1 00:00:08,519 --> 00:00:12,160 Speaker 1: Ah, good morning from Hell. It's another beautiful day out 2 00:00:12,199 --> 00:00:15,240 in Hell. There's fresh lava on the grass, and Chris 3 00:00:15,320 --> 00:00:18,199 is here with my coffee. Kim car you Chris here, 4 00:00:18,199 --> 00:00:19,480 give me here, give me, give me a hug. Chris, 5 00:00:19,480 --> 00:00:20,600 it's so good to see you. 6 00:00:20,800 --> 00:00:22,600 Speaker 2: Why okay, can you give me? 7 00:00:22,800 --> 00:00:26,320 Speaker 1: Give me that coffee? There you go, it's filled in 8 00:00:26,320 --> 00:00:26,679 your face. 9 00:00:26,800 --> 00:00:27,839 Speaker 3: What a beautiful day in Hell. 10 00:00:28,000 --> 00:00:28,519 Speaker 2: Yeah. 11 00:00:28,559 --> 00:00:31,280 Speaker 4: So, for those of you who may have never listened 12 00:00:31,320 --> 00:00:35,039 to this podcast for I'm Chris. I died fairly recently 13 00:00:35,119 --> 00:00:37,640 and I was sent to Hell and my eternal punishment 14 00:00:37,679 --> 00:00:40,799 is to do this podcast with my co host, the 15 00:00:40,960 --> 00:00:43,119 vice president of Hell, Clayton. 16 00:00:44,240 --> 00:00:44,920 Speaker 3: Four more years? 17 00:00:44,920 --> 00:00:46,880 Speaker 2: Am I right? Four more years? 18 00:00:47,200 --> 00:00:47,359 Speaker 5: So? 19 00:00:47,640 --> 00:00:49,600 Speaker 4: I got a couple of questions from the audience that 20 00:00:49,600 --> 00:00:52,119 they sent in. Let's hear it all right, So this 21 00:00:52,200 --> 00:00:54,600 is from hotmail from. 22 00:00:54,759 --> 00:01:00,320 Speaker 1: VEYLO v A l O. Let me see your veil. Yeah, 23 00:01:00,359 --> 00:01:02,759 lots of it's it's a song. I'm parodying it. I'm 24 00:01:02,759 --> 00:01:06,560 we're replacing the real words with the person's name. Continue 25 00:01:06,560 --> 00:01:07,120 with the question. 26 00:01:07,200 --> 00:01:10,439 Speaker 4: Sorry, yeap hi, I'm a fourteen year old demon and 27 00:01:10,480 --> 00:01:12,200 my horn is constantly hard. 28 00:01:12,560 --> 00:01:13,879 Speaker 2: Do you have any advice for me. 29 00:01:14,319 --> 00:01:16,640 Speaker 1: Oh, that's a that's a rough one. Yeah, you're going 30 00:01:16,640 --> 00:01:18,400 through a lot of changes. You're feeling a lot of 31 00:01:18,439 --> 00:01:19,719 things in your body right now. 32 00:01:20,079 --> 00:01:20,879 Speaker 3: We've all been there. 33 00:01:20,920 --> 00:01:23,519 Speaker 1: It's embarrassing, you know, everybody's looking at your hard horn. 34 00:01:23,959 --> 00:01:27,200 So I would recommend getting like a hat or something. 35 00:01:27,239 --> 00:01:29,719 You know, sometimes it happens when you're in demon class 36 00:01:29,719 --> 00:01:31,359 and and you kind of fall asleep and you wake 37 00:01:31,400 --> 00:01:33,239 up and your your horns are hard, So like wearing 38 00:01:33,280 --> 00:01:36,200 a nice hat to cover that up. Maybe maybe putting 39 00:01:36,200 --> 00:01:38,400 your textbook on top of your head to. 40 00:01:38,359 --> 00:01:39,719 Speaker 3: Kind of to squash your back back. 41 00:01:39,799 --> 00:01:41,879 Speaker 2: Yeah, find a way to like cover it with your backpack. 42 00:01:42,000 --> 00:01:42,200 Speaker 5: Yeah. 43 00:01:42,200 --> 00:01:45,079 Speaker 1: But I'll tell you what though, uh velo, Like, uh, 44 00:01:45,480 --> 00:01:47,480 you're gonna miss these days. You know, someday you're gonna 45 00:01:47,480 --> 00:01:49,280 you're gonna be an old demon, you know, up in 46 00:01:49,280 --> 00:01:52,840 your six thousandth year of life, and uh, and you're 47 00:01:52,840 --> 00:01:54,400 gonna miss those hard horns. 48 00:01:54,519 --> 00:01:54,680 Speaker 5: You know. 49 00:01:54,719 --> 00:01:57,480 Speaker 1: It's you're gonna have soft, floppy horns and they're just 50 00:01:57,480 --> 00:01:59,519 gonna be hanging down to your shoulders and you're getting 51 00:01:59,560 --> 00:02:01,200 You're gonna missed the days when you used to get 52 00:02:01,239 --> 00:02:02,560 random hard horns. 53 00:02:03,000 --> 00:02:06,840 Speaker 2: Yeah, So yeah, do you have a soft horn problem. 54 00:02:06,920 --> 00:02:07,560 I mean I haven't. 55 00:02:07,599 --> 00:02:11,919 Speaker 1: No, No, I'm stiff as a stiff as a diamond. 56 00:02:12,479 --> 00:02:15,120 My horns, my horns couldn't be harder. But now there 57 00:02:15,199 --> 00:02:19,639 there's other people. But you know this is not from 58 00:02:19,960 --> 00:02:22,840 personal experience, but you know there's there. They're medicines to 59 00:02:22,919 --> 00:02:23,719 solve these problems. 60 00:02:23,800 --> 00:02:24,759 Speaker 2: Yeah, medicine like what. 61 00:02:25,240 --> 00:02:27,280 Speaker 3: Oh we got uh, we got we got diagra? 62 00:02:28,280 --> 00:02:30,919 Speaker 2: Yeah, yeah, yeah, is that a. 63 00:02:30,919 --> 00:02:33,840 Speaker 3: Bit of a stretch. That joke was No, that's the 64 00:02:33,919 --> 00:02:34,520 Chris bar. 65 00:02:34,840 --> 00:02:37,520 Speaker 2: No, No, that's it was. It was it's a low bar. 66 00:02:37,639 --> 00:02:38,240 So you're good. 67 00:02:38,599 --> 00:02:42,240 Speaker 4: Oh okay, So so diagra does it? Is it like 68 00:02:42,280 --> 00:02:44,240 rigor mortis? So it kills you and makes you hard 69 00:02:44,400 --> 00:02:45,080 or that's right? 70 00:02:45,360 --> 00:02:47,199 Speaker 3: Yea, yeah, it makes you stiff like a corpse. 71 00:02:47,520 --> 00:02:47,759 Speaker 2: Yeah. 72 00:02:48,000 --> 00:02:51,919 Speaker 1: And then yeah, contacts your your doctor if you are 73 00:02:52,000 --> 00:02:55,120 dead for more than forty eight hours. I don't know 74 00:02:55,159 --> 00:02:55,759 how you're gonna do that. 75 00:02:55,759 --> 00:02:58,560 Speaker 3: Because you're dead. But you know we got we also 76 00:02:58,560 --> 00:02:59,439 got horny goat weed. 77 00:02:59,680 --> 00:03:02,439 Speaker 2: Oh yeah, that makes sense because goats have horns, and. 78 00:03:02,840 --> 00:03:04,879 Speaker 3: Right horn it's in the name horny. 79 00:03:05,280 --> 00:03:06,360 Speaker 2: That's that's a freebie. 80 00:03:06,840 --> 00:03:13,319 Speaker 1: Whoa whoa yo, dogging mister criticism over here, all right, 81 00:03:13,719 --> 00:03:16,840 we a questioned from Dorian. Is there a question? Hey, 82 00:03:16,879 --> 00:03:19,360 can I get comedy classes from Krista Maris? Is that 83 00:03:19,400 --> 00:03:19,800 the question? 84 00:03:20,560 --> 00:03:20,599 Speaker 6: No? 85 00:03:20,759 --> 00:03:25,879 Speaker 4: Because they're all sold out? Right, I've found this from Dorian. 86 00:03:26,199 --> 00:03:28,919 I found myself the owner of at least thirteen other 87 00:03:28,919 --> 00:03:31,840 people's souls. How do I donate them to the Claytonist 88 00:03:31,879 --> 00:03:34,520 Party to aid in your endeavor to become the one 89 00:03:34,560 --> 00:03:36,639 true president of Hell Hell Clayton. 90 00:03:36,719 --> 00:03:39,960 Speaker 3: Wow, Dorian, thank you. That's that's so nice. 91 00:03:39,960 --> 00:03:42,159 Speaker 1: I mean, there's there's so many places that you could 92 00:03:42,199 --> 00:03:43,800 take your souls to. You know, you can go to 93 00:03:43,800 --> 00:03:49,120 the Church of Scientology, you could God forbid God, you know, 94 00:03:49,759 --> 00:03:52,599 you could take him. But you know what, it sounds 95 00:03:52,599 --> 00:03:54,639 like you hit the black pot with your thirteen souls. 96 00:03:55,000 --> 00:03:56,960 So it's very simple to get. 97 00:03:56,840 --> 00:03:57,560 Speaker 2: Them down to Hell. 98 00:03:57,560 --> 00:03:59,719 Speaker 3: All I gotta do as you go to your local 99 00:04:00,039 --> 00:04:00,680 know U P S. 100 00:04:00,800 --> 00:04:03,319 Speaker 1: FedEx, and then and then you pick up just one 101 00:04:03,319 --> 00:04:06,039 of those envelopes, okay, and then you're gonna you're gonna 102 00:04:06,080 --> 00:04:08,280 want to seal the souls into a plastic baggie and 103 00:04:08,280 --> 00:04:09,919 you're gonna want to put a lot of packing peanuts. 104 00:04:09,960 --> 00:04:10,240 Speaker 3: Okay. 105 00:04:10,400 --> 00:04:13,439 Speaker 1: Soles are very fragile packing peanuts. You're gonna put in 106 00:04:13,479 --> 00:04:15,800 the package, and then you're gonna seal it up. And 107 00:04:15,840 --> 00:04:18,399 then you're gonna light a black candle and draw a 108 00:04:18,399 --> 00:04:22,360 pentagram from the bone dust of an old rabbit or 109 00:04:22,519 --> 00:04:25,480 or other small woodland creature. Uh. And you're gonna make 110 00:04:25,480 --> 00:04:26,920 a pentagram, and then you're gonna put it in the middle. 111 00:04:26,920 --> 00:04:28,759 You're gonna light it on fire, and then you're gonna 112 00:04:28,800 --> 00:04:29,519 do the sacred chant. 113 00:04:29,759 --> 00:04:30,560 Speaker 2: The sacred chant. 114 00:04:31,079 --> 00:04:34,199 Speaker 1: Yeah, it's a well, it's stairway to Heaven backwards. It's 115 00:04:34,319 --> 00:04:39,000 it's easy, it's easy. It's express delivery, very cheap. Rabbit 116 00:04:39,160 --> 00:04:41,399 because it's it's you know, you gotta you gotta sacrifice a. 117 00:04:41,319 --> 00:04:42,079 Speaker 2: Cute little animal. 118 00:04:42,720 --> 00:04:47,959 Speaker 1: Oh yeah, rabbits, cats, dogs, hedgehogs. 119 00:04:48,800 --> 00:04:50,120 Speaker 3: I'm gonna just keep naming off. 120 00:04:50,920 --> 00:04:53,680 Speaker 2: You cut me off, Chris. Uh. 121 00:04:54,240 --> 00:04:57,959 Speaker 1: Crabs, crabs No, no, no, sorry, I was looking at 122 00:04:57,959 --> 00:05:00,160 my crabs on my I looked down between my legs. 123 00:05:00,160 --> 00:05:02,680 Speaker 3: Oh, crabs. Got crabs again, they're back. 124 00:05:03,839 --> 00:05:07,399 Speaker 2: Okay, who do we have for our guests this week? 125 00:05:07,519 --> 00:05:09,120 Speaker 1: Well, you know we got we got a couple of 126 00:05:09,120 --> 00:05:11,399 old school celebrities. You know, they're they're part of the 127 00:05:11,439 --> 00:05:13,439 old guard. You know, you got your modern celebrities, you know, 128 00:05:13,519 --> 00:05:15,560 your big heart hot shots. You know you got your 129 00:05:15,759 --> 00:05:20,079 your Wesley Snipes and your and your Jared Leto's and 130 00:05:20,160 --> 00:05:22,040 your your Walter Goggins. 131 00:05:22,120 --> 00:05:24,319 Speaker 4: What but these are this is this is the old school. 132 00:05:24,519 --> 00:05:25,920 That was your that was your A list. 133 00:05:26,160 --> 00:05:28,959 Speaker 1: Yeah, that's that's the that's the Tell's top tier celebrities. 134 00:05:29,079 --> 00:05:31,279 There are biggest draws anytime they come out with the 135 00:05:31,319 --> 00:05:35,720 movie Who's as you know, it's not important, all right, 136 00:05:36,040 --> 00:05:39,680 So we're gonna choose our guests. Uh, it's it's Jimmy 137 00:05:39,680 --> 00:05:41,399 Stewart and Grace Kelly. 138 00:05:41,360 --> 00:05:42,360 Speaker 2: Yeah, come on, guys. 139 00:05:42,639 --> 00:05:45,680 Speaker 5: Oh wow, what a pleasure. Thanks for having guys. 140 00:05:45,920 --> 00:05:47,920 Speaker 6: Thank you for such colorful and introduction. 141 00:05:48,199 --> 00:05:50,160 Speaker 5: Oh yeah, I don't know, well half those were are 142 00:05:50,360 --> 00:05:53,279 just said, but it sounded like real ice paper. 143 00:05:54,240 --> 00:05:54,480 Speaker 2: Wow. 144 00:05:54,600 --> 00:05:58,560 Speaker 4: Okay, so these are these are like the biggest celebrities 145 00:05:58,680 --> 00:06:00,600 from like the fifties and six right. 146 00:06:01,000 --> 00:06:05,040 Speaker 5: Wow, so yes, yeah, I mean my career started a 147 00:06:05,040 --> 00:06:08,560 few decades before that, but okay. 148 00:06:07,839 --> 00:06:10,199 Speaker 4: Yeah, So Jimmy, do you want to go by James 149 00:06:10,240 --> 00:06:11,279 or Jimmy Stewart? 150 00:06:11,600 --> 00:06:12,360 Speaker 2: Which do you prefer? 151 00:06:12,639 --> 00:06:14,079 Speaker 5: Call me Tom? 152 00:06:14,560 --> 00:06:14,839 Speaker 1: Tom? 153 00:06:14,839 --> 00:06:17,759 Speaker 5: That's a that's an old. That's an old Hollywood joke. 154 00:06:18,240 --> 00:06:19,240 You can call me Jimmy. 155 00:06:19,360 --> 00:06:20,879 Speaker 6: Jimmy, are so full of quips? 156 00:06:21,240 --> 00:06:26,079 Speaker 4: Oh thanks, Grace, Uh yeah, so Jimmy. Yeah, mister Smith 157 00:06:26,120 --> 00:06:29,519 goes to Washington. It's a wonderful life. Rear window and Grace. 158 00:06:29,920 --> 00:06:33,120 You were in rear window with Jimmy, dial Infmurderer. 159 00:06:33,399 --> 00:06:35,839 Speaker 6: Anywhere a woman was needed, I was there. 160 00:06:36,800 --> 00:06:37,240 Speaker 5: Was that you. 161 00:06:39,160 --> 00:06:40,199 Speaker 6: Something of a fashion? 162 00:06:40,279 --> 00:06:42,240 Speaker 5: Yes, you know, they just put them, put them in 163 00:06:42,279 --> 00:06:46,759 front of me like a revolving door. Women. Yeah, I 164 00:06:46,800 --> 00:06:49,279 could tell one blonde from the next. Yeah. 165 00:06:49,439 --> 00:06:50,879 Speaker 2: Is that how it worked in the fifties. 166 00:06:51,240 --> 00:06:53,560 Speaker 5: But I had I had a wonderful time, filled me 167 00:06:53,639 --> 00:06:54,160 with grace. 168 00:06:54,560 --> 00:06:56,800 Speaker 6: Oh yes, as long as the director advise that we 169 00:06:56,879 --> 00:07:00,680 do not tell mister Stewart our name or cup size. No, 170 00:07:00,720 --> 00:07:01,480 it would be fine. 171 00:07:01,639 --> 00:07:02,800 Speaker 5: No eye contact. 172 00:07:03,800 --> 00:07:07,000 Speaker 6: But he jokes, he jokes. Jimmy and I were often 173 00:07:07,120 --> 00:07:08,879 paid throughout this time period. 174 00:07:08,879 --> 00:07:11,839 Speaker 3: Well, you guys worked with Hitchcock. Tell us about that. 175 00:07:12,120 --> 00:07:15,360 Speaker 6: Yes, hitch and I we were fast friends. Dial Ampa 176 00:07:15,480 --> 00:07:18,439 Murder one of my first pictures with hitch Oh. 177 00:07:18,519 --> 00:07:21,120 Speaker 5: Yeah, it was a genius, that's for sortain. I don't 178 00:07:21,160 --> 00:07:26,439 think he did anything wrong on set. No, nothing, not 179 00:07:26,560 --> 00:07:26,879 a thing. 180 00:07:27,519 --> 00:07:27,680 Speaker 6: No. 181 00:07:27,839 --> 00:07:30,680 Speaker 5: I mean sometimes you gotta crack the whip to get 182 00:07:30,720 --> 00:07:32,560 the most out of your actors. I can tell you 183 00:07:32,639 --> 00:07:33,160 that much. 184 00:07:33,720 --> 00:07:37,240 Speaker 6: Oh. Yes, he's known now for some of his unorthodox methods. 185 00:07:37,240 --> 00:07:39,959 But what most people don't know is that I advised 186 00:07:40,000 --> 00:07:41,279 him in many of those regards. 187 00:07:41,560 --> 00:07:45,199 Speaker 1: Oh really, you were like an assistant director or a 188 00:07:45,439 --> 00:07:46,759 co director of sorts. 189 00:07:47,079 --> 00:07:49,399 Speaker 6: Oh no, a woman was allowed to hold such a title. 190 00:07:52,480 --> 00:07:55,279 What a humor. When Hitch would lament to me, I 191 00:07:55,319 --> 00:07:57,920 would say, you know what, if she doesn't want to abide, 192 00:07:57,959 --> 00:07:59,319 maybe you throw the birds. 193 00:07:58,959 --> 00:08:00,720 Speaker 2: At her, very birds. 194 00:08:00,839 --> 00:08:03,079 Speaker 5: Yeah, well, I'll tell you as much. I told al 195 00:08:03,160 --> 00:08:05,639 to his face. I said, if I could have been 196 00:08:05,680 --> 00:08:07,959 there on set to throw a bird at Tippy, I wata. 197 00:08:08,480 --> 00:08:13,240 Speaker 2: Oh you're talking about the movie The Birds. Oh yeah, yeah. 198 00:08:12,879 --> 00:08:15,160 Speaker 5: We weren't in it. But if we could have could 199 00:08:15,199 --> 00:08:17,639 have been there to see see her get pegged with 200 00:08:17,680 --> 00:08:19,800 those birds, I get it again? Or over the time 201 00:08:19,879 --> 00:08:20,399 my life? 202 00:08:21,040 --> 00:08:21,639 Speaker 2: Yeah? 203 00:08:21,680 --> 00:08:24,600 Speaker 6: Oh, but we were in so many fashionable pictures together, 204 00:08:24,600 --> 00:08:25,680 won't we, Jimmy. 205 00:08:25,399 --> 00:08:31,800 Speaker 5: Oh absolutely, yes, we're window. Now, we're real window. They 206 00:08:31,879 --> 00:08:34,279 mentioned a bunch but at the top, I oh, rope. 207 00:08:34,320 --> 00:08:36,000 I was in rope and birdigal. 208 00:08:36,399 --> 00:08:39,440 Speaker 1: You know, we have the the entertainment industry down here 209 00:08:39,440 --> 00:08:41,200 in Hell. And I hear that you guys are making 210 00:08:41,240 --> 00:08:42,600 a sequel to Rear Windows. 211 00:08:42,600 --> 00:08:44,399 Speaker 5: That is that true? Well, yeah, that's part of the 212 00:08:44,480 --> 00:08:47,120 reason we wanted to come on the show. We want 213 00:08:47,120 --> 00:08:50,039 to they're finally doing it. They're getting the gang back together. 214 00:08:50,240 --> 00:08:51,440 Tell us about your new picture. 215 00:08:51,639 --> 00:08:53,679 Speaker 6: Oh, Hitch called us up and he said, here's a 216 00:08:53,720 --> 00:08:54,399 gas for you. 217 00:08:54,960 --> 00:09:00,639 Speaker 5: Yeah, rear window too, front window. Ah yeah, So it's 218 00:09:00,879 --> 00:09:03,879 without saying too much, it's basically the same premise of 219 00:09:04,000 --> 00:09:07,440 the first one, except it's the windows on the other side. 220 00:09:07,879 --> 00:09:11,120 Speaker 2: Oh yeah, it's the front. Yeah. 221 00:09:11,200 --> 00:09:13,080 Speaker 1: Well what about like is there is there still gonna 222 00:09:13,080 --> 00:09:15,559 be like a wife killed or something or Oh. 223 00:09:15,440 --> 00:09:17,279 Speaker 6: Hitch wanted to go big with this one. He wanted 224 00:09:17,279 --> 00:09:19,600 to go big time. He said, double the wives dead 225 00:09:20,399 --> 00:09:21,440 two dead ladies. 226 00:09:21,840 --> 00:09:23,279 Speaker 2: Oh not just one? 227 00:09:23,200 --> 00:09:26,559 Speaker 5: Yeah, no, no, we doubled it for this one. Wow, 228 00:09:26,879 --> 00:09:27,440 going big. 229 00:09:28,000 --> 00:09:29,960 Speaker 4: Well that makes sense that the sequel you always gotta 230 00:09:30,000 --> 00:09:32,279 go bigger and more death, more. 231 00:09:32,159 --> 00:09:37,840 Speaker 6: Dead wives, more windows, more everything, more nineteen fifties man, body, 232 00:09:37,879 --> 00:09:39,919 because if you if you're familiar with Weer Window, you 233 00:09:40,000 --> 00:09:42,559 see quite a bit of Jimmy Stewart's excellent physique. 234 00:09:42,919 --> 00:09:44,559 Speaker 5: Wow, I was in the best shape of my life 235 00:09:44,639 --> 00:09:46,879 during that movie. You can just take one look at 236 00:09:46,879 --> 00:09:47,639 it and see. 237 00:09:47,639 --> 00:09:51,440 Speaker 6: One one hundred and five pounds of pure Hollywood charisma. 238 00:09:51,240 --> 00:09:54,519 Speaker 5: Sick and hanging off my bones. That was a heart throb. 239 00:09:55,399 --> 00:09:58,240 Speaker 2: Yeah, the Hollywood heart throbs were definitely saggier. 240 00:09:58,720 --> 00:10:01,759 Speaker 6: Jimmy. As as impressive as your physique was, it did 241 00:10:01,799 --> 00:10:04,519 become quite a bit of a problem come war time. 242 00:10:04,879 --> 00:10:09,039 Speaker 5: Well yeah, well, I mean before then I was too small. 243 00:10:09,519 --> 00:10:11,159 I had to gain some weight. I had to put 244 00:10:11,200 --> 00:10:13,600 on five ten pounds just to get into the war, 245 00:10:14,320 --> 00:10:18,159 which war all of them? Oh okay, well this is 246 00:10:18,200 --> 00:10:21,399 the biggest war, the big one. 247 00:10:21,240 --> 00:10:21,440 Speaker 6: You know. 248 00:10:22,919 --> 00:10:27,360 Speaker 5: I was a pilot at World War Two. Oh okay, yeah, Oh. 249 00:10:27,200 --> 00:10:30,879 Speaker 6: What fun we had, Jimmy soaring over the skies. You 250 00:10:30,960 --> 00:10:34,240 and the jet me painted on the side, go so grace. 251 00:10:34,279 --> 00:10:36,000 Speaker 3: You weren't actually with them, or you were? 252 00:10:36,279 --> 00:10:38,440 Speaker 1: You were you were like one of the paintings on 253 00:10:38,440 --> 00:10:39,240 the side of the planes. 254 00:10:39,759 --> 00:10:43,840 Speaker 6: Yeah. So to raise morale and earn some money, State 255 00:10:43,960 --> 00:10:46,919 side MGM sold my likeness to the war effort. 256 00:10:47,080 --> 00:10:48,879 Speaker 5: Well got to do their part. 257 00:10:49,320 --> 00:10:51,720 Speaker 6: And I was no exception, except there was a little 258 00:10:51,720 --> 00:10:54,320 bit of a snaffoo and some of my images got 259 00:10:54,320 --> 00:10:55,519 sold to the Nazi side. 260 00:10:55,879 --> 00:10:57,960 Speaker 5: Oh you have seen the look on my face when 261 00:10:58,000 --> 00:11:02,200 I'm blitzing through the clouds, I see some Nazi plane 262 00:11:02,279 --> 00:11:07,039 coming through through the through the sidebrew mirror. There it's 263 00:11:07,080 --> 00:11:08,840 got Grace looking back at me. 264 00:11:09,159 --> 00:11:12,440 Speaker 6: And them pretty as a picture, getting my tits blown off. 265 00:11:14,399 --> 00:11:17,960 Speaker 2: Yeah, so you're what, just like a Nazi I guess you. 266 00:11:17,919 --> 00:11:20,879 Speaker 5: Are a blonde haired wah is perfect. 267 00:11:21,200 --> 00:11:24,559 Speaker 6: Yeah, except when I'm not, as any man would rightly 268 00:11:24,559 --> 00:11:26,759 point out, well, she speaks up. 269 00:11:27,279 --> 00:11:28,399 Speaker 2: Yeah, sho. 270 00:11:30,480 --> 00:11:33,559 Speaker 4: So you were just like what all over Nazi like 271 00:11:33,639 --> 00:11:35,399 propaganda and tanks and stuff. 272 00:11:35,639 --> 00:11:37,320 Speaker 6: Oh, Chris, if you could have seen it, I was 273 00:11:37,320 --> 00:11:40,759 the biggest star and douzeled off. My picture was pasted 274 00:11:40,799 --> 00:11:43,279 all over the walls. Sure, the walls were getting torn 275 00:11:43,360 --> 00:11:46,080 down in the blitz creak, but I was there, Chris, 276 00:11:46,320 --> 00:11:49,919 every side of the tank, every bomber. You could see 277 00:11:50,000 --> 00:11:51,159 Grace in the skies. 278 00:11:51,919 --> 00:11:54,519 Speaker 1: Sure you're very proud of that. I mean it's you're 279 00:11:54,559 --> 00:11:56,080 you're fighting for the wrong side. 280 00:11:56,240 --> 00:12:00,960 Speaker 6: Yeah, technically that Nazi money paid for eight MGM pictures 281 00:12:01,000 --> 00:12:01,519 that fall. 282 00:12:01,919 --> 00:12:07,159 Speaker 1: Oh oh, I would keep that to yourself, starting to 283 00:12:07,159 --> 00:12:09,639 figure out why you ended up down here, Grace. 284 00:12:10,279 --> 00:12:13,039 Speaker 6: What are you talking about? Don't forget that. Jimmy and 285 00:12:13,080 --> 00:12:15,600 I also did a part. Most people don't know this, 286 00:12:15,679 --> 00:12:18,360 but we were spies serving for America. 287 00:12:18,440 --> 00:12:21,440 Speaker 5: Well, yeah, see what happened is they saw a rare 288 00:12:21,480 --> 00:12:25,399 window which actually came out about fifteen years later. The 289 00:12:25,480 --> 00:12:28,720 descripts have been descript has been written. We were attached. 290 00:12:28,879 --> 00:12:31,559 Speaker 6: Oh, it was circulating the town like Judy Garland on 291 00:12:31,600 --> 00:12:32,240 a waterbed. 292 00:12:32,519 --> 00:12:38,679 Speaker 5: And so it was actually OL's idea, it was. It 293 00:12:38,720 --> 00:12:41,279 was actually Al's idea. He said, well, if you guys 294 00:12:41,279 --> 00:12:43,840 are going to be spies in this movie, you should 295 00:12:43,840 --> 00:12:45,120 go be spies in the war. 296 00:12:45,840 --> 00:12:47,600 Speaker 1: It was just like, was this some sort of like 297 00:12:47,720 --> 00:12:50,080 method acting like you were training up for the part. 298 00:12:50,080 --> 00:12:53,360 Speaker 5: Or or why wow? It was like an actor's boot camp. 299 00:12:53,480 --> 00:12:55,559 I guess, oh, wow. 300 00:12:55,399 --> 00:12:57,039 Speaker 3: You're actually on the front lines though. 301 00:12:57,159 --> 00:13:01,159 Speaker 5: Well I wasn't. I was in a tower about eighteen 302 00:13:01,200 --> 00:13:04,519 miles away from the front line with the binoculars. Oh, 303 00:13:05,039 --> 00:13:06,600 Grace was going through the ship. 304 00:13:07,240 --> 00:13:12,240 Speaker 4: Yeah yeah, tell us about that, Grace, Yeah, I was. 305 00:13:12,480 --> 00:13:14,480 Speaker 6: Jimmy was in the tower. We were on the comps. 306 00:13:14,519 --> 00:13:17,399 He was spotting the Japanese for me, and I was 307 00:13:17,480 --> 00:13:20,240 shiving him one by the one, dozens by the dozens. 308 00:13:20,279 --> 00:13:22,879 I was killing Dilla out there on the battlefield. You 309 00:13:23,000 --> 00:13:23,919 should have seen it. 310 00:13:24,200 --> 00:13:27,120 Speaker 5: I twisted my ankle, you see, right before where it started. 311 00:13:27,159 --> 00:13:29,960 Speaker 4: So I was confined to a wheelchair for most of Yes, 312 00:13:30,399 --> 00:13:32,799 you actually became the character from ru Winda. 313 00:13:32,879 --> 00:13:36,519 Speaker 5: That's nice. Well, I was purely coincidental, but it helped. 314 00:13:36,879 --> 00:13:40,399 Speaker 2: Yeah. Yeah, So did you ever leave the watch tower? 315 00:13:40,679 --> 00:13:40,840 Speaker 6: Well? 316 00:13:40,919 --> 00:13:43,000 Speaker 5: Yeah, you see because one of the one of the 317 00:13:43,039 --> 00:13:49,279 bad guys, enemy soldiers, I guess in this case, the Japanese. Yeah, 318 00:13:49,320 --> 00:13:54,080 I could couldn't tell what with you the front lines were. 319 00:13:54,480 --> 00:13:57,320 You know, it was a it was a whirlwind. But 320 00:13:57,559 --> 00:14:00,960 uh but so one of them got through and I 321 00:14:01,000 --> 00:14:03,320 tried to stop, and Buddy held me out the side 322 00:14:03,320 --> 00:14:03,960 of the tower. 323 00:14:04,240 --> 00:14:07,080 Speaker 6: He was trying to put old Jimmy into a Chicago overcoat, 324 00:14:07,120 --> 00:14:08,879 and I said, I won't do it. I won't do it. 325 00:14:08,919 --> 00:14:11,320 So I doubled back and I put two bullets in 326 00:14:11,360 --> 00:14:12,720 his computer, one by one. 327 00:14:13,320 --> 00:14:15,960 Speaker 5: Did they have computers back then? I think she means 328 00:14:15,960 --> 00:14:16,360 the brain. 329 00:14:16,799 --> 00:14:20,039 Speaker 1: Oh oh right, I just didn't know what that was 330 00:14:20,080 --> 00:14:24,320 a common uh, saying, but moving on, you were fighting 331 00:14:24,360 --> 00:14:26,200 in the Pacific all the whole time. 332 00:14:26,320 --> 00:14:26,639 Speaker 2: I guess. 333 00:14:26,759 --> 00:14:30,240 Speaker 5: Then I had us fly on which why and watch why? 334 00:14:30,679 --> 00:14:33,879 Speaker 6: We went from the Hollywood Theatre to the Pacific Theater. 335 00:14:34,039 --> 00:14:36,759 Chris and I don't regret any single moment of it, 336 00:14:36,919 --> 00:14:40,240 and rear window. The script prepared us for those days. 337 00:14:40,519 --> 00:14:43,879 Jimmy all of the time he spent method acting preparing 338 00:14:43,960 --> 00:14:45,360 for the peeping that he was going to do. 339 00:14:45,480 --> 00:14:48,360 Speaker 5: Well, I said, I sent you off to the Japanese there, 340 00:14:48,399 --> 00:14:50,519 I said, well, I've been to the Chinese one before. 341 00:14:53,440 --> 00:14:55,120 Speaker 2: That's a very famous theater. 342 00:14:55,240 --> 00:14:57,360 Speaker 1: So yeah, So what other kind of stuff did you 343 00:14:57,399 --> 00:14:59,159 guys participate in during the war. 344 00:14:59,240 --> 00:15:01,360 Speaker 6: Oh well, you'll be to know this that during one 345 00:15:01,399 --> 00:15:04,759 of my many missions under cover, I got a personal 346 00:15:04,799 --> 00:15:07,879 audience with Joseph Goebels. He was making one of his pictures, 347 00:15:07,879 --> 00:15:09,440 and of course he wanted me to be in it, 348 00:15:09,480 --> 00:15:11,960 And who was I a trained Thespian to turn down 349 00:15:12,000 --> 00:15:15,200 such a role, So of course I oblige. During that 350 00:15:15,360 --> 00:15:18,799 time I learned that the Fiera himself would be at 351 00:15:18,799 --> 00:15:22,600 a theater on Munich Main Street during an exact time 352 00:15:22,840 --> 00:15:24,639 that Jimmy would be in town. 353 00:15:25,000 --> 00:15:29,480 Speaker 5: Oh, Yeah, I was always there doing charity events for 354 00:15:29,759 --> 00:15:30,480 in Germany. 355 00:15:30,559 --> 00:15:33,440 Speaker 6: Yeah, he was raising the spirits of the troops. 356 00:15:33,639 --> 00:15:38,000 Speaker 5: Yeah, I don't know. The troops are troops, and I'm 357 00:15:38,000 --> 00:15:39,240 just trying to be warm. 358 00:15:39,759 --> 00:15:43,039 Speaker 2: You always want to support the troops, but Nazis? Do 359 00:15:43,080 --> 00:15:44,879 you really want to support the Nazis? 360 00:15:45,519 --> 00:15:48,559 Speaker 5: Let me let me share my morality here. I figured 361 00:15:48,600 --> 00:15:50,559 if I could do it, the least I could do 362 00:15:50,639 --> 00:15:53,200 and try and put a bullet between Hitler's eyes. 363 00:15:53,440 --> 00:15:56,080 Speaker 2: Oh okay, I get it. Yeah, that's part of your 364 00:15:56,399 --> 00:15:57,399 undercover mission. 365 00:15:57,679 --> 00:16:00,879 Speaker 5: Yeah, so how did that go? Was? It's a very 366 00:16:00,919 --> 00:16:03,440 I mean, it didn't work out like we wanted to. 367 00:16:03,919 --> 00:16:06,360 I went to the theater and I got I got 368 00:16:06,440 --> 00:16:10,000 him alone in the men's room and and I'm about 369 00:16:10,000 --> 00:16:12,519 to pull the trigger, and he tells me he's got 370 00:16:12,600 --> 00:16:16,679 these dogs, these shepherds, and he loves them. And you 371 00:16:16,720 --> 00:16:19,879 know what, I immediately thought of my dogs back home. Oh, 372 00:16:19,919 --> 00:16:21,120 and I just couldn't do it. 373 00:16:21,519 --> 00:16:24,879 Speaker 3: You let Hitler live because of dogs, because. 374 00:16:24,600 --> 00:16:28,000 Speaker 5: He showed me a picture of his little guy, Brutus, 375 00:16:28,000 --> 00:16:30,240 and I just I couldn't make Brutus an orphan. 376 00:16:31,120 --> 00:16:35,360 Speaker 2: So you let Hitler go because you're a dog. 377 00:16:36,000 --> 00:16:37,919 Speaker 5: Well, I don't think of it as letting him go. 378 00:16:38,159 --> 00:16:41,519 I think of it more as keeping Brutus's daddy in 379 00:16:41,600 --> 00:16:42,039 the world. 380 00:16:43,399 --> 00:16:48,000 Speaker 2: Well, uh, I don't know if that like necessarily evens out. 381 00:16:48,559 --> 00:16:51,840 Speaker 5: Yeah, listen, we all make mistakes. We all make mistakes. 382 00:16:52,120 --> 00:16:53,919 I had to live with that for the rest of 383 00:16:53,960 --> 00:16:54,559 my life. 384 00:16:54,919 --> 00:16:55,360 Speaker 2: Show us. 385 00:16:55,360 --> 00:16:56,960 Speaker 6: Some might consider it a war crime. 386 00:16:58,320 --> 00:17:02,799 Speaker 2: Yeah, that's it, that's it, okay. Yeah. Yeah. 387 00:17:02,840 --> 00:17:05,880 Speaker 4: So going back to your movie career, Jimmy, I mean, 388 00:17:05,920 --> 00:17:08,920 one of a movie that's super popular even nowadays is 389 00:17:09,000 --> 00:17:09,839 It's a Wonderful Life. 390 00:17:09,880 --> 00:17:12,000 Speaker 2: It's that famous Christmas movie you were in. 391 00:17:12,440 --> 00:17:15,720 Speaker 4: Oh ah yeah, where you kind of like an angel 392 00:17:15,720 --> 00:17:17,440 comes down to earth to help you through a hard 393 00:17:17,480 --> 00:17:21,119 time and then you help the angel get its wings. 394 00:17:21,160 --> 00:17:24,079 Since you're now dead and in hell, have you stayed 395 00:17:24,119 --> 00:17:25,119 in touch with that angel? 396 00:17:25,319 --> 00:17:29,079 Speaker 5: Well no, because that was an actor, that was an 397 00:17:29,079 --> 00:17:33,079 actual angel. We weren't able to start casting angels in 398 00:17:33,079 --> 00:17:35,440 our Hollywood pictures. Don't about the seventies. 399 00:17:35,680 --> 00:17:38,319 Speaker 1: Oh what kind of famous angels are in the in 400 00:17:38,359 --> 00:17:39,799 the movie industry that you know of? 401 00:17:40,000 --> 00:17:42,240 Speaker 5: Oh, well, Grace has met a couple of them. 402 00:17:42,279 --> 00:17:44,680 Speaker 6: I'm sure John Travolta phenomenon. 403 00:17:44,839 --> 00:17:49,680 Speaker 5: Oh yeah, that's real. No, you're thinking Michael, Michael, but 404 00:17:50,200 --> 00:17:52,400 there was also an angel and phenomenon. That's how I 405 00:17:52,480 --> 00:17:53,359 did all the things. 406 00:17:53,759 --> 00:17:55,240 Speaker 2: Yeah, those are visual effects. 407 00:17:55,240 --> 00:17:55,480 Speaker 6: Wow. 408 00:17:55,680 --> 00:17:55,920 Speaker 2: Yeah. 409 00:17:56,119 --> 00:17:59,240 Speaker 4: Well and then also what like Nick Cage, he's an angel, right, 410 00:17:59,359 --> 00:18:00,200 there's a whole city. 411 00:18:00,079 --> 00:18:01,079 Speaker 2: Of him in that one movie. 412 00:18:01,279 --> 00:18:04,799 Speaker 4: Yeah, yeah, he is ben Affleck Yeah oh yeah. And 413 00:18:04,799 --> 00:18:08,200 then and then if everyone knows Charlie's angels. 414 00:18:07,799 --> 00:18:12,039 Speaker 5: All three alose beautiful ladies were angels. But no, let 415 00:18:12,079 --> 00:18:14,000 me tell you, let me tell you something about it's 416 00:18:14,039 --> 00:18:16,240 a wonderful lie. That movie came out and it wasn't 417 00:18:16,240 --> 00:18:19,599 a big success, and and and here's the worst thing. 418 00:18:20,079 --> 00:18:22,400 The whole reason I'm down here has nothing to do 419 00:18:22,480 --> 00:18:25,839 with Adolph. No. No, the whole reason I'm down here 420 00:18:25,920 --> 00:18:29,400 is because up there got pretty offended with the portrayal 421 00:18:29,559 --> 00:18:30,480 of the angels. 422 00:18:30,759 --> 00:18:33,839 Speaker 1: Oh oh wow, they get a little sencident, little touch 423 00:18:33,880 --> 00:18:34,599 you what we're wrong? 424 00:18:35,000 --> 00:18:37,039 Speaker 5: Well, I mean, I guess you guys would know better 425 00:18:37,079 --> 00:18:40,039 than I do. But they just didn't appreciate showing I'm 426 00:18:40,079 --> 00:18:42,440 like a homeless transiend, I guess. 427 00:18:42,240 --> 00:18:45,000 Speaker 2: Oh the angel, making the angel kind of a dummy? 428 00:18:45,319 --> 00:18:47,799 Speaker 5: Yeah yeah, like showing him as a real goofball. 429 00:18:47,960 --> 00:18:49,920 Speaker 3: Oh yeah, well they have a stiller saying. 430 00:18:49,960 --> 00:18:51,839 Speaker 1: You know, like in that movie they talk about it 431 00:18:51,880 --> 00:18:53,960 every time a bell rings and angel gets its wings, 432 00:18:53,960 --> 00:18:55,960 but down here it's every time and ask far to 433 00:18:56,039 --> 00:18:57,240 a demon gets its horns? 434 00:18:57,799 --> 00:19:00,319 Speaker 6: Do you know what that's saying? Originated from a saying 435 00:19:00,319 --> 00:19:02,480 that we used often on set Hitch and Eye, which 436 00:19:02,519 --> 00:19:05,200 was every time a bell rings, Gracie gets her pills. 437 00:19:06,720 --> 00:19:08,720 Speaker 4: Yes, I want to follow up with that, But what 438 00:19:08,759 --> 00:19:11,200 happens if someone like I don't know, goes to fart 439 00:19:11,240 --> 00:19:14,160 and then accidentally takes the shit like an accidental shit? 440 00:19:14,440 --> 00:19:15,200 Speaker 2: What happens then? 441 00:19:15,759 --> 00:19:16,400 Speaker 5: A shart? 442 00:19:16,920 --> 00:19:18,160 Speaker 2: A shark a shart? 443 00:19:18,279 --> 00:19:22,519 Speaker 1: Yes, that gives us both horns, a tail and a 444 00:19:22,799 --> 00:19:24,079 steak dinner down a diyeop. 445 00:19:24,680 --> 00:19:27,240 Speaker 6: From nineteen forty nine to nineteen sixty two, I wasn't 446 00:19:27,319 --> 00:19:30,319 contractually allowed to fought. No, most people don't know that. 447 00:19:30,680 --> 00:19:32,240 Speaker 2: So what did you do when you needed to? 448 00:19:32,480 --> 00:19:35,400 Speaker 6: That's why I wore the billowy dresses. Oh well, Billy, 449 00:19:35,599 --> 00:19:37,799 Jimmy and I had a tube system worked out because 450 00:19:37,839 --> 00:19:39,880 you know that set from ry Window was an actual 451 00:19:39,960 --> 00:19:41,960 practical pumpman set that they made. 452 00:19:42,240 --> 00:19:43,599 Speaker 5: Loft there for eight wakes. 453 00:19:44,559 --> 00:19:45,640 Speaker 2: Yeah, so if I. 454 00:19:45,680 --> 00:19:48,799 Speaker 6: Felt a little bit of a chamber weaver coming on, 455 00:19:49,160 --> 00:19:52,240 Jimmy and I would run a tube from my anus 456 00:19:52,400 --> 00:19:53,559 down to his mouth. 457 00:19:54,000 --> 00:19:58,519 Speaker 5: I'd take the fart, I'd take it. That's how close 458 00:19:58,519 --> 00:19:58,960 we were. 459 00:20:00,000 --> 00:20:03,000 Speaker 4: The hitch was never the wiser follow up question, Grace. 460 00:20:03,039 --> 00:20:05,440 You mentioned earlier that you said something about pills. 461 00:20:05,599 --> 00:20:07,799 Speaker 3: Yeah, what kind of pills are we talking here? Oh? 462 00:20:07,880 --> 00:20:10,680 Speaker 6: The best of pills, my friends. You know, actresses of 463 00:20:10,720 --> 00:20:13,799 the era were held to a very high standard. Okay, 464 00:20:13,839 --> 00:20:16,079 And Hitch he didn't let any of his girls off 465 00:20:16,119 --> 00:20:19,039 the hook. I was on a regular slew of hoppers, 466 00:20:19,079 --> 00:20:23,440 choppers and poppers, uppers and goozles and whizzlewumps and who's 467 00:20:23,440 --> 00:20:24,319 the what's it's. 468 00:20:24,319 --> 00:20:27,599 Speaker 3: It sounds like a Doctor Seuss book of some sort. 469 00:20:28,480 --> 00:20:30,319 Speaker 6: Yeah, that wasn't an hour of the day that I 470 00:20:30,400 --> 00:20:33,759 wasn't ready to perform, and perform I did. Jimmy even 471 00:20:33,799 --> 00:20:36,160 threw a couple in there if he saw my performance 472 00:20:36,240 --> 00:20:36,920 lagging a little. 473 00:20:37,079 --> 00:20:40,000 Speaker 5: Oh how I tore a phrase called a sleep on 474 00:20:40,039 --> 00:20:41,279 your fate, which. 475 00:20:41,079 --> 00:20:42,480 Speaker 6: I was many a time. 476 00:20:43,119 --> 00:20:45,799 Speaker 2: I didn't realize pill popping was such a big deal, Becket. 477 00:20:46,000 --> 00:20:48,160 Speaker 5: Then, Oh, wh I was the only day. 478 00:20:48,559 --> 00:20:52,039 Speaker 6: Yeah, generally you knew how many pills you were going 479 00:20:52,079 --> 00:20:53,960 to take on set any day given the number of 480 00:20:54,039 --> 00:20:57,519 page count. So for example, if we were filming forty 481 00:20:57,519 --> 00:20:59,680 two pages in a day, well that would be sixty 482 00:20:59,720 --> 00:21:00,319 eight pills. 483 00:21:00,680 --> 00:21:04,440 Speaker 2: Oh that's a lot of pages. Then pills two pages. Jesus. 484 00:21:04,759 --> 00:21:08,680 Speaker 6: Those were the times. Well most people don't actually know this, 485 00:21:08,799 --> 00:21:11,240 but there were some unreleased movies that Jimmy and I 486 00:21:11,319 --> 00:21:12,079 were in together. 487 00:21:12,640 --> 00:21:13,559 Speaker 5: Oh never saw the. 488 00:21:13,599 --> 00:21:14,200 Speaker 6: Light of day. 489 00:21:14,960 --> 00:21:18,559 Speaker 5: Yeah, yeah, a lot of wasted effort there. Yeah, like 490 00:21:18,599 --> 00:21:21,119 what well some of my favorite pictures that way. 491 00:21:21,000 --> 00:21:22,559 Speaker 6: Did Bonyard Beauties. 492 00:21:22,920 --> 00:21:26,160 Speaker 5: Yeah, it was one of the Boneyard beauties. There was 493 00:21:26,240 --> 00:21:30,160 a He's got it, It's just about right, that's what 494 00:21:30,279 --> 00:21:32,960 it was called what too much? 495 00:21:33,039 --> 00:21:33,279 Speaker 6: It was? 496 00:21:33,400 --> 00:21:35,599 Speaker 5: It was a man who knew who knew too much? 497 00:21:35,680 --> 00:21:38,000 But there's a sequel called No, He's got it? 498 00:21:38,799 --> 00:21:43,400 Speaker 6: Nothing else to be said? He's got It's nothing else 499 00:21:43,400 --> 00:21:43,759 to be said. 500 00:21:43,799 --> 00:21:45,480 Speaker 5: Yeah, I was three and a half minutes long, one 501 00:21:45,480 --> 00:21:47,519 of my favorite pictures I ever worked on. 502 00:21:47,519 --> 00:21:49,160 Speaker 6: One hundred and nine pills for the day. 503 00:21:49,680 --> 00:21:53,640 Speaker 5: Well, hey, Chris and Clayton, I got a question for you. 504 00:21:53,640 --> 00:21:57,359 Oh yeah, Well, well, what exactly is a podcast? Because 505 00:21:57,440 --> 00:22:00,279 because I've done a bunch of radio plays in my day, 506 00:22:00,400 --> 00:22:02,640 but I've never heard about podcasts before. 507 00:22:02,759 --> 00:22:05,319 Speaker 1: Well, it's when you take two people who aren't really 508 00:22:05,319 --> 00:22:08,880 talented and don't really have any skills, and then they 509 00:22:08,960 --> 00:22:11,559 get a bunch of radio equipment and then they talk 510 00:22:12,160 --> 00:22:13,799 and then people listen to it for some reason. 511 00:22:14,119 --> 00:22:16,440 Speaker 4: It's kind of like, you know how everyone back in 512 00:22:16,480 --> 00:22:18,039 the day would be like, oh, I want to write 513 00:22:18,039 --> 00:22:20,200 that book. Now everyone's like, I really want to make 514 00:22:20,240 --> 00:22:21,240 that podcast. 515 00:22:21,279 --> 00:22:24,480 Speaker 2: That's the kind of modern you know book writing is. 516 00:22:24,759 --> 00:22:28,000 Speaker 1: Yeah, it's it's also a tool for finding flaws in 517 00:22:28,039 --> 00:22:32,000 the judicial system and learning about how murderers are walking 518 00:22:32,039 --> 00:22:35,160 amongst us every day. That's that's another thing that podcasts too. 519 00:22:35,400 --> 00:22:37,680 Speaker 6: I get it so kind of like those radio transmissions 520 00:22:37,720 --> 00:22:39,400 that said we just want the depression to end. 521 00:22:39,880 --> 00:22:41,200 Speaker 2: Yeah, exactly like that. 522 00:22:41,359 --> 00:22:43,039 Speaker 5: Yeah, a whole ris. 523 00:22:45,039 --> 00:22:48,160 Speaker 6: Oh, Jimmy, it's so wonderful to be together again. 524 00:22:48,319 --> 00:22:51,759 Speaker 5: Well, it's great. I'm just glad I remember your name. 525 00:22:53,559 --> 00:22:56,799 Speaker 2: So have you all kept up with movies? Have y'all 526 00:22:56,799 --> 00:22:57,640 seen anything recently? 527 00:22:57,920 --> 00:23:00,319 Speaker 6: Every year when we get a free day out of hell, 528 00:23:00,359 --> 00:23:02,200 we love to go to the Pictures Show and see 529 00:23:02,200 --> 00:23:03,559 what's playing at the multiplex. 530 00:23:03,720 --> 00:23:04,839 Speaker 2: You get a free day out of hell. 531 00:23:05,000 --> 00:23:07,400 Speaker 3: Yeah, Christ most people are privy to that. Did you 532 00:23:07,440 --> 00:23:08,079 not get yours? 533 00:23:08,319 --> 00:23:08,480 Speaker 2: No? 534 00:23:09,039 --> 00:23:12,319 Speaker 1: Okay, well, we'll look into it. I guess I don't 535 00:23:12,319 --> 00:23:14,279 think you will. No, I won't look into it. You're 536 00:23:14,279 --> 00:23:16,200 absolutely right, you're not gonna get a free day. Anyways, 537 00:23:16,240 --> 00:23:17,880 continue on, Grace. What kind of movies did you watch? 538 00:23:17,880 --> 00:23:20,400 What's What's What's new? What's what's at the theater? Oh? 539 00:23:20,559 --> 00:23:23,240 Speaker 6: I just saw this delightful little picture the other day. 540 00:23:23,240 --> 00:23:24,119 Speaker 4: What was it? 541 00:23:24,880 --> 00:23:26,920 Speaker 6: I believe it was Bad Boys three? 542 00:23:27,720 --> 00:23:32,960 Speaker 2: Oh for live? What it's for live? 543 00:23:33,319 --> 00:23:37,000 Speaker 5: That's a that's a subtitle, l FO. 544 00:23:37,960 --> 00:23:40,279 Speaker 6: If you ask me, it's a bit hyperbolic. But you know, 545 00:23:40,880 --> 00:23:41,720 to each his own. 546 00:23:42,039 --> 00:23:43,279 Speaker 2: So you' all like new movies. 547 00:23:44,359 --> 00:23:47,079 Speaker 5: I love any kind of mover that hearkens back to 548 00:23:47,160 --> 00:23:49,839 the days when I was working in films. You know, 549 00:23:50,000 --> 00:23:54,400 those classic pictures with character and story. The new Lion 550 00:23:54,519 --> 00:24:00,400 King comes to mind, that, the new linking well, all 551 00:24:00,440 --> 00:24:02,519 the animals that can emode. 552 00:24:02,720 --> 00:24:04,559 Speaker 2: Oh yeah, I. 553 00:24:04,599 --> 00:24:06,960 Speaker 5: Really that's the kind of thing that Hitchcock would really 554 00:24:07,039 --> 00:24:07,519 be into. 555 00:24:07,640 --> 00:24:09,400 Speaker 6: Oh, but he would have had real lines up there 556 00:24:09,400 --> 00:24:11,759 in my head right between that Jaws. 557 00:24:13,079 --> 00:24:14,920 Speaker 5: It's a how can we get a young lady on 558 00:24:14,960 --> 00:24:15,599 this picture? 559 00:24:15,799 --> 00:24:16,039 Speaker 1: Yeah? 560 00:24:16,079 --> 00:24:17,680 Speaker 5: And how can we put her in danger? 561 00:24:18,240 --> 00:24:21,160 Speaker 2: Yeah? So what is what is Hitchcock up to? Now? 562 00:24:21,480 --> 00:24:22,119 Is he in Hell? 563 00:24:22,559 --> 00:24:22,759 Speaker 1: Oh? 564 00:24:22,839 --> 00:24:22,920 Speaker 6: No? 565 00:24:23,079 --> 00:24:24,799 Speaker 1: So, like you know how in most of his movies 566 00:24:24,839 --> 00:24:26,960 you can kind of see him walking around the background, 567 00:24:27,039 --> 00:24:29,079 and you know he would do all those cameos and stuff. 568 00:24:29,160 --> 00:24:31,000 Speaker 4: Yeah yeah, yeah, like he was like known for his 569 00:24:31,079 --> 00:24:32,400 like the Hitchcock cameo thing. 570 00:24:32,440 --> 00:24:33,200 Speaker 2: Yeah right, yeah, I. 571 00:24:33,119 --> 00:24:36,119 Speaker 1: Know he's still doing that. Yeah, he's just on cameo. 572 00:24:36,680 --> 00:24:39,240 He's just on cameo. Yeah. Well, you pay him like 573 00:24:39,319 --> 00:24:41,920 thirty bucks and he'll say happy Birthday or some bullshit. 574 00:24:41,960 --> 00:24:44,799 Speaker 2: Oh, is it available on Earth? Only in Hell in Heaven? 575 00:24:45,039 --> 00:24:46,119 Speaker 3: It's only in Hell and Heaven. 576 00:24:46,200 --> 00:24:47,880 Speaker 2: Yeah. Okay, so you're lucky, Chris. 577 00:24:48,079 --> 00:24:49,880 Speaker 1: You know you're in Hell, but you get you get 578 00:24:49,880 --> 00:24:52,279 to get a cool cameo from Alfred Hitchcock. 579 00:24:52,480 --> 00:24:55,720 Speaker 6: Chris Clayton, tell me, did hitch make it to Heaven? 580 00:24:56,000 --> 00:24:58,839 Speaker 3: Oh? Absolutely not No, No, he's definitely down in hell. 581 00:24:59,000 --> 00:24:59,200 Speaker 5: Yeah. 582 00:24:59,200 --> 00:25:02,400 Speaker 6: Well I haven't meet him. Where could hitch be hiding? 583 00:25:02,759 --> 00:25:06,759 Speaker 1: He's with the foot fetishists. Yeah, he's keeping the spot 584 00:25:06,759 --> 00:25:07,720 warm for Tarantino. 585 00:25:08,119 --> 00:25:11,400 Speaker 6: Oh, Jimmy and I had so many wonderful times together. 586 00:25:11,440 --> 00:25:13,720 Remember that time we were shooting that picture on the Riviera. 587 00:25:14,000 --> 00:25:17,039 Oh it was beautiful, and that stunt coordinator went overboard, 588 00:25:17,039 --> 00:25:19,160 and then Hitch told everyone to be quiet and we 589 00:25:19,200 --> 00:25:21,480 cover it up. I never said the thing when the 590 00:25:21,599 --> 00:25:23,160 seafood after. Oh, those were the. 591 00:25:23,200 --> 00:25:27,000 Speaker 5: Days, amazing time. I think the best part of our 592 00:25:27,079 --> 00:25:29,400 lives is that with how all these amazing star is 593 00:25:29,440 --> 00:25:30,759 from films we were on. 594 00:25:31,039 --> 00:25:33,079 Speaker 6: The time that we drove that stunt car into that 595 00:25:33,079 --> 00:25:34,079 little Malaysian boy. 596 00:25:34,400 --> 00:25:37,039 Speaker 5: Oh wow, he had it coming. What was he doing 597 00:25:37,119 --> 00:25:37,880 in the middle of a roll? 598 00:25:38,160 --> 00:25:41,720 Speaker 6: The car barely took a dent. The show must go on, 599 00:25:42,039 --> 00:25:44,279 you know. I think that's something that Hollywood loses now today. 600 00:25:44,319 --> 00:25:46,039 The show must go on. And Jimmy and I and 601 00:25:46,119 --> 00:25:47,000 boy did we ever? 602 00:25:47,160 --> 00:25:47,319 Speaker 2: Yeah? 603 00:25:47,359 --> 00:25:50,079 Speaker 4: Is that the biggest difference between like the movie industry 604 00:25:50,079 --> 00:25:51,119 today and back then? 605 00:25:51,559 --> 00:25:57,559 Speaker 5: Disposability? I guess yeah. No, I mean human life was 606 00:25:57,000 --> 00:25:59,160 was was nothing on set back then? 607 00:25:59,359 --> 00:25:59,599 Speaker 1: Yeah? 608 00:25:59,720 --> 00:26:01,720 Speaker 5: Yeah, you could get anyone. 609 00:26:02,119 --> 00:26:04,599 Speaker 2: What's the movie that had the most real world deaths 610 00:26:04,599 --> 00:26:04,839 in it? 611 00:26:05,119 --> 00:26:10,000 Speaker 5: Oh? I was one. What's a Wonderful Wife? We had 612 00:26:10,079 --> 00:26:14,039 one hundred and fifty two deaths on that fell on that. 613 00:26:14,559 --> 00:26:16,359 Speaker 3: It's a small massacre. What happened? 614 00:26:16,480 --> 00:26:20,440 Speaker 5: We shot into it the snow machine, haywire. Most of 615 00:26:20,480 --> 00:26:23,200 why you're sitting on screen as ashes of all the people. 616 00:26:23,599 --> 00:26:27,680 Oh my god, wow, Copra Hattas Wise. 617 00:26:27,640 --> 00:26:29,880 Speaker 1: That sounds like it's a wonderful life. More like it's 618 00:26:29,920 --> 00:26:30,799 a terrible death. 619 00:26:31,920 --> 00:26:32,559 Speaker 3: Yeah. 620 00:26:32,799 --> 00:26:34,880 Speaker 6: Great, it's something that that Jimmy and I just don't care. 621 00:26:34,960 --> 00:26:37,079 When I was all the special effects in the. 622 00:26:37,039 --> 00:26:40,000 Speaker 1: Pictures, well, I actually was gonna ask you, Grace, you know, like, 623 00:26:40,039 --> 00:26:41,759 what do you think about if they brought you guys, 624 00:26:41,759 --> 00:26:44,559 like back to life, you know, through CGI, How would 625 00:26:44,559 --> 00:26:45,200 you feel about that? 626 00:26:45,480 --> 00:26:48,119 Speaker 6: Well? I could see that happening, except you know, I 627 00:26:48,119 --> 00:26:50,240 already retired from acting at the ripe old age of 628 00:26:50,279 --> 00:26:50,880 twenty seven. 629 00:26:51,119 --> 00:26:54,200 Speaker 2: Oh oh yeah, didn't you marry like a prince or something? 630 00:26:54,440 --> 00:26:56,880 Speaker 6: Why? Yes, I did. I became the princess of Monaco. 631 00:26:57,160 --> 00:26:58,400 Speaker 3: I don't even know where Monco is. 632 00:26:58,400 --> 00:27:00,680 Speaker 6: Where is that over there? 633 00:27:00,799 --> 00:27:02,200 Speaker 3: But you know, do you know where? 634 00:27:02,279 --> 00:27:04,279 Speaker 2: Wait? Wait, Grace, do you know where it is? 635 00:27:04,480 --> 00:27:04,640 Speaker 1: Here? 636 00:27:04,640 --> 00:27:07,519 Speaker 3: I got a map here, here's a map point to Monaco. 637 00:27:07,960 --> 00:27:11,880 Speaker 6: I kept both it somewhere near for France. 638 00:27:14,079 --> 00:27:15,279 Speaker 2: So you're the queen of it. 639 00:27:15,359 --> 00:27:17,119 Speaker 6: Well, I'm the queen and there are my subjects. Of 640 00:27:17,160 --> 00:27:19,640 course I've I've long passed, and they still worship me. 641 00:27:19,720 --> 00:27:23,599 Then I'm held in a very high regard, very high regard. 642 00:27:24,359 --> 00:27:26,519 Speaker 5: I'm held pretty high regard in Indiana. 643 00:27:26,799 --> 00:27:27,599 Speaker 2: Indiana. 644 00:27:27,799 --> 00:27:30,720 Speaker 5: Yeah, I got a statue somewhere out there. I think. 645 00:27:31,079 --> 00:27:33,720 So we're both better, Mark, I guess yeah. 646 00:27:33,759 --> 00:27:35,640 Speaker 2: I mean you're not like a king or a prince 647 00:27:35,759 --> 00:27:36,799 or anything, though, Jimmy. 648 00:27:36,920 --> 00:27:38,799 Speaker 3: But it's a nice statue, though, Chris. 649 00:27:39,000 --> 00:27:40,160 Speaker 2: It's a really nice statue. 650 00:27:40,200 --> 00:27:42,319 Speaker 4: So what would you guys say is the biggest difference 651 00:27:42,359 --> 00:27:45,119 between the nineteen fifties and Hell. 652 00:27:45,160 --> 00:27:46,640 Speaker 5: There's a lot more blenders? 653 00:27:46,839 --> 00:27:48,440 Speaker 6: Yeah, the landscaping, for sure. 654 00:27:48,640 --> 00:27:50,799 Speaker 2: Which one has more blenders? The fifties or hell? 655 00:27:51,039 --> 00:27:53,839 Speaker 5: Oh, there are blenders everywhere down here in Hell. 656 00:27:54,279 --> 00:27:55,799 Speaker 6: Oh, you can blend your blender. 657 00:27:56,240 --> 00:27:58,400 Speaker 5: I was a luxury item back in the fifties. 658 00:27:58,640 --> 00:28:01,319 Speaker 6: Oh yeah. If a woman was getting married, her dowry 659 00:28:01,359 --> 00:28:02,400 was a blender. 660 00:28:02,920 --> 00:28:05,759 Speaker 5: You know she was worth it. I hope. Socially, I 661 00:28:05,799 --> 00:28:07,599 feel like everything's pretty much the same. 662 00:28:07,839 --> 00:28:10,400 Speaker 1: But whenever they refer to the red scare down here, 663 00:28:10,440 --> 00:28:13,000 it's it's normally it's related to of. 664 00:28:12,839 --> 00:28:16,720 Speaker 6: Course, Mccauthy's and Jimmy and I exposed many Communist sympathizers 665 00:28:16,799 --> 00:28:17,599 during that period. 666 00:28:17,599 --> 00:28:20,880 Speaker 5: Oh yeah, I couldn't stop pointing my fingers, even. 667 00:28:20,640 --> 00:28:23,359 Speaker 6: Some that maybe were a little bit of a miss Jimmy. 668 00:28:23,400 --> 00:28:26,640 Speaker 5: Well, no, but they were. There are trouble. You gotta 669 00:28:26,680 --> 00:28:28,440 find a way to get rid of them somehow. 670 00:28:28,759 --> 00:28:29,960 Speaker 3: Who did you blow the whistle on? 671 00:28:30,279 --> 00:28:35,640 Speaker 1: Who are we talking here, Carrie Grant, Carry Gret Yeah, yeah. 672 00:28:35,559 --> 00:28:37,400 Speaker 6: Jimmy did try to take Carry down at way. 673 00:28:37,480 --> 00:28:39,480 Speaker 5: Well, I see, because there are only a handful of 674 00:28:39,480 --> 00:28:41,680 actors that are more famous than I was. I want 675 00:28:41,720 --> 00:28:43,519 the most famous actors of all time. 676 00:28:44,279 --> 00:28:46,960 Speaker 6: Jimmy, he you know, he tried to turn in plot Gable, 677 00:28:47,200 --> 00:28:49,440 he tried to turn in Rock Hudson. He tried to 678 00:28:49,480 --> 00:28:50,519 turn and carry Grant. 679 00:28:50,799 --> 00:28:53,079 Speaker 5: Gary Cooper, Yeah, a close friend. 680 00:28:53,559 --> 00:28:55,920 Speaker 6: Eventually, you know, Jimmy, you point one finger forward, you 681 00:28:55,960 --> 00:28:59,759 point three fingers back, and so eventually the American Gestapo, 682 00:29:00,119 --> 00:29:03,079 well they started they started looking around, sniffing around Jimmy's home. 683 00:29:03,200 --> 00:29:08,400 Speaker 5: Well right fully saw I was a Communist. Well, yeah, 684 00:29:08,400 --> 00:29:10,960 that's how I got all the papers to plant on ground. 685 00:29:11,559 --> 00:29:13,200 Oh yeah, there were mine. 686 00:29:13,559 --> 00:29:16,319 Speaker 4: Yeah, I mean, he's known for to catch a thief, 687 00:29:16,359 --> 00:29:19,440 but you know you're trying to catch a communist, right yeah? 688 00:29:19,920 --> 00:29:22,559 Speaker 5: Hyeah? So go to why to put it so eloquent? 689 00:29:23,400 --> 00:29:25,039 Speaker 4: The movie that you were in, Grace, I don't know 690 00:29:25,079 --> 00:29:27,400 if you remember it. You were in that movie with 691 00:29:27,480 --> 00:29:28,079 Carry Grant. 692 00:29:28,160 --> 00:29:29,079 Speaker 3: She I think she's felling. 693 00:29:29,240 --> 00:29:32,880 Speaker 5: Honestly, Let me pop some more pills in her mouth 694 00:29:32,880 --> 00:29:34,359 and see if I can get aroused. 695 00:29:35,400 --> 00:29:38,720 Speaker 6: I don't remember much of you know, March nineteen fifty 696 00:29:38,799 --> 00:29:42,200 nine and onward. Okay, Jimmy and I, we just want 697 00:29:42,240 --> 00:29:44,880 one more starring feature. We just want one more big 698 00:29:44,920 --> 00:29:47,279 blowout at the box office. That's all we can ask for. 699 00:29:47,359 --> 00:29:49,839 Speaker 5: Well, yeah, that's why we're really putting all our eggs 700 00:29:49,880 --> 00:29:51,079 in front window. 701 00:29:51,759 --> 00:29:53,799 Speaker 6: Is there anything you gentlemen do can do to help 702 00:29:53,839 --> 00:29:54,559 us with promotion? 703 00:29:55,359 --> 00:29:57,079 Speaker 1: I mean, you know you're on the podcast and is 704 00:29:57,160 --> 00:30:00,880 held number one podcast, So yeah, there's that. Nuh, we're 705 00:30:00,880 --> 00:30:03,720 getting a batch of fresh souls coming down. 706 00:30:04,039 --> 00:30:06,680 Speaker 6: Oh geez, Jimmy, put the shirt back on. Okay, you 707 00:30:06,680 --> 00:30:08,599 don't need to. You don't need to woo all the 708 00:30:08,720 --> 00:30:10,880 ladies here with your extraordinary physique. 709 00:30:11,000 --> 00:30:11,200 Speaker 2: Oh. 710 00:30:11,319 --> 00:30:14,079 Speaker 5: I like how you can't see any muscula chare anywhere. 711 00:30:15,440 --> 00:30:17,759 Speaker 6: Stop tenting me, Jimmy, I'm a married princess. 712 00:30:18,480 --> 00:30:24,319 Speaker 5: Our one America's Perfect Man Body Physique magazine eighteen years 713 00:30:24,480 --> 00:30:25,160 were all. 714 00:30:25,480 --> 00:30:28,119 Speaker 6: It was before cameras or mirrors had been invented. 715 00:30:28,359 --> 00:30:31,599 Speaker 4: Well, our audience is listening only so they can just 716 00:30:31,759 --> 00:30:32,799 have to imagine the. 717 00:30:32,839 --> 00:30:38,079 Speaker 1: Pale, almost invisible skin covering up your veins and muscles. 718 00:30:38,279 --> 00:30:39,880 Speaker 2: Jimmy, why don't you give us a shake so they 719 00:30:39,920 --> 00:30:40,720 can hear it all? 720 00:30:40,839 --> 00:30:41,240 Speaker 5: Right here? 721 00:30:41,240 --> 00:30:41,519 Speaker 1: You are go? 722 00:30:43,079 --> 00:30:46,079 Speaker 6: Oh, listen to that. Listen to that. Though most people 723 00:30:46,079 --> 00:30:48,640 don't know this, but the story of Captain America that 724 00:30:48,720 --> 00:30:51,119 was inspired by Jimmy's efforts to join the war. 725 00:30:51,440 --> 00:30:56,440 Speaker 5: Yeah, only the first part nevergotless serrum though turned it down. 726 00:30:57,359 --> 00:31:01,279 Speaker 6: Oh, Jimmy, people don't know about this secret government seerum 727 00:31:01,319 --> 00:31:03,160 that you were supposed to take to become a super 728 00:31:03,200 --> 00:31:04,480 soldier in the Second World War. 729 00:31:04,680 --> 00:31:06,480 Speaker 5: Yeah. As soon as they told me, I was gonna 730 00:31:06,480 --> 00:31:09,000 make my doubts lullbager, I said, keep that in jung 731 00:31:09,079 --> 00:31:11,920 away from me. That's not the only movie that's based 732 00:31:11,960 --> 00:31:12,799 on me. By one. 733 00:31:13,319 --> 00:31:15,759 Speaker 6: If I can't wrap my belt under my nipples, I 734 00:31:15,839 --> 00:31:17,720 don't want it. 735 00:31:18,759 --> 00:31:20,920 Speaker 2: So, Yeah, what are the other movies that are based 736 00:31:20,960 --> 00:31:21,279 off you. 737 00:31:21,599 --> 00:31:25,720 Speaker 5: Well, I almost sued over it. But that thin man 738 00:31:25,759 --> 00:31:29,200 from Pan's Labyrinth, that's me one for one, which one? 739 00:31:29,279 --> 00:31:33,519 The guy want the eyes on his und because he. 740 00:31:33,559 --> 00:31:37,319 Speaker 6: Was always watching hence to your window. Put the eyes 741 00:31:37,359 --> 00:31:37,839 on the hand. 742 00:31:37,920 --> 00:31:40,240 Speaker 5: Yeah, oh, look at that guy. And I said, there's 743 00:31:40,279 --> 00:31:41,359 a cuity right there. 744 00:31:41,559 --> 00:31:43,960 Speaker 1: All right, Graace, Jimmy, where can the guys? Where can 745 00:31:44,000 --> 00:31:45,200 everybody see your next movie? 746 00:31:45,359 --> 00:31:48,039 Speaker 2: Yeah? Front Window? Where can our audience watch it? Well? 747 00:31:48,440 --> 00:31:51,759 Speaker 5: I just got the word down. It's premiering exclusively on Quibbe. 748 00:31:52,720 --> 00:31:54,880 Speaker 6: Enter the code for one. Nazi scalp. 749 00:31:55,480 --> 00:31:59,039 Speaker 2: Okay, all right, that's ez. 750 00:31:59,279 --> 00:32:03,480 Speaker 6: I s c a LP Nazi scalp. 751 00:32:03,839 --> 00:32:06,599 Speaker 5: Don't let this one get a y all right, Well 752 00:32:06,640 --> 00:32:09,680 you heard it here first Front Window premiering on Quibi. 753 00:32:11,000 --> 00:32:13,400 Speaker 3: Jimmy and care Grace. Guys, thank you so much for 754 00:32:13,480 --> 00:32:14,039 joining us. 755 00:32:14,759 --> 00:32:17,319 Speaker 6: Thanks, it's been a master blast. I'm gonna go take 756 00:32:17,359 --> 00:32:19,519 some hooch down these pills. Thank you fellas for having 757 00:32:19,599 --> 00:32:20,599 us in your pindrum. 758 00:32:20,920 --> 00:32:23,559 Speaker 1: Yes, ma'am, Well, Chris, I would say that this we 759 00:32:23,640 --> 00:32:26,279 can dial F for finished. 760 00:32:27,160 --> 00:32:28,640 Speaker 3: That's what this episode has done. 761 00:32:28,920 --> 00:32:33,079 Speaker 4: Yeah. Uh, everyone, to make sure you hit the little ellipses. 762 00:32:33,119 --> 00:32:34,799 Wherever you're listening to this or if you're your computer, 763 00:32:34,880 --> 00:32:38,440 to hit the share button and post it on social media. 764 00:32:38,480 --> 00:32:41,279 Speaker 2: Tell your friends spread the word. Uh, so we can 765 00:32:41,359 --> 00:32:41,920 keep making it. 766 00:32:42,160 --> 00:32:47,119 Speaker 1: Yeah, all right, Well hel Clayton, Oh hil Clinton, Oh God, Jimmy, 767 00:32:47,119 --> 00:32:49,240 heading know you're here, so thin. 768 00:32:53,920 --> 00:32:55,839 Speaker 5: Hey, guys, thanks for listening. This is Blaine. Uh. 769 00:32:56,240 --> 00:32:58,720 Speaker 1: We're gonna give a shout out to James and Elise 770 00:32:58,759 --> 00:33:00,720 Williams from Fun how us for joining us. 771 00:33:00,720 --> 00:33:02,559 Speaker 5: Thank you, guys, thank you for having me. 772 00:33:02,759 --> 00:33:04,160 Speaker 6: I'm sorry. 773 00:33:06,359 --> 00:33:11,039 Speaker 4: Longtime listeners. You might recognize their impersonations from the Beatles episode. 774 00:33:11,200 --> 00:33:12,000 Speaker 5: Well, I hope not. 775 00:33:14,880 --> 00:33:16,119 Speaker 3: Such range on YouTube. 776 00:33:16,759 --> 00:33:19,240 Speaker 5: What would that say about us as impressionists. 777 00:33:19,400 --> 00:33:22,160 Speaker 3: I always convinced that Paul was a man the entire time. 778 00:33:22,680 --> 00:33:24,519 Speaker 2: Yeah, never knew it was a lease. 779 00:33:25,039 --> 00:33:27,119 Speaker 5: Oh no. 780 00:33:27,720 --> 00:33:30,640 Speaker 2: Where can people find you, guys on like social media? Twitter? 781 00:33:31,240 --> 00:33:35,400 Speaker 5: You can follow me on Twitter at James Williams, at last. 782 00:33:35,240 --> 00:33:37,480 Speaker 6: Williams, and of course we're at fun House YouTube dot 783 00:33:37,519 --> 00:33:38,440 complash Funhouse. 784 00:33:39,079 --> 00:33:41,160 Speaker 2: Well, thanks guys, Thank you. 785 00:33:41,599 --> 00:33:46,240 Speaker 3: Next time as. 786 00:33:44,359 --> 00:33:47,599 Speaker 5: Something that's probably not relevant. 787 00:33:48,680 --> 00:33:50,240 Speaker 2: All right, let's keep this free going. 788 00:33:50,519 --> 00:33:53,440 Speaker 4: Yeah, keep maybe a movie star from the thirties I 789 00:33:53,480 --> 00:33:58,200 would say, Buster Keaton, it would be really funny to 790 00:33:58,279 --> 00:33:59,480 have a silent film star. 791 00:34:00,079 --> 00:34:04,599 Speaker 5: This is yeah, this is my Buster keeping impression. What 792 00:34:04,720 --> 00:34:05,240 did you think? 793 00:34:06,039 --> 00:34:09,159 Speaker 2: Yeah? Thanks guys, all right, thank you