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Speaker 1: Welcome to thrilling Threads. I have to tell you I

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walked into the studio today with a completely different mindset

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than usual. Normally, we grab a topic, maybe a historical event,

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maybe a piece of new tech, and we try to

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wrap our heads around it. We try to put in

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a box.

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Speaker 2: Right, we categorize. I mean, that is just human nature.

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We like things to fit neatly into the narrative we

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already understand exactly.

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Speaker 1: But the stack of sources you sent me last night,

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there is there is no box for this. We are

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not categorizing today. We are taking a sledgehammer to the shells. Today,

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we're pulling at the loose threads of reality itself to

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see what unravels. And honestly, I'm a little nervous.

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Speaker 2: It is certainly a departure from the mundane. The material

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we are covering today is well, let's call it high

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octane speculation backed by physical anomalies. It challenges the absolute

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bedrock of our history.

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Speaker 1: So let's set the stage for everyone listening. I want

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to start with a hook that really really got me

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thinking this morning.

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Speaker 2: I want to talk about the concept of firsts first,

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like historical first.

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Speaker 1: Yeah, we are obsessed with them. You know, you learn

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in school that Neil Armstrong was the first man on

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the moon. We argue over dinner about whether Columbus of

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the Vikings were the first across the Atlantic. We have

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this timeline in our heads, this linear arrow of progress

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that puts humanity right now, in the twenty first century,

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at the absolute cutting edge of everything.

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Speaker 2: It is a very anthropocentric view of history. We assume

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that because we are doing something now, it must be

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the very first time it has ever been done. We

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view history as a ladder, and we just assume we

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are on the top.

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Speaker 1: Wrong right, But what if the ladder is actually a wheel?

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The source material for today challenges the ultimate first, the

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big one. The question isn't just who discovered America? The

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question is we're humans the first intelligent life on earth?

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Or even are we the only intelligent like here right now?

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Speaker 2: That is the core of the ancient astronaut theory. But

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before people roll their eyes an immediately thing of tinfoil hats.

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Our mission on Thrilling Threads today is to look at

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the physical evidence. We aren't talking about blurry photos of

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lights in the sky.

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Speaker 1: No, no blurry weather balloons.

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Speaker 2: Today exactly we are looking at geological surveys, archaeological anomalies,

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and global patterns that suggest we might have had company

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a long time ago, and.

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Speaker 1: The part that really gave me the chills, maybe we

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still do. It's not just about history, it's about the present.

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I want to treat this like a campfire ghost story,

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you know, but one where the ghosts have left fingerprints,

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specific GPS coordinates, and like heavy mining equipment line around

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a fair approach.

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Speaker 2: My role here, as always, is to play the devil's

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advocate and the analyst. I want to look at the

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data points. We need to ask the why behind the what,

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because if even ten percent or five percent even of

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this material is accurate, it changes the human narrative completely.

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Speaker 1: So let's unpack this. We're going to start with a rock,

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but not just any rock. We are heading down to Brazil,

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specifically to the Inga River, the Inga Stone. Yeah. When

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I first read stone, I was picturing, you know, a boulder,

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something you'd see on a hike, maybe sit on to

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eat a sandwich. But I've pulled up the photos from

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the sources and this thing is a wall.

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Speaker 2: It is a monolith. To give you a sense of scale,

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we are talking about a vertical rock formation that is

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roughly one hundred and fifty feet long and twelve feet tall.

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Speaker 1: Imagine half a football feel of solid rock, and it's

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not jagged. Parts of it are strangely polished. But the

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size isn't the weird part. It's the graffiti.

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Speaker 2: I wouldn't call it graffiti. The entire surface is covered

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in what the source material describes as immaculate curvings. And

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this is where the archaeological community starts to get very uncomfortable.

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Speaker 1: Because usually when you find petroglyphs in that part of

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the northeast Brazil, you see a certain style, right correct.

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Speaker 2: The indigenous art of that region and era typically features

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zoomomorphic figures. You see jaguars, fish, birds, or perhaps ritualistic

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scenes of hunting or dancing. There are representations of the

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daily life and the strangual beliefs of the people.

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Speaker 1: But the inga stone, I mean it looks like a

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circuit board. I'm looking at these pictures and I don't

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see jaguars. I see geometric shapes, I see spirals, I

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see things that look like barcodes.

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Speaker 2: That is the anomaly. The complexity of the symbols is

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far beyond what is attributed to the cultures of that time.

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There are over four hundred distinct symbols carved into the

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Nice rock.

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Speaker 1: And nice is hard, right, like, geologically.

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Speaker 2: Speaking, incredibly hard. This wasn't scratched in with a stick

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or a crude bone tool. This took serious effort and

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advanced technology to carve this precisely.

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Speaker 1: And here's where it gets really interesting. Researchers, specifically a

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guy named Gabrielle de Nuncio Baraldi, who was referenced in

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our sources, claimed to have deciphered them. And they aren't

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stories about a great hunt. They're about physics and astronomy.

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Speaker 2: This is the first major divergence from the standard historical narrative.

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The carvings appear to depict specific constellations. The source mentions

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the Southern Cross, the Milky Way, and distinctly Oriyan.

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Speaker 1: Okay, play this skeptic for a second. Could it just

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be art? I mean, I can look get a cloud

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and see a spaceship. Is this just us projecting our

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modern understanding of astronomy onto ancient abstract art.

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Speaker 2: That is the question we must always ask. Perry Doolia.

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Seeing patterns that aren't there However, the alignment and the

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relative distances between the stars on the rock match the

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astronomical charts surprisingly.

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Speaker 3: Well, it's too accurate to be a doodle, right, And

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you have to ask why would a primitive culture concerned

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primarily with survival, rain and crops create a high fidelity

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map of the.

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Speaker 1: Galaxy unless someone showed them the galaxy.

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Speaker 2: That is the exact inference the source material makes. In

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the ancient astronaut framework, if you are visited by beings

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from the stars, the stars become the most important subject matter.

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Speaker 1: It totally shifts their worldview.

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Speaker 2: It signals a shift from worshiping nature like the river

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or the sun, to worshiping the visitors.

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Speaker 1: It's like, I don't know, if you meet a guy

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from Chicago and he drawed you a map of Chicago

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and says, this is where I live, you might carve

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that map to remember him. You wouldn't carve a picture

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of a local bird if the most important event in

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your life was meeting the Chicago guy.

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Speaker 2: An apt, if slightly casual analogy, but yes, the deviation

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from the cultural norm choosing star maps over spirit animals

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suggests a specific external influence.

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Speaker 1: But it's not just the carving on the rock. It's

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the rock itself, or rather where the rock is sitting.

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The source mentions these spiral carvings are interpreted as vortices

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of energy, and I initially thought, okay, that sounds like

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New Age fluff, crystals and vibes, but then they brought

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the receipts.

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Speaker 2: There is physical data here. There is a proven magnetic

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anomaly at the exact site of the NGOs stone. If

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you take a compass there, it behaves radically. The local

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electromagnetic field is distorted and if you zoom out, if

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you zoom out to the macrogeography, the stone is located

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within the South Atlantic Anomaly.

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Speaker 1: I've heard of this. This is a real thing. NASA

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tracts right. It's not just an Internet.

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Speaker 2: Rumor absolutely real. It is a region where the Earth's

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inner van Allen radiation belt comes closest to the Earth's surface.

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It's essentially a d in the Earth's magnetic shield. Satellites

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often have to shut down their sensitive instruments when passing

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over this area to avoid radiation damage.

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Speaker 1: So let's put this together for you guys listening. We

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have a one hundred and fifty foot stone wall. It's

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carved with star maps and spirals, and it is sitting

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directly on top of a magnetic anomaly inside a massive

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atmospheric radiation zone.

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Speaker 2: It creates a very compelling coincidence.

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Speaker 1: Coincidence come on, that feels like engineering. If I'm an

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alien and I need a place to park, or a marker,

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or I don't know, a charging station, that is.

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Speaker 2: The leading theory in the source. If you were a

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spacefaring civilization, you would need navigational beacons. You would map

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the magnetic anomalies of.

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Speaker 1: A planet because you'd use them right, perhaps.

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Speaker 2: For propulsion, perhaps to harness the energy, or perhaps simply

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to know where the dangerous radiation is. The connection between

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the carving, the map, and the location the energy source

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suggests function over form.

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Speaker 1: It's a you are here sign, or maybe a warning signage.

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Speaker 2: Or a refueling station. But hold that thought on refueling

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because that ties into the motivation we will discuss later. First,

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we need to address the fact that the Ingas Stone isn't.

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Speaker 1: Isolated, right, It's not just one weird rock in Brazil exactly.

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Speaker 2: It's a part of a network.

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Speaker 1: This blew my mind, the world grid.

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Speaker 2: This brings us to the work of Ivan T. Sanderson.

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Speaker 1: I love this name, Ivan T. Sanderson. He sounds like

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an adventurer from a nineteen thirties pulp novel Indiana Jones Vibes.

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Speaker 2: He was actually a Scottish born biologist and a bit

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of a cryptozoologist, a very colorful character. But he was

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obsessed with data patterns. He didn't just look at one

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weird event in isolation. He looked for global correlations.

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Speaker 1: And he came up with the vile Vortices, which honestly

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great branding.

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Speaker 2: It is evocative. Yes, Sanderson identified twelve principal locations on

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the globe where paranormal phenomena, disappearances, and magnetic anomalies occur

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with a statistical significance.

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Speaker 1: And the Ingastone or the South Atlantic Anomaly is one

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of them.

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Speaker 2: It connects to one, yes, but you know the others.

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The Bermuda Triangle, the Devil Sea sometimes called the Dragon's Triangle,

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south of Japan, Easter Island, the Indus Valley, and.

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Speaker 1: Here is the kicker. They aren't random, like if you

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just threw darts at a map, you wouldn't get this.

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Speaker 2: No, if you plot these twelve locations on a globe,

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they are spaced perfectly evenly. If you connect the dots,

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they form an icosahedron, a geometric shape made of twenty

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equilateral triangles.

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Speaker 1: So nature rarely builds perfect dicosyhedrons on a planetary scale. Right,

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This implies a grid, a structure.

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Speaker 2: The theory is that the Earth is like a crystal.

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It has geometric stress points or energy nodes. Think of

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it like acupuncture points on the human body.

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Speaker 1: Okay, that helps. So if the Earth has these pressure points,

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Sanderson called them vile because bad stuff happens there. Planes, vanish,

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ship sink compasses go crazy.

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Speaker 2: Because of the intense magnetic instability. But the ancient astronaut

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perspective flips that narrative completely. We look at the Bermuda

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triangle and think danger, keep away. But the source suggests

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that maybe maybe it's a transit system.

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Speaker 1: A transit system like a cosmic subway.

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Speaker 2: Imagine you have technology that we can't even dream of.

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You don't use combustion engines, you use electromagnetic propulsion, or

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perhaps you manipulate gravity itself. Where would you build your bases?

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Speaker 1: You build them on the energy nodes. You'd build them

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where the Earth is already giving you a boost. You

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wouldn't put a water wheel in a dry ditch, you

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put it in the rapids exactly.

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Speaker 2: The Source speculates that these locations could be brought to

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a higher energetic.

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Speaker 1: State, meaning portals wormholes.

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Speaker 2: Theoretically, in physics we talk about Einstein Rosen bridges shortcuts

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through space time. To open one, you would need immense energy.

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If you could harness the natural magnetic anomalies of the planet,

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these vile vortices, you might be able to create a

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stable corridor.

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Speaker 1: So it's literally a subway system. If you enter the

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turnstile and the Bermuda triangle and you pop.

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Speaker 2: Out where another part of the galaxy, another universe. The

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Source describes it visually as a tunnel. If you have

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the tech to open the door, it's a shortcut.

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Speaker 1: But if you don't have the tech, if you are

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just a human in a wooden galleon or a prop

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plane flying through the Bermuda triangle and the door happens

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to open.

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Speaker 2: You slip through and you are never seen again.

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Speaker 1: Or you just get crushed by the door. That makes

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so much sense in a terrifying way. We see these

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places as graveyards because we're trying to walk across the

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super highway with our eyes closed. Yeah, but for an

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advanced civilization, it's just the on ramp.

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Speaker 2: It reframes the paranormal as misunderstood physics. We see a

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ship vanish and call it a ghost story. They might

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see a ship vanish and say, oops, the primitives accidentally

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triggered the jump gate.

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Speaker 1: Okay, so let's pause and look at the board here,

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because we're building a massive picture. We have a star

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map carved on a magnetic rock in Brazil. We have

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a global grid of these magnetic spots that might be wormholes.

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But the big question, the one that always nags at

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me with this alien stuff, is why.

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Speaker 2: Motivation? It is the key to any investigation, criminal or historical.

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Speaker 1: Right, Like, if I'm an advance alien, I can go

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anywhere in the universe. I have a wormhole subway. Why Earth?

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Are we just a nice vacation spot? Do they like

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our beaches? The source material gets surprisingly practical about this.

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It's not about tourism. It's not even about scientific curiosity

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like studying the local bugs.

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Speaker 2: It is about work. It is about resources, specifically mining,

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And to understand this we actually have to look at

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the moon first.

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Speaker 1: The moon okay. July twenty, nineteen sixty nine, Armstrong and Aldron,

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one small step the whole world.

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Speaker 2: Watching the Source makes a really poignant observation. Here. We

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look at that grainy footage, the flag, the gray dust,

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the footprints, and we think we did it. We left home.

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We are the explorers.

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Speaker 1: But the Source asks, is it arrogant to think we

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were the first?

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Speaker 2: The universe is roughly thirteen point eight billion years old,

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The Earth is four point five billion years old. Humanity

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we've been industrial for maybe two hundred years. Is it

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so hard to imagine that in those billions of years

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someone else stopped.

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Speaker 1: By the Moon and treated it like a gas station.

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Speaker 2: Excisely to the naked eye, the Moon is a barren rock,

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just dust and craters. But in nineteen eighty six, samples

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and testing revealed that the Lumur landscape contains extremely high

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amounts of helium three.

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Speaker 1: Helium three. I've heard this mentioned in sci fi movies,

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but break it down for us. Why is helium three

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so special? Why would aliens care?

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Speaker 2: It is the absolute holy grail of nuclear fusion. Unlike

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nuclear fission, which we use today and produces dangerous radioactive waste,

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fusion with helium three is clean, it's incredibly powerful, and

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it is non radioactive.

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Speaker 1: Give me a stat how powerful are we talking.

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Speaker 2: The source states that a single space shuttle load of

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helium three could power the entire United States for a year.

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Speaker 1: One shuttle a year. That is, that's economy changing, that's

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world changing. You wouldn't need oil, coal, anything.

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Speaker 2: So if we humans are currently planning missions to mine

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them moon for helium three, which by the way, China

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and the US are actively discussing right now, why wouldn't

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an advanced civilization have done the exact same thing a

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million years ago?

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Speaker 1: It makes total sense. If you're traveling between stars, you

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don't carry all your fuel with you, you'd be too heavy.

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You stop at the local chevron, and the Moon is

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a perfect chevron. It's low gravity, so it's easy to

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take off again, and it's full of helium three.

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Speaker 2: And if the Moon is the gas station, Earth.

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Speaker 1: Is the hardware store or the jewelry store.

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Speaker 2: No, not jewelry, the hardware store. This brings us back

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down to Earth, specifically to the cradle of civilization, Sumeria.

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Speaker 1: This is one of my favorite parts of history because

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it's so sudden. The Sumerian culture in what is now

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Iraq between the Tigris and Euphrates rivers around thirty five

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hundred BC. They just pop up.

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Speaker 2: It is historically abrupt. We go from scattered hunter gatherers

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to a society with city grids that look like modern Manhattan,

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complete with cobblestones, sewage systems, advanced agriculture, and most importantly writing.

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Speaker 1: Kidney form A little wedge shapes the clay.

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Speaker 2: Yes, they had courts of law, complex astronomy, and advanced mathematics.

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And we found thousands of these clay tablets, twenty two

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thousand of them discovered in the ruins of Nineveh in

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the nineteenth century.

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Speaker 1: And when scholars finally translated them, they found stories that

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sounded incredibly familiar.

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Speaker 2: They found the precursors to the biblical stories the Great Flood,

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the creation of Man from clay. These stories existed in

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Sumeria long before the Book of Genesis was written, but

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in nineteen seventy six a scholar named Zechariah Sitchen offered

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a highly controversial translation in.

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Speaker 1: His book The Earth Chronicles.

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Speaker 2: Sitchen claimed the tablets describe an alien race known as

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the Anunaki, and, according to his reading of the cuneiform.

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They didn't come here to be worshiped as ethereal gods.

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They came here to dig.

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Speaker 1: To dig for gold.

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Speaker 2: Correct, the gods were miners.

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Speaker 1: But why gold? I mean, I get that we like gold.

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It's shiny, looks great on a watch. But if you

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have a spaceship capable of interstellar travel, surely you don't

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need currency. You aren't buying things.

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Speaker 2: This is where we need to separate golds perceived esthetic

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value from its scientific utility. Sitchen's theory is twofold. First,

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he claims their home planet, which he called Nibiru, was

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suffering from severe atmospheric.

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Speaker 1: Depletion like climate change on steroids.

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Speaker 2: Yes, they needed to suspend gold particles in their atmosphere

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to create a reflective shield to save their planet.

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Speaker 1: Like geoengineering or planetary engineering putting up a giant gold

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sunshade in the sky exactly.

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Speaker 2: And that actually aligns with some modern scientific theories about

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how to repair a damaged atmosphere or cool a planet.

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But even if you ignore the dying planet theory, look

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at how we use gold today in high tech industries.

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Speaker 1: It's in our phones, it's in our computers. You can

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pull gold out of old motherboards.

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Speaker 2: It is the ultimate metal for technology. It is the

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third best conductor of electricity. But unlike silver or copper,

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it does not tarnish or corrode. It is practically immortal.

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It reflects infrared radiation incredibly well.

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Speaker 1: That's why the visors on astronaut helmets are gold coated,

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right to protect their eyes from the unfiltered sun in space.

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Speaker 2: Correct. So if you are a spacefaring civilization building ships

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that need to last centuries in the harsh vacuum of space,

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you need gold. You need it for circuitry, for radiation shielding,

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for seamless connectors. It's not money to them, it's the wiring,

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it's the building material survival.

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Speaker 1: So the Aninachi come here, they find goal. They start digging.

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But digging is hard work. It's hot, it's heavy, it's dangerous.

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Speaker 2: And according to Sitchin's translations, the Ananachi tired of the

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relentless labor. They mutinied against their leaders. They wanted a

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workforce to do the heavy lifting.

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Speaker 1: And they looked at the local wildlife, the early Homidid's

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running around and said, we can work with this.

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Speaker 2: Let's upgrade them. It suggests we were the workforce the

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gods were the supervisors, the engineers, and humanity was genetically

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altered to be the labor in a global mining colony.

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Speaker 1: That is humbling. It's also a little depressing. We like

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to think where the center of the universe made in

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the image of the divine, and really we're just the

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local hires for a mining operation who eventually got too

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smart for our own good.

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Speaker 2: It shifts the narrative significantly. But if we follow this

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thread that these beings were physically here walking among us,

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supervising us, it implies interaction, close prolonged interaction, and that

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leads to the question of physical evidence left not just

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in the dirt, but on us. On human biology.

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Speaker 1: This brings us to the skulls, and I have to say,

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looking at the pictures and the source file you sent,

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these things are pure nightmare fuel.

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Speaker 2: The elongated skulls of Paracas, Peru, specifically from Kowachi, the

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ancient capital of the Nosca people.

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Speaker 1: For everyone listening, I want to describe what we're looking

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at here. Imagine a normal human skull, but instead of

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rounding off at the top and back, the cranium just

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continues upward and backward, almost like a cone or a

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massive swept back dome. They are huge.

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Speaker 2: They were unearthed in nineteen ten by the anthropologist alesher Tlchica,

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and they immediately sparked a massive debate and.

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Speaker 1: The immediate reaction from skeptics. The standard textbook answer is headbinding.

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Speaker 2: And that is a completely valid, historically documented practice. We

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know cultures did this. We call it cranial deformation. We

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have photographs from the late nineteenth century of the mong

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Betu tribe and the African Congo tightly wrapping infants heads

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in cloth or clamping them between wooden boards.

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Speaker 1: Which sounds horrific. I mean doing that to a baby.

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Speaker 2: It is incredibly painful and highly dangerous. It can cause

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severe brain damage, it can kill the child. The skull

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of an infant is malleable, so they force it into

401
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this shape as it grows. But the source points out

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a massive global mystery here, right.

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Speaker 1: It wasn't just in Peru.

404
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Speaker 2: No, this practice was found in the Congo, it was

405
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found in Malta in the Mediterranean, it was found in

406
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Vanuatu and on incredibly remote islands in the Pacific.

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Speaker 1: That's the aha moment for me. Why would completely unconnected

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cultures separated by massive oceans in thousands of years all

409
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wake up one day and decide, hey, let's squash our

410
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babies heads into this exact specific cone shape.

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Speaker 2: That is the pivotal question. Why this specific shape? Anthropologists

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usually default to saying it was a mark of social

413
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status or it was considered beautiful. But why is that beautiful?

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Why is a deformed, elongated head a status symbol across

415
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isolated continents.

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Speaker 1: The ancient astronaut theory has a simple answer. Mimicry.

417
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Speaker 2: Imitation is the sincerest form of flattery.

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Speaker 1: It's the cargo cult mentality. Like during World War two,

419
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island tribes in the Pacific saw American planes land and

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bring food and supplies. So when the war ended and

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the planes left, the tribes built straw planes and carved

422
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wooden headsets to try and bring the gods back. They

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mimic the behavior to get the result exactly.

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Speaker 2: The source argues that these ancient cultures weren't just being

425
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arbitrarily creative with their children's skulls. They wouldn't risk their

426
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infants lives for a random fashion statement. They were trying

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to look like someone they had actually seen.

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Speaker 1: They saw the gods, the Innaki, or whoever was running

429
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the mining operation, and these beings had naturally large, elongated heads.

430
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Speaker 2: The gods have big heads, and the gods have power

431
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and magic, which is just advanced technology. Then the humans think,

432
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if I make my child's head look like that, maybe

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they will have that power too, maybe they will be

434
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treated better by the supervisors.

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Speaker 1: It's tragic, really, breaking your own child's skull to try

436
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and look like the boss.

437
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Speaker 2: It is a dark thought, and the source connects this

438
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ancient mimicry to the modern pop culture image of the

439
00:21:24,279 --> 00:21:28,799
gray alien. You know, the archetype. Spindly body, huge elongated head,

440
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massive almond eyes.

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Speaker 1: It's the image everyone draws when you say the word alien.

442
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It's on T shirts and bumper stickers.

443
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Speaker 2: The source suggests that this archetype exists so strongly in

444
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our collective subconscious because it is a deeply buried race memory.

445
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We saw them, they looked like that, we tried to

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copy them.

447
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Speaker 1: It connects everything. The gold mining supervisors had the long heads.

448
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The humans copied the long heads to fit in or

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gain status. It's all consistent.

450
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Speaker 2: Consistent, Yes, disturbing. Also, yes, the physical impression on our

451
00:21:59,079 --> 00:22:00,720
culture is indelible.

452
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Speaker 1: So let's look at the timeline we've built. We have

453
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the map at the Ingostone. We have the highway of

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the vile vortices. We have the job description mining for

455
00:22:08,880 --> 00:22:12,319
healium three in gold. We have the uniform, the elongated skulls.

456
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But where are they now? If they were here, did

457
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they just pack up and leave?

458
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Speaker 2: That is the final thread of our deep dive today,

459
00:22:20,680 --> 00:22:23,359
and perhaps the most unsettling one, the question of their

460
00:22:23,400 --> 00:22:24,319
current whereabouts?

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Speaker 1: Because we always look up right. We have SETI pointing

462
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massive radio dishes at the stars. We're constantly scanning for

463
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signals from Alpha Centauri or wherever. But the source material

464
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says we're looking in the completely wrong direction.

465
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Speaker 2: You should be looking down into the ocean. Think about

466
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the pure statistics of our planet. We have mapped the

467
00:22:41,839 --> 00:22:44,960
surface of Mars more accurately than we have mapped the

468
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floor of the Pacific Ocean. Seventy percent of our planet

469
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is water. It is a massive, opaque, impenetrable shield.

470
00:22:53,640 --> 00:22:58,720
Speaker 1: The source introduces this concept of USO's unidentified submersible objects.

471
00:22:59,079 --> 00:23:01,960
We always hear about us but USO's are just as

472
00:23:02,000 --> 00:23:02,960
common in the reports.

473
00:23:03,440 --> 00:23:06,720
Speaker 2: We have reports dating back to Columbus's logs and continuing

474
00:23:06,799 --> 00:23:10,480
right up to modern navy sightings of massive objects glowing

475
00:23:10,559 --> 00:23:13,920
and moving underwater, but not just drifting, moving at speeds

476
00:23:13,920 --> 00:23:16,720
that completely defy or understanding of fluid dynamics.

477
00:23:16,839 --> 00:23:20,119
Speaker 1: Hundreds of knots underwater, right, yeah, which should be impossible.

478
00:23:20,319 --> 00:23:23,839
The water resistance alone would crush your rip a conventional.

479
00:23:23,359 --> 00:23:26,640
Speaker 2: Ship apart, unless you have technology that negates mass or resistance,

480
00:23:27,119 --> 00:23:31,279
a localized gravity envelope. Perhaps. The source mentions Arnold Land,

481
00:23:31,400 --> 00:23:34,599
a retired surgeon from Minnesota who was fascinated by extreme

482
00:23:34,720 --> 00:23:38,720
depth diving physiology. He patented a liquid air scuba suit,

483
00:23:39,039 --> 00:23:41,519
speculating on the possibility of liquid breathing.

484
00:23:41,519 --> 00:23:44,039
Speaker 1: Like the movie The Abyss where they breathe the pink

485
00:23:44,039 --> 00:23:45,880
liquid so they don't get crushed by the pressure.

486
00:23:46,200 --> 00:23:49,119
Speaker 2: Exactly like that. But the broader theory presented in the

487
00:23:49,160 --> 00:23:53,160
source is tactical. If you are in advanced civilization and

488
00:23:53,200 --> 00:23:55,839
you want to observe earth or continue to mine Earth

489
00:23:56,119 --> 00:23:59,240
without being bothered by the noisy, violent monkeys on the surface,

490
00:24:00,200 --> 00:24:00,759
where you go.

491
00:24:01,319 --> 00:24:03,200
Speaker 1: You go where the monkeys can't go. You go to

492
00:24:03,200 --> 00:24:04,880
the bottom of the Marianas Trench.

493
00:24:05,039 --> 00:24:08,400
Speaker 2: It is the perfect hiding spot. It's safe, it's secluded,

494
00:24:08,559 --> 00:24:13,039
it's geologically stable in the deep basins, the temperature doesn't fluctuate.

495
00:24:13,440 --> 00:24:16,640
Surface storms, even nuclear wars wouldn't really reach you. If

496
00:24:16,680 --> 00:24:19,079
you wanted to hide a base the size of Manhattan

497
00:24:19,119 --> 00:24:21,039
on Earth, the bottom of the ocean is the only

498
00:24:21,119 --> 00:24:21,920
viable place to do.

499
00:24:21,960 --> 00:24:25,279
Speaker 1: It makes me think about those ancient myths again, the

500
00:24:25,279 --> 00:24:26,559
OANs and Sumeria.

501
00:24:26,720 --> 00:24:28,200
Speaker 2: Yes, the amphibious gods.

502
00:24:28,440 --> 00:24:32,799
Speaker 1: They were described as beings literally fishmen who came out

503
00:24:32,799 --> 00:24:34,720
of the sea during the day to teach the Sumerians

504
00:24:34,759 --> 00:24:37,559
writing math and law, and then walked back into the

505
00:24:37,599 --> 00:24:41,000
sea at night. I always thought that was just weird

506
00:24:41,119 --> 00:24:44,000
artistic license, a metaphor.

507
00:24:43,799 --> 00:24:46,319
Speaker 2: But in this context, it doesn't sound like a metaphor.

508
00:24:46,400 --> 00:24:48,680
It sounds like a daily commute. They lived in the

509
00:24:48,759 --> 00:24:52,160
underwater base, commuted to the surface to supervise the workers

510
00:24:52,200 --> 00:24:54,440
and manage the civilization, and went home at night.

511
00:24:55,000 --> 00:24:58,400
Speaker 1: Man, that turns the whole idea of dominion over the

512
00:24:58,440 --> 00:25:01,759
Earth on its head. Walk around thinking we own the place,

513
00:25:02,119 --> 00:25:05,000
We build our cities, we fight our wars, we draw

514
00:25:05,039 --> 00:25:07,599
our borders on maps, but really we only live on

515
00:25:07,640 --> 00:25:10,559
the dry islands. We're just squatting on the thirty percent

516
00:25:10,559 --> 00:25:12,079
of the planet. That sticks out of the water.

517
00:25:12,240 --> 00:25:14,480
Speaker 2: We live on the roof. The real landlords might be

518
00:25:14,480 --> 00:25:15,440
living in the house below.

519
00:25:15,799 --> 00:25:19,440
Speaker 1: And the source material speculates on the zoo hypothesis or

520
00:25:19,440 --> 00:25:22,559
the Petri Dish theory that Earth isn't just a mine,

521
00:25:23,079 --> 00:25:24,359
it's a genetic experiment.

522
00:25:24,920 --> 00:25:27,960
Speaker 2: If they engineered us, as Sitchen suggests to be workers,

523
00:25:28,480 --> 00:25:32,119
are they still monitoring the experiment? The source asks a

524
00:25:32,240 --> 00:25:35,759
very pointed question, are they waiting to upgrade humanity again?

525
00:25:35,880 --> 00:25:37,359
Speaker 1: Or are they waiting for us to mess up?

526
00:25:37,640 --> 00:25:40,160
Speaker 2: That is the ultimate fear. If we are the crop,

527
00:25:40,279 --> 00:25:43,039
are they waiting for the harvest? Or if we are

528
00:25:43,079 --> 00:25:46,400
the tenants, are we getting dangerously close to eviction because

529
00:25:46,400 --> 00:25:48,319
we are actively trashing the apartment.

530
00:25:48,519 --> 00:25:51,319
Speaker 1: We're certainly trashing the apartment. I mean, look at the pollution,

531
00:25:51,680 --> 00:25:52,200
the wars.

532
00:25:52,359 --> 00:25:54,640
Speaker 2: It connects back to the concept of first that you

533
00:25:54,680 --> 00:25:57,640
introduced at the beginning. If they were here first, and

534
00:25:57,640 --> 00:26:00,720
they are still here, we are guests and we are

535
00:26:00,759 --> 00:26:02,640
not being very polite guests.

536
00:26:02,799 --> 00:26:05,400
Speaker 1: That is a terrifying thought to end on. But it

537
00:26:05,480 --> 00:26:07,839
really forces you to think. I mean, we've covered so

538
00:26:07,920 --> 00:26:11,559
much ground today, from the astronomical carvings in Brazil to

539
00:26:11,599 --> 00:26:15,440
the magnetic wormholes from the gold mines of ancient Iraq

540
00:26:15,920 --> 00:26:18,000
to the underwater bases in the Pacific.

541
00:26:18,279 --> 00:26:20,920
Speaker 2: It is a remarkably consistent narrative. That is what makes

542
00:26:20,960 --> 00:26:24,359
it so sticky for researchers. You have these completely desparate

543
00:26:24,480 --> 00:26:28,400
things a rock, a clay tablet, a deformed skull, a

544
00:26:28,440 --> 00:26:31,240
modern navy report, and when you thread them together with

545
00:26:31,279 --> 00:26:33,440
the ancient astronaut theory, they fit.

546
00:26:33,720 --> 00:26:36,039
Speaker 1: They fit a pattern. Whether that pattern is real or

547
00:26:36,119 --> 00:26:40,200
just the ultimate, grandest conspiracy theory, that's for you listening

548
00:26:40,240 --> 00:26:40,839
to decide.

549
00:26:40,960 --> 00:26:43,799
Speaker 2: Indeed, our job is to present the threads. You have

550
00:26:43,880 --> 00:26:45,400
to decide if they make a tapestry.

551
00:26:45,640 --> 00:26:47,599
Speaker 1: So I have a question for you listening right now.

552
00:26:47,680 --> 00:26:50,359
I want you to really picture this tonight. You're standing

553
00:26:50,400 --> 00:26:52,519
on the beach at night. You're looking out at the

554
00:26:52,599 --> 00:26:55,359
dark water. The waves are crashing.

555
00:26:54,920 --> 00:26:57,200
Speaker 2: And you know that down there, five miles down in

556
00:26:57,240 --> 00:26:58,880
the pitch black there might be lights.

557
00:27:01,319 --> 00:27:05,079
Speaker 1: If the theories in today's thrilling threads are true, if

558
00:27:05,119 --> 00:27:08,960
there is an advanced civilization hiding in our oceans or

559
00:27:09,000 --> 00:27:11,920
watching from the moon, would you want them to reveal

560
00:27:11,960 --> 00:27:14,039
themselves to us tomorrow.

561
00:27:14,200 --> 00:27:17,000
Speaker 2: It is a massive double edged sword confirmation would change

562
00:27:17,000 --> 00:27:22,279
absolutely everything, religion, science, politics, our entire understanding of our place,

563
00:27:22,279 --> 00:27:24,319
and the food chain. It would all crumble and have

564
00:27:24,400 --> 00:27:25,640
to be rebuilt from scratch.

565
00:27:25,960 --> 00:27:29,400
Speaker 1: Or considering we might just be a genetically engineered mining

566
00:27:29,480 --> 00:27:31,960
colony to them, are we better off if they stay hidden?

567
00:27:32,200 --> 00:27:34,799
Maybe ignorance really is bliss. If the landlords come out

568
00:27:34,839 --> 00:27:37,079
of the basement, they might just want to collect the rent.

569
00:27:38,240 --> 00:27:40,359
I honestly don't know my answer, but I want to

570
00:27:40,400 --> 00:27:42,359
know yours. Leave your answer in the comments.

571
00:27:42,400 --> 00:27:44,480
Speaker 2: It is certainly something to ponder the next time you

572
00:27:44,519 --> 00:27:47,200
look at the stars or the ocean. We are not

573
00:27:47,240 --> 00:27:48,480
alone PERHPS. We never were.

574
00:27:48,759 --> 00:27:51,920
Speaker 1: Thanks for joining us on this deep dive on thrilling threads.

575
00:27:53,200 --> 00:27:55,400
Keep pulling at the loose ends. You never know what

576
00:27:55,519 --> 00:27:57,200
might unravel until next time.

