Speaker 1: Hello, everyone, Welcome to episode seven of Space Pirates, Dungeons
Speaker 1: and Dragons. This is very exciting because in the last
Speaker 1: episode I said that people sent me hate mail about
Speaker 1: these intro one liners. I'm happy to announce that in
Speaker 1: response to that, I got a bunch of people saying, bring.
Speaker 2: The back counter arguments. So what we're going to do
Speaker 2: is we're gonna try again. It's just it's always happy
Speaker 2: with something.
Speaker 1: If these are not good, I might have to crowdsource
Speaker 1: the future ones. I might have to do like a
Speaker 1: Google form and you guys submit. But I've gone for
Speaker 1: a different approach. Which one who wants to go first?
Speaker 2: I don't know.
Speaker 1: Okay, I'll do Teching. Then I'm here with Teching. He's
Speaker 1: playing Crag Teching. Teching lives in the middle of nowhere, America.
Speaker 1: That means his time zone is different to ours. So
Speaker 1: whilst it's nine pm here for Teching, it's eighteen forty two.
Speaker 2: That's how you doing. That's very good. That was better
Speaker 2: than the first one. I like that. I tried. We
Speaker 2: live simple. We live in the simple country kind of
Speaker 2: lifestyle here. We only got one Walmart and we we
Speaker 2: love that Walmart.
Speaker 1: Okay, I'm also here with Suavity playing Sigma Hello. I
Speaker 1: was once visiting Mark but I didn't have my phone
Speaker 1: or anywhere to tell the time, so instead I decided
Speaker 1: to check the local football scores. I noticed that solly
Speaker 1: Hole was losing two nils, so it must have been
Speaker 1: five past three.
Speaker 3: Okay, all right, Yeah, that's a that's a really good
Speaker 3: that's a really good reference to the small national league team.
Speaker 2: This is a very specific reference.
Speaker 1: It requires people to know that football games start at
Speaker 1: three pm. So the idea is that you've you've gone
Speaker 1: to nil down five minutes into the game.
Speaker 4: It's cover.
Speaker 2: Okay, it's very good.
Speaker 4: I do like that.
Speaker 5: I'm now I'm not worried about whatever you're going to
Speaker 5: say about me. Now we've established a level. It's not
Speaker 5: that okay. Connor Quest is here playing Novena. Connor Quest.
Speaker 1: He's released many four length albums, and he's won awards,
Speaker 1: not once, not twice, not three times. That's right, none
Speaker 1: at all?
Speaker 6: Okay, not true, won the Best Lyricist of the Nerd
Speaker 6: Chord Choice Awards.
Speaker 4: Or whatever I call you.
Speaker 7: Also you also won well okay, your albums didn't want
Speaker 7: but you want Stevie.
Speaker 1: Yeah, I was talking about your albums specifically. I'm also
Speaker 1: here with Josh Hayes playing Rick Plan. Josh had to
Speaker 1: move the last session as he was attending a Ruinscape event.
Speaker 1: Old Grindy with its glory days behind it.
Speaker 4: Josh D.
Speaker 2: Hayes is with us today. Good yeah, yeah, yeah, joints
Speaker 2: grind because it's true. Alright, I like this time.
Speaker 1: Yeah, I can't do this every week, Okay, I will
Speaker 1: crowd from the next one.
Speaker 2: So next time we will, I'll put it in like
Speaker 2: a discord.
Speaker 1: Maybe I'll put a tweet out, have people send in
Speaker 1: their own and then I will use those and thatfore,
Speaker 1: if they're bad, we could just blame that person.
Speaker 2: Yeah there, Yeah, you can name and shame them.
Speaker 1: Yeah, people giving them a ten out of ten. Thanks guys,
Speaker 1: we're getting I'm getting actual highly rated.
Speaker 2: You know what. It feels good. It feels good to
Speaker 2: do something with my life.
Speaker 1: That's enough about you, all right, we'd last session, they
Speaker 1: had finally infiltrated the palace of Kaiser, talked to Kaiser,
Speaker 1: then they killed They got roly Poly to kill him.
Speaker 8: This they've come back into the palace.
Speaker 1: They've talked to Princess Marsey Pan but In the process
Speaker 1: of this, Duke roly Poly has come in. Everything's fallen apart.
Speaker 1: They are now fighting Duke roly Poly. A giant gingerbread
Speaker 1: dragon is heading hurtling towards the Throne room. You can
Speaker 1: see it behind the chattered stained glass. On the back
Speaker 1: of the giant gingerbread dragon is a ashkar wielding a
Speaker 1: giant flaming hammer. And that is where we left the
Speaker 1: last session on that cliffhanger of the ginger.
Speaker 2: Think that'll be relevant. That'll probably not be relevant, yeah,
Speaker 2: which would not bring it up for the rest of
Speaker 2: the session.
Speaker 9: He just the dragon flies over the city and goes
Speaker 9: somewhere else.
Speaker 2: Just go somewhere else. Okay.
Speaker 1: Princess Marzipan, it's her turn to begin here, and she
Speaker 1: is just going to hide. I don't know if she
Speaker 1: rolled stealth before, but she's going to do it properly
Speaker 1: this time. She got an eight, so she's not hidden,
Speaker 1: but she is behind a pillar, so she's taken cover. Navena,
Speaker 1: you are top of the round, so you see this
Speaker 1: gingerbread dragon come hurtling towards and you also see crumb
Speaker 1: Pilot his gingerbread mech to kind of position himself in
Speaker 1: the way of the dragon, and you could see that
Speaker 1: out of the giant like window in the back there,
Speaker 1: but you also see Crag who is quite wounded fighting
Speaker 1: to the death with Duke roly Poly, and a pocket
Speaker 1: next to you whose hand has been blown off.
Speaker 2: Yeah, that's right.
Speaker 4: I don't want to probably look out the window and say, crumbs, crumbs.
Speaker 4: She's probably gonna, honestly, just try and not think about
Speaker 4: that for the moment and deal with what is actively in.
Speaker 2: Front of just actively in front of you. Okay, yeah, she.
Speaker 4: Is probably going to run over to the night.
Speaker 2: Oh yeah, there.
Speaker 1: So there's one night, the one that was communicating with
Speaker 1: the ashcar.
Speaker 2: So you run over the night and he goes, yeah, oh,
Speaker 2: why are you towards me? Is it?
Speaker 4: Sorry about this? I think I can bonus action focus
Speaker 4: point to dash, yeah, and then I and then I
Speaker 4: still have my two attacks.
Speaker 2: Yeah, yeah, okay, go ahead.
Speaker 4: Yes, I think I'm going to do my my regular
Speaker 4: two attacks.
Speaker 1: Great, great, I mean a sixteen hit scene and a
Speaker 1: twelve does not hit the six the sixteen hits does
Speaker 1: not hit sixteen. Does that we'll do eight damage to
Speaker 1: him with Okay, so the first one, I mean, what
Speaker 1: are you. Okay, okay, how are you attacking him? How
Speaker 1: are you ship shifting your body?
Speaker 4: I think I think we're gonna we're gonna a classic
Speaker 4: bulbous You do like the bulbs, but I do find
Speaker 4: it bloody that you have the ability to change into anything.
Speaker 4: And I think eighty percent of the time you go
Speaker 4: bulb It's like, what's going to do the most damage?
Speaker 4: I think I think bulbous crush, you know, especially especially
Speaker 4: with someone in armor. You know, there's no point making
Speaker 4: a sword because if he's in armor, it's gonna be
Speaker 4: it's just gonna slide right off him.
Speaker 1: Okay, so you smash, it's gonna kill him. So how
Speaker 1: do you want to kill him? Unless you want to
Speaker 1: knock him out?
Speaker 2: Yeah? Oh my god, oh go oh god.
Speaker 4: Is this gonna be the first time Vina kills someone.
Speaker 2: In her life. There's a bit right here. It's up
Speaker 2: to you. He does just you do.
Speaker 1: Just approach him, and he looks like just a regular
Speaker 1: candy night. He looks down at you, his eyes glistening
Speaker 1: with fear.
Speaker 4: So's he got a helmet on.
Speaker 1: He's taken the helmet off dramatically as you approached him.
Speaker 1: His hair is waving in the winds. Yeah, please.
Speaker 2: Don't do it. He's just his friend blown by the way.
Speaker 2: Pocket's just blown his friend up.
Speaker 4: He's gonna she's gonna swoon a little, his inherent beauty.
Speaker 4: He missed the second attack, but yeah, I think she's
Speaker 4: just gonna just gonna swing across the jaw and knock
Speaker 4: him out.
Speaker 2: Knock him out. Okay.
Speaker 4: Yeah.
Speaker 1: He closes his eyes as you swing, and he goes,
Speaker 1: thank you for sparing my life. And you smack him
Speaker 1: across the face and send him through the wall.
Speaker 2: Ah.
Speaker 4: Just fucking candy teeth everywhere.
Speaker 1: Oh yeah, it is now the ashcar's turn. Who's on
Speaker 1: the back of the gingerbread Dragon. He's quite far out
Speaker 1: at the moment, and he sees this gingerbread mech approach
Speaker 1: him and the dragon, and he pours out his flaming
Speaker 1: hammer and he roars and he says, I am Rock,
Speaker 1: brother of Rack, and I have come here to conquer
Speaker 1: the candy Kingdom. And he is going rock his rock
Speaker 1: and r h oh brother of Rack, brother of Rack.
Speaker 2: That's his that's his full name.
Speaker 1: He's going to leap off the back of the gingerbread
Speaker 1: Dragon in a triumphant style, and bring his flaming hammer
Speaker 1: down upon the gingerbread mech.
Speaker 3: Oh, yeah, do we have any sort of idea what
Speaker 3: he's gonna miss?
Speaker 4: Like health?
Speaker 1: Even is you have no clue, It doesn't matter, It's
Speaker 1: just I mean, I guess it will hit against the
Speaker 1: gingerbread Mech but do no damage. But he's now landed
Speaker 1: on the gingerbread Mech's shoulder, and he looks up a
Speaker 1: little bit of fear in his stony eyes. His Pocket's turn.
Speaker 1: Pocket looks up at you, Rick Plan and goes.
Speaker 4: What do you need me to do?
Speaker 2: Captain? Okay, I'm going to be honest with you.
Speaker 5: I think I've just seen Vienna nearly kill a man,
Speaker 5: which means we are royally fucked. Oh she's never killed anyone.
Speaker 5: The fact that somebody had to die right now, my
Speaker 5: goodness of Pocket, I'm not going to lie. We might
Speaker 5: be in a little bit of trouble. Pocket, I'm going
Speaker 5: to ask you a very simple question. What do you
Speaker 5: think we should do?
Speaker 2: Ah? I think we should steal shit and run away once.
Speaker 2: I'm I might be with you on this one.
Speaker 5: So I think the first thing and the most important thing
Speaker 5: to do is to get everyone away from where this
Speaker 5: fight is going on, Dragon, massive gins, red Kaiju.
Speaker 2: Look at us.
Speaker 5: I don't fancy our chances, so Pocket, can you walk? Yeah,
Speaker 5: I've just he looks down at the stump. I'm just
Speaker 5: missing a hand, but don't worry.
Speaker 2: I get for this. And he really is what I
Speaker 2: was hoping he'd say.
Speaker 1: He reaches into his pockets and he pulls out what
Speaker 1: looks like a Swiss army knife and he just jams
Speaker 1: it on the stump that sort of screws it in, ohhazardly,
Speaker 1: and then it sort of wiggles around and like transforms
Speaker 1: it into different things.
Speaker 2: He's like, see, I knew I was gonna blow my
Speaker 2: hand off. It was all.
Speaker 5: We are definitely going to talk about this later because
Speaker 5: I think one of us is going to need some
Speaker 5: kind of therapy. But I'm glad that you've managed to
Speaker 5: work out this this solution.
Speaker 2: Let's leave. I'm going to grab at the rest of the.
Speaker 5: Guys and Novena and hopefully try and retreat to somewhere
Speaker 5: a little safer. I think Crumb's got this with the
Speaker 5: massive Kaiju chabs chabs. Could anybody hear me? I'm just
Speaker 5: kind of shouting out in general.
Speaker 2: I'm in the.
Speaker 9: Middle of fighting, so I'm probably not responding. Carry on,
Speaker 9: you're you're good, you're doing what you're.
Speaker 2: Fine. He's having a great time, Navena. He's not dead,
Speaker 2: is he?
Speaker 5: No?
Speaker 4: Just sleeping?
Speaker 5: Fantastic, Sigma. Have you got a moment? I suppose so,
Speaker 5: six Sigma, I need to ask you a question. I
Speaker 5: need to be honest with me, if a very direct,
Speaker 5: very honest what are we doing?
Speaker 2: I mean, look around, Sigma.
Speaker 5: If you'd have said to me a few years ago, Rick,
Speaker 5: one day, you're going to be in the throne room
Speaker 5: of a food based kingdom, observing a battle between a
Speaker 5: giant kai ju gingerbread man and a huge gingerbread dragon,
Speaker 5: I would have and I'm not lying to you here,
Speaker 5: questioned you.
Speaker 2: Yet here we are, Sigma.
Speaker 10: I believe what we're doing is following.
Speaker 5: Your plan, you know what. That's what I was hoping
Speaker 5: you wouldn't say. That's why I was holding that more
Speaker 5: than the answer. How about I don't admit this often.
Speaker 5: How about we leave the room and then take a quick, quick,
Speaker 5: quick recess, quick.
Speaker 2: Break, work out what we're doing.
Speaker 10: You can't time for that, oh, Crag, he's fighting.
Speaker 5: For his life. Crag doesn't even know there's another fight
Speaker 5: going on. He's so distracted. I can leave, Navna. Are
Speaker 5: you ready to leave quickly? With the door doors open?
Speaker 4: Should I not help? Crag Crag?
Speaker 2: Do you need help?
Speaker 7: I don't know.
Speaker 2: I also don't think the door's open. Well it might be.
Speaker 2: I guess they slammed the door open.
Speaker 11: Yeah, I beg you couldn't open that door.
Speaker 5: I would like to give I would like to give
Speaker 5: Crag bartic inspiration by shouting that out to you.
Speaker 2: It's not your turn, right, yeah, looking, can you carry on?
Speaker 2: Defer defer the Bardic inspiration to pocket that? Then if
Speaker 2: you can survive the next five turns? Yes, all right,
Speaker 2: my days.
Speaker 1: Okay, you're saying all this stuff about taking a break
Speaker 1: and stuff, but pocket is actually a turn to you
Speaker 1: wreck and say, actually, Rick, I wanted to ask about you.
Speaker 1: You're a criminal, just like me. We're all criminals here,
Speaker 1: but you keep talking.
Speaker 5: About only in the very legal sense.
Speaker 1: I am right, But you keep talking about like helping
Speaker 1: people and setting things right, and I mean, why not
Speaker 1: just do it our own way?
Speaker 2: Steal stuff? You know, live a good life, pocket.
Speaker 5: There are many reasons one lives a life the way
Speaker 5: they do. The morals, ideology, circumstance or personal ideology, reflection, desire, lust,
Speaker 5: whether that is for the flesh or for the treasure,
Speaker 5: the hunt that Ernie. I think that we try and
Speaker 5: leave this place, i'd be better than when we found it.
Speaker 5: And Pocket, I'll level with you, if you look around
Speaker 5: this room right now, I don't think it's better than
Speaker 5: when we found it.
Speaker 1: Well, I mean, he looks around, he sees Duke roly Poly,
Speaker 1: he sees the gingerbread dragon, and he goes.
Speaker 2: I mean, I know how we can make it better
Speaker 2: than when we found it.
Speaker 5: Pocket, I'm willing at this point to listen to you
Speaker 5: because it is and I cannot state this enough.
Speaker 2: Your turn. Hester.
Speaker 1: He pours out his gun and he says this world
Speaker 1: would be a better place without Duke roly Poly in it,
Speaker 1: and he.
Speaker 2: Will fire the gun. Sixteen does. Thank god. I thought
Speaker 2: you were going to shoot yourself a place without me.
Speaker 2: I don't want to live in a world with Duke.
Speaker 2: I was trying with that for a second.
Speaker 5: No, in that case, good luck I'd like to give
Speaker 5: I can't give him.
Speaker 2: That. As a reaction the gun, the bullet, the blast
Speaker 2: flies through the air and strikes the duke on his side,
Speaker 2: and he looks round and he looks at Pocket and he.
Speaker 12: Goes, jelly bead, jelly baby, you are the worst trader
Speaker 12: of the ball, tears in his eyes.
Speaker 1: I actually don't think he realizes that Pocket took over
Speaker 1: jelly babies like persona. I think he thinks Pocket was
Speaker 1: jelly Baby the whole time, his whole life. Remember when
Speaker 1: we were younger, we used to play in the field
Speaker 1: jelly baby.
Speaker 2: We used to do so both together. And now you
Speaker 2: with Crag it is your turn. I turned to the
Speaker 2: duke because he looked over at part and I'm like, Hi,
Speaker 2: you're fighting me. You're in Crags jail now, and I
Speaker 2: bring down. I am huge, still using you like ashcar
Speaker 2: fire magic. I'm gonna try to hit him this time
Speaker 2: because I had all this cool stuff last time and
Speaker 2: it just didn't hit. So I swear to God, please
Speaker 2: hit damn it. Wow, you cannot hear it. Crags jail now? Whoa,
Speaker 2: he's so fast he's avoiding me.
Speaker 1: You're in a jail of your own creation, my friend.
Speaker 2: It is spud Russets turn. Are you doing anything else?
Speaker 9: Very very frustrated, I mean like no, yeah, no, I
Speaker 9: just I use a bonus action to yell in frustration
Speaker 9: and rage.
Speaker 2: Okay, spud Russet's turn.
Speaker 1: He's by the throne that's been destroyed, and it's that's
Speaker 1: why all the disco music is playing. He doesn't know
Speaker 1: what to do in himself, but he is near Sigma
Speaker 1: and he looks over the thrown at Sigma and goes,
Speaker 1: are we doing anything about that dragon?
Speaker 3: So is the window that we can see the dragon?
Speaker 3: Is that behind us, like near the.
Speaker 2: Thrown or is it throne? You can scroll up, so.
Speaker 4: The closest so the closest people to.
Speaker 3: This dragon on me and spurred yes, I think that
Speaker 3: we are perhaps underqualified to fight the dragon, my friend.
Speaker 1: I'm under qualified for all of this, I'll be honest.
Speaker 1: But it hasn't stopped you from putting me in these situations.
Speaker 4: Nonsense.
Speaker 7: Perhaps we should move to the other side of the
Speaker 7: room so as not to be in the.
Speaker 2: Right line of fire.
Speaker 1: Okay, he's gonna dash and just go behind one of
Speaker 1: the pillars on the other side of the room.
Speaker 2: That's his turn.
Speaker 1: It is now sud the gingerbread dragons turn. So the
Speaker 1: gingerbread dragon has turned his attention towards the gingerbread mech
Speaker 1: because they've like they've gotten in each other's eye lines.
Speaker 9: Oh they are on the map. I didn't scroll up.
Speaker 9: Yeh shit, this is a real thing.
Speaker 2: Now.
Speaker 1: The gingerbread dragon flies towards the mech, claws outstretched it.
Speaker 1: It's going to bring them down upon the mech. Two
Speaker 1: claw attacks, one bite attack, everything hits. He's doing a
Speaker 1: total of thirty two thirty two, yeah, thirty two damage
Speaker 1: on the gingerbread mech, and he's wrapping it apart, spitting
Speaker 1: out all this like this gingerbread flying everywhere. It's probably
Speaker 1: like the breeze of gingerbread are spearing through buildings, et CETERA.
Speaker 5: Question about the bite attack, yes, can the dragon consume
Speaker 5: the gingerbread man? Does he have the required level on
Speaker 5: the planet to eat him?
Speaker 2: Yeah, the dragon has like the highest it should probably
Speaker 2: should as it as it swallows some of the gingerbread.
Speaker 1: You see his card display above its head, and it
Speaker 1: says level seven level.
Speaker 2: It was gonna be like that was gonna be like
Speaker 2: a hundred or something ridiculous.
Speaker 3: And so just to confirm seeing it absolutely terror part
Speaker 3: that gingerbread mech, I think we can all safely assume that. Yeah,
Speaker 3: this thing is gonna one shut us.
Speaker 12: In this room.
Speaker 1: It can it will just do that. I'm not even like,
Speaker 1: not even knock out. It will kill everybody. Yes, yeah,
Speaker 1: it is the Duke's turn.
Speaker 2: Uh the duke.
Speaker 1: It is obviously fighting you crag, but because you've missed
Speaker 1: him so many times, it almost.
Speaker 2: Does a threat.
Speaker 1: And I think he cares more about his the man
Speaker 1: who betrayed his trust.
Speaker 2: That's fair, That's totally fair.
Speaker 1: So he's gonna create a jam roly poly on the
Speaker 1: ground and he's going to roll it forcefully towards Pocket.
Speaker 2: That's fine, But do I get an opportunity attack? No,
Speaker 2: he's not moving, he's just attacked. He's just doing a
Speaker 2: range attack. He is just an attack.
Speaker 1: So he rolls it towards Pocket, and Pocket just gracefully
Speaker 1: jumps over the top of it and like does a
Speaker 1: flip and then flips him off.
Speaker 2: I guess goes.
Speaker 1: And actually I think Pocket might even like get into
Speaker 1: the character of jelly Baby and be like, yeah, when
Speaker 1: we were kids, I never liked you. That's why I
Speaker 1: fucked friends.
Speaker 2: Like what, yeah, they always loved you.
Speaker 4: Does he have a middle finger on the.
Speaker 2: Oh yeah, no, Yeah, the Swiss arry.
Speaker 1: Life just becomes it just becomes the word fuck you
Speaker 1: just written out.
Speaker 2: Yeah, Sigma, it is now your turn.
Speaker 13: Oh gosh, okay, I am terrified of this Dragon and
Speaker 13: Rock brother of Rack, who are piecing up the mech
Speaker 13: through the window. Everyone else does seem to have the
Speaker 13: dukes around to your I'm wondering if I can't get
Speaker 13: like a sneaky shot in.
Speaker 1: They will say they are further away then the map
Speaker 1: suggests it's like a different zone.
Speaker 2: How how how far would it be because pistol, you
Speaker 2: would you would be firing a disadvantage. It's it's more
Speaker 2: than that.
Speaker 4: Yeah, yeah, yeah, okay.
Speaker 3: If they's still that far away, then I'm not gonna bother.
Speaker 3: I'm going to try and a little bit closer to
Speaker 3: the duke.
Speaker 10: Is there anywhere where I can hide?
Speaker 1: Oh yeah, there's columns, There's columns and pillars, and there's also,
Speaker 1: to be fair, the crumb room that you only you
Speaker 1: know how to get into.
Speaker 2: I'm gonna I'm gonna hide under the bed. There is bed,
Speaker 2: it's all destroyed because Crack destroyer.
Speaker 10: I'll hide behind whatever I can.
Speaker 3: That's like the near the crumbs room, near the crumb room,
Speaker 3: the crumb quarter.
Speaker 10: I want to use my crumb to make a stealth check.
Speaker 1: Okay, go ahead, you stealth behind a pillar, Cunny fourteen.
Speaker 1: It's it's not great, but I don't think Duke Duke
Speaker 1: Rody pone he sees you.
Speaker 3: I just want to make a stealth attack against him
Speaker 3: in my blast.
Speaker 10: Do I have advantage here?
Speaker 1: Yes, you will have advantage here, go ahead twenty the
Speaker 1: duke nine plus eight that is going to kill him.
Speaker 2: So how do you want to do this? Yeah, that's seventeen.
Speaker 3: Down room behind I room behind like a pillar or
Speaker 3: whatever is on the other side of the room. And
Speaker 3: I see Craig struggling to hit this guy and as
Speaker 3: crag like, I guess, raise up his.
Speaker 9: Like I let roar of frustration, and then his head
Speaker 9: just blows up.
Speaker 7: I just I think I think I see him like
Speaker 7: through your legs.
Speaker 2: Yeah right, because I'm shoot and I just need the
Speaker 2: dude like just.
Speaker 7: Snipe him from the other side of the room.
Speaker 2: M hm. So yeah, you see the dude just like explode.
Speaker 1: Like the blast hits him and he looks down for
Speaker 1: a second and he goes, oh no, oh no, I
Speaker 1: don't want to die, and then he just explodes out,
Speaker 1: and bits of his body just sort of draped for
Speaker 1: the walls.
Speaker 2: Did my ashcar magic make him explode?
Speaker 4: Does everyone on this planet explode when they die?
Speaker 2: Guys? Seriously? Is that a thing that I did? Or
Speaker 2: is that something you did? I need to know now
Speaker 2: that was me? Oh okay, thank you, Sigma. Where are
Speaker 2: you all right? Thank you for the assist I need
Speaker 2: to get used to my new powers. Should we what
Speaker 2: should we do about this threat? Holy shit? A dragon?
Speaker 2: I just turn around and notice the thing.
Speaker 1: Oh you hear cond crumb over the earpiece as you
Speaker 1: say that, saying I'm on it, guys, and the gingerbread
Speaker 1: make moves.
Speaker 2: He's on it. He's got it, guys, We're good. He's
Speaker 2: gonna punch and punch. One of them fails. One of
Speaker 2: them crit fails, probably because it's the arm that like
Speaker 2: Rock is on.
Speaker 1: So one of them hits the dragon for thirteen damage.
Speaker 1: One of them krits fails, and I'm now gonna roll
Speaker 1: a D six. Okay, hmmm, that's just that's just that
Speaker 1: for the moment.
Speaker 2: That's just a role. That's just I hte the dragon, guys,
Speaker 2: But it doesn't seem to.
Speaker 1: Be like a little bit of gingerbread has fallen off
Speaker 1: the dragon, but it still looks healthy.
Speaker 2: Rick plan, it is now your turn?
Speaker 5: Right? Where is everyone in relation to where I'm currently standing?
Speaker 2: Okay, I'm like a little bit away from you from
Speaker 2: the like yeah, right.
Speaker 1: Now, this situation is you're right next to Pocket. By
Speaker 1: the front doors is Crag, the dead body of the
Speaker 1: Duke and Novena and now spud Russet as well, and
Speaker 1: then by the window is Sigma, and then far in
Speaker 1: the distance you can see a giant kayju battle happening
Speaker 1: between the gingerbread mech, a gingerbread dragon, and a ashcar man.
Speaker 5: Right, Chaps. That situation over there, not good, not tipping
Speaker 5: it top. Ideally, we don't want to get involved in
Speaker 5: I would suggest we leave this room to another room.
Speaker 5: Don't know what's in it, but I know that that
Speaker 5: will be further away. Anyone against that idea.
Speaker 2: I'm perfectly fine with that idea.
Speaker 10: That's good with me.
Speaker 5: Get Crumb out of the closet. I've actually got a
Speaker 5: question for Crumb. I'd like to lean in just quick
Speaker 5: and go, Crumb, you just punched the dragon, didn't you?
Speaker 5: Did you do anything?
Speaker 1: He's obviously talking over the earpiece. It did hurt the
Speaker 1: dragon a little bit.
Speaker 2: Okay, I didn't do much there, did it?
Speaker 1: Well, there's a lot. I don't understand these controls. I'm
Speaker 1: desperately there's a I just need. I need somebody more
Speaker 1: intelligent than me to help out.
Speaker 5: That's well, you're gonna be in luck to find someone
Speaker 5: like that around here.
Speaker 2: Crumb. You're the best we've got right now?
Speaker 9: Is I have an associate's degree, Boss, I mean, if
Speaker 9: you want some help, I could try to give him
Speaker 9: some help.
Speaker 2: Someone who's got experience with tech. Crumb there with you.
Speaker 2: I think I know the answer ready, but I have
Speaker 2: to ask the question.
Speaker 9: I took an introductory class on whatever the equivalent of
Speaker 9: Microsoft word is in this universe.
Speaker 2: So I have that going for me. I think it's
Speaker 2: still Microsoft word. It's a very long time Captain plan. Yes,
Speaker 2: I have experience with technology.
Speaker 5: My planed sigma right now is if he doesn't do
Speaker 5: anything good, we just pushed the big red button and
Speaker 5: see what happens.
Speaker 2: The big red button that's next to Crumb, the yes.
Speaker 3: Let me give it you.
Speaker 2: The gummy bit button. You want me to press the
Speaker 2: gummy pep button?
Speaker 5: Not yet, Crumb, We need some kind of code word
Speaker 5: for that. The code word is crumb pressed the big
Speaker 5: red button. Okay, all right, so until then, don't okay, chaps,
Speaker 5: shall we get out of this room?
Speaker 2: First of all?
Speaker 5: I agree, right, I would like to begin running toward
Speaker 5: the exit.
Speaker 2: Okay, all right, run towards the wall, and I burst
Speaker 2: through it.
Speaker 5: Cragger is not The door was right in front of me.
Speaker 2: But I'm doing it this way.
Speaker 5: Sprint once I've changed everyone's okay, pocket you okay with
Speaker 5: us as well?
Speaker 2: Fuck it, Brad, we born all right? What's on?
Speaker 9: What's on this side of the wall here?
Speaker 2: It is not your turn? Rick plan is moving pushing
Speaker 2: through the door easier?
Speaker 5: Can I or look at the door and there's any
Speaker 5: kind of lock or mechanism or hinge and shoot at
Speaker 5: the door already?
Speaker 1: It's it's slightly a jar because the Duke and his
Speaker 1: knights came through, so it's kind of like slightly. You
Speaker 1: could just open it, Wick planting the door now on
Speaker 1: the other side of the door, because you guys are
Speaker 1: in the castle still there you are now, Rick Plant
Speaker 1: in a room of four guards m hm, two of
Speaker 1: which were standing near the door, and two of which
Speaker 1: were standing further away.
Speaker 14: Thank god, I've found you. The king has been killed
Speaker 14: by a dragon. Give me a deception roll. This is
Speaker 14: a this is a pivotal deception role.
Speaker 5: I'd like to use lucky to give myself advantage on
Speaker 5: this role.
Speaker 2: Then great, right now you're good.
Speaker 1: Give me an advantage deception role so you get to
Speaker 1: roll it again.
Speaker 5: The knights who with the lucky ability?
Speaker 1: The knights who, to be fair, they they've been you know,
Speaker 1: they don't know what the fo's happening. They hear a
Speaker 1: bunch of kerfuffle, but they've been told to just keep
Speaker 1: watch by Duke Roni Poli or whoever. And they turnally go,
Speaker 1: what about Duke is he?
Speaker 5: Okay, chaps, I'm in here with the emissary of the
Speaker 5: Ashgar Kingdom and we're currently fighting a dragon whom has
Speaker 5: killed the king. You won't be able to tell because
Speaker 5: the king is literally inside the dragon.
Speaker 2: Okay, I'm the emissary. Nice to beta.
Speaker 1: So they you know, they said of the little alarm,
Speaker 1: and I guess Sigma you can see now outside about
Speaker 1: I would say.
Speaker 2: What sound does the night alarm make? Rusty? I need
Speaker 2: to know it's a candy night alarm? Right, So it
Speaker 2: goes yeah, yeah, better, bit it better, but it's nighttime.
Speaker 2: She's dead. These are like fire alarms and start all
Speaker 2: over the kingdom. I love it. I love it.
Speaker 1: Okay, I'm gonna say a regiment of Knights, maybe like
Speaker 1: twenty of them.
Speaker 2: That now less or more than a retinue. Oh no,
Speaker 2: just like twenty like Knights Sigma.
Speaker 1: You can see are now outside charging towards the gingerbread
Speaker 1: Dragon on that command and Rick planned that is your
Speaker 1: action to do the deception, and it is the Knight's
Speaker 1: turn next. So the Knights are now surrounding the gingerbread Dragon.
Speaker 2: As a bonus action.
Speaker 5: Yes, can I got inspiration to the knights or at
Speaker 5: least one of them at the front.
Speaker 2: As he runs past the captain give it to the
Speaker 2: captain that's leading the charge or whatever leading the charge.
Speaker 1: These obviously there's gonna be These are knights that are
Speaker 1: so far away from you, but I will allow it
Speaker 1: because I think they can. I'm gonna I'm going to
Speaker 1: say that you give Bartic inspiration to the lead Night
Speaker 1: that's in the room with you, and he passes it
Speaker 1: a log to the other knights.
Speaker 2: So can you, God, you've shown up to help us.
Speaker 2: I knew you'd be able to do it.
Speaker 1: Can you just I'm just gonna rule like this, Can
Speaker 1: you roll me a D six and I will add
Speaker 1: it to all of the Knight's attacks absolutely as it's.
Speaker 2: Like incredible, Please be a two. That's amazing. Double. Okay,
Speaker 2: I'm just gonna hit this back in twenty times one two, three, four, five,
Speaker 2: six fifty sixteen seventy that's not bad, you know. Four.
Speaker 1: So anything four to all of those, yeah, so bity
Speaker 1: a minute. Anything that's above A twelve hits in this situation.
Speaker 1: So that is one, two, four, five, six, seven, eight nine, ten, eleven,
Speaker 1: twelve thirteen fourteen hits two of them.
Speaker 2: Cress so wore.
Speaker 1: Forty five, six, seven, eight nine, ten eleven twelve one two.
Speaker 2: Al Right, guys, math time, this is what happens when
Speaker 2: you've got an entire army fighting a dragon and then
Speaker 2: flashbacks all of the twenty two and the bus with
Speaker 2: the HELLSBU.
Speaker 3: Two fifty four sixty four seventy two, one hundred and ten.
Speaker 2: I was nearly there, one hundred and ten damage that
Speaker 2: Knights bring down their swords towards this dragon for one
Speaker 2: hundred and ten damage, which isn't enough to kill it.
Speaker 1: Oh no, and I'm going to the gingerbread dragon now
Speaker 1: takes a legendary action. He puts his mouth down towards
Speaker 1: he's not.
Speaker 2: Those brave soldiers, and he breathed cinnamon fire all around him.
Speaker 1: And that is even if they succeeded their saving throat,
Speaker 1: they would die from this.
Speaker 5: He kills all of the knights instantation, instantaneously, all of them.
Speaker 2: How does this there surround How does the breath weapon work?
Speaker 2: Is it's freaking oval, It's a fucking all around him,
Speaker 2: like oh, he's spinning around with his breath fucking fire.
Speaker 2: He just cinnamon fire, just kills twenty knights in one go.
Speaker 9: He shoot a hundred sticks of big red gum dead.
Speaker 1: And yeah, well that wick Flan, that was the result.
Speaker 2: Remarkable.
Speaker 5: Well, I think we're kind of killed two birds of
Speaker 5: one stone there. I think we've done some to the dragon,
Speaker 5: and I think.
Speaker 2: The way out seems somewhat clear. Night's lighter. Princess Marcy
Speaker 2: Pan is like hiding. She's tears in her eyes and
Speaker 2: she's looking at the cartage outside Navena.
Speaker 4: It is your turn. She going to try and try
Speaker 4: and get on Marzipan's a good side again.
Speaker 1: Okay, that's honestly a good plan because she has a
Speaker 1: lot of power now because now that so she's seen
Speaker 1: Duke roly Poly die and she's seeing her nights die.
Speaker 1: It's the worst day of her life because she also
Speaker 1: just saw her father commit suicide.
Speaker 2: So she's.
Speaker 4: Your plan.
Speaker 2: It was a good plan, to be fair, it's gone
Speaker 2: this far. This was supposed to.
Speaker 12: Be my wedding day.
Speaker 2: Everybody's died.
Speaker 15: I understand. I think it would be best if you'll
Speaker 15: come with us. At least she has the big I
Speaker 15: can outside. No, no, no, no, we're not going to
Speaker 15: kill We're not well. Brodie Poly was going to kill you.
Speaker 4: He only wanted to marry you. Throw the kingdom. You see.
Speaker 15: It's had a bit of a k oh.
Speaker 2: You're gonna have to give me a really hard persuasion
Speaker 2: roleway if that's what you're trying to do. Good luck, buddy, Connor.
Speaker 2: I believe in you, all right.
Speaker 4: Persuasion Ah, thank god, I don't have minus too on
Speaker 4: this roll.
Speaker 2: Good luck. This could be it. Thirteen is not good enough.
Speaker 2: You also do have. I don't think it was possible.
Speaker 2: I don't think it was possible Prince Press positives are like, please.
Speaker 1: Just leave me.
Speaker 12: I don't want to die or work with you.
Speaker 15: Well, if you won't come with us, at least leave
Speaker 15: the castle so you don't die.
Speaker 2: How do Okay?
Speaker 1: She looks at the front entrance where the dead body
Speaker 1: of Duke roly Poly is crag standing over after you've
Speaker 1: just announced that.
Speaker 2: You killed him. She looks over and she's like, how
Speaker 2: do I get up here?
Speaker 4: Just gonna you can just walk past the crag. It's fine.
Speaker 4: He will not hurt you.
Speaker 2: I don't believe, actually you should. I didn't hit Dick
Speaker 2: this entire time that I'm not going to hurt you.
Speaker 1: I really this is the most traumatic day of her life.
Speaker 2: I don't think she's She's gonna be in therapy for
Speaker 2: a while after this. Yeah, uh okay.
Speaker 1: It is now Rock Brother of Rax turn. I guess
Speaker 1: unless you do anything else of Vena.
Speaker 4: Sorry, I have done what I can. Rock Brother of
Speaker 4: Rack is done.
Speaker 1: Now that gingerbread drag, it is closer to the gingerbread
Speaker 1: mech again. He's going to jump back on the dragon
Speaker 1: and sort of pour the reins that he has on
Speaker 1: the gingerbread dragon and kind of redirect it towards the
Speaker 1: palace because he realizes he's getting distracted. He has a
Speaker 1: job now, and that is to take over the kingdom,
Speaker 1: and that's going to allow the gingerbread Dragon to move closer.
Speaker 1: So I when I say he's closer, it is now
Speaker 1: Pockets turn. Pocket stands up and he goes, well, I
Speaker 1: guess we're going to the other room. That's what rick
Speaker 1: Plan said. So he dashes to the room where you
Speaker 1: are now Rick Plan, and he goes.
Speaker 2: Well, the pockets, you'll see there are no guards.
Speaker 1: Well there's there's There aren't cards in this room, but
Speaker 1: they're actually I guess they're running outside because they're You're right,
Speaker 1: they would have left as well.
Speaker 2: So, yeah, there's no guards.
Speaker 5: And I assume they joined the charge on the twenty
Speaker 5: as soon as I shouted for help.
Speaker 1: They will get there eventually. That twenty was the initial challenge.
Speaker 1: There'll probably be more Wave two. Fantastic.
Speaker 2: Yeah, the entire kingdom.
Speaker 1: They don't know the key. Did they think that? They
Speaker 1: think the king's inside the dragon. They've trained for this day.
Speaker 1: They always knew that gingerbrea Dragon would be a threat.
Speaker 5: Oh did you know if you hang around here, I
Speaker 5: think I've got a plan for essentially a second wave
Speaker 5: of the same thing we just did.
Speaker 1: Right, Well, you know what I admire or your use
Speaker 1: of deception. It's a it's a good trait to have.
Speaker 5: Oh, sometimes you want to have, you know, bit of
Speaker 5: the yin, bit of the yang. Sometimes you sometimes you
Speaker 5: tell a guard that he's doing a good job, and
Speaker 5: sometimes you impersonate a princess's father and commit suicide.
Speaker 2: It's it's a.
Speaker 1: Complex life, right, Can I can I share a secret
Speaker 1: with you?
Speaker 2: Rick Pocket? I was hoping one day you'd say that,
Speaker 2: of course you can. All right, so you didn't hear
Speaker 2: this from me. I've just been hearing. You know, I've
Speaker 2: overheard a few things.
Speaker 1: And I I worry that Sigma might be planning to
Speaker 1: overthrow you. You know how he keeps saying your plans
Speaker 1: are so like you know, he gets frustrated at your
Speaker 1: plans and all of that.
Speaker 2: I think he's I think he's having second thoughts about
Speaker 2: your leadership.
Speaker 1: If I were you, you know, if I was in
Speaker 1: your position, I would dip that in.
Speaker 2: The butt straight away.
Speaker 5: But you know you're thinking, Pocket, I'm glad I'm not
Speaker 5: the only one who's seen this. What It's almost like
Speaker 5: he didn't think that charging the dragon was a good idea.
Speaker 2: Exactly right. He always he's always suicide jumping off the
Speaker 2: arm plan. Roly Poly killed the king and not explained
Speaker 2: anything to Marsy plan.
Speaker 5: The more the less you knew, the better. Yeah, it's
Speaker 5: all going exactly as planned so far. But I'll tell
Speaker 5: your pocket. I'm glad I'm not the only one that's
Speaker 5: seen this. I think I think I'm picking up what
Speaker 5: you're putting down.
Speaker 1: A big toothy grin the best day of pockets, like
Speaker 1: and I've said that about every day, so I.
Speaker 2: Am molding. You also say, have no idea he's had
Speaker 2: this conversation.
Speaker 10: Yeah, I'm so far away now, I'm like one.
Speaker 2: Hundred and twenty feet away from you guys. Oh what
Speaker 2: incredible scenes, crag.
Speaker 9: It is your turn, Okay, well Rick Rick's plan is
Speaker 9: to leave and and he he we're doing the emissary things.
Speaker 9: So did Duke roly Poli, I assume have like this
Speaker 9: was his wedding day, so I'm assuming he had like
Speaker 9: a long flow in cape cloak kind of thing.
Speaker 1: It was his wedding day, but he he didn't come
Speaker 1: here to get married.
Speaker 2: He came. He knew that.
Speaker 9: You guys, what was he what was he wearing? Did
Speaker 9: he have a crown? Did he have like a cloak?
Speaker 1: It is like, yeah, he has his duke, but he
Speaker 1: also exploded everywhere. So's his clothes are into the place.
Speaker 9: Can I pick up the cloak and put it on
Speaker 9: my back as sort of like I am.
Speaker 2: The only thing that survived? Yes, of course, the emissary
Speaker 2: of the ash cars. This is my royal retinue.
Speaker 15: All right, oh this is sick.
Speaker 4: I kind of just want you explode a man and
Speaker 4: then put.
Speaker 2: On the worst I guess spud Russet will also just
Speaker 2: follow you outside the room as well. Ok you guys
Speaker 2: are now in a different room. Yes, we are now
Speaker 2: in the room you know above that Okay, yeah, okay.
Speaker 1: Gingerbread Dragon, Oh my god, God, oh Jesus Christ. So
Speaker 1: the gingerbread dragon is just roaring doing all of this
Speaker 1: sort of stuff. He has to roll that one D
Speaker 1: six see breath breath. He has breath working the zach
Speaker 1: so he's going to use it on the mech. Oh boy, yeah,
Speaker 1: so the mech o, God, it's a it's a con
Speaker 1: save and a mech's not ah.
Speaker 16: Yeah.
Speaker 2: So the mech takes thirty seven damage.
Speaker 1: Just the gingerbread dragon raws cinnamon breath onto it and eight.
Speaker 2: Constant what is it made out of? All? Right, Gingerbread,
Speaker 2: you have your tracks? You hear Crumb on the earpiece,
Speaker 2: Go guys.
Speaker 1: Guys, I don't I'm going to red flashing things on
Speaker 1: my screen. And then the dragon is actually going to
Speaker 1: continue flying towards the room, So he's going to be here,
Speaker 1: and he's got quite fast flying speed.
Speaker 2: So on his next turn, could I enter the room?
Speaker 9: Could I bring it up at this point, Rustage, I
Speaker 9: mean he is leaving the mechs zone for like an
Speaker 9: opportunity attack there.
Speaker 2: Yeah, sure, I agree with you. That would have happened
Speaker 2: before I grabbed the dragon. Uh, I don't know how
Speaker 2: to do that yet, I need somebody opportunity attack Yeah.
Speaker 2: Could virtunity attack be a grapple in twenty.
Speaker 1: Twenty four, yes, because it's in twenty forty four.
Speaker 2: Yes.
Speaker 1: However, kind of Crumb doesn't know how to do that
Speaker 1: because he already knows how to do his punch and
Speaker 1: its another grapple.
Speaker 2: He doesn't know the command like in Mortal to do
Speaker 2: you know up up?
Speaker 1: He does hit, though he does fifteen damage towards the
Speaker 1: gingerbread dragon as he smashes into something.
Speaker 2: Mm hmm, Duke's dead. Sigma at your turn. Okay, I'll
Speaker 2: be honest, I am.
Speaker 3: It would take me two turns just to get through
Speaker 3: the same door that everyone else has gone through, because
Speaker 3: I am on the complete of the room.
Speaker 2: But you are just going to look into the room
Speaker 2: with crumb.
Speaker 1: Okay, So you press the panel on the wall and
Speaker 1: it opens the door, and hey, Sigma, and you could
Speaker 1: just see, you know, he's got like books open everywhere.
Speaker 1: He's desperately trying to figure out how this thing works.
Speaker 1: He doesn't understand any of this.
Speaker 4: They're all in German.
Speaker 12: Yeah.
Speaker 10: Here, I'm here to help you operate the.
Speaker 1: Macru Okay, you you helped me figure out how to
Speaker 1: like operate, but I didn't know how. You didn't teach
Speaker 1: me how to do any of the special moves that
Speaker 1: required an additional check.
Speaker 2: That I didn't get to do.
Speaker 7: Oh I see, Well, to be fair, I didn't I
Speaker 7: didn't know that either, all right, Yeah, but.
Speaker 2: We can figure out that. Yeah, yeah, is there any
Speaker 2: sort of what I do here?
Speaker 1: I would just I would let you do an intelligence
Speaker 1: check or Okay, let you do an intelligence check, try
Speaker 1: and figure it out.
Speaker 4: Just flat intelligence.
Speaker 2: Don't you think one of the skills you have can
Speaker 2: help in some way.
Speaker 7: I don't know.
Speaker 1: I think I think it's just a flat intelligence. But
Speaker 1: he will, Crumb will be helping.
Speaker 2: That's good.
Speaker 1: You push in the side, You're like, you know the
Speaker 1: Konami code, and you just yeah, it all just makes
Speaker 1: you know, you remember back on Epsilon Delta dealing with
Speaker 1: tech and stuff like that. It's like it's different than
Speaker 1: what you know, but it uses things that you remember,
Speaker 1: like the base concepts are there.
Speaker 2: And you realize in Robot Wars, yeah, you you realize
Speaker 2: this scouter.
Speaker 1: That the gingerbread mech has this big like code that
Speaker 1: you can enter to activate the gingerbread cannon.
Speaker 2: Yeah, there's which I will allow you to do now
Speaker 2: if you want to. You press it.
Speaker 1: Out inside the gingerbread mag makes mouth opens gone, and
Speaker 1: gingerbread cinnamon particles just everything just blasts out of it
Speaker 1: towards the dragon. But you do see there's like a
Speaker 1: health bar for your gingerbread mech And as he's doing this,
Speaker 1: the health bark, your gingerbread Mike is depleting rapidly, just
Speaker 1: like taking it from his own body.
Speaker 2: It's like his final attack, and we will roll it.
Speaker 4: I was really hoping the cannon was going to be
Speaker 4: a penis, that that wouldn't work.
Speaker 2: That would work on account of him having a human penis.
Speaker 4: That's true, that's true.
Speaker 1: He also doesn't have a human penis. It was a
Speaker 1: joke we made. I said this free stream, but I
Speaker 1: would say, this is a gingerbread who doesn't have a penis.
Speaker 2: He's just a gingerbread make penises.
Speaker 1: It was just a joke because because the idea that
Speaker 1: it was Kaiser who augmented himself.
Speaker 2: But we then discovered that it wasn't. So you never
Speaker 2: had a bad can't have a penis. It was just
Speaker 2: a bread man. Nobody bad.
Speaker 16: Outlawed the concepts no penises.
Speaker 2: They've gone. No, he's leaving. Penises don't exist in the
Speaker 2: aon veil. They don't exist here. Yeah, leg goes all
Speaker 2: the ships. It's from out, Okay, Gingerbread Dragon has to
Speaker 2: make a consave. The Gingerbread Dragon fails.
Speaker 1: Dragons had thirty five hp remaining thirty seven damage.
Speaker 2: The mechas the.
Speaker 16: Gingerbread Dragon and completely disrah as it disintegrates in the
Speaker 16: pieces of gingerbread, slamming down to the ground, maybe taking
Speaker 16: out Eric Knights on the way.
Speaker 1: I'm going to do a acrobatics check from Rock now
Speaker 1: because as.
Speaker 2: This happens, Yeah, he is high up right, he is, Yeah,
Speaker 2: on top, he's.
Speaker 1: Higher eighteen Okay, So as this happens, he jumps off
Speaker 1: the back of the gingerbread dragon as it was approaching
Speaker 1: closer to the window, sort of propelling himself forwards with
Speaker 1: like Ashcar strength power.
Speaker 2: I guess it would be athletics.
Speaker 1: Yeah, modify, and he smashes through the window and lands
Speaker 1: in the throne room, the gingerbread dragon falling to.
Speaker 2: Pieces behind him.
Speaker 1: And also simultaneously the gingerbread mech also collapsing to the
Speaker 1: ground in disrepair, in fatal condition. Rock, brother of Rack,
Speaker 1: steps into the room and he goes, where are you bastards?
Speaker 1: He then looks over and sees Marzipan and says, oh,
Speaker 1: you're here.
Speaker 2: Are He's shouting? And I am an Ashcar. Can I
Speaker 2: be like I sense the presence of Yes, well, I
Speaker 2: would imagine.
Speaker 9: More than anything, Like just when we we talk, we
Speaker 9: have a very gravelly sort of voice, So like I
Speaker 9: would be able to probly tell that like, wait.
Speaker 1: A minute, wait a minute, yeah I will.
Speaker 3: I will come over the commns after delivering like the
Speaker 3: fatal paleoad to the dragon and be.
Speaker 7: Like the dragon is down, but there is a new
Speaker 7: opponent inside of the palace.
Speaker 10: Captain.
Speaker 5: Oh, do you mean the ashcar that just jumped off
Speaker 5: and flipped, I must say, quite acrobatically and land that
Speaker 5: I can see him through the doorway the very same.
Speaker 2: Yes, excellent, what's crag?
Speaker 9: I don't have a calm I gave away, so.
Speaker 2: I'm just going by what you just said, like, yes,
Speaker 2: I know, I know what I must do now, Sigma.
Speaker 2: Are you and Crumbs safe?
Speaker 5: Yes?
Speaker 4: I believe so.
Speaker 10: There's no way he knows where we are, for.
Speaker 5: Least to stay safe until we need you for an
Speaker 5: ambush attack. I'll call you when we do. Yes, sir,
Speaker 5: it is Crumb's turn. Chrumb looks at the thing.
Speaker 2: It says.
Speaker 1: The amount of damage it did to the gingerbread diamond Dragon,
Speaker 1: it did the exact same amount of damage to itself.
Speaker 1: I don't think we can use this mech anymore, Sigma.
Speaker 7: That's fine. It did what it needed to do. Crumb,
Speaker 7: do you have a weapon.
Speaker 2: I gave it to Rick.
Speaker 1: Yeah, yeah, it was my ketchup condiment gun. They were
Speaker 1: bites branded. There must be a weapon in here somewhere.
Speaker 1: I guess he will do a perception to look around. Oh,
Speaker 1: or we compressed The button?
Speaker 3: Is the button when when I when I was interfacing
Speaker 3: with the machine and figured out the core for the
Speaker 3: gingerbread mac. Is there anywhere that I could have discovered
Speaker 3: what the jelly like gummy bear button does.
Speaker 1: Yeah, I'm gonna say yes, because you've got a twenty
Speaker 1: one you like understand it.
Speaker 2: It creates gummy bears that answer that question here you go.
Speaker 3: Isn't like It's not like a palace self destruct button.
Speaker 2: It creates. It creates gummy bears.
Speaker 1: And they controlled the exact same way the gingerbread mech
Speaker 1: is via the computer.
Speaker 2: I'm a gummy bear crumb.
Speaker 10: I think you can rearm yourself, and I point to
Speaker 10: the button.
Speaker 1: Okay, if you're sure, He puts his hand over the button.
Speaker 1: If I die, sorry, that's a bit traumatic.
Speaker 2: He presses the button.
Speaker 1: And a little tube pops out of the the computer
Speaker 1: and goop comes out of the tube and bottles down
Speaker 1: to the floor. And then the goop sort of shapes
Speaker 1: into this giant gummy bear, like just a big gummy bear,
Speaker 1: and there's two of them.
Speaker 2: And they both go, right, we will are they are
Speaker 2: they tiny or are they like the huge they're twice
Speaker 2: they are large size that they're they're the same size
Speaker 2: in that room. Yeah, this that's very pressing. At the
Speaker 2: edge of the room. You let them out. I think
Speaker 2: we should let him out.
Speaker 1: So he presses a button and the doors open up
Speaker 1: and they sort of spit out of the room.
Speaker 2: They just squeeze out, all right, and they go we
Speaker 2: are here, and I guess they'll be controlled on crubs
Speaker 2: future turns. Yeah, alright, that's cool. Oh this campaign is
Speaker 2: very absurdist, and it wasn't my initial Rick Plan.
Speaker 17: You okay, were you going for? Yeah, you're like, I
Speaker 17: wasn't expecting to be absurd You have put us the
Speaker 17: first immediately.
Speaker 4: That's like, we food every day when these people don't.
Speaker 2: That's the point they're dining over here, Rusty, drive it
Speaker 2: off a dirt for god's sake, Rick Plan. Here's the situation.
Speaker 1: You've just You've just seen rock jump into the throne
Speaker 1: room behind you. You can see it through the doors
Speaker 1: that are still open. And you've also now seen two
Speaker 1: gummy bears come out of Crumb's room and go, which,
Speaker 1: to be fair, if you guys didn't know that was
Speaker 1: going to happen, it does make it look like Sigmal
Speaker 1: and Crumb just turned into coming pass.
Speaker 2: Yeah.
Speaker 4: I'm going to go on living and say none of
Speaker 4: us knew that was going to happen.
Speaker 2: None of us. That is the situation you were incurrently.
Speaker 5: Greg, What can you see in that room? Just just
Speaker 5: so I'm clear.
Speaker 2: Way in the distance, I guess I would see Rocky.
Speaker 2: Like I said to another another, Ashcar, I know what
Speaker 2: I must do, Boss, don't worry.
Speaker 5: Yes, I can see him. It's not actually him. I'm
Speaker 5: not concerned about just to the side. Yeah, the secret
Speaker 5: room compartment thing. What are you making of that?
Speaker 2: I I don't know what perception. I don't know what
Speaker 2: you're talking. I have laser. My vision is incredibly myopic.
Speaker 2: Right now, Boss, I'm focused on focusing on the other.
Speaker 2: At this point, where do you want to fight the other?
Speaker 2: Ash Car go to hang on Segma either, Yes, we're here.
Speaker 2: I don't have a calm device, Sigma. Are you a
Speaker 2: gummy bear? No?
Speaker 10: No, I am.
Speaker 4: I'm a like him.
Speaker 2: I know that.
Speaker 5: But right now, the situation right now, and two gummy
Speaker 5: bears that just walked out of the room that you're in, Crumb.
Speaker 2: Is patching it. We pressed the gummy bear. Yeah, we
Speaker 2: pressed them. It makes a lot more sense. That makes
Speaker 2: complete sense. Now I understand what's going on. They are
Speaker 2: on your side. Yeah, charge car, Yes, I must challenge
Speaker 2: him to the ancient art of rock lock.
Speaker 5: It is fantastic. Good luck. I'd like to provide bartic
Speaker 5: inspiration to Crag.
Speaker 2: Yeah, thank you, bonus.
Speaker 5: All right, anything else, Sigma, that dashcar that's landed, is
Speaker 5: he friendly or not?
Speaker 10: Absolutely not. No, he's here to take over the kingdom.
Speaker 5: Okay, fantastic God, I'd have to put him on pistol
Speaker 5: and just shoot the ashcar.
Speaker 2: Go ahead, shoot him, give me the right one. Yeah,
Speaker 2: so you pull out. Oh my god, you miss him. Boss, listen,
Speaker 2: I understand, but this is between me and him. This
Speaker 2: is of my people. Understand. In that case, I just
Speaker 2: shoot the ceiling on purpose, I would say, maybe maybe
Speaker 2: even so, or just like ketchup comes out of your gun,
Speaker 2: because that is a setting it has.
Speaker 4: Oh it's a glove of white pistol.
Speaker 2: Okay, so it's now the Knight's turn. Unless you're moving
Speaker 2: at all, Rick, plan, are you moving?
Speaker 18: It's all?
Speaker 2: Oh are the knights the ones that are still in
Speaker 2: the room with us, they've gone now they've got I
Speaker 2: don't think there are any there's no sculture. Are there
Speaker 2: any knights currently around? No, they're all either unconscious, dead
Speaker 2: or gone. Okay, fantastic.
Speaker 5: Okay, Yes, I'm done with my turn, and I've inspired
Speaker 5: Crag and I'm kind of leading it all to him
Speaker 5: and the gummy bears.
Speaker 2: Now brand new sentence. Okay, So.
Speaker 1: A bunch of the Knights are now sort of approaching
Speaker 1: the corpse of the gingerbread dragon and gingerbread mech and
Speaker 1: they are all like falling to their knees and they're
Speaker 1: weeping because they assume that the gingerbread make you know,
Speaker 1: they think the king is dead. I mean he is,
Speaker 1: but they think this is how he died. Was this battle.
Speaker 1: So you see, one of them was actually giving a sermon,
Speaker 1: and they're they're singing songs. They're holding hands and they're
Speaker 1: singing songs together like sadly, yeah is great for us.
Speaker 2: They're like, oh, our great kaiser he died.
Speaker 1: Oh it is all happening in the six seconds, Princess
Speaker 1: malesy Pan is stalty, consolable.
Speaker 2: She goes, she don't want to flee the I think
Speaker 2: she might. She might, Ah, but you guys are outside.
Speaker 2: She thinks you guys are enemies. She's gonna still hide.
Speaker 4: But so she noticed Rock.
Speaker 2: She does his rock.
Speaker 1: She goes, Oh fuck, he's here to kill me. Oh, Navina,
Speaker 1: is your turn. I'm going to give you a chance here.
Speaker 4: Okay, all right, I'm going to say to the princess.
Speaker 15: Do not worry, Princess, no harm will come to you.
Speaker 15: I will protect you from this man.
Speaker 2: Give me a persuasion.
Speaker 1: It's slightly easier because you are protecting her actively from
Speaker 1: a threat that she knows as an enemy.
Speaker 2: Okay, eleven is terrible. Eleven is terrible.
Speaker 1: She's like, I mean, she's just curling off in a
Speaker 1: little ball and crying.
Speaker 4: Well, actions speak louder than words. I'm gonna move just
Speaker 4: into the middle of the room. Oh wow, you're gonna
Speaker 4: stand there and stands and shout to Rock you me
Speaker 4: crag like, man, what is your business here?
Speaker 2: I am Rock, brother of Rack, the grill Master.
Speaker 1: I come from the Slaughter Forge to take over the
Speaker 1: Candy Kingdom and unite Gastrovia under the banner of the
Speaker 1: grail Master.
Speaker 2: Are you here to step in my way?
Speaker 4: I'm gonna like quickly turn to Mars upon see he's
Speaker 4: the bad one.
Speaker 2: Okay, but like.
Speaker 19: I get that, But also I think you guys are
Speaker 19: doing the same thing. I think icy bad on both sides.
Speaker 4: Never mind, do you mean to harm the princess?
Speaker 1: I mean to kill her, But maybe I'll have to
Speaker 1: kill you first.
Speaker 15: Yes, you, you will have to kill me first. Reluctantly. Okay,
Speaker 15: are you going to die so you can prove a
Speaker 15: point to Bosie?
Speaker 4: Pad you die, I'll set up a can I set
Speaker 4: up a reaction?
Speaker 2: Yeah? What's your reaction? Is it like when he gets
Speaker 2: closer to you, you want to attack him?
Speaker 4: Yeah? Reaction is if he does come in in range
Speaker 4: of me.
Speaker 2: Which he will do on his turn.
Speaker 4: So which he will do is to just like do
Speaker 4: an attack or to disengage.
Speaker 19: You.
Speaker 2: I don't I don't think you would do that. I
Speaker 2: think you can prepare an action. Disengaging is an action
Speaker 2: that allows you to use your movement to not but
Speaker 2: you still have to move, and that's not an action.
Speaker 4: I see, I see I see, Okay, I guess I'm
Speaker 4: just like surprise attack him.
Speaker 2: You could you could? You could?
Speaker 1: I mean, yeah, you could attack him, or you could
Speaker 1: prepare a dodge. You could just dodge.
Speaker 4: Yeah, dodge, that's yeah.
Speaker 2: Nobody ever does the dodge action.
Speaker 4: Yeah, yeah, I'll set up a dodge action.
Speaker 2: Incredible. He's going to charge towards you with his flaming hammer.
Speaker 1: This means he has disadvantage on his attack as he
Speaker 1: strikes you, he's flaming because you are dodging. His flaming
Speaker 1: hammer comes down towards you. Nine, he's gonna miss you.
Speaker 1: You dodge the hammer, I mean like reshape your body,
Speaker 1: I assume.
Speaker 2: Yeah.
Speaker 4: It's like he like swings down on like the middle
Speaker 4: of me, and I like jelly slide the other way.
Speaker 2: Large action is really underutilized. It really is because we wouldn't.
Speaker 1: Yeah, slams the hammer into the ground with a tremendous thud.
Speaker 1: It like breaks some of the stone beneath you. But
Speaker 1: you dodge out the way and he looks over at
Speaker 1: you and he.
Speaker 2: Goes you are a slippery one. Oh god, it's pockets
Speaker 2: turn Fuck.
Speaker 1: It's like, all right, Rick, are we still sticking with
Speaker 1: the stay out here plan or we fighting the big
Speaker 1: rock guy?
Speaker 5: Fuck it?
Speaker 2: How much do you think that hammer is wielding is worth?
Speaker 2: Ashcar weaponry?
Speaker 1: All right, it's a convocated economical problem and it's something
Speaker 1: we need to discuss with CRAG.
Speaker 2: The issue with.
Speaker 1: Ashcar weaponry is they are offered, created by the user,
Speaker 1: and can often only be used by the user and
Speaker 1: other Ashcar or other Ashcar. But Ashkar see it as disrespectful.
Speaker 1: I've tried selling Ashcar weapons to Ashcar and they won't
Speaker 1: do it. They won't take it. It's disrespectful to a
Speaker 1: lot of their culture and people who aren't Ashkar can
Speaker 1: barely handle the damn things.
Speaker 2: I couldn't lift it up. You can't lift it up,
Speaker 2: it's too heavy. So yeah, basically I'm right here by
Speaker 2: the way. Yeah, selling my body parts or yeah, I
Speaker 2: disagree with that, but you're all my friends. I'll let
Speaker 2: you use my knives and stuff. But yeah, I could
Speaker 2: see you were trying to sell pieces of my brethren.
Speaker 2: The thing is his pocket to attack the guy. Yeah,
Speaker 2: I understand what you're trying to do. Rake. You know
Speaker 2: you're aniperative guy.
Speaker 1: I understand that we've all been there, But if the
Speaker 1: only people who would be willing to purchase it would
Speaker 1: be close family members of him, So I could sell
Speaker 1: it to Rack.
Speaker 2: Like Ransom.
Speaker 5: It it's like a child. Think of it like a child. Okay,
Speaker 5: that's a genius idea. You just are Pocket. If we
Speaker 5: need to bargain with girl master Rack and he doesn't
Speaker 5: take as seriously as warriors, and you take out the
Speaker 5: hammer of his brother Rock, who you slayed, you would
Speaker 5: become well, you'd be a bloody a mythic monster, right.
Speaker 1: But I could also just do that, whilst I could
Speaker 1: just let you guys do it and I can watch
Speaker 1: and then take it. I don't actually have to do
Speaker 1: the effort. You don't understand how my life works.
Speaker 5: You don't understand how my life. That's a good point, Pocket,
Speaker 5: you make, make a very good argument. I think we're
Speaker 5: going to have to fight this guy at some point,
Speaker 5: but your involvement in it is entirely up to you.
Speaker 2: I just I mean to be fair.
Speaker 5: You've blown your hand off already and you've replaced it
Speaker 5: with a Swiss Army k life.
Speaker 2: I think you've done enough for this combat fight. Oh right,
Speaker 2: all right, Well, then I'll fire my gun at a
Speaker 2: safe distance. I could do that. About If you do that,
Speaker 2: I'll join you. Yeah, let's just both stand here and
Speaker 2: fire our guns at a safe distance. Fantastic.
Speaker 1: Yeah, like friends, let's not go that far pocket, you know,
Speaker 1: like Captain and first mate.
Speaker 2: I'll consider. Do you know who wouldn't do this? Who
Speaker 2: wouldn't do this? Bucket?
Speaker 1: He Sigma would never stand side by side with you.
Speaker 1: He'd always be running off and hiding. That's because he's
Speaker 1: a shame to be around you. You ever noticed that?
Speaker 5: You know? Now, Now you put it that way, you
Speaker 5: seem to prefer to hang out with two giant gummy
Speaker 5: bears instead of me.
Speaker 2: I okay, okay, Crag, it is your turn, all right.
Speaker 2: I appreciate the help, fellas, but I got this all right.
Speaker 2: So I don't think I can walk all the way
Speaker 2: up to him. But what I'm gonna do is I'm
Speaker 2: gonna move up to here. Okay, you move into the Yeah,
Speaker 2: I move into the room there. And I just I
Speaker 2: heard him shout what his name was. So I'm just
Speaker 2: going to be like rock brother of Rack. I am Kronk,
Speaker 2: I mean, I am Crags. Damn, I already messed. This
Speaker 2: is my first I'm nervous. All right, this is my
Speaker 2: first challenge of rock lock. This Ashcar do my Yes,
Speaker 2: I initiate the ancient art of rock lock. No one else,
Speaker 2: just you and me. I am a riz night with
Speaker 2: the Ashcar magic of old. Are you sorry? Sorry? He
Speaker 2: looks down at the vena and goes sorry one second?
Speaker 2: Are you from a scar and no?
Speaker 3: No?
Speaker 5: God?
Speaker 2: Are you yes my homeland?
Speaker 1: Oh God, that's why you still do the whole rock
Speaker 1: lock thing. That's like, that's really outdated. Now all right,
Speaker 1: we just we just have fights now, we don't call
Speaker 1: it like especially it's.
Speaker 2: Not just a duel. It is also the way Ashcar
Speaker 2: introduced one another on you said grandparents fuck? Or is
Speaker 2: that God honored? That is like you speak of me
Speaker 2: as the high elders. My grandfather Mark would be proud. Mark.
Speaker 2: I've said that before. It's it's tracks, son of Kranks,
Speaker 2: son of Mark Glue. Now I moved forward. I moved forward.
Speaker 2: I didn't take an action. My action will be ready
Speaker 2: action for when he gets close to me. Then I'll
Speaker 2: you know, swing my uh yeah great yeah him yeah,
Speaker 2: actually looks down, novena, Please you must get out of
Speaker 2: the way.
Speaker 4: Yeah. I was just about the start.
Speaker 2: I mean, well, I can't tell you what to do,
Speaker 2: so you know, but I'm just really I'm really nervous
Speaker 2: right now on it crag is like breaking out in
Speaker 2: a magma sweat like this is I'm not used to this.
Speaker 2: This just new to me.
Speaker 1: Spud Ressa is gonna just sit down in this new
Speaker 1: you guys are there, he goes.
Speaker 2: There's like a bench right outside the throne room.
Speaker 1: He's still worried about his family, and he turns to
Speaker 1: to recule.
Speaker 2: He's like, after this battle, if we if we could
Speaker 2: find like a phone or something, I want to try
Speaker 2: and call my wife again. I'm you know, if it's
Speaker 2: this hectic here, I don't know what downtown is like.
Speaker 2: He didn't signatutes short ten.
Speaker 5: But I'm going to be honest, I've completely forgotten that
Speaker 5: you were even here. But I'm glad that you're going
Speaker 5: to be calling your wife, was it?
Speaker 2: Yeah, my wife and child. He's check in on them
Speaker 2: on person. But obviously you guys kidnapped me. Yeah, that
Speaker 2: sounds like a thing we would have done.
Speaker 3: Okay, I'm gonna I'm gonna bust out of I guess stealth,
Speaker 3: running out of this room behind one of the pillars
Speaker 3: near these gummy bear guards. Yes, so they're like so
Speaker 3: Navena and this Rock guy like engaged like forty feet away.
Speaker 7: From me in the center of the room.
Speaker 2: Yes, yes, yes, he's got his back to me.
Speaker 7: I'm like perfect, I'm going to start at him from here, perpose?
Speaker 2: Great, go ahead, you want to have that? Wow? Yeah,
Speaker 2: the last hits off. It hits one of the you
Speaker 2: know what. It hits the pillar that marsie Pan is
Speaker 2: hiding behind, and that shatters and Marsyan is like fuck.
Speaker 2: But yeah, a moment I'm gonna be like, oh fuck.
Speaker 3: And then as a as a as a bonus actual
Speaker 3: i'mnna quickly hie again behind the pillar, turn around and
Speaker 3: see where I want one of the gummy bears.
Speaker 2: Three people have shot their guns and just missed Rock. Yup, yup, Please,
Speaker 2: there there must be a duel. You cannot you cannot
Speaker 2: beat Rock with gun. Okay, The gummy bear guards now will.
Speaker 1: Approach Rock, brother of Rack, and Rock will be what
Speaker 1: the fuck is this?
Speaker 2: And god the gummy bears go gummy punch gummy robots.
Speaker 2: Twenty three. There we go eight.
Speaker 1: So the twenty three hits for nine damage.
Speaker 2: Wow. First hits boom, it rocks the body of rock.
Speaker 2: Rick plan, it is your turn.
Speaker 5: I've got to say, Pocket, this is not going the
Speaker 5: way I expected it to go. But I'm glad the
Speaker 5: dragon's dead. Yeah, that's a bonus we've got right now. Okay, right,
Speaker 5: what do we do? Crag, do you need a hand
Speaker 5: or are you okay?
Speaker 2: I'm god, I got it, but I got it. Arna,
Speaker 2: How are you doing?
Speaker 5: Hi?
Speaker 4: Seem for her backup?
Speaker 2: You do sigma everything. I okay? Over there, I'm sneaking.
Speaker 5: You are going to assume that's fine, Princess, Princess, just
Speaker 5: checking in.
Speaker 2: How are things go?
Speaker 5: Okay, things haven't changed much over there? I see pretty standard, Pucket.
Speaker 5: Do you want to just shoot the guy again? Listen,
Speaker 5: I'm happy to shoot the guy. We just stand there
Speaker 5: and shoot him. One of these will hit. One of
Speaker 5: them will hit. You know yeah what yeah, one of
Speaker 5: them will. I'm like, yeah, let's just shoot. I want
Speaker 5: to say they're gun. I'm just trying to shoot the
Speaker 5: guy again.
Speaker 2: It's like back with Rick Cladport. He had spells. Don't worry.
Speaker 5: The spells are being stage and when we really need them. Yeah,
Speaker 5: we don't need them yet. You're right, nothing's happened. Yeah,
Speaker 5: that needs a spell.
Speaker 2: You're so true. Shoot your gun. We'll try and shoot
Speaker 2: them though. Twenty four hits. There you go, do the
Speaker 2: damage huge, Let me roll the damage nine damage perfect.
Speaker 2: You fuire your blaster. It chunks off a bit of
Speaker 2: Rock's body. Are you doing anything else? Is that your turn?
Speaker 5: Can I cast vicious mockery as well? I think that's
Speaker 5: an action because I believe that rockery? I can we
Speaker 5: cast a bonus action content.
Speaker 2: No, it's an action. It's vicious. It is an action
Speaker 2: unless they changed the rules of it. It's an action.
Speaker 5: You double check in that case. Let me see if
Speaker 5: I can do anything as a bonus action. I think
Speaker 5: the only thing I can really do is partic inspiration.
Speaker 5: But I don't need to right now, so I'll just
Speaker 5: kind of shoot him once and then just hold the
Speaker 5: gun again and look at Pocket.
Speaker 1: Go on.
Speaker 2: But you can't do that, all right?
Speaker 1: We should have hit him next time. I love these
Speaker 1: little games of ours.
Speaker 5: I'm feeling a real bond between us, Pocket me too.
Speaker 2: See Sigma screaming in the corner.
Speaker 4: Yeah, I'm so glad Sigma can't hear any of this shit.
Speaker 2: Yeah, Oh god, okay, yeah, Princess Marcy fans crying. The
Speaker 2: knights are doing a funeral. Navina, it is your turn.
Speaker 4: You're standing in front of Rock, brother of Rack, Rock
Speaker 4: brother of Rac is going to get twin hand hammer.
Speaker 2: Twin hand hammer here, come, bang bang.
Speaker 4: She's going to put her two hands together and form
Speaker 4: what looks, you know, like a big hammer. Response to him, Yeah,
Speaker 4: what's the combo? Because I think what I'm going to
Speaker 4: add flury of blows, You're just.
Speaker 2: Going to be three hammer strikes. Yeah, all right, here
Speaker 2: we go. So Navena brings her, but we'll find out
Speaker 2: when she needs to.
Speaker 4: Use it yet.
Speaker 2: Yeah, okay, okay, there you go, ten, fifteen, seven. None
Speaker 2: of those hit, None of them match well.
Speaker 1: And you don't have fat inspiration either, because the entire
Speaker 1: population of Astrovia do like the night population.
Speaker 2: Do you know.
Speaker 4: This is this is probably the toughest opponent that Navena
Speaker 4: has faced. She's just you know, your men sober, true,
Speaker 4: you're they just sort of pap against the stone hard
Speaker 4: body of Rock.
Speaker 2: And he looks down at and he goes, yeah, not
Speaker 2: so weak a little lady.
Speaker 1: Oh and he's gonna hit you with his hammer and Honestly,
Speaker 1: I know, Craig, you wanted him to come towards him,
Speaker 1: but he's now surrounded by gummy bears and yeah, and
Speaker 1: you know, bring up to do Yeah.
Speaker 2: God, little lady. If this hits, what is your armor class?
Speaker 4: Narvena, let's not talk about that. Let's not talk about nineteen.
Speaker 4: It definitely hits.
Speaker 2: It definitely might be able to hold the roll. What
Speaker 2: is your armor class?
Speaker 4: My armor class, I believe is fifteen.
Speaker 2: Oh, I don't know if I can alter that. If
Speaker 2: you get five or six on that D six, right
Speaker 2: it's a D six.
Speaker 5: Right, yeah, it'd be it'd be using cutting words inspiration, reaction.
Speaker 1: But yeah, yeah, yeah, So if you get it, if
Speaker 1: you get a favor or six.
Speaker 2: You you will do it.
Speaker 4: So I will say I wouldn't worries too much about it.
Speaker 2: Okay, that's fine. We'll say that for a more important
Speaker 2: character like yeah, like pocket, Yeah, likecket. Vina is the
Speaker 2: glue that's holding this together. Okay.
Speaker 1: Rock brings down the hammer with great jewry. The fire
Speaker 1: is for the nine is the damage of the hammer.
Speaker 1: So that is thirteen total damage.
Speaker 2: Quite loight roll, actually thirteen damage and smashes into your
Speaker 2: guy body in response, coun Okay, I'm going to I'm
Speaker 2: going to deflect. Ah, it's not a range.
Speaker 4: No, it doesn't matter. When an attack role hits you
Speaker 4: and its damage includes bludgeoning, piercing, slashing, or slashing damage,
Speaker 4: you can take a reaction to reduce the total damage
Speaker 4: against you by one D ten plus your dexterity modifier
Speaker 4: and monk level.
Speaker 1: Great, all do it to the fire, but just to
Speaker 1: the damage.
Speaker 2: Okay, yeah, it is amazing.
Speaker 10: Now hold on, now, hold on.
Speaker 3: It said if the damage includes Bldgeling, slashing, or piercing,
Speaker 3: then it reduces the total damage done against you by
Speaker 3: the dice rock.
Speaker 2: I will let you guys have that.
Speaker 1: It feels like rules is intended. It would only reduce
Speaker 1: the bludgling damage.
Speaker 2: But I'm going to let you know.
Speaker 9: There was one thing I thought of playing D and
Speaker 9: D is that monks were way too weak.
Speaker 2: They need to total damage.
Speaker 1: You deflect the damage, reducing the total damage by do
Speaker 1: your details.
Speaker 2: In this time, we had this argument.
Speaker 1: You could have rolled the fucking number one.
Speaker 3: It's one plus one plus dexterity plus monkly right, it's eight.
Speaker 4: It's eight. Overall, it's reduced by matter because it's not
Speaker 4: the amount.
Speaker 2: You reduce the damage.
Speaker 9: Well, at least we know now how this works.
Speaker 4: Just within as he's as he's bringing I can do
Speaker 4: it with my fury points. As he's coming down with
Speaker 4: the hammer, I think I'll put arms together again and
Speaker 4: make like a watery shield.
Speaker 2: Wow smashes into the watery shield.
Speaker 1: You're struggling like it's a fucking dog dragon ball z
Speaker 1: beam battle.
Speaker 2: You are stronger than you look, little Valinari.
Speaker 4: You've people assume the very weak.
Speaker 2: You have earned the respect of Rock brother of rack
Speaker 2: On Like that one over.
Speaker 9: There, who's he pointing at Yeah, there's a few people.
Speaker 2: Gasp.
Speaker 4: You two just start pointing at each other.
Speaker 1: It's like, all right, it is Pocket's turn. I guess
Speaker 1: pocket His key thing here is he wants to hit
Speaker 1: this shot. Yeah, let's see if he does it. Here.
Speaker 2: It comes not great luck with this that missus.
Speaker 1: Unfortunately, it glances off the rock body. The fourteen glances
Speaker 1: off the rock body of Rock.
Speaker 2: And Pocket goes. He looks up at Rick and goes, sorry, boss,
Speaker 2: it's okay. It's a difficult shot.
Speaker 5: Sigma would have made it, but it is a hard shot.
Speaker 1: Now, yeah, make sure I hit it next time.
Speaker 2: Yeah, just so you do. Okay, Crag, it's your turn,
Speaker 2: all right. I see Navina struggling against Rock's brother of Rack,
Speaker 2: so I was like, no, Vina, you're too squishy.
Speaker 9: I'm coming come here, all right, and then I use
Speaker 9: my please let this.
Speaker 2: It takes ashcar flesh to damage ashcar flesh.
Speaker 1: God, you just keep missing, and they're not even when
Speaker 1: close misses.
Speaker 2: You rolled an eight eight, I roll a nine.
Speaker 9: That's one miss last week or two weeks ago, and.
Speaker 2: Now you hit a single attack. No, and I'm huge too,
Speaker 2: but I have nothing to do with it. I don't know, God,
Speaker 2: is there anything else I could do. I'm only level three,
Speaker 2: I don't have extra attack yet. I don't have anything else.
Speaker 2: All my shit is only when I hit the Holy shit.
Speaker 2: The Crag is very nervous right now.
Speaker 5: People in the chat, even with bodic inspiration, with a
Speaker 5: sixth roll that still wouldn't hit.
Speaker 9: Yeah, but if I with a sixteen, i'd be a fourteen,
Speaker 9: and we just saw from pocket at fourteen does not
Speaker 9: cut the mustard.
Speaker 2: So uh yeah, yeah, there's no point in me burning that. Yeah,
Speaker 2: rocks like pathetic. I have not master Wait, maybe the
Speaker 2: art of the ris night is not in hitting the foe.
Speaker 9: Maybe there's another way to use it. I Sigma go ahead,
Speaker 9: damn all right.
Speaker 7: Okay, I'm going to I'm still from stealth.
Speaker 2: I guess yeah, you're You're still hiding behind the pillar.
Speaker 1: The gummy beg gods surround Rock as well as Navena
Speaker 1: and Crag and over whelming force, I would say, And
Speaker 1: he hasn't been that effective.
Speaker 3: Yeah, yeah, you know what, I you know what else
Speaker 3: hasn't been very effective?
Speaker 7: This pistol of mine and run towards a.
Speaker 2: Lot of people's guns haven't been doing stuff.
Speaker 1: Yeah, okay, you run towards I'm gonna run between these
Speaker 1: two gonna be bear guards were still Oh we were
Speaker 1: web we were.
Speaker 3: I think I think I'm still running towards here in
Speaker 3: rocks blind spots.
Speaker 10: So I should still be instelled.
Speaker 1: Yeah yeah, yeah, yeah. As long as you're making it,
Speaker 1: you're breaking it. You're jumping out of stealth, making the
Speaker 1: attack part.
Speaker 2: Yeah yeah yeah, So.
Speaker 1: Okay, go ahead, try me that claw, give me that claw,
Speaker 1: your cybernetic claws come out. Fourteen does not hit the
Speaker 1: rocky body of Rock. Yeah, okay, I can.
Speaker 3: I can make an extra attack with Claus though because
Speaker 3: of my claws.
Speaker 2: Yes, as part of the attack action.
Speaker 7: Yes, yes, I'm gonna try again without age this kind, I.
Speaker 2: Guess, and also did not hit this guy. It's only Nena.
Speaker 2: My god, dude, Yeah, I don't.
Speaker 10: I can't really do anything.
Speaker 3: Question does this guy have anything on him? Like does
Speaker 3: he have what's what's he wearing? What's he what's he
Speaker 3: equipped with?
Speaker 1: He's he's made of rock, he's got a big hammer.
Speaker 2: I don't think.
Speaker 1: I think he's wearing you know, what he's wearing like
Speaker 1: a grill master's apron is what he is wearing.
Speaker 9: Oh that's nice, and that's about it, like like a
Speaker 9: barbecue apron like.
Speaker 2: Kiss the cook, you know kind of Yeah, that's that's
Speaker 2: that's I be Yeah, yeah, that's it. That's a sigma.
Speaker 2: I don't think I can do anything. So yeah, okay,
Speaker 2: well then yeah, the gummy bear going up next and
Speaker 2: they go gummy punch, gummy punch. Well glad they can hear,
Speaker 2: and they they can hear.
Speaker 1: They think they have about the same modifier as you
Speaker 1: as well. Seventeen damage total between shared between them as they.
Speaker 2: Keep smashing this.
Speaker 1: Oh god, Conor Crumb has I think effectively done the
Speaker 1: most help.
Speaker 4: Yeah, absolutely than the most damage of the campaign.
Speaker 2: Yeah. Probably, he's rocketing up there.
Speaker 1: It's right back to you again. You and pockets standing
Speaker 1: side by side, guns raised, rock is looking weak.
Speaker 5: Are where are the soldiers that were meant to be
Speaker 5: running in for the second wave or are they still
Speaker 5: in the room the morning over the dragon?
Speaker 2: Sorry, they're outside mourning the dragon. Oh yeah, they're singing, yeah, yeah.
Speaker 1: Yeah, yeah that second. They don't caravan. What's happening in
Speaker 1: the throne room. They thought you convince them that the
Speaker 1: king was inside the dragon, so they've all gone to
Speaker 1: attack the dragon. Then the dragon died and they think
Speaker 1: the king is dead, so they're holding a big funeral. Honestly,
Speaker 1: we cut to outside and there's thousands of men in
Speaker 1: the streets crying, weeping over the death of the Kaiser.
Speaker 2: Because also they think that gingerbread met is.
Speaker 16: Him, right, only the Dukes know it's the little pea guy.
Speaker 2: Oh that's right, ye, the body of the gingerbread men,
Speaker 2: they think it's the king.
Speaker 5: I can't help her feel partially responsible for that, So
Speaker 5: what I'm instead going to do is realize that these
Speaker 5: guys are having a bit of a difficult time and
Speaker 5: then walk forward and be like, you know what, pocket,
Speaker 5: I can't just shoot things.
Speaker 2: I can also tell jokes.
Speaker 5: I would like to cast hideous laughter aims to walk
Speaker 5: Rock son of Rag, and I'd like to walk forward
Speaker 5: and like to shout out to him.
Speaker 2: Rock got to hear a joke. No, but I'm gonna
Speaker 2: be honest.
Speaker 5: You've sort of derailed me there, Rock, I was expecting
Speaker 5: yes and energy.
Speaker 11: That's kind of what I've been working with here. Knock, knock,
Speaker 11: go away type B. That's good one. I'll do you more. Okay, Rock,
Speaker 11: that was good. We'll file that one. I'll say that
Speaker 11: laugh for later. How about this one? I was at
Speaker 11: a friend's funeral the other day. I said, do you
Speaker 11: mind if I say a few words? They said sure.
Speaker 11: I stood up and shouted bargain. I said, thanks. That
Speaker 11: means a great deal.
Speaker 2: Right, So he's got to do a wisdom safe.
Speaker 5: Oh yes, safe against this.
Speaker 2: Fourteen. That's close. I don't know what what is your DC?
Speaker 2: Your spell save is fourteen fourteen?
Speaker 5: He got he has made that.
Speaker 3: I know.
Speaker 2: It was really good idea as well. You step into
Speaker 2: the room. It's a good joke. It was it Parky
Speaker 2: That was funny, wasn't it. Oh I'm rolling on the
Speaker 2: floor laughing right now, thank you.
Speaker 5: I can see by the fact that you're standing and
Speaker 5: not doing that, that you're telling the truth.
Speaker 2: Rock Rock, like you see a bit of his face
Speaker 2: turn up, heap going wait a second, I don't get it, and.
Speaker 1: Carries on I don't and opposely, that's your turner. So
Speaker 1: it's back to Divina.
Speaker 4: All right, back to me. Oh my god, we're back again.
Speaker 2: You know what you're doing. Don't tell me you've just
Speaker 2: been sitting. What you're doing.
Speaker 4: Right, Here's what I'm gonna do.
Speaker 2: What are you going to do?
Speaker 4: I'm going to do.
Speaker 5: A do?
Speaker 4: What do I what if I don't hit him?
Speaker 2: That's the uession I mean as evidence from everybody else. Yes,
Speaker 2: that is.
Speaker 4: Sixteen yep, you know you know what, you know what,
Speaker 4: You're right, You're right, flurry of blows. Good luck sticking
Speaker 4: with big hammer. Hammo the hammer right now.
Speaker 1: Let let's go hammer. It's hammer time. You bring the
Speaker 1: hammers down. Give me those three rolls? Fourteen ten?
Speaker 2: What's going on here? You will? All right? I know
Speaker 2: what I gotta do.
Speaker 1: What I gotta do it is Rocks turn there's a
Speaker 1: lot of people around him.
Speaker 2: Bring it on. I can take your like sweating pose.
Speaker 1: I think he's, to be honest, the only person who
Speaker 1: has like proven himself strong to him, besides the gummy
Speaker 1: bear guards, has still been Nona, and I think he's the.
Speaker 5: Term one bullet. I hit him with a shot and
Speaker 5: Nevena braved him in melee combat.
Speaker 2: He's gonna try and not look threatening it right now,
Speaker 2: you will hit that's up? Who is damage?
Speaker 4: Yeah, Tony one damage damage. I believe I can deflect again.
Speaker 2: Can you do this? Every reaction? This is return? You
Speaker 2: could just this is awesome. Takes a point.
Speaker 4: Yeah, it's just it's just a reaction.
Speaker 2: Point.
Speaker 1: So it's like a yeah, does it? I mean I
Speaker 1: was reading listen. I don't know how someone there's no reason.
Speaker 4: No, there's no resource for the it's it's a it's
Speaker 4: a point if I reflect the damage.
Speaker 2: Yeah, that's still that's really good. Holy.
Speaker 4: The first one is just a reaction.
Speaker 1: And it's two.
Speaker 4: Plus eight two plus eight damage ten. So you only
Speaker 4: take nine. I only take eleven.
Speaker 2: Take eleven. Sorry, I'm a bad at mats.
Speaker 4: Sorry, I do take eleven. Not lovely.
Speaker 2: The hammer comes down and smashes you for eleven.
Speaker 1: It breaks through your watery barrier that you're trying to create,
Speaker 1: because if there's too much force behind it but you're
Speaker 1: still conscious, you're just sort of squished into a puddle
Speaker 1: into the ground.
Speaker 2: Alright.
Speaker 4: I was sort of like dizzy from it.
Speaker 2: Oh, pocket's gonna step forwards as well, and he really
Speaker 2: is determined to hit this shot. Do you guys want
Speaker 2: to take bets? And if he's going to hit the shot, yeah, I'll.
Speaker 4: Get on like obviously I'm betting against him. What shoul
Speaker 4: we say a grand Yeah?
Speaker 2: Yeah, okay, we can't do this on twitch because his
Speaker 2: captain is gambling and I don't know if that's legal. Wait, wait, wait,
Speaker 2: I leave for five seconds that we're gambling.
Speaker 4: Do you think he's gonna hit with gambling?
Speaker 2: My god, I know what I gotta do. All right,
Speaker 2: nobody can hit this guy. I'm nervous. He's navena looks
Speaker 2: very injured right now. Oh my day, guys called shot
Speaker 2: to the head. Yeah, he's hitting me going oh my days. Okay,
Speaker 2: I think you're doing the opposite of going in. I'm
Speaker 2: going you got it, you got it? Eight d eights. No,
Speaker 2: I haven't I haven't rolled a bubb a tennis guy
Speaker 2: should have been dead like an hour ago. He's just
Speaker 2: too good. You please kill him, Sigma. Go ahead, you'll
Speaker 2: get the sneak of sac damage you hit this Sigma,
Speaker 2: please get a crand with your claws. Be cool.
Speaker 7: Come on, Okay, I'm gonna try, and I'm gonna try.
Speaker 10: I'm gonna use I'm gonna use my steady.
Speaker 2: Am okay, good, yes, advantage, all right.
Speaker 1: I'm clotta with advantage seventeen the damage, Sigma.
Speaker 2: Please, there's a chance.
Speaker 1: Oh it's not a high roll twelve damage. Twelve damage
Speaker 1: is good. It gets him low, it gets him really low.
Speaker 2: I have I have one more clottag yeah without this time,
Speaker 2: without advantage. Okay, fifteen does not No, I don't think that.
Speaker 2: I don't think that is it.
Speaker 1: Is now the gummy bears turn to pretends terrifying crumb
Speaker 1: else crumbs like Kaiser has had some sunglasses here, let
Speaker 1: me put them on.
Speaker 2: It's time to go gummy mode.
Speaker 1: Gummy punch one hits by gummy punch two hits again.
Speaker 2: I do want to state the same modifiers.
Speaker 1: Novena, yeah, bang, but this is lethal damage and he's
Speaker 1: not knocking.
Speaker 2: Actually, he'll go Captain, do I kill this guy right now?
Speaker 5: Crame, it seems like you're the only one who can,
Speaker 5: so yes, please.
Speaker 4: All right, you don't want to knock him out, you know,
Speaker 4: that's questions.
Speaker 2: The captain told me to kill him, Navina.
Speaker 5: Nov We could try to knock him out, but I
Speaker 5: think if he comes to again, he might kill all
Speaker 5: of us without the help of some gummy bears.
Speaker 4: Good, but my head hurts.
Speaker 1: You see him in his The camera pans round him
Speaker 1: in his chair. All of his like screens are going
Speaker 1: to overdrive, and he's like, let's lock in, And he
Speaker 1: literally is just doing like this on a keyboard. I
Speaker 1: don't think any of that picked up. The stream will
Speaker 1: pick it up. It's just furious keyboard noises as the
Speaker 1: gummy bears arms back. Done done, done, done, and they
Speaker 1: slam into rocks, simultaneously piercing his body and ripping him apart.
Speaker 2: Good job, you press the gummy bear button. Yeah, thank
Speaker 2: god for that.
Speaker 1: Rock collapses to the ground. He goes bested by gummy bears. Ironic,
Speaker 1: they were one of my favorite foods. He wipes a
Speaker 1: rocky magmatir away rack. I fool but if you can
Speaker 1: hear me, avenge me take over Gastrovia and become the
Speaker 1: grill President.
Speaker 2: You pass on your message brother, fuck you country.
Speaker 14: Wait.
Speaker 2: I love the fact his last words I actually tell him, like,
Speaker 2: I will carry your last words to to rack. You're like,
Speaker 2: fuck you because he died. He's dead.
Speaker 5: I'd like to run over just for me. Like, but
Speaker 5: you do get why it was funny, right, You do
Speaker 5: understand the structure of the joke, the set up, the punchline.
Speaker 9: All right now, even though he was an enemy, the
Speaker 9: idea of a rocky ashcar being killed by squishy gummy bears,
Speaker 9: it's it's hard to see he deserves an ashcar funeral.
Speaker 2: Crumb says.
Speaker 4: Define if you did not call me a gummy bear?
Speaker 2: No, no, no, no, I meant, I meant the actual
Speaker 2: you are squishy like a gummy bear. But I meant
Speaker 2: the actual gummy bears.
Speaker 4: Oh oh, I didn't even notice these.
Speaker 2: Yeah, I know, I didn't notice them at first either.
Speaker 2: They came out of nowhere.
Speaker 5: Do you need some healing maybe while we're chatting, Can
Speaker 5: I cast a healing word on the pina?
Speaker 1: Yeah, if you have a spose lots free, I assume
Speaker 1: that that's your third one, last one.
Speaker 2: Your last one?
Speaker 1: Yeah, okay, so you do that? Crumb is talking over
Speaker 1: the Okay, I guess we don't need these gummy bears anymore, right,
Speaker 1: I guess not. He deactivates the gummy bears and they
Speaker 1: slowly melt away into a puddle. We always know where
Speaker 1: to find.
Speaker 10: You can come out of you can come out of
Speaker 10: there now, I think.
Speaker 1: He sort of awkwardly leaves his game a lair. Did
Speaker 1: I did I do a good job?
Speaker 4: Guys?
Speaker 2: You did it? I mean job. I'm just disappointed in
Speaker 2: myself if nothing else, crag.
Speaker 1: Okay, does this mean I get to be this week?
Speaker 1: You'll nevilla got ten?
Speaker 4: Okay?
Speaker 5: Ah?
Speaker 1: So Princess Marsey pan still in tears, sort of towards
Speaker 1: the body.
Speaker 2: Okay, okay, he's he says.
Speaker 1: She turns round to the rest of you and says,
Speaker 1: please please don't kill me.
Speaker 2: Why would we kill you?
Speaker 4: We want you to run the country.
Speaker 2: You want me to run the Should we kneel?
Speaker 10: Yes, kneel, Yes, we'll neil, We'll kneil.
Speaker 2: I guess everybody kneel. She looks. He looks at you,
Speaker 2: hays confused. She's like, what, oh, I try to stand, Princess.
Speaker 5: I believe me when I say I know what your
Speaker 5: father's final words to you were, and I believe they
Speaker 5: were before the scream and the fall, that he believes
Speaker 5: in you and knows you would be able to run
Speaker 5: this country fair.
Speaker 2: And just why did he kill himself? I don't understand
Speaker 2: that the fall was over eighty feet? No, no, but
Speaker 2: why did he jump?
Speaker 5: It's very slippy on a gingerbread man's hands, friction, the
Speaker 5: shoes he was wearing, they were not the correct ppe
Speaker 5: for where he was.
Speaker 18: It was an accident. But then why did you guys
Speaker 18: kill Dukerole Poly?
Speaker 2: Well?
Speaker 15: You see, he was planning a coup so that Rock
Speaker 15: could take over, and then you heard him call the man.
Speaker 2: That makes sense.
Speaker 10: He even admitted it while he was here. He said
Speaker 10: he was going to kill you.
Speaker 18: Yeah, yeah, I just it's all been too much. You're right,
Speaker 18: And I mean it doesn't look like you guys. If
Speaker 18: you guys were to kill me, you'd just do it
Speaker 18: now so easily.
Speaker 2: Right.
Speaker 10: Well, we had like plenty of opportunities earlier, but we have.
Speaker 5: I mean, if you ignore the twenty guards and the
Speaker 5: two gummy bears, we actually also took down a dragon
Speaker 5: and this guy.
Speaker 18: Yeah, okay, it's just a lots of process. I don't
Speaker 18: know if I'm ready to be a leader. I haven't
Speaker 18: learned everything about about ruling. And my father he taught
Speaker 18: me about the kingdom, but not everything.
Speaker 5: Hi, princess, let me give you a little tip about leadership.
Speaker 5: You might not feel ready. I might not feel ready.
Speaker 5: You might never make the right decision. But that hasn't
Speaker 5: stopped me. Listen to him. He's smart.
Speaker 10: Okay, he knows what he's talking about.
Speaker 2: He does right, you guys already got the key card
Speaker 2: off Kaiser, right for the device.
Speaker 4: Yes.
Speaker 1: She walks over to the to the glass, the shattered
Speaker 1: glass at the back.
Speaker 2: She looks out.
Speaker 1: She sees the dead gingerbread man and dragon, and she
Speaker 1: sees all the people, all the knights, and they turn
Speaker 1: up to look at her, and they see her and
Speaker 1: they all kneel, and she goes, I.
Speaker 18: Guess I guess I really am queen now?
Speaker 1: Oh, And she looks down at the people and she says,
Speaker 1: my people, She shouts out, I know I may not
Speaker 1: be prepared to rule. I may not be as great
Speaker 1: have a leader as my father wants was, But I
Speaker 1: swear to you, I will try my best for I
Speaker 1: believe in the Candy Kingdom and I believe in Gastrovia.
Speaker 1: Each of us are sweet in our own special ways.
Speaker 1: I'm sorry if I make a mistake, but have faith
Speaker 1: in me, please.
Speaker 2: Cracked eyes, it got really choppy for a moment there.
Speaker 2: I couldn't hear any of that. Did you miss the
Speaker 2: Queen's speech? It was beautiful. I don't hear a single thing.
Speaker 9: No, okay, And I look at my bag and I
Speaker 9: pull out like a like a public speaking one oh
Speaker 9: one book and I just like give it.
Speaker 2: To the queen.
Speaker 12: Where you are.
Speaker 2: This is my offer to you to help you in
Speaker 2: your mission.
Speaker 18: It's okay, I've already I've already am.
Speaker 2: And the crowd outside cheer Princess Mary. They say, they
Speaker 2: just cheer Queen Mosey.
Speaker 1: Queen Mosey pan and there's roorius applause outside.
Speaker 2: They've already gone.
Speaker 20: Through the likes going to combat. It was a long
Speaker 20: it was. I'll tell you what team. The dragon's dead.
Speaker 20: We've killed one of the other guys, brothers. The Queen's
Speaker 20: on charge, everyone's guy. This has all gone to plans sover.
Speaker 20: I think this is going pretty bloody. Well, don't you.
Speaker 10: I don't think it could go any better?
Speaker 2: Yeah, I mean yeah, the queen, now, maybe.
Speaker 7: We could, you know, have powerful allies helping us to
Speaker 7: meet with the other.
Speaker 10: Leaders.
Speaker 5: Absolutely, crag is what's the the cultural implication of us
Speaker 5: taking that hammer to grill master rack because we could
Speaker 5: present it and say we tried to save your brother,
Speaker 5: but unfortunately he was eaten by a dragon.
Speaker 2: Well, the traditional ashcar rights do dictate we have to
Speaker 2: perform a funeral, which is we use the hammer to
Speaker 2: break him into smaller pieces and then turn him into
Speaker 2: a road. It's symbolic of the older generation. There's a
Speaker 2: reason for it. There's a reason civics is quite advanced,
Speaker 2: isn't it. There's a reason for it. They get turned
Speaker 2: into the road so that the old generation still supports
Speaker 2: the younger generation. It's a symbolic gesture.
Speaker 5: More, I learned that you're remarkably advanced in the way
Speaker 5: you treat people. Also, when you've got a minute, we
Speaker 5: need to have a chat.
Speaker 1: Of course, Princess Marzakandler pressure guys now and say I'm
Speaker 1: sorry for the way that I treated you, And honestly,
Speaker 1: I still am not sure if I trust you, but
Speaker 1: I at least know that you are an enemy of
Speaker 1: grow Master Rack, for you have killed his brother and
Speaker 1: I cannot have seen that. And if it is true
Speaker 1: that he was orchestrating a coup against my father and I,
Speaker 1: it will be soon that he might attack me again.
Speaker 1: So I would really much appreciate it if you.
Speaker 2: Would. I'm sorry, I'm not very good at giving orders
Speaker 2: like this.
Speaker 1: I want you to kill him grow Master Rack, and
Speaker 1: I will supply a mean of transport anything you need
Speaker 1: to get there.
Speaker 2: Princess, would you be able to undo the ground lock
Speaker 2: on our ship Sassy over at the spaceport, I have.
Speaker 18: No control of the spaceport. I am sorry. That's the
Speaker 18: machine that controls the.
Speaker 5: The food also controls the spaceport. Of course, it's a
Speaker 5: machine that does two things. Prevents people from eating specific
Speaker 5: foods and also parking fines.
Speaker 1: All I'm saying it's it's not necessarily it's the same machine.
Speaker 1: It's just that is the that's the that's where all
Speaker 1: of the neutral technology is. You know, that's not controlled
Speaker 1: by an individual warlord, which.
Speaker 5: Includes right, so there's like a six kind of it's where.
Speaker 18: Yeah, it's where my father would go, Oh, yeah, his
Speaker 18: key card I got.
Speaker 2: I've got to get it off his body. I can't
Speaker 2: be not having that. Yeah, the body that's definitely in
Speaker 2: the dragon. You should go and have a look for
Speaker 2: that for quite some time.
Speaker 18: Okay, well hum, Yeah, I should find his corpse and
Speaker 18: deal with all of that. And I guess not have
Speaker 18: a wedding.
Speaker 2: Should team quick huddle?
Speaker 4: Zipan? One second? Rick, do you also have any connection
Speaker 4: to is it Sierra?
Speaker 18: Sierra is the Yes, she's the leader of the the
Speaker 18: Soup Sea Sanctum.
Speaker 2: Yes.
Speaker 4: Do you think she would also be against Girl Master Rack?
Speaker 4: I cannot imagine if feather Nari would be quite a
Speaker 4: fan of Wartime.
Speaker 1: I think she hates him, Yeah, I think she just
Speaker 1: hates him because of his meat thing. Again, I don't
Speaker 1: I'm not sure, but my father would be the one
Speaker 1: to ask about that sort of political stuff. I've only
Speaker 1: only know what I've overheard, but I'm sure they're already
Speaker 1: deep in combat with each other.
Speaker 15: Perhaps perhaps we can go see her first and maybe
Speaker 15: form an allyship. Perhaps would probably be easier to take
Speaker 15: on a warlord with another wallet on your side.
Speaker 4: I mean, whatever you must do. That's probably what Duke
Speaker 4: was trying to do.
Speaker 18: Yeah, well, whatever you must do. I have to attend
Speaker 18: to the needs of my kingdom. Thank you, Thank you,
Speaker 18: of course, my queen.
Speaker 2: Good luck.
Speaker 1: Okay, you make it sound like you've become members of
Speaker 1: this country.
Speaker 8: Quick, quick citizenship, you just become knights.
Speaker 5: I think that means you may remember that the actual
Speaker 5: corpse of the king is currently lying just outside of
Speaker 5: the castle that we hid behind the walls so we
Speaker 5: can do the whole suicidal for final rights, convincing her
Speaker 5: to become princess thing. She may soon discovered that the
Speaker 5: body is very much not inside the dragon.
Speaker 2: Yeah, yeah, it's the actual in the block.
Speaker 5: Still got him in the fridge, Yeah yeah, he's excellent.
Speaker 5: Things are going so much better than I expected. This
Speaker 5: is fantas in the fridge. The King is not in
Speaker 5: the fridge, is he not? The key is in the apartment.
Speaker 2: He's in the apartments.
Speaker 1: He's in That's fine, roly police, who knows where he's at?
Speaker 5: Okay, yeah, excellent, brilliant. I think they're not going to discover.
Speaker 5: That's absolutely fantastic.
Speaker 4: I mean, I'm sure would Polly not have got him
Speaker 4: cleaned up and like disposed of That depends he's not
Speaker 4: going to leave him around his room while he's getting dressed.
Speaker 2: Fair, you guys have no idea what's happened to the
Speaker 2: corps of the King? Yeah, yeah, yes, the lots of
Speaker 2: future problem.
Speaker 5: That's not a today problem, that's a tomorrow problem at best. Okay, Sponge,
Speaker 5: I think Navina had an excellent idea that we head
Speaker 5: over to the soup Lady Sea Sanctum.
Speaker 1: Okay, I can give you my finest steeds that you
Speaker 1: can ride on into to get their post taste.
Speaker 2: The gummy bears. Are they the horses? Yeah, they're like
Speaker 2: futuristic sci fi robo horses.
Speaker 5: To remind us that we're in the futuristic sci fi
Speaker 5: robo world. I don't know why you'd call them futuristic
Speaker 5: sci fi robo horses. You just call them horse is.
Speaker 1: Oh yeah, it's it's just a different to regular different
Speaker 1: to regular horses, you know that are made.
Speaker 2: Up that can fit me. We Yeah, they're horses together.
Speaker 2: Horses horses.
Speaker 4: Just go together, all right.
Speaker 2: It's good to me. But first, uh, Nevena, I know
Speaker 2: this is kind of messed up, but could you say
Speaker 2: a few words because we do not have an ashcar
Speaker 2: priest here for the funeral.
Speaker 4: Oh oh, of course, yes.
Speaker 2: All ceremony pockets like wait, we're giving rocket wait and
Speaker 2: then I and then I just kind of nod to
Speaker 2: Nevina like.
Speaker 4: He he died, how he fought?
Speaker 2: Go ahead?
Speaker 4: Oh uh? May he grill in the great flow.
Speaker 2: Your noise isn't only picked up any moore taking. But yeah,
Speaker 2: I'm just every time Navina says a sentence of this,
Speaker 2: you're smashing him into the ground.
Speaker 4: May may the road be paved with his charcoally skin.
Speaker 2: Okay, And I do that. That continues on until he
Speaker 2: is just rubble on the.
Speaker 4: Ground and made the road work ahead.
Speaker 2: You remember the line, how did you know? That's how
Speaker 2: the funerals?
Speaker 7: While while while that funeral is happening, rick Plan had
Speaker 7: said to Sigma that he wanted.
Speaker 2: To you guys are on the moment.
Speaker 1: Yes, so you guys are on the way up, probably
Speaker 1: heading to the stables. So I let you guys leave
Speaker 1: the palace. You're on your way out.
Speaker 2: And at that point, yes, rick Plan will talk to Sigma. Sigma,
Speaker 2: can I borrow you for a moment please?
Speaker 10: Yes, of course, captain.
Speaker 5: You know that I'm very impressed with the invisible sneaking
Speaker 5: the stealth, melee combat, all that jazz, and it's all
Speaker 5: remarkably impressive. How are you feeling this is all going?
Speaker 4: Hi?
Speaker 7: I think it's like I said earlier, I don't think
Speaker 7: it could be going any better, Captain, according to.
Speaker 5: Plan, Absolutely, I completely agree. Just so you know, Pocket's
Speaker 5: trying his best to turn me against you. It's basically
Speaker 5: coming over here and being all manipulative and whatnot and
Speaker 5: saying that I like him more than you. I think
Speaker 5: this is the best angle we've got to manipulate Pocket
Speaker 5: in our favor. So I just want to reiterate to you.
Speaker 5: And so you're sure, I like you a lot. I
Speaker 5: think you're great, and I consider you remarkably important on
Speaker 5: this mission. But it seems the only thing that motivates
Speaker 5: Pocket beyond money, treasure and just being a general annoyance,
Speaker 5: is beating you. So I'm using his insecurities against him.
Speaker 2: So I want you to know that.
Speaker 3: Obviously, Sigma is quite quite stoic, kind of like a
Speaker 3: plane face. He's responding here, but his tail is just
Speaker 3: going crazy behind him, A very excited wagging tail behind
Speaker 3: is the responsible.
Speaker 10: Yes, thank you, Captain.
Speaker 2: I know I must be clear.
Speaker 5: I know that you're not a fan of Pocket, but
Speaker 5: we also must recognize that he did blow his own
Speaker 5: hand off in combat, and so healing him was imperative.
Speaker 5: He is a member of the crew, whether we do
Speaker 5: or don't like that. So I will risk myself for him.
Speaker 5: I will give my time to him, and I will
Speaker 5: heal him. I don't agree with how he's talking about
Speaker 5: you or what he's trying to do to me, but
Speaker 5: I am going to use that against him and for you.
Speaker 5: I hope you're comfortable with that.
Speaker 10: I understand, Captain. If we can use him for the
Speaker 10: good of the pack, that the good of the crew.
Speaker 7: Then yes, of course you have my my.
Speaker 10: Utmost approval the pack.
Speaker 2: The pack.
Speaker 5: That's a I'd like to get our little notebad and
Speaker 5: just write that down. That's quite a good name, right,
Speaker 5: I was going to do the rest of the pack
Speaker 5: the others.
Speaker 2: Okay, all right.
Speaker 4: Can Thevena have a separate conversation with Pocket?
Speaker 1: Okay, yes you can, so you know, and this is
Speaker 1: while Pocket doesn't know that the conversation between Rick plan
Speaker 1: Sigma is happening.
Speaker 2: Yeah, all right.
Speaker 4: This is when we're walking to the horses.
Speaker 2: I saw you out there, you mad con.
Speaker 4: Well yes, I thought it best to protect the princess.
Speaker 1: Yeah yeah, yeahah, protect the princess. Killed the rock guy, proper,
Speaker 1: proper cool ship.
Speaker 4: I have to ask Pocket, why did you help us?
Speaker 4: I mean you were you were in the position too
Speaker 4: pretty much betray us completely and run away with two
Speaker 4: croly police plan here you seemed quite in his pocket,
Speaker 4: no pun intended? Are you kidding me? Curious? Why why
Speaker 4: did you choose us?
Speaker 2: Levina? You better understand this.
Speaker 1: I'm from a backwater, a skippet planet with dust and
Speaker 1: desert and just scrap and bullshit. I have never had
Speaker 1: this much freedom in my entire life.
Speaker 2: The ability to stick with.
Speaker 1: You guys and go anywhere, do anything, steal anything.
Speaker 2: It's a dream come true for me.
Speaker 1: So yeah, maybe I could have stayed with Duke roly
Speaker 1: Poly and been a night, But then I had to
Speaker 1: stick with Duke roly Poly the whole time. And beyond
Speaker 1: this planet that feels like it's going to collapse at
Speaker 1: any moment, I'd rather explore the stars. See what money
Speaker 1: is out there. This is small scale novena, a dukedom,
Speaker 1: a kingdom. That's nothing compared to what's out there galactic empires, wealth.
Speaker 2: Beyond their imagination. You understand, right.
Speaker 4: Yes, I do think there is a part of you
Speaker 4: that likes us too.
Speaker 2: A I mean I like you in my own special way.
Speaker 4: Thank you for your help.
Speaker 1: Yeah, well yeah, well well he sort of pockets off.
Speaker 2: Pockets.
Speaker 9: That could mean, that could mean three different things that
Speaker 9: all have different annotations right now, but yeah, they're all fantastic.
Speaker 2: It's like, does anybody have a phone when I have
Speaker 2: a fridge? That's that's about I think Crumb does have
Speaker 2: a phone. He's the only one who does because he
Speaker 2: has one from Gastrovia. So he will pass.
Speaker 1: It in the car. He had his car TV thingy,
Speaker 1: but he still has a phone that he used in
Speaker 1: his house if he used in his house, right, So
Speaker 1: he hands it over to Spud, who I guess it's
Speaker 1: crag Spud and kind of Crumb here.
Speaker 2: So you made it through the battle. I'm glad you
Speaker 2: don't seem injured at all. Yeah, it's just.
Speaker 1: Cause the last two times he's done this, she did
Speaker 1: not pick up. So this is kind of as a
Speaker 1: fruitless effort. It sort of rings rings, and then a
Speaker 1: voice from the other side goes, oh hello, Spud goes,
Speaker 1: this isn't Mirinda, Who is this?
Speaker 2: Oh? I said she might be cheating on you. I'm sorry, So,
Speaker 2: I'm so sorry.
Speaker 5: You must think that's possibly someone evil, not someone that
Speaker 5: she's cheating on him with.
Speaker 2: You could cheat on somebody evil. They're not utually exclusive thing.
Speaker 5: Normally the evil person wouldn't then answer the phone in
Speaker 5: an evil way. But that's actually exactly what an evil
Speaker 5: person would do.
Speaker 2: Yeah, that's exactly what. Yeah, they're onto something here, Greg.
Speaker 2: You hear somebody a voice in the background, go, spun,
Speaker 2: is that you, honey? Help me?
Speaker 1: Somebody shut her up? And do you hear like a
Speaker 1: thud on the ground.
Speaker 2: Oh, I assume this is she's cheating, cheating.
Speaker 1: This is the husband. Well, your too late, husband. Your
Speaker 1: wife is becoming part of my slave army. And then
Speaker 1: the phone just gets crushed. Oh and Spud goes. My
Speaker 1: wife falls down to his knees.
Speaker 2: I hold him up. It's okay, Spud. They hold him up,
Speaker 2: just like it's okay. He's crying. We'll make sure your
Speaker 2: wife is okay. Spud and his tears in his eyes.
Speaker 2: And I guess, guys, we are we making sure that
Speaker 2: I know there's a lot of stuff going on right now.
Speaker 2: But or are we going to maybe have time to
Speaker 2: help spuds domestic situation out.
Speaker 5: I mean I can cast heroism on him, which means
Speaker 5: the minute.
Speaker 1: On that moment, we'll do it to be he continued, Yeah, okay,
Speaker 1: the problem is but he's out of spell slots, so.
Speaker 2: He's got to raw dog these emotions, my friend. We're
Speaker 2: going to get there together.
Speaker 1: Back to the world in pieces noise. First mocks, his voice,
Speaker 1: loud and angry, punching through the fog.
Speaker 2: Wake up, Wake up.
Speaker 1: A gordon of the hand shook his shoulder hard enough
Speaker 1: to rattle what little sense he had. He groaned, all
Speaker 1: five eyes fluttering open to a sky that didn't feel right.
Speaker 1: Too still, too close. His head throbbed. Every thought arriving
Speaker 1: late and half formed, Mark said.
Speaker 21: You're alive.
Speaker 1: Stay that way what he tried and stopped as the
Speaker 1: memory caught up with him in a rush of fire
Speaker 1: and noise. His breath hit What have spore cappened? Mok
Speaker 1: said flatly, must have least our derodoy with land mines.
Speaker 1: Madman's answers to being shortened soldiers. If you can't guard
Speaker 1: the ground, make it kill people for you. Sweet pushed
Speaker 1: himself up and shaking arms. The world swayed, the truck gone.
Speaker 1: Mok said, doesn't matter, plans delawn, We move now. Panic
Speaker 1: crept in, cold and sharp. He swallowed Corrigan, He asked,
Speaker 1: already afraid of the answer. Mox didn't even look at him.
Speaker 2: Corrigan's dead.
Speaker 1: Sweet turned his head. She lay a short distance away,
Speaker 1: broken against the ground with a truck had throner rock
Speaker 1: and twisted glass jutted through her neck at the wrong angle,
Speaker 1: fine and unmistakable. He felt something hollow open up in
Speaker 1: his chest. He looked back at Mock's. The lichen was battered,
Speaker 1: body torn, furst singed in places, but there was no blood,
Speaker 1: not a smear, not a drop. Sweet stared, disorientated, dread
Speaker 1: curling tight in his gut. Who was then that he
Speaker 1: noticed his own injuries. Pain bloomed properly as awareness settled
Speaker 1: in a hot, tearing burn across his side, where his
Speaker 1: armor had split and failed him. He sucked in a
Speaker 1: short breath as his hand found the wound, warm blood
Speaker 1: slipping between his fingers and dripping away before he could
Speaker 1: stop it. I'm hurt, he said, stating the oviics with
Speaker 1: the faint hope that doing so might make it less true.
Speaker 1: Moks glanced down at the wound and grunted. His eyes
Speaker 1: lingered there, calculating, weighing. This wasn't a comrade checking on
Speaker 1: a fellow soldier. This was a man inspecting a tall
Speaker 1: deciding whether it still worked or needed to be left behind.
Speaker 1: The second stretched and his thoughts spiraled, all of them
Speaker 1: ending in the same place. Finally, Mock straightened, You'll be fine.
Speaker 1: Relief hit Sweet so hard it was almost humiliating, like
Speaker 1: his life had just passed inspection, like had been allowed
Speaker 1: to continue. The Lichen didn't wait for thanks. He grabbed
Speaker 1: Sweep by the arm and holed him upright with an
Speaker 1: unfeeling competence.
Speaker 2: Let's get moving.
Speaker 1: Sweet's vision wavered as he tried to step forward, the
Speaker 1: world tilting unpleasantly. He looked up at Mok's But I'm bleeding,
Speaker 1: he said in a small voice. Mox didn't even slow down.
Speaker 21: Then do a better job of keeping it inside you,
Speaker 21: he snapped. We'll patch you up once we find cover.
Speaker 21: It's not safe out here. Mox took the lead, moving
Speaker 21: slow and deliberate. Now every step measured, he paused, often,
Speaker 21: head tilting, nostrils flaring as if He sniffed the air
Speaker 21: and the ground alike, reading dangers.
Speaker 1: Sweet couldn't sense. When Mok stopped. Sweet stopped. When Mok stepped,
Speaker 1: Sweet followed in his footsteps without question. One wrong move
Speaker 1: at him meant fire, shrappeel, and more than just bleeding.
Speaker 1: Sweet side burned. With every breath. He pressed his hand tighter,
Speaker 1: trying absurdly to keep himself together through force of will alone,
Speaker 1: he knew the truth of it. If he went down now,
Speaker 1: he wouldn't get back up. Fears sharpened him into something harder, fiercer.
Speaker 1: A stubborn, desperate determination to live dragged him forward, step
Speaker 1: by painful step. At last, the ground rose and split,
Speaker 1: forming the dark mouth of a cave. Mox ushered him
Speaker 1: inside the shelter, swallowing the wind and danger with it.
Speaker 1: Sweet barely made it a few paces before his legs
Speaker 1: gave out. He collapsed onto the cold ground, armor, clattering, breath, ragged,
Speaker 1: exhaustion claiming him. The moment he stopped, mox didn't waste time.
Speaker 1: He seized one of his own gauntlets and tore it free,
Speaker 1: exposing the bare claw underneath. Bracing the metal against his knee,
Speaker 1: he poured on it with brutal force. Metal screamed as
Speaker 1: plates tore loose. The sound sharpened violence in the close
Speaker 1: confines of the cave. Rivets popped, joints snapped. Whatever careful
Speaker 1: craftsmanship had once gone into the thing was undone in
Speaker 1: seconds by raw strength and grim determination. Mos peeled the
Speaker 1: gauntlet apart piece by piece, discarding bent armor, keeping anything
Speaker 1: of weight or edge to it. He sorted through the wreckers, quickly,
Speaker 1: selecting shards, braces, thin plates, laying them out like a
Speaker 1: surgeon arranging tools. When he was done, the gaunt was
Speaker 1: nothing more than scrap at his feet. He turned back
Speaker 1: to face Sweet and knelt before him, odd still, he said,
Speaker 1: which was less an instruction more than a warning. He
Speaker 1: tugged Sweet's armor aside, exposing the torn flesh beneath. Sweet
Speaker 1: hissed through his teeth. Bracing himself on the cave floor,
Speaker 1: Moxs grabbed the cold metal from the ground and pressed
Speaker 1: it straight.
Speaker 2: Into the wound.
Speaker 1: Sweet screamed, it felt like being filled with fire and
Speaker 1: gravel all at once, like someone patching cracked stone with
Speaker 1: molten iron whilst it was still attached to him. Mocks
Speaker 1: worked fast and careless, packing fragments of metal into torn flesh, pressing, sealing,
Speaker 1: forcing the wound shut with clinical precision. Sweet's hand clawed
Speaker 1: uselessly at the ground as pained, drowned thought, his vision swimming,
Speaker 1: breath coming, and broken gasps. He was terrified, absolutely certain
Speaker 1: this was how he died. But there was no other choice,
Speaker 1: none at all. After what felt like an eternity and
Speaker 1: was probably only a few minutes, Mok stepped back. The
Speaker 1: pain dulled to a deep, throbbing ache, fierce but contained.
Speaker 1: Sweet lay there, shaking, drenched and sweat, afraid to look,
Speaker 1: but when he finally did, he froze. The wound was sealed,
Speaker 1: not pretty but solid, metal fused into place like a
Speaker 1: brace holding him together. Rough but deliberate, function, well crafted.
Speaker 1: Even where did you learn to do that? Mox wiped
Speaker 1: his claw clean on a scrap of cloth. Mischines, he said, simply,
Speaker 1: I've spent a long time fixing them. He glanced down
Speaker 1: at Sweet, expression unreadable. People aren't much different, just built
Speaker 1: out of other parts.
Speaker 4: Oh, thank you.
Speaker 1: Sweet, managed and he meant it, which felt strange considering
Speaker 1: he'd put him in this situation to begin with. Moxs grunted,
Speaker 1: ignoring his gratitude. Get some rest, he said, you'll need it.
Speaker 1: He didn't argue. Every part of him ached, screamed, begged
Speaker 1: for sleep. He slumped back against the cave wall, armor
Speaker 1: clinking softly, and at his eyes slide shut. Sleep took
Speaker 1: him quickly, rough and heavy, like an attack he was
Speaker 1: too tired to avoid.