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<v Speaker 1>Preface, Madame, there are moments when one seems to come

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<v Speaker 1>to life. One looks about and distinguishes a creature whose

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<v Speaker 1>footprint closely resembles the ace of spades. The thing says, bow, wow,

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<v Speaker 1>it is a dog. One looks again. The ace of

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<v Speaker 1>spades is now an ace of clubs. The thing says,

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<v Speaker 1>p fh, and it is a cat. This is the

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<v Speaker 1>history of the visible world, and in particular that of

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<v Speaker 1>my god children, Toby Dog and Kiki the demure. They

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<v Speaker 1>are so natural. I use the word in the sense

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<v Speaker 1>in which it is applicable to the savages of Oceania,

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<v Speaker 1>that all their acts conspire to make of life a

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<v Speaker 1>very simple proposition. These are animals in the fullest sense

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<v Speaker 1>of the word animo. If I may employ the original

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<v Speaker 1>orthography capable of exclaiming with those of faust, the fool

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<v Speaker 1>knows it not, he knows not, the pot, he knows

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<v Speaker 1>not the kettle. And as such, Madame, you have place

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<v Speaker 1>them exactly where they should be. Their earthly paradise is

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<v Speaker 1>the apartment of Monsieur Villi. In your sannon, the probable

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<v Speaker 1>palm and rubber plant give the impression of luxuriant edenic

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<v Speaker 1>flora relatively speaking, and illustrate the transmogrification, which is to

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<v Speaker 1>allow Monsieur Gaston de Champ, critic of a tant Pleucepassy,

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<v Speaker 1>to announce to the wilderness, where he speaks familiarly of Chateaubriand,

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<v Speaker 1>and to the College de France, how well he can

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<v Speaker 1>admire and understand a true poet. For you are a

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<v Speaker 1>true poet, and I will declare it freely, not concerning

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<v Speaker 1>myself more with the legend's. Parisians have the habit of

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<v Speaker 1>weaving about every celebrity they admire Gauguin and Verleines, not

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<v Speaker 1>so much for their originality as for their eccentricities. And

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<v Speaker 1>so it happens that certain persons, unacquainted with the nameless sentiment,

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<v Speaker 1>the order and purity, the thousand interior virtues which guide you,

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<v Speaker 1>persist in saying that you wear your hair short and

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<v Speaker 1>that Willy is bald. Must I, then, living at RTEs,

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<v Speaker 1>tell tu Paris who you are, present you to all

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<v Speaker 1>who know you, I who have never seen you. I

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<v Speaker 1>will say then that Madame Colette Willie never had short hair,

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<v Speaker 1>that she does not wear a masculine attire, that her

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<v Speaker 1>cat does not accompany her when she goes to a

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<v Speaker 1>concert that her friend's dog does not drink from a tumbler.

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<v Speaker 1>It is inexact to say that Madame Colette Willie works

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<v Speaker 1>in a squirrel's cage, or performs upon trapees and flying rings,

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<v Speaker 1>and can reach with her toe the nape of her neck.

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<v Speaker 1>Madame Colette Willie has never ceased to be the plain

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<v Speaker 1>woman Barich Senance, who rises at dawn to give oats

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<v Speaker 1>to the horse, maids to the chickens, cabbage to the rabbits,

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<v Speaker 1>groundsel to the canneries, snails to the ducks, and bran

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<v Speaker 1>water to the pigs. At eight o'clock summer and winter,

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<v Speaker 1>she prepares the cafolet for her maid and herself. Scarcely

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<v Speaker 1>a day passes that she does not meditate upon this

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<v Speaker 1>admirable book. A Lady's Country House by Madame Miller. Robine, orchard, kitchen, garden, stable,

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<v Speaker 1>poultry yard, beehive, and hothouse have no further mysteries for

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<v Speaker 1>Madame Colette Willie. They say she refused to divulge her

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<v Speaker 1>secret for the destruction of mule crickets to a great

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<v Speaker 1>statesman who preyed her on his knees. Madame Colette Willie

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<v Speaker 1>is in no way different from the description I have

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<v Speaker 1>just given of her. I am aware that certain folk,

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<v Speaker 1>having met her in society, insist upon making her very

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<v Speaker 1>complex a little more, and they would have ascribed to

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<v Speaker 1>her the tastes of the mustiest symbolists. And one knows

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<v Speaker 1>how far from pleasing those muses Robes, how odious the

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<v Speaker 1>yellow band above the faces expressionless as eggs. Robes and

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<v Speaker 1>Bardeux are to day relegated to drawers in the capital

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<v Speaker 1>at Toulouse, from which they will never be taken more,

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<v Speaker 1>except when occasion calls for the howling of official Alexandrine

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<v Speaker 1>in honor of Monsieur Gaston de champ Jeoret or Ras

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<v Speaker 1>Saint Getorie. Madame Colette Willie rises today on the world

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<v Speaker 1>of letters as the poetess at last, who, with the

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<v Speaker 1>tip of her slipper, sends all the painted laureled cotton

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<v Speaker 1>lyre carrying muses that from Monsielle Tourna have roused the

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<v Speaker 1>aspirations of classes in rhetoric, rolling from the top to

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<v Speaker 1>the bottom of Parnassus. How charming she is, thus presenting

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<v Speaker 1>her bulldog and her cat with as much assurance as

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<v Speaker 1>Diana would her hound or a bercanti her tiger, see

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<v Speaker 1>her apple cheeks, her eyes like bluemyer soota, her lips

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<v Speaker 1>poppy petals, and her ivy like grace. Tell me if

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<v Speaker 1>this way of leaning against the green barrier of her

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<v Speaker 1>garden close, or of lying under the murmurous arbor of Midsommer,

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<v Speaker 1>is not worth the starched manner that old magistrate du Vigny,

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<v Speaker 1>with his neckcloth wound three times around, and rigid in

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<v Speaker 1>his trouser straps imposed upon his goddesses. Madame Colette WILLI

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<v Speaker 1>is a live woman, a real woman who has dared

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<v Speaker 1>to be natural, and who resembles a little village bride,

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<v Speaker 1>far more than a perverse woman of letters. Read her book,

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<v Speaker 1>and you shall see how accurate are my assertions. It

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<v Speaker 1>has pleased Madame Colette Willy to embody in a couple

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<v Speaker 1>of delightful animals, the aroma of gardens, the freshness of

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<v Speaker 1>the field, the heat of state roads, the passions of men.

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<v Speaker 1>For through the girlish laughter ringing in the forest, I

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<v Speaker 1>tell you I hear the sobbing of a well spring.

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<v Speaker 1>One does not stoop to a poodle or tom cat

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<v Speaker 1>without feeling the heart wrung with dumb anguish one is

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<v Speaker 1>sensible in comparing ourselves to them. Of all that separates

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<v Speaker 1>and of all that unites us. A dog's eyes hold

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<v Speaker 1>the sorrow of having, since the earliest days of creation,

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<v Speaker 1>licked the whip of his incorrigible persecutor in vain. For

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<v Speaker 1>nothing is mollified man, not the prey brought him by

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<v Speaker 1>a famishing spaniel, nor the humble girelessness of shepherd dog

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<v Speaker 1>guarding the peace of the shadowy flocks under the stars.

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<v Speaker 1>The tragic fear shines in the cat's eyes. What are

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<v Speaker 1>you going to do to me, it seems to ask,

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<v Speaker 1>lying on the rubbish heap, a prey to mange and hunger,

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<v Speaker 1>and feverishly it waits the new torture that will shatter

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<v Speaker 1>its nervous system. But have no fear. Madame Colette Willie

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<v Speaker 1>is very kind. She quickly dispels the hereditary dread of

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<v Speaker 1>Toby Dog and Kiki the demure. She meliorates the race,

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<v Speaker 1>so that dogs and cats will learn in the end

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<v Speaker 1>that it is less dull to frequent a poet than

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<v Speaker 1>an unhappy College de France candidate. Had this candidate proven

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<v Speaker 1>more copiously still, but the author of memoir Dettle Tomes

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<v Speaker 1>had Topsy turvily described the jawbone of the crocodile. Toby

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<v Speaker 1>Dog and Kiki the Demure know well that their mistress

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<v Speaker 1>is a lady who would do no harm, neither to

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<v Speaker 1>a piece of sugar nor to a mouse. A lady who,

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<v Speaker 1>for our delight jumps a rope she has woven of

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<v Speaker 1>flower words which she never bruises, and with which she

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<v Speaker 1>perfumes us. A lady who sings with the voice of

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<v Speaker 1>a clear French rivulet, that wistful tenderness which makes the

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<v Speaker 1>hearts of animals beat so fast. Francis jam End of

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<v Speaker 1>Prefacemtis Personi.

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<v Speaker 2>Toby Dog a French bulldog read by Troy Bard.

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<v Speaker 3>Kiki the Demure a Maltese cat read by Bob Gonzales.

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<v Speaker 4>He Master of Minor Importance read by Matthew Reyese.

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<v Speaker 5>She Mistress of Minor Importance read by Roseanne Schmidt.

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<v Speaker 6>The Little Dog read Byshadah.

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<v Speaker 1>The Narration read by Sandra Sentimentalities the Sunny Porch, Toby

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<v Speaker 1>Dog and Kiki the Demure sprawl on the hot stone flags,

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<v Speaker 1>taking their after luncheon nap. The silence of Sunday prevails

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<v Speaker 1>yet Toby Dog is not asleep. The flies and a

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<v Speaker 1>heavy luncheon torment him hind quarters flattened out frog fashion,

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<v Speaker 1>he drags himself on his belly up to Kiki the Demure,

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<v Speaker 1>whose body is perfectly quiet.

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<v Speaker 2>Are you asleep?

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<v Speaker 1>The demure purse feebly.

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<v Speaker 2>Are you even alive? You're so flat you look like

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<v Speaker 2>the empty skin of a cat.

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<v Speaker 1>Kiki the Demure, in faltering tones.

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<v Speaker 2>Let me alone, not sick? Are you?

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<v Speaker 3>No? Let me alone? I'm asleep. I'm not even conscious

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<v Speaker 3>of my body. What's torments to live with you? I've eaten,

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<v Speaker 3>it's two o'clock. Let's sleep.

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<v Speaker 2>I can't. Something's made a ball in my stomach. It

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<v Speaker 2>means to go down, I guess, but very slowly. And

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<v Speaker 2>then these flies, these flies, the eyes start out of

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<v Speaker 2>my head. At the sight of one of them, I'm

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<v Speaker 2>all jaws bristling with terrible teeth. Just hear them snap.

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<v Speaker 2>Yet the infernal things escape me. Oh my ears, Oh

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<v Speaker 2>my poor sensitive brown belly. My fever knows there you

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<v Speaker 2>see right on my nose. What shall I do? I

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<v Speaker 2>squint all I can two of them? Now, No, only one,

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<v Speaker 2>No two? I toss em up like bits of sugar,

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<v Speaker 2>and it's the empty air. I snap, I'm worn out.

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<v Speaker 2>I detest the sun and the flies and everything.

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<v Speaker 1>Ooh, he wails Tiki the Demure, sitting up, his eyes

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<v Speaker 1>pale from the light and sleepiness.

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<v Speaker 3>Well, you've succeeded in waking me. That's all you wanted,

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<v Speaker 3>isn't it. My dreams are gone, these flies that you

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<v Speaker 3>are pursuing, I hardly felt their little teasing feet through

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<v Speaker 3>my thick fur. The nearest touch like a caress now

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<v Speaker 3>and then thrilled along the silky sloping hairs, which clothed me.

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<v Speaker 3>But then you never act with any discretion. Your vulgar

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<v Speaker 3>gaiety is a nuisance, and when sad, you howl like

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<v Speaker 3>a low comedian.

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<v Speaker 1>Toby Dog bitterly.

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<v Speaker 2>If you woke up, just tell me that.

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<v Speaker 1>Tiki the Demur correcting.

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<v Speaker 3>Of course you'll remember twas you woke me.

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<v Speaker 2>I was so uncomfortable. I wanted someone to help me,

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<v Speaker 2>to give me a word of encouragement.

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<v Speaker 3>I don't know any digestive words. Fancy they're giving me

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<v Speaker 3>a bad character. When just examine your conscience a bit

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<v Speaker 3>and compare us. Hunger and heat wear you out and

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<v Speaker 3>drive you mad. Cold makes your blood curdle.

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<v Speaker 1>Tuby dog vexed.

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<v Speaker 3>Mine is a sentenive nature, a demoniacal nature.

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<v Speaker 2>You mean no, I don't mean that you. You're a monstrous egoist.

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<v Speaker 3>Perhaps you and the two paws don't understand what you're

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<v Speaker 3>pleased to call a cat's egoism, our instinct of self preservation,

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<v Speaker 3>our dignity, our modest reserve, our attitude of weary renunciation,

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<v Speaker 3>which comes of the hopelessness of ever being understood by them,

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<v Speaker 3>They dub in haphazard fashion egoism. You are not a

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<v Speaker 3>very discriminating dog, but at least you are free from prejudice.

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<v Speaker 3>Will you understand me better? A cat is a guest

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<v Speaker 3>in the house, not a plaything. Truly, these are strange

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<v Speaker 3>times we're living in the two paws. He and she

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<v Speaker 3>have they alone the right to be sad or joyful,

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<v Speaker 3>to lick plates, to scold, or to go about the

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<v Speaker 3>house indulging their capricious humors. I too have my whims,

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<v Speaker 3>my sorrows, my irregular appetite, my hours of reverie when

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<v Speaker 3>I wish to be alone.

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<v Speaker 1>Toby Dog attentive and conscientious.

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<v Speaker 2>I'm listening, but I can hardly follow what you say.

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<v Speaker 2>It's so complicated, A bit over my head, you know.

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<v Speaker 2>But you astonish me. Are they in the habit of

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<v Speaker 2>hindering you in your changeful moods? You mew and they

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<v Speaker 2>open the door. You lie on the paper, the sacred

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<v Speaker 2>paper he's scratching on. He moves away, marvelous condescension, and

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<v Speaker 2>leaves you a soil page. You meander up and down

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<v Speaker 2>a scratching table, obviously in question of mischief, your nose

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<v Speaker 2>wrinkled up, your tail giving quick little jerks back and

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<v Speaker 2>forth like a pendulum. She watches you, laughing while he

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<v Speaker 2>announces the promenade of devastation. How then can you accuse them?

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<v Speaker 1>Kiki the demure, insincere.

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<v Speaker 3>I don't accuse them, after all, psychological subtleties are not

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<v Speaker 3>in your line.

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<v Speaker 2>Don't speak so fast. I need time to understand, it.

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<v Speaker 1>Seems to me, Kiki the Demure slyly pray.

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<v Speaker 3>Don't hurry. Your digestion might suffer in consequence.

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<v Speaker 1>Toby Dog, unconscious of the irony.

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<v Speaker 2>You're right, I've some trouble in expressing myself to day. Well,

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<v Speaker 2>here goes. It seems to me that of the two

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<v Speaker 2>of us, it's you they make the most of and

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<v Speaker 2>yet you do all the grumbling.

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<v Speaker 3>A dog's logic that the more one gives, the more

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<v Speaker 3>I demand.

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<v Speaker 2>That's wrong, it's indiscreet.

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<v Speaker 3>Not at all. I have a right to everything, to everything,

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<v Speaker 3>and I I don't imagine you lack anything, do you?

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<v Speaker 2>I don't know. Sometimes in my very happiest moments, I

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00:14:10.519 --> 00:14:13.759
<v Speaker 2>feel like crying. My eyes grow dim, my heart seems

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00:14:13.799 --> 00:14:16.120
<v Speaker 2>to choke me. I would like to be sure, in

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<v Speaker 2>times of such anguish, that everybody loves me, that there

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<v Speaker 2>is nowhere in the world a sad dog behind a

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<v Speaker 2>closed door, that no evil will ever come.

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<v Speaker 1>Kiki is a demure jeering And then what dreadful thing happens?

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<v Speaker 2>You know very well inevitably at the moment she appears,

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<v Speaker 2>carrying a bottle with horrible yellow stuff floating in it,

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<v Speaker 2>castor oil. Wilful and unfeeling, she holds me between her

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<v Speaker 2>strong knees, opens.

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<v Speaker 3>My jaws close them tighter, but I'm.

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<v Speaker 2>Afraid of hurting her, and my tongue horrified taste the slimy,

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00:14:50.279 --> 00:14:54.200
<v Speaker 2>mawkish stuff, I choke and spit. My poor face is convulsed.

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<v Speaker 2>In the end of this torture is long and coming.

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<v Speaker 2>You've seen me afterwards, dragging myself around melon Collie, my

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<v Speaker 2>head hanging, listening to the unwholesome glue, glue the oil

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00:15:04.120 --> 00:15:05.120
<v Speaker 2>makes in my stomach.

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<v Speaker 3>Once, when I was little, she tried to give me

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<v Speaker 3>castor oil. I scratched and bit her, so she never

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<v Speaker 3>tried again.

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<v Speaker 2>Ha.

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<v Speaker 3>She must have thought she held the devil between her knees.

240
00:15:17.879 --> 00:15:22.320
<v Speaker 3>I squirmed, blue fire through my nostrils, multiplied my twenty

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<v Speaker 3>claws by a hundred, my teeth by one thousand, and

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00:15:25.720 --> 00:15:29.000
<v Speaker 3>finally disappeared, as if by magic.

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<v Speaker 2>I wouldn't dare do that. You see, I love her.

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<v Speaker 2>I love her enough to forgive her even the torture

245
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<v Speaker 2>of the bath.

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<v Speaker 1>Kiki, the demure interested.

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00:15:39.639 --> 00:15:43.320
<v Speaker 3>You do, tell me how it feels. It makes me

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00:15:43.360 --> 00:15:45.519
<v Speaker 3>shiver all over just to see her putting you in

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<v Speaker 3>the water.

250
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<v Speaker 2>Alas, listen then and pity me. Sometimes, when she's come

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<v Speaker 2>out of her tub with nothing on but her skin,

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<v Speaker 2>her soft, hairless skin, that I look respectfully, she spills

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00:15:56.879 --> 00:15:59.559
<v Speaker 2>out more warm water, throws in a brown brick which

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00:15:59.600 --> 00:16:03.759
<v Speaker 2>smells them tar, and calls Toby. That's enough. The soul

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00:16:03.840 --> 00:16:07.480
<v Speaker 2>quits my body. My legs shake under me. Something shines

256
00:16:07.519 --> 00:16:09.960
<v Speaker 2>on the water the pitcher of a window, all twisted

257
00:16:10.000 --> 00:16:13.200
<v Speaker 2>out of shape, It dances about and blinds me. She

258
00:16:13.360 --> 00:16:16.679
<v Speaker 2>seizes me, poor swooning thing that I am, and plunges

259
00:16:16.720 --> 00:16:19.879
<v Speaker 2>me in e Gods. From that time on, I'm lost.

260
00:16:20.360 --> 00:16:23.799
<v Speaker 2>My one hope isn't her. My eyes fasten themselves on

261
00:16:23.879 --> 00:16:26.159
<v Speaker 2>to hers, while a close warmth sticks to me like

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00:16:26.200 --> 00:16:29.200
<v Speaker 2>another skin on top of mine. The brick's all foamy.

263
00:16:29.240 --> 00:16:33.360
<v Speaker 2>Now I smell tar, my eyes and nostrils smart. There

264
00:16:33.360 --> 00:16:37.080
<v Speaker 2>are storms in my ears. She grows excited, breathes loud

265
00:16:37.120 --> 00:16:41.000
<v Speaker 2>and fast, laughs, and scrubs me lightheartedly. At last she

266
00:16:41.120 --> 00:16:43.759
<v Speaker 2>rescues me, fishing me out by the nape of my neck.

267
00:16:44.159 --> 00:16:47.240
<v Speaker 2>I paw the air, begging for life. Then comes the

268
00:16:47.320 --> 00:16:51.279
<v Speaker 2>rough towel and the warm coverlet, where, exhausted, I relish

269
00:16:51.320 --> 00:16:52.320
<v Speaker 2>my convalescence.

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<v Speaker 1>Kiki the demure, deeply.

271
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<v Speaker 3>Impressed, Calm yourself, jove the telling it alone.

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00:16:59.320 --> 00:17:02.840
<v Speaker 2>But you old sly boots, didn't I see her one day,

273
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<v Speaker 2>armed with a sponge, standing over you, holding you down

274
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<v Speaker 2>on the toilet table.

275
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<v Speaker 1>Do you give it a mule? Quite embarrassed, lashing his.

276
00:17:10.000 --> 00:17:14.759
<v Speaker 3>Tail an old story, the long fluffy hairs on my legs,

277
00:17:14.880 --> 00:17:17.960
<v Speaker 3>which gave them the outline of a zwoves had somehow

278
00:17:18.000 --> 00:17:22.400
<v Speaker 3>gotten dirty. She insisted upon washing me. I persuaded her

279
00:17:22.440 --> 00:17:24.880
<v Speaker 3>that I suffered atrociously under the sponge.

280
00:17:25.599 --> 00:17:27.880
<v Speaker 2>What a fivery you are? Did she believe you?

281
00:17:28.559 --> 00:17:33.039
<v Speaker 3>Um? At first it was my own fault, though when

282
00:17:33.039 --> 00:17:36.359
<v Speaker 3>she didn't turned over on my back, I proffered the

283
00:17:36.440 --> 00:17:40.359
<v Speaker 3>candid belly, the terrified and forgiving eyes of a lamb

284
00:17:40.440 --> 00:17:44.880
<v Speaker 3>about to be sacrificed. I felt a slight coolness, nothing more.

285
00:17:46.000 --> 00:17:49.359
<v Speaker 3>A fear that my sensibilities might be destroyed took possession

286
00:17:49.400 --> 00:17:54.400
<v Speaker 3>of me. My rhythmical wailings increased, then subsided, then went

287
00:17:54.480 --> 00:17:57.200
<v Speaker 3>up again, like the noise of the sea. You know

288
00:17:57.279 --> 00:18:01.200
<v Speaker 3>the strength of my voice. I imitated the calf, the

289
00:18:01.240 --> 00:18:04.880
<v Speaker 3>whipped child, the cat in the night, the wind under

290
00:18:04.880 --> 00:18:08.359
<v Speaker 3>the door. Little by little I grew enraptured with my

291
00:18:08.440 --> 00:18:11.640
<v Speaker 3>own song, so that long after she finished soiling me

292
00:18:11.720 --> 00:18:14.920
<v Speaker 3>with the cold water, I continued wailing, my eyes fixed

293
00:18:14.960 --> 00:18:18.960
<v Speaker 3>on the ceiling. Then she laughed tactlessly and cried out,

294
00:18:19.799 --> 00:18:21.160
<v Speaker 3>you're as untruthful as.

295
00:18:21.079 --> 00:18:23.519
<v Speaker 1>A woman toby dog, with conviction.

296
00:18:24.400 --> 00:18:25.400
<v Speaker 2>That was annoying.

297
00:18:26.119 --> 00:18:28.319
<v Speaker 3>I was angry with her the entire afternoon.

298
00:18:29.039 --> 00:18:32.160
<v Speaker 2>Oh as to sulking, you do your share. I never

299
00:18:32.240 --> 00:18:34.000
<v Speaker 2>can I forget injuries.

300
00:18:34.680 --> 00:18:36.559
<v Speaker 1>Kiki the Demure, dryly.

301
00:18:36.680 --> 00:18:40.559
<v Speaker 3>You lick the hand that chastens you. Oh, it's well.

302
00:18:40.359 --> 00:18:42.599
<v Speaker 1>Known, Toby dog gullible.

303
00:18:43.079 --> 00:18:46.319
<v Speaker 2>I looked the hand that Yes, that's it, exactly, an

304
00:18:46.400 --> 00:18:48.240
<v Speaker 2>awfully pretty expression.

305
00:18:48.400 --> 00:18:53.519
<v Speaker 3>Not mine. Dignity doesn't trouble you any my word. I'm

306
00:18:53.519 --> 00:18:57.400
<v Speaker 3>often ashamed for you. You love everybody, You take all

307
00:18:57.480 --> 00:19:01.240
<v Speaker 3>sorts of rebuffs without even raising your back. You're as

308
00:19:01.279 --> 00:19:03.880
<v Speaker 3>pleasant and as banal as a public garden.

309
00:19:04.240 --> 00:19:07.160
<v Speaker 2>Don't you believe it? You ill bred cat. You think

310
00:19:07.200 --> 00:19:11.039
<v Speaker 2>you know everything, and you don't understand simple politeness. Frankly, now,

311
00:19:11.039 --> 00:19:13.720
<v Speaker 2>would you have me snarl at his or her friend's heels?

312
00:19:14.160 --> 00:19:17.039
<v Speaker 2>Well dress people who know my name? Lots of people

313
00:19:17.079 --> 00:19:19.720
<v Speaker 2>I don't know know my name, and good naturally pull

314
00:19:19.799 --> 00:19:20.359
<v Speaker 2>my ears.

315
00:19:20.960 --> 00:19:22.400
<v Speaker 3>I hate new faces.

316
00:19:22.960 --> 00:19:26.640
<v Speaker 2>I don't love them either, whatever you say, I love her.

317
00:19:26.440 --> 00:19:30.240
<v Speaker 3>And him and I him and her.

318
00:19:31.119 --> 00:19:34.039
<v Speaker 2>Oh I guess your preference long ago. There's a sort

319
00:19:34.079 --> 00:19:36.519
<v Speaker 2>of secret understanding between you two.

320
00:19:36.799 --> 00:19:41.240
<v Speaker 1>Jikit the Demure, smiling mysteriously and abandoning himself to his referee.

321
00:19:41.799 --> 00:19:46.880
<v Speaker 3>An understanding, yes, secret and profound. He rarely speaks, but

322
00:19:47.000 --> 00:19:50.119
<v Speaker 3>makes a noise like a mouse scratching his paper. It's

323
00:19:50.160 --> 00:19:53.279
<v Speaker 3>for him. I've treasured up my little heart, my precious

324
00:19:53.359 --> 00:19:56.839
<v Speaker 3>cat's heart, and he, without words, has given me his.

325
00:19:57.400 --> 00:20:00.599
<v Speaker 3>This exchange makes me happy and reserved. Now and then,

326
00:20:00.720 --> 00:20:04.319
<v Speaker 3>with the pretty wayward ruling instinct which makes us cat's

327
00:20:04.440 --> 00:20:07.839
<v Speaker 3>rivals of women, I try my power over him. When

328
00:20:07.920 --> 00:20:11.680
<v Speaker 3>we are alone, I point my ears forward devilishly as

329
00:20:11.680 --> 00:20:13.960
<v Speaker 3>a sign that I am about to spring upon his

330
00:20:14.119 --> 00:20:18.359
<v Speaker 3>scratching paper. The tap tap tap of my paws, straight

331
00:20:18.480 --> 00:20:22.440
<v Speaker 3>through pens and letters and everything scattered about, is addressed

332
00:20:22.480 --> 00:20:26.279
<v Speaker 3>to him, as well as the insistent meowling. When I

333
00:20:26.319 --> 00:20:29.680
<v Speaker 3>beg for liberty him to the door knob, he laughingly

334
00:20:29.759 --> 00:20:33.960
<v Speaker 3>calls it or the plaint of the sequestered cat. The

335
00:20:34.039 --> 00:20:37.920
<v Speaker 3>tender contemplation of my inspiring eyes is for him alone.

336
00:20:38.839 --> 00:20:42.039
<v Speaker 3>They weigh on his bent head until the look I'm

337
00:20:42.079 --> 00:20:46.279
<v Speaker 3>calling searches and meets mine in a shock of souls

338
00:20:46.319 --> 00:20:50.160
<v Speaker 3>so foreseen and so sweet that I must needs close

339
00:20:50.279 --> 00:20:54.559
<v Speaker 3>my lids to hide the exquisite shyness I feel as

340
00:20:54.599 --> 00:20:58.480
<v Speaker 3>for her. She flutters about too much, often jostles me,

341
00:20:58.920 --> 00:21:01.599
<v Speaker 3>holds my paws together, and rocks me in the air,

342
00:21:02.119 --> 00:21:06.319
<v Speaker 3>pets me in excited fashion, laughs aloud at me, imitates

343
00:21:06.359 --> 00:21:07.799
<v Speaker 3>my voice too well.

344
00:21:08.079 --> 00:21:09.960
<v Speaker 1>Toby Dog moved with indignation.

345
00:21:10.680 --> 00:21:14.039
<v Speaker 2>You're very hard to please. I certainly love him. He's

346
00:21:14.079 --> 00:21:16.200
<v Speaker 2>good and pretends not to see my faults so that

347
00:21:16.279 --> 00:21:19.000
<v Speaker 2>he won't have to scold. But she's the most beautiful

348
00:21:19.039 --> 00:21:21.720
<v Speaker 2>thing in the world to me, the dearest and the

349
00:21:21.759 --> 00:21:25.440
<v Speaker 2>most difficult to understand. The sound of her step enchants me.

350
00:21:25.640 --> 00:21:30.799
<v Speaker 2>Her changeful eyes dispense happiness and trouble. She's like destiny itself.

351
00:21:30.839 --> 00:21:34.599
<v Speaker 2>She never hesitates, even torture from her hands. You know

352
00:21:34.680 --> 00:21:40.359
<v Speaker 2>how she teases me cruelly, No, not cruelly, but artfully.

353
00:21:40.960 --> 00:21:44.039
<v Speaker 2>I never can tell what's coming next. This morning, she

354
00:21:44.119 --> 00:21:46.440
<v Speaker 2>bent down as if to speak to me, lifted one

355
00:21:46.480 --> 00:21:49.759
<v Speaker 2>of my tiny elephant's ears, as she calls them, and

356
00:21:49.839 --> 00:21:51.960
<v Speaker 2>sent a sharp cry into it, which went to the

357
00:21:52.079 --> 00:21:56.720
<v Speaker 2>very back of my brain horrors. Was it right or wrong?

358
00:21:56.960 --> 00:22:00.279
<v Speaker 2>I can't decide Even now. It started waves of nervis

359
00:22:00.480 --> 00:22:03.759
<v Speaker 2>running madly through me. Then she has a fancy for

360
00:22:03.799 --> 00:22:07.160
<v Speaker 2>making me do tricks. Almost every day. I must do

361
00:22:07.319 --> 00:22:09.960
<v Speaker 2>the fish, Toby Dear. She lifts me in her arms

362
00:22:09.960 --> 00:22:12.920
<v Speaker 2>and squeezes me until I gasp. My poor dumb mouth

363
00:22:13.000 --> 00:22:15.359
<v Speaker 2>opens as the carpst does when they're drowning it in air.

364
00:22:16.200 --> 00:22:17.839
<v Speaker 3>That's just like her.

365
00:22:18.279 --> 00:22:22.279
<v Speaker 2>Suddenly I find myself free and still alive, miraculously saved

366
00:22:22.279 --> 00:22:25.359
<v Speaker 2>by the power of her will. How beautiful life seems

367
00:22:25.359 --> 00:22:28.200
<v Speaker 2>to me. Then, how fondly I locked the hend hanging

368
00:22:28.240 --> 00:22:29.519
<v Speaker 2>at her side, the hem of her.

369
00:22:29.519 --> 00:22:34.200
<v Speaker 1>Dress kikika demure contemptuously, a pretty thing to do.

370
00:22:34.920 --> 00:22:37.400
<v Speaker 2>All good and evil come to me from her. She

371
00:22:37.599 --> 00:22:40.720
<v Speaker 2>is my worst torment and my one sure refuge. When

372
00:22:40.720 --> 00:22:43.400
<v Speaker 2>I run to her, my heart's sick with fear. How

373
00:22:43.440 --> 00:22:46.000
<v Speaker 2>soft her arms are, and how sweet her hair falling

374
00:22:46.039 --> 00:22:49.440
<v Speaker 2>in my face. I'm her black baby, her toby dog,

375
00:22:49.599 --> 00:22:52.519
<v Speaker 2>her little bit of love. She sits on the ground

376
00:22:52.559 --> 00:22:56.440
<v Speaker 2>to reassure me, making herself little like me, lies down altogether,

377
00:22:56.519 --> 00:22:58.359
<v Speaker 2>and I go wild with delight at the sight of

378
00:22:58.359 --> 00:23:00.759
<v Speaker 2>her face and her mind, her own back, and her

379
00:23:00.799 --> 00:23:04.640
<v Speaker 2>fragrant hair. My feelings overflow. I can't resist such a

380
00:23:04.720 --> 00:23:08.680
<v Speaker 2>chance for a jolly good game. I rummage and fumble about, excitedly,

381
00:23:08.720 --> 00:23:11.680
<v Speaker 2>poking my nose everywhere till I find the crispy tip

382
00:23:11.720 --> 00:23:14.559
<v Speaker 2>of a pink ear her ear. I nibble it just

383
00:23:14.720 --> 00:23:17.559
<v Speaker 2>enough to tickle her to make her cry out. Stop, Toby,

384
00:23:17.599 --> 00:23:20.279
<v Speaker 2>that's awful. Help help this dog's devouring me.

385
00:23:21.000 --> 00:23:27.599
<v Speaker 3>Hm, simple, homely, wholesome joys. And then off you go

386
00:23:27.720 --> 00:23:30.880
<v Speaker 3>to make friends with the cook, and you with the cat.

387
00:23:30.720 --> 00:23:31.279
<v Speaker 2>At the farm.

388
00:23:31.799 --> 00:23:34.599
<v Speaker 1>TI keep the demule coldly enough.

389
00:23:34.640 --> 00:23:39.279
<v Speaker 3>I pray that concerns no one but myself and the

390
00:23:39.359 --> 00:23:40.079
<v Speaker 3>little cat.

391
00:23:40.839 --> 00:23:44.000
<v Speaker 2>A pretty conquest. It should make you blush. A seven

392
00:23:44.039 --> 00:23:45.200
<v Speaker 2>months old kitten.

393
00:23:45.319 --> 00:23:47.599
<v Speaker 1>TI keep the demule roused for me.

394
00:23:47.839 --> 00:23:51.079
<v Speaker 3>She has all the charm of forbidden fruit, and no

395
00:23:51.079 --> 00:23:54.920
<v Speaker 3>one dares steal her from me. She is slim as

396
00:23:54.960 --> 00:23:55.799
<v Speaker 3>a bean.

397
00:23:55.640 --> 00:23:58.680
<v Speaker 1>Pole Toby dog aside.

398
00:23:58.160 --> 00:24:04.160
<v Speaker 3>You'll rascal, and long poised on long legs. She walks

399
00:24:04.200 --> 00:24:08.279
<v Speaker 3>with the uncertain step common to all young things. She

400
00:24:08.359 --> 00:24:12.680
<v Speaker 3>hunts field mice, shrew mice, even partridge, and this hard

401
00:24:12.720 --> 00:24:15.720
<v Speaker 3>work in the fields has toughened her young muscles and

402
00:24:15.839 --> 00:24:21.440
<v Speaker 3>given a rather gloomy expression to her kitten face. She's ugly, no,

403
00:24:21.599 --> 00:24:25.680
<v Speaker 3>not ugly, but odd looking. Her muzzle, with its very

404
00:24:25.759 --> 00:24:30.000
<v Speaker 3>pink nostrils, strongly resembles that of a goat. Her large

405
00:24:30.039 --> 00:24:33.440
<v Speaker 3>ears remind one of a peasant's koif her eyes, the

406
00:24:33.519 --> 00:24:37.880
<v Speaker 3>color of old gold, are set slantwise, and their naturally

407
00:24:38.000 --> 00:24:42.279
<v Speaker 3>keen expression is varied by an occasional piquant squint. With

408
00:24:42.359 --> 00:24:46.720
<v Speaker 3>what a will? Does she fly me? Confounding modesty, with fear.

409
00:24:47.519 --> 00:24:51.160
<v Speaker 3>I pass slowly by. One would think me quite uninterested.

410
00:24:51.759 --> 00:24:56.440
<v Speaker 3>Draped in my splendid coat, she's struck by its stripes.

411
00:24:57.160 --> 00:25:01.119
<v Speaker 3>Oh she'll come back, a little love sick kitten, and

412
00:25:01.240 --> 00:25:05.079
<v Speaker 3>putting aside all constraint, she'll throw herself at my feet

413
00:25:05.799 --> 00:25:07.599
<v Speaker 3>like a supple white scarf.

414
00:25:08.400 --> 00:25:12.039
<v Speaker 2>I've no objection. You know, I'm comparatively indifferent to all

415
00:25:12.039 --> 00:25:17.279
<v Speaker 2>the concerns love here. My time so completely filled physical exercise,

416
00:25:17.480 --> 00:25:20.839
<v Speaker 2>my cares of watchdog. I hardly give a thought to

417
00:25:20.880 --> 00:25:22.119
<v Speaker 2>the bagatelle.

418
00:25:22.160 --> 00:25:23.000
<v Speaker 1>Kiki, the demuur.

419
00:25:23.119 --> 00:25:28.799
<v Speaker 3>Aside bagatelle, he indulges in the persiflage of a traveling salesman.

420
00:25:29.599 --> 00:25:32.440
<v Speaker 2>I love her and him devotedly, with a love that

421
00:25:32.559 --> 00:25:35.480
<v Speaker 2>lifts me up to them. It suffices to occupy my

422
00:25:35.559 --> 00:25:40.079
<v Speaker 2>time and heart. The hour of ar siesta is passing,

423
00:25:40.119 --> 00:25:43.480
<v Speaker 2>My scornful friend, do you know I like you in

424
00:25:43.519 --> 00:25:46.680
<v Speaker 2>spite of your scorn, and you like me too. Don't

425
00:25:46.680 --> 00:25:49.279
<v Speaker 2>turn your head away, you peculiar modesty would hide what

426
00:25:49.319 --> 00:25:51.799
<v Speaker 2>you call frailty and what I call love. Do you

427
00:25:51.839 --> 00:25:54.839
<v Speaker 2>think me blind? How often on coming back to the

428
00:25:54.880 --> 00:25:57.319
<v Speaker 2>house with her, have I seen your little triangular face

429
00:25:57.359 --> 00:25:59.839
<v Speaker 2>at the window light up and smile at my approach?

430
00:26:00.640 --> 00:26:02.519
<v Speaker 2>The time to open the door, and you'd already put

431
00:26:02.519 --> 00:26:05.559
<v Speaker 2>on your cat's mask, your pretty Japanese mask with its

432
00:26:05.640 --> 00:26:06.799
<v Speaker 2>narrow eyes, isn't it so?

433
00:26:08.000 --> 00:26:10.000
<v Speaker 1>Kiki? The demure resolved not to hear.

434
00:26:10.720 --> 00:26:14.720
<v Speaker 3>The hour of the siesta is passing. The cone shaped

435
00:26:14.759 --> 00:26:18.079
<v Speaker 3>shadows of the pear trees grow long on the gravel path.

436
00:26:18.400 --> 00:26:22.480
<v Speaker 3>We've talked away our sleepiness. You've forgotten the flies, your

437
00:26:22.599 --> 00:26:26.400
<v Speaker 3>uneasy stomach, and the heat which dances and waves on

438
00:26:26.440 --> 00:26:31.319
<v Speaker 3>the meadows. The beautiful sultry day is dying already. There's

439
00:26:31.319 --> 00:26:34.960
<v Speaker 3>a breeze bringing perfume from the pines. Their trunks are

440
00:26:35.000 --> 00:26:36.599
<v Speaker 3>melting into bright tears.

441
00:26:37.240 --> 00:26:39.960
<v Speaker 2>Here she is. She's left her worker chair, stretched her

442
00:26:40.000 --> 00:26:42.279
<v Speaker 2>lovely arms, and judging from the movement of her dress,

443
00:26:42.279 --> 00:26:44.440
<v Speaker 2>I think we're going to take a walk. See her

444
00:26:44.480 --> 00:26:47.480
<v Speaker 2>behind the rose bushes now with her nails, she breaks

445
00:26:47.480 --> 00:26:49.640
<v Speaker 2>a leaf from the lemon tree. She's crumpling it up

446
00:26:49.640 --> 00:26:53.000
<v Speaker 2>and smelling it ah. With my eyes closed, I can

447
00:26:53.039 --> 00:26:54.000
<v Speaker 2>divine her presence.

448
00:26:55.000 --> 00:26:58.160
<v Speaker 3>Yes, I see her. She is quiet and gentle for

449
00:26:58.240 --> 00:27:01.279
<v Speaker 3>the time being. He'll leave his paper now to follow her.

450
00:27:01.559 --> 00:27:04.200
<v Speaker 3>He'll come out, calling where are you? And sit on

451
00:27:04.240 --> 00:27:09.240
<v Speaker 3>the bench tired out for him. I shall rise politely

452
00:27:09.839 --> 00:27:13.720
<v Speaker 3>and go do my nails along the leg of his trousers. Silent,

453
00:27:13.880 --> 00:27:18.440
<v Speaker 3>happy companions, we'll listen for the day's departing footsteps. The

454
00:27:18.480 --> 00:27:22.359
<v Speaker 3>perfume of the lindens will become sickeningly sweet at the

455
00:27:22.359 --> 00:27:26.039
<v Speaker 3>same hour that my seer's eyes grow big and black

456
00:27:26.119 --> 00:27:29.640
<v Speaker 3>and read mysterious signs in the air. Later on, a

457
00:27:29.759 --> 00:27:33.880
<v Speaker 3>calm fire will be lit down there behind the pointed mountain,

458
00:27:34.559 --> 00:27:37.599
<v Speaker 3>a circle of glistening rose color in the gray blue

459
00:27:37.599 --> 00:27:40.680
<v Speaker 3>of the night, a sort of luminous cocoon from which

460
00:27:40.720 --> 00:27:44.400
<v Speaker 3>will burst the dazzling edge of the moon. She will

461
00:27:44.440 --> 00:27:48.359
<v Speaker 3>sail along, cleaving the clouds. Then it will be time

462
00:27:48.400 --> 00:27:51.359
<v Speaker 3>to go to rest. He'll carry me in on his shoulder,

463
00:27:51.720 --> 00:27:54.559
<v Speaker 3>and I'll sleep close to his feet, which are ever

464
00:27:54.640 --> 00:27:59.960
<v Speaker 3>mindful of my repose. Dawn will find me shivering but rejuvening,

465
00:28:00.480 --> 00:28:03.480
<v Speaker 3>sitting face to the sun in a silvery halo of

466
00:28:03.519 --> 00:28:07.319
<v Speaker 3>incense offered me by the dew. Thus I am a

467
00:28:07.359 --> 00:28:10.440
<v Speaker 3>perfect picture of the God I was in the old

468
00:28:10.519 --> 00:28:11.400
<v Speaker 3>old days.

469
00:28:13.319 --> 00:28:17.640
<v Speaker 1>On the train, Kiki the demure Toby dog. She and

470
00:28:17.759 --> 00:28:21.720
<v Speaker 1>he have taken their places in a first class compartment.

471
00:28:22.359 --> 00:28:26.279
<v Speaker 1>The train rolls along towards distant mountains and the freedom

472
00:28:26.319 --> 00:28:30.759
<v Speaker 1>of summertime. Toby, on a leash, lifts an inquiring nose

473
00:28:30.799 --> 00:28:34.680
<v Speaker 1>to the window. He has strewn the carriage with newspapers. Kiki,

474
00:28:34.720 --> 00:28:38.319
<v Speaker 1>the demure, silent and invisible in a closed basket, is

475
00:28:38.440 --> 00:28:43.480
<v Speaker 1>under his immediate protection. She, leaning against the dusty cushions,

476
00:28:43.839 --> 00:28:47.160
<v Speaker 1>is dreaming of the mountain she loves best, and of

477
00:28:47.240 --> 00:28:50.519
<v Speaker 1>the low house on it, weighed down with Jasmin and

478
00:28:50.599 --> 00:28:51.359
<v Speaker 1>Virginia creeper.

479
00:28:52.160 --> 00:28:55.839
<v Speaker 2>How fast this carriage goes? It can't be our regular coachman.

480
00:28:56.359 --> 00:28:59.119
<v Speaker 2>I haven't seen the horses, but they smell very bad

481
00:28:59.200 --> 00:29:02.519
<v Speaker 2>and make black sis smoke. Oh, silent dreamer, look at

482
00:29:02.519 --> 00:29:04.640
<v Speaker 2>me and tell me, shall we arrive soon?

483
00:29:05.240 --> 00:29:08.839
<v Speaker 1>No response. Toby is fidgety and blows through his nostrils.

484
00:29:09.279 --> 00:29:11.599
<v Speaker 5>Hush, Toby, Hush.

485
00:29:11.599 --> 00:29:14.759
<v Speaker 2>I've hardly said a word. Shall we arrive soon?

486
00:29:15.440 --> 00:29:18.799
<v Speaker 1>He turns towards his master, who is reading and puts

487
00:29:18.799 --> 00:29:22.160
<v Speaker 1>a discreet paw on the edge of his knee. Sh

488
00:29:22.480 --> 00:29:25.079
<v Speaker 1>Toby dog resigned hard luck.

489
00:29:25.799 --> 00:29:28.839
<v Speaker 2>No one wants to talk to me. I'm bored, and

490
00:29:28.920 --> 00:29:32.240
<v Speaker 2>what's more, I don't know this carriage well enough. I'm

491
00:29:32.319 --> 00:29:35.960
<v Speaker 2>tired out. They woke me very early this morning. I

492
00:29:36.000 --> 00:29:39.160
<v Speaker 2>amused myself by running all over the house. They had

493
00:29:39.240 --> 00:29:42.400
<v Speaker 2>hidden the chairs under sheets, wrapped up the lamps, rolled

494
00:29:42.480 --> 00:29:45.799
<v Speaker 2>up the rugs. Things were white and changed and awful.

495
00:29:46.359 --> 00:29:49.680
<v Speaker 2>There was a horrid smell of camphor everywhere. My eyes

496
00:29:49.720 --> 00:29:52.400
<v Speaker 2>filled with water. I sneezed under the chairs and slid

497
00:29:52.400 --> 00:29:54.359
<v Speaker 2>on the bare floor in my haste to follow the

498
00:29:54.400 --> 00:29:58.200
<v Speaker 2>maid's white aprons. They bustled about among trunks with such

499
00:29:58.319 --> 00:30:01.759
<v Speaker 2>unwonted zeal that I would sure something exceptional was going

500
00:30:01.799 --> 00:30:05.200
<v Speaker 2>to happen. At the last minute, just as she came in,

501
00:30:05.359 --> 00:30:08.759
<v Speaker 2>calling Toby's collar in the cat's basket. Quick put the

502
00:30:08.799 --> 00:30:11.839
<v Speaker 2>cat in his basket, just as she was saying that

503
00:30:11.960 --> 00:30:16.680
<v Speaker 2>my chum disappeared. It was indescribable. He terrible to see,

504
00:30:16.799 --> 00:30:19.079
<v Speaker 2>swore by all the gods and struck the floor with

505
00:30:19.119 --> 00:30:22.000
<v Speaker 2>his cane, furious because they had allowed his kiki to

506
00:30:22.039 --> 00:30:26.759
<v Speaker 2>get away. She called Kiki, at first supplicatingly, then in

507
00:30:26.799 --> 00:30:30.640
<v Speaker 2>threatening tones, and the maids brought empty plates meant to deceive,

508
00:30:30.920 --> 00:30:34.079
<v Speaker 2>and yellow paper from the butcher's. I really thought my

509
00:30:34.200 --> 00:30:37.359
<v Speaker 2>chum had left this world, when suddenly there he was,

510
00:30:37.440 --> 00:30:39.759
<v Speaker 2>perched on top of the bookcase, looking down on us,

511
00:30:39.759 --> 00:30:42.920
<v Speaker 2>with an expression of contempt in his green eyes. She

512
00:30:43.000 --> 00:30:46.839
<v Speaker 2>put up her arms, Kiki, will you come down immediately.

513
00:30:47.119 --> 00:30:49.799
<v Speaker 2>You're going to make us lose the train. But he

514
00:30:49.839 --> 00:30:52.400
<v Speaker 2>didn't come down, and it made me dizzy, though I

515
00:30:52.480 --> 00:30:54.680
<v Speaker 2>was on the ground, to see him way up there,

516
00:30:54.759 --> 00:30:58.160
<v Speaker 2>walking and turning about and muling shrilly to tell us

517
00:30:58.160 --> 00:31:01.400
<v Speaker 2>how impossible he found it to obey. He was about

518
00:31:01.440 --> 00:31:04.960
<v Speaker 2>frantic and kept saying, heavens, he's going to fall. But

519
00:31:05.079 --> 00:31:07.920
<v Speaker 2>she smiled, skeptically, went out of the room and came

520
00:31:07.960 --> 00:31:11.200
<v Speaker 2>back armed with the whip. The whip said crack twice.

521
00:31:11.240 --> 00:31:14.079
<v Speaker 2>Only then a miracle happened, I think, because the cat

522
00:31:14.240 --> 00:31:17.160
<v Speaker 2>leaped to the floor softer and more bounty than our plaything,

523
00:31:17.240 --> 00:31:19.680
<v Speaker 2>the ball of wool I would have broken to piece

524
00:31:19.680 --> 00:31:22.759
<v Speaker 2>if falling like that. He has been in this basket

525
00:31:22.799 --> 00:31:23.400
<v Speaker 2>ever since.

526
00:31:23.880 --> 00:31:25.240
<v Speaker 1>Toby goes to the basket.

527
00:31:25.720 --> 00:31:29.119
<v Speaker 2>Ah, here's a little peak hole. I see his whiskers.

528
00:31:29.480 --> 00:31:32.799
<v Speaker 2>They're like white needles. Who what eyes?

529
00:31:33.240 --> 00:31:34.079
<v Speaker 1>He jumps back.

530
00:31:34.480 --> 00:31:37.680
<v Speaker 2>I'm rather afraid one can't really shut a cat up.

531
00:31:38.119 --> 00:31:41.480
<v Speaker 2>He always manages to get out. Somehow he must suffer,

532
00:31:41.559 --> 00:31:44.680
<v Speaker 2>poor fellow. Perhaps if I speak kindly.

533
00:31:44.400 --> 00:31:49.759
<v Speaker 1>To him, he calls, very politely, got Tiki the demure,

534
00:31:49.880 --> 00:31:54.039
<v Speaker 1>spitting furiously, Toby Dog jumping back.

535
00:31:54.519 --> 00:31:57.759
<v Speaker 2>Oh you said a bad word. You look awful. Have

536
00:31:57.880 --> 00:31:58.839
<v Speaker 2>you pain anywhere?

537
00:31:59.400 --> 00:32:04.039
<v Speaker 3>Go away? I'm a martyr. Go away, I tell you,

538
00:32:04.400 --> 00:32:05.799
<v Speaker 3>or I'll blow fire at you.

539
00:32:06.400 --> 00:32:07.880
<v Speaker 1>Toby Dog? Ingenuous?

540
00:32:08.680 --> 00:32:14.000
<v Speaker 3>But why why? Because you're free, because I'm in this basket,

541
00:32:14.279 --> 00:32:17.119
<v Speaker 3>because the basket's in a foul carriage, which is shaking

542
00:32:17.160 --> 00:32:20.240
<v Speaker 3>me to pieces, And because the serenity of those two

543
00:32:20.559 --> 00:32:21.559
<v Speaker 3>exasperates me.

544
00:32:22.119 --> 00:32:23.759
<v Speaker 2>Would you like me to look out and tell you

545
00:32:23.799 --> 00:32:25.440
<v Speaker 2>what one sees from the carriage window?

546
00:32:26.079 --> 00:32:28.039
<v Speaker 3>Everything is equally odious to me.

547
00:32:28.960 --> 00:32:31.240
<v Speaker 1>Toby Dog, having looked out, comes back.

548
00:32:31.680 --> 00:32:36.000
<v Speaker 2>I haven't seen anything, thanks, just the same. I mean,

549
00:32:36.039 --> 00:32:39.240
<v Speaker 2>I haven't seen anything that's easy to describe. Some green

550
00:32:39.279 --> 00:32:42.039
<v Speaker 2>things which pass right close to us, so close and

551
00:32:42.079 --> 00:32:44.440
<v Speaker 2>so fast that they give one a slap in the eye.

552
00:32:44.920 --> 00:32:47.440
<v Speaker 2>A flat field turning round and round, and over there,

553
00:32:47.480 --> 00:32:50.880
<v Speaker 2>a little pointed steeple. It's running as fast as the carriage.

554
00:32:51.319 --> 00:32:54.319
<v Speaker 2>Another field, all red with blossoming clover, has just giving

555
00:32:54.319 --> 00:32:57.000
<v Speaker 2>me another slap in the eye, a red slap. The

556
00:32:57.079 --> 00:33:00.599
<v Speaker 2>earth is sinking in or else we're going up. Sure wedg,

557
00:33:01.200 --> 00:33:04.559
<v Speaker 2>I see way off far away, some green lawns, daughter

558
00:33:04.680 --> 00:33:06.839
<v Speaker 2>with white daisies. Perhaps they're cows.

559
00:33:07.519 --> 00:33:12.079
<v Speaker 1>Kiki the Demure with sarcasm or wafers for sealing letters

560
00:33:12.400 --> 00:33:13.039
<v Speaker 1>or anything you.

561
00:33:13.160 --> 00:33:15.720
<v Speaker 2>Like, aren't you the least little bit amused?

562
00:33:16.279 --> 00:33:18.400
<v Speaker 1>Kiki the Demure with a sinister laugh.

563
00:33:18.880 --> 00:33:22.680
<v Speaker 3>Hah, ask of the damned, of whom.

564
00:33:22.720 --> 00:33:26.680
<v Speaker 1>Kiki the Demure, more and more melodramatic, but without conviction of.

565
00:33:26.759 --> 00:33:30.720
<v Speaker 3>The damned in his vat of boiling oil. If anything

566
00:33:30.759 --> 00:33:41.200
<v Speaker 3>amuses him, mine is not physical torment. I suffer imprisonment, humiliation, darkness, neglect.

567
00:33:41.759 --> 00:33:46.039
<v Speaker 1>The train stops. A conductor on the platform cries all aboard,

568
00:33:46.119 --> 00:33:48.680
<v Speaker 1>All aboard. Toby Dog bewildered.

569
00:33:49.079 --> 00:33:51.680
<v Speaker 2>Someone's crying out, there's an accident. Let's run.

570
00:33:52.200 --> 00:33:54.960
<v Speaker 1>He throws himself against the carriage door and scratches at it.

571
00:33:55.519 --> 00:34:00.680
<v Speaker 1>She half asleep, Toby Dear, You're a nuisance. Toby Dog

572
00:34:00.759 --> 00:34:03.599
<v Speaker 1>distracted oh, you inexplicable person.

573
00:34:03.640 --> 00:34:06.279
<v Speaker 2>How can you sit there quietly? Don't you hear those cries?

574
00:34:06.759 --> 00:34:09.519
<v Speaker 2>They're stopping now the accident has gone away.

575
00:34:10.119 --> 00:34:14.320
<v Speaker 1>Wish i'd know the train starts again, he throwing down

576
00:34:14.320 --> 00:34:14.840
<v Speaker 1>his paper.

577
00:34:15.280 --> 00:34:16.519
<v Speaker 4>The poor beast is hungry.

578
00:34:17.000 --> 00:34:18.599
<v Speaker 1>She now very wide awake.

579
00:34:19.239 --> 00:34:22.719
<v Speaker 5>You think so well, I am too, But Toby is

580
00:34:22.760 --> 00:34:23.719
<v Speaker 5>to eat very little.

581
00:34:24.000 --> 00:34:25.079
<v Speaker 1>He anxiously.

582
00:34:25.360 --> 00:34:28.519
<v Speaker 4>And Kiki the Demure she peremptorily.

583
00:34:28.880 --> 00:34:32.480
<v Speaker 5>Kiki socks, and he hid this morning, so they'll have

584
00:34:32.519 --> 00:34:33.639
<v Speaker 5>even less than Toby.

585
00:34:34.199 --> 00:34:37.360
<v Speaker 4>He isn't making a sound. Aren't you afraid he's sick.

586
00:34:37.960 --> 00:34:39.679
<v Speaker 5>No, he's simply vexed.

587
00:34:40.360 --> 00:34:42.960
<v Speaker 1>Kiki the Demure as soon as there's a question of himself,

588
00:34:43.719 --> 00:34:47.639
<v Speaker 1>me ow, he tenderly and eagerly.

589
00:34:48.079 --> 00:34:52.559
<v Speaker 4>Come, my beautiful Kiki, my imprisoned one. Come, you shall

590
00:34:52.559 --> 00:34:55.079
<v Speaker 4>have cold roast beef and some breast of chicken.

591
00:34:55.519 --> 00:34:58.480
<v Speaker 1>He opens the prison basket, and Kiki puts forth, his

592
00:34:58.679 --> 00:35:02.519
<v Speaker 1>head flattened on top like that of a serpent, then

593
00:35:02.679 --> 00:35:07.599
<v Speaker 1>his long striped body cautiously and so very slowly that

594
00:35:07.679 --> 00:35:10.039
<v Speaker 1>one begins to think it's coming out by the yard.

595
00:35:10.719 --> 00:35:12.679
<v Speaker 1>Toby dog pleasantly.

596
00:35:12.559 --> 00:35:15.559
<v Speaker 2>Ah, there you are, cat well, now proclaim.

597
00:35:15.119 --> 00:35:18.719
<v Speaker 1>Your freedom, Kiki, without replying, smoothed his ruffled fur.

598
00:35:19.159 --> 00:35:22.000
<v Speaker 2>Proclaim your freedom. I tell you. It's the custom. Whenever

599
00:35:22.039 --> 00:35:24.559
<v Speaker 2>a door is open, one must run, jump, twist one's

600
00:35:24.559 --> 00:35:26.280
<v Speaker 2>self into half circles, and cry.

601
00:35:26.079 --> 00:35:30.760
<v Speaker 3>Out one who's one? Pray we dogs?

602
00:35:31.159 --> 00:35:33.639
<v Speaker 1>Kiki the Demure, seated and very dignified.

603
00:35:34.039 --> 00:35:37.960
<v Speaker 3>Would you have me bark too? We have never followed

604
00:35:38.039 --> 00:35:40.480
<v Speaker 3>the same rules of conduct that I know of.

605
00:35:41.239 --> 00:35:43.559
<v Speaker 1>Toby Dog vexed, Oh.

606
00:35:43.400 --> 00:35:44.960
<v Speaker 2>Very well, I don't insist.

607
00:35:45.480 --> 00:35:49.440
<v Speaker 1>How do you like this courage, Kiki the Demure, smiffing fastidiously.

608
00:35:51.360 --> 00:35:56.360
<v Speaker 3>It's frightful. However, the cushions are rather good for one's nails.

609
00:35:57.480 --> 00:36:01.519
<v Speaker 1>He suits the action to the word Toby Dog aside.

610
00:36:02.039 --> 00:36:03.159
<v Speaker 2>Now if I did.

611
00:36:02.960 --> 00:36:07.320
<v Speaker 1>That, Kiki the Demure, continuing to scratch the upholstery.

612
00:36:07.440 --> 00:36:14.639
<v Speaker 3>Han, may this spongy gray cloth soothe my rage? Since morning,

613
00:36:14.719 --> 00:36:17.760
<v Speaker 3>the whole universe has been in a state of monstrous revolt.

614
00:36:18.599 --> 00:36:21.880
<v Speaker 3>He whom I love and who venerates me, made not

615
00:36:22.039 --> 00:36:27.719
<v Speaker 3>the least effort to defend me. I've submitted to humiliating contacts,

616
00:36:28.519 --> 00:36:32.159
<v Speaker 3>been jolted to death. Piercing whistles have shot through my

617
00:36:32.239 --> 00:36:36.360
<v Speaker 3>head from ear to ear. Ho ho, how good it

618
00:36:36.480 --> 00:36:39.719
<v Speaker 3>is to relax the nerves, and to imagine that with

619
00:36:39.880 --> 00:36:45.039
<v Speaker 3>gleeful claws one tears the enemy's flesh and bloody shreds.

620
00:36:45.480 --> 00:36:51.880
<v Speaker 3>Ho Ho, scretch and lift the paws on high, lift

621
00:36:51.960 --> 00:36:55.880
<v Speaker 3>them high as possible. It's a supremely insolent gesture.

622
00:36:56.639 --> 00:37:00.880
<v Speaker 5>I say, Kiki, when are you going to stop that?

623
00:37:01.920 --> 00:37:03.760
<v Speaker 1>He indulgent and admiring.

624
00:37:04.199 --> 00:37:06.480
<v Speaker 4>Let him alone. He's doing his nails.

625
00:37:07.119 --> 00:37:11.559
<v Speaker 3>He has spoken for me. I forgive him, But since

626
00:37:11.599 --> 00:37:16.199
<v Speaker 3>it's allowed, I don't care any more about tearing the cushions.

627
00:37:17.280 --> 00:37:20.880
<v Speaker 3>When will I get out of this? Not that I'm afraid.

628
00:37:21.559 --> 00:37:24.480
<v Speaker 3>They are both there, and the dog too, with their

629
00:37:24.559 --> 00:37:28.199
<v Speaker 3>everyday faces. I've twinges in my stomach.

630
00:37:28.880 --> 00:37:33.400
<v Speaker 1>He yawns. The train stops. A conductor on the platform

631
00:37:33.440 --> 00:37:37.920
<v Speaker 1>cries all aboard, All aboard. Toby Dog excited.

632
00:37:38.000 --> 00:37:42.880
<v Speaker 2>Screaming again, another accident, Let's run, heavens, what a tiresome dog.

633
00:37:43.400 --> 00:37:46.039
<v Speaker 3>What does it matter to him if there is an accident?

634
00:37:46.480 --> 00:37:48.960
<v Speaker 3>I don't believe in it. Moreover, it's the cry of

635
00:37:49.000 --> 00:37:51.199
<v Speaker 3>a man, and men cry out for the pleasure of

636
00:37:51.239 --> 00:37:52.480
<v Speaker 3>hearing their own voices.

637
00:37:53.519 --> 00:37:54.840
<v Speaker 1>Toby Dog calm again.

638
00:37:55.480 --> 00:37:59.000
<v Speaker 2>I'm hungry, can't we hope to eat soon, my mistress,

639
00:37:59.400 --> 00:38:01.599
<v Speaker 2>I don't know what time. It isn't a strange country,

640
00:38:01.639 --> 00:38:02.440
<v Speaker 2>but it seems to me.

641
00:38:03.159 --> 00:38:05.119
<v Speaker 5>Come now, we'll all have our luncheon.

642
00:38:06.000 --> 00:38:08.920
<v Speaker 1>She takes the things out of the basket, crumbles up

643
00:38:08.960 --> 00:38:13.400
<v Speaker 1>some tissue paper, and breaks a crisp brown row. Toby

644
00:38:13.440 --> 00:38:14.159
<v Speaker 1>dog chewing.

645
00:38:14.519 --> 00:38:17.119
<v Speaker 2>What she gave me then must have been very good. Indeed,

646
00:38:17.199 --> 00:38:20.079
<v Speaker 2>seemed such a tiny bit it melted in my mouth.

647
00:38:20.159 --> 00:38:21.800
<v Speaker 2>There's not even the memory of it left.

648
00:38:22.360 --> 00:38:25.639
<v Speaker 1>Kiki the demure, chewing breast of chicken.

649
00:38:28.719 --> 00:38:32.800
<v Speaker 3>Goodness me, I was purring without knowing it. That won't do.

650
00:38:33.760 --> 00:38:37.719
<v Speaker 3>They'll think me resigned to this journey. I must eat, slowly,

651
00:38:38.360 --> 00:38:42.920
<v Speaker 3>grim and undeceived, eat for the sole purpose of keeping

652
00:38:42.920 --> 00:38:43.840
<v Speaker 3>myself alive.

653
00:38:44.840 --> 00:38:47.599
<v Speaker 5>She to the dog and cat, allow me to have

654
00:38:47.840 --> 00:38:52.079
<v Speaker 5>my luncheon now, if you please. I too, like cold

655
00:38:52.159 --> 00:38:54.880
<v Speaker 5>chicken and hearts of lettuce tipped in salt.

656
00:38:55.639 --> 00:38:56.639
<v Speaker 1>He anxiously.

657
00:38:57.079 --> 00:38:59.119
<v Speaker 4>What shall we do to make this cat go into

658
00:38:59.119 --> 00:38:59.920
<v Speaker 4>his basket again?

659
00:39:00.360 --> 00:39:03.119
<v Speaker 5>I don't know. We'll see presently.

660
00:39:03.400 --> 00:39:07.800
<v Speaker 2>Finished already I could swallow three times that much. I say, cat,

661
00:39:07.920 --> 00:39:09.840
<v Speaker 2>you're eating rather well for a martyr.

662
00:39:10.079 --> 00:39:11.880
<v Speaker 1>Kiki the Demure, fibbing.

663
00:39:11.920 --> 00:39:16.320
<v Speaker 3>Trouble digs a hole in one's interior. Move away, please,

664
00:39:16.480 --> 00:39:20.519
<v Speaker 3>I want to sleep now. If I can, perhaps a

665
00:39:20.599 --> 00:39:24.000
<v Speaker 3>merciful dream will take me back to the house I've left,

666
00:39:24.400 --> 00:39:29.920
<v Speaker 3>to the flowered cushion. He gave me home, sweet home,

667
00:39:31.079 --> 00:39:34.119
<v Speaker 3>rugs of bright colors for the delight of my eyes,

668
00:39:34.760 --> 00:39:38.039
<v Speaker 3>a palm with nice shoots for me to eat, deep

669
00:39:38.280 --> 00:39:41.639
<v Speaker 3>arm chairs under which I hide my woolen ball as

670
00:39:41.639 --> 00:39:46.360
<v Speaker 3>a future surprise for myself. Ah in the cork hanging

671
00:39:46.440 --> 00:39:50.079
<v Speaker 3>by a string to the door latch. The tables covered

672
00:39:50.119 --> 00:39:54.239
<v Speaker 3>with bibelots. I thread my way in and out among them,

673
00:39:54.679 --> 00:39:58.159
<v Speaker 3>and occasionally it amuses me to break some brittle thing.

674
00:39:59.360 --> 00:40:03.440
<v Speaker 3>The dining room, who is a temple? The vestibule full

675
00:40:03.480 --> 00:40:08.360
<v Speaker 3>of mystery. There unseen, I can watch those who come

676
00:40:08.440 --> 00:40:13.679
<v Speaker 3>and go. Oh narrow back stairway, where the step of

677
00:40:13.679 --> 00:40:19.559
<v Speaker 3>the milkman rings out for me like a morning angelus, farewell, farewell.

678
00:40:20.840 --> 00:40:24.280
<v Speaker 3>My destiny carries me on, and who knows if ever,

679
00:40:25.199 --> 00:40:28.840
<v Speaker 3>but this is too sad. All the pretty things I've

680
00:40:28.880 --> 00:40:31.719
<v Speaker 3>been saying have really begun to make me feel badly.

681
00:40:32.440 --> 00:40:36.679
<v Speaker 1>He begins a minute and mournful toilet. The train stops,

682
00:40:37.320 --> 00:40:41.320
<v Speaker 1>a conductor on the platform, cries, all the board on the.

683
00:40:41.280 --> 00:40:44.800
<v Speaker 2>Board there it is again an accent, Oh bother, I've

684
00:40:44.800 --> 00:40:45.599
<v Speaker 2>had enough of that.

685
00:40:46.119 --> 00:40:47.119
<v Speaker 1>He anxiously.

686
00:40:47.480 --> 00:40:50.480
<v Speaker 4>We're going to change trains in ten minutes. How about

687
00:40:50.480 --> 00:40:52.679
<v Speaker 4>the cat? He'll never allow us to shut him up.

688
00:40:53.280 --> 00:40:57.480
<v Speaker 5>We'll see. Suppose we put some meat in his basket.

689
00:40:57.480 --> 00:40:58.800
<v Speaker 4>Or perhaps petting wood.

690
00:40:59.280 --> 00:41:02.840
<v Speaker 1>They approached the redoubtable Kiki and both speak together.

691
00:41:03.320 --> 00:41:06.840
<v Speaker 4>Kiki, my beautiful Kiki, Come jump on my knee or

692
00:41:07.000 --> 00:41:10.239
<v Speaker 4>on my shoulder. You like that? As a rule, you'll

693
00:41:10.239 --> 00:41:12.639
<v Speaker 4>doze there and then I'll put you gently into the basket.

694
00:41:13.880 --> 00:41:16.880
<v Speaker 4>After all, it's open work and has a comfortable cushion

695
00:41:16.920 --> 00:41:19.679
<v Speaker 4>to protect you from the rough wicker. Come, my dear.

696
00:41:19.719 --> 00:41:22.960
<v Speaker 5>Listen, Kiki. You must learn to act properly and to

697
00:41:23.000 --> 00:41:26.280
<v Speaker 5>take life as it is. You can't stay there like that.

698
00:41:26.559 --> 00:41:29.559
<v Speaker 5>We're going to change trains, and a horrible guard will

699
00:41:29.599 --> 00:41:33.599
<v Speaker 5>appear and say insulting things of you in your race. Besides,

700
00:41:34.159 --> 00:41:38.199
<v Speaker 5>you'd better obey, because if you don't, I I'll give

701
00:41:38.239 --> 00:41:39.400
<v Speaker 5>you a good whippon.

702
00:41:40.119 --> 00:41:42.760
<v Speaker 1>But before she can lift her hand against his sacred fur,

703
00:41:43.199 --> 00:41:47.920
<v Speaker 1>Kiki gets up, stretches himself, arches his back, yawns, to

704
00:41:48.000 --> 00:41:52.320
<v Speaker 1>show the rosy lining of his mouth, and then walks

705
00:41:52.480 --> 00:41:56.000
<v Speaker 1>to the open basket, where he lies down with an

706
00:41:56.119 --> 00:42:02.920
<v Speaker 1>admirable air of quiet insolence. He and she exchange eloquent glances.

707
00:42:04.000 --> 00:42:07.960
<v Speaker 1>Dinner is late a parlor in the country, at the

708
00:42:07.960 --> 00:42:11.960
<v Speaker 1>close of a long summer's day. Kiki the Demure and

709
00:42:12.159 --> 00:42:18.320
<v Speaker 1>Toby Dog does ears twitching and eyelids obstinately shut. Now

710
00:42:18.519 --> 00:42:22.760
<v Speaker 1>Kiki's lids part in a narrow slit and disclosed eyes

711
00:42:22.880 --> 00:42:26.679
<v Speaker 1>the color of purple grapes. He yawns with the ferocious

712
00:42:26.679 --> 00:42:30.880
<v Speaker 1>expression of a small dragon. Kiki the Demure.

713
00:42:30.559 --> 00:42:33.360
<v Speaker 3>Haughtily, you're snoring.

714
00:42:33.679 --> 00:42:35.480
<v Speaker 1>Toby Dog, who is not really asleep.

715
00:42:36.000 --> 00:42:36.360
<v Speaker 2>I'm not.

716
00:42:36.599 --> 00:42:40.440
<v Speaker 3>It's you impossible. I don't snore.

717
00:42:41.079 --> 00:42:45.559
<v Speaker 1>I pur same thing, Kiki the Demure, not condescending to

718
00:42:45.599 --> 00:42:46.199
<v Speaker 1>a discussion.

719
00:42:46.800 --> 00:42:51.960
<v Speaker 3>Thank Heaven, it isn't a silence. I'm hungry. One doesn't

720
00:42:52.000 --> 00:42:54.800
<v Speaker 3>hear the noise of plates in the next room. Isn't

721
00:42:54.800 --> 00:42:55.679
<v Speaker 3>it dinner time?

722
00:42:56.320 --> 00:43:01.320
<v Speaker 1>Toby Dog gets up, slowly, stretches his forepaws, and yawns,

723
00:43:01.679 --> 00:43:04.519
<v Speaker 1>darting forth a heraldic tongue with curly end.

724
00:43:06.079 --> 00:43:08.159
<v Speaker 2>Oh, I don't know, I'm hungry.

725
00:43:08.920 --> 00:43:13.800
<v Speaker 3>Where is she? How is it. You're not at her heels.

726
00:43:13.960 --> 00:43:16.239
<v Speaker 1>Toby Dog, embarrassed, nibbling his nails.

727
00:43:16.679 --> 00:43:19.920
<v Speaker 2>She's in the garden, I believe, picking up plums.

728
00:43:20.000 --> 00:43:24.559
<v Speaker 3>Those yellow balls that rain about one's ears. I know them.

729
00:43:25.519 --> 00:43:29.320
<v Speaker 3>You've seen her, then, I bet she scolded you. What

730
00:43:29.440 --> 00:43:31.000
<v Speaker 3>have you been doing now.

731
00:43:31.039 --> 00:43:36.079
<v Speaker 1>Toby Dog self conscious, turning away his wrinkled toad like face.

732
00:43:36.800 --> 00:43:40.079
<v Speaker 2>She told me to return to the house because because

733
00:43:40.119 --> 00:43:41.880
<v Speaker 2>I too was eating plums.

734
00:43:41.840 --> 00:43:46.760
<v Speaker 3>She did, Well, you have depraved tastes, the tastes of men.

735
00:43:47.039 --> 00:43:48.719
<v Speaker 1>Toby Dog, offended.

736
00:43:48.679 --> 00:43:51.840
<v Speaker 2>Say, no one ever sees me eating bad fish, and

737
00:43:52.039 --> 00:43:54.559
<v Speaker 2>never never will. I understand how you can go into

738
00:43:54.559 --> 00:43:56.239
<v Speaker 2>such fits over a dead.

739
00:43:56.039 --> 00:43:59.119
<v Speaker 3>Frog or that herb Valerian.

740
00:44:00.119 --> 00:44:04.880
<v Speaker 2>That's it. I guess an herb is medicine, isn't it medicine?

741
00:44:04.920 --> 00:44:11.519
<v Speaker 3>Indeed Valerian? But no, you can't understand. I've seen her

742
00:44:11.760 --> 00:44:14.360
<v Speaker 3>laugh and go on as I do over the Valerian

743
00:44:14.800 --> 00:44:18.360
<v Speaker 3>after having emptied a glass of fetid wine that jumped

744
00:44:18.440 --> 00:44:22.840
<v Speaker 3>dangerously too. As for the dead frog, so dead that

745
00:44:22.920 --> 00:44:25.880
<v Speaker 3>it seems a bit of dry Russia leather in the

746
00:44:25.920 --> 00:44:30.760
<v Speaker 3>form of a frog, it's a sachet impregnated with rare musk,

747
00:44:31.159 --> 00:44:33.239
<v Speaker 3>with which I wish to scent my fur.

748
00:44:34.199 --> 00:44:36.880
<v Speaker 2>Oh, you talk very well, but she always scolds and

749
00:44:36.920 --> 00:44:39.320
<v Speaker 2>says that you smell bad after it, And he says

750
00:44:39.360 --> 00:44:40.000
<v Speaker 2>the same thing.

751
00:44:40.800 --> 00:44:44.800
<v Speaker 3>They're nothing but two paws, both of them. You poor thing,

752
00:44:45.320 --> 00:44:49.440
<v Speaker 3>belittle yourself by seeking to imitate them. You stand on

753
00:44:49.519 --> 00:44:53.039
<v Speaker 3>your hind legs, wear a coat when it rains, eat

754
00:44:53.119 --> 00:44:57.719
<v Speaker 3>plums for shame. And those big green balls the malicious

755
00:44:57.800 --> 00:45:02.760
<v Speaker 3>trees let fall sometimes when I'm past underneath apples. Very

756
00:45:02.960 --> 00:45:06.079
<v Speaker 3>likely she picks one up and throws it down the path,

757
00:45:06.159 --> 00:45:11.760
<v Speaker 3>crying Apple, Toby Apple, and you rush after in unseemly fashioned,

758
00:45:12.239 --> 00:45:15.639
<v Speaker 3>gasping for breath, looking like a fool, your tongue and

759
00:45:15.679 --> 00:45:17.320
<v Speaker 3>your eyes sticking out.

760
00:45:17.599 --> 00:45:20.960
<v Speaker 1>Toby dogs scowling, his head resting on his paws.

761
00:45:21.559 --> 00:45:24.039
<v Speaker 2>One takes one's pleasures where one finds them.

762
00:45:24.519 --> 00:45:28.039
<v Speaker 1>Kiki, the demure yawning shows his pointed teeth and his

763
00:45:28.159 --> 00:45:29.639
<v Speaker 1>palette of pink velvet.

764
00:45:32.639 --> 00:45:37.719
<v Speaker 3>I'm hungry, dinner is surely late tonight. Suppose you look

765
00:45:37.760 --> 00:45:38.119
<v Speaker 3>for her.

766
00:45:38.960 --> 00:45:41.960
<v Speaker 2>I daren't she forbade it. She's down there in the

767
00:45:42.000 --> 00:45:44.760
<v Speaker 2>hollow with a big basket. The dew is falling and

768
00:45:44.800 --> 00:45:47.519
<v Speaker 2>wetting her feet, and the sun's going away. But you

769
00:45:47.639 --> 00:45:50.360
<v Speaker 2>know how she is. She sits on the damp ground,

770
00:45:50.440 --> 00:45:53.039
<v Speaker 2>looking ahead of her as if she were asleep, or

771
00:45:53.119 --> 00:45:55.679
<v Speaker 2>lies flat on her stomach, whistling and watching an ant

772
00:45:55.719 --> 00:45:58.480
<v Speaker 2>in the grass. She tears up a handful of wild

773
00:45:58.599 --> 00:46:01.639
<v Speaker 2>thyme and smells it. Calls the tom tits and the jays,

774
00:46:02.280 --> 00:46:05.199
<v Speaker 2>who never come to her by any chance. She takes

775
00:46:05.239 --> 00:46:08.599
<v Speaker 2>a heavy watering pot, and oh, it gives me the shivers,

776
00:46:09.199 --> 00:46:12.280
<v Speaker 2>pours thousands of icy silvery threads over the roses or

777
00:46:12.280 --> 00:46:14.719
<v Speaker 2>into the hollows of those little stone troughs way back

778
00:46:14.760 --> 00:46:17.320
<v Speaker 2>in the woods. I always look in to see the

779
00:46:17.360 --> 00:46:19.199
<v Speaker 2>head of a brindle bull who comes to meet me

780
00:46:19.280 --> 00:46:21.840
<v Speaker 2>and to drink up the pictures of the leaves. But

781
00:46:21.960 --> 00:46:24.760
<v Speaker 2>she pulls me back by the collar with Toby, Toby,

782
00:46:24.840 --> 00:46:27.519
<v Speaker 2>that water is for the birds. Then she takes out

783
00:46:27.559 --> 00:46:30.239
<v Speaker 2>her knife and opens nuts fifty a hundred nuts and

784
00:46:30.239 --> 00:46:33.280
<v Speaker 2>forgets the time. There's no end to the things she does.

785
00:46:33.920 --> 00:46:35.840
<v Speaker 1>Kiki, the demure, slyly.

786
00:46:35.920 --> 00:46:38.320
<v Speaker 3>And what do you do all that time?

787
00:46:39.199 --> 00:46:41.440
<v Speaker 2>I well, I just wait for her.

788
00:46:42.119 --> 00:46:44.639
<v Speaker 3>I admire you once in a while.

789
00:46:44.679 --> 00:46:48.159
<v Speaker 2>Squatting down, she eagerly scratches the earth toils and sweats

790
00:46:48.199 --> 00:46:50.440
<v Speaker 2>over it. Then I jump round her, delighted to see

791
00:46:50.480 --> 00:46:53.400
<v Speaker 2>her at something so useful and so familiar. But her

792
00:46:53.400 --> 00:46:57.599
<v Speaker 2>feeble scent deceieves her. I never smell mole or shrew mouse,

793
00:46:57.639 --> 00:47:00.199
<v Speaker 2>of the rosy paws and the whole she digs, and

794
00:47:00.280 --> 00:47:03.599
<v Speaker 2>how explain her utter lack of purpose? Presently falling back

795
00:47:03.639 --> 00:47:06.639
<v Speaker 2>on her haunches, she brandishes a hairy rooted herb and cries,

796
00:47:06.920 --> 00:47:09.440
<v Speaker 2>I have it the jade. I lie in the damp

797
00:47:09.519 --> 00:47:12.119
<v Speaker 2>grass and tremble or dig my nose, she calls it,

798
00:47:12.199 --> 00:47:15.320
<v Speaker 2>my snout into the earth to get the complicated odors

799
00:47:15.320 --> 00:47:18.280
<v Speaker 2>of it. When there are three or four cents, all blended,

800
00:47:18.320 --> 00:47:21.159
<v Speaker 2>all mixed together. Can you distinguish that of the mole

801
00:47:21.400 --> 00:47:23.320
<v Speaker 2>from that of the hair which passed quickly or the

802
00:47:23.360 --> 00:47:24.480
<v Speaker 2>bird which rested there?

803
00:47:25.239 --> 00:47:30.719
<v Speaker 3>Certainly I can. My nose is highly educated. It's smaller, regular,

804
00:47:31.159 --> 00:47:34.960
<v Speaker 3>wide between my eyes, delicate at the shammy skin end

805
00:47:35.000 --> 00:47:38.920
<v Speaker 3>of my nostrils. The lightest touch of a blade of grass,

806
00:47:39.039 --> 00:47:42.519
<v Speaker 3>the shadow of smoke tickles and makes it sneeze. It

807
00:47:42.719 --> 00:47:46.239
<v Speaker 3>doesn't bother about distinguishing the scent of moles from that

808
00:47:46.360 --> 00:47:50.159
<v Speaker 3>of hares, did you say? But it delights in the

809
00:47:50.239 --> 00:47:53.639
<v Speaker 3>trace left by a cat in a hedge. I've a

810
00:47:53.760 --> 00:47:57.679
<v Speaker 3>charming nose, she calls it, his pretty little nose of

811
00:47:57.719 --> 00:48:02.239
<v Speaker 3>cotton velvet. Since my eye opened on this world, I've

812
00:48:02.320 --> 00:48:05.039
<v Speaker 3>not known the day that someone has not uttered a

813
00:48:05.039 --> 00:48:09.320
<v Speaker 3>truthful flattery on the subject of my nose. Now yours

814
00:48:10.159 --> 00:48:14.440
<v Speaker 3>is a rough, grained truffle. What makes you move it

815
00:48:14.639 --> 00:48:18.079
<v Speaker 3>so ridiculously at this very moment.

816
00:48:19.000 --> 00:48:21.159
<v Speaker 2>I'm hungry and I don't hear the plates.

817
00:48:22.039 --> 00:48:24.880
<v Speaker 3>Your truffle of a nose works up and down and

818
00:48:25.000 --> 00:48:27.280
<v Speaker 3>makes another wrinkle in your irregular mug.

819
00:48:27.960 --> 00:48:31.199
<v Speaker 2>She always says. His square muzzle has wrinkled truffle so

820
00:48:31.360 --> 00:48:33.039
<v Speaker 2>tenderly and so lovingly.

821
00:48:33.079 --> 00:48:34.719
<v Speaker 3>And you think of nothing but eating.

822
00:48:35.280 --> 00:48:38.079
<v Speaker 2>It's your empty stomach that scolds and complaints, wants to

823
00:48:38.159 --> 00:48:38.800
<v Speaker 2>quarrel with me.

824
00:48:39.400 --> 00:48:41.280
<v Speaker 3>I've a charming stomach.

825
00:48:41.320 --> 00:48:43.920
<v Speaker 2>But no at your nose that's charming. You just said so.

826
00:48:44.559 --> 00:48:49.360
<v Speaker 3>My stomach too. There's none more fastidious, more whimsical, stronger,

827
00:48:49.440 --> 00:48:53.079
<v Speaker 3>and at the same time more delicate. It digests the

828
00:48:53.119 --> 00:48:57.440
<v Speaker 3>bones of soul, but meat that's the least bit tainted.

829
00:48:57.559 --> 00:49:02.079
<v Speaker 2>Literally turns it literally is the you have active indigestion.

830
00:49:02.719 --> 00:49:05.840
<v Speaker 3>Yes, the whole house is affected by it from the

831
00:49:05.960 --> 00:49:10.440
<v Speaker 3>very first qualms. I'm in terrible distress. The earth gives

832
00:49:10.480 --> 00:49:14.880
<v Speaker 3>way under me. My eyes dilate, I hurriedly swallow quantities

833
00:49:14.880 --> 00:49:20.679
<v Speaker 3>of salty saliva, involuntary ventry. Loquial cries escape me, My

834
00:49:20.960 --> 00:49:22.360
<v Speaker 3>sides bulge out.

835
00:49:22.800 --> 00:49:24.960
<v Speaker 1>Toby Dog disgusted.

836
00:49:24.599 --> 00:49:26.679
<v Speaker 2>I say, if it's all the same to you, tell

837
00:49:26.719 --> 00:49:27.239
<v Speaker 2>me the rest.

838
00:49:27.320 --> 00:49:31.760
<v Speaker 3>After dinner, I'm hungry. Where can he be?

839
00:49:32.880 --> 00:49:34.960
<v Speaker 2>He's there in a study, scratching paper.

840
00:49:35.719 --> 00:49:40.320
<v Speaker 3>He's always doing that. It's a game. Two paws play

841
00:49:40.360 --> 00:49:43.480
<v Speaker 3>at the same thing for hours and hours. I've often

842
00:49:43.639 --> 00:49:47.239
<v Speaker 3>tried to scratch paper gently as he does, but the

843
00:49:47.280 --> 00:49:51.559
<v Speaker 3>pleasure doesn't last long. I prefer newspapers torn into shreds

844
00:49:51.559 --> 00:49:55.800
<v Speaker 3>that rustle and fly. There is a little part of dark, violet,

845
00:49:55.920 --> 00:49:59.559
<v Speaker 3>muddy water on his table. I never sniff it without

846
00:49:59.639 --> 00:50:02.960
<v Speaker 3>horror since the day a rather foolish curiosity made me

847
00:50:03.039 --> 00:50:08.159
<v Speaker 3>dip my paw into it. This very paw, so strong

848
00:50:08.440 --> 00:50:12.719
<v Speaker 3>and aristocratic, the tufts of useless hair you see between

849
00:50:12.719 --> 00:50:17.119
<v Speaker 3>my toes proclaimed the purity of my race. This very

850
00:50:17.360 --> 00:50:21.800
<v Speaker 3>paw bore a bluish stain for eight days, and the

851
00:50:21.840 --> 00:50:24.960
<v Speaker 3>degrading odor of rusty steel clung to it a long

852
00:50:25.119 --> 00:50:25.800
<v Speaker 3>time after.

853
00:50:26.559 --> 00:50:27.800
<v Speaker 2>What's the little pot for?

854
00:50:28.639 --> 00:50:32.000
<v Speaker 3>He drinks from it doubtless silence.

855
00:50:33.360 --> 00:50:36.599
<v Speaker 2>She's not back yet, Heaven grant she isn't lost as

856
00:50:36.639 --> 00:50:40.920
<v Speaker 2>I was. One day in the streets of Paris. I'm hungry,

857
00:50:42.079 --> 00:50:44.639
<v Speaker 2>I'm hungry. Where are we going to eat? This evening?

858
00:50:45.360 --> 00:50:48.679
<v Speaker 3>I saw a chicken. It made a silly noise and

859
00:50:48.880 --> 00:50:51.760
<v Speaker 3>dropped red blood on the kitchen floor, soiling it far

860
00:50:51.840 --> 00:50:55.000
<v Speaker 3>more than I ever did, or you either. Yet no

861
00:50:55.079 --> 00:50:57.920
<v Speaker 3>one whipped it, but Emily put it in the fire

862
00:50:58.079 --> 00:51:00.760
<v Speaker 3>to teach it a lesson. I licked up some of

863
00:51:00.800 --> 00:51:01.320
<v Speaker 3>the blood.

864
00:51:02.079 --> 00:51:03.679
<v Speaker 1>Toby Dog yawns.

865
00:51:04.119 --> 00:51:08.239
<v Speaker 2>Chicken, it makes my mouth water. She'll say, hear Toby

866
00:51:08.320 --> 00:51:09.880
<v Speaker 2>bones and throw me the carcasse.

867
00:51:10.519 --> 00:51:15.599
<v Speaker 3>How badly you speak? He says, Little chicken bones, Kiki,

868
00:51:15.719 --> 00:51:16.920
<v Speaker 3>little chicken bones.

869
00:51:17.960 --> 00:51:19.280
<v Speaker 1>Toby Dog's surprised.

870
00:51:19.719 --> 00:51:23.039
<v Speaker 2>But no, really, it's hear Toby bones that she says.

871
00:51:24.000 --> 00:51:25.719
<v Speaker 3>He speaks better than she does.

872
00:51:26.599 --> 00:51:27.880
<v Speaker 1>Toby Dog incompetent.

873
00:51:28.679 --> 00:51:32.480
<v Speaker 2>Ah, tell me, do birds taste anything like chicken?

874
00:51:33.559 --> 00:51:35.960
<v Speaker 1>Kikith the demure His eyes light up suddenly.

875
00:51:36.679 --> 00:51:43.920
<v Speaker 3>No, they're far better. They're alive, Ah, the quivering bird,

876
00:51:44.119 --> 00:51:48.760
<v Speaker 3>the warm feathers the delicious little brain. You feel it

877
00:51:48.840 --> 00:51:50.760
<v Speaker 3>all crackling between your teeth.

878
00:51:51.719 --> 00:51:54.320
<v Speaker 2>Oh, you make me sick. It always worries me to

879
00:51:54.320 --> 00:51:56.480
<v Speaker 2>see tiny animals like that flutter about.

880
00:51:57.320 --> 00:52:01.280
<v Speaker 1>And birds are dear, good little things, Kiki the demure dryly.

881
00:52:02.280 --> 00:52:07.039
<v Speaker 3>Don't you believe it? They're only good to eat. They're noisy,

882
00:52:07.079 --> 00:52:12.039
<v Speaker 3>stupid creatures infatuated with themselves, made to be eaten. You

883
00:52:12.119 --> 00:52:16.679
<v Speaker 3>know the two jays not very well. They live in

884
00:52:16.719 --> 00:52:20.239
<v Speaker 3>the little wood. When I walk by, they laugh a

885
00:52:20.320 --> 00:52:23.880
<v Speaker 3>sardonic tiac tiak. Because I wear a bell at my

886
00:52:24.039 --> 00:52:27.079
<v Speaker 3>neck in vain do. I hold my head very stiffly

887
00:52:27.119 --> 00:52:32.079
<v Speaker 3>and put my paws down very gently. My bell tinkles,

888
00:52:32.519 --> 00:52:35.039
<v Speaker 3>and the two creatures scream from the top of the

889
00:52:35.079 --> 00:52:38.639
<v Speaker 3>fir tree. Just let me get hold of them one

890
00:52:38.639 --> 00:52:39.440
<v Speaker 3>of these days.

891
00:52:40.159 --> 00:52:42.840
<v Speaker 1>He lays back his ears and raises the hair along

892
00:52:42.920 --> 00:52:46.800
<v Speaker 1>his back. Toby Dog pensive positively.

893
00:52:46.920 --> 00:52:49.840
<v Speaker 2>Cat. There are times when I don't know you. We

894
00:52:49.920 --> 00:52:53.239
<v Speaker 2>are talking quietly and suddenly you brizzle like a bottle brush,

895
00:52:53.400 --> 00:52:56.559
<v Speaker 2>or we haven'ty playing amicably together, and I bark behind

896
00:52:56.599 --> 00:53:00.960
<v Speaker 2>your back, o, just for fun. Then one doesn't know why,

897
00:53:01.039 --> 00:53:04.039
<v Speaker 2>Perhaps because my nose grays the long hairs in your legs.

898
00:53:04.039 --> 00:53:06.559
<v Speaker 2>You're so proud of you become all at once a

899
00:53:06.599 --> 00:53:09.480
<v Speaker 2>savage beast, spitting fire and charging at me like a

900
00:53:09.519 --> 00:53:13.320
<v Speaker 2>strange dog. Don't you think that shows a bad character.

901
00:53:13.719 --> 00:53:17.639
<v Speaker 1>Kiki de demure, mysterious eyes half closed.

902
00:53:18.159 --> 00:53:22.639
<v Speaker 3>Not at all its character, simply a cat's character. In

903
00:53:22.800 --> 00:53:26.760
<v Speaker 3>such moments of irritability, I'm keenly alive to the humiliation

904
00:53:26.880 --> 00:53:31.320
<v Speaker 3>of my present state and that of my race. I

905
00:53:31.360 --> 00:53:35.480
<v Speaker 3>can remember a time when priests in long linen tunics,

906
00:53:35.880 --> 00:53:40.679
<v Speaker 3>bending low, spoke to us and humbly tried to comprehend

907
00:53:40.719 --> 00:53:45.280
<v Speaker 3>our chanted utterance. No dog, that it is not we

908
00:53:45.599 --> 00:53:48.920
<v Speaker 3>who have changed. It may be there are days when

909
00:53:48.960 --> 00:53:53.679
<v Speaker 3>I'm more myself, when everything offends me, and justly. A

910
00:53:53.760 --> 00:53:58.280
<v Speaker 3>brusque gesture, a vulgar laugh, the banging of a door,

911
00:53:58.320 --> 00:54:03.760
<v Speaker 3>your odor, your inconceivable impudence, when you touch me or

912
00:54:03.880 --> 00:54:06.239
<v Speaker 3>encircle me, jumping and yelping.

913
00:54:06.599 --> 00:54:10.880
<v Speaker 1>Toby Dog patiently to himself he's having one of his attacks,

914
00:54:11.559 --> 00:54:14.159
<v Speaker 1>Kiki the Demure, with a start, did you hear?

915
00:54:14.920 --> 00:54:17.440
<v Speaker 2>Yes? The kitchen door and the door into the dining room,

916
00:54:17.800 --> 00:54:20.800
<v Speaker 2>and now the drawer with the spoons are kept at last, at.

917
00:54:20.760 --> 00:54:23.639
<v Speaker 1>Last, ha ha, he yawns.

918
00:54:24.280 --> 00:54:28.440
<v Speaker 2>I stare there's any longer? Where is she? I don't

919
00:54:28.440 --> 00:54:30.920
<v Speaker 2>hear the gravel creaking? Night's coming on.

920
00:54:31.840 --> 00:54:34.039
<v Speaker 1>Kiki the Demure ironically.

921
00:54:34.239 --> 00:54:37.199
<v Speaker 3>Go find her, and how about him?

922
00:54:37.440 --> 00:54:40.079
<v Speaker 2>He usually worries and comes in, asking where is she?

923
00:54:40.679 --> 00:54:43.639
<v Speaker 2>But he's scratching still. He must have drunk up all

924
00:54:43.679 --> 00:54:45.719
<v Speaker 2>the violet colored water in the muddy little pot.

925
00:54:45.760 --> 00:54:49.519
<v Speaker 1>By this time, Toby carefully stretches his legs.

926
00:54:50.239 --> 00:54:55.000
<v Speaker 2>Ah, I feel lively and empty. We're going to eat soon.

927
00:54:55.679 --> 00:54:58.159
<v Speaker 2>Just smell the good kitchen smells that come under the door.

928
00:54:59.079 --> 00:55:04.199
<v Speaker 2>Let's play. No run, I'll chase without touching you.

929
00:55:04.480 --> 00:55:08.480
<v Speaker 3>No, why not? I don't want to.

930
00:55:09.119 --> 00:55:12.320
<v Speaker 2>Oh but you're tiresome. Watch me jump and arch my

931
00:55:12.440 --> 00:55:14.239
<v Speaker 2>neck like a little horse and try to catch my

932
00:55:14.280 --> 00:55:17.920
<v Speaker 2>stubby tail. Now I turn round and round, and Heaven's

933
00:55:17.920 --> 00:55:21.360
<v Speaker 2>a whole room spins. It's stopping now.

934
00:55:22.559 --> 00:55:27.440
<v Speaker 3>Insufferable creature, insufferable yourself.

935
00:55:27.960 --> 00:55:29.800
<v Speaker 2>Look out, I'm gonna run at you as she does

936
00:55:29.840 --> 00:55:31.719
<v Speaker 2>when she's merry crying. Ha cat.

937
00:55:32.440 --> 00:55:35.519
<v Speaker 1>Kiki the Demure rising puts up a paw, bristling with

938
00:55:35.639 --> 00:55:38.840
<v Speaker 1>claws and spotted with rose color and black underneath. It

939
00:55:38.880 --> 00:55:43.440
<v Speaker 1>looks like a thorny flower. If you dare, Toby dog

940
00:55:43.480 --> 00:55:44.559
<v Speaker 1>in a frenzy.

941
00:55:44.679 --> 00:55:49.480
<v Speaker 2>I do dare. We're a robberl Ha cat ha cat Kiki.

942
00:55:49.519 --> 00:55:53.199
<v Speaker 1>The demure, exasperated, gives a spring and hangs on the tablecloths,

943
00:55:53.360 --> 00:55:56.639
<v Speaker 1>dragging it down a lamp and various things fall to

944
00:55:56.719 --> 00:56:02.360
<v Speaker 1>the ground. Terrified silence. The two animals, crouching under an

945
00:56:02.440 --> 00:56:06.239
<v Speaker 1>arm chair, await punishment. He appears at the study door,

946
00:56:06.440 --> 00:56:08.599
<v Speaker 1>holding a pen like a bit between his teeth.

947
00:56:09.320 --> 00:56:10.280
<v Speaker 2>Thunder and blitzen.

948
00:56:10.840 --> 00:56:11.599
<v Speaker 3>What is it now?

949
00:56:12.519 --> 00:56:16.760
<v Speaker 4>This cursed managerie has overturned everything? Where's your mistress? What

950
00:56:16.840 --> 00:56:18.280
<v Speaker 4>a place this is? To be sure?

951
00:56:18.760 --> 00:56:20.239
<v Speaker 3>Dinner never on time.

952
00:56:20.519 --> 00:56:24.320
<v Speaker 1>Et cetera, et cetera, et cetera. The two guilty ones,

953
00:56:24.599 --> 00:56:29.000
<v Speaker 1>who well know the harmlessness of such outbursts, laugh quietly

954
00:56:29.079 --> 00:56:33.320
<v Speaker 1>to themselves, and lying flatter's bedroom slippers, look at one

955
00:56:33.360 --> 00:56:37.599
<v Speaker 1>another through the fringes of the chair. The garden gate opens.

956
00:56:38.920 --> 00:56:42.719
<v Speaker 1>She comes in carrying a basket full of fragrant plums.

957
00:56:43.239 --> 00:56:46.880
<v Speaker 1>Her hands are sticky from their sugarness, her hair tumbled.

958
00:56:47.559 --> 00:56:50.519
<v Speaker 1>She stands horrified before the disaster.

959
00:56:51.559 --> 00:56:55.199
<v Speaker 5>Oh they've been fighting again, have they?

960
00:56:55.840 --> 00:56:56.679
<v Speaker 1>Without conviction?

961
00:56:57.320 --> 00:57:02.800
<v Speaker 5>Dear me, what nasty creature. I'll give them away, I'll

962
00:57:02.840 --> 00:57:04.960
<v Speaker 5>sell them, I'll kill them.

963
00:57:06.000 --> 00:57:09.920
<v Speaker 1>But the cat and dog, groveling in exaggerated humidity, crawl

964
00:57:10.039 --> 00:57:11.519
<v Speaker 1>up to her and speak together.

965
00:57:12.599 --> 00:57:21.000
<v Speaker 3>Ah, there you are. It's very late. Toby attacked me.

966
00:57:21.280 --> 00:57:24.400
<v Speaker 3>It's he who's broken everything. I believe he went mad

967
00:57:24.440 --> 00:57:29.400
<v Speaker 3>from hunger. You smell good of grass and the twilight.

968
00:57:29.760 --> 00:57:34.079
<v Speaker 3>You sat down on some wild thyme. Come tell your

969
00:57:34.079 --> 00:57:37.239
<v Speaker 3>master to carry me on his shoulder. The meat will

970
00:57:37.280 --> 00:57:41.159
<v Speaker 3>be overdone. I'm afraid you'll carve the chicken very quickly,

971
00:57:41.239 --> 00:57:44.320
<v Speaker 3>won't you, And you'll keep the browned skin for me

972
00:57:45.159 --> 00:57:47.960
<v Speaker 3>if you wish. I'll stretch out my paw like a

973
00:57:48.000 --> 00:57:51.360
<v Speaker 3>spoon which knows how to take up the littlest morsels,

974
00:57:51.559 --> 00:57:54.360
<v Speaker 3>and carry them to my mouth with that human gesture

975
00:57:54.400 --> 00:57:58.719
<v Speaker 3>that makes you laugh. So you and he come, hi.

976
00:57:59.679 --> 00:58:03.239
<v Speaker 2>Haye, there you are at last. I'm so unhappy when

977
00:58:03.239 --> 00:58:06.840
<v Speaker 2>you're away. You banished me, You didn't love me. The

978
00:58:06.920 --> 00:58:08.400
<v Speaker 2>lamb fell down all by itself.

979
00:58:08.679 --> 00:58:08.920
<v Speaker 7>Calm.

980
00:58:09.000 --> 00:58:11.960
<v Speaker 2>I'm awfully hungry, but I'll gladly go without dinner if

981
00:58:12.000 --> 00:58:15.400
<v Speaker 2>you'll promise to take me with you always wherever you go. Yes,

982
00:58:15.599 --> 00:58:17.760
<v Speaker 2>even out in the twilight, though it makes me sad.

983
00:58:18.280 --> 00:58:21.519
<v Speaker 2>I will only follow you there, my nose close close

984
00:58:21.519 --> 00:58:22.760
<v Speaker 2>to the hem of your dress.

985
00:58:23.280 --> 00:58:26.719
<v Speaker 1>She disarmed and quite indifferent to the ctaclysm.

986
00:58:27.519 --> 00:58:29.079
<v Speaker 5>Do look how pretty they are?

987
00:58:30.320 --> 00:58:35.079
<v Speaker 1>She is ill a bedroom in the country house. Autumnal

988
00:58:35.199 --> 00:58:39.000
<v Speaker 1>sunshine filled his inn through closed blinds. She lies on

989
00:58:39.039 --> 00:58:43.480
<v Speaker 1>a couch, apparently asleep, dressed in a white woolen gown.

990
00:58:44.119 --> 00:58:47.599
<v Speaker 1>Kiki the Demuur makes his toilet on a narrow console table.

991
00:58:48.199 --> 00:58:52.880
<v Speaker 1>Toby Dog, on the carpet, in a sphinxlike attitude, watches her,

992
00:58:53.440 --> 00:58:55.559
<v Speaker 1>and at the same time is attentive to the words

993
00:58:55.599 --> 00:58:59.119
<v Speaker 1>of his master, who is leaving the room on tiptoe. He,

994
00:58:59.679 --> 00:59:02.400
<v Speaker 1>in a very low voice to the two animals.

995
00:59:02.440 --> 00:59:08.960
<v Speaker 4>Sh, don't wake her, be good, I'm going downstairs to write.

996
00:59:09.880 --> 00:59:14.159
<v Speaker 1>He closes the door noiselessly after himself. Toby Dog, Takiki

997
00:59:14.239 --> 00:59:14.719
<v Speaker 1>the Demuur.

998
00:59:15.199 --> 00:59:15.960
<v Speaker 2>What did he say?

999
00:59:16.639 --> 00:59:22.960
<v Speaker 3>I don't know, something vague directions like stay there, good bye.

1000
00:59:23.719 --> 00:59:26.239
<v Speaker 2>He said, sh, I'm not making any.

1001
00:59:26.079 --> 00:59:28.199
<v Speaker 1>Noise, Kiki the Demure.

1002
00:59:28.280 --> 00:59:35.159
<v Speaker 3>Ironically, they're astonishing. They say no noise, and thereupon walk

1003
00:59:35.239 --> 00:59:37.880
<v Speaker 3>off with a step. A deaf rat could hear two

1004
00:59:37.920 --> 00:59:40.280
<v Speaker 3>miles away some truth.

1005
00:59:40.039 --> 00:59:42.920
<v Speaker 1>In that he looks at the sleeping figure on the couch.

1006
00:59:43.599 --> 00:59:47.280
<v Speaker 2>Her face still looks very small. She's asleep. If you

1007
00:59:47.360 --> 00:59:49.840
<v Speaker 2>jump down from that table, don't land with a big thump.

1008
00:59:50.519 --> 00:59:52.000
<v Speaker 1>Kiki, the demure stiffly.

1009
00:59:52.719 --> 00:59:55.599
<v Speaker 3>Ah, you are teaching me to jump now, are you,

1010
00:59:56.480 --> 01:00:01.000
<v Speaker 3>oh worthy? Counselor put a b in your barn and

1011
01:00:01.119 --> 01:00:06.320
<v Speaker 3>he'll make himself your heir. What's that nothing? An oriental proverb.

1012
01:00:07.199 --> 01:00:10.679
<v Speaker 3>If I wished dog to disturb the silence of this room,

1013
01:00:10.760 --> 01:00:14.679
<v Speaker 3>I'd be clever enough to choose a rickety chair. Its

1014
01:00:14.719 --> 01:00:18.639
<v Speaker 3>feet would pound out a regular tick talk, tick talk,

1015
01:00:18.840 --> 01:00:22.840
<v Speaker 3>tick talk, in time with my tongue as I washed myself.

1016
01:00:23.679 --> 01:00:27.760
<v Speaker 3>It's a means I've invented to gain my liberty. Tick talk,

1017
01:00:28.039 --> 01:00:32.000
<v Speaker 3>tick talk, says the chair she happens to be reading

1018
01:00:32.119 --> 01:00:36.760
<v Speaker 3>or writing, is easily irritated and cries be quiet, Kiki,

1019
01:00:37.519 --> 01:00:42.000
<v Speaker 3>But I go on, unconscious of any wrongdoing. Tick talk,

1020
01:00:42.400 --> 01:00:46.840
<v Speaker 3>tick talk. She jumps up, distracted and opens the door

1021
01:00:46.960 --> 01:00:53.800
<v Speaker 3>wide for me slowly, like one exiled. I cross its threshold, and,

1022
01:00:53.960 --> 01:00:59.199
<v Speaker 3>once outside laugh to find myself so superior to them all.

1023
01:01:00.039 --> 01:01:02.800
<v Speaker 1>Toby Dog, who hasn't been listening, yawns.

1024
01:01:03.039 --> 01:01:05.599
<v Speaker 2>What a sad week? Eh, I don't know what it

1025
01:01:05.639 --> 01:01:08.599
<v Speaker 2>is to take a walk anymore. I haven't taken any

1026
01:01:08.599 --> 01:01:11.159
<v Speaker 2>pleasure in eating either, said she fall from her horse.

1027
01:01:11.800 --> 01:01:17.760
<v Speaker 3>Heavens, one can love people and care for one's stomach too.

1028
01:01:16.960 --> 01:01:18.880
<v Speaker 1>Toby Dog, with ardor not.

1029
01:01:19.079 --> 01:01:21.679
<v Speaker 2>I when she screamed and fell from her horse, I

1030
01:01:21.719 --> 01:01:23.360
<v Speaker 2>felt the heart crack inside me.

1031
01:01:24.119 --> 01:01:28.199
<v Speaker 3>That affair couldn't have ended Otherwise, one doesn't go climbing

1032
01:01:28.360 --> 01:01:32.119
<v Speaker 3>up on a horse. People don't do such things. I

1033
01:01:32.159 --> 01:01:35.599
<v Speaker 3>see nothing but extravagance around me, to begin with. The

1034
01:01:35.760 --> 01:01:38.719
<v Speaker 3>horse is a fearful monstrosity.

1035
01:01:38.599 --> 01:01:39.880
<v Speaker 1>Toby Dog indignantly.

1036
01:01:40.360 --> 01:01:42.079
<v Speaker 2>Did one ever hear the like?

1037
01:01:42.719 --> 01:01:44.199
<v Speaker 1>Do you keep the demure peremptorily?

1038
01:01:44.719 --> 01:01:47.360
<v Speaker 3>I happen to have had the opportunity of making a

1039
01:01:47.440 --> 01:01:48.519
<v Speaker 3>very close study of.

1040
01:01:48.480 --> 01:01:52.159
<v Speaker 1>One Toby Dog. Aside, he makes me laugh.

1041
01:01:52.800 --> 01:01:55.280
<v Speaker 3>It was the farmer's horse that grazed in the meadow.

1042
01:01:56.480 --> 01:01:59.840
<v Speaker 3>My life for a whole month was embittered by the

1043
01:02:00.280 --> 01:02:03.960
<v Speaker 3>roving mountain lying under the hedge. I could see his

1044
01:02:04.079 --> 01:02:09.159
<v Speaker 3>heavy feet disfiguring the ground. I breathed his vulgar odor,

1045
01:02:09.840 --> 01:02:14.119
<v Speaker 3>and heard his strident cry shaking the air. Once when

1046
01:02:14.159 --> 01:02:17.000
<v Speaker 3>he was eating the lower twigs of the hedge. I

1047
01:02:17.079 --> 01:02:21.280
<v Speaker 3>saw myself, the whole of me, reflected in one of

1048
01:02:21.320 --> 01:02:25.920
<v Speaker 3>his eyes. I fled, and from that day my hatred

1049
01:02:26.039 --> 01:02:30.559
<v Speaker 3>was so strong that I wildly hoped to annihilate the monster.

1050
01:02:31.159 --> 01:02:34.320
<v Speaker 3>I'll go up to him, thought I. I'll plant myself

1051
01:02:34.360 --> 01:02:37.239
<v Speaker 3>firmly in front of him, and the desire of his

1052
01:02:37.400 --> 01:02:41.840
<v Speaker 3>death will be so strong in my eyes that perhaps

1053
01:02:42.239 --> 01:02:44.039
<v Speaker 3>he'll die when he meets my look.

1054
01:02:44.760 --> 01:02:49.039
<v Speaker 1>Topy Dog diverted, and then Kii the Demure, continuing.

1055
01:02:49.679 --> 01:02:53.280
<v Speaker 3>I carried out my plan. But the horse I had

1056
01:02:53.320 --> 01:02:57.519
<v Speaker 3>waited for, in fear and trembling, just blew through his

1057
01:02:57.639 --> 01:03:02.519
<v Speaker 3>nostrils a long jet of foul smelling vapor, and I

1058
01:03:02.800 --> 01:03:05.239
<v Speaker 3>fell back in atrocious convulsions.

1059
01:03:06.480 --> 01:03:11.679
<v Speaker 1>Toby Dog, inwardly writhing with laughter. You don't exaggerate, Kiki

1060
01:03:11.719 --> 01:03:13.800
<v Speaker 1>the Demure, serious.

1061
01:03:13.559 --> 01:03:18.679
<v Speaker 3>Never, and she must needs go climbing on a horse's back,

1062
01:03:19.119 --> 01:03:22.760
<v Speaker 3>holding fast to four cords, one leg this side and

1063
01:03:22.840 --> 01:03:25.639
<v Speaker 3>the other that strange aberration.

1064
01:03:26.599 --> 01:03:29.800
<v Speaker 2>We don't think alike. Cat for me, the horse is,

1065
01:03:30.039 --> 01:03:32.599
<v Speaker 2>after man, the most beautiful thing in the world.

1066
01:03:33.039 --> 01:03:34.440
<v Speaker 1>Kiki the Demure vexed.

1067
01:03:35.119 --> 01:03:36.960
<v Speaker 3>And where do I come in?

1068
01:03:37.880 --> 01:03:40.039
<v Speaker 1>Toby Dog, evasive and courteous.

1069
01:03:40.840 --> 01:03:44.280
<v Speaker 2>No, you're a cat, but a horse, and with her

1070
01:03:44.320 --> 01:03:47.119
<v Speaker 2>on his back, What a beautiful picture they make, high

1071
01:03:47.199 --> 01:03:49.440
<v Speaker 2>up in the blue air. To gaze on it, I

1072
01:03:49.480 --> 01:03:51.960
<v Speaker 2>have to throw my head way back on my thick neck.

1073
01:03:52.480 --> 01:03:55.199
<v Speaker 2>The horse lends her his speed. Now at last she

1074
01:03:55.280 --> 01:03:57.000
<v Speaker 2>can race with me. When I go off on a

1075
01:03:57.039 --> 01:04:00.880
<v Speaker 2>mad run. Sometimes I'm ahead, ears floating back and tongue

1076
01:04:00.880 --> 01:04:03.719
<v Speaker 2>hanging out like a little flag, the angular shadow of

1077
01:04:03.760 --> 01:04:06.519
<v Speaker 2>the horse on the road in front. If I follow her,

1078
01:04:06.599 --> 01:04:09.519
<v Speaker 2>a fragrant dust blows back at me. It smells of

1079
01:04:09.559 --> 01:04:12.199
<v Speaker 2>warm leather, moist beast, and a little of her own

1080
01:04:12.199 --> 01:04:15.400
<v Speaker 2>perfume too. The road runs under me like a ribbon

1081
01:04:15.440 --> 01:04:18.079
<v Speaker 2>that someone is pulling. Oh what a joy it is

1082
01:04:18.119 --> 01:04:21.000
<v Speaker 2>to be so little and so swift, running along the

1083
01:04:21.079 --> 01:04:24.800
<v Speaker 2>shadow of a great galloping horse. When we halt, I

1084
01:04:24.960 --> 01:04:27.199
<v Speaker 2>pat like a motor between the legs of my friend,

1085
01:04:27.239 --> 01:04:30.119
<v Speaker 2>who snorts and in the kindliest way, puts down his

1086
01:04:30.239 --> 01:04:31.920
<v Speaker 2>fettered mouth and sprinkles me.

1087
01:04:32.239 --> 01:04:35.639
<v Speaker 3>I know, I know, the horse, with long mane, a

1088
01:04:35.760 --> 01:04:41.639
<v Speaker 3>shake hoofs, heavy with tumult eyes glimmering white. You are

1089
01:04:41.679 --> 01:04:43.480
<v Speaker 3>the last of the romanticists.

1090
01:04:44.320 --> 01:04:47.440
<v Speaker 2>I'm not the last of the romanticists. I'm a little

1091
01:04:47.440 --> 01:04:50.360
<v Speaker 2>bulldog that came into the world one evening almost under

1092
01:04:50.360 --> 01:04:53.239
<v Speaker 2>the feet of a chestnut mare. She didn't lie down

1093
01:04:53.280 --> 01:04:55.519
<v Speaker 2>all night long. She was so afraid of crushing my

1094
01:04:55.599 --> 01:04:58.559
<v Speaker 2>mother and her puppies. A little bulldog like me is

1095
01:04:58.599 --> 01:05:01.159
<v Speaker 2>almost the child of a horse. I lay in the

1096
01:05:01.199 --> 01:05:04.000
<v Speaker 2>warm straw against her warm flanks. I drank out of

1097
01:05:04.000 --> 01:05:06.360
<v Speaker 2>the stable pails. I used to get up when I

1098
01:05:06.400 --> 01:05:08.360
<v Speaker 2>heard the sound of hoofs coming in, and I took

1099
01:05:08.360 --> 01:05:11.000
<v Speaker 2>an interest in the washing of the carriages until the

1100
01:05:11.119 --> 01:05:14.639
<v Speaker 2>day she came and picked me out, Me the best looking,

1101
01:05:14.719 --> 01:05:18.239
<v Speaker 2>the most snub nosed, the stockiest of the litter ah.

1102
01:05:18.920 --> 01:05:22.079
<v Speaker 2>And there she lies, so dreadfully quiet. It makes me

1103
01:05:22.199 --> 01:05:24.519
<v Speaker 2>sad to see her with that little cloth still round

1104
01:05:24.519 --> 01:05:27.079
<v Speaker 2>her ankle. You remember when he picked her up in

1105
01:05:27.159 --> 01:05:29.880
<v Speaker 2>his arms. He held her, and she's a lot bigger

1106
01:05:29.920 --> 01:05:32.039
<v Speaker 2>than I am, just as if she were a little

1107
01:05:32.079 --> 01:05:33.440
<v Speaker 2>dog that he was going to drown.

1108
01:05:34.079 --> 01:05:35.480
<v Speaker 1>Kiki de demure bitterly.

1109
01:05:36.000 --> 01:05:39.400
<v Speaker 3>I remember, I was at the top of the stairs,

1110
01:05:39.480 --> 01:05:43.559
<v Speaker 3>irritated by the noise, but curious. He came up and

1111
01:05:43.719 --> 01:05:47.239
<v Speaker 3>pushed me aside with his foot, as he would have

1112
01:05:47.320 --> 01:05:49.639
<v Speaker 3>done if a piece of furniture had happened to be

1113
01:05:49.679 --> 01:05:50.320
<v Speaker 3>in his way.

1114
01:05:50.840 --> 01:05:53.079
<v Speaker 2>Is that why you stayed away from this room, her

1115
01:05:53.159 --> 01:05:54.360
<v Speaker 2>room for three whole.

1116
01:05:54.239 --> 01:05:57.559
<v Speaker 1>Days, Kiki de Demure, hesitating.

1117
01:05:57.960 --> 01:06:04.440
<v Speaker 3>Yes, And for another reason too, What reason? Because of the.

1118
01:06:04.320 --> 01:06:07.480
<v Speaker 1>Fever Toby Dog carried away by his love.

1119
01:06:08.079 --> 01:06:11.239
<v Speaker 2>Her fever smells better than other people's good health.

1120
01:06:11.559 --> 01:06:14.000
<v Speaker 1>Kiki the Demure, shrugging his shoulders.

1121
01:06:14.159 --> 01:06:18.360
<v Speaker 3>And they talk of a dog's scent. Truly, the convictions

1122
01:06:18.360 --> 01:06:23.000
<v Speaker 3>of two paws are based upon childish fables. You know,

1123
01:06:23.119 --> 01:06:23.960
<v Speaker 3>of course, that.

1124
01:06:24.000 --> 01:06:27.119
<v Speaker 1>Fever Toby Dog in a low.

1125
01:06:27.000 --> 01:06:29.280
<v Speaker 2>Tone makes one afraid, Yes.

1126
01:06:29.880 --> 01:06:32.239
<v Speaker 1>Kiki the Demure in a low tone.

1127
01:06:32.360 --> 01:06:37.199
<v Speaker 3>Makes one afraid, gives one cold, shivers down one's back,

1128
01:06:37.719 --> 01:06:43.000
<v Speaker 3>distaste for everything, and uneasiness all over. One hesitates on

1129
01:06:43.119 --> 01:06:46.840
<v Speaker 3>the threshold of a room where there is fever, searching

1130
01:06:46.880 --> 01:06:53.360
<v Speaker 3>fearfully some hidden thing. She was in bed and burning hot.

1131
01:06:54.039 --> 01:06:56.840
<v Speaker 3>I looked at her a long time, ready to run,

1132
01:06:56.920 --> 01:07:01.159
<v Speaker 3>saying to myself, who can be with her? There? Behind

1133
01:07:01.239 --> 01:07:05.559
<v Speaker 3>the curtains? Who is it? Stifles and torments her and

1134
01:07:05.679 --> 01:07:07.519
<v Speaker 3>makes her moan in her sleep?

1135
01:07:08.199 --> 01:07:10.400
<v Speaker 1>Toby Dog frightened retrospectively.

1136
01:07:10.760 --> 01:07:12.159
<v Speaker 2>There wasn't any one, was there?

1137
01:07:12.880 --> 01:07:19.400
<v Speaker 3>No one but he and the fever he the most

1138
01:07:19.480 --> 01:07:23.599
<v Speaker 3>intelligent of two paws, was leaning over her, listening to

1139
01:07:23.679 --> 01:07:28.800
<v Speaker 3>her breathing, dimly aware of an invisible presence. I overcame

1140
01:07:28.880 --> 01:07:33.000
<v Speaker 3>my aversion and looked at her. I was melancholy and jealous.

1141
01:07:33.519 --> 01:07:37.159
<v Speaker 3>He must love her, thought I to go so near

1142
01:07:37.360 --> 01:07:42.280
<v Speaker 3>and defend her, to kiss her, imbued as she is

1143
01:07:42.360 --> 01:07:45.920
<v Speaker 3>with the evil charm? Would he hold me to his

1144
01:07:46.119 --> 01:07:47.079
<v Speaker 3>heart if I?

1145
01:07:48.079 --> 01:07:53.960
<v Speaker 1>Toby Dog imperatively sho what she stirred? No, Toby Dog

1146
01:07:54.000 --> 01:07:55.079
<v Speaker 1>alert looking at her.

1147
01:07:55.519 --> 01:07:58.679
<v Speaker 2>No, she didn't stir, but her thoughts did. I felt

1148
01:07:58.679 --> 01:07:59.960
<v Speaker 2>them continue.

1149
01:08:00.719 --> 01:08:03.079
<v Speaker 1>Kiki the Demure, who has recovered his equanimity.

1150
01:08:03.519 --> 01:08:06.920
<v Speaker 3>I don't know what we were talking about. The fief enough,

1151
01:08:07.159 --> 01:08:10.039
<v Speaker 3>don't recall it. Fever is the beginning of the thing.

1152
01:08:10.119 --> 01:08:11.639
<v Speaker 3>One never speaks of.

1153
01:08:12.280 --> 01:08:13.519
<v Speaker 1>Toby Dog's shivering.

1154
01:08:14.159 --> 01:08:17.039
<v Speaker 2>Yes, I know, I don't like an animal that can't move,

1155
01:08:17.560 --> 01:08:18.439
<v Speaker 2>You know what I mean.

1156
01:08:18.840 --> 01:08:21.319
<v Speaker 1>Kiki the Demure, laughing cruelly.

1157
01:08:21.359 --> 01:08:24.159
<v Speaker 2>Ha ha ha, Nor do I.

1158
01:08:24.159 --> 01:08:28.079
<v Speaker 3>I can only eat live birds, and as for the

1159
01:08:28.159 --> 01:08:32.479
<v Speaker 3>tiny mice, I prefer to swallow them squeak and awe.

1160
01:08:33.119 --> 01:08:35.920
<v Speaker 2>Why does it amuse you to horrify me? You've a

1161
01:08:35.960 --> 01:08:39.960
<v Speaker 2>certain vanity that I can't understand it consists in exaggerating

1162
01:08:39.960 --> 01:08:43.159
<v Speaker 2>cruelties that are already real enough. You call me the

1163
01:08:43.239 --> 01:08:47.239
<v Speaker 2>last of the romanticist, aren't you? The first of the sadis.

1164
01:08:47.439 --> 01:08:54.520
<v Speaker 3>Oh dog poisoned with literature. An eternal misunderstanding separates us.

1165
01:08:55.159 --> 01:08:57.000
<v Speaker 2>I'm a little bulldog.

1166
01:08:56.760 --> 01:09:02.279
<v Speaker 3>He replied, Just now, with that stupid sincerity which disarms me,

1167
01:09:03.359 --> 01:09:06.640
<v Speaker 3>let me say to you, in my turn, I am

1168
01:09:06.640 --> 01:09:11.720
<v Speaker 3>a cat. The name is sufficient dispensation. There is in

1169
01:09:11.800 --> 01:09:16.920
<v Speaker 3>me a hatred of pain and ugliness, an overmastering detestation

1170
01:09:17.159 --> 01:09:21.439
<v Speaker 3>of all that offends my sight or my reason. When

1171
01:09:21.520 --> 01:09:25.920
<v Speaker 3>the concierge's cat dragged around his wounded paw, I threw

1172
01:09:25.960 --> 01:09:29.800
<v Speaker 3>myself upon him, fired by a righteous anger, and until

1173
01:09:29.840 --> 01:09:31.640
<v Speaker 3>he stopped his whining.

1174
01:09:31.239 --> 01:09:35.840
<v Speaker 1>Eye Toby dogs supplicating me, don't tell me. Quiki the

1175
01:09:35.880 --> 01:09:36.920
<v Speaker 1>demure getting.

1176
01:09:36.640 --> 01:09:41.720
<v Speaker 3>Angry, understand then, once and for all, if the pale

1177
01:09:41.840 --> 01:09:45.359
<v Speaker 3>recital of what I did upsets you, that I wished

1178
01:09:45.439 --> 01:09:51.000
<v Speaker 3>to abolish, to annihilate in that bleeding animal, the suggestion

1179
01:09:51.159 --> 01:09:55.319
<v Speaker 3>of my own inevitable death, they're.

1180
01:09:55.239 --> 01:09:58.359
<v Speaker 1>Quiet for a little while, Kiki the demure, shuddering.

1181
01:10:00.840 --> 01:10:05.239
<v Speaker 3>This confinement does us no good. I would gladly go

1182
01:10:05.399 --> 01:10:09.399
<v Speaker 3>out into the soft sunshine, and do the Bayadere's dance,

1183
01:10:09.479 --> 01:10:12.880
<v Speaker 3>as he calls it. On the dry gravel, among the leaves,

1184
01:10:13.279 --> 01:10:19.199
<v Speaker 3>which look like fried potatoes. Everything is yellow. Out of doors.

1185
01:10:19.199 --> 01:10:21.920
<v Speaker 3>My green eyes would reflect the golden sun and the

1186
01:10:21.960 --> 01:10:27.279
<v Speaker 3>flaming woods, and so turn yellow too. Now I'll think

1187
01:10:27.399 --> 01:10:32.199
<v Speaker 3>only of what is joyous and yellow, the beautiful cold autumn,

1188
01:10:32.880 --> 01:10:36.760
<v Speaker 3>the rosy dawn that leaves its colors in the foliage

1189
01:10:36.760 --> 01:10:41.039
<v Speaker 3>of the cherry tree. Come, let's prove the strength of

1190
01:10:41.079 --> 01:10:44.720
<v Speaker 3>our legs and enjoy to the fall the consciousness that

1191
01:10:44.920 --> 01:10:49.119
<v Speaker 3>youth has only just begun for us, who knows death

1192
01:10:49.239 --> 01:10:50.239
<v Speaker 3>may never come.

1193
01:10:51.199 --> 01:10:53.640
<v Speaker 1>He jumps down from the console table without making the

1194
01:10:53.720 --> 01:10:56.039
<v Speaker 1>least noise, Toby Dog stopping him.

1195
01:10:56.479 --> 01:10:57.439
<v Speaker 2>What are you going to do?

1196
01:10:58.199 --> 01:11:01.479
<v Speaker 3>Scratch at the door and strike up the hymn of

1197
01:11:01.520 --> 01:11:04.039
<v Speaker 3>the sequestered cat.

1198
01:11:03.840 --> 01:11:07.319
<v Speaker 1>Toby Dog, indicating the figure on the couch, and doubtless

1199
01:11:07.319 --> 01:11:10.680
<v Speaker 1>waken her. Kiki the Demure stubbornly.

1200
01:11:10.680 --> 01:11:14.399
<v Speaker 3>I'll sing in a very small voice.

1201
01:11:14.359 --> 01:11:18.079
<v Speaker 2>And you'll scratch with your tiniest claws. I suppose stay

1202
01:11:18.119 --> 01:11:20.439
<v Speaker 2>here quietly, He commanded it when he went away.

1203
01:11:20.840 --> 01:11:22.880
<v Speaker 1>Kiki the Demure, loftily.

1204
01:11:23.039 --> 01:11:28.399
<v Speaker 3>Does he command me he beseeches me, and that's my

1205
01:11:28.520 --> 01:11:30.199
<v Speaker 3>only reason for obeying him.

1206
01:11:30.880 --> 01:11:34.199
<v Speaker 1>He sits down again, apparently resigned, and yawned slowly.

1207
01:11:34.880 --> 01:11:40.119
<v Speaker 3>Toby Dog yawning, You make me how on the contrary, it's.

1208
01:11:40.039 --> 01:11:42.680
<v Speaker 1>You who bore me temptingly.

1209
01:11:43.159 --> 01:11:46.000
<v Speaker 3>You're thinking what a good thing freedom is, aren't you?

1210
01:11:47.119 --> 01:11:50.800
<v Speaker 3>A hen has probably escaped from the chicken yard. What

1211
01:11:51.000 --> 01:11:52.199
<v Speaker 3>sport you're missing?

1212
01:11:52.800 --> 01:11:53.600
<v Speaker 2>You really think so?

1213
01:11:54.359 --> 01:11:58.840
<v Speaker 3>I said, probably? Have you finished exploring that rabbit hole?

1214
01:12:00.239 --> 01:12:01.199
<v Speaker 1>Dog disturbed?

1215
01:12:02.159 --> 01:12:06.039
<v Speaker 2>No, it's so very deep. I almost buried myself following

1216
01:12:06.079 --> 01:12:08.800
<v Speaker 2>it out yesterday. The earth that stuck to my muzzle

1217
01:12:08.800 --> 01:12:10.319
<v Speaker 2>had some of the animal's fur in it.

1218
01:12:10.800 --> 01:12:12.760
<v Speaker 1>Kikit the demure more and more satanic.

1219
01:12:13.319 --> 01:12:17.000
<v Speaker 3>I suppose you'll finish that tomorrow or.

1220
01:12:17.000 --> 01:12:20.399
<v Speaker 1>Some other day, Toby Dog sadly.

1221
01:12:20.600 --> 01:12:23.319
<v Speaker 2>Why not say next year? While you're about it.

1222
01:12:23.760 --> 01:12:28.319
<v Speaker 3>What's the matter with you? Your shiny black lip hangs down

1223
01:12:28.600 --> 01:12:32.760
<v Speaker 3>like an el, and your froggy eyes glitter with tears.

1224
01:12:33.680 --> 01:12:34.640
<v Speaker 3>Are you crying?

1225
01:12:35.600 --> 01:12:37.359
<v Speaker 1>Toby Dog's sniffling.

1226
01:12:37.800 --> 01:12:43.760
<v Speaker 3>No, poor sensitive heart, console yourself. You'll have your pleasures

1227
01:12:43.800 --> 01:12:48.560
<v Speaker 3>and your friends again. At this very moment, the farmer's

1228
01:12:48.600 --> 01:12:52.760
<v Speaker 3>dog is crunching bones in the kitchen to beguile. The

1229
01:12:52.840 --> 01:12:53.720
<v Speaker 3>long wait for.

1230
01:12:53.720 --> 01:12:55.960
<v Speaker 1>You, Toby Dog overcome.

1231
01:12:56.600 --> 01:12:58.520
<v Speaker 2>Oh oh, the farmer's dog.

1232
01:12:59.319 --> 01:13:04.039
<v Speaker 3>She's not alone either, That great dane, the watch dog

1233
01:13:04.319 --> 01:13:05.239
<v Speaker 3>keeps her company.

1234
01:13:05.920 --> 01:13:07.279
<v Speaker 1>Toby Dog rebellious.

1235
01:13:07.720 --> 01:13:08.880
<v Speaker 2>That's not true.

1236
01:13:09.119 --> 01:13:12.840
<v Speaker 1>Go see Toby Dog. After one bound toward the door.

1237
01:13:13.359 --> 01:13:14.920
<v Speaker 2>No, that would make noise.

1238
01:13:15.640 --> 01:13:16.720
<v Speaker 3>You're right, it would.

1239
01:13:17.720 --> 01:13:21.840
<v Speaker 1>A mournful silence follows. Toby curls himself up like a

1240
01:13:21.920 --> 01:13:25.520
<v Speaker 1>turban and closes his eyes because he feels like crying.

1241
01:13:26.119 --> 01:13:30.520
<v Speaker 1>His breath comes in little sobs. Kiki the demure, absently

1242
01:13:30.680 --> 01:13:32.239
<v Speaker 1>in a low, monotonous chant.

1243
01:13:33.319 --> 01:13:39.079
<v Speaker 8>The dog, the little dog, the bones, the little dog,

1244
01:13:40.079 --> 01:13:45.399
<v Speaker 8>the rabbit, the great Dane, the rabbit's hole, the little.

1245
01:13:45.119 --> 01:13:49.119
<v Speaker 3>Dog, the mutton, bones, the rabbit's skin.

1246
01:13:50.039 --> 01:13:53.960
<v Speaker 1>Toby Dog at first endures the torture heroically, Then his

1247
01:13:54.159 --> 01:13:58.039
<v Speaker 1>nerves betray him, and lifting his head, he howls the

1248
01:13:58.159 --> 01:14:07.960
<v Speaker 1>long plaint of the abandoned. Oh Kigi, the demure from

1249
01:14:08.000 --> 01:14:10.920
<v Speaker 1>the top of the console table. Will you be quiet,

1250
01:14:11.640 --> 01:14:17.560
<v Speaker 1>Oh Kiki the demure aside?

1251
01:14:18.319 --> 01:14:19.960
<v Speaker 3>That's it, that's it.

1252
01:14:21.479 --> 01:14:25.000
<v Speaker 1>She wakes bewildered, still captive of her dreams, while the

1253
01:14:25.039 --> 01:14:28.600
<v Speaker 1>cat listens patiently to the approaching step on the stairs,

1254
01:14:28.800 --> 01:14:32.439
<v Speaker 1>which means liberty for him and punishment for Toby Dog.

1255
01:14:33.479 --> 01:14:37.800
<v Speaker 1>The first fire, because it is raining and an October

1256
01:14:37.800 --> 01:14:40.760
<v Speaker 1>wind chases wet leaves through the air, she has lit

1257
01:14:40.880 --> 01:14:44.079
<v Speaker 1>the first fire of the season in the great chimney place.

1258
01:14:44.880 --> 01:14:48.520
<v Speaker 1>Kiki the Demure and Toby Dog, in ecstasy, side by

1259
01:14:48.680 --> 01:14:52.760
<v Speaker 1>side on a corner of the warm hearthstone, contemplate the

1260
01:14:52.800 --> 01:14:57.000
<v Speaker 1>flame with dazzled eyes and address their meditations to it.

1261
01:14:57.720 --> 01:15:02.520
<v Speaker 1>Kiki the Demure, looking very like a cushion, no pause visible.

1262
01:15:03.039 --> 01:15:10.199
<v Speaker 3>Oh Fire, how splendid you are. You have come back

1263
01:15:10.319 --> 01:15:14.159
<v Speaker 3>more beautiful than my memory of you. You are hotter

1264
01:15:14.359 --> 01:15:18.960
<v Speaker 3>and nearer than the sun. The pupils of my eyes

1265
01:15:19.159 --> 01:15:24.880
<v Speaker 3>contract in your light, their lids half close, modestly hiding

1266
01:15:24.920 --> 01:15:28.680
<v Speaker 3>the joy I feel at seeing you again. And my

1267
01:15:28.960 --> 01:15:34.359
<v Speaker 3>inscrutable countenance shows but the semblance of a thought painted

1268
01:15:34.399 --> 01:15:38.680
<v Speaker 3>there in fawn color and black. Your crackling drowns the

1269
01:15:38.720 --> 01:15:45.880
<v Speaker 3>soft sound of my purr. Don't snap too much, be merciful, Oh,

1270
01:15:45.960 --> 01:15:52.119
<v Speaker 3>inconstant fire, don't sputter sparks on my fur. Allow me

1271
01:15:52.239 --> 01:15:53.880
<v Speaker 3>to adore you without fear.

1272
01:15:54.880 --> 01:16:00.640
<v Speaker 1>Toby Dog, half baked eyes, bloodshot tongue, pendant fire fire.

1273
01:16:00.800 --> 01:16:03.760
<v Speaker 2>Here you are again. I'm still very young, but I

1274
01:16:03.880 --> 01:16:06.840
<v Speaker 2>remember how awestruck I was the first time her hand

1275
01:16:06.880 --> 01:16:10.119
<v Speaker 2>woke you in the same chimney place. The sight of

1276
01:16:10.159 --> 01:16:13.119
<v Speaker 2>a god as mysterious as you are was most impressive

1277
01:16:13.159 --> 01:16:17.079
<v Speaker 2>to a baby dog just out of the maternal stable. Oh, Fire,

1278
01:16:17.199 --> 01:16:21.279
<v Speaker 2>I've not quite gotten over my fear. Hi. You spit

1279
01:16:21.359 --> 01:16:25.439
<v Speaker 2>at me something red that smarts. I'm afraid. Well it's

1280
01:16:25.439 --> 01:16:29.439
<v Speaker 2>gone now. How beautiful you are. Fire out from your

1281
01:16:29.479 --> 01:16:33.279
<v Speaker 2>ruddy center, shoot tatters and shreds of gold, sudden spurts

1282
01:16:33.319 --> 01:16:36.600
<v Speaker 2>of blue, and smoke that twists upward and draws queer

1283
01:16:36.600 --> 01:16:42.159
<v Speaker 2>shapes of beasts. Oh but I'm hot, Gently, gently, sovereign fire.

1284
01:16:42.560 --> 01:16:45.000
<v Speaker 2>See how my truffle of a nose is drying up

1285
01:16:45.039 --> 01:16:48.600
<v Speaker 2>and cracking in my ears? Are they not a blaze?

1286
01:16:48.920 --> 01:16:53.079
<v Speaker 2>I adjure thee with supply, and paw, I groan. Ah,

1287
01:16:53.119 --> 01:16:54.600
<v Speaker 2>I can endure it no longer.

1288
01:16:55.039 --> 01:16:55.880
<v Speaker 1>He turns away.

1289
01:16:56.680 --> 01:16:59.840
<v Speaker 2>Nothing is ever perfect. The east wind coming under the

1290
01:16:59.880 --> 01:17:03.560
<v Speaker 2>door nips my hind legs. Well, it can't be helped.

1291
01:17:03.880 --> 01:17:06.640
<v Speaker 2>I'll freeze behind if I must, provided I can adore

1292
01:17:06.640 --> 01:17:07.560
<v Speaker 2>you face to face.

1293
01:17:08.279 --> 01:17:12.319
<v Speaker 3>I am a cat, and therefore aware of all that

1294
01:17:12.399 --> 01:17:16.560
<v Speaker 3>you bring in your train o fire. I foresee winter.

1295
01:17:17.520 --> 01:17:22.159
<v Speaker 3>It's coming. Both troubles and pleases me. I've already begun

1296
01:17:22.239 --> 01:17:25.600
<v Speaker 3>to thicken and embellish my fur coat in its honor.

1297
01:17:26.399 --> 01:17:30.920
<v Speaker 3>The darker stripes are becoming black. My white tippet swells

1298
01:17:30.960 --> 01:17:34.800
<v Speaker 3>into a dazzling boa, and the fur on my belly

1299
01:17:34.880 --> 01:17:39.880
<v Speaker 3>surpasses in beauty anything that has ever been seen. What

1300
01:17:40.079 --> 01:17:43.439
<v Speaker 3>shall I say of my tail broad as a club

1301
01:17:43.880 --> 01:17:48.079
<v Speaker 3>with alternate rings of fawn color and black, Or of

1302
01:17:48.159 --> 01:17:53.520
<v Speaker 3>the sensitive, priceless agrets which spring from my ears? My

1303
01:17:53.720 --> 01:17:58.000
<v Speaker 3>ear rings? She calls them? What cat could resist me?

1304
01:17:59.239 --> 01:18:00.000
<v Speaker 8>Ah?

1305
01:18:00.560 --> 01:18:05.399
<v Speaker 3>The January nights, the serenades under a frosty moon, the

1306
01:18:05.479 --> 01:18:09.399
<v Speaker 3>dignified weight on the pinnacle of a roof, the encounter

1307
01:18:09.520 --> 01:18:12.319
<v Speaker 3>with a rival cat on the narrow top of a wall.

1308
01:18:14.640 --> 01:18:18.319
<v Speaker 3>But I feel quite sure of my superior strength. I'll

1309
01:18:18.359 --> 01:18:23.439
<v Speaker 3>swish my tail, put back my ears, sniff tragically as

1310
01:18:23.439 --> 01:18:27.079
<v Speaker 3>one does before vomiting, and then lift up my voice.

1311
01:18:27.359 --> 01:18:31.720
<v Speaker 3>Its modulations are infinite. I'll make it strong enough to

1312
01:18:31.800 --> 01:18:36.920
<v Speaker 3>waken all the sleeping two paws. I'll vociferate, I'll whimper,

1313
01:18:37.399 --> 01:18:42.239
<v Speaker 3>pacing up and down the garden. My body distended, my

1314
01:18:42.359 --> 01:18:47.000
<v Speaker 3>legs bent outward, feigning madness to terrify the tom cats.

1315
01:18:47.560 --> 01:18:50.720
<v Speaker 2>I know something of the changes and pleasures you foretell, Fire,

1316
01:18:51.279 --> 01:18:54.520
<v Speaker 2>for I'm a dog. Already. It is raining in the garden.

1317
01:18:55.000 --> 01:18:57.520
<v Speaker 2>I suppose it's raining on the road too, And in

1318
01:18:57.600 --> 01:19:00.880
<v Speaker 2>the woods. The falling drops are not warm as they

1319
01:19:00.880 --> 01:19:03.239
<v Speaker 2>were in the summer. Storms from my truffle, gray with

1320
01:19:03.359 --> 01:19:05.840
<v Speaker 2>dust to light it in the damp smell that came

1321
01:19:05.840 --> 01:19:08.680
<v Speaker 2>from the west. The sky is troubled, and the wind

1322
01:19:08.680 --> 01:19:11.159
<v Speaker 2>has grown strong enough to blow my ears out straight

1323
01:19:11.279 --> 01:19:15.000
<v Speaker 2>like little flags. A sharp cry such as I make

1324
01:19:15.039 --> 01:19:18.319
<v Speaker 2>when I beg comes under the door. You'll be shining

1325
01:19:18.359 --> 01:19:21.159
<v Speaker 2>here every day, Fire, But I'll have to suffer for

1326
01:19:21.199 --> 01:19:24.479
<v Speaker 2>the right to worship you. For she'll continue to wander about,

1327
01:19:24.600 --> 01:19:26.920
<v Speaker 2>her head covered with the pointed hood, which changes her

1328
01:19:26.960 --> 01:19:30.319
<v Speaker 2>so that it frightens me. She'll put on wooden shoes too,

1329
01:19:30.399 --> 01:19:33.239
<v Speaker 2>and carelessly crush the puddles, the little heaps of mud,

1330
01:19:33.399 --> 01:19:36.800
<v Speaker 2>and the weeping mosses. I'll follow her, since I've promised

1331
01:19:36.840 --> 01:19:39.560
<v Speaker 2>to do so my life long, and also because I

1332
01:19:39.560 --> 01:19:44.000
<v Speaker 2>can't help it. I'll follow her, a forlorn and piteous object,

1333
01:19:44.079 --> 01:19:48.439
<v Speaker 2>shining wet my belly covered with mud, until through very

1334
01:19:48.640 --> 01:19:52.039
<v Speaker 2>excess of misery, I'll forget and ramble in the coppice,

1335
01:19:52.319 --> 01:19:55.920
<v Speaker 2>interested in every undulation of the grass, eager to revive

1336
01:19:55.960 --> 01:19:59.680
<v Speaker 2>the drowned sense in it. She'll become communicative when she

1337
01:19:59.720 --> 01:20:03.079
<v Speaker 2>sees me hurrying along, and we'll talk. Ha, tobby dogs,

1338
01:20:03.119 --> 01:20:06.239
<v Speaker 2>You'll say, ha, a bird there on the branch. Look,

1339
01:20:06.279 --> 01:20:10.279
<v Speaker 2>you booby, Now he's gone. Show condole with me. Then

1340
01:20:10.399 --> 01:20:13.119
<v Speaker 2>until I'm on the verge of tears, Oh, my little

1341
01:20:13.159 --> 01:20:17.399
<v Speaker 2>black boy, my sympathetic cylinder, my betraychean love, How cold

1342
01:20:17.439 --> 01:20:21.279
<v Speaker 2>you are, how wet, how sad, how you suffer? Ooh,

1343
01:20:22.159 --> 01:20:24.920
<v Speaker 2>And before I'm able to judge the sincerity of her pity,

1344
01:20:25.279 --> 01:20:28.439
<v Speaker 2>the tears will overflow my throat contract and will wail

1345
01:20:28.520 --> 01:20:33.039
<v Speaker 2>in unison. Ah, but what delirious joy. When the capricious

1346
01:20:33.039 --> 01:20:36.199
<v Speaker 2>wooden shoes turn again toward the house, hurrying to rejoin

1347
01:20:36.279 --> 01:20:39.720
<v Speaker 2>him whom we've left scratching paper, they don't go half

1348
01:20:39.760 --> 01:20:42.840
<v Speaker 2>fast enough for me. Then I jump round her, barking

1349
01:20:42.840 --> 01:20:45.560
<v Speaker 2>with the light to see the hill diminishing, or climb

1350
01:20:45.560 --> 01:20:48.239
<v Speaker 2>at an end to smell the good stable smell and

1351
01:20:48.319 --> 01:20:51.319
<v Speaker 2>that of burning wood. As we near the house. At last,

1352
01:20:51.319 --> 01:20:54.399
<v Speaker 2>you shine forth, oh fire, oh sun, through the misty

1353
01:20:54.439 --> 01:20:58.039
<v Speaker 2>window pane. I shall hardly have crossed the threshold, and

1354
01:20:58.119 --> 01:21:01.119
<v Speaker 2>an overpowering sleepiness will dash me to the floor in

1355
01:21:01.159 --> 01:21:03.800
<v Speaker 2>front of you, You who will reduce the mud on

1356
01:21:03.880 --> 01:21:06.720
<v Speaker 2>my belly to fine powder and change the water of

1357
01:21:06.760 --> 01:21:08.319
<v Speaker 2>the roads to smoky vapor.

1358
01:21:09.520 --> 01:21:13.359
<v Speaker 3>A delightful glow penetrates my coat to the silky down,

1359
01:21:13.880 --> 01:21:19.199
<v Speaker 3>the impalpable colorless threads which protect my delicate skin. I

1360
01:21:19.279 --> 01:21:23.920
<v Speaker 3>feel myself swelling like a cloud. I must quite fill

1361
01:21:24.000 --> 01:21:29.640
<v Speaker 3>the room. My whiskers seem charged with electricity, a sign

1362
01:21:29.760 --> 01:21:33.319
<v Speaker 3>that I will sleep. But for the time being, the

1363
01:21:33.399 --> 01:21:37.159
<v Speaker 3>contemplation of your splendor and thoughts of the coming season

1364
01:21:37.279 --> 01:21:41.399
<v Speaker 3>keep me awake. It's raining, I shall not go out.

1365
01:21:41.840 --> 01:21:44.600
<v Speaker 3>I'll wait for the sun or the dry wind, or

1366
01:21:44.680 --> 01:21:50.119
<v Speaker 3>better still, the frost. Ah how the biting coal stimulates me.

1367
01:21:50.880 --> 01:21:54.880
<v Speaker 3>It lashes my lungs with handfuls of needles and makes

1368
01:21:54.920 --> 01:21:59.359
<v Speaker 3>a bon bon blassee of my charming nose. The rollicking

1369
01:21:59.760 --> 01:22:03.880
<v Speaker 3>frost sprite will blow his madness into me. She'll laugh,

1370
01:22:04.000 --> 01:22:07.960
<v Speaker 3>and he too, leaving his scratching paper to see me

1371
01:22:08.199 --> 01:22:12.359
<v Speaker 3>vie with the leaves in bounds, leaps and wild whirlings,

1372
01:22:12.439 --> 01:22:15.880
<v Speaker 3>resembling a floating flurry of gray smoke rather than a

1373
01:22:15.920 --> 01:22:19.680
<v Speaker 3>cat to the top of a tree. Down again. Then

1374
01:22:19.840 --> 01:22:24.159
<v Speaker 3>seven turns after my tail, a perilous backward leap, a

1375
01:22:24.319 --> 01:22:30.119
<v Speaker 3>vertical jump with aerial domes, du ventre gyrations, sneezes, careering

1376
01:22:30.199 --> 01:22:33.680
<v Speaker 3>from the reel to the dream, until, in terror of myself,

1377
01:22:33.840 --> 01:22:38.359
<v Speaker 3>I come to a sudden stop. Everything turns before my eyes.

1378
01:22:38.600 --> 01:22:42.439
<v Speaker 3>I am the center of a strange spinning world. In

1379
01:22:42.560 --> 01:22:47.319
<v Speaker 3>my bewilderment, half feigned, I'll make a little moo like

1380
01:22:47.399 --> 01:22:50.680
<v Speaker 3>a cow, which will bring them both running to me,

1381
01:22:51.199 --> 01:22:56.560
<v Speaker 3>she laughing and he fearing something wrong. That will suffice

1382
01:22:56.600 --> 01:22:59.920
<v Speaker 3>to sober me. And with a bold front and noble

1383
01:23:01.319 --> 01:23:04.840
<v Speaker 3>I'll regain this cushion near your altar old fire.

1384
01:23:06.279 --> 01:23:09.479
<v Speaker 2>The hearthstone burns the horny pads of my feet. What

1385
01:23:09.560 --> 01:23:13.039
<v Speaker 2>shall I do? Move away? Never, I'll toast to death

1386
01:23:13.119 --> 01:23:16.920
<v Speaker 2>rather than give up this redoubtable bliss. Heaven prevent her coming.

1387
01:23:17.000 --> 01:23:19.600
<v Speaker 2>Now I've reason to fear the lash of the whip

1388
01:23:19.680 --> 01:23:23.000
<v Speaker 2>and the magic words which mean exile. Toby, that's stupid.

1389
01:23:23.079 --> 01:23:25.760
<v Speaker 2>I forbid you to roast yourself. You'll have sore eyes

1390
01:23:25.800 --> 01:23:28.439
<v Speaker 2>and catch cold when you go out. That's what she says,

1391
01:23:28.479 --> 01:23:31.000
<v Speaker 2>while I regard her with a stupid look of utter devotion.

1392
01:23:31.760 --> 01:23:35.279
<v Speaker 2>But she's never duped by it. I hear noises upstairs,

1393
01:23:35.319 --> 01:23:38.560
<v Speaker 2>her step coming and going. I wonder as her vagabond

1394
01:23:38.600 --> 01:23:41.800
<v Speaker 2>fancy wearied at last this morning, she whistled to me,

1395
01:23:41.840 --> 01:23:43.800
<v Speaker 2>and in my haste to obey her, I rolled to

1396
01:23:43.840 --> 01:23:46.560
<v Speaker 2>the bottom of the stairs. Being low and thick set,

1397
01:23:46.600 --> 01:23:49.039
<v Speaker 2>with short legs, no nose, and almost no tail to

1398
01:23:49.079 --> 01:23:52.880
<v Speaker 2>balance me. Well, we set off. The last apples were

1399
01:23:52.960 --> 01:23:56.399
<v Speaker 2>rocking to and fro on swaying branches, my happy voice,

1400
01:23:56.560 --> 01:23:59.359
<v Speaker 2>a joyful shout from her now, and then the vain

1401
01:23:59.399 --> 01:24:02.399
<v Speaker 2>crowing of the cock, the creaking of wagons on the road.

1402
01:24:02.920 --> 01:24:06.560
<v Speaker 2>All these sounds floated on a bluish, cottony, suffocating fog.

1403
01:24:07.159 --> 01:24:10.000
<v Speaker 2>She took me far, and many marvelous things happened on

1404
01:24:10.079 --> 01:24:14.199
<v Speaker 2>our way. We met terrible giant dogs. My proud bearings

1405
01:24:14.199 --> 01:24:16.840
<v Speaker 2>seemed to exasperate them, but I kept them back with

1406
01:24:16.920 --> 01:24:20.880
<v Speaker 2>a single look. Besides, a closed iron gate rendered them powerless.

1407
01:24:21.439 --> 01:24:24.199
<v Speaker 2>I chased a rabbit into the thicket. Though she cried loudly,

1408
01:24:24.359 --> 01:24:27.199
<v Speaker 2>I forbid you to touch the little animal. My mother

1409
01:24:27.279 --> 01:24:29.880
<v Speaker 2>certainly gave me swift legs, but they're short, and the

1410
01:24:29.920 --> 01:24:32.760
<v Speaker 2>white end of the little beast kept far ahead. A

1411
01:24:32.800 --> 01:24:35.800
<v Speaker 2>bush covered with red berries detained us a very long time.

1412
01:24:36.439 --> 01:24:38.960
<v Speaker 2>She sees no objection to eating strange things. And I

1413
01:24:39.000 --> 01:24:41.880
<v Speaker 2>can truthfully say that I always taste everything she offers me,

1414
01:24:42.239 --> 01:24:45.960
<v Speaker 2>for I've great faith in her. But this morning, eat toby,

1415
01:24:46.079 --> 01:24:46.760
<v Speaker 2>nice berries.

1416
01:24:46.840 --> 01:24:47.079
<v Speaker 3>Eat.

1417
01:24:47.239 --> 01:24:49.720
<v Speaker 2>Here are some rose hips, Oh stupid, how can you

1418
01:24:49.800 --> 01:24:52.600
<v Speaker 2>not dote upon their delicious flavor? I assure you these

1419
01:24:52.600 --> 01:24:56.119
<v Speaker 2>are comforts of Mother Nature's making. In deference to her,

1420
01:24:56.319 --> 01:24:58.880
<v Speaker 2>I chewed a reddish ball. There are some rough hairs

1421
01:24:58.920 --> 01:25:01.840
<v Speaker 2>on it, put their outlets by her teasing hand. And

1422
01:25:01.920 --> 01:25:06.319
<v Speaker 2>what was bound to happen did happen. Ha ha, My throat

1423
01:25:06.359 --> 01:25:10.720
<v Speaker 2>rejected the nasty rose hip. But listen fire. What I

1424
01:25:10.760 --> 01:25:14.000
<v Speaker 2>saw after that passes my understanding. It was in a

1425
01:25:14.000 --> 01:25:17.319
<v Speaker 2>wood where stiff leaves rustled. Had she carried you under

1426
01:25:17.319 --> 01:25:19.800
<v Speaker 2>her cloak? Or do gods like you come at her bidding?

1427
01:25:20.640 --> 01:25:23.319
<v Speaker 2>I saw her hands pile up the wood, arrange flat

1428
01:25:23.359 --> 01:25:26.880
<v Speaker 2>stones in some mysterious fashion, and then fire. I saw

1429
01:25:26.920 --> 01:25:30.840
<v Speaker 2>the sparks flash, and your joyous soul, palpitate, grow big, sore,

1430
01:25:31.039 --> 01:25:34.880
<v Speaker 2>naked and rose colored, veil itself in smoke, snapped noisily

1431
01:25:35.199 --> 01:25:39.680
<v Speaker 2>for yours as a belligerent soul, agonize and disappear. The

1432
01:25:39.760 --> 01:25:44.039
<v Speaker 2>world is full of incomprehensible things. Last of all, on

1433
01:25:44.119 --> 01:25:47.600
<v Speaker 2>our way back, I discovered near the park gate, saw

1434
01:25:47.600 --> 01:25:51.600
<v Speaker 2>it before she did, one of those invincible beasts called hedgehogs,

1435
01:25:51.720 --> 01:25:53.920
<v Speaker 2>the mere sight of which brings us dogs to bay.

1436
01:25:54.640 --> 01:25:57.439
<v Speaker 2>What madness to realize that an animal is hiding under

1437
01:25:57.439 --> 01:25:59.920
<v Speaker 2>that pincushion and laughing at me, and that I can

1438
01:26:00.079 --> 01:26:03.960
<v Speaker 2>do nothing nothing, I implored her. She can do nearly

1439
01:26:04.000 --> 01:26:07.439
<v Speaker 2>everything to pluck him for me. She began by turning

1440
01:26:07.479 --> 01:26:09.319
<v Speaker 2>him over with a little stick, as if he were

1441
01:26:09.359 --> 01:26:13.359
<v Speaker 2>a horse chestnut. Astonishing, said she, I can't find the

1442
01:26:13.399 --> 01:26:16.079
<v Speaker 2>top of him. Then she took one of his spines

1443
01:26:16.079 --> 01:26:18.880
<v Speaker 2>between two fingers and carried him home that way, I

1444
01:26:19.079 --> 01:26:22.039
<v Speaker 2>dancing behind her, and put him in her work basket.

1445
01:26:22.800 --> 01:26:26.239
<v Speaker 2>After a while, the horrid beast unrolled himself, stuck out

1446
01:26:26.239 --> 01:26:29.159
<v Speaker 2>a pig like nose, opened two shiny rats eyes, and

1447
01:26:29.319 --> 01:26:32.520
<v Speaker 2>raised himself, holding fast by his little paws, which were

1448
01:26:32.560 --> 01:26:36.239
<v Speaker 2>exactly like a mule's. How pretty he is, She cried,

1449
01:26:36.560 --> 01:26:39.920
<v Speaker 2>a real little black pig. I stood near the table,

1450
01:26:39.960 --> 01:26:43.039
<v Speaker 2>groaning with covetousness. But she didn't pluck him for me,

1451
01:26:43.159 --> 01:26:46.119
<v Speaker 2>not then or ever. And perhaps the cook ate him,

1452
01:26:46.920 --> 01:26:50.520
<v Speaker 2>this cancer dissembler. Maybe he but away with care. I'm

1453
01:26:50.560 --> 01:26:53.680
<v Speaker 2>too excitable. I mustn't let myself think of these things.

1454
01:26:54.159 --> 01:26:57.720
<v Speaker 2>Life is beautiful, old fire, since you illumine it. I'm

1455
01:26:57.760 --> 01:27:02.079
<v Speaker 2>going to sleep. Watch over my unco body. I'm going

1456
01:27:02.920 --> 01:27:03.880
<v Speaker 2>to sleep.

1457
01:27:05.319 --> 01:27:09.039
<v Speaker 3>One would think me asleep, because the narrow slit made

1458
01:27:09.119 --> 01:27:12.960
<v Speaker 3>by my parted eyelids seems but the continuation of that

1459
01:27:13.119 --> 01:27:18.479
<v Speaker 3>velvety line, that bold crayon stroke, a sort of oriental

1460
01:27:18.560 --> 01:27:23.920
<v Speaker 3>make up, uniting my eyelids and my ears. But I'm awake,

1461
01:27:24.560 --> 01:27:29.840
<v Speaker 3>keeping watch like a yogi, in a state of blissful ankylosis,

1462
01:27:30.119 --> 01:27:34.079
<v Speaker 3>conscious of all that's going on around me. My privileged

1463
01:27:34.119 --> 01:27:38.680
<v Speaker 3>eyes fire do but behold you better when they are closed,

1464
01:27:39.119 --> 01:27:42.079
<v Speaker 3>and I can count the various essences you mingle in

1465
01:27:42.119 --> 01:27:46.119
<v Speaker 3>a sparkling bouquet. Here, in a flame of mauve color

1466
01:27:46.159 --> 01:27:50.319
<v Speaker 3>and blue, close the soul of a branch of arbor vitti.

1467
01:27:50.920 --> 01:27:54.199
<v Speaker 3>Yesterday it waved a plume like shadow on the garden

1468
01:27:54.239 --> 01:27:58.600
<v Speaker 3>walk to day with its delicate twigs, it is but

1469
01:27:58.720 --> 01:28:02.359
<v Speaker 3>a writhing skeleton. She cut it with one stroke of

1470
01:28:02.399 --> 01:28:06.239
<v Speaker 3>the pruning scissors. Why that it might breathe out its

1471
01:28:06.319 --> 01:28:10.920
<v Speaker 3>fervent blue and mauve colored soul. For like me, she

1472
01:28:11.079 --> 01:28:14.760
<v Speaker 3>delights in your dance fire and chastises you when you

1473
01:28:14.760 --> 01:28:19.439
<v Speaker 3>are quiet with a stern pair of tongs. Sitting there

1474
01:28:19.439 --> 01:28:22.560
<v Speaker 3>with her head bent and her arms hanging along her sides,

1475
01:28:23.479 --> 01:28:26.840
<v Speaker 3>what does she read? I wonder, in that fiery rose,

1476
01:28:27.199 --> 01:28:30.399
<v Speaker 3>which is the labyrinthian heart of you? She knows a

1477
01:28:30.439 --> 01:28:34.159
<v Speaker 3>great deal, certainly, but not as much as a cat.

1478
01:28:35.720 --> 01:28:39.000
<v Speaker 3>That thick tear on the log represents the anguish of

1479
01:28:39.039 --> 01:28:43.199
<v Speaker 3>a very old fir tree killed by the assiduous ivy.

1480
01:28:44.119 --> 01:28:47.680
<v Speaker 3>Just a short time ago. I saw it struck down,

1481
01:28:48.199 --> 01:28:51.960
<v Speaker 3>lying on the grass, its foliage looking like a beautiful

1482
01:28:52.079 --> 01:28:55.600
<v Speaker 3>head of reddish hair. I saw the axe that felled

1483
01:28:55.600 --> 01:29:00.640
<v Speaker 3>it too. Its trunk weeps tears of resin which trail

1484
01:29:00.720 --> 01:29:05.439
<v Speaker 3>along and drivel, then change to heavy creeping flame. But

1485
01:29:05.720 --> 01:29:09.039
<v Speaker 3>the dry red locks break into lines of living fire,

1486
01:29:09.399 --> 01:29:13.680
<v Speaker 3>whistle and shoot innumerable jets of many colors, underneath a

1487
01:29:13.800 --> 01:29:23.720
<v Speaker 3>broad gold wave that rolls voluptuously. Ah, love, hunting, fighting.

1488
01:29:25.159 --> 01:29:28.520
<v Speaker 3>It's your light fire that discovers these passions in the

1489
01:29:28.560 --> 01:29:32.479
<v Speaker 3>depths of my being. It's time the little winged creatures

1490
01:29:32.640 --> 01:29:37.920
<v Speaker 3>searching withered berries came near. I'll have them soon. I'll

1491
01:29:38.000 --> 01:29:43.520
<v Speaker 3>watch motionless in the brushwood, wildly wishing that the earth

1492
01:29:43.520 --> 01:29:47.119
<v Speaker 3>itself might hide me, the muscles of my legs twitching

1493
01:29:47.199 --> 01:29:52.159
<v Speaker 3>with desire to make the spring, my chin trembling. Then

1494
01:29:52.239 --> 01:29:55.800
<v Speaker 3>if I don't betray my hiding place by an irrepressible

1495
01:29:55.920 --> 01:29:59.920
<v Speaker 3>quavering frightening them away in one great commotion of wings

1496
01:30:00.079 --> 01:30:06.359
<v Speaker 3>and rustling branches. But no, I'm master of myself, one

1497
01:30:06.479 --> 01:30:10.920
<v Speaker 3>bound at exactly the right moment, And my feeble prey

1498
01:30:11.039 --> 01:30:15.199
<v Speaker 3>is panting under me. Oh, the ridiculous effort of a

1499
01:30:15.239 --> 01:30:20.479
<v Speaker 3>weak animal, its tiny, ineffectual claws and pointed wings beating

1500
01:30:20.520 --> 01:30:25.079
<v Speaker 3>against my face. My jaws will open to the splitting point,

1501
01:30:25.159 --> 01:30:29.760
<v Speaker 3>and my perfect nose wrinkle ferociously for the joy of

1502
01:30:29.840 --> 01:30:35.680
<v Speaker 3>holding a living, terrified body. I'll know the intoxication of battle.

1503
01:30:36.319 --> 01:30:41.159
<v Speaker 3>I'll prance victoriously, shaking my head to torment the bird

1504
01:30:41.199 --> 01:30:44.720
<v Speaker 3>a little, for it faints away too soon between my teeth,

1505
01:30:45.399 --> 01:30:49.119
<v Speaker 3>terrible to see I'll gallop towards the house, singing in

1506
01:30:49.159 --> 01:30:53.079
<v Speaker 3>a strangled voice without loosening my grip. For he must

1507
01:30:53.119 --> 01:30:56.720
<v Speaker 3>stop his scratching to admire me, and she must give

1508
01:30:56.880 --> 01:31:02.359
<v Speaker 3>chase with distracted cries. Wicked savage cat, drop that bird,

1509
01:31:02.560 --> 01:31:06.079
<v Speaker 3>Drop that bird. Oh, I beg of you. It hurts

1510
01:31:06.159 --> 01:31:12.720
<v Speaker 3>me so ha. She never can have hunted. I intend

1511
01:31:12.840 --> 01:31:17.279
<v Speaker 3>to astonish the world fire during winter's reign. The cat

1512
01:31:17.399 --> 01:31:20.640
<v Speaker 3>that lives at the farm, she says, the farmer's cat,

1513
01:31:21.199 --> 01:31:24.399
<v Speaker 3>while we say the cat's farmer. The fellow that's so

1514
01:31:24.640 --> 01:31:28.880
<v Speaker 3>badly dressed, disfigured by the nose of a weasel, and

1515
01:31:29.000 --> 01:31:32.399
<v Speaker 3>seems to walk on stilts. His legs are so long. Well,

1516
01:31:32.479 --> 01:31:36.840
<v Speaker 3>he sharpens his claws and regards me the while patience.

1517
01:31:37.680 --> 01:31:43.680
<v Speaker 3>He's strong, brutal, irresolute, and utterly lacks distinction. The slamming

1518
01:31:43.720 --> 01:31:46.720
<v Speaker 3>of a door terrifies him. He puts back his ears

1519
01:31:46.720 --> 01:31:51.880
<v Speaker 3>and flies panic stricken. Still, I've seen him kill a

1520
01:31:51.880 --> 01:31:55.439
<v Speaker 3>good sized hen without making any fuss about it. For

1521
01:31:55.560 --> 01:31:59.199
<v Speaker 3>a glance of the young cat's deceitful eyes, or right

1522
01:31:59.239 --> 01:32:02.159
<v Speaker 3>of precedence on the garden wall. For a word of

1523
01:32:02.199 --> 01:32:04.319
<v Speaker 3>double meaning, for nothing but for the fun of it,

1524
01:32:05.319 --> 01:32:09.159
<v Speaker 3>I'll take my chances with him. He'll learn that a

1525
01:32:09.239 --> 01:32:13.560
<v Speaker 3>mysterious silence can demoralize the enemy quite as effectively as

1526
01:32:13.640 --> 01:32:17.439
<v Speaker 3>murderous cries. The low garden wall seems to me a

1527
01:32:17.479 --> 01:32:21.079
<v Speaker 3>convenient place. Let him try his horse meowling in all

1528
01:32:21.159 --> 01:32:26.920
<v Speaker 3>possible keys. May his unsightly face and more hideous body

1529
01:32:27.039 --> 01:32:30.960
<v Speaker 3>dislocate itself in a deceitful ataxia. For there still at

1530
01:32:31.000 --> 01:32:34.479
<v Speaker 3>these old tricks. I'll be proof against it all, and

1531
01:32:34.600 --> 01:32:39.119
<v Speaker 3>merely flash the green magnetism of my magnificent eyes upon him.

1532
01:32:39.520 --> 01:32:43.840
<v Speaker 3>His brows will fall under their persistent insult. A shudder

1533
01:32:43.920 --> 01:32:46.920
<v Speaker 3>will run along his spine. He'll do a few steps

1534
01:32:46.960 --> 01:32:51.439
<v Speaker 3>of our ancient war dance forward, back forward again. But

1535
01:32:51.560 --> 01:32:57.119
<v Speaker 3>I'll stand motionless as the statue of a cat. The

1536
01:32:57.159 --> 01:33:02.520
<v Speaker 3>green witchcraft of my gaze will strike terror and madness

1537
01:33:02.520 --> 01:33:06.680
<v Speaker 3>into my rival, and soon I'll see him writhe utter

1538
01:33:06.880 --> 01:33:10.960
<v Speaker 3>false cries, and as a last resource, try to balance

1539
01:33:11.039 --> 01:33:13.760
<v Speaker 3>himself on the nape of his neck like a forked

1540
01:33:13.840 --> 01:33:18.920
<v Speaker 3>pear tree, only to roll over shamefully into the potato field.

1541
01:33:21.119 --> 01:33:24.840
<v Speaker 3>All that will come to pass fire exactly as I've

1542
01:33:24.920 --> 01:33:29.600
<v Speaker 3>told it to day. The future dawns in your new flame.

1543
01:33:30.680 --> 01:33:36.359
<v Speaker 3>I'm growing drowsy. My purr and your crackling are ceasing together.

1544
01:33:38.119 --> 01:33:41.840
<v Speaker 3>I see you still, and already I catch glimpses of

1545
01:33:41.920 --> 01:33:45.760
<v Speaker 3>my dreams. The silky sound of the rain against the

1546
01:33:45.800 --> 01:33:50.000
<v Speaker 3>window is soft as a caress, and the water pipe

1547
01:33:50.039 --> 01:33:55.159
<v Speaker 3>on the roof sobs low like a pigeon. Don't go

1548
01:33:55.279 --> 01:34:01.279
<v Speaker 3>out during my nap fire. Remember you're the guardian of

1549
01:34:01.319 --> 01:34:13.399
<v Speaker 3>my august repose that delicate death known as a cat's sleep.

1550
01:34:15.000 --> 01:34:19.399
<v Speaker 1>The storm a suffocating summer's day in the country. The

1551
01:34:19.399 --> 01:34:23.279
<v Speaker 1>blinds of the house are half closed. Not a sound

1552
01:34:23.359 --> 01:34:27.279
<v Speaker 1>is heard from within, not a murmur from the parched garden,

1553
01:34:27.680 --> 01:34:31.800
<v Speaker 1>where even the sensitive leaves of the mimosa hang motionless.

1554
01:34:32.520 --> 01:34:35.720
<v Speaker 1>Kiki the Demure and Toby Dog begin to feel uncomfortably

1555
01:34:35.800 --> 01:34:38.439
<v Speaker 1>conscious of the coming storm, which is yet but a

1556
01:34:38.520 --> 01:34:41.359
<v Speaker 1>slate blue plinth thickly painted at the bottom of the

1557
01:34:41.439 --> 01:34:45.680
<v Speaker 1>dull blue sky wall. Toby Dog lying restlessly, first on

1558
01:34:45.680 --> 01:34:46.760
<v Speaker 1>one side, then the other.

1559
01:34:47.399 --> 01:34:50.680
<v Speaker 2>No use, I can't be comfortable. What does this heat

1560
01:34:50.760 --> 01:34:54.399
<v Speaker 2>mean anyway? I must be sick. It began at breakfast.

1561
01:34:54.560 --> 01:34:56.840
<v Speaker 2>I didn't like the meat and sniffed as dainfully at

1562
01:34:56.880 --> 01:35:00.279
<v Speaker 2>my dog, biscuit. Something awful is going to happen. I

1563
01:35:00.319 --> 01:35:03.239
<v Speaker 2>haven't done anything wrong that I know of. My conscience

1564
01:35:03.279 --> 01:35:07.000
<v Speaker 2>is clear, and yet I'm suffering. There lies my chum,

1565
01:35:07.119 --> 01:35:09.880
<v Speaker 2>shivering and unable to sleep. I know why, his quick

1566
01:35:09.920 --> 01:35:13.720
<v Speaker 2>breathing that he feels just as I do. I say, can't?

1567
01:35:14.039 --> 01:35:16.399
<v Speaker 1>Can you give it? Amure irritably in a low tone.

1568
01:35:17.079 --> 01:35:18.760
<v Speaker 3>Be quiet what.

1569
01:35:19.039 --> 01:35:20.239
<v Speaker 2>You're listening to? Some noise?

1570
01:35:20.840 --> 01:35:26.039
<v Speaker 3>No heavens, No, don't mention noise. The mere sound of

1571
01:35:26.079 --> 01:35:28.279
<v Speaker 3>your voice makes the skin on my back go in

1572
01:35:28.399 --> 01:35:29.760
<v Speaker 3>waves like the sea.

1573
01:35:30.159 --> 01:35:31.319
<v Speaker 1>Toby dog frightened.

1574
01:35:31.840 --> 01:35:32.920
<v Speaker 2>Are you going to die?

1575
01:35:33.680 --> 01:35:36.720
<v Speaker 3>I hope not. I've a sick headache. Can't you see

1576
01:35:36.720 --> 01:35:40.399
<v Speaker 3>the arteries throbbing under the almost hairless skin of my temples,

1577
01:35:41.000 --> 01:35:46.079
<v Speaker 3>the transparent bluish skin that denotes a thoroughbred. It's atrocious.

1578
01:35:46.960 --> 01:35:50.319
<v Speaker 3>The veins on my forehead are like writhing vipers. And

1579
01:35:50.399 --> 01:35:54.760
<v Speaker 3>I don't know what gnome forges in my brain. Oh,

1580
01:35:54.880 --> 01:35:58.680
<v Speaker 3>be quiet, or at least speak so low that the

1581
01:35:58.720 --> 01:36:02.079
<v Speaker 3>coursing of my agitator blood may drown the sound of

1582
01:36:02.119 --> 01:36:02.800
<v Speaker 3>your voice.

1583
01:36:03.119 --> 01:36:06.319
<v Speaker 2>But it's this very silence that oppresses me. I tremble

1584
01:36:06.319 --> 01:36:08.840
<v Speaker 2>and I don't know why I long for the familiar

1585
01:36:08.880 --> 01:36:11.520
<v Speaker 2>voice of the wind in the chimney, the slamming of doors,

1586
01:36:11.600 --> 01:36:15.319
<v Speaker 2>the whispering of the garden, the popular ceaseless rustle. It

1587
01:36:15.399 --> 01:36:17.039
<v Speaker 2>always sounds like a trickling spring.

1588
01:36:17.520 --> 01:36:20.640
<v Speaker 3>The uproar will come soon enough, do you think so?

1589
01:36:21.359 --> 01:36:24.199
<v Speaker 2>I wish she'd scratch paper. It's an idle habit, but

1590
01:36:24.279 --> 01:36:27.399
<v Speaker 2>an honored one. And see how listless she is there

1591
01:36:27.399 --> 01:36:30.920
<v Speaker 2>in her wicker chair. Their silence frightens me more than anything.

1592
01:36:31.479 --> 01:36:34.039
<v Speaker 2>She seems asleep, but I can see her eyelashes move,

1593
01:36:34.079 --> 01:36:36.880
<v Speaker 2>and the tips of her fingers too. She's forgetting to

1594
01:36:36.880 --> 01:36:39.119
<v Speaker 2>play with the little balls of thread and doesn't sing

1595
01:36:39.279 --> 01:36:43.039
<v Speaker 2>or whistle. She suffers just as we do. Do you

1596
01:36:43.079 --> 01:36:44.680
<v Speaker 2>think this can be the end of the world?

1597
01:36:44.760 --> 01:36:49.680
<v Speaker 3>Cat, No, it's a storm. Heaven's how uncomfortable I am.

1598
01:36:50.520 --> 01:36:53.319
<v Speaker 3>If I could only get out of my skin, cast

1599
01:36:53.359 --> 01:36:57.760
<v Speaker 3>off this fleece which is smothering me, flinging myself naked

1600
01:36:57.800 --> 01:37:02.560
<v Speaker 3>as a skinned mouse, into a fresher at me. Oh dog,

1601
01:37:03.159 --> 01:37:06.239
<v Speaker 3>you cannot see the sparks that make every separate hair

1602
01:37:06.359 --> 01:37:09.960
<v Speaker 3>on my body crackle, but I feel them. Don't come near.

1603
01:37:10.439 --> 01:37:12.760
<v Speaker 3>A blue flame is going to shoot out of.

1604
01:37:12.720 --> 01:37:14.880
<v Speaker 1>Me Toby Dog's shuddering.

1605
01:37:15.439 --> 01:37:17.319
<v Speaker 2>Things are coming to an awful pass.

1606
01:37:17.800 --> 01:37:19.359
<v Speaker 1>He drags himself to the porch.

1607
01:37:19.880 --> 01:37:22.239
<v Speaker 2>What have they done to the out of doors? Look?

1608
01:37:22.359 --> 01:37:24.800
<v Speaker 2>The trees are all blue, and the grass glistens like

1609
01:37:24.840 --> 01:37:28.840
<v Speaker 2>a sheet of water. What mournful sunlight? It shines white

1610
01:37:28.880 --> 01:37:31.039
<v Speaker 2>on the slate roofs, and the little houses over there

1611
01:37:31.039 --> 01:37:34.600
<v Speaker 2>on the hill look like brand new tombstones. A heavy odor,

1612
01:37:34.680 --> 01:37:37.560
<v Speaker 2>like bitter almond, creeps from the white bell shaped blossoms

1613
01:37:37.600 --> 01:37:41.239
<v Speaker 2>of the Deturres and makes me feel sick and faint.

1614
01:37:41.720 --> 01:37:44.359
<v Speaker 2>Far away, some smoke, heavy as the perfume of the

1615
01:37:44.399 --> 01:37:47.840
<v Speaker 2>Detourres goes slowly up in a straight line and falls

1616
01:37:47.880 --> 01:37:53.079
<v Speaker 2>again like a broken agrit. But come and see for yourself, Kiki.

1617
01:37:52.800 --> 01:37:55.319
<v Speaker 1>The demure walks faltering me to the porch.

1618
01:37:56.199 --> 01:37:59.279
<v Speaker 2>My word, you're changed too, cat. You look as if

1619
01:37:59.279 --> 01:38:02.039
<v Speaker 2>you were starving. Your face is so drawn. Your fur

1620
01:38:02.159 --> 01:38:05.000
<v Speaker 2>is plastered down in some places and sticking up in other's.

1621
01:38:05.199 --> 01:38:07.399
<v Speaker 2>Gives you the expression of a weasel that had tumbled

1622
01:38:07.399 --> 01:38:07.960
<v Speaker 2>into oil.

1623
01:38:08.479 --> 01:38:12.560
<v Speaker 3>Don't let that worry you. I'll regain my dignity if

1624
01:38:12.600 --> 01:38:16.520
<v Speaker 3>ever another day dawns for us to day, I drag

1625
01:38:16.640 --> 01:38:21.560
<v Speaker 3>myself around unwashed, uncombed, like a woman not of love

1626
01:38:21.640 --> 01:38:23.119
<v Speaker 3>with love and life.

1627
01:38:23.720 --> 01:38:27.279
<v Speaker 2>You say such distressing things, I think I'll whine and

1628
01:38:27.319 --> 01:38:29.840
<v Speaker 2>call for help. Perhaps I better go to her and

1629
01:38:29.880 --> 01:38:31.960
<v Speaker 2>look in her face for the comfort. You refuse me.

1630
01:38:32.680 --> 01:38:35.760
<v Speaker 2>But she seems asleep now in that wicker chair, And

1631
01:38:35.800 --> 01:38:37.600
<v Speaker 2>how can I read my fate in her eyes? When

1632
01:38:37.600 --> 01:38:41.239
<v Speaker 2>their lids are down. I'll lick her hand, very respectfully

1633
01:38:41.279 --> 01:38:44.199
<v Speaker 2>and ever so lightly. That will wake her, and oh,

1634
01:38:44.279 --> 01:38:46.880
<v Speaker 2>may her first caress drive away the evil charm.

1635
01:38:47.319 --> 01:38:49.640
<v Speaker 1>He nicks the hand hanging at the side of the chair.

1636
01:38:50.359 --> 01:38:54.800
<v Speaker 5>She with a scream A heavens, how you frighten me?

1637
01:38:55.439 --> 01:38:57.760
<v Speaker 5>Was there ever such a ninny as this dog?

1638
01:38:58.600 --> 01:38:58.880
<v Speaker 3>There?

1639
01:38:59.479 --> 01:39:03.279
<v Speaker 1>She admitted, does a smart rap on the nose. Toby's

1640
01:39:03.319 --> 01:39:06.800
<v Speaker 1>nerves give way, and he howls loud and long.

1641
01:39:07.239 --> 01:39:15.279
<v Speaker 5>Oh quiet, not a word I say out of my sight.

1642
01:39:15.800 --> 01:39:18.399
<v Speaker 5>I don't know what's the matter, but I hate you.

1643
01:39:18.800 --> 01:39:21.399
<v Speaker 5>And that cat sitting there looking at me like a

1644
01:39:21.399 --> 01:39:22.439
<v Speaker 5>bump on a log.

1645
01:39:22.840 --> 01:39:24.359
<v Speaker 1>Kiki, the demure bristling.

1646
01:39:24.960 --> 01:39:28.199
<v Speaker 3>If she dares to touch me, I'll devour her.

1647
01:39:29.119 --> 01:39:31.760
<v Speaker 1>Just at this dangerous crisis. A low rumbling is heard,

1648
01:39:31.840 --> 01:39:34.920
<v Speaker 1>distant and then near impossible to tell whether it comes

1649
01:39:34.960 --> 01:39:37.760
<v Speaker 1>from the horizon or arises from the house itself, all

1650
01:39:37.800 --> 01:39:40.520
<v Speaker 1>three in whose interests in the quarrel, Toby Dog and

1651
01:39:40.600 --> 01:39:43.960
<v Speaker 1>Kiki the Demure slink away as if responding to a signal,

1652
01:39:44.119 --> 01:39:47.600
<v Speaker 1>and seeks shelter, one under the bookcase and the other

1653
01:39:48.000 --> 01:39:52.079
<v Speaker 1>under an arm chair. She turns anxiously to the leaden

1654
01:39:52.239 --> 01:39:55.920
<v Speaker 1>hued garden and the great violet bank of cloud, which

1655
01:39:56.079 --> 01:39:59.079
<v Speaker 1>all of a sudden is riven by a blinding streak

1656
01:39:59.279 --> 01:40:05.520
<v Speaker 1>of blue f She, Toby Dog, Kiki the Demure all together. Oh,

1657
01:40:06.000 --> 01:40:10.119
<v Speaker 1>A sudden crash shakes the windows, and instantly a great

1658
01:40:10.279 --> 01:40:13.520
<v Speaker 1>rush of wind envelops the house with a noise as

1659
01:40:13.560 --> 01:40:18.439
<v Speaker 1>of flapping canvas. All the garden prostrates itself. She in

1660
01:40:18.560 --> 01:40:24.239
<v Speaker 1>anguish heavens the apples. Toby Dog invisible.

1661
01:40:24.640 --> 01:40:26.800
<v Speaker 2>I'll let them cut my ears into strips rather than

1662
01:40:26.840 --> 01:40:27.920
<v Speaker 2>leave this hiding place.

1663
01:40:28.560 --> 01:40:30.159
<v Speaker 1>Kiki the Demure, invisible.

1664
01:40:30.560 --> 01:40:33.640
<v Speaker 3>I can't help hearing, and it's as if I saw

1665
01:40:33.720 --> 01:40:38.079
<v Speaker 3>everything that's going on. She hastens to close the windows.

1666
01:40:38.840 --> 01:40:44.119
<v Speaker 3>Someone is running on the stairs. Aye, another awful flame,

1667
01:40:45.000 --> 01:40:50.920
<v Speaker 3>and everything is falling in silence. Now I wonder are

1668
01:40:50.960 --> 01:40:54.960
<v Speaker 3>they all dead? I look through the fringes of the chair,

1669
01:40:55.600 --> 01:41:00.760
<v Speaker 3>though it's risking my life to do so. Ah, hailstones

1670
01:41:00.800 --> 01:41:05.000
<v Speaker 3>making holes in the leaves. Here comes the rain in

1671
01:41:05.119 --> 01:41:10.239
<v Speaker 3>silvery drops, wide apart and so heavy that the gravel

1672
01:41:10.279 --> 01:41:11.640
<v Speaker 3>wrinkles up when they fall.

1673
01:41:12.720 --> 01:41:14.119
<v Speaker 1>She heart broken.

1674
01:41:14.640 --> 01:41:18.399
<v Speaker 5>I can hear the peaches falling, and the green nuts too.

1675
01:41:19.640 --> 01:41:24.279
<v Speaker 1>All three are silent rain, quivering streaks of lightning hissing

1676
01:41:24.399 --> 01:41:28.199
<v Speaker 1>in the pine trees. The wind howls alung.

1677
01:41:29.119 --> 01:41:32.079
<v Speaker 2>I'm not quite so afraid as I was. The sound

1678
01:41:32.079 --> 01:41:35.359
<v Speaker 2>of the rain relaxes my tired nerves. I seem to

1679
01:41:35.359 --> 01:41:37.560
<v Speaker 2>feel it streaming warmth on my ears in the back

1680
01:41:37.600 --> 01:41:40.960
<v Speaker 2>of my neck. Now the hubbub is further off. I

1681
01:41:41.000 --> 01:41:44.760
<v Speaker 2>can hear myself breathe. The light coming under this bookcase

1682
01:41:44.800 --> 01:41:47.680
<v Speaker 2>is brighter than it was. What is she doing? I

1683
01:41:47.800 --> 01:41:50.640
<v Speaker 2>daren't go out yet. If only the cat would move.

1684
01:41:51.399 --> 01:41:54.680
<v Speaker 1>He sticks out his head like a weary turtle. A

1685
01:41:54.720 --> 01:41:57.399
<v Speaker 1>flash of lightning makes him draw it back again.

1686
01:41:57.960 --> 01:42:01.039
<v Speaker 2>Ha, it's beginning all over again. Rain by the bucket

1687
01:42:01.039 --> 01:42:04.239
<v Speaker 2>falls against the window panes. Something in the chimney is

1688
01:42:04.279 --> 01:42:08.479
<v Speaker 2>trying to imitate that far away rumbling. Everything's falling to pieces,

1689
01:42:08.920 --> 01:42:10.760
<v Speaker 2>and she gave me a rap on the nose.

1690
01:42:11.840 --> 01:42:15.640
<v Speaker 3>Drop by drop, a little brownish river is filtering under

1691
01:42:15.680 --> 01:42:19.520
<v Speaker 3>the loose window sash. It's stretching out and out on

1692
01:42:19.600 --> 01:42:22.920
<v Speaker 3>the floor, winding its way over to me. I'm so

1693
01:42:23.119 --> 01:42:25.520
<v Speaker 3>hot and thirsty, I'd like to lap up some of it.

1694
01:42:26.600 --> 01:42:29.479
<v Speaker 3>My joints ache, and my ears are tired of standing

1695
01:42:29.560 --> 01:42:33.319
<v Speaker 3>up like weather cocks at every crash. My jaws are

1696
01:42:33.359 --> 01:42:36.960
<v Speaker 3>still clenched with nervous fear. The seat of this chair

1697
01:42:37.039 --> 01:42:40.279
<v Speaker 3>is too low. It annoys me rubbing against the fur

1698
01:42:40.439 --> 01:42:44.720
<v Speaker 3>on my back. However, it's some comfort to be able

1699
01:42:44.760 --> 01:42:48.079
<v Speaker 3>to think of such things, thanks to the piece that's

1700
01:42:48.159 --> 01:42:52.960
<v Speaker 3>descended on the house. The rain is falling quietly, and

1701
01:42:53.079 --> 01:42:56.000
<v Speaker 3>the wind has gone down, But the memory of the

1702
01:42:56.079 --> 01:43:01.119
<v Speaker 3>Din still hums in my ears. Can he be doing?

1703
01:43:02.239 --> 01:43:06.640
<v Speaker 3>The storm distresses him too? Why didn't he come forward

1704
01:43:06.800 --> 01:43:10.279
<v Speaker 3>to calm the raging elements? There she is opening the

1705
01:43:10.319 --> 01:43:15.039
<v Speaker 3>porch door. Isn't it too soon? No, for the hens

1706
01:43:15.079 --> 01:43:18.319
<v Speaker 3>are cackling like old maids as they hop over the puddles.

1707
01:43:18.680 --> 01:43:23.720
<v Speaker 3>We're going to have fine weather. Oh, the adorable smell

1708
01:43:23.880 --> 01:43:28.840
<v Speaker 3>of wet leaves and earth refreshed. It's so new, so pure.

1709
01:43:29.279 --> 01:43:31.760
<v Speaker 3>I seem to breathe for the first time.

1710
01:43:32.399 --> 01:43:37.119
<v Speaker 1>He creeps stealthily to the porch. Toby dogs suddenly.

1711
01:43:37.159 --> 01:43:40.840
<v Speaker 2>Ah, how good that smells like a walk. Things change

1712
01:43:40.880 --> 01:43:44.159
<v Speaker 2>so quickly one hasn't time to think. She's opened the door.

1713
01:43:44.399 --> 01:43:46.399
<v Speaker 1>Let's run, he dashes out.

1714
01:43:47.119 --> 01:43:49.960
<v Speaker 2>Well, well, the garden has got back its own color again.

1715
01:43:50.479 --> 01:43:54.239
<v Speaker 2>A warmest vapor moistes my rough grained nose. I've fell

1716
01:43:54.279 --> 01:43:57.920
<v Speaker 2>with a desire to jump and run. The grass is raking, shining,

1717
01:43:57.960 --> 01:44:01.279
<v Speaker 2>Wet horned snails are filling around in the pink gravel

1718
01:44:01.279 --> 01:44:03.760
<v Speaker 2>with the tips of their eyes, and speckled black and

1719
01:44:03.760 --> 01:44:07.279
<v Speaker 2>white slugs embroider the wall with a silver ribbon. Oh

1720
01:44:07.279 --> 01:44:09.800
<v Speaker 2>what a beautiful green and gold beasty running out there

1721
01:44:09.800 --> 01:44:12.399
<v Speaker 2>in the wet Shall I catch it? Shall I scratch

1722
01:44:12.439 --> 01:44:15.960
<v Speaker 2>his metallic shell until it breaks with a little cracking sound. No,

1723
01:44:16.640 --> 01:44:19.680
<v Speaker 2>I'd rather stay near her. She's leaning against the door,

1724
01:44:19.760 --> 01:44:23.760
<v Speaker 2>taking deep breaths and smiling quietly to herself. I'm so happy.

1725
01:44:24.239 --> 01:44:27.199
<v Speaker 2>Something inside me feels grateful to the whole world. The

1726
01:44:27.279 --> 01:44:29.960
<v Speaker 2>light is beautiful, and I'm quite sure that there'll never

1727
01:44:30.159 --> 01:44:31.479
<v Speaker 2>never be another storm.

1728
01:44:32.039 --> 01:44:35.560
<v Speaker 3>I shan't wait any longer. I'm going out I'll find

1729
01:44:35.680 --> 01:44:38.760
<v Speaker 3>dry places between the puddles for my dainty paws to

1730
01:44:38.840 --> 01:44:44.119
<v Speaker 3>step on. An imperceptible thrill runs through the streaming garden,

1731
01:44:44.560 --> 01:44:49.640
<v Speaker 3>making the jewels hung all about tremble and sparkle. The

1732
01:44:49.680 --> 01:44:53.560
<v Speaker 3>slanting rays of the setting sun find their reflection in

1733
01:44:53.640 --> 01:44:58.159
<v Speaker 3>my eyes, which are spangled with green and gold. Down

1734
01:44:58.239 --> 01:45:01.520
<v Speaker 3>near the horizon, where the sk eye is still unsettled,

1735
01:45:01.800 --> 01:45:05.199
<v Speaker 3>a glittering sword leaps up and puts to flight the

1736
01:45:05.319 --> 01:45:10.199
<v Speaker 3>dark fuming cloud horses that have been galloping over our heads. Now,

1737
01:45:10.279 --> 01:45:14.319
<v Speaker 3>the odor of the deturahs rises and perfumes all the air,

1738
01:45:14.680 --> 01:45:18.159
<v Speaker 3>mingled with that of lemon leaves bruised by the hail.

1739
01:45:18.439 --> 01:45:23.600
<v Speaker 3>The roses are crowned with midges. Oh sudden springtime. An

1740
01:45:23.600 --> 01:45:27.840
<v Speaker 3>involuntary smile stretches the corners of my mouth. I'm going

1741
01:45:27.960 --> 01:45:30.760
<v Speaker 3>to play at tickling my nostrils with the point of

1742
01:45:30.800 --> 01:45:34.840
<v Speaker 3>a sweet smelling blade of grass, carefully stretching my neck

1743
01:45:34.920 --> 01:45:38.279
<v Speaker 3>to avoid the falling drops. But I want him to

1744
01:45:38.399 --> 01:45:41.560
<v Speaker 3>follow and admire me. Will he not come out and

1745
01:45:41.800 --> 01:45:43.279
<v Speaker 3>enjoy himself with us?

1746
01:45:44.039 --> 01:45:46.880
<v Speaker 1>A voice is heard, humming a motif from the Reagenborgan

1747
01:45:47.479 --> 01:45:52.399
<v Speaker 1>So Sie ray so la si all flats, a door

1748
01:45:52.439 --> 01:45:56.680
<v Speaker 1>opens and closes again. He appears under the dripping foliage

1749
01:45:56.720 --> 01:45:59.880
<v Speaker 1>of vines framing the verandah, and at the same moment

1750
01:46:00.199 --> 01:46:04.960
<v Speaker 1>a rainbow is seen in the sky A caller a

1751
01:46:05.000 --> 01:46:10.479
<v Speaker 1>winter's afternoon in Paris the studio. A fire crackles gently

1752
01:46:10.600 --> 01:46:14.760
<v Speaker 1>in the towel shaped stove. Toby Dog and Kiki the Demure,

1753
01:46:15.239 --> 01:46:18.520
<v Speaker 1>one on the floor, the other on his own particular cushion,

1754
01:46:18.800 --> 01:46:22.279
<v Speaker 1>proceed with the minute toilet, which follows a long siesta.

1755
01:46:22.680 --> 01:46:23.479
<v Speaker 1>Peace reigns.

1756
01:46:24.279 --> 01:46:26.640
<v Speaker 2>My nails grow faster here than in the country.

1757
01:46:27.239 --> 01:46:29.199
<v Speaker 3>It's the contrary with mine.

1758
01:46:29.600 --> 01:46:32.279
<v Speaker 1>Really, Kiki the Demure, bitterly.

1759
01:46:32.359 --> 01:46:35.279
<v Speaker 3>Not to be wondered at, she clips them for the

1760
01:46:35.319 --> 01:46:40.079
<v Speaker 3>sake of the hangings. Well, what can't be cured must

1761
01:46:40.159 --> 01:46:40.960
<v Speaker 3>be endured.

1762
01:46:41.520 --> 01:46:42.640
<v Speaker 2>What are you going to do today?

1763
01:46:43.239 --> 01:46:47.960
<v Speaker 1>Why nothing, Toby Dog ironically, for.

1764
01:46:47.960 --> 01:46:53.680
<v Speaker 3>A change, I suppose, pardon to avoid change? What is

1765
01:46:53.720 --> 01:46:56.640
<v Speaker 3>this rage for change that takes possession of you? All

1766
01:46:57.640 --> 01:47:03.279
<v Speaker 3>change means destruction. Only that which remains stationary is eternal.

1767
01:47:04.079 --> 01:47:06.840
<v Speaker 2>I'm eternal. Then these three hours passed.

1768
01:47:07.199 --> 01:47:10.479
<v Speaker 3>But you've been out with her, haven't you. You came

1769
01:47:10.520 --> 01:47:14.720
<v Speaker 3>in like a whirlwind. Bells rang, clothes were shaken out.

1770
01:47:15.159 --> 01:47:18.640
<v Speaker 3>You were sneezing and laughing and aureoled with icy air.

1771
01:47:19.560 --> 01:47:22.039
<v Speaker 3>The end of her nose felt so cold when she

1772
01:47:22.119 --> 01:47:26.039
<v Speaker 3>kissed me on the forehead. She always kisses me there,

1773
01:47:26.079 --> 01:47:29.680
<v Speaker 3>just over the dark stripes, forming the classic M, which

1774
01:47:29.760 --> 01:47:33.880
<v Speaker 3>she assures me stands for miaw and for mine my

1775
01:47:34.079 --> 01:47:34.960
<v Speaker 3>name in French.

1776
01:47:36.239 --> 01:47:38.680
<v Speaker 2>Yes, we had a fine run on the banks of

1777
01:47:38.720 --> 01:47:41.239
<v Speaker 2>the fortifications, and then we went into a shop.

1778
01:47:41.720 --> 01:47:42.640
<v Speaker 3>Is that amusing?

1779
01:47:43.319 --> 01:47:46.399
<v Speaker 2>Not often there are a great many people crowded together.

1780
01:47:46.880 --> 01:47:49.199
<v Speaker 2>I'm immediately seed with the fear of losing her, and

1781
01:47:49.239 --> 01:47:51.600
<v Speaker 2>I stick close to her heels no matter what comes.

1782
01:47:52.119 --> 01:47:54.520
<v Speaker 2>Strange feet push and knock me about and step on

1783
01:47:54.600 --> 01:47:57.760
<v Speaker 2>my paws. I yelp, but the skirts all round stifle

1784
01:47:57.840 --> 01:48:00.439
<v Speaker 2>my voice. When we're out of it, we both look

1785
01:48:00.479 --> 01:48:01.720
<v Speaker 2>as if we've been shipwrecked.

1786
01:48:02.239 --> 01:48:05.359
<v Speaker 3>May the gods preserve me from anything of the sort.

1787
01:48:06.439 --> 01:48:10.600
<v Speaker 3>Here the moments have glided peacefully by. When she's not

1788
01:48:10.760 --> 01:48:14.399
<v Speaker 3>in this house, there's nothing to hinder me. I employ

1789
01:48:14.439 --> 01:48:17.920
<v Speaker 3>the time as my system of hygiene dictates. After my

1790
01:48:18.039 --> 01:48:22.079
<v Speaker 3>breakfast of rosy liver and milk, my kitten hood seems

1791
01:48:22.119 --> 01:48:25.800
<v Speaker 3>to come back to me. I'm filled with a foolish gayety.

1792
01:48:26.640 --> 01:48:30.600
<v Speaker 3>I go over to him. He's rumpling big blackish papers

1793
01:48:30.600 --> 01:48:34.159
<v Speaker 3>and welcomes me with a quiet smile. We loll on

1794
01:48:34.279 --> 01:48:38.319
<v Speaker 3>the same divan and revel in a few idle moments together,

1795
01:48:39.039 --> 01:48:43.039
<v Speaker 3>sometimes with imperious paw. I tear the paper he holds

1796
01:48:43.159 --> 01:48:46.479
<v Speaker 3>like a screen between us. It always seems to me

1797
01:48:46.560 --> 01:48:51.399
<v Speaker 3>the most desirable, the one that crackles best. He cries out,

1798
01:48:51.640 --> 01:48:54.279
<v Speaker 3>and I throw myself on my back and wriggle with

1799
01:48:54.479 --> 01:48:58.039
<v Speaker 3>joy in a sort of horizontal dance he calls the

1800
01:48:58.159 --> 01:49:03.640
<v Speaker 3>dance of the Bayadier. Then somehow everything dwindles before my eyes,

1801
01:49:04.000 --> 01:49:07.479
<v Speaker 3>grows dim and far away. I want to rise and

1802
01:49:07.640 --> 01:49:11.199
<v Speaker 3>go back to my cushion, but dreams already separate me

1803
01:49:11.199 --> 01:49:17.479
<v Speaker 3>from the world. Ah, blessed hour when you and she disappear,

1804
01:49:18.479 --> 01:49:21.439
<v Speaker 3>when the house is at rest and takes a long breath.

1805
01:49:22.399 --> 01:49:25.800
<v Speaker 3>Soon I'm in the depths of a dark, sweet sleep.

1806
01:49:26.560 --> 01:49:31.279
<v Speaker 3>My ears alone keep watch and turn like sensitive antennas

1807
01:49:31.760 --> 01:49:34.720
<v Speaker 3>toward vague sounds of doors and bells.

1808
01:49:35.880 --> 01:49:39.239
<v Speaker 1>At this moment, some one rings. Toby Dog and Kiki

1809
01:49:39.319 --> 01:49:42.920
<v Speaker 1>the Demure start and change their positions. The cat sitting

1810
01:49:43.199 --> 01:49:46.279
<v Speaker 1>encircles himself with his fluffy tail. The dog, in a

1811
01:49:46.359 --> 01:49:51.840
<v Speaker 1>sphinxlike attitude, lifts his head boldly. What's that a tradesman,

1812
01:49:52.439 --> 01:49:54.479
<v Speaker 1>Kiki the Demure, shrugging his shoulders.

1813
01:49:55.279 --> 01:49:58.560
<v Speaker 3>That's not the kitchen bell. Perhaps it's a caller.

1814
01:49:59.279 --> 01:50:02.039
<v Speaker 1>Toby dog with bound What luck they have?

1815
01:50:02.199 --> 01:50:05.960
<v Speaker 2>Tea and cakes? Come on, sugar, sugar, little cakes, little cakes.

1816
01:50:06.439 --> 01:50:08.640
<v Speaker 1>Kiki the Demure gloomily.

1817
01:50:08.760 --> 01:50:12.359
<v Speaker 3>To see ladies who shriek and put gloved hands on

1818
01:50:12.439 --> 01:50:15.279
<v Speaker 3>my back, hands covered with dead skin.

1819
01:50:16.239 --> 01:50:16.560
<v Speaker 2>RHoK.

1820
01:50:17.399 --> 01:50:21.680
<v Speaker 1>Feminine voices are heard, hers among them, and the clear

1821
01:50:21.760 --> 01:50:24.960
<v Speaker 1>tinkling of a little bell. Then the door opens and

1822
01:50:25.039 --> 01:50:30.159
<v Speaker 1>a very diminutive toy terrier enters alone. She's black and tan,

1823
01:50:30.680 --> 01:50:33.960
<v Speaker 1>seems in love with herself, and comes forward with a

1824
01:50:34.039 --> 01:50:37.520
<v Speaker 1>mincing step. The little dog voice way up in her head.

1825
01:50:38.279 --> 01:50:41.319
<v Speaker 6>I'm the darling little dog, so pretty.

1826
01:50:42.199 --> 01:50:47.279
<v Speaker 1>Toby is struck dumb with admiration and astonishment. Kiki, indignant,

1827
01:50:47.479 --> 01:50:49.840
<v Speaker 1>has jumped on top of the piano and remains an

1828
01:50:49.960 --> 01:50:54.760
<v Speaker 1>unseen and hostile spectator. The little dog, astonished at not

1829
01:50:54.880 --> 01:51:00.359
<v Speaker 1>hearing the chorus of admiration that everywhere greets her, is reciting.

1830
01:51:00.520 --> 01:51:05.560
<v Speaker 6>I'm the darling little dog, so pretty. I weigh only

1831
01:51:05.600 --> 01:51:12.039
<v Speaker 6>one pound eleven ounces. My collar's gold. My ears of

1832
01:51:12.199 --> 01:51:17.279
<v Speaker 6>black satin lined with shiny rubber. My nails are polished

1833
01:51:17.359 --> 01:51:19.159
<v Speaker 6>like the beaks of little birds.

1834
01:51:19.880 --> 01:51:26.439
<v Speaker 1>Catching sight of Toby dog, Oh, someone, silence, he's rather

1835
01:51:26.479 --> 01:51:29.000
<v Speaker 1>good looking. They ogle and strut.

1836
01:51:29.960 --> 01:51:34.600
<v Speaker 2>How tiny she is, sir, don't come near me? Why not?

1837
01:51:35.479 --> 01:51:39.800
<v Speaker 6>I don't know. My mistress knows she's not here. She

1838
01:51:39.960 --> 01:51:41.199
<v Speaker 6>stayed in the other room.

1839
01:51:41.720 --> 01:51:42.520
<v Speaker 2>How old are you?

1840
01:51:43.239 --> 01:51:47.399
<v Speaker 1>Eleven months reciting I'm eleven months old.

1841
01:51:48.039 --> 01:51:51.960
<v Speaker 6>At the dog show, my mother took first prize for beauty.

1842
01:51:52.479 --> 01:51:55.560
<v Speaker 6>I weigh only one pound eleven ounces.

1843
01:51:55.119 --> 01:51:58.000
<v Speaker 2>And you've said that already. What makes you so little?

1844
01:51:58.439 --> 01:51:59.960
<v Speaker 1>Kiki the demure from the piano.

1845
01:52:00.520 --> 01:52:04.560
<v Speaker 3>She's ugly and has an evil odor. Her paws are deformed.

1846
01:52:04.720 --> 01:52:08.079
<v Speaker 3>She can't stand still an instant, and this dog takes

1847
01:52:08.119 --> 01:52:10.119
<v Speaker 3>pains to make himself fascinating.

1848
01:52:10.760 --> 01:52:12.840
<v Speaker 1>The little dog very coquettish and talkative.

1849
01:52:13.439 --> 01:52:16.600
<v Speaker 6>It's my lineage, of course. Oh one can hold me

1850
01:52:16.640 --> 01:52:20.760
<v Speaker 6>in a muff. You've seen my collar. It's gold.

1851
01:52:21.479 --> 01:52:22.880
<v Speaker 2>And what's that hanging from it?

1852
01:52:23.560 --> 01:52:27.760
<v Speaker 6>My mother's metal, sir. I always wear it. I come

1853
01:52:27.800 --> 01:52:30.800
<v Speaker 6>from the Palatic Glass, where I made quite a hit.

1854
01:52:31.279 --> 01:52:35.079
<v Speaker 6>Imagine I wanted to bite a gentleman who was speaking

1855
01:52:35.079 --> 01:52:38.000
<v Speaker 6>to my mistress. How they laughed.

1856
01:52:39.880 --> 01:52:43.520
<v Speaker 1>She wriggles and chaps Toby Dog aside.

1857
01:52:43.920 --> 01:52:46.399
<v Speaker 2>What an odd creature? Is she really a dog?

1858
01:52:46.920 --> 01:52:47.640
<v Speaker 1>Sniffs?

1859
01:52:48.760 --> 01:52:51.399
<v Speaker 2>Yes, smells of rice powder, But it's a dog, just

1860
01:52:51.439 --> 01:52:54.720
<v Speaker 2>the same. Aloud, Sit down a moment. It makes me

1861
01:52:54.800 --> 01:52:58.000
<v Speaker 2>quite dizzy to see you moving about. So certainly.

1862
01:52:58.680 --> 01:53:01.800
<v Speaker 1>She lies down like a miniature greyhound, crossing her forepaws

1863
01:53:01.880 --> 01:53:04.279
<v Speaker 1>to show the slimness of her toes.

1864
01:53:05.039 --> 01:53:06.800
<v Speaker 6>You were here all alone.

1865
01:53:07.039 --> 01:53:08.800
<v Speaker 1>Toby Dog, looking toward the piano.

1866
01:53:09.479 --> 01:53:10.680
<v Speaker 2>Yes, no other dog.

1867
01:53:11.479 --> 01:53:13.960
<v Speaker 6>Why there's a strange odor.

1868
01:53:14.760 --> 01:53:16.920
<v Speaker 2>The cat, doubtless the cat?

1869
01:53:17.359 --> 01:53:20.640
<v Speaker 6>Who what's the cat? I've never seen one. Do they

1870
01:53:20.720 --> 01:53:22.520
<v Speaker 6>leave you in the room all alone?

1871
01:53:22.960 --> 01:53:26.199
<v Speaker 2>It happens so now and then, and you don't bark.

1872
01:53:27.000 --> 01:53:31.720
<v Speaker 6>I cry as soon as I'm left alone. I'm bored, afraid,

1873
01:53:31.840 --> 01:53:33.800
<v Speaker 6>feel sick, and chew up the cushions.

1874
01:53:34.199 --> 01:53:35.119
<v Speaker 2>And then you're wept.

1875
01:53:35.560 --> 01:53:36.880
<v Speaker 1>The little dog insulted.

1876
01:53:37.640 --> 01:53:42.760
<v Speaker 6>I'm what did you say? You're losing your senses.

1877
01:53:42.359 --> 01:53:45.079
<v Speaker 1>I imagine suddenly amoble again.

1878
01:53:45.760 --> 01:53:49.199
<v Speaker 6>That would be a pity. You have lovely eyes.

1879
01:53:50.000 --> 01:53:53.359
<v Speaker 2>Haven't died? They show well, don't they They're large? And

1880
01:53:53.399 --> 01:53:55.880
<v Speaker 2>then they stick out. She says, I have eyes like

1881
01:53:55.880 --> 01:53:59.520
<v Speaker 2>a lobster's, and sometimes she says his beautiful seal's eyes,

1882
01:53:59.560 --> 01:54:01.079
<v Speaker 2>his frog like eyes of gold.

1883
01:54:01.520 --> 01:54:03.600
<v Speaker 1>Who she Toby Dog?

1884
01:54:03.760 --> 01:54:08.560
<v Speaker 6>Simple she I don't understand all you say, but I

1885
01:54:08.680 --> 01:54:13.159
<v Speaker 6>find you so very sympathetic. What are you doing this evening?

1886
01:54:14.159 --> 01:54:16.720
<v Speaker 2>Why I dine naturally?

1887
01:54:17.640 --> 01:54:20.359
<v Speaker 6>I wanted to know whether they receive here this evening?

1888
01:54:20.760 --> 01:54:21.840
<v Speaker 6>Or do you go out?

1889
01:54:22.520 --> 01:54:26.560
<v Speaker 2>No, I've been out already, driving walking, of course.

1890
01:54:27.000 --> 01:54:30.560
<v Speaker 6>Why of course, I hardly stir except in a carriage.

1891
01:54:31.279 --> 01:54:35.359
<v Speaker 6>Show me the underside of your paws. Horrors, one would

1892
01:54:35.399 --> 01:54:39.159
<v Speaker 6>say to us, the stoney, sharpened knives on. Look at mine,

1893
01:54:39.760 --> 01:54:42.479
<v Speaker 6>satin on top, velvet underneath.

1894
01:54:43.079 --> 01:54:45.520
<v Speaker 2>I'd like to see you in the country, on the cobblestones.

1895
01:54:46.279 --> 01:54:50.000
<v Speaker 6>I've been there, sir. I was in the country last summer,

1896
01:54:50.159 --> 01:54:52.079
<v Speaker 6>and there weren't any cobblestones.

1897
01:54:52.800 --> 01:54:55.920
<v Speaker 2>Then it wasn't the country. You don't know what country means,

1898
01:54:56.640 --> 01:54:57.840
<v Speaker 2>the little dog vexed.

1899
01:54:58.439 --> 01:55:02.279
<v Speaker 6>Indeed I do, sir. It's fine sand and velvety lawns

1900
01:55:02.279 --> 01:55:05.600
<v Speaker 6>that are swept every morning. It's a reclining chair on

1901
01:55:05.640 --> 01:55:11.680
<v Speaker 6>the grass, great fresh cushions and cree tone foamy milk naps.

1902
01:55:11.720 --> 01:55:15.640
<v Speaker 6>In the shade and charming little red apples to play.

1903
01:55:15.359 --> 01:55:17.920
<v Speaker 1>With, Toby Dog shaking his head.

1904
01:55:18.760 --> 01:55:21.520
<v Speaker 2>No, it's the road covered with white powder that makes

1905
01:55:21.520 --> 01:55:24.399
<v Speaker 2>the eyelids smart and the paws burn. The tough, shriveled,

1906
01:55:24.439 --> 01:55:27.439
<v Speaker 2>sweet smelling grass where I scratch my nose and my gums.

1907
01:55:27.800 --> 01:55:30.319
<v Speaker 2>It's the fearful night, for I'm the only one to

1908
01:55:30.359 --> 01:55:33.000
<v Speaker 2>guard them. He and she I lie in my basket,

1909
01:55:33.079 --> 01:55:35.840
<v Speaker 2>but the beating of my poort overdriven heart keeps me awake.

1910
01:55:36.319 --> 01:55:38.520
<v Speaker 2>I hear a dog crying to me from far off

1911
01:55:38.840 --> 01:55:41.159
<v Speaker 2>that the bad man is passed on the road. Is

1912
01:55:41.199 --> 01:55:44.000
<v Speaker 2>he coming in my direction? Will I be obliged in

1913
01:55:44.039 --> 01:55:47.039
<v Speaker 2>another minute? My eyes bloodshot and tongue dry as chalk,

1914
01:55:47.319 --> 01:55:50.279
<v Speaker 2>to throw myself upon him and devour his shadowy face.

1915
01:55:50.960 --> 01:55:53.119
<v Speaker 1>The little dog trembling in an ecstasy.

1916
01:55:53.760 --> 01:55:57.439
<v Speaker 6>Go on, go on, Oh, how frightened I am.

1917
01:55:58.000 --> 01:56:00.760
<v Speaker 1>Toby Dog modestly, don't be afraid.

1918
01:56:00.840 --> 01:56:03.880
<v Speaker 2>It has never happened. All that is the country, yes,

1919
01:56:04.279 --> 01:56:07.439
<v Speaker 2>and the interminable hill and the shadow of the carriage.

1920
01:56:07.680 --> 01:56:11.359
<v Speaker 2>When thirst, hunger, heat and fatigue render the soul submissive

1921
01:56:11.359 --> 01:56:12.560
<v Speaker 2>and hopeless.

1922
01:56:12.680 --> 01:56:15.359
<v Speaker 1>The little dog quite worked up, And.

1923
01:56:15.199 --> 01:56:19.199
<v Speaker 2>Then oh, nothing one arrives at the house after all,

1924
01:56:19.279 --> 01:56:22.199
<v Speaker 2>and the pail of dark water one drinks without taking breath.

1925
01:56:23.000 --> 01:56:25.520
<v Speaker 2>His tongue, she says, His big tongue is parted in

1926
01:56:25.560 --> 01:56:28.640
<v Speaker 2>the center like an iris petal, while sore eyelids and

1927
01:56:28.720 --> 01:56:32.199
<v Speaker 2>dusty lashes are splashed with cooling drops. The country is

1928
01:56:32.239 --> 01:56:34.680
<v Speaker 2>all that, and many things besides.

1929
01:56:35.039 --> 01:56:37.520
<v Speaker 1>Kiki the demure on top of the piano, musingly.

1930
01:56:38.239 --> 01:56:41.880
<v Speaker 3>All that, yes, and the habits of the year before

1931
01:56:41.920 --> 01:56:46.079
<v Speaker 3>that one finds again molded to one's shape like a cushion,

1932
01:56:46.279 --> 01:56:50.199
<v Speaker 3>marked with the imprint of a long sleep, the long

1933
01:56:50.359 --> 01:56:54.640
<v Speaker 3>nights of freedom, when the lone owlet with his sad

1934
01:56:54.760 --> 01:56:58.399
<v Speaker 3>little laugh makes his way through the air as quietly

1935
01:56:58.399 --> 01:57:02.279
<v Speaker 3>as I do on the ground, and silvery gray rats

1936
01:57:02.359 --> 01:57:06.039
<v Speaker 3>cling to the vines, eating grapes and keeping their eyes

1937
01:57:06.079 --> 01:57:10.119
<v Speaker 3>on me at the same time. It's the sun cure

1938
01:57:10.239 --> 01:57:13.920
<v Speaker 3>on the hot stone wall from which I arise, wan

1939
01:57:14.239 --> 01:57:18.720
<v Speaker 3>and shrunken, baked through and through, but smelt enough to

1940
01:57:18.760 --> 01:57:21.600
<v Speaker 3>make the youngest tom cat envious.

1941
01:57:21.840 --> 01:57:24.640
<v Speaker 1>Coming back to the present with a murderous look at

1942
01:57:24.640 --> 01:57:25.279
<v Speaker 1>the little dog.

1943
01:57:26.039 --> 01:57:30.560
<v Speaker 3>Death to you, ill smelling beast for having evoked these

1944
01:57:30.640 --> 01:57:34.640
<v Speaker 3>by gone joys, aren't you going to disappear, that I

1945
01:57:34.720 --> 01:57:38.600
<v Speaker 3>may come down from this cold pedestal where my paws

1946
01:57:38.680 --> 01:57:39.800
<v Speaker 3>are growing numb.

1947
01:57:40.640 --> 01:57:43.039
<v Speaker 1>Toby Dog enthusiastically to the little dog.

1948
01:57:43.680 --> 01:57:45.840
<v Speaker 2>But let us forget all that with you there. I

1949
01:57:45.880 --> 01:57:48.279
<v Speaker 2>can think of nothing but you. I feel that I

1950
01:57:48.359 --> 01:57:48.800
<v Speaker 2>love you.

1951
01:57:49.600 --> 01:57:51.359
<v Speaker 1>The little dog lowering her eyes.

1952
01:57:52.039 --> 01:57:53.880
<v Speaker 6>Do you mean really?

1953
01:57:54.520 --> 01:57:54.960
<v Speaker 2>Of course?

1954
01:57:55.000 --> 01:57:57.199
<v Speaker 6>I do so soon.

1955
01:57:58.079 --> 01:58:01.000
<v Speaker 2>We've already wasted a great deal of time, but.

1956
01:58:01.600 --> 01:58:06.119
<v Speaker 6>We've been chatting. I've enjoyed it very much, and I

1957
01:58:06.279 --> 01:58:09.560
<v Speaker 6>fail to understand why the society of young dogs like

1958
01:58:09.600 --> 01:58:11.199
<v Speaker 6>you is forbidden me.

1959
01:58:12.000 --> 01:58:13.439
<v Speaker 2>Allow me to make love to you.

1960
01:58:13.960 --> 01:58:14.359
<v Speaker 6>What's that?

1961
01:58:15.119 --> 01:58:18.520
<v Speaker 2>I'll show you first? I hold myself very erect, stiffen

1962
01:58:18.600 --> 01:58:22.079
<v Speaker 2>my legs, walk round you, barking low and melodiously. My

1963
01:58:22.199 --> 01:58:23.640
<v Speaker 2>tail wriggles, my ears.

1964
01:58:23.840 --> 01:58:24.840
<v Speaker 6>Don't come near me.

1965
01:58:25.520 --> 01:58:31.600
<v Speaker 1>I feel quite upset escaping you, A merrily fellow Kiki

1966
01:58:31.640 --> 01:58:32.800
<v Speaker 1>the demur standing up.

1967
01:58:33.279 --> 01:58:38.479
<v Speaker 3>These preludes are indeed a sad parody on our wild love, making.

1968
01:58:39.159 --> 01:58:43.399
<v Speaker 1>A loud, very angry I should think. The little dog

1969
01:58:43.479 --> 01:58:46.119
<v Speaker 1>looks to see where the dreadful voice is coming from,

1970
01:58:46.199 --> 01:58:49.960
<v Speaker 1>and despise a strange striped monster with eyes of fire

1971
01:58:50.319 --> 01:58:57.319
<v Speaker 1>and eyebrows and whiskers bristling ferociously. She dashes towards the door, crying.

1972
01:58:56.760 --> 01:58:59.439
<v Speaker 6>Help, help, there's a tiner on the.

1973
01:58:59.399 --> 01:59:03.239
<v Speaker 1>Piano, and falls into the arms of her mistress, who

1974
01:59:03.279 --> 01:59:06.279
<v Speaker 1>has come upon the scene and proceeds to console her

1975
01:59:06.319 --> 01:59:08.079
<v Speaker 1>with great volubility.

1976
01:59:09.039 --> 01:59:15.640
<v Speaker 7>Phoebe, my sizette, my darling, they're there. Goo goo goo goo,

1977
01:59:16.239 --> 01:59:20.880
<v Speaker 7>you poor helpless little doggie. What did they do to her?

1978
01:59:21.159 --> 01:59:27.760
<v Speaker 1>Oh? Was it the naughty bow wow? Et cetera, et cetera.

1979
01:59:28.439 --> 01:59:32.479
<v Speaker 1>End of Barks and Purse by Colette Willie, translated by

1980
01:59:32.479 --> 01:59:33.079
<v Speaker 1>Mary Kelly,
