01:04:08.760 --> 01:04:11.920
<v Speaker 1>described some casing stones were still in place, and some

997
01:04:12.039 --> 01:04:13.960
<v Speaker 1>of these pyramids at the bottom you could still see

998
01:04:13.960 --> 01:04:18.400
<v Speaker 1>where the original casing stones were. So perhaps the mud

999
01:04:18.440 --> 01:04:20.840
<v Speaker 1>brick was a design element, right, a feature like an

1000
01:04:20.880 --> 01:04:23.599
<v Speaker 1>insulating way, or it was purposeful for some reason. These

1001
01:04:23.880 --> 01:04:27.920
<v Speaker 1>were lazy people. They were like the most accomplished race

1002
01:04:27.960 --> 01:04:31.880
<v Speaker 1>of humans probably, ever, it seems like a crucial component.

1003
01:04:33.000 --> 01:04:35.800
<v Speaker 1>So what's really interesting to me about these pyramids is

1004
01:04:35.880 --> 01:04:39.719
<v Speaker 1>that they're not, at least from what I know, I

1005
01:04:39.840 --> 01:04:43.599
<v Speaker 1>don't know any interior chambers, the chambers, want to call

1006
01:04:43.679 --> 01:04:47.159
<v Speaker 1>them burial chambers whatever. The interesting parts are like below grate,

1007
01:04:47.480 --> 01:04:50.960
<v Speaker 1>they're below the base. They're underground, not really connected to

1008
01:04:51.000 --> 01:04:55.880
<v Speaker 1>the pyramid itself. And p Tree drew this. So this

1009
01:04:56.039 --> 01:04:59.400
<v Speaker 1>is I think at eighteen ninety one, and this is

1010
01:04:59.480 --> 01:05:01.280
<v Speaker 1>where he says, so this is the pyramid. You can

1011
01:05:01.280 --> 01:05:03.760
<v Speaker 1>see the original casing stones which were here covering the

1012
01:05:04.280 --> 01:05:07.119
<v Speaker 1>mud brick, and then this is the base level. So

1013
01:05:08.079 --> 01:05:12.440
<v Speaker 1>you go a few hundred feet away down and then

1014
01:05:12.519 --> 01:05:15.199
<v Speaker 1>back sort of in towards the pyramid. And so all

1015
01:05:15.239 --> 01:05:18.480
<v Speaker 1>these underground shafts and chambers are entirely below grade. They're

1016
01:05:18.559 --> 01:05:19.800
<v Speaker 1>like not connected to the pyramid.

1017
01:05:19.920 --> 01:05:24.039
<v Speaker 4>So is he suggesting that the mud bricks were initially

1018
01:05:24.159 --> 01:05:27.239
<v Speaker 4>designed as a feature of this pyramid.

1019
01:05:29.559 --> 01:05:31.840
<v Speaker 1>I don't know what he said about that, but they

1020
01:05:32.119 --> 01:05:36.960
<v Speaker 1>were certainly designed. The pyramid was built using a megalithic

1021
01:05:37.199 --> 01:05:40.679
<v Speaker 1>limestone core infrastructure. I don't but I don't know what

1022
01:05:40.760 --> 01:05:43.039
<v Speaker 1>that looks like. And then mud brick around it, and

1023
01:05:43.119 --> 01:05:45.119
<v Speaker 1>in some cases in Juaa and other cases there's several

1024
01:05:45.199 --> 01:05:49.039
<v Speaker 1>layers like it might go like rock, mud, brick, rock,

1025
01:05:49.320 --> 01:05:51.320
<v Speaker 1>et cetera. And then in this case there was that

1026
01:05:51.400 --> 01:05:54.599
<v Speaker 1>there were smooth casing stones which I think were limestone. Weird.

1027
01:05:55.280 --> 01:05:59.760
<v Speaker 1>So I think in some of these bodies were found

1028
01:05:59.800 --> 01:06:03.320
<v Speaker 1>of it. Actually, Uh again, all that to me, all

1029
01:06:03.400 --> 01:06:07.639
<v Speaker 1>that says is that dynastic Egyptians found these and put

1030
01:06:07.679 --> 01:06:10.679
<v Speaker 1>dead people inside them. I don't how many evidence to

1031
01:06:10.719 --> 01:06:13.480
<v Speaker 1>suggest they made them. Yeah. So in this chamber here,

1032
01:06:13.559 --> 01:06:16.320
<v Speaker 1>it's got it's a it's a room made of granite. Okay,

1033
01:06:16.360 --> 01:06:20.239
<v Speaker 1>it looks like this this room is granite. Petrie said

1034
01:06:20.280 --> 01:06:22.440
<v Speaker 1>that the walls here and I touched the walls, they

1035
01:06:22.480 --> 01:06:22.960
<v Speaker 1>feel rough.

1036
01:06:23.760 --> 01:06:23.880
<v Speaker 3>Uh.

1037
01:06:24.119 --> 01:06:27.760
<v Speaker 1>The walls were ground to like extreme levels of flatness,

1038
01:06:27.920 --> 01:06:31.239
<v Speaker 1>but not polished. However, this big bathtub shaped box in

1039
01:06:31.280 --> 01:06:35.400
<v Speaker 1>the middle was this was this was cut beautifully and

1040
01:06:35.519 --> 01:06:38.800
<v Speaker 1>then polished where you know, if it was so red

1041
01:06:38.840 --> 01:06:39.679
<v Speaker 1>sea reflection in it.

1042
01:06:40.679 --> 01:06:44.159
<v Speaker 4>So this is kind of like SERAPM site. Is it

1043
01:06:44.280 --> 01:06:46.840
<v Speaker 4>SERAPM size box or is it smaller?

1044
01:06:47.519 --> 01:06:47.679
<v Speaker 2>Uh?

1045
01:06:47.960 --> 01:06:51.840
<v Speaker 1>No, much smaller than this. Well, yeah, the dimensions are

1046
01:06:52.400 --> 01:06:54.519
<v Speaker 1>less than half most of the Serapium boxes. We don't

1047
01:06:54.559 --> 01:06:56.360
<v Speaker 1>know what the top is. The top has never found.

1048
01:06:56.639 --> 01:06:59.880
<v Speaker 4>But there's no there's no hieroglyphics on any of this.

1049
01:07:01.079 --> 01:07:05.320
<v Speaker 1>Not on these, on some of them. There's boxes underneath

1050
01:07:05.360 --> 01:07:08.599
<v Speaker 1>the black pyramid that do have some inscriptions on them,

1051
01:07:08.679 --> 01:07:10.760
<v Speaker 1>but they're generally crude. Like if you go back to

1052
01:07:10.800 --> 01:07:14.719
<v Speaker 1>the Serrapeium, the inscriptions on the side are really rough chiseled.

1053
01:07:15.199 --> 01:07:17.320
<v Speaker 4>Yeah, it's like later period. They're terrible.

1054
01:07:17.440 --> 01:07:21.239
<v Speaker 1>Yeah, yeah, they don't look impressive. But this one, this

1055
01:07:21.400 --> 01:07:24.880
<v Speaker 1>is one of my This was Petrie's favorite object. So

1056
01:07:25.480 --> 01:07:27.760
<v Speaker 1>you can see it's off. It's off, it's off cut

1057
01:07:27.840 --> 01:07:29.920
<v Speaker 1>right at the bottom. This side on the left is

1058
01:07:30.039 --> 01:07:34.199
<v Speaker 1>thirty thirty two inches or so I think, and then

1059
01:07:34.360 --> 01:07:36.079
<v Speaker 1>on the other side is thirty six so it's about

1060
01:07:36.239 --> 01:07:41.400
<v Speaker 1>it's about four inch differential and then cut like that diagonally,

1061
01:07:41.880 --> 01:07:42.920
<v Speaker 1>and you can see it if you look at it

1062
01:07:42.920 --> 01:07:44.880
<v Speaker 1>against the back wall too. Right, So this is off

1063
01:07:44.920 --> 01:07:48.000
<v Speaker 1>by four inches left or right? Why where's the top?

1064
01:07:48.159 --> 01:07:50.920
<v Speaker 1>These people were masters of perfection. Look at the rest

1065
01:07:51.000 --> 01:07:52.480
<v Speaker 1>of the of the box.

1066
01:07:52.679 --> 01:07:54.559
<v Speaker 4>I'm just gonna ask you, is it because the floor

1067
01:07:54.679 --> 01:07:59.440
<v Speaker 4>is uneven No, so the floor is perfectly square and level.

1068
01:07:59.519 --> 01:08:01.199
<v Speaker 1>From what I from what I can see that the

1069
01:08:01.239 --> 01:08:04.519
<v Speaker 1>floor is perfectly square and level. Petrie also into so

1070
01:08:04.599 --> 01:08:07.599
<v Speaker 1>he footnoted this really interesting factor in his paper. He said,

1071
01:08:07.639 --> 01:08:09.679
<v Speaker 1>the entrance shaft that led into here, the way we

1072
01:08:09.760 --> 01:08:13.199
<v Speaker 1>got into this room was narrower than the width of

1073
01:08:13.280 --> 01:08:19.000
<v Speaker 1>the box. Mmm, so how did it get here? Effectively?

1074
01:08:19.079 --> 01:08:21.119
<v Speaker 1>What that means is that the room was built around

1075
01:08:21.159 --> 01:08:21.520
<v Speaker 1>the box.

1076
01:08:22.880 --> 01:08:28.560
<v Speaker 4>Oh wow, So maybe the box contains some technology or something.

1077
01:08:29.439 --> 01:08:33.920
<v Speaker 1>I don't know. So that the lipid cheer is incredible.

1078
01:08:34.000 --> 01:08:36.840
<v Speaker 1>It's it's like four thousands of an inch deviation from

1079
01:08:36.880 --> 01:08:41.159
<v Speaker 1>a perfect straight line. That's that's well beyond uh what's

1080
01:08:41.199 --> 01:08:46.159
<v Speaker 1>required in like modern countertop manufacturing. This is much flatter

1081
01:08:46.199 --> 01:08:47.319
<v Speaker 1>than a countertop.

1082
01:08:47.039 --> 01:08:49.880
<v Speaker 4>Does Does Petrie attribute this to old Kingdom?

1083
01:08:52.199 --> 01:08:52.399
<v Speaker 1>Yeah?

1084
01:08:52.479 --> 01:08:55.159
<v Speaker 4>This is early Donastic Okay, so that's that I mean

1085
01:08:55.239 --> 01:08:55.600
<v Speaker 4>right there.

1086
01:08:56.239 --> 01:08:58.479
<v Speaker 1>He didn't he wasn't big into dating. I think he

1087
01:08:58.920 --> 01:09:05.720
<v Speaker 1>recognized it was a it was tricky, okay. He originally

1088
01:09:05.800 --> 01:09:08.600
<v Speaker 1>he thought all this stuff was made by a precursor civilization,

1089
01:09:08.680 --> 01:09:10.680
<v Speaker 1>and then his peers kind of convinced him to get

1090
01:09:10.760 --> 01:09:12.680
<v Speaker 1>with the program and he stopped sort of saying that.

1091
01:09:13.159 --> 01:09:17.239
<v Speaker 4>Really did he actually write about that there was a precursor, uh,

1092
01:09:17.840 --> 01:09:19.520
<v Speaker 4>pre civilization.

1093
01:09:19.920 --> 01:09:21.960
<v Speaker 1>I don't remember that he called Yeah, he called these

1094
01:09:22.039 --> 01:09:24.159
<v Speaker 1>he called them he thought there were aliens, uh from

1095
01:09:24.239 --> 01:09:26.560
<v Speaker 1>they were invaders from Libya and he found in Egypt

1096
01:09:26.800 --> 01:09:31.920
<v Speaker 1>and that was his initial Okay, so he calls this box.

1097
01:09:32.199 --> 01:09:35.119
<v Speaker 1>I love this quote. This is one of the greatest

1098
01:09:35.159 --> 01:09:37.680
<v Speaker 1>triumphs of accurate work in such a material that has

1099
01:09:37.760 --> 01:09:38.439
<v Speaker 1>ever been done.

1100
01:09:40.600 --> 01:09:45.399
<v Speaker 4>Hmmm. That's saying a lot from him if he's impressed

1101
01:09:45.479 --> 01:09:45.640
<v Speaker 4>like that.

1102
01:09:47.560 --> 01:09:51.600
<v Speaker 1>Yeah, he came back here a few times before he died.

1103
01:09:52.760 --> 01:09:59.399
<v Speaker 4>How deep is that uh tomb or that that arcovacus? Underground?

1104
01:09:59.520 --> 01:10:02.000
<v Speaker 4>Is it under the surface or it's just in the

1105
01:10:02.079 --> 01:10:03.239
<v Speaker 4>guts of the pyramid.

1106
01:10:03.920 --> 01:10:06.159
<v Speaker 1>It's not in the pyramid, right, So it's below grade,

1107
01:10:06.199 --> 01:10:08.079
<v Speaker 1>it's below the surface of the earth. It's below the

1108
01:10:08.119 --> 01:10:11.319
<v Speaker 1>base of the pyramids. It's like one hundred feet. I

1109
01:10:11.319 --> 01:10:14.079
<v Speaker 1>think you go down about about eighty or ninety feet

1110
01:10:14.079 --> 01:10:16.199
<v Speaker 1>that walk up a little bit, so it's it's not

1111
01:10:16.399 --> 01:10:20.600
<v Speaker 1>very far. It's a dozen or twenty meters, but it's

1112
01:10:20.640 --> 01:10:23.000
<v Speaker 1>not it's not connected to the pyramid. You don't go

1113
01:10:23.039 --> 01:10:26.159
<v Speaker 1>inside the pyramid. It's underground. So was the pyramid built

1114
01:10:26.199 --> 01:10:28.680
<v Speaker 1>on top of this thing? Or was this thing built later?

1115
01:10:28.840 --> 01:10:34.520
<v Speaker 1>We don't know. This is a to put that in context,

1116
01:10:36.479 --> 01:10:40.159
<v Speaker 1>this is that box again. So the flatness deviation is

1117
01:10:40.560 --> 01:10:42.800
<v Speaker 1>across the one point two seven meters that's the side

1118
01:10:42.800 --> 01:10:46.920
<v Speaker 1>of the narrower side, So it's four thousands of an inch.

1119
01:10:48.199 --> 01:10:51.439
<v Speaker 1>To put in perspective, a modern granite countertop is basically

1120
01:10:51.600 --> 01:10:56.479
<v Speaker 1>never made ladder across the similar span than sixty thousands

1121
01:10:56.560 --> 01:10:59.920
<v Speaker 1>or or six hundreds. So this is over in order

1122
01:11:00.039 --> 01:11:02.640
<v Speaker 1>of magnitude. It's it's more than ten times more precise

1123
01:11:02.680 --> 01:11:05.479
<v Speaker 1>than a grand of countertops made today. With diamond tips,

1124
01:11:05.479 --> 01:11:10.600
<v Speaker 1>circular saws and fine polishing. Now, this is possible, and

1125
01:11:10.680 --> 01:11:15.119
<v Speaker 1>you actually can achieve very high levels of flatness or

1126
01:11:15.159 --> 01:11:19.640
<v Speaker 1>lempage with hand polishing techniques. That's that's well known. There's

1127
01:11:19.720 --> 01:11:24.039
<v Speaker 1>there's ways of getting it down. This this flat. However,

1128
01:11:24.319 --> 01:11:26.880
<v Speaker 1>how do you know? How would you know it's this flat?

1129
01:11:26.920 --> 01:11:29.680
<v Speaker 1>You can't see this, this level of deviations, You can't

1130
01:11:29.720 --> 01:11:31.359
<v Speaker 1>touch this or see this. You would have no idea

1131
01:11:31.399 --> 01:11:34.039
<v Speaker 1>if you're achieving this, and they're maintaining this across the

1132
01:11:34.079 --> 01:11:36.399
<v Speaker 1>whole way. So they have to have some way of measuring,

1133
01:11:36.760 --> 01:11:42.000
<v Speaker 1>some way of of analyzing it, some metrology effectively.

1134
01:11:43.199 --> 01:11:46.560
<v Speaker 4>Is there any kind of gassing or discharge on the

1135
01:11:46.840 --> 01:11:52.600
<v Speaker 4>walls of that chamber that that sarcophagus is laying in.

1136
01:11:52.840 --> 01:11:54.960
<v Speaker 4>I mean, that's one of the things that Christine's always

1137
01:11:55.800 --> 01:12:00.880
<v Speaker 4>harped on, is that there is gassing of hydrogen extracts

1138
01:12:00.920 --> 01:12:03.159
<v Speaker 4>and things like that on the walls. Is there anything

1139
01:12:03.279 --> 01:12:03.479
<v Speaker 4>like that?

1140
01:12:05.720 --> 01:12:08.359
<v Speaker 1>I don't know. I did not really, I wasn't really

1141
01:12:08.720 --> 01:12:11.199
<v Speaker 1>looking at that when we were here or so.

1142
01:12:11.239 --> 01:12:13.920
<v Speaker 4>You actually got that's actually you you taking photograph.

1143
01:12:15.600 --> 01:12:19.039
<v Speaker 1>Yeah, we were there. We were there, so all the

1144
01:12:19.159 --> 01:12:22.279
<v Speaker 1>pews of the Artifact Foundation, so where Kyle Allen Ben

1145
01:12:22.520 --> 01:12:26.880
<v Speaker 1>ben Kirkuk was here on and me and Caroly Poka

1146
01:12:27.000 --> 01:12:31.039
<v Speaker 1>we're all here back at two thousand and twenty four.

1147
01:12:32.000 --> 01:12:40.199
<v Speaker 4>Wow, very impressive. It's almost like it's a container for something,

1148
01:12:41.600 --> 01:12:45.239
<v Speaker 4>like it's housing. It's a housing, it houses something, you

1149
01:12:45.319 --> 01:12:45.760
<v Speaker 4>know what I mean?

1150
01:12:47.760 --> 01:12:52.600
<v Speaker 1>Yeah, it does I know what you mean? What you know,

1151
01:12:52.680 --> 01:12:54.840
<v Speaker 1>why do you need to top that flat? Well maybe

1152
01:12:54.880 --> 01:12:57.439
<v Speaker 1>if you wanted to seal it, right, if you wanted

1153
01:12:57.640 --> 01:13:02.640
<v Speaker 1>the container sealed potentially, but they never found a top.

1154
01:13:03.520 --> 01:13:06.319
<v Speaker 1>The serapean boxes are also very similar. The tops are

1155
01:13:06.600 --> 01:13:11.520
<v Speaker 1>remarkably flat, and you would you would get a pretty

1156
01:13:11.560 --> 01:13:13.800
<v Speaker 1>tight you would get almost an erritight. So I don't

1157
01:13:13.800 --> 01:13:16.319
<v Speaker 1>know if it would be perfect, but who knows it

1158
01:13:16.359 --> 01:13:17.760
<v Speaker 1>could have been. It could have been. You know, people

1159
01:13:17.800 --> 01:13:19.720
<v Speaker 1>have theorized that there was chemicals in there, there were

1160
01:13:19.760 --> 01:13:22.359
<v Speaker 1>growing crystals. I've heard and many of these things have

1161
01:13:22.520 --> 01:13:26.520
<v Speaker 1>extraordinary residence properties. And they're not all They don't all

1162
01:13:26.600 --> 01:13:32.960
<v Speaker 1>look like perfectly symmetrical, like rectangular boxes. Not all the time.

1163
01:13:33.199 --> 01:13:36.119
<v Speaker 1>You'll see some edges where there's a really wide radius

1164
01:13:36.359 --> 01:13:39.279
<v Speaker 1>in the uh in the corner, and other times it's

1165
01:13:39.359 --> 01:13:43.199
<v Speaker 1>very tight and maintained across a few meters, So it's

1166
01:13:43.239 --> 01:13:47.640
<v Speaker 1>it's inexplicable. You don't always see extreme levels of precision,

1167
01:13:48.680 --> 01:13:51.479
<v Speaker 1>not always, but sometimes you do, and you can, and

1168
01:13:51.840 --> 01:13:56.520
<v Speaker 1>so it's like, well, why did they sometimes employ extreme

1169
01:13:56.640 --> 01:13:59.399
<v Speaker 1>levels of manufacturing acumen and other times not?

1170
01:14:00.600 --> 01:14:04.840
<v Speaker 4>Do you think that the technology that cut shaped and

1171
01:14:07.399 --> 01:14:12.640
<v Speaker 4>smooth these surfaces is beyond us right now or in

1172
01:14:12.760 --> 01:14:16.560
<v Speaker 4>your analysis, do you think that it's something that's close

1173
01:14:16.600 --> 01:14:20.239
<v Speaker 4>to what we can achieve, perhaps lasers or some kind

1174
01:14:20.239 --> 01:14:24.399
<v Speaker 4>of arc welding or torturing. I don't know how they

1175
01:14:24.720 --> 01:14:29.359
<v Speaker 4>call it. That's that exists, but it's used in a

1176
01:14:29.439 --> 01:14:31.279
<v Speaker 4>difference or sophisticated way.

1177
01:14:32.720 --> 01:14:35.159
<v Speaker 1>Well, we don't really. We don't really work in stone

1178
01:14:35.239 --> 01:14:38.760
<v Speaker 1>like this today. The exception would be in inspection plates

1179
01:14:38.960 --> 01:14:42.279
<v Speaker 1>that are that are this flat and even more flat.

1180
01:14:43.239 --> 01:14:46.239
<v Speaker 1>They're using metrology labs and they're made of granite because

1181
01:14:46.279 --> 01:14:49.840
<v Speaker 1>granted it's less, it's more tolerant to heat and changes

1182
01:14:49.920 --> 01:14:52.800
<v Speaker 1>in teat, humidity and things like that. I think we

1183
01:14:52.920 --> 01:14:56.319
<v Speaker 1>do have the capability of making this stuff. We probably can.

1184
01:14:57.079 --> 01:15:01.840
<v Speaker 1>The question is how so would we use carbide kill tips,

1185
01:15:01.840 --> 01:15:05.840
<v Speaker 1>would we use brinding techniques? I don't know, and no one.

1186
01:15:05.920 --> 01:15:10.319
<v Speaker 1>I haven't seen anyone replicate these today using modern technology,

1187
01:15:11.039 --> 01:15:14.000
<v Speaker 1>partially because it's expensive. You would break through tools, you'd

1188
01:15:14.000 --> 01:15:17.960
<v Speaker 1>be wearing, tearing your equipment. It's cost prohibitive, right, So

1189
01:15:18.039 --> 01:15:21.079
<v Speaker 1>we haven't seen anyone do it. There's no evidence that

1190
01:15:21.199 --> 01:15:24.359
<v Speaker 1>hand tools couldn't make those. A few people have tried,

1191
01:15:24.399 --> 01:15:28.119
<v Speaker 1>but the results don't come close to what we've seen

1192
01:15:28.159 --> 01:15:32.039
<v Speaker 1>and analyzed. So you know, there's a big question. Most

1193
01:15:32.199 --> 01:15:36.239
<v Speaker 1>likely there's some culture had advanced dollars that we're unaware of.

1194
01:15:37.079 --> 01:15:38.600
<v Speaker 4>Well, that was my next question to you, is that

1195
01:15:39.119 --> 01:15:43.399
<v Speaker 4>it's beginning to appear that there's an advanced science behind

1196
01:15:43.479 --> 01:15:51.840
<v Speaker 4>this that we either have not evolved to or it's

1197
01:15:51.920 --> 01:15:55.079
<v Speaker 4>under our nose and we're just not paying attention. It's like,

1198
01:15:56.000 --> 01:15:59.159
<v Speaker 4>we don't cut stone in the way that they did.

1199
01:16:00.359 --> 01:16:04.319
<v Speaker 4>But whatever the hell they were using, it's very very Uh,

1200
01:16:06.359 --> 01:16:11.720
<v Speaker 4>it's a powerful tool. It's and it has an elegance

1201
01:16:11.840 --> 01:16:15.000
<v Speaker 4>to it as well. And when we see these stone.

1202
01:16:14.760 --> 01:16:18.600
<v Speaker 1>Ware, it's us Yeah. Really, some of them are very

1203
01:16:18.800 --> 01:16:22.319
<v Speaker 1>quite striking in the proportions, and some of the sides

1204
01:16:22.359 --> 01:16:28.159
<v Speaker 1>will follow like a quadratic equation. Effectively, they're they're you know,

1205
01:16:28.520 --> 01:16:33.239
<v Speaker 1>it's it's advanced spherical geometry. We don't really do that today. Uh,

1206
01:16:33.840 --> 01:16:36.000
<v Speaker 1>with the exception of marble, So we will use marble

1207
01:16:36.640 --> 01:16:39.000
<v Speaker 1>because marble is very smart. Marbles much softer than these

1208
01:16:39.119 --> 01:16:44.039
<v Speaker 1>these stones. These are all igneous uh granite, dirites, Portyry

1209
01:16:44.079 --> 01:16:48.600
<v Speaker 1>type type stones frescia. Yeah, they're very hard. Marble's not.

1210
01:16:49.199 --> 01:16:51.319
<v Speaker 1>And so when an artist wants to make a statue

1211
01:16:51.399 --> 01:16:53.880
<v Speaker 1>of dated or something, they typically always use marble.

1212
01:16:54.680 --> 01:16:54.880
<v Speaker 3>Yeah.

1213
01:16:55.039 --> 01:16:58.039
<v Speaker 1>I haven't seen any anything like this at all, in

1214
01:16:58.159 --> 01:17:02.560
<v Speaker 1>granted not not not all. We've seen cylindrical shapes though

1215
01:17:02.640 --> 01:17:05.000
<v Speaker 1>what I've seen the toothbrusholders made out of what looks

1216
01:17:05.039 --> 01:17:10.800
<v Speaker 1>like granted that are very round, but again it's not

1217
01:17:10.920 --> 01:17:14.800
<v Speaker 1>that hard. What's hard is the complex spherical geometry and

1218
01:17:14.880 --> 01:17:16.880
<v Speaker 1>the interior is being hollowed out. I have not seen

1219
01:17:16.920 --> 01:17:17.520
<v Speaker 1>that done at all.

1220
01:17:18.039 --> 01:17:25.920
<v Speaker 4>Not. Yes, yeah, we haven't even talked about statuary. There's

1221
01:17:25.960 --> 01:17:30.479
<v Speaker 4>a statue in the Cairo Museum of Caffrey that's made

1222
01:17:30.520 --> 01:17:34.640
<v Speaker 4>of door, right or something else, and Muhammed is of

1223
01:17:34.760 --> 01:17:38.920
<v Speaker 4>the belief that is one hundred percent manufactured. And as

1224
01:17:38.960 --> 01:17:41.159
<v Speaker 4>I've been looking at it, I actually wrote an article

1225
01:17:41.199 --> 01:17:45.680
<v Speaker 4>on it. It is one of the most beautiful sculptures

1226
01:17:45.680 --> 01:17:51.479
<v Speaker 4>I've ever seen, and I think that Ramsey's the second

1227
01:17:51.560 --> 01:17:54.640
<v Speaker 4>put his cartouge on the base of it in a

1228
01:17:54.840 --> 01:18:01.119
<v Speaker 4>very scratchy, kind of crappy I was here kind of graffiti. Look,

1229
01:18:02.319 --> 01:18:06.000
<v Speaker 4>have you analyzed any of the you know, stone sculptures

1230
01:18:06.079 --> 01:18:10.479
<v Speaker 4>that we have left to us that are identified by

1231
01:18:10.560 --> 01:18:16.560
<v Speaker 4>our Egyptologists as left by known pharaohs.

1232
01:18:18.520 --> 01:18:22.479
<v Speaker 1>No, not yet. I you know, Chris John has been

1233
01:18:22.680 --> 01:18:24.920
<v Speaker 1>a little bit more focused on that over his career.

1234
01:18:25.199 --> 01:18:28.800
<v Speaker 1>You know, he's famously looked at the Ramsey statue a

1235
01:18:28.880 --> 01:18:35.079
<v Speaker 1>couple of times. I think a Karnak, you know, I

1236
01:18:35.199 --> 01:18:38.680
<v Speaker 1>don't know how precise those are. And but again, like

1237
01:18:38.720 --> 01:18:41.760
<v Speaker 1>when you're saying machined or I guess when when he

1238
01:18:41.760 --> 01:18:44.760
<v Speaker 1>said manufactured with Mohammedan manufactured, he met machined.

1239
01:18:44.840 --> 01:18:44.960
<v Speaker 4>Right.

1240
01:18:45.279 --> 01:18:50.079
<v Speaker 1>Yeah, so you know a person holding a grinding a

1241
01:18:50.159 --> 01:18:53.279
<v Speaker 1>grinder or a circular saw, or somebody using a minor

1242
01:18:53.319 --> 01:18:55.880
<v Speaker 1>saw or somebody using a wage like that's I would

1243
01:18:55.920 --> 01:18:58.279
<v Speaker 1>say that's all machining, But it doesn't mean that there's

1244
01:18:58.279 --> 01:19:00.439
<v Speaker 1>nothing that involved. You could have an artist to using

1245
01:19:00.479 --> 01:19:06.199
<v Speaker 1>a grinder. But I do strongly suspect there's whoever was

1246
01:19:06.279 --> 01:19:09.640
<v Speaker 1>making these things, including probably many or some of the

1247
01:19:10.159 --> 01:19:14.319
<v Speaker 1>statue or the statues, was using rotating power tools of

1248
01:19:14.399 --> 01:19:18.960
<v Speaker 1>some sort of a rotating nature. Because you can see

1249
01:19:19.520 --> 01:19:23.880
<v Speaker 1>circular saw marks and yeah, objects throughout all these museums,

1250
01:19:26.560 --> 01:19:29.399
<v Speaker 1>and you know they're circular because the center point is

1251
01:19:29.560 --> 01:19:31.760
<v Speaker 1>that you know, you can see the you can see

1252
01:19:31.800 --> 01:19:35.600
<v Speaker 1>the radius of whatever. We know it was based on

1253
01:19:35.640 --> 01:19:41.159
<v Speaker 1>the length of the cut. Yeah, so something revolving, something rotating.

1254
01:19:41.479 --> 01:19:43.199
<v Speaker 1>I don't know what the power was, I don't know

1255
01:19:43.239 --> 01:19:44.520
<v Speaker 1>what the tools are made out of, and I don't

1256
01:19:44.520 --> 01:19:45.039
<v Speaker 1>know where they are.

1257
01:19:46.800 --> 01:19:51.039
<v Speaker 4>It's really a challenge when you're dealing with sophisticated technology

1258
01:19:51.800 --> 01:19:55.119
<v Speaker 4>and the science behind it, trying to identify it when

1259
01:19:55.640 --> 01:19:57.479
<v Speaker 4>perhaps we're not even up to speed on it. We

1260
01:19:57.720 --> 01:20:01.760
<v Speaker 4>don't we haven't evolved to that level of of science,

1261
01:20:01.920 --> 01:20:04.600
<v Speaker 4>you know, so we're kind of like walking in the

1262
01:20:04.760 --> 01:20:08.000
<v Speaker 4>dark and admiring these artifacts and going, what the hell

1263
01:20:08.079 --> 01:20:11.079
<v Speaker 4>who did these? It's kind of fun. And then, of

1264
01:20:11.159 --> 01:20:12.520
<v Speaker 4>course the big problem is.

1265
01:20:12.560 --> 01:20:12.920
<v Speaker 1>We have a.

1266
01:20:14.399 --> 01:20:20.960
<v Speaker 4>We have a social science of egyptological inquiry that shuts

1267
01:20:21.039 --> 01:20:25.000
<v Speaker 4>the door on anything that is questionable like this and

1268
01:20:26.399 --> 01:20:29.600
<v Speaker 4>relegates it to the dynastic period, which just does not

1269
01:20:29.760 --> 01:20:33.920
<v Speaker 4>make any sense anymore. So as we close out and

1270
01:20:34.000 --> 01:20:41.920
<v Speaker 4>what's your feeling on uh, continual analytics, analyze, analytical study

1271
01:20:41.960 --> 01:20:45.479
<v Speaker 4>of these artifacts? Do we have to come up to

1272
01:20:45.520 --> 01:20:47.520
<v Speaker 4>speed or is someone going to make a breakthrough? What's

1273
01:20:47.520 --> 01:20:50.039
<v Speaker 4>your what's your gut on this? Uh?

1274
01:20:53.359 --> 01:20:55.800
<v Speaker 1>Well, we we know, we have we have plans, we

1275
01:20:55.920 --> 01:20:58.760
<v Speaker 1>have you know, additional projects that we've been working on

1276
01:20:58.880 --> 01:21:02.880
<v Speaker 1>for years, and eventually it's it's a combination of a

1277
01:21:02.960 --> 01:21:08.760
<v Speaker 1>larger data set, partnerships with more institutions. We have a

1278
01:21:08.880 --> 01:21:13.359
<v Speaker 1>few universities that are interested in starting to take interest now,

1279
01:21:13.520 --> 01:21:17.439
<v Speaker 1>so hopefully that continues and more publications before I think

1280
01:21:17.880 --> 01:21:20.920
<v Speaker 1>potentially people I hope will recognize that you can't make

1281
01:21:20.960 --> 01:21:25.680
<v Speaker 1>this stuff with primitive hand tools. That's number one that

1282
01:21:25.800 --> 01:21:28.800
<v Speaker 1>that bags up. That opens up a Pandora's box of questions, right,

1283
01:21:29.520 --> 01:21:35.199
<v Speaker 1>and for career archaeologists and academics, those questions can be existential, like, Okay,

1284
01:21:35.319 --> 01:21:38.640
<v Speaker 1>well if these were made with machine tools, and we're

1285
01:21:38.920 --> 01:21:43.039
<v Speaker 1>very very confident the dynastic Egyptians didn't have them, and

1286
01:21:43.239 --> 01:21:45.880
<v Speaker 1>you know, erdo that the civilization right before them that

1287
01:21:45.960 --> 01:21:48.840
<v Speaker 1>was primitive must not have either. Then you you did

1288
01:21:49.039 --> 01:21:54.920
<v Speaker 1>was an ancient society that was advanced that's gone, and

1289
01:21:56.359 --> 01:21:59.079
<v Speaker 1>so then you have you know, you have the questions

1290
01:21:59.119 --> 01:22:05.039
<v Speaker 1>of like, you know, the Atlantean type topics. I'm sure

1291
01:22:05.199 --> 01:22:09.279
<v Speaker 1>they had a different name for themselves. But there's yeah,

1292
01:22:09.479 --> 01:22:12.279
<v Speaker 1>there's a lot of possibilities. Why were people so focused

1293
01:22:12.319 --> 01:22:17.439
<v Speaker 1>on Egypt, why they're of all places? There's probably there's

1294
01:22:17.479 --> 01:22:19.239
<v Speaker 1>probably an explanation because you really don't see the same

1295
01:22:19.279 --> 01:22:21.039
<v Speaker 1>stuff in many other parts of the world. South America

1296
01:22:21.119 --> 01:22:23.680
<v Speaker 1>is very interesting, but it's very different levels of construction.

1297
01:22:23.720 --> 01:22:26.760
<v Speaker 1>You don't see as many megalithic sites, We don't find

1298
01:22:26.840 --> 01:22:29.880
<v Speaker 1>objects that are made to such you know, heigh precision

1299
01:22:30.199 --> 01:22:32.880
<v Speaker 1>although I have seen things in South America in Asia

1300
01:22:32.920 --> 01:22:36.560
<v Speaker 1>as well, plates and other objects that seem to be extremely,

1301
01:22:36.880 --> 01:22:41.000
<v Speaker 1>extremely precise. So this, this, this level of technology was known,

1302
01:22:41.079 --> 01:22:42.800
<v Speaker 1>it was, it was, it was in other parts of

1303
01:22:42.880 --> 01:22:45.119
<v Speaker 1>the world, but really not to such a high concentration

1304
01:22:45.279 --> 01:22:48.840
<v Speaker 1>and impressiveness as as you see in Egypt.

1305
01:22:50.479 --> 01:22:55.319
<v Speaker 4>Hmmm, amazing. Hey, I want to thank you for joining us. Uh,

1306
01:22:55.720 --> 01:22:59.760
<v Speaker 4>You've given us some uh some good uh material to

1307
01:22:59.800 --> 01:23:03.720
<v Speaker 4>think about. I am these are definitely out of place

1308
01:23:04.319 --> 01:23:08.600
<v Speaker 4>artifacts and there's no other way to explain them. We're

1309
01:23:08.640 --> 01:23:12.439
<v Speaker 4>not getting much help from the Egyptological community, are we. Uh,

1310
01:23:13.159 --> 01:23:16.279
<v Speaker 4>they're not into this at all, and I.

1311
01:23:17.199 --> 01:23:20.079
<v Speaker 1>Give them, give them, give them some time. The younger

1312
01:23:20.279 --> 01:23:24.960
<v Speaker 1>generation eight is they're coming around a little bit. The

1313
01:23:25.039 --> 01:23:28.560
<v Speaker 1>older crowd maybe not. But we have some pretty good

1314
01:23:28.560 --> 01:23:31.560
<v Speaker 1>relationships with some of them. So it's a question of time.

1315
01:23:31.560 --> 01:23:32.720
<v Speaker 1>I think it's a question of time.

1316
01:23:33.640 --> 01:23:36.640
<v Speaker 4>From Egypt or from American universities.

1317
01:23:37.159 --> 01:23:38.880
<v Speaker 1>Egypt, Europe, North America.

1318
01:23:39.159 --> 01:23:44.199
<v Speaker 4>Oh, excellent, excellent, fantastic. Hey, if we can get a

1319
01:23:44.239 --> 01:23:47.439
<v Speaker 4>few photographs for our Facebook page, it would be great.

1320
01:23:48.319 --> 01:23:50.359
<v Speaker 4>I want to thank you, Adam. I definitely see a

1321
01:23:50.399 --> 01:23:52.640
<v Speaker 4>book in this somewhere buddy. I know you're busy as hell.

1322
01:23:52.800 --> 01:23:55.479
<v Speaker 4>You got kids, and you've got a family and you

1323
01:23:55.640 --> 01:23:58.359
<v Speaker 4>got but you got to spit something out one of

1324
01:23:58.399 --> 01:24:02.319
<v Speaker 4>these days, because, uh, you got a lot of data

1325
01:24:03.279 --> 01:24:05.199
<v Speaker 4>and I think some of them love to publish it,

1326
01:24:05.560 --> 01:24:07.439
<v Speaker 4>so we get the word out. We do.

1327
01:24:07.640 --> 01:24:11.680
<v Speaker 1>We do our best to put I wouldn't say we

1328
01:24:11.720 --> 01:24:14.199
<v Speaker 1>do our best. We have been publicizing data on our

1329
01:24:14.199 --> 01:24:16.520
<v Speaker 1>website and we will continue to do that. Sometimes we're

1330
01:24:16.560 --> 01:24:19.439
<v Speaker 1>just not able to immediately be for various reasons. We

1331
01:24:19.479 --> 01:24:22.039
<v Speaker 1>haven't finished analytics, we haven't vented it, or our partner

1332
01:24:22.039 --> 01:24:24.520
<v Speaker 1>doesn't want to release yet. So you can check out

1333
01:24:24.520 --> 01:24:28.960
<v Speaker 1>our website. It's just Artifactfoundation dot org. You know. Check

1334
01:24:28.960 --> 01:24:30.840
<v Speaker 1>out some of the other members of the foundation. So

1335
01:24:31.279 --> 01:24:36.239
<v Speaker 1>Kyrie Polker Ancient Technology podcast, Chris King, who's a precision

1336
01:24:36.319 --> 01:24:42.760
<v Speaker 1>manufacturing expert. He machines like aerospace levels of tolerances. Ahmed

1337
01:24:42.760 --> 01:24:45.880
<v Speaker 1>Adley is another member. He has a YouTube channel devoted

1338
01:24:45.920 --> 01:24:49.159
<v Speaker 1>to the Arab speaking world to communicate a lot of

1339
01:24:49.199 --> 01:24:53.199
<v Speaker 1>this cocination to them. Of course, Ben van Kirkwick jud

1340
01:24:53.359 --> 01:24:56.000
<v Speaker 1>X and then Kyle and Russ Allen. We're brothers of

1341
01:24:56.039 --> 01:24:59.720
<v Speaker 1>the Serpent podcast. You know, we're all, there's a lot

1342
01:24:59.760 --> 01:25:01.319
<v Speaker 1>of us that are that are interested in this in

1343
01:25:01.399 --> 01:25:04.399
<v Speaker 1>the subjected and hopefully we can continue to push it forward.

1344
01:25:05.079 --> 01:25:08.359
<v Speaker 4>Are you Uh, I guess you're all over YouTube, but

1345
01:25:08.439 --> 01:25:10.159
<v Speaker 4>you guys don't have a channel specific to.

1346
01:25:10.199 --> 01:25:13.319
<v Speaker 1>Your work due now. The foundation is really just it's

1347
01:25:13.439 --> 01:25:16.920
<v Speaker 1>it's a it's a nonprofit just devoted to the exploration

1348
01:25:17.079 --> 01:25:21.359
<v Speaker 1>and okay, you know, evidence based work, but many of

1349
01:25:21.399 --> 01:25:22.119
<v Speaker 1>our members.

1350
01:25:21.920 --> 01:25:26.640
<v Speaker 4>Do very cool, very cool. Hey, I really appreciate your time, Adam,

1351
01:25:26.720 --> 01:25:30.800
<v Speaker 4>thank you, and uh uh, let's hopefully there's going to

1352
01:25:30.800 --> 01:25:33.880
<v Speaker 4>be a breakthrough one of these days where you could say, hey,

1353
01:25:34.079 --> 01:25:37.720
<v Speaker 4>we know what it is. It's a special laser because

1354
01:25:37.760 --> 01:25:40.199
<v Speaker 4>we developed it and now that's what they were using,

1355
01:25:40.319 --> 01:25:42.920
<v Speaker 4>you know, right. Really it's a challenge.

1356
01:25:44.079 --> 01:25:47.880
<v Speaker 1>One day, one day. But thanks for having me on.

1357
01:25:48.920 --> 01:25:51.760
<v Speaker 1>If it's been been a pleasure and it's been too long, yeah,

1358
01:25:51.920 --> 01:26:00.920
<v Speaker 1>thanks man, We'll have you back, all right, cheers. You

1359
01:26:01.000 --> 01:26:03.840
<v Speaker 1>got to look at the photographs on the Facebook page.

1360
01:26:03.920 --> 01:26:07.039
<v Speaker 1>If not and you want to jump onto YouTube, you

1361
01:26:07.039 --> 01:26:09.840
<v Speaker 1>can go to our YouTube channel and see some of

1362
01:26:09.920 --> 01:26:12.680
<v Speaker 1>the analysis that Adam and his team came up with.

1363
01:26:13.560 --> 01:26:16.600
<v Speaker 1>We don't know what the source of cutting is.

1364
01:26:16.720 --> 01:26:21.039
<v Speaker 4>We have no idea. Again, it's very likely a technology

1365
01:26:21.279 --> 01:26:25.279
<v Speaker 4>we are not prepared to understand because the science and

1366
01:26:25.680 --> 01:26:30.800
<v Speaker 4>likely the technology behind the cutting tools is we're not

1367
01:26:30.920 --> 01:26:33.960
<v Speaker 4>privy to. We don't understand what it is. We have

1368
01:26:34.079 --> 01:26:37.640
<v Speaker 4>no idea, we don't have the technology to replicate it,

1369
01:26:39.119 --> 01:26:43.439
<v Speaker 4>and it's not cutting blaze whatsoever. Apparently some of the

1370
01:26:43.560 --> 01:26:47.079
<v Speaker 4>early pieces are cutting blaze, but as Adam points out

1371
01:26:47.239 --> 01:26:54.239
<v Speaker 4>in his talk, the precision cuts make us think that

1372
01:26:54.319 --> 01:26:58.680
<v Speaker 4>the cutting blazes are even unusual, so we don't know.

1373
01:26:59.319 --> 01:27:03.600
<v Speaker 4>For more and from on all of this, go to Facebook,

1374
01:27:04.079 --> 01:27:06.039
<v Speaker 4>go to Earth Ancients and you can see the photographs,

1375
01:27:06.479 --> 01:27:12.199
<v Speaker 4>or go to YouTube and see the details. It's pretty amazing. Hey,

1376
01:27:12.239 --> 01:27:14.560
<v Speaker 4>I want to mention if you're thinking about a great

1377
01:27:14.600 --> 01:27:18.680
<v Speaker 4>gift for twenty twenty six, consider our seventh annual Grand

1378
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1379
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1380
01:27:30.079 --> 01:27:34.600
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1381
01:27:34.760 --> 01:27:39.479
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1382
01:27:39.600 --> 01:27:44.359
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1383
01:27:44.720 --> 01:27:47.600
<v Speaker 4>For all the details, go to Earth Ancients dot com,

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01:27:47.720 --> 01:27:52.840
<v Speaker 4>Forward slash Tours check it out. This is again a

1385
01:27:52.960 --> 01:27:55.680
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1386
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1387
01:27:59.600 --> 01:28:01.920
<v Speaker 4>like to call the diplomatic tour because you're treated like

1388
01:28:01.920 --> 01:28:05.960
<v Speaker 4>a diplomat from your country, and from the very minute

1389
01:28:06.039 --> 01:28:10.039
<v Speaker 4>you step off the plane in Cairo to the minute

1390
01:28:10.079 --> 01:28:11.720
<v Speaker 4>you get back on the plane to fly back home,

1391
01:28:11.920 --> 01:28:15.479
<v Speaker 4>you are treated like royalty. It's a diplomatic tour from

1392
01:28:15.560 --> 01:28:19.439
<v Speaker 4>start to finish. Come out and join us. It's April

1393
01:28:19.520 --> 01:28:22.840
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1394
01:28:22.920 --> 01:28:25.880
<v Speaker 4>more information you go to earth Agents dot com, Forward

1395
01:28:26.239 --> 01:28:30.720
<v Speaker 4>slash Tours. Come out and join us. All right, that's

1396
01:28:30.760 --> 01:28:32.239
<v Speaker 4>it for this program. I want to think my guest

1397
01:28:32.279 --> 01:28:36.079
<v Speaker 4>today Adam Young, coming to us from the East coast

1398
01:28:36.119 --> 01:28:38.159
<v Speaker 4>of the United States. As always the team of Gail

1399
01:28:38.279 --> 01:28:44.039
<v Speaker 4>Tour and Feya, our video expert. You guys rock all right,

1400
01:28:44.119 --> 01:28:45.680
<v Speaker 4>take care of me well, and we will talk to

1401
01:28:45.720 --> 01:28:47.840
<v Speaker 4>you next time. Have a great Christmas.

1402
01:29:02.439 --> 01:29:41.359
<v Speaker 3>A g.
