Speaker 1: M an Angel Ripson dorms.
Speaker 2: Mm hmm, I'm a main.
Speaker 3: Lots of big class carry away but say.
Speaker 1: It might be too much of a good thing.
Speaker 4: No, no, you have to teach me and my No, No.
Speaker 1: I'm sure I always know you want I know, if
you know that I'm the start. If it's the hardest ball.
Speaker 3: And she knows, she knows it can tell them all
and made up the man to.
Speaker 5: They are.
Speaker 3: God's big places.
Speaker 4: The way.
Speaker 6: But she said.
Speaker 2: She feel bad for good thing.
Speaker 7: Oh no, oh no, oh no, cool, Well long time
it's playing the same same, it's.
Speaker 1: Sound joy.
Speaker 6: Some more lot play when I got speak.
Speaker 8: You guys have such a nice sound.
Speaker 9: We have slim volume here in studio and we're gonna
talk to these guys in just a moment.
Speaker 8: Welcome everybody.
Speaker 9: This is Matt Connorton Unleashed and we are live and
my voice is cracking and it's very upsetting, but we
are live on this the first uh Saturday in twenty
twenty five. Here from the studios of w m n
H ninety five point three FM, Inglorious, Manchester, Newhampster.
Speaker 8: Do you hear that I just said I had an
asthma incident? Recently, and I've apparently not fully recovered.
Speaker 9: But uh, we are live, of course, and uh having
a great time here on this Saturday of our first
Saturday of.
Speaker 10: The new year.
Speaker 9: And Jenny is here as well, of course at the
news table and joining us live in studio. This morning
we have Slim Volume. The gentleman from from Slim Volume.
Welcome guys, good morning.
Speaker 8: Yeah, I was trying to remember you guys have been
on the show. Has it been once or twice before?
Speaker 9: It has been twice, Okay, it it becomes a blur
after a while, but uh, yeah, you guys have such
a great I hadn't so, I hadn't heard that song before,
but you guys have such a great sound.
Speaker 8: Yeah, I just kind of listening. I'm just kind of
getting lost in it, you.
Speaker 11: Know, like, thank you.
Speaker 8: It's just really really good. Let's let's do this.
Speaker 9: So for the uninitiated, let's start in the corner here.
We'll go around well, you kind of know the drill anyway.
You can each tell us who you are, what you
do in the band.
Speaker 11: Yeah, my name is Mike. I played guitar in the band.
Speaker 12: Okay, Trent over here played acoustic guitar mostly all right,
Johnny and I played drums.
Speaker 10: And I'm Jake. I played bass and I sing along
with Trent.
Speaker 8: Oh very good, very good. Now is this a new album?
The song we just heard, Big Plans? Is that from?
Is that new?
Speaker 10: That is from our newest EP, newest collection of four
songs that we put out in was that November? Yeah? Okay,
it's starting to blur like you said, yeah, yeah, And
we released another new EP in we had two and
twenty twenty four, so that one's from the second of
those called Big Plans.
Speaker 8: Gotcha?
Speaker 10: That was the self titled track.
Speaker 12: Okay, okay?
Speaker 8: Now what goes into the decision?
Speaker 9: And this is a subject that we talked about a
lot on the show because you know, everybody approaches it differently.
Speaker 8: There's so many different ways you can do it.
Speaker 9: I'm always asking, so, why did you decide to do
an album or why did you decide to do an EP,
or why did you decide to just do single? But
in your case, so you release two EPs very close
to each other. What's the strategy there or is there one?
Or is it just or does it just feel right
to do it that way?
Speaker 13: I feel like when we go about releasing the songs.
At least in the past, it's kind of been one
of those things where we always have the question of, like,
you know, you put a lot of like you know,
effort into an album, and then if you drop it,
it's kind of like, you know, you really want people
to hear it. So sometimes we like take the approach
of maybe if we do it in smaller chunks for people,
you know, it's just kind of easier to kind of
promote it and just like you know, it's not like
all your eggs in one basket that could kind of
get left behind. Yeah, So doing like two EPs throughout
the year was something that was like a little strategic
in that sense. But I feel like as moving forward,
you know, right now we're currently working on like a
ten song album and stuff like that.
Speaker 11: Yeah.
Speaker 13: Yeah, so it's definitely kind of trying to shift the
approach a little bit and see where that takes us,
and also keep it in mind that like I bring
some songs to the table, and like Trent and Jake
both right, and like, you know, so there's always like
a massive influx of material that's kind of like really
easy to get overwhelmed with.
Speaker 8: Yeah, no doubt, Yeah, no, doubt.
Speaker 9: Well, so doing a ten like it is your approach
in terms of writing different with whereas you're working on
a ten song album.
Speaker 12: Well, I think like with these two EPs, we kind
of realized they both had like a very separate sound
where this one we just heard was more of like
the folk rock influence and the other one was more
of a straight indie rock influence. And we can listen
to one of those tracks later, yeah, yeah, but and
you'll see the difference. And so the album is kind
of like the combination of both of those sounds in
a little more cohesive way. So splitting the EPs was
also a decision of like, sonically they were very separate. Okay,
but yeah, I think we like Mike was kind of
alluding to, it's been a progression from doing singles, now
a couple of EPs and now just time to yeah,
focused on a bigger project.
Speaker 9: Yeah, what about in terms of where you record like
these EPs that you've done, have you recorded these all
the same way?
Speaker 10: Or we work with Eric Sotter at Blackhart Sound Yes, yeah,
here in Manchester. He's awesome.
Speaker 9: His name is cop Well, we had him on the
show too, but leading up to having him on the show.
I remember telling him you got to come on because
his name. Of anybody in the area who does recording,
who has any kind of a studio, his name comes
up by far the most often.
Speaker 10: He's prolific.
Speaker 9: Oh he's amazing. Yeah, yeah, so incredible. So so sorry,
my voice keeps racking. So the EPs were recorded with him, Yeah, excellent.
Speaker 14: Yeah.
Speaker 10: And also on that track, we had a guy named
James Palco who plays under a name that Jimmy Montague.
It's like a yacht rock kind of sounds really cool,
but he worked in the studio before. He's moved since.
But you heard the organ at the end of that
song that was playing that on that track, So yeah,
he's kind of a very talented multi instrumentalist producer guy.
Speaker 9: That's a cool way to end too, because because as
I'm listening and I'm hearing it for the first time,
and as I'm listening to it's it's at that part,
you know, it's at the end of the song. I
should probably fade it out and start talking, right, you know,
as a DJ. But I'm like, I couldn't because I
wanted to hear that play out, you know what I mean,
Because it just sounded so cool because it's kind of
a surprise. You don't expect to hear that at the
end like that, but it just works so perfectly, you know.
So it's like I didn't even want to talk over it.
Speaker 10: It's one of those things that just sort of happened to.
He just was playing and he kind of just kept
hanging on that last chord and I think we probably
thought maybe we'll fade it out too, but we ended
up liking it, I think as just a kind of
a weird ending that you usually wouldn't hear out of
us because none of us are organists, right right, so.
Speaker 9: When you play that one live, that that's not there
obviously no organ yet, no organ yet.
Speaker 12: Yeah, although there may be a surprise for our next
show with regards to He's Oh okay, that's been a
little little discussion in the band for a while. We've
always thought, you know, another element would be helpful. Yeah,
but yeah, I think we may have that in place
for two weeks from yesterday. Oh okay, Yeah, okay, that's
kind of like the other, you know, the other you know,
promotional element of this radio appearance is in two weeks
Banker New Hampshire stage we're playing for the Modern Fools
album release show.
Speaker 10: Nice.
Speaker 12: Yeah, I don't know if you ever heard the band
Modern Fools. They're from Keen and they kind of have
more like a truer alt country folk rock sound. So
like the song we just heard very much similar to
what Modern Fools. It's like, okay to speak in broad strokes.
Speaker 8: I almost think we had them on the show. That
name is very familiar to me. Modern Fools. Did we
have them on the show? Does sound familiar to me?
Speaker 9: Yeah, or we may have talked to them at some
point about coming on. But yeah, no, that's that's very cool.
So that's gonna be at what's the.
Speaker 8: Date on that?
Speaker 12: That's January seventeenth.
Speaker 8: Outstanding. That's yeah, outstanding?
Speaker 10: Are you guys?
Speaker 9: So all the I assume, like from both EPs that
you've released, do do you play all all eight of
those live?
Speaker 11: Yeah?
Speaker 10: That sort of to varying degrees. Yeah, there's the set
list always fluctuates kind of based on mood and all
kinds of other factors. But there's some songs where, for
any number of reasons, they kind of like find their
way out of the set lists and then but yeah,
for the most part.
Speaker 13: Yeah, there's one song on each of those EPs off
of Big Plans, that one being if Only and off
of Back to You Kpos Seven that like sometimes don't
really like make it out to just plan for yeah
whatever reason, Like, yeah, they're cool songs and I'm glad
they made it on the EP and stuff like that.
But sometimes, like as I mentioned before, like having this
like big influx of material and stuff like that, like
we always get real kind of pumped up to play
new stuff live. So it's just like sometimes it's easy
to be like, ah, I could hit this new stuff that,
like you know, isn't even released yet, but like it's
kind of a good way to like hone in and
like figure out like what you want to do when
you record, you know, kind of hearing things live and
kind of like oh yeah, passing the waters and stuff
like that.
Speaker 8: See how people react to it.
Speaker 11: Yeah, yeah, exactly. Man, so's cool.
Speaker 9: Are you guys playing out a lot uh currently? Or
obviously you've got that show, that big one coming up
on the seventeenth.
Speaker 12: But yeah, I mean I think the aside from maybe
a busy September, the back half of twenty four was
a little bit slower, Yeah, for us and we've been
We've been playing a lot in our first like two
and a half years as a band. Yeah, but twenty
twenty five is shaping up to be pretty busy. We
already get maybe like I don't know, ten or twelve
dates booked. Good, Yeah, for the first couple of first
two three months, the first quarter.
Speaker 9: Yeah, where do you guys, uh do you guys get
out of New Hampshire or do you do you go
around New England or where do you guys play?
Speaker 12: I mean, I think it's mostly New Hampshire, but we're
trying to get out.
Speaker 8: Yeah.
Speaker 12: Yeah, it's been you know this, it's a it's a
mindset shift to be like, all right, let's go, you know,
book a long week or long weekend tour kind of thing.
Like it's been. There's been enough stuff locally to build,
you know, a little fan base too.
Speaker 8: We are fortunate to have a lot of good venues
around here.
Speaker 12: Actually, yeah, there's a lot of good venues and you know,
Conquered's real busy. The seacoast is busy. You know, we
played Boston a couple of times, but you know, mostly
we've been playing stuff that people ask us to play.
We haven't done a ton of like going out and
reaching out to venues to book, which again is just
kind of like a mindset. It's just one approach. But
I mean, I think with this album and everything, like
the plan for this year would be to get out
a little bit, you know, expand the radius a little bit. Sure,
and we've tried. It's it's just gonna be hard sometimes,
you know, trying to get something in Burlington or something
like that. Like if you don't know someone to throw
you right on a show, it's pretty pretty tricky.
Speaker 9: Burlington has a great scene, but do but you're right
if you're not, you know, if you don't have an inn, Yeah, yeah.
Speaker 8: You know, which which I'm sure we'll come.
Speaker 9: But as you alluded to too, you're in a you're
in a good situation where you know, you're still getting
a lot of shows anyway because people are coming to you.
Speaker 8: So that's a good thing.
Speaker 12: Yeah, oh yeah, you know that.
Speaker 9: So you're you're you're off to a you're off to
a strong start. But I can also see where, you know,
in terms of long term strategy, you know, because obviously
you're taking the next step to going to you know,
you're gonna have a full album, so it makes sense
that you know, everything will continue to evolve.
Speaker 8: In terms of radius and right building that audience.
Speaker 10: Right, And.
Speaker 12: I had an additional thought on that that escapes me.
Speaker 13: Oh there's something there's something nice about like hit hitting
like a fresh set of ears too, because you know,
sometimes we get the opportunity, like in twenty twenty four,
we have the opportunity to go up to Portland, Maine
and play it a place called Blue I believe is
what it was called, and it's just a it's a
really cool venue and like you know, you just see
faces that you hadn't seen previously, and like you know,
you kind of get reinvigorated off the excitement of someone
that hasn't heard your material. Yes, comes up to you
after and they're just like stoked on it. You know,
they're like, well, like where are you guys from? Like
all that stuff kind of really the energy to be
like all right, like we really should like try and
like you know, just reach out a little bit, whether
it's like north Shore, Massachusetts or like you know, just
even like further further going up to Portland, Maine and
as you mentioned Burlington, Yeah, and then like you know,
I think in the grand scheme, like branching out the
places like Brooklyn or like Philly, or have like really
hip scenes of like you know, just like indie rock
scenes of people that are just kind of doing the thing.
It's kind of like, you know, trying to work our
way into and become a part of it.
Speaker 15: You know.
Speaker 9: Yeah, well, I think too, with your sound, you know,
you can probably fit in a lot of different kinds
of places, different kinds of scenarios. You know, you're not
limited to you know, like if you play in a
metal band, uh, you know, you can only play certain
kinds of places, you know. And on the other end
of the extremes, of course, if you're a singer songwriter
just doing a solo acoustic thing, you can play literally
almost anywhere. But but I think you guys are in
a with your sound, You're in a really good You're
in a really good position that way.
Speaker 12: So it's the thing I was going to say before too,
is like, you know, with the way the way Spotify
and the way social media work now is you can
actually reach a very large audience without having a go
throuugh are. So you know that, and that's a constantly
evolving situation because the algorithms change and what the social
media's favor changes. But you know that And another thing
too is, like I heard someone put it one time,
win your hometown because a lot of people think like, oh,
I got this great band, I gotta get to Nashville asap,
and it's like, again, that's one approach, but I think
winning the hometown, I mean I feel like that's something
you know, we've we've gained some some solid followers. They
may not make it out to every single show, but
we know they're out there, right.
Speaker 9: Yeah, yeah, when you're hometown. Yeah, that's a good way
of putting it. Yeah, that makes sense.
Speaker 13: It's it's funny sometimes like I have some like just
someone like my closest friends, they're like, you know, sometimes
you'd expect your friends, but oh, like it's great.
Speaker 11: But like I have some friends that come up to
and they're like they're.
Speaker 13: Like, dude, I've played back to you like one hundred
and fifty times on my Spotify rap. Like they're like this,
you know, they're like singing lyrics to me, and I'm
just like, it's very funny. Just be like, you know,
you're just like a really close friend to me, but
to see like the genuine support of that and then
like the genuine love of a song. It's just like,
you know, it's cool, like like you're saying, just kind
of like kind of hometown court thing. Just feels like,
you know, it's nice to feel like you got people
behind you doing that stuff, like right right, yeah.
Speaker 8: Exactly, exactly, Well we should.
Speaker 9: Uh so let's play another one, and h one of
you had said suggested we play something from back to
You from.
Speaker 8: The previous Uh.
Speaker 10: Yeah, yeah, yeah, let's do the song back to You
that Mike just alluded to. Good timing.
Speaker 8: Oh, here we go.
Speaker 9: I found it, okay, And if you are just joining us,
we have slim volume here with us live in studio,
and uh, I'm trying to download this and it's uh
not happening for me as quickly as i'd like.
Speaker 12: What you'll hear on this track is the like I
said before, the flip side of the folk rock thing,
I have a more indie rock forward tune which was
a you know, kind of based off a little progression
and riff that Mike brought in that was worked into
into a song. So yeah, just a good, good dynamic
on this one.
Speaker 8: All right, Let's give this a listen.
Speaker 12: This is back to you.
Speaker 8: The band is slim volume.
Speaker 4: I think we come too far to turn your background now.
Speaker 1: I think the world's too hard. I'm the best when
you're not around. I've spent the last few nights just
about an hour to sleep, just waiting for you.
Speaker 16: There sad when you tis up here, say that you know,
showing my face here.
Speaker 6: I spent the last few nights just about an hour space.
Speaker 17: May I been trying thing for you a long MANI
but I can't.
Speaker 18: Be finding a way back to you, back to you,
back to me?
Speaker 19: Come horn feeling red, time's come in soon, apot elyptick
before a horseman a running frough.
Speaker 1: I spent the last.
Speaker 16: Few nights just about trying to breathe.
Speaker 4: A man baby follow you like guys, smoke man crying
like hot chick finding a way back to.
Speaker 1: Back to me.
Speaker 4: That I've been coming ready for you, y but hot
chick find a way b.
Speaker 18: That is back to you.
Speaker 8: That is slim volume.
Speaker 9: Everything you guys do is catchy, like if you like,
if you're If you listen to that and you're not
tapping along, you're probably in a coma or something that's
like the and it's like the perfect pop indie song.
It's it's just it's it's perfect.
Speaker 10: Thank you.
Speaker 8: Yeah, you're you're, You're welcome.
Speaker 9: It is it is well earned if you are just
joining us a slim volume is here with us live
in studio on this Saturday morning, and uh, that one
must go over well live too, I would imagine.
Speaker 8: I would imagine that gets a pretty pretty big response.
Speaker 12: Yeah, that one's been successful. I will say selfishly though
that lyric that the the vocal at the end is
stretching my capabilities. Yeah, And so it's a tricky one.
It's kind of like a there's a famous story of
the of the Eagles of Randy Meisner, who wrote a
What's What's take the Limit and he hated singing it
because it was so hard for him to sing and
everyone expected him to deliver it night after night. So
I know it's not quite Randy Meisner level, but it
is similar that that I wrote myself into a corner
a little bit with that line.
Speaker 9: Well, do you know the story of when uh he
got into Meisner got into a huge argument with Don
Henley about they were backstage one night at a show
and Meisner didn't want to sing that song, yeah, because
he didn't feel up to it. He'd been partying too
much or so right, and Henley was furious. And I
think I think that there might have even been uh
they might have thrown hands or.
Speaker 10: Pushed and shoved or something. That's surprising knowing Don Henley.
Usually he's so level headed.
Speaker 12: Yeah, it hasn't come to hands throwing yet, but it
has been one that I will say that one. That
one is one where if the audience doesn't seem like
they're gonna appreciate it, then it's really tricky because if
the audience is responding, I can sing it yeah, no problem. Yeah,
And that's kind of the the blessing and the curse
of being a singer, I guess, right.
Speaker 13: Right to pour pour your heart out into like a
you know, like a half empty room of people, just
like you know, like eating a cheeseburger.
Speaker 11: Try to push that out. It's just kind of like,
you know, I could see that being difficult.
Speaker 8: Yeah, I can see that. Yeah, uh yeah. Are there
any other songs where you kind of push that?
Speaker 12: No, I mean, i'd say that's the trickiest one. I
think Jake has a couple.
Speaker 10: There's probably some. There's a lot of songs where we
will sing in harmony and I'll sing a higher part,
and like sometimes I'll be like, guys, can we do
that one a little later? Can we do that like
third or fourth? Yeah, so I'm not quite as creaky.
That makes sense, So yeah, it happens for sure, that
makes sense.
Speaker 12: I think like with the new album though, like we're
trying to kind of strike I feel like we struck
a little bit more of a balance between that energy
that we just heard and then the first song we
heard and if you could imagine what those would sound
like if they had a baby, it's kind of what
a lot of that the new album is, where it's
got that pop indipop energy, but it's not so like
in your face, which is a little outside of kind
of like what our sound is to begin with. But
I mean, we're not going to stop ourself from writing
something like that.
Speaker 9: Yeah, yeah, do you guys play songs out that you
haven't recorded yet or yeah? Yeah, because Matt you know
well yeah, I think we talked about that earlier. Actually,
now that I recall you, because you some of the
songs that are going to be on the album you're
playing out right.
Speaker 8: So, yeah, is it a lot of them?
Speaker 15: Is it?
Speaker 8: Is it quite a few of them that you're playing.
Speaker 10: We're finally in the position where we're catching up a
little bit, but there's a lot like we're always writing stuff,
so it is tough like them. The moment we catch
up is the moment there's a handful of new songs. Mike,
looks like you had something No.
Speaker 13: I was just gonna say, like with the new album,
like I feel like we've played like, you know, probably
a majority majority of it at least once or twice
live in a live setting, you know, I mean just
like yeah, like I was saying, it's just a great
way to kind of like flush things out, you know.
Speaker 11: It's one thing like you do it in a practice.
Speaker 13: From all the time stuff like that, and then like
sometimes just playing in a different setting for like a
freshet of years, it's kind of like might give you
a fresh idea, like a new like kind of the
view on the song to kind of like take that
into the studio and just be like I like, you know,
playing this live, I heard that this could be kind
of like a cool thing to add to it. Like
you know, sometimes you hear, like what is missing when
you're playing live that like you don't have the ability
to to deal with like four people, you.
Speaker 10: Know what I mean?
Speaker 9: Yeah, Yeah, Well I would imagine too, like like happened
with Big Plans, you know, with the the ending, which
which turned out to be kind of a surprise. I mean,
does that happen with other songs too, Like when you're
recording with somebody at the caliber of Eric Soter, I
would imagine that that sometimes there are some some surprises
where it's like, well, okay, this this is not what
we thought it was going to be when we were
playing it out at live shows. Now it's the song
is like do you ever have something that's changed significantly?
Or it's like, wow, this is really different.
Speaker 12: We've gotten We've just gotten better in the studio too,
and being able to use our time more effectively, and yeah,
just throw ideas around and not feel like if something
gets put down like it has to stay like maybe
we'll use it somehow or Yeah, surprises abound.
Speaker 10: There's little things that pop up brand new in the
studio all the time. Like on the first track you
played Big Plans, there's a guitar solo thing at the
end with those bent guitar notes and stuff that Mike played. Yeah,
and I don't think we had that going in to
the studio at all or some version of it.
Speaker 13: No, not not even there was just kind of like
like that intro and that ending of that song was
something Trent had introduced because it was a tune that
Jake had brought and kind of flushed out with like
me and Johnny like just jamming at my house one day.
So as Trent added these like this new intro in
outro so to speak, you know, we brought it into
the studio and then working with that guy James Palco
that he mentioned earlier. He's just a great kind of
producer mindset where like you know, multi instrumentalist kind of guy.
So like I was like, you know, I had the
ideas of something to do with Ben's but he really
like sat with me and helped shape like this like
the rhythmic aspect of that and like have it be
like something that just like kind of fit well over
you know, two dudes singing still to make it be
like it's repetitive and it's like easy to kind of
lock into, but it gives space for those like you know,
Jake and Trent to sing and do their thing.
Speaker 8: Yeah, so yeah, oh excellent.
Speaker 9: And then so guys probably don't have any kind of
an ETA yet right on when when you think you're
gonna have that out or the new album.
Speaker 11: I think it'll be kind of like a slow drip
of singles.
Speaker 13: Maybe do like or two or three singles throughout the year,
maybe like you know, like late winter and then like
mid spring or something, and then maybe one closer to
the fall, and then like you know, aim for like
maybe like October November.
Speaker 11: Okay, it seems it seems like a cozy time to drop.
People are kind of hunkering back down, you know.
Speaker 12: Yeah exactly, Yeah, yeah, that's kind of the target we're
shooting at, is like fall time.
Speaker 8: Okay.
Speaker 12: Yeah. With yeah, just like my said, a couple of
singles throughout the year, Yeah, we have you know, it's
in it's in progress right now. We have maybe like
five or six days booked with Eric to finish it up,
kind of spread out over the next couple of months.
So okay, but you know, basically comes down to one
day equals one song, okay, yeah, after you've already tracked drums. Yeah,
so we may need a couple additional days, but yeah, yeah,
but you know it's worth it because I think, you know,
with with recording more and and and and I've done
this in other bands too. It's like I hate the
feeling of recording something and then a year later the
back and be like damn, yeah, I wish we did
this a little different. So, you know, I think everything
is the stars have aligned nicely on this. I think
we're all we're on the right mindset to make this
like our best material.
Speaker 8: Yeah.
Speaker 10: Yeah.
Speaker 13: To tack on to what you were asking earlier about,
like you know, you know, in terms of the end
of big plants, having like the organ and having elements
that like you know, are things that like we don't
we don't yet have the ability to bring live and
stuff like that. I think this, this new and up
and up and coming album is like there's like a
lot of that. Like there's a lot of like really
cool elements that like we're you know, getting into or
like dabbling with and like sounds and like textures and
like you know, like synth sounds and things to really
kind of like you know, just like elevate it. And
as Trent was saying, like getting more comfortable in the
studio and like kind of like understanding how we can
utilize our time and really like before we even go
in the studio, be like all right, like you know,
sitting down and kind of using those drums that we
got to like make demos out of and be like
all right, like let's mess around with some extra some
textural things on guitar or even like add some keys
over it and stuff like that, like things that really
like you know, being prepared for in the studio. Like, hey,
it's gonna save you time and money, you know what
I mean, Because like it's kind of like, you know,
to go in the studio and just be like all right, look,
let's a noodle on a synthesizer for like the next hour,
and like you know, you know what I mean. It's
just kind of like you know, it kind of like
can be kind of productive at a certain point. Yeah,
So it's so kind of like, you know, just being
a little bit more like ready and like you know,
like having ideas in mind and like exploring new sounds
and stuff like that is definitely something that's coming up
in the new album.
Speaker 8: Yeah.
Speaker 9: No, but as you as you refer to though being
prepared is so important and because you don't want to
be Uh. It's when you said, you know, noodling on
a on a keyboard for an hour. It reminded me
of if you ever watch any documentaries of bands, you know,
famous bands in the recording studio like the Eagles or whomever.
It always looks like and if it's a band that's
super famous and they have millions and millions of dollars,
they can afford to do it this way. But sometimes
in these documentaries it looks like the band it looks
like they're just writing the album in the studio as
they're recording it, you know, and you kind of if
you're the typical broke musician, you're sitting there watching, going
how do they even how.
Speaker 8: Did they even do it this way? Yeah?
Speaker 9: You know, I said, you won't afford to just sit
there and hey, I had an idea for a song
today and they're already well into the album and it's like,
so now they're just writing this new song.
Speaker 10: It's one of those things where we can do that,
but it's within the constraints of we better figure the
idea out in twenty minutes. If we don't it's time
to move on. If we're going to abandon this marimba
part now since we haven't.
Speaker 8: Figured it out, you know, yeah, exactly exactly, well we should.
Speaker 12: Uh, I'll let you guys pick.
Speaker 8: We should play another one. I'm dying here another one.
Like I said, I love your sound.
Speaker 10: Just think on it.
Speaker 13: Yeah, I mean we could either jump back to like
a like a big plans and do like a lay
laying low, or like you know, I know, last time
we were here we did the running thing.
Speaker 10: Yeah, okay, that could be kind of a nice one.
Speaker 12: Yeah, yeah, laying laying low, lay low.
Speaker 8: We'll play that one next, all right.
Speaker 20: Uh.
Speaker 9: If you are just joining us Alive on Saturday morning,
we have the band Slim Volume here with us Alive
in studio. This is their third appearance on the show.
By the way, while this is loading up, how long
have you guys been around? You're kind of in the
grand scheme of things. Still a fairly new band, right,
Oh yeah, and.
Speaker 10: A half years years is going on? Coming up to
three soon? Yeah, twenty twenty two sometime is like I
think formally when we started as a four piece band
late twenty two? Does that sound correct to I'm looking
to the other. To my historians, it's all a blur.
Speaker 12: And the official biography on our website twenty twenty three
was the mark of Oka of the Start.
Speaker 8: Okay, yeah, yeah, all right, Well let's give this a spin.
This is Laying Low. The band is Slim Volume.
Speaker 7: Low.
Speaker 21: I'm looking over my shoulder somewhere I need to be,
wonder where to go, where nobody knows me and I
can make memories or the songs that.
Speaker 1: I say who.
Speaker 14: Sometimes I'm right, sometimes I'm around. Sometimes it takes on
just to get a long. Sometimes it's me and sometimes
it's you. Sometimes it's too late to call, but I
want to.
Speaker 1: Pick up that phone, get on the ball.
Speaker 21: Somethings get old and sometimes some.
Speaker 4: Getting used to.
Speaker 6: I know what it's true.
Speaker 12: I got so lost in that one.
Speaker 8: I didn't even notice we were at the end.
Speaker 1: That is Laying Low.
Speaker 8: That is Slim Volume.
Speaker 12: That was a good choice.
Speaker 8: Wow, that's really good.
Speaker 10: That song.
Speaker 8: It's just it's shimmers. I don't know how else to
put it. It shimmers everything about it. It's just so good.
Speaker 9: And the way I love the harmonies and the way
the guitar sounds, everything about that is really good. Uh,
we have a slim volume live in studio with us
if you're just joining us on this uh this cold
Saturday morning. But yeah, what a great track. I'm curious,
is that one of the more challenging ones that you've recorded.
It sounds like just sonically there's a lot going on
there and with the vocals, and is that one of
the more challenging ones or no.
Speaker 10: I mean it's a really good question.
Speaker 12: Yeah, I mean there's sort of a simplexity about it. Yeah,
it's yeah. I feel like that one was one that
we had been working on for a really long time.
Speaker 10: Yeah, but by the time it came.
Speaker 12: To the studio, it felt pretty easy to get that
one in. I feel like, at least for me.
Speaker 13: Yeah, really, yeah, that makes sense because like as I
was listening to it, I was like, I was like,
this song has been around for a long time. Okay,
it's been it's been like, you know, kicking around and
played a lot and played out live multiple times before
it ever got recorded. So I kind of think it
felt pretty organic for us going in the studio and
kind of doing that, and then like that was like
I feel like one of our first introductions into like
adding like a lot of textual things to it, like
because I don't know if you heard like this little
key key's part in there and stuff, and there's some
kind of like just nice little like guitar like little
chimy things.
Speaker 10: That's what I mean.
Speaker 8: There's a lot going on in there.
Speaker 10: Yeah.
Speaker 13: Yeah, yeah, So I think that was our first kind
of real like attempt at trying to give it like
a its own kind of specific sound versus just what
we do live, which is like easy to record, you
know what I mean, But.
Speaker 11: That's just like what can we do to like elevate this?
Speaker 12: Yeah, Yeah, that's the thing. Sometimes you go record something
in the studio the way that you perform it and
rehearse it, and then you sit there listen back and
you're like, wow, it sounds empty, you know, it's it's uh,
it's just missing something.
Speaker 8: Yeah.
Speaker 12: So sometimes it's trying to figure out and that's probably
the trickiest part on that one, just trying to figure out, like,
all right, what's going to make this sound full and interesting?
The whole time, I.
Speaker 13: Think we struggled, sorry you say we struggled the most
with what Trent just said. I think on Running Thin,
Like Running Thin was one of those things I think
we literally re recorded like, like, what's on that the
third time?
Speaker 12: Yeah?
Speaker 8: Oh really?
Speaker 11: Yeah.
Speaker 10: It's funny because when you asked, was it hard to
we're challenging to record that? Mind shoal reaction was no.
But then I was thinking back, and I'm pretty sure
it's one of a few songs that we've recorded like
two or three times. I think we did Laying Low before. Yeah,
we did, and maybe felt like we got it at
the time and then listened back. Running Thin is another
one where we heard what we kind of did and
heard the finished product and just sort of felt like,
I don't know, that doesn't feel done yet, maybe yeah,
And so yeah, it's one of those things we're fine.
Like I think the shim shimmer is good. I'm glad
that that comes across because I think that maybe was
the missing ingredient in the sound.
Speaker 12: Of that part of that though too. The shimmer is
so these both these EPs, we sent them out to
Wild Feather Studios, which is in Nashville, which is the
guy that Mike got connected with in a blues band.
He used the plant and this guy's are really good
mixing engineer. So Running Laying Low what we just listened to.
That was I think the only song of the eight
that he mixed that came back first try, Like that
was just the mix, okay, And he added some of
those shimmery elements, so there's some like crystallization reverb in
the vocals that really makes it blend. Yeah, he said
it reminded him of Oasis. Yeah, and I think and
I think that's where he pushed the mix a little bit,
which I don't know if I can really attest.
Speaker 10: It's funny because I was thinking of that while we
were listening to just Now, and I was like, this
definitely sounds like Oasis this song. And that's what's funny
about going into the studio or going through the whole
mixing and mastering processes. I never thought that this song
sounds like Oasis one time until it was to Zach
who kind of turned it a little bit into an
Oasis sign. Now I definitely hear it with the way
the acoustic sounds and shimmers, to use your word again.
Speaker 8: Yeah, yeah, absolutely, absolutely very cool.
Speaker 9: We have a slim volume here with us if you
are just joining us talking with the guys, and do
you have how many how many songs?
Speaker 8: As a band, do you have how many original songs
at this point?
Speaker 13: I think least on Spotify there's like seventeen okay, something
like that, and then the you know, but plus plus
the ten of the album that are like you know,
just being recorded that are like you know, quote unquote done, yeah,
and then like beyond that, like we have this folded,
it's probably got like another like fifteen you know, like yeah,
things that are like you know, if not half done,
pretty close to being done.
Speaker 11: And then like you know, it's like Jake was saying,
it's like.
Speaker 13: Right when you feel like you're caught up, you're like
all right, like no, we're not right, right, Yeah, time
to keep going and stuff, which is it's like a
great like like problem to have, you know, it's like
not a problem. It's like it's a blessing to have
so much ideas kicking around and stuff like that.
Speaker 11: But it can't get a little overwhelming if you don't
keep up with it.
Speaker 10: Yeah.
Speaker 9: Yeah, but you have a lot of music for a
band that's you know, again really hasn't been around that long.
You know, You've you've got a lot of You've got
a lot of music. Do you guys do any covers
when you play live, do you Oh, yeah, what we do?
Speaker 12: Yeah, some of the gigs we play just require, you know,
having cover material, and that's a constant kind of struggle
of feeling like all right, we got we got enough
cover material now, and then it's like, well, no, we don't,
because like these five songs don't really feel is good
anymore to play, and so it's always kind of like
mixing new ones in.
Speaker 8: Yeah.
Speaker 12: But I mean, yeah, we cover everything from you know,
the Beatles to we got a Kings of Leon cover strokes.
I mean, we you know, some early two thousand stuff,
like a lot of classic rock stuff. But it's selective too.
It's it's not like I don't know, we don't really
just go play anything.
Speaker 10: Yeah, we don't have much metal in the repertoire right juncture. Yeah,
we like to.
Speaker 13: Fel like we pick things that kind of like like
make sense sonically, they like kind of fit the vibe
of what we do. Yeah, sometimes its kind of nice
to switch it up with different things, like you're saying,
like just generationally speaking, from like the Beatles to like
in Beach Boys to doing like you know, more of
a modern sonic death cab for QT.
Speaker 10: Cover or whatever.
Speaker 13: It is, like you know, try and like you know,
appeal to all ears out there in the crowd kind
of thing.
Speaker 12: Yeah, it's pretty much an impossible task to appeal to
everybody at every gig of course. Yeah. And it's just
like you know, one gig to the next, things we
think are gonna work well don't, and things we don't
aren't sure about like work great. Yeah, you know, It's
it's really funny that way, like just just something that
comes to minds like the Jackson Brown.
Speaker 10: Song Somebody's Baby.
Speaker 12: Somebody's Baby. I feel like that crushes like everywhere, no
matter where, or it's a great song. It's a great song.
Speaker 10: Yeah, it's the platonic mean of a song. People like it.
Speaker 12: So it's just it's just trying to find about thirty
songs like that that we can be tight on.
Speaker 13: We we've been doing like a Sister Golden Hair. Yeah,
that's just an awesome tune. Like, yeah, I think we
also like to pick songs that like we genuinely.
Speaker 11: Like love to play, you know what I mean.
Speaker 13: Like it's just kind of makes it like more genuine
as a player, Like you know, if you just kind
of like you really get into it and you just
kind of like, you know, you really do do your
diligence to learn all the parts correctly and stuff like that,
and like, you know, doing the slide over sister Golden Hair,
it's just like, you know, like that must that's great,
you know what I mean, Like you see people get
pumped up about it.
Speaker 11: It's just like, yeah, who does love that song?
Speaker 8: I mean, right, yeah.
Speaker 9: Do you do any covers that are kind of obscure
that not everyone in the audience necessarily realizes is the cover?
Speaker 10: Well, we do a cover of this song called Sin
City by the Flying Burrito Brothers, who was Graham Parson's
band from back in the sixties. And the reason I
mentioned that song is like, it's not I don't feel
like it's that well known or in the mainstream. Really,
it's one of those old kind of country folky songs
that like, once you hear it feels like you've heard
it or a song like it many times. Okay, And
we recently recorded a cover for that that's coming out
on a like a country music compilation. Oh really soon.
Speaker 12: I have no idea when.
Speaker 10: We don't know exactly when, but it'll be out and
so that maybe that's something we can listen to on
here sometime too.
Speaker 9: Yeah, definitely, yeah, Yeah, Now how did you how did
you get the opportunity.
Speaker 12: To do that, to be a part of that compet
that was actually so modern? Fools? Who has the album released?
Shown a couple of weeks that we're playing it was
a member from that band I was putting it together
and just reached out to us. Oh wow, Yeah, I'm
not sure really any more details than that, honestly.
Speaker 8: Did did Did they let you pick the cover you
want to do?
Speaker 10: Or yeah? The idea was out law Country also you
know at Chris Christoffers and Willie Nelson anything in that? Yeah?
Speaker 8: Real, Have you guys ever been on Rob show? Granted
state of mind?
Speaker 12: I have as an individual, like as a as myself.
Speaker 10: Okay, okay, as a political candidate.
Speaker 9: No, No, I was just curious because when you said
out lack Country, my first thought was a Rob Rob
has a lot of bands on his show.
Speaker 8: Does that you guys? You guys would be great on
Rob show too?
Speaker 12: Yeah? I think it's not scheduled, but yeah, I got
I met Rob just like a few months ago. Yeah,
I went to his open mic.
Speaker 8: Yeah, pork City.
Speaker 12: Yeah, and I had never come across him, and I
was mind blown because we just know we both know
like the same mutual people. Yeah, yeah, I couldn't believe
that we had never crossed past. Yeah. But the band
will definitely be on his show at some point.
Speaker 8: Yeah. And have you guys played at Pemworks City Limits.
Speaker 12: I played there for like a solo show, Okay, but yeah,
he wants to have us Yeah, yeah, good, Yeah.
Speaker 8: I can imagine that. Yeah, that's such a that's such
a cool room to Rob is.
Speaker 9: Rob is doing amazing things and of course a plug
for a show he scranted State of Mind Fridays at
six pm right here at w M and H. So yeah,
he does a he does a lot for the scene.
Speaker 15: Now.
Speaker 9: That's cool though about the country compilation, but you don't
know when it's gonna be out sometime sometime this year
though it was supposed to.
Speaker 12: Like be out now. And I think with anything like that,
when you have ten different bands all submitting you, yeah,
gets a little delayed.
Speaker 10: Someone is in the precarious position of having to email
and track down ten different musicians right or flighty on
the best of so, no, I can I.
Speaker 9: Can see where that would where that would be the case.
Now what about uh so is the show of the seventeenth?
Is that the next show you guys are playing? Yeah,
and then after that do you have.
Speaker 8: Like what what's what's winter like for in terms of
live shows? Is are you gonna be kind of active?
Speaker 12: Or yeah, we'll be at two Ship a couple of times, Okay,
we'll be at Do we have a strange brew book?
Speaker 11: No, I don't think there's any strange strange.
Speaker 10: Two Shares on Union Street in Manchester for those who
don't know, it's a brewery. Yeah, worth checking out with
us or without because it's yeah, they make good local beer.
Speaker 12: Yeah yeah, yeah, I mean slim Volume band dot com.
You know, it's got all the details for anyone who
wants to track us down. But yeah, yeah, I mean
it's funny, like, you know, we got ten or twelve
gigs book. I can't recall them off the top of
my head.
Speaker 9: Yeah, yeah, No, it sounds like you're off to a
strong start for the new year. I always asked too,
because you know a lot of bands they kind of
slow down in winter, or they focused on writing and
recording and then you know, I see some I know
bands who only want to really be active during the summer.
Speaker 10: But oh, another one that just comes to mind, Matt,
now that you say it is we're playing Auspicious Brew
in Dover in February. I believe that's on the fifteenth. Okay,
that's with Kara Holbert Howe as a singer songwriter from
the Sea Coast area. And then tin Fish is another
band from out in the kind of Portsmouth Dover area.
So that's gonna be a fun one.
Speaker 8: Oh, very good, very good.
Speaker 9: Yeah, And do you guys try to play a lot
of shows on the Sea coast because I would imagine
what you know, with the U.
Speaker 8: N H crowd and everything, you know, you guys would
be very well received.
Speaker 10: Yeah, it's definitely a different kind of scene and vibe
on the Sea coast. So yeah, I mean we try
to get out there. We've played Dover and Portsmouth a
number of times. The press room. You know that some
of these venues that they have great sound there, you know.
Speaker 8: So excellent. Yeah, yeah, very good, very good.
Speaker 9: Well, guys, we are approaching the top of the hour,
so I'll again I'll let you pick what we will
play to end the segment today. Whatever, whatever you guys
want to go with I've certainly enjoyed everything that you've
chosen so far.
Speaker 13: You want to like Kpol just for kind of like
you know S's and G's on that one.
Speaker 12: That sounds good, that's going to be on the back
to you.
Speaker 8: You'll go back to that one.
Speaker 10: So this track will be different in that you will
not hear my voice nor we hear Trent's voice.
Speaker 11: Yeah, your instrumental.
Speaker 8: Yeah, I actually had listened to this one on on
band camp and yeah, it's fun. It's fun. Uh So,
Slim Volume guys, thank you again so much. And slim
Volume dot com is.
Speaker 12: The web sit Slim Volume band.
Speaker 9: Oh, slim Volume Band dot com, thank you very very good.
And Jenny before we go to you want to plug
your website.
Speaker 22: Of course you can check me out in my creativity
projects at Gencoffee dot com.
Speaker 10: J E N N C O F F e I
dot com.
Speaker 9: And by the way, uh also keep an eye on
you know you've got your you've been doing a lot
of media appearances and you're about to be on a
pretty big podcast.
Speaker 1: Yeah.
Speaker 8: Should we should we mention.
Speaker 12: Which one status coup you guys know Status cup?
Speaker 8: Well you will.
Speaker 22: Baby, yes, we're taping tomorrow and I don't know the
exact date.
Speaker 8: This, this one's a big deal. So very proud of
very proud of you.
Speaker 11: Wall Street Journal was pretty big.
Speaker 12: But that was pretty great. That was BBC. That was huge.
I was like shocked us going through the Facebook band
feed and I saw you re shared that.
Speaker 22: I was like, well, no, BBC, yeah, yep, yep, causing
a little trouble here on there.
Speaker 9: As always, we need to have me any other way,
we need a good trouble. Thank you for everyone who
joined us today. Of course doctor No and that was awesome. Yes,
Doctor No is wonderful and scarecrow Hill and of course
Slim Volume guys, thank you again. Thank you matt Us
absolutely and we will close with this u k PO seven.
This is Slim Volume.
Speaker 5: I st.
Speaker 23: Feels like running around in sound, blue lights and flash,
but it will never be found and so s pattish
your lines, rob sound yeah, and make some memories.
Speaker 11: To forget in the morning.
Speaker 20: It feels like everything changes, but the people around you
keep a smile on the face, gets some selling. Yeah, yeah,
I'm selling. Yeah, I'm selling red.
Speaker 6: So let's safety down and you can sell him.
Speaker 1: Sounds about you something, say anything than spices, the.
Speaker 24: Big born placies, the water spicies, a dream created.
Speaker 4: To hear and me waiting.
Speaker 24: Let's go back to the basis, God says, the brick places,
the water spacies, the dreams created tells hearing me anything,
Let's go back in the morning.
Speaker 20: The sign lies hundred miles so the rise where the
sun shining down on me and you can't seem to
hide that smiles if we tell you your stobby or.
Speaker 1: Suits, and it feels like everything changes.
Speaker 6: But we've had that before.
Speaker 20: So while we're put through the paces, Yeah, I'm selling you, Yeah,
I'm selling you.
Speaker 12: Yeah, I'm selling you meating So.
Speaker 1: It's the same down and you can sell it. Listen,
so want you out from That's anything.
Speaker 24: By guys is the people, the places, the water, basis
train repriget to check.
Speaker 4: Hearing me, metal backing grace.
Speaker 6: Guys is the.
Speaker 24: Priople, but places, laces and trams re brigety check killing me,
metal bucket.
Speaker 25: I'm singing your song that'll bring you lung sni I
would carevin little world time has catch that the evening
ride because it's ten past five on a freezing winter's night,
but with a smile, line of faces.
Speaker 1: We'll dance, and so the sun rimes, let's go dancing.
Speaker 18: So the suner rides.
Speaker 1: That's what dancing.
Speaker 26: So the sun rides, Let's go dancing. So the sunar rides,
let's go dancing. So the sun rise, let's go dance.
A sorri let's go dancing sounds sunrise.
Speaker 1: This is a passenger announcement.
Speaker 22: The twenty three past willnound the park and stand nineteen
and the last times.
Speaker 24: The people says a bridget you mean, let's go.
Speaker 17: Top chain by guys.
Speaker 24: Guys is the fa for the places, the spices, the trains,
cricket to change there be.
Speaker 4: Let's go put chain.
Speaker 8: You are listening to w M n H.
Speaker 24: Please command guy, don't get SUPREMELYA Maxill Cobby.
Speaker 27: Disneys Cafe is the place to put a smile on
your face. Judy and the crew will take care of you,
bring your appetite and trig your taste buds right business
cafe is always a winning choice. Breakfast, lunch or supper.
Dizze's Cafe at eight sixty Elm Street in downtown Manchester.
Dine in, take out or make a reservation call six
h three six h six two five three two, Eat,
drink and be happy Dizzey's Cafe.
Speaker 15: When it comes to keeping WMNH on the air and
your own personal or business computer needs, trust Roland Computers,
located on Elm Street in Manchester, groll in handles computer repair,
virus removal and custom built systems. Are you looking for
budget friendly options, check out our selection of fully inspected
used computers. We offer tailored on site solutions, no unduss
necessary expenses here. Visit Groland dot com or call grolland
Computers at six zero three six four five zero one
zero one. Your Tech, your way, Trust Groland Computers.
Speaker 28: Bring your kitchen to life with Queen Citycabinetry, located at
eighty seven Elm Street in the historic Sunbeam Mall in Manchester,
open Monday through Friday nine am to five thirty pm
in Saturday's ten am to two pm. They can be
reached at six oh three two two two to zero
zero seven or on the web at Queen citycabinatrey NH
dot com.
Speaker 8: Come see the possibilities.
Speaker 28: Queen Citycabinetry another proud sponsor of WMNH.