WEBVTT

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<v Speaker 1>And now gang Busters.

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<v Speaker 2>Gangbusters presented in cooperation with police and federal law enforcement

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<v Speaker 2>departments throughout the United States. The only national program that

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<v Speaker 2>brings you authentic police case histories and night.

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<v Speaker 3>Gangbusters presents the case of the Chicago federal gang would

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<v Speaker 3>duck their way to it instolen currency until a ring

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<v Speaker 3>leader's patient for saving an dollar lets them in the whole.

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<v Speaker 2>Gangbusters has asked Lieutenant Thomas J. McGrath, retired of the

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<v Speaker 2>Chicago Police Department, to narrate by proxy to a Night's case.

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<v Speaker 2>Thank you, Don Gardner. But first, I'd like to mention

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<v Speaker 2>that one of your Gangbusters listeners, a Missouri sheriff, just

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<v Speaker 2>last Sunday he apprehended a murder suspect from Ohio whose

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<v Speaker 2>description he had first heard on Gangbusters. I think that

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<v Speaker 2>the sheriff and Gangbusters deserve a lot of credit for

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<v Speaker 2>this latest assist to law enforcement.

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<v Speaker 4>Well, thank you, Lieutenant McGrath.

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<v Speaker 2>As a matter of fact, we hope to have the

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<v Speaker 2>sheriff himself tell the story of this capture to our

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<v Speaker 2>Gangbusters listeners on a later program. But now, how about

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<v Speaker 2>tonight's case. Well done. This case had its beginnings in

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<v Speaker 2>the city of Chicago, just about a year ago, on

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<v Speaker 2>a cold, windy morning inside the candy store, she ran

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<v Speaker 2>Bella Mama, as she was known, straightened the magazines left

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<v Speaker 2>pored over by the kids who dropped in on the

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<v Speaker 2>way to school to spend their nickels. Playing her punchboards.

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<v Speaker 2>She heard a bell on the front door tinkle, and

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<v Speaker 2>looked up to see a slightly built redhead man come

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<v Speaker 2>in out of the coal. Uh.

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<v Speaker 5>Lean, now, if you expect warm, go to Flora.

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<v Speaker 2>It's coming. Don't worry, it's coming. You gotta scratch, he said,

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<v Speaker 2>you know, eleven o'clock on the scrutchy.

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<v Speaker 6>Hey, hey, I just straight.

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<v Speaker 5>Out of the magazines.

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<v Speaker 2>Keep your hands off, okay, okay, gotta do something waiting

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<v Speaker 2>for Nick.

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<v Speaker 5>Nick's here in the back.

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<v Speaker 2>He told me he's gonna get a haircut.

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<v Speaker 5>He's getting a haircut in the back.

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<v Speaker 2>You're kidding.

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<v Speaker 5>And Juliet, they teach Harry the Great to be barber,

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<v Speaker 5>so Nick lets him practice and save a few cents.

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<v Speaker 2>Yeah, don't make any difference that Harry Butcher save a

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<v Speaker 2>few cents. That's important. Uh oh, it's important. Yeah, I know.

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<v Speaker 2>In back and just tell you no, bring me a

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<v Speaker 2>scratcheet when I get here, will you buy the moment? Hello? Nick?

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<v Speaker 1>A man ran old your head still?

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<v Speaker 2>Will your niggays through? Harry, I'm getting nervous, okay, your

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<v Speaker 2>next thread? No thanks, what's the matter. I'm doing a

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<v Speaker 2>beautiful job on Nick. You's get through and keep the

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<v Speaker 2>hair from running down the back of my neck, so

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<v Speaker 2>you'll take a bed. Stay careful about them, bess, Nick,

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<v Speaker 2>they run up the water bills. You've got some objection

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<v Speaker 2>to saving money and make big. I spend big A

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<v Speaker 2>ten cent tip to a barber. I think nothing about it. Okay,

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<v Speaker 2>you don't have to get wise. Is everything's sent sets

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<v Speaker 2>at eleven? They're okay. I want to clean job'll steal

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<v Speaker 2>the air. I don't spell it, the read the works.

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<v Speaker 2>It's an easy mark neck fifteen or twenty thousand, no

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<v Speaker 2>less how much you cut the hair. Okay, but after

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<v Speaker 2>that haul, I'll throw the scissors right down. The sewer's

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<v Speaker 2>haven't been and the money way. I can get there

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<v Speaker 2>about eleven o'clock in the morning, maybe a few minutes sooner.

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<v Speaker 2>A few minutes later, and the burger alarm. Two cashier's cages,

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<v Speaker 2>foot button in each of'em.

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<v Speaker 1>Foot button.

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<v Speaker 2>Hey, that's not good? Cut their hair? Well, your guy

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<v Speaker 2>can't even have an opinion around here? What about the

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<v Speaker 2>gift shop next though? Yeah, that's the ticket, all right, Nick,

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<v Speaker 2>it's the one man outfit. The guy opens up for

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<v Speaker 2>business about nine in the morning. Okay, we do it

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<v Speaker 2>that way. Well, we have any trouble getting in the

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<v Speaker 2>gift shop, none that I can see, Nick, is a

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<v Speaker 2>window in the alley. Two minutes with a jimmy and

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<v Speaker 2>we're inside. Hey, what's the gift shop got to do

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<v Speaker 2>with this? With taking the check, cash and outfit? What

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<v Speaker 2>do we want with the gift shop? Then they say

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<v Speaker 2>hair cut? Will you tell me what the gift shop

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<v Speaker 2>has got to do with it?

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<v Speaker 1>Now?

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<v Speaker 2>Finish their haircut? I think that's the only thing I

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<v Speaker 2>got to do with this is cut your hair. You

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<v Speaker 2>know I got a stake in this thing too. You know,

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<v Speaker 2>we got a burglar alund to worry about. We can't

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<v Speaker 2>walk into the joint nice that Just like that, one

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<v Speaker 2>of those cash heirs will step on the button. Well,

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<v Speaker 2>what do you need the gift shop for? You tell him? Right,

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<v Speaker 2>telling yourself, Well, somebody tell me. Look, we break in

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<v Speaker 2>the gift shop the night before. So we go to

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<v Speaker 2>work on the wall.

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<v Speaker 1>What what war.

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<v Speaker 2>Do you think? The war between the gift shop and

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<v Speaker 2>the check cash and joint. Oh, we cut it down

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<v Speaker 2>to a thin layer of plaster. The truck delivers the

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<v Speaker 2>money bags, the truck goes. We take a sledgehammer, knockout

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<v Speaker 2>the plaster. Or in the gym? What's the matter of

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<v Speaker 2>walking in the front door?

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<v Speaker 1>Is too simple for us?

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<v Speaker 2>We gotta make it a big production. Look, we knock

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<v Speaker 2>out the wall. We're in back of the cashier's cage.

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<v Speaker 2>We can see that they don't put their foot on

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<v Speaker 2>the button. We make a cleaner getaway. Hey, what about

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<v Speaker 2>the guy that runs the gift shop? What's he gonna do?

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<v Speaker 2>He's gonna stand around and help us. We'll take care

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<v Speaker 2>of him. A and and his customers.

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<v Speaker 1>Who's gonna take care of them?

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<v Speaker 2>There won't be any customer. Nah, the shape will be down,

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<v Speaker 2>there'll be a nice sign closed, and a kind of

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<v Speaker 2>death in the family. Nick, why it's half to nine.

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<v Speaker 2>It's five alfter nine? Okay, it's five after nine. Just

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<v Speaker 2>keep your head down.

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<v Speaker 7>When is he coming?

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<v Speaker 2>What do you think? He's a railroad conductor. He can

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<v Speaker 2>be five minutes late. He owns a store. Yeah, and

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<v Speaker 2>for just that reason. He ain't gonna like the hole

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<v Speaker 2>we cutt in this wall. Shut up with your henry,

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<v Speaker 2>get mere right and what is it?

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<v Speaker 1>Yeah?

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<v Speaker 2>Sure be down by the last layer of plaster. Don't

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<v Speaker 2>worry about it. One good wall for the slutch handleway through.

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<v Speaker 2>They think it's men for Mars, Mars. If this is Mars,

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<v Speaker 2>or there's a guy there, okay, we jumping as soon

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<v Speaker 2>as he gets inside, get it here.

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<v Speaker 1>Shut out.

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<v Speaker 2>You gotta come here, you he said, come in, don't

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<v Speaker 2>you wise, don't you We won't shoot it was neat

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<v Speaker 2>nick na set up in the names. I come back

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<v Speaker 2>and get 'em time. Yeah, come on, go on, do

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<v Speaker 2>it yourself. He won't give you any trouble. He's heavy.

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<v Speaker 7>What's your out with you?

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<v Speaker 2>We gotta work this thing out her.

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<v Speaker 7>Come on you shut you gotta.

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<v Speaker 2>Get the sign up. Okay, by the way, wait a minute.

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<v Speaker 2>What the money truck pulls up at eleven o'clock, Well,

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<v Speaker 2>then you you go outside and waite for it. Uh,

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<v Speaker 2>sell themost two hours go outside and wait in the

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<v Speaker 2>street and give me the eye sign when the money

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<v Speaker 2>truck pulls away.

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<v Speaker 1>Okay, boys, it's okay.

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<v Speaker 2>Left it, yeah, sure, left it down. What do you

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<v Speaker 2>say when we waiting for it? I shoot your back? Then?

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<v Speaker 2>Oh he ain't going no plane? Okay, grandma, let me

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<v Speaker 2>slench it all right, I got mine, I stand back.

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<v Speaker 2>Get easy, but yeah, get on that side. Yeah, if

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<v Speaker 2>you want to send right time set Okay, I want

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<v Speaker 2>to give the word.

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<v Speaker 1>Both of you.

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<v Speaker 7>Knock out the wall.

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<v Speaker 2>I'll jump through with the gun and you can run

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<v Speaker 2>after him. Yeah, yeah, come on, come on, give the

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<v Speaker 2>wood set Harry. I'm sad, okay, not get thrown.

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<v Speaker 1>Yeah, you know.

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<v Speaker 7>I'm gonna get upon.

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<v Speaker 5>Lady.

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<v Speaker 6>Can you put away?

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<v Speaker 2>Then?

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<v Speaker 6>Come it? That's it down the back?

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<v Speaker 2>You bet your boot?

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<v Speaker 6>Okay, on you move to the back.

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<v Speaker 2>God move, I'm on, come on, all.

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<v Speaker 7>Right, in a closet, all of it getting there with him?

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<v Speaker 2>You shut it all right?

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<v Speaker 1>Lock it?

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<v Speaker 2>Yeah? They got that?

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<v Speaker 1>Do Yeah?

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<v Speaker 2>Come on, I'm on, let's go.

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<v Speaker 6>Well or does it come to neck?

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<v Speaker 2>Let me? He added, when you're in two m yeah,

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<v Speaker 2>fourteen thousand, three hundred and thirty two and some change.

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<v Speaker 2>Who needs a change? Come on, cut it up. Why

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<v Speaker 2>don't you wait for Harry to get back from dumping

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<v Speaker 2>a car? He didn't get his You take it and

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<v Speaker 2>you cut it three ways, just a second? Where you go?

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<v Speaker 2>It gets a second? Dalla mana, yeah, I Nick, come

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<v Speaker 2>here matter?

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<v Speaker 1>Wait him?

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<v Speaker 2>Sure, Nick, that's the matter. Come on, come on, what's

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<v Speaker 2>the idea? Nick? Telling my mom? How'd you like to

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<v Speaker 2>make a first s? You know this is a real morning.

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<v Speaker 1>What do you think it is?

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<v Speaker 2>Jelly beans? Listened?

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<v Speaker 1>Valla mama?

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<v Speaker 2>When Harry gets back here, someing things got awfully hot.

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<v Speaker 2>A couple of cops are around. Uh huh, redden me.

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<v Speaker 2>We flew the bout cell and then he should wait

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<v Speaker 2>until the morrow morning and give me a ring on

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<v Speaker 2>the telephone. Okay, poor Nick, you'll once just seeen. Sure

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<v Speaker 2>they'll never mind. Why give her a hundred Renny? Okay, Fy,

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<v Speaker 2>what do you take the one hundred and tell Harry? Huh? Okay, Nick,

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<v Speaker 2>if you say one hundred, hey, I.

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<v Speaker 7>Twenty forty.

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<v Speaker 2>Go on, Bella mama, get out front.

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<v Speaker 5>Sure you want a spotch sheet?

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<v Speaker 3>Ready?

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<v Speaker 1>Yeah?

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<v Speaker 2>Then he ain't got time for horses today. Go on,

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<v Speaker 2>Bella Mama, Yeah, I'm going what's the pitch?

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<v Speaker 1>Nick?

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<v Speaker 2>Harry's good for cutting hair, but he wouldn't know what

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<v Speaker 2>to do with this kind of dough. He worked in

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<v Speaker 2>me he's got his slice coming. Don't seven grand sound

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<v Speaker 2>better to you than four and a half? A little better?

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<v Speaker 2>Harry won't be so pleased. Well, style on my mom,

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<v Speaker 2>I got another job just like this. When it's all set,

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<v Speaker 2>you could use his help. Then they kiss off. Look, kid,

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<v Speaker 2>you do this to Harry, maybe you got me in

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<v Speaker 2>the and now don't give me that now a red business.

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<v Speaker 2>I know how you are with the buck. They cut

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<v Speaker 2>it half in two right now, there's plenty cut it

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<v Speaker 2>happened too right now, Okay, if you want it that way, yeah,

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<v Speaker 2>I want it that way. What happens about Harry when

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<v Speaker 2>he wises up in Somati? You don't think there's enough

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<v Speaker 2>water in the leak? Yeah? Yeah, I guess there's plenty.

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<v Speaker 2>But we need him on the other jobs that we storm. Okay, man, yeah, okay,

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<v Speaker 2>come on, let's split it half in two, so dawn.

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<v Speaker 2>Within an hour after this sensational robbery, the ring leaders

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<v Speaker 2>were already planning to dispose of the weakest member of

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<v Speaker 2>the gang and share the money between themselves. But what

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<v Speaker 2>criminals consider a weak link often proves the strongest wedge

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<v Speaker 2>for investigating authorities. Now back to Gangbusters, Lieutenant McGrath you

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<v Speaker 2>were telling us that a gang of bandits led by

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<v Speaker 2>nick Lecoco held up a Chicago currency exchange and robbed

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<v Speaker 2>it of a large sum of money. That's right, Don,

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<v Speaker 2>and the first move of the police was to thoroughly

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<v Speaker 2>question the witnesses in the case for information that might

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<v Speaker 2>lead to an identification of these men. The next morning,

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<v Speaker 2>Captain Rogers and the Chicago detectives went to the hospital

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<v Speaker 2>where the gift shop proprietor was taken for treatment as

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<v Speaker 2>a result of the blow on the head he'd received.

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<v Speaker 2>While the victim rested, Captain Rogers sat alongside his bed,

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<v Speaker 2>attempting to get facts that would be valuable in the investigation.

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<v Speaker 4>Now, mister Kline, how much of a look did you

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<v Speaker 4>get at these men?

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<v Speaker 1>Not much at all.

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<v Speaker 7>I'm afraid they hit me almost soon as I walked

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<v Speaker 7>into this store.

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<v Speaker 4>Would you be able to recognize any of them if

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<v Speaker 4>you saw them again?

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<v Speaker 2>The one that dragged me him back, I don't think

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<v Speaker 2>i'd recognized his face, but when he was pulling me,

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<v Speaker 2>I did notice something. Oh what he thought I was

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<v Speaker 2>unconscious and I wanted him to think I was so

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<v Speaker 2>he wouldn't hit me again. But when he was dragging me.

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<v Speaker 2>I noticed he had a tattoo on his arm.

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<v Speaker 4>Huh, a witch arm.

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<v Speaker 2>Let's see now he's pulling me backwards. He had, Yes,

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<v Speaker 2>it was right on between the wrist the ol bow.

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<v Speaker 4>Do you remember what kind of a tattoo it was?

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<v Speaker 7>Mister klein was a girl.

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<v Speaker 2>I think the bathing beauty. Are you sure of that? Oh,

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<v Speaker 2>I'm pretty sure it can't.

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<v Speaker 1>Oh.

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<v Speaker 4>I think this will be a lot of help to us,

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<v Speaker 4>mister Kleine. If anything turns up, we'll be in touch

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<v Speaker 4>with you.

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<v Speaker 5>Hello, bellamma, Oh hello, all right, Say it's not safe here.

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<v Speaker 2>Look, I don't care what's safe anymore. I'm trying to

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<v Speaker 2>locate Mick.

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<v Speaker 5>Well, I didn't see him since yesterday, not since the

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<v Speaker 5>cops was round you.

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<v Speaker 2>You didn't call him at the hotel?

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<v Speaker 1>Yeah, I called him, but he ain't there.

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<v Speaker 2>I I gotta get in touch with him. He's got

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<v Speaker 2>something of mine, you know, Harry.

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<v Speaker 7>I like to help you, but I don't know nothing.

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<v Speaker 2>Okay, give me a change for a quarter. I'll try

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<v Speaker 2>to call him again.

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<v Speaker 1>Sure you uh ain't seen read either, No, neither of them.

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<v Speaker 6>Listen, alright, the cops with here.

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<v Speaker 2>You'll get in through it. Give me it.

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<v Speaker 1>Change, sure, I'll try him once more.

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<v Speaker 2>Where you like that, I'll get it. Okay, Hello, Bella Mama's.

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<v Speaker 7>Let me talk to Bella Mamas.

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<v Speaker 1>Just Nick, Harry.

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<v Speaker 2>Yeah, it's Harry.

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<v Speaker 7>I've been trying to reach you all over.

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<v Speaker 2>What do you think I've been trying to do?

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<v Speaker 3>I want my dough right, and.

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<v Speaker 2>Maybe we had to fly.

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<v Speaker 7>We think we're hot. We spent last night and tacked.

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<v Speaker 2>The key and you had to leave me. Well, listen,

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<v Speaker 2>I need the dough. Where can I meet you? We

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<v Speaker 2>decided to pull another chap tomorrow and see the grown.

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<v Speaker 7>Don't pick up tonight. You don't know where?

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00:13:38.000 --> 00:13:38.840
<v Speaker 2>Yeah, I know where?

285
00:13:38.919 --> 00:13:39.759
<v Speaker 7>But what about now?

286
00:13:39.919 --> 00:13:40.759
<v Speaker 1>I want my end.

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00:13:40.840 --> 00:13:42.039
<v Speaker 7>You'll get it, you'll get it.

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<v Speaker 2>We take what we get tomorrow.

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<v Speaker 7>We had it together and split a bottle business.

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<v Speaker 2>But I need it now. Be there a night. We'll

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00:13:47.799 --> 00:13:49.960
<v Speaker 2>talk about it. What's the talk about it?

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<v Speaker 7>You'll be there.

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<v Speaker 2>Come on, Nick, let's start splitting up the dough right now.

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<v Speaker 2>This is the second in my job. Llry. Right now,

295
00:14:01.279 --> 00:14:03.480
<v Speaker 2>we got more to think about than splitting up. There's

296
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<v Speaker 2>a million cops in the neighborhood. Traffic's pretty bad, right,

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00:14:07.080 --> 00:14:09.559
<v Speaker 2>I think good? Well, look, this is the second job.

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00:14:09.639 --> 00:14:11.480
<v Speaker 2>I broke my back over and I ain't seen a

299
00:14:11.600 --> 00:14:15.440
<v Speaker 2>dollar yet. Pull over right quick? Yeah, what's not listen,

300
00:14:15.480 --> 00:14:17.919
<v Speaker 2>marry the traffic's having three guys in the car. Loups,

301
00:14:17.960 --> 00:14:20.279
<v Speaker 2>there I go one. You take the street cut of all?

302
00:14:20.320 --> 00:14:22.799
<v Speaker 2>Omama's out caught? How way I make it snappy? Will

303
00:14:22.840 --> 00:14:24.240
<v Speaker 2>every cop and town is headed his way?

304
00:14:24.840 --> 00:14:26.320
<v Speaker 1>Okay, give me this score.

305
00:14:26.679 --> 00:14:29.080
<v Speaker 2>I'll take it to Bellamar Canet going when we can't

306
00:14:29.159 --> 00:14:33.120
<v Speaker 2>stand here, come on, I'll phone Inn an hour. Okay,

307
00:14:33.440 --> 00:14:39.039
<v Speaker 2>but be sure you do. We'll phone tomorrow right right.

308
00:14:39.679 --> 00:14:41.799
<v Speaker 2>He'll never want to talk on the phone again.

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00:14:51.720 --> 00:14:54.720
<v Speaker 6>Yep, cash here made an identification the guy with the tattoo.

310
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<v Speaker 2>Huh yep, she nailed one.

311
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<v Speaker 6>Picture immediately, Harry Wagner, this one.

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<v Speaker 1>Good, good works.

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<v Speaker 4>Sargeants. Have you got a line on this present?

314
00:15:01.679 --> 00:15:02.159
<v Speaker 1>Whereabouts?

315
00:15:02.360 --> 00:15:03.559
<v Speaker 4>The record show is last day?

316
00:15:03.559 --> 00:15:03.960
<v Speaker 1>I just could.

317
00:15:04.039 --> 00:15:04.799
<v Speaker 2>Oh, I'll be right with.

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00:15:04.840 --> 00:15:10.000
<v Speaker 4>Your sergeant, Patan Rodgers. Oh where Cedar Grove?

319
00:15:11.200 --> 00:15:12.039
<v Speaker 2>Cedar Grove?

320
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<v Speaker 4>Okay, we'll get going out there.

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<v Speaker 1>See you. Come on, sergeant, watch another currency and.

322
00:15:18.120 --> 00:15:20.480
<v Speaker 2>Exchange stick up, same tunnel game. Let's get out there.

323
00:15:20.600 --> 00:15:21.320
<v Speaker 6>I'm right with you.

324
00:15:30.360 --> 00:15:33.919
<v Speaker 2>Hello, is this balle Mama's yeah it's you, Nick, Yeah,

325
00:15:34.000 --> 00:15:34.919
<v Speaker 2>it's me, Harry.

326
00:15:35.320 --> 00:15:36.519
<v Speaker 7>Where are you anyway?

327
00:15:36.679 --> 00:15:37.600
<v Speaker 2>Never mind? Where we?

328
00:15:37.799 --> 00:15:37.919
<v Speaker 1>Uh?

329
00:15:38.279 --> 00:15:38.559
<v Speaker 3>Listen?

330
00:15:38.639 --> 00:15:40.480
<v Speaker 7>Wait, can I meet you? I want my end?

331
00:15:40.759 --> 00:15:41.399
<v Speaker 2>What end?

332
00:15:42.240 --> 00:15:42.639
<v Speaker 4>What end?

333
00:15:42.679 --> 00:15:44.440
<v Speaker 7>Do you think the dove from those two June?

334
00:15:45.679 --> 00:15:45.840
<v Speaker 1>Hey?

335
00:15:46.039 --> 00:15:47.000
<v Speaker 7>What's going on?

336
00:15:47.440 --> 00:15:49.279
<v Speaker 2>That's too much money for you? Harry?

337
00:15:50.559 --> 00:15:53.039
<v Speaker 7>Listen there, I cut a right to my cut.

338
00:15:53.200 --> 00:15:55.480
<v Speaker 2>I'll give you all right to something else. I'll get

339
00:15:55.480 --> 00:15:58.840
<v Speaker 2>your things together and get out of town. Yeah, and

340
00:15:58.919 --> 00:15:59.879
<v Speaker 2>I found out that better for you.

341
00:16:01.320 --> 00:16:02.480
<v Speaker 7>They give me some of it.

342
00:16:02.639 --> 00:16:04.440
<v Speaker 2>I kind of right, didn't you just hear me tell

343
00:16:04.480 --> 00:16:05.240
<v Speaker 2>you the blood of time.

344
00:16:06.759 --> 00:16:08.200
<v Speaker 7>I don't leave without my cut.

345
00:16:09.240 --> 00:16:12.720
<v Speaker 2>Okay, Harry, I'll send a couple of guys over to

346
00:16:12.840 --> 00:16:13.120
<v Speaker 2>see you.

347
00:16:14.519 --> 00:16:15.440
<v Speaker 1>What for?

348
00:16:15.600 --> 00:16:17.159
<v Speaker 2>Do you think you're gonna get pushed?

349
00:16:19.240 --> 00:16:21.720
<v Speaker 7>I said, no, guys, I'll get it. I'll just give

350
00:16:21.759 --> 00:16:23.600
<v Speaker 7>me a chance to go home and get my stuff

351
00:16:23.639 --> 00:16:23.960
<v Speaker 7>to get it.

352
00:16:24.039 --> 00:16:24.799
<v Speaker 6>I'll give you nothing.

353
00:16:27.279 --> 00:16:29.519
<v Speaker 2>Well run. You like the way I handle it?

354
00:16:30.039 --> 00:16:30.679
<v Speaker 7>Not too well?

355
00:16:30.799 --> 00:16:32.759
<v Speaker 2>No, you think you coulda done better? You got his

356
00:16:32.919 --> 00:16:35.440
<v Speaker 2>cut while scared of the death. He might want another

357
00:16:35.480 --> 00:16:38.799
<v Speaker 2>free haircut sometime. The more he's scared the fasties out

358
00:16:38.840 --> 00:16:42.960
<v Speaker 2>of time, Nick hero one day with Harry, I just

359
00:16:43.039 --> 00:16:45.320
<v Speaker 2>think twice before you try something like that on me.

360
00:16:49.159 --> 00:16:52.679
<v Speaker 2>Open up, Harry up, Let's push the door in, Sergeant.

361
00:16:52.679 --> 00:16:54.000
<v Speaker 6>Looks like that's the only way we'll get in, and

362
00:16:54.039 --> 00:16:54.440
<v Speaker 6>he's got it.

363
00:16:54.480 --> 00:17:04.359
<v Speaker 2>Bulleted me inside, all right together once more, Skiffin. Then okay, Harry.

364
00:17:04.960 --> 00:17:07.880
<v Speaker 6>Must be around some place in the closet.

365
00:17:10.000 --> 00:17:10.559
<v Speaker 2>Watch him out.

366
00:17:11.480 --> 00:17:13.400
<v Speaker 4>Okay, Harry, come out of that closet.

367
00:17:15.079 --> 00:17:16.599
<v Speaker 6>Come out of there. We'll shoot through the door.

368
00:17:17.839 --> 00:17:25.839
<v Speaker 2>Come on now, listen, right, guys, Please don't get out

369
00:17:25.839 --> 00:17:27.599
<v Speaker 2>of town. Tell me if you can keep my cut,

370
00:17:27.640 --> 00:17:30.559
<v Speaker 2>I'll get out of No, tell me. I don't want

371
00:17:30.559 --> 00:17:35.480
<v Speaker 2>to get pushed. I'll get out. You can have you

372
00:17:35.599 --> 00:17:37.680
<v Speaker 2>can have my end. You're end of what Harry?

373
00:17:38.480 --> 00:17:39.640
<v Speaker 4>The tunnel jobs.

374
00:17:40.960 --> 00:17:45.680
<v Speaker 2>You? Who are you? Guys? He didn't send you Diddy?

375
00:17:46.680 --> 00:17:47.200
<v Speaker 1>Your law?

376
00:17:47.799 --> 00:17:49.000
<v Speaker 4>Yeah, Harry, we're law.

377
00:17:50.000 --> 00:17:55.640
<v Speaker 2>What were you saying about Nick? Nick? Nick? I? I

378
00:17:55.720 --> 00:17:59.200
<v Speaker 2>don't know any such guy. Nick, Well, you don't know.

379
00:18:00.440 --> 00:18:03.240
<v Speaker 2>Come on, let's go down town. We'll see how much

380
00:18:03.319 --> 00:18:10.240
<v Speaker 2>you do now, Red.

381
00:18:11.920 --> 00:18:13.400
<v Speaker 6>Hell Nick, how are you doing?

382
00:18:13.680 --> 00:18:14.160
<v Speaker 4>Surnama?

383
00:18:14.400 --> 00:18:17.759
<v Speaker 2>Thanks? Hey buying the drinks. You've got plenty of dolls.

384
00:18:18.119 --> 00:18:20.039
<v Speaker 2>So if you listen for the last time, don't make

385
00:18:20.079 --> 00:18:22.920
<v Speaker 2>any more cracks. About me being tight with it out Okay, okay,

386
00:18:23.160 --> 00:18:27.880
<v Speaker 2>forget it. Yeah you hear anything from Harry now as

387
00:18:27.920 --> 00:18:31.000
<v Speaker 2>you he's the left town. Okay. So now I said,

388
00:18:31.680 --> 00:18:34.119
<v Speaker 2>look bad, I got another guy lined up and another

389
00:18:34.279 --> 00:18:36.359
<v Speaker 2>job prettier than the last two. What do we do

390
00:18:36.440 --> 00:18:40.079
<v Speaker 2>with the other guy at the job? Something like Harry maybe?

391
00:18:40.799 --> 00:18:45.279
<v Speaker 2>Or is it me this time? I'll just watch your step, Nick, Harry,

392
00:18:45.319 --> 00:18:50.240
<v Speaker 2>And there entirely different guys more ways than one. Hey

393
00:18:50.319 --> 00:19:07.960
<v Speaker 2>bot tenners over here, Well, captain, I'd say, Harry don't

394
00:19:07.960 --> 00:19:10.319
<v Speaker 2>know any more. And he's told us nothing I'm doing

395
00:19:10.359 --> 00:19:11.960
<v Speaker 2>on that hotel address he gave for Nick U.

396
00:19:12.319 --> 00:19:17.000
<v Speaker 6>Now Nick checked out three days ago and read him too, And.

397
00:19:17.039 --> 00:19:18.920
<v Speaker 4>I don't like guess Bella Mamma's candy store is the

398
00:19:19.000 --> 00:19:19.319
<v Speaker 4>only bet.

399
00:19:19.440 --> 00:19:19.599
<v Speaker 1>Huh.

400
00:19:20.000 --> 00:19:20.759
<v Speaker 4>But it's a good bet.

401
00:19:21.279 --> 00:19:23.759
<v Speaker 2>Okay, keep a set up on the place. One of

402
00:19:23.799 --> 00:19:25.680
<v Speaker 2>them's bound to show up there sooner or later, from

403
00:19:25.799 --> 00:19:28.440
<v Speaker 2>force of habit of nothing else. When one shows up,

404
00:19:28.720 --> 00:19:32.799
<v Speaker 2>he'll lead us to the other. Now back to Gangbusters.

405
00:19:40.960 --> 00:19:45.880
<v Speaker 5>Oh go on, Oh Red, alright, you don't like Bella

406
00:19:45.960 --> 00:19:46.640
<v Speaker 5>Mamma no more?

407
00:19:47.000 --> 00:19:47.119
<v Speaker 1>Uh?

408
00:19:47.119 --> 00:19:48.119
<v Speaker 6>I love you, Bella Mamma.

409
00:19:48.119 --> 00:19:48.920
<v Speaker 2>I love you like a mother.

410
00:19:49.279 --> 00:19:50.319
<v Speaker 5>I don't see you no more.

411
00:19:50.559 --> 00:19:51.359
<v Speaker 1>Eh, you know how things?

412
00:19:51.440 --> 00:19:52.720
<v Speaker 2>Uh? I got a fast mottling business.

413
00:19:54.000 --> 00:19:54.599
<v Speaker 7>How's uh?

414
00:19:55.200 --> 00:19:57.640
<v Speaker 2>How's a nick lice? Fine? I visually gets the more

415
00:19:57.680 --> 00:20:02.880
<v Speaker 2>worried he gets about breaking a dollar and Harry. Well,

416
00:20:03.400 --> 00:20:05.200
<v Speaker 2>I don't see Harry much anymore. Hey, you got a

417
00:20:05.279 --> 00:20:05.799
<v Speaker 2>raising for him?

418
00:20:05.920 --> 00:20:10.720
<v Speaker 5>She'll right help yourself over there by the couple on. Now, Mama,

419
00:20:10.759 --> 00:20:11.720
<v Speaker 5>don't play the horses.

420
00:20:12.200 --> 00:20:14.720
<v Speaker 2>That's the only thing I don't like about you. You

421
00:20:14.880 --> 00:20:26.599
<v Speaker 2>remind me too much of Nicky. They keep the change. Hey, Mick, Uh,

422
00:20:27.880 --> 00:20:30.400
<v Speaker 2>what's open? Will I met the job? Bread?

423
00:20:30.440 --> 00:20:30.880
<v Speaker 6>What do you think?

424
00:20:31.680 --> 00:20:34.920
<v Speaker 2>He's sure? Nothing else? What I mean? I just want

425
00:20:34.960 --> 00:20:37.640
<v Speaker 2>to tell you I got about twenty bucks in my

426
00:20:37.759 --> 00:20:41.599
<v Speaker 2>pocket and that's all. What's second to do with it? Plenty?

427
00:20:42.240 --> 00:20:43.960
<v Speaker 2>Did I get an idea? You're gonna get me out

428
00:20:44.000 --> 00:20:44.759
<v Speaker 2>there and pull a gun?

429
00:20:45.079 --> 00:20:45.240
<v Speaker 1>Now?

430
00:20:45.640 --> 00:20:48.039
<v Speaker 2>Red, don't now read me. You don't think I'm toping

431
00:20:48.119 --> 00:20:49.519
<v Speaker 2>up the car around at ten grand with me?

432
00:20:49.559 --> 00:20:49.720
<v Speaker 1>Do you?

433
00:20:50.000 --> 00:20:53.720
<v Speaker 2>I'd told you this is a job tonight. Okay, Pardner,

434
00:20:53.920 --> 00:20:56.880
<v Speaker 2>this is a job tonight. Take the other bridge, right, Huh?

435
00:20:57.000 --> 00:20:59.319
<v Speaker 2>That's matter? I think of a van, Doug, Yeah, it's

436
00:20:59.359 --> 00:21:01.759
<v Speaker 2>a van in back the two guys hopshit thinks. Hold on,

437
00:21:01.839 --> 00:21:07.160
<v Speaker 2>we'll find that they're staying with us, said son.

438
00:21:07.799 --> 00:21:10.200
<v Speaker 6>Give him all ready, not a lot of traffic, and.

439
00:21:10.319 --> 00:21:13.240
<v Speaker 2>They comes, it's cops, all right, hold.

440
00:21:13.079 --> 00:21:15.279
<v Speaker 6>On, I'm gonna take your time. Watch it right, they're

441
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<v Speaker 6>gonna climb it.

442
00:21:20.240 --> 00:21:20.559
<v Speaker 2>Let's go.

443
00:21:21.960 --> 00:21:23.920
<v Speaker 6>Go on, hurry, please open and stay where you are.

444
00:21:24.079 --> 00:21:30.279
<v Speaker 2>Hint, oh, okay, cover, Okay, don't even do more. That's

445
00:21:30.279 --> 00:21:30.640
<v Speaker 2>the idea.

446
00:21:30.720 --> 00:21:31.200
<v Speaker 6>Take them down.

447
00:21:31.240 --> 00:21:34.119
<v Speaker 2>Sorry, now you keep your hands all right, that's more

448
00:21:34.240 --> 00:21:34.400
<v Speaker 2>like it.

449
00:21:34.519 --> 00:21:37.359
<v Speaker 6>Nick, I'm an onum captain. Accept that racing sheet from

450
00:21:37.359 --> 00:21:38.039
<v Speaker 6>bella Mama's.

451
00:21:38.200 --> 00:21:40.319
<v Speaker 4>Okay, go on, walk over to the sidewalk.

452
00:21:40.519 --> 00:21:51.599
<v Speaker 2>Oh on, walk, he said, And that dawn was the

453
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<v Speaker 2>end of this notorious gang of tunnel bandits. The ring

454
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<v Speaker 2>leaders are now serving maximum terms of forty years each

455
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<v Speaker 2>in the Illinois State Penitentiary at State Still Well, Thank you,

456
00:22:00.759 --> 00:22:03.960
<v Speaker 2>Lieutenant Thomas J. McGrath for this most enlightening case history

457
00:22:04.519 --> 00:22:07.480
<v Speaker 2>and Gangbuster's congratulations to all the members of the Chicago

458
00:22:07.519 --> 00:22:10.559
<v Speaker 2>Police Department who participated in the investigation leading to the

459
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<v Speaker 2>arrest and conviction of these dangerous criminals. Tonight's case was

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00:22:20.480 --> 00:22:24.480
<v Speaker 2>dramatized by Stanley Niss and directed by Ted Corday, with

461
00:22:24.720 --> 00:22:28.799
<v Speaker 2>Ted Decortia and Frank Reddick in leading roles. Don Gardner

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<v Speaker 2>speaking gangbusters as a phillips h Lord production