Speaker 1: And now gang Busters.
Speaker 2: Gangbusters presented in cooperation with police and federal law enforcement
Speaker 2: departments throughout the United States. The only national program that
Speaker 2: brings you authentic police case histories and night.
Speaker 3: Gangbusters presents the case of the Chicago federal gang would
Speaker 3: duck their way to it instolen currency until a ring
Speaker 3: leader's patient for saving an dollar lets them in the whole.
Speaker 2: Gangbusters has asked Lieutenant Thomas J. McGrath, retired of the
Speaker 2: Chicago Police Department, to narrate by proxy to a Night's case.
Speaker 2: Thank you, Don Gardner. But first, I'd like to mention
Speaker 2: that one of your Gangbusters listeners, a Missouri sheriff, just
Speaker 2: last Sunday he apprehended a murder suspect from Ohio whose
Speaker 2: description he had first heard on Gangbusters. I think that
Speaker 2: the sheriff and Gangbusters deserve a lot of credit for
Speaker 2: this latest assist to law enforcement.
Speaker 4: Well, thank you, Lieutenant McGrath.
Speaker 2: As a matter of fact, we hope to have the
Speaker 2: sheriff himself tell the story of this capture to our
Speaker 2: Gangbusters listeners on a later program. But now, how about
Speaker 2: tonight's case. Well done. This case had its beginnings in
Speaker 2: the city of Chicago, just about a year ago, on
Speaker 2: a cold, windy morning inside the candy store, she ran
Speaker 2: Bella Mama, as she was known, straightened the magazines left
Speaker 2: pored over by the kids who dropped in on the
Speaker 2: way to school to spend their nickels. Playing her punchboards.
Speaker 2: She heard a bell on the front door tinkle, and
Speaker 2: looked up to see a slightly built redhead man come
Speaker 2: in out of the coal. Uh.
Speaker 5: Lean, now, if you expect warm, go to Flora.
Speaker 2: It's coming. Don't worry, it's coming. You gotta scratch, he said,
Speaker 2: you know, eleven o'clock on the scrutchy.
Speaker 6: Hey, hey, I just straight.
Speaker 5: Out of the magazines.
Speaker 2: Keep your hands off, okay, okay, gotta do something waiting
Speaker 2: for Nick.
Speaker 5: Nick's here in the back.
Speaker 2: He told me he's gonna get a haircut.
Speaker 5: He's getting a haircut in the back.
Speaker 2: You're kidding.
Speaker 5: And Juliet, they teach Harry the Great to be barber,
Speaker 5: so Nick lets him practice and save a few cents.
Speaker 2: Yeah, don't make any difference that Harry Butcher save a
Speaker 2: few cents. That's important. Uh oh, it's important. Yeah, I know.
Speaker 2: In back and just tell you no, bring me a
Speaker 2: scratcheet when I get here, will you buy the moment? Hello? Nick?
Speaker 1: A man ran old your head still?
Speaker 2: Will your niggays through? Harry, I'm getting nervous, okay, your
Speaker 2: next thread? No thanks, what's the matter. I'm doing a
Speaker 2: beautiful job on Nick. You's get through and keep the
Speaker 2: hair from running down the back of my neck, so
Speaker 2: you'll take a bed. Stay careful about them, bess, Nick,
Speaker 2: they run up the water bills. You've got some objection
Speaker 2: to saving money and make big. I spend big A
Speaker 2: ten cent tip to a barber. I think nothing about it. Okay,
Speaker 2: you don't have to get wise. Is everything's sent sets
Speaker 2: at eleven? They're okay. I want to clean job'll steal
Speaker 2: the air. I don't spell it, the read the works.
Speaker 2: It's an easy mark neck fifteen or twenty thousand, no
Speaker 2: less how much you cut the hair. Okay, but after
Speaker 2: that haul, I'll throw the scissors right down. The sewer's
Speaker 2: haven't been and the money way. I can get there
Speaker 2: about eleven o'clock in the morning, maybe a few minutes sooner.
Speaker 2: A few minutes later, and the burger alarm. Two cashier's cages,
Speaker 2: foot button in each of'em.
Speaker 1: Foot button.
Speaker 2: Hey, that's not good? Cut their hair? Well, your guy
Speaker 2: can't even have an opinion around here? What about the
Speaker 2: gift shop next though? Yeah, that's the ticket, all right, Nick,
Speaker 2: it's the one man outfit. The guy opens up for
Speaker 2: business about nine in the morning. Okay, we do it
Speaker 2: that way. Well, we have any trouble getting in the
Speaker 2: gift shop, none that I can see, Nick, is a
Speaker 2: window in the alley. Two minutes with a jimmy and
Speaker 2: we're inside. Hey, what's the gift shop got to do
Speaker 2: with this? With taking the check, cash and outfit? What
Speaker 2: do we want with the gift shop? Then they say
Speaker 2: hair cut? Will you tell me what the gift shop
Speaker 2: has got to do with it?
Speaker 1: Now?
Speaker 2: Finish their haircut? I think that's the only thing I
Speaker 2: got to do with this is cut your hair. You
Speaker 2: know I got a stake in this thing too. You know,
Speaker 2: we got a burglar alund to worry about. We can't
Speaker 2: walk into the joint nice that Just like that, one
Speaker 2: of those cash heirs will step on the button. Well,
Speaker 2: what do you need the gift shop for? You tell him? Right,
Speaker 2: telling yourself, Well, somebody tell me. Look, we break in
Speaker 2: the gift shop the night before. So we go to
Speaker 2: work on the wall.
Speaker 1: What what war.
Speaker 2: Do you think? The war between the gift shop and
Speaker 2: the check cash and joint. Oh, we cut it down
Speaker 2: to a thin layer of plaster. The truck delivers the
Speaker 2: money bags, the truck goes. We take a sledgehammer, knockout
Speaker 2: the plaster. Or in the gym? What's the matter of
Speaker 2: walking in the front door?
Speaker 1: Is too simple for us?
Speaker 2: We gotta make it a big production. Look, we knock
Speaker 2: out the wall. We're in back of the cashier's cage.
Speaker 2: We can see that they don't put their foot on
Speaker 2: the button. We make a cleaner getaway. Hey, what about
Speaker 2: the guy that runs the gift shop? What's he gonna do?
Speaker 2: He's gonna stand around and help us. We'll take care
Speaker 2: of him. A and and his customers.
Speaker 1: Who's gonna take care of them?
Speaker 2: There won't be any customer. Nah, the shape will be down,
Speaker 2: there'll be a nice sign closed, and a kind of
Speaker 2: death in the family. Nick, why it's half to nine.
Speaker 2: It's five alfter nine? Okay, it's five after nine. Just
Speaker 2: keep your head down.
Speaker 7: When is he coming?
Speaker 2: What do you think? He's a railroad conductor. He can
Speaker 2: be five minutes late. He owns a store. Yeah, and
Speaker 2: for just that reason. He ain't gonna like the hole
Speaker 2: we cutt in this wall. Shut up with your henry,
Speaker 2: get mere right and what is it?
Speaker 1: Yeah?
Speaker 2: Sure be down by the last layer of plaster. Don't
Speaker 2: worry about it. One good wall for the slutch handleway through.
Speaker 2: They think it's men for Mars, Mars. If this is Mars,
Speaker 2: or there's a guy there, okay, we jumping as soon
Speaker 2: as he gets inside, get it here.
Speaker 1: Shut out.
Speaker 2: You gotta come here, you he said, come in, don't
Speaker 2: you wise, don't you We won't shoot it was neat
Speaker 2: nick na set up in the names. I come back
Speaker 2: and get 'em time. Yeah, come on, go on, do
Speaker 2: it yourself. He won't give you any trouble. He's heavy.
Speaker 7: What's your out with you?
Speaker 2: We gotta work this thing out her.
Speaker 7: Come on you shut you gotta.
Speaker 2: Get the sign up. Okay, by the way, wait a minute.
Speaker 2: What the money truck pulls up at eleven o'clock, Well,
Speaker 2: then you you go outside and waite for it. Uh,
Speaker 2: sell themost two hours go outside and wait in the
Speaker 2: street and give me the eye sign when the money
Speaker 2: truck pulls away.
Speaker 1: Okay, boys, it's okay.
Speaker 2: Left it, yeah, sure, left it down. What do you
Speaker 2: say when we waiting for it? I shoot your back? Then?
Speaker 2: Oh he ain't going no plane? Okay, grandma, let me
Speaker 2: slench it all right, I got mine, I stand back.
Speaker 2: Get easy, but yeah, get on that side. Yeah, if
Speaker 2: you want to send right time set Okay, I want
Speaker 2: to give the word.
Speaker 1: Both of you.
Speaker 7: Knock out the wall.
Speaker 2: I'll jump through with the gun and you can run
Speaker 2: after him. Yeah, yeah, come on, come on, give the
Speaker 2: wood set Harry. I'm sad, okay, not get thrown.
Speaker 1: Yeah, you know.
Speaker 7: I'm gonna get upon.
Speaker 5: Lady.
Speaker 6: Can you put away?
Speaker 2: Then?
Speaker 6: Come it? That's it down the back?
Speaker 2: You bet your boot?
Speaker 6: Okay, on you move to the back.
Speaker 2: God move, I'm on, come on, all.
Speaker 7: Right, in a closet, all of it getting there with him?
Speaker 2: You shut it all right?
Speaker 1: Lock it?
Speaker 2: Yeah? They got that?
Speaker 1: Do Yeah?
Speaker 2: Come on, I'm on, let's go.
Speaker 6: Well or does it come to neck?
Speaker 2: Let me? He added, when you're in two m yeah,
Speaker 2: fourteen thousand, three hundred and thirty two and some change.
Speaker 2: Who needs a change? Come on, cut it up. Why
Speaker 2: don't you wait for Harry to get back from dumping
Speaker 2: a car? He didn't get his You take it and
Speaker 2: you cut it three ways, just a second? Where you go?
Speaker 2: It gets a second? Dalla mana, yeah, I Nick, come
Speaker 2: here matter?
Speaker 1: Wait him?
Speaker 2: Sure, Nick, that's the matter. Come on, come on, what's
Speaker 2: the idea? Nick? Telling my mom? How'd you like to
Speaker 2: make a first s? You know this is a real morning.
Speaker 1: What do you think it is?
Speaker 2: Jelly beans? Listened?
Speaker 1: Valla mama?
Speaker 2: When Harry gets back here, someing things got awfully hot.
Speaker 2: A couple of cops are around. Uh huh, redden me.
Speaker 2: We flew the bout cell and then he should wait
Speaker 2: until the morrow morning and give me a ring on
Speaker 2: the telephone. Okay, poor Nick, you'll once just seeen. Sure
Speaker 2: they'll never mind. Why give her a hundred Renny? Okay, Fy,
Speaker 2: what do you take the one hundred and tell Harry? Huh? Okay, Nick,
Speaker 2: if you say one hundred, hey, I.
Speaker 7: Twenty forty.
Speaker 2: Go on, Bella mama, get out front.
Speaker 5: Sure you want a spotch sheet?
Speaker 3: Ready?
Speaker 1: Yeah?
Speaker 2: Then he ain't got time for horses today. Go on,
Speaker 2: Bella Mama, Yeah, I'm going what's the pitch?
Speaker 1: Nick?
Speaker 2: Harry's good for cutting hair, but he wouldn't know what
Speaker 2: to do with this kind of dough. He worked in
Speaker 2: me he's got his slice coming. Don't seven grand sound
Speaker 2: better to you than four and a half? A little better?
Speaker 2: Harry won't be so pleased. Well, style on my mom,
Speaker 2: I got another job just like this. When it's all set,
Speaker 2: you could use his help. Then they kiss off. Look, kid,
Speaker 2: you do this to Harry, maybe you got me in
Speaker 2: the and now don't give me that now a red business.
Speaker 2: I know how you are with the buck. They cut
Speaker 2: it half in two right now, there's plenty cut it
Speaker 2: happened too right now, Okay, if you want it that way, yeah,
Speaker 2: I want it that way. What happens about Harry when
Speaker 2: he wises up in Somati? You don't think there's enough
Speaker 2: water in the leak? Yeah? Yeah, I guess there's plenty.
Speaker 2: But we need him on the other jobs that we storm. Okay, man, yeah, okay,
Speaker 2: come on, let's split it half in two, so dawn.
Speaker 2: Within an hour after this sensational robbery, the ring leaders
Speaker 2: were already planning to dispose of the weakest member of
Speaker 2: the gang and share the money between themselves. But what
Speaker 2: criminals consider a weak link often proves the strongest wedge
Speaker 2: for investigating authorities. Now back to Gangbusters, Lieutenant McGrath you
Speaker 2: were telling us that a gang of bandits led by
Speaker 2: nick Lecoco held up a Chicago currency exchange and robbed
Speaker 2: it of a large sum of money. That's right, Don,
Speaker 2: and the first move of the police was to thoroughly
Speaker 2: question the witnesses in the case for information that might
Speaker 2: lead to an identification of these men. The next morning,
Speaker 2: Captain Rogers and the Chicago detectives went to the hospital
Speaker 2: where the gift shop proprietor was taken for treatment as
Speaker 2: a result of the blow on the head he'd received.
Speaker 2: While the victim rested, Captain Rogers sat alongside his bed,
Speaker 2: attempting to get facts that would be valuable in the investigation.
Speaker 4: Now, mister Kline, how much of a look did you
Speaker 4: get at these men?
Speaker 1: Not much at all.
Speaker 7: I'm afraid they hit me almost soon as I walked
Speaker 7: into this store.
Speaker 4: Would you be able to recognize any of them if
Speaker 4: you saw them again?
Speaker 2: The one that dragged me him back, I don't think
Speaker 2: i'd recognized his face, but when he was pulling me,
Speaker 2: I did notice something. Oh what he thought I was
Speaker 2: unconscious and I wanted him to think I was so
Speaker 2: he wouldn't hit me again. But when he was dragging me.
Speaker 2: I noticed he had a tattoo on his arm.
Speaker 4: Huh, a witch arm.
Speaker 2: Let's see now he's pulling me backwards. He had, Yes,
Speaker 2: it was right on between the wrist the ol bow.
Speaker 4: Do you remember what kind of a tattoo it was?
Speaker 7: Mister klein was a girl.
Speaker 2: I think the bathing beauty. Are you sure of that? Oh,
Speaker 2: I'm pretty sure it can't.
Speaker 1: Oh.
Speaker 4: I think this will be a lot of help to us,
Speaker 4: mister Kleine. If anything turns up, we'll be in touch
Speaker 4: with you.
Speaker 5: Hello, bellamma, Oh hello, all right, Say it's not safe here.
Speaker 2: Look, I don't care what's safe anymore. I'm trying to
Speaker 2: locate Mick.
Speaker 5: Well, I didn't see him since yesterday, not since the
Speaker 5: cops was round you.
Speaker 2: You didn't call him at the hotel?
Speaker 1: Yeah, I called him, but he ain't there.
Speaker 2: I I gotta get in touch with him. He's got
Speaker 2: something of mine, you know, Harry.
Speaker 7: I like to help you, but I don't know nothing.
Speaker 2: Okay, give me a change for a quarter. I'll try
Speaker 2: to call him again.
Speaker 1: Sure you uh ain't seen read either, No, neither of them.
Speaker 6: Listen, alright, the cops with here.
Speaker 2: You'll get in through it. Give me it.
Speaker 1: Change, sure, I'll try him once more.
Speaker 2: Where you like that, I'll get it. Okay, Hello, Bella Mama's.
Speaker 7: Let me talk to Bella Mamas.
Speaker 1: Just Nick, Harry.
Speaker 2: Yeah, it's Harry.
Speaker 7: I've been trying to reach you all over.
Speaker 2: What do you think I've been trying to do?
Speaker 3: I want my dough right, and.
Speaker 2: Maybe we had to fly.
Speaker 7: We think we're hot. We spent last night and tacked.
Speaker 2: The key and you had to leave me. Well, listen,
Speaker 2: I need the dough. Where can I meet you? We
Speaker 2: decided to pull another chap tomorrow and see the grown.
Speaker 7: Don't pick up tonight. You don't know where?
Speaker 2: Yeah, I know where?
Speaker 7: But what about now?
Speaker 1: I want my end.
Speaker 7: You'll get it, you'll get it.
Speaker 2: We take what we get tomorrow.
Speaker 7: We had it together and split a bottle business.
Speaker 2: But I need it now. Be there a night. We'll
Speaker 2: talk about it. What's the talk about it?
Speaker 7: You'll be there.
Speaker 2: Come on, Nick, let's start splitting up the dough right now.
Speaker 2: This is the second in my job. Llry. Right now,
Speaker 2: we got more to think about than splitting up. There's
Speaker 2: a million cops in the neighborhood. Traffic's pretty bad, right,
Speaker 2: I think good? Well, look, this is the second job.
Speaker 2: I broke my back over and I ain't seen a
Speaker 2: dollar yet. Pull over right quick? Yeah, what's not listen,
Speaker 2: marry the traffic's having three guys in the car. Loups,
Speaker 2: there I go one. You take the street cut of all?
Speaker 2: Omama's out caught? How way I make it snappy? Will
Speaker 2: every cop and town is headed his way?
Speaker 1: Okay, give me this score.
Speaker 2: I'll take it to Bellamar Canet going when we can't
Speaker 2: stand here, come on, I'll phone Inn an hour. Okay,
Speaker 2: but be sure you do. We'll phone tomorrow right right.
Speaker 2: He'll never want to talk on the phone again.
Speaker 6: Yep, cash here made an identification the guy with the tattoo.
Speaker 2: Huh yep, she nailed one.
Speaker 6: Picture immediately, Harry Wagner, this one.
Speaker 1: Good, good works.
Speaker 4: Sargeants. Have you got a line on this present?
Speaker 1: Whereabouts?
Speaker 4: The record show is last day?
Speaker 1: I just could.
Speaker 2: Oh, I'll be right with.
Speaker 4: Your sergeant, Patan Rodgers. Oh where Cedar Grove?
Speaker 2: Cedar Grove?
Speaker 4: Okay, we'll get going out there.
Speaker 1: See you. Come on, sergeant, watch another currency and.
Speaker 2: Exchange stick up, same tunnel game. Let's get out there.
Speaker 6: I'm right with you.
Speaker 2: Hello, is this balle Mama's yeah it's you, Nick, Yeah,
Speaker 2: it's me, Harry.
Speaker 7: Where are you anyway?
Speaker 2: Never mind? Where we?
Speaker 1: Uh?
Speaker 3: Listen?
Speaker 7: Wait, can I meet you? I want my end?
Speaker 2: What end?
Speaker 4: What end?
Speaker 7: Do you think the dove from those two June?
Speaker 1: Hey?
Speaker 7: What's going on?
Speaker 2: That's too much money for you? Harry?
Speaker 7: Listen there, I cut a right to my cut.
Speaker 2: I'll give you all right to something else. I'll get
Speaker 2: your things together and get out of town. Yeah, and
Speaker 2: I found out that better for you.
Speaker 7: They give me some of it.
Speaker 2: I kind of right, didn't you just hear me tell
Speaker 2: you the blood of time.
Speaker 7: I don't leave without my cut.
Speaker 2: Okay, Harry, I'll send a couple of guys over to
Speaker 2: see you.
Speaker 1: What for?
Speaker 2: Do you think you're gonna get pushed?
Speaker 7: I said, no, guys, I'll get it. I'll just give
Speaker 7: me a chance to go home and get my stuff
Speaker 7: to get it.
Speaker 6: I'll give you nothing.
Speaker 2: Well run. You like the way I handle it?
Speaker 7: Not too well?
Speaker 2: No, you think you coulda done better? You got his
Speaker 2: cut while scared of the death. He might want another
Speaker 2: free haircut sometime. The more he's scared the fasties out
Speaker 2: of time, Nick hero one day with Harry, I just
Speaker 2: think twice before you try something like that on me.
Speaker 2: Open up, Harry up, Let's push the door in, Sergeant.
Speaker 6: Looks like that's the only way we'll get in, and
Speaker 6: he's got it.
Speaker 2: Bulleted me inside, all right together once more, Skiffin. Then okay, Harry.
Speaker 6: Must be around some place in the closet.
Speaker 2: Watch him out.
Speaker 4: Okay, Harry, come out of that closet.
Speaker 6: Come out of there. We'll shoot through the door.
Speaker 2: Come on now, listen, right, guys, Please don't get out
Speaker 2: of town. Tell me if you can keep my cut,
Speaker 2: I'll get out of No, tell me. I don't want
Speaker 2: to get pushed. I'll get out. You can have you
Speaker 2: can have my end. You're end of what Harry?
Speaker 4: The tunnel jobs.
Speaker 2: You? Who are you? Guys? He didn't send you Diddy?
Speaker 1: Your law?
Speaker 4: Yeah, Harry, we're law.
Speaker 2: What were you saying about Nick? Nick? Nick? I? I
Speaker 2: don't know any such guy. Nick, Well, you don't know.
Speaker 2: Come on, let's go down town. We'll see how much
Speaker 2: you do now, Red.
Speaker 6: Hell Nick, how are you doing?
Speaker 4: Surnama?
Speaker 2: Thanks? Hey buying the drinks. You've got plenty of dolls.
Speaker 2: So if you listen for the last time, don't make
Speaker 2: any more cracks. About me being tight with it out Okay, okay,
Speaker 2: forget it. Yeah you hear anything from Harry now as
Speaker 2: you he's the left town. Okay. So now I said,
Speaker 2: look bad, I got another guy lined up and another
Speaker 2: job prettier than the last two. What do we do
Speaker 2: with the other guy at the job? Something like Harry maybe?
Speaker 2: Or is it me this time? I'll just watch your step, Nick, Harry,
Speaker 2: And there entirely different guys more ways than one. Hey
Speaker 2: bot tenners over here, Well, captain, I'd say, Harry don't
Speaker 2: know any more. And he's told us nothing I'm doing
Speaker 2: on that hotel address he gave for Nick U.
Speaker 6: Now Nick checked out three days ago and read him too, And.
Speaker 4: I don't like guess Bella Mamma's candy store is the
Speaker 4: only bet.
Speaker 1: Huh.
Speaker 4: But it's a good bet.
Speaker 2: Okay, keep a set up on the place. One of
Speaker 2: them's bound to show up there sooner or later, from
Speaker 2: force of habit of nothing else. When one shows up,
Speaker 2: he'll lead us to the other. Now back to Gangbusters.
Speaker 5: Oh go on, Oh Red, alright, you don't like Bella
Speaker 5: Mamma no more?
Speaker 1: Uh?
Speaker 6: I love you, Bella Mamma.
Speaker 2: I love you like a mother.
Speaker 5: I don't see you no more.
Speaker 1: Eh, you know how things?
Speaker 2: Uh? I got a fast mottling business.
Speaker 7: How's uh?
Speaker 2: How's a nick lice? Fine? I visually gets the more
Speaker 2: worried he gets about breaking a dollar and Harry. Well,
Speaker 2: I don't see Harry much anymore. Hey, you got a
Speaker 2: raising for him?
Speaker 5: She'll right help yourself over there by the couple on. Now, Mama,
Speaker 5: don't play the horses.
Speaker 2: That's the only thing I don't like about you. You
Speaker 2: remind me too much of Nicky. They keep the change. Hey, Mick, Uh,
Speaker 2: what's open? Will I met the job? Bread?
Speaker 6: What do you think?
Speaker 2: He's sure? Nothing else? What I mean? I just want
Speaker 2: to tell you I got about twenty bucks in my
Speaker 2: pocket and that's all. What's second to do with it? Plenty?
Speaker 2: Did I get an idea? You're gonna get me out
Speaker 2: there and pull a gun?
Speaker 1: Now?
Speaker 2: Red, don't now read me. You don't think I'm toping
Speaker 2: up the car around at ten grand with me?
Speaker 1: Do you?
Speaker 2: I'd told you this is a job tonight. Okay, Pardner,
Speaker 2: this is a job tonight. Take the other bridge, right, Huh?
Speaker 2: That's matter? I think of a van, Doug, Yeah, it's
Speaker 2: a van in back the two guys hopshit thinks. Hold on,
Speaker 2: we'll find that they're staying with us, said son.
Speaker 6: Give him all ready, not a lot of traffic, and.
Speaker 2: They comes, it's cops, all right, hold.
Speaker 6: On, I'm gonna take your time. Watch it right, they're
Speaker 6: gonna climb it.
Speaker 2: Let's go.
Speaker 6: Go on, hurry, please open and stay where you are.
Speaker 2: Hint, oh, okay, cover, Okay, don't even do more. That's
Speaker 2: the idea.
Speaker 6: Take them down.
Speaker 2: Sorry, now you keep your hands all right, that's more
Speaker 2: like it.
Speaker 6: Nick, I'm an onum captain. Accept that racing sheet from
Speaker 6: bella Mama's.
Speaker 4: Okay, go on, walk over to the sidewalk.
Speaker 2: Oh on, walk, he said, And that dawn was the
Speaker 2: end of this notorious gang of tunnel bandits. The ring
Speaker 2: leaders are now serving maximum terms of forty years each
Speaker 2: in the Illinois State Penitentiary at State Still Well, Thank you,
Speaker 2: Lieutenant Thomas J. McGrath for this most enlightening case history
Speaker 2: and Gangbuster's congratulations to all the members of the Chicago
Speaker 2: Police Department who participated in the investigation leading to the
Speaker 2: arrest and conviction of these dangerous criminals. Tonight's case was
Speaker 2: dramatized by Stanley Niss and directed by Ted Corday, with
Speaker 2: Ted Decortia and Frank Reddick in leading roles. Don Gardner
Speaker 2: speaking gangbusters as a phillips h Lord production