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Speaker 1: W m n H rips them.

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Speaker 2: We're back from the brain for my day. I'm going

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to wreck it all. It means some do not it's

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not dead. I'm wrecking it all. I thought a ride.

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Speaker 3: I thought it were not stop dead.

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Speaker 2: They're gone twisted, they got they go.

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Speaker 4: That was not dead.

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Speaker 2: I don't. I thought a ride. I thought a.

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Speaker 5: Boy, then a model s bodola, then a bottle, the

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sn and then there's long man.

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Speaker 2: And these three seeds. They basically in place three seats

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and they'll be calling.

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Speaker 3: Now well on Monday, I'm putting the record on. You

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tell me inside. I'm not nothing.

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Speaker 2: I'm putting the record on. I thought the Friday, I

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thought the froday, and not good. They go be twisted

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the goment right, the go take the es, not god.

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I t a volume. I thought a rod. I thought

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the and I can put it.

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Speaker 5: By bill. Let a bottle the sound, let us follow me,

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then a followed the sound, then.

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Speaker 2: Let us follow that.

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Speaker 5: In places three seats don't come inside and man he

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recently in place three seas the class, then paced three seeds,

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then a.

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Speaker 2: Tree passion, then faces rec.

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Speaker 6: He infected the message, then paces RECEI, then a g

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passion in places three seeds infected.

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Speaker 2: The massive energy impression.

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Speaker 7: Inc in amasses energy impression of the masses. Play Devil

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Sunday tire. That's a Noma pepper Stop a Sunday until.

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Speaker 8: A peple stop.

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Speaker 7: You.

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Speaker 9: If that doesn't get your moving, check your pulse, you

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might be dead. Welcome back, everybody. We have entered our

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number two Numarrow dose of Matt Connerton on Lee. If

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you are listening live on Saturday, today is Saturday, August sixteen.

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We are broadcasting live from the studios of w m

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n H ninety five point three FM in Glorious Manchester,

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New Hampshire. Jenny is here as well, of course at

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the news table present and we have with us in

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studio three of the members of the band Superbug. And

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that track that we just heard, Invasive Species is that's

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that's such.

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Speaker 1: A great song.

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Speaker 9: Welcome guys, thank you, thank you great to be here.

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Let's start with you sir in the corner. Why don't

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you each tell us who you are what you.

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Speaker 1: Do in the band.

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Speaker 8: I'm Justin and I'm the vocalist.

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Speaker 10: Hey Justin, I am REEB and I am a guitar player.

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Speaker 1: Rebe pretty easy to remember.

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Speaker 10: Yes, and you, sir, I'm Parker, I'm the drummer, okay,

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and Noah.

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Speaker 9: And the bass players. I'll tell you those bass players,

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the bass players. What he abducted by aliens or something?

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Speaker 6: Is he is?

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Speaker 10: He gets subducted regularly. Yeah, he's the local man of

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mystery for us. Yes, but we don't want to diminish

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him by not being here because he's the sound.

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Speaker 11: Oh.

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Speaker 9: Absolutely absolutely, that's what opens that song. Is you hear

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the first thing you hear is that baseline?

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Speaker 1: I love it? I love it.

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Speaker 9: No, you guys have a great have a great sound.

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How do you even how do you describe what you do?

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Because everyone always hates this question, but how do you

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describe your.

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Speaker 10: Own I got you okay that it is progressive punk

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funk with like a sprinkle of metal and a little

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hip hop too. Yeah, yeah, I say that's pretty close.

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Speaker 1: I can hear all that. Yeah, absolutely absolutely.

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Speaker 9: We're gonna play some of the other tracks to later

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in the uh, later in the segment, but no, it's

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really good, gets you moving.

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Speaker 1: How long have you guys been around?

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Speaker 9: I know, I know it's been a while because I

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you definitely have a following because I saw people online

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were like, oh cool, Superbug. You know people people are

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excited that you're coming on the show today. So I mean,

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you guys been been at this while or.

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Speaker 10: Yeah, yeah, four or five years? Okay, okay, I've been

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with them for four years right about now? Actually, oh okay.

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So they were a thing prior to me coming in

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matter of fact, I was in a different band. I

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watched them play and I was so jealous because I

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thought they were so cool. But I did think that

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maybe a new guitar player would suit them better. Right,

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So when the opportunity came up, I had to jump

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on it.

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Speaker 9: Yeah, that's that's always cool when you know, you see

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a band and you think, wow, that's a band I'd.

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Speaker 1: Like to be in, and then it happens.

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Speaker 10: Yeah, I was jealous. I like their energy, and I

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was actually shock our.

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Speaker 8: First guitar player he didn't. We wanted to push it

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further and play out a lot, and he didn't. He

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wasn't really into that, and he said, maybe you guys

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should find another guitar player. So really, we know we

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know a guy.

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Speaker 1: So it sounds like it was amicable then, right, Yeah.

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Speaker 8: Absolutely, And it worked great because read was perfect.

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Speaker 10: For I couldn't believe how well, because I've known these

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guys well justin since, you know, grade school. Yeah, I didn't.

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I he was singing. I heard it through the grapevine

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in town. I'm like what, And I watched and I

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was like, Wow, he's up there killing it.

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Speaker 1: I really dig it. Oh that's cool.

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Speaker 9: Yeah, because one of the hardest things, you know, from

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my experience of being in the band is, you know,

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you've always got people with varying levels of commitment and

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and and even varying degrees of ambition, Right, so if

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you have somebody who's you know, it sucks when you

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have somebody in the band who's kind of holding you

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back a little bit, not because they're not talented or

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anything like that, but just because they're kind of looking

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ato like, yeah, this is more. This is more of

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a hobby to me and not so much of a passion,

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you know, And it kind of sounds like that's what

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you were dealing with.

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Speaker 10: I think we've all been there, not in just the

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previous iteration of Superbug, but also other bands we've been in.

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Speaker 8: Sure sure, well, yeah he was in another band and

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the bass player didn't really want.

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Speaker 10: To play out so similar situation.

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Speaker 8: Yeah, so we're like, well, we might as well join

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forces here, you know, and not that though.

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Speaker 10: We like to hang out like we're generally friends, like yeah,

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even if we're not jamming, if there's an opportunity to

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go see another band or go somewhere, we travel on

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a pack. It's kind of like we form like Vultron.

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Speaker 9: That's good. That's good. So obvious question. Where does his

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name Superbug come from?

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Speaker 12: Why?

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Speaker 1: Superbug?

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Speaker 10: This is actually funny, So in the bug bar and

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where we rehearse In my house, I've got an old

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Nixon poster from the seventies, a screen print of him

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basically trying to bug the Democratic National Party and at

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the bottom of the print says superbug.

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Speaker 2: Oh wow.

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Speaker 10: And we had our number one fan, Sean Kelly Money

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shout out. He saw it on the on the poster.

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He said, why not super Bug, because I think they

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were Pine Tree Riot previously, which.

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Speaker 1: You know, not horrible but uh interesting pine Tree Riot.

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Speaker 10: So Superbug became you know, just by choice. We'd like

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to have it as one word, but for the uh

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iTunes and Spotify purposes, separating it into two words kind

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of made it easier.

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Speaker 9: To search okay, okay, Yeah, I wondered about that because

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I even went back and edited the initial post. So

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I think of the post I put about today's show,

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I put it in two words and I changed one word.

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But I think I then there's that that compromise thing

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you can do where it's one word, but you've got

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bug is capitalized, so it's.

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Speaker 10: Doesn't really matter. Yeah, down's the same, you say.

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Speaker 1: Right, right, that's true. Now, are you guys playing out

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a lot? Yeah?

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Speaker 10: I got a list here if your curiousness to win?

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Absolutely absolutely, And I want to give a shout out

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to the Superbug wives for letting us play out, because

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you know, it's definitely a tricky compromise to make, and

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we're spending all this time playing music and going out

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and yeah, you know, it's a lot of Saturday nights

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giving up. So shout out to the ladies out there

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for supporting us.

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Speaker 1: Nice.

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Speaker 10: Yeah, But now we have one next weekend Molehill Theater

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in Alsted with our frends, the Evocatives who are tremendous

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auspicious brew on nine thirteen, up in Dover Button Factory

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in Portsmouth on nine twenty seven with Mercury Burns First

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also a Hillsborough.

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Speaker 1: Oh, we had them on the show. Plus I've known

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Jay forever.

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Speaker 10: Yes, reallyand yeah, we're looking forward to that.

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Speaker 1: Yeah.

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Speaker 10: We're playing October Fest at the Auburn Pitts Hanneker Brewing

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Company on ten seventeen, and then Auspicious Underground in Nashua

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in November. Okay, So you know, it's funny. I don't

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know if there's any other bands going out dealing with

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this sort of thing. We basically play our own stuff.

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We don't really do any covers.

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Speaker 1: Yeah.

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Speaker 10: So there's a point in the winter, probably from December

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to April, where it seems like all hope is lost

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and you're never going to play a show again. Yep,

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and you're depressed. And then all of a sudden, you know,

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May June hits and you just we've had to turn

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stuff down.

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Speaker 1: She's a great place to be in, you know, that's

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a great problem to have.

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Speaker 10: Yeah, yeah, yeah, So we're really thankful for anybody giving

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us an opportunity to play anywhere.

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Speaker 1: Yeah.

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Speaker 9: Are there other bands in the area that you guys

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kind of you know what happens organically. Are there other

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bands that you've kind of teamed up with where you

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just yeah, play a lot of shows.

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Speaker 10: The Evocatives out of Keene, they're fantastic. Check them out.

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Big shout out to Andrew North and the Rangers.

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Speaker 1: Oh yeah, we've had them on amazing and they.

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Speaker 10: Andrews the open Mic Night, the open Mic Night kind

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of that they were doing an area twenty three and conquered.

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We went in probably twenty twenty three early and we

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were just Hillsborough. We never get out of Hillsboro. So

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the fact that we went there we played people dug us.

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It gave us confidence to say, hey, we could actually

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go out and do this. Yeah, and Andrew's been a

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big supporter of us. You know, we played their showcase

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last November with them. He sat in with us a

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few times. Great dudes. Loud Pipes Productions also another one.

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Speaker 8: And lady who say, wasn't I said? And lady, Yes, lady,

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there's a lady in the band too.

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Speaker 2: He's a great dude.

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Speaker 1: Got okay.

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Speaker 10: I didn't know where he was going. Shout out to

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Jay Rock And then you know the Hillsborough bands that

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are great. Hobo Wizard is cool if you haven't checked

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them out too, So.

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Speaker 1: Somebody else do you remember that name. Somebody else mentioned

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them too on the show.

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Speaker 9: I forget who it was who mentioned them recently, Hobo Wizard,

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I don't remember.

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Speaker 1: Yeah that.

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Speaker 10: And then Parker also plays with Stage and the Tumbleweeds,

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who are great. And then I play in Dent out

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of Hillsborough. So okay, yeah, Hillsborough drug Deal Gone Rad

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is out of there. I mean, by the way, best

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drug deal, drug Deal gun Rad. Check them out. Great name, yeah, yeah, yeah,

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Hillsborough's popping they it's it's actually got some pretty cool

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live stuff. Mercury Burns First Heaven, Yeah, Shreded Heaven. Yep,

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that's a cool name too.

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Speaker 9: Yeah, there's so much well we're talking off here about

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this too. There's so much incredible talent around here, you know,

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because sometimes like Jenny does a booking and sometimes somebody

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will ask her, you know, where do you find her?

239
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Or they'll ask me, where does Jenny find all all

240
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these artists to come on the show, And I'm like, well,

241
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I'm magic. Yes, there is that, but there's also there's

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so much talent around here. So that's exactly what it is.

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Speaker 13: Yes, I understand more now why it's hard for people

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to make it, because there is so much balent out there. Yeah,

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00:12:29,639 --> 00:12:32,200
you know, I didn't realize it until we started doing this.

246
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Speaker 1: Yeah. Oh yeah, absolutely.

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Speaker 10: It really seems this year like things they're starting to

248
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pick up. I don't know, it's weird, like the paper

249
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Jam thing that's coming out. Yeah, shout out to Shiela

250
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and Tony.

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Speaker 1: Great people. We love paper Jam. Yeah.

252
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Speaker 10: So the fact that we get that and in this

253
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you know, it's like things are starting to pop. So

254
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it's pretty cool.

255
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Speaker 1: We should mention that too.

256
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Speaker 10: So you're in the current issue September October issue sep.

257
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Speaker 1: Number October, you're gonna be like, Okay, oh fantastic.

258
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Speaker 10: Yeah, check the page out. They got great stuff and

259
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they're great content, content and really nice people.

260
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Speaker 1: Yeah.

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Speaker 9: They've been sending us the both the you know, because

262
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of the two versions as the color version of the

263
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black and white version, and they actually sent us both.

264
00:13:06,840 --> 00:13:09,440
Last time they have our they have the Matt Connorton

265
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on leash logo right in the front, which we love.

266
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Speaker 1: We love.

267
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Speaker 9: No, They're they're amazing and they're you know, it's it's

268
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the thing that's impressive because we had them on the

269
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show too and interviewed them and what's impressive about paper

270
00:13:21,080 --> 00:13:23,279
jam is. You know, there's a perception that, you know,

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any kind of print media is kind of dead and that,

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00:13:25,960 --> 00:13:29,240
you know, because everything's online and and but they've been

273
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very successful, you know, taking that risk. I remember asking

274
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them about this too. I said, this is quite a

275
00:13:34,480 --> 00:13:36,840
gamble that you took, you know, even getting into this,

276
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because I'm sure people, although I was surprised. I asked them,

277
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I said, did anyone try to talk you out of it?

278
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Speaker 1: And they said no. I said, Okay, that surprises me.

279
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Speaker 9: But I'm glad because, you know, because here we are

280
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and they're doing incredibly, incredibly well.

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Speaker 10: It's a great service for the bands out there.

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Speaker 14: You know.

283
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Speaker 10: They bought us pizza, they talked to us. You know,

284
00:13:54,360 --> 00:13:55,840
you get to play some songs for him, They did

285
00:13:55,879 --> 00:13:58,200
a photo shoot. I mean, it's super cool. You know,

286
00:13:58,360 --> 00:14:00,639
for listen, we're not gonna make any money or become

287
00:14:00,679 --> 00:14:02,600
real rock stars, but to get a little slice of it,

288
00:14:03,039 --> 00:14:03,720
that's super cool.

289
00:14:03,960 --> 00:14:05,600
Speaker 1: Yeah. Yeah, absolutely.

290
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Speaker 9: I'm also curious about where you record because I love

291
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I love your sound, I love the production.

292
00:14:11,440 --> 00:14:12,159
Speaker 1: It's all really good.

293
00:14:12,639 --> 00:14:14,480
Speaker 10: We did that right here in the Mills, New Hampshire

294
00:14:14,480 --> 00:14:16,679
Tunes shout out to Zaine McDonald.

295
00:14:16,960 --> 00:14:19,320
Speaker 1: Okay, yeah, so we did.

296
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Speaker 10: Daniel McDaniel.

297
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Speaker 1: Sorry, Uh, we.

298
00:14:23,320 --> 00:14:25,799
Speaker 10: Did it that record. We did it in about seven

299
00:14:25,879 --> 00:14:29,039
hours of recording. All the takes are basically first or

300
00:14:29,080 --> 00:14:30,399
second take, mostly first.

301
00:14:30,639 --> 00:14:33,200
Speaker 8: Yeah, no overdubs, I think essentially.

302
00:14:33,960 --> 00:14:37,120
Speaker 10: Yeah, okay, I doubled the one guitar solo I think

303
00:14:37,159 --> 00:14:39,799
on blame Game at the end, and then even the

304
00:14:39,879 --> 00:14:43,679
vocal takes that we did afterwards. Uh, maybe one song

305
00:14:43,799 --> 00:14:48,480
had two. Yeah, I no patience for perfection, probably detrimentally,

306
00:14:48,559 --> 00:14:50,000
but you know, we like to keep it raw.

307
00:14:50,080 --> 00:14:52,039
Speaker 1: I think it works for what you're doing. I think

308
00:14:52,080 --> 00:14:52,360
it does.

309
00:14:52,440 --> 00:14:55,039
Speaker 9: And it does sound live. It's it's got that, it's

310
00:14:55,039 --> 00:14:57,559
got an energy to it that that comes through that way.

311
00:14:57,679 --> 00:14:59,519
Speaker 10: If you watch a live version of the song you

312
00:14:59,639 --> 00:15:02,759
just play, it's almost gonna sound identical. Really, it's it's

313
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just their sound.

314
00:15:03,600 --> 00:15:06,320
Speaker 9: Yeah, yeah, well we should play let's play another track

315
00:15:06,399 --> 00:15:08,279
from the These are all from the album, right, these are?

316
00:15:08,679 --> 00:15:11,679
Speaker 10: Yeah, Hesitation Jelly out now on Spotify, iTunes, all that

317
00:15:11,759 --> 00:15:12,240
fun stuff.

318
00:15:12,279 --> 00:15:15,080
Speaker 9: Oh okay, I have to know before we go any further.

319
00:15:15,200 --> 00:15:18,679
Hesitation Jelly, why what is that where you can tell

320
00:15:18,679 --> 00:15:20,679
them this is this even something you can tell in

321
00:15:20,759 --> 00:15:20,960
the air.

322
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Speaker 8: Yeah, okay, nobody would ever guess where it came from.

323
00:15:26,879 --> 00:15:30,120
I have four boys at home, and uh, one of

324
00:15:30,200 --> 00:15:33,360
my sons walked into the the living room while I

325
00:15:33,480 --> 00:15:35,240
was sitting there having a beer and he and he

326
00:15:35,480 --> 00:15:37,720
did this little jig back and forth and he said

327
00:15:37,799 --> 00:15:43,399
hesitation jelly and I was like what I And it was,

328
00:15:43,519 --> 00:15:45,440
you know, he was acting like he was dribbling a

329
00:15:45,480 --> 00:15:48,919
basketball and and uh, you know, hesitation is you know,

330
00:15:49,080 --> 00:15:52,039
the move that you're doing while you're dribbling or whatever.

331
00:15:52,080 --> 00:15:54,639
And I guess, jelly is you know, if you're good

332
00:15:54,679 --> 00:15:57,440
at it, you're like jelly. I don't know, but I

333
00:15:57,639 --> 00:15:59,320
and then I texted the band and I said, if

334
00:15:59,360 --> 00:16:00,799
we ever have an album, we get to call it

335
00:16:00,919 --> 00:16:04,639
hesitation jelly, you know, and and they were down with it.

336
00:16:04,679 --> 00:16:06,399
And then actually I forgot all about it. And then

337
00:16:06,840 --> 00:16:09,639
when we made the album, Reeb said, yeah, hesitation jelly

338
00:16:09,679 --> 00:16:11,000
and I was like, oh, I forgot all about that.

339
00:16:11,120 --> 00:16:12,519
Speaker 1: You know, that's great, but it's.

340
00:16:12,519 --> 00:16:15,720
Speaker 8: It's something that nobody would ever I have any idea

341
00:16:15,720 --> 00:16:16,360
where it came from.

342
00:16:16,440 --> 00:16:18,399
Speaker 10: I have a different explanation. I like to tell people

343
00:16:18,440 --> 00:16:21,399
that it's it's ky jelly with some sand in it.

344
00:16:21,480 --> 00:16:22,320
You're gonna hesitate.

345
00:16:23,279 --> 00:16:25,480
Speaker 1: That's right. Well, on that note, we'll get to the

346
00:16:25,639 --> 00:16:26,559
what should we play next?

347
00:16:29,480 --> 00:16:31,799
Speaker 10: I say, let's buy the just Go song? What do

348
00:16:31,879 --> 00:16:32,159
you think?

349
00:16:32,799 --> 00:16:33,200
Speaker 6: What is that?

350
00:16:33,279 --> 00:16:33,799
Speaker 10: Feeling the need?

351
00:16:34,639 --> 00:16:38,039
Speaker 1: Feeling the need? All right, let's see, Oh, here we go,

352
00:16:38,200 --> 00:16:40,759
got this? Okay, here it is. This is feeling the need,

353
00:16:40,879 --> 00:16:43,399
This is superbug, this is really good.

354
00:17:02,240 --> 00:17:06,759
Speaker 2: Higging. I can't all down the dream. My bouts are heavy.

355
00:17:07,559 --> 00:17:10,400
Dig get too deep, a kingdom down?

356
00:17:11,119 --> 00:17:17,599
Speaker 15: Oh and a swirling pogo niggasi pos trying to get

357
00:17:18,599 --> 00:17:23,119
just what I Guys can't don't come feeling not could enough?

358
00:17:24,039 --> 00:17:26,799
Speaker 2: You see it enough, not good enough.

359
00:17:27,960 --> 00:17:31,759
Speaker 3: Don't say they won't have to leave, think that they

360
00:17:33,240 --> 00:17:38,440
the Well's no time to die.

361
00:17:40,680 --> 00:17:40,920
Speaker 9: You know.

362
00:17:41,119 --> 00:17:42,519
Speaker 2: You gotta try.

363
00:17:44,319 --> 00:17:49,759
Speaker 16: Never to wander where when they will come up in us?

364
00:18:04,519 --> 00:18:06,200
You should believe in yourself.

365
00:18:08,200 --> 00:18:09,960
Speaker 2: They don't the fact you swim?

366
00:18:12,039 --> 00:18:12,839
Speaker 17: What's your father?

367
00:18:13,079 --> 00:18:17,279
Speaker 2: The brains and eighty five? Mother? You don't what you going?

368
00:18:19,440 --> 00:18:23,279
When it comes from the hall, it's like.

369
00:18:23,359 --> 00:18:24,519
Speaker 18: The best way to start.

370
00:18:26,720 --> 00:18:30,519
Speaker 3: So we get the crazy He gave up Jason the

371
00:18:30,720 --> 00:18:33,640
tails to get you off with faith.

372
00:18:33,880 --> 00:18:39,839
Speaker 2: It's time to stop. Come fuck with money. Might be

373
00:18:40,000 --> 00:18:41,319
a good time.

374
00:18:43,079 --> 00:18:50,799
Speaker 3: Because now it's kinda shine. Never to wander where when

375
00:18:50,880 --> 00:18:56,200
it will come again. Might be a good time.

376
00:18:58,000 --> 00:19:05,960
Speaker 19: Because now it's gonna shine. Never you wannaway, when they

377
00:19:06,039 --> 00:19:32,160
will come up. You got just feeling in the back

378
00:19:32,400 --> 00:19:33,240
a line like.

379
00:19:33,400 --> 00:19:35,920
Speaker 2: Maybe you're a mess everyone doing sometime.

380
00:19:35,839 --> 00:19:38,839
Speaker 20: All thos around you wanna be a mad Tell the

381
00:19:38,960 --> 00:19:40,440
people who's around you wanna.

382
00:19:40,319 --> 00:19:42,759
Speaker 2: Live in bed. So you gathered up your lungs and

383
00:19:42,920 --> 00:19:45,519
you set your mouth. Look it, but your spends your

384
00:19:45,519 --> 00:19:48,720
winds kind of south. You sup your hair rob to

385
00:19:48,880 --> 00:19:51,400
your lungs. Now you open up your mouth. The first

386
00:19:51,440 --> 00:19:54,880
feeling so good, the river home before when it's a problem.

387
00:19:57,599 --> 00:20:09,319
Speaker 21: Creating line, create a lie, create the sky, created bla.

388
00:20:11,920 --> 00:20:19,559
Speaker 2: Create, imply create.

389
00:20:27,960 --> 00:20:29,920
Speaker 1: Oh I love that feeling the need.

390
00:20:30,680 --> 00:20:33,640
Speaker 9: The band is Superbug and the album is Hesitation Jelly,

391
00:20:33,720 --> 00:20:37,000
which is fun to say too if you are just

392
00:20:37,079 --> 00:20:39,200
joining us. We have the guys from super Bug here

393
00:20:39,200 --> 00:20:40,920
in studio with us, or most of the band anyway.

394
00:20:41,680 --> 00:20:43,880
But uh, yeah, that's that's really cool. So we were

395
00:20:43,880 --> 00:20:46,480
talking off air about that song. Actually pretty interesting.

396
00:20:47,440 --> 00:20:49,720
Speaker 10: Yeah, So I had originally written that for another band

397
00:20:49,759 --> 00:20:52,400
I was in, but uh, just they weren't feeling it,

398
00:20:52,680 --> 00:20:55,079
so yeah, almost out of spite, I was like, I'm

399
00:20:55,079 --> 00:20:57,079
gonna take this and I'm gonna make something of it. Yeah,

400
00:20:58,200 --> 00:21:00,599
And so we played it, and if you listen to

401
00:21:00,640 --> 00:21:02,839
the second verse you hear those high pitched vocals come in.

402
00:21:03,160 --> 00:21:05,640
That was the actual song. Those were the actual vocals

403
00:21:05,680 --> 00:21:07,359
that were on it. But I didn't want to do

404
00:21:07,440 --> 00:21:10,119
it because in this band we have kind of our duties.

405
00:21:10,240 --> 00:21:12,480
You know, Worm does all the words. Excuse me, Justin

406
00:21:12,680 --> 00:21:14,920
does all the words. So I didn't want to dictate

407
00:21:15,000 --> 00:21:16,480
what he was going to sing because you didn't like that.

408
00:21:16,640 --> 00:21:18,119
So I let him do his own thing over it.

409
00:21:18,440 --> 00:21:19,920
And after playing it for a while, I said, you

410
00:21:19,960 --> 00:21:21,920
know what, I'm going to try doing the original words

411
00:21:22,039 --> 00:21:23,960
in the second verse behind it, okay, And it just

412
00:21:24,160 --> 00:21:25,880
gave it a little bit of a lift and sounded cool.

413
00:21:25,960 --> 00:21:28,640
So we kept yeah. Yeah, and actually that's the song

414
00:21:28,720 --> 00:21:32,400
Parker learned a disco beat for too, Okay, Okay, it's

415
00:21:32,440 --> 00:21:33,519
we call it the disco song.

416
00:21:33,680 --> 00:21:36,640
Speaker 9: Yes, okay, that makes sense. Yeah, I was saying, too

417
00:21:36,680 --> 00:21:39,119
off air to me. Of the four that you sent,

418
00:21:39,240 --> 00:21:41,200
that's that's the most interesting in terms of how it's

419
00:21:41,279 --> 00:21:42,279
arranged and and.

420
00:21:44,079 --> 00:21:45,079
Speaker 1: You know, you've got the uh.

421
00:21:45,400 --> 00:21:47,559
Speaker 9: I love that, you know, that first build up there

422
00:21:47,599 --> 00:21:51,400
where it's like, oh, it's changing, but it all works,

423
00:21:51,480 --> 00:21:53,160
It all flows so perfectly.

424
00:21:53,519 --> 00:21:55,720
Speaker 10: I tried to write a song I wanted something the

425
00:21:55,839 --> 00:21:58,400
A string. It's in A, but the low A is

426
00:21:58,440 --> 00:22:01,319
through every or everything, so it's just variations on A

427
00:22:01,440 --> 00:22:03,799
chords within that. So yeah, the A string is always

428
00:22:03,880 --> 00:22:05,799
ringing out on it. And that was the challenge because

429
00:22:05,839 --> 00:22:08,240
I think crazy train like the verse for you know,

430
00:22:08,359 --> 00:22:10,519
ozsy and that chugging, but all those are kind of

431
00:22:10,559 --> 00:22:12,039
iterations of A that work with it.

432
00:22:12,279 --> 00:22:14,519
Speaker 1: Yeah, that was what I was shooting for. Yeah, yeah,

433
00:22:15,119 --> 00:22:17,599
and the uh you know, and the change with the drums.

434
00:22:17,279 --> 00:22:20,079
Speaker 10: To oh yeah. Like I said, there was a white

435
00:22:20,119 --> 00:22:21,519
strip beat just to give you that.

436
00:22:21,640 --> 00:22:24,160
Speaker 1: Yeah simple yeah, yeah, No, that's that's really cool?

437
00:22:24,599 --> 00:22:24,759
Speaker 19: Is that?

438
00:22:26,319 --> 00:22:27,960
Speaker 1: Is that hard to pull off live at all? Or

439
00:22:28,680 --> 00:22:29,240
work pretty well?

440
00:22:29,400 --> 00:22:31,400
Speaker 10: Like you said, any of the stuff you hear on

441
00:22:31,440 --> 00:22:34,480
the record, that's basically a live recording, and uh, these

442
00:22:34,480 --> 00:22:36,000
are all things that are in our set currently.

443
00:22:36,240 --> 00:22:38,880
Speaker 1: Yeah. Yeah. Do you guys have do you guys have

444
00:22:38,960 --> 00:22:42,039
anything that you that you play that you haven't recorded yet?

445
00:22:42,240 --> 00:22:44,559
Speaker 10: Oh, we've got tons, We've got probably two more records

446
00:22:44,599 --> 00:22:47,359
worth of stuff, no kidding. We've got thirty six originals.

447
00:22:47,400 --> 00:22:48,960
I think, oh my god, they're always coming.

448
00:22:49,240 --> 00:22:49,440
Speaker 11: Yeah.

449
00:22:49,559 --> 00:22:52,240
Speaker 10: Just it's very creative group. But I've never it's never

450
00:22:52,319 --> 00:22:54,920
flowed so easily. Yeah, for anything I've been in and

451
00:22:55,079 --> 00:22:58,640
everybody contributes to. Uh, they sometimes the songs come a

452
00:22:58,680 --> 00:23:01,359
little bit different. Adam, who I think really is the

453
00:23:01,400 --> 00:23:03,480
soul of Superbug, his songs are the ones that jump

454
00:23:03,519 --> 00:23:06,480
out to me as far as being unique. Yeah, I

455
00:23:06,599 --> 00:23:08,920
think that he'll come in with a whole song done. Yeah,

456
00:23:08,960 --> 00:23:10,799
but we all sprinkle our bits and I could come

457
00:23:10,839 --> 00:23:12,960
in with the whole thing, or we're just jamming and

458
00:23:13,000 --> 00:23:14,880
improving and something might strike a nerve.

459
00:23:15,079 --> 00:23:15,279
Speaker 1: Yeah.

460
00:23:15,319 --> 00:23:17,240
Speaker 10: But then there's some songs. We've got a song time

461
00:23:17,319 --> 00:23:19,400
that we worked on for like a year, yeah, I mean,

462
00:23:19,480 --> 00:23:22,039
and it was like we kept adding, subtracting, you know,

463
00:23:22,200 --> 00:23:24,359
perfecting it. So it kind of depends on the song.

464
00:23:24,480 --> 00:23:27,440
But yeah, I think our most recent one Greek to Me,

465
00:23:27,559 --> 00:23:30,359
which you know, comes to us lively. Hear it that

466
00:23:30,480 --> 00:23:32,440
one Adam came with and it he came in with

467
00:23:32,559 --> 00:23:34,440
it full and I think we had it down in

468
00:23:34,480 --> 00:23:37,519
two takes, played right there. It was good yeah, and

469
00:23:37,599 --> 00:23:39,799
then worm came up with words in no time. And

470
00:23:40,079 --> 00:23:41,440
sometimes they just come quick like that.

471
00:23:41,680 --> 00:23:44,000
Speaker 9: But I always say, you know, that's how you know

472
00:23:44,039 --> 00:23:46,160
you've really got something right when it comes easy, you know,

473
00:23:46,240 --> 00:23:47,920
when you don't have to you know, I mean, it

474
00:23:47,960 --> 00:23:49,480
can be a lot of work and whatnot. But but

475
00:23:49,599 --> 00:23:51,319
when you've when you've got something, if somebody has an

476
00:23:51,319 --> 00:23:53,279
idea or just you know, it just seems to manifest

477
00:23:53,400 --> 00:23:56,279
really quickly, then you know you've got something special. Right

478
00:23:56,480 --> 00:23:58,200
and then, and it's nice to be in a band

479
00:23:58,279 --> 00:24:00,240
right where it's where it's easy that.

480
00:24:00,880 --> 00:24:03,119
Speaker 10: And we we also have like no limits as far

481
00:24:03,119 --> 00:24:05,599
as what we want to try. All we really try

482
00:24:05,640 --> 00:24:08,359
and do is not duplicate something we've already done. You know,

483
00:24:08,720 --> 00:24:10,839
let's mix it up and have the chorus start first,

484
00:24:10,880 --> 00:24:12,559
so let's not have a bridge here, or let's have it,

485
00:24:12,720 --> 00:24:15,000
you know, a pre chorus or something. I don't want

486
00:24:15,000 --> 00:24:17,759
to be repetitive like. And we also a key thing

487
00:24:17,880 --> 00:24:20,839
is we want everybody to be able to be heard,

488
00:24:21,200 --> 00:24:23,720
you know, we want a nice even mix, so everybody

489
00:24:23,799 --> 00:24:24,640
stands out kind of.

490
00:24:24,880 --> 00:24:27,920
Speaker 1: Yeah. How many tracks are on Hesitation Jelly ten? Ten?

491
00:24:28,039 --> 00:24:28,799
Speaker 10: Okay, yep?

492
00:24:29,599 --> 00:24:31,039
Speaker 1: And why why did you decide this.

493
00:24:31,119 --> 00:24:33,319
Speaker 9: I'm always really curious about with everybody because you know,

494
00:24:33,400 --> 00:24:36,000
you've got a lot of options in terms of do

495
00:24:36,119 --> 00:24:37,759
you do singles, do you do an EP, do you

496
00:24:37,839 --> 00:24:41,000
do full album? You know, when I was growing up,

497
00:24:41,039 --> 00:24:43,680
it was like there was a standard formula, you know,

498
00:24:43,799 --> 00:24:47,039
pre Internet. It was you know, you've got an album,

499
00:24:47,240 --> 00:24:49,720
You've got first single, goes to radio maybe six eight

500
00:24:49,759 --> 00:24:51,839
weeks before the album. Then the album comes out, and

501
00:24:51,920 --> 00:24:55,599
then maybe there's more singles if you're lucky, and that's it.

502
00:24:55,759 --> 00:24:58,640
But today there's so many different ways to release music.

503
00:24:58,880 --> 00:25:01,319
So we went into your decision to release a full album.

504
00:25:02,599 --> 00:25:03,319
Speaker 10: I'm old school.

505
00:25:03,519 --> 00:25:06,400
Speaker 8: I like albums. Yeah, yeah, I still listen to a

506
00:25:06,559 --> 00:25:07,079
full album.

507
00:25:07,599 --> 00:25:09,400
Speaker 10: To me, that's what the artist wants you to hear.

508
00:25:09,759 --> 00:25:11,759
He put the tracks in a certain order, you know

509
00:25:11,799 --> 00:25:14,079
what I mean. These are the songs that they I'm sorry,

510
00:25:14,079 --> 00:25:15,759
I mean to say that they're presenting.

511
00:25:16,039 --> 00:25:16,279
Speaker 1: Yeah.

512
00:25:16,960 --> 00:25:19,759
Speaker 10: Yeah, I'm a stickler for that. Yeah yeah, because even

513
00:25:19,920 --> 00:25:21,559
like some of my vinyl records, you know, they get

514
00:25:21,599 --> 00:25:24,359
that one song you want to skip over, Sure, still

515
00:25:24,359 --> 00:25:25,680
you got to listen to it because it's.

516
00:25:25,519 --> 00:25:26,400
Speaker 1: There right right.

517
00:25:27,599 --> 00:25:29,559
Speaker 10: So yeah, CD has kind of ruined the album format

518
00:25:29,599 --> 00:25:31,400
a bit because you could have the capability to skip

519
00:25:31,480 --> 00:25:35,200
over it. Yeah, but yeah, I guess just old school.

520
00:25:35,240 --> 00:25:38,599
We like vinyl and we like, you know, a presentation

521
00:25:38,680 --> 00:25:42,039
of a record versus just a single. Yeah, and impatience too,

522
00:25:42,759 --> 00:25:44,160
like I hate it when it's here, you're going to

523
00:25:44,200 --> 00:25:46,799
get a single, right, and then a month later another single,

524
00:25:47,200 --> 00:25:49,680
month later another single, and then a month after that

525
00:25:49,799 --> 00:25:52,519
the record. Yeah, I just want the record right right?

526
00:25:52,640 --> 00:25:52,839
Speaker 17: Yeah?

527
00:25:52,960 --> 00:25:55,119
Speaker 1: No, I get that, have you, guys? I put out

528
00:25:55,240 --> 00:25:56,920
CDs is available on CD.

529
00:25:56,920 --> 00:25:58,160
Speaker 10: Or only vinyl only?

530
00:25:58,759 --> 00:25:59,119
Speaker 1: Really?

531
00:25:59,279 --> 00:26:00,799
Speaker 10: Yeahs to me or pas?

532
00:26:01,200 --> 00:26:04,240
Speaker 1: Oh that's interesting for real? So so this is on

533
00:26:04,400 --> 00:26:05,319
vinyl but not on CD.

534
00:26:05,559 --> 00:26:07,440
Speaker 10: Okay, you can get a vinyl come to our shows.

535
00:26:07,440 --> 00:26:07,759
We got you.

536
00:26:07,960 --> 00:26:11,599
Speaker 1: That's cool, that's cool. Nothing sounds better than vinyl. Yeah.

537
00:26:12,000 --> 00:26:15,079
Speaker 9: Actually yeah, we were talking before the segment about there

538
00:26:15,119 --> 00:26:18,440
is a record player here. Actually I've never used it,

539
00:26:18,559 --> 00:26:20,720
but it does work. I one of the hosts uses it,

540
00:26:21,160 --> 00:26:24,960
I think, but it plugs in and everything. But yeah,

541
00:26:25,480 --> 00:26:27,240
and we do have actually we have a CD player

542
00:26:27,279 --> 00:26:28,640
too here, but I think the only one who uses it,

543
00:26:28,720 --> 00:26:28,920
you guys.

544
00:26:28,960 --> 00:26:30,839
Speaker 1: No Rob Rob as a veto from Granted State of Mind.

545
00:26:31,039 --> 00:26:33,400
Speaker 10: Yeah he uh he drew It did a write up

546
00:26:33,440 --> 00:26:35,119
on us and we did an open mic night at

547
00:26:35,119 --> 00:26:37,519
the Bankingwhampshire. Oh nice, yeah, yeah, yeah.

548
00:26:37,400 --> 00:26:40,039
Speaker 1: Oh cool. Yeah. Yeah, he uses the CD player here,

549
00:26:40,079 --> 00:26:41,559
but I think he's the only one who uses that.

550
00:26:42,920 --> 00:26:44,480
Speaker 10: Yeah, he has a nice venue up there.

551
00:26:44,599 --> 00:26:45,839
Speaker 1: Oh yeah, Pembroke City limits.

552
00:26:46,440 --> 00:26:47,279
Speaker 10: Yeah, we'd love to play it.

553
00:26:47,400 --> 00:26:50,400
Speaker 9: Yeah, absolutely, yeah, you guys would be great there. Absolutely

554
00:26:51,640 --> 00:26:54,960
So no no plans to uh put out a CD here.

555
00:26:55,559 --> 00:26:59,400
Speaker 10: No, okay, okay, I mean, who has the CD player.

556
00:26:59,440 --> 00:27:01,519
I've got three and thirty CDs up in my attic,

557
00:27:01,920 --> 00:27:03,680
some of them I can't find on iTunes or whatever,

558
00:27:03,720 --> 00:27:04,839
but I got no way to listen to them. I

559
00:27:05,160 --> 00:27:06,799
don't have a CD player, right what.

560
00:27:07,079 --> 00:27:10,559
Speaker 8: My eighteen year old son has found CDs for some reason.

561
00:27:10,640 --> 00:27:13,839
He's been grabbing all my old ones. And yeah, I

562
00:27:13,880 --> 00:27:15,880
don't know where that came from. But I don't listen

563
00:27:15,920 --> 00:27:16,440
to CDs.

564
00:27:16,519 --> 00:27:20,200
Speaker 9: But yeah, we we get a lot of a lot

565
00:27:20,240 --> 00:27:23,000
of our guests will bring us a CD and it's like,

566
00:27:23,279 --> 00:27:25,200
and you know, I put it on display in the

567
00:27:25,680 --> 00:27:29,559
office slash podcast studio at home, but it becomes a

568
00:27:29,599 --> 00:27:31,039
part of the you know, it becomes a part of

569
00:27:31,079 --> 00:27:33,039
the studio becomes a part of the vibe because I

570
00:27:33,279 --> 00:27:33,759
have nothing to.

571
00:27:33,759 --> 00:27:37,079
Speaker 1: Play it on, not at all. I don't you.

572
00:27:37,200 --> 00:27:40,200
Speaker 9: If I want to play a CD, I gotta come here. Yeah,

573
00:27:40,200 --> 00:27:41,960
I don't think this. Uh, this old laptop I have

574
00:27:42,119 --> 00:27:43,960
doesn't even have one on it anymore. You don't have

575
00:27:44,000 --> 00:27:45,799
you don't have anything to play CDs on, right, Jenny,

576
00:27:46,079 --> 00:27:47,640
You don't have anything to play CDs.

577
00:27:47,359 --> 00:27:48,759
Speaker 1: On, not in a long time.

578
00:27:48,920 --> 00:27:48,960
Speaker 3: No.

579
00:27:49,400 --> 00:27:52,480
Speaker 10: Well, it's sad for me because there's I have old

580
00:27:52,680 --> 00:27:55,920
Imperial teen and shown in Knife CDs from the nineties. Yeah,

581
00:27:55,960 --> 00:27:57,960
and you can't get those music for some reason on

582
00:27:58,079 --> 00:28:01,599
iTunes or Spotify. You can't get them on vinyl. The

583
00:28:01,680 --> 00:28:04,440
only way to listen to it on CD. Okay, Right,

584
00:28:05,079 --> 00:28:06,640
I don't know if there's a hold up with the

585
00:28:06,720 --> 00:28:08,839
label or what, but yeah, fix that stuff.

586
00:28:08,960 --> 00:28:11,200
Speaker 1: Yeah, there's there's some there's some reason for it.

587
00:28:11,559 --> 00:28:13,480
Speaker 8: One Minute Silence was the same way for a long

588
00:28:13,519 --> 00:28:15,319
time as a band I really liked, and you couldn't

589
00:28:15,359 --> 00:28:16,640
find it on Spotify for a.

590
00:28:16,680 --> 00:28:19,880
Speaker 1: Long Oh really Yeah, yeah, this is a little bit

591
00:28:19,880 --> 00:28:22,240
of a sidetrack. But did you guys see the we

592
00:28:22,359 --> 00:28:24,599
talked about it on the show Lord She put out

593
00:28:24,640 --> 00:28:26,960
a clear CD did you see that.

594
00:28:27,079 --> 00:28:27,880
Speaker 10: Yes, I read about it.

595
00:28:28,000 --> 00:28:30,759
Speaker 9: And there's a problem because unless you have like a

596
00:28:30,880 --> 00:28:33,119
really really new CD player, you can't even play it,

597
00:28:33,799 --> 00:28:35,839
Like it won't play unless you've got a very new

598
00:28:36,680 --> 00:28:38,799
CD player because it can't it just.

599
00:28:38,799 --> 00:28:40,319
Speaker 1: Can't read it. Like if you put it in your

600
00:28:40,440 --> 00:28:43,039
in your car stereo CD player, it just it'll spit

601
00:28:43,119 --> 00:28:43,559
it back out.

602
00:28:43,759 --> 00:28:46,480
Speaker 10: I've actually bought cassettes, Like there's some bands that will

603
00:28:46,599 --> 00:28:48,839
put cassettes out in the merged booth. Oh yeah, because

604
00:28:48,880 --> 00:28:52,480
they're cheap, they're portable, they look cool. Yeah, so I've

605
00:28:52,480 --> 00:28:54,279
bought a few. Oh yeah, I see them out.

606
00:28:54,359 --> 00:28:54,519
Speaker 6: You know.

607
00:28:55,319 --> 00:28:57,359
Speaker 8: Our bass player was in a band from way way

608
00:28:57,440 --> 00:29:00,839
back and back in just after high school maybe, and

609
00:29:01,519 --> 00:29:03,960
I have his CD from then, oh yeah, and it

610
00:29:04,039 --> 00:29:06,319
won't play in any of my CD p Yeah, it's

611
00:29:06,400 --> 00:29:08,400
just too old. I think it is something. But it's

612
00:29:08,440 --> 00:29:09,920
too bad because they lie.

613
00:29:10,279 --> 00:29:11,640
Speaker 10: When they said they wouldn't degrade.

614
00:29:12,799 --> 00:29:15,480
Speaker 9: Well I remember though too, because uh yeah, back in

615
00:29:15,559 --> 00:29:18,599
the day when somebody would give me, you know, a

616
00:29:19,000 --> 00:29:23,359
burned CD and and having to use like like having

617
00:29:23,400 --> 00:29:25,480
to try it on a couple of different CD players

618
00:29:25,519 --> 00:29:27,680
because some would play them and some wouldn't.

619
00:29:28,279 --> 00:29:30,200
Speaker 1: The thing that I I talk about too, because I've

620
00:29:30,200 --> 00:29:31,480
been doing I've been interviewing.

621
00:29:31,200 --> 00:29:35,000
Speaker 9: Bands a long time, and back before it was just

622
00:29:35,119 --> 00:29:37,799
a matter of you know, using Dropbox or Google Drive

623
00:29:37,880 --> 00:29:40,880
or something to send me the files. Sometimes guests would

624
00:29:40,880 --> 00:29:43,640
show up with with a CD and they would do

625
00:29:43,720 --> 00:29:45,240
the thing where it wouldn't even be in a case.

626
00:29:45,599 --> 00:29:47,079
They would do the old uh if I had a

627
00:29:47,119 --> 00:29:49,160
CD here I demonstrate, but they do the whole thing

628
00:29:49,160 --> 00:29:50,640
where they hand it to you on a finger.

629
00:29:51,400 --> 00:29:53,160
Speaker 1: You know, it's like they put the CD on their finger.

630
00:29:53,240 --> 00:29:53,559
Here you go.

631
00:29:53,759 --> 00:29:59,519
Speaker 9: It's like, oh great, it's really professional. But now that's

632
00:29:59,640 --> 00:30:01,559
that's really cool though, that it's out on vinyl.

633
00:30:02,799 --> 00:30:04,480
Speaker 10: It's let me tell you, it's a trip here in

634
00:30:04,559 --> 00:30:05,480
yourself on a record.

635
00:30:05,640 --> 00:30:06,160
Speaker 1: That must be.

636
00:30:06,440 --> 00:30:09,559
Speaker 10: Yeah, it's especially. That's the weird thing too, is you

637
00:30:09,599 --> 00:30:11,400
know I never had aspirations, none of us did about

638
00:30:11,400 --> 00:30:14,200
being rock stars. But yeah, there's bucket lists and being

639
00:30:14,240 --> 00:30:18,039
in bands right now. Yes, I always wanted to be

640
00:30:18,119 --> 00:30:20,759
in my head, I still am, but I always wanted

641
00:30:20,759 --> 00:30:22,319
to be on a record, which we did that. And

642
00:30:22,599 --> 00:30:25,839
you know there's another station that's played Invasive Species a

643
00:30:25,960 --> 00:30:28,359
whole bunch, so oh yeah, here you can say it

644
00:30:28,799 --> 00:30:29,960
one of four point nine the Hawk.

645
00:30:30,160 --> 00:30:31,519
Speaker 1: Yeah, that's awesome.

646
00:30:31,680 --> 00:30:34,480
Speaker 10: Lakes Region, that's excellent. Yeah, so it's just these are

647
00:30:34,519 --> 00:30:37,400
cool things. And then actually, if we play Boston, literally

648
00:30:37,759 --> 00:30:40,440
I met all of the dreams I wanted for music. Ever, Yeah,

649
00:30:40,759 --> 00:30:43,839
I'll be I'll be done. Yeah, it's solid's left and

650
00:30:44,119 --> 00:30:46,000
uh it's almost happened twice.

651
00:30:46,359 --> 00:30:49,519
Speaker 9: So yeah, yeah, very cool. We should play another track

652
00:30:49,599 --> 00:30:53,279
from It's Fun to Say Hesitation Jelly the album. The

653
00:30:53,400 --> 00:30:56,039
album only available on vinyl, which is very cool. What

654
00:30:56,079 --> 00:30:57,559
should we play next? You guys can pick.

655
00:30:58,160 --> 00:31:02,359
Speaker 10: It's either blame Game or Humanity. You guys, I don't

656
00:31:02,359 --> 00:31:05,680
want to dictate you guys, pick do Humanity. Then we'll

657
00:31:05,920 --> 00:31:06,880
blame game later.

658
00:31:07,160 --> 00:31:09,200
Speaker 9: The Sound of Humanity, Yes, sure, and then we'll play

659
00:31:09,240 --> 00:31:11,279
blame Game at the end. Sure, all right, very cool.

660
00:31:11,559 --> 00:31:13,319
Uh so if you are just joining us, we have

661
00:31:13,400 --> 00:31:16,680
Superbug here with us live in studio, and uh, we're

662
00:31:16,680 --> 00:31:17,720
gonna hit this track next.

663
00:31:17,960 --> 00:31:20,799
Speaker 1: This is called the Sound of Humanity.

664
00:31:35,279 --> 00:31:35,880
Speaker 2: Is magic.

665
00:31:36,480 --> 00:31:41,160
Speaker 10: Were plays games with the youthful sense of compassion.

666
00:31:41,720 --> 00:31:43,920
Speaker 2: No one will ever get the trade back.

667
00:31:44,359 --> 00:31:49,799
Speaker 16: Tapping into the genuine that boys calling from within, Chris

668
00:31:49,920 --> 00:31:51,519
Surevin's thinking intuition.

669
00:31:52,119 --> 00:31:53,559
Speaker 2: Allow the monody on j go.

670
00:31:53,839 --> 00:31:59,319
Speaker 19: Fishion well free.

671
00:32:02,599 --> 00:32:08,440
Speaker 2: I love you know you know we free love our spirit,

672
00:32:09,039 --> 00:32:14,559
freeze spirit. Listen up clops and that you could hear

673
00:32:14,640 --> 00:32:18,720
it falling on the ground. Give them a hit.

674
00:32:19,160 --> 00:32:20,559
Speaker 8: Help the ones around to.

675
00:32:20,880 --> 00:32:23,400
Speaker 3: Understand a little know when all the.

676
00:32:23,440 --> 00:32:26,680
Speaker 2: People can't passing on the ability to shift.

677
00:32:27,039 --> 00:32:30,480
Speaker 17: Chase a devil out on the way, Open up the

678
00:32:30,599 --> 00:32:34,559
door for the plasadope, create them of every day.

679
00:32:35,039 --> 00:32:37,880
Speaker 18: Maybe jump to see through the other shop.

680
00:32:40,319 --> 00:32:46,759
Speaker 2: I will free will I love you know you know

681
00:32:46,880 --> 00:32:53,160
we free heard our spirit, freeze spirit.

682
00:32:55,319 --> 00:32:57,599
Speaker 10: Listen up coats and that you can hear.

683
00:32:57,519 --> 00:33:08,079
Speaker 2: Healthy you know you know what freeing.

684
00:33:11,039 --> 00:33:12,039
Speaker 10: My arity.

685
00:33:15,799 --> 00:34:10,760
Speaker 18: Listen, I know did you give you read the sound

686
00:34:10,840 --> 00:34:11,840
of humanity?

687
00:34:12,440 --> 00:34:15,519
Speaker 8: Listen up coat and you can hear and listen up

688
00:34:15,639 --> 00:34:16,400
course you can.

689
00:34:16,400 --> 00:34:19,639
Speaker 18: Hear and the sound of humanity.

690
00:34:20,199 --> 00:34:22,239
Speaker 2: Listen up close you can hear it.

691
00:34:22,880 --> 00:34:24,320
Speaker 8: Listen enough and you can.

692
00:34:24,239 --> 00:34:43,079
Speaker 20: Hear the sound of humanity. The rule of the rain

693
00:34:43,199 --> 00:34:44,320
and the water of the sun.

694
00:34:44,519 --> 00:34:47,800
Speaker 21: Universe has a web, but smiles on everyone's sitting in

695
00:34:47,880 --> 00:34:48,599
a screen field.

696
00:34:48,679 --> 00:34:50,920
Speaker 18: What's of technology you can back get.

697
00:34:50,840 --> 00:34:54,559
Speaker 2: To unch your humanity will love spirit and trust will.

698
00:34:54,559 --> 00:34:57,480
Speaker 20: Never dicupate it in the mother's vishing all the Barry's

699
00:34:57,519 --> 00:34:59,920
a societies and new f eating all the way.

700
00:35:00,159 --> 00:35:01,960
Speaker 2: Like we gotta get in the groove right for it's

701
00:35:02,039 --> 00:35:11,719
just start right now. I will freeze will I love?

702
00:35:11,880 --> 00:35:19,079
You know you know what free love our spirits, freeze spirit.

703
00:35:21,280 --> 00:35:23,880
Speaker 18: Listen up little so no that you can hear him.

704
00:35:24,599 --> 00:35:29,920
Speaker 2: Out, sweet.

705
00:35:32,400 --> 00:35:32,639
Speaker 22: Love.

706
00:35:32,760 --> 00:35:35,239
Speaker 2: You know you know what free hove out.

707
00:35:37,320 --> 00:35:38,159
Speaker 23: I can't.

708
00:35:39,480 --> 00:35:44,400
Speaker 2: Sha listen so no that you can hear him.

709
00:35:45,880 --> 00:35:56,199
Speaker 14: Embrace life, Embrace life, Embrace life, Embrace life, Embrace life,

710
00:35:57,760 --> 00:35:58,719
Embrace life.

711
00:36:00,119 --> 00:36:03,159
Speaker 2: Them Ray Slim Ray sl.

712
00:36:06,639 --> 00:36:08,679
Speaker 1: I love it. That is called the sound of Humanity.

713
00:36:09,079 --> 00:36:12,039
The band is Superbug, and we have super Bug here

714
00:36:12,079 --> 00:36:13,920
with us yo live in studio.

715
00:36:14,159 --> 00:36:16,039
Speaker 9: That's that's another. All right, so tell us about that

716
00:36:16,239 --> 00:36:19,960
that track. Repeat everything you said while I was playing, no,

717
00:36:20,119 --> 00:36:21,639
but tell us about that because.

718
00:36:21,440 --> 00:36:23,920
Speaker 10: All right, So let's see, I think most of the

719
00:36:24,039 --> 00:36:27,119
riffs in that came out of just an improv jam

720
00:36:27,239 --> 00:36:28,920
with my other band when we'd warm up. We'd just

721
00:36:28,960 --> 00:36:31,199
warm up and be so over time, I kind of

722
00:36:31,320 --> 00:36:34,719
just accumulated some riffs that I would go to kind

723
00:36:34,719 --> 00:36:36,400
of I would say, there would go to rifts for

724
00:36:36,519 --> 00:36:40,280
me and I put them all together in this format. Yeah,

725
00:36:41,039 --> 00:36:42,719
and then we ended up doing it and then the

726
00:36:42,800 --> 00:36:46,920
background vocals, uh, not quite plagiarism, but maybe I got

727
00:36:46,960 --> 00:36:49,559
the idea of them for a song called from a

728
00:36:49,639 --> 00:36:52,079
song called Floaty on the first Foo Fighters record, where

729
00:36:52,119 --> 00:36:54,719
it's you know, he floats floats away, she floats floats away,

730
00:36:54,760 --> 00:36:57,239
They float float away. Ye. So for my part on that,

731
00:36:57,400 --> 00:36:59,679
I said, you know, he don't know that, they don't

732
00:36:59,719 --> 00:37:01,360
know you. You know, that kind of thing. It's where

733
00:37:01,360 --> 00:37:03,239
I get the idea. But as far as the actual

734
00:37:03,280 --> 00:37:07,840
words themselves, worm, you can speak to that you wrote them, yeah.

735
00:37:07,800 --> 00:37:13,199
Speaker 1: Uh, keep calling them warm justin.

736
00:37:13,280 --> 00:37:14,960
Speaker 10: Would you care to speak on the lyrics?

737
00:37:16,280 --> 00:37:19,239
Speaker 8: Yeah, it's just kind of about trying to with this

738
00:37:19,440 --> 00:37:23,039
crazy world of technology, trying to remember what what's really

739
00:37:23,079 --> 00:37:27,320
important that we're are, our humanity, and it's kind of

740
00:37:27,360 --> 00:37:28,360
where it's going from.

741
00:37:28,800 --> 00:37:31,119
Speaker 10: One other thing on that that you might notice the

742
00:37:31,280 --> 00:37:33,960
drums are just a friend from biz Marqi. That was

743
00:37:34,000 --> 00:37:34,480
a template.

744
00:37:34,639 --> 00:37:35,519
Speaker 1: I did not notice that.

745
00:37:35,719 --> 00:37:37,840
Speaker 10: So if you listen to it, I noticed you. Well

746
00:37:37,920 --> 00:37:39,480
you said something about the grooves.

747
00:37:39,199 --> 00:37:41,559
Speaker 1: Yeah, the groove, yeah I do, yeah, yeah, I love

748
00:37:41,639 --> 00:37:44,039
the groove on that. Yeah. But I didn't notice that specifically.

749
00:37:44,039 --> 00:37:44,360
Speaker 16: That was it.

750
00:37:44,480 --> 00:37:49,440
Speaker 10: I said, give me just a friend. Adam played a

751
00:37:49,480 --> 00:37:52,119
very simple bassline, just kind of doubling the bass drum

752
00:37:52,199 --> 00:37:55,559
and a nice low chill groove. But yeah, that was

753
00:37:55,599 --> 00:37:56,440
the inspiration for it.

754
00:37:56,920 --> 00:37:59,360
Speaker 1: You were also saying too off air that you weren't

755
00:37:59,360 --> 00:38:01,039
happy with the Yeah.

756
00:38:01,119 --> 00:38:03,440
Speaker 10: Yeah, that's the funniest thing because we recorded this live

757
00:38:03,559 --> 00:38:05,840
and uh, you know, there's a couple of clams in

758
00:38:05,960 --> 00:38:10,559
solo for you that are on uh not in the loop.

759
00:38:10,800 --> 00:38:10,920
Speaker 11: Uh.

760
00:38:11,199 --> 00:38:13,039
Speaker 10: My dad was an old jazz guy, so a clam

761
00:38:13,159 --> 00:38:14,920
would be if they hit a bad note. Okay, so

762
00:38:15,039 --> 00:38:17,480
that's what I'm referencing. So there's a couple of clams

763
00:38:17,519 --> 00:38:20,119
in that solo, particularly the end. And I was like,

764
00:38:20,519 --> 00:38:22,360
but I didn't want to redo the whole track. Yeah,

765
00:38:22,559 --> 00:38:24,599
And the producer is like, nah, it's great, just keep it,

766
00:38:24,679 --> 00:38:27,800
and I'm like, all right, yeah, yeah, less work for me.

767
00:38:28,000 --> 00:38:29,280
Speaker 1: Like, I think it was the right call.

768
00:38:29,440 --> 00:38:29,679
Speaker 23: Thank you.

769
00:38:30,280 --> 00:38:32,440
Speaker 1: I love the rye energy of it, and and I

770
00:38:32,519 --> 00:38:36,639
love your tone on that too. It's so good, so good.

771
00:38:37,159 --> 00:38:39,079
Speaker 9: If you are just joining us, we have superbug here

772
00:38:39,239 --> 00:38:42,519
and so what's what's kind of the I mean, are

773
00:38:42,559 --> 00:38:44,960
you guys already thinking about the next record, or because.

774
00:38:44,760 --> 00:38:48,400
Speaker 1: You've got you've got so much music. How long has

775
00:38:48,679 --> 00:38:49,880
Hesitation Jelly been out?

776
00:38:50,480 --> 00:38:52,519
Speaker 10: Year and a half now, may have last year, so

777
00:38:52,880 --> 00:38:55,360
it's been a little while. Yeah, Parker has been working

778
00:38:55,440 --> 00:38:58,760
on a home studio, getting that set up. Yeah, because

779
00:39:00,480 --> 00:39:04,119
you know, when you make a record, it's tricky making

780
00:39:04,199 --> 00:39:06,800
four people happy and getting everybody to agree on it.

781
00:39:06,920 --> 00:39:09,519
And you know, if we can do it ourselves at home,

782
00:39:11,199 --> 00:39:13,280
I guess my attitude is if you think you can

783
00:39:13,320 --> 00:39:16,280
do it, but we can fight amongst So yeah, you know,

784
00:39:16,360 --> 00:39:18,000
because I'm the impatient one, I just want to get

785
00:39:18,039 --> 00:39:19,800
it out. I just want to do it. I don't

786
00:39:19,800 --> 00:39:23,719
want to retake it. Good, Fine, well I'll admit it.

787
00:39:24,599 --> 00:39:26,400
So you know, if we if we do it at home,

788
00:39:26,440 --> 00:39:28,079
we can probably take a little more time. And I'm

789
00:39:28,119 --> 00:39:29,800
not particular, So it's like, if you want to take

790
00:39:29,800 --> 00:39:32,159
the extra time to make it you happy. I just

791
00:39:32,199 --> 00:39:34,199
want loud guitar, I want to hear everything, and I'm

792
00:39:34,239 --> 00:39:37,559
good and that's it. However you so choose. But yeah,

793
00:39:37,599 --> 00:39:39,559
we're our goal is to kind of have something out

794
00:39:39,599 --> 00:39:43,039
by next spring. So this winter we're going to put

795
00:39:43,079 --> 00:39:43,719
some time in on that.

796
00:39:43,960 --> 00:39:46,519
Speaker 1: Okay, okay, excellent, it'll be another full length.

797
00:39:46,559 --> 00:39:47,719
Speaker 10: Oh yeah, absolutely, yeah.

798
00:39:47,840 --> 00:39:48,039
Speaker 1: Yeah.

799
00:39:49,239 --> 00:39:52,079
Speaker 10: The problem we're having is where we write so much

800
00:39:52,239 --> 00:39:54,639
that it's remembering the songs we didn't record from when

801
00:39:54,679 --> 00:39:57,280
we started that are still cool because they're like, you know,

802
00:39:57,400 --> 00:39:58,639
lost dogs, they kind.

803
00:39:58,519 --> 00:39:59,039
Speaker 1: Of go away.

804
00:40:00,239 --> 00:40:01,639
Speaker 8: The new ones are the most fun.

805
00:40:02,199 --> 00:40:02,920
Speaker 10: Yeah, exactly.

806
00:40:03,000 --> 00:40:03,199
Speaker 1: Yeah.

807
00:40:03,440 --> 00:40:05,199
Speaker 8: Get kind of sick of playing the same song over

808
00:40:05,239 --> 00:40:05,920
and over again, so.

809
00:40:06,000 --> 00:40:08,199
Speaker 1: Oh yeah, of course, of course. Yeah.

810
00:40:08,239 --> 00:40:09,679
Speaker 9: And you guys have a lot of music. I mean,

811
00:40:09,760 --> 00:40:11,480
is that is that hard to like? Are you already

812
00:40:11,480 --> 00:40:14,079
thinking about what songs you're gonna record for the next.

813
00:40:13,920 --> 00:40:17,400
Speaker 10: One or yeah we got a few? Yeah, absolutely, yeah,

814
00:40:17,480 --> 00:40:18,880
because you got a lot of you a lot well,

815
00:40:18,920 --> 00:40:21,639
even like Humanity the song you just played, that's that's

816
00:40:21,679 --> 00:40:23,360
a great song. Listen to it now. We don't even

817
00:40:23,400 --> 00:40:25,480
play it in our live set anymore, really, yeah, because

818
00:40:25,480 --> 00:40:28,599
that we've got new stuff that we like so much more. Yeah, yeah,

819
00:40:28,840 --> 00:40:31,679
we might throw it in. Yeah yeah, but yeah, that's

820
00:40:31,679 --> 00:40:33,639
a good problem to have though, you know, you know,

821
00:40:33,920 --> 00:40:36,559
we we've got a gig coming up at Molehill and Alstead.

822
00:40:36,880 --> 00:40:39,360
We're looking at eighty minute set, which I got to

823
00:40:39,360 --> 00:40:41,400
be honest, forty five are my favorite because you get on,

824
00:40:41,559 --> 00:40:42,960
you get off, you hit them in the face, and

825
00:40:43,039 --> 00:40:46,599
you go party. Yep yeap hours not bad eighties like whoa.

826
00:40:46,760 --> 00:40:48,559
But we put the set together and we're like, wow,

827
00:40:48,599 --> 00:40:50,320
this is a banger, Like this is a solid set.

828
00:40:50,360 --> 00:40:51,360
All this stuff slaps.

829
00:40:51,559 --> 00:40:56,159
Speaker 9: Yeah, No, that's really good. That's really good. Time goes

830
00:40:56,400 --> 00:40:57,880
goes quickly. I do want to make sure we have

831
00:40:57,960 --> 00:40:59,880
time to get that last start, that last track.

832
00:40:59,719 --> 00:41:02,559
Speaker 10: In Me Too, epic guitar solo. Bro, there you go,

833
00:41:02,960 --> 00:41:03,320
there you go.

834
00:41:03,960 --> 00:41:07,119
Speaker 9: So remind us some of shows coming up we should

835
00:41:07,199 --> 00:41:08,800
offer for listeners just joining us.

836
00:41:08,800 --> 00:41:10,320
Speaker 1: Well, we want to make sure people get to get

837
00:41:10,320 --> 00:41:11,079
out to see you live.

838
00:41:11,360 --> 00:41:13,239
Speaker 10: Our manager gave me this list to make sure that

839
00:41:13,280 --> 00:41:14,840
we have anything on it.

840
00:41:15,760 --> 00:41:18,199
Speaker 1: So yeah, right.

841
00:41:19,079 --> 00:41:21,480
Speaker 10: Maul Hill Theater and Alsted on eight twenty three with

842
00:41:21,599 --> 00:41:25,119
the Evocatives. Check them out, they're great. Auspicious Brew in

843
00:41:25,239 --> 00:41:28,840
Dover on nine thirteen. The Button Factory in is Portsmouth

844
00:41:28,960 --> 00:41:33,440
with Mercury Burns First on nine twenty seven October Fest.

845
00:41:33,519 --> 00:41:35,840
I'm not sure this is actually this is a scoop, everybody.

846
00:41:35,920 --> 00:41:39,039
This hasn't even been announced yet. Oh so, The Auburn

847
00:41:39,119 --> 00:41:42,840
Pits on ten five Hannecker Brewing Company on ten seventeen.

848
00:41:43,400 --> 00:41:47,400
Auspicious Underground in Nashville on eleven fifteen. So yeah, come

849
00:41:47,400 --> 00:41:49,400
out and check us on the road. Very cool, you

850
00:41:49,440 --> 00:41:50,320
won't be disappointed.

851
00:41:50,360 --> 00:41:52,440
Speaker 1: I'm not familiar with Auspicious Underground. Is that new?

852
00:41:52,519 --> 00:41:54,039
Speaker 10: Or Terminal Underground?

853
00:41:54,280 --> 00:41:56,920
Speaker 1: Sorry, Terminus Underground.

854
00:41:56,960 --> 00:41:58,280
Speaker 10: I had that written down.

855
00:41:58,559 --> 00:41:58,920
Speaker 1: I read it.

856
00:41:59,400 --> 00:42:01,880
Speaker 9: Yes, yes, okay, I'm glad. I'm glad I said that

857
00:42:02,039 --> 00:42:04,559
because to thank you. They're big supporters of the show.

858
00:42:04,599 --> 00:42:09,079
We love Eleanor and yes, sorry, yeah, sorry guys, She'll

859
00:42:09,119 --> 00:42:09,519
forgive you.

860
00:42:09,880 --> 00:42:12,880
Speaker 8: But uh, I think you said it the first time too.

861
00:42:13,239 --> 00:42:14,039
Speaker 10: That's my bad.

862
00:42:14,079 --> 00:42:16,039
Speaker 8: I probably streaming in the backs.

863
00:42:16,880 --> 00:42:17,679
Speaker 23: That's not what it's called.

864
00:42:17,800 --> 00:42:19,000
Speaker 10: And your anger is justified.

865
00:42:19,159 --> 00:42:22,480
Speaker 1: Apologize. No, we love we love Terminus have you have

866
00:42:22,519 --> 00:42:23,159
you been there yet?

867
00:42:23,280 --> 00:42:23,320
Speaker 16: No?

868
00:42:23,519 --> 00:42:24,039
Speaker 1: But we see it.

869
00:42:24,119 --> 00:42:25,039
Speaker 2: It looks super cool.

870
00:42:25,199 --> 00:42:27,639
Speaker 10: And the interesting thing about the bug I'm going to

871
00:42:27,679 --> 00:42:30,559
refer to us in the third person is we haven't

872
00:42:30,599 --> 00:42:33,280
really found a scene that we're in. We kind of

873
00:42:33,679 --> 00:42:36,719
like the evocatives are kind of like, uh, you know, dancy, flowy,

874
00:42:36,920 --> 00:42:40,639
hippyish kind of jazzy stuff. We've played with the metal bands,

875
00:42:41,119 --> 00:42:44,079
uh you know, we've played with cover bands.

876
00:42:44,159 --> 00:42:46,280
Speaker 1: We guys can fit in anyway. That's the cool part.

877
00:42:46,400 --> 00:42:48,199
Speaker 10: Yeah yeah, we kind of can blend in, you know,

878
00:42:48,400 --> 00:42:49,840
and it's it's a nice place to be.

879
00:42:50,159 --> 00:42:50,719
Speaker 1: Yeah. Yeah.

880
00:42:51,559 --> 00:42:53,480
Speaker 9: The thing I always say about Terminus is it's like

881
00:42:53,480 --> 00:42:54,960
when you walk into that room the first time, it's

882
00:42:55,000 --> 00:42:55,639
like another world.

883
00:42:55,760 --> 00:42:57,000
Speaker 1: It looks cool, so cool.

884
00:42:57,119 --> 00:42:58,920
Speaker 10: Yeah, Yeah, we're super excited.

885
00:42:59,280 --> 00:43:00,199
Speaker 1: Who else is on the show?

886
00:43:00,280 --> 00:43:00,440
Speaker 11: You know?

887
00:43:01,199 --> 00:43:03,880
Speaker 10: I don't think it's been announced yet. Okay, it had

888
00:43:03,920 --> 00:43:06,400
to It had to get postponed. It was supposed to

889
00:43:06,400 --> 00:43:08,239
be in September, and now it's going in November. But

890
00:43:08,360 --> 00:43:10,280
that works out great for us because we had nothing

891
00:43:10,360 --> 00:43:14,119
in uh in November okay, okay, and we had it

892
00:43:14,159 --> 00:43:15,920
would have been like three or four weeks in a

893
00:43:16,039 --> 00:43:18,079
row in uh September.

894
00:43:18,320 --> 00:43:19,679
Speaker 1: Yeah. So that's the other thing.

895
00:43:19,760 --> 00:43:21,199
Speaker 10: We love doing this, But we don't have to become

896
00:43:21,239 --> 00:43:26,320
a job right exactly, although I think Parker has a

897
00:43:26,360 --> 00:43:27,840
great way of saying it. It's like, hey, we were

898
00:43:27,880 --> 00:43:30,079
going to be jamming that night anyway, so we're just

899
00:43:30,159 --> 00:43:32,199
doing the same thing at a at a different spot.

900
00:43:32,400 --> 00:43:33,440
Speaker 1: There you go, There you go.

901
00:43:33,760 --> 00:43:36,480
Speaker 10: That's uh listening wives, that's our justification.

902
00:43:38,320 --> 00:43:40,039
Speaker 9: And where should people go online? Where's the best place

903
00:43:40,079 --> 00:43:42,199
to go online to keep up with everything that is doing?

904
00:43:42,519 --> 00:43:45,639
Speaker 10: Facebook and Instagram. We'll both have everything on there. Okay,

905
00:43:45,760 --> 00:43:47,840
we don't have like our own web page or anything yet.

906
00:43:47,880 --> 00:43:50,360
We you know, we don't have any delusions of grandeur,

907
00:43:52,719 --> 00:43:56,119
but we do have T shirt stickers, even friendship bracelets,

908
00:43:56,159 --> 00:43:59,280
all that fun stuff. Yeah, and vinyl obviously, so if

909
00:43:59,320 --> 00:44:01,679
you're interested, reach out. We can't get it to you. Yeah,

910
00:44:01,719 --> 00:44:03,000
Otherwise you can come to our show.

911
00:44:03,280 --> 00:44:04,679
Speaker 1: Yeah, yeah, absolutely.

912
00:44:04,800 --> 00:44:06,840
Speaker 10: Shout out to the Shashking for having us in May too.

913
00:44:06,920 --> 00:44:09,440
That was a great place to play, probably the I

914
00:44:09,480 --> 00:44:12,599
don't know about you, guys, that was probably the best club. Yeah.

915
00:44:12,639 --> 00:44:14,639
That was such a great set and such a great sound,

916
00:44:14,719 --> 00:44:17,559
great room, the crowd was great. Thanks to Burn Permit

917
00:44:17,679 --> 00:44:20,719
for having us. So yeah, it was amazing, outstanding, outstanding.

918
00:44:21,760 --> 00:44:24,199
Speaker 9: So we'll we'll end the segment with the track blame game. Now,

919
00:44:24,239 --> 00:44:25,760
what should we know about this? Anything we should know

920
00:44:25,760 --> 00:44:26,880
about So this was.

921
00:44:26,920 --> 00:44:29,599
Speaker 10: Actually written before I joined the band, So shout out

922
00:44:29,639 --> 00:44:32,920
to Rick Norton for coming up with a great riff. Okay,

923
00:44:33,760 --> 00:44:36,880
my contribution was the solo at the end, basically, Okay,

924
00:44:36,880 --> 00:44:39,679
everything else is already there. Okay, you guys were what's

925
00:44:39,679 --> 00:44:40,880
it about? I know this is one of the first

926
00:44:40,920 --> 00:44:41,840
things you really.

927
00:44:41,880 --> 00:44:45,519
Speaker 8: It's kind of about the division in the country.

928
00:44:45,840 --> 00:44:51,119
Speaker 1: Okay, yeah, popular subject, that's for sure. That's for sure.

929
00:44:51,400 --> 00:44:52,800
All right, So we're going to hit this track in

930
00:44:52,840 --> 00:44:54,719
a moment. But thank you, all three of you.

931
00:44:54,840 --> 00:44:56,440
Speaker 10: Thank you. We really appreciate you having.

932
00:44:56,360 --> 00:44:58,280
Speaker 1: Us, absolutely absolutely.

933
00:44:57,880 --> 00:44:59,679
Speaker 10: And Hillsborough represent Yeah.

934
00:45:00,119 --> 00:45:01,840
Speaker 9: Go and we'll do it again in the future, especially

935
00:45:01,880 --> 00:45:04,079
you know, we got new music on the way eventually.

936
00:45:04,320 --> 00:45:06,159
Speaker 1: Okay, absolutely, all right.

937
00:45:06,079 --> 00:45:08,440
Speaker 9: So we will uh will end this segment with this.

938
00:45:08,599 --> 00:45:11,360
And if you are listening live on Saturday, stick around.

939
00:45:11,360 --> 00:45:12,280
We've got jam demic.

940
00:45:12,400 --> 00:45:15,199
Speaker 1: Are they in the building? They are in the building?

941
00:45:15,599 --> 00:45:15,719
Speaker 8: Uh?

942
00:45:16,239 --> 00:45:16,519
Speaker 1: What's that?

943
00:45:17,400 --> 00:45:20,480
Speaker 9: Kind of Okay, they're gonna be coming up in the

944
00:45:20,519 --> 00:45:22,760
third hour, but we'll cap this one off with this.

945
00:45:22,920 --> 00:45:25,239
Speaker 1: This is blame game. This is a superbug.

946
00:45:32,599 --> 00:45:34,559
Speaker 2: No, the children in a line on the street, the

947
00:45:34,679 --> 00:45:36,320
loud street. Have you sold me?

948
00:45:36,400 --> 00:45:39,079
Speaker 17: Sounding a free p and shoot is pretty last pert

949
00:45:39,119 --> 00:45:41,679
he count on a meat, send the thirty tricks into

950
00:45:41,760 --> 00:45:46,800
the drinks. Win, then the robot take it mover rount go.

951
00:45:48,880 --> 00:45:50,000
Speaker 2: No, when we've been.

952
00:45:49,960 --> 00:45:53,519
Speaker 3: Tongue staying home and Caine playing the.

953
00:45:53,639 --> 00:46:00,480
Speaker 2: Role you want you want all to.

954
00:46:03,039 --> 00:46:03,079
Speaker 6: Do?

955
00:46:03,400 --> 00:46:09,000
Speaker 2: What's on toes. Then have the crowd screams, hits all

956
00:46:09,159 --> 00:46:14,320
man have fault. They're the reason for pain. They on

957
00:46:14,639 --> 00:46:19,760
the people that the play be on Hitler sign the

958
00:46:19,840 --> 00:46:22,639
pride and they're telling us and tell another reason do

959
00:46:22,760 --> 00:46:24,840
that take a pie off the rail. Now we got

960
00:46:24,880 --> 00:46:26,800
a hover back and back in front of the trail.

961
00:46:26,960 --> 00:46:29,320
He let his mind the others on the door. Tell

962
00:46:29,400 --> 00:46:32,840
the fail with the soul of a boat, take it

963
00:46:32,920 --> 00:46:37,000
over our goal. How the rhythm was stu with top

964
00:46:38,400 --> 00:46:41,960
standing on fos, continue playing the balls. What's all told?

965
00:46:43,519 --> 00:46:44,440
Do what's all to?

966
00:46:46,280 --> 00:46:46,320
Speaker 7: Do?

967
00:46:46,480 --> 00:46:51,119
Speaker 2: What's all told? Do what's on tall.

968
00:46:52,480 --> 00:46:58,039
Speaker 3: Then have the crowd screams hit so man fault. Then

969
00:46:58,159 --> 00:47:03,679
the reason for pain they are the people that play.

970
00:47:28,039 --> 00:47:31,760
Speaker 2: We think of her fingers. Let some live a life

971
00:47:31,840 --> 00:47:32,480
in shame.

972
00:47:33,360 --> 00:47:37,599
Speaker 3: A million talking had search she for any want to

973
00:47:37,840 --> 00:47:40,639
play put China.

974
00:47:40,519 --> 00:47:43,760
Speaker 1: For their roun tif It's get so trefu.

975
00:47:44,920 --> 00:47:47,480
Speaker 3: Create some client children that.

976
00:47:47,719 --> 00:47:51,679
Speaker 1: Will play right down and do just what they're joke.

977
00:49:08,280 --> 00:49:11,280
Speaker 9: What do what you.

978
00:49:13,519 --> 00:49:13,559
Speaker 18: Do?

979
00:49:13,719 --> 00:49:14,159
Speaker 13: What your.

980
00:49:17,039 --> 00:49:18,239
Speaker 2: Dook he cover.

981
00:49:30,039 --> 00:49:35,440
Speaker 8: You're listening to Matt Connerton unleashed on wm an five

982
00:49:35,519 --> 00:49:37,639
point three and.

983
00:49:37,840 --> 00:49:41,039
Speaker 9: Now the American radio premiere of the new single by

984
00:49:41,159 --> 00:49:42,159
three times seven.

985
00:49:42,599 --> 00:49:45,119
Speaker 1: This is called dressing for the weather.

986
00:49:55,679 --> 00:49:56,599
Speaker 2: Just follow leather a.

987
00:50:00,039 --> 00:50:01,480
Speaker 23: Dressing little winter old.

988
00:50:03,280 --> 00:50:04,880
Speaker 2: Never my the weather. I can make it better.

989
00:50:04,920 --> 00:50:07,159
Speaker 23: I can make a shine orange shine.

990
00:50:10,280 --> 00:50:11,440
Speaker 2: Like the weather I want.

991
00:50:13,039 --> 00:50:22,480
Speaker 22: There ain't no stormy Monday gonna breathe reade cause I'm

992
00:50:22,559 --> 00:50:27,760
racing high. I stun a little taller now.

993
00:50:29,559 --> 00:50:30,719
Speaker 18: It only takes a little long.

994
00:50:30,800 --> 00:50:33,480
Speaker 24: It takes a little long, It takes a little only

995
00:50:33,559 --> 00:50:36,960
takes a little bed, it takes a little home.

996
00:50:38,320 --> 00:50:41,920
Speaker 23: If I didn't know any better, I play the weather.

997
00:50:42,159 --> 00:50:47,800
Speaker 2: You now have me my favorite hits you You see.

998
00:50:48,159 --> 00:50:53,199
Speaker 23: I'm dressing by the winter. I want, oh, dressed up

999
00:50:53,239 --> 00:50:56,920
all the winter our never mind the weather.

1000
00:50:56,960 --> 00:50:57,719
Speaker 2: I can make it better.

1001
00:50:57,840 --> 00:50:59,880
Speaker 23: I can make a shine shine shine.

1002
00:51:03,079 --> 00:51:04,159
Speaker 2: Like the weather I want.

1003
00:51:04,239 --> 00:51:07,440
Speaker 23: I'm dressing for please guys, not the please.

1004
00:51:08,400 --> 00:51:09,519
Speaker 2: Oh, I'm dressing for me.

1005
00:51:10,800 --> 00:51:15,280
Speaker 24: I'm dressing for me. I left the die the lever.

1006
00:51:16,280 --> 00:51:20,000
You don't think just a minute, because I know, oh,

1007
00:51:20,079 --> 00:51:23,440
I know. It only takes a little.

1008
00:51:23,599 --> 00:51:26,159
Speaker 22: It takes a little let, It takes a little up on,

1009
00:51:26,320 --> 00:51:29,760
It takes a little drap, it takes a little show.

1010
00:51:30,079 --> 00:51:36,800
Speaker 2: Now, whatever the weather. We're making it better. Okay, now

1011
00:51:36,960 --> 00:51:39,039
hamming my favorite suit.

1012
00:51:41,000 --> 00:51:46,079
Speaker 23: I'm dressing my way with our world. Oh, dressing up

1013
00:51:46,079 --> 00:51:47,000
all the weather our.

1014
00:51:46,920 --> 00:51:59,119
Speaker 2: World and pull them's count together for the weather outdar

1015
00:51:59,320 --> 00:52:10,599
and pray out everything. That's what.

1016
00:52:14,639 --> 00:52:25,000
Speaker 25: That's what I need, one need. It's it's about. That's all,

1017
00:52:25,079 --> 00:52:25,480
from me.

1018
00:52:27,519 --> 00:52:36,719
Speaker 2: Dressing for the weather to drinking forever. I'm not dreading

1019
00:52:36,719 --> 00:52:51,199
a oh I dread from me? From me, you want

1020
00:52:51,360 --> 00:52:55,039
to see. I don't want to be like you.

1021
00:52:56,360 --> 00:53:00,760
Speaker 4: I recognizable from the person wants.

1022
00:53:00,519 --> 00:53:05,920
Speaker 2: To She should have known better. She stuned for a while.

1023
00:53:06,039 --> 00:53:11,719
Now probably recutter. No, I ten don't want back to.

1024
00:53:12,000 --> 00:53:24,119
Speaker 4: Chun don't way, hill, don't wait, chow way now, ain't long, guy.

1025
00:53:25,360 --> 00:53:35,199
Speaker 2: I ain't long? Nobody r cat that ain't long? Guy?

1026
00:53:36,719 --> 00:53:37,519
Speaker 4: How do you love?

1027
00:53:41,400 --> 00:53:45,199
Speaker 2: Can say? I ain't hit the reset, but I don't want.

1028
00:53:45,039 --> 00:53:47,920
Speaker 19: To start a Chad said, ain't.

1029
00:53:47,840 --> 00:53:51,960
Speaker 2: Don't please start? Child? Let it started like you watch say.

1030
00:53:52,719 --> 00:53:56,760
He wasn't what your wanna said? Can't way? Joe is

1031
00:53:57,000 --> 00:54:00,440
so we chow waiting some man that we want, waste

1032
00:54:00,519 --> 00:54:04,760
some message. I don't want some men. Don't wait.

1033
00:54:07,760 --> 00:54:11,400
Speaker 4: That ain't long, Guys that ain't long?

1034
00:54:15,239 --> 00:54:20,519
Speaker 2: My black yard. Guy that ain't long, Guy.

1035
00:54:21,880 --> 00:54:22,679
Speaker 4: That ain't long.

1036
00:54:32,440 --> 00:54:40,440
Speaker 18: M h, I've got that ship can feeling what out

1037
00:54:40,920 --> 00:54:42,079
we used to eeling?

1038
00:54:42,719 --> 00:54:44,480
Speaker 8: I don't know what to do.

1039
00:54:45,199 --> 00:54:47,360
Speaker 2: I still love you, shop you.

1040
00:54:48,440 --> 00:54:52,679
Speaker 18: I got that sick chat figured out right down the waste.

1041
00:54:54,039 --> 00:55:23,599
Speaker 2: I don't know what some time so p no, wait

1042
00:55:26,800 --> 00:55:27,960
that ain't long.

1043
00:55:29,639 --> 00:55:30,480
Speaker 10: That long?

1044
00:55:34,280 --> 00:55:45,000
Speaker 2: Don't body that ain't a long, that ain't long. I

1045
00:55:45,199 --> 00:55:46,840
got that, said Jeffy.

1046
00:55:47,679 --> 00:55:49,599
Speaker 1: But I always tell him.

1047
00:55:50,559 --> 00:55:53,480
Speaker 2: I said, I know what So said.

1048
00:55:53,639 --> 00:55:55,320
Speaker 11: I may sell me how.

1049
00:56:04,159 --> 00:56:08,400
Speaker 26: On September fourth, go gold with Caden's Crusaders at game time,

1050
00:56:08,519 --> 00:56:12,440
Lane's and Amesbury, dedicated to helping children and their families

1051
00:56:12,480 --> 00:56:16,760
White cancer. Cadence Crusaders remembers loved ones lost and those

1052
00:56:17,000 --> 00:56:21,559
still battling today. Join them Thursday, September fourth for bowling acts,

1053
00:56:21,639 --> 00:56:26,639
throwing pizza and lots of raffles RSVP today at Cadenscrusaders

1054
00:56:26,679 --> 00:56:31,119
dot org. That's Caden's c Ai d e Ns Crusaders

1055
00:56:31,400 --> 00:56:31,960
dot Org.

1056
00:56:33,239 --> 00:56:35,440
Speaker 12: Luigi's Pizza Barron Grell.

1057
00:56:35,960 --> 00:56:41,039
Speaker 5: Breed one Let's phrase Slysan hides with toppin to the

1058
00:56:41,400 --> 00:56:44,239
ground pizza, Pizza Bio.

1059
00:56:44,039 --> 00:56:49,239
Speaker 12: Mine, Luigi's Pizza Barren Grill seven twelve Valley Street, Manchester.

1060
00:56:49,519 --> 00:56:52,360
Come on in or call six two two one zero

1061
00:56:52,639 --> 00:56:57,679
two one Luigi, keeping the tradition alive since nineteen seventy five.

1062
00:56:59,480 --> 00:57:03,320
Speaker 2: Pizza for e brief month. Come join a peace to

1063
00:57:03,719 --> 00:57:08,400
night with these slye sets of it. Everything feels so.

1064
00:57:08,679 --> 00:57:12,960
Speaker 10: Right in times of crisis.

1065
00:57:13,199 --> 00:57:15,320
Speaker 27: You need a law firm that stands by your side.

1066
00:57:15,639 --> 00:57:19,360
With over forty years of experience, Craigan Getsulis is dedicated

1067
00:57:19,400 --> 00:57:22,800
to fighting for your rights. As former state prosecutors, our

1068
00:57:22,800 --> 00:57:25,599
attorneys have the knowledge and trial experience to provide an

1069
00:57:25,599 --> 00:57:30,559
aggressive defense against any charge, from DUIs to homicides. If

1070
00:57:30,599 --> 00:57:33,760
you've been injured, our compassionate team will assess your case

1071
00:57:33,840 --> 00:57:36,760
and fight for the compensation you deserve. Serving all of

1072
00:57:36,840 --> 00:57:39,840
New Hampshire, Craigan Getzulis is here when you need us most.

1073
00:57:40,199 --> 00:57:44,400
Visit craigatzulis dot com for a free consultation. Craigan getsulus

1074
00:57:44,719 --> 00:57:46,360
your advocates, your allies.

1075
00:57:46,719 --> 00:57:50,079
Speaker 11: We'll bring your kitchen to life with Queen City Cabinetry,

1076
00:57:50,519 --> 00:57:54,239
located at eighty seven Elm Street in the historic Sunbeam

1077
00:57:54,360 --> 00:57:57,440
Wall in Manchester, Open Monday through Friday, eight.

1078
00:57:57,480 --> 00:58:01,159
Speaker 28: Nine am to five thirty pm. In set ten am

1079
00:58:01,480 --> 00:58:04,920
to two pm. They can be reached at six three

1080
00:58:05,320 --> 00:58:08,719
two two two to zero zero seven. We're on the

1081
00:58:08,760 --> 00:58:13,679
web at Queen Citycabinatree NH dot com. Come see the

1082
00:58:13,800 --> 00:58:16,159
possibility is Queen City Cabinet Tree.

1083
00:58:16,440 --> 00:58:19,239
Speaker 10: Another crowd sponsor of w MNH.

1084
00:58:19,559 --> 00:58:22,360
Speaker 29: Hey everyone, there's Rob Azevedo, host of Granite State of Mind,

1085
00:58:22,400 --> 00:58:24,159
and I want to tell you about Pembrooke City Limits

1086
00:58:24,199 --> 00:58:27,519
and the Historic Suncook Village. PCL's an award winning bar,

1087
00:58:27,719 --> 00:58:30,679
restaurant and music venue where there's live music five days

1088
00:58:30,719 --> 00:58:34,480
a week and twice on Saturdays, everything from blues, country, folk, funk,

1089
00:58:34,559 --> 00:58:36,840
and a whole lot of jazz. We have twelve craft

1090
00:58:36,920 --> 00:58:39,519
beers on tap dedicated to local brewers in the area

1091
00:58:39,800 --> 00:58:41,639
and some of the friendliest bartenders around.

1092
00:58:42,119 --> 00:58:43,119
Speaker 10: Please come visit.

1093
00:58:42,960 --> 00:58:45,360
Speaker 29: Pembrook City Limits at one thirty four Main Street, the

1094
00:58:45,559 --> 00:58:49,719
Historic Suncook Village, only six miles outside of Manchester. Open

1095
00:58:49,800 --> 00:58:53,440
Tuesdays to Wednesdays four to ten Thursdays a Sunday eleven

1096
00:58:53,519 --> 00:58:56,639
to ten Pembrook City Limits where it's all about the music.