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<v Speaker 1>And now doctor Watson, to return to your specialty, the

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<v Speaker 1>Adventures of mister Sherlock Holmes.

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<v Speaker 2>Thank you, mister Harris. Yes, I must say it's an

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<v Speaker 2>enthusiasm I seem to share with a great many friends

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<v Speaker 2>and critics. As you'll probably know, there's a collection of

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<v Speaker 2>Erludyk gentlemen all over the United States of America who

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<v Speaker 2>are ardent Sherlock Holmes and Matters, and who call themselves

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<v Speaker 2>the Baker Street Irregulars. Why would you believe it? They

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<v Speaker 2>even argue with me about the accuracy of some of

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<v Speaker 2>my stories.

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<v Speaker 1>Do they ever win the arguments? Doctor Watson?

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<v Speaker 2>You know Holmes always said I had a weakness for

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<v Speaker 2>embroidering a tale. But that's neither here nor there. So

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<v Speaker 2>here's tonight's adventure, the sixth Napoleons.

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<v Speaker 1>Six Napoleons. Why, good grief, doctor, I should think one

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<v Speaker 1>gentleman of that Carol caliber was all the world could

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<v Speaker 1>stand at the time. Or is it the name of

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<v Speaker 1>an acrobatic troop.

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<v Speaker 2>No, mister Harris, it's something even more than usual, as

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<v Speaker 2>you may have gathered. Inspect of Lestrade of Scotland Yard

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<v Speaker 2>was a frequent visitor of ours in the old Baker

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<v Speaker 2>Street days. Between him and Sherlock Holmes, there was a

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<v Speaker 2>friendly rivalry. His calls were welcome because they enabled us

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<v Speaker 2>to keep in touch with things at Scotland Yard. In

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<v Speaker 2>return for this news, her Holmes were sometimes able, or

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<v Speaker 2>without any active interference, to give some valuable hint on

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<v Speaker 2>the solution of a crime.

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<v Speaker 1>The word isn't sometimes, doctor Watson, it's frequently.

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<v Speaker 2>Possibly On the particular evening I'm referring to, Lestart had

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<v Speaker 2>come in wearing a preoccupied look. He spoke casually of

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<v Speaker 2>the weather and the newspapers. Then he fell silent, puffing

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<v Speaker 2>thoughtfully on one.

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<v Speaker 3>Of his atrocious cigars. Holmes looked at him keenly. Nothing

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<v Speaker 3>remarkable on hand, I suppose, Restrande.

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<v Speaker 1>No, no, nothing in particular. Then tell me about it.

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<v Speaker 4>But there's no use denying.

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<v Speaker 5>There is something on my mind. And see that quiet Watson. Well,

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<v Speaker 5>the start out with it? Has the Bank of England

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<v Speaker 5>been threatened? Or has someone stolen the doormat at Scotland Yard.

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<v Speaker 4>Well, as a matter of fact, the business is so

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<v Speaker 4>absurd that I hesitate to.

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<v Speaker 1>Bother you about it.

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<v Speaker 4>On the other hand, though trivial, it is undoubtedly queer

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<v Speaker 4>and I know you have a taste for anything that's

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<v Speaker 4>out of the common. In my humble opinion, it comes

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<v Speaker 4>more in doctor Watson's line than in ours. You mean disease, well,

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<v Speaker 4>madness anyway, and a queer sort of madness too. You'd

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<v Speaker 4>hardly think anyone living in this day and age would

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<v Speaker 4>have such a hatred of Napoleon that he felt compelled

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<v Speaker 4>to break any image of him that he saw.

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<v Speaker 1>Is that all that sort of nonsense is no business

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<v Speaker 1>of mind exactly, That's just what I said.

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<v Speaker 4>But when the man commits burglary in order to satisfy

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<v Speaker 4>his craving for breaking images, that takes it out of

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<v Speaker 4>the doctor's problems and into ours.

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<v Speaker 5>Burglary. Eh, that's more interesting. Give us the detail. That's

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<v Speaker 5>a good chap.

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<v Speaker 4>So far, there have been four cases, numbers one and

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<v Speaker 4>two reported four days ago. It was at the shop

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<v Speaker 4>of Mosse Hudson, who sells pictures and statues in the

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<v Speaker 4>Kennington Road. The assistant had left the shop for a

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<v Speaker 4>few moments when he heard a loud crash, hurried back

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<v Speaker 4>and found two plaster busts of Napoleon lying shimmered into fragments.

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<v Speaker 4>He rushed out into the road, but couldn't find the cuntrite,

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<v Speaker 4>although several passers by declared they had noticed.

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<v Speaker 1>A man run out of the shop. How much were

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<v Speaker 1>the busts worth? Only a few shillings And.

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<v Speaker 2>I thought you said there was a robbery. That's just

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<v Speaker 2>one of the senisterus acts of hooliganism which are becoming

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<v Speaker 2>more and more prevalent.

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<v Speaker 4>The third and fourth cases were more serious. Yes, yes,

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<v Speaker 4>they occurred only last night. In Kennington Road and within

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<v Speaker 4>a few hundred yards of moss Hudson's shop lives Doctor Barnicot,

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<v Speaker 4>a well known medical practitioner.

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<v Speaker 2>Thank you, Yes, I've heard of him. He has one

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<v Speaker 2>of the largest practices on the south side of the Thames.

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<v Speaker 1>Interrupts well.

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<v Speaker 4>His residence and principal consulting rooms are in Kennington Road,

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<v Speaker 4>but he has a branch surgery at Lower Buxton Road,

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<v Speaker 4>two miles away. Doctor Barnicot's an enthusiastic admirer of Napoleon

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<v Speaker 4>and had recently purchased from Moss Hudson two duplicate plaster

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<v Speaker 4>casts of the famous head of Napoleon by the French

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<v Speaker 4>sculptor Leavin. One of these he placed in his home

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<v Speaker 4>and one in the surgery in Buxton Road. Well, well,

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<v Speaker 4>when doctor Barnicot came down to breakfast this morning, he

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<v Speaker 4>was astonished to find that the house had been broken

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<v Speaker 4>into during the night, and still more astonished to discover

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<v Speaker 4>that the only thing taken was the pasta head of Napoleon.

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<v Speaker 4>It had been carried out and shattered against the garden wall.

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<v Speaker 1>This is beginning to be interesting. And the fourth case.

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<v Speaker 4>At twelve o'clock and doctor Barnicut arrived at his surgery,

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<v Speaker 4>he found the window broken and fragments of the fourth

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<v Speaker 4>bust strewn.

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<v Speaker 1>All over the room. And there's no clue as to

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<v Speaker 1>the criminal's identity. Those are the facts, mister Roads.

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<v Speaker 5>Singular, not to say grotesque. Were the two bus smashed

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<v Speaker 5>in doctor Barnicot's rooms exact duplicates are the ones destroyed

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<v Speaker 5>in Moss Hudson's shop.

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<v Speaker 1>They were taken from the same mode.

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<v Speaker 5>That's a coincidence, yes, And it tells against the theory

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<v Speaker 5>that the man who breaks these bus is influenced general

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<v Speaker 5>hatred of Napoleon. How do you make that out, mister Rowes,

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<v Speaker 5>considering how many hundreds of statues of the great Emperor

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<v Speaker 5>must exist in London. It's too much to suppose that

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<v Speaker 5>a promiscuous iconoclast would chance to begin with four specimens

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<v Speaker 5>from the same mold.

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<v Speaker 1>I thought that way myself at first.

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<v Speaker 4>But on the other hand, this mors Hudson's the only

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<v Speaker 4>purveyor of busts in that part of London, and these

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<v Speaker 4>four were the only ones of Napoleon that have been

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<v Speaker 4>in his shop for years. Therefore it seems logical that

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<v Speaker 4>a local fanatic would begin with them. What do you think,

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<v Speaker 4>doctor Watts.

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<v Speaker 2>Well, there are no limits to the possibilities of monomania Lestrade.

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<v Speaker 2>For example, there is the condition which the Finis psychologists

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<v Speaker 2>called the Eda fix, which may be trifling in character

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<v Speaker 2>and accompanied by a complete senate in every other way,

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<v Speaker 2>the man who had read deeply about Napoleon might conceiva reform,

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<v Speaker 2>such a need a fix, and under its influence be

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<v Speaker 2>capable of any fantastic outrage.

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<v Speaker 1>No it won't do, my dear Watson, it won't do.

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<v Speaker 2>Why not?

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<v Speaker 5>No Eda fix would enable your interesting monomaniac to find

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<v Speaker 5>out where these busts are sitch. All right, then, how

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<v Speaker 5>do you explain it? I don't attempt to do so yet,

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<v Speaker 5>but one thing is obvious. There's nothing abnormal about this

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<v Speaker 5>bust smasher. There's too much method in its eccentric proceedings

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<v Speaker 5>for that. In what way to consider? In the Barnicott house,

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<v Speaker 5>where any sound might arouse the family, the bust was

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<v Speaker 5>taken outside before being broken, whereas in the surgery, where

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<v Speaker 5>there was less danger of an alarm, it was smashed

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<v Speaker 5>where it stood. The affair scenes absurdly trifling, And yet

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<v Speaker 5>some of my most classic cases have had the least

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<v Speaker 5>promising beginnings.

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<v Speaker 1>You'll remember, Watson, how the dreadful.

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<v Speaker 5>Business of the Abernetty family was first brought to my

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<v Speaker 5>notice by the depth which the parsley had sunk into

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<v Speaker 5>the butter on a hot day. I can't afford to

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<v Speaker 5>smile at your broken bus Lestrada. On the contrary, I Hello,

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<v Speaker 5>what's that the.

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<v Speaker 2>Front door bell? Of course, for a great detective, you

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<v Speaker 2>do have your obtuse moments home.

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<v Speaker 5>Naturally, I know it's the front doorbell. What I want

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<v Speaker 5>to know is why it's bringing in the middle of

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<v Speaker 5>the night.

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<v Speaker 1>Come in. Hello, Missushudson wants the.

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<v Speaker 6>Matter A policeman downstairs, Sir says, mister Lestrade is wanted

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<v Speaker 6>right away.

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<v Speaker 1>What's up now? He said?

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<v Speaker 6>As how I was to tell you there'd been another

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<v Speaker 6>bust busted, he said, you'd.

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<v Speaker 5>Know what he meant, becoming an epidemical sounded right, couldn't

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<v Speaker 5>They waited till morning to.

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<v Speaker 1>Rub me out?

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<v Speaker 6>He says, you're to come right away, because this time

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<v Speaker 6>there's a murder.

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<v Speaker 2>Well, mister Harris, naturally, Holmes and I threw on our hats,

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<v Speaker 2>I picked up my service revolver and we dashed down

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<v Speaker 2>the stairs, with Lestrada panting behind us. Fortunately a policeman

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<v Speaker 2>had a cab waiting. We piled in hurriedly and drove

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<v Speaker 2>off to Pitt.

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<v Speaker 1>Street, to the scene of the crime.

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<v Speaker 2>Holmes, Lestrada and I dismissed our cab at the corner

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<v Speaker 2>of the street. It was obvious that news of the

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<v Speaker 2>murder had got around here.

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<v Speaker 1>We are Elms number one three one Pitt Street. That

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<v Speaker 1>must be the house where the crime was committed.

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<v Speaker 5>Yes, and a first class murder. It must have been

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<v Speaker 5>nothing less would drawn such a crowd in the middle

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<v Speaker 5>of the night. Notice the look of qualified delight in

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<v Speaker 5>that messenger boy's face.

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<v Speaker 1>He let us through, Let us through. I say, we're

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<v Speaker 1>from Scotland Yard.

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<v Speaker 7>Come in, gentlemen, Come in, mister Lestrade, thank heaven you

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<v Speaker 7>got here at last.

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<v Speaker 1>Well, if it is mister Dorris Arker of the Central

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<v Speaker 1>Press Syndicate.

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<v Speaker 7>It's an extraordinary thing, Lestrade. All my life I've been

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<v Speaker 7>collecting other people's news, and now that a real piece

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<v Speaker 7>of music come my own way, I'm so confused and

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<v Speaker 7>bother that I can't put two words together. If I'd

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<v Speaker 7>come in here as a journalist, I should have interviewed

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<v Speaker 7>myself and had two columns in every evening page. You

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<v Speaker 7>remember when the stand fell in Doncaster. Well, I was

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<v Speaker 7>the only journalist in the stand, and my journal was

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<v Speaker 7>the only one that had no account of it, for

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<v Speaker 7>I was too shaken to write it. And now i'll

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<v Speaker 7>be too late again with that terrible murder done.

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<v Speaker 1>On me on doorship, you'd better tell us just what happened.

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<v Speaker 1>Wait a minute, I'll call my wife.

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<v Speaker 2>She was with me.

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<v Speaker 1>Many many the police have come.

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<v Speaker 6>God be praised, What a night we've had. I was

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<v Speaker 6>just saying to Horas, this is what comes up staying

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<v Speaker 6>up late. If we'd been safe in our bed whenever

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<v Speaker 6>should have heard.

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<v Speaker 4>The Commotionsrker, mister Arker, May I present my friends Dr

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<v Speaker 4>Watson and Sherlaco.

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<v Speaker 6>Holmes. That is all that you see, Horace, I told you.

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<v Speaker 6>Next thing, you know, he'll be suspecting you of the murder.

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<v Speaker 5>I assure you, mister Harker, I am only here unofficially

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<v Speaker 5>inspects has charged this case.

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<v Speaker 1>Well that's a relief anyway.

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<v Speaker 6>Oh well, I mean, well, you see, mister Mistrad knows Horace,

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<v Speaker 6>and that's something I mean, well you understand that is

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<v Speaker 6>our course.

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<v Speaker 5>As a matter of fact. Thing that interests me most

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<v Speaker 5>of all isn't the murder. No, No, it's the broken

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<v Speaker 5>bust of Napoleon.

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<v Speaker 1>Yes, that's it. It all started with that bust.

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<v Speaker 6>I never did like the man Napoleon, I mean, and

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<v Speaker 6>why Horace wanted a bust of him sitting in the

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<v Speaker 6>living room.

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<v Speaker 7>But perhaps i'd better tell the gentleman just what did happen?

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<v Speaker 1>Yes, I suppose that would be a good idea.

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<v Speaker 7>As many were saying, it all seems to center around

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<v Speaker 7>that bust of Napoleon.

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<v Speaker 1>That I bought for this very room about four months ago.

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<v Speaker 1>Where did you purchase it was to Hawker from the.

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<v Speaker 7>Moss Huts and shopmer Storms in Kennington Road. Well, as

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<v Speaker 7>you may know, gentlemen.

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<v Speaker 1>A great deal of a journalist work at night. I

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<v Speaker 1>opened write until the early.

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<v Speaker 6>Morning, just ruining his head.

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<v Speaker 1>Mother, Well, tonight.

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<v Speaker 7>I was sitting in my den, which is at the

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<v Speaker 7>top of the house at the back. I'd almost finished

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<v Speaker 7>my work, and many was trying to get me to

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<v Speaker 7>come to bed.

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<v Speaker 2>Just a few minutes. Mother, I'm almost true.

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<v Speaker 6>But here it is after twelve again. What must the

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<v Speaker 6>neighbors think seeing your light burning all hours.

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<v Speaker 7>Of the night.

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<v Speaker 1>What does it matter what they think?

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<v Speaker 6>Besides, you're ruin your eyes? Oh mother, what is it

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<v Speaker 6>You've got to sit up for?

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<v Speaker 1>This time?

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<v Speaker 7>It's a new column we're running, Mother, Advice to the

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<v Speaker 7>Love Lawn by Gwendolen Desmond.

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<v Speaker 6>Advice to the Love Lawn for that. That's indecent a

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<v Speaker 6>man writing things like that, I know, Mother, but.

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<v Speaker 7>Better a married man than a single man. If I

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<v Speaker 7>don't do it, they probably get that young whipper snapper Jones,

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<v Speaker 7>and lord only those the things he'd think up with.

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<v Speaker 1>What's that Burglars?

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<v Speaker 7>I know it's Burglars, nonsense, Mother, probably just the catch

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<v Speaker 7>is not something off the mantlepiece.

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<v Speaker 1>No, I'm sure it's Burglars. Very well, I'll go down

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<v Speaker 1>and see.

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<v Speaker 6>Oh, how are you you're not going down there?

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<v Speaker 7>How else can I find out? If it's the cat

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<v Speaker 7>or burglar that made that noise, they'll kill you. No,

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<v Speaker 7>give me the po dear, I wish you wouldn't you

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<v Speaker 7>stay here, I'll be right back.

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<v Speaker 6>Stay here, No, sir, I'm coming too.

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<v Speaker 1>All right, mother, but let go my coattails.

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<v Speaker 8>I can't.

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<v Speaker 9>Men are all of a tremble.

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<v Speaker 1>Don't go so fast, doorish, whether they don't talk so loud?

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<v Speaker 1>If it is burglar, you'll scare them off.

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<v Speaker 6>That's just what I'm trying to do.

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<v Speaker 7>Well, here we you see, it's just something that fell

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<v Speaker 7>out the mantelpiece.

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<v Speaker 6>Oh, the hand painted bon bondage that Aunt Susie gave

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<v Speaker 6>us for a wedding present, smashed.

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<v Speaker 1>The bits you see look for us?

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<v Speaker 6>Look the windows open, and that bust of Napoleon it's gone.

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<v Speaker 1>Horace, Horace? Did you hear that shouted? Like someone falling

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<v Speaker 1>against the front door. It's terrible. Don't go.

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<v Speaker 7>I've got to find out just a minute till I

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<v Speaker 7>get the door over. Hello, something that impressing against it?

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<v Speaker 5>Headn't us.

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<v Speaker 1>Ratted?

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<v Speaker 6>Some man lying on the doorstep and throat is slipping.

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<v Speaker 2>From here to me?

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<v Speaker 1>Will it, Where will it be comfortable? Is it correctly styled?

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<v Speaker 1>Clipper Craft clothes answer these questions emphatically by delivering, even today,

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<v Speaker 1>in this era of high prices, the most amazing values

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<v Speaker 1>you've ever seen. You'll wonder how it's done well. It's

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<v Speaker 1>the Great clipper Craft Plan, which concentrates the buying power

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<v Speaker 1>of ten hundred thirty six stores from coast to coast,

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<v Speaker 1>and delivers to you these beautifully styled, beautifully tailored clothes,

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<v Speaker 1>including long wearing worsteds, at a friendly local store you

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<v Speaker 1>can trust. Fine clipper Craft suits that look much more

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<v Speaker 1>costly are only forty and forty five dollars. Top coats

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<v Speaker 1>and fine coverts in worsted gabardine are only forty and

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00:14:29.600 --> 00:14:34.000
<v Speaker 1>forty five dollars, and sport jackets are only twenty six fifty. Yes,

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<v Speaker 1>selling expensive clothes at inexpensive low prices at the nation's

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<v Speaker 1>finest independent stores is the great, big idea behind the

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<v Speaker 1>clipper Craft Plan. That's why men who know insist on

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<v Speaker 1>clipper Craft clothes, so be sure to visit the clipper

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<v Speaker 1>Craft store in your city.

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<v Speaker 9>These leading stores in the metropolitan area are proud to

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<v Speaker 9>add their names to Clippercraft and your suit, top coat

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<v Speaker 9>and overcoat. In Manhattan Sacks thirty fourth Broadway at thirty

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<v Speaker 9>four John Wallamaker Men's Stores Broadway at eight and sixty

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<v Speaker 9>seven Liberty Street. In Brooklyn, Abraham and Strauss in Newark,

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<v Speaker 9>New Jersey, Bulevard Men's Shop, Creskin, Newark. And in Jamaica

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<v Speaker 9>the B and D Clothes Shop, one sixty four oh

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<v Speaker 9>eight Jamaica Avenue.

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<v Speaker 1>And now suppose we returned to the house of Horace Harker,

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00:15:26.000 --> 00:15:28.799
<v Speaker 1>where Holmes is helping in speculus stride to solve a

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00:15:28.840 --> 00:15:35.240
<v Speaker 1>bloodthirsty murder. Did you know the meurdered man, mister Hacker.

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<v Speaker 7>No, mister Holmes, I did not. They've taken the body

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00:15:38.080 --> 00:15:38.879
<v Speaker 7>to the mortuary.

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00:15:38.960 --> 00:15:39.720
<v Speaker 1>What did he look like?

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<v Speaker 7>Tall, dark and powerfully built, fully dressperty didn't have the

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00:15:44.759 --> 00:15:48.000
<v Speaker 7>hands of a laborer. A horn handled knife was lying

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00:15:48.039 --> 00:15:50.519
<v Speaker 7>in a pool of blood beside him. But whether it

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00:15:50.600 --> 00:15:52.200
<v Speaker 7>was his or whether it was the knife that did

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00:15:52.200 --> 00:15:53.039
<v Speaker 7>the deed, I don't know.

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<v Speaker 1>Anything in his pockets, No card or letters.

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00:15:56.240 --> 00:15:59.399
<v Speaker 7>Of identifications, that's what you mean. Just an apple, some

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00:15:59.759 --> 00:16:03.759
<v Speaker 7>stre a shilling and maple London and a photograph here.

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<v Speaker 5>It is excellent, my rather simian continents. Hey Watson, an.

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00:16:08.919 --> 00:16:12.120
<v Speaker 2>Ugly looking brute and vicious too. I should say yes.

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<v Speaker 5>But look here, Holmes, what's become of the bust ah

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00:16:14.799 --> 00:16:17.200
<v Speaker 5>the bust, Yes, of course, the bust. He wouldn't dare

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00:16:17.240 --> 00:16:20.039
<v Speaker 5>carry it very far. Someone might see him and identify him.

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00:16:20.559 --> 00:16:22.159
<v Speaker 5>Are there any empty houses around here.

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00:16:22.039 --> 00:16:24.759
<v Speaker 1>Mister Harker, there's one right next door. No, that wouldn't do.

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00:16:24.840 --> 00:16:26.320
<v Speaker 1>Too dark. He had to have light.

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00:16:26.720 --> 00:16:29.360
<v Speaker 5>Doctor Barnicott's statue was found smashed in the passageway with

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00:16:29.440 --> 00:16:31.159
<v Speaker 5>a light from his front door illuminated it.

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00:16:31.240 --> 00:16:34.799
<v Speaker 7>There's just one other vacant house in this black mister Holmes,

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00:16:35.080 --> 00:16:36.600
<v Speaker 7>fit to the right under the street light.

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<v Speaker 5>Excellent, that must be the one. Come Onson, let's see

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00:16:39.360 --> 00:16:41.960
<v Speaker 5>what we can find. Wait a minute, I'm coming too, very.

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00:16:41.840 --> 00:16:45.559
<v Speaker 1>Well, but you must come back, mister Holmes, all of you.

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<v Speaker 2>You must be famished.

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<v Speaker 6>Dear me, where's my sense of hospitality?

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00:16:49.960 --> 00:16:51.240
<v Speaker 1>I'll go and put the kettle.

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00:16:51.000 --> 00:16:51.759
<v Speaker 7>On right away.

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<v Speaker 1>Splendid will be back before he's had a chance to

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00:16:53.639 --> 00:16:54.240
<v Speaker 1>come to a boil.

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<v Speaker 5>Fifth to the right end of the street light. That

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00:17:02.639 --> 00:17:03.679
<v Speaker 5>was what Parker said, wasn't it.

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<v Speaker 2>Yes, But I, Mercy Holmes, I don't see what you

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00:17:05.920 --> 00:17:08.119
<v Speaker 2>can expect to find. It seems to me.

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<v Speaker 5>As I thought, just as I thought, there's the fifth

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00:17:11.559 --> 00:17:14.240
<v Speaker 5>bust lying shattered in shards upon the grass.

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<v Speaker 1>Destructive brute, and give a great.

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00:17:17.319 --> 00:17:18.759
<v Speaker 5>Deal to know if he found what he was looking

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<v Speaker 5>for me. I can't explain now, but suppose we all

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<v Speaker 5>meet at Baker Street tomorrow night, directly after dinner, and

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00:17:24.680 --> 00:17:26.400
<v Speaker 5>I think I can promise you an exciting evening.

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00:17:26.559 --> 00:17:28.559
<v Speaker 1>You're you're on the murderer's trail.

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00:17:28.720 --> 00:17:31.359
<v Speaker 5>Quite in the meantime, you les tried see if you

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00:17:31.359 --> 00:17:34.319
<v Speaker 5>can discover the dead man's identity, while I inquired into

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00:17:34.319 --> 00:17:36.599
<v Speaker 5>the manufacturing of those bus and see if I can

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00:17:36.599 --> 00:17:37.960
<v Speaker 5>trail the ruffian in the photographs.

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00:17:37.960 --> 00:17:41.440
<v Speaker 4>Oh that's right, pick the most exciting chow for yourself and.

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00:17:41.480 --> 00:17:44.359
<v Speaker 2>The most dangerous. Don't forget that, Arsen.

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00:17:44.200 --> 00:17:44.759
<v Speaker 1>Don't quibble.

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<v Speaker 5>We have a long way to go, and yet we've

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<v Speaker 5>discovered some rather significant facts.

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00:17:48.240 --> 00:17:51.119
<v Speaker 2>And I say I don't see anything particularly significant.

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<v Speaker 5>In the first place, breaking the bust was not the

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00:17:53.680 --> 00:17:55.720
<v Speaker 5>sole object of to Night's criminal, or how do you

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00:17:55.839 --> 00:17:57.799
<v Speaker 5>know if it had been, he'd have broken it inside

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00:17:57.839 --> 00:18:01.759
<v Speaker 5>the house or immediately outside. Second place, the possession of

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00:18:01.799 --> 00:18:04.839
<v Speaker 5>this trifling bust was worth more in his eyes than

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00:18:04.880 --> 00:18:08.359
<v Speaker 5>a human life. Yes, I think I'm beginning to understand

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00:18:08.519 --> 00:18:28.440
<v Speaker 5>what he was after. Well, the strand how about another

365
00:18:28.440 --> 00:18:31.079
<v Speaker 5>cup of coffee? No, thanks to cups is enough for

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00:18:31.200 --> 00:18:33.519
<v Speaker 5>any man. I'm not the coffee addict you are.

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00:18:33.920 --> 00:18:37.400
<v Speaker 1>What a pity it might stimulate the brain. Now looks.

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<v Speaker 4>You may think you see your way clear in this matter,

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00:18:39.920 --> 00:18:42.920
<v Speaker 4>but I have my own ideas. Yes, yes, the dead

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<v Speaker 4>man was Pietro Venucci. They knew him down at the

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<v Speaker 4>yard all right. He was one of the greatest cutthroats

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<v Speaker 4>in London. A member of an Italian black hand society too.

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<v Speaker 4>How reprehensible a society that punishes its offending members by death. Well,

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00:18:56.039 --> 00:18:58.359
<v Speaker 4>this chap in the photograph was probably a member two.

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00:18:58.440 --> 00:19:00.720
<v Speaker 4>The whole thing's just one of those hues.

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00:19:01.000 --> 00:19:04.160
<v Speaker 1>How simple. But where do the buss come in?

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00:19:04.599 --> 00:19:06.680
<v Speaker 5>And was it just a coincidence that the murdered man

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00:19:06.759 --> 00:19:08.240
<v Speaker 5>was working in the shop of Moss Hudson.

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00:19:08.319 --> 00:19:09.960
<v Speaker 1>I don't see why the busts have to be brought

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00:19:09.960 --> 00:19:10.240
<v Speaker 1>into the.

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00:19:10.279 --> 00:19:12.799
<v Speaker 5>Question of the murder or but they do, lestrade, those

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00:19:12.839 --> 00:19:14.720
<v Speaker 5>bus contain the motive for the murder.

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00:19:15.000 --> 00:19:17.480
<v Speaker 1>That sounds like plain uness if you ask me, No,

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00:19:17.519 --> 00:19:18.519
<v Speaker 1>it's really quite simple.

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00:19:18.880 --> 00:19:21.480
<v Speaker 5>I found this morning at mister Moss Hudson's shop that

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00:19:21.559 --> 00:19:23.680
<v Speaker 5>the murdered man had been an employee of his for

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00:19:23.720 --> 00:19:26.559
<v Speaker 5>the last six months, previous to which time he'd worked

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00:19:26.559 --> 00:19:29.039
<v Speaker 5>for the firm of Gelder and Company, the firm which

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00:19:29.079 --> 00:19:31.400
<v Speaker 5>molded those busts of Napoleon which someone had been so

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00:19:31.400 --> 00:19:32.200
<v Speaker 5>abbot the smashing.

391
00:19:32.359 --> 00:19:35.200
<v Speaker 2>Yes, but Geldern Company or an old firm, they must

392
00:19:35.240 --> 00:19:37.319
<v Speaker 2>have made thousands of busts of Napoleon.

393
00:19:37.440 --> 00:19:39.759
<v Speaker 5>Quite but it's only the six of this particular batch

394
00:19:39.799 --> 00:19:40.680
<v Speaker 5>with which we're concerned.

395
00:19:40.759 --> 00:19:44.039
<v Speaker 1>I must say, I still don't see naturally well.

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00:19:44.039 --> 00:19:46.680
<v Speaker 5>One afternoon, over a year ago, the very afternoon those

397
00:19:46.720 --> 00:19:48.480
<v Speaker 5>six bus had come from the mold.

398
00:19:48.240 --> 00:19:49.640
<v Speaker 1>And while they were still wet.

399
00:19:49.680 --> 00:19:53.400
<v Speaker 5>In fact, Beppo, another employee, was chased in the workshop

400
00:19:53.440 --> 00:19:54.079
<v Speaker 5>by the police.

401
00:19:54.400 --> 00:19:56.920
<v Speaker 1>It seems he'd tried a knife Pietro and a street brawl.

402
00:19:57.079 --> 00:19:58.799
<v Speaker 2>Beppo, who was better?

403
00:19:59.039 --> 00:20:01.599
<v Speaker 1>Oh, didn't I tell you hear me? Howason minded of me?

404
00:20:01.880 --> 00:20:04.079
<v Speaker 5>Beppo was the man in the photograph, The man he

405
00:20:04.200 --> 00:20:05.920
<v Speaker 5>tried to knife that day, as you know, is the

406
00:20:05.960 --> 00:20:08.519
<v Speaker 5>same fellow found dead on Harker's doorstep last night.

407
00:20:08.599 --> 00:20:10.039
<v Speaker 1>You see, I told you it a feud.

408
00:20:10.200 --> 00:20:12.440
<v Speaker 5>The most curious part of the incident is that Beppo

409
00:20:12.680 --> 00:20:15.880
<v Speaker 5>was holding something very carefully in his hand when he

410
00:20:15.960 --> 00:20:18.759
<v Speaker 5>ran into the workroom, and yet when the police overtook him,

411
00:20:18.880 --> 00:20:21.680
<v Speaker 5>they discovered nothing of any interest on him. Beppo was

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00:20:21.680 --> 00:20:24.039
<v Speaker 5>taken off to prison, of course, and was released two

413
00:20:24.079 --> 00:20:27.680
<v Speaker 5>weeks ago, the day before the first two busts were smashed.

414
00:20:27.759 --> 00:20:29.640
<v Speaker 2>Yes, but Holmes, look here you said there were six

415
00:20:29.720 --> 00:20:32.440
<v Speaker 2>busts in that particular batch so far on if ive

416
00:20:32.519 --> 00:20:34.200
<v Speaker 2>had been smashed, where's the other one?

417
00:20:34.319 --> 00:20:36.680
<v Speaker 5>The sales book of mister Moss Hudson shows that it

418
00:20:36.759 --> 00:20:38.839
<v Speaker 5>was sold over a month ago to mister Joseph Brown

419
00:20:38.920 --> 00:20:42.160
<v Speaker 5>of Laburnum Launch, Chiswick. And now suppose we pay that

420
00:20:42.160 --> 00:20:44.440
<v Speaker 5>worthy gentlemen a visit. If luck's with us, it should

421
00:20:44.440 --> 00:20:45.319
<v Speaker 5>be an interesting evening.

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00:20:45.440 --> 00:20:48.240
<v Speaker 2>Yes, but Holmes, isn't it a bit late to go calling?

423
00:20:48.400 --> 00:20:50.359
<v Speaker 2>And perhaps mister Brown's gone to bed?

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00:20:50.640 --> 00:20:53.640
<v Speaker 1>I hope, so, Watson, I sincerely hope.

425
00:20:53.680 --> 00:21:14.920
<v Speaker 10>So, I say, Holmes is going to storm any minute?

426
00:21:15.160 --> 00:21:16.880
<v Speaker 10>Can't we even come back some other time?

427
00:21:17.039 --> 00:21:18.920
<v Speaker 5>No, Watson, the gentleman that after is not to be

428
00:21:18.920 --> 00:21:20.279
<v Speaker 5>put off by a little unpleasant weather.

429
00:21:20.759 --> 00:21:22.759
<v Speaker 1>He must finish his quest as soon as possible. He

430
00:21:22.799 --> 00:21:24.559
<v Speaker 1>doesn't dare to lay for fear the police will be

431
00:21:24.559 --> 00:21:27.200
<v Speaker 1>on his trail. I only hope he hasn't been successful. Already.

432
00:21:30.119 --> 00:21:33.440
<v Speaker 1>Here we are, this gate, says Leburn and Lodge. This

433
00:21:33.599 --> 00:21:35.119
<v Speaker 1>is the house. No lights.

434
00:21:35.440 --> 00:21:36.839
<v Speaker 2>Mister Brown has gone to bed.

435
00:21:36.880 --> 00:21:39.079
<v Speaker 1>I knew it good. We won't rouse him.

436
00:21:39.240 --> 00:21:42.079
<v Speaker 5>Suppose we can find ourselves to an inspection of his shrubberies.

437
00:21:42.119 --> 00:21:45.200
<v Speaker 1>But look here, someone coming along the road. Quick get

438
00:21:45.240 --> 00:21:52.400
<v Speaker 1>by this hit you, but I will. Yes, he's opened

439
00:21:52.440 --> 00:21:55.759
<v Speaker 1>the gate. He's coming in here, possibly mister Brown coming

440
00:21:55.759 --> 00:21:58.640
<v Speaker 1>home from a lodge meeting. Though mister Brown's probably accustomed

441
00:21:58.640 --> 00:22:03.720
<v Speaker 1>to using the front door, all right. He's trying to

442
00:22:03.720 --> 00:22:06.599
<v Speaker 1>get in the window a right juve. It's a burglar,

443
00:22:09.640 --> 00:22:11.599
<v Speaker 1>and a very expert one too. He broke the lop

444
00:22:11.680 --> 00:22:12.200
<v Speaker 1>like a veteran.

445
00:22:16.839 --> 00:22:17.559
<v Speaker 2>He's going in.

446
00:22:18.319 --> 00:22:20.799
<v Speaker 1>Had we better follow him? No, I'll get him on

447
00:22:20.839 --> 00:22:22.640
<v Speaker 1>his way out after he's found where he's after.

448
00:22:26.960 --> 00:22:29.359
<v Speaker 10>That storm is going to break any minute now.

449
00:22:32.640 --> 00:22:38.079
<v Speaker 4>Here he comes say he's got something white under his arm.

450
00:22:38.279 --> 00:22:52.160
<v Speaker 8>Get ready, he said, the dummy drop it, or I

451
00:22:52.200 --> 00:22:53.079
<v Speaker 8>put the handcuffs on him.

452
00:22:53.079 --> 00:22:56.079
<v Speaker 1>Start, Yes, sure to one hears.

453
00:22:56.160 --> 00:23:00.440
<v Speaker 5>Gentlemen, allow me to present that one of Italy's masterminals.

454
00:23:00.960 --> 00:23:04.880
<v Speaker 5>So you did want the sixth Napoleon? Eh, don't want

455
00:23:04.880 --> 00:23:06.599
<v Speaker 5>to talk very well?

456
00:23:06.960 --> 00:23:10.079
<v Speaker 4>Oh this is the man who committed last night's murderer.

457
00:23:10.279 --> 00:23:12.279
<v Speaker 1>Yes, this is the murderer and the bust smasher.

458
00:23:12.359 --> 00:23:14.519
<v Speaker 2>Well, now that you've got the sixth Napoleon, what are

459
00:23:14.519 --> 00:23:15.480
<v Speaker 2>you going to do with it?

460
00:23:15.519 --> 00:23:18.200
<v Speaker 5>Then be our top coat, and I'll show you very

461
00:23:18.200 --> 00:23:20.799
<v Speaker 5>well if at first come over at the street light.

462
00:23:21.160 --> 00:23:25.799
<v Speaker 1>Come along you.

463
00:23:27.319 --> 00:23:30.440
<v Speaker 5>First I wrapped the bust in Watson's coat so we

464
00:23:30.480 --> 00:23:31.880
<v Speaker 5>won't lose any of the splinters.

465
00:23:32.759 --> 00:23:36.200
<v Speaker 1>Then I followed Beppo's procedure and smash it against the lampers.

466
00:23:37.000 --> 00:23:38.759
<v Speaker 2>That's my best top coat, you ruin.

467
00:23:39.200 --> 00:23:44.400
<v Speaker 11>Now we spread the coat on the ground. Look among

468
00:23:44.440 --> 00:23:52.559
<v Speaker 11>the fragments. Friend seems to be rather excited.

469
00:23:53.240 --> 00:23:55.799
<v Speaker 1>Keep him the distance the strada. I don't have to smashing.

470
00:23:58.039 --> 00:23:58.200
<v Speaker 9>Now.

471
00:24:00.160 --> 00:24:10.680
<v Speaker 1>Now let me see no, no, yes, by Joe, here

472
00:24:10.720 --> 00:24:10.920
<v Speaker 1>it is?

473
00:24:12.079 --> 00:24:12.240
<v Speaker 9>Why?

474
00:24:12.640 --> 00:24:13.000
<v Speaker 1>Why is?

475
00:24:13.640 --> 00:24:18.079
<v Speaker 5>It's a tremendous black pearl, A famous black pearl of

476
00:24:18.119 --> 00:24:21.079
<v Speaker 5>a Borger stolen from a museum in France two years ago.

477
00:24:22.000 --> 00:24:37.440
<v Speaker 1>Devil is ship beautiful isn't it. Well, that was an

478
00:24:37.480 --> 00:24:40.119
<v Speaker 1>exciting discovery, doctor Watson. But look, there are one or

479
00:24:40.160 --> 00:24:42.680
<v Speaker 1>two points I don't understand. How did Pietro figure in

480
00:24:42.759 --> 00:24:45.039
<v Speaker 1>the story. Why did they quarrel? How did the pearl

481
00:24:45.119 --> 00:24:46.440
<v Speaker 1>get into the bust of Napoleon?

482
00:24:46.559 --> 00:24:49.759
<v Speaker 2>That pearl had been stolen by Beppo and Pietro. They quarreled,

483
00:24:49.799 --> 00:24:52.559
<v Speaker 2>and Beppo tried to kill the other chap He had

484
00:24:52.599 --> 00:24:54.480
<v Speaker 2>the pearl in his hand. When the police broke up

485
00:24:54.519 --> 00:24:57.400
<v Speaker 2>their fight, he ran into the workroom and buried the

486
00:24:57.440 --> 00:24:59.720
<v Speaker 2>pearl in one of the soft bust of Napoleons standing

487
00:24:59.759 --> 00:25:03.319
<v Speaker 2>on the workroom table. From that time, the feud was on.

488
00:25:03.799 --> 00:25:06.960
<v Speaker 2>The strad was right there. Each one was determined to

489
00:25:07.000 --> 00:25:10.119
<v Speaker 2>get the pearl. Peto didn't know where the pearl was hidden,

490
00:25:10.160 --> 00:25:13.759
<v Speaker 2>and Beppo was in jail, so the odds were fairly even.

491
00:25:13.880 --> 00:25:17.359
<v Speaker 2>Until Beppo got out. Peto knew his only chance was

492
00:25:17.440 --> 00:25:21.039
<v Speaker 2>to shadow Beppo, which he did and met his death,

493
00:25:21.279 --> 00:25:23.319
<v Speaker 2>and that disposed of both of them very neatly.

494
00:25:23.839 --> 00:25:26.240
<v Speaker 1>And now, doctor Watson, do you think you'd like to

495
00:25:26.240 --> 00:25:28.400
<v Speaker 1>give us an idea about next week's story.

496
00:25:28.680 --> 00:25:31.400
<v Speaker 2>I think I could be persuaded, mister Harris. I think

497
00:25:31.440 --> 00:25:35.200
<v Speaker 2>I could be persuaded and let me see. Next week,

498
00:25:35.240 --> 00:25:37.599
<v Speaker 2>I think I'll take you down to the Port of London,

499
00:25:37.680 --> 00:25:41.400
<v Speaker 2>where Holmes and I discovered a fantastic East Indian temple

500
00:25:41.400 --> 00:25:44.799
<v Speaker 2>among the wharves and warehouses. They're in front of a

501
00:25:44.960 --> 00:25:48.279
<v Speaker 2>hideous idol we ran into our old friend, Professor Moriarty.

502
00:25:49.039 --> 00:25:53.160
<v Speaker 2>I call it the Adventure of the Serpent God. My hair,

503
00:25:53.319 --> 00:25:55.799
<v Speaker 2>what's the left of it, stands on end when I

504
00:25:55.880 --> 00:25:56.359
<v Speaker 2>remember it.
