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<v Speaker 1>I didn't think about it something.

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<v Speaker 2>I have nothing. I have absolutely nothing.

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<v Speaker 1>You know, Balky, when I was when I was in

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<v Speaker 1>the first grade, I actually had a magic show. I

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<v Speaker 1>did it.

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<v Speaker 2>I was going to ask you about this.

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<v Speaker 1>Yeah, yeah, I had a magic show that I did

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<v Speaker 1>in front of the entire My elementary school was kindergarten

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<v Speaker 1>through sixth grade. In the last day of school, we

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<v Speaker 1>do a talent show and I had a magic act,

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<v Speaker 1>the Magnificent Bend. I had seven or eight magic tricks

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<v Speaker 1>that I planned and I actually learned these just but

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<v Speaker 1>it was before the internet, Like I bought like a

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<v Speaker 1>pack of tricks and then it just comes with instructions

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<v Speaker 1>and all that. And I pulled a rabbit out of

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<v Speaker 1>a hat. I had a die that I could predict

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<v Speaker 1>what if you rolled a six. I basically I set

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<v Speaker 1>it up so that it always added up to seven,

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<v Speaker 1>and then I predicted that it was gonna the addition

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<v Speaker 1>was going to add up to seven no matter what

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<v Speaker 1>you rolled. But I would be able to predict what

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<v Speaker 1>you were doing there. And I had a whole bunch

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<v Speaker 1>of things, and I'll be real. In first grade, I

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<v Speaker 1>absolutely knocked it out of the park, Like I killed

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<v Speaker 1>it into the planet. I was going to be David

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<v Speaker 1>Blaine before David Blaine was a thing in second grade.

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<v Speaker 1>Katie Kramer, I'll out her first and last name, Katie Kramer.

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<v Speaker 2>I'm sure she's a big listener to this.

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<v Speaker 1>Absolutely, That's why I feel comfortable doing it. She outed

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<v Speaker 1>how I had a secret compartment in the hat for

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<v Speaker 1>the rabbit before what a jerk? Tell me about it?

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<v Speaker 1>And I was doing it in second grade as I was,

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<v Speaker 1>I was maneuvering. Oh, I was devastated. I still went

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<v Speaker 1>on and did the show because I was a trooper

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<v Speaker 1>after that. But that was my swan song. That was

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<v Speaker 1>the end of it there. And so when we see

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<v Speaker 1>movies like now you see Me three, Now you three

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<v Speaker 1>Me if you will, it brings me. It harkens back

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<v Speaker 1>to that era of my life where I really do

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<v Speaker 1>love magic and magicians, even though my future was cut

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<v Speaker 1>dramatically short by a couple of jerks.

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<v Speaker 2>So how did you Why did you give it up?

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<v Speaker 2>Was it because of the of the of the people

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<v Speaker 2>outing you and how you pulled it off?

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<v Speaker 1>So I'll be honest. The pack that I had, I

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<v Speaker 1>had maxed out all the tricks, like first and second grade,

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<v Speaker 1>I basically just did the same show. It's not like

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<v Speaker 1>I had adapted, and there really wasn't. I didn't grow

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<v Speaker 1>up in a house. I'd be like I needed a

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<v Speaker 1>whole new magic sets, like short of me learning new

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<v Speaker 1>card tricks on my own. Again in a pre internet era,

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<v Speaker 1>I really didn't have many means much means to go

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<v Speaker 1>on with it from there. And you know how it is.

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<v Speaker 1>They even make a comment in the movie I wanted

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<v Speaker 1>to be a magician then I turned twelve. Do you

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<v Speaker 1>know who that was that I can't place it?

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<v Speaker 2>That is Andrew Santino, who is a stand up comic.

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<v Speaker 2>He co hosts the Bad Friends podcast with Mad TV

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<v Speaker 2>alum Bobby Lee, and he was also in the film

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<v Speaker 2>Ricky Stinicky with John Cena.

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<v Speaker 1>I haven't seen it, but I've heard great things. Yeah.

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<v Speaker 2>Yeah, he's a funny guy. He's a very funny guy.

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<v Speaker 2>And I knew he was in this film, and so

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<v Speaker 2>then I see him in the beat. It's basically the

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<v Speaker 2>first scene that Andrew Santino yet, and I'm like, Oh,

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<v Speaker 2>I wonder if he's going to play a significant role

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<v Speaker 2>in this man. No, No, it was basically a cameo.

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<v Speaker 2>He was in that scene and that was it.

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<v Speaker 1>Yeah, yeah, yeah, he did. But so I've always had

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<v Speaker 1>an affinity for these movies from that perspective because I

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<v Speaker 1>did love magic like you can. Still my whimsy has

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<v Speaker 1>been kind of beaten out of me over the decades.

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<v Speaker 1>You know, I'm a bit cynic. You guys hear it

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<v Speaker 1>when you listen to me, whether it's here or on

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<v Speaker 1>outside the box.

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<v Speaker 2>It's interesting that a guy like you, who is so

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<v Speaker 2>cynical about everything, like, was fascinated at one point by magic,

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<v Speaker 2>all right, or maybe you weren't fascinated by it. You're like,

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<v Speaker 2>I'm sick and tired of these people doing this stuff.

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<v Speaker 2>I don't know how they're doing it. I'm gonna do

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<v Speaker 2>and I'm gonna know how to do it. I'm gonna know,

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<v Speaker 2>I'm gonna know how they're pulling it off. So you

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<v Speaker 2>can still be cynical about it, be're like, ah, that's nothing.

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<v Speaker 1>Oh yeah, but I mean picture that dude, seven year

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<v Speaker 1>old Ben, Like, there were probably ninety kids per grade

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<v Speaker 1>in my school, So from kindergarten to sixth grade, that's

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<v Speaker 1>seven grades. That's over six hundred kids that I'm standing

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<v Speaker 1>up there pulling a rabbit out of a house.

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<v Speaker 2>That's insane. That is insane, that's kind of nuts. I

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<v Speaker 2>was thinking because like when we did I mean, I

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<v Speaker 2>did a talent show and I went to University Wisconsin,

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<v Speaker 2>Green Bay, which I think is just Green Bay.

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<v Speaker 1>Now.

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<v Speaker 2>I went there for one, not one.

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<v Speaker 1>Semester, one full year, so two semesters, and I got

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<v Speaker 1>to I'm watching it happen. Yeah, this is awful, fantastic,

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<v Speaker 1>And I did.

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<v Speaker 2>They had a freshman talent show, and I did like,

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<v Speaker 2>you know, drama and school plays and performed stuff. I

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<v Speaker 2>hosted some stuff in high school, like our big frolic

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<v Speaker 2>whatever you know, skit things that we would do for

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<v Speaker 2>homecoming and prom every year. I hosted those, and you know,

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<v Speaker 2>I didn't mind being in front of people. But then

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<v Speaker 2>when I was getting up for this Green Bay thing

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<v Speaker 2>talent show, I did stand up comedy for about twenty

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<v Speaker 2>twenty five minutes. But it's nothing that I wrote. It

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<v Speaker 2>was Seinfeld stuff that I memorized. Oh and you know

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<v Speaker 2>a lot of these people, like some of them knew Seinfeld.

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<v Speaker 2>This was back in nineteen ninety eight, September of nineteen

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<v Speaker 2>ninety eight. Sure, and this is right when right, I

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<v Speaker 2>think right when it was going off the air. I

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<v Speaker 2>think it just had gone off the air or whatever

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<v Speaker 2>it was. And so know these college kids, not a

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<v Speaker 2>lot of them are into side. So I think legitimately

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<v Speaker 2>a lot of people thought I was really funny, and

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<v Speaker 2>I wasn't the only I wasn't the only stand up comic.

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<v Speaker 2>There was like two other guys, and I didn't think

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<v Speaker 2>they were very good. I think one guy had one

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<v Speaker 2>good joke and then that was it. But I mean,

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<v Speaker 2>I'm just ripping off Jerry sign on this. Oh yeah,

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<v Speaker 2>crowd went crazy.

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<v Speaker 1>Well, you're talking nineteen ninety eight. That's pre video, that's

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<v Speaker 1>pre on demand, that's pre you know, seasoned DVDs, that's

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<v Speaker 1>pre basically internet. I mean, I realized it existed, but

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<v Speaker 1>not in any kind of meaningful way. So like unless

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<v Speaker 1>you caught it live and memorized, Like, how did you

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<v Speaker 1>even have it?

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<v Speaker 2>Because I would videotape all the Seinfeld episodes. Yeah, and

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<v Speaker 2>I'd watch these like before I go to bed.

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<v Speaker 1>Watching I did that with Simpsons.

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<v Speaker 2>There you go, but the Seinfeld Show would have like

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<v Speaker 2>him doing stand up comedy, you know, before ever, and

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<v Speaker 2>so I remember these bits and just I watched so

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<v Speaker 2>much of it. Ben it just came naturally. I didn't

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<v Speaker 2>even think I had like a sheet, you know where

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<v Speaker 2>you're like, okay, and I got to do this this

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<v Speaker 2>like I don't even think. I just I had it

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<v Speaker 2>down and you have the and what's with ID?

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<v Speaker 1>I didn't. I did not do it.

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<v Speaker 2>I did it in my own style because I felt

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<v Speaker 2>like that would be too obvious, like what's to do?

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<v Speaker 2>I couldn't do that. So and I don't think I

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<v Speaker 2>think they had like three finalists or whatever, and I

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<v Speaker 2>don't think I made made it, which sucked, and I

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<v Speaker 2>had again again, you have people coming up to you

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<v Speaker 2>after like I can't believe you weren't in the top

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<v Speaker 2>three or whatever, and I'm like whatever, it doesn't matter.

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<v Speaker 2>But then that night, like there was like a dance,

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<v Speaker 2>like a freshman mixer or whatever, and so many people

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<v Speaker 2>like came up and like wanted to talk to me

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<v Speaker 2>and hang out. People I knew from Appleton that I

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<v Speaker 2>mean that we knew of each other, but we didn't

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<v Speaker 2>really really hang out. They were coming up to me

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<v Speaker 2>and like, oh, now now you want to hang out anyway.

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<v Speaker 2>So that's that was like the largest crowd that I

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<v Speaker 2>ever did. But I was nineteen or eighteen at the time.

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<v Speaker 2>Sure you're seven. Yeah, and like when my seventh grade

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<v Speaker 2>was seven, when I was seven years old, first second

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<v Speaker 2>grade classes, man, there's like, I don't know, ten people,

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<v Speaker 2>fifteen people. I went to a small parochial school.

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<v Speaker 1>Yeah.

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<v Speaker 2>When my my eighth grade class graduated, you know, and

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<v Speaker 2>then you go to the high school in the next year.

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<v Speaker 2>There were seven people in my eighth grade class seven

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<v Speaker 2>one girl, one girl, six guys. That was it. So

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<v Speaker 2>it's totally I mean, I can't even imagine being seven

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<v Speaker 2>years old.

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<v Speaker 1>I don't want to say something comes off as judgmental here,

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<v Speaker 1>but but that sounds like you came up, you're very

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<v Speaker 1>well adapted. That just seems like those are like the

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<v Speaker 1>formative years and have such a small group of people

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<v Speaker 1>that that's suit. And it's basically that you know, the

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<v Speaker 1>same core group. That's yeah, like you're all friends or enemies.

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<v Speaker 2>No, there wasn't an I don't think any, but there

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<v Speaker 2>was there was no enemies going on there.

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<v Speaker 1>But yeah, because you played sports, that's that's everybody played.

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<v Speaker 1>Everybody played sports. All all six guys played sports, not

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<v Speaker 1>all the sports. Some of them skipped soccer, some of

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<v Speaker 1>them skipped you know, basketball or whatever. But all of

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<v Speaker 1>them played that's what it does. But we've digressed. We've

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<v Speaker 1>been off topic far long enough. Now you see me through,

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<v Speaker 1>you don't, Now you don't. Yeah, it was good.

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<v Speaker 2>Okay, here's the thing I said. I made up my

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<v Speaker 2>mind that I was gonna like this movie, and I

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<v Speaker 2>came through. Yeah, myself, I like this movie. Now, I

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<v Speaker 2>will say there are certain things I'm like, really, yeah,

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<v Speaker 2>a man, but it was it was light. It was light.

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<v Speaker 2>It was very light where I was kind of like,

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<v Speaker 2>I guess, you know whatever. I think it was much

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<v Speaker 2>more formulaic into to the second movie than the first one.

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<v Speaker 2>It reminded me of how formulaic Hangover Part two was

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<v Speaker 2>to the original Hangos.

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<v Speaker 1>I had a very similar thought, very similar thought. I

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<v Speaker 1>was thinking American Pie, but the same idea because there's.

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<v Speaker 2>The American Pie. Two was a little bit different. I think.

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<v Speaker 1>Then, oh see, I think it hits all the exact

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<v Speaker 1>same plot points, just the actual moment. Instead of getting

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<v Speaker 1>you know, sticking your thing in a pie, you use

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<v Speaker 1>the American you glue your hand through right principle.

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<v Speaker 2>Well I get it, yeah, yes, but I think American

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<v Speaker 2>Pie two was more. American Pie was like, these guys

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<v Speaker 2>have known each other for forever. They have the very

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<v Speaker 2>very friendly, familiar, familiar familiar relationships. Then they all go

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<v Speaker 2>off to school, and then they come back and you

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<v Speaker 2>can see that these guys have changed significantly in just

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<v Speaker 2>a few months, you know, coming home for summer break

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<v Speaker 2>or whatever. So to me that it was it was

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<v Speaker 2>a little bit different for American Pie too, because I

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<v Speaker 2>think these characters were significantly different than what they were

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<v Speaker 2>when they were high school seniors.

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<v Speaker 1>Yeah, there were a lot of plot points, and I

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<v Speaker 1>will say, I'm glad you brought that up because that's

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<v Speaker 1>where I wanted to start.

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<v Speaker 2>Jesse, Okay, just go ahead. No, I don't know, because

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<v Speaker 2>I was going to ruin something, So you go.

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<v Speaker 1>Ahead, Jesse Eisenberg stick. I think once you hit a

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<v Speaker 1>certain age, is no longer acceptable. You know what's funny? Okay,

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<v Speaker 1>I have to interrupt.

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<v Speaker 2>I was watching Social Network, but he was just so

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<v Speaker 2>annoying and you know, and I'm like, God, this guy

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<v Speaker 2>is so good at that, So maybe his shtick has

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<v Speaker 2>reached its limit for you give me more. Really, I

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<v Speaker 2>like it. Yeah, I like how he plays this arrogant

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<v Speaker 2>the guy who's super arrogant.

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<v Speaker 1>But shouldn't be.

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<v Speaker 2>Yeah, and then he has nailed that, and it's it's

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<v Speaker 2>different because I think in what was movie he did

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<v Speaker 2>with Kieran Culkin that Kieran Culkin won the Academy Award

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<v Speaker 2>for Best Supporting Actor, it's like two cousins on a

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<v Speaker 2>trip to Europe or whatever. I can't remember what it's called.

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<v Speaker 2>Besides the point, but I thought his character is very

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<v Speaker 2>unlike what he did now you see me. I think

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<v Speaker 2>Zombielan he plays a different type of character.

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<v Speaker 1>I disagree.

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<v Speaker 2>I think in the first Zombielant and I think in

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<v Speaker 2>uh was it called Adventureland that he Yeah, I think

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<v Speaker 2>he was a totally different character that he played. You know,

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<v Speaker 2>So I think that he there. He's not like he's

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<v Speaker 2>getting type cast because I still think he has a

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<v Speaker 2>wider range, but you clearly do.

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<v Speaker 1>I feel like he is the social network and everything

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<v Speaker 1>he does. When he's Lex Luthor, he's Mark Zuckerberg. Yeah,

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<v Speaker 1>that's true. When he's Atlas, he's Mark Zuckerberg. When he

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<v Speaker 1>excuse me, he's yeah, Mark Zuckerberg. Yeah. When he's Zombielan,

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<v Speaker 1>he's Mark Zuckerberg. It's just a very and maybe it's

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<v Speaker 1>one of those things like maybe hitting a little too

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<v Speaker 1>close to home, because that was the trajectory I was

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<v Speaker 1>on in my early twenties. I mean you, we just

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<v Speaker 1>joked about how cynical I am, Like I have that element.

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<v Speaker 1>I'm a quick witted person. I'm a smart ass at times,

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<v Speaker 1>but I've reined it in because it's only cute up

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<v Speaker 1>to a certain point. I'm pushing forty.

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<v Speaker 2>What did you identify with in this movie?

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<v Speaker 1>Oh, without a doubt, I was the uh and I

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<v Speaker 1>even had a reason why and why am I blanking on?

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<v Speaker 1>But it's it's Bosco. I was Bosco in this and

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<v Speaker 1>I even had a very distinct reasons of similar heights

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<v Speaker 1>and I can't remember. He's a very frame. He doesn't

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<v Speaker 1>have good posture. I don't have good posture.

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<v Speaker 2>I think I don't like the posture and the frame thing.

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<v Speaker 2>I just think like it's because you guys are so tall.

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<v Speaker 2>Maybe it's just normal to like communicate with other people,

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<v Speaker 2>you have to hunch down a little bit. And that's

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<v Speaker 2>the Yeah. I think if you, if you lived in

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<v Speaker 2>in the land of the Amazons, you'd have fantastic posture

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<v Speaker 2>and quite frankly, what are your six four? Yeah, you'd

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<v Speaker 2>probably be six seven, you know that's seven.

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<v Speaker 1>Yeah, but no ah, God, And like I would, this

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<v Speaker 1>is what I always say to you. I wish I

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<v Speaker 1>wrote stuff down when I was in there, because I

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<v Speaker 1>even walked out of there like, oh, that's literally a

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<v Speaker 1>ben thing to say, Like I've never related. This might

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<v Speaker 1>be the most I've related to a character in one

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<v Speaker 1>of these kind of things. But it hit very close

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<v Speaker 1>to home a lot, a lot of the messaging that

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<v Speaker 1>that he had here. But but s Eisenberg. I have

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<v Speaker 1>just always found I don't believe in zodiac signs, but

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<v Speaker 1>if they're real, whatever our zodiacs are, just don't gel

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<v Speaker 1>Because there's something about Eisenberg that I'm like.

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<v Speaker 2>You know, I'm sure it's not just you. Yeah, And

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<v Speaker 2>he plays into that in this film, Yeah, like he

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<v Speaker 2>is supposed to.

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<v Speaker 1>Be by the way he gets me to laugh. I

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<v Speaker 1>don't want to sound like it's an off putting character.

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<v Speaker 1>I'm just saying it's been the same thing for twenty years, Doug, Right,

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<v Speaker 1>That's what I'm saying. But go ahead, I apologize.

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<v Speaker 2>No, that's that's all right, because I think that he

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<v Speaker 2>has to and I would I would contend that he

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<v Speaker 2>has never played up the the jerk, mean magician that

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<v Speaker 2>is full of himself more so than he did in

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<v Speaker 2>this one. The second one he had a redeeming quality,

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<v Speaker 2>didn't he save Mark Ruffalo?

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<v Speaker 1>Yeah?

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<v Speaker 2>Second one? Yeah, so there was a selflessness there, there's

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<v Speaker 2>some vulnerability. He kind of like got everybody together at

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<v Speaker 2>the end of the second one when it was them

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<v Speaker 2>against Harry Potter and Michael Kine.

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<v Speaker 1>Right.

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<v Speaker 2>Yeah, So I do think that this one the character

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<v Speaker 2>has played differently.

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<v Speaker 1>Now.

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<v Speaker 2>Is that because you had three new magicians, right, and

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<v Speaker 2>there was less elbow room for him to kind of

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<v Speaker 2>have sort of like a redeeming arc.

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<v Speaker 1>I don't know, or would it have been cannibalizing because

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<v Speaker 1>I'll be real. Bosco LeRoy's character, I think is very

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<v Speaker 1>sim not in a style but in attitude. I think

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<v Speaker 1>they're very similar types, like you know, a little too

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<v Speaker 1>big for their breches. They don't think they needed, like

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<v Speaker 1>it would have been redundant.

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<v Speaker 2>You know what's funny is like you can kind of

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<v Speaker 2>match up, yes, like the the new magicians with the

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<v Speaker 2>old ones or whatever, Like you had what was what

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<v Speaker 2>was the woman's name, June or something?

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<v Speaker 1>I can't I have it up here? Yeah, June Rube Claire, Yeah.

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<v Speaker 2>June Rouclaire, which is another weird name. Why do they

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<v Speaker 2>pick such weird Bosco Leroy yeah yeah, but she was

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<v Speaker 2>like the Dave Franco jack that.

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<v Speaker 1>Was so similar that they could have killed Dave Franco

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<v Speaker 1>in the first five minutes for like a little bit

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<v Speaker 1>more stakes.

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<v Speaker 2>But they can't do that because they already killed them

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<v Speaker 2>off in the first one. Oh I forgot, I remember, Yeah,

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<v Speaker 2>so you can't. You can't do that again.

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<v Speaker 1>But it was so redundant their characters, like to the

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<v Speaker 1>point where they literally make a joke about it.

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<v Speaker 2>But I think that was the idea, is like, oh

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<v Speaker 2>you got your lock picker, look at the New Age

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<v Speaker 2>one that like, you know, so so those two and

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<v Speaker 2>then I think, uh, I can't remember the guy's name,

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<v Speaker 2>the actor's name, but Bosco Leroy, dominic dominiccessa thank you.

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<v Speaker 2>Those two him and Isberg to me like matched up whatever.

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<v Speaker 2>And then you had Justice Smith, who I think was

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<v Speaker 2>sort of like a brand new like he wasn't he

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<v Speaker 2>obviously wasn't Merret McKinney, and he was not Isla Fisher,

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<v Speaker 2>although they had a scene together, didn't they they did?

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<v Speaker 1>But to be frank Man without giving too much away.

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<v Speaker 1>I think they're kind of setting up for him to

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<v Speaker 1>be the Eisenberg of the group, even though Leroy shares

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<v Speaker 1>more of those traits in terms of what he actually

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<v Speaker 1>means to the group. They even had them say the

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<v Speaker 1>same catch frack.

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<v Speaker 2>I'm going to move past that because I don't think

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<v Speaker 2>it's worth talking about for the purposes of this podcast. Yeah,

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<v Speaker 2>but the introduction, the first scene got me. Yeah, it

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<v Speaker 2>was well like kind of a magic trick by the

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<v Speaker 2>director and the screenwriter all in its own fooled me. Yeah,

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00:15:49.559 --> 00:15:54.279
<v Speaker 2>totally absolutely, and then it set me up. I'm like, okay, like, yeah,

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<v Speaker 2>we're in it now.

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<v Speaker 1>Every scene, the Diamond High scene wonderful, Like, honestly, I

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<v Speaker 1>wish there were more of it, like those are You

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<v Speaker 1>said you like the parts and they ruined it and

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<v Speaker 1>I called you a Cretan. It really is the best part.

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<v Speaker 2>What what they oh no, no, no, where they show you.

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<v Speaker 1>How Yeah, where they ruin it is what that's called.

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<v Speaker 2>So I'm not a Cretan.

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<v Speaker 1>Yeah, I mean, if you want people to ruin magic

358
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<v Speaker 1>tricks are kind of a Cretan. Trust me.

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<v Speaker 2>It was a diamond heist. Okay, I want to know

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<v Speaker 2>how they pulled it off. It's like it's like Ocean's

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<v Speaker 2>eleven not showing you how they robbed three different.

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<v Speaker 1>Well, no, because they're not magicians. They're robbers. This is

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<v Speaker 1>different the magicians. You shouldn't ruin the trick. So it's

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<v Speaker 1>a different it's a different component here, but specifically the

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<v Speaker 1>diamondized one, Like I was like, ah, this is gonna

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<v Speaker 1>be a good movie. Like that. That was when I

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<v Speaker 1>really kind of bought into what was going on because

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<v Speaker 1>I couldn't help. Are you familiar with honest trailers? Yeah, okay,

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00:16:41.519 --> 00:16:43.679
<v Speaker 1>they did an honest trailer for it always comes back

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<v Speaker 1>to Marvel. They did one for Age of Ultron, and

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<v Speaker 1>at the very end they like, you know, they do

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<v Speaker 1>starring and they do all the jokes with all the

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<v Speaker 1>different names, and the last thing they do is and

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<v Speaker 1>the New Avengers, and it was Falcon and Scarlet Witch

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<v Speaker 1>and Vision and and and down Cheetah one blanking on

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<v Speaker 1>his name machine, Yeah, war machine, And then the voice

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00:17:04.240 --> 00:17:08.359
<v Speaker 1>for aunut trailers goes yay, and like I remember feeling

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<v Speaker 1>the same way when it happened, And now I love

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<v Speaker 1>all those characters ten years later, like they all have

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<v Speaker 1>their backstories, but at the time, I couldn't help, but

381
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<v Speaker 1>reminisce to that when I was meeting all these new characters,

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00:17:19.279 --> 00:17:19.880
<v Speaker 1>and that at.

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<v Speaker 2>The end of Age Ultron. Yeah, I thought that was

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<v Speaker 2>the end of.

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<v Speaker 1>Uh, it's it's the end of Age all and the

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00:17:25.920 --> 00:17:28.799
<v Speaker 1>Civil War is with Tony Sank when stan Lee rip

387
00:17:28.960 --> 00:17:30.480
<v Speaker 1>drops and they like have the cell phone.

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00:17:30.519 --> 00:17:34.160
<v Speaker 2>Yeah, but then but then remember Captain America and Scarlet

389
00:17:34.599 --> 00:17:37.720
<v Speaker 2>not Scarlet Witch, Black Widow come in and they see

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00:17:37.720 --> 00:17:38.759
<v Speaker 2>Scarlet Witch and.

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00:17:38.720 --> 00:17:41.160
<v Speaker 1>What that's there? You're conflating that I am. I am

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<v Speaker 1>one hundred you're you're wrong. I would actually bet my

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00:17:43.200 --> 00:17:44.839
<v Speaker 1>house on it. You're one hundred percent wrong.

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00:17:44.920 --> 00:17:49.240
<v Speaker 2>I can't. I can't do that. But we're talking about

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00:17:49.240 --> 00:17:49.880
<v Speaker 2>the same scene.

396
00:17:49.960 --> 00:17:51.759
<v Speaker 1>Yeah, Yeah, that's the end of Age of Ultron.

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00:17:51.880 --> 00:17:54.279
<v Speaker 2>And then and then Chris Evans goes Avengers and then

398
00:17:54.279 --> 00:17:54.640
<v Speaker 2>it cuts.

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00:17:54.720 --> 00:17:57.039
<v Speaker 1>Yeah, that's the end of Yeah, you're telling me that

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00:17:57.079 --> 00:17:59.279
<v Speaker 1>was the end. I swear to God that we'll look

401
00:17:59.279 --> 00:18:01.039
<v Speaker 1>it up after this is over. Remind me of looking

402
00:18:01.079 --> 00:18:04.519
<v Speaker 1>up of Tony right now, I'm one hundred to quote

403
00:18:04.559 --> 00:18:07.759
<v Speaker 1>Marissa Tomay.

404
00:18:06.480 --> 00:18:09.680
<v Speaker 2>Hold on, hold on, you're right, yes, because Civil War

405
00:18:09.880 --> 00:18:10.319
<v Speaker 2>ends with.

406
00:18:10.400 --> 00:18:15.160
<v Speaker 1>Them breaking them out of jail. Thet Yes. So yeah,

407
00:18:15.200 --> 00:18:16.119
<v Speaker 1>so that was Agel Trud.

408
00:18:16.680 --> 00:18:20.319
<v Speaker 2>I almost just lost my house, thank God.

409
00:18:20.359 --> 00:18:23.519
<v Speaker 1>But I say all that to say, anytime the old

410
00:18:23.640 --> 00:18:26.359
<v Speaker 1>cast wasn't on the screen, I felt like I was

411
00:18:26.400 --> 00:18:28.960
<v Speaker 1>looking at the new Avengers from Age of Ultron, and

412
00:18:29.000 --> 00:18:31.319
<v Speaker 1>I was like, yeah, and I'm sure if they did

413
00:18:31.359 --> 00:18:34.039
<v Speaker 1>two more movies of these guys, I'd be into it more.

414
00:18:34.279 --> 00:18:36.440
<v Speaker 1>But I just I just didn't get there in this movie.

415
00:18:36.519 --> 00:18:39.240
<v Speaker 2>So what got me there? It was that scene which

416
00:18:39.359 --> 00:18:41.799
<v Speaker 2>was kind of hokey, but I think it was put

417
00:18:41.799 --> 00:18:44.119
<v Speaker 2>there for a purpose where there I can't remember how

418
00:18:44.119 --> 00:18:47.839
<v Speaker 2>it starts, but it's all these guys, all these magicians

419
00:18:47.839 --> 00:18:50.759
<v Speaker 2>pulling off these magic tricks like yeah, you know, like

420
00:18:50.759 --> 00:18:52.799
<v Speaker 2>like rapid fire or whatever. And it was the old

421
00:18:52.839 --> 00:18:54.200
<v Speaker 2>ones and the new ones, and the new ones are

422
00:18:54.200 --> 00:18:56.839
<v Speaker 2>holding their own oh sure. And the other thing we

423
00:18:56.839 --> 00:18:59.960
<v Speaker 2>should mention too is this movie came out are the

424
00:19:00.079 --> 00:19:03.400
<v Speaker 2>second one came out nine years ago. The events of

425
00:19:03.440 --> 00:19:07.440
<v Speaker 2>this movie are set ten years from when the last

426
00:19:07.480 --> 00:19:12.400
<v Speaker 2>one ended. Yeah, okay, and without you know, spoiling a

427
00:19:12.400 --> 00:19:15.720
<v Speaker 2>whole lot here, the four Horsemen are kind of not together, right,

428
00:19:16.039 --> 00:19:19.279
<v Speaker 2>something happened. I'll let you watch it, but they're kind

429
00:19:19.279 --> 00:19:21.920
<v Speaker 2>of not together, so they're a little out of practice.

430
00:19:22.000 --> 00:19:24.079
<v Speaker 2>Now they're kind of doing stuff on their own, but

431
00:19:24.119 --> 00:19:26.319
<v Speaker 2>they haven't had to team up with anybody, you know.

432
00:19:26.559 --> 00:19:29.319
<v Speaker 1>Yeah, and it's not but it's not the same at all.

433
00:19:29.359 --> 00:19:31.359
<v Speaker 1>And now you made me think I didn't relate to

434
00:19:31.400 --> 00:19:35.160
<v Speaker 1>Boss Goo. It was Dave Franco, Jack Wilder. Yes, because

435
00:19:35.200 --> 00:19:37.000
<v Speaker 1>I was sitting there, they all kind of in their

436
00:19:37.039 --> 00:19:40.519
<v Speaker 1>own variation of it, sell out because they were Dave

437
00:19:40.680 --> 00:19:43.160
<v Speaker 1>robot hood and they're doing those kind of things. And

438
00:19:43.200 --> 00:19:45.279
<v Speaker 1>I was sitting there thinking back to me on the

439
00:19:45.319 --> 00:19:48.480
<v Speaker 1>freaking picket lines and Occupy Wall Street and where life

440
00:19:48.519 --> 00:19:51.119
<v Speaker 1>is today, and I'm like, ah, no, I get it, Jack,

441
00:19:51.160 --> 00:19:53.079
<v Speaker 1>you gotta make a living. I keep doing it.

442
00:19:53.160 --> 00:19:55.160
<v Speaker 2>He I mean, what was Daniel Atlas doing.

443
00:19:56.039 --> 00:19:58.119
<v Speaker 1>I don't remember. He's the only one that it seems

444
00:19:58.160 --> 00:19:59.839
<v Speaker 1>like he was just floating. Then he was the only

445
00:19:59.880 --> 00:20:01.559
<v Speaker 1>one who sold out. Dave Franko was the only one

446
00:20:01.559 --> 00:20:04.839
<v Speaker 1>that sold out. Mary McKinney was Harrelson's getting drunk on

447
00:20:04.839 --> 00:20:05.200
<v Speaker 1>the akin.

448
00:20:05.240 --> 00:20:06.279
<v Speaker 2>He's drinking himself to death.

449
00:20:06.359 --> 00:20:09.880
<v Speaker 1>Yes he's depressed, right, but he's not No, but he's

450
00:20:09.880 --> 00:20:11.240
<v Speaker 1>not fighting the good fight anymore.

451
00:20:11.480 --> 00:20:15.440
<v Speaker 2>I guess Isla Fisher ends up selling out. She didn't

452
00:20:15.440 --> 00:20:15.880
<v Speaker 2>sell out.

453
00:20:16.079 --> 00:20:18.160
<v Speaker 1>She comes to suburban you know, yeah.

454
00:20:17.960 --> 00:20:20.400
<v Speaker 2>Because she got she didn't want to do all this,

455
00:20:20.480 --> 00:20:22.880
<v Speaker 2>you know, putting her life in danger in all this stuff.

456
00:20:23.160 --> 00:20:26.759
<v Speaker 2>So she ends up becoming that's not a sellout. There's

457
00:20:26.799 --> 00:20:29.079
<v Speaker 2>no sell out there. She gets married and has kids.

458
00:20:29.119 --> 00:20:32.160
<v Speaker 1>That's not selling You find yourself reflecting on one battle

459
00:20:32.160 --> 00:20:34.119
<v Speaker 1>after another when they were talking about that kind of

460
00:20:34.119 --> 00:20:36.160
<v Speaker 1>stuff though, because that's kind of the inverse of that,

461
00:20:36.200 --> 00:20:38.680
<v Speaker 1>those people that may be held onto it too long,

462
00:20:38.880 --> 00:20:40.359
<v Speaker 1>and that was kind of the way.

463
00:20:40.400 --> 00:20:42.400
<v Speaker 2>I didn't think about it then, but I'm thinking about

464
00:20:42.440 --> 00:20:42.680
<v Speaker 2>it now.

465
00:20:42.720 --> 00:20:45.920
<v Speaker 1>Their own version of just like, yeah, no, I'm gonna whatever.

466
00:20:46.279 --> 00:20:48.160
<v Speaker 1>Not selling out is what I'm definitely not going to

467
00:20:48.200 --> 00:20:50.519
<v Speaker 1>fight this fight anymore and I'm just gonna, you know,

468
00:20:51.039 --> 00:20:52.039
<v Speaker 1>host outside the ball.

469
00:20:52.200 --> 00:20:54.359
<v Speaker 2>But I think like selling out is the wrong term

470
00:20:54.400 --> 00:20:56.799
<v Speaker 2>for it, too, because I think what happened that caused

471
00:20:56.799 --> 00:20:59.759
<v Speaker 2>them to splinter would be like, you know what to

472
00:20:59.799 --> 00:21:02.680
<v Speaker 2>help with this? This is sure, you know, and I

473
00:21:02.720 --> 00:21:07.400
<v Speaker 2>get it. Although when Jack Wilder died in the first one,

474
00:21:08.200 --> 00:21:11.039
<v Speaker 2>they didn't seem to bother him, did not seem to

475
00:21:11.039 --> 00:21:11.480
<v Speaker 2>bother them.

476
00:21:11.880 --> 00:21:14.000
<v Speaker 1>No, it didn't didn't all right.

477
00:21:14.079 --> 00:21:17.400
<v Speaker 2>Speaking of death, there's a character in this film, and

478
00:21:17.400 --> 00:21:19.960
<v Speaker 2>I'm not going to reveal who may or may not

479
00:21:20.039 --> 00:21:20.480
<v Speaker 2>have died.

480
00:21:20.599 --> 00:21:21.599
<v Speaker 1>I we should just say it.

481
00:21:22.480 --> 00:21:24.079
<v Speaker 2>No, I don't want to say. I don't want to say,

482
00:21:24.079 --> 00:21:26.240
<v Speaker 2>all right, may or may not have died. And then

483
00:21:26.279 --> 00:21:28.160
<v Speaker 2>I think about this type of movie and the fact

484
00:21:28.200 --> 00:21:34.000
<v Speaker 2>that we did not see a body a dead body, right.

485
00:21:33.920 --> 00:21:36.240
<v Speaker 1>I had the same thought, But we did see a death.

486
00:21:37.119 --> 00:21:37.440
<v Speaker 1>I don't know.

487
00:21:37.440 --> 00:21:39.480
<v Speaker 2>If we did, I don't know.

488
00:21:39.519 --> 00:21:42.400
<v Speaker 1>I wouldn't be surprised, because no one ever dies in

489
00:21:42.480 --> 00:21:45.119
<v Speaker 1>these kind of movies. But like, it's not like it

490
00:21:45.279 --> 00:21:49.880
<v Speaker 1>was the Hound when Aria Stark leaves him bleeding leaning

491
00:21:49.920 --> 00:21:51.759
<v Speaker 1>up against the rock. When that happened, I'm like, oh

492
00:21:51.880 --> 00:21:53.839
<v Speaker 1>that that's like the first time I ever guessed that

493
00:21:53.960 --> 00:21:55.799
<v Speaker 1>somebody didn't die and was right? Was that?

494
00:21:56.000 --> 00:21:59.240
<v Speaker 2>Walking walking dead rules unless person see him die, and

495
00:21:59.440 --> 00:22:01.160
<v Speaker 2>especially in this kind of movie.

496
00:22:01.440 --> 00:22:05.480
<v Speaker 1>So I feel like though, and also I can only

497
00:22:05.480 --> 00:22:08.279
<v Speaker 1>say so much because you want to avoid spoiler. Well,

498
00:22:08.319 --> 00:22:12.640
<v Speaker 1>let's just say that actor or actress or actress, in

499
00:22:12.759 --> 00:22:17.720
<v Speaker 1>my humble opinion, was really showing his or her age.

500
00:22:18.519 --> 00:22:20.640
<v Speaker 1>You might as well just say that. Well, because I

501
00:22:20.680 --> 00:22:24.200
<v Speaker 1>wanted to talk about this because it's Margan Freeman, and

502
00:22:24.240 --> 00:22:26.160
<v Speaker 1>I think they had to kill him off because I

503
00:22:26.160 --> 00:22:28.599
<v Speaker 1>don't want to this. It's his blasphemy because how do

504
00:22:28.640 --> 00:22:29.880
<v Speaker 1>you say, like, I'm.

505
00:22:29.720 --> 00:22:31.160
<v Speaker 2>Not gonna reveal who it was, but he was really

506
00:22:31.200 --> 00:22:31.920
<v Speaker 2>showing his age.

507
00:22:32.079 --> 00:22:34.359
<v Speaker 1>Yeah, well obviously, Well it could have been Woody Harrelson.

508
00:22:34.359 --> 00:22:36.720
<v Speaker 1>It could have could it could be it could be.

509
00:22:36.640 --> 00:22:39.079
<v Speaker 2>Marking the same thing. I was thinking the same thing

510
00:22:39.119 --> 00:22:41.720
<v Speaker 2>watching this. I'm like, is he talking slower? He was

511
00:22:41.799 --> 00:22:44.680
<v Speaker 2>moving slower? He was He did not seem like it all.

512
00:22:44.799 --> 00:22:47.200
<v Speaker 1>It felt like he was acting worse like and that's

513
00:22:47.240 --> 00:22:48.960
<v Speaker 1>blasphemy because he's a phenomenal actor.

514
00:22:49.039 --> 00:22:51.279
<v Speaker 2>I just I just feel like he can't talk like

515
00:22:51.440 --> 00:22:52.000
<v Speaker 2>normal and.

516
00:22:51.960 --> 00:22:53.880
<v Speaker 1>He's not the same anymore. And you could feel it.

517
00:22:53.920 --> 00:22:56.160
<v Speaker 1>And so I'm like, oh, so they gave him an out.

518
00:22:56.359 --> 00:22:58.119
<v Speaker 1>That's what it's kind of the way I look at

519
00:22:58.519 --> 00:22:59.319
<v Speaker 1>And we we do.

520
00:22:59.319 --> 00:23:02.480
<v Speaker 2>Know a fourth one underway, yes, and whether he's in

521
00:23:02.480 --> 00:23:04.839
<v Speaker 2>that or not, we don't know. Michael Kane retired from acting,

522
00:23:04.880 --> 00:23:06.079
<v Speaker 2>so we knew he wasn't going to be.

523
00:23:06.039 --> 00:23:09.400
<v Speaker 1>In the side exactly, and I didn't know he retired

524
00:23:09.400 --> 00:23:11.079
<v Speaker 1>by the way you both got yesterday.

525
00:23:11.160 --> 00:23:15.240
<v Speaker 2>Yeah, he retired from acting because he only wanted He

526
00:23:15.279 --> 00:23:17.720
<v Speaker 2>didn't want to do like supporting stuff anymore. He wanted

527
00:23:17.720 --> 00:23:19.680
<v Speaker 2>to be a lead. And he's like, why am I

528
00:23:19.720 --> 00:23:21.319
<v Speaker 2>going to try to be? Who wants to hire me

529
00:23:21.319 --> 00:23:23.519
<v Speaker 2>as a lead actor? When you have all these younger,

530
00:23:23.640 --> 00:23:25.759
<v Speaker 2>good looking guys. So to help with that, I'm just

531
00:23:25.799 --> 00:23:28.079
<v Speaker 2>hanging it up. That's basically why he I don't remember

532
00:23:28.079 --> 00:23:31.880
<v Speaker 2>what his last film was, sure anyway, it could have

533
00:23:31.880 --> 00:23:35.799
<v Speaker 2>been Dark Knight Rises. Actually yeah, So so getting back

534
00:23:35.839 --> 00:23:41.160
<v Speaker 2>to More, I would imagine that regardless of if he

535
00:23:41.279 --> 00:23:44.160
<v Speaker 2>is retired or if he is not acting, or god forbid,

536
00:23:44.200 --> 00:23:47.599
<v Speaker 2>if he dies before the fourth one, there will be

537
00:23:47.680 --> 00:23:51.160
<v Speaker 2>some sort of at minimum a cameo. Now, he wasn't

538
00:23:51.160 --> 00:23:54.240
<v Speaker 2>a huge part of this film, in fact, like two

539
00:23:54.279 --> 00:23:59.440
<v Speaker 2>scenes maybe one scene really, so I would imagine that

540
00:23:59.559 --> 00:24:01.799
<v Speaker 2>we will see appearance in the fourth one. Whether that's

541
00:24:01.799 --> 00:24:05.319
<v Speaker 2>posthumous or or a I or CGI.

542
00:24:05.559 --> 00:24:08.039
<v Speaker 1>I don't know, but it definitely was sticking out to me,

543
00:24:08.119 --> 00:24:09.119
<v Speaker 1>and it was it was but to.

544
00:24:09.079 --> 00:24:11.279
<v Speaker 2>Me when I saw that, I was like, Okay, well

545
00:24:12.759 --> 00:24:15.720
<v Speaker 2>I don't think he's dead, but certainly I could see them.

546
00:24:15.799 --> 00:24:17.920
<v Speaker 1>I think, Yeah, real life circumstances kind of like.

547
00:24:17.960 --> 00:24:19.720
<v Speaker 2>Well, it's sort of like Isla Fisher. She wasn't in

548
00:24:19.799 --> 00:24:22.240
<v Speaker 2>the second one because she was pregnant at the time

549
00:24:22.240 --> 00:24:24.759
<v Speaker 2>and couldn't couldn't, couldn't do it, and they just made

550
00:24:24.799 --> 00:24:25.880
<v Speaker 2>a convenient.

551
00:24:25.440 --> 00:24:26.400
<v Speaker 1>Excuse for that.

552
00:24:27.119 --> 00:24:29.880
<v Speaker 2>Well, now you have the excuse actually written into cannon

553
00:24:30.400 --> 00:24:31.440
<v Speaker 2>for this for this third d.

554
00:24:31.640 --> 00:24:33.599
<v Speaker 1>And I was so my dad has always called I

555
00:24:33.640 --> 00:24:35.279
<v Speaker 1>don't know if this was his creation or if he

556
00:24:35.279 --> 00:24:37.799
<v Speaker 1>heard it somewhere else, but he always calls Morgan Freeman

557
00:24:37.920 --> 00:24:41.160
<v Speaker 1>baby pigeon, because baby pigeon. Yeah, have you ever seen

558
00:24:41.200 --> 00:24:41.960
<v Speaker 1>a baby pigeon?

559
00:24:43.240 --> 00:24:43.440
<v Speaker 2>No?

560
00:24:43.599 --> 00:24:50.680
<v Speaker 1>Have you ever seen a young Morgan Freeman? Now? Is

561
00:24:50.680 --> 00:24:51.599
<v Speaker 1>it the radio clip?

562
00:24:51.680 --> 00:24:53.400
<v Speaker 2>No? No, no, radio clip like he.

563
00:24:53.359 --> 00:24:55.240
<v Speaker 1>Did radio in the seventies and he's got a big

564
00:24:55.279 --> 00:24:58.279
<v Speaker 1>afro and knock and jive. It's great.

565
00:24:57.240 --> 00:25:03.440
<v Speaker 2>But the mugshot photo in Shawshank Redemption, it was the

566
00:25:03.480 --> 00:25:05.079
<v Speaker 2>only young Morgan Freeman.

567
00:25:05.119 --> 00:25:08.920
<v Speaker 1>I okay, But like, how old is is Shaw Shank Redemption?

568
00:25:09.000 --> 00:25:10.319
<v Speaker 1>It's like nineteen ninety right.

569
00:25:10.279 --> 00:25:13.359
<v Speaker 2>Yeah, but remember they that photograph, At least I think

570
00:25:13.359 --> 00:25:14.960
<v Speaker 2>it was an old photograph of him.

571
00:25:15.039 --> 00:25:16.759
<v Speaker 1>That's what I'm saying is he looked like he was

572
00:25:16.799 --> 00:25:18.240
<v Speaker 1>old in that movie. Thirty.

573
00:25:18.279 --> 00:25:21.160
<v Speaker 2>No, no, no, I'm not saying, yes, he looked old

574
00:25:21.200 --> 00:25:23.640
<v Speaker 2>in that movie, obviously, but I'm saying in the photo

575
00:25:23.720 --> 00:25:24.400
<v Speaker 2>he looked very No.

576
00:25:24.440 --> 00:25:27.440
<v Speaker 1>I understand what you're saying. You're talking about you can

577
00:25:27.480 --> 00:25:29.079
<v Speaker 1>tell there is a there. I mean, I don't know

578
00:25:29.079 --> 00:25:31.759
<v Speaker 1>about a thirty year difference. I think he's aged very nicely.

579
00:25:32.440 --> 00:25:34.400
<v Speaker 1>But yes, he did look old in that How old

580
00:25:34.440 --> 00:25:36.400
<v Speaker 1>is he in real life? I think eighty one, I believe.

581
00:25:36.400 --> 00:25:39.240
<v Speaker 1>I looked it up. It's just like Ian McClellan and

582
00:25:39.279 --> 00:25:41.240
<v Speaker 1>Patrick Stewart in X Men. I saw that one in

583
00:25:41.279 --> 00:25:43.119
<v Speaker 1>two thousand, like, these guys are old as hell, and

584
00:25:43.119 --> 00:25:45.039
<v Speaker 1>then you see him today and you're like, wait, how

585
00:25:45.039 --> 00:25:48.160
<v Speaker 1>old were they? Right, that's a good point. Morgan Freeman's

586
00:25:48.160 --> 00:25:50.279
<v Speaker 1>the same way with this, But this it really stuck

587
00:25:50.279 --> 00:25:53.440
<v Speaker 1>out and it was borderline distracting, just because I know

588
00:25:53.519 --> 00:25:56.839
<v Speaker 1>how competent he is as an actor. Yeah, but that was, however,

589
00:25:57.279 --> 00:25:59.319
<v Speaker 1>the best scene in the movie, in my humble opinion,

590
00:25:59.480 --> 00:26:03.519
<v Speaker 1>the fights. The fight scene in like the House of

591
00:26:03.599 --> 00:26:06.359
<v Speaker 1>Tricks when they're fighting. You guys listening, you know the

592
00:26:06.400 --> 00:26:08.720
<v Speaker 1>kind of room I'm talking about where it's like the

593
00:26:08.759 --> 00:26:11.400
<v Speaker 1>spinning room. No, no, no, the dimensions are thrown off

594
00:26:11.839 --> 00:26:14.799
<v Speaker 1>that one person super tall, one person super short. I

595
00:26:14.839 --> 00:26:17.319
<v Speaker 1>was sitting there watching it happen. I'm like, I can't

596
00:26:17.319 --> 00:26:19.079
<v Speaker 1>believe this has never been done in a movie before.

597
00:26:19.160 --> 00:26:21.319
<v Speaker 1>And I'm so happy I'm watching it right now because

598
00:26:21.359 --> 00:26:22.400
<v Speaker 1>this is such a good idea.

599
00:26:22.640 --> 00:26:27.079
<v Speaker 2>They went to. They went to all out in UH,

600
00:26:27.519 --> 00:26:31.759
<v Speaker 2>utilizing every portion of magic and optical illusions that that

601
00:26:31.839 --> 00:26:35.240
<v Speaker 2>we have been blessed with UH in the world in

602
00:26:35.279 --> 00:26:37.519
<v Speaker 2>the history of magic. They and that was like the

603
00:26:37.559 --> 00:26:41.480
<v Speaker 2>whole mansion in Yeah, it was a Versailles or Paris

604
00:26:41.480 --> 00:26:42.359
<v Speaker 2>where it was, Yeah.

605
00:26:42.160 --> 00:26:44.519
<v Speaker 1>I believe it was in France. I don't remember France somewhere,

606
00:26:44.559 --> 00:26:47.039
<v Speaker 1>but they had Houdini strait jacket, they had a bunch

607
00:26:47.079 --> 00:26:49.160
<v Speaker 1>of other magicians you've never heard of, and all the

608
00:26:49.440 --> 00:26:52.400
<v Speaker 1>special tricks, and they had one of those optical At

609
00:26:52.400 --> 00:26:54.799
<v Speaker 1>one point, they slide a piano at someone and it

610
00:26:54.799 --> 00:26:57.359
<v Speaker 1>looks like they slide a child sized piano, but it's

611
00:26:57.359 --> 00:27:01.839
<v Speaker 1>a real size, and you're sitting there knowing it's a trick,

612
00:27:01.960 --> 00:27:04.799
<v Speaker 1>you know, it's an illusion in your mind, cannot grasp

613
00:27:04.839 --> 00:27:06.480
<v Speaker 1>what you're looking at, and it was just it was

614
00:27:06.519 --> 00:27:07.839
<v Speaker 1>a very awesome scene.

615
00:27:08.960 --> 00:27:12.079
<v Speaker 2>I'm gonna retract what I said. No, I'm not going

616
00:27:12.079 --> 00:27:14.319
<v Speaker 2>to it. Maybe it was the best scene in the movie.

617
00:27:14.359 --> 00:27:16.920
<v Speaker 2>It was not my favorite scene in the movie, but

618
00:27:17.000 --> 00:27:20.319
<v Speaker 2>it was very cool. Yeah, that they were and that

619
00:27:20.440 --> 00:27:22.839
<v Speaker 2>was where they did That was the mansion where they

620
00:27:22.839 --> 00:27:25.519
<v Speaker 2>did the rapid fire magic tricks, right, yes, yeah, so

621
00:27:25.599 --> 00:27:27.920
<v Speaker 2>that whole portion for the magic geeks out there, like,

622
00:27:27.960 --> 00:27:28.759
<v Speaker 2>oh this is great.

623
00:27:28.920 --> 00:27:31.079
<v Speaker 1>Yeah, slid a hand if you're into it. There's times

624
00:27:31.079 --> 00:27:33.160
<v Speaker 1>where you don't know if they're actually doing the tricks

625
00:27:33.200 --> 00:27:35.880
<v Speaker 1>or if it's cgi because like that's like how good

626
00:27:35.920 --> 00:27:38.240
<v Speaker 1>they've gotten. It's some of those tricks. It's like Paul

627
00:27:38.319 --> 00:27:40.599
<v Speaker 1>Rudd and a man learning how to do the close

628
00:27:40.680 --> 00:27:42.880
<v Speaker 1>up magic. Like it's the kind of movie that'll make

629
00:27:42.920 --> 00:27:44.559
<v Speaker 1>you walk out of there being like, I'm gonna learn

630
00:27:44.559 --> 00:27:46.240
<v Speaker 1>how to do this stuff because that's awesome.

631
00:27:46.599 --> 00:27:50.160
<v Speaker 2>There was like my buddy the first when the first

632
00:27:50.160 --> 00:27:53.960
<v Speaker 2>Fast and Furious came out, he went and saw that

633
00:27:54.039 --> 00:27:56.039
<v Speaker 2>movie and then he came we came out, We're like, oh,

634
00:27:56.079 --> 00:27:57.599
<v Speaker 2>it was awesome, you know, or whatever, and then we

635
00:27:57.640 --> 00:27:59.559
<v Speaker 2>get into his card. He's like gunning it through the

636
00:27:59.599 --> 00:28:02.240
<v Speaker 2>parking lot, you know, like just like totally inspired of

637
00:28:02.759 --> 00:28:04.799
<v Speaker 2>what he saw in the movie all right, play off

638
00:28:04.839 --> 00:28:07.200
<v Speaker 2>the gas Let's this is not this is not movie,

639
00:28:07.279 --> 00:28:10.000
<v Speaker 2>this is real life. And and I don't know how

640
00:28:10.039 --> 00:28:12.599
<v Speaker 2>many people will like want to do magic based on this,

641
00:28:12.799 --> 00:28:15.359
<v Speaker 2>like uh, you know, maybe younger people or whatever like

642
00:28:15.359 --> 00:28:16.839
<v Speaker 2>oh I want to get into magic or whatever. But

643
00:28:16.920 --> 00:28:20.119
<v Speaker 2>Andrew Andrew Santino said like at the start, like, oh yeah,

644
00:28:20.160 --> 00:28:21.599
<v Speaker 2>I love magic, and then I turned twelve.

645
00:28:21.720 --> 00:28:24.119
<v Speaker 1>Yeah, no, exactly what I will say, A nine year

646
00:28:24.160 --> 00:28:26.319
<v Speaker 1>old Ben would be in love with this movie.

647
00:28:26.480 --> 00:28:29.000
<v Speaker 2>I thought my kids, like I tried to show them,

648
00:28:29.079 --> 00:28:31.039
<v Speaker 2>like I tried. This is like when the first one

649
00:28:31.079 --> 00:28:32.559
<v Speaker 2>came out, and it was like I was flipping through

650
00:28:32.599 --> 00:28:34.519
<v Speaker 2>channels and was on, I'm trying to get my kids,

651
00:28:34.799 --> 00:28:37.640
<v Speaker 2>who are you know, right around nine or nine, and

652
00:28:37.640 --> 00:28:40.960
<v Speaker 2>I'm trying like, hey, magicians who are robbing banks with magic?

653
00:28:41.079 --> 00:28:42.559
<v Speaker 2>And they're like, eh, like.

654
00:28:43.559 --> 00:28:45.000
<v Speaker 1>What are you even my kids?

655
00:28:45.039 --> 00:28:45.920
<v Speaker 2>How is this not?

656
00:28:46.480 --> 00:28:48.079
<v Speaker 1>Like you what?

657
00:28:48.079 --> 00:28:49.799
<v Speaker 2>What about a world that we live in where you

658
00:28:49.799 --> 00:28:52.000
<v Speaker 2>could just use get really good at magic and then

659
00:28:52.079 --> 00:28:53.720
<v Speaker 2>just rob banks and.

660
00:28:53.680 --> 00:28:56.359
<v Speaker 1>Steal like you know what I mean? Yeah, it should

661
00:28:56.400 --> 00:28:58.920
<v Speaker 1>be right up there, Alley. I wonder because like I

662
00:28:58.920 --> 00:29:01.640
<v Speaker 1>hated Westerns growing up, and that's what my dad grew

663
00:29:01.720 --> 00:29:03.400
<v Speaker 1>up on and I always wonder if he's like, why

664
00:29:03.480 --> 00:29:06.119
<v Speaker 1>won't he watch this freaking John Wayne movie, like because

665
00:29:06.119 --> 00:29:08.680
<v Speaker 1>it's boring and they're all the same, and like maybe

666
00:29:08.920 --> 00:29:11.160
<v Speaker 1>maybe that's their attitude. Who they all knows that the

667
00:29:11.200 --> 00:29:13.559
<v Speaker 1>youth today I got nothing. Yeah I got it. I

668
00:29:13.559 --> 00:29:15.599
<v Speaker 1>don't either, but this I know. I would have loved

669
00:29:15.640 --> 00:29:17.559
<v Speaker 1>it when I was younger, and I don't want it

670
00:29:17.559 --> 00:29:19.480
<v Speaker 1>to sound like I didn't enjoy it now. It was.

671
00:29:20.160 --> 00:29:22.400
<v Speaker 1>I described it that way on your show. It's dumb

672
00:29:22.519 --> 00:29:25.359
<v Speaker 1>fun It is too fast and furious and gone in

673
00:29:25.400 --> 00:29:28.599
<v Speaker 1>sixty seconds. This is that version of Ocean's eleven best

674
00:29:28.640 --> 00:29:31.920
<v Speaker 1>performance of the movie. In my humble opinion, Rosamund Pike.

675
00:29:32.119 --> 00:29:33.920
<v Speaker 2>I was gonna ask you what you thought of her accent,

676
00:29:33.960 --> 00:29:36.640
<v Speaker 2>because she is British, is an English actress, and she

677
00:29:36.759 --> 00:29:38.319
<v Speaker 2>had a South African accent.

678
00:29:38.480 --> 00:29:39.000
<v Speaker 1>Yeah.

679
00:29:39.039 --> 00:29:42.880
<v Speaker 2>Now, perhaps this is because I perhaps this is because

680
00:29:42.880 --> 00:29:45.640
<v Speaker 2>I've watched District nine way too much. Yeah, but he

681
00:29:45.640 --> 00:29:47.519
<v Speaker 2>reminded me, and I can't remember the actor's name.

682
00:29:47.559 --> 00:29:49.279
<v Speaker 1>He was in the eight team as well. Yeah, I

683
00:29:49.319 --> 00:29:50.240
<v Speaker 1>know the guy you're talking about.

684
00:29:51.440 --> 00:29:56.279
<v Speaker 2>Yeah, he's from South Africa. Yeah, and he played a

685
00:29:56.319 --> 00:29:58.039
<v Speaker 2>South African in District nine.

686
00:29:58.079 --> 00:30:01.160
<v Speaker 1>It's all a metaphor for apartheid in South movie.

687
00:30:01.079 --> 00:30:05.519
<v Speaker 2>Exactly, yes, with the prawn, and yeah, how have they

688
00:30:05.559 --> 00:30:07.039
<v Speaker 2>never made a District ten? That would have been a

689
00:30:07.079 --> 00:30:07.400
<v Speaker 2>great one.

690
00:30:07.480 --> 00:30:09.599
<v Speaker 1>I know that there were rumors about Oh really, yeah

691
00:30:09.599 --> 00:30:11.000
<v Speaker 1>it happened. Yeah, that was phenomenal.

692
00:30:11.920 --> 00:30:15.559
<v Speaker 2>So every time she would talk I couldn't take her

693
00:30:15.599 --> 00:30:18.200
<v Speaker 2>seriously because I'm thinking because the character he played in

694
00:30:18.240 --> 00:30:21.960
<v Speaker 2>District nine was kind of like this cartoonish, not cartoonish,

695
00:30:22.000 --> 00:30:24.920
<v Speaker 2>but he was out of his depth, you know. Yeah,

696
00:30:24.960 --> 00:30:28.519
<v Speaker 2>oh yeah, And and so I hear Rosamund Pike and

697
00:30:28.880 --> 00:30:32.960
<v Speaker 2>at least Harry Danny Radcliffe when he was the villain, like,

698
00:30:33.079 --> 00:30:34.440
<v Speaker 2>I took him seriously.

699
00:30:34.920 --> 00:30:39.079
<v Speaker 3>But when you're talking like this, all it's one way,

700
00:30:39.119 --> 00:30:43.279
<v Speaker 3>your voice is going up, and everything seems so sugary

701
00:30:43.599 --> 00:30:46.160
<v Speaker 3>and sweet and nothing bad of it happens. And I'm

702
00:30:46.240 --> 00:30:49.880
<v Speaker 3>rich and I steal and and my my family is

703
00:30:50.000 --> 00:30:51.200
<v Speaker 3>descended from Nazis.

704
00:30:51.319 --> 00:30:53.960
<v Speaker 2>You know it just ah, I was, I was, I

705
00:30:54.039 --> 00:30:55.240
<v Speaker 2>was out. I was out on her.

706
00:30:55.359 --> 00:30:56.160
<v Speaker 1>Really, I just.

707
00:30:57.920 --> 00:31:00.799
<v Speaker 2>There's there's a certain part of me that was like, okay, well,

708
00:31:00.839 --> 00:31:05.880
<v Speaker 2>when when she's operating like this, talking like this, really

709
00:31:05.920 --> 00:31:08.960
<v Speaker 2>not taking these magicians very seriously until she realized she

710
00:31:09.079 --> 00:31:11.880
<v Speaker 2>has to and then there's certain there's a certain point

711
00:31:11.920 --> 00:31:14.480
<v Speaker 2>of like, oh, how diabolical is she going to be?

712
00:31:15.079 --> 00:31:16.359
<v Speaker 1>To me? She wasn't.

713
00:31:16.759 --> 00:31:19.799
<v Speaker 2>She was She was like a bad but not a

714
00:31:19.799 --> 00:31:22.079
<v Speaker 2>big bad. She was a villain, but she wasn't a

715
00:31:22.119 --> 00:31:25.279
<v Speaker 2>super villain and to me just did not really have

716
00:31:25.960 --> 00:31:29.279
<v Speaker 2>She didn't represent strength at all. To me in this movie,

717
00:31:29.279 --> 00:31:31.200
<v Speaker 2>there was no there was no strength. It was the

718
00:31:31.319 --> 00:31:35.519
<v Speaker 2>choices that she made. Was was from a week and

719
00:31:35.720 --> 00:31:40.000
<v Speaker 2>panicked state that that she was in And that's not

720
00:31:40.079 --> 00:31:40.440
<v Speaker 2>a villain.

721
00:31:40.480 --> 00:31:44.400
<v Speaker 1>That's I don't that's see, that's it. I didn't get Radcliffe, okay.

722
00:31:44.319 --> 00:31:47.640
<v Speaker 2>Was operating from a position of power the whole start

723
00:31:48.000 --> 00:31:51.640
<v Speaker 2>until the very end. If you go back to the

724
00:31:51.680 --> 00:31:54.240
<v Speaker 2>first one, and I don't really know who the villain

725
00:31:54.319 --> 00:31:56.359
<v Speaker 2>is in the first one. In the first now you

726
00:31:56.440 --> 00:32:01.559
<v Speaker 2>see the FBI, I don't guess. Technically, yeah, Morgan Freeman, Yeah,

727
00:32:01.559 --> 00:32:04.640
<v Speaker 2>I guess Morgan Freeman. I but but to me, and

728
00:32:04.720 --> 00:32:07.440
<v Speaker 2>let's let's use Morgan Freeman as an example. He was

729
00:32:07.519 --> 00:32:09.240
<v Speaker 2>strong the whole way.

730
00:32:09.279 --> 00:32:09.599
<v Speaker 1>He was.

731
00:32:10.000 --> 00:32:13.160
<v Speaker 2>He even brought it up to Mark Ruffalo's character is like,

732
00:32:13.160 --> 00:32:15.440
<v Speaker 2>like you know you're you're two steps behind her, I'm

733
00:32:15.440 --> 00:32:17.240
<v Speaker 2>two steps in front of you, and then you find

734
00:32:17.240 --> 00:32:18.880
<v Speaker 2>out at the end, well, I was actually Dylan Rhodes.

735
00:32:18.880 --> 00:32:20.720
<v Speaker 2>It was two steps in front of him the whole time.

736
00:32:20.839 --> 00:32:22.759
<v Speaker 2>But that's not the way the character is portrayed for

737
00:32:22.799 --> 00:32:26.279
<v Speaker 2>the majority of the movie. That's he was. He was strong,

738
00:32:26.519 --> 00:32:28.440
<v Speaker 2>he was powerful. He didn't know what this guy is

739
00:32:28.480 --> 00:32:31.720
<v Speaker 2>capable of, right, same thing with Radcliffe and Michael Kane

740
00:32:31.839 --> 00:32:32.640
<v Speaker 2>and then this one.

741
00:32:32.680 --> 00:32:35.160
<v Speaker 1>It was just kind of like, you know, I did.

742
00:32:35.200 --> 00:32:37.480
<v Speaker 1>I didn't consider it from that lens, and I actually

743
00:32:37.519 --> 00:32:39.920
<v Speaker 1>appreciate that input. And you're kind of changing my mind

744
00:32:39.920 --> 00:32:43.079
<v Speaker 1>because I'll be real anytime I see this actress, it's

745
00:32:43.160 --> 00:32:45.640
<v Speaker 1>kind of like seeing King Joffrey in the movie. Yeah,

746
00:32:45.680 --> 00:32:47.319
<v Speaker 1>as soon as I see King Joffrey in the movie,

747
00:32:47.359 --> 00:32:48.759
<v Speaker 1>like does he could be the nicest guy and then

748
00:32:48.839 --> 00:32:50.119
<v Speaker 1>be like, ah, that son of a bit. You know

749
00:32:50.160 --> 00:32:52.880
<v Speaker 1>he retired from acting. I didn't know he is. Uh.

750
00:32:53.279 --> 00:32:55.599
<v Speaker 2>I can't remember his name, but the dude who played

751
00:32:55.640 --> 00:32:58.279
<v Speaker 2>King Joffrey in Game of Thrones retired from acting and

752
00:32:58.319 --> 00:33:01.079
<v Speaker 2>he is teaching drama somewhere acting.

753
00:33:01.119 --> 00:33:03.200
<v Speaker 1>I bet all the students hate them because of that role.

754
00:33:03.279 --> 00:33:05.480
<v Speaker 2>Could be and probably went out on the bottom.

755
00:33:05.599 --> 00:33:07.720
<v Speaker 1>Yeah. Yeah, but the.

756
00:33:07.680 --> 00:33:10.119
<v Speaker 2>Rosamund Pike, I see her, I'm like, uh, goner.

757
00:33:10.000 --> 00:33:12.680
<v Speaker 1>Thank you. And she's evil as crap in that movie,

758
00:33:12.720 --> 00:33:15.519
<v Speaker 1>as is everybody, not exclusively her, Like everyone's a bad

759
00:33:15.519 --> 00:33:17.480
<v Speaker 1>person in that movie, but she's a unique kind of

760
00:33:17.519 --> 00:33:19.559
<v Speaker 1>bad in that movie. And that's a ten year old flick.

761
00:33:19.599 --> 00:33:23.160
<v Speaker 1>Eleven years old, and I still see her. I care

762
00:33:23.200 --> 00:33:25.440
<v Speaker 1>a lot. It's a Netflix movie with Tyrian in it.

763
00:33:25.640 --> 00:33:28.160
<v Speaker 1>Peter dinklic that if you haven't seen that, she essentially

764
00:33:28.200 --> 00:33:31.079
<v Speaker 1>plays someone that robs people that are going into hospice care,

765
00:33:31.240 --> 00:33:33.799
<v Speaker 1>that she takes advantage of Alzheimer's patients.

766
00:33:34.119 --> 00:33:35.240
<v Speaker 2>It's got to be her look.

767
00:33:35.440 --> 00:33:35.920
<v Speaker 1>I don't know.

768
00:33:36.039 --> 00:33:37.839
<v Speaker 2>I think it's I think it's the like the look

769
00:33:37.960 --> 00:33:40.960
<v Speaker 2>like she can't be this heroin She's got to be

770
00:33:41.039 --> 00:33:42.000
<v Speaker 2>this fem fittale.

771
00:33:42.279 --> 00:33:46.400
<v Speaker 1>Yeah, and so her previous roles and I guess what's

772
00:33:46.400 --> 00:33:48.519
<v Speaker 1>stuck out to me And maybe it's a little bit

773
00:33:48.559 --> 00:33:50.759
<v Speaker 1>of my own imagination going with it a little bit.

774
00:33:50.759 --> 00:33:54.960
<v Speaker 1>On this villains in South Africa they run and they

775
00:33:55.039 --> 00:33:57.200
<v Speaker 1>run a diamond mind. I think there could have been

776
00:33:57.240 --> 00:34:01.880
<v Speaker 1>a very very strong urge to have the villain mirror

777
00:34:02.200 --> 00:34:06.839
<v Speaker 1>Elon Musk, especially in this current climate. Yeah, and I

778
00:34:06.880 --> 00:34:09.840
<v Speaker 1>think it was a good move to go distinctly away

779
00:34:09.880 --> 00:34:12.920
<v Speaker 1>from that image because there is a polarizing element to

780
00:34:13.000 --> 00:34:15.239
<v Speaker 1>that there. And I think she was unique in her way.

781
00:34:15.320 --> 00:34:17.360
<v Speaker 1>But you bring up a ton of good points that

782
00:34:17.440 --> 00:34:20.159
<v Speaker 1>I think are worth acknowledging that. I mean, she gets

783
00:34:20.199 --> 00:34:22.840
<v Speaker 1>a call from a deep voiced phone call early on

784
00:34:22.960 --> 00:34:25.480
<v Speaker 1>that's screwing with her, and from that moment on you

785
00:34:25.480 --> 00:34:27.199
<v Speaker 1>don't find out who that person is for most of

786
00:34:27.239 --> 00:34:30.119
<v Speaker 1>the movie. So there's a whole other element screwing with

787
00:34:30.159 --> 00:34:34.960
<v Speaker 1>this girl beyond the horseman that she is always trying

788
00:34:35.000 --> 00:34:39.159
<v Speaker 1>to gather her ground. And yeah, I never thought about

789
00:34:39.159 --> 00:34:43.360
<v Speaker 1>it until you high actively she acted. Her character acted

790
00:34:43.400 --> 00:34:47.119
<v Speaker 1>from a very reactive sense of state of mind rather

791
00:34:47.199 --> 00:34:49.400
<v Speaker 1>than being the one controlling everything. Yeah.

792
00:34:49.400 --> 00:34:51.880
<v Speaker 2>So, and I'll say this about Rosamund Pike. I don't

793
00:34:51.920 --> 00:34:54.239
<v Speaker 2>know a whole lot else of the stuff that she's

794
00:34:54.239 --> 00:34:56.280
<v Speaker 2>been in. In fact, I was thinking about this after

795
00:34:56.280 --> 00:34:58.039
<v Speaker 2>the movie. I'm like, God, you know, the only thing

796
00:34:58.119 --> 00:34:59.519
<v Speaker 2>off the top of my head I can think of

797
00:34:59.559 --> 00:35:02.119
<v Speaker 2>that she was and she wasn't even a big part

798
00:35:02.199 --> 00:35:04.519
<v Speaker 2>of this movie. And it's a great movie.

799
00:35:04.519 --> 00:35:04.679
<v Speaker 1>Ben.

800
00:35:04.719 --> 00:35:08.679
<v Speaker 2>If you've never seen it, you probably have Ryan Gosling

801
00:35:08.760 --> 00:35:10.440
<v Speaker 2>Anthony Hopkins Fracture.

802
00:35:11.119 --> 00:35:12.000
<v Speaker 1>Hell, yeah she was.

803
00:35:12.159 --> 00:35:15.960
<v Speaker 2>She was his boss, slash like lover or whatever in

804
00:35:15.960 --> 00:35:18.639
<v Speaker 2>that movie and that one. That is when I'll go

805
00:35:18.719 --> 00:35:20.679
<v Speaker 2>back on YouTube and watch the final Yeah.

806
00:35:20.639 --> 00:35:22.519
<v Speaker 1>I have it on DVD. I liked that.

807
00:35:22.480 --> 00:35:23.320
<v Speaker 2>That was a good flame.

808
00:35:23.400 --> 00:35:25.719
<v Speaker 1>Yeah, she was in a Jack Reacher. She was a

809
00:35:27.079 --> 00:35:29.239
<v Speaker 1>I'm sure if I thought about it long enough other ones.

810
00:35:29.320 --> 00:35:30.039
<v Speaker 1>Was she in a Bond?

811
00:35:31.079 --> 00:35:33.719
<v Speaker 2>It seems like she should have been. Yeah, right to

812
00:35:34.119 --> 00:35:36.280
<v Speaker 2>one of the Bond girls that like dies early because

813
00:35:36.280 --> 00:35:40.079
<v Speaker 2>she's trying to screw with James Bond, you know. But no,

814
00:35:40.119 --> 00:35:41.679
<v Speaker 2>I don't. I don't remember her, and she might have

815
00:35:41.719 --> 00:35:44.199
<v Speaker 2>been I don't know. Okay, So that was Rosamund Pike.

816
00:35:44.440 --> 00:35:48.639
<v Speaker 2>Let's get into the not the twist at the end.

817
00:35:49.199 --> 00:35:53.119
<v Speaker 2>Let's talk about the I don't want to say cameo,

818
00:35:53.199 --> 00:35:56.400
<v Speaker 2>but let's talk about the appearance by the character. Yeah,

819
00:35:56.480 --> 00:35:59.719
<v Speaker 2>about halfway through the movie, you know what I'm talking

820
00:35:59.719 --> 00:36:02.639
<v Speaker 2>about at the police station. Did you see it coming?

821
00:36:03.159 --> 00:36:06.880
<v Speaker 2>Were you surprised when that character revealed his or herself.

822
00:36:09.119 --> 00:36:11.880
<v Speaker 1>To a certain extent, Yes, but I was more so

823
00:36:12.599 --> 00:36:15.079
<v Speaker 1>caught off guard as to like why they didn't just

824
00:36:15.239 --> 00:36:16.960
<v Speaker 1>start with that person in the mid.

825
00:36:16.840 --> 00:36:18.880
<v Speaker 2>I think they tried to explain that they didn't do

826
00:36:18.880 --> 00:36:20.800
<v Speaker 2>a good enough job. Then they didn't. I don't want

827
00:36:20.800 --> 00:36:22.559
<v Speaker 2>to get into it on air. Yeah, we've ruined this

828
00:36:22.639 --> 00:36:24.480
<v Speaker 2>movie enough for people with the Morgan Freeman thing.

829
00:36:24.559 --> 00:36:25.119
<v Speaker 1>Oh please.

830
00:36:25.719 --> 00:36:30.119
<v Speaker 2>So I kind of like, because I was researching this

831
00:36:30.199 --> 00:36:33.079
<v Speaker 2>movie heavily, not even right before I saw it. I've

832
00:36:33.079 --> 00:36:36.159
<v Speaker 2>been researching this for months. I saw a thing on YouTube.

833
00:36:36.199 --> 00:36:38.320
<v Speaker 2>It was like a YouTube short of Jesse Eisenberg in

834
00:36:38.360 --> 00:36:45.079
<v Speaker 2>a tuxedo congratulating everybody on the rap for the filming

835
00:36:45.199 --> 00:36:45.960
<v Speaker 2>of Now You See Me.

836
00:36:46.119 --> 00:36:48.880
<v Speaker 1>I'm like, how did this movie start filming? I didn't

837
00:36:48.920 --> 00:36:49.599
<v Speaker 1>even know about it.

838
00:36:49.760 --> 00:36:53.159
<v Speaker 2>So then at that point, I'm like, I'm diving down

839
00:36:53.239 --> 00:36:54.519
<v Speaker 2>the rabbit hole without a helmet.

840
00:36:54.559 --> 00:36:55.039
<v Speaker 1>I don't care.

841
00:36:55.079 --> 00:36:57.480
<v Speaker 2>I'm gonna go as deep as I can. And I

842
00:36:57.599 --> 00:37:05.719
<v Speaker 2>found out different stories on this character's involvement in this movie.

843
00:37:06.440 --> 00:37:07.880
<v Speaker 2>That he or she was going to be in it,

844
00:37:07.920 --> 00:37:09.800
<v Speaker 2>that he or she was not going to be in it, yeah,

845
00:37:09.880 --> 00:37:11.639
<v Speaker 2>that he or she would have a small role, that

846
00:37:11.800 --> 00:37:13.880
<v Speaker 2>she he or she would have a large role. So

847
00:37:14.320 --> 00:37:20.000
<v Speaker 2>as it's getting closer and and they they reveal this person,

848
00:37:20.519 --> 00:37:24.320
<v Speaker 2>this drunken person, and I'm like, okay, I know what's

849
00:37:24.320 --> 00:37:26.400
<v Speaker 2>going on here. Oh sure, And and then at that

850
00:37:26.480 --> 00:37:28.679
<v Speaker 2>point I realized who it was. And it wasn't a

851
00:37:28.719 --> 00:37:29.719
<v Speaker 2>big reveal to me.

852
00:37:30.119 --> 00:37:32.400
<v Speaker 1>What's funny is I thought it was Bosco because he's

853
00:37:32.440 --> 00:37:35.000
<v Speaker 1>so good at impressions. But but look, how.

854
00:37:34.920 --> 00:37:38.119
<v Speaker 2>Look how tiny Bosco is like seven feet tall that

855
00:37:38.119 --> 00:37:39.760
<v Speaker 2>that person was not very tall.

856
00:37:39.880 --> 00:37:45.000
<v Speaker 1>I say it was a smart guess, Okay, I didn't.

857
00:37:45.159 --> 00:37:47.119
<v Speaker 1>I was more so caught off guard about why that

858
00:37:47.159 --> 00:37:49.679
<v Speaker 1>person wasn't just like involved from the start.

859
00:37:49.440 --> 00:37:53.480
<v Speaker 2>But well here here she was also upset that he

860
00:37:53.559 --> 00:37:55.079
<v Speaker 2>or she was not Yeah, yeah.

861
00:37:54.920 --> 00:37:57.480
<v Speaker 1>They have that in the in the plot there as well.

862
00:37:57.800 --> 00:38:01.239
<v Speaker 1>That that was an interesting one. That was that was enjoyable, But.

863
00:38:01.719 --> 00:38:03.639
<v Speaker 2>There were some I would say that is not the

864
00:38:03.679 --> 00:38:09.440
<v Speaker 2>only example of lazy, convenient dus Mockina writing that we

865
00:38:09.519 --> 00:38:10.599
<v Speaker 2>saw in this film.

866
00:38:10.639 --> 00:38:13.920
<v Speaker 1>Oh no, and these these movies are dependent on that,

867
00:38:14.039 --> 00:38:16.519
<v Speaker 1>and for better or worse, they're dependent on that. I

868
00:38:16.639 --> 00:38:19.159
<v Speaker 1>just accept, like, okay, yeah, it doesn't bother me at

869
00:38:19.159 --> 00:38:21.159
<v Speaker 1>all in these kind of relies. I'm telling you, this

870
00:38:21.320 --> 00:38:25.159
<v Speaker 1>was an hour and fifty two minutes and at no point,

871
00:38:25.280 --> 00:38:27.440
<v Speaker 1>was I ever hour fifty two? Yeah, I did not

872
00:38:27.480 --> 00:38:29.280
<v Speaker 1>think it was that long, That's what I'm saying. And

873
00:38:29.320 --> 00:38:31.440
<v Speaker 1>there were times where I would check my phone for

874
00:38:31.480 --> 00:38:34.239
<v Speaker 1>the time, because again, my Tuesdays are pretty long, and

875
00:38:34.800 --> 00:38:36.639
<v Speaker 1>I'd be like, son of a bitch, thirty minutes when

876
00:38:36.679 --> 00:38:38.360
<v Speaker 1>by since the last time I checked the phone, I

877
00:38:38.400 --> 00:38:40.760
<v Speaker 1>was expecting this to say ten minutes like it, it

878
00:38:40.960 --> 00:38:45.880
<v Speaker 1>really does. It flies by. There's contrivances, there's there's moments

879
00:38:45.880 --> 00:38:47.239
<v Speaker 1>who you're like, well, wait a minute, and then you

880
00:38:47.280 --> 00:38:48.079
<v Speaker 1>just move on there.

881
00:38:48.159 --> 00:38:51.159
<v Speaker 2>There's one part of this movie where one of the

882
00:38:51.239 --> 00:38:56.440
<v Speaker 2>magicians is kidnapped, and I just thought it was like

883
00:38:56.519 --> 00:38:58.519
<v Speaker 2>the middle part of the movie, and I'm like, oh no,

884
00:38:58.719 --> 00:39:00.920
<v Speaker 2>this is this is setting up for the end here.

885
00:39:01.079 --> 00:39:02.679
<v Speaker 2>Oh yeah, you know, like I thought that was like

886
00:39:02.679 --> 00:39:04.360
<v Speaker 2>I thought it was only like halfway through, and I'm like,

887
00:39:04.360 --> 00:39:06.880
<v Speaker 2>oh my god, this really has been fun okay.

888
00:39:06.639 --> 00:39:09.119
<v Speaker 1>And these do train your brain. It's it's similar to

889
00:39:09.800 --> 00:39:13.280
<v Speaker 1>Naked Gun how it starts off super funny, but by

890
00:39:13.320 --> 00:39:15.239
<v Speaker 1>the end of the movie you can kind of tell

891
00:39:15.320 --> 00:39:17.920
<v Speaker 1>the joke pattern. Like you you hear the setup and

892
00:39:17.960 --> 00:39:19.920
<v Speaker 1>you're like, oh, I kind of see the punch. There

893
00:39:20.000 --> 00:39:21.559
<v Speaker 1>is a moment where I'm not going to get into

894
00:39:21.599 --> 00:39:24.559
<v Speaker 1>why it matters, but they show you a Roseman Pike

895
00:39:24.679 --> 00:39:26.519
<v Speaker 1>driving in her car and it's almost like they hit

896
00:39:26.519 --> 00:39:28.360
<v Speaker 1>a speed bump, but she just goes, oh, and that

897
00:39:28.440 --> 00:39:30.360
<v Speaker 1>was all that happened. I'm like, well, that meant something.

898
00:39:30.360 --> 00:39:32.519
<v Speaker 1>I don't know what it means, but that definitely meant something.

899
00:39:32.719 --> 00:39:34.639
<v Speaker 1>I was with you on that, and sure enough, it

900
00:39:34.679 --> 00:39:36.920
<v Speaker 1>meant something. And like they train your brain to, by

901
00:39:36.960 --> 00:39:39.039
<v Speaker 1>the end of the movie, you're like, oh, that meant something,

902
00:39:39.079 --> 00:39:40.760
<v Speaker 1>ooh ooh, this is definitely on point.

903
00:39:40.800 --> 00:39:43.480
<v Speaker 2>I wouldn't even say that long that the There is

904
00:39:43.519 --> 00:39:44.199
<v Speaker 2>a scene.

905
00:39:44.000 --> 00:39:46.199
<v Speaker 1>I think I know what's on your top in the house, No,

906
00:39:46.440 --> 00:39:48.880
<v Speaker 1>in the house with all the tricks, and they foreshadow

907
00:39:48.920 --> 00:39:51.360
<v Speaker 1>what's coming later. Now, okay, what part is that. They're

908
00:39:51.400 --> 00:39:53.480
<v Speaker 1>like going over all the different traps and they're like, oh,

909
00:39:53.599 --> 00:39:56.079
<v Speaker 1>this is the straight jacket, this is the bullet catch,

910
00:39:56.159 --> 00:39:58.920
<v Speaker 1>this is this moment, and you're just like, I'm just like, oh, well,

911
00:39:59.320 --> 00:40:02.719
<v Speaker 1>I know what's coming next. Okay, was there a straight

912
00:40:02.800 --> 00:40:03.320
<v Speaker 1>jacket thing?

913
00:40:04.480 --> 00:40:09.960
<v Speaker 2>But okay, well whatever, I did think so I'll get

914
00:40:09.960 --> 00:40:11.719
<v Speaker 2>to my point in a second. But the house thing,

915
00:40:12.360 --> 00:40:13.639
<v Speaker 2>the portrait on the wall.

916
00:40:14.599 --> 00:40:15.159
<v Speaker 1>Yeah.

917
00:40:15.199 --> 00:40:18.760
<v Speaker 2>I was like, really, nobody else thinks like this is

918
00:40:18.840 --> 00:40:21.199
<v Speaker 2>just like like okay.

919
00:40:20.920 --> 00:40:23.239
<v Speaker 1>So you just oh, that's impressive. See that was in

920
00:40:23.280 --> 00:40:25.280
<v Speaker 1>one ear and out the other for me. You know

921
00:40:25.280 --> 00:40:27.440
<v Speaker 1>what I'm talking about? Yeah, I do, and that just happened.

922
00:40:27.480 --> 00:40:29.679
<v Speaker 1>I was like, all right, that's fine. I was.

923
00:40:31.480 --> 00:40:33.719
<v Speaker 2>Yeah at that point, I'm like, you guys are just

924
00:40:33.800 --> 00:40:37.519
<v Speaker 2>like just like, okay, this is normal to you, like magicians,

925
00:40:37.679 --> 00:40:39.960
<v Speaker 2>these people that are paid to fool and like, so

926
00:40:40.000 --> 00:40:41.760
<v Speaker 2>that that was weird to me.

927
00:40:42.039 --> 00:40:43.679
<v Speaker 1>Didn't set off any alarms. But I thought that was

928
00:40:43.760 --> 00:40:46.679
<v Speaker 1>very bizarre. No, I didn't even know alarms.

929
00:40:46.719 --> 00:40:50.280
<v Speaker 2>The one thing I was going to talk about is

930
00:40:50.320 --> 00:40:53.239
<v Speaker 2>on the houseboat. Not a houseboat, it's just not like

931
00:40:53.280 --> 00:40:54.119
<v Speaker 2>a barge or something.

932
00:40:54.199 --> 00:40:54.400
<v Speaker 1>Yeah.

933
00:40:54.440 --> 00:40:57.440
<v Speaker 2>Sure, And they're all kind of like meeting each other

934
00:40:57.480 --> 00:41:00.639
<v Speaker 2>for the first time after they escape the was that

935
00:41:00.719 --> 00:41:04.079
<v Speaker 2>the heist, the diamond heist that they escape, and they're

936
00:41:04.079 --> 00:41:07.559
<v Speaker 2>talking about Henley Isla Fisher's character and how she's married

937
00:41:07.800 --> 00:41:10.760
<v Speaker 2>right m and they point out something that she's wearing

938
00:41:11.039 --> 00:41:16.440
<v Speaker 2>right on Yeah, yes, yes, yes, yes, And I'm like

939
00:41:16.880 --> 00:41:20.320
<v Speaker 2>that's important. Oh sure, you know, because we're talking, you know,

940
00:41:20.360 --> 00:41:22.800
<v Speaker 2>you think about what the movie's about you think about

941
00:41:22.840 --> 00:41:25.800
<v Speaker 2>like why would you, you know, focus in on that.

942
00:41:25.800 --> 00:41:28.039
<v Speaker 2>That's kind of a bizarre thing. And then the line

943
00:41:28.039 --> 00:41:32.519
<v Speaker 2>that Eisenberg had afterwards wasn't even that like quippie or anything. Yeah, okay,

944
00:41:32.559 --> 00:41:35.000
<v Speaker 2>so that's that's There was a lot of like rough

945
00:41:35.039 --> 00:41:37.639
<v Speaker 2>around the edges writing in this movie. Yes, and I

946
00:41:37.679 --> 00:41:39.760
<v Speaker 2>don't want to lazy's probably not the right word, but

947
00:41:39.880 --> 00:41:41.840
<v Speaker 2>just stuff that should have been smoothed out a little

948
00:41:41.840 --> 00:41:45.199
<v Speaker 2>bit better. Yeah, and and to the point where I, Okay,

949
00:41:45.280 --> 00:41:47.360
<v Speaker 2>this leads me into my next point. Let's talk about

950
00:41:47.400 --> 00:41:51.719
<v Speaker 2>the end. Did you see? As I said, when I

951
00:41:51.760 --> 00:41:54.280
<v Speaker 2>watched this, I did not see this coming. But I

952
00:41:54.360 --> 00:41:56.679
<v Speaker 2>said after I was like, when it was going on, like,

953
00:41:57.320 --> 00:41:59.920
<v Speaker 2>I bet Ben saw this coming? Did you see it coming?

954
00:42:00.079 --> 00:42:02.000
<v Speaker 1>So I'm gonna answer this in a way, and I'm

955
00:42:02.039 --> 00:42:03.760
<v Speaker 1>going to say before I even get into it that

956
00:42:03.800 --> 00:42:07.159
<v Speaker 1>what I am describing is not what happens in the movie.

957
00:42:07.360 --> 00:42:09.599
<v Speaker 1>But I'm just gonna allow my own conjecture as to

958
00:42:09.679 --> 00:42:11.840
<v Speaker 1>how I got to where I got to. You talk

959
00:42:11.880 --> 00:42:14.199
<v Speaker 1>about the lazy writing one of the or not lazy,

960
00:42:14.239 --> 00:42:17.280
<v Speaker 1>but rough around the edges kind of writing. Yeah, there's

961
00:42:17.280 --> 00:42:19.400
<v Speaker 1>a line early on in the movie where they say

962
00:42:19.400 --> 00:42:21.920
<v Speaker 1>magic's not about what you see, it's about what you

963
00:42:22.039 --> 00:42:23.920
<v Speaker 1>don't see, right, And they say that, and so I'm

964
00:42:23.920 --> 00:42:26.000
<v Speaker 1>sitting there like, okay, I don't line. By the way,

965
00:42:26.039 --> 00:42:27.719
<v Speaker 1>it was one of the first lines and it stuck

966
00:42:27.760 --> 00:42:29.400
<v Speaker 1>out to me. I'm like, that is going to be

967
00:42:29.840 --> 00:42:32.639
<v Speaker 1>the big rug pull, Like that's going to be the

968
00:42:32.679 --> 00:42:34.840
<v Speaker 1>line and it's going to be somehow reminiscent, like that's

969
00:42:34.840 --> 00:42:36.239
<v Speaker 1>what it was. So I'm sitting there, I'm like, what

970
00:42:36.599 --> 00:42:39.239
<v Speaker 1>don't I see in the entire movie? You got a

971
00:42:39.280 --> 00:42:40.199
<v Speaker 1>deep voice? We said this.

972
00:42:40.239 --> 00:42:41.119
<v Speaker 2>I don't even remember this.

973
00:42:41.519 --> 00:42:43.280
<v Speaker 1>It's like I think it's at last like as a

974
00:42:43.360 --> 00:42:46.920
<v Speaker 1>voice over. Okay, as they're like setting up that first trick,

975
00:42:47.639 --> 00:42:50.239
<v Speaker 1>and so I'm sitting there like, okay, what don't I see?

976
00:42:50.320 --> 00:42:53.400
<v Speaker 1>Then you get the deep voice calls two Roseman Pike

977
00:42:54.159 --> 00:42:56.199
<v Speaker 1>like kind of screwing with her, being like I know

978
00:42:56.239 --> 00:42:58.400
<v Speaker 1>who you are and you need to turn this over X,

979
00:42:58.519 --> 00:43:00.480
<v Speaker 1>Y and Z. So I'm sitting there and I am

980
00:43:00.519 --> 00:43:04.159
<v Speaker 1>trying to tie the voice knew who Rosamund Pike was, yes,

981
00:43:04.199 --> 00:43:06.239
<v Speaker 1>and like she's like he's like, I have this info

982
00:43:06.320 --> 00:43:08.360
<v Speaker 1>on you, and I can sink your whole company if

983
00:43:08.400 --> 00:43:10.079
<v Speaker 1>you don't do all the stuff that I want you

984
00:43:10.119 --> 00:43:13.440
<v Speaker 1>to do. Yes. Yes. So I'm sitting there and I'm like, Okay,

985
00:43:13.559 --> 00:43:16.159
<v Speaker 1>clearly that person is going to be relevant to the plot.

986
00:43:16.320 --> 00:43:18.000
<v Speaker 1>Clearly this is going to be the lynchpin.

987
00:43:18.199 --> 00:43:19.679
<v Speaker 2>You know you Okay, I'm gonna interrupt you just for

988
00:43:19.719 --> 00:43:22.639
<v Speaker 2>a second there. I I this is that. This is

989
00:43:22.679 --> 00:43:25.440
<v Speaker 2>how I should have been actively watching it. That never

990
00:43:25.519 --> 00:43:28.119
<v Speaker 2>crossed my mind. I knew there was something going on.

991
00:43:28.199 --> 00:43:31.079
<v Speaker 2>I was much more invested into the Horseman. Yeah, and

992
00:43:31.119 --> 00:43:33.320
<v Speaker 2>I think that's that's the This goes back to the

993
00:43:33.360 --> 00:43:37.679
<v Speaker 2>whole magician's credo of hey, look here, but really you

994
00:43:37.679 --> 00:43:41.400
<v Speaker 2>should be looking here, Yes, exactly, And that's why it was.

995
00:43:42.239 --> 00:43:45.800
<v Speaker 2>The phone calls were brief, Uh, there weren't. There weren't

996
00:43:45.800 --> 00:43:47.639
<v Speaker 2>a ton of them. And I think it pushed me

997
00:43:47.760 --> 00:43:51.760
<v Speaker 2>right to the limit of like where I didn't think

998
00:43:51.800 --> 00:43:53.920
<v Speaker 2>I should be caring about that part. But obviously, you,

999
00:43:54.239 --> 00:43:59.000
<v Speaker 2>being a more cynical, uh conditioned movie watcher, Yeah, it

1000
00:43:59.039 --> 00:44:01.559
<v Speaker 2>was pushed over your limit. He realized, Okay, there's something

1001
00:44:01.599 --> 00:44:02.360
<v Speaker 2>going on here.

1002
00:44:02.159 --> 00:44:04.280
<v Speaker 1>This is this is huge. I trained myself early on

1003
00:44:04.360 --> 00:44:07.840
<v Speaker 1>watching saw movies, like you realize those kind of that

1004
00:44:07.920 --> 00:44:10.679
<v Speaker 1>you're like, oh, well, wait a minute, dude, I predicted

1005
00:44:10.679 --> 00:44:12.519
<v Speaker 1>the end of Saw seven and Saw four, But that's

1006
00:44:12.559 --> 00:44:14.039
<v Speaker 1>another story entirely. That's okay.

1007
00:44:15.000 --> 00:44:17.440
<v Speaker 2>I could not do that, but I will say of

1008
00:44:17.519 --> 00:44:22.719
<v Speaker 2>your most impressive movie watching things that, now, if you

1009
00:44:22.760 --> 00:44:25.079
<v Speaker 2>would have predicted the end of the first Saw, we'd

1010
00:44:25.119 --> 00:44:25.960
<v Speaker 2>have a much wider Oh.

1011
00:44:25.920 --> 00:44:28.440
<v Speaker 1>Oh, yeah, I'm not even gonna get it. I will say.

1012
00:44:28.960 --> 00:44:31.039
<v Speaker 1>I didn't say it out loud, but I was sitting

1013
00:44:31.039 --> 00:44:33.039
<v Speaker 1>there thinking, I'm like, what if he's just the guy

1014
00:44:33.079 --> 00:44:34.880
<v Speaker 1>dead in the center of the floor. But like, I

1015
00:44:34.880 --> 00:44:37.239
<v Speaker 1>thought that was so stupid that I was like, I'm

1016
00:44:37.239 --> 00:44:39.039
<v Speaker 1>not even gonna say it out loud. No, it was

1017
00:44:39.039 --> 00:44:40.840
<v Speaker 1>a great ending because they did it in the right way,

1018
00:44:40.920 --> 00:44:42.679
<v Speaker 1>but like I didn't think they'd do it the way

1019
00:44:42.679 --> 00:44:45.159
<v Speaker 1>that that I was thinking in any event, So I

1020
00:44:45.199 --> 00:44:47.360
<v Speaker 1>say all of that to say, and again, this is

1021
00:44:47.480 --> 00:44:49.480
<v Speaker 1>not the ending, and I'm not saying anything about this

1022
00:44:49.559 --> 00:44:52.599
<v Speaker 1>beyond then I assumed the person on the other end

1023
00:44:52.679 --> 00:44:55.360
<v Speaker 1>of the phone was Mark Ruffalo, and that he was

1024
00:44:55.400 --> 00:44:58.559
<v Speaker 1>pulling the strings secretly from behind the scenes, and.

1025
00:44:58.440 --> 00:45:02.239
<v Speaker 2>We will we will not say whether that's true or not.

1026
00:45:02.519 --> 00:45:05.119
<v Speaker 1>Yeah, I will say, I'm not spoiling the ending for

1027
00:45:05.199 --> 00:45:07.599
<v Speaker 1>you in any way, because I did not get the

1028
00:45:07.719 --> 00:45:09.719
<v Speaker 1>ending because he was not the voice, he was not

1029
00:45:09.760 --> 00:45:11.239
<v Speaker 1>the disconnected Ipically, that.

1030
00:45:11.159 --> 00:45:12.800
<v Speaker 2>Wasn't the very ending anyway.

1031
00:45:13.079 --> 00:45:15.199
<v Speaker 1>No, but like that to me was the ending. I

1032
00:45:15.239 --> 00:45:18.559
<v Speaker 1>assume you meant to guess was the the that part

1033
00:45:18.559 --> 00:45:18.920
<v Speaker 1>of it.

1034
00:45:18.960 --> 00:45:24.719
<v Speaker 2>The identity of the person who was revealed to be

1035
00:45:24.840 --> 00:45:25.719
<v Speaker 2>on the other end of the.

1036
00:45:25.880 --> 00:45:27.960
<v Speaker 1>Yeah, that you didn't see that, I didn't see that.

1037
00:45:28.239 --> 00:45:30.840
<v Speaker 1>That surprises here, you're breaking of what you're saw for

1038
00:45:31.000 --> 00:45:33.519
<v Speaker 1>And so I know, yeah, I was pleasant well because

1039
00:45:33.559 --> 00:45:35.920
<v Speaker 1>I had I walked because I was like, what isn't

1040
00:45:35.960 --> 00:45:37.920
<v Speaker 1>being shown? And I'll say this off the air to you,

1041
00:45:38.159 --> 00:45:40.679
<v Speaker 1>I'm realizing now how that line still ties in in

1042
00:45:40.719 --> 00:45:43.280
<v Speaker 1>a way that I'm only just realizing right now.

1043
00:45:43.599 --> 00:45:46.239
<v Speaker 2>But uh, because no, I don't think I mean, we'll

1044
00:45:46.239 --> 00:45:47.719
<v Speaker 2>talk about it, but I know exactly. I mean, I

1045
00:45:47.719 --> 00:45:49.519
<v Speaker 2>think I know exactly what you're gonna say.

1046
00:45:49.599 --> 00:45:52.760
<v Speaker 1>Yeah, And because I was headed down that pathway, I

1047
00:45:52.800 --> 00:45:56.280
<v Speaker 1>think it distracted me from other possible outcomes because I

1048
00:45:56.360 --> 00:45:59.519
<v Speaker 1>was so sure, because so many other characters were being

1049
00:45:59.519 --> 00:46:02.039
<v Speaker 1>brought out of the woodwork, there's no way the Mark

1050
00:46:02.079 --> 00:46:04.400
<v Speaker 1>Ruffle is not going to do something in this movie,

1051
00:46:04.559 --> 00:46:06.639
<v Speaker 1>and sure enough, he didn't end up doing well.

1052
00:46:06.679 --> 00:46:08.159
<v Speaker 2>And the other thing too, is how many people you

1053
00:46:08.159 --> 00:46:11.480
<v Speaker 2>didn't know Michael Kine retired. Maybe maybe it was Michael Caine,

1054
00:46:11.639 --> 00:46:13.880
<v Speaker 2>you know, and think about you know, how he was

1055
00:46:14.000 --> 00:46:15.599
<v Speaker 2>left at the end of the second one. He could

1056
00:46:15.639 --> 00:46:18.000
<v Speaker 2>honestly maybe he had a history with you know, it's

1057
00:46:18.000 --> 00:46:25.239
<v Speaker 2>the Andy Garcia al Pacino thing in Oceans right, yeah,

1058
00:46:25.320 --> 00:46:27.679
<v Speaker 2>where like, yeah, I mean you're bringing Garcia back. Oh,

1059
00:46:27.719 --> 00:46:30.079
<v Speaker 2>it turns out he hates al Pacino's character and you

1060
00:46:30.119 --> 00:46:31.440
<v Speaker 2>know what I mean. And so they could have been

1061
00:46:31.480 --> 00:46:32.559
<v Speaker 2>one of those anyway. Oh sure.

1062
00:46:32.599 --> 00:46:35.360
<v Speaker 1>And I will say, knowing that another movie was already

1063
00:46:35.360 --> 00:46:38.840
<v Speaker 1>in the works, part of me was wondering, like Fast

1064
00:46:38.880 --> 00:46:42.800
<v Speaker 1>and Furious ten the literal tagline on it was the

1065
00:46:42.840 --> 00:46:44.800
<v Speaker 1>beginning of the end. Yeah, And I was like, well,

1066
00:46:44.800 --> 00:46:46.880
<v Speaker 1>son of a bitch, that means this movie isn't going

1067
00:46:46.880 --> 00:46:49.360
<v Speaker 1>to end on a high notes because obviously it wouldn't

1068
00:46:49.400 --> 00:46:50.920
<v Speaker 1>be the beginning of the end. It would just be

1069
00:46:51.039 --> 00:46:53.559
<v Speaker 1>the end otherwise, And so you kind of knew the

1070
00:46:53.559 --> 00:46:56.559
<v Speaker 1>path that was going on. I'll be real, I expected

1071
00:46:56.559 --> 00:46:59.199
<v Speaker 1>this one to end on more of a cliffhanger than

1072
00:46:59.239 --> 00:47:01.800
<v Speaker 1>it does. This cliffhanger that it ends on. I think

1073
00:47:01.960 --> 00:47:05.880
<v Speaker 1>is is very open ledge.

1074
00:47:06.639 --> 00:47:07.480
<v Speaker 2>Yeah hanger.

1075
00:47:07.599 --> 00:47:10.840
<v Speaker 1>Yeah, it's just like we definitely have an idea, but like, realistically,

1076
00:47:10.920 --> 00:47:13.599
<v Speaker 1>they could take it fifty seven different ways like you have.

1077
00:47:13.840 --> 00:47:15.400
<v Speaker 1>It's not like they leave you with them.

1078
00:47:15.440 --> 00:47:17.719
<v Speaker 2>Oh it's fine, yeah, but no, it's no, that is

1079
00:47:17.760 --> 00:47:20.400
<v Speaker 2>what you want you I mean, at least that's what

1080
00:47:20.480 --> 00:47:23.719
<v Speaker 2>I want see for this film. I want a nebulous ending.

1081
00:47:23.760 --> 00:47:26.920
<v Speaker 2>Bet no, I because I want I don't want them

1082
00:47:26.960 --> 00:47:30.039
<v Speaker 2>to pigeonhole themselves into something. Okay, well we kind of

1083
00:47:30.079 --> 00:47:31.480
<v Speaker 2>set up we kind of have to do it this way.

1084
00:47:31.519 --> 00:47:34.320
<v Speaker 1>But you just said that the that uh that Rosemond

1085
00:47:34.480 --> 00:47:36.800
<v Speaker 1>was not the kind of bad guy that you're done

1086
00:47:36.800 --> 00:47:38.599
<v Speaker 1>in this kind of move. What if it ended with

1087
00:47:38.679 --> 00:47:42.920
<v Speaker 1>that voice being like some kind of significantly more threatening

1088
00:47:43.000 --> 00:47:46.599
<v Speaker 1>presence who maybe one of the horsemen does die at

1089
00:47:46.599 --> 00:47:49.159
<v Speaker 1>the end. You're like, oh my god, this guy means business,

1090
00:47:49.199 --> 00:47:51.719
<v Speaker 1>Like when Captain Barbosa comes back from the dead. Yeah,

1091
00:47:52.320 --> 00:47:54.960
<v Speaker 1>Like you're like, okay, now we mean business like. This

1092
00:47:55.119 --> 00:47:58.239
<v Speaker 1>was just more like more wackiness is coming. You get

1093
00:47:58.320 --> 00:47:59.239
<v Speaker 1>ready for it.

1094
00:47:59.519 --> 00:48:01.559
<v Speaker 2>So so I don't know if I've brought this up.

1095
00:48:01.639 --> 00:48:03.519
<v Speaker 2>I know I've thought about bringing this up on this

1096
00:48:03.559 --> 00:48:05.639
<v Speaker 2>podcast several times, and I may have brought it up

1097
00:48:05.960 --> 00:48:07.480
<v Speaker 2>Silicon Valley HBO show.

1098
00:48:07.559 --> 00:48:09.239
<v Speaker 1>I haven't seen it, but I'm familiar with it. Okay.

1099
00:48:09.800 --> 00:48:14.920
<v Speaker 2>Every single episode is about these like, you know, really

1100
00:48:14.960 --> 00:48:19.960
<v Speaker 2>smart tech guys that like face this huge daunting Oh

1101
00:48:20.000 --> 00:48:23.280
<v Speaker 2>my goodness, this is going to wreck the planet technology. Yeah,

1102
00:48:23.440 --> 00:48:25.199
<v Speaker 2>and then some miracle happens.

1103
00:48:25.480 --> 00:48:26.480
<v Speaker 1>Sure, okay, and.

1104
00:48:26.519 --> 00:48:29.320
<v Speaker 2>To god whatever, and and then like oh thank god.

1105
00:48:29.599 --> 00:48:31.199
<v Speaker 2>And then they always put like a scene right at

1106
00:48:31.239 --> 00:48:34.559
<v Speaker 2>the end like, oh no, it's even worse than we thought.

1107
00:48:34.719 --> 00:48:35.079
<v Speaker 1>Yeah, you know.

1108
00:48:35.559 --> 00:48:37.639
<v Speaker 2>It was every blanking episode.

1109
00:48:37.280 --> 00:48:41.880
<v Speaker 1>And Barry the uh Bill, Yeah, that every episode would

1110
00:48:41.880 --> 00:48:44.039
<v Speaker 1>be like I can't wait till next week.

1111
00:48:43.880 --> 00:48:46.719
<v Speaker 2>And and and it was always just like it took

1112
00:48:46.760 --> 00:48:49.840
<v Speaker 2>you on this ride of like it's this is good,

1113
00:48:49.880 --> 00:48:50.679
<v Speaker 2>this is good, this is good.

1114
00:48:50.679 --> 00:48:52.480
<v Speaker 1>Oh my god, it's bad. It's bad. It's bad. It's bad.

1115
00:48:52.239 --> 00:48:53.400
<v Speaker 1>It's so bad. It's so bad.

1116
00:48:53.719 --> 00:48:57.079
<v Speaker 2>Oh no, it's awesome, it's awesome. And then the last

1117
00:48:57.159 --> 00:49:01.119
<v Speaker 2>fifteen seconds, oh my god, it's off. It's worse than

1118
00:49:01.159 --> 00:49:03.360
<v Speaker 2>it was ever, you know. And that and that's how

1119
00:49:03.480 --> 00:49:06.639
<v Speaker 2>it and I feel like to do that in this

1120
00:49:06.760 --> 00:49:10.559
<v Speaker 2>film where it's like you know, you're you're you're happy,

1121
00:49:10.840 --> 00:49:14.519
<v Speaker 2>you know, like the old Horseman and these quasi new

1122
00:49:14.599 --> 00:49:17.280
<v Speaker 2>horsemen or whatever. It's it's great. And then to have

1123
00:49:17.400 --> 00:49:20.280
<v Speaker 2>like a thano stinger or something like that at the end.

1124
00:49:20.400 --> 00:49:21.280
<v Speaker 2>I get what you're saying.

1125
00:49:21.360 --> 00:49:23.519
<v Speaker 1>Yeah, Like that was kind of more of what I

1126
00:49:23.559 --> 00:49:26.880
<v Speaker 1>was expecting, especially knowing you're getting another one already, because

1127
00:49:26.880 --> 00:49:29.000
<v Speaker 1>there's no guarantee. It's kind of like how we left

1128
00:49:29.159 --> 00:49:31.440
<v Speaker 1>twenty eight years later not knowing there was going to

1129
00:49:31.440 --> 00:49:32.679
<v Speaker 1>be a part two, and I was like, what the

1130
00:49:32.760 --> 00:49:34.800
<v Speaker 1>hell just happened? And then you realize there's a part two,

1131
00:49:34.840 --> 00:49:36.880
<v Speaker 1>You're like, oh, that's a great ending, Like I'm very

1132
00:49:36.880 --> 00:49:38.800
<v Speaker 1>excited to see what this crew of crazy people is

1133
00:49:38.800 --> 00:49:40.239
<v Speaker 1>going to do with this kid on the other side

1134
00:49:40.239 --> 00:49:42.920
<v Speaker 1>of it. Yeah, and there isn't that moment. They definitely

1135
00:49:43.000 --> 00:49:44.920
<v Speaker 1>leave you wanting more and like, I'm sure it'll be

1136
00:49:44.960 --> 00:49:47.280
<v Speaker 1>fun and like, uh, I have a feeling that there's

1137
00:49:47.320 --> 00:49:49.079
<v Speaker 1>going to be a passing of the torch in that

1138
00:49:49.119 --> 00:49:50.239
<v Speaker 1>next movie, but.

1139
00:49:52.599 --> 00:50:00.960
<v Speaker 2>I don't know, because well I don't know. I think

1140
00:50:01.119 --> 00:50:08.280
<v Speaker 2>this type of movie does not necessarily prevent you from

1141
00:50:08.320 --> 00:50:10.639
<v Speaker 2>being an active character while getting older.

1142
00:50:11.000 --> 00:50:12.599
<v Speaker 1>Oh sure, I would agree with that.

1143
00:50:12.840 --> 00:50:16.360
<v Speaker 2>I don't know any of these actors in this movie

1144
00:50:17.440 --> 00:50:21.840
<v Speaker 2>who would turn down a chance to do this film again.

1145
00:50:22.360 --> 00:50:25.199
<v Speaker 2>Ala Fisher came back for this. She was super excited

1146
00:50:25.639 --> 00:50:28.079
<v Speaker 2>to do it again. I can't imagine any of them

1147
00:50:28.119 --> 00:50:31.320
<v Speaker 2>would turn this down. It's not like any of these

1148
00:50:31.360 --> 00:50:34.159
<v Speaker 2>careers are just skyrocketing to the moon.

1149
00:50:34.719 --> 00:50:36.880
<v Speaker 1>I mean, i'd say, Whaty Harrelson doesn't have to take

1150
00:50:36.880 --> 00:50:38.800
<v Speaker 1>any work. He doesn't want to take the stage of

1151
00:50:38.800 --> 00:50:40.719
<v Speaker 1>his own. But I think he likes doing it. He's

1152
00:50:40.760 --> 00:50:43.679
<v Speaker 1>with all these younger people. Yeah, and he thought he

1153
00:50:43.719 --> 00:50:45.239
<v Speaker 1>was great in this. We really haven't touched on him

1154
00:50:45.239 --> 00:50:47.440
<v Speaker 1>too much. I thought his character was awesome in this movie.

1155
00:50:47.719 --> 00:50:50.639
<v Speaker 1>His character is awesome in every single every single movie. Yeah, No,

1156
00:50:50.760 --> 00:50:52.880
<v Speaker 1>that's real. Although I will say what bothered me about

1157
00:50:52.960 --> 00:50:55.679
<v Speaker 1>him is that, like I realized it's the writing, right,

1158
00:50:55.920 --> 00:50:59.480
<v Speaker 1>Like you can't it's not actually him. I understand this,

1159
00:50:59.639 --> 00:51:02.400
<v Speaker 1>But when he's like, ah, these young people can't stay focused,

1160
00:51:02.400 --> 00:51:04.639
<v Speaker 1>I'm like, bro, you're Woody Harrelson, Like it doesn't make

1161
00:51:04.679 --> 00:51:06.840
<v Speaker 1>any sense that this is coming out of your mouth.

1162
00:51:07.039 --> 00:51:09.400
<v Speaker 2>Was he drinking at the end of the movie with.

1163
00:51:09.320 --> 00:51:11.800
<v Speaker 1>Some kind of pomegranate like juice? Drinks.

1164
00:51:11.840 --> 00:51:14.480
<v Speaker 2>So it was alcohol yeah, because that was like.

1165
00:51:14.400 --> 00:51:17.159
<v Speaker 1>The running gag because like gen Z, they don't drink man,

1166
00:51:17.239 --> 00:51:18.000
<v Speaker 1>Like they're not drinking.

1167
00:51:18.079 --> 00:51:19.599
<v Speaker 2>I don't know if it was like a THHC drink

1168
00:51:19.719 --> 00:51:20.079
<v Speaker 2>or something.

1169
00:51:20.119 --> 00:51:22.840
<v Speaker 1>Oh, I just assumed it was some fruity drink that

1170
00:51:23.079 --> 00:51:26.000
<v Speaker 1>you know, tastes good but not alcoholic. And he clearly

1171
00:51:26.079 --> 00:51:28.760
<v Speaker 1>had a drinking problem throughout most of the true Oh

1172
00:51:28.800 --> 00:51:31.000
<v Speaker 1>I forgot about that, yeah, And so so that it

1173
00:51:31.079 --> 00:51:31.400
<v Speaker 1>was just.

1174
00:51:33.320 --> 00:51:37.159
<v Speaker 2>Like, yeah, turning the corner, like Okay, his life's not over, and.

1175
00:51:38.159 --> 00:51:40.000
<v Speaker 1>Which like they do a really good job of like

1176
00:51:40.519 --> 00:51:43.840
<v Speaker 1>subtly hinting at a super depressing life for him, but

1177
00:51:43.880 --> 00:51:47.639
<v Speaker 1>like not really ever bringing the paste down. Like during

1178
00:51:47.679 --> 00:51:50.320
<v Speaker 1>the interrogation scene, Roseman Pike just like hits him with

1179
00:51:50.360 --> 00:51:52.119
<v Speaker 1>a line. Then I'm like, wait, did I miss something?

1180
00:51:52.159 --> 00:51:54.079
<v Speaker 1>But when when did that? And like no, it's just

1181
00:51:54.159 --> 00:51:56.960
<v Speaker 1>she picked up on his mannerisms and kind of mentalisted

1182
00:51:57.039 --> 00:51:59.880
<v Speaker 1>him a little bit, and I'm like, this is that's

1183
00:52:00.360 --> 00:52:02.280
<v Speaker 1>like that that was actually too smart of a scene

1184
00:52:02.360 --> 00:52:05.679
<v Speaker 1>to be in this movie. Probably it was a really

1185
00:52:05.719 --> 00:52:08.599
<v Speaker 1>cool sit I just think that all four horsemen were

1186
00:52:08.639 --> 00:52:12.760
<v Speaker 1>portrayed as having a really depressing post horse in different ways,

1187
00:52:12.800 --> 00:52:13.760
<v Speaker 1>in different ways.

1188
00:52:13.559 --> 00:52:16.920
<v Speaker 2>Like I think the only one that sort of achieved

1189
00:52:17.800 --> 00:52:23.639
<v Speaker 2>happiness was Henley, and even she was like she gets

1190
00:52:23.679 --> 00:52:27.199
<v Speaker 2>the card from the eye and she didn't seem to

1191
00:52:27.199 --> 00:52:29.480
<v Speaker 2>fight it, like you know, there's a certain part of

1192
00:52:29.519 --> 00:52:32.800
<v Speaker 2>her life that was just left unfulfilled. Daniel Atlas never

1193
00:52:32.840 --> 00:52:34.440
<v Speaker 2>wanted The Horseman to break up, so you knew he

1194
00:52:34.559 --> 00:52:37.679
<v Speaker 2>was ticked off. I can't imagine Dave frank. I mean

1195
00:52:37.679 --> 00:52:40.480
<v Speaker 2>it seemed like Dave Franco kind of talked himself into

1196
00:52:40.519 --> 00:52:43.159
<v Speaker 2>doing like what he was doing on these cruises was

1197
00:52:43.199 --> 00:52:44.920
<v Speaker 2>awesome and it was great, but he really didn't believe

1198
00:52:44.960 --> 00:52:47.199
<v Speaker 2>it do it for the perks. Yeah. And Barrett McKinney

1199
00:52:47.199 --> 00:52:48.039
<v Speaker 2>wanted to kill himself.

1200
00:52:48.119 --> 00:52:48.320
<v Speaker 1>Yeah.

1201
00:52:48.320 --> 00:52:50.880
<v Speaker 2>So this was you pick up on The Horseman ten

1202
00:52:50.960 --> 00:52:54.159
<v Speaker 2>years later in a very mostly very very dark place.

1203
00:52:54.400 --> 00:52:57.880
<v Speaker 1>Yeah, And I think it speaks to different personality types

1204
00:52:57.920 --> 00:53:00.519
<v Speaker 1>because I think you and I have very like in mind.

1205
00:53:01.079 --> 00:53:03.039
<v Speaker 1>I've lived out here for just over three years at

1206
00:53:03.039 --> 00:53:06.119
<v Speaker 1>this point, but like by and large, I'm a city guy, right, Yeah,

1207
00:53:06.280 --> 00:53:09.480
<v Speaker 1>very different environment that I have moved out out into here.

1208
00:53:09.519 --> 00:53:11.519
<v Speaker 1>And so when I see the Henley story, like I

1209
00:53:11.760 --> 00:53:14.440
<v Speaker 1>was hanging out with people like not a million years,

1210
00:53:14.679 --> 00:53:16.440
<v Speaker 1>you know what I mean. And so you're like, well, no,

1211
00:53:16.519 --> 00:53:18.880
<v Speaker 1>that's not selling out, that's that's achieving the that's the

1212
00:53:18.920 --> 00:53:21.519
<v Speaker 1>picket fence, that's the dog and two children and all that.

1213
00:53:21.559 --> 00:53:25.360
<v Speaker 1>I'm sitting there, I'm like, yeah, you know what I mean. Yeah,

1214
00:53:25.360 --> 00:53:28.239
<v Speaker 1>And it just depends on the personality perspective, whether you're

1215
00:53:28.280 --> 00:53:30.480
<v Speaker 1>older and you're kind of going through you know, a

1216
00:53:30.480 --> 00:53:33.119
<v Speaker 1>little bit of a rough patch. Maybe Woody Harrelson's experiences

1217
00:53:33.159 --> 00:53:36.559
<v Speaker 1>a little more. Maybe you had that low paid job

1218
00:53:36.639 --> 00:53:38.840
<v Speaker 1>where you thought you were making a difference, then you

1219
00:53:38.960 --> 00:53:41.159
<v Speaker 1>end up in a corporate gig and you're Dave Franco.

1220
00:53:41.320 --> 00:53:44.599
<v Speaker 2>Yeah, and I'll bring this up too. Outside of Henley,

1221
00:53:44.719 --> 00:53:46.960
<v Speaker 2>none of these characters had any family that we knew about,

1222
00:53:46.960 --> 00:53:50.840
<v Speaker 2>all right, Yeah, Dave Franco split up with Lizzie Kaplan's character.

1223
00:53:50.880 --> 00:53:53.360
<v Speaker 2>We phone out at the at the at the start

1224
00:53:53.400 --> 00:53:55.079
<v Speaker 2>of the movie, and you could tell the way he

1225
00:53:55.119 --> 00:53:56.840
<v Speaker 2>talked about it he was pretty depressed about that.

1226
00:53:57.000 --> 00:53:59.079
<v Speaker 1>Yeah, and I thought they were setting him up with

1227
00:53:59.159 --> 00:54:01.280
<v Speaker 1>that June girl. My this is so creepy. Please don't

1228
00:54:01.280 --> 00:54:02.199
<v Speaker 1>make this sound Oh you couldn't.

1229
00:54:02.199 --> 00:54:03.960
<v Speaker 2>I mean, Frank was like forty one. How old is she?

1230
00:54:04.519 --> 00:54:06.199
<v Speaker 1>How old she is? No, I can find out.

1231
00:54:06.239 --> 00:54:08.760
<v Speaker 2>She's got to be like early twenties, got to be

1232
00:54:08.760 --> 00:54:09.639
<v Speaker 2>early eighteen.

1233
00:54:10.199 --> 00:54:13.719
<v Speaker 1>She's eighteen, born in August twenty seventh, two thousand and seven.

1234
00:54:13.840 --> 00:54:15.119
<v Speaker 1>She is a young eighteen.

1235
00:54:15.559 --> 00:54:21.119
<v Speaker 2>I remember there was an episode of Talking Dead, which

1236
00:54:21.199 --> 00:54:26.360
<v Speaker 2>you're familiar with, right, that's like the post Yeah, and god,

1237
00:54:26.480 --> 00:54:28.159
<v Speaker 2>can I can see the guy. I cannot think of

1238
00:54:28.199 --> 00:54:32.000
<v Speaker 2>what the showrunner was like for the Walking Dead universe. Oh,

1239
00:54:32.000 --> 00:54:35.559
<v Speaker 2>this is going to irritate me. Not Greg Nickottaro, Oh

1240
00:54:35.599 --> 00:54:36.159
<v Speaker 2>I thought that too.

1241
00:54:36.159 --> 00:54:38.039
<v Speaker 1>It was nothing. I can't remember.

1242
00:54:40.719 --> 00:54:44.519
<v Speaker 2>Anyway, he was on and they asked about a potential

1243
00:54:45.079 --> 00:54:51.400
<v Speaker 2>are we seeing a relationship developed between Lauren Cohen's little

1244
00:54:51.440 --> 00:54:54.559
<v Speaker 2>sister who I'm forgetting what her name was, Bethany in

1245
00:54:54.599 --> 00:54:57.960
<v Speaker 2>real life? I want to say, I don't know her

1246
00:54:57.960 --> 00:55:01.840
<v Speaker 2>little sister on the show and Daryl Dick norman Ritis's character.

1247
00:55:01.920 --> 00:55:02.480
<v Speaker 1>Oh sure.

1248
00:55:02.559 --> 00:55:05.559
<v Speaker 2>And Chris Hardwick brought this up to whoever the and

1249
00:55:05.920 --> 00:55:08.840
<v Speaker 2>he basically it totally caught me off card He's like,

1250
00:55:09.000 --> 00:55:10.840
<v Speaker 2>it's like, well, I'm not even going to dignify that

1251
00:55:10.880 --> 00:55:13.000
<v Speaker 2>with a response, like it would be so creepy. Yeah,

1252
00:55:13.000 --> 00:55:15.880
<v Speaker 2>because she was like twenty yeah, and Darryl Dixon in

1253
00:55:15.920 --> 00:55:19.800
<v Speaker 2>real life is like fifty something. I'm like, oh yeah,

1254
00:55:19.840 --> 00:55:23.599
<v Speaker 2>whoa okay, But yeah, I never I never really saw that.

1255
00:55:23.760 --> 00:55:25.679
<v Speaker 2>I thought that was just more of a matching of wits.

1256
00:55:25.800 --> 00:55:28.960
<v Speaker 1>Yes, now after having seen the whole movie. Yeah, I

1257
00:55:29.039 --> 00:55:33.039
<v Speaker 1>don't put it past Hollywood to do anything stupid. And

1258
00:55:32.840 --> 00:55:34.840
<v Speaker 1>that was when I'm like, don't do it, don't do it,

1259
00:55:34.840 --> 00:55:36.519
<v Speaker 1>don't do it. And they put my mind at ease

1260
00:55:36.599 --> 00:55:37.079
<v Speaker 1>till the end.

1261
00:55:37.280 --> 00:55:39.920
<v Speaker 2>We talked about we talked about how formulaic this was

1262
00:55:40.119 --> 00:55:42.760
<v Speaker 2>and how close it was to the second one.

1263
00:55:43.320 --> 00:55:44.039
<v Speaker 1>Do you like that?

1264
00:55:44.159 --> 00:55:46.480
<v Speaker 2>I mean, it's giving people what they want. I mean

1265
00:55:46.519 --> 00:55:49.360
<v Speaker 2>the second one was successful, so let's just do it again?

1266
00:55:49.559 --> 00:55:51.880
<v Speaker 2>Or do you think you need the twist? But sometimes

1267
00:55:51.920 --> 00:55:54.559
<v Speaker 2>the twists spend are not the twists we want, And

1268
00:55:54.599 --> 00:55:56.639
<v Speaker 2>it's like, wow, I didn't like that they did that.

1269
00:55:56.920 --> 00:55:59.239
<v Speaker 2>This is this is what Hollywood is dealing with when

1270
00:55:59.280 --> 00:56:02.679
<v Speaker 2>trying to create stuff that's going to sell. It's like,

1271
00:56:02.840 --> 00:56:05.519
<v Speaker 2>how much of it do we do that's the same

1272
00:56:05.639 --> 00:56:09.599
<v Speaker 2>but not so same, not so similar that everybody says,

1273
00:56:09.639 --> 00:56:11.639
<v Speaker 2>oh it sucks, they just redid it. But you gotta

1274
00:56:11.679 --> 00:56:14.000
<v Speaker 2>be make it a little bit different to the point

1275
00:56:14.000 --> 00:56:16.280
<v Speaker 2>where it's like, oh, that's not what worked. That that

1276
00:56:16.519 --> 00:56:19.199
<v Speaker 2>I don't want to see that. That wasn't good. It's

1277
00:56:19.239 --> 00:56:20.000
<v Speaker 2>a balancing act.

1278
00:56:20.119 --> 00:56:22.159
<v Speaker 1>So it's interesting you bring that up because I can

1279
00:56:22.199 --> 00:56:24.559
<v Speaker 1>share my own experience with it. I wanted there to

1280
00:56:24.639 --> 00:56:27.559
<v Speaker 1>be one more big magic trick. I felt like they

1281
00:56:27.599 --> 00:56:30.039
<v Speaker 1>replaced Oh you don't like the big reveal, No, no, no,

1282
00:56:30.079 --> 00:56:33.440
<v Speaker 1>I mean I think they replaced a middle of the

1283
00:56:33.519 --> 00:56:36.440
<v Speaker 1>movie magic trick with that awesome fight scene in the

1284
00:56:36.480 --> 00:56:39.880
<v Speaker 1>Magic House, And what's wrong with that? So I say

1285
00:56:39.920 --> 00:56:42.159
<v Speaker 1>that to say. I was sitting there, half of my

1286
00:56:42.239 --> 00:56:45.119
<v Speaker 1>brain was like, I wanted it to do because that's

1287
00:56:45.159 --> 00:56:48.119
<v Speaker 1>the normal formula is, here's the trick that introduces you

1288
00:56:48.159 --> 00:56:49.679
<v Speaker 1>to what the movie is gonna be about. Here's that

1289
00:56:49.760 --> 00:56:52.039
<v Speaker 1>mid tier trick where stuff kind of goes sideways and

1290
00:56:52.119 --> 00:56:53.639
<v Speaker 1>kind of sets up where the rest of the movie's going,

1291
00:56:53.639 --> 00:56:56.199
<v Speaker 1>which technically does happen in this scene still, and then

1292
00:56:57.280 --> 00:56:59.119
<v Speaker 1>and then here's the big trick at the end, that's

1293
00:56:59.159 --> 00:57:01.159
<v Speaker 1>the final act of what this film is going to be.

1294
00:57:01.880 --> 00:57:04.039
<v Speaker 1>And I sat there, half of my brain was like,

1295
00:57:04.480 --> 00:57:06.440
<v Speaker 1>I really wish they had one more of those awesome

1296
00:57:06.440 --> 00:57:08.320
<v Speaker 1>little trick moments where they do like a big thing

1297
00:57:08.360 --> 00:57:10.440
<v Speaker 1>and some rich guy ends up getting screwed over, and

1298
00:57:10.480 --> 00:57:13.519
<v Speaker 1>part of me was like, actually, this diversion from the

1299
00:57:13.519 --> 00:57:15.559
<v Speaker 1>path is probably the best part of the movie in

1300
00:57:15.559 --> 00:57:18.719
<v Speaker 1>my opinion, and probably the most enjoyable sequence. So, like

1301
00:57:19.119 --> 00:57:21.519
<v Speaker 1>I can see, I am of two minds about it,

1302
00:57:21.599 --> 00:57:24.480
<v Speaker 1>because I found myself leaving there thinking I wanted that

1303
00:57:24.519 --> 00:57:27.159
<v Speaker 1>extra trick and also thinking I didn't want to lose

1304
00:57:28.039 --> 00:57:31.440
<v Speaker 1>that scene. So like, I thought it was formulaic, and

1305
00:57:31.519 --> 00:57:33.039
<v Speaker 1>it kind of broke the mold a little bit in

1306
00:57:33.039 --> 00:57:33.400
<v Speaker 1>that way.

1307
00:57:33.480 --> 00:57:36.880
<v Speaker 2>Yeah, I don't know. I think the mold is mostly

1308
00:57:36.920 --> 00:57:38.079
<v Speaker 2>together for me after that.

1309
00:57:38.199 --> 00:57:40.280
<v Speaker 1>Yeah, I shouldn't say broke the mold. That's extreme, But

1310
00:57:40.800 --> 00:57:42.519
<v Speaker 1>at least they went about in a different route.

1311
00:57:42.559 --> 00:57:44.039
<v Speaker 2>They tried to do something a little bit different. I

1312
00:57:44.039 --> 00:57:47.280
<v Speaker 2>don't think it was different enough. I'm ask I'm gonna

1313
00:57:47.320 --> 00:57:51.960
<v Speaker 2>spoiler free. I want to ask you about the role

1314
00:57:52.039 --> 00:57:56.119
<v Speaker 2>the elevator played in the final reveal. Okay, when we

1315
00:57:56.199 --> 00:57:59.159
<v Speaker 2>see what they were doing in regards to the elevator

1316
00:57:59.239 --> 00:58:04.519
<v Speaker 2>mm hm, and knowing that that the the heart diamond

1317
00:58:04.519 --> 00:58:07.280
<v Speaker 2>that that everybody's after in this film is what sixty

1318
00:58:07.320 --> 00:58:10.320
<v Speaker 2>Stories Underground fifty stories underground in the desert or whatever.

1319
00:58:10.880 --> 00:58:12.519
<v Speaker 2>It's down, it's underground.

1320
00:58:12.840 --> 00:58:14.760
<v Speaker 1>Okay, Oh I had the same thought already, know what

1321
00:58:14.760 --> 00:58:15.480
<v Speaker 1>you're gonna.

1322
00:58:15.199 --> 00:58:17.800
<v Speaker 2>Say, I'm not going to say it. Then, Yeah, did that?

1323
00:58:17.880 --> 00:58:20.000
<v Speaker 1>So that clearly makes any sense? It doesn't make any

1324
00:58:20.000 --> 00:58:22.480
<v Speaker 1>freaking sense. Yes, I'm like watching this, I'm like, okay,

1325
00:58:22.480 --> 00:58:24.920
<v Speaker 1>that that that wouldn't you know? You know? I was thinking.

1326
00:58:24.960 --> 00:58:28.400
<v Speaker 1>So in Pittsburgh there's a place called the Carnegie Science Center.

1327
00:58:28.440 --> 00:58:31.679
<v Speaker 1>Andrew Carnegie and built it, and it's a place Carnegie.

1328
00:58:31.679 --> 00:58:34.440
<v Speaker 1>You don't even start with Carnegie. Oh, I will turn

1329
00:58:34.480 --> 00:58:36.039
<v Speaker 1>this podcast around right now.

1330
00:58:36.159 --> 00:58:37.880
<v Speaker 2>Hold on, hold on, hold on, hold on, hold on,

1331
00:58:38.000 --> 00:58:38.760
<v Speaker 2>just give me a second.

1332
00:58:38.840 --> 00:58:43.039
<v Speaker 1>Yeah, where's he from? He's from Pittsburgh. Okay, you are

1333
00:58:43.079 --> 00:58:46.760
<v Speaker 1>the only person, granted you're from the Pittsburgh area. Yeah,

1334
00:58:46.800 --> 00:58:47.239
<v Speaker 1>you're the.

1335
00:58:47.119 --> 00:58:51.400
<v Speaker 2>Only person I've ever ever heard and a nationwide level, Yeah,

1336
00:58:51.480 --> 00:58:55.559
<v Speaker 2>including other people from Pittsburgh card not that I know

1337
00:58:55.719 --> 00:58:58.599
<v Speaker 2>other people. Yeah, I've never heard that. Yeah, a buddy

1338
00:58:58.639 --> 00:59:01.199
<v Speaker 2>of mine from New York about do you know Dale Carnegie?

1339
00:59:01.320 --> 00:59:04.000
<v Speaker 1>Yeah, and Carnegie Hall and all that. Jezz, there's definitely Carnegie.

1340
00:59:04.119 --> 00:59:06.280
<v Speaker 1>But he's Andrew Carnegie, and.

1341
00:59:06.480 --> 00:59:08.599
<v Speaker 2>So I'm never gonna get used to that.

1342
00:59:09.519 --> 00:59:11.960
<v Speaker 1>So the Carnegie Science Center's there, though, and they have

1343
00:59:12.000 --> 00:59:12.480
<v Speaker 1>a thing.

1344
00:59:12.440 --> 00:59:16.760
<v Speaker 2>Almost seems racist, quite frankly, like you're going, you know,

1345
00:59:17.639 --> 00:59:21.360
<v Speaker 2>I don't think that there's a whole lot of black

1346
00:59:21.400 --> 00:59:24.719
<v Speaker 2>people in central Pennsylvania, but it almost seems like you

1347
00:59:24.719 --> 00:59:25.800
<v Speaker 2>guys are going out of your way.

1348
00:59:25.880 --> 00:59:30.280
<v Speaker 1>Yeah, anyway, go ahead. But I say all that to say,

1349
00:59:30.440 --> 00:59:34.559
<v Speaker 1>they had an elevator in the Carnegie Science Center where

1350
00:59:34.760 --> 00:59:37.320
<v Speaker 1>there'd be like a minor and he would be taking

1351
00:59:37.360 --> 00:59:40.360
<v Speaker 1>you further and further into the Earth's crust, but you

1352
00:59:40.440 --> 00:59:43.079
<v Speaker 1>never actually opened the doors. It clearly didn't actually go anywhere.

1353
00:59:43.199 --> 00:59:45.119
<v Speaker 1>It would just rock back and forth while you were

1354
00:59:45.119 --> 00:59:47.519
<v Speaker 1>in there. And when you were seven, you thought you

1355
00:59:47.519 --> 00:59:49.280
<v Speaker 1>were going to the center of the Earth. But it's

1356
00:59:49.320 --> 00:59:51.559
<v Speaker 1>not that. But no, I say that to say, when

1357
00:59:51.559 --> 00:59:54.679
<v Speaker 1>you're twelve, you know this is a thing and the

1358
00:59:54.719 --> 00:59:57.599
<v Speaker 1>elevator isn't going anywhere, And they essentially are trying to

1359
00:59:57.639 --> 01:00:00.960
<v Speaker 1>convince you that these grown ask people fell for the

1360
01:00:01.000 --> 01:00:03.519
<v Speaker 1>fact that that elevator was going somewhere, Like I just

1361
01:00:03.760 --> 01:00:06.039
<v Speaker 1>it doesn't make any Oh, it was going somewhere, right,

1362
01:00:06.159 --> 01:00:09.639
<v Speaker 1>but not in the direction. That's what I was just

1363
01:00:09.679 --> 01:00:12.400
<v Speaker 1>like they they there's gotta you know, it doesn't make

1364
01:00:12.400 --> 01:00:14.519
<v Speaker 1>any sense. And I'm sitting there thinking of carnag and

1365
01:00:14.599 --> 01:00:16.639
<v Speaker 1>I'm like, who's following for this right now?

1366
01:00:16.719 --> 01:00:19.840
<v Speaker 2>There were certain and I mentioned too with the with

1367
01:00:19.880 --> 01:00:23.480
<v Speaker 2>the portrait at the at the Paris mansion. I brought

1368
01:00:23.519 --> 01:00:29.679
<v Speaker 2>that up to in regards to who with all these

1369
01:00:29.719 --> 01:00:34.159
<v Speaker 2>people here that are trained to sniff out bs, that

1370
01:00:34.199 --> 01:00:36.519
<v Speaker 2>are trained to fool people for a living. And this

1371
01:00:36.559 --> 01:00:37.960
<v Speaker 2>guy's like, oh wait a minute.

1372
01:00:39.320 --> 01:00:41.960
<v Speaker 1>Oh look at oh look at this guys.

1373
01:00:42.239 --> 01:00:45.119
<v Speaker 2>Yeah, that this is the stuff I'm talking about. That

1374
01:00:45.320 --> 01:00:48.599
<v Speaker 2>was The elements were there, but they needed it. This

1375
01:00:48.679 --> 01:00:51.679
<v Speaker 2>needed this script needed one more rewrite, not a rewrite,

1376
01:00:51.719 --> 01:00:54.960
<v Speaker 2>but it needed one final edit to go through it

1377
01:00:55.000 --> 01:00:59.920
<v Speaker 2>and fix these tweaks because it I spent two minutes

1378
01:01:00.039 --> 01:01:02.639
<v Speaker 2>thinking about this, right And I feel like if I

1379
01:01:02.679 --> 01:01:04.480
<v Speaker 2>had a few weeks to think about this, yeah, I

1380
01:01:04.480 --> 01:01:07.599
<v Speaker 2>could have easily come up disect with answers to like, oh,

1381
01:01:07.599 --> 01:01:09.159
<v Speaker 2>how do how do we fix this?

1382
01:01:09.400 --> 01:01:09.599
<v Speaker 1>Oh?

1383
01:01:09.679 --> 01:01:11.719
<v Speaker 2>You just do this? Oh yeah, perfect, that's much better

1384
01:01:11.719 --> 01:01:12.199
<v Speaker 2>than we had.

1385
01:01:12.360 --> 01:01:15.400
<v Speaker 1>Yeah, no, I agree. There there were definitely a couple

1386
01:01:15.440 --> 01:01:16.760
<v Speaker 1>of moments of that, and I mean, and I even

1387
01:01:16.800 --> 01:01:19.119
<v Speaker 1>said to you, like, I mean we're probably getting close

1388
01:01:19.159 --> 01:01:21.440
<v Speaker 1>to ratings here. But despite the fact that the plot

1389
01:01:21.639 --> 01:01:24.000
<v Speaker 1>was very similar to Running Man, or I shouldn't say

1390
01:01:24.039 --> 01:01:26.960
<v Speaker 1>the plot, the message of the movie is very similar

1391
01:01:27.000 --> 01:01:29.000
<v Speaker 1>to Running Man. I found myself, I don't know, I

1392
01:01:29.039 --> 01:01:31.639
<v Speaker 1>don't know if i'd agree with that really now, I

1393
01:01:31.639 --> 01:01:33.800
<v Speaker 1>guess it's more so just like a ninety nine percent

1394
01:01:33.880 --> 01:01:37.440
<v Speaker 1>one percent totally. They flat out referred to themselves as

1395
01:01:37.559 --> 01:01:40.360
<v Speaker 1>anti capitalist magicians in this movie. I'm like, Oh, this

1396
01:01:40.400 --> 01:01:43.719
<v Speaker 1>is a freaking charged way to describe yourself in this climate.

1397
01:01:43.800 --> 01:01:47.000
<v Speaker 1>Like that's a falsy move, but like there's definitely an

1398
01:01:47.039 --> 01:01:49.800
<v Speaker 1>element of like, here's the Blood Diamond people and the

1399
01:01:49.800 --> 01:01:51.880
<v Speaker 1>way they take advantage of people, and that's always been

1400
01:01:51.880 --> 01:01:53.679
<v Speaker 1>the theme of these movies, and that very much. It

1401
01:01:53.800 --> 01:01:55.800
<v Speaker 1>was like, here's the media people and how they take

1402
01:01:55.840 --> 01:01:58.199
<v Speaker 1>advantage of people. In Running Man, I think there's a

1403
01:01:58.280 --> 01:02:00.920
<v Speaker 1>very similar message of what the movie is. I guess

1404
01:02:00.920 --> 01:02:05.199
<v Speaker 1>I agree, and and I found myself thoroughly more engaged

1405
01:02:05.280 --> 01:02:08.840
<v Speaker 1>and questioning less in Running Man. Despite the fact that

1406
01:02:08.880 --> 01:02:11.960
<v Speaker 1>there were just as many plot holes and logical inconsistencies

1407
01:02:11.960 --> 01:02:12.400
<v Speaker 1>in that one.

1408
01:02:12.480 --> 01:02:15.079
<v Speaker 2>Is that I didn't notice it as much, Right, That's.

1409
01:02:14.840 --> 01:02:19.360
<v Speaker 1>Just it is. It wasn't as apparent as it was yesterday.

1410
01:02:19.559 --> 01:02:21.760
<v Speaker 1>But nevertheless, do you know what Ariana? Did you know

1411
01:02:21.800 --> 01:02:25.800
<v Speaker 1>Ariana green Blatz is in Marvel? Ariana Greenblat? Who do I?

1412
01:02:25.920 --> 01:02:28.400
<v Speaker 1>That's Rune? That's that's that's the eighteen year old we

1413
01:02:28.400 --> 01:02:29.519
<v Speaker 1>were talking about. You know she's in Marble.

1414
01:02:29.639 --> 01:02:32.599
<v Speaker 2>No, that's not that's her name. Yeah, Oh that's her

1415
01:02:32.599 --> 01:02:34.920
<v Speaker 2>real name, June June, June June.

1416
01:02:35.000 --> 01:02:37.199
<v Speaker 1>Yeah. No, who who is she in the Marble? So

1417
01:02:37.239 --> 01:02:39.239
<v Speaker 1>I was I had her filmography up because I didn't

1418
01:02:39.239 --> 01:02:40.800
<v Speaker 1>recognize any of it, and like, as soon as I

1419
01:02:40.840 --> 01:02:42.639
<v Speaker 1>say the movie, you'll probably give it away because now

1420
01:02:42.639 --> 01:02:45.280
<v Speaker 1>that we know she's eighteen? How many people? Was she

1421
01:02:45.320 --> 01:02:49.000
<v Speaker 1>in Miss Marvel? She in the Marvels? Was she in

1422
01:02:49.280 --> 01:02:50.599
<v Speaker 1>x Men? Is she gonna beet one of the x

1423
01:02:50.639 --> 01:02:53.519
<v Speaker 1>Men movies? No, she's been in. She in one already

1424
01:02:55.639 --> 01:03:03.559
<v Speaker 1>and you've definitely seen it. Man boy, think about one

1425
01:03:03.559 --> 01:03:08.280
<v Speaker 1>of the most impressive Hollywood achievements ever in the form.

1426
01:03:08.440 --> 01:03:12.159
<v Speaker 1>She was an Endgame half we were the close. She

1427
01:03:12.199 --> 01:03:15.079
<v Speaker 1>was an Infinity War Yeah, and I'm trying to remember

1428
01:03:15.079 --> 01:03:17.440
<v Speaker 1>who she would have been she Did she play like

1429
01:03:17.480 --> 01:03:23.440
<v Speaker 1>a superhero super villain? Nope? Was technically then I see

1430
01:03:23.440 --> 01:03:25.480
<v Speaker 1>as soon as I saw it was Infinity War, I'm like, oh,

1431
01:03:25.519 --> 01:03:26.960
<v Speaker 1>it has to be this person.

1432
01:03:26.800 --> 01:03:29.400
<v Speaker 2>And it was Yeah, how much of the movie are

1433
01:03:29.400 --> 01:03:29.800
<v Speaker 2>they in.

1434
01:03:30.960 --> 01:03:35.199
<v Speaker 1>Two or three minutes? I give up? She's young Mora.

1435
01:03:36.559 --> 01:03:39.920
<v Speaker 1>Oh really yeah, oh I I would not have guessed

1436
01:03:39.920 --> 01:03:42.679
<v Speaker 1>that really immediately, I'm like, this has to be right,

1437
01:03:42.719 --> 01:03:45.440
<v Speaker 1>but I looked it up just to be sure. But yeah,

1438
01:03:45.679 --> 01:03:47.840
<v Speaker 1>about that. After you snap your fingers, that's who you

1439
01:03:47.880 --> 01:03:51.119
<v Speaker 1>go and talk to. Yeah, what did it cost you? Everything? Everything?

1440
01:03:53.559 --> 01:03:54.360
<v Speaker 2>Okay? Good stuff?

1441
01:03:54.519 --> 01:03:56.480
<v Speaker 1>Can it work? Yeah? All right, I think we're all right.

1442
01:03:56.559 --> 01:03:59.960
<v Speaker 2>Anything else to say on the on this, Uh, like

1443
01:04:00.039 --> 01:04:04.519
<v Speaker 2>I've exhausted everything we've talked about. Eisenberg, Merret McKinney, Dave Franco,

1444
01:04:05.880 --> 01:04:10.039
<v Speaker 2>the New Horseman, I think, uh, for me, get a

1445
01:04:10.079 --> 01:04:11.280
<v Speaker 2>lot of credibility right away.

1446
01:04:12.320 --> 01:04:14.159
<v Speaker 1>It's it's gonna be. They're the new Avengers to me,

1447
01:04:14.199 --> 01:04:16.719
<v Speaker 1>and not the Thunderbolts. I mean the new Avengers at

1448
01:04:16.719 --> 01:04:20.039
<v Speaker 1>the end of the even realistically, the new the Thunderbolts

1449
01:04:20.039 --> 01:04:21.679
<v Speaker 1>are going to take some time for them to grow

1450
01:04:21.719 --> 01:04:22.960
<v Speaker 1>on me a little bit. Well.

1451
01:04:23.000 --> 01:04:24.559
<v Speaker 2>The other thing with Thunderbolts not that I want to

1452
01:04:24.599 --> 01:04:27.400
<v Speaker 2>turn this into Marble. They're competing against so much, right,

1453
01:04:27.800 --> 01:04:30.599
<v Speaker 2>the Thunderbolts are competing against We found out at the

1454
01:04:30.679 --> 01:04:33.519
<v Speaker 2>end of Fantastic Four there's a lawsuit filed against them

1455
01:04:33.920 --> 01:04:37.960
<v Speaker 2>for utilizing it. So we know that Captain America and

1456
01:04:38.400 --> 01:04:43.599
<v Speaker 2>Falcon New Falcon have their team, the Young Avengers have

1457
01:04:43.679 --> 01:04:49.360
<v Speaker 2>their team, the Fantastic Four coming around the Blanket X Men.

1458
01:04:50.119 --> 01:04:52.079
<v Speaker 2>So it's just like, this is like bigger than the

1459
01:04:52.119 --> 01:04:54.880
<v Speaker 2>Avengers now at this point, it's much bigger. And then

1460
01:04:54.880 --> 01:04:57.480
<v Speaker 2>you get like battle World or whatever coming up with

1461
01:04:57.559 --> 01:04:59.039
<v Speaker 2>doomsday and like and.

1462
01:04:59.559 --> 01:05:03.159
<v Speaker 1>Tony dark is is Victor von dum Yeah, I mean

1463
01:05:03.559 --> 01:05:06.480
<v Speaker 1>guy says we can't spoil anything. He's running around, has

1464
01:05:06.519 --> 01:05:09.320
<v Speaker 1>been on the internet for years. My dad hears this.

1465
01:05:09.400 --> 01:05:11.039
<v Speaker 1>He definitely didn't know that was gonna happen.

1466
01:05:11.199 --> 01:05:13.599
<v Speaker 2>Well, then your dad is I'm sorry. I'm just I'm

1467
01:05:13.639 --> 01:05:15.639
<v Speaker 2>assuming certain people are on the internet. I was at

1468
01:05:15.719 --> 01:05:20.000
<v Speaker 2>I was at the Harley Homecoming festival last year, getting

1469
01:05:20.159 --> 01:05:23.840
<v Speaker 2>ready to watch was it Cypress Hill? No, it was

1470
01:05:23.960 --> 01:05:26.079
<v Speaker 2>after Cypress Hill. Who's coming on? After Oh Red Hot

1471
01:05:26.159 --> 01:05:28.239
<v Speaker 2>Chili Peppers, Oh Cool? I was getting ready for that.

1472
01:05:28.280 --> 01:05:30.559
<v Speaker 2>All of a sudden, my phone is blowing up because

1473
01:05:31.119 --> 01:05:33.519
<v Speaker 2>Comic Con was going on, and they just revealed Robert

1474
01:05:33.559 --> 01:05:34.159
<v Speaker 2>town Jr.

1475
01:05:34.199 --> 01:05:38.480
<v Speaker 1>As I'm like, what is it? All right? It was,

1476
01:05:38.679 --> 01:05:41.199
<v Speaker 1>and like and like, uh, it's so funny. One of

1477
01:05:41.199 --> 01:05:43.480
<v Speaker 1>that because I've watched the reveals, like everybody has their

1478
01:05:43.480 --> 01:05:46.119
<v Speaker 1>own YouTube reveals, and and so this one guy was

1479
01:05:46.159 --> 01:05:48.280
<v Speaker 1>like filming it and they're like, oh, the one person

1480
01:05:48.320 --> 01:05:50.760
<v Speaker 1>that could that could ever play Victor von dum or whatever.

1481
01:05:50.960 --> 01:05:53.119
<v Speaker 1>And then this guy is filming at this idiot. This

1482
01:05:53.159 --> 01:05:55.920
<v Speaker 1>guy is filming it right as is taking his mask off.

1483
01:05:55.920 --> 01:06:02.639
<v Speaker 1>He's like, it's Jared Leto. That's very tough. I do

1484
01:06:02.760 --> 01:06:04.960
<v Speaker 1>want to I'll bring this back to the movie here

1485
01:06:05.000 --> 01:06:07.880
<v Speaker 1>from Marvel, please, but I'm gonna have to use it

1486
01:06:07.880 --> 01:06:11.079
<v Speaker 1>because you said you were researching this movie in the

1487
01:06:11.159 --> 01:06:13.719
<v Speaker 1>lead up too, And I have to say, as much

1488
01:06:13.760 --> 01:06:16.159
<v Speaker 1>as Ai bothers, me and I have tried to become

1489
01:06:16.199 --> 01:06:18.000
<v Speaker 1>the opposite of that as I get older, because I

1490
01:06:18.039 --> 01:06:20.320
<v Speaker 1>think I spoiled so much of Phase one, two and

1491
01:06:20.400 --> 01:06:22.360
<v Speaker 1>three of Marvel by researching the shit out of it

1492
01:06:22.639 --> 01:06:24.320
<v Speaker 1>that there was some stuff that would have blown my

1493
01:06:24.360 --> 01:06:26.239
<v Speaker 1>mind that didn't catch me as off guard as I

1494
01:06:26.280 --> 01:06:28.599
<v Speaker 1>would have as I wanted it to. So I kind

1495
01:06:28.599 --> 01:06:31.679
<v Speaker 1>of avoid that stuff. What's interesting is that I see

1496
01:06:31.719 --> 01:06:33.559
<v Speaker 1>it with Doomsday, and I'm willing to bet I don't

1497
01:06:33.559 --> 01:06:35.320
<v Speaker 1>know if these now You See Me movies are high

1498
01:06:35.400 --> 01:06:38.480
<v Speaker 1>enough cachet to pull it off. Eighty percent of what's

1499
01:06:38.480 --> 01:06:40.840
<v Speaker 1>out there now is deep fakes. There's a chance that

1500
01:06:40.880 --> 01:06:43.719
<v Speaker 1>I've seen real stuff that's gonna happen in Doomsday, but

1501
01:06:43.800 --> 01:06:45.920
<v Speaker 1>I don't know that I saw it because there's so

1502
01:06:46.000 --> 01:06:49.559
<v Speaker 1>much other fake information that looks real. People. Have you

1503
01:06:49.639 --> 01:06:52.840
<v Speaker 1>seen the pictures of like the entire old school X

1504
01:06:52.920 --> 01:06:56.000
<v Speaker 1>Men cast just hanging out talking behind the scenes in

1505
01:06:56.159 --> 01:07:01.039
<v Speaker 1>like their cartoon accurate outfits in live action And I'm

1506
01:07:01.079 --> 01:07:03.719
<v Speaker 1>just like, okay, so is this either going to piss

1507
01:07:03.719 --> 01:07:05.599
<v Speaker 1>me off? And they're standing there and it's like six

1508
01:07:05.800 --> 01:07:08.480
<v Speaker 1>X Men with Toby Maguire Spider Man, and I'm like, okay,

1509
01:07:08.760 --> 01:07:11.519
<v Speaker 1>so this is either spoiling it like everybody's saying it,

1510
01:07:11.599 --> 01:07:14.320
<v Speaker 1>say I, and like I'm saying, like the era of

1511
01:07:14.360 --> 01:07:17.039
<v Speaker 1>being able to spoil this stuff for yourself, You may

1512
01:07:17.119 --> 01:07:19.840
<v Speaker 1>spoil it, but you're never gonna know enough to know

1513
01:07:19.880 --> 01:07:22.199
<v Speaker 1>if you spoiled it or just read another deep fake.

1514
01:07:22.239 --> 01:07:25.239
<v Speaker 1>And I actually love that because we have spoiled way

1515
01:07:25.280 --> 01:07:28.480
<v Speaker 1>too much shit for ourselves, and like, it's not like

1516
01:07:28.480 --> 01:07:31.119
<v Speaker 1>like I knew we were gonna snap away everybody in

1517
01:07:31.119 --> 01:07:33.800
<v Speaker 1>Infinity War in that movie. I didn't lose anything from

1518
01:07:33.800 --> 01:07:36.920
<v Speaker 1>that because I knew the story. I didn't, you see,

1519
01:07:36.920 --> 01:07:39.199
<v Speaker 1>I had read the original, so I knew where he

1520
01:07:39.280 --> 01:07:43.519
<v Speaker 1>was ultimately headed. And I didn't lose anything. But if I,

1521
01:07:43.639 --> 01:07:45.559
<v Speaker 1>like my brother and I happen to be at the

1522
01:07:45.599 --> 01:07:47.840
<v Speaker 1>same theater, we didn't go together, but we happened to be.

1523
01:07:48.159 --> 01:07:49.920
<v Speaker 1>He did not know how that movie was gonna end.

1524
01:07:50.079 --> 01:07:52.000
<v Speaker 1>I'm walking out with my girlfriend. He's walking out with

1525
01:07:52.039 --> 01:07:54.320
<v Speaker 1>his girlfriend and he happens to drive past me when

1526
01:07:54.360 --> 01:07:55.840
<v Speaker 1>I'm walking out. He goes, Dude, he goes, I know

1527
01:07:55.880 --> 01:07:57.679
<v Speaker 1>you're at this movie. I'm like me, neither. He goes,

1528
01:07:58.519 --> 01:08:01.079
<v Speaker 1>what the F You're like, yeah, man, tell me about it,

1529
01:08:01.119 --> 01:08:02.960
<v Speaker 1>like he was like, and he never acts that way

1530
01:08:03.000 --> 01:08:05.320
<v Speaker 1>about movies. Like I'm like, oh, I'm jealous of that

1531
01:08:05.360 --> 01:08:06.199
<v Speaker 1>feeling right now.

1532
01:08:06.400 --> 01:08:08.920
<v Speaker 2>I did not. I did not see it opening night,

1533
01:08:09.480 --> 01:08:11.639
<v Speaker 2>and I think I had a show or something going on,

1534
01:08:11.679 --> 01:08:12.840
<v Speaker 2>so I couldn't see it. I was gonna see it

1535
01:08:12.880 --> 01:08:15.159
<v Speaker 2>the next day, and I couldn't.

1536
01:08:14.840 --> 01:08:16.680
<v Speaker 1>Resist, you know, me, I can't. Yeah.

1537
01:08:16.720 --> 01:08:19.079
<v Speaker 2>I went on the internet and I think it was

1538
01:08:19.159 --> 01:08:25.199
<v Speaker 2>Variety or something, and somebody posted, here's here's the fallout

1539
01:08:25.279 --> 01:08:28.279
<v Speaker 2>from all those superheroes dying at the end of Infinity War.

1540
01:08:28.880 --> 01:08:30.760
<v Speaker 2>And I'm and I'm looking at it, and they're showing

1541
01:08:30.760 --> 01:08:34.000
<v Speaker 2>these these still images of you know, Scarlet Witch turning

1542
01:08:34.039 --> 01:08:36.439
<v Speaker 2>to dust and Falcon turning to dust and everybody you know,

1543
01:08:37.159 --> 01:08:41.760
<v Speaker 2>and I'm like, oh my god, well, this clearly isn't real.

1544
01:08:42.119 --> 01:08:45.119
<v Speaker 2>Yeah back then, back then, I just thought it was fake.

1545
01:08:45.600 --> 01:08:48.239
<v Speaker 2>So then I actually see the movie and I'm like,

1546
01:08:48.760 --> 01:08:52.800
<v Speaker 2>my god, it was it real? And then all of a

1547
01:08:52.760 --> 01:08:55.479
<v Speaker 2>sudden they started I'm like, oh my, it's I I

1548
01:08:55.600 --> 01:08:58.600
<v Speaker 2>spoiled it. I still didn't believe it, and then I

1549
01:08:58.640 --> 01:08:59.520
<v Speaker 2>had the same reaction.

1550
01:08:59.640 --> 01:09:03.600
<v Speaker 1>And that's the world we live in. Six out of ten,

1551
01:09:04.760 --> 01:09:06.960
<v Speaker 1>I'm gonna go seven and a half on this.

1552
01:09:07.119 --> 01:09:11.239
<v Speaker 2>I Like I said, I my biggest critique on this

1553
01:09:11.960 --> 01:09:14.319
<v Speaker 2>was that it was just it was too repetitive from

1554
01:09:14.359 --> 01:09:17.600
<v Speaker 2>the second one. But ultimately I love the second one,

1555
01:09:17.800 --> 01:09:19.760
<v Speaker 2>so why wouldn't I love this one. Well, it's because

1556
01:09:19.800 --> 01:09:21.680
<v Speaker 2>it was a lot of the same stuff. But that's okay.

1557
01:09:21.760 --> 01:09:25.439
<v Speaker 2>I still enjoyed it cannot go lower than a seven. Also,

1558
01:09:25.439 --> 01:09:28.000
<v Speaker 2>couldn't give it an eight seven and a half.

1559
01:09:28.039 --> 01:09:30.279
<v Speaker 1>You think the second one was better than though, just

1560
01:09:30.319 --> 01:09:34.920
<v Speaker 1>based on typically yes, because and what did you make

1561
01:09:34.960 --> 01:09:38.319
<v Speaker 1>of the big reveal at the end, like the final

1562
01:09:38.319 --> 01:09:43.359
<v Speaker 1>trick reveal, like the whole Oh, I thought it was

1563
01:09:43.399 --> 01:09:45.680
<v Speaker 1>well done outside of the element you're talking about, like the.

1564
01:09:46.000 --> 01:09:49.000
<v Speaker 2>Whole the whole thing, the whole process, the whole lead up,

1565
01:09:49.000 --> 01:09:49.840
<v Speaker 2>the set up everything.

1566
01:09:50.359 --> 01:09:56.039
<v Speaker 1>So so to me, it was like you've said.

1567
01:09:55.880 --> 01:09:58.720
<v Speaker 2>This before when when you're watching a movie and you're like, oh,

1568
01:09:58.760 --> 01:10:00.880
<v Speaker 2>I've seen this movie before, I seen this done before,

1569
01:10:01.479 --> 01:10:04.000
<v Speaker 2>And I'm kind of like, ah, well, you know, it

1570
01:10:04.119 --> 01:10:06.520
<v Speaker 2>was a little bit of a letdown, but not a

1571
01:10:06.520 --> 01:10:09.960
<v Speaker 2>massive one. And uh and and so I think that's

1572
01:10:10.000 --> 01:10:12.960
<v Speaker 2>my biggest problem with this. But I do like the

1573
01:10:13.039 --> 01:10:14.720
<v Speaker 2>lead up that we're going to see a fourth one

1574
01:10:14.800 --> 01:10:18.640
<v Speaker 2>hopefully yeah, and hopefully soon, and hopefully Morgan Freeman's in it.

1575
01:10:19.039 --> 01:10:21.239
<v Speaker 2>But I don't know, you never.

1576
01:10:21.159 --> 01:10:24.079
<v Speaker 1>Know exactly the best horror movie that I would like

1577
01:10:24.119 --> 01:10:26.039
<v Speaker 1>to see Daniel Radcliffe come back for the I have

1578
01:10:26.079 --> 01:10:28.760
<v Speaker 1>a feeling he will, he will, yeah, But the best

1579
01:10:28.760 --> 01:10:30.279
<v Speaker 1>horror movie I've seen since.

1580
01:10:30.159 --> 01:10:32.439
<v Speaker 2>Him and Rosamund Pike teaming up to take down the horse.

1581
01:10:32.520 --> 01:10:34.520
<v Speaker 1>That's what I'm saying. I like, add a little bit

1582
01:10:34.560 --> 01:10:34.800
<v Speaker 1>of that.

1583
01:10:34.800 --> 01:10:38.039
<v Speaker 2>And Andy Garcia just throw him get Terry benedict in

1584
01:10:38.079 --> 01:10:38.239
<v Speaker 2>on this.

1585
01:10:38.479 --> 01:10:41.600
<v Speaker 1>But I I love Smile. I think the original Smile

1586
01:10:41.640 --> 01:10:42.960
<v Speaker 1>is one of the best things to come out in

1587
01:10:43.000 --> 01:10:45.359
<v Speaker 1>a decade. Smile two is the exact same movie in

1588
01:10:45.399 --> 01:10:47.239
<v Speaker 1>every way. If I saw a Smile too first, I'd

1589
01:10:47.239 --> 01:10:49.479
<v Speaker 1>probably tell you that was the better one because it's

1590
01:10:49.520 --> 01:10:50.359
<v Speaker 1>the same Smile.

1591
01:10:50.479 --> 01:10:51.439
<v Speaker 2>She was the same as Smile.

1592
01:10:51.600 --> 01:10:54.479
<v Speaker 1>It's the same movie, just a different. Instead of being

1593
01:10:54.520 --> 01:10:57.720
<v Speaker 1>a psychiatrist, she's a pop singer, but the same, it's

1594
01:10:57.760 --> 01:11:00.279
<v Speaker 1>the same plot points, has the exact same.

1595
01:11:00.760 --> 01:11:02.800
<v Speaker 2>The twenty one and twenty two Jump Street movies, I

1596
01:11:02.840 --> 01:11:06.199
<v Speaker 2>mean twenty two Jump Street. Like just points that out, like,

1597
01:11:06.199 --> 01:11:09.159
<v Speaker 2>like Nick Offerman, is that his name Nick Afferman from yes,

1598
01:11:09.199 --> 01:11:13.319
<v Speaker 2>where He's like saying, just do the same thing again. Yes,

1599
01:11:13.399 --> 01:11:16.600
<v Speaker 2>it's the exact same you know it like and and

1600
01:11:16.640 --> 01:11:19.840
<v Speaker 2>we as the audience are like, well, but it's a

1601
01:11:19.880 --> 01:11:21.520
<v Speaker 2>it's a comedy, so it's a little bit different, so

1602
01:11:21.560 --> 01:11:22.720
<v Speaker 2>we can actually respect it a little.

1603
01:11:22.760 --> 01:11:25.399
<v Speaker 1>But when you when you take the chances, you chance

1604
01:11:25.560 --> 01:11:28.600
<v Speaker 1>everybody like Megan two point zero. You chance there and

1605
01:11:28.680 --> 01:11:30.520
<v Speaker 1>being like I actually kind of hated that compared to

1606
01:11:30.560 --> 01:11:33.319
<v Speaker 1>the first one. Yes, or you say I actually kind

1607
01:11:33.319 --> 01:11:35.079
<v Speaker 1>of love that compared to the first one. Not with Megan,

1608
01:11:35.119 --> 01:11:37.119
<v Speaker 1>but you like with Terminator too. Instead of making the

1609
01:11:37.119 --> 01:11:39.560
<v Speaker 1>same thing again, you're like, I'm gonna do something totally different. Yeah,

1610
01:11:39.640 --> 01:11:42.039
<v Speaker 1>and uh with this, what we're seeing is they're like,

1611
01:11:42.079 --> 01:11:44.159
<v Speaker 1>let's not take the chance, let's not roll the dice.

1612
01:11:44.359 --> 01:11:46.159
<v Speaker 1>No one's gonna think this is the best one, but

1613
01:11:46.199 --> 01:11:48.199
<v Speaker 1>nobody's gonna come out of it hating it. And the

1614
01:11:48.760 --> 01:11:49.640
<v Speaker 1>cast is strong.

1615
01:11:49.800 --> 01:11:53.680
<v Speaker 2>Yeah, anytime you have magic and twists, like you know,

1616
01:11:54.119 --> 01:11:55.600
<v Speaker 2>you know, the writing is gonna be good.

1617
01:11:56.039 --> 01:11:57.159
<v Speaker 1>Yeah, and it was good.

1618
01:11:57.479 --> 01:11:58.039
<v Speaker 2>It wasn't great.

1619
01:11:58.199 --> 01:12:00.279
<v Speaker 1>Yeah. That's where I'm at with it here. We don't

1620
01:12:00.319 --> 01:12:02.600
<v Speaker 1>know where we're going with this show. For me, there's

1621
01:12:02.600 --> 01:12:04.079
<v Speaker 1>not a lot of good stuff out there. I do

1622
01:12:04.159 --> 01:12:05.880
<v Speaker 1>want to do the Five Nights movie, but I don't

1623
01:12:05.880 --> 01:12:07.600
<v Speaker 1>even know if that's coming out till two weekends from now.

1624
01:12:07.640 --> 01:12:09.760
<v Speaker 1>I think we have two weekends from that, but we'll

1625
01:12:09.800 --> 01:12:11.520
<v Speaker 1>figure it out. We'll talk a little bit off the air,

1626
01:12:11.560 --> 01:12:14.119
<v Speaker 1>but until then, that's bulky. I'm Ben this is off topic.

1627
01:12:14.359 --> 01:12:16.680
<v Speaker 1>Have a good Thanksgiving everybody. We'll talk to you next week.
