1
00:00:03,200 --> 00:00:09,240
Speaker 1: Callaroga shock media.

2
00:00:10,640 --> 00:00:13,439
Speaker 2: Did we not do a roast of Tom Brady last year?

3
00:00:13,480 --> 00:00:16,440
Do people really not understand what the roast is? Hello,

4
00:00:16,519 --> 00:00:19,800
I'm Johnny Mack with your daily comedy news. I thought

5
00:00:19,800 --> 00:00:21,839
today it was going to be all about Date Berghezzi

6
00:00:21,960 --> 00:00:25,760
and the Breadwinner, but Kevin Hart and people had other ideas.

7
00:00:25,839 --> 00:00:29,039
Kevin Hart went on the Breakfast Club and spoke with

8
00:00:29,079 --> 00:00:32,000
the Charlottmage, the God and Crewe have a few clips

9
00:00:32,079 --> 00:00:35,920
from Kevin Hart himself. Here he is discussing the joke

10
00:00:36,039 --> 00:00:37,479
about George Floyd.

11
00:00:38,000 --> 00:00:40,840
Speaker 1: Yeah, the Joyce flore joke. It wasn't a tasteful joke

12
00:00:41,280 --> 00:00:46,240
to our culture, to our audience. But our audience that's

13
00:00:46,320 --> 00:00:49,799
watching the roast. If you're watching the roast, you get

14
00:00:49,840 --> 00:00:53,880
why they're doing it. You get why the racial humor

15
00:00:54,000 --> 00:00:58,719
is is on the table. Like it's not. I wasn't shocked,

16
00:00:59,399 --> 00:01:01,000
Like that's what they do. Go and look at the

17
00:01:01,039 --> 00:01:04,120
Tom Brady one, like that's what they do. It's it

18
00:01:04,200 --> 00:01:06,959
happens every year when they do a roast. It's not new.

19
00:01:07,159 --> 00:01:10,519
This isn't a new it's not a new agenda. It's

20
00:01:10,519 --> 00:01:11,959
not a new approach to comedy.

21
00:01:12,000 --> 00:01:14,079
Speaker 3: Do you feel like Tony Hinchcliffe went too far when

22
00:01:14,079 --> 00:01:15,319
he made that joke about George Woff.

23
00:01:15,799 --> 00:01:19,879
Speaker 1: It's Tony Hinchcliffe, Like, I don't like I don't expect less,

24
00:01:19,920 --> 00:01:22,040
I don't expect more. I feel I feel like you're

25
00:01:22,040 --> 00:01:23,359
saying going too far as the point I don't know

26
00:01:23,359 --> 00:01:25,959
if it was, yes, I mean, that's why you're there.

27
00:01:26,079 --> 00:01:29,120
Speaker 2: Kevin's response did not go so well on social media.

28
00:01:29,519 --> 00:01:31,719
When person said things can be zero percent your fault

29
00:01:31,760 --> 00:01:35,560
and one hundred percent your responsibility. Another said wow, yeah, Kevin,

30
00:01:35,599 --> 00:01:36,959
you lost me with this one. You could have been

31
00:01:37,040 --> 00:01:39,519
honest and said, yes, he went too far with that joke.

32
00:01:39,959 --> 00:01:42,920
Kevin said, Tony Hinchcliffe arguably had the best set or

33
00:01:42,959 --> 00:01:45,280
one of the best sets. Pete Davidson had a great

34
00:01:45,359 --> 00:01:46,159
set too.

35
00:01:46,959 --> 00:01:48,560
Speaker 1: But that but not even just that joke.

36
00:01:48,599 --> 00:01:51,040
Speaker 3: I don't like when people joke about violent tragic death.

37
00:01:51,760 --> 00:01:53,599
Speaker 1: I like Pete sitting and I was like, you have

38
00:01:53,599 --> 00:01:55,480
to say, I mean Pete, Pete went. Pete had a

39
00:01:55,480 --> 00:01:58,239
great set too. Pete had a Charlie Kurk joking Like

40
00:01:58,760 --> 00:02:01,920
would I tell those jokes? No? But do I get

41
00:02:01,959 --> 00:02:04,519
why they're being told? Yes, Like I'm not looking at

42
00:02:04,519 --> 00:02:07,200
Pete crazy I'm not looking at Tony like that's what.

43
00:02:07,599 --> 00:02:09,879
I know what you're going to do. I know your

44
00:02:09,960 --> 00:02:10,919
style of comedy.

45
00:02:11,080 --> 00:02:14,120
Speaker 2: Kevin said, whatever the dialogue is, my rebuttal is simplicity.

46
00:02:14,159 --> 00:02:15,800
Remove me from it. I didn't say it. If you're

47
00:02:15,840 --> 00:02:17,840
upset that the night went on, that's a different conversation.

48
00:02:17,919 --> 00:02:21,000
It's nothing I could do. It's a production. Tony Hinchcliff

49
00:02:21,120 --> 00:02:24,879
discussed the roast unkilled Sony, so I'm edit's here for language.

50
00:02:25,039 --> 00:02:28,360
Speaker 4: Evan Hart was something else. Huh, it's the first time

51
00:02:28,400 --> 00:02:32,680
I've been called a Nazi multiple times in just a

52
00:02:32,680 --> 00:02:36,759
few hours. I guess that's what la writers' rooms, all

53
00:02:36,759 --> 00:02:42,599
these a lot of mentally ill liberals out there that somehow,

54
00:02:42,639 --> 00:02:47,759
with all these blacks and Jews and Mexicans around me,

55
00:02:47,840 --> 00:02:50,639
I guess I'm a Nazi somehow. I guess the guy

56
00:02:50,680 --> 00:02:53,439
that pulls names out of a bucket, giving everybody an

57
00:02:53,439 --> 00:02:57,039
opportunity is a Nazi. Isn't that something? And I got

58
00:02:57,080 --> 00:03:00,960
called a Nazi, gay, a racist, and over again. I'm

59
00:03:00,960 --> 00:03:05,919
none of those three things. A little fun fact, but

60
00:03:06,080 --> 00:03:12,039
they are what they are, fat ugly black Jewish. Everything

61
00:03:12,080 --> 00:03:14,879
I said was real about them, just a reminder.

62
00:03:15,199 --> 00:03:18,840
Speaker 2: And Tony doesn't seem none too pleased with Chelsea Handler.

63
00:03:19,319 --> 00:03:23,240
Speaker 4: There's news articles because the news isn't real. Nothing is

64
00:03:23,319 --> 00:03:27,080
real that say that I got lit up by Chelsea Handler,

65
00:03:27,800 --> 00:03:30,199
which is very, very funny because that's not what happened

66
00:03:30,240 --> 00:03:33,400
at all. You can't believe anything you see or read

67
00:03:33,599 --> 00:03:35,719
on the news anymore. You have to actually watch the

68
00:03:35,759 --> 00:03:38,400
thing for yourself. She was a bit of a coup,

69
00:03:38,439 --> 00:03:40,759
I'll tell you that. She just kept she just kept

70
00:03:40,759 --> 00:03:42,960
coming at me over she said, I went took the

71
00:03:43,000 --> 00:03:47,039
Saudi Arabia money. She was like wrong about things. The

72
00:03:47,039 --> 00:03:50,280
writers just didn't do her any justice. But then and

73
00:03:50,319 --> 00:03:54,400
then the teleprompter. The fun fact the teleprompter h only

74
00:03:54,479 --> 00:03:58,719
went down during my set, and and it gave me

75
00:03:58,759 --> 00:04:01,800
a lot of opportunity to remind Chelsea Handler what she

76
00:04:01,840 --> 00:04:04,400
looks like and where her life.

77
00:04:04,120 --> 00:04:08,560
Speaker 2: Is Hollywood inside her established comedian Nicki Glazer, whose career

78
00:04:08,919 --> 00:04:13,319
was made by the Tom Brady Roost Wade in and Uh,

79
00:04:13,360 --> 00:04:15,439
you can hear the coolness sucking out of the room

80
00:04:15,479 --> 00:04:17,680
for Nicky Glazer, establishment comedian.

81
00:04:18,240 --> 00:04:21,240
Speaker 3: I loved watching it. I love anything that's like watching

82
00:04:21,240 --> 00:04:24,519
a live comedy event. It's so the stakes are so high.

83
00:04:24,800 --> 00:04:27,040
It's I was glad to be watching it not doing it,

84
00:04:27,079 --> 00:04:29,519
because it's just like it's nerve wrecking and it's like

85
00:04:29,920 --> 00:04:32,879
it really sends your nervous system through a lot of

86
00:04:32,920 --> 00:04:33,800
trauma to do one of.

87
00:04:33,800 --> 00:04:35,680
Speaker 2: Those just got a little PTSD watching.

88
00:04:36,360 --> 00:04:39,040
Speaker 3: Honestly, I was like so nervous for everyone. But I

89
00:04:39,319 --> 00:04:41,279
honestly had a great time. And you know, there was

90
00:04:41,319 --> 00:04:43,199
some stuff that I didn't love, and there was other

91
00:04:43,240 --> 00:04:45,920
stuff that I thought was great. You know, like people

92
00:04:45,959 --> 00:04:47,600
have so many opinions about it, and I'm going to

93
00:04:47,720 --> 00:04:49,720
keep my opinions to myself and just keep talking about

94
00:04:49,720 --> 00:04:51,519
them in my group chats with by other comedian friends

95
00:04:51,519 --> 00:04:53,240
about who what we think about it, And I'm not

96
00:04:53,240 --> 00:04:54,560
gonna make a public okay.

97
00:04:54,319 --> 00:04:56,519
Speaker 2: But tell me who's on that group chat, what other comedian.

98
00:04:57,040 --> 00:04:59,639
Speaker 3: Just like the funniest people I know in town. And

99
00:04:59,759 --> 00:05:03,399
you know, oh, just I've talked to every comedian about it.

100
00:05:03,399 --> 00:05:05,079
Everyone's talking about and that's the good thing, you know,

101
00:05:05,120 --> 00:05:07,480
like Netflix did a good job of making something that

102
00:05:07,720 --> 00:05:10,879
is And the thing about like I don't believe that

103
00:05:11,000 --> 00:05:14,560
jokes can't be made that are racist jokes, ironically racist jokes,

104
00:05:14,600 --> 00:05:17,360
though the problem is not that it's racist. Is that

105
00:05:17,439 --> 00:05:20,560
it's like sometimes you got to find a way. If

106
00:05:20,560 --> 00:05:22,240
you really want to do a joke, you got to

107
00:05:22,240 --> 00:05:24,240
find a way to make it make sense. You can't

108
00:05:24,279 --> 00:05:26,759
just like say it and out of nowhere just be

109
00:05:26,839 --> 00:05:28,399
like this, you know. I think that's the thing that

110
00:05:28,480 --> 00:05:32,720
I feel like. I think that's what people are having

111
00:05:32,720 --> 00:05:34,399
a problem with. Is not like the nature of the jokes,

112
00:05:34,399 --> 00:05:36,199
because I do love roast for how anything can be

113
00:05:36,240 --> 00:05:39,560
said in all all bets are off and but you

114
00:05:39,639 --> 00:05:42,600
but that's not so easy. You have to make it palatable.

115
00:05:43,439 --> 00:05:46,560
Speaker 2: Matt Rife was at the ACM Awards on the red carpet.

116
00:05:46,600 --> 00:05:48,879
He was asked, did you watch the Kevin Hart roast.

117
00:05:49,639 --> 00:05:51,519
Matt Raife said, I didn't get a chance to the

118
00:05:51,600 --> 00:05:53,680
entire thing, but I mean my feed is obviously filled

119
00:05:53,680 --> 00:05:55,439
with clips from it, and I think everybody on there

120
00:05:55,519 --> 00:05:57,759
crushed it. Dude. It was brutal, but as a roast

121
00:05:57,759 --> 00:06:00,319
should be. The interviewer was like, but so some people

122
00:06:00,319 --> 00:06:02,279
have complained about parts of it. Matt cut them off

123
00:06:02,279 --> 00:06:05,000
and said, shut up, then don't watch it. It's a roast.

124
00:06:05,600 --> 00:06:07,959
Everybody there is gonna be made fun of. It's supposed

125
00:06:07,959 --> 00:06:10,160
to push the boundaries of all forms of comedy. For

126
00:06:10,199 --> 00:06:12,480
a roast, it's supposed to be mean spirited, but you

127
00:06:12,519 --> 00:06:15,279
don't actually mean it. Everyone there loves each other. Now

128
00:06:15,279 --> 00:06:18,720
our other topic today, Nate Bergazzi's The Breadwinner is out.

129
00:06:18,759 --> 00:06:22,839
You're probably listening to this while online. Outside the theater.

130
00:06:22,959 --> 00:06:25,480
There's probably lines around the block. People can't get enough

131
00:06:25,519 --> 00:06:29,160
of it. Variety has their review, their headline The Breadwinter Review.

132
00:06:29,360 --> 00:06:33,079
Nate Berghazzi bumbles through a domestic comedy that thinks incompetent

133
00:06:33,160 --> 00:06:38,120
dads are still funny. Spoilers The film's second echoes a

134
00:06:38,120 --> 00:06:41,160
little like this. Nate trips on the stairs while doing laundry.

135
00:06:41,279 --> 00:06:44,279
Nate burns the toast during breakfast. Nate crashes the car

136
00:06:44,319 --> 00:06:47,680
while distracted during school drop off. An array of familiar

137
00:06:47,680 --> 00:06:51,720
comedy phases clog up the film's periphery, including Colin jostas Connor,

138
00:06:52,160 --> 00:06:54,680
the town seemingly only others stay at home, Dad and

139
00:06:54,759 --> 00:06:59,920
Cameil Nanciani Jesus Peyton, a competing Toyota salesman. Both funk

140
00:07:00,319 --> 00:07:04,120
essentially is extrastential fluff. Jose leans on his punchable persona

141
00:07:04,160 --> 00:07:07,600
as Connor, while non Jehanny's running joke hangs on Peyton's

142
00:07:07,639 --> 00:07:10,920
muscle bound physique. The big problem with The Breadwinner isn't

143
00:07:10,920 --> 00:07:13,959
its sense of humor, but it's confused message. The film

144
00:07:13,959 --> 00:07:15,920
begins with the division of labor that, however much it

145
00:07:15,959 --> 00:07:18,439
resembles a mid century sitcom, appears to work well for

146
00:07:18,480 --> 00:07:21,279
both Nate and Katie. So why during Nate's inevitable third

147
00:07:21,319 --> 00:07:23,639
act moral of the story speech, does he insist that

148
00:07:23,639 --> 00:07:26,680
his month at home has been the best of his life. Meanwhile,

149
00:07:26,720 --> 00:07:28,959
I've been sitting on this one until today. The Wall

150
00:07:28,959 --> 00:07:32,759
Street Journal wrote about the theme park. Now, before we

151
00:07:32,759 --> 00:07:34,800
even get into this, I pulled some clips here. Here's

152
00:07:34,800 --> 00:07:37,160
what people on the internet are saying about the theme

153
00:07:37,199 --> 00:07:41,279
park idea. At Captain Kathleen wrote, does anybody beside Nate

154
00:07:41,319 --> 00:07:45,040
actually want this? That's how I feel about this drink.

155
00:07:45,199 --> 00:07:47,160
Jena Aide said, I was okay with it until he

156
00:07:47,240 --> 00:07:50,920
named it after himself. Sorry, no, Jennifer Sturger wrote, plays

157
00:07:50,959 --> 00:07:54,480
roller coaster Tycoon once dot dot dot Chris Ramirez Ford

158
00:07:54,600 --> 00:07:57,079
takes some real narcissism to build your own nameland, to

159
00:07:57,160 --> 00:08:00,120
chronicling your life. Let's see what the Journal learned lear

160
00:08:00,399 --> 00:08:03,319
from Nate Brighetzi about this, the journal tells us. To

161
00:08:03,360 --> 00:08:06,120
help make Nateland happen, The comedian convince his neighbor to

162
00:08:06,160 --> 00:08:09,519
be a chief executive. Felix Vertigius was a partner at

163
00:08:09,519 --> 00:08:12,600
consulting firm KPMG before Nate poached him. They hired a

164
00:08:12,639 --> 00:08:15,639
lobbyist and started wooing wealthy and powerful people around Nashville

165
00:08:15,639 --> 00:08:20,399
for support. They contracted with Storyland Studios, a California firm

166
00:08:20,519 --> 00:08:23,040
filmed by a lums of Disney Universal Studios in Legoland

167
00:08:23,079 --> 00:08:25,439
to design the park. Nate's team picked a site in

168
00:08:25,480 --> 00:08:27,920
the Nashville metro, secured most of the land through an investor,

169
00:08:27,959 --> 00:08:31,439
but declined to make the location public before negotiations are complete.

170
00:08:31,879 --> 00:08:34,360
Tax incentives have been identified for the project, which has

171
00:08:34,399 --> 00:08:38,120
state and local support. According to authorities involved, they'll start

172
00:08:38,159 --> 00:08:41,799
raising capital this summer. All right, here's the still evolving design.

173
00:08:41,840 --> 00:08:44,159
Are you ready for this? You're not. Visitors would enter

174
00:08:44,240 --> 00:08:47,879
through a nineteen nineties style mall. You heard me, I

175
00:08:47,879 --> 00:08:51,200
didn't misspeak. The area, based on Nate's local lore, would

176
00:08:51,240 --> 00:08:54,679
include coasters and a donkey dive ride inspired by one

177
00:08:54,720 --> 00:08:58,039
of his jokes. The New York section Ooh tell me more.

178
00:08:58,080 --> 00:09:00,679
Would have street performers, live shows, and a ride through

179
00:09:00,679 --> 00:09:03,000
a simulated Times Square with the New Year's eve Ball

180
00:09:03,080 --> 00:09:06,320
drop something I can tell you, actual New Yorkers hate

181
00:09:06,399 --> 00:09:09,279
all of those. You're taking the worst of New York

182
00:09:09,320 --> 00:09:11,919
City and making a theme land about it. Okay. The

183
00:09:11,960 --> 00:09:16,759
third section would have stunt performances and interactive shows. Nate

184
00:09:16,799 --> 00:09:18,960
wants to taper down from his arena tours and hopes

185
00:09:19,000 --> 00:09:21,639
Nate Land will switch up the transaction with audiences coming

186
00:09:21,639 --> 00:09:25,039
to him mistake, Nate says. The win for me will

187
00:09:25,080 --> 00:09:27,240
be when people go to Nateland and maybe don't even

188
00:09:27,320 --> 00:09:31,159
know who Nate is. Good luck, sir. Mandy Moore is

189
00:09:31,200 --> 00:09:33,519
the co star of what is this The Breadwinner? Yes,

190
00:09:33,519 --> 00:09:36,279
it's called The Breadwinner, She said. I love this sort

191
00:09:36,320 --> 00:09:38,440
of celebration of moms and mom kind of being an

192
00:09:38,519 --> 00:09:42,000
entrepreneur and getting this incredibly unique opportunity in its own way.

193
00:09:42,159 --> 00:09:44,559
It's like dad kind of switching roles and recognizing how

194
00:09:44,639 --> 00:09:46,919
much mom really does contribute to the house and keeping

195
00:09:46,960 --> 00:09:49,480
the ship righted. So I loved all of that. I

196
00:09:49,519 --> 00:09:51,799
don't have that exact same experience in my life. I

197
00:09:51,799 --> 00:09:53,799
feel like my husband's like a really good partner and

198
00:09:53,840 --> 00:09:56,080
a great dad and could pivot and figure out things

199
00:09:56,080 --> 00:09:57,480
in a way that I don't worry about the kids

200
00:09:57,519 --> 00:10:00,120
or anything like that. Heate said. The movie is go

201
00:10:00,159 --> 00:10:02,679
back to the classic family comedy movies that we all love.

202
00:10:02,840 --> 00:10:04,559
I think there's a lack of entertainment that has made

203
00:10:04,559 --> 00:10:07,440
for entire families. There are so few movies where everyone

204
00:10:07,480 --> 00:10:08,879
of all ages can have a good laugh, so I

205
00:10:08,879 --> 00:10:11,000
decided to create one myself. This is a movie with

206
00:10:11,080 --> 00:10:14,000
characters everyone can relate to, and it gives families and

207
00:10:14,120 --> 00:10:16,399
friends a great reason to go to a theater for

208
00:10:16,440 --> 00:10:18,879
an excellent night out. That's not gonna happen.

209
00:10:18,919 --> 00:10:19,120
Speaker 4: Man.

210
00:10:19,360 --> 00:10:22,480
Speaker 2: People will watch this on streaming because he is popular

211
00:10:22,879 --> 00:10:26,000
and it's mindless stuff you could throw on. You know, hey, wife,

212
00:10:26,080 --> 00:10:27,840
what should we watch to night? All right, let's watch

213
00:10:27,879 --> 00:10:30,159
this fine. It's one of those things no one will

214
00:10:30,200 --> 00:10:32,879
love but no one will hate. Nate gets that party says,

215
00:10:32,879 --> 00:10:34,519
you want us to have that ted Lasso effect where

216
00:10:34,559 --> 00:10:35,960
it's a feel good story you can go back and

217
00:10:35,960 --> 00:10:38,279
watch again. We're never gonna watch this movie twice, and

218
00:10:38,320 --> 00:10:41,240
that's not happening. We're gonna watch it once on streaming.

219
00:10:41,440 --> 00:10:43,679
Four months from now, Nate, the thing I think will

220
00:10:43,679 --> 00:10:45,519
help me with movies is now that I've traveled all

221
00:10:45,519 --> 00:10:47,399
over the country, I've done these jokes everywhere. I've got

222
00:10:47,440 --> 00:10:49,200
a really good feeling to be like, hey, I think

223
00:10:49,200 --> 00:10:51,120
this will work. Because I've done a version of this everywhere,

224
00:10:51,480 --> 00:10:53,279
I kind of know what I feel like the country wants.

225
00:10:53,279 --> 00:10:56,159
You start realizing everybody's a family, everybody goes through somewhat

226
00:10:56,200 --> 00:10:59,799
of the same things. He discussed the difference between acting

227
00:10:59,840 --> 00:11:02,039
and stand up comedy. Let's stand up. I very much

228
00:11:02,080 --> 00:11:03,480
prepare what I'm going to say and how I'm gonna

229
00:11:03,480 --> 00:11:05,360
say it, but you're doing it live and doing SNL

230
00:11:05,440 --> 00:11:07,440
is the same aspects of doing a movie. I love

231
00:11:07,440 --> 00:11:08,960
the structure of being like you got to be here

232
00:11:08,960 --> 00:11:10,799
at this time, and this time you have someone telling

233
00:11:10,840 --> 00:11:13,639
you where to go. I really enjoyed that is untitled

234
00:11:13,679 --> 00:11:16,519
twenty nineteen TV pilot was not picked up. Nate said

235
00:11:16,519 --> 00:11:18,559
it was very frustrating. Steve Martin would always say, you

236
00:11:18,600 --> 00:11:21,360
gotta be undeniable that let me go down this path

237
00:11:21,399 --> 00:11:22,919
and be a stand up comedian. I think what happened

238
00:11:22,960 --> 00:11:24,559
with the TV show is I talk about my family

239
00:11:24,600 --> 00:11:26,799
so much in my comedy was probably hard to recreate that.

240
00:11:27,080 --> 00:11:28,200
I don't know if that show could have been as

241
00:11:28,240 --> 00:11:30,080
funny as what I talk about. I was frustrated during

242
00:11:30,080 --> 00:11:32,480
those eight years. But now, in hindsight, maybe they did

243
00:11:32,559 --> 00:11:36,320
have a point. Box office theory thinks this movie will

244
00:11:36,320 --> 00:11:40,480
make about sixteen million dollars this weekend high projection twenty

245
00:11:40,559 --> 00:11:41,200
three million.

246
00:11:50,519 --> 00:11:52,120
Speaker 4: Comedy stock Markets.

247
00:11:52,120 --> 00:11:54,679
Speaker 2: Thank you, Burt Reynolds. Every week on the Comedy stock Marker,

248
00:11:54,759 --> 00:11:56,519
we take a look at the comedians. We try to

249
00:11:56,519 --> 00:11:59,080
find some value. Much like when you make money on stocks,

250
00:11:59,120 --> 00:12:02,879
we try and buy and sell high. I don't feel

251
00:12:02,919 --> 00:12:06,159
too strongly about anything this week. I'm wondering if we

252
00:12:06,159 --> 00:12:10,399
should sell Nate. Is this thing gonna work? I mean,

253
00:12:11,120 --> 00:12:13,080
part of me is scared that, like, people are gonna

254
00:12:13,159 --> 00:12:14,759
go out and see this thing, But I don't know.

255
00:12:14,799 --> 00:12:17,120
It just doesn't seem cool at all. But maybe I'm

256
00:12:17,159 --> 00:12:19,679
a cool elitist to New Yorker sitting at a basement

257
00:12:19,679 --> 00:12:22,399
in New Jersey. I don't know. Let's sell Nate Pergatzy.

258
00:12:22,440 --> 00:12:25,360
We gotta be bold here. We'll sell Nate Progatzy. Let's

259
00:12:25,480 --> 00:12:29,200
buy some Tony Hinchcliff. I think to use Nate's word

260
00:12:29,279 --> 00:12:33,279
tony Hinchcliff is undeniable. I understand why some people don't

261
00:12:33,279 --> 00:12:35,720
get it or choose to hate on Tony. But Tony's

262
00:12:35,759 --> 00:12:38,000
just doing his kill Tony thing. He gets up on

263
00:12:38,039 --> 00:12:40,879
the roast, he kills. He's got a money making operation.

264
00:12:41,039 --> 00:12:44,120
It sells along just fine. Why not buy some Tony

265
00:12:44,200 --> 00:12:47,039
Hinchcliff and then two sells? All relates to the roast.

266
00:12:47,399 --> 00:12:50,600
Chelsea Handler is having just the worst two weeks. Chelsea

267
00:12:50,759 --> 00:12:54,360
stopped talking the idea that a joke is worse than rape.

268
00:12:54,480 --> 00:12:57,559
I mean, listen to yourself, it's a joke. It might

269
00:12:57,600 --> 00:13:00,720
be the worst joke ever told. It might be the

270
00:13:00,759 --> 00:13:03,519
most horrible thing ever said by anybody, but it was

271
00:13:03,559 --> 00:13:07,279
still a joke worse than rape. Sell Chelsea Handler, and

272
00:13:07,360 --> 00:13:10,000
let's sell Nicki Glazer. I just feel like all the

273
00:13:10,120 --> 00:13:13,000
cool is coming off Nicki Glazer. I think we all

274
00:13:13,000 --> 00:13:15,799
get who Nicki Glazer wants to be Amy Schumer, and

275
00:13:16,320 --> 00:13:19,919
she's just going to keep going down that road. And

276
00:13:20,320 --> 00:13:22,320
I think she's gonna shed some of the people who

277
00:13:22,360 --> 00:13:25,480
liked her in the past that I'm not sure Nicky's

278
00:13:25,519 --> 00:13:27,879
gotta to pick up new people to replace those that

279
00:13:28,000 --> 00:13:30,159
she sheds. All right, So We're gonna sell Nate buy,

280
00:13:30,279 --> 00:13:33,720
Tony sell, Chelsea sell NICKI. That is your comedy stock

281
00:13:33,759 --> 00:13:37,360
market for today. I'm doing this one live. I haven't

282
00:13:37,360 --> 00:13:39,720
looked at this at all at all. This was an

283
00:13:39,759 --> 00:13:43,039
email I got the other day. JFL Montreal sent out

284
00:13:43,080 --> 00:13:45,159
some more stuff. Let's see Ashley Gavin's gonna be a

285
00:13:45,200 --> 00:13:48,879
clipsode on the twenty fourth. We have official dates for

286
00:13:49,080 --> 00:13:52,080
New Faces of Comedy Stand Up July twenty second and

287
00:13:52,240 --> 00:13:55,799
twenty third. That yep, as usual. That's a Wednesday and Thursday.

288
00:13:55,840 --> 00:13:58,039
So if you're looking for me, I'll probably be in

289
00:13:58,120 --> 00:14:01,519
Montreal on the Wednesday night, if not. Both New Faces

290
00:14:01,519 --> 00:14:04,840
of Comedy characters on the twenty third. Oh, this is interesting.

291
00:14:05,120 --> 00:14:07,639
New Faces of Comedy Stand Up Encore on the twenty

292
00:14:07,639 --> 00:14:10,480
fourth and twenty fifth. Maybe I go to that and

293
00:14:10,519 --> 00:14:12,639
then I can hang around for the free Weird Al show.

294
00:14:12,679 --> 00:14:14,919
That might be an interesting way to do things. We've

295
00:14:14,960 --> 00:14:18,879
also announce shows from Matty Kelly, Mark Watson, Janine Harooney

296
00:14:19,279 --> 00:14:21,879
and some local Montreal folks. I'm looking forward to that.

297
00:14:22,399 --> 00:14:24,759
Just back off the London. I'm still dusting myself off,

298
00:14:24,759 --> 00:14:26,519
so I needs to plan my life a little bit.

299
00:14:27,159 --> 00:14:30,120
W Comal Bell has another podcast. This one is called

300
00:14:30,159 --> 00:14:33,840
Who's with Me, inspired by his substack of the same name,

301
00:14:33,919 --> 00:14:38,440
Come Out. Bell's latest podcast features conversations designed to educate

302
00:14:38,480 --> 00:14:42,120
and drive change. Belle says, when everywhere we look feels

303
00:14:42,120 --> 00:14:43,799
like the powers that be want to push us apart,

304
00:14:44,200 --> 00:14:46,600
I wanted to create a space where curiosity and empathy

305
00:14:46,679 --> 00:14:50,039
lead the way and conversation actually moves us forward. In

306
00:14:50,080 --> 00:14:52,120
each episode of Who's with Me, Belle will open with

307
00:14:52,159 --> 00:14:55,879
a monologue addressing the current cultural and political landscape. He'll

308
00:14:55,919 --> 00:14:59,919
don't have a guest. Guests will include Ted Danson of course,

309
00:15:00,840 --> 00:15:05,399
a musician, dav Diggs, and restaurants for are Eddie Wang Okay, Betulein,

310
00:15:05,519 --> 00:15:09,159
Maria Bamford and Marcaret show interesting lineup. Samb's got a

311
00:15:09,200 --> 00:15:12,919
new gig for the CBC. She will start in The Ambassador.

312
00:15:13,000 --> 00:15:16,480
Sam b plays an actor turned diplomat in Bulgaria working

313
00:15:16,519 --> 00:15:19,879
inside an embassy to uncover new business opportunities for Canada.

314
00:15:20,360 --> 00:15:23,240
Was Adam Sandler unavailable? Was Kevin James unavailable? Was an

315
00:15:23,240 --> 00:15:28,360
Aperghezzie unavailable? That's Sambe in The Ambassador, an actor turned

316
00:15:28,360 --> 00:15:32,480
diplomat in Bulgaria working inside an embassy to uncover new

317
00:15:32,519 --> 00:15:37,279
business opportunities for Canada. Okayn't your comedy news for today?

318
00:15:37,360 --> 00:15:39,799
Follow the show on Spotify. You can comment on Spotify

319
00:15:39,840 --> 00:15:42,480
about anything you heard here on the program. And I

320
00:15:42,559 --> 00:15:44,679
will be back tomorrow. I got a lot more Kevin

321
00:15:44,679 --> 00:15:45,240
Hart stuff