WEBVTT

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<v Speaker 1>Tired of the everyday grind, ever dream of a life

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<v Speaker 1>of romantic adventure.

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<v Speaker 2>I want to get away from it all. We offer you.

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<v Speaker 3>Escape, Escape designed to free you from the four walls

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<v Speaker 3>of today for a half hour of high adventure.

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<v Speaker 1>You are four hundred feet below the surface of the

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<v Speaker 1>South Pacific, the heavy taste of chlorine gas souring your mouth,

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<v Speaker 1>while somewhere up above you, searching through the night for you,

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<v Speaker 1>is an enemy destroyer and on sending the submarine and

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<v Speaker 1>you to a murky death.

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<v Speaker 3>Listen now, as Escape brings you Richard Chandley's exciting story Pressure.

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<v Speaker 4>November sixth, nineteen forty four, US S Amberfish S S

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<v Speaker 4>five nine three departed Pearl Harbor for her assigned patrol area,

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<v Speaker 4>the East China Sea. She carried eighty two men and

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<v Speaker 4>twenty four torpedoes. She was commanded by Lieutenant Commander Daniel Hall.

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<v Speaker 4>Her record was zero. This was her fourth war patrol.

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<v Speaker 4>On the thirty second day of patrol, at seventeen hundred hours,

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<v Speaker 4>Amberfish surfaced off the southern coast of Japan.

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<v Speaker 5>Wouldn't you know it, Mac. If the sea doesn't run heavy,

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<v Speaker 5>we get bogged. What can you find in this.

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<v Speaker 6>What's the old man got planned for the night?

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<v Speaker 5>Lieutenant routine? Night surface routine? You think the last line

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<v Speaker 5>of patrol?

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<v Speaker 7>We hold it?

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<v Speaker 2>Hold it, are you? Boys?

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<v Speaker 5>Captain?

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<v Speaker 2>Evening?

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<v Speaker 1>Sir, that's a lousy night. What speed we make in.

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<v Speaker 5>Frank but five not, sir? One or two main engines

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<v Speaker 5>on battery charge number, foreign propulsion position about halfway through?

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<v Speaker 5>Assum me straight of course? Zero four or five right

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<v Speaker 5>out has the coast of Kyushu range at approximately fifteen

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<v Speaker 5>miles of the port beam picking up the usual fishing boats.

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<v Speaker 5>Aside from that?

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<v Speaker 2>Yeah, I mean nothing.

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<v Speaker 1>Thirty two days and nothing, four patrols and nothing, Sir?

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<v Speaker 3>May I suggest something?

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<v Speaker 2>Yeah? Sure?

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<v Speaker 5>Man?

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<v Speaker 7>What oh last night on patrol?

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<v Speaker 8>Sir?

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<v Speaker 6>Maybe we could go after one of those fishing boats,

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<v Speaker 6>take some prisoners for intelligence, and sink by gunfire.

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<v Speaker 2>We got no orders for it.

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<v Speaker 3>I know that, Sir, but I might know us.

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<v Speaker 5>Awesome good captain and of the patrol, and it's better

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<v Speaker 5>than nothing.

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<v Speaker 1>I'm sorry, boys, we've got no orders that said.

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<v Speaker 5>Yes, they're only were only what nothing, Captain? Nothing at all?

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<v Speaker 4>Thirty two days at sea, cramped living and thoughts passed

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<v Speaker 4>between men without being spoken. He knows what the torpedo,

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<v Speaker 4>the executive officer, the whole crew think, Captain Hall a

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<v Speaker 4>book commander last night on patrol, and he still goes

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<v Speaker 4>by the book. Got to blame someone for an empty sea,

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<v Speaker 4>for a tired ship, for bringing back a full load

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<v Speaker 4>of torpedoes four times in a row. The Captain stares

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<v Speaker 4>at the fog and into his own thoughts. They need

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<v Speaker 4>officers behind desks. That's where they'll put him after this patrol.

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<v Speaker 2>A desk officer.

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<v Speaker 4>Just a few more hours and he's headed for it.

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<v Speaker 5>Fog looks like it's thinning.

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<v Speaker 1>Uh oh, yeah, what's the time?

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<v Speaker 2>Man?

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<v Speaker 7>A one hundred cent.

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<v Speaker 2>Rid This is the gunning tower, radar contact.

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<v Speaker 5>This is bridge?

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<v Speaker 1>What's very zero ree ree yep, yeah.

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<v Speaker 4>It jus barely in range. It's funny looking. I don't

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<v Speaker 4>think it's a fisherman this time.

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<v Speaker 1>This is Captain Rader. I'll be right there.

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<v Speaker 5>Scope's gone crazy.

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<v Speaker 1>Can't be keep the bridge, Frank, Yes, come on man,

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<v Speaker 1>this I gotta see.

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<v Speaker 2>Okay Johnson, what have you got? Yes, happen.

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<v Speaker 9>And there is sir, see it's a pip.

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<v Speaker 4>Then it goes nothing.

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<v Speaker 2>Scope's going crazy.

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<v Speaker 1>Come left to course zero three three zero three three, sir,

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<v Speaker 1>I'll stop.

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<v Speaker 2>I'll stop there all right, Mike. What do you hear

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<v Speaker 2>on the bearing?

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<v Speaker 3>Nothing, sir, not a thing.

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<v Speaker 4>Pip's gone. Nothing on the scope.

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<v Speaker 3>Either, must be the radar cappen must be with our luck.

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<v Speaker 2>Luck can change.

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<v Speaker 1>Study on course zero three three, All ahead, four, all ahead.

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<v Speaker 4>You never can tell. There have been false alarms before.

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<v Speaker 4>The procedure is standard by the maybe one last chance

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<v Speaker 4>to break the dull leaden monotony that smothers the boat

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<v Speaker 4>in the forward battery the cruise quarters, another rumor, Hey.

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<v Speaker 9>We'd picked up speed, really moving.

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<v Speaker 1>Relaxed burg and they think they got something on the

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<v Speaker 1>radar again, cards are the players?

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<v Speaker 2>Come on you guys, I got a wipe.

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<v Speaker 4>To support by ten fifteen minutes, All ahead full. The

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<v Speaker 4>little flurry in the conning tower begins to settle, and then.

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<v Speaker 9>Captain there it is, sir. We've got it now, sir,

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<v Speaker 9>we've got it.

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<v Speaker 1>Yeah, Man tracking stations.

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<v Speaker 3>Just one pip and it's a big one.

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<v Speaker 1>I don't believe it.

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<v Speaker 4>The men run, there's excitement, no feeling of obedient drill.

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<v Speaker 4>Even the engines sound different. In the green eye of

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<v Speaker 4>the radar, the spot grows stronger and holds a chance,

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<v Speaker 4>one last glimmering chance for the captain to show he's

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<v Speaker 4>not a book, to keep his job out there in

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<v Speaker 4>the night. Something big and fast.

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<v Speaker 10>Two three three s motorpicks now captain, one big ship

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<v Speaker 10>and three escorts six econs.

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<v Speaker 2>It's still a long way off bridge. Yes, sir, you

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<v Speaker 2>see anything, Frank.

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<v Speaker 5>Not yet, boks God, but it's blackest pitch. Hen'll we

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<v Speaker 5>come up to him.

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<v Speaker 1>We'll come up to him. Just keep your eyes open

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<v Speaker 1>when you're ring. Tell those motormacs back then. I give

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<v Speaker 1>it everything.

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<v Speaker 2>All I had flank maneuvering. They gloss me all I

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<v Speaker 2>had black ther What.

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<v Speaker 7>Do you think we got, Captain?

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<v Speaker 2>We haven't got him yet?

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<v Speaker 6>One ship, three escorts must be worth something to the chaps.

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<v Speaker 2>The moon's coming out.

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<v Speaker 11>We're getting the board.

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<v Speaker 1>That's something on sounds. Their heavy screws buring zero four one.

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<v Speaker 1>Frank got him on sound. Now can you see.

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<v Speaker 5>I thank you captain?

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<v Speaker 11>Wait a minute, yeah, yeah, I could jus the bot

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<v Speaker 11>see a very zero for zero that's him.

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<v Speaker 2>What do we got, Frank? What is he?

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<v Speaker 9>A minute?

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<v Speaker 2>Hold it?

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<v Speaker 11>Air craft carrier coming right down the.

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<v Speaker 1>Crow, Battle stations, torpedo make ready on tubes and stand

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<v Speaker 1>by Uti.

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<v Speaker 9>Standing by another sick Captain, it's coming right at us.

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<v Speaker 2>What's the range now?

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<v Speaker 9>Eight thousand yards? Are closing fast?

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<v Speaker 12>Light screws on sound destroyer six thousand yards see zecho ranger.

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<v Speaker 1>Okay, Harris Bridge, what about those escorts molving around?

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<v Speaker 8>Captain?

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<v Speaker 5>Looks like they know that stuff.

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<v Speaker 11>Take it down anytime.

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<v Speaker 1>Keep your eye on him, Frank. We're gonna stay up

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<v Speaker 1>on the firing bearing.

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<v Speaker 5>Now you mean on the surface for the whole attack.

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<v Speaker 1>Are looking for something submerged. Just keep those sight bearings coming.

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<v Speaker 1>We'll stay up as long as we can.

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<v Speaker 11>Okay, Captain, it's your buddy.

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<v Speaker 3>Ry mark zero four one range mark seven five double

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<v Speaker 3>o yards set.

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<v Speaker 8>He's right on, Captain.

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<v Speaker 2>How much time done?

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<v Speaker 8>Set firing point in fifteen seconds?

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<v Speaker 7>All set?

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<v Speaker 1>Ready to shoot.

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<v Speaker 2>Another destroyer, Sir, Light screw's nice meat turning.

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<v Speaker 5>This week on a destroyer coming right at us.

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<v Speaker 2>Stand by forward bridge destroyer.

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<v Speaker 1>I hurt you shooting observation, Come on, give it.

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<v Speaker 2>To me, break off, Captain diving like, give me.

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<v Speaker 1>The carrier's bearing very mark, All right, Frank Cletherbridge, get out.

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<v Speaker 9>Here, zero four nine set.

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<v Speaker 8>Fire dive, dive dive.

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<v Speaker 2>Oh guy.

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<v Speaker 1>Left full runner all I had emergency take it down

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<v Speaker 1>to two hundred feet, all ahead of mergency, rig for

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<v Speaker 1>depth charge, rig for silent running.

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<v Speaker 5>Destroyer had us cold captain six hundred yards. Won't have

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<v Speaker 5>any trouble finding us.

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<v Speaker 12>Now, destroyer close aboard zero five zero forget the destroyer.

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<v Speaker 2>Sound, got on that carrier. Listen for those torpedoes to hit.

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<v Speaker 5>That's him here he comes, Mac.

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<v Speaker 2>What's the time on the torpedo?

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<v Speaker 7>Run seventy seconds? Hit any second?

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<v Speaker 2>Now?

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<v Speaker 5>Down forty feet? Come on, get out to get out.

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<v Speaker 7>To seventy five seconds.

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<v Speaker 2>It should be a hit eighty.

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<v Speaker 5>He's trying a ram.

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<v Speaker 1>Hang on on.

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<v Speaker 5>Missed us?

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<v Speaker 12>He missed, Harris, did you hear her him? Did you

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<v Speaker 12>hear anything? No, sir, I don't know that destroyer. I

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<v Speaker 12>didn't hear anything.

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<v Speaker 2>Missed, Yeah, we missed.

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<v Speaker 7>Down seventy feet?

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<v Speaker 1>All right, sound get on that destroyer. We're playing target now.

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<v Speaker 5>So how did fat captain? Leveling off? How far at

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<v Speaker 5>the bottom? Another hundred not so high?

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<v Speaker 2>That go ranging, sir.

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<v Speaker 6>He hasn't got us yet, just poking around.

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<v Speaker 12>He's slowing down, turning toward us. Now, screws speeding up,

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<v Speaker 12>shifting short scaled. He's got a contact here it comes. Come,

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<v Speaker 12>we go on range. He's honest, he's dropped his charges.

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<v Speaker 7>Three four, All right boys, five, six, seven, eight, hang.

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<v Speaker 8>On nine, ten, time, all right, imagine for life.

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<v Speaker 1>We'll turn on lighter, but help me with Harris.

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<v Speaker 2>It'll turn down. The volume went right through and I

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<v Speaker 2>get here.

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<v Speaker 1>I get here, Johnson, Get Harris out of here, get

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<v Speaker 1>into his buck.

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<v Speaker 2>Find the pharmacist.

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<v Speaker 1>Mate.

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<v Speaker 8>Yes, keep him quiet.

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<v Speaker 5>Those charges were right on like he looked right down

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<v Speaker 5>at saws.

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<v Speaker 2>Yeah. Oh, I guess we ran into one.

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<v Speaker 1>Expert Burgan, check all compartments, report all damage, Yes, sir

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<v Speaker 1>mac get somebody on sound.

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<v Speaker 8>I'll do it, so.

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<v Speaker 5>We're in for it. Captain.

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<v Speaker 2>Yeah, just hope she stays together.

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<v Speaker 4>A beating and for nothing. The captain tried. He had

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<v Speaker 4>his chance. Check through the boat and pray none of

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<v Speaker 4>the damages beyond small, quiet, repairs small and particularly quiet.

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<v Speaker 3>After Bilge's flooding, I'll dish in but holding.

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<v Speaker 4>It's the captain's command. Because they thought he knew his job.

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<v Speaker 4>They let him go to sea four times with seven

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<v Speaker 4>million dollars in the lives of eighty.

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<v Speaker 1>Two men, Number one and two Airbanks empty diving planes, damage,

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<v Speaker 1>losing depth control, listens.

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<v Speaker 4>To the damage. Nothing fatal yet, but it isn't over.

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<v Speaker 4>There's an expert up there, and he's got all the

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<v Speaker 4>time in the world and he's going to take it.

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<v Speaker 3>We will return to Escape in just a moment. But first,

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<v Speaker 3>Tomorrow night on Lux Radio Theater, Paul Douglas recreates his

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<v Speaker 3>original screen role in an adaptation of the film play

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<v Speaker 3>Fourteen Hours. Terry Moore co stars. Also Tomorrow night, Agnes

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<v Speaker 3>Moorehead stars in Suspense's thrilling production of Charles Dickens's Eerytail,

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<v Speaker 3>The Signal Man. Remember on Lux Radio Theater. Paul Douglas

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<v Speaker 3>in fourteen Hours on Suspense, Agnes Moorehead in The Signalman.

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<v Speaker 3>Both Tomorrow Night at the Star's Address. Now back to Escape.

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<v Speaker 4>Captain waits, waits and listens in silence. All operations are

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<v Speaker 4>done by hand now no pumps, no motors, All necessary

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<v Speaker 4>movement by silent hands, no air conditioning, no fans, and

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<v Speaker 4>the temperature climbs to one hundred and twenty five degrees.

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<v Speaker 4>The boat slants at an odd angle. A bucket brigade

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<v Speaker 4>bails endlessly from a flooding bilge empties it forward, hoping

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<v Speaker 4>to level the boat. A working party tries to repair

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<v Speaker 4>the damaged diving planes.

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<v Speaker 3>Okay, okay, offs of less dressed.

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<v Speaker 2>Oh while you get back, h how's it coming?

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<v Speaker 5>Then?

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<v Speaker 2>Does it?

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<v Speaker 13>I can't tell her. She's she's jam good. Might be

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<v Speaker 13>able to do something. Bust your boy up there, go

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<v Speaker 13>do the best you can, Uh, sir, but you walking

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<v Speaker 13>back to the conning tower. Yeah, I'm on a good

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<v Speaker 13>will to her find sir.

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<v Speaker 4>But uh, would you mind taking your shoes off? Make

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<v Speaker 4>a terrible noise?

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<v Speaker 5>Yeah?

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<v Speaker 4>Sure, I'm sorry. Silence. Silence means life. Captain Hall walks

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<v Speaker 4>the ship silently. The men smile weakly as he passes,

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<v Speaker 4>but underneath he knows what they think. How much longer, Captain?

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<v Speaker 4>How much more do we have to take? Captain? Is

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<v Speaker 4>the brains? He knows, he should know.

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<v Speaker 2>Four, five, six, seven, eight, nine, ten.

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<v Speaker 4>Captain, we're gonna get out of there, saint way.

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<v Speaker 2>Yeah, Jensen will get out of it. Yeah, sit tight.

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<v Speaker 4>Captain Hall makes the good will tour, then back to

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<v Speaker 4>the conning tower to wait.

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<v Speaker 5>Wait the silent.

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<v Speaker 4>Heat and sweat.

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<v Speaker 2>The ship sweats.

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<v Speaker 4>Too, thick heavy humidity condensing on every possible surface. Like

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<v Speaker 4>the steel was porous, like the sea squeezing in. He's

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<v Speaker 4>seen the men. He led them into this surface attack

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<v Speaker 4>on the carrier. Be fast, impulse and make sure. But

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<v Speaker 4>it didn't work. Now work hard to breathe the same

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<v Speaker 4>foul air they breathed four six ten hours ago. He

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<v Speaker 4>led them into this and for nothing.

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<v Speaker 3>Turning this way, here he comes again.

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<v Speaker 4>Not anymore, not anymore.

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<v Speaker 5>It must be good leaking oil. That's because of the spot.

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<v Speaker 6>The bottom three hundred feet that's so bad, it could

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<v Speaker 6>have been four.

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<v Speaker 2>It's the oil.

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<v Speaker 4>That's what he sees. That's all he needs.

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<v Speaker 2>We're not leaking oil.

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<v Speaker 1>God is perfect. He must see something.

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<v Speaker 2>That's enough. I said, we're not leaking oil.

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<v Speaker 5>Captain by Jensen.

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<v Speaker 4>Can we get off the bottom?

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<v Speaker 2>Sir?

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<v Speaker 5>Sure?

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<v Speaker 1>When they get the diving planes in the shape, and

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<v Speaker 1>when our friend clears the area, we'll get up.

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<v Speaker 4>Yeah, yeah, sure, we'll get up.

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<v Speaker 5>Jensen. You want something to do? Take over the sandwatch?

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<v Speaker 4>Yes, hot, just getting awful hot.

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<v Speaker 5>How many depth charges you think that Jap's got.

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<v Speaker 9>Too many, sir, Just too many light screws.

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<v Speaker 4>They're fading.

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<v Speaker 9>He's going way off, gonna get a good run at it.

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<v Speaker 2>Maybe he thinks he scored a bullseye.

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<v Speaker 5>Uh huh. He's still good to make that kind of mistake.

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<v Speaker 2>Thanks, you are a big help.

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<v Speaker 5>Go on, kid yourself. It's too hot to argue.

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<v Speaker 2>Captain.

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<v Speaker 6>Maybe does he think he got us.

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<v Speaker 2>Jensen? Can you still hear him?

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<v Speaker 4>Just barely, sir, just barely.

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<v Speaker 9>He's gone now, sir, I can't hear him.

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<v Speaker 2>Captain.

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<v Speaker 1>Yeah, he's smart. Lie out there and wait, see if

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<v Speaker 1>we move. And that's the way we got to look

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<v Speaker 1>at it.

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<v Speaker 2>Hmm.

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<v Speaker 1>There's one thing he doesn't know. He gotta wait anyway.

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<v Speaker 1>All right, settle down, you're all right.

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<v Speaker 2>Sick so much?

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<v Speaker 8>Should open the window. It sounds terrible in there.

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<v Speaker 9>Shut up, shut him up, it's all right. I'm all right.

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<v Speaker 2>You better go to your bunk.

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<v Speaker 8>Oh, sir, I'm alright.

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<v Speaker 2>I like it here.

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<v Speaker 9>I wouldn't know what was going on in my bunk.

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<v Speaker 4>Fourteen hours, fourteen hours, and the destroyer still up there

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<v Speaker 4>and he can't be heard now. But there's a sense

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<v Speaker 4>a feel to it, like an animal in the night

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<v Speaker 4>that isn't seen. He's sunk subs before and knows how

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<v Speaker 4>long a sub can hold out. The physical things, battery power,

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00:21:19.640 --> 00:21:23.640
<v Speaker 4>air life is gauged on those, but the men. The

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<v Speaker 4>captain tells himself that he can hold out as long

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<v Speaker 4>as necessary, but the men can take.

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<v Speaker 2>Just so much.

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<v Speaker 4>Which is worse a depth charge attack or waiting for

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<v Speaker 4>the next one?

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<v Speaker 2>Captain yapman? Does it diving plan? Working party? Just about

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<v Speaker 2>complete repair? Oh what about it? Waiting for an ances?

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<v Speaker 5>Sir?

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00:21:43.160 --> 00:21:45.920
<v Speaker 13>She for the party requests permission for one smack with

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<v Speaker 13>a ten pound sledge. Well, is he crazy? You can

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<v Speaker 13>hear that through the water for ten miles, she says,

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<v Speaker 13>One good smack would free the plane, sir.

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<v Speaker 2>Sound hear anything, fish, sir, Just fish out there.

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<v Speaker 13>Captain, Maybe he has god, but the plane's working, Sir.

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<v Speaker 13>We'd be our own boss again.

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<v Speaker 5>Frank, you're the captain, sir. What's the difference?

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<v Speaker 6>Don't don't let him captain here and I know you'll

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00:22:22.640 --> 00:22:24.400
<v Speaker 6>hear it.

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<v Speaker 2>Sound make a full sweep?

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<v Speaker 4>Nothing, sir, nothing at all?

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<v Speaker 2>How came in? Does a permission? Granted one smack? Thank you? Sir?

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<v Speaker 4>I think Plaine party permission granted one smack? Make it

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<v Speaker 4>good acknowledge, sir, stand by.

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<v Speaker 1>I can hear that all the way to Tokio.

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<v Speaker 9>Echo, ranging I told you, I told you.

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<v Speaker 1>Shut him up, stop him, sit on him.

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<v Speaker 9>He's turning coming at us. He's dropping the way to starboard.

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<v Speaker 2>He didn't get the range. He's not sure.

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<v Speaker 9>He's turned away, Sir, going away at high speed.

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<v Speaker 5>He lost us, Captain, he lost us.

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<v Speaker 1>Then does a report from that damage party reporting?

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<v Speaker 2>Now, Sir, Our planes works there.

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<v Speaker 4>It's a jury rig, but they work.

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<v Speaker 2>Captain.

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00:23:39.640 --> 00:23:41.039
<v Speaker 4>You think we could try to get out of here.

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<v Speaker 5>Let's do it, Captain. We've got battery, but not much longer.

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<v Speaker 6>If we can get up there, Sir, even if he's

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<v Speaker 6>still there, we got torpedoes. It's better than being blown

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<v Speaker 6>apart down here.

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<v Speaker 1>All right, battle station surface, make ready our tubes and

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<v Speaker 1>stand by. Surface surface surface.

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<v Speaker 5>Thirty feet leveling off.

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<v Speaker 1>Up periscope, stand by looking around.

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<v Speaker 2>M hmm, this sun is just setting full sweep.

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<v Speaker 1>Surface stand by, All tubes ready on all four engines.

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<v Speaker 2>That's just clear. All right, Open the wrap. Let's get

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<v Speaker 2>some air.

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00:25:09.599 --> 00:25:14.359
<v Speaker 4>Smell smell that old boy.

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<v Speaker 2>Open the main induction. Start the floors.

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<v Speaker 5>I can't see anything.

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<v Speaker 3>We're clear nothing to port.

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<v Speaker 6>Wait a minute, look at the sea, Captain, out there.

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<v Speaker 5>Oil oil as far as you can see, to bree take.

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<v Speaker 4>A big ship to put out that much junk.

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<v Speaker 5>Frank, you see if, captain, that's why that baby gave

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<v Speaker 5>us what you're working over. You know what it means?

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<v Speaker 2>Yeah, I see it.

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<v Speaker 6>That's why the escort broke off attack probably went back

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<v Speaker 6>to pick ups his survivors.

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<v Speaker 1>What do you know, Conning Tower, that's the word. We

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<v Speaker 1>got the carrier right for rudder, set a course for home.

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00:26:04.640 --> 00:26:07.599
<v Speaker 4>The course is due east to the captain. The air

387
00:26:07.680 --> 00:26:13.160
<v Speaker 4>smells fresh and sweet. Home with eighty two men eighteen

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00:26:13.319 --> 00:26:17.319
<v Speaker 4>torpedoes left out of twenty four. But a captain who

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<v Speaker 4>sinks a carrier doesn't have to worry about a desk

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<v Speaker 4>job anymore. December sixteenth, nineteen forty four, USS Amberfish SS

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<v Speaker 4>five nine three completed her fourth war patrol. After experiencing

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<v Speaker 4>severe depth charging from enemy forces, she surfaced and confirmed

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<v Speaker 4>sinking of large aircraft carrier, then set.

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<v Speaker 2>Course for Pearl Harbor.

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<v Speaker 3>Under the direction of Anthony Ellis. Escape Has Brought You

396
00:27:02.079 --> 00:27:06.119
<v Speaker 3>Pressure by Richard Chandley, starring William Conrad as the captain,

397
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<v Speaker 3>with Larry Thor as the narrator. Featured in the cast

398
00:27:09.720 --> 00:27:14.119
<v Speaker 3>were Bob Sweeney, high Everbach, Herbellus, Jerry Hausner, Frank Gerstell,

399
00:27:14.400 --> 00:27:18.759
<v Speaker 3>Kurt Martel and Eddie Firestone. Sound effects were by Gus Bays,

400
00:27:18.920 --> 00:27:22.200
<v Speaker 3>Ralph Cummings and Jack six Smith. The special music for

401
00:27:22.400 --> 00:27:25.559
<v Speaker 3>Escape is composed and directed by Leith Stevens.

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<v Speaker 1>Next week, you are seated before the dials of your

403
00:27:34.599 --> 00:27:40.640
<v Speaker 1>radio receiver listening to a faint voice from the blackness beyond,

404
00:27:42.160 --> 00:27:47.400
<v Speaker 1>while the one who speaks with words of friendship is

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<v Speaker 1>debating the destruction.

406
00:27:51.759 --> 00:27:52.680
<v Speaker 5>Of your world.

407
00:27:53.279 --> 00:27:57.039
<v Speaker 3>So listen next week when Escape brings you Michael Gray's

408
00:27:57.119 --> 00:28:13.279
<v Speaker 3>exciting story The Invasion. You want pleasure in the daytime,

409
00:28:13.400 --> 00:28:15.279
<v Speaker 3>Here are two things to do about it. For one,

410
00:28:15.400 --> 00:28:18.799
<v Speaker 3>join Arthur Godfrey Monday through Friday. For another, You're welcome

411
00:28:18.880 --> 00:28:22.480
<v Speaker 3>to CBS Radio's House Party starring Art Link Letter. Yes,

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00:28:22.720 --> 00:28:25.400
<v Speaker 3>Arthur Godfrey Time and Art Link Letters House Party every

413
00:28:25.400 --> 00:28:29.519
<v Speaker 3>weekday on CBS Radio. This is Roy Rowan speaking. Remember

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00:28:29.799 --> 00:28:33.920
<v Speaker 3>America's forty five million families listen most to the CBS

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00:28:34.119 --> 00:28:35.079
<v Speaker 3>Radio Network.
