1 00:00:01,240 --> 00:00:03,120 Speaker 1: M an Angel Ripson dorms. 2 00:00:22,559 --> 00:00:35,679 Speaker 2: Mm hmm, I'm a main. 3 00:00:36,119 --> 00:00:41,159 Speaker 3: Lots of big class carry away but say. 4 00:00:42,399 --> 00:00:45,000 Speaker 1: It might be too much of a good thing. 5 00:00:45,759 --> 00:00:52,240 Speaker 4: No, no, you have to teach me and my No, No. 6 00:00:53,880 --> 00:01:18,000 Speaker 1: I'm sure I always know you want I know, if 7 00:01:18,239 --> 00:01:26,319 you know that I'm the start. If it's the hardest ball. 8 00:01:27,799 --> 00:01:37,680 Speaker 3: And she knows, she knows it can tell them all 9 00:01:39,560 --> 00:01:41,079 and made up the man to. 10 00:01:41,319 --> 00:01:42,079 Speaker 5: They are. 11 00:02:01,319 --> 00:02:04,599 Speaker 3: God's big places. 12 00:02:05,599 --> 00:02:06,239 Speaker 4: The way. 13 00:02:06,519 --> 00:02:07,799 Speaker 6: But she said. 14 00:02:09,199 --> 00:02:11,680 Speaker 2: She feel bad for good thing. 15 00:02:12,560 --> 00:02:44,439 Speaker 7: Oh no, oh no, oh no, cool, Well long time 16 00:02:45,159 --> 00:02:49,639 it's playing the same same, it's. 17 00:02:49,520 --> 00:02:52,639 Speaker 1: Sound joy. 18 00:02:53,560 --> 00:02:59,800 Speaker 6: Some more lot play when I got speak. 19 00:03:38,080 --> 00:03:39,439 Speaker 8: You guys have such a nice sound. 20 00:03:40,000 --> 00:03:42,439 Speaker 9: We have slim volume here in studio and we're gonna 21 00:03:42,479 --> 00:03:43,759 talk to these guys in just a moment. 22 00:03:43,840 --> 00:03:44,560 Speaker 8: Welcome everybody. 23 00:03:44,879 --> 00:03:47,280 Speaker 9: This is Matt Connorton Unleashed and we are live and 24 00:03:47,360 --> 00:03:49,800 my voice is cracking and it's very upsetting, but we 25 00:03:49,919 --> 00:03:53,400 are live on this the first uh Saturday in twenty 26 00:03:53,479 --> 00:03:55,800 twenty five. Here from the studios of w m n 27 00:03:56,000 --> 00:03:59,319 H ninety five point three FM, Inglorious, Manchester, Newhampster. 28 00:03:59,439 --> 00:04:05,159 Speaker 8: Do you hear that I just said I had an 29 00:04:05,199 --> 00:04:08,319 asthma incident? Recently, and I've apparently not fully recovered. 30 00:04:08,360 --> 00:04:11,199 Speaker 9: But uh, we are live, of course, and uh having 31 00:04:11,199 --> 00:04:14,240 a great time here on this Saturday of our first 32 00:04:14,280 --> 00:04:15,159 Saturday of. 33 00:04:15,280 --> 00:04:15,800 Speaker 10: The new year. 34 00:04:16,120 --> 00:04:17,759 Speaker 9: And Jenny is here as well, of course at the 35 00:04:17,839 --> 00:04:22,079 news table and joining us live in studio. This morning 36 00:04:22,480 --> 00:04:26,040 we have Slim Volume. The gentleman from from Slim Volume. 37 00:04:26,120 --> 00:04:27,680 Welcome guys, good morning. 38 00:04:28,680 --> 00:04:31,160 Speaker 8: Yeah, I was trying to remember you guys have been 39 00:04:31,199 --> 00:04:33,439 on the show. Has it been once or twice before? 40 00:04:34,720 --> 00:04:37,680 Speaker 9: It has been twice, Okay, it it becomes a blur 41 00:04:38,600 --> 00:04:41,360 after a while, but uh, yeah, you guys have such 42 00:04:41,399 --> 00:04:44,120 a great I hadn't so, I hadn't heard that song before, 43 00:04:44,279 --> 00:04:46,000 but you guys have such a great sound. 44 00:04:47,279 --> 00:04:48,959 Speaker 8: Yeah, I just kind of listening. I'm just kind of 45 00:04:48,959 --> 00:04:49,839 getting lost in it, you. 46 00:04:49,879 --> 00:04:50,800 Speaker 11: Know, like, thank you. 47 00:04:51,000 --> 00:04:53,399 Speaker 8: It's just really really good. Let's let's do this. 48 00:04:53,519 --> 00:04:55,720 Speaker 9: So for the uninitiated, let's start in the corner here. 49 00:04:55,759 --> 00:04:57,839 We'll go around well, you kind of know the drill anyway. 50 00:04:57,879 --> 00:04:59,319 You can each tell us who you are, what you 51 00:04:59,439 --> 00:04:59,920 do in the band. 52 00:05:00,360 --> 00:05:02,839 Speaker 11: Yeah, my name is Mike. I played guitar in the band. 53 00:05:03,519 --> 00:05:08,079 Speaker 12: Okay, Trent over here played acoustic guitar mostly all right, 54 00:05:08,680 --> 00:05:10,319 Johnny and I played drums. 55 00:05:11,079 --> 00:05:13,600 Speaker 10: And I'm Jake. I played bass and I sing along 56 00:05:13,639 --> 00:05:13,959 with Trent. 57 00:05:14,279 --> 00:05:17,639 Speaker 8: Oh very good, very good. Now is this a new album? 58 00:05:18,319 --> 00:05:20,800 The song we just heard, Big Plans? Is that from? 59 00:05:21,360 --> 00:05:21,759 Is that new? 60 00:05:22,160 --> 00:05:26,000 Speaker 10: That is from our newest EP, newest collection of four 61 00:05:26,160 --> 00:05:30,639 songs that we put out in was that November? Yeah? Okay, 62 00:05:30,759 --> 00:05:33,959 it's starting to blur like you said, yeah, yeah, And 63 00:05:34,120 --> 00:05:36,519 we released another new EP in we had two and 64 00:05:36,600 --> 00:05:39,759 twenty twenty four, so that one's from the second of 65 00:05:39,839 --> 00:05:41,120 those called Big Plans. 66 00:05:41,199 --> 00:05:41,560 Speaker 8: Gotcha? 67 00:05:41,720 --> 00:05:43,079 Speaker 10: That was the self titled track. 68 00:05:43,240 --> 00:05:44,040 Speaker 12: Okay, okay? 69 00:05:45,439 --> 00:05:46,839 Speaker 8: Now what goes into the decision? 70 00:05:46,879 --> 00:05:48,399 Speaker 9: And this is a subject that we talked about a 71 00:05:48,439 --> 00:05:50,959 lot on the show because you know, everybody approaches it differently. 72 00:05:51,240 --> 00:05:52,959 Speaker 8: There's so many different ways you can do it. 73 00:05:55,120 --> 00:05:56,959 Speaker 9: I'm always asking, so, why did you decide to do 74 00:05:57,000 --> 00:05:58,560 an album or why did you decide to do an EP, 75 00:05:58,720 --> 00:06:00,199 or why did you decide to just do single? But 76 00:06:00,319 --> 00:06:03,240 in your case, so you release two EPs very close 77 00:06:03,279 --> 00:06:07,399 to each other. What's the strategy there or is there one? 78 00:06:07,480 --> 00:06:08,920 Or is it just or does it just feel right 79 00:06:08,959 --> 00:06:09,519 to do it that way? 80 00:06:10,240 --> 00:06:13,839 Speaker 13: I feel like when we go about releasing the songs. 81 00:06:13,879 --> 00:06:15,759 At least in the past, it's kind of been one 82 00:06:15,800 --> 00:06:18,480 of those things where we always have the question of, like, 83 00:06:18,560 --> 00:06:20,439 you know, you put a lot of like you know, 84 00:06:20,639 --> 00:06:23,199 effort into an album, and then if you drop it, 85 00:06:23,319 --> 00:06:24,920 it's kind of like, you know, you really want people 86 00:06:25,000 --> 00:06:27,759 to hear it. So sometimes we like take the approach 87 00:06:27,800 --> 00:06:29,959 of maybe if we do it in smaller chunks for people, 88 00:06:30,519 --> 00:06:32,040 you know, it's just kind of easier to kind of 89 00:06:32,040 --> 00:06:33,800 promote it and just like you know, it's not like 90 00:06:33,839 --> 00:06:35,600 all your eggs in one basket that could kind of 91 00:06:35,639 --> 00:06:38,519 get left behind. Yeah, So doing like two EPs throughout 92 00:06:38,519 --> 00:06:40,680 the year was something that was like a little strategic 93 00:06:40,759 --> 00:06:44,160 in that sense. But I feel like as moving forward, 94 00:06:44,319 --> 00:06:46,399 you know, right now we're currently working on like a 95 00:06:46,480 --> 00:06:47,720 ten song album and stuff like that. 96 00:06:48,279 --> 00:06:48,480 Speaker 11: Yeah. 97 00:06:48,560 --> 00:06:50,639 Speaker 13: Yeah, so it's definitely kind of trying to shift the 98 00:06:50,680 --> 00:06:53,000 approach a little bit and see where that takes us, 99 00:06:53,120 --> 00:06:56,680 and also keep it in mind that like I bring 100 00:06:56,800 --> 00:06:58,920 some songs to the table, and like Trent and Jake 101 00:06:59,000 --> 00:07:01,000 both right, and like, you know, so there's always like 102 00:07:01,040 --> 00:07:03,279 a massive influx of material that's kind of like really 103 00:07:03,319 --> 00:07:04,519 easy to get overwhelmed with. 104 00:07:04,879 --> 00:07:07,120 Speaker 8: Yeah, no doubt, Yeah, no, doubt. 105 00:07:08,759 --> 00:07:12,279 Speaker 9: Well, so doing a ten like it is your approach 106 00:07:12,360 --> 00:07:15,160 in terms of writing different with whereas you're working on 107 00:07:15,279 --> 00:07:16,920 a ten song album. 108 00:07:17,319 --> 00:07:20,439 Speaker 12: Well, I think like with these two EPs, we kind 109 00:07:20,480 --> 00:07:25,040 of realized they both had like a very separate sound 110 00:07:25,120 --> 00:07:27,000 where this one we just heard was more of like 111 00:07:27,079 --> 00:07:30,600 the folk rock influence and the other one was more 112 00:07:30,639 --> 00:07:33,360 of a straight indie rock influence. And we can listen 113 00:07:33,399 --> 00:07:35,839 to one of those tracks later, yeah, yeah, but and 114 00:07:36,079 --> 00:07:38,360 you'll see the difference. And so the album is kind 115 00:07:38,399 --> 00:07:41,480 of like the combination of both of those sounds in 116 00:07:42,439 --> 00:07:46,079 a little more cohesive way. So splitting the EPs was 117 00:07:46,120 --> 00:07:50,399 also a decision of like, sonically they were very separate. Okay, 118 00:07:51,360 --> 00:07:52,959 but yeah, I think we like Mike was kind of 119 00:07:52,959 --> 00:07:57,759 alluding to, it's been a progression from doing singles, now 120 00:07:57,800 --> 00:08:00,399 a couple of EPs and now just time to yeah, 121 00:08:00,720 --> 00:08:02,160 focused on a bigger project. 122 00:08:02,360 --> 00:08:05,800 Speaker 9: Yeah, what about in terms of where you record like 123 00:08:06,560 --> 00:08:08,639 these EPs that you've done, have you recorded these all 124 00:08:08,720 --> 00:08:09,199 the same way? 125 00:08:09,360 --> 00:08:13,680 Speaker 10: Or we work with Eric Sotter at Blackhart Sound Yes, yeah, 126 00:08:13,759 --> 00:08:15,000 here in Manchester. He's awesome. 127 00:08:15,120 --> 00:08:16,879 Speaker 9: His name is cop Well, we had him on the 128 00:08:16,879 --> 00:08:19,000 show too, but leading up to having him on the show. 129 00:08:19,000 --> 00:08:20,800 I remember telling him you got to come on because 130 00:08:21,480 --> 00:08:24,439 his name. Of anybody in the area who does recording, 131 00:08:24,480 --> 00:08:26,120 who has any kind of a studio, his name comes 132 00:08:26,199 --> 00:08:27,560 up by far the most often. 133 00:08:28,079 --> 00:08:28,800 Speaker 10: He's prolific. 134 00:08:28,879 --> 00:08:32,639 Speaker 9: Oh he's amazing. Yeah, yeah, so incredible. So so sorry, 135 00:08:32,679 --> 00:08:37,080 my voice keeps racking. So the EPs were recorded with him, Yeah, excellent. 136 00:08:37,440 --> 00:08:37,600 Speaker 14: Yeah. 137 00:08:37,960 --> 00:08:41,840 Speaker 10: And also on that track, we had a guy named 138 00:08:41,919 --> 00:08:46,639 James Palco who plays under a name that Jimmy Montague. 139 00:08:46,799 --> 00:08:48,559 It's like a yacht rock kind of sounds really cool, 140 00:08:48,799 --> 00:08:51,519 but he worked in the studio before. He's moved since. 141 00:08:51,600 --> 00:08:53,360 But you heard the organ at the end of that 142 00:08:53,440 --> 00:08:55,799 song that was playing that on that track, So yeah, 143 00:08:55,799 --> 00:08:58,519 he's kind of a very talented multi instrumentalist producer guy. 144 00:08:58,759 --> 00:09:02,159 Speaker 9: That's a cool way to end too, because because as 145 00:09:02,200 --> 00:09:04,080 I'm listening and I'm hearing it for the first time, 146 00:09:04,159 --> 00:09:06,480 and as I'm listening to it's it's at that part, 147 00:09:06,519 --> 00:09:07,679 you know, it's at the end of the song. I 148 00:09:07,720 --> 00:09:09,960 should probably fade it out and start talking, right, you know, 149 00:09:10,039 --> 00:09:12,480 as a DJ. But I'm like, I couldn't because I 150 00:09:12,559 --> 00:09:15,039 wanted to hear that play out, you know what I mean, 151 00:09:15,080 --> 00:09:17,519 Because it just sounded so cool because it's kind of 152 00:09:17,519 --> 00:09:19,080 a surprise. You don't expect to hear that at the 153 00:09:19,200 --> 00:09:22,519 end like that, but it just works so perfectly, you know. 154 00:09:22,639 --> 00:09:24,159 So it's like I didn't even want to talk over it. 155 00:09:24,279 --> 00:09:25,960 Speaker 10: It's one of those things that just sort of happened to. 156 00:09:26,799 --> 00:09:28,480 He just was playing and he kind of just kept 157 00:09:28,879 --> 00:09:31,799 hanging on that last chord and I think we probably 158 00:09:31,840 --> 00:09:34,039 thought maybe we'll fade it out too, but we ended 159 00:09:34,080 --> 00:09:36,120 up liking it, I think as just a kind of 160 00:09:36,159 --> 00:09:38,759 a weird ending that you usually wouldn't hear out of 161 00:09:38,840 --> 00:09:42,320 us because none of us are organists, right right, so. 162 00:09:42,360 --> 00:09:44,480 Speaker 9: When you play that one live, that that's not there 163 00:09:44,559 --> 00:09:47,240 obviously no organ yet, no organ yet. 164 00:09:47,360 --> 00:09:50,879 Speaker 12: Yeah, although there may be a surprise for our next 165 00:09:50,960 --> 00:09:56,120 show with regards to He's Oh okay, that's been a 166 00:09:56,159 --> 00:09:58,559 little little discussion in the band for a while. We've 167 00:09:58,559 --> 00:10:01,919 always thought, you know, another element would be helpful. Yeah, 168 00:10:03,080 --> 00:10:06,360 but yeah, I think we may have that in place 169 00:10:06,480 --> 00:10:09,799 for two weeks from yesterday. Oh okay, Yeah, okay, that's 170 00:10:09,879 --> 00:10:12,639 kind of like the other, you know, the other you know, 171 00:10:12,759 --> 00:10:17,080 promotional element of this radio appearance is in two weeks 172 00:10:17,960 --> 00:10:22,399 Banker New Hampshire stage we're playing for the Modern Fools 173 00:10:22,440 --> 00:10:23,399 album release show. 174 00:10:23,759 --> 00:10:24,039 Speaker 10: Nice. 175 00:10:24,240 --> 00:10:25,519 Speaker 12: Yeah, I don't know if you ever heard the band 176 00:10:25,600 --> 00:10:28,399 Modern Fools. They're from Keen and they kind of have 177 00:10:28,519 --> 00:10:32,039 more like a truer alt country folk rock sound. So 178 00:10:32,200 --> 00:10:34,919 like the song we just heard very much similar to 179 00:10:35,879 --> 00:10:39,799 what Modern Fools. It's like, okay to speak in broad strokes. 180 00:10:40,320 --> 00:10:44,080 Speaker 8: I almost think we had them on the show. That 181 00:10:44,279 --> 00:10:46,320 name is very familiar to me. Modern Fools. Did we 182 00:10:46,399 --> 00:10:48,720 have them on the show? Does sound familiar to me? 183 00:10:48,879 --> 00:10:50,360 Speaker 9: Yeah, or we may have talked to them at some 184 00:10:50,399 --> 00:10:54,120 point about coming on. But yeah, no, that's that's very cool. 185 00:10:54,240 --> 00:10:56,200 So that's gonna be at what's the. 186 00:10:56,240 --> 00:10:56,639 Speaker 8: Date on that? 187 00:10:56,919 --> 00:10:58,440 Speaker 12: That's January seventeenth. 188 00:10:58,600 --> 00:11:00,919 Speaker 8: Outstanding. That's yeah, outstanding? 189 00:11:02,480 --> 00:11:03,039 Speaker 10: Are you guys? 190 00:11:03,120 --> 00:11:06,759 Speaker 9: So all the I assume, like from both EPs that 191 00:11:06,840 --> 00:11:09,159 you've released, do do you play all all eight of 192 00:11:09,240 --> 00:11:09,840 those live? 193 00:11:11,399 --> 00:11:11,639 Speaker 11: Yeah? 194 00:11:11,960 --> 00:11:15,679 Speaker 10: That sort of to varying degrees. Yeah, there's the set 195 00:11:15,759 --> 00:11:18,840 list always fluctuates kind of based on mood and all 196 00:11:18,919 --> 00:11:21,440 kinds of other factors. But there's some songs where, for 197 00:11:21,519 --> 00:11:23,519 any number of reasons, they kind of like find their 198 00:11:23,559 --> 00:11:25,159 way out of the set lists and then but yeah, 199 00:11:25,240 --> 00:11:26,039 for the most part. 200 00:11:26,039 --> 00:11:28,919 Speaker 13: Yeah, there's one song on each of those EPs off 201 00:11:28,960 --> 00:11:32,399 of Big Plans, that one being if Only and off 202 00:11:32,440 --> 00:11:35,720 of Back to You Kpos Seven that like sometimes don't 203 00:11:35,720 --> 00:11:37,600 really like make it out to just plan for yeah 204 00:11:37,720 --> 00:11:39,919 whatever reason, Like, yeah, they're cool songs and I'm glad 205 00:11:39,960 --> 00:11:41,320 they made it on the EP and stuff like that. 206 00:11:41,480 --> 00:11:44,200 But sometimes, like as I mentioned before, like having this 207 00:11:44,360 --> 00:11:46,519 like big influx of material and stuff like that, like 208 00:11:46,679 --> 00:11:48,360 we always get real kind of pumped up to play 209 00:11:48,440 --> 00:11:50,559 new stuff live. So it's just like sometimes it's easy 210 00:11:50,600 --> 00:11:52,000 to be like, ah, I could hit this new stuff that, 211 00:11:52,120 --> 00:11:54,159 like you know, isn't even released yet, but like it's 212 00:11:54,240 --> 00:11:55,960 kind of a good way to like hone in and 213 00:11:56,120 --> 00:11:58,480 like figure out like what you want to do when 214 00:11:58,519 --> 00:12:00,360 you record, you know, kind of hearing things live and 215 00:12:00,480 --> 00:12:02,320 kind of like oh yeah, passing the waters and stuff 216 00:12:02,360 --> 00:12:02,519 like that. 217 00:12:02,759 --> 00:12:03,960 Speaker 8: See how people react to it. 218 00:12:04,039 --> 00:12:05,840 Speaker 11: Yeah, yeah, exactly. Man, so's cool. 219 00:12:06,919 --> 00:12:09,879 Speaker 9: Are you guys playing out a lot uh currently? Or 220 00:12:10,120 --> 00:12:12,360 obviously you've got that show, that big one coming up 221 00:12:12,360 --> 00:12:13,559 on the seventeenth. 222 00:12:13,200 --> 00:12:17,480 Speaker 12: But yeah, I mean I think the aside from maybe 223 00:12:17,519 --> 00:12:20,120 a busy September, the back half of twenty four was 224 00:12:20,360 --> 00:12:23,639 a little bit slower, Yeah, for us and we've been 225 00:12:24,080 --> 00:12:27,080 We've been playing a lot in our first like two 226 00:12:27,080 --> 00:12:29,840 and a half years as a band. Yeah, but twenty 227 00:12:29,879 --> 00:12:31,679 twenty five is shaping up to be pretty busy. We 228 00:12:31,720 --> 00:12:33,919 already get maybe like I don't know, ten or twelve 229 00:12:34,000 --> 00:12:36,960 dates booked. Good, Yeah, for the first couple of first 230 00:12:37,000 --> 00:12:38,360 two three months, the first quarter. 231 00:12:38,639 --> 00:12:41,080 Speaker 9: Yeah, where do you guys, uh do you guys get 232 00:12:41,120 --> 00:12:42,559 out of New Hampshire or do you do you go 233 00:12:42,639 --> 00:12:44,519 around New England or where do you guys play? 234 00:12:46,000 --> 00:12:48,600 Speaker 12: I mean, I think it's mostly New Hampshire, but we're 235 00:12:48,639 --> 00:12:49,240 trying to get out. 236 00:12:49,399 --> 00:12:49,600 Speaker 8: Yeah. 237 00:12:50,320 --> 00:12:53,120 Speaker 12: Yeah, it's been you know this, it's a it's a 238 00:12:53,200 --> 00:12:55,360 mindset shift to be like, all right, let's go, you know, 239 00:12:55,519 --> 00:12:58,919 book a long week or long weekend tour kind of thing. 240 00:12:59,120 --> 00:13:04,840 Like it's been. There's been enough stuff locally to build, 241 00:13:05,000 --> 00:13:06,200 you know, a little fan base too. 242 00:13:07,480 --> 00:13:09,440 Speaker 8: We are fortunate to have a lot of good venues 243 00:13:09,480 --> 00:13:09,840 around here. 244 00:13:09,919 --> 00:13:12,080 Speaker 12: Actually, yeah, there's a lot of good venues and you know, 245 00:13:12,320 --> 00:13:15,519 Conquered's real busy. The seacoast is busy. You know, we 246 00:13:15,879 --> 00:13:19,000 played Boston a couple of times, but you know, mostly 247 00:13:19,240 --> 00:13:22,480 we've been playing stuff that people ask us to play. 248 00:13:22,679 --> 00:13:25,639 We haven't done a ton of like going out and 249 00:13:25,759 --> 00:13:29,240 reaching out to venues to book, which again is just 250 00:13:29,360 --> 00:13:32,159 kind of like a mindset. It's just one approach. But 251 00:13:32,879 --> 00:13:34,960 I mean, I think with this album and everything, like 252 00:13:35,039 --> 00:13:37,200 the plan for this year would be to get out 253 00:13:37,279 --> 00:13:39,679 a little bit, you know, expand the radius a little bit. Sure, 254 00:13:39,879 --> 00:13:42,200 and we've tried. It's it's just gonna be hard sometimes, 255 00:13:42,240 --> 00:13:44,879 you know, trying to get something in Burlington or something 256 00:13:44,919 --> 00:13:47,600 like that. Like if you don't know someone to throw 257 00:13:47,639 --> 00:13:49,840 you right on a show, it's pretty pretty tricky. 258 00:13:50,200 --> 00:13:52,559 Speaker 9: Burlington has a great scene, but do but you're right 259 00:13:52,639 --> 00:13:56,480 if you're not, you know, if you don't have an inn, Yeah, yeah. 260 00:13:56,399 --> 00:13:58,159 Speaker 8: You know, which which I'm sure we'll come. 261 00:13:58,360 --> 00:14:00,200 Speaker 9: But as you alluded to too, you're in a you're 262 00:14:00,200 --> 00:14:02,360 in a good situation where you know, you're still getting 263 00:14:02,360 --> 00:14:04,120 a lot of shows anyway because people are coming to you. 264 00:14:04,840 --> 00:14:05,639 Speaker 8: So that's a good thing. 265 00:14:05,799 --> 00:14:07,080 Speaker 12: Yeah, oh yeah, you know that. 266 00:14:07,480 --> 00:14:09,000 Speaker 9: So you're you're you're off to a you're off to 267 00:14:09,039 --> 00:14:11,039 a strong start. But I can also see where, you know, 268 00:14:11,440 --> 00:14:14,679 in terms of long term strategy, you know, because obviously 269 00:14:14,759 --> 00:14:17,159 you're taking the next step to going to you know, 270 00:14:17,200 --> 00:14:19,120 you're gonna have a full album, so it makes sense 271 00:14:19,200 --> 00:14:21,720 that you know, everything will continue to evolve. 272 00:14:21,440 --> 00:14:24,759 Speaker 8: In terms of radius and right building that audience. 273 00:14:24,720 --> 00:14:25,480 Speaker 10: Right, And. 274 00:14:29,120 --> 00:14:31,080 Speaker 12: I had an additional thought on that that escapes me. 275 00:14:31,320 --> 00:14:34,200 Speaker 13: Oh there's something there's something nice about like hit hitting 276 00:14:34,279 --> 00:14:36,320 like a fresh set of ears too, because you know, 277 00:14:36,399 --> 00:14:39,159 sometimes we get the opportunity, like in twenty twenty four, 278 00:14:39,360 --> 00:14:41,480 we have the opportunity to go up to Portland, Maine 279 00:14:41,559 --> 00:14:43,440 and play it a place called Blue I believe is 280 00:14:43,480 --> 00:14:45,440 what it was called, and it's just a it's a 281 00:14:45,480 --> 00:14:47,519 really cool venue and like you know, you just see 282 00:14:47,639 --> 00:14:50,000 faces that you hadn't seen previously, and like you know, 283 00:14:50,080 --> 00:14:53,080 you kind of get reinvigorated off the excitement of someone 284 00:14:53,120 --> 00:14:55,080 that hasn't heard your material. Yes, comes up to you 285 00:14:55,159 --> 00:14:56,879 after and they're just like stoked on it. You know, 286 00:14:56,919 --> 00:14:58,440 they're like, well, like where are you guys from? Like 287 00:14:58,480 --> 00:15:00,639 all that stuff kind of really the energy to be 288 00:15:00,639 --> 00:15:02,200 like all right, like we really should like try and 289 00:15:02,279 --> 00:15:03,879 like you know, just reach out a little bit, whether 290 00:15:03,919 --> 00:15:06,200 it's like north Shore, Massachusetts or like you know, just 291 00:15:06,279 --> 00:15:08,360 even like further further going up to Portland, Maine and 292 00:15:08,519 --> 00:15:10,759 as you mentioned Burlington, Yeah, and then like you know, 293 00:15:10,799 --> 00:15:12,559 I think in the grand scheme, like branching out the 294 00:15:12,600 --> 00:15:15,360 places like Brooklyn or like Philly, or have like really 295 00:15:15,440 --> 00:15:17,720 hip scenes of like you know, just like indie rock 296 00:15:17,759 --> 00:15:19,320 scenes of people that are just kind of doing the thing. 297 00:15:19,480 --> 00:15:21,000 It's kind of like, you know, trying to work our 298 00:15:21,039 --> 00:15:22,240 way into and become a part of it. 299 00:15:22,480 --> 00:15:22,639 Speaker 15: You know. 300 00:15:22,919 --> 00:15:25,639 Speaker 9: Yeah, well, I think too, with your sound, you know, 301 00:15:25,759 --> 00:15:27,600 you can probably fit in a lot of different kinds 302 00:15:27,600 --> 00:15:29,559 of places, different kinds of scenarios. You know, you're not 303 00:15:29,639 --> 00:15:32,120 limited to you know, like if you play in a 304 00:15:32,200 --> 00:15:35,120 metal band, uh, you know, you can only play certain 305 00:15:35,200 --> 00:15:37,720 kinds of places, you know. And on the other end 306 00:15:37,799 --> 00:15:39,799 of the extremes, of course, if you're a singer songwriter 307 00:15:40,000 --> 00:15:41,759 just doing a solo acoustic thing, you can play literally 308 00:15:41,799 --> 00:15:44,120 almost anywhere. But but I think you guys are in 309 00:15:44,159 --> 00:15:46,000 a with your sound, You're in a really good You're 310 00:15:46,000 --> 00:15:47,320 in a really good position that way. 311 00:15:47,440 --> 00:15:50,879 Speaker 12: So it's the thing I was going to say before too, 312 00:15:51,039 --> 00:15:53,960 is like, you know, with the way the way Spotify 313 00:15:54,080 --> 00:15:56,080 and the way social media work now is you can 314 00:15:56,240 --> 00:15:59,360 actually reach a very large audience without having a go 315 00:15:59,679 --> 00:16:03,679 throuugh are. So you know that, and that's a constantly 316 00:16:03,799 --> 00:16:07,840 evolving situation because the algorithms change and what the social 317 00:16:07,919 --> 00:16:11,720 media's favor changes. But you know that And another thing 318 00:16:11,799 --> 00:16:13,960 too is, like I heard someone put it one time, 319 00:16:14,879 --> 00:16:17,720 win your hometown because a lot of people think like, oh, 320 00:16:17,759 --> 00:16:20,200 I got this great band, I gotta get to Nashville asap, 321 00:16:20,919 --> 00:16:23,000 and it's like, again, that's one approach, but I think 322 00:16:23,080 --> 00:16:24,879 winning the hometown, I mean I feel like that's something 323 00:16:25,000 --> 00:16:29,399 you know, we've we've gained some some solid followers. They 324 00:16:29,440 --> 00:16:31,080 may not make it out to every single show, but 325 00:16:31,279 --> 00:16:32,600 we know they're out there, right. 326 00:16:33,080 --> 00:16:35,559 Speaker 9: Yeah, yeah, when you're hometown. Yeah, that's a good way 327 00:16:35,600 --> 00:16:36,799 of putting it. Yeah, that makes sense. 328 00:16:36,919 --> 00:16:39,360 Speaker 13: It's it's funny sometimes like I have some like just 329 00:16:39,440 --> 00:16:42,480 someone like my closest friends, they're like, you know, sometimes 330 00:16:42,600 --> 00:16:44,320 you'd expect your friends, but oh, like it's great. 331 00:16:44,360 --> 00:16:45,799 Speaker 11: But like I have some friends that come up to 332 00:16:45,919 --> 00:16:46,919 and they're like they're. 333 00:16:46,799 --> 00:16:49,440 Speaker 13: Like, dude, I've played back to you like one hundred 334 00:16:49,440 --> 00:16:52,240 and fifty times on my Spotify rap. Like they're like this, 335 00:16:52,559 --> 00:16:54,240 you know, they're like singing lyrics to me, and I'm 336 00:16:54,279 --> 00:16:55,879 just like, it's very funny. Just be like, you know, 337 00:16:56,159 --> 00:16:57,879 you're just like a really close friend to me, but 338 00:16:57,960 --> 00:17:00,159 to see like the genuine support of that and then 339 00:17:00,200 --> 00:17:01,799 like the genuine love of a song. It's just like, 340 00:17:01,919 --> 00:17:03,799 you know, it's cool, like like you're saying, just kind 341 00:17:03,840 --> 00:17:05,960 of like kind of hometown court thing. Just feels like, 342 00:17:06,039 --> 00:17:07,680 you know, it's nice to feel like you got people 343 00:17:07,720 --> 00:17:10,240 behind you doing that stuff, like right right, yeah. 344 00:17:10,319 --> 00:17:12,519 Speaker 8: Exactly, exactly, Well we should. 345 00:17:12,599 --> 00:17:16,480 Speaker 9: Uh so let's play another one, and h one of 346 00:17:16,519 --> 00:17:19,160 you had said suggested we play something from back to 347 00:17:19,200 --> 00:17:20,000 You from. 348 00:17:21,359 --> 00:17:22,240 Speaker 8: The previous Uh. 349 00:17:22,440 --> 00:17:25,119 Speaker 10: Yeah, yeah, yeah, let's do the song back to You 350 00:17:25,839 --> 00:17:28,319 that Mike just alluded to. Good timing. 351 00:17:28,440 --> 00:17:29,039 Speaker 8: Oh, here we go. 352 00:17:29,160 --> 00:17:32,599 Speaker 9: I found it, okay, And if you are just joining us, 353 00:17:32,799 --> 00:17:35,160 we have slim volume here with us live in studio, 354 00:17:36,240 --> 00:17:39,680 and uh, I'm trying to download this and it's uh 355 00:17:40,440 --> 00:17:42,480 not happening for me as quickly as i'd like. 356 00:17:42,640 --> 00:17:46,759 Speaker 12: What you'll hear on this track is the like I 357 00:17:46,839 --> 00:17:49,279 said before, the flip side of the folk rock thing, 358 00:17:49,799 --> 00:17:53,960 I have a more indie rock forward tune which was 359 00:17:54,039 --> 00:17:57,279 a you know, kind of based off a little progression 360 00:17:57,319 --> 00:18:01,079 and riff that Mike brought in that was worked into 361 00:18:01,960 --> 00:18:06,920 into a song. So yeah, just a good, good dynamic 362 00:18:07,440 --> 00:18:07,960 on this one. 363 00:18:08,240 --> 00:18:09,759 Speaker 8: All right, Let's give this a listen. 364 00:18:09,839 --> 00:18:10,559 Speaker 12: This is back to you. 365 00:18:10,880 --> 00:18:12,440 Speaker 8: The band is slim volume. 366 00:18:19,200 --> 00:18:23,440 Speaker 4: I think we come too far to turn your background now. 367 00:18:26,319 --> 00:18:29,359 Speaker 1: I think the world's too hard. I'm the best when 368 00:18:29,440 --> 00:18:36,039 you're not around. I've spent the last few nights just 369 00:18:36,160 --> 00:18:42,359 about an hour to sleep, just waiting for you. 370 00:18:42,759 --> 00:18:55,559 Speaker 16: There sad when you tis up here, say that you know, 371 00:18:55,839 --> 00:18:57,240 showing my face here. 372 00:19:00,119 --> 00:19:04,440 Speaker 6: I spent the last few nights just about an hour space. 373 00:19:12,200 --> 00:19:20,400 Speaker 17: May I been trying thing for you a long MANI 374 00:19:21,519 --> 00:19:22,960 but I can't. 375 00:19:22,799 --> 00:19:29,160 Speaker 18: Be finding a way back to you, back to you, 376 00:19:32,160 --> 00:19:32,799 back to me? 377 00:19:38,759 --> 00:19:46,079 Speaker 19: Come horn feeling red, time's come in soon, apot elyptick 378 00:19:46,319 --> 00:19:49,000 before a horseman a running frough. 379 00:19:51,880 --> 00:19:53,200 Speaker 1: I spent the last. 380 00:19:53,039 --> 00:19:56,640 Speaker 16: Few nights just about trying to breathe. 381 00:19:58,119 --> 00:20:06,960 Speaker 4: A man baby follow you like guys, smoke man crying 382 00:20:07,880 --> 00:20:11,720 like hot chick finding a way back to. 383 00:20:14,759 --> 00:20:15,440 Speaker 1: Back to me. 384 00:20:18,359 --> 00:20:50,400 Speaker 4: That I've been coming ready for you, y but hot 385 00:20:50,559 --> 00:20:52,880 chick find a way b. 386 00:20:56,640 --> 00:20:57,480 Speaker 18: That is back to you. 387 00:20:57,759 --> 00:20:58,839 Speaker 8: That is slim volume. 388 00:20:59,039 --> 00:21:02,000 Speaker 9: Everything you guys do is catchy, like if you like, 389 00:21:02,079 --> 00:21:03,640 if you're If you listen to that and you're not 390 00:21:03,759 --> 00:21:07,000 tapping along, you're probably in a coma or something that's 391 00:21:07,119 --> 00:21:10,640 like the and it's like the perfect pop indie song. 392 00:21:10,799 --> 00:21:12,640 It's it's just it's it's perfect. 393 00:21:14,160 --> 00:21:14,440 Speaker 10: Thank you. 394 00:21:14,519 --> 00:21:16,519 Speaker 8: Yeah, you're you're, You're welcome. 395 00:21:16,559 --> 00:21:18,599 Speaker 9: It is it is well earned if you are just 396 00:21:18,680 --> 00:21:20,960 joining us a slim volume is here with us live 397 00:21:21,000 --> 00:21:25,000 in studio on this Saturday morning, and uh, that one 398 00:21:25,079 --> 00:21:26,880 must go over well live too, I would imagine. 399 00:21:26,960 --> 00:21:29,039 Speaker 8: I would imagine that gets a pretty pretty big response. 400 00:21:29,599 --> 00:21:32,960 Speaker 12: Yeah, that one's been successful. I will say selfishly though 401 00:21:33,240 --> 00:21:36,160 that lyric that the the vocal at the end is 402 00:21:36,400 --> 00:21:40,640 stretching my capabilities. Yeah, And so it's a tricky one. 403 00:21:40,680 --> 00:21:42,359 It's kind of like a there's a famous story of 404 00:21:42,440 --> 00:21:44,880 the of the Eagles of Randy Meisner, who wrote a 405 00:21:45,759 --> 00:21:49,640 What's What's take the Limit and he hated singing it 406 00:21:49,880 --> 00:21:51,839 because it was so hard for him to sing and 407 00:21:51,920 --> 00:21:54,839 everyone expected him to deliver it night after night. So 408 00:21:55,480 --> 00:21:58,000 I know it's not quite Randy Meisner level, but it 409 00:21:58,160 --> 00:22:01,519 is similar that that I wrote myself into a corner 410 00:22:01,559 --> 00:22:02,799 a little bit with that line. 411 00:22:03,319 --> 00:22:06,319 Speaker 9: Well, do you know the story of when uh he 412 00:22:06,480 --> 00:22:09,160 got into Meisner got into a huge argument with Don 413 00:22:09,240 --> 00:22:12,839 Henley about they were backstage one night at a show 414 00:22:12,880 --> 00:22:15,200 and Meisner didn't want to sing that song, yeah, because 415 00:22:15,240 --> 00:22:17,079 he didn't feel up to it. He'd been partying too 416 00:22:17,119 --> 00:22:19,480 much or so right, and Henley was furious. And I 417 00:22:19,519 --> 00:22:21,359 think I think that there might have even been uh 418 00:22:21,759 --> 00:22:23,480 they might have thrown hands or. 419 00:22:23,519 --> 00:22:26,240 Speaker 10: Pushed and shoved or something. That's surprising knowing Don Henley. 420 00:22:26,319 --> 00:22:27,440 Usually he's so level headed. 421 00:22:28,960 --> 00:22:31,279 Speaker 12: Yeah, it hasn't come to hands throwing yet, but it 422 00:22:31,400 --> 00:22:33,519 has been one that I will say that one. That 423 00:22:33,599 --> 00:22:37,119 one is one where if the audience doesn't seem like 424 00:22:37,400 --> 00:22:40,440 they're gonna appreciate it, then it's really tricky because if 425 00:22:40,440 --> 00:22:43,559 the audience is responding, I can sing it yeah, no problem. Yeah, 426 00:22:44,200 --> 00:22:46,680 And that's kind of the the blessing and the curse 427 00:22:46,759 --> 00:22:48,480 of being a singer, I guess, right. 428 00:22:48,480 --> 00:22:50,519 Speaker 13: Right to pour pour your heart out into like a 429 00:22:50,759 --> 00:22:52,799 you know, like a half empty room of people, just 430 00:22:52,880 --> 00:22:54,279 like you know, like eating a cheeseburger. 431 00:22:54,759 --> 00:22:56,519 Speaker 11: Try to push that out. It's just kind of like, 432 00:22:56,640 --> 00:22:58,240 you know, I could see that being difficult. 433 00:22:58,279 --> 00:23:01,359 Speaker 8: Yeah, I can see that. Yeah, uh yeah. Are there 434 00:23:01,359 --> 00:23:02,799 any other songs where you kind of push that? 435 00:23:03,440 --> 00:23:05,960 Speaker 12: No, I mean, i'd say that's the trickiest one. I 436 00:23:06,000 --> 00:23:07,039 think Jake has a couple. 437 00:23:07,759 --> 00:23:09,759 Speaker 10: There's probably some. There's a lot of songs where we 438 00:23:10,000 --> 00:23:13,759 will sing in harmony and I'll sing a higher part, 439 00:23:14,160 --> 00:23:16,400 and like sometimes I'll be like, guys, can we do 440 00:23:16,519 --> 00:23:19,079 that one a little later? Can we do that like 441 00:23:19,160 --> 00:23:22,680 third or fourth? Yeah, so I'm not quite as creaky. 442 00:23:22,960 --> 00:23:25,759 That makes sense, So yeah, it happens for sure, that 443 00:23:25,880 --> 00:23:26,319 makes sense. 444 00:23:26,400 --> 00:23:28,960 Speaker 12: I think like with the new album though, like we're 445 00:23:29,000 --> 00:23:31,559 trying to kind of strike I feel like we struck 446 00:23:31,559 --> 00:23:33,960 a little bit more of a balance between that energy 447 00:23:34,079 --> 00:23:36,079 that we just heard and then the first song we 448 00:23:36,200 --> 00:23:38,440 heard and if you could imagine what those would sound 449 00:23:38,519 --> 00:23:40,880 like if they had a baby, it's kind of what 450 00:23:41,000 --> 00:23:42,720 a lot of that the new album is, where it's 451 00:23:42,720 --> 00:23:46,960 got that pop indipop energy, but it's not so like 452 00:23:47,119 --> 00:23:49,799 in your face, which is a little outside of kind 453 00:23:49,839 --> 00:23:52,400 of like what our sound is to begin with. But 454 00:23:53,200 --> 00:23:55,240 I mean, we're not going to stop ourself from writing 455 00:23:55,480 --> 00:23:56,000 something like that. 456 00:23:56,319 --> 00:24:00,240 Speaker 9: Yeah, yeah, do you guys play songs out that you 457 00:24:00,319 --> 00:24:03,720 haven't recorded yet or yeah? Yeah, because Matt you know 458 00:24:03,759 --> 00:24:05,599 well yeah, I think we talked about that earlier. Actually, 459 00:24:05,640 --> 00:24:07,640 now that I recall you, because you some of the 460 00:24:07,759 --> 00:24:09,880 songs that are going to be on the album you're 461 00:24:09,880 --> 00:24:10,680 playing out right. 462 00:24:10,720 --> 00:24:12,440 Speaker 8: So, yeah, is it a lot of them? 463 00:24:12,519 --> 00:24:12,640 Speaker 15: Is it? 464 00:24:12,759 --> 00:24:14,680 Speaker 8: Is it quite a few of them that you're playing. 465 00:24:14,839 --> 00:24:16,799 Speaker 10: We're finally in the position where we're catching up a 466 00:24:16,839 --> 00:24:20,160 little bit, but there's a lot like we're always writing stuff, 467 00:24:20,279 --> 00:24:22,920 so it is tough like them. The moment we catch 468 00:24:23,000 --> 00:24:25,400 up is the moment there's a handful of new songs. Mike, 469 00:24:25,519 --> 00:24:26,720 looks like you had something No. 470 00:24:26,880 --> 00:24:28,319 Speaker 13: I was just gonna say, like with the new album, 471 00:24:28,319 --> 00:24:29,920 like I feel like we've played like, you know, probably 472 00:24:29,960 --> 00:24:32,519 a majority majority of it at least once or twice 473 00:24:32,599 --> 00:24:34,039 live in a live setting, you know, I mean just 474 00:24:34,119 --> 00:24:36,039 like yeah, like I was saying, it's just a great 475 00:24:36,079 --> 00:24:37,720 way to kind of like flush things out, you know. 476 00:24:37,799 --> 00:24:39,920 Speaker 11: It's one thing like you do it in a practice. 477 00:24:39,599 --> 00:24:41,160 Speaker 13: From all the time stuff like that, and then like 478 00:24:41,240 --> 00:24:43,279 sometimes just playing in a different setting for like a 479 00:24:43,359 --> 00:24:45,400 freshet of years, it's kind of like might give you 480 00:24:45,400 --> 00:24:47,119 a fresh idea, like a new like kind of the 481 00:24:47,200 --> 00:24:49,039 view on the song to kind of like take that 482 00:24:49,200 --> 00:24:51,160 into the studio and just be like I like, you know, 483 00:24:51,559 --> 00:24:53,680 playing this live, I heard that this could be kind 484 00:24:53,680 --> 00:24:55,160 of like a cool thing to add to it. Like 485 00:24:55,240 --> 00:24:57,519 you know, sometimes you hear, like what is missing when 486 00:24:57,559 --> 00:24:59,640 you're playing live that like you don't have the ability 487 00:24:59,680 --> 00:25:01,279 to to deal with like four people, you. 488 00:25:01,240 --> 00:25:01,640 Speaker 10: Know what I mean? 489 00:25:01,839 --> 00:25:05,519 Speaker 9: Yeah, Yeah, Well I would imagine too, like like happened 490 00:25:05,559 --> 00:25:08,119 with Big Plans, you know, with the the ending, which 491 00:25:08,200 --> 00:25:10,279 which turned out to be kind of a surprise. I mean, 492 00:25:10,640 --> 00:25:12,599 does that happen with other songs too, Like when you're 493 00:25:12,599 --> 00:25:14,440 recording with somebody at the caliber of Eric Soter, I 494 00:25:14,440 --> 00:25:18,160 would imagine that that sometimes there are some some surprises 495 00:25:18,240 --> 00:25:21,079 where it's like, well, okay, this this is not what 496 00:25:21,200 --> 00:25:22,519 we thought it was going to be when we were 497 00:25:22,559 --> 00:25:25,440 playing it out at live shows. Now it's the song 498 00:25:25,599 --> 00:25:28,160 is like do you ever have something that's changed significantly? 499 00:25:28,319 --> 00:25:29,960 Or it's like, wow, this is really different. 500 00:25:30,160 --> 00:25:32,920 Speaker 12: We've gotten We've just gotten better in the studio too, 501 00:25:33,480 --> 00:25:37,759 and being able to use our time more effectively, and yeah, 502 00:25:37,920 --> 00:25:40,079 just throw ideas around and not feel like if something 503 00:25:40,279 --> 00:25:42,799 gets put down like it has to stay like maybe 504 00:25:42,880 --> 00:25:46,680 we'll use it somehow or Yeah, surprises abound. 505 00:25:47,240 --> 00:25:49,240 Speaker 10: There's little things that pop up brand new in the 506 00:25:49,240 --> 00:25:50,960 studio all the time. Like on the first track you 507 00:25:51,039 --> 00:25:55,079 played Big Plans, there's a guitar solo thing at the 508 00:25:55,200 --> 00:25:59,000 end with those bent guitar notes and stuff that Mike played. Yeah, 509 00:25:59,039 --> 00:26:01,200 and I don't think we had that going in to 510 00:26:01,359 --> 00:26:03,799 the studio at all or some version of it. 511 00:26:04,119 --> 00:26:05,920 Speaker 13: No, not not even there was just kind of like 512 00:26:06,440 --> 00:26:08,960 like that intro and that ending of that song was 513 00:26:09,039 --> 00:26:11,319 something Trent had introduced because it was a tune that 514 00:26:11,680 --> 00:26:13,519 Jake had brought and kind of flushed out with like 515 00:26:13,680 --> 00:26:15,720 me and Johnny like just jamming at my house one day. 516 00:26:16,240 --> 00:26:18,960 So as Trent added these like this new intro in 517 00:26:19,039 --> 00:26:21,200 outro so to speak, you know, we brought it into 518 00:26:21,240 --> 00:26:23,759 the studio and then working with that guy James Palco 519 00:26:23,839 --> 00:26:26,119 that he mentioned earlier. He's just a great kind of 520 00:26:26,160 --> 00:26:29,279 producer mindset where like you know, multi instrumentalist kind of guy. 521 00:26:29,359 --> 00:26:31,119 So like I was like, you know, I had the 522 00:26:31,200 --> 00:26:33,119 ideas of something to do with Ben's but he really 523 00:26:33,240 --> 00:26:35,119 like sat with me and helped shape like this like 524 00:26:35,160 --> 00:26:37,519 the rhythmic aspect of that and like have it be 525 00:26:37,680 --> 00:26:39,640 like something that just like kind of fit well over 526 00:26:40,039 --> 00:26:42,400 you know, two dudes singing still to make it be 527 00:26:42,480 --> 00:26:45,200 like it's repetitive and it's like easy to kind of 528 00:26:45,279 --> 00:26:47,640 lock into, but it gives space for those like you know, 529 00:26:47,799 --> 00:26:49,359 Jake and Trent to sing and do their thing. 530 00:26:49,640 --> 00:26:52,119 Speaker 8: Yeah, so yeah, oh excellent. 531 00:26:53,359 --> 00:26:56,759 Speaker 9: And then so guys probably don't have any kind of 532 00:26:56,759 --> 00:26:59,079 an ETA yet right on when when you think you're 533 00:26:59,079 --> 00:27:01,319 gonna have that out or the new album. 534 00:27:01,599 --> 00:27:03,079 Speaker 11: I think it'll be kind of like a slow drip 535 00:27:03,160 --> 00:27:03,640 of singles. 536 00:27:03,799 --> 00:27:06,279 Speaker 13: Maybe do like or two or three singles throughout the year, 537 00:27:06,359 --> 00:27:08,559 maybe like you know, like late winter and then like 538 00:27:08,759 --> 00:27:10,720 mid spring or something, and then maybe one closer to 539 00:27:10,799 --> 00:27:12,319 the fall, and then like you know, aim for like 540 00:27:12,440 --> 00:27:13,799 maybe like October November. 541 00:27:13,960 --> 00:27:16,519 Speaker 11: Okay, it seems it seems like a cozy time to drop. 542 00:27:16,680 --> 00:27:18,400 People are kind of hunkering back down, you know. 543 00:27:18,519 --> 00:27:21,960 Speaker 12: Yeah exactly, Yeah, yeah, that's kind of the target we're 544 00:27:22,000 --> 00:27:23,799 shooting at, is like fall time. 545 00:27:24,200 --> 00:27:24,519 Speaker 8: Okay. 546 00:27:24,720 --> 00:27:26,680 Speaker 12: Yeah. With yeah, just like my said, a couple of 547 00:27:26,720 --> 00:27:30,400 singles throughout the year, Yeah, we have you know, it's 548 00:27:30,400 --> 00:27:32,400 in it's in progress right now. We have maybe like 549 00:27:32,680 --> 00:27:35,799 five or six days booked with Eric to finish it up, 550 00:27:36,039 --> 00:27:37,880 kind of spread out over the next couple of months. 551 00:27:37,920 --> 00:27:41,359 So okay, but you know, basically comes down to one 552 00:27:41,440 --> 00:27:47,440 day equals one song, okay, yeah, after you've already tracked drums. Yeah, 553 00:27:47,839 --> 00:27:50,799 so we may need a couple additional days, but yeah, yeah, 554 00:27:51,000 --> 00:27:52,920 but you know it's worth it because I think, you know, 555 00:27:53,079 --> 00:27:56,039 with with recording more and and and and I've done 556 00:27:56,039 --> 00:27:57,799 this in other bands too. It's like I hate the 557 00:27:57,839 --> 00:28:00,079 feeling of recording something and then a year later the 558 00:28:00,240 --> 00:28:02,440 back and be like damn, yeah, I wish we did 559 00:28:02,519 --> 00:28:05,440 this a little different. So, you know, I think everything 560 00:28:05,599 --> 00:28:08,559 is the stars have aligned nicely on this. I think 561 00:28:08,720 --> 00:28:10,920 we're all we're on the right mindset to make this 562 00:28:11,319 --> 00:28:12,720 like our best material. 563 00:28:12,960 --> 00:28:13,200 Speaker 8: Yeah. 564 00:28:13,720 --> 00:28:14,000 Speaker 10: Yeah. 565 00:28:15,240 --> 00:28:17,119 Speaker 13: To tack on to what you were asking earlier about, 566 00:28:17,200 --> 00:28:19,920 like you know, you know, in terms of the end 567 00:28:19,920 --> 00:28:22,319 of big plants, having like the organ and having elements 568 00:28:22,400 --> 00:28:24,119 that like you know, are things that like we don't 569 00:28:24,359 --> 00:28:26,359 we don't yet have the ability to bring live and 570 00:28:26,400 --> 00:28:28,839 stuff like that. I think this, this new and up 571 00:28:28,880 --> 00:28:30,960 and up and coming album is like there's like a 572 00:28:31,079 --> 00:28:32,640 lot of that. Like there's a lot of like really 573 00:28:32,680 --> 00:28:35,680 cool elements that like we're you know, getting into or 574 00:28:35,720 --> 00:28:38,400 like dabbling with and like sounds and like textures and 575 00:28:38,480 --> 00:28:40,680 like you know, like synth sounds and things to really 576 00:28:40,759 --> 00:28:42,680 kind of like you know, just like elevate it. And 577 00:28:42,720 --> 00:28:44,519 as Trent was saying, like getting more comfortable in the 578 00:28:44,559 --> 00:28:46,759 studio and like kind of like understanding how we can 579 00:28:46,839 --> 00:28:49,000 utilize our time and really like before we even go 580 00:28:49,079 --> 00:28:50,759 in the studio, be like all right, like you know, 581 00:28:50,839 --> 00:28:52,680 sitting down and kind of using those drums that we 582 00:28:52,759 --> 00:28:54,519 got to like make demos out of and be like 583 00:28:54,519 --> 00:28:56,680 all right, like let's mess around with some extra some 584 00:28:56,799 --> 00:28:59,240 textural things on guitar or even like add some keys 585 00:28:59,279 --> 00:29:00,960 over it and stuff like that, like things that really 586 00:29:01,079 --> 00:29:03,720 like you know, being prepared for in the studio. Like, hey, 587 00:29:03,759 --> 00:29:05,359 it's gonna save you time and money, you know what 588 00:29:05,400 --> 00:29:07,160 I mean, Because like it's kind of like, you know, 589 00:29:07,279 --> 00:29:08,720 to go in the studio and just be like all right, look, 590 00:29:08,759 --> 00:29:11,319 let's a noodle on a synthesizer for like the next hour, 591 00:29:11,519 --> 00:29:13,000 and like you know, you know what I mean. It's 592 00:29:13,000 --> 00:29:14,039 just kind of like you know, it kind of like 593 00:29:14,079 --> 00:29:16,079 can be kind of productive at a certain point. Yeah, 594 00:29:16,079 --> 00:29:17,400 So it's so kind of like, you know, just being 595 00:29:17,400 --> 00:29:19,279 a little bit more like ready and like you know, 596 00:29:19,400 --> 00:29:22,400 like having ideas in mind and like exploring new sounds 597 00:29:22,440 --> 00:29:24,279 and stuff like that is definitely something that's coming up 598 00:29:24,279 --> 00:29:24,839 in the new album. 599 00:29:25,039 --> 00:29:25,240 Speaker 8: Yeah. 600 00:29:25,680 --> 00:29:27,799 Speaker 9: No, but as you as you refer to though being 601 00:29:27,839 --> 00:29:30,440 prepared is so important and because you don't want to 602 00:29:30,480 --> 00:29:33,920 be Uh. It's when you said, you know, noodling on 603 00:29:33,960 --> 00:29:35,640 a on a keyboard for an hour. It reminded me 604 00:29:35,720 --> 00:29:39,000 of if you ever watch any documentaries of bands, you know, 605 00:29:39,079 --> 00:29:41,599 famous bands in the recording studio like the Eagles or whomever. 606 00:29:42,119 --> 00:29:45,000 It always looks like and if it's a band that's 607 00:29:45,000 --> 00:29:47,480 super famous and they have millions and millions of dollars, 608 00:29:47,720 --> 00:29:50,079 they can afford to do it this way. But sometimes 609 00:29:50,319 --> 00:29:52,839 in these documentaries it looks like the band it looks 610 00:29:52,880 --> 00:29:55,480 like they're just writing the album in the studio as 611 00:29:55,519 --> 00:29:58,039 they're recording it, you know, and you kind of if 612 00:29:58,079 --> 00:30:01,279 you're the typical broke musician, you're sitting there watching, going 613 00:30:01,480 --> 00:30:02,559 how do they even how. 614 00:30:02,559 --> 00:30:05,319 Speaker 8: Did they even do it this way? Yeah? 615 00:30:05,759 --> 00:30:08,079 Speaker 9: You know, I said, you won't afford to just sit 616 00:30:08,160 --> 00:30:09,960 there and hey, I had an idea for a song 617 00:30:10,039 --> 00:30:12,680 today and they're already well into the album and it's like, 618 00:30:12,759 --> 00:30:14,480 so now they're just writing this new song. 619 00:30:15,240 --> 00:30:16,680 Speaker 10: It's one of those things where we can do that, 620 00:30:16,799 --> 00:30:19,559 but it's within the constraints of we better figure the 621 00:30:19,640 --> 00:30:22,039 idea out in twenty minutes. If we don't it's time 622 00:30:22,119 --> 00:30:24,720 to move on. If we're going to abandon this marimba 623 00:30:24,839 --> 00:30:26,440 part now since we haven't. 624 00:30:26,240 --> 00:30:30,680 Speaker 8: Figured it out, you know, yeah, exactly exactly, well we should. 625 00:30:30,759 --> 00:30:32,640 Speaker 12: Uh, I'll let you guys pick. 626 00:30:32,960 --> 00:30:35,160 Speaker 8: We should play another one. I'm dying here another one. 627 00:30:35,240 --> 00:30:36,400 Like I said, I love your sound. 628 00:30:37,240 --> 00:30:37,799 Speaker 10: Just think on it. 629 00:30:38,440 --> 00:30:40,640 Speaker 13: Yeah, I mean we could either jump back to like 630 00:30:40,720 --> 00:30:42,359 a like a big plans and do like a lay 631 00:30:42,559 --> 00:30:44,400 laying low, or like you know, I know, last time 632 00:30:44,440 --> 00:30:45,880 we were here we did the running thing. 633 00:30:46,000 --> 00:30:48,079 Speaker 10: Yeah, okay, that could be kind of a nice one. 634 00:30:48,160 --> 00:30:50,720 Speaker 12: Yeah, yeah, laying laying low, lay low. 635 00:30:51,000 --> 00:30:52,880 Speaker 8: We'll play that one next, all right. 636 00:30:53,400 --> 00:30:53,519 Speaker 20: Uh. 637 00:30:53,640 --> 00:30:56,880 Speaker 9: If you are just joining us Alive on Saturday morning, 638 00:30:56,960 --> 00:30:59,480 we have the band Slim Volume here with us Alive 639 00:30:59,559 --> 00:31:01,880 in studio. This is their third appearance on the show. 640 00:31:02,519 --> 00:31:04,640 By the way, while this is loading up, how long 641 00:31:04,720 --> 00:31:07,599 have you guys been around? You're kind of in the 642 00:31:07,599 --> 00:31:09,680 grand scheme of things. Still a fairly new band, right, 643 00:31:10,440 --> 00:31:11,039 Oh yeah, and. 644 00:31:11,079 --> 00:31:14,480 Speaker 10: A half years years is going on? Coming up to 645 00:31:14,559 --> 00:31:17,440 three soon? Yeah, twenty twenty two sometime is like I 646 00:31:17,480 --> 00:31:21,200 think formally when we started as a four piece band 647 00:31:21,759 --> 00:31:24,640 late twenty two? Does that sound correct to I'm looking 648 00:31:24,680 --> 00:31:27,279 to the other. To my historians, it's all a blur. 649 00:31:28,279 --> 00:31:32,119 Speaker 12: And the official biography on our website twenty twenty three 650 00:31:32,400 --> 00:31:34,960 was the mark of Oka of the Start. 651 00:31:35,119 --> 00:31:38,839 Speaker 8: Okay, yeah, yeah, all right, Well let's give this a spin. 652 00:31:39,240 --> 00:31:42,440 This is Laying Low. The band is Slim Volume. 653 00:31:55,960 --> 00:31:56,240 Speaker 7: Low. 654 00:31:58,680 --> 00:32:05,480 Speaker 21: I'm looking over my shoulder somewhere I need to be, 655 00:32:07,000 --> 00:32:17,519 wonder where to go, where nobody knows me and I 656 00:32:17,759 --> 00:32:21,720 can make memories or the songs that. 657 00:32:21,920 --> 00:32:24,400 Speaker 1: I say who. 658 00:32:51,799 --> 00:33:00,119 Speaker 14: Sometimes I'm right, sometimes I'm around. Sometimes it takes on 659 00:33:01,359 --> 00:33:09,240 just to get a long. Sometimes it's me and sometimes 660 00:33:09,640 --> 00:33:14,839 it's you. Sometimes it's too late to call, but I 661 00:33:15,440 --> 00:33:16,240 want to. 662 00:33:18,319 --> 00:33:23,119 Speaker 1: Pick up that phone, get on the ball. 663 00:33:24,440 --> 00:33:29,599 Speaker 21: Somethings get old and sometimes some. 664 00:33:30,559 --> 00:33:31,720 Speaker 4: Getting used to. 665 00:33:33,839 --> 00:33:41,000 Speaker 6: I know what it's true. 666 00:34:39,519 --> 00:34:40,760 Speaker 12: I got so lost in that one. 667 00:34:40,760 --> 00:34:42,119 Speaker 8: I didn't even notice we were at the end. 668 00:34:44,199 --> 00:34:45,039 Speaker 1: That is Laying Low. 669 00:34:45,119 --> 00:34:46,119 Speaker 8: That is Slim Volume. 670 00:34:46,239 --> 00:34:47,360 Speaker 12: That was a good choice. 671 00:34:47,480 --> 00:34:48,960 Speaker 8: Wow, that's really good. 672 00:34:49,039 --> 00:34:49,480 Speaker 10: That song. 673 00:34:49,559 --> 00:34:52,079 Speaker 8: It's just it's shimmers. I don't know how else to 674 00:34:52,159 --> 00:34:55,679 put it. It shimmers everything about it. It's just so good. 675 00:34:55,719 --> 00:34:57,920 Speaker 9: And the way I love the harmonies and the way 676 00:34:58,000 --> 00:35:00,599 the guitar sounds, everything about that is really good. Uh, 677 00:35:00,760 --> 00:35:02,960 we have a slim volume live in studio with us 678 00:35:03,000 --> 00:35:05,360 if you're just joining us on this uh this cold 679 00:35:05,440 --> 00:35:08,760 Saturday morning. But yeah, what a great track. I'm curious, 680 00:35:08,840 --> 00:35:11,000 is that one of the more challenging ones that you've recorded. 681 00:35:11,119 --> 00:35:14,159 It sounds like just sonically there's a lot going on 682 00:35:14,360 --> 00:35:17,239 there and with the vocals, and is that one of 683 00:35:17,239 --> 00:35:18,480 the more challenging ones or no. 684 00:35:19,880 --> 00:35:21,079 Speaker 10: I mean it's a really good question. 685 00:35:21,199 --> 00:35:24,280 Speaker 12: Yeah, I mean there's sort of a simplexity about it. Yeah, 686 00:35:24,320 --> 00:35:26,559 it's yeah. I feel like that one was one that 687 00:35:26,639 --> 00:35:28,400 we had been working on for a really long time. 688 00:35:28,559 --> 00:35:29,760 Speaker 10: Yeah, but by the time it came. 689 00:35:29,639 --> 00:35:32,360 Speaker 12: To the studio, it felt pretty easy to get that 690 00:35:32,400 --> 00:35:33,679 one in. I feel like, at least for me. 691 00:35:34,280 --> 00:35:37,599 Speaker 13: Yeah, really, yeah, that makes sense because like as I 692 00:35:37,679 --> 00:35:38,800 was listening to it, I was like, I was like, 693 00:35:38,880 --> 00:35:40,960 this song has been around for a long time. Okay, 694 00:35:41,119 --> 00:35:42,960 it's been it's been like, you know, kicking around and 695 00:35:43,039 --> 00:35:47,079 played a lot and played out live multiple times before 696 00:35:47,119 --> 00:35:48,920 it ever got recorded. So I kind of think it 697 00:35:48,960 --> 00:35:51,039 felt pretty organic for us going in the studio and 698 00:35:51,119 --> 00:35:53,039 kind of doing that, and then like that was like 699 00:35:53,119 --> 00:35:55,960 I feel like one of our first introductions into like 700 00:35:56,360 --> 00:35:58,320 adding like a lot of textual things to it, like 701 00:35:58,360 --> 00:35:59,719 because I don't know if you heard like this little 702 00:35:59,760 --> 00:36:02,039 key key's part in there and stuff, and there's some 703 00:36:02,159 --> 00:36:04,239 kind of like just nice little like guitar like little 704 00:36:04,480 --> 00:36:05,039 chimy things. 705 00:36:05,559 --> 00:36:06,039 Speaker 10: That's what I mean. 706 00:36:06,079 --> 00:36:07,360 Speaker 8: There's a lot going on in there. 707 00:36:07,599 --> 00:36:07,760 Speaker 10: Yeah. 708 00:36:07,880 --> 00:36:09,800 Speaker 13: Yeah, yeah, So I think that was our first kind 709 00:36:09,800 --> 00:36:11,760 of real like attempt at trying to give it like 710 00:36:11,840 --> 00:36:14,719 a its own kind of specific sound versus just what 711 00:36:14,840 --> 00:36:16,840 we do live, which is like easy to record, you 712 00:36:16,880 --> 00:36:17,400 know what I mean, But. 713 00:36:17,440 --> 00:36:19,360 Speaker 11: That's just like what can we do to like elevate this? 714 00:36:19,760 --> 00:36:23,119 Speaker 12: Yeah, Yeah, that's the thing. Sometimes you go record something 715 00:36:23,199 --> 00:36:25,719 in the studio the way that you perform it and 716 00:36:25,840 --> 00:36:27,960 rehearse it, and then you sit there listen back and 717 00:36:28,000 --> 00:36:31,320 you're like, wow, it sounds empty, you know, it's it's uh, 718 00:36:31,679 --> 00:36:32,719 it's just missing something. 719 00:36:32,800 --> 00:36:33,000 Speaker 8: Yeah. 720 00:36:33,079 --> 00:36:35,079 Speaker 12: So sometimes it's trying to figure out and that's probably 721 00:36:35,079 --> 00:36:36,840 the trickiest part on that one, just trying to figure out, like, 722 00:36:36,840 --> 00:36:39,519 all right, what's going to make this sound full and interesting? 723 00:36:39,599 --> 00:36:40,639 The whole time, I. 724 00:36:40,679 --> 00:36:43,679 Speaker 13: Think we struggled, sorry you say we struggled the most 725 00:36:43,760 --> 00:36:46,239 with what Trent just said. I think on Running Thin, 726 00:36:46,960 --> 00:36:48,519 Like Running Thin was one of those things I think 727 00:36:48,519 --> 00:36:51,960 we literally re recorded like, like, what's on that the 728 00:36:52,039 --> 00:36:52,480 third time? 729 00:36:52,599 --> 00:36:52,800 Speaker 12: Yeah? 730 00:36:53,000 --> 00:36:53,320 Speaker 8: Oh really? 731 00:36:53,760 --> 00:36:54,000 Speaker 11: Yeah. 732 00:36:55,280 --> 00:36:57,000 Speaker 10: It's funny because when you asked, was it hard to 733 00:36:57,840 --> 00:37:01,079 we're challenging to record that? Mind shoal reaction was no. 734 00:37:01,559 --> 00:37:03,440 But then I was thinking back, and I'm pretty sure 735 00:37:04,039 --> 00:37:05,880 it's one of a few songs that we've recorded like 736 00:37:05,920 --> 00:37:08,280 two or three times. I think we did Laying Low before. Yeah, 737 00:37:08,320 --> 00:37:11,360 we did, and maybe felt like we got it at 738 00:37:11,400 --> 00:37:13,639 the time and then listened back. Running Thin is another 739 00:37:13,719 --> 00:37:17,440 one where we heard what we kind of did and 740 00:37:17,559 --> 00:37:19,159 heard the finished product and just sort of felt like, 741 00:37:19,159 --> 00:37:22,599 I don't know, that doesn't feel done yet, maybe yeah, 742 00:37:22,599 --> 00:37:25,519 And so yeah, it's one of those things we're fine. 743 00:37:25,599 --> 00:37:28,320 Like I think the shim shimmer is good. I'm glad 744 00:37:28,360 --> 00:37:31,079 that that comes across because I think that maybe was 745 00:37:31,119 --> 00:37:33,119 the missing ingredient in the sound. 746 00:37:32,920 --> 00:37:34,960 Speaker 12: Of that part of that though too. The shimmer is 747 00:37:35,400 --> 00:37:38,760 so these both these EPs, we sent them out to 748 00:37:40,159 --> 00:37:43,760 Wild Feather Studios, which is in Nashville, which is the 749 00:37:43,800 --> 00:37:47,320 guy that Mike got connected with in a blues band. 750 00:37:47,360 --> 00:37:50,519 He used the plant and this guy's are really good 751 00:37:50,840 --> 00:37:55,639 mixing engineer. So Running Laying Low what we just listened to. 752 00:37:56,360 --> 00:37:58,280 That was I think the only song of the eight 753 00:37:58,679 --> 00:38:02,320 that he mixed that came back first try, Like that 754 00:38:02,519 --> 00:38:05,199 was just the mix, okay, And he added some of 755 00:38:05,199 --> 00:38:08,880 those shimmery elements, so there's some like crystallization reverb in 756 00:38:08,960 --> 00:38:12,159 the vocals that really makes it blend. Yeah, he said 757 00:38:12,199 --> 00:38:14,960 it reminded him of Oasis. Yeah, and I think and 758 00:38:15,039 --> 00:38:17,079 I think that's where he pushed the mix a little bit, 759 00:38:17,159 --> 00:38:18,920 which I don't know if I can really attest. 760 00:38:19,559 --> 00:38:22,119 Speaker 10: It's funny because I was thinking of that while we 761 00:38:22,199 --> 00:38:23,480 were listening to just Now, and I was like, this 762 00:38:23,760 --> 00:38:26,840 definitely sounds like Oasis this song. And that's what's funny 763 00:38:26,840 --> 00:38:28,599 about going into the studio or going through the whole 764 00:38:28,679 --> 00:38:33,039 mixing and mastering processes. I never thought that this song 765 00:38:33,119 --> 00:38:37,440 sounds like Oasis one time until it was to Zach 766 00:38:37,880 --> 00:38:40,400 who kind of turned it a little bit into an 767 00:38:40,440 --> 00:38:42,519 Oasis sign. Now I definitely hear it with the way 768 00:38:42,559 --> 00:38:46,000 the acoustic sounds and shimmers, to use your word again. 769 00:38:45,880 --> 00:38:48,599 Speaker 8: Yeah, yeah, absolutely, absolutely very cool. 770 00:38:49,199 --> 00:38:50,880 Speaker 9: We have a slim volume here with us if you 771 00:38:50,960 --> 00:38:54,599 are just joining us talking with the guys, and do 772 00:38:54,679 --> 00:38:56,280 you have how many how many songs? 773 00:38:56,280 --> 00:38:58,360 Speaker 8: As a band, do you have how many original songs 774 00:38:58,400 --> 00:38:58,880 at this point? 775 00:38:59,519 --> 00:39:03,159 Speaker 13: I think least on Spotify there's like seventeen okay, something 776 00:39:03,199 --> 00:39:06,119 like that, and then the you know, but plus plus 777 00:39:06,199 --> 00:39:08,119 the ten of the album that are like you know, 778 00:39:08,280 --> 00:39:11,000 just being recorded that are like you know, quote unquote done, yeah, 779 00:39:11,199 --> 00:39:13,559 and then like beyond that, like we have this folded, 780 00:39:13,599 --> 00:39:16,440 it's probably got like another like fifteen you know, like yeah, 781 00:39:16,559 --> 00:39:19,119 things that are like you know, if not half done, 782 00:39:19,199 --> 00:39:20,440 pretty close to being done. 783 00:39:20,480 --> 00:39:22,800 Speaker 11: And then like you know, it's like Jake was saying, 784 00:39:22,800 --> 00:39:23,039 it's like. 785 00:39:23,079 --> 00:39:24,360 Speaker 13: Right when you feel like you're caught up, you're like 786 00:39:24,360 --> 00:39:27,000 all right, like no, we're not right, right, Yeah, time 787 00:39:27,079 --> 00:39:28,800 to keep going and stuff, which is it's like a 788 00:39:28,880 --> 00:39:31,119 great like like problem to have, you know, it's like 789 00:39:31,239 --> 00:39:33,599 not a problem. It's like it's a blessing to have 790 00:39:33,719 --> 00:39:35,440 so much ideas kicking around and stuff like that. 791 00:39:35,599 --> 00:39:37,400 Speaker 11: But it can't get a little overwhelming if you don't 792 00:39:37,440 --> 00:39:37,920 keep up with it. 793 00:39:38,119 --> 00:39:38,360 Speaker 10: Yeah. 794 00:39:38,559 --> 00:39:40,039 Speaker 9: Yeah, but you have a lot of music for a 795 00:39:40,079 --> 00:39:42,760 band that's you know, again really hasn't been around that long. 796 00:39:43,400 --> 00:39:44,800 You know, You've you've got a lot of You've got 797 00:39:44,800 --> 00:39:46,880 a lot of music. Do you guys do any covers 798 00:39:46,920 --> 00:39:49,159 when you play live, do you Oh, yeah, what we do? 799 00:39:49,679 --> 00:39:52,280 Speaker 12: Yeah, some of the gigs we play just require, you know, 800 00:39:52,480 --> 00:39:55,920 having cover material, and that's a constant kind of struggle 801 00:39:55,960 --> 00:39:58,039 of feeling like all right, we got we got enough 802 00:39:58,079 --> 00:40:01,039 cover material now, and then it's like, well, no, we don't, 803 00:40:01,079 --> 00:40:03,840 because like these five songs don't really feel is good 804 00:40:03,880 --> 00:40:05,880 anymore to play, and so it's always kind of like 805 00:40:06,000 --> 00:40:06,840 mixing new ones in. 806 00:40:07,199 --> 00:40:07,400 Speaker 8: Yeah. 807 00:40:07,519 --> 00:40:09,960 Speaker 12: But I mean, yeah, we cover everything from you know, 808 00:40:10,159 --> 00:40:14,840 the Beatles to we got a Kings of Leon cover strokes. 809 00:40:14,880 --> 00:40:17,719 I mean, we you know, some early two thousand stuff, 810 00:40:17,920 --> 00:40:22,440 like a lot of classic rock stuff. But it's selective too. 811 00:40:22,559 --> 00:40:25,480 It's it's not like I don't know, we don't really 812 00:40:25,559 --> 00:40:26,559 just go play anything. 813 00:40:26,840 --> 00:40:31,079 Speaker 10: Yeah, we don't have much metal in the repertoire right juncture. Yeah, 814 00:40:31,480 --> 00:40:31,800 we like to. 815 00:40:31,800 --> 00:40:33,159 Speaker 13: Fel like we pick things that kind of like like 816 00:40:33,280 --> 00:40:35,679 make sense sonically, they like kind of fit the vibe 817 00:40:35,679 --> 00:40:38,360 of what we do. Yeah, sometimes its kind of nice 818 00:40:38,360 --> 00:40:40,719 to switch it up with different things, like you're saying, 819 00:40:40,760 --> 00:40:43,760 like just generationally speaking, from like the Beatles to like 820 00:40:43,880 --> 00:40:45,719 in Beach Boys to doing like you know, more of 821 00:40:45,840 --> 00:40:48,119 a modern sonic death cab for QT. 822 00:40:48,039 --> 00:40:49,159 Speaker 10: Cover or whatever. 823 00:40:49,239 --> 00:40:50,599 Speaker 13: It is, like you know, try and like you know, 824 00:40:51,039 --> 00:40:53,159 appeal to all ears out there in the crowd kind 825 00:40:53,199 --> 00:40:53,400 of thing. 826 00:40:53,559 --> 00:40:58,000 Speaker 12: Yeah, it's pretty much an impossible task to appeal to 827 00:40:58,119 --> 00:41:02,480 everybody at every gig of course. Yeah. And it's just 828 00:41:02,639 --> 00:41:04,480 like you know, one gig to the next, things we 829 00:41:04,559 --> 00:41:06,519 think are gonna work well don't, and things we don't 830 00:41:06,920 --> 00:41:09,519 aren't sure about like work great. Yeah, you know, It's 831 00:41:09,719 --> 00:41:11,960 it's really funny that way, like just just something that 832 00:41:12,000 --> 00:41:13,760 comes to minds like the Jackson Brown. 833 00:41:13,639 --> 00:41:15,480 Speaker 10: Song Somebody's Baby. 834 00:41:15,559 --> 00:41:18,719 Speaker 12: Somebody's Baby. I feel like that crushes like everywhere, no 835 00:41:18,840 --> 00:41:22,519 matter where, or it's a great song. It's a great song. 836 00:41:22,599 --> 00:41:26,440 Speaker 10: Yeah, it's the platonic mean of a song. People like it. 837 00:41:26,800 --> 00:41:30,159 Speaker 12: So it's just it's just trying to find about thirty 838 00:41:30,280 --> 00:41:33,199 songs like that that we can be tight on. 839 00:41:33,880 --> 00:41:37,320 Speaker 13: We we've been doing like a Sister Golden Hair. Yeah, 840 00:41:37,519 --> 00:41:39,480 that's just an awesome tune. Like, yeah, I think we 841 00:41:39,519 --> 00:41:41,519 also like to pick songs that like we genuinely. 842 00:41:41,199 --> 00:41:42,480 Speaker 11: Like love to play, you know what I mean. 843 00:41:42,559 --> 00:41:45,199 Speaker 13: Like it's just kind of makes it like more genuine 844 00:41:45,239 --> 00:41:46,559 as a player, Like you know, if you just kind 845 00:41:46,559 --> 00:41:47,639 of like you really get into it and you just 846 00:41:47,719 --> 00:41:49,519 kind of like, you know, you really do do your 847 00:41:49,559 --> 00:41:51,840 diligence to learn all the parts correctly and stuff like that, 848 00:41:51,960 --> 00:41:54,039 and like, you know, doing the slide over sister Golden Hair, 849 00:41:54,039 --> 00:41:56,320 it's just like, you know, like that must that's great, 850 00:41:56,320 --> 00:41:57,559 you know what I mean, Like you see people get 851 00:41:57,599 --> 00:41:58,320 pumped up about it. 852 00:41:58,400 --> 00:42:00,639 Speaker 11: It's just like, yeah, who does love that song? 853 00:42:00,960 --> 00:42:01,960 Speaker 8: I mean, right, yeah. 854 00:42:03,039 --> 00:42:04,599 Speaker 9: Do you do any covers that are kind of obscure 855 00:42:04,639 --> 00:42:07,440 that not everyone in the audience necessarily realizes is the cover? 856 00:42:08,440 --> 00:42:11,320 Speaker 10: Well, we do a cover of this song called Sin 857 00:42:11,480 --> 00:42:15,159 City by the Flying Burrito Brothers, who was Graham Parson's 858 00:42:15,440 --> 00:42:17,840 band from back in the sixties. And the reason I 859 00:42:18,039 --> 00:42:19,920 mentioned that song is like, it's not I don't feel 860 00:42:19,920 --> 00:42:21,880 like it's that well known or in the mainstream. Really, 861 00:42:22,159 --> 00:42:24,360 it's one of those old kind of country folky songs 862 00:42:24,400 --> 00:42:26,000 that like, once you hear it feels like you've heard 863 00:42:26,039 --> 00:42:28,440 it or a song like it many times. Okay, And 864 00:42:28,559 --> 00:42:31,639 we recently recorded a cover for that that's coming out 865 00:42:31,679 --> 00:42:35,280 on a like a country music compilation. Oh really soon. 866 00:42:36,039 --> 00:42:36,880 Speaker 12: I have no idea when. 867 00:42:37,079 --> 00:42:39,760 Speaker 10: We don't know exactly when, but it'll be out and 868 00:42:39,880 --> 00:42:41,519 so that maybe that's something we can listen to on 869 00:42:41,639 --> 00:42:42,239 here sometime too. 870 00:42:42,360 --> 00:42:44,960 Speaker 9: Yeah, definitely, yeah, Yeah, Now how did you how did 871 00:42:45,000 --> 00:42:46,400 you get the opportunity. 872 00:42:45,920 --> 00:42:47,159 Speaker 12: To do that, to be a part of that compet 873 00:42:47,440 --> 00:42:50,559 that was actually so modern? Fools? Who has the album released? 874 00:42:50,559 --> 00:42:52,599 Shown a couple of weeks that we're playing it was 875 00:42:52,920 --> 00:42:55,519 a member from that band I was putting it together 876 00:42:55,760 --> 00:42:59,320 and just reached out to us. Oh wow, Yeah, I'm 877 00:42:59,360 --> 00:43:02,360 not sure really any more details than that, honestly. 878 00:43:02,320 --> 00:43:05,280 Speaker 8: Did did Did they let you pick the cover you 879 00:43:05,320 --> 00:43:05,679 want to do? 880 00:43:05,920 --> 00:43:09,320 Speaker 10: Or yeah? The idea was out law Country also you 881 00:43:09,400 --> 00:43:14,000 know at Chris Christoffers and Willie Nelson anything in that? Yeah? 882 00:43:14,119 --> 00:43:16,880 Speaker 8: Real, Have you guys ever been on Rob show? Granted 883 00:43:16,920 --> 00:43:17,440 state of mind? 884 00:43:18,280 --> 00:43:22,000 Speaker 12: I have as an individual, like as a as myself. 885 00:43:21,760 --> 00:43:24,119 Speaker 10: Okay, okay, as a political candidate. 886 00:43:25,519 --> 00:43:27,159 Speaker 9: No, No, I was just curious because when you said 887 00:43:27,199 --> 00:43:29,440 out lack Country, my first thought was a Rob Rob 888 00:43:29,519 --> 00:43:31,280 has a lot of bands on his show. 889 00:43:31,400 --> 00:43:33,519 Speaker 8: Does that you guys? You guys would be great on 890 00:43:33,639 --> 00:43:34,239 Rob show too? 891 00:43:34,639 --> 00:43:38,280 Speaker 12: Yeah? I think it's not scheduled, but yeah, I got 892 00:43:38,360 --> 00:43:41,119 I met Rob just like a few months ago. Yeah, 893 00:43:41,199 --> 00:43:42,159 I went to his open mic. 894 00:43:42,719 --> 00:43:44,119 Speaker 8: Yeah, pork City. 895 00:43:44,159 --> 00:43:46,639 Speaker 12: Yeah, and I had never come across him, and I 896 00:43:46,800 --> 00:43:48,800 was mind blown because we just know we both know 897 00:43:49,039 --> 00:43:51,119 like the same mutual people. Yeah, yeah, I couldn't believe 898 00:43:51,119 --> 00:43:53,360 that we had never crossed past. Yeah. But the band 899 00:43:53,400 --> 00:43:54,960 will definitely be on his show at some point. 900 00:43:55,119 --> 00:43:57,159 Speaker 8: Yeah. And have you guys played at Pemworks City Limits. 901 00:43:58,239 --> 00:44:01,960 Speaker 12: I played there for like a solo show, Okay, but yeah, 902 00:44:02,000 --> 00:44:04,079 he wants to have us Yeah, yeah, good, Yeah. 903 00:44:03,880 --> 00:44:05,679 Speaker 8: I can imagine that. Yeah, that's such a that's such 904 00:44:05,719 --> 00:44:07,400 a cool room to Rob is. 905 00:44:07,559 --> 00:44:10,079 Speaker 9: Rob is doing amazing things and of course a plug 906 00:44:10,159 --> 00:44:12,320 for a show he scranted State of Mind Fridays at 907 00:44:12,360 --> 00:44:14,800 six pm right here at w M and H. So yeah, 908 00:44:14,840 --> 00:44:16,360 he does a he does a lot for the scene. 909 00:44:17,800 --> 00:44:17,880 Speaker 15: Now. 910 00:44:18,000 --> 00:44:20,400 Speaker 9: That's cool though about the country compilation, but you don't 911 00:44:20,400 --> 00:44:22,800 know when it's gonna be out sometime sometime this year 912 00:44:22,840 --> 00:44:23,760 though it was supposed to. 913 00:44:23,920 --> 00:44:26,360 Speaker 12: Like be out now. And I think with anything like that, 914 00:44:26,480 --> 00:44:29,400 when you have ten different bands all submitting you, yeah, 915 00:44:29,480 --> 00:44:30,360 gets a little delayed. 916 00:44:30,480 --> 00:44:33,320 Speaker 10: Someone is in the precarious position of having to email 917 00:44:33,480 --> 00:44:37,400 and track down ten different musicians right or flighty on 918 00:44:37,639 --> 00:44:41,239 the best of so, no, I can I. 919 00:44:41,280 --> 00:44:43,360 Speaker 9: Can see where that would where that would be the case. 920 00:44:43,519 --> 00:44:46,159 Now what about uh so is the show of the seventeenth? 921 00:44:46,280 --> 00:44:48,719 Is that the next show you guys are playing? Yeah, 922 00:44:49,039 --> 00:44:50,280 and then after that do you have. 923 00:44:52,360 --> 00:44:55,679 Speaker 8: Like what what's what's winter like for in terms of 924 00:44:56,000 --> 00:44:58,159 live shows? Is are you gonna be kind of active? 925 00:44:58,239 --> 00:45:01,639 Speaker 12: Or yeah, we'll be at two Ship a couple of times, Okay, 926 00:45:02,039 --> 00:45:05,039 we'll be at Do we have a strange brew book? 927 00:45:05,280 --> 00:45:07,119 Speaker 11: No, I don't think there's any strange strange. 928 00:45:07,800 --> 00:45:10,079 Speaker 10: Two Shares on Union Street in Manchester for those who 929 00:45:10,079 --> 00:45:12,519 don't know, it's a brewery. Yeah, worth checking out with 930 00:45:12,760 --> 00:45:15,400 us or without because it's yeah, they make good local beer. 931 00:45:15,559 --> 00:45:18,000 Speaker 12: Yeah yeah, yeah, I mean slim Volume band dot com. 932 00:45:18,199 --> 00:45:20,320 You know, it's got all the details for anyone who 933 00:45:20,360 --> 00:45:23,719 wants to track us down. But yeah, yeah, I mean 934 00:45:24,039 --> 00:45:25,840 it's funny, like, you know, we got ten or twelve 935 00:45:26,400 --> 00:45:28,639 gigs book. I can't recall them off the top of 936 00:45:28,679 --> 00:45:28,960 my head. 937 00:45:29,079 --> 00:45:30,679 Speaker 9: Yeah, yeah, No, it sounds like you're off to a 938 00:45:30,719 --> 00:45:32,480 strong start for the new year. I always asked too, 939 00:45:32,519 --> 00:45:33,760 because you know a lot of bands they kind of 940 00:45:33,800 --> 00:45:36,639 slow down in winter, or they focused on writing and 941 00:45:36,760 --> 00:45:40,039 recording and then you know, I see some I know 942 00:45:40,199 --> 00:45:43,519 bands who only want to really be active during the summer. 943 00:45:44,000 --> 00:45:47,039 Speaker 10: But oh, another one that just comes to mind, Matt, 944 00:45:47,199 --> 00:45:49,679 now that you say it is we're playing Auspicious Brew 945 00:45:49,760 --> 00:45:53,239 in Dover in February. I believe that's on the fifteenth. Okay, 946 00:45:53,440 --> 00:45:56,519 that's with Kara Holbert Howe as a singer songwriter from 947 00:45:56,559 --> 00:45:59,239 the Sea Coast area. And then tin Fish is another 948 00:45:59,320 --> 00:46:02,280 band from out in the kind of Portsmouth Dover area. 949 00:46:02,360 --> 00:46:03,320 So that's gonna be a fun one. 950 00:46:03,400 --> 00:46:04,440 Speaker 8: Oh, very good, very good. 951 00:46:04,719 --> 00:46:06,800 Speaker 9: Yeah, And do you guys try to play a lot 952 00:46:06,840 --> 00:46:08,599 of shows on the Sea coast because I would imagine 953 00:46:08,599 --> 00:46:09,480 what you know, with the U. 954 00:46:09,559 --> 00:46:11,519 Speaker 8: N H crowd and everything, you know, you guys would 955 00:46:11,559 --> 00:46:13,239 be very well received. 956 00:46:13,679 --> 00:46:18,559 Speaker 10: Yeah, it's definitely a different kind of scene and vibe 957 00:46:18,719 --> 00:46:20,280 on the Sea coast. So yeah, I mean we try 958 00:46:20,320 --> 00:46:22,400 to get out there. We've played Dover and Portsmouth a 959 00:46:22,480 --> 00:46:25,000 number of times. The press room. You know that some 960 00:46:25,119 --> 00:46:27,079 of these venues that they have great sound there, you know. 961 00:46:27,199 --> 00:46:29,960 Speaker 8: So excellent. Yeah, yeah, very good, very good. 962 00:46:30,440 --> 00:46:32,960 Speaker 9: Well, guys, we are approaching the top of the hour, 963 00:46:33,199 --> 00:46:37,719 so I'll again I'll let you pick what we will 964 00:46:37,760 --> 00:46:43,280 play to end the segment today. Whatever, whatever you guys 965 00:46:43,320 --> 00:46:45,360 want to go with I've certainly enjoyed everything that you've 966 00:46:45,440 --> 00:46:46,079 chosen so far. 967 00:46:46,320 --> 00:46:49,360 Speaker 13: You want to like Kpol just for kind of like 968 00:46:49,519 --> 00:46:51,119 you know S's and G's on that one. 969 00:46:53,119 --> 00:46:55,239 Speaker 12: That sounds good, that's going to be on the back 970 00:46:55,320 --> 00:46:55,519 to you. 971 00:46:56,559 --> 00:46:57,519 Speaker 8: You'll go back to that one. 972 00:46:58,119 --> 00:47:00,519 Speaker 10: So this track will be different in that you will 973 00:47:00,559 --> 00:47:02,559 not hear my voice nor we hear Trent's voice. 974 00:47:02,639 --> 00:47:03,880 Speaker 11: Yeah, your instrumental. 975 00:47:04,360 --> 00:47:06,760 Speaker 8: Yeah, I actually had listened to this one on on 976 00:47:06,960 --> 00:47:10,440 band camp and yeah, it's fun. It's fun. Uh So, 977 00:47:10,800 --> 00:47:13,239 Slim Volume guys, thank you again so much. And slim 978 00:47:13,320 --> 00:47:14,239 Volume dot com is. 979 00:47:14,239 --> 00:47:15,519 Speaker 12: The web sit Slim Volume band. 980 00:47:15,679 --> 00:47:19,760 Speaker 9: Oh, slim Volume Band dot com, thank you very very good. 981 00:47:19,920 --> 00:47:22,480 And Jenny before we go to you want to plug 982 00:47:22,519 --> 00:47:23,280 your website. 983 00:47:23,639 --> 00:47:26,199 Speaker 22: Of course you can check me out in my creativity 984 00:47:26,480 --> 00:47:28,320 projects at Gencoffee dot com. 985 00:47:28,719 --> 00:47:30,760 Speaker 10: J E N N C O F F e I 986 00:47:30,960 --> 00:47:31,360 dot com. 987 00:47:31,719 --> 00:47:34,480 Speaker 9: And by the way, uh also keep an eye on 988 00:47:34,599 --> 00:47:36,159 you know you've got your you've been doing a lot 989 00:47:36,199 --> 00:47:38,960 of media appearances and you're about to be on a 990 00:47:39,000 --> 00:47:39,960 pretty big podcast. 991 00:47:40,480 --> 00:47:40,719 Speaker 1: Yeah. 992 00:47:40,960 --> 00:47:42,119 Speaker 8: Should we should we mention. 993 00:47:42,639 --> 00:47:46,079 Speaker 12: Which one status coup you guys know Status cup? 994 00:47:46,519 --> 00:47:47,280 Speaker 8: Well you will. 995 00:47:48,760 --> 00:47:52,760 Speaker 22: Baby, yes, we're taping tomorrow and I don't know the 996 00:47:52,880 --> 00:47:53,360 exact date. 997 00:47:53,599 --> 00:47:55,519 Speaker 8: This, this one's a big deal. So very proud of 998 00:47:55,719 --> 00:47:56,280 very proud of you. 999 00:47:57,239 --> 00:47:58,679 Speaker 11: Wall Street Journal was pretty big. 1000 00:47:58,880 --> 00:48:02,119 Speaker 12: But that was pretty great. That was BBC. That was huge. 1001 00:48:02,159 --> 00:48:05,000 I was like shocked us going through the Facebook band 1002 00:48:05,079 --> 00:48:06,400 feed and I saw you re shared that. 1003 00:48:06,400 --> 00:48:11,239 Speaker 22: I was like, well, no, BBC, yeah, yep, yep, causing 1004 00:48:11,280 --> 00:48:12,239 a little trouble here on there. 1005 00:48:13,360 --> 00:48:15,519 Speaker 9: As always, we need to have me any other way, 1006 00:48:15,679 --> 00:48:17,719 we need a good trouble. Thank you for everyone who 1007 00:48:17,800 --> 00:48:21,800 joined us today. Of course doctor No and that was awesome. Yes, 1008 00:48:21,920 --> 00:48:24,119 Doctor No is wonderful and scarecrow Hill and of course 1009 00:48:24,320 --> 00:48:27,480 Slim Volume guys, thank you again. Thank you matt Us 1010 00:48:28,360 --> 00:48:31,679 absolutely and we will close with this u k PO seven. 1011 00:48:31,760 --> 00:48:32,920 This is Slim Volume. 1012 00:49:03,079 --> 00:49:53,360 Speaker 5: I st. 1013 00:50:10,000 --> 00:51:45,519 Speaker 23: Feels like running around in sound, blue lights and flash, 1014 00:51:45,599 --> 00:51:48,920 but it will never be found and so s pattish 1015 00:51:48,960 --> 00:51:52,320 your lines, rob sound yeah, and make some memories. 1016 00:51:52,039 --> 00:51:53,360 Speaker 11: To forget in the morning. 1017 00:51:54,480 --> 00:51:57,960 Speaker 20: It feels like everything changes, but the people around you 1018 00:51:58,159 --> 00:52:01,320 keep a smile on the face, gets some selling. Yeah, yeah, 1019 00:52:01,400 --> 00:52:04,039 I'm selling. Yeah, I'm selling red. 1020 00:52:05,480 --> 00:52:11,480 Speaker 6: So let's safety down and you can sell him. 1021 00:52:12,000 --> 00:52:19,039 Speaker 1: Sounds about you something, say anything than spices, the. 1022 00:52:19,119 --> 00:52:24,079 Speaker 24: Big born placies, the water spicies, a dream created. 1023 00:52:23,519 --> 00:52:26,519 Speaker 4: To hear and me waiting. 1024 00:52:27,920 --> 00:52:32,719 Speaker 24: Let's go back to the basis, God says, the brick places, 1025 00:52:32,960 --> 00:52:38,920 the water spacies, the dreams created tells hearing me anything, 1026 00:52:40,199 --> 00:52:42,079 Let's go back in the morning. 1027 00:52:54,480 --> 00:52:59,079 Speaker 20: The sign lies hundred miles so the rise where the 1028 00:52:59,199 --> 00:53:02,880 sun shining down on me and you can't seem to 1029 00:53:02,960 --> 00:53:06,679 hide that smiles if we tell you your stobby or. 1030 00:53:06,760 --> 00:53:10,360 Speaker 1: Suits, and it feels like everything changes. 1031 00:53:10,440 --> 00:53:11,559 Speaker 6: But we've had that before. 1032 00:53:11,719 --> 00:53:15,199 Speaker 20: So while we're put through the paces, Yeah, I'm selling you, Yeah, 1033 00:53:15,239 --> 00:53:15,880 I'm selling you. 1034 00:53:16,559 --> 00:53:19,400 Speaker 12: Yeah, I'm selling you meating So. 1035 00:53:21,159 --> 00:53:25,960 Speaker 1: It's the same down and you can sell it. Listen, 1036 00:53:27,159 --> 00:53:32,000 so want you out from That's anything. 1037 00:53:31,599 --> 00:53:35,840 Speaker 24: By guys is the people, the places, the water, basis 1038 00:53:36,039 --> 00:53:37,800 train repriget to check. 1039 00:53:38,360 --> 00:53:44,239 Speaker 4: Hearing me, metal backing grace. 1040 00:53:44,519 --> 00:53:45,159 Speaker 6: Guys is the. 1041 00:53:45,280 --> 00:53:51,119 Speaker 24: Priople, but places, laces and trams re brigety check killing me, 1042 00:53:54,079 --> 00:53:55,000 metal bucket. 1043 00:54:11,280 --> 00:54:17,440 Speaker 25: I'm singing your song that'll bring you lung sni I 1044 00:54:17,480 --> 00:54:20,400 would carevin little world time has catch that the evening 1045 00:54:20,559 --> 00:54:26,880 ride because it's ten past five on a freezing winter's night, 1046 00:54:29,480 --> 00:54:31,159 but with a smile, line of faces. 1047 00:54:31,199 --> 00:54:34,960 Speaker 1: We'll dance, and so the sun rimes, let's go dancing. 1048 00:54:35,039 --> 00:54:36,239 Speaker 18: So the suner rides. 1049 00:54:37,119 --> 00:54:38,000 Speaker 1: That's what dancing. 1050 00:54:38,119 --> 00:54:42,360 Speaker 26: So the sun rides, Let's go dancing. So the sunar rides, 1051 00:54:43,280 --> 00:54:47,159 let's go dancing. So the sun rise, let's go dance. 1052 00:54:47,400 --> 00:54:51,519 A sorri let's go dancing sounds sunrise. 1053 00:54:51,760 --> 00:54:53,199 Speaker 1: This is a passenger announcement. 1054 00:54:53,559 --> 00:54:56,639 Speaker 22: The twenty three past willnound the park and stand nineteen 1055 00:54:56,800 --> 00:54:59,000 and the last times. 1056 00:54:58,960 --> 00:55:08,199 Speaker 24: The people says a bridget you mean, let's go. 1057 00:55:08,360 --> 00:55:10,360 Speaker 17: Top chain by guys. 1058 00:55:10,679 --> 00:55:14,840 Speaker 24: Guys is the fa for the places, the spices, the trains, 1059 00:55:15,039 --> 00:55:17,320 cricket to change there be. 1060 00:55:20,199 --> 00:55:21,280 Speaker 4: Let's go put chain. 1061 00:55:41,639 --> 00:55:43,440 Speaker 8: You are listening to w M n H. 1062 00:55:44,639 --> 00:55:53,800 Speaker 24: Please command guy, don't get SUPREMELYA Maxill Cobby. 1063 00:56:10,239 --> 00:56:12,880 Speaker 27: Disneys Cafe is the place to put a smile on 1064 00:56:12,960 --> 00:56:15,400 your face. Judy and the crew will take care of you, 1065 00:56:15,639 --> 00:56:19,320 bring your appetite and trig your taste buds right business 1066 00:56:19,400 --> 00:56:23,519 cafe is always a winning choice. Breakfast, lunch or supper. 1067 00:56:24,000 --> 00:56:28,239 Dizze's Cafe at eight sixty Elm Street in downtown Manchester. 1068 00:56:28,719 --> 00:56:31,599 Dine in, take out or make a reservation call six 1069 00:56:31,800 --> 00:56:35,719 h three six h six two five three two, Eat, 1070 00:56:36,119 --> 00:56:38,880 drink and be happy Dizzey's Cafe. 1071 00:56:39,079 --> 00:56:41,760 Speaker 15: When it comes to keeping WMNH on the air and 1072 00:56:41,880 --> 00:56:45,639 your own personal or business computer needs, trust Roland Computers, 1073 00:56:45,880 --> 00:56:49,639 located on Elm Street in Manchester, groll in handles computer repair, 1074 00:56:49,880 --> 00:56:52,719 virus removal and custom built systems. Are you looking for 1075 00:56:52,840 --> 00:56:56,119 budget friendly options, check out our selection of fully inspected 1076 00:56:56,280 --> 00:57:00,000 used computers. We offer tailored on site solutions, no unduss 1077 00:57:00,000 --> 00:57:03,519 necessary expenses here. Visit Groland dot com or call grolland 1078 00:57:03,519 --> 00:57:06,880 Computers at six zero three six four five zero one 1079 00:57:07,239 --> 00:57:10,559 zero one. Your Tech, your way, Trust Groland Computers. 1080 00:57:11,159 --> 00:57:15,519 Speaker 28: Bring your kitchen to life with Queen Citycabinetry, located at 1081 00:57:15,599 --> 00:57:19,760 eighty seven Elm Street in the historic Sunbeam Mall in Manchester, 1082 00:57:20,199 --> 00:57:23,519 open Monday through Friday nine am to five thirty pm 1083 00:57:23,840 --> 00:57:27,360 in Saturday's ten am to two pm. They can be 1084 00:57:27,480 --> 00:57:31,360 reached at six oh three two two two to zero 1085 00:57:31,519 --> 00:57:35,920 zero seven or on the web at Queen citycabinatrey NH 1086 00:57:36,519 --> 00:57:37,039 dot com. 1087 00:57:37,400 --> 00:57:38,880 Speaker 8: Come see the possibilities. 1088 00:57:39,079 --> 00:57:43,480 Speaker 28: Queen Citycabinetry another proud sponsor of WMNH.