Speaker 1: I don't even want to talk over the end of it.
That's so cool.
Speaker 2: That is Reach, the band has Ever Felt. The show
is Matt connorton Unleashed.
Speaker 1: We are live.
Speaker 2: We have entered our number two new Marrow Dose on
this Saturday morning. Jenny is here of course as well
at the news table account for and we have joining
us via Skype. Adam Steglitz is here from the band
Ever Felt.
Speaker 3: Hello, Adam, Hey, how you guys doing good?
Speaker 1: Good?
Speaker 2: Welcome back? Last time we last time we talked to
was a couple of years ago, I think right two
or three.
Speaker 3: Years ago, twenty.
Speaker 1: Twenty twenty two. Wow.
Speaker 2: Yeah, So I love the new I love the new
material from the the EP, the self titled EP, and
Reach is the first single off of that.
Speaker 1: Correct, Yes sir, yes sir, Yeah, really good, really good.
I love all of these.
Speaker 2: I listened everything that you sent us and just just
great stuff. Has the sound changed, I feel like it
might have changed a little bit from when we had
you on before, kind of evolved a bit.
Speaker 3: Yeah, so we we've had a few different changes. So
we have a new drummer. He joined the band about
nine months ago. He's on this EP, and we now
have a new bass player too, but he's the bass
player that we had before is on the EP. But
we have a new bass player now that's joined and
they're gonna play our first show with us October fifth
and Evansville, Indiana. But but yes, yes, definitely, it evolved
in you know, and and playing it, playing it live,
and then and then working on it and then having
Corey being able to do two different tracks on it.
Actually we were able to go to Loud and Clear
Studios in Kentucky and do it with a real producer, Shelby,
and he did a great job and we were you know,
we were able to do those five songs in two days.
So we were really happy with you know, him being
able to you know it. Really we were ready, you know,
we were really ready to go and record him. But
at the same time, you know, the atmosphere was just
so nice and comfortable for us when we it was
like being it was like being at our practice studio
where we went to records, So it was nice.
Speaker 1: Oh that's fantastic.
Speaker 2: I'm curious to hear more about that because obviously because
you guys are Chicago based correct.
Speaker 3: Oh no, we're actually Southern Illinois.
Speaker 1: Oh, southern Illinois.
Speaker 2: Oh so you're not that far from Okay, I was
thinking more Chicago area. So so actually, so to go
from there to Kentucky, it's not that that much of
a haul.
Speaker 3: No, it's it was to where we recorded. It was
only a little over an hour from where I lived.
Speaker 1: Oh okay, okay.
Speaker 2: Yeah, So I'm curious to know more about that, your
experience at that studio and the producer that you worked with,
because you've got so many options now, as you know,
in terms of recording, there's there's a million recording studios,
you can record at home, There's so many different ways
you can do it. So but it sounds like you
really enjoyed your experience recording at that particular.
Speaker 3: Studio most definitely. I mean, honestly, we were able to
stay there also, and so you know, it was a
two day experience where the whole band we stayed there,
we recorded, we were able to do the scratch tracks
all live together, and then we're able to go back
in on the you know set and being able to
get I mean, honestly, we were only going to do
a four song EP to begin with, but it went
so well and everything was like I mean happening like
magic magically, I would have to have to say it
that way, because honestly, on the ball, I did two
vocal tracks for each song and we literally I didn't
have to go back and redo anything. We were really ready,
you know, we practiced, We were ready for the studio times.
So you know, when you pay for the time, you
know you want to make sure that you capitalize on it.
So when we got done with the first four, we
still had enough time where Shelby was like, Hey, if
you guys want to do a fifth song, you gotta
to let me know now. We need to get it done,
and so we did. We chose to do River, which
was the fifth song on the album. Which is that
ended up being an eight minute, twenty three second song.
Speaker 2: Yeah, no, that's great, I want to do another song.
Speaker 1: So you had to seize the opportunity.
Speaker 3: Yeah, absolutely, most definitely. You know, River was the song
that started ever really. You know, ever Felt began with
my best friend Charles Lingerfeldt, who passed away in twenty
twenty one. We had a band called Angerfelt before then,
and his last name is linger Felt, so I wanted
him to be forever Felt in the music that we do,
and River was his original melody, so you know, that
song was really important to us as a band. So yeah,
so it was really cool to put him on the
first EP, put his song on there, So that makes sense.
Speaker 1: I mean how prepared?
Speaker 2: I mean, did you guys in order to be really
prepared for this experience, because when you're going into a
studio and it's, like you said, you're paying for the time,
so you want to be efficient, but of course you
also want to get the best possible performance that you can.
So were you guys like rehearsing like five nights a
week leading up to when you went to the studio.
I mean that must have been intense. I mean, what
was that like?
Speaker 3: We played Since the last time I talked to you,
we've played eighteen shows. Oh wow, okay, well, you know,
also playing those you know, playing those songs. So we practiced,
We kept our normal practices, but we practiced, you know,
every Sunday. We practice every Sunday, so we practice every Sunday.
Plus we had a couple of shows right before, so
really it was more of just having two really you know,
six hour practices, really honing in on what we wanted
to do and being ready to go there. And when
I do the vocals, I mean when I practice vocals,
I practice at home too. You can't and being if
you really want to do this and be good at it,
you can't just practice at practice, and so you also
have to practice at home. And so I even like
when I do the vocals, I practiced my vocals all
compelled without even the music at home. So you know,
we really that's how well I know the songs, you
know what I mean? So when you really so when
we had that opportunity and we had no idea that
going there, that Shelby was going to be such a
cool dude, and and and and really made us feel
very at home, like it felt like a home situation.
I don't know how it's to describe that, but it
really made us feel like we could just be ourselves.
And so that allowed us to just really let go
and just let the music do what it needed to
do to you know, take us to that place to
channel what you hear on the EP.
Speaker 2: You know, Yeah, well that makes a huge difference. I mean,
I know from my own experience with recording, there's nothing
worse than if you go to a studio and you've
got a limited amount of time and you're dealing with
an engineer or a producer who's maybe a little grumpy
or maybe they just you know, they're just not the
friendliest because to them it's just a job. But it
sounds like with Shelby, like he really he really cares
about what he's doing and goes out of his way
to make it feel comfortable.
Speaker 3: So that's great, he really did.
Speaker 1: Man, what's the name of that studio again?
Speaker 3: That's Loud and Clear Studios in Paducah, Kentucky.
Speaker 2: Okay, And how did you find how did you find
that studio? Like what went into because obviously you had
no way of knowing for sure that it was going
to be such a great experience. What went into choosing
that studio, because again, you have so many different options
these days.
Speaker 3: Well, I actually was we were trying to find a
studio that was, you know, budget friendly, but also that
had had a good you know track record with our
kind of music in a sense. Yeah, but also we
were looking for something that was within a two hour
drive of us. Without having that way, you know, we
didn't know if we'd find a place we could stay at,
but we did. But We didn't know that, you know,
so in case we did have to travel back home
for whatever reason, we didn't know how long it would take.
We didn't know a lot of those things. So yeah,
so we were definitely wanting to find something within driving distance,
but also somebody who you know. And then when I
got a hold of him, his rates were great and
he was, you know, just like you could just tell
his energy was you know, he cared about what he does. Yeah,
and there is that it's his name involved with. He
cares about the music itself and that matters well.
Speaker 2: It shows too in the final product. Did he do
the master in as well or did you have to
take that somewhere else?
Speaker 3: No, we wanted him to do the mixing, no mastering,
since he recorded it, you know, we felt that be
the best fluid way to do it.
Speaker 1: Yeah, yeah, no, that's excellent, excellent.
Speaker 2: Now the uh, do you have more music that you're
that you're working on, because I assume you additional songs
that you play live, right.
Speaker 3: Oh, definitely, yes, sir. So we actually have those five.
We actually have another thirteen songs. Oh okay, yeah, But
what the plan is is, I don't know what time
next year, yet. But next year we're gonna be working
with Shelle Beegan and we're gonna be doing our first album.
And so what's gonna happen is we're gonna take the
five songs from the EP remaster and with the new
bass player a couple other things we want to remaster
on them on those songs, and then an additional seven songs.
So it's gonna be twelve song album. Oh, We're gonna
be released in next year. So we just wanted to
get the EP out there with the new drummer and
really have something that we can, you know, have let
the people here while we're working on shows behind the scenes,
and then also you know, an album too. So and
then November tenth, we're actually working with Rudwood Creative to
create our first official music video for Reach.
Speaker 1: Oh excellent.
Speaker 3: Yeah, so we're we're really excited about that.
Speaker 2: Yeah, very good. Do you already have the concept and everything?
Are you still in the process of figuring that out?
Speaker 3: We have some of the concept. You know, Reach is
really about, you know, we've all been found broken alone
in that hole, reaching out and in that desolate place
you find that that it's in that place where you
realize that in order to truly reach out, you must
first reach in and then so it's it's philosophical, but
you know, the idea is like almost like the concept
and theme of the music video is almost like the
light you see when you're reaching through the dirt of
a buried grave. You know, the first light you see
is the very light at the end of the music
video that brings us all together as a band, or
that kind of concept. So we're going with that, but
it's also going to be like in the Woods and
the dude. The dude Trey Rudd from Rudwood Creative. He
actually is somebody that we found through Shelby and he's
really good. He's also based in Kentucky, but we've seen
some of the work and the videos he's done. So yeah,
it's gonna be like a six hour video shoot that
we're going to do on November tenth.
Speaker 2: Oh fantastic. Yeah, I feel like it's so important too
to do to do music video, which to some people,
to people who don't know that might sound odd in
the year twenty twenty four because I forget who We
were talking about this recently on the show, but we're
talking with someone about how some people have a misperception
that there are no music videos anymore because you know,
MTV doesn't play music videos anymore or VH one or anything.
But actually, because of YouTube, I would say music videos
are more important than they've ever been because it's something
that you can really use to promote your music, to
share out on social media and all of that.
Speaker 3: Because you know, attention span is so because of the
advent of social media and phones, attention spans like next
to nothing. And so because of that, you know, you
really want to have those captivating images that get people
to keep listening. And so that's the reason for the videos,
you know, Yeah, you know, and honestly, I see why.
I mean even myself. I mean, I'm sure you understand too.
You know, like it's easy to get there's so much
music out there. You really want to try to find
a way to create your own path, Yeah, and without
try trying to do that, you can't really try to
do that, you and you just have to let it,
you know, Like for instance, with our music, with Corey
and Jacob and I writing this music, I have to say,
like it kind of in a sense happens to us
because we allow the music to create and write the
songs and so, you know, and then we just we
allow whatever whatever happens to us as we're working on
it to you know, we record that, we come back,
we whittle that down. So it's really just something that
kind of writes itself through us, as long as we're
allowing ourselves to be the channel for the music instead
of trying to control it too much.
Speaker 1: You know, Yeah, I like that. I like that.
Speaker 2: Yeah, something we talk a lot on the show about
as well with with our guests, as the process of
creating and writing. And I think the you know, from
my own experience, I think the best way is when
you're not trying to force it to You're not saying, Okay,
we're going to try to make this sound like this,
or we want to sound like that, but rather just
kind of letting it be organic and letting it kind
of as you describe it, which I think is great,
letting it kind of have come through you.
Speaker 3: Yes, exactly.
Speaker 1: Yeah, yeah, so that's that's great.
Speaker 2: At this point, are you all it sounds like the
whole band rights together.
Speaker 1: Is that is that accurate? Yes?
Speaker 3: Yes, yeah, we we write together a lot of times,
like with with the five songs in the EP. For instance,
you know, the original melody of River obviously came from Charlie,
my buddy that passed, but yeah, we turned it into
something completely you know, its own, forever felt, you know,
but the original melody came from him. But Jacob really
worked on that, and Jacob brought a rhythm guitarist. He
brought into the fire, the original rift for into the
fire and gave it away. He brought those songs to
the table, and then the other ones Reach and Lie
and and and River were all that we kind of
came up together. Corey brought Reach, you know, the original Reach,
but a lot of the newer stuff that you're going
to be hearing on the album is stuff that Corey
brought to the table. He would he has this terrible,
crazy habit of he'll he'll write a rift that he loves.
He'll be at home and he tries to call me
and play it for me over the phone.
Speaker 1: Yeah.
Speaker 3: I can't ever understand hardly any of it. But by
the time we get to the studio, I mean, by
the time we get to the studio to work on it,
you know, it's just and it's it's really kind of
crazy too. Sometimes Corey will he'll write a rift for
a song and he'll just kind of just tell me
the words that come to him when he wrote it,
like the concept and the theme for instance, and I'll
just go with that, and so it just, you know,
it just depends. But yeah, a lot of our creative
process is really bringing whatever rift or whatever we're doing
to the table and freestyle creating right then and there.
And while we're freestyle and we record what we're doing,
and I'll try all these various different focal patterns and
whatever the music naturally makes me talk about. Yeah, when
I'm singing is what the song ends up being about.
So I want to I literally literally want to allow
the music, whatever the music makes me do, to allow
it to take it to the direction of the song.
So that way it's all fluid, you know, and right
right and and really it is. It is kind of
a chance when you really allow yourself to be captured
by the music, it can really allow it through you.
What I mean. Sometimes when that happens, I have a
hard time reproducing it really. Yeah, yeah, you know what
I mean, Like you go back and you're like, man
that you listen to the recording, You're like, how did
we do? How did we actually do that? Like, and
then you have to try to go back and remember
you know sometimes when you really get lost in it,
you know, right right, Yeah, And that's that's the beauty
of it, you know, that's really the beauty of music.
Speaker 2: Yeah, and then the challenge of trying to find your
way back to that magic moment. Yeah exactly, Yeah, I
know exactly what you mean. Uh do is there a theme?
Do these songs have a through line on this EP?
Because listening to them, I kind of feel like I
couldn't quite detect what it might be.
Speaker 1: And maybe there isn't one.
Speaker 2: Maybe maybe I just perceive there possibly being a theme
because these songs fit together so well. But I'm curious,
is there an overlying theme to to the EP?
Speaker 3: Well? Yeah, So every song on the EP, from Reached
End of the Fire to River to Gave It Away,
they all have to do with the various themes that
we all face as a human race, Like they all
have to do with like, for instance, Gave It Away
is about you know, being willing to sacrifice even when
no one else sees it, for the thing you love,
you know, into the fires, being willing to brave the
fires of life to burn away the parts of you
that aren't you rivers about life. So for me, it's
really all about these philosophical themes that we all think
about and deal with on the daily basis. Yeah, really,
the that's really the overlying theme of everything that we
do as ever felt really. Yeah, as a writer, I
published my first book in two thousand and four called
Winds of Perception Scratching the Surface. And even that was
a book of poetry where I really wanted to take
my style of writing and address the various themes that
we face as humans and so in a philosophical way.
And so that's really really what it is, is about
getting in tune with oneself and becoming who you're really
supposed to be. That's that's really the the ideas, you know,
you know, even even when you're talking about and reach,
when you talk about the chorus bleeding out to keep
the mind new, what talking about there literally is I'm saying,
you know, everything's about the mind. You know, everything's about
people get caught in their head and they get caught
in the mental of it, and they forget the soul.
And so your souls bleeding out just to concentrate on
the mind and so and to concentrate on and and
the things we worry about in life where we get
caught in our head, you know, right, And so that's
really the the overlying theme is like learning how to
find oneself. Like the song Stranger is going to be
on the album, it's really that that song, you know,
also is about, you know, realizing that the stranger that
is within you is the real you. And so that's
the idea, is to shed all the chains and the
the preconceived notions that you were that were ingrained in
you when you were younger and really become the you
that you really are and what you're meant to be here,
you know. And so that's the overlying theme.
Speaker 1: No, I like it.
Speaker 2: You know what's cool all this too, is there's a
very positive message to it all. I mean, you can
really get a lot out of it. But it's interesting
because the sound of the band sort of the sort
of psychedelic but metal. I don't know exactly how you
would describe it. You guys are unique, I think, but
but you almost if you didn't know and if you
didn't hear the lyrics, if you just heard the music,
you almost might think it was kind of a dark,
brooding thing, but there's some really positive messaging in the
lyrics and what these songs are about. And I think
that's really cool.
Speaker 3: Yeah, because we want to, you know, and thank you
very much for saying that, we want to relate to
the dark tunnel with our listeners that they are also
in or they've been in before. But we also talk
about the door we found. We also want to talk
about the light that we found within the darkness, because
the candle flame flicker is never so bright as in
a dark room. So for that reason alone, that's the
reason why we bring that dark brooding sound, because you know,
in order truly you know, and and counter true light,
you have to be willing to brave the darkness.
Speaker 1: Yeah. I like it.
Speaker 2: I'm someone I struggle with depression and when I listen
to that song, when I listen to reach, you know,
that's I kind of it. It clicked with me, I
think for that reason, and so I was able to
take something from that that that's uh, you.
Speaker 1: Know that I really like. I really like that song
a lot.
Speaker 3: Thank you, man, I really appreciate that. Matt.
Speaker 2: Yeah, Yeah, absolutely, absolutely what's your stage show, like, do
you guys have any kind of because you know, with
your sound it would lend itself to something kind of
dramatic or maybe not maybe maybe just do kind of
a you know, you just you just play. I don't know,
I mean, do you have any kind of any kind
of a stage show or or do you.
Speaker 3: Just I mean, I will say this, We we definitely
put on a show. Yeah, yeah, all over the stage.
But uh, but we are just now working on the fog,
the lights, the we're actually working on with my new
bass player, we're working on an introduction and entire introduction
to our show before we come on stage. So we're
getting all of the extras together now for this next
coming year. But honestly, I don't know if you've seen
any of our live videos. I think you have. We
we get down. Yeah, I've seen a lot of bands
stand up there and just play. That's not what we
do right, right, And And I pride myself on really
being able to allow myself to truly become the channel
on stage for the music and honestly hit every note,
but get down and and and and that takes practice.
Like when I play on I practice at practice. It's
like I'm performing and I'll tell you what last last Sunday,
because we just had got this new bass player. So
it's been about a month now and he's gonna play
his first show with us on October fifth. But last
Sunday was our first like six hour practice where we
went through the set twice and and I gotta tell you,
I was hurting the next day, man, because we hadn't
had like a you know, we had like a kind
of a break there for like three weeks where we
didn't have a show or anything, and we didn't practice
because of other family stuff and all that. You know. Yeah,
but but yeah, yeah, so uh really excited to get
the new bass player because not only is he bringing
some awesome thump into the bass on some of our
songs that we didn't have before, but also he's like
a whiz when it comes to like light and fog
and all this other stuff.
Speaker 1: So good.
Speaker 3: So yeah, so I'm super excited about that. He's gonna
We're working on a projector screen behind us instead of
a banner I trying to get.
Speaker 1: Yeah, I can imagine that with your music. I can
imagine a projector's screen.
Speaker 3: Yeah, we want to we want to project some images
and yeah, and uh and really take people on that
give him an experience, you know.
Speaker 1: Mm hmmm, hmm.
Speaker 2: Do you have to uh do you do anything to
take care of your voice, like uh, lemon or anything,
because you you obviously with what you're doing.
Speaker 1: You know, it's pretty intense. Your vocals are pretty intense.
Speaker 3: Thanks man. Yeah, yeah, uh so, honestly, I don't smoke.
Another one, good number two is I do breath work
and chakra work every day.
Speaker 1: Oh interesting, okay.
Speaker 3: Yes, and so that's been something I've found that's totally
changed the whole game for me when it comes to
being ready for the stage and being able to hit
everything and do what I do. And also a workout
regiment is important twice a week. But on stage, I
drink let me tell you what it is. On stage.
I don't drink alcohol. I do particulars in marijuana, but
I do drink alcohol. Really, so I don't have alcohol
on stage, So I drink what does she do with
my chakra tea?
Speaker 1: But yeah, I've heard of that.
Speaker 3: Yeah, yeah, I drink that on stage. And then I
also always have a blue Gator. I don't know what
it is about the blue, the blue gatorade. But it's
really soothing if you need something to drink on stage
other than water. Yeah, anyone's listening to this. That's a singer. Oh,
here it is. I don't know why she put in here.
I want it here. This is it's the organic throat
code is what it's called. It is made of slippery elm. Yeah, okay,
slippery elm tee. So if if you do vocals where
you go back and forth between the heavy and the lights,
this is really nice to have on stage.
Speaker 1: Oh, very cool, very cool. Yeah.
Speaker 2: I mean we have a lot of musicians who listen
to the show, so that might be very helpful to someone.
Speaker 1: Yeah.
Speaker 2: That really caught my attention to what you were saying
about the breath work, because so I don't know if
you know anything about my background, but I'm also a
hypnotherapist and I use a lot of breath work in
my sessions with my clients, so I know the value
of that and all kinds of applications for it.
Speaker 3: It's mind blowing.
Speaker 1: Yep, yep.
Speaker 3: People that are if you're if you're an artist in
anybody anyway, it don't matter what walk of life you're in.
Definitely look into the chakra and breath work is very important,
the chanting, all of that I do. I do it
every day. I have a forty minute drive to work
in the morning, so I do it every day on
my way to work. The breath work. They don't do
much meditation then, but be a little dangerous, right. But
I also there's also like this what's it called Ancient
Meditations on Facebook where they have like this the sounds
the different frequencies that you can use to listen to
while you're doing it. Oh okay, yeah, so that's also
a cool thing to utilize if anybody's also listening. But yeah,
being a hypno therapys you said you're a certified hypno therapist, right, Yes,
that's phenomenal man.
Speaker 1: Yeah.
Speaker 2: Yeah, I've been doing it about twenty years now. And uh,
you know, I help people to quit smoking. That's like
the number one thing. But you know, it's got a
lot of a lot of different applications. But uh yeah,
and you know, we do a lot of breath work,
and when I'm taking the client into a state of hypnosis,
we do a lot of a lot of breathing and
sometimes people kind of chuckle when I say now I
want you to breathe, and they're like, well, I already am,
or i'd be dead. And it's like no, no, no,
I want.
Speaker 1: You to really breathe. Yeah, and then we get in
all of that and when you people the.
Speaker 3: Four seven eight breathing technique, you know, the nose and
the mouth of all of that, when they really do
it that you just I've done it with my wife
and a few other friends and they're like, wow, you
could just see the look of surprise in their face
when you can just tell when you really control your breathing,
it takes you to another place. Yep, yea, And it
honestly helps you get to center.
Speaker 2: And so yeah, I tell everyone it's kind of like
hitting the reset button. You know, if you're having a
difficult day, a challenging day, you need to de stress
for a minute and you need to just kind of
reset everything, you know, just just stop and do the breathing,
and it just kind of, like I said, it just
kind of helps you reset.
Speaker 3: You know.
Speaker 2: It's like like pushing the button on the video game
when you want to start over.
Speaker 1: You know, That's how I think of it.
Speaker 3: It truly does.
Speaker 2: Oh, by the way, too, something else you mentioned that
that also really caught my attention.
Speaker 1: So you're you're a published.
Speaker 3: Author, Yes, sir, yep. I published my first book, well,
my only book in two thousand and four, is called
Wins of Perceptions in the Surface. You can get it
at Amazon dot com. But I also have a Facebook
page called Stirring to Wake. I'm always working with the
Everfelt page, so I don't really post a lot of
the writings, but yeah, yeah, a lot of the writing
is on there. But yeah, I've been writing ever since
I can remember.
Speaker 2: Yeah, yeah, oh interesting, Okay, very cool. Do you have
any plans to do another book?
Speaker 3: I do. If I am not playing stadiums or arenas
by the time i'mty five, I'm just gonna write the
novel I've been thinking. I've been where I started a
novel too, but it's like this whole you know, it's
this experimental fantasy obviously, but but you know, yeah, I've
I've told you know, min named Corey my my lead guitars,
Corey Robinson. You hear how amazing he is, Yeah, in
person to the most humble badass I know. I also
have this awesome Japanese piece. He just did this tattoo
work he just did on my arm. That's so sick. Man. Yeah,
he's super talented and as super cool dude, but uh oh,
I was minding his goal. You know. He's he just
turned forty four. I'm forty two in October. Second here
in a couple of days, we're hoping to be playing
arenas and stadiums by the time we're fifty with this music.
Speaker 1: Yeah, yeah, we're not.
Speaker 3: We might just you know, well look at others, but
we'll see.
Speaker 1: The universe will give you that schedule.
Speaker 3: You know. I love that you spoke that into existence
just now, my friends.
Speaker 1: There you go, there you go.
Speaker 2: Well, Adam, I really appreciate talking with you this morning.
I was thinking we might end the segment with The Lie,
which is another great another great track, great track from
the EP man. Anything we should know about this before
we play it.
Speaker 3: The Lie is, you know, a song that is all
about everything we're hearing about coming through our screens, our TVs,
our phones, even the lies that we tell ourselves. But
mostly it's about the Global League, keeping the foot on
the man, you know, hiding under the lies they you know,
they tell. The truth begins to fade and and I
think we can all relate to that, and I'm sure
we're all tired of the lies.
Speaker 2: So all right, so we're gonna end with that track.
But before we go, Adam, please let everyone know where's
the best place to go online to keep up with
everything that you're doing, everything that ever Felt is doing,
any anything you want our listeners to know about.
Speaker 3: Yes, everfelt dot net. That's our website where you can
access all of You can listen to our EP on
our on our streaming music player at the bottom of
the site. You can all you can listen to it
while you're scrolling through the pages, so you can contact
us there. You can go to our social media platforms
from that ever felt dot net. Come check us out.
Speaker 2: All right, very good, So we're gonna hit this track,
so we'll let you go. But Adam again, thank you
so much. I really enjoyed our conversation and we'll definitely
do this again in the future.
Speaker 3: Yes, sir man, it's always a pleasure talking to you. Man.
Speaker 1: All right, Adam, take care, thank you, Bye bye bye bye.
All right.
Speaker 2: That was Adam Seglitch from the band ever Felt. We're
gonna play this track the Lie, and then when we
come back Jenny and I will talk a little bit about, well,
she's got a big trip she's going on very shortly,
and we'll also talk a little bit about paper Jam
magazine doing some more stuff with them.
Speaker 1: But check this out. This is called The Lie and
the band is Ever Felt